TERMS STARTING WITH
TERMS ANYWHERE
Academy: (Gr. akademia) A gymnasium in the suburbs of Athens, named after the hero Academus, where Plato first taught; hence, the Platonic school of philosophy. Plato and his immediate successors are called the Old Academy; the New Academy begins with Arcesilaus (c. 315-c. 241 B.C.), and is identified with its characteristic doctrine, probabilism (q.v.). -- G.R.M.
academy ::: n. --> A garden or grove near Athens (so named from the hero Academus), where Plato and his followers held their philosophical conferences; hence, the school of philosophy of which Plato was head.
An institution for the study of higher learning; a college or a university. Popularly, a school, or seminary of learning, holding a rank between a college and a common school.
A place of training; a school.
A society of learned men united for the advancement of the
achillean ::: a. --> Resembling Achilles, the hero of the Iliad; invincible. html{color:
aeneid ::: n. --> The great epic poem of Virgil, of which the hero is Aeneas.
Agrippa II ::: (28-92 CE) The last king of the Herodian line (50-92). Agrippa II was educated in Rome. When the Jewish revolt broke, Agrippa II tried in vain to convince the Jewish people to stop it. He then joined the Romans and took part in their fight against the Jews.
Apsaras ::: Sri Aurobindo: “The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
apsaras ::: Sri Aurobindo: "The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
Apsaras ::: “The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana.
Arjuna (S) Friend and disciple of Shri Krishna who revealed to him the Baghavad Gita. One of the heroes from the Hindu epic Mahabharata
bard ::: n. --> A professional poet and singer, as among the ancient Celts, whose occupation was to compose and sing verses in honor of the heroic achievements of princes and brave men.
Hence: A poet; as, the bard of Avon.
Alt. of Barde
The exterior covering of the trunk and branches of a tree; the rind.
Specifically, Peruvian bark.
Beelzebub’s Tales to His Grandson, the hero is
Bennu (Egyptian) Bennu. Also Benu, Benoo. A bird of the heron species, identified with the phoenix. It was prominent in Egyptian mythology, being associated with the sun: it was said to have come into being from the fire which burned at the top of the sacred Persea Tree; that the renewed morning sun rose in the form of the bennu; and that it was the soul of Ra, the sun god. The sanctuary of the bennu was likewise that of Ra and of Osiris. A hymn in the Book of the Dead says: “I go in like the Hawk, and I come forth like the Bennu, the Morning Star (i.e., the planet Venus) of Ra” (xiii 2). Blavatsky terms the bennu “the bird of resurrection in Eternity . . . in whom night follows the day, and day the night — an allusion to the periodical cycles of cosmic resurrection and human re-incarnation” (SD 1:312).
bittern ::: n. --> A wading bird of the genus Botaurus, allied to the herons, of various species. ::: a. --> The brine which remains in salt works after the salt is concreted, having a bitter taste from the chloride of magnesium which it contains.
bluebeard ::: n. --> The hero of a mediaeval French nursery legend, who, leaving home, enjoined his young wife not to open a certain room in his castle. She entered it, and found the murdered bodies of his former wives. -- Also used adjectively of a subject which it is forbidden to investigate.
Chandravansa (Sanskrit) Candravaṃśa [from candra moon + vaṃśa lineage, race] Also Chandravamsa. The lunar race; one of the two great royal dynasties of ancient India. As related in the Vishnu-Purana, Soma (the moon), the child of the rishi Atri, gave birth to Budha (Mercury) who married Ila, daughter of the other great royal dynasty, the Suryavansa (solar race). Her descendants, Yadu and Puru, founded the two great branches of the Chandravansa (named respectively Yadava and Paurava). The last important scion of the race of Yadu was the avatara Krishna. In the race of Puru were born Pandu and Dhritarashtra — parents respectively of the Pandavas and Kurus, the heroes of the Mahabharata enumerated in the Bhagavad-Gita (ch 1). “In Occultism, man is called a solar-lunar being, solar in his higher triad, and lunar in his quaternary. Moreover, it is the Sun who imparts his light to the Moon, in the same way as the human triad sheds its divine light on the mortal shell of sinful man. Life celestial quickens life terrestrial” (TG 76).
climax: Indicates the arrival of any time of crucial intensity in a play or narrative. It is also a word used to show that particular moment when the rising action leads to a peak in the destinies of the hero or heroine.
cryal ::: n. --> The heron
cultirostral ::: a. --> Having a bill shaped like the colter of a plow, or like a knife, as the heron, stork, etc.
Eabani (Babylonian) Created by Ea; the hero-companion of Izdubar (Gilgamesh) in the epic of Gilgamesh. Here he is created by Ea upon supplication by the people to send them a champion to deliver them from the tyranny of Izdubar. Eabani, however, becomes his bosom-friend and fellow-traveler, acting as guide when Izdubar descends to the regions of the dead. See also MARDUK
Eddas: The heroic literature of the old Norse, written in Old Icelandic (12th-13th centuries A.D.); our chief source of knowledge of Norse mythology.
elder days ::: The heroic age of hackerdom (roughly, pre-1980); the era of the PDP-10, TECO, ITS and the ARPANET. This term has been rather consciously adopted from J. R. R. Tolkien's fantasy epic The Lord of the Rings.Compare Iron Age. See also elvish and Great Worm.[Jargon File]
elder days The heroic age of hackerdom (roughly, pre-1980); the era of the {PDP-10}, {TECO}, {ITS} and the {ARPANET}. This term has been rather consciously adopted from J. R. R. Tolkien's fantasy epic "The Lord of the Rings". Compare {Iron Age}. See also {elvish} and {Great Worm}. [{Jargon File}]
Fafnir A mythical dragon in the Norse Edda. In the long and involved saga of the Children of the Mist (Niflungar, best known as the Wagnerian Nibelungen), Fáfnir slew his father for his golden treasure, which had been cursed by the dwarf Andvari [from and spirit + vari watcher or guardian]. Fáfnir assumed the form of a dragon and lay guarding the gold on Gnipaheden (high heath). His brother Regin, desiring to share the gold, persuaded his ward, the hero Sigurd, to kill the dragon and cook its heart for him. When Sigurd did so, he burnt his finger. Instinctively putting it in his mouth, he found that, as soon as the dragon’s heart-blood touched his tongue, he became able to understand the language and messages of the birds.
From another standpoint, however, Greek mythology represents the centaurs as being wiser than men: thus Chiron, son of Kronos and Philyra, most famous of the Centaurs, is a teacher not only of the heroes, but instructed Apollo and Diana in hunting, medicine, music, and the art of prophecy. Later, centaurs were shown as forming part of the following of Dionysus.
Ge sar. A legendary king who is the hero of the most famous Tibetan cycle of epic poetry, traditionally sung by bards; it is said to be the longest work of literature in the world. The songs recount the birth and adventures of Ge sar, the king of the land of Gling. The name Ge sar apparently derives from Zoroastrian sources and stories of Ge sar appear in a number of Central Asian languages. It is unclear whether Ge sar was a historical figure; elements of the songs seem to derive from the period of the later dissemination (PHYI DAR) of Buddhism to Tibet, although the earliest version of the songs in the form they are known today dates to the fifteenth century. In the songs, the world has fallen into chaos and various gods such as Brahmā and sAKRA, and various Buddhist figures, such as PADMASAMBHAVA and the buddha AMITĀBHA, decide that a hero should descend into the world to restore order. That hero is Ge sar, who defeats many foes, including the evil king of Hor.
hammerkop ::: n. --> A bird of the Heron family; the umber.
herodiones ::: n. pl. --> A division of wading birds, including the herons, storks, and allied forms. Called also Herodii.
heroic ::: a. --> Of or pertaining to, or like, a hero; of the nature of heroes; distinguished by the existence of heroes; as, the heroic age; an heroic people; heroic valor.
Worthy of a hero; bold; daring; brave; illustrious; as, heroic action; heroic enterprises.
Larger than life size, but smaller than colossal; -- said of the representation of a human figure.
heroicomical ::: a. --> Combining the heroic and the ludicrous; denoting high burlesque; as, a heroicomic poem.
heroner ::: n. --> A hawk used in hunting the heron.
heron ::: n. --> Any wading bird of the genus Ardea and allied genera, of the family Ardeidae. The herons have a long, sharp bill, and long legs and toes, with the claw of the middle toe toothed. The common European heron (Ardea cinerea) is remarkable for its directly ascending flight, and was formerly hunted with the larger falcons.
hero: the leading character or protagonist in a narrative. Generally, in modern terminology, the hero is good and male. A female hero is called a heroine. The opposite of the hero is the anti-hero.
Hesiodic Cosmogony The cosmogony and theogony of Hesiod, the Greek poet-philosopher of the 8th century BC, are historical but need interpretation to understand the symbology involved and to filter out the accumulation of minor myths which have been mingled with it. His two great works are Works and Days and Theogony. Among the features he mentions are: that gods and mortals have one common origin; that there have been four races preceding ours — called golden, silver, bronze, and iron, the fourth being that of the heroes who fell at Thebes and Troy; that seven is a sacred number in days and in constellations; that the beginning of all things was Chaos (Hesiod having the singular restraint to say nothing about what preceded Chaos); that “night” came before “day.” The giants he mentions parallel the asuras and suras and are reminiscences of Atlanteans. His three cyclopes are said to have been representative figures for the last three subraces of Lemuria, and also for three polar continents (SD 2:769, 776). His Prometheus typifies the Greek moral ideal in representing this rebel demigod as the benefactor of mankind, in contrast with the Christian Satan.
Horse In the ancient Mediterranean and Northern European mythologies, used in connection with the sun and standing as a symbol for the solar powers or the sun itself. The sun is frequently represented in ancient thought as being drawn along the heavens by means of horses. In ancient Persia and Greece, individual heroes, as for instance Hushenk and Bellerophon, are said to have obtained mastery over and consequent use of wonderful horses with which they were enabled to approach the sun. In Scandinavian mythology, horses were represented as carrying the heroes into the under- and over-world, and as mounts of the Valkyries they bore the fallen heroes to Valhalla.
Horus: The Greek form of the name Hern-ra-ha, the Egyptian god who comprises the twin forms, Hoor-paar-kraat and Ra-hoor-khuit (q.v.). Heruis the Hero of all ancient myths involving a triumphant solardeity, a triumph that is, of the sun over the dragon of darkness, Typhon, Draco, Nuit, etc. This victory represents merely the aeonic change of types from the Motherhood to the later conception of deity typified by theFatherhood, both in mythology and in sociology. Horus is particularly the Winter Sun, and associated with the Northern hemisphere as Set, his twin, is the Lord of the South. In their constant conflict lies the mystery of Magick and the polarity of mutually antagonistic currents of energy.
Impersonally, the manifest power of his quality, it is his outflowing, in whatever form, of Knowledge, Energy, Love, Strength and the rest; personally, it is the mental form and the animate being in whom this power is achieved and does its great works. A pre-eminence in this inner and outer achievement, a greater power of divine quality, an effective energy is always the sign. The human vibhuti is the hero of the race’s struggle towards divine achievement, the hero in the Carlylean sense of heroism, a power of God in man.
Ref: CWSA Vol. 19, Page: 160
In ancient Egypt there were thirty Dynasties of kings, as enumerated by the historian Manetho. But the Egyptian priests told Herodotus that there were three divine dynasties which preceded the reign of the human kings: that of the gods, of the demigods, and of the heroes. China too had its divine dynasties which preceded the human dynasties: thus the Chow rulers are placed at 1100 BC, but they were again preceded by the Sheng and the still earlier Hea (or Hia) dynasties. The Greeks taught the existence of divine dynasties followed by human, and Plato tells of divine and semi-divine instructors who first taught mankind the arts, sciences, and agriculture. The same general tradition is found in ancient America. The ancient Chaldeans used the figures 4 3 2 in their calculations concerning the time periods of their dynasties, which they said extended backwards from themselves for a length of 432,000 years.
Indra ::: "the Puissant", a Vedic god, lord of svar, the luminous world; the deva as "the master of mental force". As Agni2 "is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth"; he "comes down into our world as the Hero" and "slays darkness and division with his lightnings, pours down the life-giving heavenly waters [svarvatir apah.], finds in the trace of the hound, Intuition [Sarama], the lost or hidden illuminations, makes the Sun of Truth [sūrya1] mount high in the heaven of our mentality".
In the epics, Pururavas is the famous prince of the Soma-vansa (lunar dynasty), the father of Ayus and the ancestor of Puru, Dushyanta, Bharata, Kuru, Dhritarashtra, and Pandu. He is supposed to have instituted the three sacrificial fires, and is likewise the hero of the Vikramorvasi.
Itihasa: Epic; a book describing the life and adventures of a hero or heroes. The term is applied to Ramayana and the Mahabharata. The hero of the former is Sri Rama, the son of Dasaratha and of the latter, the five Pandavas.
Izdubar (Babylonian) An ancient hero of Erech, whose exploits are recorded in the Epic of Gilgamesh, one of the most important literary works to have been excavated in Nineveh, coming from the royal collection of Assurbanipal (668-26 BC), in the form of twelve tablets (although not all are completely preserved). The hero’s name, written ideographically, was formerly read Izdubar, until another fragment of the same cycle gave the rendition Gilgamesh.
jātaka. (T. skyes rabs; C. bensheng jing; J. honshokyo; K. ponsaeng kyong 本生經). In Sanskrit and Pāli, literally, "birth," or "nativity"; a term used in Buddhism to refer by extension to narrative accounts of previous births or lives, especially of a buddha. The jātaka constitute one of the nine (NAVAnGA[PĀVACANA]) (Pāli) or twelve (DVĀDAsĀnGA[PRAVACANA]) (Sanskrit) categories (AnGA) of Buddhist scripture that are delineated according to their structure or literary style. There are hundreds of such stories (547 in the Pāli collection alone) and together they form one of the most popular genres of Buddhist literature. In a typical tale, GAUTAMA Buddha will recount a story from one of his past lives as a human or an animal, demonstrating a particular virtue, or perfection (PĀRAMITĀ), after which he will identify the other characters in the story as the past incarnations of members of his present audience. A jātaka story usually has five components: (1) an introduction, in which the Buddha recounts the circumstances leading up to the story to be recounted; (2) a prose narrative, in which the story from one of the Buddha's past lives is related; (3) stanzas of poetry, which often contain the moral of the story; (4) a prose commentary on the stanzas; and (5) a conclusion that connects the past with the present, in which the Buddha identifies members of his current audience as incarnations in the present of the characters in the story from the past. ¶ The Pāli Jātaka is the tenth book of the KHUDDAKANIKĀYA of the SUTTAPItAKA. The collection is comprised of 547 stories of former lives of Gotama Buddha while he was a bodhisatta (S. BODHISATTVA). The Jātaka itself is made up entirely of short verses, but these are accompanied by prose commentary called the JĀTAKAttHAKATHĀ, which recounts the relevant stories. Some of the Jātakas have been included in another collection contained in the KHUDDAKANIKĀYA, the CARIYĀPItAKA. In Sanskrit, the most famous jātaka collection is the JĀTAKAMĀLĀ by sura. Over the course of the history of Buddhism and throughout the Buddhist world, jātakas have been one of the most popular forms of Buddhist literature, especially among the laity, due both to their entertaining plots and their edifying moral lessons. Scenes from various jātaka stories are widely depicted in Buddhist art and occur among some of the earliest Buddhist stone carvings in India. Scholarship has demonstrated that the plots of many of the jātakas derive from Indian folklore, with the same story occurring in Hindu, JAINA, and Buddhist works. In the Buddhist versions, the plot has been adapted by adding a prologue and epilogue that identifies the protagonist as the bodhisattva and the other characters as members of the Buddha's circle in a former life; the hero's antagonist in the story is often identified as DEVADATTA in a former life. In addition to their general popularity, individual jātakas have had great influence, such as the VESSANTARA JĀTAKA in Southeast Asia.
Kaf, Kaph, Ghaf (Persian) Kāf, Kaph, Ghāf, Kaofa (Avestan) Kaofā, Kafor (Pahlavi) Mountain; in Persian tradition the sacred mythological mountain, comparable in many respects to the Hindu Mount Meru; regarded as the abode of the gods and the place whither heroes travel in order to reach the sacred land beyond these mountains. Hushenk, the hero, rode there on his twelve-legged horse, while Tahmurath went on his winged steed. It is the abode of Simorgh or Angha, the legendary bird of knowledge. In the “Aghre-Sorkh” (Red Intellect) of 12th century mystic philosopher Sohrevardi, Ghaf is referred to as the abode of intellect, surrounding the world with eleven peaks that only initiates can pass through. He says that the Night-Lightener Jewel (Gohar-e-Shab Afrooz) can be found in Mount Ghaf. This jewel receives its brilliance from the tree of Touba which is on Mount Ghaf.
Lemminkainen (Finnish) A hero of the Kalevala, the son of Lempi. He does battle with the serpent of Tuoni (death) in the Finnish version of the archaic tale, so common in ancient mythologies. Lemminkainen, however, does not slay the serpent, but conquers it by means of the magic words: “But the hero, quick recalling, speaks the master-words of knowledge, words that came from distant ages, words his ancestors had taught him, words his mother learned in childhood” (rune 26).
Mel Kaye "person" The hero of {The Story of Mel, a Real Programmer}. The preface to the manuals for the {Royal McBee} {LGP-30} ACT 1 ({Algebraic Compiler and Translator}) {compiler} (dated 1959) contain the following attribution from Clay S. Boswell, Jr. (apparently ACT 1's designer): I wish to acknowledge my appreciation to the many people who offered suggestions and criticisms of the ACT 1 System. In particular, Mel Kaye of Royal McBee who did the bulk of the programming. (2008-08-04)
Miranda ::: (language) (From the Latin for admirable, also the heroine of Shakespeare's Tempest) A lazy purely functional programming language and Implemented for Unix by Allan Grimeley, Computer Lab., UKC. There is also a version that runs on Intel 80386 and above IBM PCs under Linux.It features terse syntax using the offside rule for indentation. The type of an expression is inferred from the source by the compiler but explicit type SKI combinator reduction. The KAOS operating system is written entirely in Miranda.E-mail: .Translators from Miranda to Haskell (mira2hs) and to LML (mira2lml) are available, . Non-commercial near-equivalents of Miranda include Miracula and Orwell.[Miranda: A Non Strict Functional Language with Polymorphic Types, D.A. Turner, in Functional Programming Languages and Computer Architecture, LNCS 201, Springer 1985].[Functional Programming with Miranda, Ian Holyer, Pitman Press 0-273-03453-7]. (1997-08-01)
Miranda "language" (From the Latin for "admirable", also the heroine of Shakespeare's "Tempest") A {lazy} {purely functional} programming language and {interpreter} designed by {David Turner} of the University of Kent in the early 1980s and implemented as a product of his company, {Research Software Limited}. Miranda combines the main features of {KRC} and {SASL} with {strong typing} similar to that of {ML}. It features terse {syntax} using the {offside rule} for indentation. The {type} of an expression is inferred from the {source} by the {compiler} but explicit type declarations are also allowed. It has nested {pattern-matching}, {list comprehensions} and {modules}. It uses {operator sections} rather than {lambda abstractions}. User types are algebraic, and in early versions could be constrained by {laws}. It is implemented using {SKI combinator} {reduction}. Originally implemented for {Unix}, there are versions for most UNIX-like platforms including {Intel PC} under {Linux}. The {KAOS} operating system is written entirely in Miranda. There are translators from Miranda to {Haskell} {mira2hs (/pub/misc/mira2hs)} and to {LML} {mira2lml (/pub/misc/mira2lml)}. Non-commercial near-equivalents of Miranda include {Miracula} and {Orwell}. {(http://miranda.org.uk/)}. [{"Miranda: A Non Strict Functional Language with Polymorphic Types" (http://miranda.org.uk/nancy.html)}, D.A. Turner, in Functional Programming Languages and Computer Architecture, LNCS 201, Springer 1985]. [{"An Overview of Miranda" (http://miranda.org.uk/overview.pdf)}, D. A. Turner, SIGPLAN Notices, 21(12):158--166, December 1986]. ["Functional Programming with Miranda", Ian Holyer, Pitman Press 0-273-03453-7]. (2007-03-22)
Mordecai ::: One of the heroes of the story of Purim.
Of especial interest is the account of the hero’s journey to the regions of the dead (Tuonela), thence to bring back with him the black swan. He is sent thither with but one arrow and his bow; but he is unsuccessful in returning to the upper regions, owing to the fact that he does not know the magic words enabling him to counteract the bite of an adder from the Stream of the Dead. Similar to the Egyptian account in the story of Osiris, there is the plaint of the bereaved mother, the search for her son, and finally the recovery of the body of Lemminkainen, which had been severed into five pieces and cast into the river of death. The mother is unable to restore her son to life, however, even though with divine aid she was able to make the body whole and heal the wounds with balsam obtained by a honeybee (Mehilainen). Finally she instructs the bee how to fly to the greatest deity, Ukko, on the seventh heaven: by way of the moon and the Great Bear. The honeybee makes the flight successfully, returning with the life-giving essence (the balm of the Creator), and the mother brings her son back to life once more.
of fire, who returns to the heroine (a 16th-century
Rama, the hero of the Ramayana, is born in the Suryavansa, while Gautama Buddha belonged to the Chandravansa (TG 314).
ramayana ::: n. --> The more ancient of the two great epic poems in Sanskrit. The hero and heroine are Rama and his wife Sita.
Sakti in another sense is soul-power, the mental-psychic energy of the god as of the adept. In the Mahabharata, Draupadi, the wife or sakti of the five Pandava brothers, represents a spiritual power they all possessed in common. In legends and tales of the ancient peoples, the wives of the great heroes mystically represent the aggregate of the saktis or spiritual powers that the heroes had individually attained.
savitri ::: "In the Mahabharata, the heroine of the tale of Satyavan and Savitri; . . . . She was the daughter of King Ashwapati, and lover of Satyavan, whom she married although she was warned by Narada that he had only one year to live. On the fatal day, when Yama carried off Satyavan"s spirit, she followed him with unswerving devotion. Ultimately Yama was constrained to restore her husband to life.” *Glossary and Index of Proper Names in Sri Aurobindo"s Works
Sri Aurobindo: "Savitri is the Divine Word, daughter of the Sun, goddess of the supreme Truth who comes down and is born to save; . . . .” (Author"s note at beginning of Savitri.)
"Savitri is represented in the poem as an incarnation of the Divine Mother . . . .” Letters on Savitri
The Mother: "Savitri [the poem] is a mantra for the transformation of the world.” Spoken to Udar
Savitri ::: “In the Mahabharata, the heroine of the tale of Satyavan and Savitri; . . . . She was the daughter of King Ashwapati, and lover of Satyavan, whom she married although she was warned by Narada that he had only one year to live. On the fatal day, when Yama carried off Satyavan’s spirit, she followed him with unswerving devotion. Ultimately Yama was constrained to restore her husband to life.” Glossary and Index of Proper Names in Sri Aurobindo’s Works
Seducer,” father of the hero, is a character in
She was the mother of the hero Gilgamesh,
Sigurd (Icelandic) [from sig victory] The hero of a long, involved tale in the Norse Edda, better known as the Wagnerian Siegfried. As a member of the Niflungen (Nibelungen) clan, he represents a very early humanity on this planet earth, before the globe and its components became physical as they are today.
::: *"Stevenson has a striking passage in "Kidnapped” where the hero notes that his fear is felt primarily not in the heart but the stomach.” Letters on Yoga
“Stevenson has a striking passage in”Kidnapped” where the hero notes that his fear is felt primarily not in the heart but the stomach.” Letters on Yoga
suraMgamasamādhisutra. (T. Dpa' bar 'gro ba'i ting nge 'dzin gyi mdo; C. Shoulengyan sanmei jing; J. Shuryogon zanmaikyo; K. Sunŭngom sammae kyong 首楞嚴三昧經). In Sanskrit, "Sutra on the Heroic-March Concentration," an early MAHĀYĀNA sutra that explains how the mind becomes free and unimpeded like the "march" (gama) of a "hero" (sura), who "walks alone, fearlessly, like a lion." (This translated sutra should be distinguished from the *SuRAMGAMASuTRA, a Chinese apocryphal scripture of similar name, which dates from the early eighth century.) The suRAMGAMASAMĀDHI as taught in this sutra not only enables BODHISATTVAs quickly to attain complete, perfect enlightenment (ANUTTARASAMYAKSAMBODHI), but also ensures that even sRĀVAKAs, PRATYEKABUDDHAs, and ARHATs are put on the right path leading to buddhahood. In addition, the suraMgamasamādhi also permits enlightened beings to manifest themselves in any variety of forms in order to teach sentient beings. The sutra also includes descriptions of the world systems of many other buddhas (BUDDHAKsETRA), including ABHIRATI, the buddha-land of AKsOBHYA. Although some fragments of the Sanskrit recension of the suraMgamasamādhisutra have survived, the full sutra is extant only in an early-fifth-century translation attributed to the eminent Kuchean translator KUMĀRAJĪVA, in two rolls, and in an early-ninth-century Tibetan translation.
Svipdag (Icelandic, Scandinavian) [from svip, svep appearance + dag day] Appearing as day; in Norse mythology, the hero Svipdag seeks the hall of Menglad (Freya) hoping to win her hand. After receiving from his dead mother (his own past) all needful virtues and qualities, he succeeds in reaching the abode of his beloved, only to be stopped at the magic gate by Odin in the guise of Verywise. Here he must satisfactorily answer a number of testing questions before he is finally admitted to the hall of Menglad, who has been eagerly awaiting his arrival. She represents his own divine hamingja (higher self).
The Golden Age was under the rule of Kronos (Saturnus) who, according to Plato, not believing that men could rule themselves, caused them to be ruled by gods. It was a time of innocence and happiness: truth and justice prevailed, the earth brought forth without toil all that was necessary for mankind, perpetual spring reigned, and the heroes passed away peacefully into spiritual existence. Equivalent to the Hindu satya yuga.
“The popular prevailing idea is that the theurgists, as well as the magicians, worked wonders, such as evoking the souls or shadows of the heroes and gods, and other thaumaturgic works, by supernatural powers. But this never was the fact. They did it simply by the liberation of their own astral body, which, taking the form of a god or hero, served as a medium or vehicle through which the special current preserving the ideas and knowledge of that hero or god could be reached and manifested” (TG 330).
Valkyries [from Icelandic, Swedish Valkyrja from val choice, death + kyrja to crown, possibly akin to kyrra calm] Among some of the most intriguing mysteries of Norse mythology are these “crowners of the slain” who select the heroes “slain” in battle when they aid the gods in their eternal struggle against the forces of darkness. There is a vast and complex symbology attached to the tales of Odin’s warrior-maidens who daily revive those slain on Vigridsslatten (the field of consecration), and bear them to Valhalla to feast with the gods on the mead of their life experience.
Virachara: A Tantric course of discipline for the heroic type of devotees.
vira ::: hero; [tantrika distinction of sadhakas]: the hero man.
viramarga ::: the way of the hero.
Vishnu as the giver of life is the source of one line of avataras. The ten mythical avataras of Vishnu are: Matsya, the Fish; Kurma, the Tortoise; Varaha, the Boar; Narasimha, the Man-lion (last animal stage); Vamana, the Dwarf (first step toward the human form); Parasu-rama, Rama with the axe (a hero); Rama-chandra, the hero of the Ramayana; Krishna, son of Devaki; Gautama Buddha; and finally, Kalki, the avatara who is to appear at the end of the Kali yuga “mounted on a white horse” and inaugurate a new reign of righteousness upon earth.
Vishnu as the supporter of life is the source of one line of avataras so often spoken of in Hindu legends. These ten avataras of Vishnu are: 1) Matsya the fish; 2) Kurma the tortoise; 3) Varaha the boar; 4) Narasimha the man-lion (last of animal stage); 5) Vamana the dwarf (first step toward the human form); 6) Parasu-Rama, Rama with the axe (a hero); 7) Rama-chandra, the hero of the Ramayana; 8) Krishna, son of Devaki; 9) Gautama Buddha; and 10) Kalki, the avatara who is to appear at the end of the kali yuga mounted on a white horse, inaugurating a new reign of righteousness on earth. A horse has from immemorial time been a symbol of the spiritual as well as vital energies of the inner solar orb. Hence, when the next avatara is said to come riding a white horse, the meaning is that he comes infilled with the solar light or splendor — an avatara or manifestation of a spiritual and intellectual solar energy which will carry all before it on earth.
Volundr (Icelandic) In Norse mythology, the hero of “Volundarkvida” or “Volundskvadet”; in German tales he is named Wieland, in English Wayland. In all versions he is a smith, a legendary artisan who was captured and imprisoned by King Nidud (an evil age) and forced to forge treasures of gold and silver for the king.
Will to Believe: A phrase made famous by William James (1842-1910) in an essay by that title (1896). In general, the phrase characterizes much of James's philosophic ideas: a defence of the right and even the necessity to believe where evidence is not complete, the adventurous spirit by which men must live, the heroic character of all creative thinking, the open-mind to possibilities, the repudiation of the stubborn spirit and the will-not-to-know, the primacy of the will in successful living, the reasonableness of the whole man acting upon presented data, the active pragmatic disposition in general. This will to believe does not imply indiscriminative faith; it implies a genuine option, one which presents an issue that is lively, momentous and forced. Acts of indecision may be negative decisions. -- V.F.
Yaksha (Sanskrit) Yakṣa [from the verbal root yakṣ to devour] A class of ethereal, astral, or semi-astral beings, regarded as attendants of Kubera or Kuvera, the deity of riches; occasionally they are associated with Vishnu. The yakshas are variously described as the sons of Pulastya, Pulaha, Kasyapa, Khasa, or Krodha. One legend represents them as springing from the feet of Brahma, while one Puranic account shows them as springing from the body of Brahma with the rakshasas and immediately attempting to devour his body. However, frequently the yakshas are regarded as beings beneficent to humans. In Kalidasa’s Meghaduta, the hero is a yaksha, represented as a banished lover who employs a cloud to bear a message to his beloved.
Zmey Gorenetch, Zmej Goronech (Russian) [from zmej serpent + goro mountain] The serpent like a mountain; a favorite character in Russian folklore and fairy tales, representing the sinister powers which must be vanquished by the hero.
KEYS (10k)
30 Joseph Campbell
8 Sri Aurobindo
1 Timothy Snyder
1 Seneca
1 Rich Weaver
1 M P Pandit
1 John Steinbeck
1 Giordano Bruno
1 Benjamin Disraeli
1 The Mother
NEW FULL DB (2.4M)
48 Joseph Campbell
18 Ralph Waldo Emerson
16 Donald Miller
14 Friedrich Nietzsche
13 Erich Neumann
12 Henry David Thoreau
12 Cassandra Clare
9 John Green
9 Anonymous
7 Rebecca Solnit
7 Ian Fleming
7 George R R Martin
6 Steven Pressfield
6 Rick Riordan
6 Charles Dickens
5 V E Schwab
5 Thomas Carlyle
5 Sri Aurobindo
5 Rush Limbaugh
5 Mary McCarthy
1:The hero can never be a relativist. ~ Rich Weaver, #KEYS
2:What's made up in the head is the fiction. What comes out of the heart is a myth. ~ Joseph Campbell, The Hero's Journey, #KEYS
3:Instead of clearing his own heart the zealot tries to clear the world. ~ Joseph Campbell, The Hero with a Thousand Faces, #KEYS
4:Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. ~ Joseph Campbell, The Hero with A Thousand Faces, #KEYS
5:It is only when a man tames his own demons that he becomes the king of himself if not of the world. ~ Joseph Campbell, The Hero with a Thousand Faces, #KEYS
6:You know, when real trouble comes your humanity is awakened. The fundamental human experience is that of compassion. ~ Joseph Campbell, The Hero's Journey, #KEYS
7:Chaff are men's armies
Threshed by the flails of Fate; 'tis the soul of the hero that conquers. ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
8:Every failure to cope with a life situation must be laid, in the end, to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. ~ Joseph Campbell, The Hero with a Thousand Faces, #KEYS
9:There is not much virtue in going down the slope; all can do that for the natural gravitation of the consciousness is downward. He is the hero who resists the temptation to let himself slip, even for a moment, even to the extent of a hairs breadth.
~ M P Pandit,#KEYS
10:A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: The hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.
~ Joseph Campbell,#KEYS
11:Make of us the hero warriors we aspire to become. May we fight successfully the great battle of the future that is to be born, against the past that seeks to endure, so that the new things may manifest and we be ready to receive them.
~ The Mother, On Education,#KEYS
12:They thought that it would be a disgrace to go forth as a group. Each entered the forest at a point that he himself had chosen, where it was darkest and there was no path. If there is a path it is someone else's path and you are not on the adventure. ~ Joseph Campbell, The Hero's Journey, #KEYS
13:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud. ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
14:The remainder of the long story of Kamar al-Zaman is a history of the slow yet wonderful operation of a destiny that has been summoned into life. Not everyone has a destiny: only the hero who has plunged to touch it, and has come up again-with a ring. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold, #KEYS
15:He who suffers himself to be transported by the love of things on high, who drinks at the sources of eternal beauty, who lives by the Infinite and combats for the ideal of all virtue and all knowledge, who shows for that cult an enthusiasm pushed to a very fury,-he is the hero. ~ Giordano Bruno, the Eternal Wisdom #KEYS
16:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his ~ Sri Aurobindo, Collected Poems, Ilion,#KEYS
17:Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted. ~ Joseph Campbell, The Hero's Journey: Joseph Campbell on His Life & Works, #KEYS
18:The research for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact: "It is here! It is here!" [165]
[165] A Tantric aphorism. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,#KEYS
19:When you find a writer who really is saying something to you, read everything that writer has written and you will get more education and depth of understanding out of that than reading a scrap here and a scrap there and elsewhere. Then go to people who influenced that writer, or those who were related to him, and your world builds together in an organic way that is really marvelous. ~ Joseph Campbell, The Hero's Journey: Joseph Campbell on His Life & Works, #KEYS
20:17. Freedom to Live:The hero is the champion of things becoming, not of things become, because he is. "Before Abraham was, I AM." He does not mistake apparent changelessness in time for the permanence of Being, nor is he fearful of the next moment (or of the 'other thing'), as destroying the permanent with its change. 'Nothing retains its own form; but Nature, the greater renewer, ever makes up forms from forms. Be sure that nothing perishes in the whole universe; it does but vary and renew its form.' Thus the next moment is permitted to come to pass. ~ Joseph Campbell, #KEYS
21:The Japanese have a proverb: "The gods only laugh when men pray to them for wealth." The boon bestowed on the worshiper is always scaled to his stature and to the nature of his dominant desire: the boon is simply a symbol of life energy stepped down to the requirements of a certain specific case. The irony, of course, lies in the fact that, whereas the hero who has won the favor of the god may beg for the boon of perfect illumination, what he generally seeks are longer years to live, weapons with which to slay his neighbor, or the health of his child. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon, #KEYS
22:13. The Magic Flight:If the hero in his triumph wins the blessing of the goddess or the god and is then explicitly commissioned to return to the world with some elixir for the restoration of society, the final stage of his adventure is supported by all the powers of his supernatural patron. On the other hand, if the trophy has been attained against the opposition of its guardian, or if the hero's wish to return to the world has been resented by the gods or demons, then the last stage of the mythological round becomes a lively, often comical, pursuit. This flight may be complicated by marvels of magical obstruction and evasion. ~ Joseph Campbell, #KEYS
23:The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form-all symbolizations, all divinities: a realization of the ineluctable void. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon, #KEYS
24:The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero. The values and distinctions that in normal life seem important disappear with the terrifying assimilation of the self into what formerly was only otherness. As in the stories of the cannibal ogresses, the fearfulness of this loss of personal individuation can be the whole burden of the transcendental experience for unqualified souls. But the hero-soul goes boldly in-and discovers the hags converted into goddesses and the dragons into the watchdogs of the gods. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold, #KEYS
25:14. Rescue from Without:The hero may have to be brought back from his supernatural adventure by assistance from without. That is to say, the world may have to come and get him. For the bliss of the deep abode is not lightly abandoned in favor of the self-scattering of the wakened state. 'Who having cast off the world,' we read, 'would desire to return again? He would be only there.' And yet, in so far as one is alive, life will call. Society is jealous of those who remain away from it, and will come knocking at the door. If the hero... is unwilling, the disturber suffers an ugly shock; but on the other hand, if the summoned one is only delayed-sealed in by the beatitude of the state of perfect being (which resembles death)-an apparent rescue is effected, and the adventurer returns. ~ Joseph Campbell, #KEYS
26:11. The Ultimate Boon:The gods and goddesses then are to be understood as embodiments and custodians of the elixir of Imperishable Being but not themselves the Ultimate in its primary state. What the hero seeks through his intercourse with them is therefore not finally themselves, but their grace, i.e., the power of their sustaining substance. This miraculous energy-substance and this alone is the Imperishable; the names and forms of the deities who everywhere embody, dispense, and represent it come and go. This is the miraculous energy of the thunderbolts of Zeus, Yahweh, and the Supreme Buddha, the fertility of the rain of Viracocha, the virtue announced by the bell rung in the Mass at the consecration, and the light of the ultimate illumination of the saint and sage. Its guardians dare release it only to the duly proven. ~ Joseph Campbell, #KEYS
27:The hero of a David Lodge novel says that you don't know, when you make love for the last time, that you are making love for the last time. Voting is like that. Some of the Germans who voted for the Nazi Party in 1932 no doubt understood that this might be the last meaningfully free election for some time, but most did not. Some of the Czechs and Slovaks who voted for the Czechoslovak Communist Party in 1946 probably realized that they were voting for the end of democracy, but most assumed they would have another chance. No doubt the Russians who voted in 1990 did not think that this would be the last free and fair election in their country's history, which (thus far) it has been. Any election can be the last, or at least the last in the lifetime of the person casting the vote. ~ Timothy Snyder, On Tyranny: Twenty Lessons from the Twentieth Century, #KEYS
28:So it is that when Dante had taken the last step in his spiritual adventure, and came before the ultimate symbolic vision of the Triune God in the Celestial Rose, he had still one more illumination to experience, even beyond the forms of the Father, Son, and Holy Ghost. "Bernard," he writes, "made a sign to me, and smiled, that I should look upward; but I was already, of myself, such as he wished; for my sight, becoming pure, was entering more and more, through the radiance of the lofty Light which in Itself is true. Thenceforward my vision was greater than our speech, which yields to such a sight, and the memory yields to such excess. [167]
[167] "Paradiso," XXXIII, 49-57 (translation by Norton, op. cit., Vol. Ill, pp. 253-254, by permission of Houghton Mifflin Company, publishers). ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,#KEYS
29:2. Refusal of the Call:Often in actual life, and not infrequently in the myths and popular tales, we encounter the dull case of the call unanswered; for it is always possible to turn the ear to other interests. Refusal of the summons converts the adventure into its negative. Walled in boredom, hard work, or 'culture,' the subject loses the power of significant affirmative action and becomes a victim to be saved. His flowering world becomes a wasteland of dry stones and his life feels meaningless-even though, like King Minos, he may through titanic effort succeed in building an empire or renown. Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration. ~ Joseph Campbell, The Hero with a Thousand Faces, #KEYS
30:The thunderbolt (vajra) is one of the major symbols in Buddhist iconography, signifying the spiritual power of Buddhahood (indestructible enlightenment) which shatters the illusory realities of the world. The Absolute, or Adi Buddha, is represented in the images of Tibet as Vajra-Dhara (Tibetan: Dorje-Chang) "Holder of the Adamantine Bolt.
...
We know also that among primitive peoples warriors may speak of their weapons as thunderbolts. Sicut in coelo et in terra: the initiated warrior is an agent of the divine will; his training is not only in manual but also in spiritual skills. Magic (the supernatural power of the thunderbolt), as well as physical force and chemical poison, gives the lethal energy to his blows. A consummate master would require no physical weapon at all; the power of his magic word would suffice. ~ Joseph Campbell, The Hero with a Thousand Faces,#KEYS
31:Part 3 - Return
12. Refusal of the Return:When the hero-quest has been accomplished, through penetration to the source, or through the grace of some male or female, human or animal, personification, the adventurer still must return with his life-transmuting trophy. The full round, the norm of the monomyth, requires that the hero shall now begin the labor of bringing the runes of wisdom, the Golden Fleece, or his sleeping princess, back into the kingdom of humanity, where the boon may redound to the renewing of the community, the nation, the planet or the ten thousand worlds. But the responsibility has been frequently refused. Even Gautama Buddha, after his triumph, doubted whether the message of realization could be communicated, and saints are reported to have died while in the supernal ecstasy. Numerous indeed are the heroes fabled to have taken up residence forever in the blessed isle of the unaging Goddess of Immortal Being. ~ Joseph Campbell,#KEYS
32:4. Crossing the First Threshold:With the personifications of his destiny to guide and aid him, the hero goes forward in his adventure until he comes to the 'threshold guardian' at the entrance to the zone of magnified power. Such custodians bound the world in four directions-also up and down-standing for the limits of the hero's present sphere, or life horizon. Beyond them is darkness, the unknown and danger; just as beyond the parental watch is danger to the infant and beyond the protection of his society danger to the members of the tribe. The usual person is more than content, he is even proud, to remain within the indicated bounds, and popular belief gives him every reason to fear so much as the first step into the unexplored. The adventure is always and everywhere a passage beyond the veil of the known into the unknown; the powers that watch at the boundary are dangerous; to deal with them is risky; yet for anyone with competence and courage the danger fades. ~ Joseph Campbell, #KEYS
33:Part 2 - Initiation
6. The Road of Trials:Once having traversed the threshold, the hero moves in a dream landscape of curiously fluid, ambiguous forms, where he must survive a succession of trials. This is a favorite phase of the myth-adventure. It has produced a world literature of miraculous tests and ordeals. The hero is covertly aided by the advice, amulets, and secret agents of the supernatural helper whom he met before his entrance into this region. Or it may be that he here discovers for the first time that there is a benign power everywhere supporting him in his superhuman passage. The original departure into the land of trials represented only the beginning of the long and really perilous path of initiatory conquests and moments of illumination. Dragons have now to be slain and surprising barriers passed-again, again, and again. Meanwhile there will be a multitude of preliminary victories, unsustainable ecstasies and momentary glimpses of the wonderful land. ~ Joseph Campbell,#KEYS
34:7. The Meeting with the Goddess:The ultimate adventure, when all the barriers and ogres have been overcome, is commonly represented as a mystical marriage of the triumphant hero-soul with the Queen Goddess of the World. This is the crisis at the nadir, the zenith, or at the uttermost edge of the earth, at the central point of the cosmos, in the tabernacle of the temple, or within the darkness of the deepest chamber of the heart. The meeting with the goddess (who is incarnate in every woman) is the final test of the talent of the hero to win the boon of love (charity: amor fati), which is life itself enjoyed as the encasement of eternity. And when the adventurer, in this context, is not a youth but a maid, she is the one who, by her qualities, her beauty, or her yearning, is fit to become the consort of an immortal. Then the heavenly husband descends to her and conducts her to his bed-whether she will or not. And if she has shunned him, the scales fall from her eyes; if she has sought him, her desire finds its peace. ~ Joseph Campbell, #KEYS
35:15. The Crossing of the Return Threshold:The returning hero, to complete his adventure, must survive the impact of the world. Many failures attest to the difficulties of this life-affirmative threshold. The first problem of the returning hero is to accept as real, after an experience of the soul-satisfying vision of fulfillment, the passing joys and sorrows, banalities and noisy obscenities of life. Why re-enter such a world? Why attempt to make plausible, or even interesting, to men and women consumed with passion, the experience of transcendental bliss? As dreams that were momentous by night may seem simply silly in the light of day, so the poet and the prophet can discover themselves playing the idiot before a jury of sober eyes. The easy thing is to commit the whole community to the devil and retire again into the heavenly rock dwelling, close the door, and make it fast. But if some spiritual obstetrician has drawn the shimenawa across the retreat, then the work of representing eternity in time, and perceiving in time eternity, cannot be avoided" The hero returns to the world of common day and must accept it as real. ~ Joseph Campbell, #KEYS
36:3. Meeting the Mentor:For those who have not refused the call, the first encounter of the hero journey is with a protective figure (often a little old crone or old man) who provides the adventurer with amulets against the dragon forces he is about to pass. What such a figure represents is the benign, protecting power of destiny. The fantasy is a reassurance-promise that the peace of Paradise, which was known first within the mother womb, is not to be lost; that it supports the present and stands in the future as well as in the past (is omega as well as alpha); that though omnipotence may seem to be endangered by the threshold passages and life awakenings, protective power is always and ever present within or just behind the unfamiliar features of the world. One has only to know and trust, and the ageless guardians will appear. Having responded to his own call, and continuing to follow courageously as the consequences unfold, the hero finds all the forces of the unconscious at his side. Mother Nature herself supports the mighty task. And in so far as the hero's act coincides with that for which his society is ready, he seems to ride on the great rhythm of the historical process. ~ Joseph Campbell, #KEYS
37:The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana. ~ Sri Aurobindo, #KEYS
38:Because I have called, and ye refused . . . I also will laugh at your calamity; I will mock when your fear cometh; when your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you." "For the turning away of the simple shall slay them, and the prosperity of fools shall destroy them."
Time Jesum transeuntem et non revertentem: "Dread the passage of Jesus, for he does not return."
The myths and folk tales of the whole world make clear that the refusal is essentially a refusal to give up what one takes to be one's own interest. The future is regarded not in terms of an unremitting series of deaths and births, but as though one's present system of ideals, virtues, goals, and advantages were to be fixed and made secure. King Minos retained the divine bull, when the sacrifice would have signified submission to the will of the god of his society; for he preferred what he conceived to be his economic advantage. Thus he failed to advance into the liferole that he had assumed-and we have seen with what calamitous effect. The divinity itself became his terror; for, obviously, if one is oneself one's god, then God himself, the will of God, the power that would destroy one's egocentric system, becomes a monster. ~ Joseph Campbell, The Hero with a Thousand Faces,#KEYS
39:Part 1 - Departure
1. The Call to Adventure ::: This first stage of the mythological journey-which we have designated the "call to adventure"-signifies that destiny has summoned the hero and transferred his spiritual center of grav ity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. The hero can go forth of his own volition to accomplish the adventure, as did Theseus when he arrived in his father's city, Athens, and heard the horrible history of the Minotaur; or he may be carried or sent abroad by some benign or malignant agent, as was Odysseus, driven about the Mediterranean by the winds of the angered god, Poseidon. The adventure may begin as a mere blunder, as did that of the princess of the fairy tale; or still again, one may be only casually strolling, when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man. Examples might be multiplied, ad infinitum, from every corner of the world. ~ Joseph Campbell, The Hero with a Thousand Faces,#KEYS
40:He is the friend, the adviser, helper, saviour in trouble and distress, the defender from enemies, the hero who fights our battles for us or under whose shield we fight, the charioteer, the pilot of our ways. And here we come at once to a closer intimacy; he is the comrade and eternal companion, the playmate of the game of living. But still there is so far a certain division, however pleasant, and friendship is too much limited by the appearance of beneficence. The lover can wound, abandon, be wroth with us, seem to betray, yet our love endures and even grows by these oppositions; they increase the joy of reunion and the joy of possession; through them the lover remains the friend, and all that he does, we find in the end, has been done by the lover and helper of our being for our souls perfection as well as for his joy in us. These contradictions lead to a greater intimacy. He is the father and mother too of our being, its source and protector and its indulgent cherisher and giver of our desires. He is the child born to our desire whom we cherish and rear. All these things the lover takes up; his love in its intimacy and oneness keeps in it the paternal and maternal care and lends itself to our demands upon it. All is unified in that deepest many-sided relation.
~ Sri Aurobindo, The Synthesis Of Yoga, The Yoga of Divine Love,#KEYS
41:Recommended Reading
David Foster Wallace - Infinite Jest
DH Lawrence - The Rainbow
Gabriel Garcia Marquez - Love in the Time of Cholera
Karl Ove Knausgaard - My Struggle
Virginia Woolf - To The Lighthouse
Ben Lerner - The Topeka School
Sally Rooney - Conversations With Friends
Nell Zink - The Wallcreeper
Elena Ferrante - The Days of Abandonment
Jack Kerouac - Dharma Bums
Walt Whitman - Leaves of Grass
Michael Murphy - Golf in the Kingdom
Barbara Kingsolver - Prodigal Summer
Albertine Sarrazin - Astragal
Rebecca Solnit - The Faraway Nearby
Michael Paterniti - Love and Other Ways of Dying
Rainer Maria Rilke - Book of Hours
James Baldwin - Another Country
Roberto Calasso - Ka
Translation by S. Radhakrishan - Principle Upanisads
Chogyam Trungpa - Cutting Through Spiritual Materialism
Translation by Georg Feuerstein - Yoga Sutra
Richard Freeman - The Mirror of Yoga
Translation by S. Radhakrishan - The Bhagavad Gita
Shrunyu Suzuki - Zen Mind Beginner's Mind
Heinrich Zimmer - Myths and Symbols in Indian Art and Civilization
Sogyal Rinpoche - The Tibetan Book of Living and Dying
Joseph Campbell - Myths of Light
Joseph Campbell - The Hero With A Thousand Faces
Sri Aurobindo - Savitri
Thomas Meyers - Anatomy Trains
Wendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading,#KEYS
42:5. Belly of the Whale:The idea that the passage of the magical threshold is a transit into a sphere of rebirth is symbolized in the worldwide womb image of the belly of the whale. The hero, instead of conquering or conciliating the power of the threshold, is swallowed into the unknown and would appear to have died. This popular motif gives emphasis to the lesson that the passage of the threshold is a form of self-annihilation. Instead of passing outward, beyond the confines of the visible world, the hero goes inward, to be born again. The disappearance corresponds to the passing of a worshipper into a temple-where he is to be quickened by the recollection of who and what he is, namely dust and ashes unless immortal. The temple interior, the belly of the whale, and the heavenly land beyond, above, and below the confines of the world, are one and the same. That is why the approaches and entrances to temples are flanked and defended by colossal gargoyles: dragons, lions, devil-slayers with drawn swords, resentful dwarfs, winged bulls. The devotee at the moment of entry into a temple undergoes a metamorphosis. Once inside he may be said to have died to time and returned to the World Womb, the World Navel, the Earthly Paradise. Allegorically, then, the passage into a temple and the hero-dive through the jaws of the whale are identical adventures, both denoting in picture language, the life-centering, life-renewing act. ~ Joseph Campbell, #KEYS
43:9. Atonement with the Father/Abyss:Atonement consists in no more than the abandonment of that self-generated double monster-the dragon thought to be God (superego) and the dragon thought to be Sin (repressed id). But this requires an abandonment of the attachment to ego itself, and that is what is difficult. One must have a faith that the father is merciful, and then a reliance on that mercy. Therewith, the center of belief is transferred outside of the bedeviling god's tight scaly ring, and the dreadful ogres dissolve. It is in this ordeal that the hero may derive hope and assurance from the helpful female figure, by whose magic (pollen charms or power of intercession) he is protected through all the frightening experiences of the father's ego-shattering initiation. For if it is impossible to trust the terrifying father-face, then one's faith must be centered elsewhere (Spider Woman, Blessed Mother); and with that reliance for support, one endures the crisis-only to find, in the end, that the father and mother reflect each other, and are in essence the same. The problem of the hero going to meet the father is to open his soul beyond terror to such a degree that he will be ripe to understand how the sickening and insane tragedies of this vast and ruthless cosmos are completely validated in the majesty of Being. The hero transcends life with its peculiar blind spot and for a moment rises to a glimpse of the source. He beholds the face of the father, understands-and the two are atoned. ~ Joseph Campbell, #KEYS
44:The mythological hero, setting forth from his common-day hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother-battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion). Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero's sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divinization (apotheosis), or again-if the powers have remained unfriendly to him-his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re-emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world (elixir). ~ Joseph Campbell, The Hero with a Thousand Faces, The Keys, #KEYS
45:Apotheosis ::: One of the most powerful and beloved of the Bodhisattvas of the Mahayana Buddhism of Tibet, China, and Japan is the Lotus Bearer, Avalokiteshvara, "The Lord Looking Down in Pity," so called because he regards with compassion all sentient creatures suffering the evils of existence. To him goes the millionfold repeated prayer of the prayer wheels and temple gongs of Tibet: Om mani padme hum, "The jewel is in the lotus." To him go perhaps more prayers per minute than to any single divinity known to man; for when, during his final life on earth as a human being, he shattered for himself the bounds of the last threshold (which moment opened to him the timelessness of the void beyond the frustrating mirage-enigmas of the named and bounded cosmos), he paused: he made a vow that before entering the void he would bring all creatures without exception to enlightenment; and since then he has permeated the whole texture of existence with the divine grace of his assisting presence, so that the least prayer addressed to him, throughout the vast spiritual empire of the Buddha, is graciously heard. Under differing forms he traverses the ten thousand worlds, and appears in the hour of need and prayer. He reveals himself in human form with two arms, in superhuman forms with four arms, or with six, or twelve, or a thousand, and he holds in one of his left hands the lotus of the world.
Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. "When the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change." This is the release potential within us all, and which anyone can attain-through herohood; for, as we read: "All things are Buddha-things"; or again (and this is the other way of making the same statement) : "All beings are without self."
The world is filled and illumined by, but does not hold, the Bodhisattva ("he whose being is enlightenment"); rather, it is he who holds the world, the lotus. Pain and pleasure do not enclose him, he encloses them-and with profound repose. And since he is what all of us may be, his presence, his image, the mere naming of him, helps. "He wears a garland of eight thousand rays, in which is seen fully reflected a state of perfect beauty.
The color of his body is purple gold. His palms have the mixed color of five hundred lotuses, while each finger tip has eighty-four thousand signet-marks, and each mark eighty-four thousand colors; each color has eighty-four thousand rays which are soft and mild and shine over all things that exist. With these jewel hands he draws and embraces all beings. The halo surrounding his head is studded with five hundred Buddhas, miraculously transformed, each attended by five hundred Bodhisattvas, who are attended, in turn, by numberless gods. And when he puts his feet down to the ground, the flowers of diamonds and jewels that are scattered cover everything in all directions. The color of his face is gold. While in his towering crown of gems stands a Buddha, two hundred and fifty miles high." - Amitayur-Dhyana Sutra, 19; ibid., pp. 182-183. ~ Joseph Campbell, The Hero with a Thousand Faces, Apotheosis,#KEYS
46:To what gods shall the sacrifice be offered? Who shall be invoked to manifest and protect in the human being this increasing godhead?
Agni first, for without him the sacrificial flame cannot burn on the altar of the soul. That flame of Agni is the seven-tongued power of the Will, a Force of God instinct with Knowledge. This conscious and forceful will is the immortal guest in our mortality, a pure priest and a divine worker, the mediator between earth and heaven. It carries what we offer to the higher Powers and brings back in return their force and light and joy into our humanity.
Indra, the Puissant next, who is the power of pure Existence self-manifested as the Divine Mind. As Agni is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth. He comes down into our world as the Hero with the shining horses and slays darkness and division with his lightnings, pours down the life-giving heavenly waters, finds in the trace of the hound, Intuition, the lost or hidden illuminations, makes the Sun of Truth mount high in the heaven of our mentality.
Surya, the Sun, is the master of that supreme Truth, - truth of being, truth of knowledge, truth of process and act and movement and functioning. He is therefore the creator or rather the manifester of all things - for creation is out-bringing, expression by the Truth and Will - and the father, fosterer, enlightener of our souls. The illuminations we seek are the herds of this Sun who comes to us in the track of the divine Dawn and releases and reveals in us night-hidden world after world up to the highest Beatitude.
Of that beatitude Soma is the representative deity. The wine of his ecstasy is concealed in the growths of earth, in the waters of existence; even here in our physical being are his immortalising juices and they have to be pressed out and offered to all the gods; for in that strength these shall increase and conquer.
Each of these primary deities has others associated with him who fulfil functions that arise from his own. For if the truth of Surya is to be established firmly in our mortal nature, there are previous conditions that are indispensable; a vast purity and clear wideness destructive of all sin and crooked falsehood, - and this is Varuna; a luminous power of love and comprehension leading and forming into harmony all our thoughts, acts and impulses, - this is Mitra; an immortal puissance of clear-discerning aspiration and endeavour, - this is Aryaman; a happy spontaneity of the right enjoyment of all things dispelling the evil dream of sin and error and suffering, - this is Bhaga. These four are powers of the Truth of Surya. For the whole bliss of Soma to be established perfectly in our nature a happy and enlightened and unmaimed condition of mind, vitality and body are necessary. This condition is given to us by the twin Ashwins; wedded to the daughter of Light, drinkers of honey, bringers of perfect satisfactions, healers of maim and malady they occupy our parts of knowledge and parts of action and prepare our mental, vital and physical being for an easy and victorious ascension.
Indra, the Divine Mind, as the shaper of mental forms has for his assistants, his artisans, the Ribhus, human powers who by the work of sacrifice and their brilliant ascension to the high dwelling-place of the Sun have attained to immortality and help mankind to repeat their achievement. They shape by the mind Indra's horses, the chariot of the Ashwins, the weapons of the Gods, all the means of the journey and the battle. But as giver of the Light of Truth and as Vritra-slayer Indra is aided by the Maruts, who are powers of will and nervous or vital Force that have attained to the light of thought and the voice of self-expression. They are behind all thought and speech as its impellers and they battle towards the Light, Truth and Bliss of the supreme Consciousness.
There are also female energies; for the Deva is both Male and Female and the gods also are either activising souls or passively executive and methodising energies. Aditi, infinite Mother of the Gods, comes first; and there are besides five powers of the Truthconsciousness, - Mahi or Bharati, the vast Word that brings us all things out of the divine source; Ila, the strong primal word of the Truth who gives us its active vision; Saraswati, its streaming current and the word of its inspiration; Sarama, the Intuition, hound of heaven who descends into the cavern of the subconscient and finds there the concealed illuminations; Dakshina, whose function is to discern rightly, dispose the action and the offering and distribute in the sacrifice to each godhead its portion. Each god, too, has his female energy.
All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, master of life, links them together by the mid-air, the region of vital force. And there are other deities, - Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.
The development of all these godheads is necessary to our perfection. And that perfection must be attained on all our levels, - in the wideness of earth, our physical being and consciousness; in the full force of vital speed and action and enjoyment and nervous vibration, typified as the Horse which must be brought forward to upbear our endeavour; in the perfect gladness of the heart of emotion and a brilliant heat and clarity of the mind throughout our intellectual and psychical being; in the coming of the supramental Light, the Dawn and the Sun and the shining Mother of the herds, to transform all our existence; for so comes to us the possession of the Truth, by the Truth the admirable surge of the Bliss, in the Bliss infinite Consciousness of absolute being. ~ Sri Aurobindo, Hymns to the Mystic Fire, The Doctrine of the Mystics,#KEYS
*** WISDOM TROVE ***
1:The hero is brave in deeds as well as words. ~ aesop, @wisdomtrove 2:The adventure of the hero is the adventure of being alive. ~ joseph-campbell, @wisdomtrove 3:The hero's journey is simply who we are as human beings. ~ elizabeth-gilbert, @wisdomtrove 4:The adventure that the hero is ready for is the one he gets. ~ joseph-campbell, @wisdomtrove 5:The coward makes himself cowardly, the hero makes himself heroic. ~ jean-paul-sartre, @wisdomtrove 6:The call to adventure signifies that destiny has summoned the hero. ~ joseph-campbell, @wisdomtrove 7:I never go to movies where the hero's tits are bigger than the heroine's. ~ groucho-marx, @wisdomtrove 8:The hero draws inspiration from the virtue of his ancestors. ~ johann-wolfgang-von-goethe, @wisdomtrove 9:The ordinary man is involved in action, the hero acts. An immense difference. ~ henry-miller, @wisdomtrove 10:A tragedy is that moment where the hero comes face to face with his true identity. ~ aristotle, @wisdomtrove 11:The last act in the biography of the hero is that of the death or departure. ~ joseph-campbell, @wisdomtrove 12:There's only one problem with the hero's journey, it never included women. ~ elizabeth-gilbert, @wisdomtrove 13:It is the hero alone, not the coward, who has liberation within his easy reach. ~ swami-vivekananda, @wisdomtrove 14:Love is a hero’s journey, and the hero’s journey is a noble but difficult path. ~ marianne-williamson, @wisdomtrove 15:The hero journey is inside of you; tear off the veils and open the mystery of your self. ~ joseph-campbell, @wisdomtrove 16:If you are not the hero of your own story, then you're missing the whole point of your humanity. ~ steve-maraboli, @wisdomtrove 17:The difference between the hero and the coward is that the hero sticks in there five minutes longer ~ brian-tracy, @wisdomtrove 18:Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. ~ ayn-rand, @wisdomtrove 19:No man is a hero to his valet. This is not because the hero is no hero, but because the valet is a valet. ~ georg-wilhelm-friedrich-hegel, @wisdomtrove 20:The hero, therefore, is the man or woman who has been able to battle past his personal and local historical limitations. ~ joseph-campbell, @wisdomtrove 21:If the mind could cease measuring itself against the hero, the perfect, the glorious and all that, it would be what it is. ~ jiddu-krishnamurti, @wisdomtrove 22:In every great novel, who is the hero all the time? Not any of the characters, but some unnamed and nameless flame behind them all. ~ d-h-lawrence, @wisdomtrove 23:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. ~ charles-dickens, @wisdomtrove 24:The idol of today pushes the hero of yesterday out of our recollection; and will, in turn, be supplanted by his successor of tomorrow. ~ washington-irving, @wisdomtrove 25:You're the hero of this great drama, so why not live heroically? Why not be open to the possibilities of all you could be and everything you could experience? ~ tim-freke, @wisdomtrove 26:You’re the hero of this great drama, so why not live heroically? Why not be open to the possibilities of all you could be and everything you could experience? ~ tim-freke, @wisdomtrove 27:Some people probably think of the Resurrection as a desperate last moment expedient to save the Hero from a situation which had got out of the Author's control. ~ c-s-lewis, @wisdomtrove 28:The hero of my tale, whom I love with all the power of my soul, whom I have tried to portray in all his beauty, who has been, is, and will be beautiful, is Truth. ~ leo-tolstoy, @wisdomtrove 29:I love it when a movie captivates my attention; however, I don’t want to completely identify with the hero, since when the story becomes harrowing, I find it too disturbing. ~ tim-freke, @wisdomtrove 30:It seems to me that the ego is the hero not the villain of the spiritual adventure. The ego is the surface self through which the deep I can experience the adventure of living. ~ tim-freke, @wisdomtrove 31:It seems to me that the ego is the hero, not the villain of the spiritual adventure. The ego is the surface self through which the deep I can experience the adventure of living. ~ tim-freke, @wisdomtrove 32:Each one of us is the hero of our own movie. Isn’t that great?! I’m a walk-on part in your movie. Other people get to play the romantic interest or comic sidekick. But you’re the star who’s in every scene. ~ tim-freke, @wisdomtrove 33:Do not let your fire go out ... Do not let the Hero in your soul perish ... Check your road and the nature of your battle. The world you desired can be won. It exists, it is real, it is possible, it is yours. ~ ayn-rand, @wisdomtrove 34:The basic story of the hero journey involves giving up where you are, going into the realm of adventure, coming to some kind of symbolically rendered realization, and then returning to the field of normal life. ~ joseph-campbell, @wisdomtrove 35:Love, to the inferior man, remains almost wholly a physical matter. The heroine he most admires is the one who offers the grossest sexual provocation; the hero who makes his wife roll her eyes is a perambulating phallus. ~ h-l-mencken, @wisdomtrove 36:If I look at my own experience, Tim is clearly the hero of the story. He’s the star of the show. Other people come and go, but Tim is in every scene. His wife Debbie plays romantic love interest. His best mate Pete plays comic sidekick. ~ tim-freke, @wisdomtrove 37:Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it's yours. ~ ayn-rand, @wisdomtrove 38:Do not let the hero in your soul parish, in lonely frustration, for the life you deserved but never have been able to reach. Check your road and the nature of your battle. The world you desired can be won. It exists, it is real, it is possible, it is yours. ~ ayn-rand, @wisdomtrove 39:I became conscious that I was both a detached observer in the cinema and also a participant in the unfolding drama. I was safely outside of the story, but I was drawn into it by my fascination with the hero’s dilemmas. This is a great analogy for what happens when I live lucidly. ~ tim-freke, @wisdomtrove 40:The achievement of the hero is one that he is ready for and it's really a manifestation of his character. It's amusing the way in which the landscape and conditions of the environment match the readiness of the hero. The adventure that he is ready for is the one that he gets. ~ joseph-campbell, @wisdomtrove 41:When I understand that I am both an irrelevant speck and the star of the show, it makes me feel both humble and empowered. I want to encourage you both to be conscious of the oneness of being and to feel empowered as a unique individual who is the hero of your amazing life adventure. ~ tim-freke, @wisdomtrove 42:I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing.¶ I can always get a J. Crew catalogue. So spare me, if you please, the hero’s sharply intelligent blue eyes’ and outthrust determined chin’. ~ stephen-king, @wisdomtrove 43:The paradoxity of life means that every one of us as an individual self is the hero of the story of life. Looked at from one perspective we appear to be irrelevant specks of dust in a vast universe, who are here for a moment and then gone. But from another perspective each one of us is the very centre of the universe. ~ tim-freke, @wisdomtrove 44:..our readiness to allow arms to be purchased at will and fired at whim; by allowing our movie and television screens to teach our children that the hero is one who masters the art of shooting and the technique of killing... we have created an atmosphere in which violence and hatred have become popular pastimes. ~ martin-luther-king, @wisdomtrove 45:The hero’s journey always begins with the call. One way or another, a guide must come to say, & 46:If I look at my own experience Tim is clearly the hero of the life story. He’s the star of the show. Other people come and go, but Tim is in every scene. His wife, Debbie, plays romantic love interest. His best mate, Pete, plays comic sidekick. There’s a whole load of extras who figure now and then. But Tim’s the main man. ~ tim-freke, @wisdomtrove 47:Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States& 48:If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began. ~ soren-kierkegaard, @wisdomtrove 49:Perhaps it would have been possible to see in him a new Prometheus... the hero who for the good of mankind exposes himself to the agonies of the damned... undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy. ~ william-somerset-maugham, @wisdomtrove 50:Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it's yours. ~ ayn-rand, @wisdomtrove 51:The paradoxity of life means that as a conscious individual each one of us is the hero of the story of life. Looked at from one perspective we appear to be irrelevant specks of dust in a vast universe, who are here for a moment and then gone. But from another perspective everyone is the centre around which the universe revolves. How wonderful! ~ tim-freke, @wisdomtrove 52:So much of truth, only under an ancient obsolete vesture, but the spirit of it still true, do I find in the Paganism of old nations. Nature is still divine, the revelation of the workings of God; the Hero is still worshipable: this, under poor cramped incipient forms, is what all Pagan religions have struggled, as they could, to set forth. ~ thomas-carlyle, @wisdomtrove 53:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o‚Äôclock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously. ~ charles-dickens, @wisdomtrove 54:To be a lover of life is to be a heroic lover on a sacred quest to become an embodiment of love. This means facing the dilemmas that confront us with bold determination to love. But the hero doesn’t start triumphant, win every war, and return victorious. The hero struggles and fails, yet finds the inner strength, which wells up from the deep self, to come back from defeat and love again. ~ tim-freke, @wisdomtrove 55:As a child, if a movie scared me I would pinch myself so that I’d remember I was in a cinema. For me, spiritual practices are a bit like pinching myself. When I’ve become so identified with the hero in the story of Tim that it has become terrifyingly real, I need to remember that everything is in fact okay. But when I know it’s okay, I don’t want to remain in a state of detached indifference. I want to get into the story again. ~ tim-freke, @wisdomtrove 56:The paradoxity of life means that every one of us as an individual self is the hero of the story of life. Looked at from one perspective we appear to be irrelevant specks of dust in a vast universe, who are here for a moment and then gone. But from another perspective each one of us is the very centre of the universe. When I understand that I am both an irrelevant speck and the star of the show, it makes me feel both humble and empowered. ~ tim-freke, @wisdomtrove 57:an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it's yours. ~ ayn-rand, @wisdomtrove 58:The paradoxity of life means that as a conscious individual each one of us is the hero of the story of life. Looked at from one perspective we appear to be irrelevant specks of dust in a vast universe, who are here for a moment and then gone. But from another perspective everyone is the centre around which the universe revolves. How wonderful! When I understand that I am both an irrelevant speck and the star of the show, it makes me feel both humble and empowered. ~ tim-freke, @wisdomtrove 59:I love it when a movie captivates my attention; however, I don’t want to completely identify with the hero, since when the story becomes harrowing, I find it too disturbing. This rarely happens because I know that I am basically safe in the cinema. In the same way, waking up to my essential identity gives me a detached serenity from the trials and tribulations of the story of Tim. But just being detached would be like watching a movie and merely seeing coloured patches projected on a screen. Where’s the fun in that? ~ tim-freke, @wisdomtrove 60:Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before herwho will blame him if he does homage to the beauty of the world? ~ virginia-woolf, @wisdomtrove 61:Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. ~ g-k-chesterton, @wisdomtrove *** NEWFULLDB 2.4M ***
1:I am the hero of Africa. ~ Idi Amin, #NFDB
2:I am the hero of my own story ~ Unknown, #NFDB
3:The hero pays the price. ~ Lev Grossman, #NFDB
4:Be the hero of your own story. ~ Joe Rogan, #NFDB
5:I am the hero of my own story. ~ Tara Brown, #NFDB
6:The hero is the one with ideas. ~ Jack Welch, #NFDB
7:Perseus, you are not the hero. ~ Rick Riordan, #NFDB
8:The hero is the one with ideas. ~ John C Maxwell, #NFDB
9:We are the hero of our own story. ~ Mary McCarthy, #NFDB
10:We’re all the hero of our own story. ~ Jim Butcher, #NFDB
11:Be the hero of your own life story. ~ Gerard Butler, #NFDB
12:Do not let the hero in your soul perish. ~ Ayn Rand, #NFDB
13:Drop that zero and get with the hero! ~ Vanilla Ice, #NFDB
14:The hero is brave in deeds as well as words. ~ Aesop, #NFDB
15:Every man is the hero of his own song. ~ Tad Williams, #NFDB
16:You are the Hero of your own Story. ~ Joseph Campbell, #NFDB
17:The hero can never be a relativist. ~ Richard M Weaver, #NFDB
18:you are the hero of heroes the god of gods ~ Rupi Kaur, #NFDB
19:Every bad guy is the hero of his own tale. ~ Celia Aaron, #NFDB
20:But in the hero ne'er forget the man. ~ Mercy Otis Warren, #NFDB
21:If the hero is not a person, the emblem ~ Wallace Stevens, #NFDB
22:The hero is never the star of the story. ~ Marilyn Manson, #NFDB
23:The hero is suffered to be himself. ~ Ralph Waldo Emerson, #NFDB
24:I guess everyone’s the hero of their own story. ~ L H Cosway, #NFDB
25:Kill reverence and you've killed the hero in man. ~ Ayn Rand, #NFDB
26:To be the hero, you had to decide it was you. ~ Mary H K Choi, #NFDB
27:Unless we believe in the hero, what is there ~ Wallace Stevens, #NFDB
28:The hero is he who is immovably centered. ~ Ralph Waldo Emerson, #NFDB
29:Everyone deserves to be the hero of a novel. ~ William Nicholson, #NFDB
30:The hero is the person who's afraid to run away. ~ Saul Williams, #NFDB
31:To be the hero of my life or forever its victim. ~ Charles Dickens, #NFDB
32:Hey baby, when I write, I'm the hero of my shit. ~ Charles Bukowski, #NFDB
33:In victory, the hero seeks the glory, not the prey. ~ Philip Sidney, #NFDB
34:It's time for you to be the hero of your own journey. ~ Bill Jensen, #NFDB
35:You would never expect a black woman to be the hero. ~ Sanaa Lathan, #NFDB
36:Everyone is necessarily the hero of his own life story. ~ John Barth, #NFDB
37:I don't need to be saved. I'm the hero of my own story. ~ Tara Brown, #NFDB
38:I mean, I'm not going to play the hero of something. ~ Paul Giamatti, #NFDB
39:Make the customer the hero of your brand's story. ~ Simon Mainwaring, #NFDB
40:Every bad guy is the hero of his own tale.” “Seriously? ~ Celia Aaron, #NFDB
41:The hero's achievement, in short, is to affirm life. ~ Carol S Pearson, #NFDB
42:The hero is strangely akin to those who die young. ~ Rainer Maria Rilke, #NFDB
43:This lack of imagination gives his heroism to the hero. ~ Angela Carter, #NFDB
44:The hero wanders. The hero suffers. The hero returns. ~ Steven Pressfield, #NFDB
45:I’m not the hero in this story; I’m the motherfucking villain. ~ Anonymous, #NFDB
46:I'm the guy in the crowd making fun of the hero's shirt. ~ Seth MacFarlane, #NFDB
47:Be the hero of hearts; learn to say I'm sorry. ~ Richelle E Goodrich, #NFDB
48:The adventure of the hero is the adventure of being alive ~ Joseph Campbell, #NFDB
49:The strikebreaker is the hero of American industry. ~ Charles William Eliot, #NFDB
50:Live your life like you're the hero in your movie and right now. ~ Joe Rogan, #NFDB
51:The catalyst for any story is that the hero wants something. ~ Donald Miller, #NFDB
52:The hero's journey is simply who we are as human beings. ~ Elizabeth Gilbert, #NFDB
53:If great content is the hero, then banners are the villain. ~ Michael Brenner, #NFDB
54:In every first novel the hero is the author as Christ or Faust. ~ Oscar Wilde, #NFDB
55:The hero is commonly the simplest and obscurest of men. ~ Henry David Thoreau, #NFDB
56:What makes the hero truly great
is never, never to despair. ~ Robert Burns,#NFDB
57:If the world is a book, are you the hero, or just a walk-on part? ~ K J Parker, #NFDB
58:I was the hero of the young insurgent working class art movement. ~ Elia Kazan, #NFDB
59:My partner and I are very serious about the hero profession. ~ Bill Willingham, #NFDB
60:The adventure that the hero is ready for is the one he gets. ~ Joseph Campbell, #NFDB
61:The hero used to be the one in white. Now he is harder to spot. ~ Mason Cooley, #NFDB
62:If you put someone on screen long enough, they become the hero. ~ Michael Caine, #NFDB
63:Okay, so I’m the dragon. Big deal. You still get to be the hero. ~ Richard Siken, #NFDB
64:If manners maketh the man as someone said, then he's the hero of the day. ~ Sting, #NFDB
65:The strongest character in a story isn’t the hero, it’s the guide. ~ Donald Miller, #NFDB
66:The key is, no matter what story you tell, make your buyer the hero. ~ Chris Brogan, #NFDB
67:The coward makes himself cowardly, the hero makes himself heroic. ~ Jean Paul Sartre, #NFDB
68:The hero sees that the event is ancillary: it must follow him. ~ Ralph Waldo Emerson, #NFDB
69:Sometimes, you can't help seeing yourself as the hero of your own story. ~ Tanith Lee, #NFDB
70:The call to adventure signifies that destiny has summoned the hero. ~ Joseph Campbell, #NFDB
71:What do you do when you're no longer the hero of your own story? ~ Michael Cunningham, #NFDB
72:some would say that the hero of any story is the one who changes the most. ~ Anonymous, #NFDB
73:The hero in this novel lives a life by his own code with no apologies. ~ Kristen Ashley, #NFDB
74:Deeds do not make the hero . . . it’s the fear they overcome that does. ~ Mark Cheverton, #NFDB
75:I never go to movies where the hero's tits are bigger than the heroine's. ~ Groucho Marx, #NFDB
76:I don't have to be the hero or nothing. I just have to be part of the team. ~ Bobby Abreu, #NFDB
77:The hero draws inspiration from the virtue of his ancestors. ~ Johann Wolfgang von Goethe, #NFDB
78:The hero saves us. Praise the hero! Now, who will save us from the hero? ~ Cato the Elder, #NFDB
79:For in a real tragedy, it is not the hero who perishes; it is the chorus. ~ Joseph Brodsky, #NFDB
80:I think music is one of the hero/sheroes of the African-American existence. ~ Maya Angelou, #NFDB
81:It wasn’t right for the villain in Logan’s story to be the hero in hers. ~ Karen Witemeyer, #NFDB
82:You are not the hero who will save the audience; the audience is your hero. ~ Nancy Duarte, #NFDB
83:You're the hero...," she said, finding his eyes,"...of your own story anyway. ~ V E Schwab, #NFDB
84:Being an old radical, I like films like Spartacus. I could relate to the hero. ~ Alex North, #NFDB
85:Be careful, boy. In some tales, the hero gets eaten by the monster after all. ~ Julie Kagawa, #NFDB
86:Be the hero of your own life. Don't let somebody else play that role. (Vasu) ~ Margaret Weis, #NFDB
87:In football, the hero and legend status is given out far too easily for me. ~ Steven Gerrard, #NFDB
88:Sometimes the hero of the fairy tale isn't a handsome prince. Sometimes it's you. ~ Zoe Sugg, #NFDB
89:The hero wanders. The hero suffers. The hero returns. You are that hero. ~ Steven Pressfield, #NFDB
90:The hero wanders, the hero suffers, the hero returns. You are that hero. ~ Steven Pressfield, #NFDB
91:The ordinary man is involved in action, the hero acts. An immense difference. ~ Henry Miller, #NFDB
92:A tragedy is that moment where the hero comes face to face with his true identity. ~ Aristotle, #NFDB
93:The last act in the biography of the hero is that of the death or departure. ~ Joseph Campbell, #NFDB
94:There's only one problem with the hero's journey, it never included women. ~ Elizabeth Gilbert, #NFDB
95:Before knowing what the hero wants, the audience has little interest in her fate. ~ Donald Miller, #NFDB
96:You get a bigger paycheck if you are the hero. There is something good about it. ~ Dolph Lundgren, #NFDB
97:Every morning another chapter where the hero shifts
from one foot to the other. ~ Richard Siken,#NFDB
98:The final notes of the funeral march dropped like violets onto the tomb of the hero ~ Jos Saramago, #NFDB
99:It is the hero alone, not the coward, who has liberation within his easy reach. ~ Swami Vivekananda, #NFDB
100:The hero is the champion of things becoming, not of things become, because he is. ~ Joseph Campbell, #NFDB
101:Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief. ~ Lev Grossman, #NFDB
102:I wish I had more of the hero gene, but I don't think I'd be very good at playing one. ~ Billy Crudup, #NFDB
103:Love is a hero’s journey, and the hero’s journey is a noble but difficult path. ~ Marianne Williamson, #NFDB
104:The hero. The unicorn that turned out to be just a horse with a deformity on its head. ~ Katee Robert, #NFDB
105:It was a story called ‘The Hero’ which I sold to Galaxy magazine in 1970, for $94. ~ George R R Martin, #NFDB
106:We need to encounter the hero within and let him lead us on the adventure of our lives. ~ Richard Rohr, #NFDB
107:But the universe never promised you this would be easy. After all, you are the hero here. ~ Nikita Gill, #NFDB
108:He thought I was the hero of our story. How wrong he was. He had been the hero all along. ~ Abbi Glines, #NFDB
109:I am not always good and noble. I am the hero of this story, but I have my off moments. ~ P G Wodehouse, #NFDB
110:Put the hero back in the super hero movies, because I think 'super' might have taken over. ~ Max Landis, #NFDB
111:I go into every game thinking I'm going to be the hero. I have to, or I wouldn't enjoy it. ~ Derek Jeter, #NFDB
112:until he who possesses sapience comes, the one with knowledge shall be the hero ~ Ernest Agyemang Yeboah, #NFDB
113:He had brought out the man in Alec, and now it was Alec’s turn to bring out the hero in him ~ E M Forster, #NFDB
114:If the hero does not match the story, it is the hero, not the story, who must be rewritten. ~ Lauren Kate, #NFDB
115:It's better to be the hero of your own story than to become the villain of someone else's. ~ Chris Colfer, #NFDB
116:It’s better to be the hero of your own story than to become the villain of someone else’s. ~ Chris Colfer, #NFDB
117:I wanted to be the hero of my own story. Not the damsel. Heroically lost, heroically found. ~ Cole McCade, #NFDB
118:Storytellers use the guide character to encourage the hero and equip them to win the day. ~ Donald Miller, #NFDB
119:You remain the hero of your own story even when you become the villain of someone else's. ~ Anthony Marra, #NFDB
120:A lot of characters now on TV have moved into being anti-heroes, but I wanted to be the hero. ~ Kieran Bew, #NFDB
121:And you managed to leave the house and be the hero. Who do you think you are, Spider-Man? ~ Kim Harrington, #NFDB
122:Faster than the devil *times* Sharper than wind! That's the ultimate law of the hero!! ~ Masashi Kishimoto, #NFDB
123:The hero journey is inside of you; tear off the veils and open the mystery of your self. ~ Joseph Campbell, #NFDB
124:The hero of yesterday becomes the tyrant of tomorrow, unless he crucifies himself today. ~ Joseph Campbell, #NFDB
125:I think—the hero observes that nothing is so frightening as a labyrinth with no center. ~ Jorge Luis Borges, #NFDB
126:We all live in suspense from day to day; in other words you are the hero of your own story. ~ Mary McCarthy, #NFDB
127:I can never be the hero now. You have to be young and all that stuff. I used to be the hero. ~ Michael Caine, #NFDB
128:Tell me what you need me to do right now, Reed. I’m used to being the villain, not the hero. ~ Jay Crownover, #NFDB
129:I have always been fascinated by the concept of the villain and the hero being in one person. ~ Alex Kapranos, #NFDB
130:We're all good. We're all bad. The hero in our own stories. The villain in someone else's. ~ Roseanna M White, #NFDB
131:You remain the hero of your own story even when you become the villain of someone else’s. His ~ Anthony Marra, #NFDB
132:I must admit to being greatly influenced by Joseph Campbell's The Hero With a Thousand Faces. ~ Norman Spinrad, #NFDB
133:The hero is the world-man, in whose heart One passion stands for all, the most indulged. ~ Philip James Bailey, #NFDB
134:His person and air were equal to what her fancy had ever drawn for the hero of a favourite story. ~ Jane Austen, #NFDB
135:I had to remember that he wasn't the good guy. He wasn't the hero. In fact, he was the villain. ~ Natasha Knight, #NFDB
136:No fairy tale begins in despair, because if it did, what would the hero have left to fight for? ~ Sarah Clarkson, #NFDB
137:If you are not the hero of your own story, then you're missing the whole point of your humanity. ~ Steve Maraboli, #NFDB
138:I won’t move a muscle, I won’t come out, I’ll be quiet, I promise. Besides, I’m not the hero type. ~ Shelly Crane, #NFDB
139:You didn’t get to be the villain of one story, she supposed, unless you were the hero of another ~ Nicholas Eames, #NFDB
140:An adult western is where the hero still kisses his horse at the end, only now he worries about it. ~ Milton Berle, #NFDB
141:The hero, the waker of his own soul, is himself but the convenient means of his own dissolution. ~ Joseph Campbell, #NFDB
142:You didn’t get to be the villain of one story, she supposed, unless you were the hero of another. ~ Nicholas Eames, #NFDB
143:DoveWing (talking to LoinBlaze): You got somthing wrong, what you said to ToadStep. You are the hero. ~ Erin Hunter, #NFDB
144:You don't have to try to be the hero." His voice is rough and low.
"I'm not trying," I say. "I am. ~ Ally Condie,#NFDB
145:And there, among the ruined splendor of Skyline Palace, Adamat saw a god weep for the hero of Adro. ~ Brian McClellan, #NFDB
146:Around the hero, everything becomes a tragedy.
Around God, everything becomes what? a world? ~ Friedrich Nietzsche,#NFDB
147:But you were the hero, weren’t you? You were the one who made me brave when I might have given up. ~ Carrie Anne Noble, #NFDB
148:DANCER ELIAS GARRICK
“NEVER THE SIDEKICK, ALWAYS THE HERO. I’LL SEE YOU IN THE SLIPSTREAM. ~ Karen Marie Moning,#NFDB
149:I was the hero, Roberto De Niro, William Shakespearo! Walking on the beaches, looking at the peaches. ~ Charlie Higson, #NFDB
150:These manly sentiments, in private life, make the good citizen; in public life, the patriot and the hero. ~ James Otis, #NFDB
151:I’m not the hero in this story, Pimlico. I’m another villain. You’d do best to remember that.” Looking ~ Pepper Winters, #NFDB
152:Oh. Was it a manly kind of faint? You know, the kind the hero does after he’s overcome overwhelming odds? ~ Lola St Vil, #NFDB
153:Every character I play has to be the hero of his own story, the way we're all heroes of our own lives. ~ Jesse Eisenberg, #NFDB
154:I too can play the madman, the fool, the hero; in short, any or everything to rescue her I love. ~ James Fenimore Cooper, #NFDB
155:The most important thing is to get the fish in quickly and leave it in the water. Forget the hero pose. ~ Yvon Chouinard, #NFDB
156:Instead of clearing his own heart the zealot tries to clear the world. ~ Joseph Campbell, The Hero with a Thousand Faces, #NFDB
157:Man, in the collective sense, is the hero of science. Man, in the collective sense, is the hero of Earth. ~ Jacque Fresco, #NFDB
158:Always position your customer as the hero and your brand as the guide. Always. If you don’t, you will die. ~ Donald Miller, #NFDB
159:think: the hero prolongs himself, even his falling
was only a pretext for being, his latest rebirth. ~ Rainer Maria Rilke,#NFDB
160:Forget her tattered memories,
or the pages others took;
you are her ever after—
the hero of her book. ~ Lang Leav,#NFDB
161:If you’re not the hero of your own novel, then what kind of novel is it? You need to do some heavy editing. ~ Terence McKenna, #NFDB
162:Someone's got to be the hero," he replied, and walked off across the hull.
"Famous last words," I muttered. ~ Ransom Riggs,#NFDB
163:The hero reveals the possibilities of human nature; the celebrity reveals the possibilities of the media. ~ Daniel J Boorstin, #NFDB
164:When facing unbeatable odds, just think of yourself as unbeatably odd. (The Hero's Guide to Being a Hero) ~ Christopher Healy, #NFDB
165:When you give a presentation, play the role of mentor, not the role of hero. The audience is the hero. Motivation ~ Neal Ford, #NFDB
166:I can't imagine a romance novel published today where the hero rapes the heroine and she falls in love with him. ~ Julia Quinn, #NFDB
167:If our kisses were each a story, this was the one where the hero got the girl, and they rode off into the sunset. ~ Vi Keeland, #NFDB
168:It occurred to me that I was standing face to face with the hero of a love story nearly as dramatic as my own. ~ Richelle Mead, #NFDB
169:We all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story. ~ Mary McCarthy, #NFDB
170:both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you feel.” — ~ Ben Horowitz, #NFDB
171:Fine,” I said. “So our girl, the hero of our story—” “Heroine,” he said. “No, I haven’t got any,” I said. ~ Stephen Kozeniewski, #NFDB
172:if you would maintain the slightest belief in human heroism, you must never make a pilgrimage to see the hero. I ~ George Eliot, #NFDB
173:A story starts with a hero who wants something. And then the question becomes: Will the hero get what she wants? ~ Donald Miller, #NFDB
174:The reminder that I’d failed. That I’d never be the hero. God knew that I got up every single day and tried anyway. ~ A L Jackson, #NFDB
175:After all this progress, men still get the hero's journey, while we're left with the marriage plot? What bullshit. ~ Andrea Dunlop, #NFDB
176:But by my love and hope I beseech you: do not throw away the hero in your soul! Hold holy your highest hope! ~ Friedrich Nietzsche, #NFDB
177:He understood, as he would write in "Walking," that "the hero is commonly the simplest and obscurest of men. ~ Henry David Thoreau, #NFDB
178:The hero and the coward both feel exactly the same fear, only the hero confronts his fear and converts it into fire. ~ Cus D Amato, #NFDB
179:The art of the hero wasn’t about being brave; it was about being so competent that bravery wasn’t an issue. ~ Christopher McDougall, #NFDB
180:The hero would be no hero if death held for him any terror; the first condition is reconciliation with the grave. ~ Joseph Campbell, #NFDB
181:You are a schmuck,” I informed the hero. “You’re not using the word correctly,” he said. “Yes I am,” I said. ~ Jonathan Safran Foer, #NFDB
182:But by my love and hope I beseech you: do not throw away the hero in your soul! Keep sacred your highest hope! ~ Friedrich Nietzsche, #NFDB
183:The hero, in living her own life, in being true to herself; radiates a light by which others may see their own way. ~ Laurence Boldt, #NFDB
184:Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. ~ Ayn Rand, #NFDB
185:down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero ~ Raymond Chandler, #NFDB
186:I was never built to play the hero. Physically or emotionally... And they're not as rewarding to play. At least for me. ~ Antony Sher, #NFDB
187:I read somewhere that everyone is the hero of his or her own story. Maybe that’s true for most people, but not for me. ~ Brett Battles, #NFDB
188:The hero didn’t even have to win. All he had to do to get the girl was fight for her. If he lost, she’d kiss him better. ~ Helen Hoang, #NFDB
189:The hero surviving his own murder, his own suicide, his own addiction, surviving his own disappearance from the scene ~ Allen Ginsberg, #NFDB
190:The life of discipleship is not the hero-worship we would pay to a good master, but obedience to the Son of God. ~ Dietrich Bonhoeffer, #NFDB
191:If there's one thing I've learned in my long life, it's that every villain thinks they're the hero of their own story. ~ Soman Chainani, #NFDB
192:In stories, the external problem is often a physical, tangible problem the hero must overcome in order to save the day. ~ Donald Miller, #NFDB
193:The art of the hero wasn’t about being brave; it was about being so competent that bravery wasn’t an issue. You ~ Christopher McDougall, #NFDB
194:The hero's journey software in our heads is demanding to be lived out. The blanks are insisting on being filled in. ~ Steven Pressfield, #NFDB
195:The role of the hero was filled, surprisingly, by the most frightening of untested forces in the market—the mutual funds. ~ John Brooks, #NFDB
196:Like the hero of a fairy-tale Mr Norrell had discovered that the power to do what he wished had been his own all along. ~ Susanna Clarke, #NFDB
197:Losing is like knowing that, in the movie scene where a thousand die but the hero lives, you're one of the obliterated. ~ David Guterson, #NFDB
198:The hero's will is not that of his ancestors nor of his society, but his own. This will to be oneself is heroism. ~ Jose Ortega y Gasset, #NFDB
199:First thing you learn wandering the long roads, kid. Everyone thinks they're the hero of their own story.
Pg328 ~ Sebastien de Castell,#NFDB
200:he was neither the hero nor the victim. He’d just been in an extraordinary situation, doing what needed to be done. ~ Andreas Christensen, #NFDB
201:No man is a hero to his valet. This is not because the hero is no hero, but because the valet is a valet. ~ Georg Wilhelm Friedrich Hegel, #NFDB
202:I like a good story, don’t get me wrong. But a man should never be the hero of his own stories. Nobody likes those stories. ~ Tim Johnston, #NFDB
203:I'm not the hero, princess," he said roughly. "Hell, I'm not even the good guy. Don't try to pretend I'm something I'm not. ~ Tiffany Snow, #NFDB
204:The hero, therefore, is the man or woman who has been able to battle past his personal and local historical limitations. ~ Joseph Campbell, #NFDB
205:There's no shame in fear. But understand this - the coward is ruled by fear, while the hero rides it like a wild stallion. ~ David Gemmell, #NFDB
206:What has happened in most of my books is the call to the extraordinary world, the hero's push, or that push has come to him. ~ Karan Bajaj, #NFDB
207:Chaff are men’s armies
Threshed by the flails of Fate; ‘tis the soul of the hero that conquers. ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
208:The true University of these days is a collection of Books. ~ Thomas Carlyle, Heroes and Hero Worship (1840), The Hero as a Man of Letters., #NFDB
209:I can feel you etched on my skin. Written on my heart. Marked on me forever. You are my gift. The hero I never expected. ~ A L Jackson, #NFDB
210:If the hero hasn’t turned up, you may have to settle for the villain.” “If the villain’s the one who turns up, he is the hero. ~ Lisa Kleypas, #NFDB
211:I was going to be the hero of the movie [The Lost World]. I had to speak up and be like, "Shouldn't I be the one doing that? ~ Eric McCormack, #NFDB
212:The art of the hero wasn’t about being brave; it was about being so competent that bravery wasn’t an issue. You weren ~ Christopher McDougall, #NFDB
213:. . . the image of the hero evolves in a manner that reflects each stage of the evolution of the human personality. P. 103 ~ Carl Gustav Jung, #NFDB
214:Good and evil are a great deal more complex than a princess and a dragon . . . is not the dragon the hero of his own story? ~ Erin Morgenstern, #NFDB
215:If the mind could cease measuring itself against the hero, the perfect, the glorious and all that, it would be what it is. ~ Jiddu Krishnamurti, #NFDB
216:Men, I thought, were more trouble than they were worth. Really, one should stick to books where one sees the hero coming a mile off. ~ Eva Rice, #NFDB
217:I've done nothing for the past five years but try to be the hero who protects her. The problem? Heroines don't need protecting. ~ Colleen Hoover, #NFDB
218:Around the hero everything turns into a tragedy, around the demigod, a satyr-play, and around God--what? perhaps a "world"? ~ Friedrich Nietzsche, #NFDB
219:Because it's much more pleasant to be obsessed over how the hero gets out of his predicament than it is over how I get out of mine. ~ Woody Allen, #NFDB
220:I cant write about something I dont admire. It goes back to the old concept of the celebration: you celebrate the hero, an idea. ~ Frank O Connor, #NFDB
221:I never knew Steve Jobs. I met him once, but I never knew him. But growing up in the Silicon Valley, he was the hero. He was the guy. ~ Jon M Chu, #NFDB
222:Marriage,' said Oscar Wilde, 'is a romance in which the hero dies in the first chapter.' Uncle Bertie made his exit in the Preface. ~ Ruskin Bond, #NFDB
223:I don't want to grow old wondering about the hero I might have been. I don't want to live life as a spectator during a play. ~ Michael Scott Earle, #NFDB
224:In every great novel, who is the hero all the time? Not any of the characters, but some unnamed and nameless flame behind them all. ~ D H Lawrence, #NFDB
225:It takes a hell of a lot of courage to walk into your own story, but to be the hero of your own life you have to rescue yourself. ~ Shannon L Alder, #NFDB
226:...the hero is a secret agent? Well, who gives a crap about the rest of his case once he has met the heroine. Time for moody angst! ~ Sherry Thomas, #NFDB
227:I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero. ~ Mackenzie Astin, #NFDB
228:For me, the hero’s journey is not the voyage from weakness to strength. The true hero’s journey is the voyage from strength to weakness. ~ John Green, #NFDB
229:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show ~ Charles Dickens, #NFDB
230:Your customer should be the hero of the story, not your brand. This is the secret every phenomenally successful business understands. ~ Donald Miller, #NFDB
231:I AM RIGHTEOUS!! I'm the hero who's liberating people from fear. I'm the savior who's going to be like a god of this perfect new world! ~ Tsugumi Ohba, #NFDB
232:It is only when a man tames his own demons that he becomes the king of himself if not of the world. ~ Joseph Campbell, The Hero with a Thousand Faces, #NFDB
233:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. ~ Charles Dickens, #NFDB
234:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. ~ Madeleine Thien, #NFDB
235:Lust, anger, vanity and covetousness are all paths leading to hell. Abjuring, all these adore the Hero of Raghu’s line, whom saints worship. ~ Tulsidas, #NFDB
236:Calypso the goddess nymph of the mythical island of Ogygia; a daughter of the Titan Atlas. She detained the hero Odysseus for many years. ~ Rick Riordan, #NFDB
237:The hero is not fed on sweets, Daily his own heart he eats; Chambers of the great are jails, And head-winds right for royal sails. ~ Ralph Waldo Emerson, #NFDB
238:The hero is the one who goes beyond his ability to improve his skills, until he becomes able to improve, and perhaps even alter, the skills of others. ~, #NFDB
239:The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain. ~ Lev Grossman, #NFDB
240:Whether I shall turn out to be the hero of my own life, or whether that station will be taken by anybody else, these pages must be shown. ~ Ruta Sepetys, #NFDB
241:Here is this girl I love and cannot follow. I hope this is the hero’s errand, because not following her is the hardest thing I’ve ever done. ~ John Green, #NFDB
242:Often you don’t know whether you’re the hero of a romantic comedy or the villain on a Lifetime special until the restraining order arrives. ~ Tim Kreider, #NFDB
243:She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. Cress ~ Marissa Meyer, #NFDB
244:Around the hero everything turns into a tragedy; around the demi-god, into a satyr play; and around God--what? perhaps into "world"? ~ Friedrich Nietzsche, #NFDB
245:If to get to the finish line the hero must walk over a sea of bodies, then so be it. He can die at said line, but he's got to get there. ~ Thomas C Foster, #NFDB
246:In Dante the hero would rather flee and renounce the tempting embrace instead of yielding to his desires and enduring the attendant dangers. ~ Peter Weiss, #NFDB
247:That's it,” Piper said. “That's the end.” But I knew it wasn't. They'd left out a chapter. The one where the hero comes home to find me gone. ~ Meg Rosoff, #NFDB
248:The idol of today pushes the hero of yesterday out of our recollection; and will, in turn, be supplanted by his successor of tomorrow. ~ Washington Irving, #NFDB
249:But damn, how I wanted, just for once in my godforsaken life, to be the hero, the knight in shining armor, the guy she deserved to have. ~ Rachel Van Dyken, #NFDB
250:The truths of the Scriptures are so marked and inimitable, that the inventor would be more of a miraculous character than the hero. ~ Jean Jacques Rousseau, #NFDB
251:would be like watching a movie where the hero dies in the end: you love it even more despite making you feel horrible, because it feels real. ~ Mark Manson, #NFDB
252:I don’t know whether I’m the hero or the victim of this tale. But either way, shouldn’t I dominate it? I’m the one really telling it, after all. ~ Anne Rice, #NFDB
253:Oh, I get it, it's simple. PG means the hero gets the girl, 15 means that the villain gets the girl, and 18 means everybody gets the girl. ~ Michael Douglas, #NFDB
254: Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To ~ Charles Dickens, #NFDB
255:One of the many distinctions between the celebrity and the hero, he said, is that one lives for self while the other acts to redeem society. ~ Joseph Campbell, #NFDB
256:The Hero with a Thousand Faces by Joseph Campbell, The Lessons of History by Will and Ariel Durant, and River Out of Eden by Richard Dawkins. ~ Timothy Ferriss, #NFDB
257:. . . we see the theme of sacrifice or death of the hero as a necessary cure for hybris . . . the pride that has over-reached itself. P. 107 ~ Carl Gustav Jung, #NFDB
258:Meanwhile, news has been leaked to the press that the Hero of Drummond Street will be pictured on the cover of a national magazine, nude. ~ Lilian Jackson Braun, #NFDB
259:Mystery writing involves solving a puzzle, but high suspense writing is a situation whereby the writer thrusts the hero/heroine into high drama. ~ Iris Johansen, #NFDB
260:The hero isn’t the one who is right, but the one who steps forward to take the blame—deserved or not—and apologize to save a relationship. ~ Richelle E Goodrich, #NFDB
261:The suspense in a novel is not only in the reader, but in the novelist himself, who is intensely curious too about what will happen to the hero. ~ Mary McCarthy, #NFDB
262:You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable. ~ Felicity Jones, #NFDB
263:Men like to think they’re saving some brain-dead woman who’s got herself into a scrape. All I had to do was step aside and let him play the hero! ~ Tara Westover, #NFDB
264:The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. ~ Henry Miller, #NFDB
265:When we see a hero, on the one hand, we applaud them; on the other hand, there is something in a lot of people that wants to tear the hero down. ~ Frederick Lenz, #NFDB
266:Worthiness should not be defined by the whims of magic weapons. Rise, my son, and let the hammer be damned. Rise and remember the hero that you are. ~ Jason Aaron, #NFDB
267:I was a callow boy, and then a man, good and bad. Now at last I’m the hero. I am the one to root for in the never-ending war story of our marriage. ~ Gillian Flynn, #NFDB
268:It is very difficult to be a hero without an audience, although, in a sense, we are each the hero of a peculiar, half-ruined film called our life. ~ Sebastian Barry, #NFDB
269:You're probably thinking I owe you my life."[Chris]
"No." she [Becca] snapped.
"Just sixty bucks."
"You charge for the hero act?" [Chris] ~ Brigid Kemmerer,#NFDB
270:Everyone at Bellingham would know me, know who I was, by dinner. Would they consider me the hero or the fuckup? All I had wanted was to be anonymous. ~ Amber Dermont, #NFDB
271:Funny thing, really....Finding out that it's not about you. You think you're the hero, and it turns out you're really part of someone else's story. ~ Terry Pratchett, #NFDB
272:The dynamic is extremely similar to Gremlins and the hero is very similar, plus the small town atmosphere. It really is in a way the third Gremlins movie. ~ Joe Dante, #NFDB
273:You’re never too young to start being a hero. Practice dueling one-handed so you never need to drop your blankie. —THE HERO’S GUIDE TO BEING A HERO ~ Christopher Healy, #NFDB
274:Bill Clinton did midnight basketball. He is not looked at by this current generation of Democrats as anywhere near the hero he was back in the nineties. ~ Rush Limbaugh, #NFDB
275:If we restructure things to see that the hero's journey is a degree in astrophysics rather than a journey to star in a reality show, that's a better world. ~ John Green, #NFDB
276:When we position our customer as the hero and ourselves as the guide, we will be recognized as a trusted resource to help them overcome their challenges ~ Donald Miller, #NFDB
277:I'm not the hero of this story. I'm a man who's been corrupted by his own unbearable pain. I'm a man who has too much blood on his hands to be called good. ~ Geoff Johns, #NFDB
278:Don’t think of what’s being said, but of what’s talking. Malice? Ignorance? Pride? Love? The goal of the hero’s journey is yourself, finding yourself. ~ Joseph Campbell, #NFDB
279:I need to have some depth in my characters. That's why they are all Bengalis. I can't imagine writing a book with someone called Saxena as the hero. ~ Upamanyu Chatterjee, #NFDB
280:She swallows and looks down at her hands clenched in her lap. “I don’t like this story.” “Should I jump to the ending? Spoiler alert: the hero saves her. ~ J T Geissinger, #NFDB
281:The pleasure of reading a story and wondering what will come next for the hero is a pleasure that has lasted for centuries and, I think, will always be with us. ~ Stan Lee, #NFDB
282:As polishing expresses the vein in marble, and grain in wood, so music brings out what of heroic lurks anywhere. The hero is the sole patron of music. ~ Henry David Thoreau, #NFDB
283:Disappointment Panda would be the hero that none of us would want but all of us would need. He'd be the proverbial vegetables to our mental diet of junk food. ~ Mark Manson, #NFDB
284:Some people probably think of the Resurrection as a desperate last moment expedient to save the Hero from a situation which had got out of the Author's control. ~ C S Lewis, #NFDB
285:…my new name, Buffalo Zeta Brown. General Zeta was the hero of an old movie classic…A combination of Zapata and Villa and Maria Felix as the femme fatale ~ Oscar Zeta Acosta, #NFDB
286:His eyes are as green as a fresh pickled toad, His hair is as dark as a blackboard. I wish he was mine, he's really divine, The hero who conquered the Dark Lord. ~ J K Rowling, #NFDB
287:They flew her,” Matt pointed out. “Sure they did—and my hat’s off to them. But it takes heroes to fly a box as primitive as this and I’m not the hero type. ~ Robert A Heinlein, #NFDB
288:What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart. ~ Austin Grossman, #NFDB
289:That is again a romantic notion: the hero. I think people enjoy a much more levelled playing field where you have the ability for many people to become heroes. ~ Martin Sorrell, #NFDB
290:The hero of my tale, whom I love with all the power of my soul, whom I have tried to portray in all his beauty, who has been, is, and will be beautiful, is Truth. ~ Leo Tolstoy, #NFDB
291:Without pandering to your presumed desire to identify with the hero of a story, they made you feel that what mattered to the writer had consequence for you, too. ~ Tobias Wolff, #NFDB
292:I get lost in pieces of literature where the hero and heroine always find their happy ending. Unfortunately, fiction doesn’t seem to translate well in real life. ~ Vanessa Booke, #NFDB
293:Maybe her father hadn’t been quite the hero she always reckoned him. Maybe her mother wasn’t quite the villain either. Maybe no one’s all one or all the other. ~ Joe Abercrombie, #NFDB
294:Cardinal Wolsey, the butcher’s son, is indeed the hero of “Henry VIII.,” but his humble origin is only mentioned incidentally as something to be ashamed of. ~ William Shakespeare, #NFDB
295:The hero archetype is present in us all. It is the inherent capacity to mobilize the energies which serve life, to overthrown the demons of despair and depression. ~ James Hollis, #NFDB
296:You will never get the truth out of a Narcissist. The closest you will ever come is a story that either makes them the victim or the hero, but never the villain. ~ Shannon L Alder, #NFDB
297:He fought the men and he slayed the monsters and he bested the gods, and at last the hero, having conquered all, earned the thing that he wanted most. To go home. ~ Victoria Schwab, #NFDB
298:I can walk--”
“Don’t play the hero or you’ll get us captured.”
“That’s so sweet. Makes me feel all warm and fuzzy inside.”
“Hey, I hugged you, didn’t I? ~ Kelley Armstrong,#NFDB
299:And the best sort of villain is smart and subtle and so very tricky that you don't even know he's the villain, because he thinks himself the hero in his own story. ~ Roseanna M White, #NFDB
300:Be the hero of your children’s story. Never let them believe for a minute that honor, courage and doing what is right is only reserved for other fathers and mothers. ~ Shannon L Alder, #NFDB
301:After being Washington's aide for four years and becoming the hero of Yorktown, Hamilton was viewed with a great deal of suspicion because of his association with Tories. ~ Ron Chernow, #NFDB
302:Each one of us has the power — and must develop the will — to be the hero of his own life. We believe in goals, in purposes, in achievement and in the joy of living. ~ Andrew Bernstein, #NFDB
303:Happy were the ages when the starry sky was the map of all possible paths, ages of such perfect social integration that no drug was required to link the hero to the whole. ~ Ben Lerner, #NFDB
304:His eyes are as green as a fresh pickled toad,
His hair is as dark as a blackboard.
I wish he was mine, he's really divine,
The hero who conquered the Dark Lord. ~ J K Rowling,#NFDB
305:I once learned, a long time ago, to get what you want, to have all the power, to be the hero and the good guy, you have to make everyone else look like the bad guy. ~ Angela Richardson, #NFDB
306:Luther, the hero of Worms, the champion of the sacred rights of conscience, was, in words, the most violent, but in practice, the least intolerant, among the Reformers. ~ Philip Schaff, #NFDB
307:Roger reached the conclusion that the hero of his childhood and youth was one of the most unscrupulous villains the West had excreted onto the continent of Africa. ~ Mario Vargas Llosa, #NFDB
308:The problem of the hero is to pierce himself (and therewith his world) precisely through that point; to shatter and annihilate that key knot of his limited existence. ~ Joseph Campbell, #NFDB
309:We dream forever unless we awaken. We move from one dream to another, some beautiful, some we're the hero or the heroine, some horrible, some nonsensical, some boring. ~ Frederick Lenz, #NFDB
310:After all, the greatest truths in life are usually the most unpleasant to hear. Disappointment Panda would be the hero that none of us would want but all of us would need. ~ Mark Manson, #NFDB
311:Each hero had a tale, of the old days, and of how he had routed and killed, and set things to right, sometimes to right the right that the hero before him had righted. ~ L E Modesitt Jr, #NFDB
312:It is, however, impossible to find the treasure unless the hero has first found and redeemed his own soul, his own feminine counterpart which conceives and brings forth. ~ Erich Neumann, #NFDB
313:Laughter in the face of certain death? It is the very definition of the Hero," said the White Queen. "The Jabberwock knew it and therefore could no longer move against you. ~ Jane Yolen, #NFDB
314:No one on earth is so boring and insignificant that he or she is not worth writing or reading about...One thing's for sure—no one but you can be the hero of your story. ~ Jerry Spinelli, #NFDB
315:The Hero cares not for a wild winter's storm. For it carries him swift on the back of the storm. All may be lost and our hearts may be worn, but a Hero fights forever. ~ Cressida Cowell, #NFDB
316:Christ can very well stand as an heroic figure. The hero need not be of wisdom all compounded. Also he is not wholly to blame for the religion that's been foisted on to him. ~ Ezra Pound, #NFDB
317:He drew back, feigning being affronted. “You can’t possibly have all the glory. Good looking and the hero? This is one of those times it’s all right to lie, Wadsworth. ~ Kerri Maniscalco, #NFDB
318:I thought about how we all believed ourselves to be the hero of some personal epic, when in fact we were basically identical organisms colonizing a vast and windowless room. ~ John Green, #NFDB
319:It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end. ~ Glenn Ford, #NFDB
320:If life is a poem, be the poet. If life is a story, be the author. If life is an adventure, be the hero. To live any other way is a waste of this experience we call life. ~ Steve Maraboli, #NFDB
321:One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost. ~ Terence Fisher, #NFDB
322:1.What does the hero want? 2.Who or what is opposing the hero getting what she wants? 3.What will the hero’s life look like if she does (or does not) get what she wants? ~ Donald Miller, #NFDB
323:From this point of view the hero is symbolical of that divine creative and redemptive image which is hidden within us all, only waiting to be known and rendered into life. ~ Joseph Campbell, #NFDB
324:Love affairs have always greatly interested me, but I do not greatly care for them in books or moving pictures. In a love affair, I wish to be the hero, with no audience present. ~ E W Howe, #NFDB
325:The myth of the hero ... is first and foremost a self-representation of the longing of the unconscious, of its unquenched and unquenchable desire for the light of consciousness. ~ Carl Jung, #NFDB
326:Whenever you can, make the product itself the hero of your advertising. If you think the product too dull, I have news for you: there are no dull products, only dull writers. ~ David Ogilvy, #NFDB
327:I would rather portray the hero, if it's a really great film. All my favorite fictional film characters are heroes, such as in "The Last of the Mohicans" and "Robin Hood." ~ Jonathan Jackson, #NFDB
328:Well, it's like that myth about the hero. He made wings out of wax so he could fly, but when he got too close to the Sun, to God, the wax melted and he crashed to the ground ~ Hiromu Arakawa, #NFDB
329:But we all know books are fiction. The romance in novels is a crock of shit. Sometimes the hero still leaves in the end. And the heroine is once again left to pick up the pieces. ~ K Bromberg, #NFDB
330:He's not the hero and he's not the enemy and he's not a god. He's just a boy. And I'm just a girl, a girl who needs to pick up her own pieces and put them back together herself. ~ Amber Smith, #NFDB
331:She couldn’t be a hero in the hero-tale sense. Not even in a fantasy? No. Because to me, fantasy isn’t wishful thinking, but a way of reflecting, and reflecting on reality. ~ Ursula K Le Guin, #NFDB
332:The point isn’t to be the hero and solve things; the point of the leader in a complex world is to enable and unleash as many heroes and as many solutions as possible. ~ Jennifer Garvey Berger, #NFDB
333:Tis not important how the hero does this or this, but what he is. What he is will appear in every gesture and syllable. In this way the moment and the character are one. ~ Ralph Waldo Emerson, #NFDB
334:To have intelligence there must be freedom, and you cannot be free if you are constantly being urged to become like some hero, for then the hero is important and not you. ~ Jiddu Krishnamurti, #NFDB
335:Well, it's like that myth about the hero. He made wings out of wax so he could fly, but when he got too close to the Sun, to God, the wax melted and he crashed to the ground. ~ Hiromu Arakawa, #NFDB
336:Man's activity consists in either a making or doing. Both of these aspects of the active life depend for their correction upon the contemplative life (that is, the Hero). ~ Ananda Coomaraswamy, #NFDB
337:The hero’s journey, as a symbolic portrayal of individuation, can be seen as the expression of the same dynamic power that drives the entire process of cosmological evolution. ~ Keiron Le Grice, #NFDB
338:As the pilot of a vessel is tried in the storm; as the wrestler is tried in the ring, the soldier in the battle, and the hero in adversity: so is the Christian tried in temptation. ~ Saint Basil, #NFDB
339:The courage to face the trials and to bring a whole new body of possibilities into the field of interpreted experience for other people to experience - that is the hero's deed. ~ Joseph Campbell, #NFDB
340:The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. ~ Teresa de Lauretis, #NFDB
341:Everyone who has any familiarity with psychology knows about the danger of disowning the murderer within. Far fewer people understand the tragedy of disowning the hero within. ~ Nathaniel Branden, #NFDB
342:(Guy) Pearce, as the hero, makes the mistake of trying to give a good and realistic performance. (Jeremy) Irons at least knows what kind of movie he's in, and hams it up accordingly. ~ Roger Ebert, #NFDB
343:In America, as Mr. Dooley once remarked, people build their triumphal arches out of brick so that they will have something handy to throw at the hero when he comes through. ~ James MacGregor Burns, #NFDB
344:There cannot be dark without the light that will overcome it. Whatever darkness there is, God’s light shines brighter. It has to. He’s the Hero in every story–especially this one. ~ Kristy Cambron, #NFDB
345:This isn’t how it ends!” Quentin said. “I am the hero of this goddamned story, Ember! Remember? And the hero gets the reward!” “No, Quentin,” the ram said. “The hero pays the price. ~ Lev Grossman, #NFDB
346:task of the hero, which is to “awaken those sleeping images that can and must come forth from the night, in order to give the world a better face,” is far indeed from “masturbation. ~ Erich Neumann, #NFDB
347:Unless you grasp that it requires all the strength of spirit to die, that the hero always dies before his death, you will not come particularly far in your observations on life. ~ S ren Kierkegaard, #NFDB
348:As an actor you always wanna protect your character. You wanna make them loveable, likeable. You wanna make them strong, you want them to be the hero, you want them to always be right. ~ Katrina Law, #NFDB
349:my heart clenched in my chest with a desperate love for this man who had been the hero of my life but who now was so confused he was incapable of seeing who or what was good for him ~ Mike McCormack, #NFDB
350:My heart has always leaned towards England, and with the close friendship of Winston [Churchill], the hero who brought hope to the world, I could not imagine a happier life for myself. ~ Coco Chanel, #NFDB
351:That´s the problem with planning a late night supper after the opera, not only does the hero or the heroine die singing, but you end up famished after the last notes of the finale. ~ E A Bucchianeri, #NFDB
352:There is what I would call the hero journey, the night sea journey, the hero quest, where the individual is going to bring forth in his life something that was never beheld before. ~ Joseph Campbell, #NFDB
353:I’m far from the hero in this story. I’m closer to the villain. You will think of me as the villain. Except, I’m far worse. I’m the fucking monster. And, I’m perfectly alright with that. ~ M Robinson, #NFDB
354:The scene reminded Lita of a Marvel Comics movie where the hero tries to blend in among mortals, but is so obviously everyone’s savior. Her savior. If he would only allow himself to be. ~ Tessa Bailey, #NFDB
355:Everything in proximity to the hero becomes tragedy; everything in proximity to the demigod becomes satyr-play; and everything in proximity to God becomes...what? "world" perhaps? ~ Friedrich Nietzsche, #NFDB
356:I've always been way more attracted to playing imposing characters than the hero. I've always been more intrigued by Iago in Shakespeare than playing Romeo. That was always boring to me. ~ Kevin Durand, #NFDB
357:When you're not playing the hero of the story, then you have to know that you're always a foil for the good guy. I love playing that. I think that's always an interesting place to be. ~ Jessalyn Gilsig, #NFDB
358:You’re determined to be the hero, aren’t you?” “When it comes to your safety? Yeah, I’ll play the part. You name the day, the time, the place—I’ll be there to help you, Josie.” “Fine. ~ Sara Jane Stone, #NFDB
359:I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way. ~ Nate Parker, #NFDB
360:It is the villains who covet treasure, not the heroes. Unless the treasure in question is a really snazzy belt buckle, in which case, who can resist? —THE HERO’S GUIDE TO BEING A HERO ~ Christopher Healy, #NFDB
361:In my books, women often solve the problem. Even if the woman is not the hero, she's a strong character. She does change the plot. She'll often rescue the male character from some situation. ~ Ken Follett, #NFDB
362:the proud witch undone before the hero’s sword, kneeling and begging for mercy. Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep. ~ Madeline Miller, #NFDB
363:There can be no universal standard for justice or fairness, Lady Rho, for they are concepts that can only be defined in context; a villain is only a villain from the hero's point of view. ~ Romina Russell, #NFDB
364:Me. The geek girl from the suburbs of Melbourne. The youngest daughter of Chinese immigrants. The only openly bi kid at school. The drama freak who makes vlogs in her bedroom.
I'm the hero. ~ Jen Wilde,#NFDB
365:This isn’t how it ends!” Quentin said. “I am the hero of this goddamned story, Ember! Remember? And the hero gets the reward!” “No, Quentin,” the ram said. “The hero pays the price.” ========== ~ Anonymous, #NFDB
366:Tom thought sometimes that it was even more heroic, being a coward, to follow a hero into his scrapes than to be the hero. Heroes followed their temperaments; cowards sometimes overcame theirs. ~ V M Yeates, #NFDB
367:It wasn't until we got over the self pity that we were able to accept suffering as apart of our life with Christ. A man or woman reaches this plane only when he or she ceases to be the hero. ~ Corazon Aquino, #NFDB
368:John Kerry wants to be the hero in his own drama. He likes King Arthur and the Round Table. He likes the young swashbuckling Churchill, and he loved the early antics of Theodore Roosevelt. ~ Douglas Brinkley, #NFDB
369:The hero’s journey requires us to find our uniqueness. We simply cannot do that without enough solitude to find out who we are. Most of us need some time alone every day just to stay clear. ~ Carol S Pearson, #NFDB
370:When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick. ~ Trevor Noah, #NFDB
371:As for suspense, I like to write books that draw you into the hero's plight from the opening pages, where people put their lives on the line for something - a belief, a family member, the truth. ~ Andrew Gross, #NFDB
372:Be honest about your weakness, be honest that you’re scared, and be honest about the fact that it’s Jesus who defeats the sins that trip you up, not you. God cast us as Israel, not the hero. ~ Jefferson Bethke, #NFDB
373:It's hard to be the one always waiting. I mean, there's something to be said for the hero who charges off to battle, but when you get right down to it there's a whole story in who's left behind. ~ Jodi Picoult, #NFDB
374:Science has heroes, but no gods. The great Names are not our superiors, or even our rivals, they are passed milestones on our road; and the most important milestone is the hero yet to come. ~ Eliezer Yudkowsky, #NFDB
375:The prudent see only the difficulties, the bold only the advantages, of a great enterprise; the hero sees both; diminishes the former and makes the latter preponderate, and so conquers. ~ Johann Kaspar Lavater, #NFDB
376:If "Manners maketh man," as someone said
Then he's the hero of the day
It takes a man to suffer ignorance and smile
Be yourself, no matter what they say."
(Englishman in New York) ~ Sting,#NFDB
377:I'm not the hero, Mac. Never have been. Never will be. Let us be perfectly clear: I'm not the antihero, either, so quit waiting to discover my hidden potential. There's nothing to redeem me. ~ Karen Marie Moning, #NFDB
378:so many women having taken the hero’s journey, only to find it personally empty and dangerous for humanity. Women emulated the male heroic journey because there were no other images to emulate; ~ Maureen Murdock, #NFDB
379:The small lives of women don't make for good stories. That's why there were no girls in the stories Myrddin told, unless they were there as a prize for the hero to win at the end of his adventures. ~ Philip Reeve, #NFDB
380:But I do not do these things because we are a family. I do them because they are common decencies. That is an idiom that the hero taught me. I do them because I am not a big fucking asshole. ~ Jonathan Safran Foer, #NFDB
381:Dianthe wanted her to be the hero, the hardened flyer doing her part to win the war. But she wasn’t a hero. She was a romantic. A foolish one, probably, giving up everything for the boy she loved. ~ Tracy Banghart, #NFDB
382:Each of us is the hero in the movie of our life. The only difference is that some of us are better at justifying our actions to ourselves, while others beat themselves up for every mistake they make. ~ J A Konrath, #NFDB
383:In Greek mythology, the hero wants to be great, but the very concept does not exist in the Indian vocabulary. Yet it has become the global template. And it's a template that won't fit in India. ~ Devdutt Pattanaik, #NFDB
384:It’s true that my foe outnumbered me, but I am the hero of Aral Pass, after all, and sometimes when Prince Jalan Kendeth is roused to anger it’s best to flee, whatever your number. If you’re eight. ~ Mark Lawrence, #NFDB
385:From the union of the hero’s ego consciousness with the creative side of the soul, when he “knows” and realizes both the world and the anima, there is begotten the true birth, the synthesis of both. ~ Erich Neumann, #NFDB
386:Yeah. Also there was that one time I climbed in the window when you were sleeping and watched you creepily from a corner. Don’t worry though, I’m the hero of this story so it was totally romantic. ~ Charlotte Stein, #NFDB
387:But Clary's a hero at heart- and that means she'll find a way to be the hero she needs to be, to look beyond the skills she doesn't have and draw on the skills she does have to ultimately save the day. ~ Sarah Cross, #NFDB
388:Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young. ~ David Guterson, #NFDB
389:First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy. ~ Dennis Haysbert, #NFDB
390:One thing that most comic artists avoid is showing decisions. They show action, sure, and they show results, but they don’t show (because it’s difficult to show) the hero or the villain making a choice. ~ Seth Godin, #NFDB
391:The hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters. ~ Cus D Amato, #NFDB
392:And so Galahad decided that it would be a disgrace to set off on a quest with the other knights. Alone he would enter the dark forest where there was no path. This is the myth of The Hero's Journey. ~ Joseph Campbell, #NFDB
393:How could it be possible that one look from him cold turn me from a strong independent woman to a shy little girl? He was the living embodiment of romance, the hero in my own little fairy tale world. ~ Benjamin Jones, #NFDB
394:We do have tough gun laws in Massachusetts. I support them. I won't chip away at them. I believe they help protect us and provide for our safety. I'm sure my positions won't make me the hero of the NRA. ~ Mitt Romney, #NFDB
395:When writing down a plan, I suggest numbering the steps. But just in case your plan falls into enemy hands, make sure you number them in the wrong order." - The Hero's Guide to Storming the Castle ~ Christopher Healy, #NFDB
396:You would think that a man who's spent as much time in the theater as I have would know when the proper time came for the hero to die-if he was to be a hero. I missed my cue for the great suicide scene ~ Kurt Vonnegut, #NFDB
397:I'm not the hero who will always save the day, don't always wear a white hat, don't always know the way. I may not even be the dream you wanted to come true, but I'll always be the man in love with you. ~ George Strait, #NFDB
398:On the golf course, a man may be the dogged victim of inexorable fate, be struck down by an appalling stroke of tragedy, become the hero of unbelievable melodrama, or the clown in a side-splitting comedy. ~ Bobby Jones, #NFDB
399:This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain. ~ Elizabeth Hoyt, #NFDB
400:With a quick twist to her heart, Cress's fear of him began to subside. She'd been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. ~ Marissa Meyer, #NFDB
401:With a quick twist to her heart, Cress’s fear of him began to subside. She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. ~ Marissa Meyer, #NFDB
402:Do not let your fire go out ... Do not let the Hero in your soul perish ... Check your road and the nature of your battle. The world you desired can be won. It exists, it is real, it is possible, it is yours. ~ Ayn Rand, #NFDB
403:The trouble with real life is that you don't know whether you're the hero or just some nice chap who gets bumped off in chapter five to show what a rotter the villain is without anyone minding too much. ~ Sarah Caudwell, #NFDB
404:The deal is this. You be the hero. Come down here. Unarmed. Come inside with your hands on your head. I'll let everybody go. Then I'll blow your fucking head off. Sir. How's that for a deal? You buy it? ~ Richard Bachman, #NFDB
405:The great thing about Burgess's work is the dichotomy of making the hero or anti-hero an immoral man. And that's what makes it interesting. Because, you know, you are sucked into kind of like this guy. ~ Malcolm McDowell, #NFDB
406:The sun, the hero of every day, the impersonal old man that beams as brightly on death as on birth, came up every morning and raced across the blue dome and dipped into the sea of fire every evening. ~ Zora Neale Hurston, #NFDB
407:We are taught that the hero’s journey is the journey from weakness to strength. But I am here today to tell you that those stories are wrong. The real hero’s journey is the journey from strength to weakness. ~ John Green, #NFDB
408:The tests of masculinity and the proofs of ego stability, will power, bravery, knowledge of “heaven,” and so forth, which are demanded of the hero, have their historical equivalent in the rites of puberty. ~ Erich Neumann, #NFDB
409:Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight. ~ Jonathan Nolan, #NFDB
410:Sometimes a hero can be found in the most unexpected of places. That's when you must say to him, "Get out of my kitchen, silly! Don't you have some monsters to fight?" - The Hero's Guide to Being a Hero ~ Christopher Healy, #NFDB
411:We have not touched the stars,
nor are we forgiven, which brings us back
to the hero’s shoulders and the gentleness that comes,
not from the absence of violence, but despite
the abundance of it. ~ Richard Siken,#NFDB
412:I have heard it said that evil is simply a point of views the villain is always the hero in his own storybook. And the deliberation of “wrong” and “right” ever shift in the inconstant tides of human morality. ~ Amie Kaufman, #NFDB
413:When I was a child I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I have ever dreamed has come true a thousand times. ~ Elvis Presley, #NFDB
414:A Half-Blood of the eldest gods, Shall reach sixteen against all odds And see the world in endless sleep The Hero's soul, cursed blade shall reap A single choice shall end his days Olympus to preserve or raze. ~ Rick Riordan, #NFDB
415:How teach again, however, what has been taught correctly and incorrectly learned a thousand thousand times, throughout the millenniums of mankind's prudent folly? That is the hero's ultimate difficult task. ~ Joseph Campbell, #NFDB
416:the customer is the hero of the story, not your brand. When we position our customer as the hero and ourselves as the guide, we will be recognized as a trusted resource to help them overcome their challenges. ~ Donald Miller, #NFDB
417:You acquire full power only by realizing that you have been using that power all along to thwart yourself. You are potentially the prisoner, the jailer, and the hero who opens the prison, all rolled into one. ~ Deepak Chopra, #NFDB
418:Your biggest, most important job as the hero husband of her life is to identify the baggage, help her unload it, and then fill it up with what God would want her to know—how precious and wonderful she truly is. ~ Doug Fields, #NFDB
419:The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed. ~ Joseph Campbell, #NFDB
420:The truth is, I hate not being the first person narrator all the way through! To paraphrase David Copperfield, I don't know whether I'm the hero or the victim of this tale. But either way, shouldn't I dominate it? ~ Anne Rice, #NFDB
421:You can’t be the hero all the time, Pino.” “If you say so.” “I do say so. You can’t carry the world’s problems on your back. You have to find some happiness in your life, and just do your best with the rest. ~ Mark T Sullivan, #NFDB
422:(Celeste) Be the hero, Matty. Come on. You're supposed to be the hero now. The romatic lead."
"I know that, too," he said. Matt did not hesitate a moment longer. "Julie, I love you. I absolutely love you. ~ Jessica Park,#NFDB
423:Moral spontaneity" corresponds entirely with "religious and orthodox philosophy", "constitutional monarchy", "the Christian state", "freedom with certain limits", or in a figure, to the hero fetters to a sick bed. ~ Max Stirner, #NFDB
424:There were no books to hide behind, and no shadows—only Lazlo Strange in his worn gray robes, with his nose that had been broken by fairy tales, looking like the hero of no story ever told. Or. No story yet told. ~ Laini Taylor, #NFDB
425:The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains. ~ Avi Arad, #NFDB
426:What about the hero of The House on the Strand? What did it mean when he dropped the telephone at the end of the book? I don't really know, but I rather think he was going to be paralysed for life. Don't you? ~ Daphne du Maurier, #NFDB
427:Once the individual has passed his initial test and can enter the mature phase of life, the hero myth loses its relevance. The hero's symbolic death becomes, as it were, the achievement of that maturity. P. 103 ~ Carl Gustav Jung, #NFDB
428:The basic premise of the Hero’s Quest is simple: pick a hero and send him on a journey. Naturally, the journey can’t be too easily accomplished – that’s why it’s a quest and not just a trip to the grocery store. ~ Laura Roberts, #NFDB
429:The hero is one who kindles a great light in the world, who sets up blazing torches in the dark streets of life for men to see by. The saint is the man who walks through the dark paths of the world, himself a light. ~ Felix Adler, #NFDB
430:Death is the fate no one can escape. The question, then, is, How does one die? A person can die like a hero or like a coward. The difference is that the hero can face death without fear, whereas the coward can't. ~ Alexander Lowen, #NFDB
431:I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. ~ Julia Ward Howe, #NFDB
432:The hero of my tale,” Tolstoy wrote when he was just twenty-seven, “whom I love with all the power of my soul, whom I have tried to portray in all its beauty, who has been, is, and always will be beautiful— is Truth. ~ Leo Tolstoy, #NFDB
433:Although they appear as inner events, the victory and transformation of the hero are valid for all mankind; they are held up for our contemplation, to be lived out in our own lives, or at least re-experienced by us. ~ Erich Neumann, #NFDB
434:In her head, she’d written at least fifty romance novels with him starring as the hero. Steamy sexy romances, with her as the heroine. The Mermaid and the Millionaire, Shells in the Sand, Once Upon an Ocean… “Mari? ~ Kerry Adrienne, #NFDB
435:Stories twist and turn and grow and meet and give birth to other stories. Here and there, one story touches another, and a familiar character, sometimes the hero, walks over the bridge from one story into another. ~ Marcus Sedgwick, #NFDB
436:She was the royal princess. She had to start acting like one. She had to stop talking about being trapped, about being handed over from one man to another. She had to start acting.
She had to start being the hero. ~ Liz Braswell,#NFDB
437:Maybe I’m not the hero to her I've always tried so hard to be, because right now, I feel as if she doesn't even need a hero. Why would she? She has someone so much stronger than I’ll ever be for her. She has herself. ~ Colleen Hoover, #NFDB
438:Go. Do what you have to do. Be the hero that you are … but come back to me. There’s more to Noah McCall than the head of Last Chance Rescue. I see that man.… I love them both. Return to me, Noah. Please. - Mara to Noah ~ Christy Reece, #NFDB
439:I doubt whether there would be many readers for a post-holocaust novel that was concerned with the hero's desperate search for a mite. But alas for the world if the mites and their diminutive allies failed to prosper! ~ Richard Fortey, #NFDB
440:In Muggle fairy tales, magic tends to lie at the root of the hero or heroine’s troubles – the wicked witch has poisoned the apple, or put the princess into a hundred years’ sleep, or turned the prince into a hideous beast. ~ Anonymous, #NFDB
441:Love, to the inferior man, remains almost wholly a physical matter. The heroine he most admires is the one who offers the grossest sexual provocation; the hero who makes his wife roll her eyes is a perambulating phallus. ~ H L Mencken, #NFDB
442:You see?' said Prometheus. 'It is your fate to be Heracles the hero, burdened with labours, yet it is also your choice. You choose to submit to it. Such is the paradox of living. We willingly accept that we have no will. ~ Stephen Fry, #NFDB
443:All because he had tried to rescue a beautiful, vacuous girl from a dragon. In folklore, such a hero always received a most intriguing reward. In reality, the hero was as likely as not to find himself in need of rescue… ~ Piers Anthony, #NFDB
444:the hero who begins consciously pursuing national socialism as early as 1920. The new political soldier became the hero of the novels, as opposed to the dashing young officer who took pride in knowing nothing about politics ~ Anonymous, #NFDB
445:So," she said cautiously, "is all this your way of telling me you’re the villain?"
His chuckle was dark. "I’m definitely not the hero."
"I already knew that," Tella said. "It’s my story, so clearly I’m the hero. ~ Stephanie Garber,#NFDB
446:So,’ she said cautiously, 'is all this your way of telling me you’re the villain?’
His chuckle was dark. 'I’m definitely not the hero.’
'I already knew that,’ Tella said. 'It’s my story, so clearly I’m the hero. ~ Stephanie Garber,#NFDB
447:A Half-Blood of the eldest gods, Shall reach sixteen against all odds
And see the world in endless sleep
The Hero's soul, cursed blade shall reap
A single choice shall end his days
Olympus to preserve or raze. ~ Rick Riordan,#NFDB
448:But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. ~ Jean Paul Sartre, #NFDB
449:I stand in this parking lot, realizing that I’ve never been this far from home, and here is this girl I love and cannot follow. I hope this is the hero’s errand, because not following her is the hardest thing I’ve ever done. ~ John Green, #NFDB
450:You are always a comedian by default. You are this way because you've been forced to be this way, but it is better to be the hero. So if you can be a persona, the great one of my lifetime of course was and is Marlon Brando. ~ Woody Allen, #NFDB
451:We always assume someone else will come to the rescue, but it's never us. Surely somebody will have the decency to be the hero. Right? It doesn't work like that. Not when everyone assumes someone else will do the right thing. ~ Jeff Goins, #NFDB
452:While the hero journeys for external fame, fortune, and power, the heroine tries to regain her lost creative spirit… Once she hears the cries of this lost part of herself needing rescue, her journey truly begins. ~ Valerie Estelle Frankel, #NFDB
453:As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction. ~ Don Bluth, #NFDB
454:I had arrived at that well-known portion of the story where Ethelred, the hero of the Trist, having sought in vain for peaceable admission into the dwelling of the hermit, proceeds to make good an entrance by force. Here, ~ Edgar Allan Poe, #NFDB
455:I stand in this parking lot, realizing that I’ve never been this far from home, and here is this girl I love and cannot follow. I hope this is the hero’s errand, because not following her is the hardest thing I’ve ever done. I ~ John Green, #NFDB
456:It's really irritating when you open a book, and 10 pages into it you know that the hero you met on page one or two is gonna come through unscathed, because he's the hero. This is completely unreal, and I don't like it. ~ George R R Martin, #NFDB
457:Poetry being an attempt to express, not the common sense, - as the avoirdupois of the hero, or his structure in feet and inches, - but the beauty and soul in his aspect . . . runs into fable, personifies every fact. . . . ~ Marsilio Ficino, #NFDB
458:This process of euhemerisation, as it is called, or the making of men into gods and gods into men, sometimes, though more rarely, begins during the life of the hero, but usually after death. The true history of his life ~ Henry Steel Olcott, #NFDB
459:Preppy is capable of both cruelty and mercy, of both murder and salvation. He’s been the victim, the villain, and the hero. What I don’t think he’ll ever realize is that this gives him a power most men would dare not aspire to. ~ T M Frazier, #NFDB
460:That instant he dies – for one who does not understand that the whole power of the spirit is required for dying, and that the hero always dies before he dies, that man will not get so very far with his conception of life. ~ S ren Kierkegaard, #NFDB
461:Above all else, Abigail was a survivor; she was no helpless princess waiting around to be saved by the hero of the story: she made her own way in life. If there was a hero in her story, it was up to her to be that hero for herself. ~ Joel Ohman, #NFDB
462:Classic music somehow changed, and it changed between the first and the second world wars, and somehow what happened was that the hero that had been the composer, the hero now was the performer, and especially the conductor. ~ Esa Pekka Salonen, #NFDB
463:This is no longer a tale about whether you will find fame or fortune or your perfect little happy ending. This is a tale about whether you are capable of growing from the snake of your own story into the hero of someone else's. ~ Soman Chainani, #NFDB
464:My feeling is that the hero has now been defined by phrases like the odious one that we were all raised with - crimes does not pay. Of course it pays, you schmuck. That's not why we don't do it. We don't do it because it is wrong. ~ Frank Miller, #NFDB
465:The hero is a mind of such balance that no disturbances can shake his will, but pleasantly, and, as it were, merrily, he advancesto his own music, alike in frightful alarms and in the tipsy mirth of universal dissoluteness. ~ Ralph Waldo Emerson, #NFDB
466:To be alive today is to have a story to tell. To be alive is precisely to be the hero, the center of a life story. When you can be nothing more than a minor character in somebody else's tale, it means that you are truly dead. ~ Daniel Mendelsohn, #NFDB
467:In a story, audiences must always know who the hero is, what the hero wants, who the hero has to defeat to get what they want, what tragic thing will happen if the hero doesn’t win, and what wonderful thing will happen if they do. ~ Donald Miller, #NFDB
468:I take my hat off to the hero who dashes into a burning house and saves his neighbor's child; but I shake his hand if he has risked squandering a precious five seconds to find and save, together with the child, its favorite toy. ~ Vladimir Nabokov, #NFDB
469:Jewish authors would never have invented either that style nor that morality; and the Gospel has marks of truth so great, so striking, so utterly inimitable, that the invention of it would be more astonishing than the hero. ~ Jean Jacques Rousseau, #NFDB
470:The idea that the passage of the magical threshold is a transit into a sphere of rebirth is symbolized in the worldwide womb image of the belly of the whale. The hero...is swallowed into the unknown and would appear to have died. ~ Joseph Campbell, #NFDB
471:The writing is clean. I really wouldn't have changed a word. Most of it is true, too, except that the hero quits drinking and the girl grows up. On the last page, the couple gets married, which is a nice way for a love story to end. ~ Melissa Bank, #NFDB
472:That's how it works in Westerns: the hero is minding his own business and trying to make a living, but he does something, the villain finds out about it and they have to have a showdown. So it's kind of a Western set to hip hop music. ~ Mike Colter, #NFDB
473:The guide must have this precise one-two punch of empathy and authority in order to move the hero and the story along. These are the characteristics the hero is looking for, and when she senses them, she knows she’s found her guide. ~ Donald Miller, #NFDB
474:The ordinary man is as courageous and invulnerable as a hero when he does not recognize any danger, when he has no eyes to see it.Conversely, the hero's only vulnerable spot is on his back, and so exactly where he has no eyes. ~ Friedrich Nietzsche, #NFDB
475:Usually, you have two people in a scene, and in the history of cinema the hero is most likely going to be the white guy. And the other guy is his friend who is carrying the bag or whatever, and you're not going to light for that guy. ~ Ava DuVernay, #NFDB
476:Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius's point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn't think he was a minor character in anything, I daresay. ~ John Barth, #NFDB
477:In books lies the soul of the whole Past Time; the articulate audible voice of the Past, when the body and material substance of it has altogether vanished like a dream. ~ Thomas Carlyle, Heroes and Hero Worship (1840), The Hero as a Man of Letters., #NFDB
478:In the hero stories, the call to go on a journey takes the form of a loss, a depression, an error, a wound, an unexplainable longing, or a sense of a mission. When any of these happens to us, we are being summoned to make a transition. ~ David Richo, #NFDB
479:You need a wisecracking buddy standing next to you? That's the role for me. You got the guys who are knock-down, drag-out handsome. That's what people want to see. Let that guy be the hero. But there's always a role for the Everyman. ~ Billy Gardell, #NFDB
480:I do what he says and I close my eyes and open my mouth and the next thing I know he's got his twenty-eight-year-old tongue in my thirteen-year-old mouth and all I can think is that I don't think the hero is supposed to be doing this. ~ Andrea Portes, #NFDB
481:In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it. ~ Marilyn Manson, #NFDB
482:A catalyst was DarAles for his time, a changer of hearts and lives. He came not to be hero, but to enable the hero in others. He came, not to fulfill prophesies, but to open the doors to new futures. Such is ever the task of the catalyst. ~ Robin Hobb, #NFDB
483:What the myths say, is that you have to be the hero of your own life. You're the one who has to take charge of who you are, you're the one who has to take control. And also, you're the one who can bring something to the community. ~ Jeanette Winterson, #NFDB
484:As Jung argues in Answer to Job, human self-reflective awareness might be seen as the medium through which God becomes conscious—with the human ego serving as the divine organ of self-reflective consciousness. ~ Keiron Le Grice, The Rebirth of the Hero, #NFDB
485:The way she curls in my arms makes me feel like I’m the hero. I like being her hero. I like the way her eyes shine at me, the way her body melts when I touch her, her soft lips on mine. I love her warmth and every curve.
I love her. ~ Katie McGarry,#NFDB
486:It is a hard thing, to reach this point on this long road, and know that I am not the hero. I am the villain. I have killed a thousand men, taken a thousand women, enslaved ten thousand.' He raised his hands. 'What does that make me? ~ Christian Cameron, #NFDB
487:I've done a lot of roles where I'm the hero saving the planet. I love doing them, but sometimes you wanna completely try something different and create something unique and get lost in it a bit because it's completely far away from me. ~ Sam Worthington, #NFDB
488:Label celebrity a consumer society's most precious consumer product, and eventually it becomes the hero with a thousand faces, the packaging of the society's art and politics, the framework of its commerce, and the stuff of its religion. ~ Lewis H Lapham, #NFDB
489:...and no new difficulty arising, no sudden recollection, no unexpected summons, no impertinent intrusion to disconcert their measures, my heroine was most unnaturally able to fulfill her engagement, though it was made with the hero himself. ~ Jane Austen, #NFDB
490:Well, this is how I see it - every tune tells a tale, nearly always a sad one. When I turn the handle I imagine I'm the hero of that tale and I try to feel at one with its melody. But at the same time it's as if I'm pretending, do you see? ~ Andr s Neuman, #NFDB
491:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud. ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
492:You don't have to do offbeat films to prove that you can act. I have done it but only to prove myself that I can fit convincingly into every kind of films. I want to do the 100 crore film where the hero does all the work, and I get to relax. ~ Bipasha Basu, #NFDB
493:But I do not do these things because we are family. I do them because they are common decencies. That is an idiom that the hero taught me. I do them because I am not a big fucking asshole. That is another idiom that the hero taught me. ~ Jonathan Safran Foer, #NFDB
494:Everyone knew the hero in any good romance had to have his fair share of experience. If he didn’t, how was he going to be a good teacher, showing his lady love how to give him pleasure at the same time giving her more than she’d ever dreamed? ~ Kristen Ashley, #NFDB
495:Historically speaking, however, the synthetic path of development—which includes the stage of the hero fight—was never followed in Christianity as it grew up under Gnostic influences, but only in alchemy, the cabala, and above all in Hasidism. ~ Erich Neumann, #NFDB
496:Whether you're an extra or the hero, this story is about to end. When it's done, whatever you want to be will be up to you and only you. It will happen away from the eyes of any audience and from the hand of any writer. You will be your own man. ~ John Scalzi, #NFDB
497:People were always ready to yield their
wills, to worship the hero, because they were not given a chance
for developing initiative, stability, and independence, said the great
nineteenth-century Russian sociologist Nikolai Mikhailovsky ~ Ernest Becker,#NFDB
498:The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with here's free to just breathe. ~ Kristen Ashley, #NFDB
499:The hero myth carries the individualism of the West to its logical conclusion, fulfilling the Western spiritual ideal, leading the individual self to its own transformation through the inner encounter with the depths of the psyche and spirit. ~ Keiron Le Grice, #NFDB
500:A good story is always a journey. It is about taking the journey, the people the hero meets along the way and how they change him or her. All stories are journeys. They don't have to be shocking or outrageous: they simply have to be interesting. ~ Michael Scott, #NFDB
501:Right,' he said, sitting on Harry's ankles, 'here is your singing Valentine: His eyes are as green as a fresh pickled toad,
His hair is as dark as a blackboard.
I wish he was mine, he's really divine,
The hero who conquered the Dark Lord. ~ J K Rowling,#NFDB
502:No one was enchanted beyond saving in the songs. The hero always saved them. There was no ugly moment in a dark cellar where the countess wept and cried out protest while three wizards put the count to death, and then made court politics out of it. ~ Naomi Novik, #NFDB
503:It seemed he’d recently learned the value of playing up the difficulty of accomplishing whatever he was tasked with, the better to play the hero when he subsequently pulled it off. He was overusing the technique the way a child overuses a new word. ~ Barry Eisler, #NFDB
504:Make of us the hero warriors we aspire to become. May we fight successfully the great battle of the future that is to be born, against the past that seeks to endure, so that the new things may manifest and we be ready to receive them.
~ The Mother, On Education,#NFDB
505:There is not much virtue in going down the slope; all can do that for the natural gravitation of the consciousness is downward. He is the hero who resists the temptation to let himself slip, even for a moment, even to the extent of a hairs breadth.
~ M P Pandit,#NFDB
506:I am a strong believer that modern political life must rediscover a sense for symbolism. We need to develop a kind of political heroism. I don't mean that I want to play the hero. But we need to be amenable once again to creating grand narratives. ~ Emmanuel Macron, #NFDB
507:I sing, not arms and the hero, but the philosophic man: he who seeks in contemplation to discover the inner will of the world, ininvention to discover the means of fulfilling that will, and in action to do that will by the so-discovered means. ~ George Bernard Shaw, #NFDB
508:I started on the opening page of my own book.
'I am a cheating, weak-spined, women-fearing coward, and i am the hero of your story. Because the woman I cheated on - my wife, Amy Elliott Dunne - is a sociopath and a murderer.'
Yes. I'd read that. ~ Gillian Flynn,#NFDB
509:The story of the hero, as set forth in the myths, is the history of this self-emancipation of the ego, struggling to free itself from the power of the unconscious and to hold its own against overwhelming odds. ~ Erich Neumann, The Origins and History of Consciousness, #NFDB
510:I think that there are just people who are hurting other people, sometimes for the best of intentions and sometimes for the worst. In different times in my life, I've been the hero and I've been the villain. I also think that we're all evil sometimes. ~ James Marsters, #NFDB
511:Now each one has to work it out in his own way. But if a person just refuses to think that he has an inside problem, he’s not going to work the thing out. Nobody can do it for him. You have to learn how to recognize your own depths. ~ Joseph Campbell, The Hero’s Journey, #NFDB
512:Take this. It’s one of my gothics. The seventies were, sadly, not the time to include sex scenes of any satisfying nature. When the lights go out, you can imagine the hero and heroine are lying in bed, fully clothed, making shadow puppets on the wall. ~ Kelley Armstrong, #NFDB
513:I don't exist to teach her a lesson, and it irks me that she thinks labelling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I'm suddenly a supporting character in her story rather than the hero of my own. ~ Cale Dietrich, #NFDB
514:In myths, the hero survives. The evil is vanquished. The world is set right. Sometimes there are celebrations, and sometimes there are funerals. The dead are buried. The living move on. Nothing changes. Everything changes. This is a myth. This is not a myth. ~ V E Schwab, #NFDB
515:Respect your characters, even the minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's. ~ Sarah Waters, #NFDB
516:The main characteristic of the hero's battle in its most archetypal form is that he fights wholeheartedly to either win or die. But in our modern world, where every acrobat is assured of a safety net, such an experience has been relegated to the unconscious. ~ Luigi Zoja, #NFDB
517:You all want to be the hero in the film who runs away in slo-mo from the villain’s factory that he’s just mined, throwing himself to the ground as it explodes. But the explosion’s taking place already—it’s always been taking place. You just didn’t notice … ~ Tom McCarthy, #NFDB
518:A work of tragedy would rise to its true moral and edifying possibilities when the audience looked upon the hero’s ghastly errors and crimes and was left with no option but to reach the terrifying conclusion: ‘How easily I, too, might have done the same. ~ Alain de Botton, #NFDB
519:He possessed active, and I passive fortitude. Give him something to do, and he would do it at the risk of limb, and life, and soul,–he never murmured. Give me something to suffer, to undergo, to submit, and I became at once the hero of submission. ~ Charles Robert Maturin, #NFDB
520:The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. We must get in step, a lock step, toward the prison of death. There is no escape. The weather will not change. ~ Henry Miller, #NFDB
521:I’ll do my best to get back to you.”
“I’m coming with you.” She leaned in and licked his right nipple.
He shivered. “No.”
She nipped. “Yes. I’m the hero of my own damn story, Jory Dean. Protect me all you want, but this once, I’m needed with you. ~ Rebecca Zanetti,#NFDB
522:Our country, if you read the 'Federalist Papers,' is about disagreement. It's about pitting faction against faction, divided government, checks and balances. The hero in American political tradition is the man who stands up to the mob - not the mob itself. ~ Jonah Goldberg, #NFDB
523:Taa will be dead, Mors will be disgraced, and we’ll arrange for you to look the hero somehow. Moff Dray. Sounds good, no?” “I’ll still be in your pocket,” Belkor said. “But you’ll be alive. And a Moff. That’s better than the alternative.” Belkor said nothing. ~ Paul S Kemp, #NFDB
524:In myths, the hero survives. The evil is vanquished. The world is set right. Sometimes there are celebrations, and sometimes there are funerals. The dead are buried. The living move on. Nothing changes. Everything changes. This is a myth. This is not a myth. The ~ V E Schwab, #NFDB
525:The privilege of a lifetime is beingwho you are.The goal of the hero tripdown to the jewel pointis to find those levels in the psychethat open, open, openand finally open to the mystery of your Selfbeing Buddha consciousnessor the Christ.That's the journey. ~ Joseph Campbell, #NFDB
526:A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: The hero comes back from this mysterious adventure with the power to bestow boons on his fellow man. ~ Joseph Campbell, #NFDB
527:Faith isn't about logic, son," Haddek said. "Perhaps that's your problem. You cannot 'disprove' the things you study, any more than we can prove to you that the Hero will save us. We simply must believe it, and accept the things Preservation has taught us. ~ Brandon Sanderson, #NFDB
528:In The Red Book, Jung shows the courage to squeeze through the rock opening only to find a corpse floating by on the water and eventually sees that this is the murder of the hero and is his complex. He is both murdered and murderer. ~ Ann Belford Ulanov Madness and Creativity, #NFDB
529:For the hero, fear is a challenge and a task, because only boldness can deliver from fear. And if the risk is not taken, the meaning of life is somehow violated, and the whole future is condemned to hopeless staleness, to a drab grey lit only by will-o' -the-wisps. ~ Carl Jung, #NFDB
530:Every age but ours has had its model, its ideal. All of these have been given up by our culture; the saint, the hero, the gentleman, the knight, the mystic. About all we have left is the well-adjusted man without problems, a very pale and doubtful substitute. ~ Abraham H Maslow, #NFDB
531:Go ahead, scoff, he said, petulant. Except in the life of a hero, the whole world's meaningless. The hero sees values beyond what's possible. That's the nature of a hero. It kills him, of course, ultimately. But it makes the whole struggle of humanity worthwhile. ~ John Gardner, #NFDB
532:In a weird way, that's the beauty of being an actor. You get to live out things that you're afraid of, and you get to say, 'Well, maybe I can get to the end of it and survive it intact and I can be the hero of my own story.' It's kind of a way of exorcising fear. ~ Jodie Foster, #NFDB
533:A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: The hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.
~ Joseph Campbell,#NFDB
534:The task of the hero within is to overthrow the powers of darkness, namely, fear and lethargy. All those tales of defeating the dragon are mythopoetic versions of overthrowing the power of that which would swallow us, as both fear and lethargy do on a daily basis. ~ James Hollis, #NFDB
535:Have you ever lost someone close to you? Someone who is at the core of your universe, the hero of all your stories...when that happens, it isn’t just the loss of one life, it’s the loss of two lives - one who found another world, perhaps...and one who is left behind. ~ Faraaz Kazi, #NFDB
536:The “death” of the Hero in the life of a boy (or a man) really means that he has finally encountered his limitations. He has met the enemy, and the enemy is himself. He has met his own dark side, his very unheroic side. He has fought the dragon and been burned by it. ~ Robert Moore, #NFDB
537:The inner journey toward growing consciousness is the hero's quest. Those who make the journey contribute to growth of a culture. Any who misunderstand or cheat, refusing or failing to pay the cost of inner growth, pay in the coin of loneliness, anxiety, and alienation ~ RA Johnson, #NFDB
538:The fatal mistake some brands make, especially young brands who believe they need to prove themselves, is they position themselves as the hero in the story instead of the guide. As I’ve already mentioned, a brand that positions itself as the hero is destined to lose. ~ Donald Miller, #NFDB
539:All my life I thought that the story was over when the hero and heroine were safely engaged—after all, what’s good enough for Jane Austen ought to be good enough for anyone. But it’s a lie. The story is about to begin, and every day will be a new piece of the plot. ~ Mary Ann Shaffer, #NFDB
540:HEROISM. — The heroic consists in doing something great (or in nobly not doing something) without feeling oneself to be in competition with or before others. The hero carries with him, wherever he goes, the wilderness and the holy land with in-violable precincts. ~ Friedrich Nietzsche, #NFDB
541:Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's I refuse to burn my energy adding extra magic and sparkle to other people’s lives to get them to love me. I’m busy casting spells for myself. ~ Laurie Penny, #NFDB
542:The hero's journey has been compared to a birth: it starts with being warm and snug in a safe place; then comes a signal, growing more insistent, that it is time to leave. To stay beyond your time is to putrefy. Without the blood & tearing and pain, there is no new life ~ Campbell, #NFDB
543:Could it be ... that the hero is one who is willing to set out, take the first step, shoulder something? Perhaps the hero is one who puts his foot upon a path not knowing what he may expect from life but in some way feeling in his bones that life expects something of him. ~ P L Travers, #NFDB
544:Everyone,” Caitlin said, cradling her wine glass, “is the hero of his own story. That goes double for fanatics. Some of the greatest horrors in history were perpetrated by people who insisted, all the way to damnation’s door, that they fought on the side of the angels. ~ Craig Schaefer, #NFDB
545:Real tragedy is never resolved. It goes on hopelessly forever. Conventional tragedy is too easy. The hero dies and we feel a purging of the emotions. A real tragedy takes place in a corner, in an untidy spot, to quote W. H. Auden. The rest of the world is unaware of it. ~ Chinua Achebe, #NFDB
546:All my life I thought that the story was over when the hero and heroine were safely engaged -- after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot. ~ Mary Ann Shaffer, #NFDB
547:What’s at stake? If nothing can be gained or lost, nobody cares. Will the hero disarm the bomb, or will people be killed? Will the guy get the girl, or will he be lonely and filled with self-doubt? These are the kinds of questions in the minds of a story-hungry audience. ~ Donald Miller, #NFDB
548:But in writing it leaves a lot up to my imagination. I don’t have to worry if I’m attracted to the hero, because in my mind, he looks like someone I already am. If it’s a movie and I think the actor playing the lead is ugly, I can’t get all excited about him, you know? ~ Jade C Jamison, #NFDB
549:There is no difference between a hero and a coward in what they feel. It’s what they do that makes them different. The hero and the coward feel exactly the same, but you have to have the discipline to do what a hero does and to keep yourself from doing what the coward does. ~ Cus D Amato, #NFDB
550:Although System 2 believes itself to be where the action is, the automatic System 1 is the hero of the book. I describe System 1 as effortlessly originating impressions and feelings that are the main sources of the explicit beliefs and deliberate choices of System 2. The ~ Daniel Kahneman, #NFDB
551:They thought that it would be a disgrace to go forth as a group. Each entered the forest at a point that he himself had chosen, where it was darkest and there was no path. If there is a path it is someone else's path and you are not on the adventure. ~ Joseph Campbell, The Hero's Journey, #NFDB
552:HEROISM. — The heroic consists in doing something great (or in nobly not doing something) without feeling oneself to be in competition with or before others. The hero carries with him, wherever he goes, the wilderness and the holy land with in-
violable precincts. ~ Friedrich Nietzsche,#NFDB
553:If there was anything the last year had taught her—if there was anything Caleb had taught her, the Metigen War had taught her—it was that perspective was everything.
If you wanted to understand your enemy, you must understand that they were the hero in their own story. ~ G S Jennsen,#NFDB
554:Spirit. In every language in all the Realms, surface and Underdark, in every time and every place, the word has a ring of strength and determination. It is the hero's strength, the mother's resilience and the poor man's armor. It cannot be broken and it cannot be taken away. ~ R A Salvatore, #NFDB
555:The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is. ~ W H Auden, #NFDB
556:The most questionable thing I did was make Superman a government agent. If this had been a Superman story, I'd never have done that - and I know that, because I have a Superman story I want to tell someday. In this story, Batman was the hero, so the world was built around him. ~ Frank Miller, #NFDB
557:I yearned to press my ear to the door so that I could at minimum hear. But I knew that my side was on the outside with the hero. Part of me hated this, and part of me was grateful, because once you hear
something, you can never return to the time before you heard it. ~ Jonathan Safran Foer,#NFDB
558:The problem with 'the crown jewel of Chinese literature' [Dream of the Red Chamber] is that it has two thousand pages and an equal number of characters, and the hero is an effeminate ass who should have either been spanked or decapitated, both ends being equally objectionable. ~ Barry Hughart, #NFDB
559:In a novel, the hero can lay ten girls and marry a virgin for the finish. In a movie, that is not allowed. The villain can lay anybody he wants, have as much fun and as he wants cheating, stealing, getting rich, and whipping servants. But you have to shoot him in the end. ~ Herman J Mankiewicz, #NFDB
560:She swallows and looks down at her hands clenched in her lap. “I don’t like this story.” “Should I jump to the ending? Spoiler alert: the hero saves her.” Tabby looks over at me, her eyes shining like gems in the dark. “A real hero would teach the princess how to save herself. ~ J T Geissinger, #NFDB
561:The achievement of the hero is one that he is ready for and it's really a manifestation of his character. It's amusing the way in which the landscape and conditions of the environment match the readiness of the hero. The adventure that he is ready for is the one that he gets. ~ Joseph Campbell, #NFDB
562:He who suffers himself to be transported by the love of things on high, who drinks at the sources of eternal beauty, who lives by the Infinite and combats for the ideal of all virtue and all knowledge, who shows for that cult an enthusiasm pushed to a very fury,—he is the hero. ~ Giordano Bruno, #NFDB
563:In myths, the hero survives.
The evil is vanquished.
The world is set right.
Sometimes there are celebrations, and sometimes there are funerals.
The dead are buried. The living move on.
Nothing changes.
Everything changes.
This is a myth.
This is not a myth. ~ V E Schwab,#NFDB
564:Besides, two kinds of people have the courage to make someone else's decisions: the hero, who comes to your rescue when you can't even cry out for help, and the tyrant. The only difference between them is the hero listens. As soon as you can talk, he'll put you down if you say so. ~ Skyler White, #NFDB
565:I'm not the hero, Blair. And somehow I still got the princess."
"Honey, I'm pretty sure you're the beast. And I am definitely not a princess. I thought we just established that."
"You're my princess. Dirty mouth, naughty lingerie, wicked tongue, formidable temper, and all. ~ Chanel Cleeton,#NFDB
566:Wind-voice looked in amazement at the sword in his claws. “I—I’ll keep it safe,” he muttered to Winger. “For the hero, when he comes…”
Winger was smiling a light, dreamy smile that radiated all over his thin face. “The hero is here, Wind-voice,” he said, awed. “You’re the hero. ~ Nancy Yi Fan,#NFDB
567:Will this long presidency of George W. Bush ever be over? Living through it is starting to seem like some ghastly, upsetting novel in which the hero is the country, and the president is this disturbing, pig-headed, oblivious villain who makes things worse and worse and worse. ~ Christopher Durang, #NFDB
568:And as I sat beneath florescent cylinders spewing aggressively artificial light, I thought about how we all believed ourselves to be the hero of some personal epic, when in fact we were basically identical organisms colonizing a vast and windowless room that smelled of Lysol and lard. ~ John Green, #NFDB
569:Belgium, where there occurred one of the rare appearances of the hero in history, was lifted above herself by the uncomplicated conscience of her King and, faced with the choice to acquiesce or resist, took less than three hours to make her decision, knowing it might be mortal. ~ Barbara W Tuchman, #NFDB
570:But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his ~ Sri Aurobindo, Collected Poems, Ilion,#NFDB
571:In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there. ~ Ryan Phillippe, #NFDB
572:I've always tried to make a home for myself, but I have not felt at home in myself. I've worked hard at being the hero of my own life. But every time I checked the register of displaced persons, I was still on it. I didn't know how to belong. Longing? Yes. Belonging? No. ~ Jeanette Winterson, #NFDB
573:The ground is still filled iwth rings, and money, and pictures, and Jewish things. I was only able to find a few of them, but they fill the earth." The hero did not ask me once what she was saying. I am not certain if he knew what she was saying, or if he knew not to inquire. ~ Jonathan Safran Foer, #NFDB
574:As subjects, we all live in suspense, from day to day, from hour to hour; in other words, we are the hero of our own story. We cannot believe that it is finished, that we are 'finished,' even though we may say so; we expect another chapter, another installment, tomorrow or next week. ~ Mary McCarthy, #NFDB
575:The best bribe which London offers to-day to the imagination, is, that, in such a vast variety of people and conditions, one can believe there is room for persons of romantic character to exist, and that the poet, the mystic, and the hero may hope to confront their counterparts. ~ Ralph Waldo Emerson, #NFDB
576:The myth of the hero is the most common and the best known myth in the world . . . classical mythology . . . Greece and Rome . . . Middle Ages . . . Far East . . . contemporary primitive tribes. It also appears in dreams . . . obvious dramatic . . . profound . . . importance. P. 101 ~ Carl Gustav Jung, #NFDB
577:To this military attitude of the soul we give the name of Heroism... It is a self-trust which slights the restraints of prudence, in the plenitude of its energy and power to repair the harms it may suffer. The hero is a mind of such balance that no disturbances can shake his will. ~ Ralph Waldo Emerson, #NFDB
578:I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing… I can always get a J. Crew catalogue… …So spare me, if you please, the hero’s ‘sharply intelligent blue eyes’ and ‘outthrust determined chin’. ~ Stephen King, #NFDB
579:We tell each other stories so we can understand the world better and there's catharsis and we understand the models of what a hero could be and what the hero's journey as a human being is all about. But unfortunately, I think sometimes those stories too can be very prohibitive and confining. ~ Chris Pine, #NFDB
580:Merit. Have you finally decided to ditch the zero and get with the hero?” Ethan cleared his throat—loudly—while I bit back a smile.
I didn’t see anything wrong with reminding Ethan that I had other options. Even if they were slightly goofy options I’d never actually take advantage of. ~ Chloe Neill,#NFDB
581:If peace is to be maintained, it must be by brave men, who have come up to the same height as the hero, namely, the will to carry their life in their hand, and stake it at any instant for their principle, but who have gone one step beyond the hero, and will not seek another man's life. ~ Ralph Waldo Emerson, #NFDB
582:Will this long presidency of George W. Bush ever be over?
Living through it is starting to seem like some ghastly, upsetting
novel in which the hero is the country, and the president is this
disturbing, pig-headed, oblivious villain who makes things worse
and worse and worse. ~ Christopher Durang,#NFDB
583:So,” she said, leaning against him. Her hair tickled his cheek. “Do you have a cape?”
“Are you mocking me?”
“More of a mask type, then.”
“What are you getting at?” he asked as they reached her next building.
“You’re the hero…,” she said, finding his eyes, “… of your own story, anyway. ~ V E Schwab,#NFDB
584:readers tend to like a character who is at least superficially like themselves. But they quickly lose interest unless this particular character is somehow out of the ordinary. The character may wear the mask of the common man, but underneath his true face must always be the face of the hero. ~ Orson Scott Card, #NFDB
585:This is the deepest wish of my heart?"
"Sure," Magnus said.
"Your father, proud of you. You, the hero of the hour. Me, loving you. Everyone approving of you."
Alec looked over at Jace.
"Okay, what about the Jace thing?"
Magnus shrugged.
"I don't know. Thet part's just weird. ~ Cassandra Clare,#NFDB
586:I find I am more interested in the villain-type roles because they can be so much more complex than just the villain. I don't think anybody sees them as evil per se. They show how close we are to one another. It's an untapped area of art. And I think, physically, I'm not going to play the hero. ~ Shuler Hensley, #NFDB
587:No one is an unjust villain in his own mind. Even - perhaps even especially those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices they would call "hard but necessary" for the good of their nation. We're all the hero of our own story. ~ Jim Butcher, #NFDB
588:Disaster followed disaster... the hero stuck in there, though. Macon had long ago noticed that all adventure movies had the same moral: Perseverance pays. Just once he'd like to see a hero like himself -- not a quitter, but a man who did face facts and give up gracefully when pushing on was foolish. ~ Anne Tyler, #NFDB
589:In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, “Memento mori”: Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility. ~ Walter Isaacson, #NFDB
590:Spirit. In every language in all the Realms, surface and Underdark, in every time and every place, the word has a ring of strength and determination. It is the hero's strength, the mother's resilience, and the poor man's arm. It cannot be broken, and it cannot be taken away.
This I must believe. ~ R A Salvatore,#NFDB
591:The 'enduring theme' [in fiction] of male competition and female competition for the hero/survivor has taken us from the fittest surviving to the brink of no one surviving. Sex roles have gone from functional to dysfunctional almost overnight. This is why the enduring theme must be questioned now. ~ Warren Farrell, #NFDB
592:In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, " Memento Mori": Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility. ~ Walter Isaacson, #NFDB
593:I put the thin fragment of glass, dripping blood, in my pocket, and ran out into the misty road. The doors and windows of the houses were shut, nothing was moving. I thought I'd been swallowed by a huge living thing, that I was turning around and around in its stomach like the hero of some fairy tale. ~ Ry Murakami, #NFDB
594:The great mission of our day is not conquering the sea or space, disease or tyranny. The grand quest which calls to the hero in every one of us is to become fully alive--to stand up and claim our birthright, which is inner freedom, love and radiant purpose. By fulfilling this, we transform the world. ~ Jacob Nordby, #NFDB
595:And yet, my dear Charles Swann, whom I used to know when I was still so young and you were nearing your grave, it is because he whom you must have regarded as a young idiot has made you the hero of one of his novels that people are beginning to speak of you again and that your name will perhaps live. ~ Marcel Proust, #NFDB
596:Later, years later, I would hear a song made of our meeting. [...] I was not surprised by the portrait of myself: the proud witch undone before the hero's sword, kneeling and begging for mercy. Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep. ~ Madeline Miller, #NFDB
597:through the masculinization and emancipation of ego consciousness the ego becomes the “hero.” The story of the hero, as set forth in the myths, is the history of this self-emancipation of the ego, struggling to free itself from the power of the unconscious and to hold its own against overwhelming odds. ~ Erich Neumann, #NFDB
598:I loved getting lost in the fictional worlds pf the author´s creations, It took away the pain from my own. My way of escaping. My book friends. Where I was loved, cared for, and cherished. Where there´s always a happily ever after and the hero always ends up with the heroine. Those were my kind of stories. ~ M Robinson, #NFDB
599:She slit the throat of Coyote because he double-crossed her, and she buried alive Naayéé’ Neizghání, the hero of Dinétah, even though she really loved him. She shot a powerful medicine man through the heart. So, who are you? Who are you that she won’t slit your throat? That she won’t bury you alive? ~ Rebecca Roanhorse, #NFDB
600:I think you're fairly strong," said Magnus. "And you have quite a lot of self-control. Look how you sternly repress all the hero worship you are longing to show me that you feel."
"It is sometimes an exercise of real self-control not to laugh in your face," Raphael said gravely. "That much is true. ~ Cassandra Clare,#NFDB
601:Lestat might be the hero of the Vampire Chronicles, but this one, Louis, was the tragic heart. Yet he seemed at long last to have achieved a kind of peace with the ghastly realities of his existence and the existence of all those around him who outranked him in power but not necessarily in insight or wisdom. ~ Anne Rice, #NFDB
602:To find his successor, Yeltsin’s entourage organized a public opinion poll about favorite heroes in popular entertainment. The winner was Max Stierlitz, the hero of a series of Soviet novels that were adapted into a number of films, most famously the television serial Seventeen Moments of Spring in 1973. ~ Timothy Snyder, #NFDB
603:Nice chatting with you, Torin. I'd say don't ever speak to me again but that would be pointless because you're always around, stalking me, waiting to play the hero. Whatever game you're playing, it's not working. I already have a hero and he's... he's mortal and amazing. When we kiss, I don't think, I feel. ~ Ednah Walters, #NFDB
604:Well, you know, in any novel you would hope that the hero has someone to push back against, and villains - I find the most interesting villains those who do the right things for the wrong reasons, or the wrong things for the right reasons. Either one is interesting. I love the gray area between right and wrong. ~ Dan Brown, #NFDB
605:The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. ~ David Mamet, #NFDB
606:It’s true, he did look like the hero in all this, and for the most part, he was. What he did for this girl was a lot, but I knew from experience that lies have a way of coming back to haunt you. He may have done everything with the best intentions, but he still may not be able to escape how this all began. ~ Angela Richardson, #NFDB
607:Corn is the hero of its own story, and though we humans played a crucial supporting role in its rise to world domination, it would be wrong to suggest we have been calling the shots, or acting always in our own best interests. Indeed there is every reason to believe that corn has succeeded in domesticating us. ~ Michael Pollan, #NFDB
608:The hero is a device which the historian has taken over from the layman. He uses it because he has no scientific vocabulary or technique for dealing with the real facts of history-- the opinions, emotions, attitudes; the wishes, plans, schemes; the habits of men. He can't talk about them so he talks about heroes. ~ B F Skinner, #NFDB
609:The only thing I have to say to people - try being the hero of your own world one day. Don't spend your life thinking about what somebody did or if they failed at this or if they did great at that or they got caught with a monkey, in a bathtub, having sex. You should at one point become the hero of your own world. ~ Billy West, #NFDB
610:The hero’s journey always begins with the call. One way or another, a guide must come to say, 'Look, you’re in Sleepy Land. Wake. Come on a trip. There is a whole aspect of your consciousness, your being, that’s not been touched. So you’re at home here? Well, there’s not enough of you there.' And so it starts. ~ Joseph Campbell, #NFDB
611:This is also why the new novels die so quickly, and why the old fairy tales endure for ever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal. But in the modern psychological novel the hero is abnormal; the center is not central. ~ G K Chesterton, #NFDB
612:Do you believe that every story must have a beginning and an end? In ancient times a story could end only in tow ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death. ~ Italo Calvino, #NFDB
613:Do you believe that every story must have a beginning and an end? In ancient times a story could end only in two ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death. ~ Italo Calvino, #NFDB
614:Indeed, the raid has been mythologized, inspiring several films, most notably in 1926 The General, in which, interestingly, Buster Keaton portrays the conductor, Fuller, as the hero, whereas the Unionists are depicted as ruthless train wreckers, demonstrating the enduring tacit sympathy to the Confederate cause. ~ Christian Wolmar, #NFDB
615:In the hero stories, the call to go on a journey takes the form of a loss, an error, a wound, an unexplainable longing, or a sense of a mission. When any of these happens to us, we are being summoned to make a transition. It will always mean leaving something behind,...The paradox here is that loss is a path to gain. ~ David Richo, #NFDB
616:No one is an unjust villain in his own mind. Even - perhaps even especially - those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices that they would call 'hard but necessary steps' for the good of their nation. We're all the hero of our own story. ~ Jim Butcher, #NFDB
617:Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States--first,murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln. ~ H L Mencken, #NFDB
618:The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give. ~ Roberto Calasso, #NFDB
619:In books, the hero was gone after the big blowup. He didn’t stick around in the vicinity doing mysterious shit, sending messages to the heroine by a third party. He hauled his ass into oblivion. And that was the way things should be, as far as I was concerned. Life should imitate romance literature far more often. ~ Charlaine Harris, #NFDB
620:A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line. ~ Jenny Han, #NFDB
621:We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times. ~ Pauline Kael, #NFDB
622:Here is a difference between the Warrior and the Hero. The man (or the boy) accessing the Hero, as we’ve said, does not know his limitations; he is romantic about his invulnerability. The warrior, however, through his clarity of thinking realistically assesses his capacities and his limitations in any given situation. ~ Robert L Moore, #NFDB
623:The first typical adolescent of modern times was Wagner's Siegfried. : the music of Siegfried expressed for the first time that combination of (provisional) purity, physical strength, naturism, spontaneity and joie de vivre which was to make the adolescent the hero of our twentieth century, the century of adolescence. ~ Philippe Aries, #NFDB
624:The hero of his age. And yes, he really did have that bloody awful pudding-bowl haircut. They all did. Whether Henry was a royal trendsetter or it was practical under their helmets, I didn’t know. I certainly couldn’t think of any other reason for having the most hideous hairstyle in a History that includes Donald Trump. ~ Jodi Taylor, #NFDB
625:If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began. ~ Soren Kierkegaard, #NFDB
626:If anyone on the verge of action should judge himself according to the outcome, he would never begin. Even though the result may gladden the whole world, that cannot help the hero; for he knows the result only when the whole thing is over, and that is not how he became a hero, but by virtue of the fact that he began. ~ S ren Kierkegaard, #NFDB
627:Today is a new day! You have the opportunity to pick up life’s pen and change your story. Become the hero; the greatest hero in your story, and you'll see how much more exciting your life will be. You will watch your goals and dreams transition from something you simply hoped for to something within your powerful grasp. ~ Steve Maraboli, #NFDB
628:By...our readiness to allow arms to be purchased at will and fired at whim; by allowing our movie and television screens to teach our children that the hero is one who masters the art of shooting and the technique of killing...we have created an atmosphere in which violence and hatred have become popular pastimes. ~ Martin Luther King Jr, #NFDB
629:Nothing has changed and yet everything is different. I can’t describe it; it’s like the Nausea and yet it’s just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits the night, I am as happy as the hero of a novel. ~ Jean Paul Sartre, #NFDB
630:Perhaps it would have been possible to see in him a new Prometheus...the hero who for the good of mankind exposes himself to the agonies of the damned...undaunted by failure, by an unceasing effort of courage holding despair at bay, doggedly persistent in the face of self-doubt, which is the artist's bitterest enemy. ~ W Somerset Maugham, #NFDB
631:EVERY STORY HAS AN ANTAGONIST and a protagonist. Hero and villain. Good and evil. Yada, yada, yada. Thing is, I bet in each story the villain doesn’t consider themselves the epitome of evil. Even the evilest of minds have justification for their acts. They’re the hero of their own story; it just depends on where you stand. I ~ Anne Malcom, #NFDB
632:For a bit, he picked up the paperbacks, thumbed the worn edges. Military thrillers. Books with clear right and wrong where the good guys always won in the end. Zero or hero. A part of Telly clearly wanted to be the hero. The brother who’d saved his sister. The troubled teen who, according to his PO, was trying to do better. ~ Lisa Gardner, #NFDB
633:The remainder of the long story of Kamar al-Zaman is a history of the slow yet wonderful operation of a destiny that has been summoned into life. Not everyone has a destiny: only the hero who has plunged to touch it, and has come up again-with a ring. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold, #NFDB
634:Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not the villains of our own stories. In fact, it is quite the contrary: we play, and only play, the hero, and in the swirl of other people's stories, insofar as these stories concern us at all, we are never less than heroic. ~ Teju Cole, #NFDB
635:Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not the villains of our own stories. In fact, it is quite the contrary: we play, and only play, the hero, and in the swirl of other people’s stories, insofar as those stories concern us at all, we are never less than heroic. ~ Teju Cole, #NFDB
636:The hero is an ego hero; that is, he represents the struggles of consciousness and the ego against the unconscious. The masculinization and strengthening of the ego, apparent in the hero’s martial deeds, enable him to overcome his fear of the dragon and give him courage to face the Terrible Mother—Isis—and her henchman Set. ~ Erich Neumann, #NFDB
637:Relationships and marriages are hard enough, but you add war into the mix and small fissures become gaping wounds. No one sees what you’re seeing—again that clear-eyed, unbiased thing—except your fellow soldiers. It’s like one of those movies where only the hero can see the ghosts and everyone else thinks the hero is crazy. In ~ Harlan Coben, #NFDB
638:Then, as Siegfried bent over the brook and drank, Hagen hurled the spear at the cross, so that the hero's heart's blood leapt from the wound and splashed against Hagen's clothes. No warrior will ever do a darker deed. Leaving the spear fixed in Siegfried's heart, he fled in wild desperation, as he had never fled before from any man. ~ Unknown, #NFDB
639:On his bedside table, between the reading lamp and the telephone, was his battered copy of David Copperfield. Homer didn't have to open the book to know how the story began. "Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show," he recited from memory. ~ John Irving, #NFDB
640:'Easter' is a movable event, calculated by the relative positions of sun and moon, an impossible way of fixing year by year the anniversary of a historical event, but a very natural and indeed inevitable way of calculating a solar festival. These changing dates do not point to the history of a man, but to the hero of a solar myth. ~ Annie Besant, #NFDB
641:In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. ~ John Eldredge, #NFDB
642:Underneath […] I find what Sasha has entitled "The Rules of Romance." The are as follows:
1. Everyone deserves to be worshipped.
2. There's a hero inside all of us.
3. The hero and heroine are fine on their own but know they're better together.
4. Risk your heart, it's worth it.
5. Always believe in a happy ending. ~ Liza Palmer,#NFDB
643:annihilation. “Money flows toward short term gain,” writes the geologist David Archer, “and toward the over-exploitation of unregulated common resources. These tendencies are like the invisible hand of fate, guiding the hero in a Greek tragedy toward his inevitable doom.” This is indeed the essence of humanity’s present derangement. ~ Amitav Ghosh, #NFDB
644:…Anne believed she would in the end hear the words she, like all women, longed to hear, but if he never spoke of it, she would be content with this. He loved her, and she knew it, and he was capable of such tenderness it left her trembling, overwhelmed by her own love for him.”
---The heroine, Anne, spoken of the hero, Cord ~ Ellen O Connell,#NFDB
645:Blind Curve, the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did. ~ Andrew Gross, #NFDB
646:Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest. ~ Bipasha Basu, #NFDB
647:Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it's yours. ~ Ayn Rand, #NFDB
648:Every cop in the greater Miami area would be working each shift with extra diligence in hopes of becoming the Hero of the Day, the cop who caught the killer, and although all that extra watchfulness would make the streets temporarily a little safer for most of us, it would also make things a little too risky for a Dexter Dalliance. No, ~ Jeff Lindsay, #NFDB
649:Fallacy of the Talking Killer. The villain wants to kill the hero. He has him cornered at gunpoint. All he has to do is pull the trigger. But he always talks first. He explains the hero's mistakes to him. Jeers. Laughs. And gives the hero time to think his way out of the situation, or be rescued by his buddy. Cf. most James Bond movies. ~ Roger Ebert, #NFDB
650:Till now, my conception of love has been based entirely on what I have seen in Hindi films, where the hero and the heroine make eye contact, and whoosh, some strange chemistry sets their hearts beating and their vocal chords tingling, and the next you see of them they are off singing songs in Swiss Villages and American shopping malls. ~ Vikas Swarup, #NFDB
651:I’ve always believed growing up that the story of the hero is the journey of weakness to strength. But writing about Gus taught me that the real hero’s journey is the journey from strength to weakness, and that was a very helpful thing for me to realise in trying to tell his story, so I felt like that was kind of the gift that he gave me. ~ John Green, #NFDB
652:It was quite obvious, it was, as people say, as clear as day, that Lieutenant Trotta, the grandson of the hero of Solferino, was partly bringing about the doom of others, partly being pulled under by those who were themselves going down, and, in any case, that he was one of those unhappy beings on whom an evil power had cast its evil eye. ~ Joseph Roth, #NFDB
653:There was something strangely peaceful about the house, something very rare and difficult to define. It was like a house in an old tale, discovered by the hero one evening in midsummer. In the tale there would be strands of ivy clustering the walls, and barring the entrance and the house itself would have slept for a thousand years. ~ Daphne du Maurier, #NFDB
654:Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, Now do you want the hero to be kidnapped, or not? But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision. ~ Penn Jillette, #NFDB
655:The interesting thing, to the Sergeant, was how these stories were at least in one way quite true to life: you didn’t know whether you were the hero or not until the end, because at any time up to that moment you could just get eaten and the rest would be about someone else. In fact you were never safe, because sometimes the monsters won. ~ Nick Harkaway, #NFDB
656:It's just, "Hey,[Barack] Obama's the hero, and he wants Obamacare," and so the coverage is totally devoted to whether or not Obama's gonna get it. Now, in that scenario, who are the villains?Well, your good old, reliable Republicans are the villains, and they are always portrayed as the people trying to deny our beloved hero what he wants. ~ Rush Limbaugh, #NFDB
657:Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, 'Now do you want the hero to be kidnapped, or not?' But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision. ~ Penn Jillette, #NFDB
658:Love a girl who writes, and live her many lives;
You have yet to find her, beneath her words of guise.
Kiss her blue inked fingers, forgive the pens they marked.
The stain of your lips upon her, the one she can’t discard.
Forget her tattered memories, or the pages others took;
You are her ever-after, the hero of her book. ~ Lang Leav,#NFDB
659:So much of truth, only under an ancient obsolete vesture, but the spirit of it still true, do I find in the Paganism of old nations. Nature is still divine, the revelation of the workings of God; the Hero is still worshipable: this, under poor cramped incipient forms, is what all Pagan religions have struggled, as they could, to set forth. ~ Thomas Carlyle, #NFDB
660:The Great Bitch is the deadly female, a worthy opponent for the omnipotent hero to exercise his powers upon and through. She is desirous, greedy, clever, dishonest, and two jumps ahead all the time. The hero may either have her on his side and like a lion-tamer sool her on to his enemies, or he may have to battle for his life at her hands. ~ Germaine Greer, #NFDB
661:There's always a villain in every book, in every movie. In every story you have the hero and what he wants, and that is the MacGuffin. The whole thing is about who's gonna get the MacGuffin. This piece that this Ace of Spades blog wrote is that's how the media covers [Barack] Obama, and I have observed this in different ways over the years. ~ Rush Limbaugh, #NFDB
662:I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself. ~ Kola Boof, #NFDB
663:One of my heroes, G.K. Chesterton, said, "The old fairy tales endure forever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal." Discovering that the modern world can still contain the wonder and strangeness of a fairy tale is part of what my novels are about. ~ Regina Doman, #NFDB
664:When a writer puts words on paper, it is an intimate act. The reader hears your words in his voice and he becomes the bones of your story. The reader is the foundation that you wrap in muscle and sinew. You build the hero on the reader’s delicate frame until your story is his story. Your sorrow is his; your joy is a communion you both celebrate. ~ N M Kelby, #NFDB
665:It is to the Romans, acting as always under the tuition of the Hellenistic mind, that we owe the conception of a history both oecumenical and national, a history in which the hero of the story is the continuing and corporate spirit of a people and in which the plot of the story is the unification of the world under that people’s leadership. ~ R G Collingwood, #NFDB
666:Once the spear was uncovered, it wouldn't matter if the hero's truest love or family was in the room with him; the spear would kill them anyway. Killing was what it was good at, and so killing was what it did...The spear, Dad told me, was him...He told me to make sure Ronan was the name of the hero, and not the name of just another spear. ~ Maggie Stiefvater, #NFDB
667:So yes, get prepared, but don't "be first"—don't start talking about *us* and *them* already, because then you're making *them* into the *other*, and that's when the shooting starts. Far too many of the survival books I've read go there, way too early. You're becoming part of the problem; you're not the hero, you're the bad guy. It's all *us*. ~ Sam Sheridan, #NFDB
668:On closer inspection, the hero status accorded to Abraham, Moses and David in the Old Testament (and echoed in the New Testament) is rooted not in their moral perfection but in their uncompromising dedication to the cause of Yahweh and their rugged trust in the promises of God rather than lapsing into the idolatry of many of their contemporaries. ~ Paul Copan, #NFDB
669:So long as the man loves only the bounteous mother in woman, he remains infantile. And if he fears woman as the castrating womb, he can never combine with it and reproduce himself. What the hero kills is only the terrible side of the female, and this he does in order to set free the fruitful and joyous side with which she joins herself to him. ~ Erich Neumann, #NFDB
670:The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn’t, the heroine would have nothing to do. It’s her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he’s with her he’s free to just breathe. ~ Kristen Ashley, #NFDB
671:. . . distinction . . . between initiation and the hero . . . act of climbing a mountain . . . trial of strength . . . the will to achieve . . . a scene by the altar . . . task is rather to submit to a power greater than himself. He must see himself as if he were dead . . . only by such an act of submission can . . . experience rebirth. P. 125 ~ Carl Gustav Jung, #NFDB
672:The strongest character in a story isn’t the hero, it’s the guide. Yoda. Haymitch. It’s the guide who gets the hero back on track. The guide gives the hero a plan and enough confidence to enter the fight. The guide has walked the path of the hero and has the advice and wisdom to get the hero through their troubles so they can beat the resistance. ~ Donald Miller, #NFDB
673:How oddly akin is the hero to the early dead. Duration
doesn't interest him. For him, only ascent matters, steadfastly
he drives on and enters the altered constellation
of his constant danger. There few would find him. But
fate, which grimly shuts us in silence, suddenly inspired
sings him into the storm of his uproaring world. ~ Rainer Maria Rilke,#NFDB
674:I have heard it said
that evil is simply a point of view.
The villain is always the hero in his own story.
And the definitions of "wrong" and "right"
ever shift on the inconstant tides
of human morality.
But can such measures even be said to apply to me?
I am clarity.
I am necessity.
I am inevitability.
But am I evil? ~ Amie Kaufman,#NFDB
675:Now that we know who you are, I know who I am. I'm not a mistake! It all makes sense! In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero. And most times they're friends, like you and me! I should've known way back when... You know why, David? Because of the kids. They called me Mr Glass. ~ M Night Shyamalan, #NFDB
676:Opinions constantly shifted and evolved, were fluid the same way thoughts were. Ten minutes into The Exorcist you might say, “This is boring.” An hour later you could decide that it was the best thing you’d ever seen, and it was no different with people. The villain at three in the afternoon might be the hero by sunset. It was all just storytelling. ~ David Sedaris, #NFDB
677:How to teach again what has been taught correctly it incorrectly 1000 thousand times, throughout the millenniums of mankind's prudent folly? That is the hero's ultimate difficult task. How to render back into light-world language the speech-defying pronouncements of the dark? Many failures attest to the difficulties of this life-affirmative threshold. ~ Joseph Campbell, #NFDB
678:Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted. ~ Joseph Campbell, The Hero's Journey: Joseph Campbell on His Life & Works, #NFDB
679:The Mongols, and certainly Genghis Khan in particular, placed great importance on sudden individual acts of unexpected heroism. Those are the moments that reveal not just the character of the person, but the soul itself. Many people are paralyzed by fear or, equally as debilitating, by indecision. The hero acts, and often fails, but acts nonetheless. ~ Jack Weatherford, #NFDB
680:Every error, of whatever kind, is a consequence of degeneration of instinct, disgregation of will: one has thereby virtually defined the bad. Everything good is instinct – and consequently easy, necessary, free. Effort is an objection, the god is typically distinguished from the hero (in my language: light feet are the first attribute of divinity). ~ Friedrich Nietzsche, #NFDB
681:This is not the Naxal movement I knew of. In a story of oppressor versus oppressed, we tend to look for a Robin Hood, the hero. In independent India’s story, media has tried to make Naxals look like Robin Hood. Which is why incidents like the Niyamat and Valsa murders are rarely reported in detail and if reported, they always put the blame on the State. ~ Vivek Agnihotri, #NFDB
682:[Veda:] History is the best kind of story. We each write our own stories about good versus evil, failure and success, love and hate. It’s all about people and the choices we make. Wars are started; laws are passed; conversations are held. We decide through our actions and the choices we make whether we are the hero or the villain in our chapter of history. ~ Jessica Lave, #NFDB
683:Hatun sees a different world than you or I, a far more frightening one, full of far more terrible dangers, and still she chooses to be the hero whom that world needs. She has saved this town and its people from countless monsters countless times. That the battles are usually in her head does not lessen the bravery of it. The hardest battles always are.” We ~ William Ritter, #NFDB
684:Our revolution is like Wikipedia, okay? Everyone is contributing content, [but] you don't know the names of the people contributing the content. This is exactly what happened. Revolution 2.0 in Egypt was exactly the same. Everyone is contributing small pieces, bits and pieces. We drew this whole picture of a revolution. And no one is the hero in that picture. ~ Wael Ghonim, #NFDB
685:Acting is the great love of my life. It gives you permission to use all parts of yourself. Permission to be the hero, the love interest, the comedian, the villain. Transformation excites me. So does truth. Nothing is more thrilling, hilarious, and tragic than the truth. Those things motivated me to become an actor. Also, they always have the best food on set. ~ Blake Griffin, #NFDB
686:The impossibilities rise around me, steep and sheer. But I think of the hero of Fitzgerald’s last novel, Monroe Stahr, flying over the highest mountains and talking to his pilot about the old railroad men and how they had to lay a track through anyway. You can’t test the best way—except by doing it. So you just do it … You choose some way for no reason at all. ~ Maria Hummel, #NFDB
687:The Letters of J.R.R. Tolkien (Tolkien, J.R.R.) - Your Highlight on Location 529-531 | Added on Friday, December 26, 2014 8:28:31 PM Do you think Tom Bombadil, the spirit of the (vanishing) Oxford and Berkshire countryside, could be made into the hero of a story? Or is he, as I suspect, fully enshrined in the enclosed verses?1 Still I could enlarge the portrait. ~ Anonymous, #NFDB
688:We are independent of the change we detect. The longer the lever, the less perceptible its motion. It is the slowest pulsation which is the most vital. The hero then will know how to wait, as well as to make haste. All good abides with him who waiteth wisely; we shall sooner overtake the dawn by remaining here than by hurrying over the hills of the west. ~ Henry David Thoreau, #NFDB
689:[Action's] a Western thing. We think of the hero going into battle, rebelling against a government or an oppressor, but [in KUNDUN] action is nonaction or what appears to be nonaction. That's a hard concept for Western audiences. . . . We wanted to show a kind of moral action, a spiritual action, an emotional action. Some people will pick up on it; some won't. ~ Martin Scorsese, #NFDB
690:I realized that Owen [Suskind] is completely brilliant, because he embraced and memorized all these classic Disney films - these fables that chronicle the hero's journey, and have existed for thousands of years. Owen, in a sense, grew up on a diet of myth and fable, and has become an expert on their themes, which contain a moral guide that connects people. ~ Roger Ross Williams, #NFDB
691:There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere. The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. We must get in step, a lock step, toward the prison of death. There is no escape. The weather will not change. ~ Henry Miller, #NFDB
692:The basis of drama is ... is the struggle of the hero towards a specific goal at the end of which he realizes that what kept him from it was, in the lesser drama, civilization and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. The example Aristotle uses, of course, is Oedipus. ~ David Mamet, #NFDB
693:They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to. This book is dedicated to those fine men. ~ Terry Pratchett, #NFDB
694:In the meantime, how about us doing some more sister things together?"
Alys snorted. "Like what?"
Oh, I don't know. Slay a few monsters, outwit a few magicians, drain a few Chaotic Zones, negotiate a few treaties..."
And after lunch?"
Janie returned the wry grin sweetly. "I'll let you know."
The hero and the sorceress walked back up the path arm in arm. ~ L J Smith,#NFDB
695:In Trout's novel, The Pan-Galactic Memory Bank, the hero is on a space ship two hundred miles long and sixty-two miles in diameter. He gets a realistic novel out of the branch library in his neighborhood. He reads about sixty pages of it, and then he takes it back. The librarian asks him why he doesn't like it, and he says to her, 'I already know about human beings. ~ Kurt Vonnegut, #NFDB
696:I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out. ~ Ramon Novarro, #NFDB
697:They may be called the Palace Guard, the City Guard, or the Patrol. Whatever the name, their purpose in any work of heroic fantasy is identical: it is, round about Chapter Three (or ten minutes into the film) to rush into the room, attack the hero one at a time, and be slaughtered. No one ever asks them if they want to.
This book is dedicated to those fine men. ~ Terry Pratchett,#NFDB
698:I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible. ~ Robert Fripp, #NFDB
699:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o’clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously. ~ Charles Dickens, #NFDB
700:What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better. ~ Jenny Han, #NFDB
701:It’s from a movie called The Crow. Persephone’s in love with the hero: black leather, white face, black eye makeup, and a perpetual brooding scowl. There was some mystery surrounding the actor. He died on set while filming. I’ve always been drawn to the poster. Even on a flat piece of paper, the guy has the most soulful eyes—eyes that seem to know me, just like I know them. ~ A G Howard, #NFDB
702:Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. To begin my life with the beginning of my life, I record that I was born (as I have been informed and believe) on a Friday, at twelve o'clock at night. It was remarked that the clock began to strike, and I began to cry, simultaneously. In ~ Charles Dickens, #NFDB
703:There was something strangely peaceful about the house, something very rare and difficult to define. It was like a house in an old tale, discovered by the hero one evening in midsummer; there should be a barrier of thorns about it through which he must cut his way with a knife, and then a galaxy of flowers growing in profusion, with monstrous blooms untended by human hand. ~ Daphne du Maurier, #NFDB
704:Stories...told with...heroes at the centre of them...are told to laud the virtues of the heroes---for if the hero failed, all would be lost. By contrast, a saint can fail in a way the hero can't, because the failure of the saint reveals the forgiveness and the new possibilities made in God, and the saint is just a small character in a story that's always fundamentally about God. ~ Samuel Wells, #NFDB
705:Typically, the hero of the fairy tale achieves a domestic, microcosmic triumph, and the hero of myth a world-historica l, macrocosmic triumph. Whereas the former-the youngest or despised child who becomes the master of extraordinary powers-prevails over his personal oppressors, the latter brings back from his adventure the means for the regeneration of his society as a whole. ~ Joseph Campbell, #NFDB
706:But really, it’s probably just easiest to keep doing what I’m doing. You know how it goes. At first it’s just for the time being, until you can get your own story together, be the hero in something of your own. You tell people it’s your day job, you tell yourself it’s your day job, and then, at some point, without you noticing, it stops being your day job and just becomes your job. ~ Charles Yu, #NFDB
707:We have only to follow the thread of the hero path.
And where we had thought to find an abomonation,
we shall find a God.
And where we had thought to slay another,
we shall slay ourselves.
And where we had thought to travel outward,
we shall come to the center of our own existence.
And where we had thought to be alone,
we shall be with all the world. ~ Joseph Campbell,#NFDB
708:The hero’s journey can take place on a battlefield or in a cubicle. We can live it out amid public clamor or in the soundless vault between our ears. The demons we are dueling are always the same. They are our own fears of becoming who we are. No one who has ever lived—or ever will—has a journey like ours. And yet our journey is universal. It is every woman’s and every man’s. ~ Steven Pressfield, #NFDB
709:I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look. ~ Javier Bardem, #NFDB
710:laugh. “I don’t suppose that offer of a pardon stands.” She seems embarrassed to even suggest it. How quickly she has plummeted. Walking into this room, expecting to be tapped as the new vice president, the hero of the hour, and now just praying that she can avoid prison. Liz Greenfield returns. This time, I wave her in. Carolyn offers no resistance as the FBI takes her into custody. ~ Bill Clinton, #NFDB
711:[Donald] Trump wanted the nomination, and all these other Republicans and their supporters didn't want Trump to have the nomination. So who became the villains? What Trump wanted became the story. "Will he get it? Will Trump get to 1,237?" Did not Ted Cruz become a villain in the middle of this by virtue of trying to stop the hero by getting delegates in all of the state conventions? ~ Rush Limbaugh, #NFDB
712:The essence of oneself and the essence of the world: these two are one. [ The aim is not to see, but to realize that one is, that essence; then one is free to wander as that essence in the world.] Hence separateness, withdrawal, is no longer necessary. Wherever the hero may wander, whatever he may do, he is ever in the presence of his own essence-for he has the perfected eye to see. ~ Joseph Campbell, #NFDB
713:Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world. ~ Robert McKee, #NFDB
714:Take the story of David. The way poor King Saul gets written about, it’s like he’s an idiot and a maniac, because you think, well, it was written by David’s guys. But by the end, David looks more like the idiot and maniac, even though he’s supposed to be the hero. Point: there comes a time in everyone’s life when only the truth will do, and you have to look reality square in the eyes. ~ Michael Lavigne, #NFDB
715:Fafhrd, his back to a great oak, had his broadsword out and was holding off two of Rannarsh's henchmen, who were attacking with their shorter weapons. It was a tight spot and the Northerner realized it. He knew that ancient sagas told of heroes who could best four or more men at swordplay. He also knew that such sagas were lies, providing that the hero's opponents were reasonably competent. ~ Fritz Leiber, #NFDB
716:We don’t have time to argue,” Daniel said. “I’ll be fine--”
“But we won’t,” Sam said. “We need you to get us out of here. It has to be someone else.”
“And you’re volunteering, right?” Corey said.
Sam opened her mouth, but nothing came out.
“Thought so.” Corey turned to us. “I’ll go. Play the hero for a change.” A forced smile. “I hear chicks really go for that kind of thing. ~ Kelley Armstrong,#NFDB
717:Also, she’s shacking up with our friend,” I said. “That’s not much to go on.” “Is there an echo on this line?” I asked, my voice an octave lower. It seemed he’d recently learned the value of playing up the difficulty of accomplishing whatever he was tasked with, the better to play the hero when he subsequently pulled it off. He was overusing the technique the way a child overuses a new word. ~ Barry Eisler, #NFDB
718:The hero whose attachment to ego is already annihilate passes back and forth across the horizons of the world, in and out of the dragon, as readily as a king through all the rooms of his house. And therein lies his power to save; for his passing and returning demonstrate that through all the contraries of phenomenality the Un-create- Imperishable remains, and there is nothing to fear (93). ~ Joseph Campbell, #NFDB
719:What is the most profitable? Fellowship with the good. What is the worst thing in the world? The society of evil men. What is the greatest loss? Failure in one?s duty. Where is the greatest peace? In truth and righteousness. Who is the hero? The man who subdues his senses. Who is the best beloved? The faithful wife. What is wealth? Knowledge. What is the most perfect happiness? Staying at home. ~ Bhartrhari, #NFDB
720:Why do we have to wait so long before meeting Irena?” “This I do not know,” Bieta said. “She’s very humble and probably considers herself the least important part of your visit. She doesn’t consider herself a hero, only a decent person. I was only six months old, yet Irena says that I was the hero – the hero of my mother’s heart. Irena says it is the parents and grandparents who are the heroes. ~ Jack Mayer, #NFDB
721:You're the hero of your own story. So it's interesting for historical revisionism to happen. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever. ~ Baron Vaughn, #NFDB
722:Heroes are necessary in order to enable the citizens to find their own ideals, courage and wisdom in the society. The hero carries our hopes, our aspirations, our ideals, our beliefs. In the deepest sense the hero is created by us; he or she is born collectively as our own myth. This is what makes heroism so important: it reflects our own sense of identity and from this our own heroism is molded. ~ Rollo May, #NFDB
723:But the story is no good without a villain. It can’t feel true without a villain. Otherwise, everything would already be as it ought to be, yes? Someone has to be at fault. And if you are the hero, it stands to reason that folk who do not look like you or talk like you or like to eat the same things you like to eat must be the villains. After all, the world is easy and simple, is it not? ~ Catherynne M Valente, #NFDB
724:We’re going to crawl out of here until we get to Daniel, so he can help you walk.”
“I can walk--”
“Don’t play the hero or you’ll get us captured.”
“That’s so sweet. Makes me feel all warm and fuzzy inside.”
“Hey, I hugged you, didn’t I? Now follow me and try not to make any noise.”
“Yes, ma’am.” He leaned down toward my ear. “I like it when you order me around. It’s really hot. ~ Kelley Armstrong,#NFDB
725:And that is why people read novels, to identify projections of their own unconscious. The hero has to be fearfully real, to convince them of their own reality, which they rather doubt. A novel without a hero would be distracting in the extreme. They have to know what you think, or good heavens, how can they know that you’re going through some wild conflict, which is after all the duty of a hero. ~ William Gaddis, #NFDB
726:There are a lot of bad things out there. Things the Hounds of Heaven were
created to destroy." He trailed his finger down the side of my face. "I can't be the hero you want
me to be--at least not in that way. But you can, Grace. You don't have to become one of the dark
ones. You can fight it. You can turn this curse into a blessing. You can become the hero. You
can become truly divine. ~ Bree Despain,#NFDB
727:Whatever may be your desire to accomplish great deeds, the deep silence of pregnancy never comes to you! The event of the day sweeps you along like straws before the wind whilst ye lie under the illusion that ye are chasing the event,-poor fellows! If a man wishes to act the hero on the stage he must not think of forming part of the chorus; he should not even know how the chorus is made up. ~ Friedrich Nietzsche, #NFDB
728:Whatever may be your desire to accomplish great deeds, the deep silence of pregnancy never comes to you! The event of the day sweeps you along like straws before the wind whilst ye lie under the illusion that ye are chasing the event,—poor fellows! If a man wishes to act the hero on the stage he must not think of forming part of the chorus; he should not even know how the chorus is made up. ~ Friedrich Nietzsche, #NFDB
729:David Lloyd George had been to Germany, and been so dazzled by the Führer that he compared him to George Washington. Hitler was a 'born leader', declared the befuddled former British Prime Minister. He wished that Britain had 'a man of his supreme quality at the head of affairs in our country today'. This from the hero of the First World War! The man who had led Britain to victory over the Kaiser! ~ Boris Johnson, #NFDB
730:David Lloyd George had been to Germany, and been so dazzled by the Führer that he compared him to George Washington. Hitler was a ‘born leader’, declared the befuddled former British Prime Minister. He wished that Britain had ‘a man of his supreme quality at the head of affairs in our country today’. This from the hero of the First World War! The man who had led Britain to victory over the Kaiser! ~ Boris Johnson, #NFDB
731:tragic elements in present history are not as significant as the ironic ones. Pure tragedy elicits tears of admiration and pity for the hero who is willing to brave death or incur guilt for the sake of some great good. Irony however prompts some laughter and a nod of comprehension beyond the laughter; for irony involves comic absurdities which cease to be altogether absurd when fully understood. ~ Reinhold Niebuhr, #NFDB
732:The men go out to greet the arrivals. A hundred men come out of the cars, some with machine guns. Shots are fired in the air. They scream, they shout, they hail the hero. The groom will be getting some tonight. The men have come to collect their prize. More men shouting, some come into the house. She stands. The strange man, the groom she has met only twice, smiles at her. She walks out with him. ~ Rabih Alameddine, #NFDB
733:Hence the importance of patience in the New Testament, which becomes the basic constituent of Christianity, more central even than humility: the power to wait, to persevere, to hold out, to endure to the end, not to transcend one's own limitations, not to force issues by playing the hero or the titan, but to practice the virtue that lies beyond heroism, the meekness of the Lamb which is led. ~ Hans Urs von Balthasar, #NFDB
734:You don't just have people who wake up in the morning and say, "What evil things can I do today, because I'm Mr. Evil?" People do things for what they think are justified reasons. Everybody is the hero of their own story, and you have to keep that in mind. If you read a lot of history, as I do, even the worst and most monstrous people thought they were the good guys. We're all very tangled knots. ~ George R R Martin, #NFDB
735:This is not a romance.
This is a love story. The characters are flawed to the point of being broken. The hero is beautiful, but ugly in ways that defy the ordinary imagination. The heroine isn’t trapped in a tower, but a dark and lonely room. There is no prince coming to save her. While love blooms and thrives, there is no happily ever after. Love does not always begin or end the way we wish it would ~ C J Roberts,#NFDB
736:The man who in times of popular excitement boldly and unflinchingly resists hot-tempered clamor for an unnecessary war, and thus exposes himself to the opprobrious imputation of a lack of patriotism or of courage, to the end of saving his country from a great calamity, is, as to ‘loving and faithfully serving his country,’ at least as good a patriot as the hero of the most daring feat of arms,” Schurz ~ Stephen Kinzer, #NFDB
737:It is an up close and personal war, fought with savage weapons,” Odalon said. “At first when you’re young and dumb and you hear about it, you think it will be glorious. That you will be like the hero of old, ripping through the ranks of your enemy. Then you find out what six hours of fighting with your sword is really like. The first hour, if you survive, is exciting. The scent of blood is intoxicating. ~ Ilona Andrews, #NFDB
738:Here's the point - and Jonah Goldberg reminds us of this. He wrote a blog post that was titled "The MacGuffinization of American Politics." Do you know what a MacGuffin is? "'In a movie or book, 'The MacGuffin' is the thing the hero wants,' Ace writes." So in the Maltese Falcon, for example, the hero wants the Maltese Falcon, but there's always somebody trying to stop the hero from getting what he wants. ~ Rush Limbaugh, #NFDB
739:You cannot be a hero unless you are prepared to give up everything; there is no ascent to the heights without a prior descent into darkness, no new life without some form of death. Throughout our lives, we all find ourselves in situations in which we come face to face with the unknown, and the myth of the hero shows us how we should behave. We all have to face the final rite of passage, which is death. ~ Karen Armstrong, #NFDB
740:A friend of mine reports that all the women he's polled have been enthusiastic advocates of the bold romantic gesture, but this, he suspects, is because they're all picturing John Cusack making it, not Steve Buscemi or Peter Lorre or the Creature from the Black Lagoon. Often you don't know whether you're the hero of a romantico comedy or the villain on a Lifetime special until the restraining order arrives. ~ Tim Kreider, #NFDB
741:The great wheel of fire of ancient wisdom, silence and word engendering the myth of the origin, human action engendering the epic voyage toward the other; historical violence revealing the tragic flaw of the hero who must then return to the land of origin; myth of death and renewal and silence from which new words and images will arise, keeps on turning in spite of the blindness of purely lineal thought. ~ Carlos Fuentes, #NFDB
742:Cities controlled by big companies are old hat in science fiction. My grandmother left a whole bookcase of old science fiction novels. The company-city subgenre always seemed to star a hero who outsmarted, overthrew, or escaped “the company.” I’ve never seen one where the hero fought like hell to get taken in and underpaid by the company. In real life, that’s the way it will be. That’s the way it is. And ~ Octavia E Butler, #NFDB
743:Actually the question of mortal precedence has now hardly any importance. I mean, the hero and heroine should get so close to each other by the time the horror begins, so organically close, that they overlap, intergrade, interache, and even if Vaniada’s end is described in the epilogue we, writers and readers, should be unable to make out (myopic, myopic) who exactly survives, Dava or Vada, Anda or Vanda. ~ Vladimir Nabokov, #NFDB
744:You are the author of the story of your life. You get to choose what happens. More importantly, you get to decide how the hero responds to setbacks, disasters and moments of terror. You are the difference between the person who folds when everything crumbles and the person emerging from it stronger, more determined, shining brighter. Don’t give anyone else the power to script your life. Own it. And have fun. ~ Joanna Cannon, #NFDB
745:The act of consciousness is central; otherwise we are overrun by the complexes. The hero in each of us is required to answer the call of individuation. We must turn away from the cacaphony of the outerworld to hear the inner voice. When we can dare to live its promptings, then we achieve personhood. We may become strangers to those who thought they knew us, but at least we are no longer strangers to ourselves. ~ James Hollis, #NFDB
746:The hero in a romance is the most important challenge the heroine must face and conquer. The hero is her real problem in the book, not whatever trendy issue or daring adventure is also going on in the subplot. In some way, shape, or form, in some manner either real or perceived on the heroine's part, the hero must be a source of emotional and, yes, sometimes physical risk. He must present a genuine threat. ~ Jayne Ann Krentz, #NFDB
747:Cities controlled by big companies are old hat in science fiction. My grandmother left a whole bookcase of old science fiction novels. The company-city subgenre always seemed to star a hero who outsmarted, overthrew, or escaped "the company." I've never seen one where the hero fought like hell to get taken in and underpaid by the company. In real life, that's the way it will be. That's the way it always is. ~ Octavia E Butler, #NFDB
748:It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman. ~ John Adams, #NFDB
749:I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be. ~ George Lucas, #NFDB
750:Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight. ~ Jean Claude Izzo, #NFDB
751:I've told you many times that the first thing I decide is the kind of story I want. (...) This is not the kind of story I want. The story we bought had shine and glow - it was a happy story. This is all full of doubt and hesitation. The hero and heroine stop loving each other over trifles - then they start up again over trifles. After the first sequence you don't care if she never sees him again or he her. ~ F Scott Fitzgerald, #NFDB
752:Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony. ~ Adria Petty, #NFDB
753:Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know...And if he can match her import, the two, the knower and the known, will be released from every limitation... The hero who can take her as she is, without undue commotion but with the kindness and assurance she requires, is potentially the king, the incarnate god, of her created world. ~ Joseph Campbell, #NFDB
754:The only difference between your average man and a hero is that the hero figures out what to do before it's too late,' He nudged her aside and, with a few pulls, filled her bucket. 'Then he has the nerve to go on and do it.'
Betsy leaned back as if she was trying to get a complete view of him from head to toe. 'Is that all it takes to make a good hero?'
'One more thing. A hero always comes back for his lady. ~ Regina Jennings,#NFDB
755:The encounter with Campbell was, for me and many other people, a life-changing experience. A few days of exploring the labyrinth of his book The Hero with a Thousand Faces produced an electrifying reorganization of my life and thinking. Here, fully explored, was the pattern I had been sensing. Campbell had broken the secret code of story. His work was like a flare suddenly illuminating a deeply shadowed landscape ~ Christopher Vogler, #NFDB
756:The research for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact: "It is here! It is here!" [165]
[165] A Tantric aphorism. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,#NFDB
757:You'll sip the water and cough just so the hero can wipe your chin with a napkin.
Do anything to cement this new bond. This adoption. Remember to add details. Stain their clothes with snot so they can laugh and forgive you. Cling and clutch. Really cry so they can wipe your eyes.
It's okay to cry as long as you're faking it.
Just don't hold anything back. This is going to be the best story of somebody's life. ~ Chuck Palahniuk,#NFDB
758:Whenever somebody asks me to define what a hero is, I remember Latane and Darley’s experiment, staging epileptic fits in front of one, two, or three observers. A solitary observer will help immediately if he’s going to help at all, but the larger the crowd the longer the delay. It’s the Bystander Effect: the wider the diffusion of responsibility, the greater the impulse to let someone else go first. The hero goes first. ~ Marion G Harmon, #NFDB
759:Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid...He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world ~ Raymond Chandler, #NFDB
760:The fictitious characters of movies undermine our personal relationships with others. we are constantly under pressure to fit into the mould created by fiction, and we find it impossible to satisfy our partner as none of us have the ability to come to the level of the ideals set by the hero or heroine in the movies. we often crushed under such fallacious expectations which create frustration and anger between the partners. ~ Awdhesh Singh, #NFDB
761:And who is the hero of that story? Who slew the dragon [totalitarianism]? Yes, it was the ordinary man, the taxpayer, the grunt who fought and won the wars. Yes, it was America and its allies. Yes, it was the great leaders: FDR, de Gaulle, Adenauer, Truman, John Paul II, Thatcher, Reagan. But above all, victory required one man without whom the fight would have been lost at the beginning. It required Winston Churchill. ~ Charles Krauthammer, #NFDB
762:Don’t be. I went off to play the hero myself, once. I’d do it again, if I had to.” His smile turned wistful. “I’d do it all again, and I’d do it differently. When certain people wanted to walk away, well . . . it would be different. But we can’t change the past, and now I get to watch you ride away. I saw you born. I watched you grow from a confused little girl into one of my finest knights. I shouldn’t have to see you die. ~ Seanan McGuire, #NFDB
763:You're the hero of your own story. I had let go of my own story from my own childhood and whatever anger I had and I began to see it from a very different place. It's really easy to be like "This thing happened to me! Look what they did to me or are doing to me." These are such powerful ideas and it's so easy to hold onto them forever. When I let go of those ideas it was easier to see my childhood from different points of view. ~ Baron Vaughn, #NFDB
764:In 1891, Princess Louisa of Tuscany married Prince Fredrick Augustus, the heir to to the Saxon throne. The Prince won Louisa over with his gentle manner and striking blond good looks. Yet years later, disenchanted, she wrote in her memoirs, 'Although every princess doubtless at some time dreams an Ideal Prince Charming, she rarely meets him, and she usually marries some one quite different from the hero of her girlhood's dreams. ~ Eleanor Herman, #NFDB
765:His (Swami Vivekananda) words are great music, phrases in the style of Beethoven, stirring rhythms like the march of Handel choruses. I cannot touch these sayings of his, scattered as they are through the pages of books, at thirty years' distance, without receiving a thrill through my body like an electric shock. And what shocks, what transports, must have been produced when in burning words they issued from the lips of the hero! ~ Romain Rolland, #NFDB
766:Jackaby hesitated, and when he spoke, his answer had a soft earnestness to it. “Hatun sees a different world than you or I, a far more frightening one, full of far more terrible dangers, and still she chooses to be the hero whom that world needs. She has saved this town and its people from countless monsters countless times. That the battles are usually in her head does not lessen the bravery of it. The hardest battles always are. ~ William Ritter, #NFDB
767:Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do. ~ Kerry James Marshall, #NFDB
768:And this is the potency a first kiss should have: it should be earned. The moments leading up to it should be as tense as a crossbow drawn back. The reader should want it as badly as the hero and heroine, and feel as satisfied and transported and transformed as the hero and heroine in the wake of it. There are different ways to use kisses in a romance, but that first kiss is so meaningful, a pinnacle, and can be more intimate than sex. ~ Julie Anne Long, #NFDB
769:Gamers even develop some unusual emotional “superpowers.” Perhaps the most surprising power has to do with dreaming. People who frequently play first-person games (which graphically show you the game world from the point of view of the hero, like Minecraft, Halo, and Portal) develop two rather amazing skills: They can halt nightmares in their tracks, controlling themselves in their dreams the way they control a character in a video game. ~ Jane McGonigal, #NFDB
770:The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream, discovers and assimilates his opposite (his own unsuspecting self) either by swallowing it or by being swallowed. one by one the resistences are broken. he must put aside his pride, his virtue, beauty, and life, and bow or submit to the absolutely intolerable. Then he finds that he and his opposite are not of differing species, but one flesh. ~ Joseph Campbell, #NFDB
771:By gaining possession of the masculine and feminine sides of himself, which are not to be thought of as “paternal” and “maternal,” and building up an inner core of personality in whose structure the old and the new stages are integrated, the hero completes a pattern of development which is collectively embodied in the mythological projections of the hero myth, and has also left individual traces in the growth of human personality (Part II). ~ Erich Neumann, #NFDB
772:Ruby wine is drunk by knaves,
Sugar spends to fatten slaves,
Rose and vine-leaf deck buffoons;
Thunder-clouds are Jove's festoons,
Drooping oft in wreaths of dread,
Lightning-knotted round his head;
The hero is not fed on sweets,
Daily his own heart he eats;
Chambers of the great are jails,
And head-winds right for royal sails.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Heroism
,#NFDB
773:The problem is most of the time when God’s supposed to be the hero, he comes across as the villain. I mean, look at what he did to Lot’s wife. What kind of divine being turns a man’s wife into a pillar of salt? What was her crime? Turning her head? You have to admit this is a God hopelessly locked in time, not free of it; otherwise he might have confounded the ancients by turning her into a flat-screen television or at least a pillar of Velcro. ~ Steve Toltz, #NFDB
774:We all like to believe that we'd be brave. We'd be the hero in the movie, the one who sacrifices himself to save others, the one who does the right thing when the world around him is wrong. In the movie the right choice is clear. And we leave the theater feeling good about ourselves because we can say, Me, I'd do the right thing. No one says, Me, I'd be the coward. Me, I'd rat out my neighbor to save myself. But that's what people do, mostly ~ Jillian Lauren, #NFDB
775:When you find a writer who really is saying something to you, read everything that writer has written and you will get more education and depth of understanding out of that than reading a scrap here and a scrap there and elsewhere. Then go to people who influenced that writer, or those who were related to him, and your world builds together in an organic way that is really marvelous. ~ Joseph Campbell, The Hero's Journey: Joseph Campbell on His Life & Works, #NFDB
776:Have you ever turned to the end of a horror novel to see if the hero made it out of the darkness and into the light? If you have ever done this, I have three simple words which I feel it is my duty to convey: SHAME ON YOU! It is low to mark your place in a book by folding down the corner of the page where you left off; TURNING TO THE END TO SEE HOW IT CAME OUT is even lower. If you have this habit, I urge you to break it . . . break it at once! ~ Stephen King, #NFDB
777:It wouldn’t make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you’re different you always know it, and you can’t fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you’re given, and be the hero you can be. Hero to your own cold, inverted heart. ~ Austin Grossman, #NFDB
778:Thus the hero’s rescue of the captive corresponds to the discovery of a psychic world. This world is already of vast extent as the world of Eros, embracing everything that man has ever done for woman, everything that he has experienced and created for her sake. The world of art, of epic deeds, poesy, and song which revolves round the liberated captive spreads out like a virgin continent that has broken away from the world of the First Parents. ~ Erich Neumann, #NFDB
779:The hero acts alone, without encouragement, relying solely on conviction and his own inner resources. Shame does not discourage him; neither does obloquy. Indifferent to approval, reputation, wealth, or love, he cherishes only his personal sense of honor, which he permits no one else to judge.[…] Guided by an inner gyroscope, he pursues his vision single-mindedly, undiscouraged by rejections, defeat, or even the prospect of imminent death. ~ William Manchester, #NFDB
780:The self-generating power of the soul is man’s true and final secret, by virtue of which he is made in the likeness of God the creator and distinguished from all other living things. These images, ideas, values, and potentialities of the treasure hidden in the unconscious are brought to birth and realized by the hero in his various guises—savior and man of action, seer and sage, founder and artist, inventor and discoverer, scientist and leader. ~ Erich Neumann, #NFDB
781:There's not a drop of hero's blood in my whole body, so spare me the praise. I'm just an ordinary guy, and proud of it. I'm here because I put in the time. I have the blisters on my fingers to prove it. It had nothing to do with coincidence, luck, or the activation of my Wonder Twin powers. I reset the game hundreds of times until my special attack finally went off perfectly. Victory was inevitable. So please, hold off on all the hero talk. ~ Hiroshi Sakurazaka, #NFDB
782:There’s not a drop of hero’s blood in my whole body, so spare me the praise. I’m just an ordinary guy, and proud of it. I’m here because I put in the time. I have the blisters on my fingers to prove it. It had nothing to do with coincidence, luck, or the activation of my Wonder Twin powers. I reset the game hundreds of times until my special attack finally went off perfectly. Victory was inevitable. So please, hold off on all the hero talk. ~ Hiroshi Sakurazaka, #NFDB
783:That is why embittered people find heroes and madmen a perennial source of fascination, for they have no fear of life or death. Both heroes and madmen are indifferent to danger and will forge ahead regardless of what other people say. The madman committed suicide, the hero offered himself up to martyrdom in the name of a cause, but both would die, and the embittered would spend many nights and days remarking on the absurdity and the glory of both. ~ Paulo Coelho, #NFDB
784:The fool!" I broke in—"the fool! Thou callest him great; but how can the man be truly great who has no strength to stand against a woman's wiles? Cæsar, with the world hanging on his word! Cæsar, at whose breath forty legions marched and changed the fate of peoples! Cæsar the cold! the far-seeing! the hero!—Cæsar to fall like a ripe fruit into a false girl's lap! Why, in the issue, of what common clay was this Roman Cæsar, and how poor a thing! ~ H Rider Haggard, #NFDB
785:Well, it seems to me that there are books that tell stories, and then there are books that tell truths... The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy endings and all that... But the second kind, they show you life more like it is... The first kind makes you cheerful and contented, but the second kind shakes you up. ~ Jennifer Donnelly, #NFDB
786:But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel. ~ Jean Paul Sartre, #NFDB
787:It is hard to think about your past without tidying it up into a kind of story: one in which you are cast as the hero or victim. Invariably we ignore the regular dice-rolls of chance or random luck; successful high-flyers are typically prone to ignoring the interplay of blind fortune when they credit their career trajectories to their canny business sense or brute self-belief. We tell the story we want to tell, and we live out those stories every day. ~ Derren Brown, #NFDB
788:When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song." So I keep singing a song. Goodnight. Thank you. ~ Elvis Presley, #NFDB
789:Sometimes stories get on my nerves--especially the ones where unfair things keep happening to the hero over and over, for no reason at all, and he valiantly overcomes it all.
Life isn't like that.
Not every hero can stay valiant. Sometimes, they can't even stay a hero, so what does that make them? A failure? A pussy? A total failure jerkwad with no hope on the horizon save finding a cemetery and digging rectangles in the ground for the town drunk? ~ Susan Vaught,#NFDB
790:With the poet it was exactly the same as with the hero, and all strong, handsome, high-spirited, non-commonplace figures and enterprises: in the past they were magnificent, every school book was filled with their praises; in the present, in real life, people hated them, and presumably teachers were especially selected and trained to prevent as far as possible the rise of magnificent, free human beings and the accomplishment of great and splendid deeds. ~ Hermann Hesse, #NFDB
791:That was what made the story so epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn't do this alone; they needed a coach. A good coach made you suffer in a way that suited you. A bad coach made everyone suffer in the same way, and so was more like a torturer. ~ Chad Harbach, #NFDB
792:The seventh reader interrupts you: "Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death."
You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla. ~ Italo Calvino,#NFDB
793:I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations. ~ Joseph Campbell, #NFDB
794:An act of heroism, of extraordinary courage, the grandeur of it, won't easily inspire us to act in imitation, but it can inspire us to emulate its author. For that, we should learn what we can of the whole experience of the subject, the hero's life, as it was before and after, and believe that trying to emulate the character it reveals is one tried way to prepare for the tests that might await us and gain hope that our courage will not be wanting in the moment. ~ John McCain, #NFDB
795:Joseph Campbell reflects in The Power of Myth that in mythic terms, the first part of any journey of initiation must deal with the death of the old self and the resurrection of the new. Campbell says that the hero, or heroic figure, 'moves not into outer space but into inward space, to the place from which all being comes, into the consciousness that is the source of all things, the kingdom of heaven within. The images are outward, but their reflection is inward. ~ Syd Field, #NFDB
796:Though Will was saying earlier,” Tessa added, “that heroes all come to bad ends, and he could not imagine why anyone would want to be one, anyway.”
“Ah.” Jem’s hand squeezed hers briefly, and then let it go. “Well, Will is looking at it from the hero’s viewpoint, isn’t he? But as for the rest of us, it’s an easy answer.”
“Is it?”
“Of course.” His voice was almost a whisper now. “Heroes endure because we need them. Not for their own sakes. If Will … ~ Cassandra Clare,#NFDB
797:The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, always the one, shape-shifting yet marvelously constant story that we find. ~ Phil Cousineau, #NFDB
798:The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, “always the one, shape-shifting yet marvelously constant story that we find. ~ Phil Cousineau, #NFDB
799:I agree with Kilgore Trout about realistic novels and their accumulations of nit-picking details. In Trout’s novel, The Pan-Galactic Memory Bank, the hero is on a space ship two hundred miles long and sixty-two miles in diameter. He gets a realistic novel out of the branch library in his neighborhood. He reads about sixty pages of it, and then he takes it back. The librarian asks him why he doesn’t like it, and he says to her, “I already know about human beings. ~ Kurt Vonnegut, #NFDB
800:He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine. No philosopher, I fancy, has ever expressed this romantic riddle with adequate lucidity, and I certainly have not done so. But Christianity has done more: it has marked the limits of it in the awful graves of the suicide and the hero, showing the distance between him who dies for the sake of living and him who dies for the sake of dying. ~ G K Chesterton, #NFDB
801:. . . rescue symbolizes the liberation of the anima figure from the devouring aspect of the mother image. Not until this is accomplished can a man achieve his first true capacity for relatedness to women . . . freeing the psychic energy attached to the mother-son relationship, in order to achieve a more adult relation to women . . . and, indeed, to adult society as a whole. The hero-dragon battle . . . symbolic expression of this process of "growing up". P. 118 ~ Carl Gustav Jung, #NFDB
802:The battle between the hero and the dragon . . . shows more clearly the . . . theme of the ego's triumph over regressive trends. For most people the dark . . . side of the personality remains unconscious. The hero . . . must realize that the shadow exists and that he can draw strength from it. He must come to terms with his destructive powers if he is to . . . overcome the dragon. I. E. Before the ego can triumph, it must master and assimilate the shadow. P. 112 ~ Carl Gustav Jung, #NFDB
803:The universal hero myth always refers to a powerful man or god-man who vanquishes evil in the form of dragons, serpents, monsters, demons, and so on, and who liberates his people from destruction and death. The narration or ritual repetition of sacred texts and ceremonies, and the worship of such a figure with dances, music, hymns, prayers, and sacrifices, grip the audience with numinous emotions and exalt the individual to an identification with the hero. P. 68 ~ Carl Gustav Jung, #NFDB
804:So she’s just a mad woman?”
Jackaby hesitated, and when he spoke, his answer had a soft earnestness to it. “Hatun sees a different world than you or I, a far more frightening one, full of far more terrible dangers, and still she chooses to be the hero whom that world needs. She has saved this town and its people from countless monsters countless times. That the battles are usually in her head does not lessen the bravery of it. The hardest battles always are. ~ William Ritter,#NFDB
805:We're nothing if we're not loved. When you meet somebody who is more important to you than yourself, that has to be the most important thing in life, really. And I think we are all striving for it in different ways. I also believe very, very strongly that everybody is the hero/heroine of his/her own life. I try to make my characters kind of ordinary, somebody that anybody could be. Because we've all had loves, perhaps love and loss, people can relate to my characters ~ Maeve Binchy, #NFDB
806:A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero. ~ Daniel Radcliffe, #NFDB
807:I worship her, Bertie! I worship the very ground she treads on!" continued the patient, in a loud, penetrating voice. Fred thompson and one or two fellows had come in, and McGarry, the chappie behind the bar, was listening with his ears flapping. But there's no reticence about Bingo. He always reminds me of the hero of a musical comedy who takes the centre of the stage, gathers the boys round him in a circle, and tells them all about his love at the top of his voice. ~ P G Wodehouse, #NFDB
808:The character truest to itself becomes eccentric rather than immovably centered, as Emerson defined the noble character of the hero. At the edge, the certainty of borders gives way. We are more subject to invasions, less able to mobilize defenses, less sure of who we really are, even as we may be perceived by others as a person of character. The dislocation of self from center to indefinite edge merges us more with the world, so that we can feel blest by everything. ~ James Hillman, #NFDB
809:There are the times in which a genius would wish to live. It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman ~ Abigail Adams, #NFDB
810:Dune Messiah, Frank Herbert’s first sequel to Dune, was published in 1969. In that book, he flipped over what he called the “myth of the hero” and showed the dark side of Paul Atreides. Some readers didn’t understand it. Why would the author do that to his great hero? In interviews, Dad spent years afterward explaining why, and his reasons were sound. He believed that charismatic leaders could be dangerous because they could lead their followers off the edge of a cliff. ~ Frank Herbert, #NFDB
811:These are the times in which a genius would wish to live. It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman. ~ Abigail Adams, #NFDB
812:[7] The Shadows Code In the 1930’s a mysterious crime-fighter called the Shadow was the hero of a popular pulp magazine and an even more popular radio show. Dressed all in black, the Shadow could glide unseen through the darkness to battle the forces of evil. Stories about the Shadow, written by Maxwell Grant (pseudonym for the Shadow’s creator, Walter B. Gibson), often contained curious codes. This cipher, from a novelette called The Chain of Death, is one of the best. ~ Martin Gardner, #NFDB
813:The myth is tenderly parodied in a 1928 silent film, The Cameraman, which has an inept dreamy Buster Keaton vainly struggling with his dilapidated apparatus, knocking out windows and doors whenever he picks up his tripod, never managing to take one decent picture, yet finally getting some great footage (a photojournalist scoop of a tong war in New York’s Chinatown)—by inadvertence. It is the hero’s pet monkey who loads the camera with film and operates it part of the time. ~ Susan Sontag, #NFDB
814:You were trying to take care of my sister in all that bullshit. Thank you,” I tell her. “Now come over here and kiss me like the hero I am.”
This puts a smile on her face, and she clambers onto my lap. I ignore the fierce burn on my side and the one in my shoulder, because who cares about that? I’ve got a warm armful of Regan Porter in my lap. Fighter. Survivor. Kickass human being. “I tell you I love you?”
“Not yet.”
“Love you, babe,” I croak out. ~ Jessica Clare,#NFDB
815:Boris has just given me a summary of his views. He is a weather prophet. The weather will continue bad, he says. There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere. The cancer of time is eating us away. Our heroes have killed themselves, or are killing themselves. The hero, then, is not Time, but Timelessness. We must get in step, a lock step, toward the prison of death. There is no escape. The weather will not change. ~ Henry Miller, #NFDB
816:Disease generally begins that equality which death completes; the distinctions which set one man so much above another are very little perceived in the gloom of a sick chamber, where it will be vain to expect entertainment from the gay, or instruction from the wise; where all human glory is obliterated, the wit is clouded, the reasoner perplexed, and the hero subdued; where the highest and brightest of mortal beings finds nothing left him but the consciousness of innocence. ~ Samuel Johnson, #NFDB
817:The precious life you’ve been given is like a ship navigating its way across the ocean, and you’re meant to be the captain of the vessel. Certainly there are times when storms toss you around or cover the deck with water or break the mast clean in half—but that’s when you need to fight your way back, to throw all the water off the boat bucket by bucket. That’s when you battle to get yourself back to the helm. This is your life. You are meant to be the hero of your own story. ~ Rachel Hollis, #NFDB
818:Hugh paid no more attention to the farce than he had to the opera. He took every opportunity to study the young woman sitting beside him. She didn't hide her amusement at the production on stage, laughing at the pranks of the fool and clapping one hand to her mouth when the hero fell to his knee and proclaimed his love for the fainting maiden. Hugh sensed it was all genuine, as genuine as her nerves and her devotion to Willy and even her welcoming words to him this evening. ~ Caroline Linden, #NFDB
819:Long looking with admiration produces change. From your heroes you pick up mannerisms and phrases and tones of voice and facial expressions and habits and demeanors and convictions and beliefs. The more admirable the hero is and the more intense your admiration is, the more profound will be your transformation. In the case of Jesus, he is infinitely admirable, and our admiration rises to the most absolute worship. Therefore, when we behold him as we should, the change is profound. ~ John Piper, #NFDB
820:Elliot was left to trail behind. As he did, he thought about Luke talking about literary tropes—the fearless hero, the valiant heroine, and where did it all leave him? Sidekick: a horrible indignity, Elliot refused to accept it. And the other idea was some sort of lurking, jealous figure: an Iago, a pathetic pseudo-villain waiting in the wings to plot and bring the hero down. He wasn’t going to plot against Luke, who had dumb daffodil hair and said “tropez,” for God’s sake. ~ Sarah Rees Brennan, #NFDB
821:Why was I in a basement saying, "I'm alone here," wielding a lead pipe and crowbars? It was like I was doing the Vietnam War. It was like I was being America. If I put a blindfold on, I can't see you as people, which seemed to be what the United States was doing. I mean, it was important for people in my generation, because I grew up in the '40s, at a time when America was supposedly the hero nation. America saved Europe. And, some years later, we realized, America is a criminal. ~ Vito Acconci, #NFDB
822:Moffat's prose is fine: clear and steady, with just enough sweeping statements about destiny and dragons to keep things well inflated. The characters are appealing archetypes: Fernwen the scholarly dwarf is the everynerd, doing his best to live through the adventure. Telemach Half-Blood is the hero you wish you could be. He always has a plan, always has a solution, always has secret allies that he can call upon - pirates and sorcerers whose allegiance he earn with long-ago sacrifices. ~ Robin Sloan, #NFDB
823:The call is to leave a certain social situation, move into your own loneliness and find the jewel, the center that’s impossible to find when you’re socially engaged. You are thrown off-center, and when you feel off-center, it’s time to go. This is the departure when the hero feels something has been lost and goes to find it. You are to cross the threshold into new life. It’s a dangerous adventure, because you are moving out of the sphere of the knowledge of you and your community. ~ Joseph Campbell, #NFDB
824:what is the difference between a hero and a coward? What is the difference between being yellow and being brave? No difference. Only what you do. They both feel the same. They both fear dying and getting hurt. The man who is yellow refuses to face up to what he’s got to face. The hero is more disciplined and he fights those feelings off and he does what he has to do. But they both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you feel. ~ Ben Horowitz, #NFDB
825:When Joseph leaves home on this simple fact-finding mission, he leaves for the last time. Joseph will never return to live in the land until his bones are brought back after the Exodus (Ex. 13:19). In fact, it is this aspect of Joseph’s story that warranted mention in the “Faith Hall of Fame” (Heb. 11:22). This is not a feel-good story wherein the hero returns victorious. This is a tale of redemption in which Joseph pays an unthinkable price for a purpose much greater than he. ~ Voddie T Baucham Jr, #NFDB
826:Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; and where we had thought to be alone, we shall be with all the world. ~ Joseph Campbell, #NFDB
827:Do heroes know when they are heroic? Rarely. Are historic moments acknowledged when they happen? You know the answer to that one. (If not, a visit to the manger will remind you.) We seldom see history in the making, and we seldom recognize heroes. Which is just as well, for if we knew either, we might mess up both. But we’d do well to keep our eyes open. Tomorrow’s Spurgeon might be mowing your lawn. And the hero who inspires him might be nearer than you think. He might be in your mirror. ~ Max Lucado, #NFDB
828:We love to judge others. We love to categorise. We love to divide. We are the good guys, they are the bad guys. We the hero, they the demon. Why? Because it fits the model. It bolsters the ego. It makes us happy. It has even been demonstrated that depressed people, with their dysfunctionally gloomy predictions about themselves and the world, are more accurate in their outlook than the mentally ‘healthy’. The world, and your life within it, is far bleaker than you have been led to believe. ~ Will Storr, #NFDB
829:Today the word "hero" has been diminished. confused with "celebrity." But in my father's generation the word meant something.
celebrities seek fame. They take actions to get attention. Most often, the actions they take have no particular moral content. Heroes are heroes because they have risked something to help others. Their actions involve courage. Often, those heroes have been indifferent to the public's attention. But at least, the hero could understand the focus of the emotion. ~ James D Bradley,#NFDB
830:EACH PERSON MUST, ON SOME LEVEL, TAKE HIMSELF AS THE CALIBRATION point for normalcy, must assume that the room of his own mind is not, cannot be, entirely opaque to him. Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not the villains of our own stories. In fact, it is quite the contrary: we play, and only play, the hero, and in the swirl of other people’s stories, insofar as those stories concern us at all, we are never less than heroic. ~ Teju Cole, #NFDB
831:There is perhaps no sort of self more subject to dangerous egotism than that which deludes itself with the notion that it is not a self at all, but something else. It is well to beware of persons who believe that the cause, the mission, the philanthropy, the hero, or whatever it may be that they strive for, is outside of themselves, so that they feel a certain irresponsibility, and are likely to do things which they would recognize as wrong if done in behalf of an acknowledged self. ~ Charles Horton Cooley, #NFDB
832:All stories come to an end. That moment when we sigh and close the book, perhaps sit back in our chair and rest our palm over the cover, is met with quixotic emotions. On the one hand, we’re satisfied if the author successfully tied up loose ends, turned a memorable phrase and rewarded the hero’s moral choice with his heart’s desire. Yet we’re also saddened that the adventure is over. Sometimes when we see that we only have a few pages left we slow down, savoring each word, staving off the ~ Mary Alice Monroe, #NFDB
833:. . . it would appear . . .that the hero myth is the first stage of differentiation of the psyche. Unless some degree of autonomy is achieved, the individual is unable to relate himself to his adult environment. But the hero myth does not ensure that this liberation will occur. There remains the problem of maintaining and developing that consciousness in a meaningful way, so that the individual can live a useful life and can achieve the necessary sense of self-distinction in society. P. 120 ~ Carl Gustav Jung, #NFDB
834:What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting. ~ Alexander Skarsgard, #NFDB
835:Jess thought for a moment. 'You know those films where people fight up the top of the Empire State Building or up a mountain or whatever? And there's always that bit when the baddie slips off and the hero tries to save him, but, like, the sleeve of this jacket tears off and goes over and you hear him all the way down. Aaaaaaaaagh. That's what I want to do.'
'You want to watch me plunge to my doom.'
'I'd like to know that I've made the effort. I want to show people the torn sleeve. ~ Nick Hornby,#NFDB
836:I tell my kids, what is the difference between a hero and a coward? What is the difference between being yellow and being brave? No difference. Only what you do. They both feel the same. They both fear dying and getting hurt. The man who is yellow refuses to face up to what he's got to face. The hero is more disciplined and he fights those feelings off and he does what he has to do. But they both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you fee. ~ Cus D Amato, #NFDB
837:What are we watching?" [...]
[...] He hugged her closer. "The sacrifices I make for you -just watch."
She was intrigued enough to pay attention to the screen. "Pride and Prejudice," she read out. "It's a book written by a human. Nineteenth century?"
"Uh-huh."
"The hero is... Mr. Darcy?"
"Yes. According to Ti, he's the embodiment of male perfection." Dev ripped open a bag of chips he'd grabbed and put it in Katya's hands. "I don't know -the guy wears tights. ~ Nalini Singh,#NFDB
838:The habits of a vigorous mind are formed in contending with difficulties. All history will convince you of this, and that wisdom and penetration are the fruit of experience, not the lessons of retirement and leisure. Great necessities call out great virtues. When a mind is raised and animated by scenes that engage the heart, then those qualities which would otherwise lie dormant wake into life and form the character of the hero and the statesman…’ - Abigail Adams to her son John Quincy Adams, p. 379 ~ Irving Stone, #NFDB
839:Even if I turned myself in, it wouldn't change anything. It wouldn't make me one of them. I knew that when I got my powers, but really I knew it before then. I learned it as a child on my first day of school, on the warm rainy streets of Bangkok, and in college. If you're different you always know it, and you can't fix it even if you want to. What do you do when you find out your heart is the wrong kind? You take what you're given, and be the hero you can be. Hero to your own cold, inverted heart. ~ Austin Grossman, #NFDB
840:Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity. ~ Michel de Certeau, #NFDB
841:Of the tens of thousands of men who died in combat in the war, possibly as many as half lost their lives in vain. Lee’s charges at Malvern Hill and Gettysburg, Burnside’s at Fredericksburg, Grant’s at Vicksburg, and many others left the dead strewn everywhere for no discernible military gain. The Sioux would never have followed men who led such bloody, futile assaults, but the Americans made heroes out of these generals—and the higher a general’s losses, it seemed, the greater the hero he became. ~ Stephen E Ambrose, #NFDB
842:Quitting Again
The hero of
Affairs of love
By far too numerous to be mentioned,
And scarred as I'm,
It seemeth time
That I were mustered out and pensioned.
So on this wall
My lute and all
I hang, and dedicate to Venus;
And I implore
But one thing more
Ere all is at an end between us.
O goddess fair
Who reignest where
The weather's seldom bleak and snowy,
This boon I urge:
In anger scourge
My old cantankerous sweetheart, Chloe!
~ Eugene Field,#NFDB
843:When you're a young person, you are biologically driven to believe you are immortal, and that's why you engage in all kinds of risky behavior you stop once you feel death's cruel breath on your neck. I think that as a straight white man in particular, I was tempted to believe that I was immortal and eternal because, after all, in this culture, straight white dudes are the heroes of every story that you see or read about with very rare exception. So how could the story go on without the hero, you know? ~ John Hodgman, #NFDB
844:Stop it. He’s just human. Just a man. But that was the thing. Elder wasn’t just a man. He was more than human. He’d transcended into fantasy. He was the beast locked in a castle. He was the hero battling inner demons. He was more than just mortal because he’d already done so much more than any other roguish storybook prince would do. He’d rescued me. He’d awakened me. He’d kissed me awake like Sleeping Beauty and removed the poisoned apple from my soul like Snow White. He was my happily ever after. I ~ Pepper Winters, #NFDB
845:There is one striking difference between the hero myth and the initiation rite. The . . . hero . . . exhausts efforts in achieving the goal . . . the novice for initiation is called upon to give up willful ambition and all desire and to submit to the ordeal. He must be willing to experience this trial without hope of success. In fact, he must be prepared to die . . . the purpose remains always the same: to create the symbolic mood of death from which may spring the symbolic mood of re-birth. P. 124 ~ Carl Gustav Jung, #NFDB
846:The hero's light sprang from his forehead, long and thick as a warrior's whetstone, long as a prow, and he clattered with rage as he wielded the shields, urging his charioteer on and raining stones on the massed army. Then thick, steady, strong, high as the mast of a tall ship was the straight spout of dark blood that rose up from the fount of his skull to dissolve in an otherworldly mist like the smoke that hangs above a royal hunting-lodge when a king comes to be looked after at the close of a winter's day. ~ Ciaran Carson, #NFDB
847:On the late afternoon streets, everyone hurries along, going about their own business.
Who is the person walking in front of you on the rain-drenched sidewalk?
He is covered with an umbrella, and all you can see is a dark coat and the shoes striking the puddles.
And yet this person is the hero of his own life story.
He is the love of someone’s life.
And what he can do may change the world.
Imagine being him for a moment.
And then continue on your own way. ~ Vera Nazarian,#NFDB
848:Re-upped and went back because when he comes home the first time everybody says that he isn't the same person and that they don't recognize him, and he sees that it's true: they're all afraid of him. He comes home to them from jungle warfare and not only is he not appreciated but he is feared, so he might as well go back. He wasn't expecting the hero treatment, but everybody looking at him like that? So he goes back for the second tour, and this time he is geared up. Pissed off. Pumped up. A very aggressive warrior. ~ Philip Roth, #NFDB
849:I don't believe in the hero that sets out to climb a mountain and achieves it with no setbacks. I he does, he obviously didn't set his goals high enough and shouldn't even have anything to be proud of. He didn't challenge himself enough. He might have learned a thing or two, but the real lessons are taught when you're balancing on the very edge, with one foot over the cliff, everyone expecting you to fall. That's when you realise your potential. Or rather, how far away from your own potential you actually are. ~ Charlotte Eriksson, #NFDB
850:Carnegie dreamed up the Hero Fund himself. For all his ruthlessness as a businessman, he had a soft spot for civility. He disdained football as a sport for savages, so he donated a lake to Princeton University to give athletes another outlet. He was a pacifist and railed against the traditional definition of heroes as warriors. “The false heroes of barbarous man are those who can only boast of the destruction of their fellows,” he wrote. “The true heroes of civilization are those alone who save or greatly serve them. ~ Amanda Ripley, #NFDB
851:Here's to the bridge-builders, the hand-holders, the light-bringers, those extraordinary souls wrapped in ordinary lives who quietly weave threads of humanity into an inhumane world. They are the unsung heroes in a world at war with itself. They are the whisperers of hope that peace is possible. Look for them in this present darkness. Light your candle with their flame. And then go. Build bridges. Hold hands. Bring light to a dark and desperate world. Be the hero you are looking for. Peace is possible. It begins with us. ~ L R Knost, #NFDB
852:The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend. ~ Nancy Duarte, #NFDB
853:You know, yeah, it seems to me like there are two kinds of chosen one. There's the kinda who gets chosen for a thing without any say, like someone who gets picked- kings and queens and shit. Then there's the other kind of chosen one; the guy who stands up when everyone else is afraid, when no one else can decide. Guy who chooses to fight, or do the thing that no one else will, 'cause it has to be done, yeah? I mean, most times, that guy's a total shit. And sometimes he's the hero. Seems to me that you're a bit of both. ~ Kate Griffin, #NFDB
854:King looked back at Roland. "As The Man With No Name--a fantasy version of Clint Eastwood--you were okay. A lot of fun to partner up with."
"Is that how you think of it?"
"Yes. But then you changed. Right under my hand. It got so I couldn't tell if you were the hero, the antihero, or no hero at all. When you let the kid drop, that was the capper."
"You said you made me do that."
Looking Roland straight in the eyes--blue meeting blue amid the endless choir of voices--King said, "I lied, brother. ~ Stephen King,#NFDB
855:She looked into Matt's eyes. 'Even so, I love you.'
Matt smiled at her and winked. 'I know.'
Celeste and Julie both smacked him.
'This would be an appropriate time not to be a dork or a smartass,' Julie said.
Celeste popped her head into the front seat. 'Be the hero, Matty. Come on. You're supposed to be the hero now. The romantic lead.'
'I know that, too,' he said. Matt did not hesitate a moment longer. 'Julie, I love you. I absolutely love you.'
'Good,' Celeste said, satisfied. 'Now it's time to jump. ~ Jessica Park,#NFDB
856:Tonight, this guy Tony…he drowned his daughter. Drowned her and sucked the soul out of her body. She was only eight years old. I asked him why he did it. He said I had it all wrong, that they’re the good guys. They’re trying to save the world, he told me.” “Everyone,” Caitlin said, cradling her wine glass, “is the hero of his own story. That goes double for fanatics. Some of the greatest horrors in history were perpetrated by people who insisted, all the way to damnation’s door, that they fought on the side of the angels. ~ Craig Schaefer, #NFDB
857:Did you know about the Democratic president who is the founder of modern progressivism—and also responsible for the revival of the Ku Klux Klan? What about the most popular Democratic president of the twentieth century—who blocked anti-lynching laws and for more than a decade cut deals with racists to exclude blacks from government programs? Then there is the president who is the hero of the Civil Rights laws—the same fellow that called blacks “niggers” and said he wanted to keep them confined to the Democratic plantation. ~ Dinesh D Souza, #NFDB
858:Don't give over all of your critical faculties to people in power, no matter how admirable those people may appear to be. Beneath the hero's facade you will find a human being who makes human mistakes. Enormous problems arise when human mistakes are made on the grand scale available to a superhero. And sometimes you run into another problem. It is demonstrable that power structures tend to attract people who want power for the sake of power and that a significant proportion of such people are imbalanced — in a word, insane. ~ Frank Herbert, #NFDB
859:A common romantic script is the rescue. One person has a horrible past of abuse and betrayal and latches on to a romantic partner who wants to be the hero and protect her from all badness. The protection from harm quickly becomes a protection from consequences. The rescued princess uses the relationship as a safe environment where growth and becoming strong are not necessary. The relationship quickly becomes co-dependent. The victim cannot survive on her own, and the rescuer gets his identity from shielding her from the world. ~ Rory Miller, #NFDB
860:Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her—who will blame him if he does homage to the beauty of the world? ~ Virginia Woolf, #NFDB
861:This is the swamp as I see it, but what I can’t capture on canvas is you as I see you. No brush or paint will ever show the hero that you are. It will never be able to portray the sound of your voice when you whisper my name. The way my skin tingles when you touch me. The passion of you inside me. I love you, Talon. I know that I can’t keep you. No one can ever tame a wild beast. You have a job to do and so do I. I only hope that when you think of me, it’ll bring a smile to your face. Love always, Sunshine. (Sunshine's note) ~ Sherrilyn Kenyon, #NFDB
862:If 'The Wild One' were filmed today, Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when (Hells) Angels became movie stars and Cal the hero of the book, the bikerider would perish on the coffee tables of America. But now I think that this attention doesn't have the strength of reality of the people it aspires to know, and that as long as Harley-Davidsons are manufactured other bikeriders will appear, riding unknown and beautiful through Chicago, into the streets of Cicero. ~ Danny Lyon, #NFDB
863:The Poison Maiden has conceived by him, and is plumb ready to enter the divine category of mother, only one last fiend clubs her to death. The final clinch of male romanticism is that each man kills the thing he loves; whether she be Catharine in A Farewell to Arms, or the Grecian Urn, the 'tension that she be perfect' means that she must die, leavinf the hero's status as a great lover unchallenged. The pattern is still commonplace: the hero cannot marry. The sexual exploit must be conquest, not cohabitation and mutual tolerance. ~ Germaine Greer, #NFDB
864:In Superman number one, published in 1939, Clark and Lois Lane travel to a thinly disguised Nazi Germany, where Lois ends up in front of a firing squad, until Superman rescues her. In Superman number two, also from 1939, Clark Kent visits faux Germany again and meets Adolphus Runyan, a scientist clearly modeled on Adolf Hitler, who has discovered a gas so powerful “it is capable of penetrating any type of gas-mask.” The front cover of Captain Americanumber one, published in March 1941, shows the hero smashing Hitler across the face. ~ Bruce Feiler, #NFDB
865:So erst the Sage [Pythagoras] with scientific truth In Grecian temples taught the attentive youth; With ceaseless change how restless atoms pass From life to life, a transmigrating mass; How the same organs, which to-day compose The poisonous henbane, or the fragrant rose, May with to-morrow's sun new forms compile, Frown in the Hero, in the Beauty smile. Whence drew the enlighten'd Sage the moral plan, That man should ever be the friend of man; Should eye with tenderness all living forms, His brother-emmets, and his sister-worms. ~ Erasmus Darwin, #NFDB
866:Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book. ~ Ezra Jack Keats, #NFDB
867:In Hong Kong, I read Gabriel Garcia Marquez’s “Love in the Time of Cholera”, in which the hero must wait until his seventies before being united with his beloved. In a moment of Melancholy, I inscribed my copy: Angelina, I will love you always. Adam and sent it to her, via Jacinta. It was an unhealthy book for me to have read at that time, and to have then inflicted on Angelina. Just wait long enough and somehow the right people will die. The starts will align, we’ll get over ourselves and we’ll be together. And in the meantime, what? ~ Graeme Simsion, #NFDB
868:The Hero Path
We have not even to risk the adventure alone
for the heroes of all time have gone before us.
The labyrinth is thoroughly known ...
we have only to follow the thread of the hero path.
And where we had thought to find an abomination
we shall find a God.
And where we had thought to slay another
we shall slay ourselves.
Where we had thought to travel outwards
we shall come to the center of our own existence.
And where we had thought to be alone
we shall be with all the world. ~ Joseph Campbell,#NFDB
869:The physical powers of the body cannot be separated from the rationale of the mind and the emotions of the heart. They are one and the same, a compilation of a singular being. It is in the harmony of these three-body, mind, and heart- that we find spirit.
...
Spirit. In every language in all the Realms, surface and Underdark, in every time and every place, the word has a ring of strength and determination. It is the hero's strength, the mother's resilience, and the poor man's armor. It cannot be broken, and it cannot be taken away. ~ R A Salvatore,#NFDB
870:Thanks for the apology, Caden, really. Anyway, isn’t it pretty normal for a straight girl to fall for a gay guy? All the sitcoms treat it like a rite of passage, something that all girls must go through. You’re pretty and kind and way too good to be true. At least I’ve ticked that box now.” “I …” I don’t exist to teach her a lesson, and it irks me that she thinks labeling me is okay now. Like, by liking guys, I automatically take on that role in her life. That I’m suddenly a supporting character in her story rather than the hero of my own. ~ Cale Dietrich, #NFDB
871:I tell my kids, what is the difference between a hero and a coward? What is the difference between being yellow and being brave? No difference. Only what you do. They both feel the same. They both fear dying and getting hurt. The man who is yellow refuses to face up to what he’s got to face. The hero is more disciplined and he fights those feelings off and he does what he has to do. But they both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you feel.” —CUS D’AMATO, LEGENDARY BOXING TRAINER When ~ Ben Horowitz, #NFDB
872:The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren’t about the women. They were about men, what men did, and what was important to men. ~ Ursula K Le Guin, #NFDB
873:This kiss was different from the first one under the olive tree. That one had been unplanned, she was pretty sure. This kiss had intention and hunger branded all over it. It was like one of those kisses you read about in fairy tales—but Alana had never imagined that such a kiss could cause bone-trembling shivers as well as bliss. She’d never considered the downside of the awakening kiss, of how the princess felt when the hero tore through the thorns or scaled the tower and speared heat and sex and life-changing energy into the princess’s world. ~ Pamela Aares, #NFDB
874:All great myths and stories follow a similar pattern. The hero gets distracted and questions his power. He struggles and flounders until he is able to face his perceived weakness. Ironically, it is the struggle that makes him
stronger and enables him to meet his destiny. Without the struggle, without missing the mark, without getting lost in the mire of the journey, growth would not be possible. We tend to think of life’s struggles as the cause of our
suffering, when in fact, struggle reveals our true power and unlocks our latent potential. ~ Darren Main,#NFDB
875:As an aesthetic phenomenon existence is still bearable for us,57 and art furnishes us with eyes and hands and above all the good conscience to be able to turn ourselves into such a phenomenon. At times we need a rest from ourselves by looking upon, by looking down upon, ourselves and, from an artistic distance, laughing over ourselves or weeping over ourselves. We must discover the hero no less than the fool in our passion for knowledge; we must occasionally find pleasure in our folly, or we cannot continue to find pleasure in our wisdom. ~ Friedrich Nietzsche, #NFDB
876:Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is—what will a healthy man do with a fantastic world? The problem of the modern novel is—what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. ~ G K Chesterton, #NFDB
877:I have to say that J. K. Rowling’s incredible imagination has made teaching shame a lot easier and way more fun. The allegorical power of Harry Potter lends itself to talking about everything from the struggle between light and dark to the hero’s journey and why vulnerability and love are the truest marks of courage. Having spent so long trying to describe and define unnamed emotions and experiences, I find that Harry Potter has given me a treasure trove of characters, monsters, and images to use in my teaching. For that, I’ll be forever grateful. ~ Bren Brown, #NFDB
878:One of the reasons [William] Shakespeare is so endlessly fascinating is that you can look at that figure from about 10 different angles: Caliban in Shakespeare's day was probably viewed as a sort of comic, barbarian type, but into the 19th century there were productions where Caliban was the hero. He's a potential rapist of a minor. Is that a good thing? No, it is not. On the other hand, Prospero's got him cooped up in a cave and tortures him if he doesn't do what Prospero wants. Is that a good thing? No. Shakespeare doesn't let you off easy. ~ Margaret Atwood, #NFDB
879:I’m often asked where I get my ideas. For this story, the hero and the heroine have a rather unconventional start—they meet when she falls on him through a hole in the ceiling while he’s standing before the toilet. Funny, but not very romantic. Not too long ago, I was at a writers’ meeting. In the bathroom, far above me, there was a hole. It flapped open, revealing a dark, yawning space. As I sat there contemplating this hole, I wondered what would happen if a really, really gorgeous man fell through it. One didn’t, darn it, but a story was born. ~ Jill Shalvis, #NFDB
880:You sold a story last week," said Pettit, "about a gun fight in an Arizona mining town in which the hero drew his Colt's .45 and shot seven bandits as fast as they came in the door. Now, if a six-shooter could—"
"Oh, well," said I, "that's different. Arizona is a long way from New York. I could have a man stabbed with a lariat or chased by a pair of chaparreras if I wanted to, and it wouldn't be noticed until the usual error-sharp from around McAdams Junction isolates the erratum and writes in to the papers about it." (from "The Plutonian Fire") ~ O Henry,#NFDB
881:In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything. ~ Jim Thompson, #NFDB
882:Sunday has left them with a taste of ashes and their thoughts are already turning towards Monday. But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one.
Nothing has changed and yet everything is different. I can't describe it; it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits the night, I am as happy as the hero of a novel. ~ Jean Paul Sartre,#NFDB
883:The needs of a society determine its ethics, and in the Black American ghettos the hero is that man who is offered only the crumbs from his country's table but by ingenuity and courage is able to take for himself a Lucullan feast. Hence the janitor who lives in one room but sports a robin's-egg-blue Cadillac is not laughed at but admired, and the domestic who buys forty-dollar shoes is not criticized but is appreciated. We know that they have put to use their full mental and physical powers. Each single gain feeds into the gains of the body collective. ~ Maya Angelou, #NFDB
884:They’ve moved out of the society that would have protected them, and into the dark forest, into the world of fire, of original experience. Original experience has not been interpreted for you, and so you’ve got to work out your life for yourself. Either you can take it or you can’t. You don’t have to go far off the interpreted path to find yourself in very difficult situations. The courage to face the trials and to bring a whole new body of possibilities into the field of interpreted experience for other people to experience—that is the hero’s deed. ~ Joseph Campbell, #NFDB
885:First, I spit out a mouthful of dirt. Then, I screamed at the sky. “That’s it! I’ve had it! Everything is trying to kill me! All I did was make one stupid wish. Aladdin made three. I’m the hero of this story, so where’s my happy ending, already? It’s not fair.”
Rexi bent over, trying to catch her breath. “You know what’s not fair? Spending Muse Day as a toad just because the kitchen ran out of frog legs. Or being volunteered for this little journey. So build a bridge, then make like a billy goat and get over it already because no one is listening. ~ Betsy Schow,#NFDB
886:Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. ~ Gilbert K Chesterton, #NFDB
887:To have both motherhood and work was to have two lives instead of one, was a stunning refinement of historical female experience, and to the people who complained that having it all meant doing it all I would have said, yes, of course it does. You don’t get ‘all’ for nothing. ‘Having it all’, like any form of success, requires hard work. It requires the adoption of the heroic mode of being. But the hero is solitary forever searching out the holy grail, her belief that she is exceptional perhaps only a disguise of the fact that she is essentially alone. 23 ~ Rachel Cusk, #NFDB
888:In myths and movies, the mentor can play a few roles: they bring the hero a magical gift, teach them how to use a special tool, or help the hero get unstuck. In a presentation setting, the presenter is the mentor. Our role as a presenter is similar to a mentor. We should be brining something of important value to our audience, they should not leave empty handed. There should be something useful and somewhat life-altering that we give them. It's not very often that we sit through a presentation and feel like we've sat at the feet of a mentor, but we should. ~ Nancy Duarte, #NFDB
889:In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff - a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything. But ~ Jim Thompson, #NFDB
890:I have my fears. Yet, notwithstanding the complicated difficulties that rise before us, there is no receding; and I should blush if in any instance the weak passions of my sex should damp the fortitude, the patriotism, and the manly resolution of yours. May nothing ever check that glorious spirit of freedom which inspires the patriot in the cabinet, and the hero in the field, with courage to maintain their righteous cause, and to endeavor to transmit the claim to posterity, even if they must seal the rich conveyance to their children with their own blood. ~ Mercy Otis Warren, #NFDB
891:17. Freedom to Live:The hero is the champion of things becoming, not of things become, because he is. "Before Abraham was, I AM." He does not mistake apparent changelessness in time for the permanence of Being, nor is he fearful of the next moment (or of the 'other thing'), as destroying the permanent with its change. 'Nothing retains its own form; but Nature, the greater renewer, ever makes up forms from forms. Be sure that nothing perishes in the whole universe; it does but vary and renew its form.' Thus the next moment is permitted to come to pass. ~ Joseph Campbell, #NFDB
892:I consider it a shame that most contemporary American writing seems informed more by Hemingway, the hero of adolescent boys of all ages and genders, than by the sui generis genius of letters, Faulkner. A phalanx of books about boredom in the Midwest is lauded (where the Midwest lies is a source of constant puzzlement to me, somewhere near Iowa, I presume), as are books about unexplored angst in New Jersey or couples unable to communicate in Connecticut. It was Camus who asserted that American novelists are the only ones who think they need not be intellectuals. ~ Rabih Alameddine, #NFDB
893:It's how it should work," I say. "I like plans that go smoothly. That's the beauty I believe in. Nothing is better than when things go exactly how I expect."
"I know that's what you like," he says, eyes squinting out the sun to peer down at me. "And there's comfort in that, sure. But there's comfort in knowing that when your plans fall apart, you can survive. That the worst thing imaginable can happen, but you can get through it. That's why I like to read horror fiction. It's not about the monsters. It's about the hero surviving them and living to tell the tale. ~ Jenn Bennett,#NFDB
894:I could not even imagine any place of secondary importance for myself, and for that very reason I quite contentedly occupied the most insignificant one in real life. Either a hero or dirt - there was no middle way. That turned out to be my undoing, for while wallowing in dirt I consoled myself with the thought that at other times I was a hero, and the hero overlaid the dirt: an ordinary mortal, as it were, was ashamed to wallow in dirt, but a hero was too exalted a person to be entirely covered in dirt, and hence I could wallow in dirt with an easy conscience. ~ Fyodor Dostoyevsky, #NFDB
895:That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered. Our fearlessness shall be our secret weapon, the tales of our exploits will survive as long as the human voice itself, and even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us. They will robot-laugh at our courageous folly, but something in their iron robot hearts will yearn to have lived and died as we did: on the hero's errand. ~ John Green, #NFDB
896:People find it quite easy to have beliefs and to hold on to them and to let their whole world be a product of their belief system. They also find it quite easy to attack those who disagree. The harder, more courageous thing, which the hero and the heroine, the warrior, and the mystic do, is continually to look one’s beliefs straight in the face, honestly and clearly, and then step beyond them. That requires a lot of heart and kindness. It requires being able to touch and know completely, to the core, your own experience, without harshness, without making any judgment. ~ Pema Ch dr n, #NFDB
897:I consider it a shame that most contemporary American writing seems informed more by Hemingway, the hero of adolescent boys of all ages and genders, than by the sui generis genius of letters, Faulkner. A phalanx of books about boredom in the Midwest is lauded (where the Midwest lies is a source of constant puzzlement to me, somewhere near Iowa, I presume), as are books about unexplored angst in New Jersey or couples unable to communicate in Connecticut. It was Camus who asserted that American novelists are the only ones who think they need not be intellectuals. One ~ Rabih Alameddine, #NFDB
898:Happy endings don’t always happen. In fairy tales, the hero and heroine go through obstacles and trials, but their happily ever after always comes. It’s kinda the whole point of the story. Real life doesn’t offer that same guarantee. Time passes and the pages turn, but there’s only obstacles and trials, followed by more obstacles and trials with no happily ever after in sight. Sometimes people never find their grand romance. Sometimes people lose their grand romance before their life is over, leaving them with regrets and heartache. And sometimes, people lose their lives. ~ Layla Frost, #NFDB
899:People love superheroes. It's true we're impressed by their bravery and fortitude, their supernatural gifts and physical brawn. But the fact is, villains possess these same qualities. So why our admiration for the hero and not the nemesis? Because of virtue. A superhero gives everything to defend what's good and right without seeking praise or reward. Think about it. All the great heroes give without taking, help without grumbling, sacrifice without asking recompense. A superhero's real strength, what we absolutely fall in love with, is his finer virtue. ~ Richelle E Goodrich, #NFDB
900:If I’d learned anything from writing this book, it was that no matter how you might read characters in a book, real life was always different. It was easy for a writer to spin a story to make the hero or heroine seem smart and intelligent, for them to make the right moves, take the correct steps toward their future, but when it came to real life, it didn’t quite happen that easily. People were constantly making mistakes and showing insecurities, even when they didn’t realize it, and being so imperfect that it actually made them perfect . . . because they were human. Those ~ Meghan Quinn, #NFDB
901:Villain Who told you to be quiet? Who told you the best place to be was off in the corner of the room as far from human interaction as possible? Who made you feel like your words didn’t matter? Who laughed at the thoughts that you shared after building up the courage to speak? I’m telling you to not be quiet. Be loud and be known. Talk to the people who seem louder than you. Share the thoughts dancing in your brain with confidence and ease. Whoever told you that you didn’t matter and neither did your opinion. I’m encouraging you to be the hero taking over that villain. ~ Jennae Cecelia, #NFDB
902:People are complicated. There is so much more to everybody than you realize. You see someone in school everyday, or at work, in the canteen, and you share a cigarette of a coffee with them, and you talk about the weather or last night's air raid. But you don't talk so much about what was the nastiest thing you ever said to your mother, or how you pretended to be David Balfour, the hero of Kidnapped, for the whole of the year when you were 13, or what you imagine yourself doing with the pilot who looks like Leslie Howard if you were alone in his bunk after a dance. ~ Elizabeth E Wein, #NFDB
903:THE FINE LINE BETWEEN FEAR AND COURAGE “I tell my kids, what is the difference between a hero and a coward? What is the difference between being yellow and being brave? No difference. Only what you do. They both feel the same. They both fear dying and getting hurt. The man who is yellow refuses to face up to what he’s got to face. The hero is more disciplined and he fights those feelings off and he does what he has to do. But they both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you feel.” —CUS D’AMATO, LEGENDARY BOXING TRAINER ~ Ben Horowitz, #NFDB
904:So it's actually way easier just to humor these men who grew up watching movies where the girl doesn't like the hero until he's been persistent enough to make her like him. This is the grease that keeps the gears of the heteronormativity machine spinning, obviously, but it's just easier to slip out of an awkward situation with an awkward guy than it is to call out the misogyny inherent in what he's doing. It's a tough spot to be in, but also this is coming from an angry dyke who's also trans and who, at one point, had society try to use her as a vessel for that kinda of misogyny. ~ Imogen Binnie, #NFDB
905:In his book The Seven Basic Plots, Christopher Booker describes the introduction of the guide into the story this way: A hero or heroine falls under a dark spell which eventually traps them in some wintry state, akin to a living death: physical or spiritual imprisonment, sleep, sickness or some other form of enchantment. For a long time they languish in this frozen condition. Then a miraculous act of redemption takes place, focused on a particular figure who helps to liberate the hero or heroine from imprisonment. From the depths of darkness they are brought up into glorious light.2 ~ Donald Miller, #NFDB
906:The picaresque path can probably also be a metaphor for the passage of the soul back to its creator. The thieves along the way -- the thieves of money, of love, of magic, of time -- are merely human obstacles to keep the traveller from perceiving that she herself is the path.
The path is as steep and as precipitous as we make it, as level and rolling as we can grade it, as steady as we are steady, as passable or impassable as our own will to pass.
In a true picaresque, the hero stops struggling and becomes the path.
At fifty, we need this knowledge most of all. ~ Erica Jong,#NFDB
907:However, we rarely see what happens after the hero grasps what is sought, for if we did, the impotence of the MacGuffin would be revealed and we would not get the feel-good fantasy of fulfillment that so much popular cinema offers. For example, a romantic film might end with a passionate kiss that symbolizes the beginning of a new relationship between two people who fought all obstacles to be together. It will not end with a scene that depicts the same couple, one year later, sitting uncomfortably in a restaurant, silently resenting each other because of some unresolved domestic issue. ~ Peter Rollins, #NFDB
908:Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist.
We are one long frightening climax. ~ Gillian Flynn,#NFDB
909:The thing that got Daley mad," one of the delegates said later, "was that Ribicoff had been ass-kissing him just a day or two before. He came over and pushed for McGovern to our delegation and made a big speech about what a great guy Daley was. Then he got up there and played the hero for the TV cameras."
Daley was on his feet, his arms waiving, his mouth working. The words were lost in the uproar, but it was later asserted by Mayday, an almost-underground Washington paper, that a lip-reader had determined that he said: "Fuck you, you Jew son of a bitch, you lousy motherfucker, go home. ~ Mike Royko,#NFDB
910:For a while I thought I was the dragon.
I guess I can tell you that now. And, for a while, I thought I was
the princess,
cotton candy pink, sitting there in my room, in the tower of the castle,
young and beautiful and in love and waiting for you with
confidence
but the princess looks into her mirror and only sees the princess,
while I’m out here, slogging through the mud, breathing fire,
and getting stabbed to death.
Okay, so I’m the dragon. Big deal.
You still get to be the hero.
You get magic gloves! A fish that talks! You get eyes like flashlights! ~ Richard Siken,#NFDB
911:Myths and legends tell us of a third eye possessed by giants. The eye of Polyphemus, of Buddha. With this eye one can contemplate the other world and its 'astral' beings, the aura of those beings. Its counterpart in the physical body is the pineal gland, astrally calcified for lack of use and by the exclusive development of the rational mind. Initiation can reopen the third eye, transforming the hero into a giant, into Vîra, into Divya, to use words of tantric esotericism. Into superman, into Sonnenmensch. To cut the lunar current, to be solar again. (With the Black Sun.) To recapture Vril. ~ Miguel Serrano, #NFDB
912:This first stage of the mythological journey—which we have designated the "call to adventure" —signifies that destiny has summoned the hero and transferred his spiritual center of gravity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. ~ Anonymous, #NFDB
913:I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin. ~ Nalo Hopkinson, #NFDB
914:This is our awakening to the Feminine, if we will take it. It shows us that the hero’s journey is not our journey. Ours is the heroine’s journey, a spiral journey of inner and outer discovery of our innermost selves and our source of Feminine power. We travel inwards, into dark and unknown terrains, finding our way through to the other side by discovering an inner flame to light our way. As we travel further on we realise that this inner flame is the goal we have been seeking, the guide and ourselves are one and the same, and furthermore the light and the darkness are two parts of the same whole. ~ Lucy H Pearce, #NFDB
915:There’s a reason the hero is always called Prince Charming in all the stories. It’s not just an interchangeable name. It’s the same damned knight on a white horse, looking for a girl who’s grateful to be rescued. Once he’s managed the deed—and once she’s forgotten what she has to be grateful about, and started to realize that this is the rest of her life—there’s nothing left but regret. Snow White will have decades to remember that at least the seven dwarves said “thank you,” goddammit. And then there was that nice woodcutter boy who worshipped her. He never would have looked down on her, not once. ~ Courtney Milan, #NFDB
916:Did it show the dark side of the heroes in The Hero City? Did it show the violence and the betrayal, the cruelty, the depravity, the bottomless evil in some of those “heroes’” hearts? No, of course not. Why would it? That was our reality and it’s what drove so many people to get snuggled in bed, blow out their candles, and take their last breath. Marty chose, instead, to show the other side, the one that gets people out of bed the next morning, makes them scratch and scrape and fight for their lives because someone is telling them that they’re going to be okay. There’s a word for that kind of lie. Hope. ~ Max Brooks, #NFDB
917:The symphony, a biographer wrote in 1942, tells the man who hears it, not the story of a stranger, but his own story. It makes him the hero of it; it cries out his own sorrows and celebrates his own victories. . . . Shostakovich states that at the beginning of the Seventh he depicts the peaceful life before the war in the quiet homes of Leningrad. But to a listener in Iowa it could mean the meadows and the rolling hills around his home. After the fantastic theme of war, Shostakovich has put into his music a lament for the dead — and the tears of a Russian mother and of an American mother are the same. ~ M T Anderson, #NFDB
918:War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to “a war against” whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the “right” side and therefore will win. Right makes might. ~ Ursula K Le Guin, #NFDB
919:"So what mediates between the domains of order and chaos? Consciousness, as far as I can tell. It's the hero, that's one way of thinking about it. It's the Logos, that's another way of thinking about it. It's the word that generates order out of chaos at the beginning of time. It's the consciousness that's interacting with the matter of the world produces Being. That's basically it. That's basically you, for all intents and purposes. So how do we do that? Well, the unconscious does it to some degree, because it's with our fantasy that we first meet the unknown." ~ Jordan Peterson, #NFDB
920:The Japanese have a proverb: "The gods only laugh when men pray to them for wealth." The boon bestowed on the worshiper is always scaled to his stature and to the nature of his dominant desire: the boon is simply a symbol of life energy stepped down to the requirements of a certain specific case. The irony, of course, lies in the fact that, whereas the hero who has won the favor of the god may beg for the boon of perfect illumination, what he generally seeks are longer years to live, weapons with which to slay his neighbor, or the health of his child. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon, #NFDB
921:"So what mediates between the domains of order and chaos? Consciousness, as far as I can tell. It's the hero, that's one way of thinking about it. It's the Logos, that's another way of thinking about it. It's the word that generates order out of chaos at the beginning of time. It's the consciousness that's interacting with the matter of the world produces Being. That's basically it. That's basically you, for all intents and purposes. So how do we do that? Well, the unconscious does it to some degree, because it's with our fantasy that we first meet the unknown." ~ Jordan B Peterson, #NFDB
922:It would be awesome. And sick. And sad. And uplifting. And necessary. After all, the greatest truths in life are usually the most unpleasant to hear. Disappointment Panda would be the hero that none of us would want but all of us would need. He’d be the proverbial vegetables to our mental diet of junk food. He’d make our lives better despite making us feel worse. He’d make us stronger by tearing us down, brighten our future by showing us the darkness. Listening to him would be like watching a movie where the hero dies in the end: you love it even more despite making you feel horrible, because it feels real. So ~ Mark Manson, #NFDB
923:From the Diary of the Duchess of Roxburghe
I vow, I cannot seem to walk past a window without seeing my great-nephew carrying Miss Balfour somewhere. All great romantic poems have such scenes where the hero, in a fit of passion, sweeps the heroine off her feet. Sadly, it appears that Sin’s technique is questionable.
I’m surprised that, with all of his supposed experience with the gentler sex, he doesn’t realize that women do not like to be carried in a way that musses their hair and leaves them with unattractively red faces.
Sadly, yet another conversation I shall have to have with that boy. ~ Karen Hawkins,#NFDB
924:Obama’s statements also use a narrative structure, complete with heroes and villains: Ending the estate tax is a threat to the most vulnerable people—taking away money for what they desperately need. They are the victims. The villains are those who would take it from them—conservative legislators and some of the nation’s wealthiest families, who have spent tens of millions to lobby for the repeal of this tax. The hero, the rescuer, is you, the voter, who can change the course of the nation. Persuade your legislators to vote for what is moral, and turn them out of office if they refuse to do the right thing. The ~ George Lakoff, #NFDB
925:I could go on and on with the intimate details about the various lives of people on the super-ambulance, but what good is more information?
I agree with Kilgore Trout about realistic novels and their accumulations of nit-picking details. In Trout's novel, 'The Pan-Galactic Memory Bank,' the hero is on a space ship two hundred miles long and sixty-two miles in diameter. He gets a realistic novel out of the branch library in his neighborhood. He reads about sixty pages of it, and then he takes it back.
The librarian asks him why he doesn't like it, and he says to her, 'I already know about human beings. ~ Kurt Vonnegut,#NFDB
926:Adam swallowed thickly. "Can you see the future?"
"I see many futures."
"Many?"
"As many futures as there are choices."
"Do I defeat the Death Collector in any of them?"
"No."
A wave of helplessness rolled over him. So all this was pointless. The Collective was going to win after all. He couldn't breathe. He braced his hands on his knees as a devastating roar filled his head.
Abigail clucked with her tongue. "Look at you. So arrogant. So self-important. You've gone and cast yourself as the hero. Do you really think this war is about you?"
Adam's head snapped up. ~ Erin Kellison,#NFDB
927:FAMILY SYSTEM ROLES All families have roles. The father and mother play their roles of modeling what it is to be a man or woman, father or mother. Parents also model how to be intimate, have boundaries, cope with problems, fight fair, problem-solve, etc. The role of children is to be curious and to be learners. Members of a healthy family have flexible roles. Mom may be the heroine because she baked a special cake. Daughter may take over that role when she volunteers to do the dishes. Son becomes the hero when he notices smoke coming out the stove and prevents a fire. Dad’s the hero when he takes the family on a vacation. ~ John Bradshaw, #NFDB
928:If readers don’t care about your protagonist, they won’t care about your story. Your protagonist might be sarcastic, but she must not be smarmy. She might be unhappy, but she cannot be whiny. She might do undesirable things, but she cannot be unlikable. If your protagonist appears childish, easily intimidated, or cowardly, readers will naturally look for someone else to cheer for. If the hero cowers in the face of evil, readers may end up liking the villain more. You’ll need to fix this to keep readers on your protagonist’s side. Readers want to either empathize with or admire your protagonist. It all depends on the genre. ~ Steven James, #NFDB
929:The fictitious world, to which Sherlock Holmes belonged, expected of him what the real world of the day expected of its scientists: more light and more justice. As the creation of a doctor who had been soaked in the rationalist thought of the period, the Holmesian cycle offers us for the first time the spectacle of a hero triumphing again and again by means of logic and scientific method. And the hero’s prowess is as marvellous as the power of science, which many people hoped would lead to a material and spiritual improvement of the human condition, and Conan Doyle first among them. —PIERRE NORDON, Conan Doyle: A Biography, 1966 ~ Margalit Fox, #NFDB
930:Heroes are men who admit to being difficult to live with, who demand extremely high standards in every aspect of their lives, who are natural, effortless leaders, strong men, men with prestige and intelligence, whose faults are likely to be manifestations of strength and power. He is the master of his life; he is in control. Whether his sphere of influence is the boardroom or the mountains, the sea or the stage, the hero dominates it with his personality, his intelligence, and his quick, hard-honed grasp of every situation. A hero can seem arrogant and short-tempered, ruthless, tough, even cruel -- he can be quite unlovable at first. ~ Robyn Donald, #NFDB
931:Every now and again something comes along that ignites the desire for you to be the person that you strive to be, the better person. When I stripped everything else away, peeled off the dirty, raw and damaged layers, all that was left was hope. Hope for a better life, for a brighter future. Just hope for a chance.
Suddenly, with that fire in your belly, a ‘what if’ becomes a possibility. What if you threw ideals out of the window? What if you dismissed everything you ever knew? What if the bad guy could be the hero of the story for a change?
I guess what it all boils down to is this: my name is Jamie Cole, and I’m a murderer. ~ Kirsty Moseley,#NFDB
932:13. The Magic Flight:If the hero in his triumph wins the blessing of the goddess or the god and is then explicitly commissioned to return to the world with some elixir for the restoration of society, the final stage of his adventure is supported by all the powers of his supernatural patron. On the other hand, if the trophy has been attained against the opposition of its guardian, or if the hero's wish to return to the world has been resented by the gods or demons, then the last stage of the mythological round becomes a lively, often comical, pursuit. This flight may be complicated by marvels of magical obstruction and evasion. ~ Joseph Campbell, #NFDB
933:Oscar-winning triumph. The New York Times called it “a disturbing revelation of the savagery that prevailed in the hearts of the old gun-fighters, who were simply legal killers under the frontier code.” It was that and more. The hero acts precisely as many Americans believe their country acts in the world. He is an enforcer of morality and a scourge of oppressors; he comes from far away but knows instinctively what must be done; he brings peace by slaying wrongdoers; he risks his life to help others; and for all this he wishes no reward other than the quiet satisfaction of having done what was right. Shane reinforced a cultural consensus ~ Stephen Kinzer, #NFDB
934:The return and reintegration with society, which is indispensable to the continuous circulation of spiritual energy into the world, and which, from the standpoint of the community, is the justification of the long retreat, the hero himself may find the most difficult requirement of all. For if he has won through, like the Buddha, to the profound repose of complete enlightenment, there is danger that the bliss of this experience may annihilate all recollection of, interest in, or hope for, the sorrows of the world; or else the problem of making known the way of illumination to people wrapped in economic problems may seem too great to solve. ~ Joseph Campbell, #NFDB
935:Dreams of invisibility are as old as folklore. By means of some talisman or potion, or with the help of the gods themselves, the corporeal presence of the hero is rendered insubstantial, and for the duration of the spell he may wander among his fellow men unseen. The advantages of having such a power can be rattled off for you by any child of ten. Whether slipping past dragons, eavesdropping on intriguers, and sneaking into treasuries, or plucking a pie from the pantry, knocking the cap off a constable, and lighting the schoolmaster’s coattails on fire, suffice it to say that a thousand tales have been told in acknowledgment of invisibility’s bounty. ~ Amor Towles, #NFDB
936:It [the trip] captured five very long hours. If you want to know why, it is because Grandfather is Grandfather first and a driver second. He made us lost often and became on his nerves. I had to translate his anger into useful information for the hero. "Fuck," Grandfather said. I said, "He says that if you look at the statues, you can see that some no longer endure. Those are where Communist statues used to be." "Fucking fuck, fuck!" Grandfather shouted. "Oh," I said, "he wants you to know that that building, that building, and that building are all important." "Why?" the hero inquired. "Fuck!" Grandfather said. "He cannot remember," I said. ~ Jonathan Safran Foer, #NFDB
937:Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God’s grace to me is that my brokenness is not the final word. My selfishness is not the end-all… instead, it’s that God makes beautiful things out of even my own shit. Grace isn’t about God creating humans as flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace—like saying “Oh, it’s OK, I’ll be a good guy and forgive you.” It’s God saying, “I love the world too much to let your sin define you and be the final word. I am a God who makes all things new.” So, ~ Nadia Bolz Weber, #NFDB
938:In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards — but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward. ~ Terri Windling, #NFDB
939:In the tall tales told by firelight there was always a brief and laconic conversation. Because the bad guy had to be told why he had to die, as if reference to injured parties like Emily Lair and Peter and Lydia McCann and the gate guard’s grandchildren could conjure up spirits and console them, and also because the bad guy had to be given the chance to either repent or snarl further defiance, either of which could turn a story classic, depending on the hero’s next reply. But tales were tales, and not the real world. Reacher said nothing, and shot the fat man in the head, twice, a double tap, pop pop, and then he watched the kitchen door. Which stayed shut. ~ Lee Child, #NFDB
940:Her statistics were more than a study... For her, Quetelet was the hero as scientist, and the presentation copy of his Physique Sociale is annotated by her on every page. Florence Nightingale believed—and in all the actions of her life acted upon that belief—that the administrator could only be successful if he were guided by statistical knowledge. The legislator—to say nothing of the politician—too often failed for want of this knowledge. ~ Karl Pearson, #NFDB
941:Her statistics were more than a study... For her, Quetelet was the hero as scientist, and the presentation copy of his Physique Sociale is annotated by her on every page. Florence Nightingale believed—and in all the actions of her life acted upon that belief—that the administrator could only be successful if he were guided by statistical knowledge. The legislator—to say nothing of the politician—too often failed for want of this knowledge. ~ Karl Pearson, #NFDB
942:The “death” of the Hero is the “death” of boyhood, of Boy psychology. And it is the birth of manhood and Man psychology. The “death” of the Hero in the life of a boy (or a man) really means that he has finally encountered his limitations. He has met the enemy, and the enemy is himself. He has met his own dark side, his very unheroic side. He has fought the dragon and been burned by it; he has fought the revolution and drunk the dregs of his own inhumanity. He has overcome the Mother and then realized his incapacity to love the Princess. The “death” of the Hero signals a boy’s or man’s encounter with true humility. It is the end of his heroic consciousness. ~ Robert L Moore, #NFDB
943:I like all my things to go right."
"That's not how the world works."
"It's how it should work," I say. I like plans that go smoothly. That's the beauty I believe in. Nothing is better than when things go exactly how I expect."
"I know that's what you like," he says, eyes squinting out the sun to peer down at me. "And there's comfort in that, sure. But there's comfort in knowing that when your plans fall apart, you can survive. That the worst thing imaginable can happen, but you can get through it. That's why I like to read horror fiction. It's not about the monsters. It's about the hero surviving them and living to tell the tale. ~ Jenn Bennett,#NFDB
944:They will remain shut away behind a hedge of thorns. The journey in search of soul is difficult and even dangerous because it requires that we relinquish the certainty of what we think we know and what we have been taught for generations to believe. It means surrendering the desire to be in control and opening ourselves to a quest, a path of discovery. Many myths and fairy tales emphasize the need for surrender and trust in the strange non-rational guidance offered by animals or shamans on the quest. As the hero follows their guidance, so the hedge opens, the way unfolds. Following the guidance and wisdom of the instinct is the royal road into the realm of soul. ~ Anne Baring, #NFDB
945:We are on the hero's journey when we submit to the deep processes of life and allow them to affect us and bore their necessities into us. We are the hero when we take on the challenges and go through our initiations and transformations, enduring loss and gain, feeling happy and sad, making progress and falling back. The hero is engaged in life The hero is not the one who displays force and muscle without deep insight or the courage to be. The hero may not look heroic from the outside but may go through powerful developments in a quiet way. The difference is that the real hero engages life and reflects on it. She becomes more and more what he or she is destined to be. ~ Thomas Moore, #NFDB
946:The creative artist has something in common with the hero. Though functioning on another plane, he too believes that he has solutions to offer. He gives his life to accomplish imaginary triumphs. At the conclusion of every grand experiment, whether by statesman, warrior, poet or philosopher, the problems of life present the same enigmatic complexion. The happiest people, it is said, are those which have no history. Those which have a history, those which have made history, seem only to have emphasized through their accomplishments the eternality of struggle. These disappear too, eventually, just as those who made no effort, who were content merely to live and to enjoy. ~ Henry Miller, #NFDB
947:At the beginning of a full five-stage Tragedy, the central figure is always part of a community, a network of relationships, linked to other people by ties of loyalty, friendship, family or marriage. And one of the most important things which happens to such heroes and heroines as they embark on their tragic course is that they begin to break those bonds of loyalty, friendship and love (even if, initially, they may form other alliances). It is the very essence of Tragedy that the hero or heroine should become, step by step, separated from other people. Often they separate themselves in the most obvious, violent and final way possible, by causing other people's deaths. ~ Christopher Booker, #NFDB
948:The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form-all symbolizations, all divinities: a realization of the ineluctable void. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon, #NFDB
949:And you threaten to abandon us to Voldemort if we do not comply with your wishes."
Harry's voice was razor-sharp. "I regret to inform you that you are not the center of the universe. I'm not threatening to walk out on magical Britain. I'm threatening to walk out on you. I am not a meek little Frodo. This is my quest and if you want in you will play by my rules."
Dumbledore's face was still cold. "I am beginning to doubt your suitability as the hero, Mr. Potter."
Harry's return gaze was equally icy. "I am beginning to doubt your suitability as my Gandalf, Mr. Dumbledore. Boromir was at least a plausible mistake. What is this Nazgul doing in my Fellowship? ~ Eliezer Yudkowsky,#NFDB
950:Just as creativity enables us to envision novel solutions to tough problems, it can also enable us to develop original paths around rules, all the while allowing us to reinterpret information in a self-serving way. Putting our creative minds to work can help us come up with a narrative that lets us have our cake and eat it too, and create stories in which we’re always the hero, never the villain. If the key to our dishonesty is our ability to think of ourselves as honest and moral people while at the same time benefitting from cheating, creativity can help us tell better stories—stories that allow us to be even more dishonest but still think of ourselves as wonderfully honest people. ~ Dan Ariely, #NFDB
951:The failure of the fight with the father-dragon, the overwhelming force of spirit, leads to patriarchal castration, inflation, loss of the body in the ecstasy of ascension, and so to a world-negating mysticism. This phenomenon is particularly evident in Gnosticism and Gnostic Christianity. The infiltration of Iranian and Manichaean influences strengthens the martial component in the hero, but because he is still a Gnostic at heart, he remains hostile to the world, the body, materiality, and woman. Although there are certain elements in Gnosis that strive for a synthesis of oppo-sites, these always fly apart in the end; the heavenly side of man triumphs and the earthly is sacrificed. ~ Erich Neumann, #NFDB
952:Must a beautiful woman always be a seducer, a harlot, a mere bauble put on display as a distraction? Is that the only path open to me?"
"Those are labels men have put on women," the woman said, an edge coming into her voice. "You speak as though you despise them, yet you're merely parroting the words and judgements of historians, who should never be trusted. Consider the hero Iluthan, who stole into the bed of the Queen of Écofi, who played with the hearts of Rapa and Kana, who showed his naked body to the gathered princes and princesses of Crescent Island, claiming himself to take equal delight in men and women. Do you think the historians call him a seducer, a harlot, a 'mere bauble'? ~ Ken Liu,#NFDB
953:There’s always a prevailing mystique in any civilization,” Leto said. “It builds itself as a barrier against change, and that always leaves future generations unprepared for the universe’s treachery. All mystiques are the same in building these barriers—the religious mystique, the hero-leader mystique, the messiah mystique, the mystique of science/technology, and the mystique of nature itself. We live in an Imperium which such a mystique has shaped, and now that Imperium is falling apart because most people don’t distinguish between mystique and their universe. You see, the mystique is like demon possession; it tends to take over the consciousness, becoming all things to the observer. ~ Frank Herbert, #NFDB
954:God's grace is not defined as God being forgiving to us even though we sin. Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God's grace to me is that my brokenness is not the final word ... it's that God makes beautiful things out of even my own shit. Grace isn't about God creating humans and flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace - like saying, "Oh, it's OK, I'll be the good guy and forgive you." It's God saying, "I love the world too much to let your sin define you and be the final word. I am a God who makes all things new. ~ Nadia Bolz Weber, #NFDB
955:After a time he found and opened a book he had been reading that he had expected to end well, a romance which he wanted to end well, with the hero and heroine finding love, with peace and joy and redemption and understanding.
Love is two bodies with one soul, he read, and turned the page.
But there was nothing - the final page had been ripped away and used as toilet paper or smoked, and there was no hope or joy or understanding. There was no last page. The book of his life just broke off. There was only the mud below him and the filthy sky above. There was to be no peace and no hope. And Dorrigo Evans understood that the love story would go on forever and ever, world without end. ~ Richard Flanagan,#NFDB
956:We find a model for learning how to live in stories about heroism. The heroic quest is about saying yes to yourself and, in so doing, becoming more fully alive and more effective in the world. For the hero's journey is first about taking a journey to find the treasure of your true self, and then about returning home to give your gift to help transform the kingdom- and, in the process, your own life. The quest itself is replete with dangers and pitfalls, but if offers great rewards: the capacity to be successful in the world, knowledge of the mysteries of the human soul, the opportunity to find and express your unique gifts in the world, and to live in loving community with other people. ~ Carol S Pearson, #NFDB
957:Bar Kochba
Weep, Israel! your tardy meed outpour
Of grateful homage on his fallen head,
That never coronal of triumph wore,
Untombed, dishonored, and unchapleted.
If Victory makes the hero, raw Success
The stamp of virtue, unremembered
Be then the desperate strife, the storm and stress
Of the last Warrior Jew. But if the man
Who dies for freedom, loving all things less,
Against world-legions, mustering his poor clan;
The weak, the wronged, the miserable, to send
Their death-cry's protest through the ages' spanIf such an one be worthy, ye shall lend
Eternal thanks to him, eternal praise.
Nobler the conquered than the conqueror's end!
~ Emma Lazarus,#NFDB
958:I would say that it is different for all of us, but that it happens when we grow up, when we mature and pass from the childishness of our youthful tears, and become adults. I think that it is a part of growing up, learning to control our suffering. I think that when we grow up, and learn that happiness is rare, and passes quickly, we become disillusioned and hurt. And how much we suffer is a mark of how much we have been hurt by this realisation. Suffering, you see, is a kind of anger. We rage against the unfairness, the injustice of our sad and sorry lot. And this boiling resentment, you see, this anger, is what we call suffering. It is also what leads us to the hero curse, I might add. ~ Gregory David Roberts, #NFDB
959:In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, “Memento mori”: Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility. Jobs’s memento mori had been delivered by his doctors, but it did not instill humility. Instead he roared back after his recovery with even more passion. The illness reminded him that he had nothing to lose, so he should forge ahead full speed. “He came back on a mission,” said Cook. “Even though he was now running a large company, he kept making bold moves that I don’t think anybody else would have done. ~ Walter Isaacson, #NFDB
960:The movies make the brooding guy the hero – the guy with problems the guy who carries a gun, the gun with unresolved anger, the guy with a chip on his shoulder, the guy who’s a vampire – and they tell you that you can have the mythical happy ending with that same brooding guy.
But in reality, the brooding guy is cranky. He doesn’t reply to emails. He doesn’t call. He’s only half there when you’re talking to him, and he doesn’t chase you when you run. You feel insecure all the time. You get needy and sad and you hate yourself got being needy.
If you don’t know why he’s brooding, you’re shut out.
And if you do know why he’s brooding, you’re still shut out. (Because he’s busy brooding.) ~ E Lockhart,#NFDB
961:In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, " Memento Mori": Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility. Job's memento mori had been delivered by his doctors, but it did not instill humility. Instead he roared back after his recovery with even more passion. The illness reminded him that he had nothing to lose, so he should forge ahead full speed. " He came back on a mission," said Cook. " Even though he was now running a large company, he kept making bold moves that I don't think anybody else would have done. ~ Walter Isaacson, #NFDB
962:But aren’t many visionaries and even leaders and heroes close to the edge of neuroticism? CAMPBELL: Yes, they are. MOYERS: How do you explain that? CAMPBELL: They’ve moved out of the society that would have protected them, and into the dark forest, into the world of fire, of original experience. Original experience has not been interpreted for you, and so you’ve got to work out your life for yourself. Either you can take it or you can’t. You don’t have to go far off the interpreted path to find yourself in very difficult situations. The courage to face the trials and to bring a whole new body of possibilities into the field of interpreted experience for other people to experience—that is the hero’s deed. ~ Joseph Campbell, #NFDB
963:A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man’s illusions. ~ Czes aw Mi osz, #NFDB
964:The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero. The values and distinctions that in normal life seem important disappear with the terrifying assimilation of the self into what formerly was only otherness. As in the stories of the cannibal ogresses, the fearfulness of this loss of personal individuation can be the whole burden of the transcendental experience for unqualified souls. But the hero-soul goes boldly in-and discovers the hags converted into goddesses and the dragons into the watchdogs of the gods. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold, #NFDB
965:In order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuiseance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel. ~ G K Chesterton, #NFDB
966:God’s grace is not defined as God being forgiving to us even though we sin. Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God’s grace to me is that my brokenness is not the final word. My selfishness is not the end-all… instead, it’s that God makes beautiful things out of even my own shit. Grace isn’t about God creating humans as flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace—like saying “Oh, it’s OK, I’ll be a good guy and forgive you.” It’s God saying, “I love the world too much to let your sin define you and be the final word. I am a God who makes all things new. ~ Nadia Bolz Weber, #NFDB
967:Can you not see, […] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. ~ G K Chesterton, #NFDB
968:The one son and heir to Greshamsbury was named as his father, Francis Newbold Gresham. He would have been the hero of our tale had not that place been pre-occupied by the village doctor. As it is, those who please may so regard him. It is he who is to be our favourite young man, to do the love scenes, to have his trials and his difficulties, and to win through them or not, as the case may be. I am too old now to be a hard-hearted author, and so it is probable that he may not die of a broken heart. Those who don’t approve of a middle-aged bachelor country doctor as a hero, may take the heir to Greshamsbury in his stead, and call the book, if it so please them, “The Loves and Adventures of Francis Newbold Gresham the Younger. ~ Anthony Trollope, #NFDB
969:Being the reader of a dark fairy tale is much like being the hero of one. Our lives are filled with pain, boredom, and fear. We want to venture into the dark wood, to see the oddities and the beauties it holds, and to test ourselves against them. So we pick up a book of fairy tales. The real ones. THe weird ones. The dark ones. We see oddities and beauties galore. We test our courage and our understanding. Finally, we put the book down and return to our lives. And hopefully, just like the hero of the fairy tale, we return stronger, richer, and wiser. In difficult times - of recession and violence and political bitterness - we long for a dark forest to which we can escape; and from which we can return, better than we were before. ~ Adam Gidwitz, #NFDB
970:This country," said Eliot, "had tremendous research projects devoted to fighting odors. They were supported by individual contributions given to mothers who marched on Sundays from door to door. The ideal of the research was to find a specific chemical deodorant for every odor. But then the hero, who was also the country's dictator, made a wonderful scientific breakthrough, even though he wasn't a scientist, and they didn't need the projects any more. He went right to the root of the problem."
"Uh huh," said the Senator. He couldn't stand stories by Kilgore Trout, was embarassed by his son. "He found one chemical that would eliminate all odors?"
"No. As I say, the hero was dictator, and he simply eliminated noses. ~ Kurt Vonnegut,#NFDB
971:Sonnets Of The Empire:Australia, 1902
Gallant is Spring along thy laughing hills,
With wattle’s loveliest scent and gleam of gold,
When the good rain hath quickened all thy mould,
And the hot musk thine air with incense fills.
Sweet is the chime of all thy tinkling rills,
And fair thy Summer’s glory to behold,
And soft is life for thee, the sunny-souled,
Far from the world and all its olden ills.
Yet ’tis not calm that builds the hero breed,
High hearts are tempered ’neath a stormy star,
Through want and danger doth the soul increase,
Stern rings the clarion voice of Angel Need
To bid thee vanquish self, and gaze afar
And save thy soul alive from Harlot Peace.
~ Archibald Thomas Strong,#NFDB
972:I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'. ~ Kristen Ashley, #NFDB
973:Since the beginning of storytelling, he explained, Death has called on the unwitting. In one tale or another, it arrives quietly in town and takes a room at an inn, or lurks in an alleyway, or lingers in the marketplace, surreptitiously. Then just when the hero has a moment of respite from his daily affairs, Death pays him a visit. This is all well and good, allowed the Count. But what is rarely related is the fact that Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern. Hadn't it paid such a visit to Mishka? Hadn't it found him hiding behind his books, lured him out of the library, and taken his hand on a secluded spot overlooking the Neva? ~ Amor Towles, #NFDB
974:The Shadow is what people are hunting throughout the tale. Or else it can dog the hero, refusing to leave him alone. It's a potent force that bewitches as much as it torments. It can lead to hell or heaven. It's the hollow forever inside you, never filled. It's everything in life you can't touch, hold on to, so ephemeral and painful it makes you gasp. You might even glimpse it for a few seconds before it's gone. Yet the image will live with you. You'll never forget it as long as you live. It's what you're terrified of and paradoxically what you're looking for. We are nothing without our shadows. They give our otherwise pale, blinding world definition. They allow us to see what's right in front of us. Yet they'll haunt us until we're dead. ~ Marisha Pessl, #NFDB
975:Toussaint affirms an irreconcilable contradiction: flight is to occur alongside an inalienable freedom that, as his own descriptions attest, is actually not a given but struggled for and fought over. Toussaint conceives freedom to be inalienable once acquired, but this admission disturbs the freedom as natality narrative. Freedom is not immutable. Flight is first experienced after bondage and is not an originary naturalism. Toussaint has a late realization of the nonuniversal quality of revolutionary republicanism, the rift between the self-reflexive hero and the crowd desiring the hero to put them ahead of the sovereign self, and conflict between the Haitian state and the Haitian nation with the latter’s non-sovereign conception of freedom. ~ Neil Roberts, #NFDB
976:A simple love-story,’ said David piously, ‘about a girl that loves a man frightfully and he is married, so she goes and lives with him, and then his wife is very ill and going to die, so the girl and the man both offer themselves for blood transfusion in a very noble way without each other knowing. But only one of them has the right kind of blood and I can’t decide which. Do you think it would be more pathetic if the girl gave her blood and died, and then the man went off into the desert to be a monk, or if the man died and the wife and the girl made friends over his corpse and both became nuns? One might do good business with that, because in films no one much cares if the hero lives or dies so long as there are plenty of lovely heroines. ~ Angela Thirkell, #NFDB
977:Western
The
The
The
The
Cowboy had a sterling heart,
Maiden was from Boston,
Rancher saw his wealth depart—
Steers were what he lost on.
The Villain was a banker’s limb,
His spats and cane were nifty;
The Maiden needs must marry him—
Her father was not thrifty.
The
The
The
The
Sheepmen were as foul as pitch,
Cowboy was a hero,
gold mine made the hero rich,
Villain’s score was zero.
The Sheepmen tried to steal the maid,
The Villain sought the attic,
The Hero fifteen bad men slayed
With his blue automatic.
The Hero kissed the willing lass,
The final scene was snappy;
The Villain went to Boston, Mass.,
And everyone was happy.
~ Ellis Parker Butler,#NFDB
978:I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'. ~ Kristen Ashley, #NFDB
979: The Cosmic Dance
(Dance of Krishna, Dance of Kali)
Two measures are there of the cosmic dance.
Always we hear the tread of Kali's feet
Measuring in rhythms of pain and grief and chance
Life's game of hazard terrible and sweet.
The ordeal of the veiled Initiate,
The hero soul at play with Death's embrace,
Wrestler in the dread gymnasium of Fate
And sacrifice a lonely path to Grace,
Man's sorrows made a key to the Mysteries,
Truth's narrow road out of Time's wastes of dream,
The soul's seven doors from Matter's tomb to rise,
Are the common motives of her tragic theme.
But when shall Krishna's dance through Nature move,
His mask of sweetness, laughter, rapture, love?
~ Sri Aurobindo, - The Cosmic Dance
,#NFDB
980:Kosciusko.—The hero of Poland once wished to send some bottles of good wine to a clergyman at Solothurn; and as he hesitated to trust them by his servant, lest he should smuggle a part, he gave the commission to a young man of the name of Zeltner, and desired him to take the horse which he himself usually rode. On his return, young Zeltner said that he never would ride his horse again unless he gave him his purse at the same time. Kosciusko enquiring what he meant, he answered, "As soon as a poor man on the road takes off his hat and asks charity, the horse immediately stands still, and will not stir till something is given to the petitioner; and as I had no money about me, I was obliged to feign giving something, in order to satisfy the horse." Mysterious ~ Various, #NFDB
981:And they say, if ever a traveler plucks the wild parsley, and takes the bark of the hazel tree, and the secret toadstools, and mixes them with crocus from the patch of forest where the hero's last bones lie, a powerful spell will come to life. The hero will be reborn, not as he was before his destruction, but many times stronger in body and spirit; for he will be filled with the strength of earth, sea, and air. I think of the seven of us as the parts of one body. We may be torn asunder, and it may seem as if there is no tomorrow for us. We may each travel our own path, and we may fall and be broken and mend again. But in the end, as surely as the sun and moon make their way across the arch of the heavens, the strength of one is the strength of seven. ~ Juliet Marillier, #NFDB
982:I say no man ever before slew his friend mouthful of words.”
“And I say it has happened many times before. Consider the Assassinations, Thomas, you who are something of a critic of historical theses. Consider whether the Heroes have not more often been assassinated by friends than by enemies; consider whether some of them have not even been assassinated with their own consent.”
“I don’t consent.”
“If everything else has failed, if a program has fallen for such a silly nothing, if the hero would make a better hero when dead, then he was made a dead hero by his friends, for his own sake and the sake of his program. I could name a dozen clear cases of this, but I won’t; strong partisan feelings are still involved in some of them after the centuries. - ~ R A Lafferty,#NFDB
983:Hitler remains undeniably the creation of his time, a creature of German imagination rather than, strictly speaking, of social and economic forces. He was never regarded in the first instance as the prospective agent of social and economic recovery—that was a post facto interpretation—but rather as a symbol of revolt and counteraffirmation by the dispossessed, the frustrated, the humiliated, the unemployed, the resentful, the angry. Hitler stood for protest. He was a mental construct in the midst of defeat and failure, of inflation and depression, of domestic political chaos and international humiliation. ... The ultimate kitsch artist, he filled the abyss with symbols of beauty. The victim he turned into the hero, hell into heaven, death into transfiguration. ~ Modris Eksteins, #NFDB
984:I like idling when I ought not to be idling; not when it is the only thing I have to do. Thatis my pig-headed nature. The time when I like best to stand with my back to the fire, calculating how much I owe, is when my desk is heaped highest with letters that must be answered by the next post. When I like to dawdle longest over my dinner is when I have a heavy evening's work before me. And if, for some urgent reason, I ought to be up particularly early in the morning, it is then, more than at any other time, that I love to lie an extra half-hour in bed.
Ah! how delicious it is to turn over and go to sleep again: "just for
five minutes." Is there any human being, I wonder, besides the hero of
a Sunday-school "tale for boys," who ever gets up willingly? ~ Jerome K Jerome,#NFDB
985:Satan says, offering the next temptation. “If God exists, He will surely save you. If you are in fact his Son, God will surely save you.” Why would God not make Himself manifest, to rescue His only begotten Child from hunger and isolation and the presence of great evil? But that establishes no pattern for life. It doesn’t even work as literature. The deus ex machina—the emergence of a divine force that magically rescues the hero from his predicament—is the cheapest trick in the hack writer’s playbook. It makes a mockery of independence, and courage, and destiny, and free will, and responsibility. Furthermore, God is in no wise a safety net for the blind. He’s not someone to be commanded to perform magic tricks, or forced into Self-revelation—not even by His own Son. ~ Jordan Peterson, #NFDB
986:Satan says, offering the next temptation. “If God exists, He will surely save you. If you are in fact his Son, God will surely save you.” Why would God not make Himself manifest, to rescue His only begotten Child from hunger and isolation and the presence of great evil? But that establishes no pattern for life. It doesn’t even work as literature. The deus ex machina—the emergence of a divine force that magically rescues the hero from his predicament—is the cheapest trick in the hack writer’s playbook. It makes a mockery of independence, and courage, and destiny, and free will, and responsibility. Furthermore, God is in no wise a safety net for the blind. He’s not someone to be commanded to perform magic tricks, or forced into Self-revelation—not even by His own Son. ~ Jordan B Peterson, #NFDB
987:Then I hear a hollering. I’ve been seen. The sailors all cheer. They’re waving and clapping and calling out to me. My glotti picks up only some of it, then gets overloaded and confused: FRENCH: Look it’s a walker it’s a walker it’s one of the walkers SOMALI: A man or a woman? Walker FRENCH: Is she alone ARABIC: She is the hero SOMALI: Woman walker ARABIC: She is in the story SOMALI: Who are you with? ARABIC: She is telling a story FRENCH: Have a good trip madame good trip hello mademoiselle ARABIC: Where are your people? SOMALI: Walk to Africa ARABIC: Where is your mother? SOMALI: It’s not too far ARABIC: Is she birthing or dying? SOMALI: You will be all right FRENCH: Mademoiselle you are a one-of-a-kind Adventurer SOMALI: You are mother to a new race FRENCH: Hail Yemaya! ~ Monica Byrne, #NFDB
988:Narcissism is, in a sense, the converse of an habitual sense of sin; it consists in the habit of admiring oneself and wishing to be admired. Up to a point it is, of course, normal, and not to be deplored; it is only in its excesses that it becomes a grave evil. In many women, especially rich Society women, the capacity for feeling love is completely dried up, and is replaced by a powerful desire that all men should love them. When a woman of this kind is sure that a man loves her, she has no further use for him. The same thing occurs, though less frequently, with men; the classic example is the hero of Liaisons Dangereuses. When vanity is carried to this height, there is no genuine interest in any other person, and therefore no real satisfaction to be obtained from love. ~ Bertrand Russell, #NFDB
989:The hero of a David Lodge novel says that you don’t know, when you make love for the last time, that you are making love for the last time. Voting is like that. Some of the Germans who voted for the Nazi Party in 1932 no doubt understood that this might be the last meaningfully free election for some time, but most did not. Some of the Czechs and Slovaks who voted for the Czechoslovak Communist Party in 1946 probably realized that they were voting for the end of democracy, but most assumed they would have another chance. No doubt the Russians who voted in 1990 did not think that this would be the last free and fair election in their country’s history, which (thus far) it has been. Any election can be the last, or at least the last in the lifetime of the person casting the vote. ~ Timothy Snyder, #NFDB
990:You don't want to spend your life searching for relevance," Iris said. "It will only lead to mistakes. Those mistakes will harden you and make you bitter. You'll start resenting people who have found happiness. You'll spread misery, hoping it will destroy your own, but it won't. If you have a chance to validate something within yourself, then do yourself a favor and take that chance. You don't want to live with a piece of your heart missing - it'll turn you into a monster. It's better to be the hero of your own story than to become the villain of someone else's."
"So you're saying I would find this Cornelia woman?" Bree asked.
"If it'll bring you peace, I recommend you do," Iris said. "Even if you don't get the answers you're looking for, you'll never be poisoned with regret. ~ Chris Colfer,#NFDB
991:The proprietor, the robber, the hero, the sovereign—for all these titles are synonymous—imposes his will as law, and suffers neither contradiction nor control; that is, he pretends to be the legislative and the executive power at once ... [and so] property engenders despotism ... That is so clearly the essence of property that, to be convinced of it, one need but remember what it is, and observe what happens around him. Property is the right to use and abuse ... if goods are property, why should not the proprietors be kings, and despotic kings—kings in proportion to their facultes bonitaires? And if each proprietor is sovereign lord within the sphere of his property, absolute king throughout his own domain, how could a government of proprietors be any thing but chaos and confusion? ~ Pierre Joseph Proudhon, #NFDB
992:14. Rescue from Without:The hero may have to be brought back from his supernatural adventure by assistance from without. That is to say, the world may have to come and get him. For the bliss of the deep abode is not lightly abandoned in favor of the self-scattering of the wakened state. 'Who having cast off the world,' we read, 'would desire to return again? He would be only there.' And yet, in so far as one is alive, life will call. Society is jealous of those who remain away from it, and will come knocking at the door. If the hero... is unwilling, the disturber suffers an ugly shock; but on the other hand, if the summoned one is only delayed-sealed in by the beatitude of the state of perfect being (which resembles death)-an apparent rescue is effected, and the adventurer returns. ~ Joseph Campbell, #NFDB
993:To call up modern versions of the old stories, one has to go forth and live life. As a result then, one will have the challenge of not only living the story, taking it all in, but also interpreting it in whatever ways are useful. So too, one will reap the reward of telling all about it afterward. One's interest in the world, and in having experiences, is really an interest in hearing, having, living one more story, and then one more, then one more story, till one cannot live them out loud any longer. Perhaps it should be said that the drive to live out stories is as deep in the psyche, when awakened, as it is compelling to the psyche to listen to stories and learn from them.
Clarissa Pinkola Estes, Ph.D. in Introduction to the 2004 edition of The hero with a thousand faces (J.Campbell) ~ Joseph Campbell,#NFDB
994:Someone told me I'd find a princess of great worth here. One with the strength to be the hero this realm needs."
He stared at me with those unsettling blue eyes. They were cold, like ice water - made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. In brisk steps, he strode across the marble to the courtyard. But before crossing the threshold, he turned back to glare at me with his lip curled ever so slightly. "It seems she was mistaken."...
I felt my own lip curl in response. How rude! Who the Grimm was this peasant to judge me? I was wearing a Glenda original. Original! Not some fairy-godmother knockoff worn by those servant girls turned royal. I was a crown princess, for the love of fairy, and no one dismissed me. ~ Betsy Schow,#NFDB
995:For me to accept baptism, I had to believe in Christ’s reality—in the reality not just of his life but also of his miracles and death and resurrection. But how could I? Such things don’t happen. Look around you. There are no miracles. There can be no resurrection. The clockwork world is all in all. But such things don’t happen, I knew now, was the ultimate irrational prejudice of the human mind: the belief that the symbols of reality are more real than the reality they symbolize. That’s us all over. We believe that money is more valuable than the work it represents, that sex is more essential than the love it expresses, that an actor is more admirable than the hero he portrays, that flesh is more alive than spirit. That’s the whole nature of our deluded lives, the cause of so much of our misery. ~ Andrew Klavan, #NFDB
996:At 2:30 a.m. on the night of August 2, 1943, Kennedy, the skipper of a PT boat on patrol in World War II, got the chance to play the hero in his own life story. An enemy destroyer rammed the boat and split it in half. Two members of the 13-man crew were killed. One man was terribly injured and would certainly die if left on his own to swim to safety. Kennedy took a strap of the man’s life jacket, put it between his teeth, and swam four hours to a tiny uninhabited island that was only 70 yards wide. “With the physical courage of which he’d shown himself to be capable, Jack Kennedy had turned his years of frailty and private suffering into a personal and public confidence that would take him forward,”10 writes Matthews. Stories of heroes and heroic actions challenge us to remake our own internal narratives. ~ Carmine Gallo, #NFDB
997:Reunited
The hours were long with you away,
Although I thought I could forget;
I banished you and cursed the day
That we had ever met.
I frowned upon you, and I vowed
That nevermore your charms I 'd seek;
I sought new pleasures with the crowd,
But I am weak.
Temptress I called you, and I swore
No longer your demands I 'd serve;
Freedom I 'd own forevermore,
But lost my nerve.
And absent, all my love returned,
Not for one moment was I free,
For you I nightly, daily yearned;
Your slave I 'd be.
No charm in anything I found,
No lustre in the skies of blue,
I merely moped my way around,
And sighed for you.
I must be made of fragile clay,
Unsuited for the hero type,
For back to you I come today,
Old briar pipe.
~ Edgar Albert Guest,#NFDB
998:May you listen to the voice within the beat even when you are tired. When you feel yourself breaking down, may you break open instead. May every experience in life be a door that opens your heart, expands your understanding, and leads you to freedom. If you are weary, may you be aroused by passion and purpose. If you are blameful and bitter, may you be sweetened by hope and humor. If you are frightened, may you be emboldened by a big consciousness far wiser than your fear. If you are lonely, may you find love, may you find friendship. If you are lost, may you understand that we are all lost, and still we are guided—by Strange Angels and Sleeping Giants, by our better and kinder natures, by the vibrant voice within the beat. May you follow that voice, for This is the way—the hero’s journey, the life worth living, the ~ Anonymous, #NFDB
999:Before you engage, you won’t know the outcome of the struggle. You may win the day easily, with barely a scratch. You may prevail, after much effort and after earning a few battle scars. You may fall, never to rise again. There may be treasure in the back of the cave, enough to live on in splendor for the rest of your days. There may be nothing. You may win glory and renown, or be considered a fool, worse off than you were before. This is the essence of life. The outcome of your actions and decisions is unknown and unknowable. What separates the adventurer from the bulk of humanity is the willingness to fight in spite of the risks: to meet the enemy on the field of valor, trusting in skill, instinct, and determination to see them through to a good end. There are no certainties and no guarantees. The hero fights anyway. ~ Josh Kaufman, #NFDB
1000:Because we human beings are verbal and communal animals, we cannot remain wonder-struck and dumb. We need to say something. We are a species given to storytelling and philosophizing to explain our world. Ergo, it is pure folly to suppose we can avoid speaking about the ultimate context and meaning of our existence. We cannot simply be content with the private experience of elementary emotions and the great encompassing mystery. Our feelings demand expression. How are we to understand this perennial need to speak to G-d and about G-d even when what we say involves contradictions, paradoxes, and sacred nonsense? To communicate is to come back into the community. The hero must return from the inner journey to the common life of dialogue and engagement. PRAYERS TO AN ABSENT G-D ON PRAYER You ask me how to pray to someone who is not. ~ Sam Keen, #NFDB
1001:I’d love to be William Wallace, leading the charge with a big sword in my hand,” sighed a friend. “But I feel like I’m the guy back there in the fourth row, with a hoe.” That’s a lie of the Enemy—that your place is really insignificant, that you aren’t really armed for it anyway. In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. This is the next leg in the initiation journey, when God calls a man forward to the front lines. He wants to develop and release in us the qualities every warrior needs—including a keen awareness of the enemies we will face. ~ John Eldredge, #NFDB
1002:11. The Ultimate Boon:The gods and goddesses then are to be understood as embodiments and custodians of the elixir of Imperishable Being but not themselves the Ultimate in its primary state. What the hero seeks through his intercourse with them is therefore not finally themselves, but their grace, i.e., the power of their sustaining substance. This miraculous energy-substance and this alone is the Imperishable; the names and forms of the deities who everywhere embody, dispense, and represent it come and go. This is the miraculous energy of the thunderbolts of Zeus, Yahweh, and the Supreme Buddha, the fertility of the rain of Viracocha, the virtue announced by the bell rung in the Mass at the consecration, and the light of the ultimate illumination of the saint and sage. Its guardians dare release it only to the duly proven. ~ Joseph Campbell, #NFDB
1003:The hero of a David Lodge novel says that you don't know, when you make love for the last time, that you are making love for the last time. Voting is like that. Some of the Germans who voted for the Nazi Party in 1932 no doubt understood that this might be the last meaningfully free election for some time, but most did not. Some of the Czechs and Slovaks who voted for the Czechoslovak Communist Party in 1946 probably realized that they were voting for the end of democracy, but most assumed they would have another chance. No doubt the Russians who voted in 1990 did not think that this would be the last free and fair election in their country's history, which (thus far) it has been. Any election can be the last, or at least the last in the lifetime of the person casting the vote. ~ Timothy Snyder, On Tyranny: Twenty Lessons from the Twentieth Century, #NFDB
1004:In retrospect, the fact that Toy Story was the beginning of Steve’s professional resurrection seems preposterously appropriate. Its plot established the Pixar formula: a likable character is the cause of his own downfall, often as a result of hubris; but he (or she, once Pixar finally made Brave) overcomes weakness through kindness, bravery, quick wits, invention, or some combination thereof, and thereby earns a redemption that makes him—or her—an even better and more complete toy (or bug, car, fish, princess, monster, robot, mouse, or superhero!). The hero’s downfall, incidentally, often involves some kind of exile, as in Toy Story, where Woody “accidentally” sends Buzz careening into Sid’s backyard, and then must join him to engineer a hair-raising escape from that evil child. The parallels to Steve’s own exile from Apple are obvious. ~ Brent Schlender, #NFDB
1005:Think of all the stories you've heard, Bast. You have a young boy, the hero. His parents are killed he sets out for vengeance. What next?"
Bast hesitated, his expression puzzled. Chronicler answered the question instead. "He finds help. A clever talking squirrel. An old drunken swordsman. A mad hermit in the woods. That sort of thing."
Kvothe nodded. "Exactly! He finds the mad hermit in the woods, proves himself worthy, and learns the names of all things, just like Taborlin the Great. Then with these powerful magics at his beck and call, what does he do?"
Chronicler shrugged. "He finds the villains and kills them."
"Of course," Kvothe said grandly. "Clean, quick, and easy as lying. We know how it ends practically before it starts. That's why stories appeal to us. They give us the clarity and simplicity our real lives lack. ~ Patrick Rothfuss,#NFDB
1006:oddities only strike ordinary people. Oddities do not strike odd people. This is why ordinary people have a much more exciting time; while odd people are always complaining of the dulness of life. This is also why the new novels die so quickly, and why the old fairy tales endure for ever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal. But in the modern psychological novel the hero is abnormal; the centre is not central. Hence the fiercest adventures fail to affect him adequately, and the book is monotonous. You can make a story out of a hero among dragons; but not out of a dragon among dragons. The fairy tale discusses what a sane man will do in a mad world. The sober realistic novel of to-day discusses what an essential lunatic will do in a dull world. ~ G K Chesterton, #NFDB
1007:May you listen to the voice within the beat even when you are tired. When you feel yourself breaking down, may you break open instead. May every experience in life be a door that opens your heart, expands your understanding, and leads you to freedom. If you are weary, may you be aroused by passion and purpose. If you are blameful and bitter, may you be sweetened by hope and humor. If you are frightened, may you be emboldened by a big consciousness far wiser than your fear. If you are lonely, may you find love, may you find friendship. If you are lost, may you understand that we are all lost, and still we are guided—by Strange Angels and Sleeping Giants, by our better and kinder natures, by the vibrant voice within the beat. May you follow that voice, for This is the way—the hero’s journey, the life worth living, the reason we are here. ~ Elizabeth Lesser, #NFDB
1008:So it is that when Dante had taken the last step in his spiritual adventure, and came before the ultimate symbolic vision of the Triune God in the Celestial Rose, he had still one more illumination to experience, even beyond the forms of the Father, Son, and Holy Ghost. "Bernard," he writes, "made a sign to me, and smiled, that I should look upward; but I was already, of myself, such as he wished; for my sight, becoming pure, was entering more and more, through the radiance of the lofty Light which in Itself is true. Thenceforward my vision was greater than our speech, which yields to such a sight, and the memory yields to such excess. [167]
[167] "Paradiso," XXXIII, 49-57 (translation by Norton, op. cit., Vol. Ill, pp. 253-254, by permission of Houghton Mifflin Company, publishers). ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,#NFDB
1009:May you listen to the voice within the beat even when you are tired. When you feel yourself breaking down, may you break open instead. May every experience in life be a door that opens your heart, expands your understanding, and leads you to freedom. If you are weary, may you be aroused by passion and purpose. If you are blameful and bitter, may you be sweetened by hope and humor.
If you are frightened, may you be emboldened by a big consciousness far wiser than your fear. If you are lonely, may you find love, may you find friendship. If you are lost, may you understand that we are all
lost, and still we are guided—by Strange Angels and Sleeping Giants, by our better and kinder natures, by the vibrant voice within the beat. May you follow that voice, for This is the way—the hero’s journey, the life worth living, the reason we are here. ~ Elizabeth Lesser,#NFDB
1010:Sam?”
“Yeah.”
“I was on the school bus that day. Remember?”
“Vaguely,” he said, and laughed. “My fifteen minutes of fame.”
“You were the bravest, coolest person I’d ever known. Everyone thought so. You were the hero of the whole school. And then, I don’t know. It was like you kind of just…faded.”
He resented that a little. He hadn’t faded. Had he? “Well, most days the bus driver doesn’t have a heart attack,” Sam said.
Astrid laughed. “You’re one of those people, I think. You go along in your life just sort of living. And then something goes wrong and there you are. You step up and do what you have to do. Like today, the fire.”
“Yeah, well, to tell you the truth, I kind of prefer the other part. The part where I just live my life.”
Astrid nodded like she understood, but then she said, “That’s not going to happen this time. ~ Michael Grant,#NFDB
1011:A hero whose heroism consists of killing people is uninteresting to me, and I detest the hormonal war orgies of our visual media, the mechanical slaughter of endless battalions of black-clad, yellow-toothed, red-eyed demons. War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to “a war against” whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the “right” side and therefore will win. Right makes might. Or does might make right? ~ Ursula K Le Guin, #NFDB
1012:2. Refusal of the Call:Often in actual life, and not infrequently in the myths and popular tales, we encounter the dull case of the call unanswered; for it is always possible to turn the ear to other interests. Refusal of the summons converts the adventure into its negative. Walled in boredom, hard work, or 'culture,' the subject loses the power of significant affirmative action and becomes a victim to be saved. His flowering world becomes a wasteland of dry stones and his life feels meaningless-even though, like King Minos, he may through titanic effort succeed in building an empire or renown. Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration. ~ Joseph Campbell, The Hero with a Thousand Faces, #NFDB
1013:Mother is a humble woman. Very, very humble. She toils at a small café one hour distance from our home. She presents food and drink to customers there, and says to me, "I mount the autobus for an hour to work all day doing things I hate. You want to know why? It is for you, Alexi-stop-spleening-me! One day you will do things for me that you hate. That is what it means to be a family." What she does not clutch is that I already do things for her that I hate. I listen to her when she talks to me. I resist complaining about my pygmy allowance. And did I mention that I do not spleen her nearly so much as I desire to? But I do not do these things because we are a family. I do them because they are common decencies. That is an idiom that the hero taught me. I do them because I am not a big fucking asshole. That is another idiom that the hero taught me. ~ Jonathan Safran Foer, #NFDB
1014:The thunderbolt (vajra) is one of the major symbols in Buddhist iconography, signifying the spiritual power of Buddhahood (indestructible enlightenment) which shatters the illusory realities of the world. The Absolute, or Adi Buddha, is represented in the images of Tibet as Vajra-Dhara (Tibetan: Dorje-Chang) "Holder of the Adamantine Bolt.
...
We know also that among primitive peoples warriors may speak of their weapons as thunderbolts. Sicut in coelo et in terra: the initiated warrior is an agent of the divine will; his training is not only in manual but also in spiritual skills. Magic (the supernatural power of the thunderbolt), as well as physical force and chemical poison, gives the lethal energy to his blows. A consummate master would require no physical weapon at all; the power of his magic word would suffice. ~ Joseph Campbell, The Hero with a Thousand Faces,#NFDB
1015:the ultimate irrational prejudice of the human mind: the belief that the symbols of reality are more real than the reality they symbolize. That’s us all over. We believe that money is more valuable than the work it represents, that sex is more essential than the love it expresses, that an actor is more admirable than the hero he portrays, that flesh is more alive than spirit. That’s the whole nature of our deluded lives, the cause of so much of our misery. One by one, we let idolatry ruin each good thing. Without faith, we can’t help ourselves. Without faith, we can no more see through our materialist prejudice than we can see through the big blue bowl of the sky and into the eternity beyond. The choice between idolatry and faith—which is ultimately the choice between slavery in the flesh and freedom in the spirit—is the only real choice we have to make. I ~ Andrew Klavan, #NFDB
1016:The notion of an impersonal, even hostile society is common--a society in which all actions and motives seem to have equal value and to be perversely detached from human direction. Common too is the helplessness of the individual before alien forces--not the hero who does things, but as Wynham Lewis has put it, the hero to whom things are done. The disenchanted, lonely figure, searching for ethical significance in the smallest of things, struggling for identification with race or class or group, incessantly striving to answer the question, "Who am I, What am I", has become, especially in Europe, almost the central literary type of the age.
Not the free individual, but the lost individual; not independence but isolation; not self-discovery but self-obsession; not to conquer but to be conquered; these are the major states of mind in contemporary literature. ~ Robert A Nisbet,#NFDB
1017:Does the sacred quest end with cultivating our own gardens and dwelling within our private and incommunicable experiences? Because we human beings are verbal and communal animals, we cannot remain wonder-struck and dumb. We need to say something. We are a species given to storytelling and philosophizing to explain our world. Ergo, it is pure folly to suppose we can avoid speaking about the ultimate context and meaning of our existence. We cannot simply be content with the private experience of elementary emotions and the great encompassing mystery. Our feelings demand expression. How are we to understand this perennial need to speak to G-d and about G-d even when what we say involves contradictions, paradoxes, and sacred nonsense? To communicate is to come back into the community. The hero must return from the inner journey to the common life of dialogue and engagement. ~ Sam Keen, #NFDB
1018:Nor does it matter from the standpoint of a comparative study of symbolic forms whether Christ or the Buddha ever actually lived and performed the miracles associated with their teachings. The religious literatures of the world abound in counterparts of those two great lives. And what one may learn from them all, finally, is that the savior, the hero, the redeemed one, is the one who has learned to penetrate the protective wall of those fears within, which exclude the rest of us, generally, in our daylight and even our dreamnight thoughts, from all experience of our own and the world’s divine ground. The mythologized biographies of such saviors communicate the messages of their world-transcending wisdom in world-transcending symbols - which, ironically, are then generally translated back into such verbalized thoughts as built the interior walls in the first place. ~ Joseph Campbell, #NFDB
1019:Doors had lost their hinges, and were holding on by their latches; windows were broken, painted plaster had peeled off, and was lying about in clods; fowls and cats had so taken possession of the out-buildings, that I couldn’t help thinking of the fairy tales, and eyeing them with suspicion, as transformed retainers, waiting to be changed back again. One old Tom in particular: a scraggy brute, with a hungry green eye (a poor relation, in reality, I am inclined to think): came prowling round and round me, as if he half believed, for the moment, that I might be the hero come to marry the lady, and set all to-rights; but discovering his mistake, he suddenly gave a grim snarl, and walked away with such a tremendous tail, that he couldn’t get into the little hole where he lived, but was obliged to wait outside, until his indignation and his tail had gone down together. ~ Charles Dickens, #NFDB
1020:Finally, it is very important to see the patient as the hero of a drama and not to see him as a summation of complexes. And, actually, every human being is the hero of a drama. I don’t mean that in any sentimental fashion. Here is a person born with certain gifts, and usually he fails, and his life is a tremendous struggle to make something out of that which he is born with, fighting against tremendous handicaps. Even the most banal person in one sense, looking at it from the outside, is exceedingly interesting once you see him as that person, as that living substance which was thrown into the world at a place not desired by him nor known to him, and is fighting in some way his way through. Actually, the great writer is characterized precisely by the fact that he can show a person who is banal in one sense and yet who is a hero in the sense in which the artist sees him. ~ Erich Fromm, #NFDB
1021:The world into which we are born is imagined as a stage full of actors but with no script, or director. Everyone assumes they are the hero, but discover they are not the protagonists of the ongoing play. We are forced to play certain roles and speak certain dialogues. But we revolt. We want our own script to be performed and our own dialogues to be heard. So we negotiate with fellow actors. Some succeed in getting heard with some people, others fail with most people, no one succeeds with everybody. We cling to our scripts, submit to other people’s scripts, speak dialogues we do not want to, only to stay relevant and connected to the larger narrative, or at least to a subplot. Heroes emerge. Villains emerge. Heroes of one plot turn out to be villains of other plots. Eventually, all leave the stage but the play continues. Who knows what is actually going on? Vishnu, ~ Devdutt Pattanaik, #NFDB
1022:He slid back beneath the covers, smiling like a fool. It was rather nice, being the hero of the hour ... and there were no words to describe how he'd felt when Miss Juliet Paige had come in to say good night to him and bent down to touch her cool, sweet lips to his brow. He sighed and lay back in bed with a happy grin. Such attentions made him feel quite special, indeed. And, appreciated. He wasn't used to anyone appreciating him. He closed his eyes. The blackbird was still singing, and as he began to drift away, he allowed himself to imagine that Juliet Paige was gazing reverently down at him, standing watch over him as though he were some mighty fallen warrior-hero and she, heaven's dearest angel. When Lucien came quietly in to check on him an hour later, Gareth was fast asleep ... and still smiling. ~ Danelle Harmon~ Danelle Harmon~ Danelle Harmon~ Danelle Harmon ~ Danelle Harmon, #NFDB
1023:In the old stories, despite the impossibility of the incidents, the interest is always real and human. The princes and princesses fall in love and marry--nothing could be more human than that. Their lives and loves are crossed by human sorrows...The hero and heroine are persecuted or separated by cruel stepmothers or enchanters; they have wanderings and sorrows to suffer; they have adventures to achieve and difficulties to overcome; they must display courage, loyalty and address, courtesy, gentleness and gratitude. Thus they are living in a real human world, though it wears a mythical face, though there are giants and lions in the way. The old fairy tales which a silly sort of people disparage as too wicked and ferocious for the nursery, are really 'full of matter,' and unobtrusively teach the true lessons of our wayfaring in a world of perplexities and obstructions. ~ Andrew Lang, #NFDB
1024:Leonie Barrow's voice was quiet but clear. With Marechal's eyes on her, she said, "Cabal is more dangerous then you can believe, Count. Both the angels and the devils fear him. He's a monster, but an evenhanded one. I know he is capable of the most appalling acts of evil." Her glance moved to Cabal, who was listening dispassionately. "I believe he is also capable of great good. But to predict which he will do next isn't easy or safe."
Marechal grimaced. "What is your association with this man? Public relations or something?"
"I loathe him," she said with sudden venom. The, more quietly, "And I admire him. You're right; he didn't have to come back. He's taken a big risk, but I know he's taken bigger. I can't tell you whether he's a monster or playing the hero right now, but I know one thing. You made the biggest mistake of your life when you made an enemy of him. ~ Jonathan L Howard,#NFDB
1025:Do you know what an inciting incident is?' Noah says as he turns off the engine.
I shake my head.
'It's the point at the start of a movie where something happens to the hero that changes their live forever. You've seen Harry Potter, right?'
I nod.
'Well, the inciting incident in that movie is when Hagrid tells Harry Potter he'll be a great wizard someday and gives him the invite to Hogwarts.'
'Oh right.'
Noah looks down in his lap, like he's embarassed. 'I think that's what you might be to me.'
'What? A wizard?'
'No! My inciting incident.'
I glance at him. In half-light of the car park, his cheekbones look even more chiselled than ever. 'What do you mean?' I ask, hardly daring to believe what I think he means.
'I mean, Ithink this might be the start of something.'
We sat in silence.
'I think you might be my inciting incident too,' I say with a small smile. ~ Zoe Sugg,#NFDB
1026:Freud has said in Totem and Taboo that acts that are illegal for the individual can be justified in another way: the one who initiates the act takes upon himself both the risk and the guilt. The result is truly magic: each member of the group can repeat the act without guilt. They are not responsible, only the leader is. Redl calls this, aptly, "priority magic." But it does something even more than relieve guilt: it actually transforms the fact of murder. This crucial point initiates us directly into the phenomenology of group transformation of the everyday world. If one murders without guilt, and in imitation of the hero who runs the risk, why then it is no longer murder: it is "holy aggression. For the first one it was not." In other words, participation in the group redistills everyday reality and gives it the aura of the sacred-just as, in childhood, play created a heightened reality. ~ Ernest Becker, #NFDB
1027:Horses And Men In Rain
Let us sit by a hissing steam radiator a winter's day, gray wind pattering frozen
raindrops on the window,
And let us talk about milk wagon drivers and grocery delivery boys.
Let us keep our feet in wool slippers and mix hot punches--and talk about mail
carriers and
messenger boys slipping along the icy sidewalks.
Let us write of olden, golden days and hunters of the
Holy Grail and men called "knights" riding horses in the rain, in the cold frozen
rain for ladies they loved.
A roustabout hunched on a coal wagon goes by, icicles drip on his hat rim, sheets
of ice wrapping
the hunks of coal, the caravanserai a gray blur in slant of rain.
Let us nudge the steam radiator with our wool slippers and write poems of
Launcelot, the hero, and
Roland, the hero, and all the olden golden men who rode horses in the rain.
~ Carl Sandburg,#NFDB
1028:When I saw a white shoe peeking from under a bush, I crept closer and whispered, “It’s me.” Corey started at the sound of my voice, then caught himself.
“You guys shouldn’t have come back.”
“We did. Now, shhh, before I regret it.”
I crawled under the branches and gave him a quick, one-armed hug. I whispered that we’d wait a minute to make sure all was clear. Then I said, “We’re going to crawl out of here until we get to Daniel, so he can help you walk.”
“I can walk--”
“Don’t play the hero or you’ll get us captured.”
“That’s so sweet. Makes me feel all warm and fuzzy inside.”
“Hey, I hugged you, didn’t I? Now follow me and try not to make any noise.”
“Yes, ma’am.” He leaned down toward my ear. “I like it when you order me around. It’s really hot.”
I stifled a laugh, and for the first time since we’d gotten in that helicopter, I felt a little more like myself. ~ Kelley Armstrong,#NFDB
1029:If we are to go by what the movies and novels tell us, falling in love just happens. If it is a Hindi movie, you hear a melodious track in the background, the lyrics usually waxing eloquent about the heroine’s beauty, comparing various parts of her anatomy to the moon, stars, the sun—even Fevicol. This is accompanied by the hero gazing at her with the expression of a glutton discovering a six-course banquet consisting of various gastronomical delights. In real life though, falling in love often happens over a period of time. You see someone gorgeous and get attracted strongly. If you strike up a conversation, find each other likable—or intriguing, as the case may be—then you exchange phone numbers or email ids. After a couple of dates, discovering many things and maybe a kiss or something more, depending on how much in resonance your moral compasses are, the magic happens, and wham, you are in love. ~ Preeti Shenoy, #NFDB
1030:When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears. ~ Robert Hass,#NFDB
1031:They ended up in a amusement arcade on Old Compton Street, where Nora insisted Stephen join her on one of those dance-step machines, and as he stood next to her, stomping out a dance routine on the illuminated dance floor, he had a sudden anxiety that Nora might be one of those kooky, free-spirit types, the kind of irreverent life-force who, in the imaginary romantic comedy currently playing in his head, turns the hero’s narrow life upside down, etc., etc. The acid test for free-spirited kookiness is to show the subject a field of fresh snow; if they flop on their backs and make snow-angels, then the test is positive. In the absence of snow, Stephan resolved to keep an eye open for other tell-tale kookiness indicators: a propensity for wacky hats, zany mismatched socks, leaf-kicking, a disproportionate enthusiasm for karaoke, kite - flying and light-hearted shoplifting, the whole Holly Golightly act. ~ David Nicholls, #NFDB
1032:Ah! grasp the dire dagger and couch the fell spear,
If vengeance and death to thy bosom be dear,
The dastard shall perish, deaths torment shall prove,
For fate and revenge are decreed from above.
Ah! where is the hero, whose nerves strung by youth,
Will defend the firm cause of justice and truth;
With insatiate desire whose bosom shall swell,
To give up the oppressor to judgement and Hell--
For him shall the fair one twine chaplets of bays,
To him shall each warrior give merited praise,
And triumphant returned from the clangour of arms,
He shall find his reward in his loved maiden's charms.
In ecstatic confusion the warrior shall sip,
The kisses that glow on his love's dewy lip,
And mutual, eternal, embraces shall prove,
The rewards of the brave are the transports of love.
OCTOBER, 1809.
~ Percy Bysshe Shelley, Song. Translated From The German
,#NFDB
1033:Even the beauteous must die! This vanquishes men and immortals;
But of the Stygian god moves not the bosom of steel.
Once and once only could love prevail on the ruler of shadows,
And on the threshold, e'en then, sternly his gift he recalled.
Venus could never heal the wounds of the beauteous stripling,
That the terrible boar made in his delicate skin;
Nor could his mother immortal preserve the hero so godlike,
When at the west gate of Troy, falling, his fate he fulfilled.
But she arose from the ocean with all the daughters of Nereus,
And o'er her glorified son raised the loud accents of woe.
See! where all the gods and goddesses yonder are weeping,
That the beauteous must fade, and that the perfect must die.
Even a woe-song to be in the mouth of the loved ones is glorious,
For what is vulgar descends mutely to Orcus' dark shades.
~ Friedrich Schiller, Naenia
,#NFDB
1034:One day I realized something obvious: In all these movies, there was a similar plot. The hero is always weak at the beginning and strong at the end, or a jerk at the beginning and kind at the end, or cowardly at the beginning and brave at the end. In other words, heroes are almost always screwups. But it hardly mattered. All the hero has to do to make the story great is struggle with doubt, face their demons, and muster enough strength to destroy the Death Star. That said, I noticed another thing. The strongest character in a story isn’t the hero, it’s the guide. Yoda. Haymitch. It’s the guide who gets the hero back on track. The guide gives the hero a plan and enough confidence to enter the fight. The guide has walked the path of the hero and has the advice and wisdom to get the hero through their troubles so they can beat the resistance. The more I studied story, the more I realized I needed a guide. ~ Donald Miller, #NFDB
1035:I tend to think of human beings as huge, rubbery test tubes, too, with chemical reactions seething inside. When I was a boy, I saw a lot of people with goiters. So did Dwayne Hoover, the Pontiac dealer who is the hero of this book. Those unhappy Earthlings had such swollen thyroid glands that they seemed to have zucchini squash growing from their throats.
All they had to do in order to have ordinary lives, it turned out, was to consume less than one-millionth of an ounce of iodine every day.
My own mother wrecked her brains with chemicals, which were supposed to make her sleep.
When I get depressed, I take a little pill, and I cheer up again.
And so on.
So it is a big temptation to me, when I create a character for a novel, to say that he is what he is because of faulty wiring, or because of microscopic amounts of chemicals which he ate or failed to eat on that particular day. ~ Kurt Vonnegut,#NFDB
1036:down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world.
“He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him.
“The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in. ~ Raymond Chandler,#NFDB
1037:The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has lived the future that he onced dreamed, sees life as a tragedy; for he has learned that his power, however great, will not prevail against those forces of accident and nature to which he gives the names of gods, and has learned that he is mortal. But the man of age, if he plays his assigned role properly, must see life as a comedy. For his triumphs and his failures merge, and one is no more the occasion for pride or shame than the other; and he is neither the hero who proves himself against those forces, nor the protagonist who is destroyed by them. Like any poor, pitiable shell of an actor, he comes to see that he has played so many parts that there no longer is himself. ~ John Williams, #NFDB
1038:Remorse
THE HORSE'S name was Remorse.
There were people said, 'Gee, what a nag!'
And they were Edgar Allan Poe bugs and so
They called him Remorse.
When he was a gelding
He flashed his heels to other ponies
And threw dust in the noses of other ponies
And won his first race and his second
And another and another and hardly ever
Came under the wire behind the other runners.
And so, Remorse, who is gone, was the hero of a play
By Henry Blossom, who is now gone.
What is there to a monicker? Call me anything.
A nut, a cheese, something that the cat brought in.
Nick me with any old name.
Class me up for a fish, a gorilla, a slant head, an egg, a ham.
Only ... slam me across the ears sometimes ... and hunt for a white star
In my forehead and twist the bang of my forelock around it.
Make a wish for me. Maybe I will light out like a streak of wind.
~ Carl Sandburg,#NFDB
1039:We weep for characters, and then we go brush our teeth and have to face the fact that the world is warming at such a rapid pace that a terrifying number of amphibians are vanishing every month. And so through plays, through soccer games, through novels, through movies, through video games, through political elections - through story - we rehearse feelings we might eventually need in our own lives. ... Through drama, in the moments of greatest suspense, when the hero is hanging by a support from above, swaying to and fro ... we rehearse anxiety and longing more profoundly than any other emotions. ... And longing is the reach, the extension, the wild desire to attain the next stable platform at the end of the high wire. It's the hope against hope that the water shooting out of the fountain will stay aloft forever. (Anthony Doerr, "The Sword of Damocles: On Suspense, Shower Murders, and Shooting People on the Beach") ~ Christopher R Beha, #NFDB
1040:WHICH FAKE ROM-COM LADY CAREER SHOULD YOU PURSUE?
...Think Bond girl—you’re incredibly smart in the one specific area that just so happens to help the protagonist in this one very specific instant of the plot. “Give me that,” you’ll say, snatching the hieroglyph from the hero’s hand. “I have two PhDs in cryptozoological translation.” You’ll shove the hero aside from the beeping machine. “I’m NASA’s top-ranking expert in nuclear disarmament techniques.” Does it make sense? No, but who cares? You are very, very pretty. And smart, definitely smart because even though you look like a supermodel and wear very sexy clothing and a full face of makeup, you are also wearing glasses. Sure, twenty-four looks a little young to have three PhDs but they’re pretty sure making you smart in whatever will move the plot forward means this movie is feminist. You will either end up running away with the hero, or you will die. Apologies. ~ Dana Schwartz,#NFDB
1041:Honey, what happened to your arm?” Rita frowned, reached over, and ran her fingers across the bruises. “Both of them!” she added, noticing the other arm. The sleeves of her cover-up had ridden up. Meridith pulled them down. “Oh. It’s nothing. A guest caught me by surprise last night.” “What? Did he attack you, Meridith?” “Sort of, but Jake came and, well, kind of punched him, and everything’s fine now.” “Jake . . . ?” “The contractor I told you about.” “Oh, right. Thank God he was there! Did you call the police?” “No. Jake booted him and his friends from the house.” “But are you okay? You must have been terrified!” Meridith nodded. “I was. I was so relieved when Jake showed up. It was late at night, and I was alone on the beach—won’t do that again.” She gave a dry laugh. “I’m just glad you’re okay. This Jake guy seems like quite the hero.” She’d only vocalized what Meridith had been thinking. “We’re lucky to have him around. ~ Denise Hunter, #NFDB
1042:Amy, amante, amour, he whispered, as if the words themselves were smuts of ash rising and falling, as though the candle were the story of his life and she the flame. He lay down in his haphazard cot. After a time he found and opened a book he had been reading that he had expected to end well, a romance which he wanted to end well, with the hero and heroine finding love, with peace and joy and redemption and understanding. Love is two bodies with one soul, he read, and turned the page. But there was nothing—the final pages had been ripped away and used as toilet paper or smoked, and there was no hope or joy or understanding. There was no last page. The book of his life just broke off. There was only the mud below him and the filthy sky above. There was to be no peace and no hope. And Dorrigo Evans understood that the love story would go on forever and ever, world without end. He would live in hell, because love is that also. ~ Richard Flanagan, #NFDB
1043:Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know. As he progresses in the slow initiation which is life, the form of the goddess undergoes for him a series of transfigurations: she can never be greater than himself, though she can always promise more than he is yet capable of comprehending. She lures, she guides, she bids him burst his fetters. If he can match her import, the two, the knower and the known, will be released from every limitation. Woman is the guide to the sublime acme of sensuous adventure. By deficient eyes she is reduced to inferior states; by evil eyes of ignorance, she is reduced to banality and ugliness. But she is redeemed by the eyes of understanding. The hero who can taker her as she is, without undue commotion but with the kindness and assurance she requires, is potentially the king, the incarnate god, of her created world. ~ Joseph Campbell, #NFDB
1044:The paradox of creation, the coming of the forms of time out of eternity, is the germinal secret of the father. It can never be quite explained. Therefore, in every system of theology, there is an umbilical point, an Schillies tendon, which the finger of mother life has touched, and where the possibility of perfect knolwege has been imparted. The problem of the hero is to pierce himself (and therewith his world) precisely through that point; to shatter and annhilate the key knot of his limited existence.
The problem of the hero going to meet the father is open to his soul beyon terror to such a degree that he will be ripe to understand how the sickening and insane tragedies of this vast and rutheless comsmos are completely validated in the majesty of Being. The hero transcends life with its peculiar blind spot and for a moment rises to glimpse of the source. He beholds the face of the father, understands - and the two are atoned. ~ Joseph Campbell,#NFDB
1045:First, his personal achievement. I am not concerned here about marches and boycotts, great and important though they were, but rather about a man who struggled to conquer in himself both fear and hate, two of humanity’s most destructive and limiting emotions. I want to stress struggled and conquered. The struggling is as important as the conquering, perhaps more, because it is that—the fact that the outcome was never a foregone conclusion, that our hero did not enter the stage fully formed and destined to win; that he began where most of us stand today, vulnerable to fear and prejudice and all the other frailties of our human condition; and yet he struggled and won victories—it is that which makes us kin to the hero and enables us to become beneficiaries of his heroic journey and able to derive from it the energy and hope to dare the obstacles on our own little side roads. That is what Martin Luther King should say to each of us, individually. ~ Chinua Achebe, #NFDB
1046:People use their leaders almost as an excuse. When they give in to the leader's commands they can always reserve the feeling that these commands are are alien to them, that they are the leader's responsibility, that the terrible acts they are committing are in his name and not theirs. This, then, is another thing that makes people feel so guiltless, as Canetti points out: they can imagine themselves as temporary victims of the leader. The more they give in to his spell, and the more terrible the crimes they commit, the more they can feel that the wrongs are not natural to them. It is all so neat, this usage of the leader; it reminds us of James Franzer's discovery that in the remote past tribes often used their kings as scapegoats who, when they no longer served the people's needs, were put to death. These are the many ways in which men can play the hero, all the while that they are avoiding responsibility for their own acts in a cowardly way. ~ Ernest Becker, #NFDB
1047:Part 3 - Return
12. Refusal of the Return:When the hero-quest has been accomplished, through penetration to the source, or through the grace of some male or female, human or animal, personification, the adventurer still must return with his life-transmuting trophy. The full round, the norm of the monomyth, requires that the hero shall now begin the labor of bringing the runes of wisdom, the Golden Fleece, or his sleeping princess, back into the kingdom of humanity, where the boon may redound to the renewing of the community, the nation, the planet or the ten thousand worlds. But the responsibility has been frequently refused. Even Gautama Buddha, after his triumph, doubted whether the message of realization could be communicated, and saints are reported to have died while in the supernal ecstasy. Numerous indeed are the heroes fabled to have taken up residence forever in the blessed isle of the unaging Goddess of Immortal Being. ~ Joseph Campbell,#NFDB
1048:The fundamental principle underlying all justifications of war, from the point of view of human personality, is ‘heroism’. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realise the relativity of human life and therefore also the law of a ‘more-than-life’, and thus war has always an anti-materialist value, a spiritual value. ~ Julius Evola, #NFDB
1049:The fundamental principle underlying all justifications of war, from the point of view of human personality, is ‘heroism’. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realize the relativity of human life and therefore also the law of a ‘more-than-life’, and thus war has always an anti-materialist value, a spiritual value. ~ Julius Evola, #NFDB
1050:Feigned Courage
Horatio, of ideal courage vain,
Was flourishing in air his father's cane,
And, as the fumes of valour swelled his pate,
Now thought himself this hero, and now that:
'And now,' he cried, 'I will Achilles be;
My sword I brandish; see, the Trojans flee.
Now I'll be Hector, when his angry blade
A lane through heaps of slaughtered Grecians made!
And now by deeds still braver I'll evince
I am no less than Edward the Black Prince.Give way, ye coward French-' As thus he spoke,
And aimed in fancy a sufficient stroke
To fix the fate of Cressy or Poictiers
(The Muse relates the hero's fate with tears);
He struck his milk-white hand against a nail,
Sees his own blood, and feels his courage fail.
Ah! where is now that boasted valour flown,
That in the tented field so late was shown!
Achilles weeps, Great Hector hangs the head,
And the Black Prince goes whimpering to bed.
~ Charles Lamb,#NFDB
1051:Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's. As a kid growing up with books and films and stories instead of friends, that was always the narrative injustice that upset me more than anything else. I felt it sometimes like a sharp pain under the ribcage, the kind of chest pain that lasts for minutes and hours and might be nothing at all or might mean you're slowly dying of something mundane and awful. It's a feeling that hit when I understood how few girls got to go on adventures. I started reading science fiction and fantasy long before Harry Potter and The Hunger Games, before mainstream female leads very occasionally got more at the end of the story than together with the protagonist. Sure, there were tomboys and bad girls, but they were freaks and were usually killed off or married off quickly. Lady hobbits didn't bring the ring to Mordor. They stayed at home in the shire. ~ Laurie Penny, #NFDB
1052:As in our own lives, the story’s outward form must track the inner journey of the hero. When we disconnect from our inner selves and identify exclusively with our ego, that’s when we lose our connection with life’s meaning and purpose and are left facing a void that we try to fill with more money, more sex, more power, more fame. And as we see in all modern literature, when the ego separates itself from the self, the end is always frustration and destruction—whether in Herman Melville’s Moby-Dick or Stendhal’s The Red and the Black. We can use the power of story, and our primal need for it, to redefine our own narrative. We’re all on a journey, a voyage, a quest to slay the monster, free the princess, and return home. But too often the goals we seek—those that the conventional notions of success tell us we should be seeking—take us down dead ends, searching for the meaning of our lives in all the wrong places. Mindfulness helps us become aware of our own story. ~ Arianna Huffington, #NFDB
1053:Of the laws we can deduce from the external world, one stands above all: the Law of Transience. Nothing is intended to last. The trees fall year by year, the mountains tumble, the galaxies burn out like tall tallow candles. Nothing is intended to last — except time. The blanket of the universe wears thin, but time endures. Time is a tower, an endless mine; time is monstrous. Time is the hero. Human and inhuman characters are pinned to time like butterflies to a card; yes, though the wings stay bright, flight is forgotten. Time, like an element which can be solid, liquid or gas, has three states. In the present, it is a flux we cannot seize. In the future, it is a veiling mist. In the past, it has solidified and become glazed; then we call it history. Then it can show us nothing but our own solemn faces; it is a treacherous mirror, reflecting only our limited truths. So much is it a part of man that objectivity is impossible; so neutral is it that it appears hostile. ~ Brian W Aldiss, #NFDB
1054:If this were a novel, you would be able to figure out why my mother screamed. Alain Robbe-Grillet once wrote that the worst thing to happen to the novel was the arrival of psychology. You can assume he meant that now we all expect to understand the motivation behind each character’s actions, as if that’s possible, as if life works that way. I’ve read so many recent novels, particularly those published in the Anglo world, that are dull and trite because I’m always supposed to infer causality. For example, the reason a protagonist can’t experience love is that she was physically abused, or the hero constantly searches for validation because his father paid little attention to him as a child. This, of course, ignores the fact that many others have experienced the same things but do not behave in the same manner, though that’s a minor point compared to the real loss in fulfilling the desire for explanation: the loss of mystery. Causation extraction makes Jack a dull reader. ~ Rabih Alameddine, #NFDB
1055:4. Crossing the First Threshold:With the personifications of his destiny to guide and aid him, the hero goes forward in his adventure until he comes to the 'threshold guardian' at the entrance to the zone of magnified power. Such custodians bound the world in four directions-also up and down-standing for the limits of the hero's present sphere, or life horizon. Beyond them is darkness, the unknown and danger; just as beyond the parental watch is danger to the infant and beyond the protection of his society danger to the members of the tribe. The usual person is more than content, he is even proud, to remain within the indicated bounds, and popular belief gives him every reason to fear so much as the first step into the unexplored. The adventure is always and everywhere a passage beyond the veil of the known into the unknown; the powers that watch at the boundary are dangerous; to deal with them is risky; yet for anyone with competence and courage the danger fades. ~ Joseph Campbell, #NFDB
1056:Submission is identified not with cowardliness, but with virtue, rebellion not with heroism, but with evil.
To the Roman slave owners, Spartacus was not the hero and obedient slaves were not cowards. Spartacus was not a hero, and obedient slaves were virtuous. The obedient slaves believed this also. The obedient always think about themselves as virtuous, rather than cowardly.
If authority implies submission, liberation implies equality. Authority exists when one man obeys another, and liberty exists when one man do not obey other men.
Thus, to say that authority exists is to say that class and cast exist, that submission and inequality exist. To say that the liberty exists is to say that classlessness exists, to say that brotherhood and equality exist.
Authority, by dividing men into classes, creates dichotomy, disruption, hostility, fear, disunion. Liberty, by placing men to equal footing, creates association, amalgamation, union, security. ~ Robert Anton Wilson,#NFDB
1057:For the mythological hero is the champion not of things become but of things becoming; the dragon to be slain by him is precisely the monster of the status quo: Holdfast, the keeper of the past. From obscurity the hero emerges, but the enemy is great and conspicuous in the seat of power; he is enemy, dragon, tyrant, because he turns to his own advantage the authority of his position. He is Holdfast not because he keeps the past but because he keeps. The tyrant is proud, and therein resides his doom. He is proud because he thinks of his strength as his own; thus he is in the clown role, as a mistaker of shadow for substance; it is his destiny to be tricked. The mythological hero, reappearing from the darkness that is the source of the shapes of the day, brings a knowledge of the secret of the tyrant's doom. With a gesture as simple as the pressing of a button, he annihilates the impressive configuration. The hero-deed is a continuous shattering of the crystallizations of the moment ~ Anonymous, #NFDB
1058:Part 2 - Initiation
6. The Road of Trials:Once having traversed the threshold, the hero moves in a dream landscape of curiously fluid, ambiguous forms, where he must survive a succession of trials. This is a favorite phase of the myth-adventure. It has produced a world literature of miraculous tests and ordeals. The hero is covertly aided by the advice, amulets, and secret agents of the supernatural helper whom he met before his entrance into this region. Or it may be that he here discovers for the first time that there is a benign power everywhere supporting him in his superhuman passage. The original departure into the land of trials represented only the beginning of the long and really perilous path of initiatory conquests and moments of illumination. Dragons have now to be slain and surprising barriers passed-again, again, and again. Meanwhile there will be a multitude of preliminary victories, unsustainable ecstasies and momentary glimpses of the wonderful land. ~ Joseph Campbell,#NFDB
1059:Think of the hero's journey as perceived by Joseph Campbell. The mythical hero, usually an unlikely male, undertakes a physical journey to an unknown land. One the way, he is faced with a series of challenges that he can meet only through his superior physical strength and cunning. If he succeeds in getting through all the barriers, he wins the prize, which he can then take home for the benefit of his people.
Although this model has some application to the experience of women, it is not adequate to describe what a woman must do in order to live beyond the stultifying expectations of the culture in which she's raised. If she has small children, she can't take a trip or move to a new place, and very rarely is she called upon to beat down her opponent with force. Instead, her journey is an inner one where the demons are her demons of the self. Her task as the heroine is to return from her inner journey and share her knowledge, wisdom, and energy with the people around her. ~ Helen LaKelly Hunt,#NFDB
1060:The hero of the following account, Homo immunologicus, who must give his life, with all its dangers and surfeits, a symbolic framework, is the human being that struggles with itself in concern for its form. We will characterize it more closely as the ethical human being, or rather Homo repetitious, Homo artista, the human in training. None of the circulating theories of behaviour or action is capable of grasping the practising human - on the contrary: we will understand why previous theories had to make it vanish systematically, regardless of whether they divided the field of observation into work and interaction, processes and communications, or active and contemplative life. With a concept of practice based on a broad anthropological foundation, we finally have the right instrument to overcome the gap, supposedly unbridgeable by methodological means, between biological and cultural phenomena of immunity - that is, between natural processes on the one hand and actions on the other. ~ Peter Sloterdijk, #NFDB
1061:Tatiana turns to him, looks up at him, and smiles. “Do you know what a happy ending is to a Russian?” she says. “When the hero, at the end of his own story, finally learns the reason for his suffering.” Taking another swig of Coke, Alexander says, “Your jokes are getting so lame.” He knocks into her with his stretched-out leg. She takes hold of his hand. “What?” he asks. “Nothing, soldier,” says Tatiana. He is thinking of sailboats in distant oceans, the desert from dimmest childhood, the ghost of fortune, the girl on the bench. When he saw her, he saw something new. He saw it because he wanted to see it, because he wanted to change his life. He stepped off the curb and out of the deadfall. To cross the street. To follow her. And she will give your life meaning, she will save you. Yes, yes—to cross. “We’ll meet again in Lvov, my love and I ...” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young. ~ Paullina Simons, #NFDB
1062:To the Buddhist or the eastern fatalist, existence is a science or a plan, which must end up in a certain way. But to a Christian, existence is a STORY, which may end up in any way. In a thrilling novel (that purely Christian product) the hero is not eaten by cannibals; but it is essential to the existence of the thrill that he MIGHT be eaten by cannibals. The hero must (so to speak) be an eatable hero. So Christian morals have always said to the man, not that he would lose his soul, but that he must take care that he didn't. In Christian morals, in short, it is wicked to call a man "damned": but it is strictly religious and philosophic to call him damnable.
All Christianity concentrates on the man at the cross-roads. The vast and shallow philosophies, the huge syntheses of humbug, all talk about ages and evolution and ultimate developments. The true philosophy is concerned with the instant. Will a man take this road or that? - that is the only thing to think about, if you enjoy thinking. ~ G K Chesterton,#NFDB
1063:Chapter III: Transformation of the Hero
1. Primordial hero and the human
We have come two stages: 1) from the immediate emanations of the Uncreated Creating to the fluid yet timeless personages of the mythological age; 2) from these Created CReating Ones to the sphere of human history. The emanations have condensed, consciousness is constricted. Where formerly causal bodies were visible, now only their secondary effects come to focus in the little hard-fact pupil of the human eye. The cosmogonic cycle is now to be carried forward, therefore, not by the gods, who became invisible now, but through heros, more or less human in character, through whom the world destiny is realized. This is the line where creation myths begin to give place to legend-as in the book of Genesis, following expulsion from Eden. Metaphysics yields to prehistory, which s dim and vague at first, but becomes precise in detail slowly. The heros become less fabulous, legend opens into the common dayliight of recorded time. ~ Joseph Campbell,#NFDB
1064:MOYERS: So if my private dreams are in accord with the public mythology, I'm more likely to live healthily in that society. But if my private dreams are out of step with the public –
CAMPBELL: -- you'll be in trouble. If you're forced to live in that system, you'll be a neurotic.
MOYERS: But aren't many visionaries and even leaders and heroes close to the edge of neuroticism?
CAMPBELL: Yes, they are.
MOYERS: How do you explain that?
CAMPBELL: They've moved out of the society that would have protected them, and into the dark forest, into the world of fire, of original experience. Original experience has not been interpreted for you, and so you've got to work out your life for yourself. Either you can take it or you can't. You don't have to go far off the interpreted path to find yourself in very difficult situations. The courage to face the trials and to bring a whole new body of possibilities into the field of interpreted experience for other people to experience -- that is the hero's deed. ~ Joseph Campbell,#NFDB
1065:Author and former labor secretary Robert Reich identified what he calls the “four essential American stories.”2 The first of these narratives, “The Triumphant Individual,” tells the story of the self-made man. With courage, responsibility, and determination, anybody can pull himself up by his own bootstraps. This is the overcoming-obstacles narrative. Next, “The Benevolent Society” portrays a collective we’re-all-in-this-together effort to better the community. Here society is either a collective hero or the helper to the hero. A more negative story, “The Mob at the Gates,” places America on the top of a moral hierarchy and advocates the urgency of defending the nation against the threats that other nations and peoples pose. Here America is the victim to be protected or rescued. Finally, “Rot at the Top” warns against the evils of powerful elites who abuse their power to the detriment of the common good. Here there is often a collective villain to be fought, though the villain may be a powerful leader. These ~ George Lakoff, #NFDB
1066:How recognisable, how familiar to us, is the man so beautifully portrayed in the 'groundwork', who confronted even with Christ turns away to consider the judgement of his own conscience and to hear the voice of his own reason...This man is with us still, free, independent, lovely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison detre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational, and yet increasingly aware of his alienation from the material universe which his discoveries reveal... his alienation from the material universe which his discoveries reveal..his alienation is without cure... It is not such a long step from Kant to Neitzsche to existentialism, and the Anglo-Saxon ethical doctrines which in some ways closely resemble it.... In fact, Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer. ~ Iris Murdoch, #NFDB
1067:Please don't apologize for what you write. For some people your words will never be enough.
If you write a female Jedi they’ll complain she’s evil. Write a gay Holmes they’ll complain he isn’t black. Write a transgender cop they’ll complain he isn’t the hero.
Here’s the thing about that: You personally can’t write all the wrongs. You can write gay-positive stories, women-motivated tales, or whatever you write that gives voice to people who are often marginalized. What you can’t possibly do is give voice to every one.
And some people will complain about that, and for them nothing you write will ever be enough. So when they tell you your trans cop, your bad ass Jedi, your gay Holmes isn’t good enough—don’t listen. Make the world better in the way you do it. Those people are not living in your skin, you are. They’re not writing, you are. So write what’s inside you, make it beautiful and affirmative, give yourself and others a voice, but please don’t apologize to people who would never, ever apologize to you. ~ Anonymous,#NFDB
1068:7. The Meeting with the Goddess:The ultimate adventure, when all the barriers and ogres have been overcome, is commonly represented as a mystical marriage of the triumphant hero-soul with the Queen Goddess of the World. This is the crisis at the nadir, the zenith, or at the uttermost edge of the earth, at the central point of the cosmos, in the tabernacle of the temple, or within the darkness of the deepest chamber of the heart. The meeting with the goddess (who is incarnate in every woman) is the final test of the talent of the hero to win the boon of love (charity: amor fati), which is life itself enjoyed as the encasement of eternity. And when the adventurer, in this context, is not a youth but a maid, she is the one who, by her qualities, her beauty, or her yearning, is fit to become the consort of an immortal. Then the heavenly husband descends to her and conducts her to his bed-whether she will or not. And if she has shunned him, the scales fall from her eyes; if she has sought him, her desire finds its peace. ~ Joseph Campbell, #NFDB
1069:Too many preachers have been like the cowed Israelites across the valley from Goliath, trembling at the reverberations of his authoritative voice. There have been, however, praise God, many Davids . . . who have picked up five smooth stones known as facts and hurled them with deadly aim and effect.4 He was delighted to see that his homiletic mentor confronted the issue of race: Jesus’ most effective sermon on race relations was not really a discourse on that subject at all. It was the parable of the Good Samaritan . . . the hero was a despised and unjustly treated member of another race, a Samaritan. That is indirect and superb preaching on appreciating and honoring other racial groups. Jesus did not make a frontal attack; he made a strategic flank movement. So a preacher often gets farther into the minds of his congregation, not by announcing and preaching another sermon on the Negro problem, but by using, as an illustration in his sermon on courage, a Negro performing an act of great courage. He will not have to look far for that!5 ~ William H Willimon, #NFDB
1070:If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness. ~ Simone de Beauvoir,#NFDB
1071:Are there any Nazis left that I could hunt down and bring to justice?” Augustus asked while we leaned over the vitrines reading Otto’s letters and the gutting replies that no, no one had seen his children after the liberation.
“I think they’re all dead. But it’s not like the Nazis had a monopoly on evil.”
“True,” he said. “That’s what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.”
Although it was his dream and not mine, I indulged it. He’d indulged mine, after all. “Our fearlessness shall be our secret weapon,” I said.
“The tales of our exploits will survive as long as the human voice itself,” he said.
“And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.”
“They will robot-laugh at our courageous folly,” he said. “But something in their iron robot hearts will yearn to have lived and died as we did: on the hero’s errand. ~ John Green,#NFDB
1072:In the movies, they always make sure the hero kills only in self-defense, typically in the instant before the bad guy gets the drop on him. Even in that film Miyamoto had mentioned, Dirty Harry, Clint Eastwood blows away a guy who had kidnapped, tortured, and killed a teenage girl only when the guy goes for a gun. To me, that’s all bullshit. More than anything else, killing is about survival. About doing everything you can to deceive, and cheat, and stack the odds in your own favor. You don’t wait for the other guy to go for his gun; you shoot him before he has a chance. If he has his back to you, that’s even better. If you can call in an air strike, that’s better still. You don’t just do everything you possibly can to prevent a fight from being fair—preventing the fight from being fair is the entire point. Do you want the enemy to have as good a chance of killing you as you have of killing him? Or do you want to make sure he gets no chance at all? As far as I’m concerned, the people who think a fair fight is desirable can go ahead and die in one. ~ Barry Eisler, #NFDB
1073:All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...]
In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time. ~ Joseph Campbell,#NFDB
1074:half-blood of the eldest gods . . . shall reach sixteen against all odds . . .” I hesitated, staring at the next lines. A cold feeling started in my fingers as if the paper was freezing. “And see the world in endless sleep, The hero’s soul, cursed blade shall reap.” Suddenly Riptide seemed heavier in my pocket. A cursed blade? Chiron once told me Riptide had brought many people sorrow. Was it possible my own sword could get me killed? And how could the world to fall into endless sleep, unless that meant death? “Percy,” Chiron urged. “Read the rest.” My mouth felt like it was full of sand, but I spoke the last two lines. “A single choice shall . . . shall end his days. Olympus to per—pursue—” “Preserve,” Annabeth said gently. “It means to save.” “I know what it means,” I grumbled. “Olympus to preserve or raze.” The room was silent. Finally Connor Stoll said, “Raise is good, isn’t it?” “Not raise,” Silena said. Her voice was hollow, but I was startled to hear her speak at all. “R-a-z-e means destroy.” “Obliterate,” Annabeth said. “Annihilate. Turn to rubble. ~ Rick Riordan, #NFDB
1075:Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey. ~ Erin Morgenstern, #NFDB
1076:A Kiss Before Dying is a gritty suspense story told with great élan—rarity enough, but what is even more rare is that the book (written while Levin was in his early twenties) contains surprises which really surprise . . . and it is relatively impervious to that awful, dreadful goblin of a reader, he or she WHO TURNS TO THE LAST THREE PAGES TO SEE HOW IT CAME OUT.
Do you do this nasty, unworthy trick? Yes, you! I’m talking to you! Don’t slink away and grin into your hand! Own up to it! Have you ever stood in a bookshop, glanced furtively around, and turned to the end of an Agatha Christie to see who did it, and how? Have you ever turned to the end of a horror novel to see if the hero made it out of the darkness and into the light? If you have ever done this, I have three simple words which I feel it is my duty to convey: SHAME ON YOU! It is low to mark your place in a book by folding down the corner of the page where you left off; TURNING TO THE END TO SEE HOW IT CAME OUT is even lower. If you have this habit, I urge you to break it . . . break it at once! ~ Stephen King,#NFDB
1077:Almost for the first time in his life, Troy, as he stood by this dismantled grave, wished himself another man. It is seldom that a person with much animal spirit does not feel that the fact of his life being his own is the one qualification which singles it out as a more hopeful life than that of others who may actually resemble him in every particular. Troy had felt, in his transient way, hundreds of times, that he could not envy other people their condition, because the possession of that condition would have necessitated a different personality, when he desired no other than his own. He had not minded the peculiarities of his birth, the vicissitudes of his life, the meteor-like uncertainty of all that related to him, because these appertained to the hero of his story, without whom there would have been no story at all for him; and it seemed to be only in the nature of things that matters would right themselves at some proper date and wind up well. This very morning the illusion completed its disappearance, and, as it were, all of a sudden, Troy hated himself. ~ Thomas Hardy, #NFDB
1078:The Battle Of Life
Never give up, though life be a battle
Wherein true men may fail, and true causes be sold;
Yet, on the whole, however may rattle
The thunders of chance, scaring cowards like cattle—
Clear victory’s always the bride of the bold.
Armed in your right-though friendship deny you,
And love fall away when the storm’s at the worst,
Count not your loss, Was destined to try you—
Bear the brunt like a man, and your deeds shall ally you
To natures more noble and true than the first.
Rail not at Fate: if rightly you scan her,
There’s none loves more strongly the heart that endures:
On, in the hero’s calm resolute manner,
Still bear aloft your hope’s long-trusted banner,
And the day, if you do but live through it, is yours.
Be this your faith; and if killing strokes clatter
On your harness where true men before you have died,
Fight on, let your life-blood be poured out like water—
Fight on, make at least a brave end of the matter,
Brave end of the struggle if nothing beside
~ Charles Harpur,#NFDB
1079:The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful; and God has not made some beautiful things, but Beauty is the creator of the universe. Therefore the poet is not any permissive potentate, but is emperor in his own right. Criticism is infested with a cant of materialism, which assumes that manual skill and activity is the first merit of all men, and disparages such as say and do not, overlooking the fact, that some men, namely, poets, are natural sayers, sent into the world to the end of expression, and confounds them with those whose province is action, but who quit it to imitate the sayers. The poet does not wait for the hero or the sage, but, as they act and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building materials to an architect. ~ Ralph Waldo Emerson, #NFDB
1080:JW: How do you use death in your writing? Martin: I don’t think of it in those terms, that I’m using death for any purpose. I think a writer, even a fantasy writer, has an obligation to tell the truth and the truth is, as we say in Game of Thrones, all men must die. Particularly if you’re writing about war, which is certainly a central subject in Game of Thrones. It has been in a lot of my fiction, not all of it by any means but certainly a lot of it, going all the way back to “The Hero,” which was a story about a warrior. You can’t write about war and violence without having death. If you want to be honest it should affect your main characters. We’ve all read this story a million times when a bunch of heroes set out on adventure and it’s the hero and his best friend and his girlfriend and they go through amazing hair-raising adventures and none of them die. The only ones who die are extras. That’s such a cheat. It doesn’t happen that way. They go into battle and their best friend dies or they get horribly wounded. They lose their leg or death comes at them unexpectedly. Death ~ Mike Resnick, #NFDB
1081:them in you and include them in this time of prayer. Dearest God, holy and victorious Trinity, you alone are worthy of all my worship, my heart’s devotion, all my praise and all my trust and all the glory of my life. I love you, I worship you, and I give myself over to you in my heart’s search for life. You alone are Life, and you have become my life. I renounce all other gods, every idol, and I give you God the place in my heart and in my life that you truly deserve. I confess here and now that it is all about you, God, and not about me. You are the Hero of this story, and I belong to you. I ask your forgiveness for my every sin. Search me and know me and reveal to me where you are working in my life and grant me your healing, deliverance and the grace of a deep and true repentance. Heavenly Father, thank you for loving me and choosing me before you made the world. You are my true Father—my creator, redeemer, sustainer, and the true end of all things, including my life. I love you, I worship you, I trust you. I give myself over to you to be one with you as Jesus is one with you. ~ John Eldredge, #NFDB
1082:Each person must, on some level, take himself as the calibration point for normalcy, must assume that the room of his own mind is not, cannot be, entirely opaque to him. Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not the villains of our own stories. In fact, it is quite the contrary: we play, and only play, the hero, and in the swirl of other people’s stories, insofar as those stories concern us at all, we are never less than heroic. Who, in the age of television, hasn’t stood in front of a mirror and imagined his life as a show that is already perhaps being watched by multitudes? Who has not, with this consideration in mind, brought something performative into his everyday life? We have the ability to do both good and evil, and more often than not, we choose the good. When we don’t, neither we nor our imagined audience is troubled, because we are able to articulate ourselves to ourselves, and because we have through our other decisions, merited their sympathy. They are ready to believe the best about us, and not without good reason. ~ Teju Cole, #NFDB
1083:It is the homogeneity of his mind which makes him dull, and which makes him mad. It is only because we see the irony of his idea that we think him even amusing; it is only because he does not see the irony of his idea that he is put in Hanwell at all. In short, oddities only strike ordinary people. Oddities do not strike odd people. This is why ordinary people have a much more exciting time; while odd people are always complaining of the dulness of life. This is also why the new novels die so quickly, and why the old fairy tales endure for ever. The old fairy tale makes the hero a normal human boy; it is his adventures that are startling; they startle him because he is normal. But in the modern psychological novel the hero is abnormal; the centre is not central. Hence the fiercest adventures fail to affect him adequately, and the book is monotonous. You can make a story out of a hero among dragons; but not out of a dragon among dragons. The fairy tale discusses what a sane man will do in a mad world. The sober realistic novel of to-day discusses what an essential lunatic will do in a dull world. ~ G K Chesterton, #NFDB
1084:And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm. ~ Caitlin Moran, #NFDB
1085:And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm. ~ Caitlin Moran, #NFDB
1086:It is hard to tell the story of Elizabeth of York without her farbetter-known husband, Henry VII, as the hero. Henry himself, Jasper Tudor, and Thomas Stanley are all described as powerful coherent agents of their own lives, but the enemies that Henry feared—Margaret, Dowager Duchess of Burgundy, and Elizabeth Woodville—are written off as harpies filled with pointless malice, or as women crazed by grief. His greatest supporter, the leader of the anti-York rebellion to put Henry Tudor on his throne, was his mother, Margaret Beaufort—but the conventional histories follow her own declaration that she was wholly guided by God’s will, as if she did not live her life with absolute determination and successful strategy. The rebellion against Richard III that she led has gone down in history as “Buckingham’s Rebellion,” because Margaret Beaufort, as mother of the king of England, used the official court history to cover her tracks as a powerful politician, royal advisor, and treasonous rebel against the Plantagenet kings. For the benefit of her reputation she herself hid her determined and ruthless ambition. She ~ Philippa Gregory, #NFDB
1087:She smoothed her skirt around her knees. “This Scarlet … you’re in love with her, aren’t you?” He froze, becoming stone still. As the hover climbed the hill to the palace, his shoulders sank, and he returned his gaze to the window. “She’s my alpha,” he murmured, with a haunting sadness in his voice. Alpha. Cress leaned forward, propping her elbows on her knees. “Like the star?” “What star?” She stiffened, instantly embarrassed, and scooted back from him again. “Oh. Um. In a constellation, the brightest star is called the alpha. I thought maybe you meant that she’s … like … your brightest star.” Looking away, she knotted her hands in her lap, aware that she was blushing furiously now and this beast of a man was about to realize what an over-romantic sap she was. But instead of sneering or laughing, Wolf sighed. “Yes,” he said, his gaze climbing up to the full moon that had emerged over the city. “Exactly like that.” With a quick twist to her heart, Cress’s fear of him began to subside. She’d been right back at the boutique. He was like the hero of a romance story, and he was trying to rescue his beloved. His alpha. ~ Marissa Meyer, #NFDB
1088:Stop, I forbid this!” Jason commanded. “Herakles, what have you done to my men, getting them this drunk? They’ll be useless in the morning.”
Herakles planted his fists on his hips in mock indignation. “Do I hear you right, Jason? Are you insulting these fine warriors, saying they can’t hold their wine? What kind of man can’t drink a bellyful by moonset and be ready for battle by sunrise?” The men muttered in tipsy agreement while Jason ground his teeth together and looked ready to bash Herakles’ brains out with the hero’s own club.
Hylas discreetly stepped between Herakles and me. “Master, I can’t find your sword,” he said calmly but quickly. “I need Glaucus to come help me look for it.”
It was a flimsy attempt at getting me to safety before Herakles’ words at Jason’s expense stirred things up any further. It failed. The Theban hero sidestepped his weapons bearer and threw an arm around me in a bear hug. “You might have better luck finding my sword if you actually went to look for it,” he said. “By my father, Zeus, if you get any lazier, Hylas, we’ll have to get you a ship on your own and a quest to go with it! ~ Esther M Friesner,#NFDB
1089:Throw yourself off that cliff,” Satan says, offering the next temptation. “If God exists, He will surely save you. If you are in fact his Son, God will surely save you.” Why would God not make Himself manifest, to rescue His only begotten Child from hunger and isolation and the presence of great evil? But that establishes no pattern for life. It doesn’t even work as literature. The deus ex machina—the emergence of a divine force that magically rescues the hero from his predicament—is the cheapest trick in the hack writer’s playbook. It makes a mockery of independence, and courage, and destiny, and free will, and responsibility. Furthermore, God is in no wise a safety net for the blind. He’s not someone to be commanded to perform magic tricks, or forced into Self-revelation—not even by His own Son. “Do not put the Lord your God to the test” (Matthew 4:7)—this answer, though rather brief, dispenses with the second temptation. Christ does not casually order or even dare ask God to intervene on his behalf. He refuses to dispense with His responsibility for the events of His own life. He refuses to demand that God prove His presence ~ Jordan Peterson, #NFDB
1090:15. The Crossing of the Return Threshold:The returning hero, to complete his adventure, must survive the impact of the world. Many failures attest to the difficulties of this life-affirmative threshold. The first problem of the returning hero is to accept as real, after an experience of the soul-satisfying vision of fulfillment, the passing joys and sorrows, banalities and noisy obscenities of life. Why re-enter such a world? Why attempt to make plausible, or even interesting, to men and women consumed with passion, the experience of transcendental bliss? As dreams that were momentous by night may seem simply silly in the light of day, so the poet and the prophet can discover themselves playing the idiot before a jury of sober eyes. The easy thing is to commit the whole community to the devil and retire again into the heavenly rock dwelling, close the door, and make it fast. But if some spiritual obstetrician has drawn the shimenawa across the retreat, then the work of representing eternity in time, and perceiving in time eternity, cannot be avoided" The hero returns to the world of common day and must accept it as real. ~ Joseph Campbell, #NFDB
1091:Throw yourself off that cliff,” Satan says, offering the next temptation. “If God exists, He will surely save you. If you are in fact his Son, God will surely save you.” Why would God not make Himself manifest, to rescue His only begotten Child from hunger and isolation and the presence of great evil? But that establishes no pattern for life. It doesn’t even work as literature. The deus ex machina—the emergence of a divine force that magically rescues the hero from his predicament—is the cheapest trick in the hack writer’s playbook. It makes a mockery of independence, and courage, and destiny, and free will, and responsibility. Furthermore, God is in no wise a safety net for the blind. He’s not someone to be commanded to perform magic tricks, or forced into Self-revelation—not even by His own Son. “Do not put the Lord your God to the test” (Matthew 4:7)—this answer, though rather brief, dispenses with the second temptation. Christ does not casually order or even dare ask God to intervene on his behalf. He refuses to dispense with His responsibility for the events of His own life. He refuses to demand that God prove His presence ~ Jordan B Peterson, #NFDB
1092:But in order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuisance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act.
A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel.
And the reason why the lives of the rich are at bottom so tame and uneventful is simply that they can choose the events. They are dull because they are omnipotent. They fail to feel adventures because they can make the adventures. The thing which keeps life romantic and full of fiery possibilities is the existence of these great plain limitations which force all of us to meet the things we do not like or do not expect. ~ G K Chesterton,#NFDB
1093:I have a capital story which is quite new to me. The hero is a certain Professor Alexander, a philosopher, at Leeds, but I have no doubt that the story is older than he. He is said to have entered a railway carriage with a large perforated cardboard box which he placed on his knees. The only other occupant was an inquisitive woman. She stood it as long as she could, and at last, having forced him into conversation and worked the talk round (you can fill in that part of the story yourself) ventured to ask him directly what was in the box. ‘A mongoose madam.’ The poor woman counted the telegraph posts going past for a while and again could bear her curiosity no further. ‘And what are you going to do with the mongoose?’ she asked. ‘I am taking it to a friend who is unfortunately suffering from delirium tremens.’ ‘And what use will a mongoose be to him?’ ‘Why, Madam, as you know, the people who suffer from that disease find themselves surrounded with snakes: and of course a mongoose eats snakes.’ ‘Good Heavens!’ cried the lady, ‘but you don’t mean that the snakes are real?’ ‘Oh dear me, no said the Professor with imperturbable gravity. ‘But then neither is the mongoose! ~ C S Lewis, #NFDB
1094:I spoke softly. “The cops will eat you alive, Benjamin Blue. You have to go.”
Ben tensed, ready to argue.
“Detective Hawfield died. This is going to get serious. It’s way too much heat for you. Please be sensible.”
Ben hesitated. Then his shoulders slumped.
“Maybe you’re right.” Deep breath. “But you’re taking away the other possibility, too.”
“I don’t understand.” I glanced over my shoulder at the approaching vehicle. “What other possibility?”
He smiled wanly. “Ben Blue, The Hero. That kinda would’ve been nice.”
I paused, at a loss for words. My heart broke for him.
“But that’s okay.” Ben dug keys from his pocket. “After all, we’re Virals, not heroes. And that’s fine. Plus, I’m not really the hero type.”
He turned to leave.
Impulsively, I grabbed Ben’s arm. Pulled him close.
Smashed my lips against his.
The kiss only lasted a second, but also an eternity.
Then I stepped back and shoved Ben toward the Explorer.
“Of course you’re the type.” I was grateful the darkness hid my blushes. “Now go.”
Ben stared, stricken, thunderstruck. Hi and Shelton watched, wide-eyed with shock.
“Weirdest birthday ever,” Hi whispered. ~ Kathy Reichs,#NFDB
1095:3. Meeting the Mentor:For those who have not refused the call, the first encounter of the hero journey is with a protective figure (often a little old crone or old man) who provides the adventurer with amulets against the dragon forces he is about to pass. What such a figure represents is the benign, protecting power of destiny. The fantasy is a reassurance-promise that the peace of Paradise, which was known first within the mother womb, is not to be lost; that it supports the present and stands in the future as well as in the past (is omega as well as alpha); that though omnipotence may seem to be endangered by the threshold passages and life awakenings, protective power is always and ever present within or just behind the unfamiliar features of the world. One has only to know and trust, and the ageless guardians will appear. Having responded to his own call, and continuing to follow courageously as the consequences unfold, the hero finds all the forces of the unconscious at his side. Mother Nature herself supports the mighty task. And in so far as the hero's act coincides with that for which his society is ready, he seems to ride on the great rhythm of the historical process. ~ Joseph Campbell, #NFDB
1096:System 1 operates automatically and quickly, with little or no effort and no sense of voluntary control. System 2 allocates attention to the effortful mental activities that demand it, including complex computations. The operations of System 2 are often associated with the subjective experience of agency, choice, and concentration. The labels of System 1 and System 2 are widely used in psychology, but I go further than most in this book, which you can read as a psychodrama with two characters. When we think of ourselves, we identify with System 2, the conscious, reasoning self that has beliefs, makes choices, and decides what to think about and what to do. Although System 2 believes itself to be where the action is, the automatic System 1 is the hero of the book. I describe System 1 as effortlessly originating impressions and feelings that are the main sources of the explicit beliefs and deliberate choices of System 2. The automatic operations of System 1 generate surprisingly complex patterns of ideas, but only the slower System 2 can construct thoughts in an orderly series of steps. I also describe circumstances in which System 2 takes over, overruling the freewheeling impulses and associations of System 1. ~ Daniel Kahneman, #NFDB
1097:And what do you think you’re doing?” he demanded, feeling a large hollowness growing inside him.
“You know quite well, don’t you?” replied the crow, hopping up onto the bar with a neat flap of his wings. The bird cocked his head and looked him in the eye. “Don’t tell me an Irishman like you, born and bred in the old country, has forgotten the tale of Cú Chulainn?”
“’Tisn’t the sort of thing you can forget,” he told the crow. “Especially that statue in the Dublin General Post Office. A handsome piece of work that is, illustrating how Cú Chulainn knew death was near and tied himself to a post so he could die standing upright, like the hero he was.”
“Cú Chulainn was a hero indeed,” admitted the crow. “And his enemies couldn’t kill him until the Morrighan lit on his shoulder, stealing his strength, weakening him…”
“Right you are. The Morrighan,” he said. The very thought of that fearsome warrior goddess, with her crimson cloak and chariot, set his heart to pounding in his bony old chest.
“And what form did the Morrighan take, might I ask?” inquired the bird.
“A crow,” he said, feeling a great trembling overtake him. “So is that it? Are you the Morrighan come for me?”
“What do you think Daniel Malone? ~ Leslie Meier,#NFDB
1098:Here ends Prometheus' surprising itinerary. Proclaiming his hatred of the gods and his love of mankind, he turns
away from Zeus with scorn and approaches mortal men in order to lead them in an assault against the heavens. But
men are weak and cowardly; they must be organized. They love pleasure and immediate happiness; they must be
taught to refuse, in order to grow up, immediate rewards. Thus Prometheus, in his turn, becomes a master who first
teaches and then commands. Men doubt that they can safely attack the city of light and are even uncertain whether
the city exists. They must be saved from themselves. The hero then tells them that he, and he alone, knows the city.
Those who doubt his word will be
thrown into the desert, chained to a rock, offered to the vultures. The others will march henceforth in
darkness, behind the pensive and solitary master. Prometheus alone has become god and reigns over the
solitude of men. But from Zeus he has gained only solitude and cruelty; he is no longer Prometheus, he is
Caesar. The real, the eternal Prometheus has now assumed the aspect of one of his victims. The same cry,
springing from the depths of the past, rings forever through the Scythian desert. ~ Albert Camus,#NFDB
1099:Then you don't think there will be any more permanent world heroes?" "Yes—in history—not in life. Carlyle would have difficulty getting material for a new chapter on 'The Hero as a Big Man.'" "Go on. I'm a good listener to-day." "People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoi, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It's the surest path to obscurity. People get sick of hearing the same name over and over." "Then you blame it on the press?" "Absolutely. Look at you; you're on The New Democracy, considered the most brilliant weekly in the country, read by the men who do things and all that. What's your business? Why, to be as clever, as interesting, and as brilliantly cynical as possible about every man, doctrine, book, or policy that is assigned you to deal with. The more strong lights, the more spiritual scandal you can throw on the matter, the more money they pay you, the more the people buy the issue. You, Tom d'Invilliers, a blighted Shelley, changing, shifting, clever, unscrupulous, represent the critical consciousness of the race—Oh, ~ F Scott Fitzgerald, #NFDB
1100:Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised."
Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—"
"The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ."
Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ."
Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled."
I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself ~ Rick Riordan,#NFDB
1101:The Apsaras are the most beautiful and romantic conception on the lesser plane of Hindu mythology. From the moment that they arose out of the waters of the milky Ocean, robed in ethereal raiment and heavenly adornment, waking melody from a million lyres, the beauty and light of them has transformed the world. They crowd in the sunbeams, they flash and gleam over heaven in the lightnings, they make the azure beauty of the sky; they are the light of sunrise and sunset and the haunting voices of forest and field. They dwell too in the life of the soul; for they are the ideal pursued by the poet through his lines, by the artist shaping his soul on his canvas, by the sculptor seeking a form in the marble; for the joy of their embrace the hero flings his life into the rushing torrent of battle; the sage, musing upon God, sees the shining of their limbs and falls from his white ideal. The delight of life, the beauty of things, the attraction of sensuous beauty, this is what the mystic and romantic side of the Hindu temperament strove to express in the Apsara. The original meaning is everywhere felt as a shining background, but most in the older allegories, especially the strange and romantic legend of Pururavas as we first have it in the Brahmanas and the Vishnoupurana. ~ Sri Aurobindo, #NFDB
1102:Superman comics are a fable, not of strength, but of disintegration. They appeal to the preadolescent, (sic) mind not because they reiterate grandiose delusions, but because they reiterate a very deep cry for help.
Superman's two personalities can be integrated only in one thing: only in death. Only Kryptonite cuts through the disguises of both wimp and hero, and affects the man below the disguises.
And what is Kryptonite? Kryptonite is all that remains of his childhood home.
It is the remnants of that destroyed childhood home, and the fear of those remnants, which rule Superman's life. The possibility that the shards of that destroyed home might surface prevents him from being intimate- they prevent him from sharing the knowledge that the wimp and the hero are one. The fear of his childhood home prevents him from having pleasure.
He fears that to reveal his weakness, and confusion, is, perhaps indirectly, but certainly inevitably, to receive death from the person who received that information.
[...]
Far from being invulnerable, Superman is the most vulnerable of beings, because his childhood was destroyed. He can never reintegrate himself by returning to that home- it is gone. It is gone and he is living among aliens to whom he cannot even reveal his rightful name. ~ David Mamet,#NFDB
1103:A child's instinct is almost perfect in the matter of fighting; a child always stands for the good militarism as against the bad. The child's hero is always the man or boy who defends himself suddenly and splendidly against aggression. The child's hero is never the man or boy who attempts by his mere personal force to extend his mere personal influence. In all boys' books, in all boys' conversation, the hero is one person and the bully the other. That combination of the hero and bully in one, which people now call the Strong Man or the Superman, would be simply unintelligible to any schoolboy....
But really to talk of this small human creature, who never picks up an umbrella without trying to use it as a sword, who will hardly read a book in which there is no fighting, who out of the Bible itself generally remembers the "bluggy" [bloody] parts, who never walks down the garden without imagining himself to be stuck all over with swords and daggers--to take this human creature and talk about the wickedness of teaching him to be military, seems rather a wild piece of humour. He has already not only the tradition of fighting, but a far manlier and more genial tradition of fighting than our own. No; I am not in favour of the child being taught militarism. I am in favour of the child teaching it. ~ G K Chesterton,#NFDB
1104:Did you ever hear of The Hero City?
Of course.
Great film, right? Marty made it over the course of the Siege. Just him, shooting on whatever medium he could get his hands on. What a masterpiece: the courage, the determination, the strength, dignity, kindness, and honor. It really makes you believe in the human race. It’s better than anything I’ve ever done. You should see it.
I have.
Which version?
I’m sorry?
Which version did you see?
I wasn’t aware…
That there were two? You need to do some homework, young man. Marty made both a wartime and postwar version of The Hero City. The version you saw, it was ninety minutes?
I think.
Did it show the dark side of the heroes in The Hero City? Did it show the violence and the betrayal, the cruelty, the depravity, the bottomless evil in some of those “heroes’” hearts? No, of course not. Why would it? That was our reality and it’s what drove so many people to get snuggled in bed, blow out their candles, and take their last breath. Marty chose, instead, to show the other side, the one that gets people out of bed the next morning, makes them scratch and scrape and fight for their lives because someone is telling them that they’re going to be okay. There’s a word for that kind of lie. Hope. ~ Max Brooks,#NFDB
1105:"Because I have called, and ye refused . . . I also will laugh at your calamity; I will mock when your fear cometh; when your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you." "For the turning away of the simple shall slay them, and the prosperity of fools shall destroy them."
Time Jesum transeuntem et non revertentem: "Dread the passage of Jesus, for he does not return."
The myths and folk tales of the whole world make clear that the refusal is essentially a refusal to give up what one takes to be one's own interest. The future is regarded not in terms of an unremitting series of deaths and births, but as though one's present system of ideals, virtues, goals, and advantages were to be fixed and made secure. King Minos retained the divine bull, when the sacrifice would have signified submission to the will of the god of his society; for he preferred what he conceived to be his economic advantage. Thus he failed to advance into the liferole that he had assumed-and we have seen with what calamitous effect. The divinity itself became his terror; for, obviously, if one is oneself one's god, then God himself, the will of God, the power that would destroy one's egocentric system, becomes a monster. ~ Joseph Campbell, The Hero with a Thousand Faces,#NFDB
1106:Val turned, still naked, still impossibly beautiful. Only the gore spattered on his belly, chest, and arm, marred his perfection.
He walked toward her and she couldn't help it. She backed away from him.
He smiled.
Sweetly. Like a boy. The dagger still in his left hand. And caught her arm with his right hand.
"This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain."
And he laid his lips over hers and pushed his hot tongue into her mouth and kissed her until she couldn't breathe and it was only later that she found the bloodstains on her dress.
Her lips had been sweet, like ripe figs, her mouth a cavern of delight. But her eyes- those dark inquisitor's eyes- had held only horror and disgust.
Val sipped his China tea the next morning and gazed out the window. The sun shone on his garden, giving the illusion of warmth, though his empty chest was ice-cold.
He could have explained to her that a razor-sharp blade was kinder than a hangman's noose. That death delivered in seconds with a few thrusts was preferable to a laughing, jabbering mob, gleeful at the jerking, agonizing execution.
But those saint's eyes would've seen the hypocrisy. ~ Elizabeth Hoyt,#NFDB
1107:He is the friend, the adviser, helper, saviour in trouble and distress, the defender from enemies, the hero who fights our battles for us or under whose shield we fight, the charioteer, the pilot of our ways. And here we come at once to a closer intimacy; he is the comrade and eternal companion, the playmate of the game of living. But still there is so far a certain division, however pleasant, and friendship is too much limited by the appearance of beneficence. The lover can wound, abandon, be wroth with us, seem to betray, yet our love endures and even grows by these oppositions; they increase the joy of reunion and the joy of possession; through them the lover remains the friend, and all that he does, we find in the end, has been done by the lover and helper of our being for our souls perfection as well as for his joy in us. These contradictions lead to a greater intimacy. He is the father and mother too of our being, its source and protector and its indulgent cherisher and giver of our desires. He is the child born to our desire whom we cherish and rear. All these things the lover takes up; his love in its intimacy and oneness keeps in it the paternal and maternal care and lends itself to our demands upon it. All is unified in that deepest many-sided relation.
~ Sri Aurobindo, The Synthesis Of Yoga, The Yoga of Divine Love,#NFDB
1108:One evening at a remote provincial college through which I happened to be jogging on a protracted lecture tour, I suggested a little quiz—-ten definitions of a reader, and from these ten the students had to choose four definitions that would combine to make a good reader. I have mislaid the list, but as far as I remember the definitions went something like this.
Select four answers to the question what should a reader be to be a good reader:
1. The reader should belong to a book club.
2. The reader should identify himself or herself with the hero or heroine.
3. The reader should concentrate on the social-economic angle.
4. The reader should prefer a story with action and dialogue to one with none.
5. The reader should have seen the book in a movie.
6. The reader should be a budding author.
7. The reader should have imagination.
8. The reader should have memory.
9. The reader should have a dictionary.
10. The reader should have some artistic sense.
The students leaned heavily on emotional identification, action, and the social-economic or historical angle. Of course, as you have guessed, the good reader is one who has imagination, memory, a dictionary, and some artistic sense–-which sense I propose to develop in myself and in others whenever I have the chance. ~ Vladimir Nabokov,#NFDB
1109:To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain! ~ Johann Wolfgang von Goethe, #NFDB
1110:Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself.
“I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one ~ John Barth,#NFDB
1111:She sighed, wishing he had been the hero she was looking for, wishing that ambush had been as much of a surprise to him as it was to her.
“You still haven’t tried to set the past behind us,” he pointed out. “Why don’t you go ahead and tell me what a sorry-assed son of a bitch loser I am, so we can start moving forward?”
She glanced at him.
“Come on,” he said. “Let me have it. Full power.”
“You’re . . . such a jerk.”
“What, are you kidding? Jerks cut you off when you’re driving. They steal your parking space. They don’t nearly get you killed. You can do better than that.”
“You’re a . . .” She couldn’t say it.
“Start with bastard. I’m a bastard. Come on, Allie. The word’s barely even offensive. Try it. Bastard.”
“You . . .”
“. . . stinking sack of shit.” He laughed at the look on her face. “Yeah, you’re so polite, but I know you want to say it.”
“I . . .”
“. . . hate you, you scum-sucking loser. Asshole. Dick-head. Multiple choice, Al. I’m making it even easier for you.”
“I thought you might be special.” She finally forced the words out. “I thought you were better than the others.”
Silence.
Harry stared at the road, all laughter gone from his face. “Yeah, well. You were wrong, huh?”
She had been wrong. But he couldn’t begin to guess how badly she wished she hadn’t been. ~ Suzanne Brockmann,#NFDB
1112:Brock
One voice, one people, one in heart
And soul and feeling and desire.
Re-light the smouldering martial fire
And sound the mute trumpet! Strike the lyre!
The hero dead cannot expire:
The dead still play their part.
Raise high the monumental stone!
A nation's fealty is theirs,
And we are the rejoicing heirs,
The honoured sons of sires whose cares
We take upon us unawares
As freely as our own.
We boast not of the victory,
But render homage, deep and just,
To his–to their–immortal dust,
Who proved so worthy of their trust;
No lofty pile nor sculptured bust
Can herald their degree.
No tongue can blazon forth their fame–
The cheers that stir the sacred hill
Are but mere promptings of the will
That conquered them, that conquers still;
And generations yet shall thrill
At Brock's remembered name.
Some souls are the Hesperides
Heaven sends to guard the golden age,
Illumining the historic page
With record of their pilgrimage.
True martyr, hero, poet, sage,–
And he was one of these.
Each in his lofty sphere, sublime,
Sits crowned above the common throng:
Wrestling with some pythonic wrong
In prayer, in thunders, thought or song,
16
Briareus-limbed, they sweep along,
The Typhons of the time.
~ Charles Sangster,#NFDB
1113:Part 1 - Departure
1. The Call to Adventure ::: This first stage of the mythological journey-which we have designated the "call to adventure"-signifies that destiny has summoned the hero and transferred his spiritual center of grav ity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. The hero can go forth of his own volition to accomplish the adventure, as did Theseus when he arrived in his father's city, Athens, and heard the horrible history of the Minotaur; or he may be carried or sent abroad by some benign or malignant agent, as was Odysseus, driven about the Mediterranean by the winds of the angered god, Poseidon. The adventure may begin as a mere blunder, as did that of the princess of the fairy tale; or still again, one may be only casually strolling, when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man. Examples might be multiplied, ad infinitum, from every corner of the world. ~ Joseph Campbell, The Hero with a Thousand Faces,#NFDB
1114:Most curiously, the very scientist who, in the service of the sinful king, was the brain behind the horror of labyrinth, quite as readily can serve the purposes of freedom. But the hero-heart must be at hand. For centuries Daedahis has represented the type of the artist-scientist: that curiously disinterested, almost diabolic human phenomenon, beyond the normal bounds of social judgment, dedicated to the morals not of his time but of his art. He is the hero of the way of thought — singlehearted, courageous, and full of faith that the truth, as he finds it, shall make us free. And so now we may turn to him, as did Ariadne. The flax for the linen of his thread he has gathered from the fields of the human imagination. Centuries of husbandry, decades of diligent culling, the work of numerous hearts and hands, have gone into the hackling, sorting, and spinning of this tightly twisted yarn.Furthermore, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the heropath. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; where we had thought to be alone, we shall be with all the world ~ Anonymous, #NFDB
1115:The mystical marriage with the queen goddess of the world represents the hero's total mastery of life ; for the woman is life, the hero its knower and master. And the testings of the hero, which were preliminary to his ultimate experience and deed, were symbolical of those crises of realization by means of which his consciousness came to be amplified and made capable of enduring the full posession of the mother-destroyer, his inevitable bride. With that he knows that he and the father are one: he is in the father's place.
Thus phrased, in the extremest of terms, the problem may sound remote from the affairs of normal humans. Nevertheless, every failure to cope with life situations must be laid to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. The whole sense of the ubiquitous myth of the hero's passage is that it shall serve as a general patter for men and women, wherever they may stand along the scale. therefore, it is formulated in the broadest terms. the individual has only to discover his own position with reference to this general human formula, and let it then assist him past his restricting walls. who and where are his ogres? those are the reflcetions of the unsolved enigmas of his own humanity. what are his ideals? those are the symptoms of his grasp of life. ~ Joseph Campbell,#NFDB
1116:Recommended Reading
David Foster Wallace - Infinite Jest
DH Lawrence - The Rainbow
Gabriel Garcia Marquez - Love in the Time of Cholera
Karl Ove Knausgaard - My Struggle
Virginia Woolf - To The Lighthouse
Ben Lerner - The Topeka School
Sally Rooney - Conversations With Friends
Nell Zink - The Wallcreeper
Elena Ferrante - The Days of Abandonment
Jack Kerouac - Dharma Bums
Walt Whitman - Leaves of Grass
Michael Murphy - Golf in the Kingdom
Barbara Kingsolver - Prodigal Summer
Albertine Sarrazin - Astragal
Rebecca Solnit - The Faraway Nearby
Michael Paterniti - Love and Other Ways of Dying
Rainer Maria Rilke - Book of Hours
James Baldwin - Another Country
Roberto Calasso - Ka
Translation by S. Radhakrishan - Principle Upanisads
Chogyam Trungpa - Cutting Through Spiritual Materialism
Translation by Georg Feuerstein - Yoga Sutra
Richard Freeman - The Mirror of Yoga
Translation by S. Radhakrishan - The Bhagavad Gita
Shrunyu Suzuki - Zen Mind Beginner's Mind
Heinrich Zimmer - Myths and Symbols in Indian Art and Civilization
Sogyal Rinpoche - The Tibetan Book of Living and Dying
Joseph Campbell - Myths of Light
Joseph Campbell - The Hero With A Thousand Faces
Sri Aurobindo - Savitri
Thomas Meyers - Anatomy Trains
Wendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading,#NFDB
1117:There must always remain, however, from the standpoint of normal waking consciousness, a certain baffling inconsistency between the wisdom brought forth from the deep, and the prudence usually found to be effective in the light world. Hence the common divorce of opportunism from virtue and the resultant degeneration of human existence. Martyrdom is for saints, but the common people have their institutions, and these cannot be left to grow like lilies of the field; Peter keeps drawing his sword, as in the garden, to defend the creator and sustainer of the world. The boon brought from the transcendent deep becomes quickly rationalized into nonentity, and the need becomes great for another hero to refresh the word. How teach again, however, what has been taught correctly and incorrectly learned a thousand thousand times, throughout the millenniums of mankind’s prudent folly? That is the hero’s ultimate difficult task. How render back into light-world language the speech-defying pronouncements of the dark? How represent on a two-dimensional surface a three-dimensional form, or in a three-dimensional image a multi-dimensional meaning? How translate into terms of “yes” and “no” revelations that shatter into meaninglessness every attempt to define the pairs of opposites? How communicate to people who insist on the exclusive evidence of their senses the message of the all-generating void? ~ Joseph Campbell, #NFDB
1118:Ever since I first read Midori Snyder’s essay, ‘The Armless Maiden and the Hero’s Journey’ in The Journal of Mythic Arts, I couldn’t stop thinking about that particular strand of folklore and the application of its powerful themes to the lives of young women. There are many different versions of the tale from around the world, and the ‘Armless Maiden’ or ‘Handless Maiden’ are just two of the more familiar. But whatever the title, we are essentially talking about a narrative that speaks of the power of transformation – and, perhaps more significantly when writing young adult fantasy, the power of the female to transform herself. It’s a rite of passage; something that mirrors the traditional journey from adolescence to adulthood.
Common motifs of the stories include – and I am simplifying pretty drastically here – the violent loss of hands or arms for the girl of the title, and their eventual re-growth as she slowly regains her autonomy and independence. In many accounts there is a halfway point in the story where a magician builds a temporary replacement pair of hands for the girl, magical hands and arms that are usually made entirely of silver. What I find interesting is that this isn’t where the story ends; the gaining of silver hands simply marks the beginning of a whole new test for our heroine. ~ Karen Mahoney,#NFDB
1119:I would travel far and wide...seeing, listening, creating. I would weave tales for an enthralled audience. A song would be heard throughout the kingdom, and I would be a part of that. You would normally think that a bard would pick up his tales from stories heard in his travels or, perhaps, from personal observation of these events. Perhaps some bards would create the stories themselves or, at least, adapt the original versions heard...
But what if the bard were really more than a bard? What if he were once a gallant knight or an old sea captain...perhaps even a forgotten prince? What if the stories he told, what if the characters brought to life in his stories, were really of his comrades and himself? Stories from long ago that he finally wished to be heard? What if those who listened to his tales, all the while assuming that they were far disconnected from their communicator, were really listening to the narrative of a wanderer intimately connected to it all? And where would such an individual go when his final days as an “official” bard were spent? Perhaps he would decide to retire in a lighthouse. For, surely, no place would be more fitting for the hero emeritus. He would gaze upon the glorious sea in recollection...guiding others with the beacon of light atop his home as he had once been shepherded. The adventurer became the storyteller...and then the Sentinel of the Sea. ~ Gina Marinello Sweeney,#NFDB
1120:Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor.
"So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out. ~ Robertson Davies,#NFDB
1121:As a country, we take out loans and go to school. We take out loans and buy a car. We take out loans and buy a home. It's not always that we simply "want" these things. Rather, it's often the case that we use our obligations as confirmations that "We're doing something." If we have things to pay for, we need a job. If we have a job, we need a car. If we have such things, we have a life, albeit an ordinary and monotonous life, but a life no less. If we have debt, we have a goal-- we have a reason to get out of bed in the morning. Debt narrows our options. It gives us a good reason to stick it out at a job, sink into sofas, and savor the comforts of the status quo. Debt is sought so we have a game to play, a battle to fight, a mythology to live out. It gives us a script to read, rules to abide by, instructions to follow. And when we see someone who doesn't play by our rules-- someone who's spurned the comforts of hearth and home-- we shift in our chairs and call him or her crazy. We feel a fury for the hobo and the hitchhiker, the hippie and gypsy, the vagrant and nomad-- not because we have any reason to believe these people will do us any harm, but because they make us feel uncomfortable.They remind us of the inner longings we've squelched, the hero or heroine we've buried beneath a houseful of junk, the spirit we've exorcised out of ourselves so we could remain with our feet on the ground, stable and secure. ~ Ken Ilgunas, #NFDB
1122:[Tolstoy] denounced [many historians'] lamentable tendency to simplify. The experts stumble onto a battlefield, into a parliament or public square, and demand, "Where is he? Where is he?" "Where is who?" "The hero, of course! The leader, the creator, the great man!" And having found him, they promptly ignore all his peers and troops and advisors. They close their eyes and abstract their Napoleon from the mud and the smoke and the masses on either side, and marvel at how such a figure could possibly have prevailed in so many battles and commanded the destiny of an entire continent. "There was an eye to see in this man," wrote Thomas Carlyle about Napoleon in 1840, "a soul to dare and do. He rose naturally to be the King. All men saw that he was such."
But Tolstoy saw differently. "Kings are the slaves of history," he declared. "The unconscious swarmlike life of mankind uses every moment of a king's life as an instrument for its purposes." Kings and commanders and presidents did not interest Tolstoy. History, his history, looks elsewhere: it is the study of infinitely incremental, imperceptible change from one state of being (peace) to another (war).
The experts claimed that the decisions of exceptional men could explain all of history's great events. For the novelist, this belief was evidence of their failure to grasp the reality of an incremental change brought about by the multitude's infinitely small actions. ~ Daniel Tammet,#NFDB
1123:5. Belly of the Whale:The idea that the passage of the magical threshold is a transit into a sphere of rebirth is symbolized in the worldwide womb image of the belly of the whale. The hero, instead of conquering or conciliating the power of the threshold, is swallowed into the unknown and would appear to have died. This popular motif gives emphasis to the lesson that the passage of the threshold is a form of self-annihilation. Instead of passing outward, beyond the confines of the visible world, the hero goes inward, to be born again. The disappearance corresponds to the passing of a worshipper into a temple-where he is to be quickened by the recollection of who and what he is, namely dust and ashes unless immortal. The temple interior, the belly of the whale, and the heavenly land beyond, above, and below the confines of the world, are one and the same. That is why the approaches and entrances to temples are flanked and defended by colossal gargoyles: dragons, lions, devil-slayers with drawn swords, resentful dwarfs, winged bulls. The devotee at the moment of entry into a temple undergoes a metamorphosis. Once inside he may be said to have died to time and returned to the World Womb, the World Navel, the Earthly Paradise. Allegorically, then, the passage into a temple and the hero-dive through the jaws of the whale are identical adventures, both denoting in picture language, the life-centering, life-renewing act. ~ Joseph Campbell, #NFDB
1124:He is a middle-class man trying to get by in an oligarchic world. Thirty years ago, Mantel’s Cromwell would have been of limited interest. His virtues—hard work, self-discipline, domestic respectability, a talent for office politics, the steady accumulation of money, a valuing of stability above all else—would have been dismissed as mere bourgeois orthodoxies. If they were not so boring they would have been contemptible. They were, in a damning word, safe. But they’re not safe anymore. They don’t assure security. As the world becomes more oligarchic, middle-class virtues become more precarious. This is the drama of Mantel’s Cromwell—he is the perfect bourgeois in a world where being perfectly bourgeois doesn’t buy you freedom from the knowledge that everything you have can be whipped away from you at any moment. The terror that grips us is rooted not in Cromwell’s weakness but in his extraordinary strength. He is a perfect paragon of meritocracy for our age. He is a survivor of an abusive childhood, a teenage tearaway made good, a self-made man solely reliant on his own talents and entrepreneurial energies. He could be the hero of a sentimental American story of the follow-your-dreams genre. Except for the twist—meritocracy goes only so far. Even Cromwell cannot control his own destiny, cannot escape the power of entrenched privilege. And if he, with his almost superhuman abilities, can’t do so, what chance do the rest of us have? This terror ~ Anonymous, #NFDB
1125:The word power has two different meanings. There is power to: strength, gift, skill, art, the mastery of a craft, the authority of knowledge. And there is power over: rule, dominion, supremacy, might, mastery of slaves, authority over others. Ged was offered both kinds of power. Tenar was offered only one. Heroic fantasy descends to us from an archaic world. I hadn’t yet thought much about that archaism. My story took place in the old hierarchy of society, the pyramidal power structure, probably military in origin, in which orders are given from above, with a single figure at the top. This is the world of power over, in which women have always been ranked low. In such a world, I could put a girl at the heart of my story, but I couldn’t give her a man’s freedom, or chances equal to a man’s chances. She couldn’t be a hero in the hero-tale sense. Not even in a fantasy? No. Because to me, fantasy isn’t wishful thinking, but a way of reflecting, and reflecting on reality. After all, even in a democracy, in the second decade of the twenty-first century, after forty years of feminist striving, the reality is that we live in a top-down power structure that was shaped by, and is still dominated by, men. Back in 1969, that reality seemed almost unshakable. So I gave Tenar power over—dominion, even godhead—but it was a gift of which little good could come. The dark side of the world was what she had to learn, as Ged had to learn the darkness in his own heart. ~ Ursula K Le Guin, #NFDB
1126:God, I’m so sorry. I’ve been living my life for myself. I made everything about me. I’ve been trying to be the hero of my own story. I’ve been squandering the gifts you gave me. Even when I have used your gifts, I’ve tried to use them for selfish gain. That was my choice and my fault. I accept the responsibility for all that I’ve done. And I repent, God. Please forgive me. You promised in your Word that if I confess my sins, you’ll be faithful and just, you’ll forgive me of my sins, and you’ll cleanse me from my unrighteousness. Remember me, God. Show me all of the pillars in my life, the things that have been keeping me from being your man. Then please give me the strength to push them down. My life isn’t about me anymore. I surrender my heart to you, Lord. I want to be your man, telling your story. Your Word says that you adopted me as your son. Thank you that I am not what I have done but that I am who you say I am. Please make my outward life show other people that I’m your man. Father, teach me how to live my life in a way that pleases you, that brings you the glory that only you deserve. Show me how to be the man you created me to be. I am your man. Show this world what you will do through me. Here I am, Lord. Send me. Use my life as you see fit. Show me what battles to fight. I am your man. Thank you so much for all the ways you’re going to use me to accomplish your purposes in this world. Thank you for making me a warrior. In Jesus’ name, amen. ~ Craig Groeschel, #NFDB
1127:But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn eveningin 1922." And in reality you have started at the end. It was there, invisible and present, it is the one which gives to words the pomp and value of a beginning... And the story goes on in reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: "It was night, the street was deserted." The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice.
I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail. ~ Jean Paul Sartre,#NFDB
1128:A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow men.
That is the pattern of the myth, and that is the pattern of these fantasies of the psyche.
Now it was Dr Perry's thesis in his paper that in certain cases the best thing is to let the schizophrenic process run its course, not to abort the psychosis by administering shock treatments and the like, but, on the contrary, to help the process of disintegration and reintegration along. However, if a doctor is to be helpful in this way, he has to understand the image language of mythology. He has himself to understand what the fragmentary signs and signals signify that his patient, totally out of touch with rationally oriented manners of thought and communication, is trying to bring forth in order to establish some kind of contact. Interpreted from this point of view, a schizophrenic breakdown is an inward and backward journey to recover something missed or lost, and to restore, thereby, a vital balance. So let the voyager go. He has tipped over and is sinking, perhaps drowning; yet, as in the old legend of Gilgamesh and his long, deep dive to the bottom of the cosmic sea to pluck the watercress of immortality, there is the one green value of his life down there. Don't cut him off from it: help him through. ~ Joseph Campbell,#NFDB
1129:Everywhere In America
Not somewhere in America, but everywhere to-day,
Where snow-crowned mountains hold their heads,
the vales where children play,
Beside the bench and whirring lathe, on every
lake and stream
And in the depths of earth below, men share a
common dream—
The dream our brave forefathers had of freedom
and of right,
And once again in honor's cause, they rally and
unite.
Not somewhere in America is love of country
found,
But east and west and north and south once
more the bugles sound,
And once again, as one, men stand to break
their brother's chains,
And make the world a better place, where only
justice reigns.
The patriotism that is here, is echoed over there,
The hero at a certain post is on guard everywhere.
O'er humble home and mansion rich the starry
banner flies,
And far and near throughout the land the men
of valor rise.
The flag that flutters o'er your home is fluttering
far away
O'er homes that you have never seen. The same
impulses sway
The souls of men in distant states. The red, the
white and blue
Means to one hundred million strong, just what
it means to you.
The self-same courage resolute you feel and
understand
Is throbbing in the breasts of men throughout
this mighty land.
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Not somewhere in America, but everywhere to-day,
For justice and for liberty all free men work
and pray.
~ Edgar Albert Guest,#NFDB
1130:Take the case of courage. No quality has ever so much addled the brains and tangled the definitions of merely rational sages. Courage is almost a contradiction in terms. It means a strong desire to live taking the form of a readiness to die. 'He that will lose his life, the same shall save it,' is not a piece of mysticism for saints and heroes. It is a piece of everyday advice for sailors or mountaineers. It might be printed in an Alpine guide or a drill book. This paradox is the whole principle of courage; even of quite earthly or brutal courage. A man cut off by the sea may save his life if we will risk it on the precipice.
He can only get away from death by continually stepping within an inch of it. A soldier surrounded by enemies, if he is to cut his way out, needs to combine a strong desire for living with a strange carelessness about dying. He must not merely cling to life, for then he will be a coward, and will not escape. He must not merely wait for death, for then he will be a suicide, and will not escape. He must seek his life in a spirit of furious indifference to it; he must desire life like water and yet drink death like wine. No philosopher, I fancy, has ever expressed this romantic riddle with adequate lucidity, and I certainly have not done so. But Christianity has done more: it has marked the limits of it in the awful graves of the suicide and the hero, showing the distance between him who dies for the sake of living and him who dies for the sake of dying. ~ G K Chesterton,#NFDB
1131:It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.
Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and preposterous. ~ Charles Dickens,#NFDB
1132:9. Atonement with the Father/Abyss:Atonement consists in no more than the abandonment of that self-generated double monster-the dragon thought to be God (superego) and the dragon thought to be Sin (repressed id). But this requires an abandonment of the attachment to ego itself, and that is what is difficult. One must have a faith that the father is merciful, and then a reliance on that mercy. Therewith, the center of belief is transferred outside of the bedeviling god's tight scaly ring, and the dreadful ogres dissolve. It is in this ordeal that the hero may derive hope and assurance from the helpful female figure, by whose magic (pollen charms or power of intercession) he is protected through all the frightening experiences of the father's ego-shattering initiation. For if it is impossible to trust the terrifying father-face, then one's faith must be centered elsewhere (Spider Woman, Blessed Mother); and with that reliance for support, one endures the crisis-only to find, in the end, that the father and mother reflect each other, and are in essence the same. The problem of the hero going to meet the father is to open his soul beyond terror to such a degree that he will be ripe to understand how the sickening and insane tragedies of this vast and ruthless cosmos are completely validated in the majesty of Being. The hero transcends life with its peculiar blind spot and for a moment rises to a glimpse of the source. He beholds the face of the father, understands-and the two are atoned. ~ Joseph Campbell, #NFDB
1133:But then I got into Joseph Campbell—The Power of Myth and The Hero with a Thousand Faces. Joseph Campbell was the first person to really open my eyes to [the] compassionate side of life, or of thought. . . . Campbell was the guy who really kind of put it all together for me, and not in a way I could put my finger on. . . . It made you just glad to be alive, [realizing] how vast this world is, and how similar and how different we are.” * Most-gifted or recommended books? “You’re going to think I’m plugging you, but I probably have recommended The Art of Learning [by Josh Waitzkin, page 577] and The 4-Hour Body, I’m not kidding, more than any other books.” What Would You Say in a College Commencement Speech? “Well, I would say that if you are searching for status, and if you are doing things because there’s an audience for it, you’re probably barking up the wrong tree. “I would say, ‘Listen to yourself.’ Follow your bliss, and Joseph Campbell, to bring it back around, said, ‘There is great security in insecurity.’ We are wired and programmed to do what’s safe and what’s sensible. I don’t think that’s the way to go. I think you do things because they are just things you have to do, or because it’s a calling, or because you’re idealistic enough to think that you can make a difference in the world. “I think you should try to slay dragons. I don’t care how big the opponent is. We read about and admire the people who did things that were basically considered to be impossible. That’s what makes the world a better place to live. ~ Timothy Ferriss, #NFDB
1134:The drug of love was no escape, for in its coils lie latent dreams of greatness which awaken when men and women fecundate each other deeply. Something is always born of man and woman lying together and exchanging the essences of their lives. Some seed is always carried and opened in the soil of passion. The fumes of desire are the womb of man's birth and often in the drunkeness of caresses history is made, and science, and philosophy. For a woman, as she sews, cooks, embraces, covers, warms, also dreams that the man taking her will be more than a man, will be the mythological figure of her dreams, the hero, the discoverer, the builder....Unless she is the anonymous whore, no man enters woman with impunity, for where the seed of man and woman mingle, within the drops of blood exchanged, the changes that take place are the same as those of great flowing rivers of inheritance, which carry traits of character from father to son to grandson, traits of character as well as physical traits. Memories of experience are transmitted by the same cells which repeated the design of a nose, a hand, the tone of a voice, the color of an eye. These great flowing rivers of inheritance transmitted traits and carried dreams from port to port until fulfillment, and gave birth to selves never born before....No man and woman know what will be born in the darkness of their intermingling; so much besides children, so many invisible births, exchanges of soul and character, blossoming of unknown selves, liberation of hidden treasures, buried fantasies... ~ Ana s Nin, #NFDB
1135:I first read The Lord of the Rings and The Hobbit when I was eighteen. It felt as though the author had taken every element I'd ever want in a story and woven them into one huge, seamless narrative; but more important, for me, Tolkien had created a place, a vast, beautiful, awesome landscape, which remained a resource long after the protagonists had finished their battles and gone their separate ways. In illustrating The Lord of the Rings I allowed the landscapes to predominate. In some of the scenes the characters are so small they are barely discernible. This suited my own inclinations and my wish to avoid, as much as possible, interfering with the pictures being built up in the reader's mind, which tends to be more closely focussed on characters and their inter-relationships. I felt my task lay in shadowing the heroes on their epic quest, often at a distance, closing in on them at times of heightened emotion but avoiding trying to re-create the dramatic highpoints of the text. With The Hobbit, however, it didn't seem appropriate to keep such a distance, particularly from the hero himself. I don't think I've ever seen a drawing of a Hobbit which quite convinced me, and I don't know whether I've gotten any closer myself with my depictions of Bilbo. I'm fairly happy with the picture of him standing outside Bag End, before Gandalf arrives and turns his world upside-down, but I've come to the conclusion that one of the reasons Hobbits are so quiet and elusive is to avoid the prying eyes of illustrators. ~ Alan Lee, #NFDB
1136:The Ballad Of Cockatoo Dock
Of all the docks upon the blue
There was no dockyard, old or new,
To touch the dock at Cockatoo.
Of all the ministerial clan
There was no nicer, worthier man
Than Admiral O'Sullivan.
Of course, we mean E. W.
O'Sullivan, the hero who
Controlled the dock at Cockatoo.
To workmen he explained his views -"You need not toil unless you choose,
Your only work is drawing screws."
And sometimes to their great surprise
When votes of censure filled the skies
He used to give them all a rise.
"What odds about a pound or two?"
Exclaimed the great E. W.
O'Sullivan at Cockatoo.
The dockyard superintendent, he
Was not at all what he should be -He sneered at all this sympathy.
So when he gave a man the sack
O'Sullivan got on his track
And straightway went and fetched him back.
And with a sympathetic tear
He'd say, "How dare you interfere,
You most misguided engineer?
"Your sordid manners please amend -No man can possibly offend
Who has a Member for a friend.
307
"With euchre, or a friendly rub,
And whisky, from the nearest 'pub',
We'll make the dockyard like a club.
"Heave ho, my hearties, play away,
We'll do no weary work today.
What odds -- the public has to pay!
"And if the public should complain
I'll go to Broken Hill by train
To watch McCarthy making rain."
And there, with nothing else to do
No doubt the great E. W.
Will straightway raise McCarthy's screw.
~ Banjo Paterson,#NFDB
1137:So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness.
"Shut up and be quiet," Stefan snapped.
"That's just a tad redundant, FYI."
"Shut up!" he hissed near her ear.
Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger.
"You really do give a lot of orders," she told him.
He tightened his grip. "I'm the one with the gun."
"Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something."
"You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance.
Stefan was confused, and Maddie couldn't blame him.
So she turned back and shrugged. "Maybe. But I don't think you're a bad guy."
He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer.
"I. Have. The. Gun," he reminded her.
Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious.
Stefan stuttered for a moment, then fell silent. ~ Ally Carter,#NFDB
1138:What is this mysterious masculine force which spurs you onwards, whence comes this will, this heroic initiative which seems to precede the start of the great journey? This is what prevents you turning back on the path. If you were to do so, if you failed to travel the path to its end, you would be guilty, because the practices of your initiation have mobilised enormous forces which destroy men and drive them insane if they are not aimed in the right direction. The signs will help you open a way for yourself in the virgin forest where no roads exist.
'Even the Gods are your enemies; because their impersonal lives are at risk in this war. You will have to overcome the Archetypes, dethrone them, reincorporating their tremendous numinous energies within yourself. Do you remember the Greek legend? Man was a circular androgynous. He began to roll up Mount Olympus. The Gods were frightened, fearing defeat, and so they resorted to artifice: they divided the man-sphere in half. The result was that he was so busy trying to find his other half that he had no time to make war with them. But, luckily, the Gods made a mistake. Because one day we will bring them back to life as well, giving them a face.
'When the water runs downhill, it gives rise to Samsara and human generations, to the circular movement of the involuted earth; when it runs uphill, the opposite direction, it provokes the mutation of the Gods themselves, the divinisation of the hero; it creates a free, eternal race, without Gods, without a king. This is the Road of the Warrior. ~ Miguel Serrano,#NFDB
1139:Anyone who manages to experience the history of humanity as a whole as his own history will feel in an enormously generalized way all the grief of an invalid who thinks of health, of an old man who thinks of the dream of his youth, of a lover deprived of his beloved, of the martyr whose ideal is perishing, of the hero on the evening after a battle that has decided nothing but brought him wounds and the loss of his friend. But if one endured, if one could endure this immense sum of grief of all kinds while yet being the hero who, as the second day of battle breaks, welcomes the dawn and his fortune, being a person whose horizon encompasses thousands of years, past and future, being the heir of all the nobility of all past spirit - an heir with a sense of obligation, the most aristocratic of old nobles and at the same time the first of a new nobility - the like of which no age has yet seen or dreamed of; if one could burden one’s soul with all of this - the oldest, the newest, losses, hopes, conquests, and the victories of humanity; if one could finally contain all this in one soul and crowd it into a single feeling - this would surely have to result in a happiness that humanity has not known so far: the happiness of a god full of power and love, full of tears and laughter, a happiness that, like the sun in the evening, continually bestows its inexhaustible riches, pouring them into the sea, feeling richest, as the sun does, only when even the poorest fishermen is still rowing with golden oars! This godlike feeling would then be called - humaneness. ~ Friedrich Nietzsche, #NFDB
1140:The mythological hero setting forth from his common-day hut or castle is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There, he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother battle, dragon battle, offering, charm) or be slain by the opponent and descend in death (dismemberment, crucifiction). Beyond this threshold, then, the hero journeys through a world of unfamilir yet strangely intimate forces, some of which severely threaten him (tests), some of which give him magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero's sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divination (apotheosis), or again - if the powers have remained unfriendly to him - his theft of the boon he came to gain (bride-theft, fire-theft), intrinsically, it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformational flight). At the return threshold, the transcendental powers must remain behind;; the hero re-emerges from the kingdom of dread (resurrection, return). The boon that he brings restores the world (elixir, eternal life). ~ Joseph Campbell, #NFDB
1141:They had such a good meet-cute,” I croak.
“What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is.
“A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.”
“Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.”
“I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.”
“Is that in color or black-and-white?”
“Black-and-white.”
Peter groans and falls back against the couch cushions.
“It’s too bad we don’t have a meet-cute,” I muse.
“You jumped me in the hallway at school. I think that’s pretty cute.”
“But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.”
“I remember meeting you for the first time.”
“Nuh-uh. Liar!”
“Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.”
“Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie.
Peter opens his mouth, then snaps it shut. “I’m not telling.”
“See! You just can’t think of anything.”
“No, you don’t deserve to know, because you don’t believe me.”
I roll my eyes. “So full of it. ~ Jenny Han,#NFDB
1142:The mythological hero, setting forth from his common-day hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother-battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion). Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero's sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divinization (apotheosis), or again-if the powers have remained unfriendly to him-his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re-emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world (elixir). ~ Joseph Campbell, The Hero with a Thousand Faces, The Keys, #NFDB
1143:My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?”
“Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever.
I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.”
“Ha! If not for us, you’d’ve slept right through the feast,” Castor countered.
“I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.”
“Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death.
“Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?”
“He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!”
“Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing. ~ Esther M Friesner,#NFDB
1144:But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks—that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in. ~ Raymond Chandler, #NFDB
1145:Kant abolished God and made man God in His stead. We are still living in the age of the Kantian man, or Kantian man-god. Kant's conclusive exposure of the so-called proofs of the existence of God, his analysis of the limitations of speculative reason, together with his eloquent portrayal of the dgnity of rational man, has had results which might possibly dismay him. How recognizable, how familiar to us, is the man so beautifully portrayed in the Grundelgung, who confronted even with Christ turns away to consider the judgment of his own conscience and to hear the voice of his own reason. Stripped of the exiguous metaphysical background which Kant was prepared to allow him, this man is with us still, free, independent, lonely, powerful, rational, responsible, brave, the hero of so many novels and books of moral philosophy. The raison d'etre of this attractive but misleading creature is not far to seek. He is the offspring of the age of science, confidently rational and yet increasingly aware of his alienation from the material universe which his discoveries reveal; and since he is not a Hegelian (Kant, not Hegel, has provided Western ethics with its dominating image) his alienation is without cure. He is the ideal citizen of the liberal state, a warning held up to tyrants. He has the virtue which the age requires and admires, courage. It is not such a very long step from Kant to Nietzsche, and from Nietzsche to existentialism and the Anglo-Saxon ethical doctrines which in some ways closely resemble it. In fact Kant's man had already received a glorious incarnation nearly a century earlier in the work of Milton: his proper name is Lucifer. ~ Iris Murdoch, #NFDB
1146:Summer Dreams
Drowsy old summer, with nothing to do,
I'd like to be drowsin' an' dreamin' with you;
I'd like to stretch out in the shade of a tree,
An' fancy the white clouds were ships out at sea,
Or castles with turrets and treasures and things,
And peopled with princesses, fairies and kings,
An' just drench my soul with the glorious joy
Which was mine to possess as a barefooted boy.
Drowsy old summer, your skies are as blue
As the skies which a dreamy-eyed youngster once knew,
An' I fancy to-day all the pictures are thereThe ships an' the pirates an' princesses fair,
The red scenes of battle, the gay, cheering throngs
Which greeted the hero who righted all wrongs;
But somehow or other, these old eyes of mine
Can't see what they did as a youngster of nine.
Drowsy old summer, I'd like to forget
Some things which I've learned an' some hurts I have met;
I'd like the old visions of splendor an' joy
Which were mine to possess as a barefooted boy
When I dreamed of the glorious deeds I would do
As soon as I'd galloped my brief boyhood through;
I'd like to come back an' look into your skies
With that wondrous belief an' those far-seeing eyes.
Drowsy old summer, my dream days have gone;
Only things which are real I must now look upon;
No longer I see in the skies overhead
The pictures that were, for the last one has fled.
I have learned that not all of our dreams can come true;
That the toilers are many and heroes are few;
But I'd like once again to look up there an' see
The man that I fancied some day I might be.
~ Edgar Albert Guest,#NFDB
1147:The Seed-At-Zero
The seed-at-zero shall not storm
That town of ghosts, the trodden womb,
With her rampart to his tapping,
No god-in-hero tumble down
Like a tower on the town
Dumbly and divinely stumbling
Over the manwaging line.
The seed-at-zero shall not storm
That town of ghosts, the manwaged tomb
With her rampart to his tapping,
No god-in-hero tumble down
Like a tower on the town
Dumbly and divinely leaping
Over the warbearing line.
Through the rampart of the sky
Shall the star-flanked seed be riddled,
Manna for the rumbling ground,
Quickening for the riddled sea;
Settled on a virgin stronghold
He shall grapple with the guard
And the keeper of the key.
May a humble village labour
And a continent deny?
A hemisphere may scold him
And a green inch be his bearer;
Let the hero seed find harbour,
Seaports by a drunken shore
Have their thirsty sailors hide him.
May be a humble planet labour
And a continent deny?
A village green may scold him
And a high sphere be his bearer;
Let the hero seed find harbour,
Seaports by a thirsty shore
Have their drunken sailors hide him.
147
Man-in-seed, in seed-at-zero,
From the foreign fields of space,
Shall not thunder on the town
With a star-flanked garrison,
Nor the cannons of his kingdom
Shall the hero-in-tomorrow
Range on the sky-scraping place.
Man-in-seed, in seed-at-zero,
From the star-flanked fields of space,
Thunders on the foreign town
With a sand-bagged garrison,
Nor the cannons of his kingdom
Shall the hero-in-to-morrow
Range from the grave-groping place.
~ Dylan Thomas,#NFDB
1148:Hardy reinforces his narrative with stories of heroes who didn’t have the right education, the right connections, and who could have been counted out early as not having the DNA for success: “Richard Branson has dyslexia and had poor academic performance as a student. Steve Jobs was born to two college students who didn’t want to raise him and gave him up for adoption. Mark Cuban was born to an automobile upholsterer. He started as a bartender, then got a job in software sales from which he was fired.”8 The list goes on. Hardy reminds his readers that “Suze Orman’s dad was a chicken farmer. Retired General Colin Powell was a solid C student. Howard Schultz, the CEO of Starbucks, was born in a housing authority in the Bronx … Barbara Corcoran started as a waitress and admits to being fired from more jobs than most people hold in a lifetime. Pete Cashmore, the CEO of Mashable, was sickly as a child and finished high school two years late due to medical complications. He never went to college.” What do each of these inspiring leaders and storytellers have in common? They rewrote their own internal narratives and found great success. “The biographies of all heroes contain common elements. Becoming one is the most important,”9 writes Chris Matthews in Jack Kennedy, Elusive Hero. Matthews reminds his readers that young John F. Kennedy was a sickly child and bedridden for much of his youth. And what did he do while setting school records for being in the infirmary? He read voraciously. He read the stories of heroes in the pages of books by Sir Walter Scott and the tales of King Arthur. He read, and dreamed of playing the hero in the story of his life. When the time came to take the stage, Jack was ready. ~ Carmine Gallo, #NFDB
1149:The Funeral of Sarpedon Zeus is heavy with grief. Sarpedon
is dead at Patroclus’ hands and, right now,
the son of Menoetius and his Achaeans are setting out
to steal the corpse and desecrate it. But Zeus will not allow it.
He had left his beloved child alone
and now he’s lost – for such the Law demanded.
But at least he will honour him in death.
Behold: he sends Phoebus down to the field
with orders to care for the body. Phoebus lifts the hero’s corpse with reverence
and pity, and bears him to the river.
He washes away the blood and dust
and closes the wounds, careful
not to leave a scar; he pours balm
of ambrosia over the body and clothes him
in resplendent Olympian robes.
He blanches the skin and with a comb of pearl
straightens the raven-black hair.
He lays him out, arranging the lovely limbs. The youth seems a king, a charioteer,
twenty-five or twenty-six years old –
relishing his moment of victory,
with the swiftest stallions, upon a golden chariot
in a grand competition. Phoebus, completing his assignment,
calls on his two siblings,
Sleep and Death, commanding them
to carry the body to Lycia, land of riches. So the two brothers, Sleep and Death,
set out on foot to transport the body
to Lycia, land of riches.
And at the door of the king’s palace
they hand over the glorious body
and return to their affairs. As they receive him into the palace
they begin laments and tributes, processions
and libations flowing from sacred vessels
and everything that befits such a sad funeral;
then skilled craftsmen from the city
and artists well known for their work in marble
arrive to fashion the tomb and the stele. ~ Constantinos P Cavafy,#NFDB
1150:Reality
These things alone endure;
'They are the solid facts,' that we may grasp,
Leading us on and upward if we clasp
And hold them firm and sure.
In a wise fable old,
A hero sought a god who could at will
Assume all figures, and the hero still
Loosed not his steadfast hold,
For
For
For
For
image foul or fair,
soft-eyed nymph, who wept with pain and shame,
threatening fiend or loathsome beast or flame,
menace or for prayer.
Until the god, outbraved,
Took his own shape divine; not wrathfully,
But wondering, to the hero gave reply,
The knowledge that he craved.
We seize the god in youth;
All forms conspire to make us loose our grasp,—
Ambition, folly, gain,— till we unclasp
From the embrace of truth.
We grow more wise, we say,
And work for worldly ends and mock our dream,
Alas! while all life's glory and its gleam,
With that have fled away.
If thereto we had clung
Through change and peril, fire and night and storm,
Till it assumed its proper, godlike form,
We might at last have wrung
An answer to our cries—
A brave response to our most valiant hope.
Unto the light of day this word might ope
A million mysteries.
175
O'er each man's brow I see
The bright star of his genius shining clear;
It seeks to guide him to a nobler sphere,
Above earth's vanity.
Up to pure height of snow,
Its beckoning ray still leads him on and on;
To those who follow, lo, itself comes down
And crowns at length their brow.
The nimbus still doth gleam
On these the heroes, sages of the earth,
The few who found, in life of any worth,
Only their loftiest dream.
~ Emma Lazarus,#NFDB
1151:The asceticism of the medieval saints and of the yogis of India, the Hellenistic mystery initiations, the ancient philosophies of the East and of the West, are techniques for the shifting of the emphasis of individual consciousness away from the garments. The preliminary meditations of the aspirant detach his mind and sentiments from the accidents of life and drive him to the core. “I am not that, not that,” he meditates: “not my mother or son who has just died; my body, which is ill or aging; my arm, my eye, my head; not the summation of all these things. I am not my feeling; not my mind; not my power of intuition.” By such meditations he is driven to his own profundity and breaks through, at last, to unfathomable realizations. No man can return from such exercises and take very seriously himself as Mr. So-an-so of Such-and-such a township, U.S.A.—Society and duties drop away. Mr. So-and-so, having discovered himself big with man, becomes indrawn and aloof. This is the stage of Narcissus looking into the pool, of the Buddha sitting contemplative under the tree, but it is not the ultimate goal; it is a requisite step, but not the end. The aim is not to see, but to realize that one is, that essence; then one is free to wander as that essence in the world. Furthermore: the world too is of that essence. The essence of oneself and the essence of the world: these two are one. Hence separateness, withdrawal, is no longer necessary. Wherever the hero may wander, whatever he may do, he is ever in the presence of his own essence—for he has the perfected eye to see. There is no separateness. Thus, just as the way of social participation may lead in the end to a realization of the All in the individual, so that of exile brings the hero to the Self in all. ~ Joseph Campbell, #NFDB
1152:The Funeral Of Sarpedon
Zeus mourns deeply:
Patroklos has killed Sarpedon.
Now Patroklos and the Achaians rush on
to snatch up the body, to dishonour it.
But Zeus doesn't tolerate that at all.
Though he let his favourite child be killed
this the Law required
he'll at least honour him after death.
So he now sends Apollo down to the plain
with instructions about how the body should be tended.
Apollo reverently raises the hero's body
and carries it in sorrow to the river.
He washes the dust and blood away,
heals the terrible wounds so there's no trace left,
pours perfume of ambrosia over it,
and dresses it in radiant Olympian robes.
He bleaches the skin, and with a pearl comb
combs out the jet black hair.
He spreads and arranges the beautiful limbs.
Now he looks like a young king, a royal charioteertwenty-five or twenty-six years oldresting himself after winning
the prize in a famous race,
his chariot all gold and his horses the fastest.
Having finished his task this way,
Apollo calls for the two brothers,
Sleep and Death, and orders them
to take the body to Lykia, the rich country.
So the two brothers, Sleep and Death,
set off on foot toward the rich country, Lykia;
and when they reached the door
of the king's palace,
they handed over the honoured body
and then returned to their other concerns.
And once the body was received in the palace
the sad burial began, with processions and honours and dirges,
with many libations from sacred vessels,
with all pomp and circumstance.
Then skilled workers from the city
158
and celebrated craftsmen in stone
came to make the tombstone and the tomb.
~ Constantine P. Cavafy,#NFDB
1153:It would be futile to delude ourselves that at present, readers find every pathography unsavory. This attitude is excused with the reproach that from a pathographic elaboration of a great man one never obtains an understanding of his importance and his attainments, that it is therefore useless mischief to study in him things which could just as well be found in the first comer. However, this criticism is so clearly unjust that it can only be grasped when viewed as a pretext and a disguise for something. As a matter of fact pathography does not aim at making comprehensible the attainments of the great man; no one should really be blamed for not doing something which one never promised. The real motives for the opposition are quite different. One finds them when one bears in mind that biographers are fixed on their heroes in quite a peculiar manner. Frequently they take the hero as the object of study because, for reasons of their personal emotional life, they bear him a special affection from the very outset. They then devote themselves to a work of idealization which strives to enroll the great men among their infantile models, and to revive through him, as it were, the infantile conception of the father. For the sake of this wish they wipe out the individual features in his physiognomy, they rub out the traces of his life's struggle with inner and outer resistances, and do not tolerate in him anything of human weakness or imperfection; they then give us a cold, strange, ideal form instead of the man to whom we could feel distantly related. It is to be regretted that they do this, for they thereby sacrifice the truth to an illusion, and for the sake of their infantile phantasies they let slip the opportunity to penetrate into the most attractive secrets of human nature. ~ Sigmund Freud, #NFDB
1154:But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn evening in 1922. I was a notary's clerk in Marommes." And in reality you have started at the end. It was there, invisible and present, it is the one which gives to words the pomp and value of a beginning. "I was out walking, I had left the town without realizing it, I was thinking about my money troubles." This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each of them in turn, draws out the preceding instant. "it was night, the street was deserted." The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of due rich prizes, and he did not make his choice. ~ Jean Paul Sartre, #NFDB
1155:In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor -- by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things.
He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man's money dishonestly and no man's insolence without due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks -- that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.
The story is the man's adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in. ~ Raymond Chandler,#NFDB
1156:The entire theater faded away, as did the whispers, titters, and if she wasn’t much mistaken, applause, as Bram continued kissing her before he drew back, cupped her face with his hands, and smiled. It was a wonderful smile, filled with love, hope, and maybe even, a dash of naughtiness and danger. “That’ll keep everyone talking for a while,” he said with a wink. “I’m sure it will, and . . . now that we’ve gotten ourselves engaged, I, my soon-to-be husband, have a scene to finish.” Bram turned his head and whistled, the whistle resulting in Sweet Pea being led onto the stage, pulling her pony cart. “That’s why I brought a horse.” “Sweet Pea is a mule, but even if she was a horse, there’s not a horse in The Lady of the Tower—which you know since you penned the play.” “True, but I brought Sweet Pea along because of the scene in my new novel, the scene where you cut me down, then hoist me over your horse’s back, and then we go galloping off into the night.” “I’m not sure if a heroine will actually have the strength needed to hoist the hero onto a horse, and . . . again, you brought Sweet Pea and a pony cart, so . . . I’m not exactly certain how I should proceed.” “I tried to bring Storm, but Ernie pointed out that if Storm doesn’t like graveyards he probably wouldn’t like the theater, and that’s when Ernie offered to loan me Sweet Pea, and . . . maybe I should just climb in the cart and you can join me.” With that, Bram took hold of her hand, stepped into the pony cart, pulled her in after him, and pulled her onto his lap as he settled against the seat. Picking up the reins, he gave them a flick, and Sweet Pea was off, prancing as she was wont to do across the stage, down the ramp, and straight out the back door that Mr. Skukman was already holding open for them. As they rode away into the night, with Bram’s arms wrapped tightly around her, Lucetta realized that Abigail had been right all along. Bram ~ Jen Turano, #NFDB
1157:I built an idea in my head of the hero I wanted to be, a grab bag of traits from heroes, villains, and side characters. I did not have book role models, I had book blueprints.
But there remained a huge gap between the person I wanted to be and the person who I was. This was because no matter how many book blueprints I had, as much as I wanted to make myself the hero of my own life, it didn’t matter as long as I kept telling the story wrong.
Nowadays, as a storyteller, I know what the problem was. I had all the elements I needed to tell a good story. But I was telling it the wrong way, so I could never get to the ending I wanted.
If you tell yourself you’re a winner, you know what kind of story you’re telling, and you will march toward that... Likewise, if you tell yourself you’re a loser, you’ve made that your story, and you will march toward that instead. The same setbacks could happen in the loser’s story as in the winner’s story, but the self-defined loser would let them be proof that they were never going to be anything.
Here’s the story I was telling myself back when I was little edible child waiting to be carried away by hawks and making OCD rituals for herself: once upon a time, there was a girl who was afraid of everything. When I was 16, I realized that I knew what this story looked like and how it ended, and it wasn’t the life I wanted for myself. If I wanted my ending to look different, I needed to change the kind of story I was telling about myself. I needed to shape my events into a different genre: once upon a time, there was a woman who was afraid of nothing. At age 16, I legally changed my name from my birthname — Heidi — to one I thought sounded like the hero I wanted to be: Maggie. And I vowed that I would never be afraid of anything ever again.
Did it work? No, of course not. Not right away. But it became a mission statement, my hero’s journey. ~ Maggie Stiefvater,#NFDB
1158:The Caterpillar
No, helpless thing, I cannot harm thee now;
Depart in peace, thy little life is safe,
For I have scanned thy form with curious eye,
Noted the silver line that streaks thy back,
The azure and the orange that divide
Thy velvet sides; thee, houseless wanderer,
My garment has enfolded, and my arm
Felt the light pressure of thy hairy feet;
Thou hast curled round my finger; from its tip,
Precipitous descent! with stretched out neck,
Bending thy head in airy vacancy,
This way and that, inquiring, thou hast seemed
To ask protection; now, I cannot kill thee.
Yet I have sworn perdition to thy race,
And recent from the slaughter am I come
Of tribes and embryo nations: I have sought
With sharpened eye and persecuting zeal,
Where, folded in their silken webs they lay
Thriving and happy; swept them from the tree
And crushed whole families beneath my foot;
Or, sudden, poured on their devoted heads
The vials of destruction.-This I've done
Nor felt the touch of pity: but when thou,A single wretch, escaped the general doom,
Making me feel and clearly recognise
Thine individual existence, life,
And fellowship of sense with all that breathes,Present'st thyself before me, I relent,
And cannot hurt thy weakness.-So the storm
Of horrid war, o'erwhelming cities, fields,
And peaceful villages, rolls dreadful on:
The victor shouts triumphant; he enjoys
The roar of cannon and the clang of arms,
And urges, by no soft relentings stopped,
The work of death and carnage. Yet should one,
A single sufferer from the field escaped,
Panting and pale, and bleeding at his feet,
Lift his imploring eyes,- the hero weeps;
He is grown human, and capricious Pity,
125
Which would not stir for thousands, melts for one
With sympathy spontaneous:- 'Tis not Virtue,
Yet 'tis the weakness of a virtuous mind.
~ Anna Laetitia Barbauld,#NFDB
1159:By explaining the precise power that held groups together Freud could also show why groups did not fear danger. The members do not feel that they are alone with their own smallness and helplessness, as they have the powers of the hero-leader with whom they are identified. Natural narcissism-the feeling that the person next to you will die, but not you-is reinforced by trusting dependence on the leader's power. No wonder that hundreds of thousands of men marched up from trenches in the face of blistering gunfire in World War I. They were partially self-hypnotised, so to speak. No wonder men imagine victories against impossible odds: don't they have the omnipotent powers of the parental figure? Why are groups so blind and stupid?-men have always asked. Because they demand illusions, answered Freud, they "constantly give what is unreal precedence over what is real." And we know why. The real world is simply too terrible to admit; it tells man that he is a small, trembling animal who will decay and die. illusion changes all this, makes man seem important, vital to the universe, immortal in some way. Who transmits this illusion, if not the parents by imparting the macro-lie of the cultural causa-sui? The masses look to the leaders to give them just the untruth that they need; the leader continues the illusions that triumph over the castration complex and magnifies them into a truly heroic victory. Furthermore, he makes possible a new experience, the expression of forbidden impulses, secret wishes, and fantasies. In group behavior anything goes because the leader okays it. It is like being an omnipotent infant again, encouraged by the parent to indulge oneself plentifully, or like being in psychoanalytic therapy where the analyst doesn't censure you for anything you feel or think. In the group each man seems an omnipotent hero who can give full vent to his appetites under the approving eye of the father. And so we understand the terrifying sadism of group activity. ~ Ernest Becker, #NFDB
1160:Anomalies manifest themselves on the border between chaos and order, so to speak, and have a threatening and promising aspect. The promising aspect dominates, when the contact is voluntary, when the exploring agent is up-to-date – when the individual has explored all previous anomalies, released the “information” they contained, and built a strong personality and steady “world” from that information.
The threatening aspect dominates, when the contact is involuntary, when the exploring agent is not up-to-date – when the individual has run away from evidence of his previous errors, failed to extract the information “lurking behind” his mistakes, weakened his personality, and destabilised his “world.”
The phenomenon of interest – that precursor to exploratory behaviour – signals the presence of a potentially “beneficial” anomaly. Interest manifests itself where an assimilable but novel phenomenon exists: where something new “hides,” in a partially comprehensible form. Devout adherence to the dictates of interest – assuming a suitably disciplined character – therefore insures stabilisation and renewal of personality and world.
Interest is a spirit beckoning from the unknown – a spirit calling from outside the “walls” of society. Pursuit of individual interest means hearkening to this spirit’s call – means journeying outside the protective walls of childhood dependence and adolescent group identification; means also return to and rejuvenation of society.
This means that pursuit of individual interest – development of true individuality – is equivalent to identification with the hero. Such identification renders the world bearable, despite its tragedies – and reduces unnecessary suffering, which most effectively destroys, to an absolute minimum.
This is the message that everyone wants to hear. Risk your security. Face the unknown. Quit lying to yourself, and do what your heart truly tells you to do. You will be better for it, and so will the world. ~ Jordan Peterson,#NFDB
1161:Anomalies manifest themselves on the border between chaos and order, so to speak, and have a threatening and promising aspect. The promising aspect dominates, when the contact is voluntary, when the exploring agent is up-to-date – when the individual has explored all previous anomalies, released the “information” they contained, and built a strong personality and steady “world” from that information.
The threatening aspect dominates, when the contact is involuntary, when the exploring agent is not up-to-date – when the individual has run away from evidence of his previous errors, failed to extract the information “lurking behind” his mistakes, weakened his personality, and destabilised his “world.”
The phenomenon of interest – that precursor to exploratory behaviour – signals the presence of a potentially “beneficial” anomaly. Interest manifests itself where an assimilable but novel phenomenon exists: where something new “hides,” in a partially comprehensible form. Devout adherence to the dictates of interest – assuming a suitably disciplined character – therefore insures stabilisation and renewal of personality and world.
Interest is a spirit beckoning from the unknown – a spirit calling from outside the “walls” of society. Pursuit of individual interest means hearkening to this spirit’s call – means journeying outside the protective walls of childhood dependence and adolescent group identification; means also return to and rejuvenation of society.
This means that pursuit of individual interest – development of true individuality – is equivalent to identification with the hero. Such identification renders the world bearable, despite its tragedies – and reduces unnecessary suffering, which most effectively destroys, to an absolute minimum.
This is the message that everyone wants to hear. Risk your security. Face the unknown. Quit lying to yourself, and do what your heart truly tells you to do. You will be better for it, and so will the world. ~ Jordan B Peterson,#NFDB
1162:It breaks my heart. Better than your words, your eye tells me all your peril.
You are not yet free, you still search for freedom. Your search has fatigued you and made you too wakeful.
You long for the open heights, your soul thirsts for the stars. But your bad instincts too thirst for freedom.
Your fierce dogs long for freedom; they bark for joy in their cellar when your spirit aspires to break open all prisons.
To me you are still a prisoner who imagines freedom: ah, such prisoners of the soul become clever, but also deceitful and base.
The free man of the spirit, too, must still purify himself. Much of the prison and rottenness still remain within him: his eye still has to become pure.
Yes, I know your peril. But, by my love and hope I entreat you: do not reject your love and hope!
You still feel yourself noble, and the others, too, who dislike you and cast evil glances at you, still feel you are noble. Learn that everyone finds the noble man an obstruction.
The good, too, find the noble man an obstruction: and even when they call him a good man they do so in order to make away with him.
The noble man wants to create new things and a new virtue. The good man wants the old things and that the old things shall be preserved.
But that is not the danger for the noble man — that he may become a good man — but that he may become an impudent one, a derider, a destroyer.
Alas, I have known noble men who lost their highest hope. And henceforth they slandered all high hopes.
Henceforth they lived impudently in brief pleasures, and they had hardly an aim beyond the day.
‘Spirit is also sensual pleasure’ — thus they spoke. Then the wings of their spirit broke: now it creeps around and it makes dirty what it feeds on.
Once they thought of becoming heroes: now they are sensualists. The hero is to them an affliction and a terror.
But, by my love and hope I entreat you: do not reject the hero in your soul! Keep holy your highest hope!
Thus spoke Zarathustra. ~ Friedrich Nietzsche,#NFDB
1163:And when they had walked a while together, Zarathustra began to speak thus: It rends my heart. Better than your words express it, your eyes tell me all your danger.
As yet you are not free; you still seek freedom. Too unslept has your seeking made you, and too wakeful. On the open height would you be; for the stars thirst your soul. But your bad impulses also thirst for freedom. Your wild dogs want liberty; they bark for joy in their cellar when your spirit endeavors to open all prison doors. Still are you a prisoner - it seems to me -who devises liberty for himself: ah! sharp becomes the soul of such prisoners, but also deceitful and wicked.
It is still necessary for the liberated spirit to purify himself. Much of the prison and the mould still remains in him: pure has his eye still to become.
Yes, I know your danger. But by my love and hope I appeal to you: cast not your love and hope away!
Noble you feel yourself still, and noble others also feel you still, though they bear you a grudge and cast evil looks. Know this, that to everybody a noble one stands in the way.
Also to the good, a noble one stands in the way: and even when they call him a good man, they want thereby to put him aside. The new, would the noble man create, and a new virtue. The old, wants the good man, and that the old should be conserved. But it is not the danger of the noble man to turn a good man, but lest he should become an arrogant boor , a mocker, or a destroyer.
Ah! I have known noble ones who lost their highest hope. And then they slandered all high hopes. Then lived they shamelessly in temporary pleasures, and beyond the day had hardly an aim.
"Spirit is also voluptuousness," - said they. Then broke the wings of their spirit; and now it creeps about, and defiles where it gnaws.
Once they thought of becoming heroes; but sensualists are they now. A trouble and a terror is the hero to them.
But by my love and hope I appeal to you: cast not away the hero in your soul! Maintain holy your highest hope! -
Thus spoke Zarathustra. ~ Friedrich Nietzsche,#NFDB
1164:It is a well known fact that warriors and wizards do not get along, because one side considers the other side to be a collection of bloodthirsty idiots who can't walk and think at the same time, while the other side is naturally suspicious of a body of men who mumble a lot and wear long dresses.
Oh, say the wizards, if we're going to be like that, then, what about all those studded collars and oiled muscles down at the Young Men's Pagan Association? To which the heroes reply, that's a pretty good allegation coming from a bunch of wimpsoes who won't go near a woman on account, can you believe it, of their mystical power being sort of drained out. Right, say the wizards, that just about does it, you and your leather posing pouches. Oh yeah, say the heroes, why don't you... And so on.
This sort of thing has been going on for centuries, and caused a number of major battles which have left large tracts of land uninhabitable because of magical harmonics. In fact, the hero even at this moment galloping towards the Vortex Plains didn't get involved in this kind of argument, because they didn't take it seriously, mainly because this particular hero was a heroine. A redheaded one.
Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, thigh-boots and naked blades. Words like "full", "round" and even "pert" creep into the narrative, until the writer has to go and have a cold shower and lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialised buyer.
Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. ~ Terry Pratchett,#NFDB
1165:Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a . 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he . [The hero’s world must be in balance in the first act.] 3. Until one day . [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that . [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that . 6. Until finally . [The climax reveals the triumph of good over evil.] 7. Ever since then . [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements. ~ Carmine Gallo, #NFDB
1166:To Carmen Sylva
Oh, that the golden lyre divine
Whence David smote flame-tones were mine!
Oh, that the silent harp which hung
Untuned, unstrung,
Upon the willows by the river,
Would throb beneath my touch and quiver
With the old song-enchanted spell
Of Israel!
Oh, that the large prophetic Voice
Would make my reed-piped throat its choice!
All ears should prick, all hearts should spring,
To hear me sing
The burden of the isles, the word
Assyria knew, Damascus heard,
When, like the wind, while cedars shake,
Isaiah spake.
For I would frame a song to-day
Winged like a bird to cleave its way
O'er land and sea that spread between,
To where a Queen
Sits with a triple coronet.
Genius and Sorrow both have set
Their diadems above the goldA Queen three-fold!
To her the forest lent its lyre,
Hers are the sylvan dews, the fire
Of Orient suns, the mist-wreathed gleams
?????? Of mountain streams.
She, the imperial Rhine's own child,
Takes to her heart the wood-nymph wild,
The gypsy Pelech, and the wide,
White Danube's tide.
She who beside an infant's bier
Long since resigned all hope to hear
The sacred name of 'Mother' bless
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Her childlessness,
Now from a people's sole acclaim
Receives the heart-vibrating name,
And 'Mother, Mother, Mother!' fills
The echoing hills.
Yet who is he who pines apart,
Estranged from that maternal heart,
Ungraced, unfriended, and forlorn,
The butt of scorn?
An alien in his land of birth,
An outcast from his brethren's earth,
Albeit with theirs his blood mixed well
When Plevna fell?
When all Roumania's chains were riven,
When unto all his sons was given
The hero's glorious reward,
Reaped by the sword,Wherefore was this poor thrall, whose chains
Hung heaviest, within whose veins
The oldest blood of freedom streamed,
Still unredeemed?
O Mother, Poet, Queen in one!
Pity and save-he is thy son.
For poet David's sake, the king
Of all who sing;
For thine own people's sake who share
His law, his truth, his praise, his prayer;
For his sake who was sacrificedHis brother-Christ!
~ Emma Lazarus,#NFDB
1167:Ralph Waldo Emerson would later observe that “Souls are not saved in bundles.”16 Johnson fervently believed in each individual’s mysterious complexity and inherent dignity. He was, through it all, a moralist, in the best sense of that term. He believed that most problems are moral problems. “The happiness of society depends on virtue,” he would write. For him, like other humanists of that age, the essential human act is the act of making strenuous moral decisions. He, like other humanists, believed that literature could be a serious force for moral improvement. Literature gives not only new information but new experiences. It can broaden the range of awareness and be an occasion for evaluation. Literature can also instruct through pleasure. Today many writers see literature and art only in aesthetic terms, but Johnson saw them as moral enterprises. He hoped to be counted among those writers who give “ardor to virtue and confidence to truth.” He added, “It is always a writer’s duty to make the world better.” As Fussell puts it, “Johnson, then, conceives of writing as something very like a Christian sacrament, defined in the Anglican catechism as ‘an outward and visible sign of an inward and spiritual grace given to us.’ ” Johnson lived in a world of hack writers, but Johnson did not allow himself to write badly—even though he wrote quickly and for money. Instead, he pursued the ideal of absolute literary honesty. “The first step to greatness is to be honest” was one of Johnson’s maxims. He had a low but sympathetic view of human nature. It was said in Greek times that Demosthenes was not a great orator despite his stammer; he was a great orator because he stammered. The deficiency became an incentive to perfect the associated skill. The hero becomes strongest at his weakest point. Johnson was a great moralist because of his deficiencies. He came to understand that he would never defeat them. He came to understand that his story would not be the sort of virtue-conquers-vice story people like to tell. It would be, at best, a virtue-learns-to-live-with-vice story. He wrote that he did not seek cures for his failings, but palliatives. This awareness of permanent struggle made him sympathetic to others’ failings. He was a moralist, but a tenderhearted one. ~ David Brooks, #NFDB
1168:45. No Plan Survives First Contact With The Enemy
No matter how well you have prepared for something in advance - whether it’s an expedition, an exam, a marriage or a race - when you find yourself in the thick of the action, however good your plan, things happen.
Adventure is unpredictable, and you had better learn to be flexible and to swing with the punches, or you will get beaten - it’s as simple as that.
Mike Tyson famously once said: ‘Everyone has a plan…until they get punched in the face!’
If the adventure is an exciting one, you can bet your bottom dollar you will get hit by the occasional punch in the face. So prepare for the unexpected, and remember that forewarned is forearmed.
Knowing that things will and do go wrong in the heat of battle is actually half the battle. It means that when it happens you are ready for it - you can react fast, stay nimble and you can survive the barrage.
We used to say in the military that when things took a turn for the worse you have to ‘improvise, adapt and overcome.’ IAO. It is a good one to remember. It gives us a road map to deal with the unexpected.
Being caught out, being caught off guard often makes people freeze - it is a human reaction to shock. But freezing can cost you the edge. So learn to anticipate the unexpected, and when it happens, smile to yourself and treat it as a solid marker that you are doing something right on your road to success.
If nothing ever goes wrong then you haven’t been ambitious enough!
I also like to say that the real adventure begins in earnest when things go a little bit wrong. It is only then that you get to pit yourself against the worst the wild has to throw at you. When all is going to plan, with all the kit working perfectly and the weather benign, then it isn’t really a test of character. It is easy to be the hero when all is going your way.
But when it all goes wrong and life feels like a battle, it is then that we can see what sort of people we have around us. It is only through the hardships that our character becomes forged. Without struggle there can be no growth - physically or emotionally.
So embrace the unexpected, feed off it, train yourself to be a master of the curve ball, and you will have built yourself another solid ‘character’ rung on the ladder to success. ~ Bear Grylls,#NFDB
1169:After loud overtures from his daughters, Anthony finally left the house and went up the winding path to the “museum,” to the mobile home where he and his parents had lived from 1949 to 1958. It has been left untouched. The furniture, tables, the paint on the walls, the ’50s cabinets, the dressers, the closets, are all unchanged, remaining as they once were. And in her closet in the bedroom, past the nurse’s uniform, far away in the right-hand corner on the top shelf, lies the black backpack that contains Tatiana’s soul. Every once in a while when she can stand it—or when she can’t stand it—she looks through it. Alexander never looks through it. Tatiana knows what Anthony is about to see. Two cans of Spam in the pack. A bottle of vodka. The nurse’s uniform she escaped from the Soviet Union in that hangs in plastic in the museum closet, next to the PMH nurse’s uniform she nearly lost her marriage in. The Hero of the Soviet Union medal in the pack, in a hidden pocket. The letters she received from Alexander—including the last one from Kontum, which, when she heard about his injuries, she thought would be the last one. That plane ride to Saigon in December 1970 was the longest twelve hours of Tatiana’s life. Francesca and her daughter Emily took care of Tatiana’s kids. Vikki, her good and forgiven friend, came with her, to bring back the body of Tom Richter, to bring back Anthony. In the backpack lies an old yellowed book, The Bronze Horseman and Other Poems. The pages are so old, they splinter if you turn them. You cannot leaf, you can only lift. And between the fracturing pages, photographs are slotted like fragile parchment leaves. Anthony is supposed to find two of these photographs and bring them back. It should take him only a few minutes. Cracked leaves of Tania before she was Alexander’s. Here she is at a few months old, held by her mother, Tania in one arm, Pasha in the other. Here she is, a toddler in the River Luga, bobbing with Pasha. And here a few years older, lying in the hammock with Dasha. A beaming, pretty, dark-haired Dasha is about fourteen. Here is Tania, around ten, with two dangling little braids, doing a fantastic one-armed handstand on top of a tree stump. Here are Tania and Pasha in the boat together, Pasha threateningly raising the oar over her head. Here is the whole family. The parents, side by side, unsmiling, Deda holding Tania’s hand. Babushka holding Pasha’s, Dasha smiling merrily in front. ~ Paullina Simons, #NFDB
1170:The hero is the man of self-achieved submission. But submission to what? That precisely is the riddle that today we have to ask ourselves and that it is everywhere the primary virtue and historic deed of the hero to have solved. Only birth can conquer death—the birth, not of the old thing again, but of something new. Within the soul, within the body social, there must be a continuous “recurrence of birth” a rebirth, to nullify the unremitting recurrences of death. For it is by means of our own victories, if we are not regenerated, that the work of Nemesis is wrought: doom breaks from the shell of our very virtue. Peace then is a snare; war is a snare; change is a snare; permanence a snare. When our day is come for the victory of death, death closes in; there is nothing we can do, except be crucified—and resurrected; dismembered totally, and then reborn.
The first step, detachment or withdrawal, consists in a radical transfer of emphasis from the external to the internal world, macro- to microcosm, a retreat from the desperation's of the waste land to the peace of the everlasting realm that is within. But this realm, as we know from psychoanalysis, is precisely the infantile unconscious. It is the realm that we enter in sleep. We carry it within ourselves forever. All the ogres and secret helpers of our nursery are there, all the magic of childhood. And more important, all the life-potentialities that we never managed to bring to adult realization, those other portions of our self, are there; for such golden seeds do not die. If only a portion of that lost totality could be dredged up into the light of day, we should experience a marvelous expansion of our powers, a vivid renewal of life. We should tower in stature. Moreover, if we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should indeed become the boon-bringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung has called “the archetypal images.” This is the process known to Hindu and Buddhist philosophy as viveka, “discrimination. ~ Joseph Campbell,#NFDB
1171:Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"
~ Rabindranath Tagore, The Hero
,#NFDB
1172:Fig-tree, for such a long time I have found meaning
in the way you almost completely omit your blossoms
and urge your pure mystery, unproclaimed,
into the early ripening fruit.
Like a curved pipe of a fountain, your arching boughs drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan.
......But we still linger, alas,
we, whose pride is in blossoming; we enter the overdue
interior of our final fruit and are already betrayed.
In only a few does the urge to action rise up
so powerfully the they stop, glowing in their heart's abundance,
while, like the soft night air , the temptation to blossom
touches their tender mouths, touches their eyelids, softly:
heroes perhaps, and those chosen to disappear early,
whose veins Death the gardener twists into a different pattern.
These plunge on ahead: in advance of their own smile
like the team of galloping horses before the triumphant
pharaoh in the mildly hollowed reliefs at Karnak.
The hero is strangely close to those who died young. Permanence
does not concern him. He lives in continual ascent,
moving on into the ever-changed constellation
of perpetual danger. Few could find him there. But
Fate, which is silent about us, suddenly grows inspired
and sings him into the storm of his onrushing world.
I hear no one like him. All at once I am pierced
by his darkened voice, carried on the streaming air.
Then how gladly I would hide from the longing to be once again
oh a boy once again, with my life before me, to sit
leaning on future arms and reading of Samson,
how from his mother first nothing, then everything, was born.
Wasn't he a hero inside you mother? didn't
his imperious choosing already begin there, in you?
Thousands seethed in your womb, wanting to be him,
but look: he grasped and excluded—, chose and prevailed.
And if he demolished pillars, it was when he burst
from the world of your body into the narrower world, where again
he chose and prevailed. O mothers of heroes, O sources
of ravaging floods! You ravines into which
virgins have plunged, lamenting,
from the highest rim of the heart, sacrifices to the son.
For whenever the hero stormed through the stations of love,
each heartbeat intended for him lifted him up, beyond it;
and, turning away, he stood there, at the end of all smiles,—transfigured. ~ Rainer Maria Rilke,#NFDB
1173:Then And Now
A little time agone, a few brief years,
And there was peace within our beauteous borders;
Peace, and a prosperous people, and no fears
Of war and its disorders.
Pleasure was ruling goddess of our land; with her attendant Mirth
She led a jubilant, joy-seeking band about the riant earth.
Do you recall those laughing days, my Brothers,
And those long nights that trespassed on the dawn?
Those throngs of idle dancing maids and mothers
Who lilted on and onCard mad, wine flushed, bejewelled and half stripped,
Yet women whose sweet mouth had never sipped
From sin's black chalice-women good at heart
Who, in the winding maze of pleasure's mart,
Had lost the sun-kissed way to wholesome pleasures of an earlier day.
Oh! You remember them! You filled their glasses;
You 'cut in' at their games of bridge; you left
Your work to drop in on their dancing-classes
Before the day was cleft
In twain by noontide. When the night waxed late
You led your partner forth to demonstrate
The newest steps before a cheering throng,
And Time and Peace danced by your side along.
Peace is a lovely word, and we abhor that red word 'War';
But look ye, Brothers, what this war has done for daughters and for son,
For manhood and for womanhood, whose trend
Seemed year on year toward weakness to descend.
Upon this woof of darkness and of terror, woven by human error,
Behold the pattern of a new race-soul,
And it shall last while countless ages roll.
At the loud call of drums, out of the idler and the weakling comes
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The hero valiant with self-sacrifice, ready to pay the price
War asks of men, to help a suffering world.
And out of the arms of pleasure, where they whirled
In wild unreasoning mirth, behold the splendid women of the earth
Living new selfless lives-the toiling mothers, sister, daughters, wives
Of men gone forth as target for the foe.
Ah, now we know
Man is divine; we see the heavenly spark
Shining above the smoke and gloom and dark
Which was not visible in peaceful days.
God! wondrous are Thy ways,
For out of chaos comes construction; out of darkness and of doubt
And the black pit of death comes glorious faith;
From want and waste comes thrift, from weakness strength and power,
And to the summits men and women lift
Their souls from self-indulgence in this hour,
This crucial hour of life:
So shines the golden side of this black shield of strife.
~ Ella Wheeler Wilcox,#NFDB
1174:Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you’re going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926.
That’s living. But everything changes when you tell about life; it’s a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. [...] “I was out walking, I had left the town without realizing it, I was thinking about my money troubles.” This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: “It was night, the street was deserted.” The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice.
I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail. ~ Jean Paul Sartre,#NFDB
1175:When I look at this age with the eye of a distant future, I find nothing so remarkable in the man of the present day as his peculiar virtue and sickness called "the historical sense." It is a tendency to something quite new and foreign in history: if this embryo were given several centuries and more, there might finally evolve out of it a marvellous plant, with a smell equally marvellous, on account of which our old earth might be more pleasant to live in than it has been hitherto. We moderns are just beginning to form the chain of a very powerful, future sentiment, link by link, we hardly know what we are doing. It almost seems to us as if it were not the question of a new sentiment, but of the decline of all old sentiments: the historical sense is still something so poor and cold, and many are attacked by it as by a frost, and are made poorer and colder by it. To others it appears as the indication of stealthily approaching age, and our planet is regarded by them as a melancholy invalid, who, in order to forget his present condition, writes the history of his youth. In fact, this is one aspect of the new sentiment He who knows how to regard the history of man in its entirety as his own history, feels in the immense generalisation all the grief of the invalid who thinks of health, of the old man who thinks of the dream of his youth, of the lover who is robbed of his beloved, of the martyr whose ideal is destroyed, of the hero on the evening of the indecisive battle which has brought him wounds and the loss of a friend. But to bear this immense sum of grief of all kinds, to be able to bear it, and yet still be the hero who at the commencement of a second day of battle greets the dawn and his happiness, as one who has an horizon of centuries before and behind him, as the heir of all nobility, of all past intellect, and the obligatory heir (as the noblest) of all the old nobles; while at the same time the first of a new nobility, the equal of which has never been seen nor even dreamt of: to take all this upon his soul, the oldest, the newest, the losses, hopes, conquests, and victories of mankind: to have all this at last in one soul, and to comprise it in one feeling: this would necessarily furnish a happiness which man has not hitherto known, a God's happiness, full of power and love, full of tears and laughter, a happiness which, like the sun in the evening, continually gives of its inexhaustible riches and empties into the sea, and like the sun, too, feels itself richest when even the poorest fisherman rows with golden oars! This divine feeling might then be called humanity! ~ Friedrich Nietzsche, #NFDB
1176:In life,” he said, “there are no essentially major or minor characters. To that extent, all fiction and biography, and most historiography, are a lie. Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius’s point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn’t think he was a minor character in anything, I daresay. Or suppose you’re an usher in a wedding. From the groom’s viewpoint he’s the major character; the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bridge and groom both are minor figures. What you’ve done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn’t a lie at all, but a true representation of the distortion that everyone makes of life.
“Now, not only are we the heroes of our own life stories–we’re the ones who conceive the story, and give other people the essences of minor characters. But since no man’s life story as a rule is ever one story with a coherent plot, we’re always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are supposed to play. This is generally true. If any man displays almost the same character day in and day out, all day long, it’s either because he has no imagination, like an actor who can play only one role, or because he has an imagination so comprehensive that he sees each particular situation of his life as an episode in some grand over-all plot, and can so distort the situations that the same type of hero can deal with them all. But this is most unusual.
“This kind of role-assigning is myth-making, and when it’s done consciously or unconsciously for the purpose of aggrandizing or protecting your ego–and it’s probably done for this purpose all the time–it becomes Mythotherapy. Here’s the point: an immobility such as you experienced that time in Penn Station is possible only to a person who for some reason or other has ceased to participate in Mythotherapy. At that time on the bench you were neither a major nor a minor character: you were no character at all. It’s because this has happened once that it’s necessary for me to explain to you something that comes quite naturally to everyone else. It’s like teaching a paralytic how to walk again. ~ John Barth,#NFDB
1177:inspire. I am here to love. I am here to live my truth. Communion: I will appreciate someone who doesn’t know that I feel that way. I will overlook the tension and be friendly to someone who has ignored me. I will express at least one feeling that has made me feel guilty or embarrassed. Awareness: I will spend ten minutes observing instead of speaking. I will sit quietly by myself just to sense how my body feels. If someone irritates me, I will ask myself what I really feel beneath the anger—and I won’t stop paying attention until the anger is gone. Acceptance: I will spend five minutes thinking about the best qualities of someone I really dislike. I will read about a group that I consider totally intolerant and try to see the world as they do. I will look in the mirror and describe myself exactly as if I were the perfect mother or father I wish I had had (beginning with the sentence “How beautiful you are in my eyes”). Creativity: I will imagine five things I could do that my family would never expect—and then I will do at least one of them. I will outline a novel based on my life (every incident will be true, but no one would ever guess that I am the hero). I will invent something in my mind that the world desperately needs. Being: I will spend half an hour in a peaceful place doing nothing except feeling what it is like to exist. I will lie outstretched on the grass and feel the earth languidly revolving under me. I will take in three breaths and let them out as gently as possible. Efficiency: I will let at least two things out of my control and see what happens. I will gaze at a rose and reflect on whether I could make it open faster or more beautifully than it already does—then I will ask if my life has blossomed this efficiently. I will lie in a quiet place by the ocean, or with a tape of the sea, and breathe in its rhythms. Bonding: When I catch myself looking away from someone, I will remember to look into the person’s eyes. I will bestow a loving gaze on someone I have taken for granted. I will express sympathy to someone who needs it, preferably a stranger. Giving: I will buy lunch and give it to someone in need on the street (or I will go to a café and eat lunch with the person). I will compliment someone for a quality that I know the individual values in him- or herself. I will give my children as much of my undivided time today as they want. Immortality: I will read a scripture about the soul and the promise of life after death. I will write down five things I want my life to be remembered for. I will sit and silently experience the gap between breathing in and breathing out, feeling the eternal in the present moment. ~ Deepak Chopra, #NFDB
1178:Higher purpose: I am here to serve. I am here to inspire. I am here to love. I am here to live my truth. Communion: I will appreciate someone who doesn’t know that I feel that way. I will overlook the tension and be friendly to someone who has ignored me. I will express at least one feeling that has made me feel guilty or embarrassed. Awareness: I will spend ten minutes observing instead of speaking. I will sit quietly by myself just to sense how my body feels. If someone irritates me, I will ask myself what I really feel beneath the anger—and I won’t stop paying attention until the anger is gone. Acceptance: I will spend five minutes thinking about the best qualities of someone I really dislike. I will read about a group that I consider totally intolerant and try to see the world as they do. I will look in the mirror and describe myself exactly as if I were the perfect mother or father I wish I had had (beginning with the sentence “How beautiful you are in my eyes”). Creativity: I will imagine five things I could do that my family would never expect—and then I will do at least one of them. I will outline a novel based on my life (every incident will be true, but no one would ever guess that I am the hero). I will invent something in my mind that the world desperately needs. Being: I will spend half an hour in a peaceful place doing nothing except feeling what it is like to exist. I will lie outstretched on the grass and feel the earth languidly revolving under me. I will take in three breaths and let them out as gently as possible. Efficiency: I will let at least two things out of my control and see what happens. I will gaze at a rose and reflect on whether I could make it open faster or more beautifully than it already does—then I will ask if my life has blossomed this efficiently. I will lie in a quiet place by the ocean, or with a tape of the sea, and breathe in its rhythms. Bonding: When I catch myself looking away from someone, I will remember to look into the person’s eyes. I will bestow a loving gaze on someone I have taken for granted. I will express sympathy to someone who needs it, preferably a stranger. Giving: I will buy lunch and give it to someone in need on the street (or I will go to a café and eat lunch with the person). I will compliment someone for a quality that I know the individual values in him- or herself. I will give my children as much of my undivided time today as they want. Immortality: I will read a scripture about the soul and the promise of life after death. I will write down five things I want my life to be remembered for. I will sit and silently experience the gap between breathing in and breathing out, feeling the eternal in the present moment. ~ Deepak Chopra, #NFDB
1179:You who absorb into sublime, immutable bliss all phenomena, moving and unmoving, infinite as space, O glorious Heruka and Varahi, your consort, I wear the jewel light of your feet as my crown. Great bliss, the union of method and wisdom, engaged in the play of the unmoving with movement, this young coral maiden with beautiful eyes, diamond queen, embrace me with your arts of love. Adorning the highest part of my body, my crown, with the jewel of your feet, I recite these words of aspiration and prayer with my palms folded at my heart. When shall I ever achieve this state: seeing all forms as mandala deities, all sounds as vajra songs of tantra, all thoughts as fuel to enflame the spontaneous wisdom of emptiness and bliss? When will I experience perfect purity? By purging in profound absorption all phenomena born of imaginative concepts, fully aware that they open the way to self-arisen rikpa. When will I run in a joyful step-dance, the play of supreme illusion, the bliss-void wisdom, in the dakin town, the emanation of pure realms -- where a hundred dharma doors are opened wide? Outer dakinis hover above the twenty-four mystic places; inner dakinis dwell in the sphere of radiant bliss. When will I immerse in the glory of sexual play through the secret act of conjoining space and vajra? When can I arise as the great magical net -- the union of body and mind, instantly burning all grossness of dualism with the great bliss fire flaming the expanse? When will I accomplish the natural feat of absorbing the imperfections of illusion into immutable bliss, this wheel of becoming, engaged in the blissful play of union? On the clear mirror of the luminous mind my guru, my deity, and my mind reflect as one; may I soon attain the good fortune of practicing night and day this perfect meditation. May my mind be always intoxicated by drinking insatiably the nectar -- the delicious taste of sexual play between the hero in his utter ecstasy and his lover, the lady emptiness. By entering deep into the sphere of voidness, may I be endowed with the power of cleansing this foul odor, grasping body, speech, and mind as ordinary, through the yoga of perceiving all as divine. May I come to see with naked eyes the form of the fully emergent mandala of perfect deities, the sport of the ever-present mind inside the courtyard of the heart's dharma chakra. O yoginis, heroines of the twenty-four places, and the hosts of mantra-born and field-born dakinis who possess powers swift as thought, assist me in friendship of every kind. [1585.jpg] -- from Songs of Spiritual Experience: Tibetan Buddhist Poems of Insight & Awakening, Translated by Thupten Jinpa / Translated by Jas Elsner
~ Chone Lama Lodro Gyatso, A Dance of Unwavering Devotion
,#NFDB
1180:Just suppose for once -
I was travelling with my mother
In a foreign land
And going to a far away place.
Mother, you were in a palanquin
With its doors slightly ajar
And I was cantering along
On a chestnut horse
Raising clouds of dust.
When in the west the sun set
And it was evening
It seemed we had reached
That vast plain where the twin ponds are.
Wherever we looked
It was utterly empty and dark
There was not even a single man or beast
And mother, this seems to have made you afraid
And you thought
'To what strange place have we come?'
I said, "Mother, don't fear
See yonder is the bed of the dead river."
That wild country was covered with weeds
And the road had taken a turn in its midst.
No cattle were grazing there
As soon as it was evening
They had left for the village
Who knows whither we were bound
For nothing was visible in the dark.
Just then you told me, mother,
"What light I see near those ponds?"
All on a sudden, lo! who were coming there
Shouting and raising a hullabaloo?
In fear you were praying in your palanquin
Its bearers had fled to the nearby bush
And were trembling in fear in their hiding place.
I called out aloud,
"Mother, why do you fear?
I am here."
They had heavy clubs in their hands,
Thick dishevelled hair on their heads
And jaba flowers stuck in their ears.
I told them, 'Beware!
See my sword here
Take one more step forward,
I'll cut you all to pieces.'
In reply they jumped up
And shouted even louder.
Mother you told me, "Child, don't go there!"
I said, "See what I do".
Spurring on my horse
I went among those bandits.
You'll be amazed to hear
With my sword and shield
What a great fight was there!
Some of them took to their heels
And many got killed.
You must have feared
After fighting alone with so many brigands
Your son had died.
Sprinkled with blood
And wet with sweat
When I came back and told,
"The fight is over"
You came down from your palanquin
You kissed me
And took me on your lap and said,
"Luckily my child was there
Otherwise what great calamity it would have been."
Every day so many things happen
Not all of them are so very important
But why doesn't it happen
As I sometimes imagine?
It would have made a capital story
And everybody would listen in amazement
My elder brother would of course shrug in disbelief,
"How is such a thing possible -
For he is a weakling."
But our neighbours would say,
"Luckily, the mother had her child by her side."
Transcreation of the famous poem 'Birpurush' from the collection Shishu by Rabindranath Tagore. Transcreated by Kumud Biswas.
Translated by Kumud Biswas
~ Rabindranath Tagore, The Hero(2)
,#NFDB
1181:Now many crises in people’s lives occur because the hero role that they’ve assumed for one situation or set of situations no longer applies to some new situation that comes up, or–the same thing in effect–because they haven’t the imagination to distort the new situation to fit their old role. This happens to parents, for instance, when their children grow older, and to lovers when one of them begins to dislike the other. If the new situation is too overpowering to ignore, and they can’t find a mask to meet it with, they may become schizophrenic–a last-resort mask–or simply shattered. All questions of integrity involve this consideration, because a man’s integrity consists in being faithful to the script he’s written for himself.
“I’ve said you’re too unstable to play any one part all the time–you’re also too unimaginative–so for you these crises had better be met by changing scripts as often as necessary. This should come naturally to you; the important thing for you is to realize what you’re doing so you won’t get caught without a script, or with the wrong script in a given situation. You did quite well, for example, for a beginner, to walk in here so confidently and almost arrogantly a while ago, and assign me the role of a quack. But you must be able to change masks at once if by some means or other I’m able to make the one you walked in with untenable. Perhaps–I’m just suggesting an offhand possibility–you could change to thinking of me as The Sagacious Old Mentor, a kind of Machiavellian Nestor, say, and yourself as The Ingenuous But Promising Young Protégé, a young Alexander, who someday will put all these teachings into practice and far outshine the master. Do you get the idea? Or–this is repugnant, but it could be used as a last resort–The Silently Indignant Young Man, who tolerates the ravings of a Senile Crank but who will leave this house unsullied by them. I call this repugnant because if you ever used it you’d cut yourself off from much that you haven’t learned yet.
“It’s extremely important that you learn to assume these masks wholeheartedly. Don’t think there’s anything behind them: ego means I, and I means ego, and the ego by definition is a mask. Where there’s no ego–this is you on the bench–there’s no I. If you sometimes have the feeling that your mask is insincere–impossible word!–it’s only because one of your masks is incompatible with another. You mustn’t put on two at a time. There’s a source of conflict, and conflict between masks, like absence of masks, is a source of immobility. The more sharply you can dramatize your situation, and define your own role and everybody else’s role, the safer you’ll be. It doesn’t matter in Mythotherapy for paralytics whether your role is major or minor, as long as it’s clearly conceived, but in the nature of things it’ll normally be major. Now say something. ~ John Barth,#NFDB
1182:Those With Me
As on I drive, in my heart joy dwells
Of Sabbath silence with sound of bells.
The sun lifts
all
that is living, growing,
God's love itself in its symbol showing.
To church pass people from near and far,
Soon psalms ascend from the door ajar.
-Good cheer! Your greeting hailed more than me,
But that in hastening you failed to see.
Here's goodly company with me riding,
Though oft they cunningly keep in hiding;
But when you saw me so Sunday-glad,
It was because of the mates I had.
And when you heard me so softly singing,
The tones attuned to their hearts were ringing.
One soul is here of such priceless worth,
For me she offered her all on earth;
Yes, she who smiled in my boat storm-driven,
And blanched not, braving the waves wind-riven,
In whose white arms that in love caressed me
Full warmth of life and of faith possessed me.
The snail in this I am like when faring,My home I ever am with me bearing;
And who believes it is burdensome,
He ought to learn how it's good to come
And creep in under the roof thereafter,
Where she gives light amid children's laughter.
No poet paints nor can thinker tell
So vast a vault or so deep a well,
As where the glory of God's own love
On cradle-mirror falls from above.
Your soul is brighter, your heart more tender,
When by the cradle your thanks you render.
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Who knows not love in the small and near,
The many in memory hold not dear.
Who cannot build him a house his own,
What towers he builds will be soon o'erthrown.
From Moscow victor to Carthagena,
He vanquished dies on his Saint Helena.
When such a stronghold you've reared with labor,
It often safely protects your neighbor;
Though work of woman's and children's hands,
Your soul finds strength where that fortress stands,
You go hence braver to battle-dangers,
Can courage give unto countless strangers.
One home bore often a whole land's fate,
And sent the hero who saved the state;
Thousands of
homes
, when the war was o'er,
The land delivered in safety bore.
So bear it onward in peace and beauty
The hearts of homes beating true to duty.
Though foreign perfumes be fine and rare,
Still pure alone is the home's sweet air.
Naught meets you there but the childlike, truthful,
And sin is kissed from your forehead ruthful.
To heaven's home leads its door ajar,
For thence it came and it lies not far.
Good cheer, to church on your way not staying!
For those we love we shall both be praying;
In prayer together the way we wander
That leads from this to the home up yonder.
You enter in; I must journey far,
While follow psalms from the door ajar.
Good cheer! Your greeting hailed more than me,
But that in hastening you failed to see.
~ Bjornstjerne Bjornson,#NFDB
1183:Beowulf (Episode 03)
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' clansmen climbed ashore,
anchored their sea-wood, with armor clashing
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and gear of battle: God they thanked
or passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
"Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
No aliens ever at ease thus bore them,
linden-wielders: yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. -- A greater ne'er saw I
of warriors in world than is one of you, -yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came."
~ Anonymous Olde English,#NFDB
1184:Episode 34
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew.
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow: -"Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
207
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
A feeless fight, and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; no harp resounds,
in the courts no wassail, as once was heard.
~ Anonymous Olde English,#NFDB
1185:A Te Deum
Now let me praise the Lord,
The Lord, the Maker of all!
I will praise Him on timbrel and chord;
Will praise Him, whatever befall.
For the Heavens are His, and the Earth,
His are the wind and the wave;
His the begetting, the birth,
And His the jaws of the grave.
'Tis He that hath made us, not we;
We were dust and slime of the ground:
He breathed on the dark, and we see;
He flooded the silence with sound.
Shall I pick and choose for His praise?
Shall I thank Him for good, not ill?
He is the Ancient of Days,
And He hews the rocks as He will.
So I praise Thee, O Lord, for the good,
For the ill, for the weal, for the woe,
For the cushat that coos in the wood,
And the wolves that howl in the snow.
For the close-fitting doors that are barred,
Lest the vagrant should whine for bread,
And the yawn of the slinking pard
That hath gorged and surfeited.
For the owl that jibbers and blinks
In the arches the Flavian planned,
And the stare of the stony Sphynx
O'er the ribs of the fleshless sand.
What is there Thou hast done,
I will not thank for and praise?
Thanks for the sands that are run,
Thanks for the unborn days.
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For the stealthy mildew and blight
That shows on the mellowing corn,
And the bankrupt that wakes at night
And weeps o'er the day he was born.
For the fears and the years that are null,
And the hopes Thou dost bring to nought,
And the worm-thridden ways of the skull
In which Shakespeare thought.
How shall I thank Thee, O Lord!
For Thy infinite ways and deeds?
For the edge of the cleaving sword,
And the neigh of riderless steeds:
The murderous glitter and tramp,
And the lives that are mown like grain,
The cheers of the victors' camp,
And the clammy sleep of the slain.
The laurels and loves that await
The Hero returned from the strife,
And the widows that stand at the gate
Loveless and lonely for life.
Thanks for all things that are,
For the fair, the foul, the fell;
Thanks for the Morning-star,
And the nethermost murk of Hell.
For the music of moonlight nights,
And the savour of summer days,
For the swoop of carrion kites,
And the stench of gibbeted jays.
The soft ripples that laugh in the bay,
The soft shadows that sweep o'er the moor,
And the plunge of the tides at their prey
When they level the homes of the poor.
Lift up your throats, ye waves!
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Swell out your voice, ye hills!
Thank for the chance that saves;
Thank for the flash that kills.
For the bliss of a dewy dell
When lover and maiden meet,
And the venal kisses they sell
In the shade of the lamp-lit street.
For the tumult of hopes and fears
When the bridegroom steals to his bride,
And the coldness born of the years,
Though they still lie side by side.
Praise we, praise we the Lord,
The Lord, the Maker of all!
Praise Him on timbrel and chord;
Praise Him, whatever befall!
~ Alfred Austin,#NFDB
1186:I wonder what the future has in store for the two of them.” Lucetta’s mention of the future had Bram pausing for a moment, realizing that with all the insanity of the past week or so, they’d not had much time to talk about anything, let alone what either of them wanted for the future. “Even though I was disappointed with the explanation behind the supposed ghosts at Ravenwood, you have to admit that some of what Mrs. Macmillan told you would make good fodder for a new book,” Lucetta continued, pulling him from his thoughts. “Readers would especially like the part about a hidden treasure, although, in my humble opinion, the hero should get caught trying to find it and . . .” As Lucetta continued musing about different plot points, it suddenly hit him how absolutely wonderful life would be if he could spend it with the amazing lady standing right next to him. That she was beautiful, there could be no doubt, but her true beauty wasn’t physical in nature, it was soul-deep—seen in the way she treated her friends, animals, and even a mother who’d brushed her aside for a man who was less than worthy. She’d been through so much, and yet, here she was, contemplating his work and what could help him, and . . . he wanted to give her a spectacular gesture, something that would show her exactly how special he found her. She’d been on her own for far too long, and during that time, she’d decided she didn’t need anyone else, or rather, she wouldn’t need anyone because that could cause her pain—pain she’d experienced when her father had left her, and then when her mother had done the same thing by choosing Nigel. “. . . and I know that you seem to be keen on the whole pirate idea, but really, Bram, if you’d create a hero who is more on the intelligent side, less on the race to the rescue of the damsel in distress side, well, I mean, I’m no author, but . . .” As she stopped for just a second to gulp in a breath of air, and then immediately launched back into a conversation she didn’t seem to realize he wasn’t participating in, Bram got the most intriguing and romantic idea he’d ever imagined. Taking a single step closer to Lucetta, he leaned down and kissed her still-moving lips. When she finally stopped talking and let out the smallest of sighs, he deepened the kiss, reluctantly pulling away from her a moment later. “I know this is going to seem rather peculiar,” he began. “But I need to go to work right this very minute.” “Work?” she repeated faintly. “Indeed, and I do hope you won’t get too annoyed by this, but I need to get started straightaway, which means you might want to go back to the theater so that you don’t get bored.” “You want me gone from Ravenwood?” she asked in a voice that had gone from faint to irritated in less than a second. “I don’t know if I’d put it quite like that, but I might be able to work faster without you around.” He sent her a smile, kissed her again, but when he started getting too distracted with the softness of her lips, pulled back, kissed the tip of her nose, and then . . . after telling her he’d see her before too long, headed straight back into his dungeon. ~ Jen Turano, #NFDB
1187:Episode 39
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
-- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, -the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
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of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, -mournful he looked on those men unloved: -"Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
-- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, -threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. -- Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!"
~ Anonymous Olde English,#NFDB
1188:What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink ,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately .”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar. ~ Leigh Bardugo,#NFDB
1189:Heroes
In rich Virginian woods,
The scarlet creeper reddens over graves,
Among the solemn trees enlooped with vines;
Heroic spirits haunt the solitudes,The noble souls of half a million braves,
Amid the murmurous pines.
Ah! who is left behind,
Earnest and eloquent, sincere and strong,
To consecrate their memories with words
Not all unmeet? with fitting dirge and song
To chant a requiem purer than the wind,
And sweeter than the birds?
Here, though all seems at peace,
The placid, measureless sky serenely fair,
The laughter of the breeze among the leaves,
The bars of sunlight slanting through the trees,
The reckless wild-flowers blooming everywhere,
The grasses' delicate sheaves,Nathless each breeze that blows,
Each tree that trembles to its leafy head
With nervous life, revives within our mind,
Tender as flowers of May, the thoughts of those
Who lie beneath the living beauty, dead,Beneath the sunshine, blind.
For brave dead soldiers, these:
Blessings and tears of aching thankfulness,
Soft flowers for the graves in wreaths enwove,
The odorous lilac of dear memories,
The heroic blossoms of the wilderness,
And the rich rose of love.
But who has sung their praise,
Not less illustrious, who are living yet?
Armies of heroes, satisfied to pass
Calmly, serenely from the whole world's gaze,
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And cheerfully accept, without regret,
Their old life as it was,
With all its petty pain,
Its irritating littleness and care;
They who have scaled the mountain, with content
Sublime, descend to live upon the plain;
Steadfast as though they breathed the mountain-air
Still, wheresoe'er they went.
They who were brave to act,
And rich enough their action to forget;
Who, having filled their day with chivalry,
Withdraw and keep their simpleness intact,
And all unconscious add more lustre yet
Unto their victory.
On the broad Western plains
Their patriarchal life they live anew;
Hunters as mighty as the men of old,
Or harvesting the plenteous, yellow grains,
Gathering ripe vintage of dusk bunches blue,
Or working mines of gold;
Or toiling in the town,
Armed against hindrance, weariness, defeat,
With dauntless purpose not to serve or yield,
And calm, defiant, they struggle on,
As sturdy and as valiant in the street,
As in the camp and field.
And those condemned to live,
Maimed, helpless, lingering still through suffering years,
May they not envy now the restful sleep
Of the dear fellow-martyrs they survive?
Not o'er the dead, but over these, your tears,
O brothers, ye may weep!
New England fields I see,
The lovely, cultured landscape, waving grain,
Wide haughty rivers, and pale, English skies.
And lo! a farmer ploughing busily,
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Who lifts a swart face, looks upon the plain,I see, in his frank eyes,
The hero's soul appear.
Thus in the common fields and streets they stand;
The light that on the past and distant gleams,
They cast upon the present and the near,
With antique virtues from some mystic land,
Of knightly deeds and dreams.
~ Emma Lazarus,#NFDB
1190:Apotheosis ::: One of the most powerful and beloved of the Bodhisattvas of the Mahayana Buddhism of Tibet, China, and Japan is the Lotus Bearer, Avalokiteshvara, "The Lord Looking Down in Pity," so called because he regards with compassion all sentient creatures suffering the evils of existence. To him goes the millionfold repeated prayer of the prayer wheels and temple gongs of Tibet: Om mani padme hum, "The jewel is in the lotus." To him go perhaps more prayers per minute than to any single divinity known to man; for when, during his final life on earth as a human being, he shattered for himself the bounds of the last threshold (which moment opened to him the timelessness of the void beyond the frustrating mirage-enigmas of the named and bounded cosmos), he paused: he made a vow that before entering the void he would bring all creatures without exception to enlightenment; and since then he has permeated the whole texture of existence with the divine grace of his assisting presence, so that the least prayer addressed to him, throughout the vast spiritual empire of the Buddha, is graciously heard. Under differing forms he traverses the ten thousand worlds, and appears in the hour of need and prayer. He reveals himself in human form with two arms, in superhuman forms with four arms, or with six, or twelve, or a thousand, and he holds in one of his left hands the lotus of the world.
Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. "When the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change." This is the release potential within us all, and which anyone can attain-through herohood; for, as we read: "All things are Buddha-things"; or again (and this is the other way of making the same statement) : "All beings are without self."
The world is filled and illumined by, but does not hold, the Bodhisattva ("he whose being is enlightenment"); rather, it is he who holds the world, the lotus. Pain and pleasure do not enclose him, he encloses them-and with profound repose. And since he is what all of us may be, his presence, his image, the mere naming of him, helps. "He wears a garland of eight thousand rays, in which is seen fully reflected a state of perfect beauty.
The color of his body is purple gold. His palms have the mixed color of five hundred lotuses, while each finger tip has eighty-four thousand signet-marks, and each mark eighty-four thousand colors; each color has eighty-four thousand rays which are soft and mild and shine over all things that exist. With these jewel hands he draws and embraces all beings. The halo surrounding his head is studded with five hundred Buddhas, miraculously transformed, each attended by five hundred Bodhisattvas, who are attended, in turn, by numberless gods. And when he puts his feet down to the ground, the flowers of diamonds and jewels that are scattered cover everything in all directions. The color of his face is gold. While in his towering crown of gems stands a Buddha, two hundred and fifty miles high." - Amitayur-Dhyana Sutra, 19; ibid., pp. 182-183. ~ Joseph Campbell, The Hero with a Thousand Faces, Apotheosis,#NFDB
1191:Beowulf (Episode 16)
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price bade pay
in gold for him whom Grendel erst
murdered, -- and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
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should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. -- The hardy Scylding,
battle-thane best, on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: heads all were melted,
gashes burst, and blood gushed out
from bites of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
~ Anonymous Olde English,#NFDB
1192:The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight.
"I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land.
"The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero."
"The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change."
"These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly."
"They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination."
"And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again. ~ Ben Okri,#NFDB
1193:I Make This In A Warring Absence
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
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Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
~ Dylan Thomas,#NFDB
1194:A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing ~ Robert Hass,#NFDB
1195:Joey’s Job
In days before the trouble Jo was rated as
a slob.
He chose to sit in hourly expectation of a job.
He'd loop hisself upon a post, for seldom
friends had he,
A gift of patient waitin' his distinctif quality.
He'd linger in a doorway, or he'd loiter on the
grass,
Edgin' modestly aside to let the fleetin'
moments pass.
Jo' begged a bob from mother, but more often
got a clout,
And settled down with cigarettes to smoke the
devil out.
The one consistent member of the Never
Trouble Club,
He put a satin finish on the frontage of the
pub.
His shoulder-blades were pokin' out from
polishin' the pine;
But if a job ran at him Joey's footwork was
divine.
Jo strayed in at the cobbler's door, but, scoffed
at as a fool,
He found the conversation too exhaustin' as
a rule;
Or, canted on the smithy coke, he'd hoist his
feet and yawn,
His boots slid up his shinbones, and his pants
displayin' brawn:
And if the copper chanced along 'twas beautyful to see
Joe wear away and made hisself a fadest
memory.
Then came the universal nark. The Kaiser
let her rip.
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They cleared the ring. The scrap was for the
whole world's championship.
Jo Brown was takin' notice, lurkin' shy beneath his hat,
And every day he crept to see the drillin' on
the flat.
He waited, watchin' from the furze the blokes
in butcher's blue,
For the burst of inspiration that would tell him
what to do.
He couldn't lean, he couldn't lie. He yelled
out in the night.
Jo understood—he'd all these years been
spoilin' for a fight!
Right into things he flung himself. He
took his kit and gun,
Mooched gladly in the dust, or roasted gaily
in the sun.
“Gorstruth,” he said, with shining eyes, “it
means a frightful war,
'N' now I know this is the thing that Heaven
meant me for.”
Jo went away a corporal and fought again the
Turk,
And like a duck to water Joey cottoned to the
work.
If anythin' was doin' it would presently come
out
That Joseph Brown from Booragool was there
or thereabout.
He got a batch of medals, and a glorious
renown
Attached all of a sudden to the name of
Sergeant Brown.
Then people talked of Joey as the dearest
friend they had;
They were chummy with his uncles, or acquainted with his dad.
Joe goes to France, and presently he figure as
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the best
Two-handed all-in fighter in the armies of the
West,
And men of every age at home and high and
low degree,
We gather now, once went to school with
Sergeant Brown, V.C.
Then Hayes and Jo, in Flanders met, and very
proud was Hayes
To shake a townsman by the hand, and sing
the hero's praise,
“Oh, yes,” says Jo, “I'm doin' well, 'n' yet
I might do more.
If I was in a hurry, mate, to finish up this war
I'd lay out every Fritz on earth, but, strike me,
what a yob
A man would be to work himself out of a
flamnin' job!”
Now Jo's a swell lieutenant, and he's keepin'
up the pace.
Ha “Record” says Lieutenant Brown's an
honor to the place.
The town gets special mention every time he
scores. We bet
If peace don't mess his chances up, he'll be
Field-Marshal yet.
Dad, mother and the uncles Brown and all our
people know
That Providence began this war to find a grip
for Jo!
~ Edward George Dyson,#NFDB
1196:He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals?
I’ll be damned.
Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages.
The more pages Gray turned, the more he recognized himself.
It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused.
But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used.
She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy.
And now he began to grow angry.
He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze.
There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever.
The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy.
It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day.
It was time to acquaint her with reality. ~ Tessa Dare,#NFDB
1197:Beowulf (Episode 11)
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, -yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
106
felt for the foe with fiendish claw,
for the hero reclining, -- who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, -- none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant -- if he might at all -to fling himself free, and far away
fly to the fens, -- knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench -- men have told me -gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, -- unless clasp of fire
in smoke engulfed it. -- Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
107
he who of men in might was strongest
in that same day of this our life.
~ Anonymous Olde English,#NFDB
1198:Episode 33
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron -- the earl's commander -a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. -- Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of thehoard! -Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
204
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. -- Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. -- A good king he!
205
~ Anonymous Olde English,#NFDB
1199:His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped. ~ Colleen Houck,#NFDB
1200:Beowulf (Episode 06)
HROTHGAR answered, helmet of Scyldings: -"I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, -who carried my gifts to the Geatish court,
thither for thanks, -- he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, -- they are welcome guests
to folk of the Danes."
[To the door of the hall
Wulfgar went] and the word declared: -"To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end."
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
Beowulf spake, -- his breastplate gleamed,
war-net woven by wit of the smith: -"Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
94
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, -brave and wise, the best of men, -O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors by night, in need and peril
avenging the Weders, whose woe they sought, -crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, -and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, -that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn -- so Hygelac stay,
king of my kindred, kind to me! -brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, -- as oft before, -my noblest thanes. Nor need'st thou then
to hide my head; for his shall I be,
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
95
no further for me need'st food prepare!
To Hygelac send, if Hild should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. Fares Wyrd as she must."
~ Anonymous Olde English,#NFDB
1201:The Happy Gardeners
We were storemen, clerks and packers on
an ammunition dump
Twice the size of Cootamundra, and the goods
we had to hump
They were bombs as big as water-butts, and
cartridges in tons,
Shells that looked like blessed gasmains, and
a line in traction-guns.
We had struck a warehouse dignity in dealing
with the stocks.
It was, “Sign here, Mr. Eddie!” “Clarkson,
forward to the socks!”
Our floor-walker was a major, with a nozzle
like a peach,
And a stutter in his Trilbies; and a limping
kind of speech.
We were off at eight to business, we were free
for lunch at one,
And we talked of new Spring fashions, and the
brisk trade being done.
After five we sought our dugouts lying snug
beneath the hill,
Each with hollyhocks before it and geraniums
on the sill.
Singing “Home, Sweet home,” we swept,
and scrubbed, and dusted up the place,
Then smoked out on the doorstep in the twilight's tender grace.
After which with spade and rake we sought
our special garden plot,
And we 'tended to the cabbage and the shrinking young shallot.
So long lived we unmolested that this seemed
indeed “the life.”
Set apart from mirk and worry and the inci-
128
dence of strife;
And we trimmed our Kitchen Eden, swapping
vegetable lore,
Whi1e the whole demented world beside was
muddled up with war.
There was little talk of Boches and of bloody
battle scenes,
But a deal about Bill's spuds and Billy
Carkeek's butter-beans;
Porky specialised on onion and he had a sort
of gift
For a cabbage plump and tender that it took
two men to lift.
In the pleasant Sabbath morning, when the
sun lit on our “street,”
And illumed the happy dugout with effulgence
kind and sweet,
It was fine to see us forking, raking, picking
off the bugs,
Treading flat the snails and woodlice and
demolishing the slugs.
Then one day old Fritz got going. He had
a hint of us,
And the shell the blighter posted was as roomy
as a 'bus;
He was groping round the dump, and kind of
pecking after it;
When he plugged the hill the world heeled up,
the dome of heaven split.
Then, 0 Gott and consternation! Swooped a
shell a and stuck her nose
In Carkeek's beans. Those beans came up!
A cry of grief arose!
As we watched them—plunk! another shell
cut loose, and everywhere
Flew the spuds of Billy Murphy. There were
turnips in the air.
129
Bill! she tore a quarter-acre from the landscape. With it burst
Tommy's carrots, and we watched them, and
in whispers prayed and cursed.
Then a wail of anguish 'scaped us. Boomed
in Porky's cabbage plot
A detestable concussion. Porky's cabbages
were not!
There the Breaking strain was reached, for
Porky fetched an awful cry,
And he rushed away and armed himself.
With loathing in his eye,
Up and over went the hero. He was savage
Through and through,
And he tore across the distance like a maddened kangaroo.
They had left a woeful sight indeed—frail cabbages all rent,
Turnips mangled, little carrots all in one red
burial blent,
Parsnips ruined, lettuce shattered, torn and
wilted beet and bean,
And a black and grinning gap where once our
garden flourished green.
Five and fifty hours had passed when came a
German in his shirt.
On his back he carried Porky black with
blood, and smoke and dirt.
“I sniped six of 'em,” said Porky, “an' me
pris'ner here,” he sez“I done in the crooel swine what strafed me
helpless cabba-ges.”
~ Edward George Dyson,#NFDB
1202:You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.
She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.
You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes. ~ Rosemarie Urquico,#NFDB
1203:Beowulf (Episode 22)
BEOWULF spake, bairn of Ecgtheow: -"Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me."
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
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and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself, hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. -- On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
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wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
~ Anonymous Olde English,#NFDB
1204:I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination.
The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be.
My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals.
We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in.
There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die?
Out of compassion, I hope that those questioners never find that which they seek.
One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness.
Never in my life have I ever heard one begging so desperately for someone to prove him wrong.
This is kind of what I believe right now… although, I do not want to be proved wrong…
For what are we left with if there remains no mystery? What hope might we find if we know all of the answers?
What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic?
No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith.
And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all.
-Drizzt Do’Urden ~ R A Salvatore,#NFDB
1205:Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The ~ Jen Turano, #NFDB
1206:Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside. ~ Richard Siken,#NFDB
1207:Alexandreis
I Sing the Man that never Equal knew,
Whose Mighty Arms all Asia did subdue,
Whose Conquests through the spacious World do ring,
That City-Raser, King-destroying King,
Who o're the Warlike Macedons did Reign,
And worthily the Name of Great did gain.
This is the Prince (if Fame you will believe,
To ancient Story any credit give.)
Who when the Globe of Earth he had subdu'd,
With Tears the easie Victory pursu'd;
Because that no more Worlds there were to win,
No further Scene to act his Glorys in.
Ah that some pitying Muse would now inspire
My frozen style with a Poetique fire,
And Raptures worthy of his Matchless Fame,
Whose Deeds I sing, whose never fading Name
Long as the world shall fresh and deathless last,
No less to future Ages, then the past.
Great my presumption is, I must confess,
But if I thrive, my Glory's ne're the less;
Nor will it from his Conquests derogate
A Female Pen his Acts did celebrate.
If thou O Muse wilt thy assistance give,
Such as made Naso and great Maro live,
With him whom Melas fertile Banks did bear,
Live, though their Bodies dust and ashes are;
Whose Laurels were not fresher, than their Fame
Is now, and will for ever be the same.
If the like favour thou wilt grant to me,
O Queen of Verse, I'll not ungrateful be,
My choicest hours to thee I'll Dedicate,
'Tis thou shalt rule, 'tis thou shalt be my Fate.
But if Coy Goddess thou shalt this deny,
And from my humble suit disdaining fly,
I'll stoop and beg no more, since I know this,
Writing of him, I cannot write amiss:
His lofty Deeds will raise each feeble line,
And God-like Acts will make my Verse Divine.
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'Twas at the time the golden Sun doth rise,
And with his Beams enlights the azure skies,
When lo a Troop in Silver Arms drew near,
The glorious Sun did nere so bright appear;
Dire Scarlet Plumes adorn'd their haughty Crests,
And crescent Shields did shade their shining Brests;
Down from their shoulders hung a Panthers Hide,
A Bow and Quiver ratled by their side;
Their hands a knotty well try'd Speare did bear,
Jocund they seem'd, and quite devoyd of fear.
These warlike Virgins were, that do reside
Near Thermodons smooth Banks and verdant side,
The Plains of Themiscyre their Birth do boast,
Thalestris now did head the beauteous Host;
She emulating that Illustrious Dame,
Who to the aid of Troy and Priam came,
And her who the Retulian Prince did aid,
Though dearly both for their Assistance paid.
But fear she scorn'd, nor the like fate did dread,
Her Host she often to the field had lead,
As oft in Triumph had return'd again,
Glory she only sought for all her pain.
This Martial Queen had heard how lowdly fame,
Eccho'd our Conquerors redoubted Name,
Her Soul his Conduct and his Courage fir'd,
To see the Hero she so much admir'd;
And to Hyrcania for this cause she went,
Where Alexander (wholly then intent
On Triumphs and such Military sport)
At Truce with War held both his Camp and Court.
And while before the Town she did attend
Her Messengers return, she saw ascend
A cloud of Dust, that cover'd all the skie,
And still at every pause there stroke her eye.
The interrupted Beams of Burnisht Gold,
As dust the Splendour hid, or did unfold;
Loud Neighings of the Steeds, and Trumpets sound
Fill'd all the Air, and eccho'd from the ground:
The gallant Greeks with a brisk March drew near,
And their great Chief did at their Head appear.
17
And now come up to th'Amazonian Band,
They made a Hault and a respectful Stand:
And both the Troops (with like amazement strook)
Did each on other with deep silence look.
Th'Heroick Queen (whose high pretence to War
Cancell'd the bashful Laws and nicer Bar
Of Modesty, which did her Sex restrain)
First boldly did advance before her Train,
And thus she spake. All but a God in Name,
And that a debt Time owes unto thy Fame.
~ Anne Killigrew,#NFDB
1208:Ione
III.
TO-DAY my skies are bare and ashen,
And bend on me without a beam.
Since love is held the master-passion,
Its loss must be the pain supreme —
And grinning Fate has wrecked my dream.
But pardon, dear departed Guest,
I will not rant, I will not rail;
For good the grain must feel the flail;
There are whom love has never blessed.
I had and have a younger brother,
One whom I loved and love to-day
As never fond and doting mother
Adored the babe who found its way
From heavenly scenes into her day.
Oh, he was full of youth's new wine, —
A man on life's ascending slope,
Flushed with ambition, full of hope;
And every wish of his was mine.
A kingly youth; the way before him
Was thronged with victories to be won;
so joyous, too, the heavens o'er him
Were bright with an unchanging sun, —
His days with rhyme were overrun.
Toil had not taught him Nature's prose,
Tears had not dimmed his brilliant eyes,
And sorrow had not made him wise;
His life was in the budding rose.
I know not how I came to waken,
Some instinct pricked my soul to sight;
My heart by some vague thrill was shaken, —
A thrill so true and yet so slight,
I hardly deemed I read aright.
As when a sleeper, ign'rant why,
Not knowing what mysterious hand
Has called him out of slumberland,
Starts up to find some danger nigh.
Love is a guest that comes, unbidden,
But, having come, asserts his right;
He will not be repressed nor hidden.
And so my brother's dawning plight
Became uncovered to my sight.
Some sound-mote in his passing tone
Caught in the meshes of my ear;
Some little glance, a shade too dear,
Betrayed the love he bore Ione.
What could I do? He was my brother,
And young, and full of hope and trust;
I could not, dared not try to smother
His flame, and turn his heart to dust.
I knew how oft life gives a crust
To starving men who cry for bread;
But he was young, so few his days,
He had not learned the great world's ways,
Nor Disappointment's volumes read.
However fair and rich the booty,
I could not make his loss my gain.
For love is dear, but dearer, duty,
And here my way was clear and plain.
I saw how I could save him pain.
And so, with all my day grown dim,
That this loved brother's sun might shine,
I joined his suit, gave over mine,
And sought Ione, to plead for him.
I found her in an eastern bower,
Where all day long the am'rous sun
Lay by to woo a timid flower.
This day his course was well-nigh run,
But still with lingering art he spun
Gold fancies on the shadowed wall.
The vines waved soft and green above,
And there where one might tell his love,
I told my griefs — I told her all!
I told her all, and as she hearkened,
A tear-drop fell upon her dress.
With grief her flushing brow was darkened;
One sob that she could not repress
Betrayed the depths of her distress.
Upon her grief my sorrow fed,
And I was bowed with unlived years,
My heart swelled with a sea of tears,
The tears my manhood could not shed.
The world is Rome, and Fate is Nero,
Disporting in the hour of doom.
God made us men; times make the hero —
But in that awful space of gloom
I gave no thought but sorrow's room.
All — all was dim within that bower,
What time the sun divorced the day;
And all the shadows, glooming gray,
Proclaimed the sadness of the hour.
She could not speak — no word was needed;
Her look, half strength and half despair,
Told me I had not vainly pleaded,
That she would not ignore my prayer.
And so she turned and left me there,
And as she went, so passed my bliss;
She loved me, I could not mistake —
But for her own and my love's sake,
Her womanhood could rise to this!
My wounded heart fled swift to cover,
And life at times seemed very drear.
My brother proved an ardent lover —
What had so young a man to fear?
He wed Ione within the year.
No shadow clouds her tranquil brow,
Men speak her husband's name with pride,
While she sits honored at his side — ~ Paul Laurence Dunbar,#NFDB
1209:Episode 36
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: -as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela.
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. So the worm found out
when once in fight the foes had met!
Wiglaf spake, -- and his words were sage;
sad in spirit, he said to his comrades: -"I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
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because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, -- folk-defender
who hath got him glory greater than all men
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine!
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!"
Through slaughter-reek strode he to succor his chieftain,
his battle-helm bore, and brief words spake: -"Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee."
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, -blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
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that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
~ Anonymous Olde English,#NFDB
1210:An Answer To Various Bards
Well, I've waited mighty patient while they all came rolling in,
Mister Lawson, Mister Dyson, and the others of their kin,
With their dreadful, dismal stories of the Overlander's camp,
How his fire is always smoky, and his boots are always damp;
And they paint it so terrific it would fill one's soul with gloom -But you know they're fond of writing about "corpses" and "the tomb".
So, before they curse the bushland, they should let their fancy range,
And take something for their livers, and be cheerful for a change.
Now, for instance, Mr Lawson -- well, of course, we almost cried
At the sorrowful description how his "little 'Arvie" died,
And we lachrymosed in silence when "His Father's mate" was slain;
Then he went and killed the father, and we had to weep again.
Ben Duggan and Jack Denver, too, he caused them to expire,
After which he cooked the gander of Jack Dunn, of Nevertire;
And, no doubt, the bush is wretched if you judge it by the groan
Of the sad and soulful poet with a graveyard of his own.
And he spoke in terms prophetic of a revolution's heat,
When the world should hear the clamour of those people in the street;
But the shearer chaps who start it -- why, he rounds on them the blame,
And he calls 'em "agitators who are living on the game".
Bur I "over-write" the bushmen! Well, I own without a doubt
That I always see the hero in the "man from furthest out".
I could never contemplate him through an atmosphere of gloom,
And a bushman never struck me as a subject for "the tomb".
If it ain't all "golden sunshine" where the "wattle branches wave",
Well, it ain't all damp and dismal, and it ain't all "lonely grave".
And, of course, there's no denying that the bushman's life is rough,
But a man can easy stand it if he's built of sterling stuff;
Though it's seldom that the drover gets a bed of eiderdown,
Yet the man who's born a bushman, he gets mighty sick of town,
For he's jotting down the figures, and he's adding up the bills
While his heart is simply aching for a sight of Southern hills.
Then he hears a wool-team passing with a rumble and a lurch,
And, although the work is pressing, yet it brings him off his perch,
For it stirs him like a message from his station friends afar
And he seems to sniff the ranges in the scent of wool and tar;
48
And it takes him back in fancy, half in laughter, half in tears,
to a sound of other voices and a thought of other years,
When the woolshed rang with bustle from the dawning of the day,
And the shear-blades were a-clicking to the cry of "Wool away!"
Then his face was somewhat browner, and his frame was firmer set -And he feels his flabby muscles with a feeling of regret.
But the wool-team slowly passes, and his eyes go slowly back
To the dusty little table and the papers in the rack,
And his thoughts go to the terrace where his sickly children squall,
And he thinks there's something healthy in the bush-life after all.
But we'll go no more a-droving in the wind or in the sun,
For out fathers' hearts have failed us, and the droving days are done.
There's a nasty dash of danger where the long-horned bullock wheels,
And we like to live in comfort and to get our reg'lar meals.
For to hang around the township suits us better, you'll agree,
And a job at washing bottles is the job for such as we.
Let us herd into the cities, let us crush and crowd and push
Till we lose the love of roving, and we learn to hate the bush;
And we'll turn our aspirations to a city life and beer,
And we'll slip across to England -- it's a nicer place than here;
For there's not much risk of hardship where all comforts are in store,
And the theatres are in plenty, and the pubs are more and more.
But that ends it, Mr Lawson, and it's time to say good-bye,
So we must agree to differ in all friendship, you and I.
Yes, we'll work our own salvation with the stoutest hearts we may,
And if fortune only favours we will take the road some day,
And go droving down the river 'neath the sunshine and the stars,
And then return to Sydney and vermilionize the bars.
~ Banjo Paterson,#NFDB
1211:Beowulf (Episode 24)
BEOWULF spake, bairn of Ecgtheow: -"Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, -- how oft He guides
the friendless wight! -- and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then
all burned, bright blade, when the blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!"
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake -- the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
134
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. -- The wise-one spake,
son of Healfdene; silent were all: -"Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised; thou shalt prove a stay
in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
135
the heart of the hero of high-born race, -in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
~ Anonymous Olde English,#NFDB
1212:1.
All gentle folks who owe a grudge
To any living thing
Open your ears and stay your t[r]udge
Whilst I in dudgeon sing.
2.
The Gadfly he hath stung me sore--
O may he ne'er sting you!
But we have many a horrid bore
He may sting black and blue.
3.
Has any here an old grey Mare
With three legs all her store,
O put it to her Buttocks bare
And straight she'll run on four.
4.
Has any here a Lawyer suit
Of 1743,
Take Lawyer's nose and put it to't
And you the end will see.
5.
Is there a Man in Parliament
Dum[b-] founder'd in his speech,
O let his neighbour make a rent
And put one in his breech.
6.
O Lowther how much better thou
Hadst figur'd t'other day
When to the folks thou mad'st a bow
And hadst no more to say.
7.
If lucky Gadfly had but ta'en
His seat * * * * * * * * *
And put thee to a little pain
To save thee from a worse.
8.
Better than Southey it had been,
Better than Mr. D-------,
Better than Wordsworth too, I ween,
Better than Mr. V-------.
9.
Forgive me pray good people all
For deviating so --
In spirit sure I had a call --
And now I on will go.
10.
Has any here a daughter fair
Too fond of reading novels,
Too apt to fall in love with care
And charming Mister Lovels,
11.
O put a Gadfly to that thing
She keeps so white and pert --
I mean the finger for the ring,
And it will breed a wort.
12.
Has any here a pious spouse
Who seven times a day
Scolds as King David pray'd, to chouse
And have her holy way --
13.
O let a Gadfly's little sting
Persuade her sacred tongue
That noises are a common thing,
But that her bell has rung.
14.
And as this is the summon bo
num of all conquering,
I leave "withouten wordes mo"
The Gadfly's little sting.
'On the 17th of July 1818 [Keats and Brown] were approaching Inverary, and Keats began a letter to his brother Tom at "Cairn-something," having walked fifteen miles to breakfast through "two tremendous Glens." One of these was Glencroe and the other perhaps a smaller glen at the southern extremity of Glenfyne: Glencroe is mentioned later on in the letter and is also identifiable by a place called "Rest and be thankful" which the poet names; and at the end of the smaller glen is Cairndow not far from the northern extremity of Loch Fyne, a bathe in which was the occasion of the ballad given above -- a bathe to which the gadflies were the only drawback. This ballad, now I believe first published, seems to me one of the brightest and most humorous of the pieces which Keats classified as doggerel; and I presume it may be assigned to the 17th of July 1818.
(stanza 4) Line 2 is of course to be read "Of seventeen forty three," not "Of seventeen hundred and forty three."
(stanzas 6-8): I have not met with any account of the particular circumstances in which one of the members of Westmoreland figured in the manner described in stanza 6; but probably the contemporary newspaper press might show what episode Keats was contemplating in the memorable campaign in which the whigs tried to upset the then time-honoured influence of the House of Lowther, which had nominated the two county members, undisputedly, for a long time. The particular Lowther of stanza 6 was probably the Treasury Lord who was afterwards second Earl of Lonsdale. Wordsworth's Two Addresses To The Freeholders of Westmoreland are probably glanced at in stanza 8; "Mr. V----" would doubtless be the then Chancellor of the Exchequer, Nicholas Vansittart; and "Mr. D-----" may perhaps have been Mr. Dundas, who had held office in a previous ministry; but this last name rests upon mere conjecture.
(stanza 10): The reference is probably to the hero of Scott's novel The Antiquary, properly the Honourable William Geraldin, heir of the Earl of Glenallan, but known throughout the book as Mr. Lovel.
(stanza 12): Perhaps the reference is to Psalm cix, verse 164, "Seven times a day do I praise thee because of thy righteous judgements;" but there is certainly no intentional disrespect to David, the word 'chouse' being the exclusive property of the pious scold.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, The Gadfly
,#NFDB
1213: ON
THOSE WHO
ARE
SUBLIME
Still is the bottom of my sea: who would guess that
it harbors sportive monsters? Imperturbable is my
depth, but it sparkles with swimming riddles and laughters.
One who was sublime I saw today, one who was solemn, an ascetic of the spirit; oh, how my soul laughed
at his ugliness! With a swelled chest and like one who
holds in his breath, he stood there, the sublime one,
silent, decked out with ugly truths, the spoil of his
117
hunting, and rich in torn garments; many thorns too
adorned him-yet I saw no rose.
As yet he has not learned laughter or beauty. Gloomy
this hunter returned from the woods of knowledge. He
came home from a fight with savage beasts; but out of
his seriousness there also peers a savage beast-one not
overcome. He still stands there like a tiger who wants
to leap; but I do not like these tense souls, and my
taste does not favor all these who withdraw.
And you tell me, friends, that there is no disputing
of taste and tasting? But all of life is a dispute over
taste and tasting. Taste-that is at the same time
weight and scales and weigher; and woe unto all the
living that would live without disputes over weight and
scales and weighersi
If he grew tired of his sublimity, this sublime one,
only then would his beauty commence; and only then
will I taste him and find him tasteful. And only when
he turns away from himself, will he jump over his
shadow-and verily, into his sun. All-too-long has he
been sitting in the shadow, and the cheeks of this ascetic of the spirit have grown pale; he almost starved to
death on his expectations. Contempt is still in his eyes,
and nausea hides around his mouth. Though he is resting now, his rest has not yet lain in the sun. He should
act like a bull, and his happiness should smell of the
earth, and not of contempt for the earth. I would like to
see him as a white bull, walking before the plowshare,
snorting and bellowing; and his bellowing should be
in praise of everything earthly.
His face is still dark; the shadow of the hand plays
upon him. His sense of sight is still in shadows. His
deed itself still lies on him as a shadow: the hand still
darkens the doer. As yet he has not overcome his deed.
118
Though I love the bull's neck on him, I also want to
see the eyes of the angel. He must still discard his heroic will; he shall be elevated, not merely sublime: the
ether itself should elevate him, the will-less one.
He subdued monsters, he solved riddles: but he must
still redeem his own monsters and riddles, changing
them into heavenly children. As yet his knowledge has
not learned to smile and to be without jealousy; as yet
his torrential passion has not become still in beauty.
Verily, it is not in satiety that his desire shall grow
silent and be submerged, but in beauty. Gracefulness
is part of the graciousness of the great-souled.
His arm placed over his head: thus should the hero
rest; thus should he overcome even his rest. But just
for the hero the beautiful is the most difficult thing. No
violent will can attain the beautiful by exertion. A little
more, a little less: precisely this counts for much here,
this matters most here.
To stand with relaxed muscles and unharnessed will:
that is most difficult for all of you who are sublime.
When power becomes gracious and descends into
the visible-such descent I call beauty.
And there is nobody from whom I want beauty as
much as from you who are powerful: let your kindness
be your final self-conquest.
Of all evil I deem you capable: therefore I want the
good from you.
Verily, I have often laughed at the weaklings who
thought themselves good because they had no claws.
You shall strive after the virtue of the column: it
grows more and more beautiful and gentle, but internally harder and more enduring, as it ascends.
Indeed, you that are sublime shall yet become beautiful one day and hold up a mirror to your own beauty.
119
Then your soul will shudder with godlike desires, and
there will be adoration even in your vanity.
For this is the soul's secret: only when the hero has
abandoned her, she is approached in a dream by the
overhero.
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THOSE WHO ARE SUBLIME
,#NFDB
1214:Sunrise
Weep for the martyr! Strew his bier
With the last roses of the year;
Shadow the land with sables; knell
The harsh-tongued, melancholy bell;
Beat the dull muffled drum, and flaunt
The drooping banner; let the chant
Of the deep-throated organ sobOne voice, one sorrow, one heart-throb,
From land to land, from sea to seaThe huge world quires his elegy.
Tears, love, and honor he shall have,
Through ages keeping green his grave.
Too late approved, too early lost,
His story is the people's boast.
Tough-sinewed offspring of the soil,
Of peasant lineage, reared to toil,
In Europe he had been a thing
To the glebe tethered-here a king!
Crowned not for some transcendent gift,
Genius of power that may lift
A Caesar or a Bonaparte
Up to the starred goal of his heart;
But that he was the epitome
Of all the people aim to be.
Were they his dying trust? He was
No less their model and their glass.
In him the daily traits were viewed
Of the undistinguished multitude.
Brave as the silent myriads are,
Crushed by the juggernaut world-car;
Strong with the people's strength, yet mild,
Simple and tender as a child;
Wise with the wisdom of the heart,
Able in council, field, and mart;
Nor lacking in the lambent gleam,
The great soul's final stamp-the beam
Of genial fun, the humor sane
Wherewith the hero sports with pain.
His virtues hold within the span
198
Of his obscurest fellow-man.
To live without reproach, to die
Without a fear-in these words lie
His highest aims, for none too high.
No triumph his beyond the reach
Of patient courage, kindly speech;
And yet so brave the soul outbreathed,
The great example he bequeathed,
Were all to follow, we should see
A universal chivalry.
His trust, the People! They respond
From Maine to Florida, beyond
The sea-walled continent's broad scope,
Honor his pledge, confirm his hope.
Hark! over seas the echo hence,
The nations do him reverence.
An Empress lays her votive wreath
Where peoples weep with bated breath.
The world-clock strikes a fateful hour,
Bright with fair portents, big with power,The first since history's course has run,
When kings' and peoples' cause is one;
Those mourn a brother-these a son!
O how he loved them! That gray morn,
When his wound-wasted form was borne
North, from the White House to the sea,
Lifting his tired lids thankfully,
'How good,' he murmured in his pain,
'To see the people once again!'
Oh, how they loved him! They stood there,
Thronging the road, the street, the square,
With hushed lips locked in silent prayer,
Uncovered heads and streaming eyes,
Breathless as when a father dies.
The records of the ghostly ride,
Past town and field at morning-tide.
When life's full stream is wont to gush
Through all its ways with boisterous rush,
199
-The records note that once a hound
Had barked, and once was heard the sound
Of cart-wheels rumbling on the stonesAnd once, mid stifled sobs and groans,
One man dared audibly lament,
And cried, 'God bless the president!'
Always the waiting crowds to send
A God-speed to his journey's endThe anxious whisper, brow of gloom,
As in a sickness-sacred room,
Till his ear drank with ecstasy
The rhythmic thunders of the sea.
Tears for the smitten fatherless,
The wife's, the mother's life-distress,
To whom the million-throated moan
From throne and hut, may not atone
For one hushed voice, one empty chair,
One presence missing everywhere.
But only words of joy and sheer,
The people from his grave shall hear.
Were they not worthy of his trust,
From whose seed sprang the sacred dust?
He broke the bars that separate
The humble from the high estate.
And heirs of empire round his bed
Mourn with the 'disinherited.'
Oh, toil-worn, patient Heart that bleeds,
Whose martyrdom even his exceeds,
Wronged, cursed, despised, misunderstoodOh, all-enduring multitude,
Rejoice! amid you tears, rejoice!
There issues from this grave a voice,
Proclaiming your long night is o'er,
Your day-dawn breaks from shore to shore.
You have redeemed his pledge, remained
Secure, erect, and self-sustained,
Holding more dear one thing alone,
Even than the blood of dearest son,
Revering with religious awe
The inviolable might of Law.
200
~ Emma Lazarus,#NFDB
1215:Mournful groans, as when a tempest lowers,
Echo from the dreary house of woe;
Death-notes rise from yonder minster's towers!
Bearing out a youth, they slowly go;
Yes! a youthunripe yet for the bier,
Gathered in the spring-time of his days,
Thrilling yet with pulses strong and clear,
With the flame that in his bright eye plays
Yes, a sonthe idol of his mother,
(Oh, her mournful sigh shows that too well!)
Yes! my bosom-friend,alas my brother!
Up! each man the sad procession swell!
Do ye boast, ye pines, so gray and old,
Storms to brave, with thunderbolts to sport?
And, ye hills, that ye the heavens uphold?
And, ye heavens, that ye the suns support!
Boasts the graybeard, who on haughty deeds
As on billows, seeks perfection's height?
Boasts the hero, whom his prowess leads
Up to future glory's temple bright!
If the gnawing worms the floweret blast,
Who can madly think he'll ne'er decay?
Who above, below, can hope to last,
If the young man's life thus fleets away?
Joyously his days of youth so glad
Danced along, in rosy garb beclad,
And the world, the world was then so sweet!
And how kindly, how enchantingly
Smiled the future,with what golden eye
Did life's paradise his moments greet!
While the tear his mother's eye escaped,
Under him the realm of shadows gaped
And the fates his thread began to sever,
Earth and Heaven then vanished from his sight.
From the grave-thought shrank he in affright
Sweet the world is to the dying ever!
Dumb and deaf 'tis in that narrow place,
Deep the slumbers of the buried one!
Brother! Ah, in ever-slackening race
All thy hopes their circuit cease to run!
Sunbeams oft thy native hill still lave,
But their glow thou never more canst feel;
O'er its flowers the zephyr's pinions wave,
O'er thine ear its murmur ne'er can steal;
Love will never tinge thine eye with gold,
Never wilt thou embrace thy blooming bride,
Not e'en though our tears in torrents rolled
Death must now thine eye forever hide!
Yet 'tis well!for precious is the rest,
In that narrow house the sleep is calm;
There, with rapture sorrow leaves the breast,
Man's afflictions there no longer harm.
Slander now may wildly rave o'er thee,
And temptation vomit poison fell,
O'er the wrangle on the Pharisee,
Murderous bigots banish thee to hell!
Rogues beneath apostle-masks may leer,
And the **** child of justice play,
As it were with dice, with mankind here,
And so on, until the judgment day!
O'er thee fortune still may juggle on,
For her minions blindly look around,
Man now totter on his staggering throne,
And in dreary puddles now be found!
Blest art thou, within thy narrow cell!
To this stir of tragi-comedy,
To these fortune-waves that madly swell,
To this vain and childish lottery,
To this busy crowd effecting naught,
To this rest with labor teeming o'er,
Brother!to this heaven with devilsfraught,
Now thine eyes have closed forevermore.
Fare thee well, oh, thou to memory dear,
By our blessings lulled to slumbers sweet!
Sleep on calmly in thy prison drear,
Sleep on calmly till again we meet!
Till the loud Almighty trumpet sounds,
Echoing through these corpse-encumbered hills,
Till God's storm-wind, bursting through the bounds
Placed by death, with life those corpses fills
Till, impregnate with Jehovah's blast,
Graves bring forth, and at His menace dread,
In the smoke of planets melting fast,
Once again the tombs give up their dead!
Not in worlds, as dreamed of by the wise,
Not in heavens, as sung in poet's song,
Not in e'en the people's paradise
Yet we shall o'ertake thee, and ere long.
Is that true which cheered the pilgrim's gloom?
Is it true that thoughts can yonder be
True, that virtue guides us o'er the tomb?
That 'tis more than empty phantasy?
All these riddles are to thee unveiled!
Truth thy soul ecstatic now drinks up,
Truth in radiance thousandfold exhaled
From the mighty Father's blissful cup.
Dark and silent bearers draw, then, nigh!
To the slayer serve the feast the while!
Cease, ye mourners, cease your wailing cry!
Dust on dust upon the body pile!
Where's the man who God to tempt presumes?
Where the eye that through the gulf can see?
Holy, holy, holy art thou, God of tombs!
We, with awful trembling, worship Thee!
Dust may back to native dust be ground,
From its crumbling house the spirit fly,
And the storm its ashes strew around,
But its love, its love shall never die!
~ Friedrich Schiller, Elegy On The Death Of A Young Man
,#NFDB
1216:
ON THE TREE ON THE MOUNTAINSIDE
Zarathustra's eye had noted that a youth avoided
him. And one evening as he walked alone through the
mountains surrounding the town which is called The
Motley Cow-behold, on his walk he found this youth
as he sat leaning against a tree, looking wearily into
the valley. Zarathustra gripped the tree under which the
youth was sitting and spoke thus:
"If I wanted to shake this tree with my hands I
should not be able to do it. But the wind, which we
do not see, tortures and bends it in whatever direction
it pleases. It is by invisible hands that we are bent and
tortured worst."
Then the youth got up in consternation and said: "I
hear Zarathustra, and just now I was thinking of him."
Zarathustra replied: "Why should that frighten you?
But it is with man as it is with the tree. The more he
aspires to the height and light, the more strongly do
his roots strive earthward, downward, into the dark,
the deep-into evil."
"Yes, into evil" cried the youth. "How is it possible
that you discovered my soul?"
Zarathustra smiled and said: "Some souls one will
never discover, unless one invents them first."
"Yes, into evil" the youth cried once more. "You
have spoken the truth, Zarathustra. I no longer trust
myself since I aspire to the height, and nobody trusts
me any more; how did this happen? I change too fast:
my today refutes my yesterday. I often skip steps when
I climb: no step forgives me that. When I am at the
top I always find myself alone. Nobody speaks to me;
the frost of loneliness makes me shiver. What do I
43
want up high? My contempt and my longing grow at
the same time; the higher I climb, the more I despise
the climber. What does he want up high? How ashamed
I am of my climbing and stumbling! How I mock at
my violent panting! How I hate the fliert How weary
I am up highly"
Here the youth stopped. And Zarathustra contemplated the tree beside which they stood and spoke thus:
"This tree stands lonely here in the mountains; it grew
high above man and beast. And if it wanted to speak
it would have nobody who could understand it, so
high has it grown. Now it waits and waits-for what
is it waiting? It dwells too near the seat of the clouds:
surely, it waits for the first lightning."
When Zarathustra had said this the youth cried with
violent gestures: "Yes, Zarathustra, you are speaking
the truth. I longed to go under when I aspired to the
height, and you are the lightning for which I waited.
Behold, what am I, now that you have appeared
among us? It is the envy of you that has destroyed me."
Thus spoke the youth, and he wept bitterly. But Zarathustra put his arm around him and led him away.
And when they had walked together for a while,
Zarathustra began to speak thus: "It tears my heart.
Better than your words tell it, your eyes tell me of
all your dangers. You are not yet free, you still search
for freedom. You are worn from your search and overawake. You aspire to the free heights, your soul thirsts
for the stars. But your wicked instincts, too, thirst for
freedom. Your wild dogs want freedom; they bark with
joy in their cellar when your spirit plans to open all
prisons. To me you are still a prisoner who is plotting
his freedom: alas, in such prisoners the soul becomes
clever, but also deceitful and bad. And even the liber-
44
ated spirit must still purify himself. Much prison and
mustiness still remain in him: his eyes must still become pure.
"Indeed, I know your danger. But by my love and hope
I beseech you: do not throw away your love and hope.
"You still feel noble, and the others too feel your
nobility, though they bear you a grudge and send you
evil glances. Know that the noble man stands in everybody's way. The noble man stands in the way of the
good too: and even if they call him one of the good,
they thus want to do away with him. The noble man
wants to create something new and a new virtue. The
good want the old, and that the old be preserved. But
this is not the danger of the noble man, that he might
become one of the good, but a churl, a locker, a
destroyer.
"Alas, I knew noble men who lost their highest hope.
Then they slandered all high hopes. Then they lived
impudently in brief pleasures and barely cast their goals
beyond the day. Spirit too is lust, so they said. Then
the wings of their spirit broke: and now their spirit
crawls about and soils what it gnaws. Once they thought
of becoming heroes: now they are voluptuaries. The
hero is for them an offense and a fright.
"But by my love and hope I beseech you: do not
throw away the hero in your soul! Hold holy your highest hope!"
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE TREE ON THE MOUNTAINSIDE
,#NFDB
1217:Ode On St. Cecilia's Day
I.
Descend ye Nine! descend and sing;
The breathing instruments inspire,
Wake into voice each silent string,
And sweep the sounding lyre!
In a sadly-pleasing strain
Let the warbling lute complain:
Let the loud trumpet sound,
'Till the roofs all around
The shrill echo's rebound:
While in more lengthen'd notes and slow,
The deep, majestic, solemn organs blow.
Hark! the numbers, soft and clear,
Gently steal upon the ear;
Now louder, and yet louder rise,
And fill with spreading sounds the skies;
Exulting in triumph now swell the bold notes,
In broken air, trembling, the wild music floats;
'Till, by degrees, remote and small,
The strains decay,
And melt away,
In a dying, dying fall.
II.
By Music, minds an equal temper know,
Nor swell too high, nor sink too low.
If in the breast tumultuous joys arise,
Music her soft, assuasive voice applies;
Or when the soul is press'd with cares,
Exalts her in enlivening airs.
Warriors she fires with animated sounds;
Pours balm into the bleeding lover's wounds:
Melancholy lifts her head,
Morpheus rouzes from his bed,
Sloth unfolds her arms and wakes,
List'ning Envy drops her snakes;
Intestine war no more our Passions wage,
And giddy Factions hear away their rage.
130
III.
But when our Country's cause provokes to Arms,
How martial music ev'ry bosom warms!
So when the first bold vessel dar'd the seas,
High on the stern the Thracian rais'd his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demi-gods stood round,
And men grew heroes at the sound,
Enflam'd with glory's charms:
Each chief his sev'nfold shield display'd,
And half unsheath'd the shining blade:
And seas, and rocks, and skies rebound
To arms, to arms, to arms!
IV.
But when thro' all th'infernal bounds
Which flaming Phlegeton surrounds,
Love, strong as Death, the Poet led
To the pale nations of the dead,
What sounds were heard,
What scenes appear'd,
O'er all the dreary coasts!
Dreadful gleams,
Dismal screams,
Fires that glow,
Shrieks of woe,
Sullen moans,
Hollow groans,
And cries of tortur'd ghosts!
But hark! he strikes the golden lyre;
And see! the tortur'd ghosts respire,
See, shady forms advance!
Thy stone, O Sysiphus, stands still,
Ixion rests upon his wheel,
And the pale spectres dance!
The Furies sink upon their iron beds,
And snakes uncurl'd hang list'ning round their heads.
V.
By the streams that ever flow,
By the fragrant winds that blow
131
O'er th' Elysian flow'rs,
By those happy souls who dwell
In yellow meads of Asphodel,
Or Amaranthine bow'rs,
By the hero's armed shades,
Glitt'ring thro' the gloomy glades,
By the youths that dy'd for love,
Wand'ring in the myrtle grove,
Restore, restore Eurydice to life;
Oh take the husband, or return the wife!
He sung, and hell consented
To hear the Poet's pray'r;
Stern Proserpine relented,
And gave him back the fair.
Thus song could prevail
O'er death and o'er hell,
A conquest how hard and how glorious?
Tho' fate had fast bound her
With Styx nine times round her,
Yet music and love were victorious.
VI.
But soon, too soon, the lover turns his eyes:
Again she falls, again she dies, she dies!
How wilt thou now the fatal sisters move?
No crime was thine, if 'tis no crime to love.
Now under hanging mountains,
Beside the falls of fountains,
Or where Hebrus wanders,
Rolling in Maeanders,
All alone,
Unheard, unknown,
He makes his moan;
And calls her ghost,
For ever, ever, ever lost!
Now with Furies surrounded,
Despairing, confounded,
He trembles, he glows,
Amidst Rhodope's snows:
See, wild as the winds, o'er the desart he flies;
Hark! Haemus resounds with the Bacchanals cries - Ah see, he dies!
132
Yet ev'n in death Eurydice he sung,
Eurydice still trembled on his tongue,
Eurydice the woods,
Eurydice the floods,
Eurydice the rocks, and hollow mountains rung.
VII.
Music the fiercest grief can charm,
And fate's severest rage disarm:
Music can soften pain to ease,
And make despair and madness please:
Our joys below it can improve,
And antedate the bliss above.
This the divine Cecilia found,
And to her Maker's praise confin'd the sound.
When the full organ joins the tuneful quire,
Th'immortal pow'rs incline their ear;
Borne on the swelling notes our souls aspire,
While solemn airs improve the sacred fire;
And Angels lean from heav'n to hear.
Of Orpheus now no more let Poets tell,
To bright Cecilia greater pow'r is giv'n;
His numbers rais'd a shade from hell,
Hers lift the soul to heav'n.
~ Alexander Pope,#NFDB
1218:Younger Brutus
When in the Thracian dust uprooted lay,
In ruin vast, the strength of Italy,
And Fate had doomed Hesperia's valleys green,
And Tiber's shores,
The trampling of barbarian steeds to feel,
And from the leafless groves,
On which the Northern Bear looks down,
Had called the Gothic hordes,
That Rome's proud walls might fall before their swords;
Exhausted, wet with brothers' blood,
Alone sat Brutus, in the dismal night;
Resolved on death, the gods implacable
Of heaven and hell he chides,
And smites the listless, drowsy air
With his fierce cries of anger and despair.
'O foolish virtue, empty mists,
The realms of shadows, are thy schools,
And at thy heels repentance follows fast.
To you, ye marble gods
(If ye in Phlegethon reside, or dwell
Above the clouds), a mockery and scorn
Is the unhappy race,
Of whom you temples ask,
And fraudulent the law that you impose.
Say, then, does earthly piety provoke
The anger of the gods?
O Jove, dost thou protect the impious?
And when the storm-cloud rushes through the air,
And thou thy thunderbolts dost aim,
Against the _just_ dost thou impel the sacred flame?
Unconquered Fate and stern necessity
Oppress the feeble slaves of Death:
Unable to avert their injuries,
The common herd endure them patiently.
But is the ill less hard to bear,
Because it has no remedy?
Does he who knows no hope no sorrow feel?
The hero wages war with thee,
144
Eternal deadly war, ungracious Fate,
And knows not how to yield; and thy right hand,
Imperious, proudly shaking off,
E'en when it weighs upon him most,
Though conquered, is triumphant still,
When his sharp sword inflicts the fatal blow;
And seeks with haughty smile the shades below.
'Who storms the gates of Tartarus,
Offends the gods.
Such valor does not suit, forsooth,
Their soft, eternal bosoms; no?
Or are our toils and miseries,
And all the anguish of our hearts,
A pleasant sport, their leisure to beguile?
Yet no such life of crime and wretchedness,
But pure and free as her own woods and fields,
Nature to us prescribed; a queen
And goddess once. Since impious custom, now,
Her happy realm hath scattered to the winds,
And other laws on this poor life imposed,
Will Nature of fool-hardiness accuse
The manly souls, who such a life refuse?
'Of crime, and their own sufferings ignorant,
Serene old age the beasts conducts
Unto the death they ne'er foresee.
But if, by misery impelled, they sought
To dash their heads against the rugged tree,
Or, plunging headlong from the lofty rock,
Their limbs to scatter to the winds.
No law mysterious, misconception dark,
Would the sad wish refuse to grant.
Of all that breathe the breath of life,
You, only, children of Prometheus, feel
That life a burden hard to bear;
Yet, would you seek the silent shores of death,
If sluggish fate the boon delay,
To you, alone, stern Jove forbids the way.
'And thou, white moon, art rising from the sea,
That with our blood is stained;
145
The troubled night dost thou survey,
And field, so fatal unto Italy.
On brothers' breasts the conqueror treads;
The hills with fear are thrilled;
From her proud heights Rome totters to her fall.
And smilest thou upon the dismal scene?
Lavinia's children from their birth,
And all their prosperous years,
And well-earned laurels, hast thou seen;
And thou _wilt_ smile, with ray unchanged,
Upon the Alps, when, bowed with grief and shame,
The haughty city, desolate and lone,
Beneath the tread of Gothic hordes shall groan.
'Behold, amid the naked rocks,
Or on the verdant bough, the beast and bird,
Whose breasts are ne'er by thought or memory stirred,
Of the vast ruin take no heed,
Or of the altered fortunes of the world;
And when the humble herdsman's cot
Is tinted with the earliest rays of dawn,
The one will wake the valleys with his song,
The other, o'er the cliffs, the frightened throng
Of smaller beasts before him drive.
O foolish race! Most wretched we, of all!
Nor are these blood-stained fields,
These caverns, that our groans have heard,
Regardful of our misery;
Nor shines one star less brightly in the sky.
Not the deaf kings of heaven or hell,
Or the unworthy earth,
Or night, do I in death invoke,
Or thee, last gleam the dying hour that cheers,
The voice of coming ages. I no tomb
Desire, to be with sobs disturbed, or with
The words and gifts of wretched fools adorned.
The times grow worse and worse;
And who, unto a vile posterity,
The honor of great souls would trust,
Or fit atonement for their wrongs?
Then let the birds of prey around me wheel:
And let my wretched corpse
146
The lightning blast, the wild beast tear;
And let my name and memory melt in air!'
~ Count Giacomo Leopardi,#NFDB
1219:The Younger Brutus
When in the Thracian dust uprooted lay,
In ruin vast, the strength of Italy,
And Fate had doomed Hesperia's valleys green,
And Tiber's shores,
The trampling of barbarian steeds to feel,
And from the leafless groves,
On which the Northern Bear looks down,
Had called the Gothic hordes,
That Rome's proud walls might fall before their swords;
Exhausted, wet with brothers' blood,
Alone sat Brutus, in the dismal night;
Resolved on death, the gods implacable
Of heaven and hell he chides,
And smites the listless, drowsy air
With his fierce cries of anger and despair.
'O foolish virtue, empty mists,
The realms of shadows, are thy schools,
And at thy heels repentance follows fast.
To you, ye marble gods
(If ye in Phlegethon reside, or dwell
Above the clouds), a mockery and scorn
Is the unhappy race,
Of whom you temples ask,
And fraudulent the law that you impose.
Say, then, does earthly piety provoke
The anger of the gods?
O Jove, dost thou protect the impious?
And when the storm-cloud rushes through the air,
And thou thy thunderbolts dost aim,
Against the _just_ dost thou impel the sacred flame?
Unconquered Fate and stern necessity
Oppress the feeble slaves of Death:
Unable to avert their injuries,
The common herd endure them patiently.
But is the ill less hard to bear,
Because it has no remedy?
Does he who knows no hope no sorrow feel?
The hero wages war with thee,
112
Eternal deadly war, ungracious Fate,
And knows not how to yield; and thy right hand,
Imperious, proudly shaking off,
E'en when it weighs upon him most,
Though conquered, is triumphant still,
When his sharp sword inflicts the fatal blow;
And seeks with haughty smile the shades below.
'Who storms the gates of Tartarus,
Offends the gods.
Such valor does not suit, forsooth,
Their soft, eternal bosoms; no?
Or are our toils and miseries,
And all the anguish of our hearts,
A pleasant sport, their leisure to beguile?
Yet no such life of crime and wretchedness,
But pure and free as her own woods and fields,
Nature to us prescribed; a queen
And goddess once. Since impious custom, now,
Her happy realm hath scattered to the winds,
And other laws on this poor life imposed,
Will Nature of fool-hardiness accuse
The manly souls, who such a life refuse?
'Of crime, and their own sufferings ignorant,
Serene old age the beasts conducts
Unto the death they ne'er foresee.
But if, by misery impelled, they sought
To dash their heads against the rugged tree,
Or, plunging headlong from the lofty rock,
Their limbs to scatter to the winds.
No law mysterious, misconception dark,
Would the sad wish refuse to grant.
Of all that breathe the breath of life,
You, only, children of Prometheus, feel
That life a burden hard to bear;
Yet, would you seek the silent shores of death,
If sluggish fate the boon delay,
To you, alone, stern Jove forbids the way.
'And thou, white moon, art rising from the sea,
That with our blood is stained;
113
The troubled night dost thou survey,
And field, so fatal unto Italy.
On brothers' breasts the conqueror treads;
The hills with fear are thrilled;
From her proud heights Rome totters to her fall.
And smilest thou upon the dismal scene?
Lavinia's children from their birth,
And all their prosperous years,
And well-earned laurels, hast thou seen;
And thou _wilt_ smile, with ray unchanged,
Upon the Alps, when, bowed with grief and shame,
The haughty city, desolate and lone,
Beneath the tread of Gothic hordes shall groan.
'Behold, amid the naked rocks,
Or on the verdant bough, the beast and bird,
Whose breasts are ne'er by thought or memory stirred,
Of the vast ruin take no heed,
Or of the altered fortunes of the world;
And when the humble herdsman's cot
Is tinted with the earliest rays of dawn,
The one will wake the valleys with his song,
The other, o'er the cliffs, the frightened throng
Of smaller beasts before him drive.
O foolish race! Most wretched we, of all!
Nor are these blood-stained fields,
These caverns, that our groans have heard,
Regardful of our misery;
Nor shines one star less brightly in the sky.
Not the deaf kings of heaven or hell,
Or the unworthy earth,
Or night, do I in death invoke,
Or thee, last gleam the dying hour that cheers,
The voice of coming ages. I no tomb
Desire, to be with sobs disturbed, or with
The words and gifts of wretched fools adorned.
The times grow worse and worse;
And who, unto a vile posterity,
The honor of great souls would trust,
Or fit atonement for their wrongs?
Then let the birds of prey around me wheel:
And let my wretched corpse
114
The lightning blast, the wild beast tear;
And let my name and memory melt in air!'
~ Count Giacomo Leopardi,#NFDB
1220:Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.
Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:
that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.
Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.
Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.
In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
~ Rainer Maria Rilke, Elegy I
,#NFDB
1221:The Angel In The House. Book Ii. Canto Iv.
Preludes.
I Honour and Desert
O queen, awake to thy renown,
Require what 'tis our wealth to give,
And comprehend and wear the crown
Of thy despised prerogative!
I, who in manhood's name at length
With glad songs come to abdicate
The gross regality of strength,
Must yet in this thy praise abate,
That, through thine erring humbleness
And disregard of thy degree,
Mainly, has man been so much less
Than fits his fellowship with thee.
High thoughts had shaped the foolish brow,
The coward had grasp'd the hero's sword,
The vilest had been great, hadst thou,
Just to thyself, been worth's reward.
But lofty honours undersold
Seller and buyer both disgrace;
And favours that make folly bold
Banish the light from virtue's face.
II Love and Honour
What man with baseness so content,
Or sick with false conceit of right,
As not to know that the element
And inmost warmth of love's delight
Is honour? Who'd not rather kiss
A duchess than a milkmaid, prank
The two in equal grace, which is
Precedent Nature's obvious rank?
Much rather, then, a woman deck'd
With saintly honours, chaste and good,
Whose thoughts celestial things affect,
Whose eyes express her heavenly mood!
Those lesser vaunts are dimm'd or lost
139
Which plume her name or paint her lip,
Extinct in the deep-glowing boast
Of her angelic fellowship.
III Valour misdirected
‘I'll hunt for dangers North and South,
‘To prove my love, which sloth maligns!’
What seems to say her rosy mouth?
‘I'm not convinced by proofs but signs.’
Love In Idleness.
What should I do? In such a wife
Fortune had lavish'd all her store,
And nothing now seem'd left for life
But to deserve her more and more.
To this I vow'd my life's whole scope;
And Love said, ‘I forewarn you now,
‘The Maiden will fulfil your hope
‘Only as you fulfil your vow.’
II
A promised service, (task for days),
Was done this morning while she slept,
With that full heart which thinks no praise
Of vows which are not more than kept;
But loftier work did love impose,
And studious hours. Alas, for these,
While she from all my thoughts arose
Like Venus from the restless seas!
III
I conn'd a scheme, with mind elate:
My Uncle's land would fall to me,
My skill was much in school debate,
My friends were strong in Salisbury;
A place in Parliament once gain'd,
Thro' saps first labour'd out of sight,
Far loftier peaks were then attain'd
140
With easy leaps from height to height;
And that o'erwhelming honour paid,
Or recognised, at least, in life,
Which this most sweet and noble Maid
Should yield to him who call'd her Wife.
IV
I fix'd this rule: in Sarum Close
To make two visits every week,
The first to-day; and, save on those,
I nought would do, think, read, or speak,
Which did not help my settled will
To earn the Statesman's proud applause.
And now, forthwith, to mend my skill
In ethics, politics, and laws,
The Statesman's learning! Flush'd with power
And pride of freshly-form'd resolve,
I read Helvetius half-an-hour;
But, halting in attempts to solve
Why, more than all things else that be,
A lady's grace hath force to move
That sensitive appetency
Of intellectual good, call'd love,
Took Blackstone down, only to draw
My swift-deriving thoughts ere long
To love, which is the source of law,
And, like a king, can do no wrong;
Then open'd Hyde, where loyal hearts,
With faith unpropp'd by precedent,
Began to play rebellious parts.
O, mighty stir that little meant!
How dull the crude, plough'd fields of fact
To me who trod the Elysian grove!
How idle all heroic act
By the least suffering of love!
I could not read; so took my pen,
And thus commenced, in form of notes,
A Lecture for the Salisbury men,
With due regard to Tory votes:
‘A road's a road, though worn to ruts;
‘They speed who travel straight therein;
‘But he who tacks and tries short cuts
141
‘Gets fools' praise and a broken shin—’
And here I stopp'd in sheer despair;
But, what to-day was thus begun,
I vow'd, up starting from my chair,
To-morrow should indeed be done;
So loosed my chafing thoughts from school,
To play with fancy as they chose,
And then, according to my rule,
I dress'd, and came to Sarum Close.
Ah, that sweet laugh! Diviner sense
Did Nature, forming her, inspire
To omit the grosser elements,
And make her all of air and fire!
VII
To-morrow, Cowes Regatta fell:
The Dean would like his girls to go,
If I went too. ‘Most gladly.’ Well,
I did but break a foolish vow!
Unless Love's toil has love for prize,
(And then he's Hercules), above
All other contrarieties
Is labour contrary to love.
No fault of Love's, but nature's laws!
And Love, in idleness, lies quick;
For as the worm whose powers make pause,
And swoon, through alteration sick,
The soul, its wingless state dissolved,
Awaits its nuptial life complete,
All indolently self-convolved,
Cocoon'd in silken fancies sweet.
~ Coventry Patmore,#NFDB
1222:Don Juan Aux Enfers (Don Juan In Hell)
Quand Don Juan descendit vers l'onde souterraine
Et lorsqu'il eut donné son obole à Charon,
Un sombre mendiant, l'oeil fier comme Antisthène,
D'un bras vengeur et fort saisit chaque aviron.
Montrant leurs seins pendants et leurs robes ouvertes,
Des femmes se tordaient sous le noir firmament,
Et, comme un grand troupeau de victimes offertes,
Derrière lui traînaient un long mugissement.
Sganarelle en riant lui réclamait ses gages,
Tandis que Don Luis avec un doigt tremblant
Montrait à tous les morts errant sur les rivages
Le fils audacieux qui railla son front blanc.
Frissonnant sous son deuil, la chaste et maigre Elvire,
Près de l'époux perfide et qui fut son amant,
Semblait lui réclamer un suprême sourire
Où brillât la douceur de son premier serment.
Tout droit dans son armure, un grand homme de pierre
Se tenait à la barre et coupait le flot noir;
Mais le calme héros, courbé sur sa rapière,
Regardait le sillage et ne daignait rien voir.
Don Juan in Hades
When Don Juan descended to the underground sea,
And when he had given his obolus to Charon,
That gloomy mendicant, with Antisthenes' proud look,
Seized the two oars with strong, revengeful hands.
Showing their pendent breasts and their unfastened gowns
Women writhed and twisted under the black heavens,
And like a great flock of sacrificial victims,
A continuous groan trailed along in the wake.
Sganarelle with a laugh was demanding his wage,
While Don Luis with a trembling finger
163
Was showing to the dead, wandering along the shores,
The impudent son who had mocked his white brow.
Shuddering in her grief, Elvira, chaste and thin,
Near her treacherous spouse who was once her lover,
Seemed to implore of him a final, parting smile
That would shine with the sweetness of his first promises.
Erect in his armor, a tall man carved from stone
Was standing at the helm and cutting the black flood;
But the hero unmoved, leaning on his rapier,
Kept gazing at the wake and deigned not look aside.
— Translated by William Aggeler
Don Juan in Hell
When, having reached the subterranean wave,
Don Juan paid his passage from the shore,
Proud as Antisthenes, a surly knave
With vengeful arms laid hold of either oar.
With hanging breasts between their mantles showing
Sad women, writhing under the black sky,
Made, as they went, the sound of cattle lowing
As from a votive herd that's led to die.
Sganarelle for his wages seemed to linger,
And laughed; while to the dead assembled there,
Don Luis pointed out with trembling finger
The son who dared to flout his silver hair.
Chilled in her crepe, the chaste and thin Elvira,
Standing up close to her perfidious spouse,
Seemed to be pleading from her old admirer
For that which thrilled his first, unbroken vows.
A great stone man in armour leaped aboard;
Seizing the helm, the coal-black wave he cleft.
But the calm hero, leaning on his sword,
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Had eyes for nothing but the wake they left.
— Translated by Roy Campbell
Don Juan in Hades
He found the wide bark rocking in the Stygian breeze
And came aboard, having first paid Charon what he owed.
A beggar, somber and haughty as Antisthenes,
Seized the long oars with a revengeful gesture and rowed.
Writhing and tearing open their garments while he crossed,
A crowd of disappointed females, herded there
Along the bank like victims for a holocaust,
Filled with a soft and bestial moaning the dark air.
Sganarelle laughed triumphantly, demanding his wage;
Don Luis, still wrathful, pointed with a palsied hand
To the unruly son who mocked him in his old age,
Calling to witness the dead throngs upon that strand.
She whom he wed in church and loved a little while,
Elvira, thin and trembling in her black robes of grief,
Seemed to implore of her betrayer a last smile
In memory of his first ardor, noble and brief.
The knight he murdered and whose ghost he had rebuked
Stood now, a tall and cuirassed helmsman, at the stem;
But the calm hero, leaning upon his rapier, looked
Absently into the water, ignoring all of them.
— Translated by George Dillon
Don Juan in Hades
When the hidalgo reached the subterranean seas,
And, with an obol, paid Charon's accustomed score,
A gloomy beggarman, proud as Antisthenes,
With strong revengeful hands seized either trailing oar.
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With sagging breasts and gray unfastened gowns, a crowd
Of women writhed in woe under a leaden sky,
In their grim wake a groan trailed, mournfully and loud,
Like flocks of sacrificial victims trudging by.
Sganarelle, grinning, claimed his wages; dour and lank,
Don Luis, with trembling finger, pointed at the prow,
To show the phantoms wandering on the river bank
That impious son who mocked his father's snow-white brow.
Elvira, chaste and gaunt, shuddered in sorrow, while
Beside her traitorous spouse (her lover, once) she seemed
To crave the favor of an ultimate bright smile,
Sweet as his first-made vows and as the dream she dreamed.
Erect in coat-of-mail, a tall man, hewn of stone,
Stood at the helm, cleaving the flood. But in mute pride,
Leaning upon his sword, impassive and alone,
The hero watched the wave nor deigned to look aside.
— Translated by Jacques LeClercq
~ Charles Baudelaire,#NFDB
1223:Any Soldier To His Son
What did I do, sonny, in the Great World War?
Well, I learned to peel potatoes and to scrub the barrack floor.
I learned to push a barrow and I learned to swing a pick,
I learned to turn my toes out, and to make my eyeballs click.
I learned the road to Folkestone, and I watched the English shore,
Go down behind the skyline, as I thought, for evermore.
And the Blighty boats went by us and the harbour hove in sight,
And they landed us and sorted us and marched us "by the right".
"Quick march!" across the cobbles, by the kids who rang along
Singing "Appoo?" "Spearmant" "Shokolah?" through dingy old Boulogne;
By the widows and the nurses and the niggers and Chinese,
And the gangs of smiling Fritzes, as saucy as you please.
I learned to ride as soldiers ride from Etaps to the Line,
For days and nights in cattle trucks, packed in like droves of swine.
I learned to curl and kip it on a foot of muddy floor,
And to envy cows and horses that have beds of beaucoup straw.
I learned to wash in shell holes and to shave myself in tea,
While the fragments of a mirror did a balance on my knee.
I learned to dodge the whizz-bangs and the flying lumps of lead,
And to keep a foot of earth between the sniper and my head.
I learned to keep my haversack well filled with buckshee food,
To take the Army issue and to pinch what else I could.
I learned to cook Maconochie with candle-ends and string,
With "four-by-two" and sardine-oil and any God-dam thing.
I learned to use my bayonet according as you please
For a breadknife or a chopper or a prong for toasting cheese.
I learned "a first field dressing" to serve my mate and me
As a dish-rag and a face-rag and a strainer for our tea.
I learned to gather souvenirs that home I hoped to send,
And hump them round for months and months and dump them in the end.
I learned to hunt for vermin in the lining of my shirt,
To crack them with my finger-nail and feel the beggars spirt;
I learned to catch and crack them by the dozen and the score
And to hunt my shirt tomorrow and to find as many more.
I learned to sleep by snatches on the firestep of a trench,
And to eat my breakfast mixed with mud and Fritz's heavy stench.
I learned to pray for Blighty ones and lie and squirm with fear,
When Jerry started strafing and the Blighty ones were near.
I learned to write home cheerful with my heart a lump of lead
With the thought of you and mother, when she heard that I was dead.
And the only thing like pleasure over there I ever knew,
Was to hear my pal come shouting, "There's a parcel, mate, for you."
So much for what I did do - now for what I have not done:
Well, I never kissed a French girl and I never killed a Hun,
I never missed an issue of tobacco, pay, or rum,
I never made a friend and yet I never lacked a chum.
I never borrowed money, and I never lent - but once
(I can learn some sorts of lessons though I may be borne a dunce).
I never used to grumble after breakfast in the Line
That the eggs were cooked too lightly or the bacon cut too fine.
I never told a sergeant just exactly what I thought,
I never did a pack-drill, for I never quite got caught.
I never punched a Red-Cap's nose (be prudent like your Dad),
But I'd like as many sovereigns as the times I've wished I had.
I never stopped a whizz-bang, though I've stopped a lot of mud,
But the one that Fritz sent over with my name on was a dud.
I never played the hero or walked about on top,
I kept inside my funk hole when the shells began to drop.
Well, Tommy Jones's father must be made of different stuff:
I never asked for trouble - the issue was enough.
So I learned to live and lump it in the lovely land of war,
Where the face of nature seems a monstrous septic sore,
Where the bowels of earth of earth hang open, like the guts of something slain,
And the rot and wreck of everything are churned and churned again;
Where all is done in darkness and where all is still in day,
Where living men are buried and the dead unburied lay;
Where men inhabit holes like rats, and only rats live there;
Where cottage stood and castle once in days before La Guerre;
Where endless files of soldiers thread the everlasting way,
By endless miles of duckboards, through endless walls of clay;
Where life is one hard labour, and a soldiers gets his rest
When they leave him in the daisies with a puncture in his chest;
Where still the lark in summer pours her warble from the skies,
And underneath, unheeding, lie the blank upstaring eyes.
And I read the Blighty papers, where the warriors of the pen
Tell of "Christmas in the trenches" and "The Spirit of our men";
And I saved the choicest morsels and I read them to my chum,
And he muttered, as he cracked a louse and wiped it off his thumb:
"May a thousand chats from Belgium crawl under their fingers as they write;
May they dream they're not exempted till they faint with mortal fright;
May the fattest rats in Dickebusch race over them in bed;
May the lies they've written choke them like a gas cloud till they're dead;
May the horror and the torture and the things they never tell
(For they only write to order) be reserved for them in Hell!"
You'd like to be a soldier and go to France some day?
By all the dead in Delville Wood, by all the nights I lay
Between our lines and Fritz's before they brought me in;
By this old wood-and-leather stump, that once was flesh and skin;
By all the lads who crossed with me but never crossed again,
By all the prayers their mothers and their sweethearts prayed in vain,
Before the things that were that day should ever more befall
May God in common pity destroy us one and all!
~ Anonymous English,#NFDB
1224:Hymne À La Beauté (Hymn To Beauty)
Viens-tu du ciel profond ou sors-tu de l'abîme,
O Beauté? ton regard, infernal et divin,
Verse confusément le bienfait et le crime,
Et l'on peut pour cela te comparer au vin.
Tu contiens dans ton oeil le couchant et l'aurore;
Tu répands des parfums comme un soir orageux;
Tes baisers sont un philtre et ta bouche une amphore
Qui font le héros lâche et l'enfant courageux.
Sors-tu du gouffre noir ou descends-tu des astres?
Le Destin charmé suit tes jupons comme un chien;
Tu sèmes au hasard la joie et les désastres,
Et tu gouvernes tout et ne réponds de rien.
Tu marches sur des morts, Beauté, dont tu te moques;
De tes bijoux l'Horreur n'est pas le moins charmant,
Et le Meurtre, parmi tes plus chères breloques,
Sur ton ventre orgueilleux danse amoureusement.
L'éphémère ébloui vole vers toi, chandelle,
Crépite, flambe et dit: Bénissons ce flambeau!
L'amoureux pantelant incliné sur sa belle
A l'air d'un moribond caressant son tombeau.
Que tu viennes du ciel ou de l'enfer, qu'importe,
Ô Beauté! monstre énorme, effrayant, ingénu!
Si ton oeil, ton souris, ton pied, m'ouvrent la porte
D'un Infini que j'aime et n'ai jamais connu?
De Satan ou de Dieu, qu'importe? Ange ou Sirène,
Qu'importe, si tu rends, — fée aux yeux de velours,
Rythme, parfum, lueur, ô mon unique reine! —
L'univers moins hideux et les instants moins lourds?
Hymn to Beauty
Do you come from Heaven or rise from the abyss,
Beauty? Your gaze, divine and infernal,
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Pours out confusedly benevolence and crime,
And one may for that, compare you to wine.
You contain in your eyes the sunset and the dawn;
You scatter perfumes like a stormy night;
Your kisses are a philtre, your mouth an amphora,
Which make the hero weak and the child courageous.
Do you come from the stars or rise from the black pit?
Destiny, bewitched, follows your skirts like a dog;
You sow at random joy and disaster,
And you govern all things but answer for nothing.
You walk upon corpses which you mock, O Beauty!
Of your jewels Horror is not the least charming,
And Murder, among your dearest trinkets,
Dances amorously upon your proud belly.
The dazzled moth flies toward you, O candle!
Crepitates, flames and says: 'Blessed be this flambeau!'
The panting lover bending o'er his fair one
Looks like a dying man caressing his own tomb,
Whether you come from heaven or from hell, who cares,
O Beauty! Huge, fearful, ingenuous monster!
If your regard, your smile, your foot, open for me
An Infinite I love but have not ever known?
From God or Satan, who cares? Angel or Siren,
Who cares, if you make, — fay with the velvet eyes,
Rhythm, perfume, glimmer; my one and only queen!
The world less hideous, the minutes less leaden?
— Translated by William Aggeler
Hymn to Beauty
Did you spring out of heaven or the abyss,
Beauty? Your gaze infernal, yet divine,
Spreads infamy and glory, grief and bliss,
And therefore you can be compared to wine.
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Your eyes contain both sunset and aurora:
You give off scents, like evenings storm-deflowered:
Your kisses are a philtre: an amphora
Your mouth, that cows the brave, and spurs the coward.
Climb you from gulfs, or from the stars descend?
Fate, like a fawning hound, to heel you've brought;
You scatter joy and ruin without end,
Ruling all things, yet answering for naught.
You trample men to death, and mock their clamour.
Amongst your gauds pale Horror gleams and glances,
And Murder, not the least of them in glamour,
On your proud belly amorously dances.
The dazzled insect seeks your candle-rays,
Crackles, and burns, and seems to bless his doom.
The groom bent o'er his bride as in a daze,
Seems, like a dying man, to stroke his tomb.
What matter if from hell or heaven born,
Tremendous monster, terrible to view?
Your eyes and smile reveal to me, like morn,
The Infinite I love but never knew.
From God or Fiend? Siren or Sylph ? Invidious
The answer — Fay with eyes of velvet, ray,
Rhythm, and perfume! — if you make less hideous
Our universe, less tedious leave our day.
— Translated by Roy Campbell
Hymn to Beauty
Did you fall from high heaven or surge from the abyss,
O Beauty? Your bright gaze, infernal and divine,
Confusedly pours out courage and cowardice,
Or love and crime. Therefore men liken you to wine.
Your eyes hold all the sunset and the dawn, you are
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As rich in fragrances as a tempestuous night,
Your kisses are a philtre and your mouth a jar
Filling the child with valor and the man with fright.
Did the stars mould you or the pit's obscurity?
You bring at random Paradise or Juggernaut.
Fate sniffs your skirts with a charmed dog's servility,
You govern all and yet are answerable for naught.
Beauty, you walk on corpses of dead men you mock.
Among your store of gems, Horror is not the least;
Murder, amid the dearest trinkets of your stock,
Dances on your proud belly like a ruttish beast.
Candle, the transient moth flies dazzled to your light,
Crackles and flames and says: 'Blessèd this fiery doom!'
The panting lover with his mistress in the night
Looks like a dying man caressing his own tomb.
Are you from heaven or hell, Beauty that we adore?
Who cares? A dreadful, huge, ingenuous monster, you!
So but your glance, your smile, your foot open a door
Upon an Infinite I love but never knew.
From Satan or from God? Who cares? Fierce or serene,
Who cares? Sister to sirens or to seraphim?
So but, dark fey, you shed your perfume, rhythm and sheen
To make the world less hideous and Time less grim.
— Translated by Jacques LeClercq
~ Charles Baudelaire,#NFDB
1225:The Last Battle Of The Cid
Low he lay upon his dying couch, the knight without a stain,
The unconquered Cid Campeadór, the bright breast-plate of Spain,
The incarnate honour of Castille, of Aragon and Navarre,
Very crown of Spanish chivalry, Rodrigo of Bivar!
Sick he lay, and grieved in spirit, for that Paynim dogs should dare
Camp around his knightly citadel, Valencia the fair!
For that he no more should face them, in his beauteous armour dight,
To whom God and Santiago aye gave victory in the fight.
Faintly rising o'er the ramparts came the murmur of the siege,
And he could but pray for Christendom, his country and his liege;
For his well-belovèd city, granite-girdled, pennon-starred,
And the royal wealth of treasure that its stately portals barred.
“Santiago, at whose altar I did watch mine armour bright,
And was girt with golden spur and brand, a consecrated knight!—
Santiago, by my vow redeemed at Compostela's shrine,
Let the Paynim life-blood only touch these blessed walls of mine!
“Santiago, warrior saintly, who with Don Fernando's host
Stormed and won the gates of Coimbra, guard my fortress on the coast!
Keep the holy leper's blessing, though the snow is on my hair;—
Strike the base-born unbelievers!—save Valencia the fair!”
Lo, a sudden cloud of glory filled his chamber as he prayed!
Lo, San Pedro stood beside him, all in shining robes arrayed!
“For thy love, Rodrigo Diaz, to Cardeña's house,” said he,
“I have offered intercessions, and the Lord hath answered me.
“Thou must die, O well-beloved!—thirty days, and thou must die!
Yet in death shall Santiago grant thee still a victory.
Thou shalt ride forth to the battle—Santiago shall be there—
For the Faith and Don Alfonso and Valencia the fair.”
Silence reigned within the chamber; none stood near the hero's bed;
All that dazzling flood of glory slowly, softly vanishèd.
He could only hear the murmur from the ramparts rise and fall;
He could only see the cross-bars stretching dimly on the wall.
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In San Pedro's chapel lay the Cid, his eyes with rapture dim,
And proclaimed the wondrous favour that the Lord had granted him.
Then he parted from his vassals, and went humbly to confess;
And the warrior-bishop clothed his soul in its baptismal dress.
'Twas the holy day of Pentecost that saw Ruy Diaz die—
Evermore the spotless mirror of Castillian chivalry!
They, in whom his will was shrinèd, Alvar Fanez and his knights,
Stood to watch the hero vanquished who had won a thousand fights.
DoXimena, the faithful, with her tears bedewed his feet,
And anointed all his body with pure incense, rich and sweet.
Then in silence and in sorrow the twelve days of waiting fled;
And the warders on the ramparts dared not whisper, “He is dead.”
In the midnight, dark and quiet, fell the torches' lurid glare
On the palaces and portals of Valencia the fair;
And a solemn, slow procession, mounted all in royal state,
Like the spectre of an army, passed beneath the city gate.
In the van was borne the ensign, known and dreaded far and wide,
With four hundred noblest knights ranged proudly by its side.
Toward Castille and Cardeña were those haughty faces set,—
And that banner never more did crown Valencia's parapet.
Then came mules, with treasure laden, stepping softly on before,
Compassed round with knights in armour—to the full four hundred more.
Then a band of belted nobles, stern and silent; and amid
Their levelled lances, he of Bivar—the Campeadór—the Cid.
On his milk-white steed, Babieca, whom none else did e'er bestride,
Clad in all his princely trappings, did the lifeless warrior ride;
Girt with helm and spur and blazoned shield, and grasping in his hand
The bright crosslet of Tizona, his thrice-consecrated brand.
Geronymo and Gil Diaz held the slackened bridlerein—
His true bishop and true vassal—as they moved on to the plain;
And Ximena and her maidens, 'mid the torchlight weird and dim,
With six hundred knights in harness, followed slowly after him.
In the solemn hush and darkness, with no joyful clarion-cry,
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And no clash and clank of weapons, riding all so silently;—
Thus they passed out from the city e'er the summer morning broke,
And were found arrayed for battle when the infidels awoke.
Great and mighty was the Moorish host, by thirty monarchs led,
But a greater was the army with Rodrigo at the head;
For, behold! came Santiago to the bloody battle-plain—
Santiago, with a hundred thousand warriors in his train.
Each in robe of shining whiteness, with a red cross on his breast,—
Each with fiery sword uplifted or with golden lance at rest;
Santiago, saintly leader, on a charger white as snow—
Sent to aid the Cid Campeadór in vanquishing the foe.
All the Paynims looked amazèd on the dreadful beauteous sight,
As the tender light of morning softly crept out from the night;
Then they harnessed them in silence, sternly grasping shield and spear,
And pressed on in serried column, full of wonder, full of fear.
There was one loud shock of battle, then they wildly turned to flee,
And the Cid and Santiago swept their hosts into the sea.
Twenty kings and twenty armies in that bloody fight were slain,
And were left, with upturned faces, stiff and stark upon the plain.
Fair and shining came the daylight, all in liquid summer sheen—
But no more was Santiago, or his white-robed warriors, seen;
Only one small train of nobles, riding on, with stately pace,
To San Pedro de Cardeña and the great Cid's resting-place.
By the altar in the chapel, where the monarch's throne doth stand,
Sat the dead Cid, robed in purple, with his good sword in his hand.
And again the Moorish ensign fluttered proudly in the air,
Lifted high above the ramparts of Valencia the fair.
~ Ada Cambridge,#NFDB
1226:Liminary
The hollow crystal of my winter dream
and silences, where thought for worship, white,
shimmer'd within the icy mirror-gleam,
vanishes down the flood of broader light.
The royal weft of arduous device
and starr'd with strangest gems, my shadowy pride
and ritual of illusive artifice
is shed away, leaving the naked side.
No more is set within the secret shrine
a wonder wherein day nor night has part;
my passing makes the ways of earth divine
with the wild splendours of a mortal heart.
A whisper thrills the living fringe of green
on my retreat; tiptoe the silence stands;
the breathless morn waits till her step be seen,
my summer bride, new life from nuptial lands.
The hidden places of her beauty hold
the savours shed o'er wastes of island air,
and her crown'd body's wealth of torrid gold
burns dusky in her summer-storm of hair.
Her breasts in baffling curves, an upward hope,
strain towards the lips pain'd with too eager life,
and the rich noons faint on each lustrous slope
where thunder-hush in the ardent brake is rife.
I cannot tell what god is in her gaze,
such depths of slumbrous passion drown my breath,
but where the charmed shadow clings and stays
Fate cowers before that high disdain of death.
Oh, take me to thy bosom's sultry beat,
steep all my sense in thy long breath of flame,
oppress me with thy summer's heavy heat,
consume all me that wears an uncrown'd name;
burn this my flesh to a clear web of light,
send thy keen airy spirit to search each vein,
that the hard pulse may throb with strong delight,
o'ermastering life and life's divinest pain.
Then, then we twain will seek each farthest way,
mingled in radiance over cloud and lea,
our joy shall swell the exultant heart of day,
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our love shall tinge the rose of sky and sea.
And we shall know the steep pride of the hills
and the dark meditation of the wood,
or quench our rage where the red wine-god spills
o'er glowing rocks the madness of his blood.
Our link'd approach shall flush the water-maid
that dreams her limpid realm with wistful eyes,
our noon-tide rest shall haunt her memory's shade,
vexing her dim breast with unwonted sighs.
And where our fiercer joys have thrill'd the earth
shall burst hard stalks and cruel cups that keep
strong soul of seasons dead to fill the dearth
of lesser lives whose dream is dull with sleep.
And gloriously our summer's reign shall end:
in some dark pass that leads into the west,
burnt incense-wise, each blood shall sweetly blend,
exhaled in music from the love-slain breast,
some eve whose dragon-dying hides the sky
and holds the hour on its empurpled wings,
while pallid seers proclaim the doom-day nigh
and shuddering nations watch the death of kings.
See now the time (O eve of smoky brown!)
the morbid season of my close content,
drown'd flame, broad swathes of vapour closing down
round the clear gaze that pierces, vainly pent,
and knows how vain the hero-death that flung
far flame against the craven face of dark
(poor hero-heart the minstrel summer sung,
O brooding hidden over a bitter cark!),
how vain! did not the hot strength of the earth
exude in drifts of colour, dwindling
to dimmer odour-wafts, a hearted worth
the long-defeated tribes to altar bring.
The unslaked caravans of vast desire
seeking in furnace-sands some fierier rose
with deadly heart, the red crusades of ire
following some dusky king of mighty woes
unto a nameless fall in distant fight
(such only freedom from the daily mesh
spun by the crafty lord of wrong and right);
the pride and splendour of rebellious flesh,
full-sated with wild honey of summer's heart,
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the golden lot of ignominy that cast
and craved the honour of a menial part,
to follow on bleeding feet, nor fell the last;
how high their pyre blazed with insensate will
that the last word of their red tale be told,
and o'er their darkening blood, a moment, still,
hung on horizon-wings the spirit's gold,
the ghost of flame, in the vast crucible
transmuted of some viewless Trismegist —
haply the same whose touch, inaudible,
dissolves the lingering leaf to evening mist.
Now with the lucid flower-cups in their hands
that star the pale fields of Thulean spring,
and silver from the moon-made table-lands
of snow, the glimmering distance vanishing,
with opals that engeal the Boreal gleam
and diamond-drip of ether's crystal thrill
miraculous, the cortèges of dream
over the hills of legend gathering, fill
the imaginary avenues of gloom
up to the watching windows that betray
the House of Contemplation, vaulted room
soaring, with shade that broods above pale day;
pale day that wastes even since morning, drain'd
by ambush'd mystery of its wanton breath:
see now the time that rises, pale, unstain'd,
the fixed light that charms the fields of death.
A little yet, a little — wait, O files
obedient to my dumb command — the brow
may waive its frigid lordliness, the wiles
of the spent heart becloud it — wait; and thou,
dark presence, large above the passing world,
biding the full hour of the fated stroke,
ere in the sudden gust of truth be whirl'd
the veils of kindly Maya, leaf or smoke,
let their suspense of smouldering glory be
yet mirror'd in this mind's unruffled pool
or e'er beneath the implacable certainty
of icy light and thought's untarnish'd rule
the vacant world stand rigid; let me yet
this vesper ween I am not all alone,
and ponder with luxurious regret
46
over the singing golden morning flown:
soon, soon enough the spirit, unreproved,
shall on its proud predestin'd circle range,
in dread indifferent solitude removed
above the poignant pageantry of change,
and the broad brows whose curves are centuries
arise of Isis' carven front supreme
that bids the lucid soul in silence freeze,
the glittering crystal of my winter dream.
~ Christopher John Brennan,#NFDB
1227:To what gods shall the sacrifice be offered? Who shall be invoked to manifest and protect in the human being this increasing godhead?
Agni first, for without him the sacrificial flame cannot burn on the altar of the soul. That flame of Agni is the seven-tongued power of the Will, a Force of God instinct with Knowledge. This conscious and forceful will is the immortal guest in our mortality, a pure priest and a divine worker, the mediator between earth and heaven. It carries what we offer to the higher Powers and brings back in return their force and light and joy into our humanity.
Indra, the Puissant next, who is the power of pure Existence self-manifested as the Divine Mind. As Agni is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth. He comes down into our world as the Hero with the shining horses and slays darkness and division with his lightnings, pours down the life-giving heavenly waters, finds in the trace of the hound, Intuition, the lost or hidden illuminations, makes the Sun of Truth mount high in the heaven of our mentality.
Surya, the Sun, is the master of that supreme Truth, - truth of being, truth of knowledge, truth of process and act and movement and functioning. He is therefore the creator or rather the manifester of all things - for creation is out-bringing, expression by the Truth and Will - and the father, fosterer, enlightener of our souls. The illuminations we seek are the herds of this Sun who comes to us in the track of the divine Dawn and releases and reveals in us night-hidden world after world up to the highest Beatitude.
Of that beatitude Soma is the representative deity. The wine of his ecstasy is concealed in the growths of earth, in the waters of existence; even here in our physical being are his immortalising juices and they have to be pressed out and offered to all the gods; for in that strength these shall increase and conquer.
Each of these primary deities has others associated with him who fulfil functions that arise from his own. For if the truth of Surya is to be established firmly in our mortal nature, there are previous conditions that are indispensable; a vast purity and clear wideness destructive of all sin and crooked falsehood, - and this is Varuna; a luminous power of love and comprehension leading and forming into harmony all our thoughts, acts and impulses, - this is Mitra; an immortal puissance of clear-discerning aspiration and endeavour, - this is Aryaman; a happy spontaneity of the right enjoyment of all things dispelling the evil dream of sin and error and suffering, - this is Bhaga. These four are powers of the Truth of Surya. For the whole bliss of Soma to be established perfectly in our nature a happy and enlightened and unmaimed condition of mind, vitality and body are necessary. This condition is given to us by the twin Ashwins; wedded to the daughter of Light, drinkers of honey, bringers of perfect satisfactions, healers of maim and malady they occupy our parts of knowledge and parts of action and prepare our mental, vital and physical being for an easy and victorious ascension.
Indra, the Divine Mind, as the shaper of mental forms has for his assistants, his artisans, the Ribhus, human powers who by the work of sacrifice and their brilliant ascension to the high dwelling-place of the Sun have attained to immortality and help mankind to repeat their achievement. They shape by the mind Indra's horses, the chariot of the Ashwins, the weapons of the Gods, all the means of the journey and the battle. But as giver of the Light of Truth and as Vritra-slayer Indra is aided by the Maruts, who are powers of will and nervous or vital Force that have attained to the light of thought and the voice of self-expression. They are behind all thought and speech as its impellers and they battle towards the Light, Truth and Bliss of the supreme Consciousness.
There are also female energies; for the Deva is both Male and Female and the gods also are either activising souls or passively executive and methodising energies. Aditi, infinite Mother of the Gods, comes first; and there are besides five powers of the Truthconsciousness, - Mahi or Bharati, the vast Word that brings us all things out of the divine source; Ila, the strong primal word of the Truth who gives us its active vision; Saraswati, its streaming current and the word of its inspiration; Sarama, the Intuition, hound of heaven who descends into the cavern of the subconscient and finds there the concealed illuminations; Dakshina, whose function is to discern rightly, dispose the action and the offering and distribute in the sacrifice to each godhead its portion. Each god, too, has his female energy.
All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, master of life, links them together by the mid-air, the region of vital force. And there are other deities, - Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.
The development of all these godheads is necessary to our perfection. And that perfection must be attained on all our levels, - in the wideness of earth, our physical being and consciousness; in the full force of vital speed and action and enjoyment and nervous vibration, typified as the Horse which must be brought forward to upbear our endeavour; in the perfect gladness of the heart of emotion and a brilliant heat and clarity of the mind throughout our intellectual and psychical being; in the coming of the supramental Light, the Dawn and the Sun and the shining Mother of the herds, to transform all our existence; for so comes to us the possession of the Truth, by the Truth the admirable surge of the Bliss, in the Bliss infinite Consciousness of absolute being. ~ Sri Aurobindo, Hymns to the Mystic Fire, The Doctrine of the Mystics,#NFDB
1228:Raging storms, evil gods are they
Ruthless demons, who in heaven's vault were created, are they,
Workers of evil are they,
They lift up the head to evil, every day to evil
Destruction to work.
Of these seven the first is the South wind
The second is a dragon, whose mouth is opened
That none can measure.
The third is a grim leopard, which carries off the young
The fourth is a terrible Shibbu
The fifth is a furious Wolf, who knoweth not to flee,
The sixth is a rampant which marches against god and king.
The seventh is a storm, an evil wind, which takes vengeance,
Seven are they, messengers to King Anu are they,
From city to city darkness work they,
A hurricane, which mightily hunts in the heavens, are they
Thick clouds, that bring darkness in heaven, are they,
Gusts of wind rising, which cast gloom over the bright day, are they,
With the Imkhullu [2] the evil wind, forcing their way, are they,
The overflowing of Adad [3] mighty destroyers, are they,
At the right of Adad stalking, are they,
In the height of heaven, like lightning flashing, are they,
To wreak destruction forward go they ,
In the broad heaven, the home of Anu, the King, evilly do they arise, and none to oppose.
When Enlil heard these tidings, a plan in his heart he pondered,
With Ea, exalted Massu of the gods, be took counsel. Sin, Shamash, and Ishtar, whom he had set to order the vault of heaven,
With Anu he divided the lordship of the whole heaven,
To these three gods, his offspring
Day and night, without ceasing, he ordained to stand,
When the seven evil gods stormed the vault of heaven,
Before the gleaming Sin, they set themselves angrily, [4]
The mighty Shamash, Adad the warrior, they brought on their side,
Ishtar, with Anu the King, moved into a shining dwelling, exercising dominion over the heavens,
[Nearly ten lines here are unreadable.]
Day and night he was dark (i.e., Sin), in the dwelling of his dominion he sat not down,
The evil gods, the messengers of Anu, the King, are they,
Raising their evil heads, in the night shaking themselves, are they,
Evil searching out, are they,
From the heaven, like a wind, over the land rush they.
Enlil saw the darkening of the hero Sin in heaven,
The lord spoke to his minister Nusku,
O My minister Nusku, my message unto the ocean bring,
The tidings of my son Sin, who in heaven has been sadly darkened,
Unto Ea, in the ocean, announce it."
Nusku exalted the word of his lord,
To Ea, in the ocean, he went quickly,
To the prince, the exalted Massu the lord Nudimmud.[5]
Nusku, the word of his lord there announced Ea in the ocean heard that word,
He bit his lip and filled his mouth with wailing;
Ea called his son Marduk, and gave him the message:
"Go, my son Marduk,
Son of a prince, the gleaming Sin has been sadly darkened in heaven,
His darkening is seen in the heavens,
The seven evil gods, death-dealing, fearless are they,
The seven evil gods, like a flood, rush on, the land they fall upon, do they,
Against the land, like a storm, they rise, do they,
Before the gleaming Sin, they set themselves angrily;
The mighty Shamash, Adad the warrior, they brought on their side."
NOTES:
[1] This story is the sixteenth tablet of a series called the "Evil Demon Series," of which we have an Assyrian with a parallel Sumerian text. Presumably, therefore, it was a very ancient legend.
[2] The Imkhullu appears also in the Creation Epic.
[3] Adad is god of storm, Anu of heaven, Enlil of storm, Sin of the Moon, Shamash of the Sun, and Ishtar of love and fruitfulness. The meaning of Massu is unknown; but Ea was long the chief ruler.
[4] The evil gods darken the moon by an eclipse, Shamash helping them by withdrawing his light from the moon, and Adad by sending cloudy weather.
[5] A name for Ea.
DESCRIPTIONS OF "THE SEVEN"
I
Destructive storms and evil winds are they,
A storm of evil, presaging the baneful storm,
A storm of evil, forerunner of the baneful storm.
Mighty children, mightv sons are they,
Messengers of Namtar are they,
Throne-bearers of Ereshkigal. [1]
The flood driving through the land are they.
Seven gods of the wide heavens,
Seven gods of the broad earth,
Seven robber-gods are they.
Seven gods of universal sway,
Seven evil gods,
Seven evil demons,
Seven evil and violent demons,
Seven in heaven, seven on earth.
II
Neither male nor female are they.
Destructive whirlwinds they,
Having neither wife nor offspring.
Compassion and mercy they do not know.
Prayer and supplication they do not hear.
Horses reared in the mountains, Hostile to Ea.
Throne-bearers of the gods are they.
Standing on the highway, befouling the street. Evil are they, evil are they,
Seven they are, seven they are, Twice seven they are.
III
The high enclosures, the broad enclosures like a flood they pass through.
From house to house they dash along.
No door can shut them out,
No bolt can turn them back.
Through the door, like a snake, they glide,
Through the hinge, like the wind, they storm.
Tearing the wife from the embrace of the man,
Snatching the child from the knees of a man,
Driving the freedman from his family home.
[1 ]The mistress of the netherworld, while Namtar is the god of pestilence.
CHARM AGAINST THE SEVEN EVIL SPIRITS
Seven are they, seven are they!
In the channel of the deep seven are they!
In the radiance of heaven seven are they!
In the channel of the deep in a palace grew they up.
Male they are not, female they are not.
In the midst of the deep are their paths.
Wife they have not, son they have not.
Order and kindness know they not.
Prayer and supplication hear they not.
The cavern in the mountain they enter.
Unto Hea are they hostile.
The throne-bearers of the gods are they.
Disturbing the lily in the torrents are they set.
Baleful are they, baleful are they.
Seven are they, seven are they, seven twice again are they.
May the spirits of heaven remember, may the spirits of earth remember.
R.C. Thompson, translator [The Devils and Evil Spirits of Babylonia, London 1903]
~ Anonymous, The Seven Evil Spirits
,#NFDB
1229:Beowulf (Episode 35)
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
for woful war ('tis widely known) ,
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
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while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me! '
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord! '
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
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under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
152
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved hisbreast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
~ Anonymous Olde English,#NFDB
1230:An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Aherne. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the
full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last
crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter
Out of that raving tide is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
~ William Butler Yeats, The Phases Of The Moon
,#NFDB
1231:Beowulf (Episode 28-30)
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, -that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
"What came of thy quest, my kinsman Beowulf,
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!"
Beowulf spake, the bairn of Ecgtheow: -"'Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
143
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! -- But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, -she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair!
"Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, -- he is stern of mood,
144
heavy at heart, -- in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these: -Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
"So I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. -- But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him
145
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
146
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters -- 'tis widely known -that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, -- and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
~ Anonymous Olde English,#NFDB
1232:And So To-Day
And so to-day- they lay him awaythe boy nobody knows the name ofthe buck private- the unknown soldierthe doughboy who dug under and died
when they told him to- that's him.
Down Pennsylvania Avenue to-day the riders go,
men and boys riding horses, roses in their teeth,
stems of roses, rose leaf stalks, rose dark leavesthe line of the green ends in a red rose flash.
Skeleton men and boys riding skeleton horses,
the rib bones shine, the rib bones curve,
shine with savage, elegant curvesa jawbone runs with a long white slant,
a skull dome runs with a long white arch,
bone triangles click and rattle,
elbows, ankles, white line slantsshining in the sun, past the White House,
past the Treasury Building, Army and Navy Buildings,
on to the mystic white Capitol Domeso they go down Pennsylvania Avenue to-day,
skeleton men and boys riding skeleton horses,
stems of roses in their teeth,
rose dark leaves at their white jaw slantsand a horse laugh question nickers and whinnies,
moans with a whistle out of horse head teeth:
why? who? where?
('The big fish- eat the little fishthe little fish- eat the shrimpsand the shrimps- eat mud,'said a cadaverous man- with a black umbrellaspotted with white polka dots- with a missing
ear- with a missing foot and armswith a missing sheath of muscles
singing to the silver sashes of the sun.)
And so to-day- they lay him away-
23
the boy nobody knows the name ofthe buck private- the unknown soldierthe doughboy who dug under and died
when they told him to- that's him.
If he picked himself and said, 'I am ready to die,'
if he gave his name and said, 'My country, take me,'
then the baskets of roses to-day are for the Boy,
the flowers, the songs, the steamboat whistles,
the proclamations of the honorable orators,
they are all for the Boy- that's him.
If the government of the Republic picked him saying,
'You are wanted, your country takes you'if the Republic put a stethoscope to his heart
and looked at his teeth and tested his eyes and said,
'You are a citizen of the Republic and a sound
animal in all parts and functions- the Republic takes you'then to-day the baskets of flowers are all for the Republic,
the roses, the songs, the steamboat whistles,
the proclamations of the honorable oratorsthey are all for the Republic.
And so to-day- they lay him awayand an understanding goes- his long sleep shall be
under arms and arches near the Capitol Domethere is an authorization- he shall have tomb companionsthe martyred presidents of the Republicthe buck private- the unknown soldier- that's him.
The man who was war commander of the armies of the Republic
rides down Pennsylvania AvenueThe man who is peace commander of the armies of the Republic
rides down Pennsylvania Avenuefor the sake of the Boy, for the sake of the Republic.
(And the hoofs of the skeleton horses
all drum soft on the asphalt footingso soft is the drumming, so soft the roll call
of the grinning sergeants calling the roll callso soft is it all- a camera man murmurs, 'Moonshine.')
24
Look- who salutes the coffinlays a wreath of remembrance
on the box where a buck private
sleeps a clean dry sleep at lastlook- it is the highest ranking general
of the officers of the armies of the Republic.
(Among pigeon corners of the Congressional Library- they
file documents quietly, casually, all in a day's workthis human document, the buck private nobody knows the
name of- they file away in granite and steel- with music
and roses, salutes, proclamations of the honorable
orators.)
Across the country, between two ocean shore lines,
where cities cling to rail and water routes,
there people and horses stop in their foot tracks,
cars and wagons stop in their wheel tracksfaces at street crossings shine with a silence
of eggs laid in a row on a pantry shelfamong the ways and paths of the flow of the Republic
faces come to a standstill, sixty clockticks countin the name of the Boy, in the name of the Republic.
(A million faces a thousand miles from Pennsylvania Avenue
stay frozen with a look, a clocktick, a momentskeleton riders on skeleton horses- the nickering high horse
laugh,
the whinny and the howl up Pennsylvania Avenue:
who? why? where?)
(So people far from the asphalt footing of Pennsylvania
Avenue look, wonder, mumble- the riding white-jaw
phantoms ride hi-eeee, hi-eeee, hi-yi, hi-yi, hi-eeeethe proclamations of the honorable orators mix with the
top-sergeants whistling the roll call.)
If when the clockticks counted sixty,
when the heartbeats of the Republic
came to a stop for a minute,
if the Boy had happened to sit up,
happening to sit up as Lazarus sat up, in the story,
25
then the first shivering language to drip off his mouth
might have come as, 'Thank God,' or 'Am I dreaming?'
or 'What the hell' or 'When do we eat?'
or 'Kill 'em, kill 'em, the....'
or 'Was that ... a rat ... ran over my face?'
or 'For Christ's sake, gimme water, gimme water,'
or 'Blub blub, bloo bloo....'
or any bubbles of shell shock gibberish
from the gashes of No Man's Land.
Maybe some buddy knows,
some sister, mother, sweetheart,
maybe some girl who sat with him once
when a two-horn silver moon
slid on the peak of a house-roof gable,
and promises lived in the air of the night,
when the air was filled with promises,
when any little slip-shoe lovey
could pick a promise out of the air.
'Feed it to 'em,
they lap it up,
bull ... bull ... bull,'
Said a movie news reel camera man,
Said a Washington newspaper correspondent,
Said a baggage handler lugging a trunk,
Said a two-a-day vaudeville juggler,
Said a hanky-pank selling jumping-jacks.
'Hokum- they lap it up,' said the bunch.
And a tall scar-face ball player,
Played out as a ball player,
Made a speech of his own for the hero boy,
Sent an earful of his own to the dead buck private:
'It's all safe now, buddy,
Safe when you say yes,
Safe for the yes-men.'
He was a tall scar-face battler
With his face in a newspaper
Reading want ads, reading jokes,
Reading love, murder, politics,
26
Jumping from jokes back to the want ads,
Reading the want ads first and last,
The letters of the word JOB, 'J-O-B,'
Burnt like a shot of bootleg booze
In the bones of his headIn the wish of his scar-face eyes.
The honorable orators,
Always the honorable orators,
Buttoning the buttons on their prinz alberts,
Pronouncing the syllables 'sac-ri-fice,'
Juggling those bitter salt-soaked syllablesDo they ever gag with hot ashes in their mouths?
Do their tongues ever shrivel with a pain of fire
Across those simple syllables 'sac-ri-fice'?
(There was one orator people far off saw.
He had on a gunnysack shirt over his bones,
And he lifted an elbow socket over his head,
And he lifted a skinny signal finger.
And he had nothing to say, nothing easyHe mentioned ten million men, mentioned them as having gone west,
mentioned them as shoving up the daisies.
We could write it all on a postage stamp, what he said.
He said it and quit and faded away,
A gunnysack shirt on his bones.)
Stars of the night sky,
did you see that phantom fadeout,
did you see those phantom riders,
skeleton riders on skeleton horses,
stems of roses in their teeth,
rose leaves red on white-jaw slants,
grinning along on Pennsylvania Avenue,
the top-sergeants calling roll callsdid their horses nicker a horse laugh?
did the ghosts of the boney battalions
move out and on, up the Potomac, over on the Ohio
and out to the Mississippi, the Missouri, the Red River,
and down to the Rio Grande, and on to the Yazoo,
over to the Chattahoochee and up to the Rappahannock?
did you see 'em, stars of the night sky?
27
And so to-day- they lay him awaythe boy nobody knows the name ofthey lay him away in granite and steelwith music and roses- under a flagunder a sky of promises.
~ Carl Sandburg,#NFDB
1233:The Kalevala - Rune Xxxvii
ILMARINEN'S BRIDE OF GOLD.
Ilmarinen, metal-worker,
Wept one day, and then a second,
Wept the third from morn till evening,
O'er the death of his companion,
Once the Maiden of the Rainbow;
Did not swing his heavy hammer,
Did not touch its copper handle,
Made no sound within his smithy,
Made no blow upon his anvil,
Till three months had circled over;
Then the blacksmith spake as follows:
'Woe is me, unhappy hero!
Do not know how I can prosper;
Long the days, and cold, and dreary,
Longer still the nights, and colder;
I am weary in the evening,
In the morning still am weary,
Have no longing for the morning,
And the evening is unwelcome;
Have no pleasure in the future,
All my pleasures gone forever,
With my faithful life-companion
Slaughtered by the hand of witchcraft!
Often will my heart-strings quiver
When I rest within my chamber,
When I wake at dreamy midnight,
Half-unconscious, vainly searching
For my noble wife departed.'
Wifeless lived the mourning blacksmith,
Altered in his form and features;
Wept one month and then another,
Wept three months in full succession.
Then the magic metal-worker
Gathered gold from deeps of ocean,
Gathered silver from the mountains,
Gathered many heaps of birch-wood.
562
Filled with faggots thirty sledges,
Burned the birch-wood into ashes,
Put the ashes in the furnace,
Laid the gold upon the embers,
Lengthwise laid a piece of silver
Of the size of lambs in autumn,
Or the fleet-foot hare in winter;
Places servants at the bellows,
Thus to melt the magic metals.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, magic blacksmith,
Works unceasing at his forging,
Thus to mould a golden image,
Mould a bride from gold and silver;
But the workmen fail their master,
Faithless stand they at the bellows.
Wow the artist, Ilmarinen,
Fans the flame with force of magic,
Blows one day, and then a second,
Blows the third from morn till even;
Then he looks within the furnace,
Looks around the oven-border,
Hoping there to see an image
Rising from the molten metals.
Comes a lambkin from the furnace,
Rising from the fire of magic,
Wearing hair of gold and copper,
Laced with many threads of silver;
All rejoice but Ilmarinen
At the beauty of the image.
This the language of the blacksmith:
'May the wolf admire thy graces;
I desire a bride of beauty
Born from molten gold and silver!'
Ilmarinen, the magician,
To the furnace threw the lambkin;
Added gold in great abundance,
And increased the mass of silver,
Added other magic metals,
Set the workmen at the bellows;
563
Zealously the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, wizard-forgeman,
Works unceasing with his metals,
Moulding well a golden image,
Wife of molten gold and silver;
But the workmen fail their master,
Faithless do they ply the bellows.
Now the artist, Ilmarinen,
Fans the flames by force of magic;
Blows one day, and then a second,
Blows a third from morn till evening,
When he looks within the furnace,
Looks around the oven-border,
Hoping there, to see an image
Rising from the molten metals.
From the flames a colt arises,
Golden-maned and silver-headed,
Hoofs are formed of shining copper.
All rejoice but Ilmarinen
At the wonderful creation;
This the language of the blacksmith;
'Let the bears admire thy graces;
I desire a bride of beauty
Born of many magic metals.'
Thereupon the wonder-forger
Drives the colt back to the furnace,
Adds a greater mass of silver,
And of gold the rightful measure,
Sets the workmen at the bellows.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, the magician,
Works unceasing at his witchcraft,
Moulding well a golden maiden,
Bride of molten gold and silver;
But the workmen fail their master,
Faithlessly they ply the bellows.
Now the blacksmith, Ilmarinen,
Fans the flames with magic powers,
564
Blows one day, and then a second,
Blows a third from morn till even;
Then he looks within his furnace,
Looks around the oven-border,
Trusting there to see a maiden
Coming from the molten metals.
From the fire a virgin rises,
Golden-haired and silver-headed,
Beautiful in form and feature.
All are filled with awe and wonder,
But the artist and magician.
Ilmarinen, metal-worker,
Forges nights and days unceasing,
On the bride of his creation;
Feet he forges for the maiden,
Hands and arms, of gold and silver;
But her feet are not for walking,
Neither can her arms embrace him.
Ears he forges for the virgin,
But her ears are not for hearing;
Forges her a mouth of beauty,
Eyes he forges bright and sparkling;
But the magic mouth is speechless,
And the eyes are not for seeing.
Spake the artist, Ilmarinen:
'This, indeed, a priceless maiden,
Could she only speak in wisdom,
Could she breathe the breath of Ukko!'
Thereupon he lays the virgin
On his silken couch of slumber,
On his downy place of resting.
Ilmarinen heats his bath-room,
Makes it ready for his service,
Binds together silken brushes,
Brings three cans of crystal water,
Wherewithal to lave the image,
Lave the golden maid of beauty.
When this task had been completed,
Ilmarinen, hoping, trusting,
Laid his golden bride to slumber,
On his downy couch of resting;
Ordered many silken wrappings,
565
Ordered bear-skins, three in number,
Ordered seven lambs-wool blankets,
Thus to keep him warm in slumber,
Sleeping by the golden image
Re had forged from magic metals.
Warm the side of Ilmarinen
That was wrapped in furs and blankets;
Chill the parts beside the maiden,
By his bride of gold and silver;
One side warm, the other lifeless,
Turning into ice from coldness.
Spake the artist, Ilmarinen:
'Not for me was born this virgin
From the magic molten metals;
I shall take her to Wainola,
Give her to old Wainamoinen,
As a bride and life-companion,
Comfort to him in his dotage.'
Ilmarinen, much disheartened,
Takes the virgin to Wainola,
To the plains of Kalevala,
To his brother speaks as follows:
'O, thou ancient Wainamoinen,
Look with favor on this image;
Make the maiden fair and lovely,
Beautiful in form and feature,
Suited to thy years declining!'
Wainamoinen, old and truthful,
Looked in wonder on the virgin,
On the golden bride of beauty,
Spake these words to Ilmarinen:
'Wherefore dost thou bring this maiden,
Wherefore bring to Wainamoinen
Bride of molten gold and silver?
Spake in answer Ilmarinen:
'Wherefore should I bring this image,
But for purposes the noblest?
I have brought her as companion
To thy life in years declining,
As a joy and consolation,
When thy days are full of trouble!'
Spake the good, old Wainamoinen:
566
'Magic brother, wonder-forger,
Throw the virgin to the furnace,
To the flames, thy golden image,
Forge from her a thousand trinkets.
Take the image into Ehstland,
Take her to the plains of Pohya,
That for her the mighty powers
May engage in deadly contest,
Worthy trophy for the victor;
Not for me this bride of wonder,
Neither for my worthy people.
I shall never wed an image
Born from many magic metals,
Never wed a silver maiden,
Never wed a golden virgin.'
Then the hero of the waters
Called together all his people,
Spake these words of ancient wisdom:
'Every child of Northland, listen,
Whether poor, or fortune-favored:
Never bow before an image
Born of molten gold and silver:
Never while the sunlight brightens,
Never while the moonlight glimmers,
Choose a maiden of the metals,
Choose a bride from gold created
Cold the lips of golden maiden,
Silver breathes the breath of sorrow.'
~ Elias Lönnrot,#NFDB
1234:The Kalevala - Rune Xli
WAINAMOINEN'S HARP-SONGS.
Wainamoinen, ancient minstrel,
The eternal wisdom-singer,
Laves his hands to snowy whiteness,
Sits upon the rock of joyance,
On the stone of song be settles,
On the mount of silver clearness,
On the summit, golden colored;
Takes the harp by him created,
In his hands the harp of fish-bone,
With his knee the arch supporting,
Takes the harp-strings in his fingers,
Speaks these words to those assembled:
'Hither come, ye Northland people,
Come and listen to my playing,
To the harp's entrancing measures,
To my songs of joy and gladness.'
Then the singer of Wainola
Took the harp of his creation,
Quick adjusting, sweetly tuning,
Deftly plied his skillful fingers
To the strings that he had fashioned.
Now was gladness rolled on gladness,
And the harmony of pleasure
Echoed from the hills and mountains:
Added singing to his playing,
Out of joy did joy come welling,
Now resounded marvelous music,
All of Northland stopped and listened.
Every creature in the forest,
All the beasts that haunt the woodlands,
On their nimble feet came bounding,
Came to listen to his playing,
Came to hear his songs of joyance.
Leaped the squirrels from the branches,
Merrily from birch to aspen;
Climbed the ermines on the fences,
186
O'er the plains the elk-deer bounded,
And the lynxes purred with pleasure;
Wolves awoke in far-off swamp-lands,
Bounded o'er the marsh and heather,
And the bear his den deserted,
Left his lair within the pine-wood,
Settled by a fence to listen,
Leaned against the listening gate-posts,
But the gate-posts yield beneath him;
Now he climbs the fir-tree branches
That he may enjoy and wonder,
Climbs and listens to the music
Of the harp of Wainamoinen.
Tapiola's wisest senior,
Metsola's most noble landlord,
And of Tapio, the people,
Young and aged, men and maidens,
Flew like red-deer up the mountains
There to listen to the playing,
To the harp, of Wainamoinen.
Tapiola's wisest mistress,
Hostess of the glen and forest,
Robed herself in blue and scarlet,
Bound her limbs with silken ribbons,
Sat upon the woodland summit,
On the branches of a birch-tree,
There to listen to the playing,
To the high-born hero's harping,
To the songs of Wainamoinen.
All the birds that fly in mid-air
Fell like snow-flakes from the heavens,
Flew to hear the minstrel's playing,
Hear the harp of Wainamoinen.
Eagles in their lofty eyrie
Heard the songs of the enchanter;
Swift they left their unfledged young ones,
Flew and perched around the minstrel.
From the heights the hawks descended,
From the, clouds down swooped the falcon,
Ducks arose from inland waters,
Swans came gliding from the marshes;
Tiny finches, green and golden,
187
Flew in flocks that darkened sunlight,
Came in myriads to listen '
Perched upon the head and shoulders
Of the charming Wainamoinen,
Sweetly singing to the playing
Of the ancient bard and minstrel.
And the daughters of the welkin,
Nature's well-beloved daughters,
Listened all in rapt attention;
Some were seated on the rainbow,
Some upon the crimson cloudlets,
Some upon the dome of heaven.
In their hands the Moon's fair daughters
Held their weaving-combs of silver;
In their hands the Sun's sweet maidens
Grasped the handles of their distaffs,
Weaving with their golden shuttles,
Spinning from their silver spindles,
On the red rims of the cloudlets,
On the bow of many colors.
As they hear the minstrel playing,
Hear the harp of Wainamoinen,
Quick they drop their combs of silver,
Drop the spindles from their fingers,
And the golden threads are broken,
Broken are the threads of silver.
All the fish in Suomi-waters
Heard the songs of the magician,
Came on flying fins to listen
To the harp of Wainamoinen.
Came the trout with graceful motions,
Water-dogs with awkward movements,
From the water-cliffs the salmon,
From the sea-caves came the whiting,
From the deeper caves the bill-fish;
Came the pike from beds of sea-fern,
Little fish with eyes of scarlet,
Leaning on the reeds and rushes,
With their heads above the surface;
Came to bear the harp of joyance,
Hear the songs of the enchanter.
Ahto, king of all the waters,
188
Ancient king with beard of sea-grass,
Raised his head above the billows,
In a boat of water-lilies,
Glided to the coast in silence,
Listened to the wondrous singing,
To the harp of Wainamoinen.
These the words the sea-king uttered:
'Never have I heard such playing,
Never heard such strains of music,
Never since the sea was fashioned,
As the songs of this enchanter,
This sweet singer, Wainamoinen.'
Satko's daughters from the blue-deep,
Sisters of the wave-washed ledges,
On the colored strands were sitting,
Smoothing out their sea-green tresses
With the combs of molten silver,
With their silver-handled brushes,
Brushes forged with golden bristles.
When they hear the magic playing,
Hear the harp of Wainamoinen,
Fall their brushes on the billows,
Fall their combs with silver handles
To the bottom of the waters,
Unadorned their heads remaining,
And uncombed their sea-green tresses.
Came the hostess of the waters,
Ancient hostess robed in flowers,
Rising from her deep sea-castle,
Swimming to the shore in wonder,
Listened to the minstrel's playing,
To the harp of Wainamoinen.
As the magic tones re-echoed,
As the singer's song out-circled,
Sank the hostess into slumber,
On the rocks of many colors,
On her watery couch of joyance,
Deep the sleep that settled o'er her.
Wainamoinen, ancient minstrel,
Played one day and then a second,
Played the third from morn till even.
There was neither man nor hero,
189
Neither ancient dame, nor maiden,
Not in Metsola a daughter,
Whom he did not touch to weeping;
Wept the young, and wept the aged,
Wept the mothers, wept the daughters
Wept the warriors and heroes
At the music of his playing,
At the songs of the magician.
Wainamoinen's tears came flowing,
Welling from the master's eyelids,
Pearly tear-drops coursing downward,
Larger than the whortle-berries,
Finer than the pearls of ocean,
Smoother than the eggs of moor-hens,
Brighter than the eyes of swallows.
From his eves the tear-drops started,
Flowed adown his furrowed visage,
Falling from his beard in streamlets,
Trickled on his heaving bosom,
Streaming o'er his golden girdle,
Coursing to his garment's border,
Then beneath his shoes of ermine,
Flowing on, and flowing ever,
Part to earth for her possession,
Part to water for her portion.
As the tear-drops fall and mingle,
Form they streamlets from the eyelids
Of the minstrel, Wainamoinen,
To the blue-mere's sandy margin,
To the deeps of crystal waters,
Lost among the reeds and rushes.
Spake at last the ancient minstrel:
'Is there one in all this concourse,
One in all this vast assembly
That can gather up my tear-drops
From the deep, pellucid waters?'
Thus the younger heroes answered,
Answered thus the bearded seniors:
'There is none in all this concourse,
None in all this vast assembly,
That can gather up thy tear-drops
From the deep, pellucid waters.'
190
Spake again wise Wainamoinen:
'He that gathers up my tear-drops
From the deeps of crystal waters
Shall receive a beauteous plumage.'
Came a raven, flying, croaking,
And the minstrel thus addressed him:
'Bring, O raven, bring my tear-drops
From the crystal lake's abysses;
I will give thee beauteous plumage,
Recompense for golden service.'
But the raven failed his master.
Came a duck upon the waters,
And the hero thus addressed him:
'Bring O water-bird, my tear-drops;
Often thou dost dive the deep-sea,
Sink thy bill upon the bottom
Of the waters thou dost travel;
Dive again my tears to gather,
I will give thee beauteous plumage,
Recompense for golden service.'
Thereupon the duck departed,
Hither, thither, swam, and circled,
Dived beneath the foam and billow,
Gathered Wainamoinen's tear-drops
From the blue-sea's pebbly bottom,
From the deep, pellucid waters;
Brought them to the great magician,
Beautifully formed and colored,
Glistening in the silver sunshine,
Glimmering in the golden moonlight,
Many-colored as the rainbow,
Fitting ornaments for heroes,
Jewels for the maids of beauty.
This the origin of sea-pearls,
And the blue-duck's beauteous plumage.
~ Elias Lönnrot,#NFDB
1235:The Kalevala - Rune Vi
WAINAMOINEN'S HAPLESS JOURNEY.
Wainamoinen, old and truthful,
Now arranges for a journey
To the village of the Northland,
To the land of cruel winters,
To the land of little sunshine,
To the land of worthy women;
Takes his light-foot, royal racer,
Then adjusts the golden bridle,
Lays upon his back the saddle,
Silver-buckled, copper-stirruped,
Seats himself upon his courser,
And begins his journey northward;
Plunges onward, onward, onward,
Galloping along the highway,
In his saddle, gaily fashioned,
On his dappled steed of magic,
Plunging through Wainola's meadows,
O'er the plains of Kalevala.
Fast and far he galloped onward,
Galloped far beyond Wainola,
Bounded o'er the waste of waters,
Till he reached the blue-sea's margin,
Wetting not the hoofs in running.
But the evil Youkahainen
Nursed a grudge within his bosom,
In his heart the worm of envy,
Envy of this Wainamoinen,
Of this wonderful enchanter.
He prepares a cruel cross-bow,
Made of steel and other metals,
Paints the bow in many colors,
Molds the top-piece out or copper,
Trims his bow with snowy silver,
Gold he uses too in trimming,
Then he hunts for strongest sinews,
Finds them in the stag of Hisi,
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Interweaves the flax of Lempo.
Ready is the cruel cross-bow,
String, and shaft, and ends are finished,
Beautiful the bow and mighty,
Surely cost it not a trifle;
On the back a painted courser,
On each end a colt of beauty,
Near the curve a maiden sleeping
Near the notch a hare is bounding,
Wonderful the bow thus fashioned;
Cuts some arrows for his quiver,
Covers them with finest feathers,
From the oak the shafts be fashions,
Makes the tips of keenest metal.
As the rods and points are finished,
Then he feathers well his arrows
From the plumage of the swallow,
From the wing-quills of the sparrow;
Hardens well his feathered arrows,
And imparts to each new virtues,
Steeps them in the blood of serpents,
In the virus of the adder.
Ready now are all his arrows,
Ready strung, his cruel cross-bow.
Waiting for wise Wainamoinen.
Youkahainen, Lapland's minstrel,
Waits a long time, is not weary,
Hopes to spy the ancient singer;
Spies at day-dawn, spies at evening,
Spies he ceaselessly at noontide,
Lies in wait for the magician,
Waits, and watches, as in envy;
Sits he at the open window,
Stands behind the hedge, and watches
In the foot-path waits, and listens,
Spies along the balks of meadows;
On his back he hangs his quiver,
In his quiver, feathered arrows
Dipped in virus of the viper,
On his arm the mighty cross-bow,
Waits, and watches, and unwearied,
Listens from the boat-house window,
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Lingers at the end of Fog-point,
By the river flowing seaward,
Near the holy stream and whirlpool,
Near the sacred river's fire-fall.
Finally the Lapland minstrel,
Youkahainen of Pohyola,
At the breaking of the day-dawn,
At the early hour of morning,
Fixed his gaze upon the North-east,
Turned his eyes upon the sunrise,
Saw a black cloud on the ocean,
Something blue upon the waters,
And soliloquized as follows:
'Are those clouds on the horizon,
Or perchance the dawn of morning?
Neither clouds on the horizon,
Nor the dawning of the morning;
It is ancient Wainamoinen,
The renowned and wise enchanter,
Riding on his way to Northland;
On his steed, the royal racer,
Magic courser of Wainola.'
Quickly now young Youkahainen,
Lapland's vain and evil minstrel,
Filled with envy, grasps his cross-bow,
Makes his bow and arrows ready
For the death of Wainamoinen.
Quick his aged mother asked him,
Spake these words to Youkahainen:
'For whose slaughter is thy cross-bow,
For whose heart thy poisoned arrows?'
Youkahainen thus made answer:
'I have made this mighty cross-bow,
Fashioned bow and poisoned arrows
For the death of Wainamoinen,
Thus to slay the friend of waters;
I must shoot the old magician,
The eternal bard and hero,
Through the heart, and through the liver,
Through the head, and through the shoulders,
With this bow and feathered arrows
Thus destroy my rival minstrel.'
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Then the aged mother answered,
Thus reproving, thus forbidding.
Do not slay good Wainamoinen,
Ancient hero of the Northland,
From a noble tribe descended,
He, my sister's son, my nephew.
If thou slayest Wainamoinen,
Ancient son of Kalevala,
Then alas! all joy will vanish,
Perish all our wondrous singing;
Better on the earth the gladness,
Better here the magic music,
Than within the nether regions,
In the kingdom of Tuoni,
In the realm of the departed,
In the land of the hereafter.'
Then the youthful Youkahainen
Thought awhile and well considered,
Ere he made a final answer.
With one hand he raised the cross-bow
But the other seemed to weaken,
As he drew the cruel bow-string.
Finally these words he uttered
As his bosom swelled with envy:
'Let all joy forever vanish,
Let earth's pleasures quickly perish,
Disappear earth's sweetest music,
Happiness depart forever;
Shoot I will this rival minstrel,
Little heeding what the end is.'
Quickly now he bends his fire-bow,
On his left knee rests the weapon,
With his right foot firmly planted,
Thus he strings his bow of envy;
Takes three arrows from his quiver,
Choosing well the best among them,
Carefully adjusts the bow-string,
Sets with care the feathered arrow,
To the flaxen string he lays it,
Holds the cross-bow to his shoulder,
Aiming well along the margin,
At the heart of Wainamoinen,
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Waiting till he gallops nearer;
In the shadow of a thicket,
Speaks these words while he is waiting
'Be thou, flaxen string, elastic;
Swiftly fly, thou feathered ash-wood,
Swiftly speed, thou deadly missile,
Quick as light, thou poisoned arrow,
To the heart of Wainamoinen.
If my hand too low should hold thee,
May the gods direct thee higher;
If too high mine eye should aim thee,
May the gods direct thee lower.'
Steady now he pulls the trigger;
Like the lightning flies the arrow
O'er the head of Wainamoinen;
To the upper sky it darteth,
And the highest clouds it pierces,
Scatters all the flock of lamb-clouds,
On its rapid journey skyward.
Not discouraged, quick selecting,
Quick adjusting, Youkahainen,
Quickly aiming shoots a second.
Speeds the arrow swift as lightning;
Much too low he aimed the missile,
Into earth the arrow plunges,
Pierces to the lower regions,
Splits in two the old Sand Mountain.
Nothing daunted, Youkahainen,
Quick adjusting shoots a third one.
Swift as light it speeds its journey,
Strikes the steed of Wainamoinen,
Strikes the light-foot, ocean-swimmer,
Strikes him near his golden girdle,
Through the shoulder of the racer.
Thereupon wise Wainamoinen
Headlong fell upon the waters,
Plunged beneath the rolling billows,
From the saddle of the courser,
From his dappled steed of magic.
Then arose a mighty storm-wind,
Roaring wildly on the waters,
Bore away old Wainamoinen
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Far from land upon the billows,
On the high and rolling billows,
On the broad sea's great expanses.
Boasted then young Youkahainen,
Thinking Waino dead and buried,
These the boastful words be uttered:
'Nevermore, old Wainamoinen,
Nevermore in all thy life-time,
While the golden moonlight glistens,
Nevermore wilt fix thy vision
On the meadows of Wainola,
On the plains of Kalevala;
Full six years must swim the ocean,
Tread the waves for seven summers,
Eight years ride the foamy billows,
In the broad expanse of water;
Six long autumns as a fir-tree,
Seven winters as a pebble;
Eight long summers as an aspen.'
Thereupon the Lapland minstrel
Hastened to his room delighting,
When his mother thus addressed him
'Hast thou slain good Wainamoinen,
Slain the son of Kalevala?'
Youkahainen thus made answer:
'I have slain old Wainamoinen,
Slain the son of Kalevala,
That he now may plow the ocean,
That he now may sweep the waters,
On the billows rock and slumber.
In the salt-sea plunged he headlong,
In the deep sank the magician,
Sidewise turned he to the sea-shore
On his back to rock forever,
Thus the boundless sea to travel,
Thus to ride the rolling billows.'
This the answer of the mother:
'Woe to earth for this thine action,
Gone forever, joy and singing,
Vanished is the wit of ages!
Thou hast slain good Wainamoinen.
Slain the ancient wisdom-singer,
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Slain the pride of Suwantala,
Slain the hero of Wainola,
Slain the joy of Kalevala.'
~ Elias Lönnrot,#NFDB
1236:The Kalevala - Rune V
WAINAVOINEN'S LAMENTATION.
Far and wide the tidings travelled,
Far away men heard the story
Of the flight and death of Aino,
Sister dear of Youkahainen,
Fairest daughter of creation.
Wainamoinen, brave and truthful,
Straightway fell to bitter weeping,
Wept at morning, wept at evening,
Sleepless, wept the dreary night long,
That his Aino had departed,
That the maiden thus had vanished,
Thus had sunk upon the bottom
Of the blue-sea, deep and boundless.
Filled with grief, the ancient singer,
Wainamoinen of the Northland,
Heavy-hearted, sorely weeping,
Hastened to the restless waters,
This the suitor's prayer and question:
'Tell, Untamo, tell me, dreamer,
Tell me, Indolence, thy visions,
Where the water-gods may linger,
Where may rest Wellamo's maidens?'
Then Untamo, thus made answer,
Lazily he told his dreamings:
'Over there, the mermaid-dwellings,
Yonder live Wellamo's maidens,
On the headland robed in verdure,
On the forest-covered island,
In the deep, pellucid waters,
On the purple-colored sea-shore;
Yonder is the home or sea-maids,
There the maidens of Wellamo,
Live there in their sea-side chambers,
Rest within their water-caverns,
On the rocks of rainbow colors,
On the juttings of the sea-cliffs.'
83
Straightway hastens Wainamoinen
To a boat-house on the sea-shore,
Looks with care upon the fish-hooks,
And the lines he well considers;
Lines, and hooks, and poles, arid fish-nets,
Places in a boat of copper,
Then begins he swiftly rowing
To the forest-covered island,
To the point enrobed In verdure,
To the purple-colored headland,
Where the sea-nymphs live and linger.
Hardly does he reach the island
Ere the minstrel starts to angle;
Far away he throws his fish-hook,
Trolls it quickly through the waters,
Turning on a copper swivel
Dangling from a silver fish-line,
Golden is the hook he uses.
Now he tries his silken fish-net,
Angles long, and angles longer,
Angles one day, then a second,
In the morning, in the evening,
Angles at the hour of noontide,
Many days and nights he angles,
Till at last, one sunny morning,
Strikes a fish of magic powers,
Plays like salmon on his fish-line,
Lashing waves across the waters,
Till at length the fish exhausted
Falls a victim to the angler,
Safely landed in the bottom
Of the hero's boat of copper.
Wainamoinen, proudly viewing,
Speaks these words in wonder guessing:
'This the fairest of all sea-fish,
Never have I seen its equal,
Smoother surely than the salmon,
Brighter-spotted than the trout is,
Grayer than the pike of Suomi,
Has less fins than any female,
Not the fins of any male fish,
Not the stripes of sea-born maidens,
84
Not the belt of any mermaid,
Not the ears of any song-bird,
Somewhat like our Northland salmon
From the blue-sea's deepest caverns.'
In his belt the ancient hero
Wore a knife insheathed with silver;
From its case he drew the fish-knife,
Thus to carve the fish in pieces,
Dress the nameless fish for roasting,
Make of it a dainty breakfast,
Make of it a meal at noon-day,
Make for him a toothsome supper,
Make the later meal at evening.
Straightway as the fish he touches,
Touches with his knife of silver,
Quick it leaps upon the waters,
Dives beneath the sea's smooth surface,
From the boat with copper bottom,
From the skiff of Wainamoinen.
In the waves at goodly distance,
Quickly from the sea it rises
On the sixth and seventh billows,
Lifts its head above the waters,
Out of reach of fishing-tackle,
Then addresses Wainamoinen,
Chiding thus the ancient hero:
'Wainamoinen, ancient minstrel,
Do not think that I came hither
To be fished for as a salmon,
Only to be chopped in pieces,
Dressed and eaten like a whiting
Make for thee a dainty breakfast,
Make for thee a meal at midday,
Make for thee a toothsome supper,
Make the fourth meal of the Northland.'
Spake the ancient Wainamoinen:
'Wherefore didst thou then come hither,
If it be not for my dinner?'
Thus the nameless fish made answer:
'Hither have I come, O minstrel,
In thine arms to rest and linger,
And thyself to love and cherish,
85
At thy side a life-companion,
And thy wife to be forever;
Deck thy couch with snowy linen,
Smooth thy head upon the pillow,
Sweep thy rooms and make them cheery,
Keep thy dwelling-place in order,
Build a fire for thee when needed,
Bake for thee the honey-biscuit,
Fill thy cup with barley-water,
Do for thee whatever pleases.
'I am not a scaly sea-fish,
Not a trout of Northland rivers,
Not a whiting from the waters,
Not a salmon of the North-seas,
I, a young and merry maiden,
Friend and sister of the fishes,
Youkahainen's youngest sister,
I, the one that thou dost fish for,
I am Aino whom thou lovest.
'Once thou wert the wise-tongued hero,
Now the foolish Wainamoinen,
Scant of insight, scant of judgment,
Didst not know enough to keep me,
Cruel-hearted, bloody-handed,
Tried to kill me with thy fish-knife,
So to roast me for thy dinner;
I, a mermaid of Wellamo,
Once the fair and lovely Aino,
Sister dear of Youkahainen.'
Spake the ancient Wainamoinen,
Filled with sorrow, much regretting:
'Since thou'rt Youkahainen's sister,
Beauteous Aino of Pohyola,
Come to me again I pray thee!'
Thus the mermaid wisely answered;
Nevermore will Aino's spirit
Fly to thee and be ill-treated.'
Quickly dived the water-maiden
From the surface of the billow
To the many-colored pebbles,
To the rainbow-tinted grottoes
Where the mermaids live and linger.
86
Wainamoinen, not discouraged,
Thought afresh and well reflected,
How to live, and work, and win her;
Drew with care his silken fish-net,
To and fro through foam and billow,
Through the bays and winding channels,
Drew it through the placid waters,
Drew it through the salmon-dwellings,
Through the homes of water-maidens,
Through the waters of Wainola,
Through the blue-back of the ocean,
Through the lakes of distant Lapland,
Through the rivers of Youkola,
Through the seas of Kalevala,
Hoping thus to find his Aino.
Many were the fish be landed,
Every form of fish-like creatures,
But be did not catch the sea-maid,
Not Wellamo's water-maiden,
Fairest daughter of the Northland.
Finally the ancient minstrel,
Mind depressed, and heart discouraged,
Spake these words, immersed in sorrow:
'Fool am I, and great my folly,
Having neither wit nor judgment;
Surely once I had some knowledge,
Had some insight into wisdom,
Had at least a bit of instinct;
But my virtues all have left me
In these mournful days of evil,
Vanished with my youth and vigor,
Insight gone, and sense departed,
All my prudence gone to others!
Aino, whom I love and cherish,
All these years have sought to honor,
Aino, now Wellamo's maiden,
Promised friend of mine when needed,
Promised bride of mine forever,
Once I had within my power,
Caught her in Wellamo's grottoes,
Led her to my boat of copper,
With my fish-line made of silver;
87
But alas! I could not keep her,
Did not know that I had caught her
Till too late to woo and win her;
Let her slip between my fingers
To the home of water-maidens,
To the kingdom of Wellamo.'
Wainamoinen then departed,
Empty-handed, heavy-hearted,
Straightway hastened to his country,
To his home in Kalevala,
Spake these words upon his journey:
'What has happened to the cuckoo,
Once the cuckoo bringing gladness,
In the morning, in the evening,
Often bringing joy at noontide?
What has stilled the cuckoo's singing,
What has changed the cuckoo's calling?
Sorrow must have stilled his singing,
And compassion changed his calling,
As I hear him sing no longer,
For my pleasure in the morning,
For my happiness at evening.
Never shall I learn the secret,
How to live and how to prosper,
How upon the earth to rest me,
How upon the seas to wander!
Only were my ancient mother
Living on the face of Northland,
Surely she would well advise me,
What my thought and what my action,
That this cup of grief might pass me,
That this sorrow might escape me,
And this darkened cloud pass over.'
In the deep awoke his mother,
From her tomb she spake as follows:
'Only sleeping was thy mother,
Now awakes to give thee answer,
What thy thought and what thine action,
That this cup of grief may pass thee,
That this sorrow may escape thee,
And this darkened cloud pass over.
Hie thee straightway to the Northland,
88
Visit thou the Suomi daughters;
Thou wilt find them wise and lovely,
Far more beautiful than Aino,
Far more worthy of a husband,
Not such silly chatter-boxes,
As the fickle Lapland maidens.
Take for thee a life-companion,
From the honest homes of Suomi,
One of Northland's honest daughters;
She will charm thee with her sweetness,
Make thee happy through her goodness,
Form perfection, manners easy,
Every step and movement graceful,
Full of wit and good behavior,
Honor to thy home and kindred.'
~ Elias Lönnrot,#NFDB
1237:Corsica
--- A manly race
Of unsubmitting spirit, wise and brave;
Who still through bleeding ages struggled hard
To hold a generous undiminished state;
Too much in vain!
Thomson
Hail, generous Corsica! unconquered isle!
The fort of freedom; that amidst the waves
Stands like a rock of adamant, and dares
The wildest fury of the beating storm.
And are there yet, in this late sickly age,
Unkindly to the towering growths of virtue,
Such bold exalted spirits? Men whose deeds,
To the bright annals of old Greece opposed,
Would throw in shades her yet unrivaled name,
And dim the lustre of her fairest page!
And glows the flame of Liberty so strong
In this lone speck of earth! this spot obscure,
Shaggy with woods, and crusted o'er with rock,
By slaves surrounded, and by slaves oppressed!
What then should Britons feel?—should they not catch
The warm contagion of heroic ardour,
And kindle at a fire so like their own?
Such were the working thoughts which swelled the breast
Of generous Boswel; when with nobler aim
And views beyond the narrow beaten track
By trivial fancy trod, he turned his course
From polished Gallia's soft delicious vales,
From the grey reliques of imperial Rome,
From her long galleries of laureled stone,
Her chiseled heroes and her marble gods,
Whose dumb majestic pomp yet awes the world,
To animated forms of patriot zeal;
Warm in the living majesty of virtue;
Elate with fearless spirit; firm; resolved;
37
By fortune nor subdued, nor awed by power.
How raptured fancy burns, while warm in thought
I trace the pictured landscape; while I kiss
With pilgrim lips devout the sacred soil
Stained with the blood of heroes. Cyrnus, hail!
Hail to thy rocky, deep indented shores,
And pointed cliffs, which hear the chafing deep
Incessant foaming round their shaggy sides.
Hail to thy winding bays, thy sheltering ports
And ample harbours, which inviting stretch
Their hospitable arms to every sail:
Thy numerous streams, that bursting from the cliffs
Down the steep channeled rock impetuous pour
With grateful murmur: on the fearful edge
Of the rude precipice, thy hamlets brown
And straw-roofed cots, which from the level vale
Scarce seen, amongst the craggy hanging cliffs
Seem like an eagle's nest aerial built.
Thy swelling mountains, brown with solemn shade
Of various trees, that wave their giant arms
O'er the rough sons of freedom; lofty pines,
And hardy fir, and ilex ever green,
And spreading chesnut, with each humbler plant,
And shrub of fragrant leaf, that clothes their sides
With living verdure; whence the clustering bee
Extracts her golden dews: the shining box,
And sweet-leaved myrtle, aromatic thyme,
The prickly juniper, and the green leaf
Which feeds the spinning worm; while glowing bright
Beneath the various foliage, wildly spreads
The arbutus, and rears his scarlet fruit
Luxuriant, mantling o'er the craggy steeps;
And thy own native laurel crowns the scene.
Hail to thy savage forests, awful, deep;
Thy tangled thickets, and thy crowded woods,
The haunt of herds untamed; which sullen bound
From rock to rock with fierce unsocial air,
And wilder gaze, as conscious of the power
That loves to reign amid the lonely scenes
Of unquelled nature: precipices huge,
And tumbling torrents; trackless deserts, plains
38
Fenced in with guardian rocks, whose quarries teem
With shining steel, that to the cultured fields
And sunny hills which wave with bearded grain
Defends their homely produce. Liberty,
The mountain Goddess, loves to range at large
Amid such scenes, and on the iron soil
Prints her majestic step. For these she scorns
The green enameled vales, the velvet lap
Of smooth savannahs, where the pillowed head
Of Luxury reposes; balmy gales,
And bowers that breathe of bliss. For these, when first
This isle emerging like a beauteous gem
From the dark bosom of the Tyrrhene main
Reared its fair front, she marked it for her own,
And with her spirit warmed. Her genuine sons,
A broken remnant, from the generous stock
Of ancient Greece, from Sparta's sad remains,
True to their high descent, preserved unquenched
The sacred fire through many a barbarous age:
Whom, nor the iron rod of cruel Carthage,
Nor the dread sceptre of imperial Rome,
Nor bloody Goth, nor grisly Saracen,
Nor the long galling yoke of proud Liguria,
Could crush into subjection. Still unquelled
They rose superior, bursting from their chains,
And claimed man's dearest birthright, liberty:
And long, through many a hard unequal strife
Maintained the glorious conflict; long withstood,
With single arm, the whole collected force
Of haughty Genoa, and ambitious Gaul.
And shall withstand it—Trust the faithful Muse!
It is not in the force of mortal arm,
Scarcely in fate, to bind the struggling soul
That galled by wanton power, indignant swells
Against oppression; breathing great revenge,
Careless of life, determined to be free.
And favouring Heaven approves: for see the Man,
Born to exalt his own, and give mankind
A glimpse of higher natures: just, as great;
The soul of council, and the nerve of war;
Of high unshaken spirit, tempered sweet
With soft urbanity, and polished grace,
39
And attic wit, and gay unstudied smiles:
Whom Heaven in some propitious hour endowed
With every purer virtue: gave him all
That lifts the hero, or adorns the man.
Gave him the eye sublime; the searching glance,
Keen, scanning deep, that smites the guilty soul
As with a beam from heaven; on his brow
Serene, and spacious front, set the broad seal
Of dignity and rule; then smiled benign
On this fair pattern of a God below,
High wrought, and breathed into his swelling breast
The large ambitious wish to save his country.
O beauteous title to immortal fame!
The man devoted to the public, stands
In the bright records of superior worth
A step below the skies: if he succeed,
The first fair lot which earth affords, is his;
And if he falls, he falls above a throne.
When such their leader, can the brave despair?
Freedom the cause, and Paoli the chief!
Success to your fair hopes! A British Muse,
Though weak and powerless, lifts her fervent voice,
And breathes a prayer for your success. O could
She scatter blessings as the morn sheds dews,
To drop upon your heads! But patient hope
Must wait the appointed hour; secure of this,
That never with the indolent and weak
Will Freedom deign to dwell; she must be seized
By that bold arm that wrestles for the blessing:
'Tis Heaven's best prize, and must be bought with blood.
When the storm thickens, when the combat burns,
And pain and death in every horrid shape
That can appal the feeble, prowl around,
Then Virtue triumphs; then her towering form
Dilates with kindling majesty; her mien
Breathes a diviner spirit, and enlarged
Each spreading feature, with an ampler port
And bolder tone, exulting, rides the storm,
And joys amidst the tempest. Then she reaps
Her golden harvest; fruits of nobler growth
And higher relish than meridian suns
40
Can ever ripen; fair, heroic deeds,
And godlike action. 'Tis not meats and drinks,
And balmy airs, and vernal suns and showers,
That feed and ripen minds; 'tis toil and danger;
And wrestling with the stubborn gripe of fate;
And war, and sharp distress, and paths obscure
And dubious. The bold swimmer joys not so
To feel the proud waves under him, and beat
With strong repelling arm the billowy surge;
The generous courser does not so exult
To toss his floating mane against the wind,
And neigh amidst the thunder of the war,
As Virtue to oppose her swelling breast
Like a firm shield against the darts of fate.
And when her sons in that rough school have learned
To smile at danger, then the hand that raised
Shall hush the storm, and lead the shining train
Of peaceful years in bright procession on.
Then shall the shepherd's pipe, the Muse's lyre,
On Cyrnus' shores be heard: her grateful sons
With loud acclaim and hymns of cordial praise
Shall hail their high deliverers; every name
To Virtue dear be from oblivion snatched
And placed among the stars: but chiefly thine,
Thine, Paoli, with sweetest sound shall dwell
On their applauding lips; thy sacred name,
Endeared to long posterity, some Muse,
More worthy of the theme, shall consecrate
To after-ages, and applauding worlds
Shall bless the godlike man who saved his country.
So vainly wished, so fondly hoped the Muse:
Too fondly hoped. The iron fates prevail,
And Cyrnus is no more. Her generous sons,
Less vanquished than o'erwhelmed, by numbers crushed,
Admired, unaided fell. So strives the moon
In dubious battle with the gathering clouds,
And strikes a splendour through them; till at length
Storms rolled on storms involve the face of heaven
And quench her struggling fires. Forgive the zeal
That, too presumptuous, whispered better things,
And read the book of destiny amiss.
41
Not with the purple colouring of success
Is virtue best adorned: the attempt is praise.
There yet remains a freedom, nobler far
Than kings or senates can destroy or give;
Beyond the proud oppressor's cruel grasp
Seated secure, uninjured, undestroyed;
Worthy of Gods:….the freedom of the mind.
~ Anna Laetitia Barbauld,#NFDB
1238:The Kalevala - Rune Viii
MAIDEN OF THE RAINBOW.
Pohyola's fair and winsome daughter,
Glory of the land and water,
Sat upon the bow of heaven,
On its highest arch resplendent,
In a gown of richest fabric,
In a gold and silver air-gown,
Weaving webs of golden texture,
Interlacing threads of silver;
Weaving with a golden shuttle,
With a weaving-comb of silver;
Merrily flies the golden shuttle,
From the maiden's nimble fingers,
Briskly swings the lathe in weaving,
Swiftly flies the comb of silver,
From the sky-born maiden's fingers,
Weaving webs of wondrous beauty.
Came the ancient Wainamoinen,
Driving down the highway homeward,
From the ever sunless Northland,
From the dismal Sariola;
Few the furlongs he had driven,
Driven but a little distance,
When he heard the sky-loom buzzing,
As the maiden plied the shuttle.
Quick the thoughtless Wainamoinen
Lifts his eyes aloft in wonder,
Looks upon the vault of heaven,
There beholds the bow of beauty,
On the bow the maiden sitting,
Beauteous Maiden of the Rainbow,
Glory of the earth and ocean,
Weaving there a golden fabric,
Working with the rustling silver.
Wainamoinen, ancient minstrel,
Quickly checks his fleet-foot racer,
Looks upon the charming maiden,
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Then addresses her as follows:
'Come, fair maiden, to my snow-sledge,
By my side I wish thee seated.'
Thus the Maid of Beauty answers:
'Tell me what thou wishest of me,
Should I join thee in the snow-sledge.'
Speaks the ancient Wainamoinen,
Answers thus the Maid of Beauty:
'This the reason for thy coming:
Thou shalt bake me honey-biscuit,
Shalt prepare me barley-water,
Thou shalt fill my foaming beer-cups,
Thou shalt sing beside my table,
Shalt rejoice within my portals,
Walk a queen within my dwelling,
In the Wainola halls and chambers,
In the courts of Kalevala.'
Thus the Maid of Beauty answered
From her throne amid the heavens:
'Yesterday at hour of twilight,
Went I to the flowery meadows,
There to rock upon the common,
Where the Sun retires to slumber;
There I heard a song-bird singing,
Heard the thrush simple measures,
Singing sweetly thoughts of maidens,
And the minds of anxious mothers.
'Then I asked the pretty songster,
Asked the thrush this simple question:
'Sing to me, thou pretty song-bird,
Sing that I may understand thee,
Sing to me in truthful accents,
How to live in greatest pleasure,
And in happiness the sweetest,
As a maiden with her father,
Or as wife beside her husband.'
'Thus the song-bird gave me answer,
Sang the thrush this information:
'Bright and warm are days of summer,
Warmer still is maiden-freedom;
Cold is iron in the winter,
Thus the lives of married women;
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Maidens living with their mothers
Are like ripe and ruddy berries;
Married women, far too many,
Are like dogs enchained in kennel,
Rarely do they ask for favors,
Not to wives are favors given.''
Wainamoinen, old and truthful,
Answers thus the Maid of Beauty:
'Foolish is the thrush thus singing,
Nonsense is the song-bird's twitter;
Like to babes are maidens treated,
Wives are queens and highly honored.
Come, sweet maiden, to my snow-sledge,
I am not despised as hero,
Not the meanest of magicians;
Come with me and I will make thee
Wife and queen in Kalevala.'
Thus the Maid of Beauty answered-'Would consider thee a hero,
Mighty hero, I would call thee,
When a golden hair thou splittest,
Using knives that have no edges;
When thou snarest me a bird's egg
With a snare that I can see not.'
Wainamoinen, skilled and ancient,
Split a golden hair exactly,
Using knives that had no edges;
And he snared an egg as nicely
With a snare the maiden saw not.
'Come, sweet maiden, to my snow-sledge,
I have done what thou desirest.'
Thus the maiden wisely answered:
'Never enter I thy snow-sledge,
Till thou peelest me the sandstone,
Till thou cuttest me a whip-stick
From the ice, and make no splinters,
Losing not the smallest fragment.'
Wainamoinen, true magician,
Nothing daunted, not discouraged,
Deftly peeled the rounded sandstone,
Deftly cut from ice a whip-stick,
Cutting not the finest splinter,
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Losing not the smallest fragment.
Then again be called the maiden,
To a seat within his snow-sledge.
But the Maid or Beauty answered,
Answered thus the great magician:
I will go with that one only
That will make me ship or shallop,
From the splinters of my spindle,
From the fragments of my distaff,
In the waters launch the vessel,
Set the little ship a-floating,
Using not the knee to push it,
Using not the arm to move it,
Using not the hand to touch it,
Using not the foot to turn it,
Using nothing to propel it.'
Spake the skilful Wainamoinen,
These the words the hero uttered:
'There is no one in the Northland,
No one under vault of heaven,
Who like me can build a vessel,
From the fragments of the distaff,
From the splinters of the spindle.'
Then he took the distaff-fragments,
Took the splinters of the spindle,
Hastened off the boat to fashion,
Hastened to an iron mountain,
There to join the many fragments.
Full of zeal be plies the hammer,
Swings the hammer and the hatchet;
Nothing daunted, builds the vessel,
Works one day and then a second,
Works with steady hand the third day;
On the evening of the third day,
Evil Hisi grasps the hatchet,
Lempo takes the crooked handle,
Turns aside the axe in falling,
Strikes the rocks and breaks to pieces;
From the rocks rebound the fragments,
Pierce the flesh of the magician,
Cut the knee of Wainamoinen.
Lempo guides the sharpened hatchet,
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And the veins fell Hisi severs.
Quickly gushes forth a blood-stream,
And the stream is crimson-colored.
Wainamoinen, old and truthful,
The renowned and wise enchanter,
Thus outspeaks in measured accents:
'O thou keen and cruel hatchet,
O thou axe of sharpened metal,
Thou shouldst cut the trees to fragments,
Cut the pine-tree and the willow,
Cut the alder and the birch-tree,
Cut the juniper and aspen,
Shouldst not cut my knee to pieces,
Shouldst not tear my veins asunder.'
Then the ancient Wainamoinen
Thus begins his incantations,
Thus begins his magic singing,
Of the origin of evil;
Every word in perfect order,
Makes no effort to remember,
Sings the origin of iron,
That a bolt he well may fashion,
Thus prepare a look for surety,
For the wounds the axe has given,
That the hatchet has torn open.
But the stream flows like a brooklet,
Rushing like a maddened torrent,
Stains the herbs upon the meadows,
Scarcely is a bit of verdure
That the blood-stream does not cover
As it flows and rushes onward
From the knee of the magician,
From the veins of Wainamoinen.
Now the wise and ancient minstrel
Gathers lichens from the sandstone,
Picks them from the trunks of birches,
Gathers moss within the marshes,
Pulls the grasses from the meadows,
Thus to stop the crimson streamlet,
Thus to close the wounds laid open;
But his work is unsuccessful,
And the crimson stream flows onward.
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Wainamoinen, ancient minstrel,
Feeling pain and fearing languor,
Falls to weeping, heavy-hearted;
Quickly now his steed he hitches,
Hitches to the sledge of birch-wood,
Climbs with pain upon the cross-bench,
Strikes his steed in quick succession,
Snaps his whip above the racer,
And the steed flies onward swiftly;
Like the winds he sweeps the highway,
Till be nears a Northland village,
Where the way is triple-parted.
Wainamoinen, old and truthful,
Takes the lowest of the highways,
Quickly nears a spacious cottage,
Quickly asks before the doorway:
'Is there any one here dwelling,
That can know the pain I suffer,
That can heal this wound of hatchet.
That can check this crimson streamlet?'
Sat a boy within a corner,
On a bench beside a baby,
And he answered thus the hero:
'There is no one in this dwelling
That can know the pain thou feelest,
That can heal the wounds of hatchet,
That can check the crimson streamlet;
Some one lives in yonder cottage,
That perchance can do thee service.'
Wainamoinen, ancient minstrel,
Whips his courser to a gallop,
Dashes on along the highway;
Only drives a little distance,
On the middle of the highways,
To a cabin on the road-side,
Asks one standing on the threshold,
Questions all through open windows,
These the words the hero uses:
'Is there no one in this cabin,
That can know the pain I suffer,
That can heal this wound of hatchet,
That can check this crimson streamlet?'
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On the floor a witch was lying,
Near the fire-place lay the beldame,
Thus she spake to Wainamoinen,
Through her rattling teeth she answered.
'There is no one in this cabin
That can know the pain thou feelest,
That can heal the wounds of hatchets,
That can check the crimson streamlet;
Some one lives in yonder cottage,
That perchance can do thee service.'
Wainamoinen, nothing daunted,
Whips his racer to a gallop,
Dashes on along the highway;
Only drives a little distance,
On the upper of the highways,
Gallops to a humble cottage,
Asks one standing near the penthouse,
Sitting on the penthouse-doorsill:
'Is there no one in this cottage,
That can know the pain I suffer,
That can heal this wound of hatchet,
That can check this crimson streamlet?'
Near the fireplace sat an old man,
On the hearthstone sat the gray-beard,
Thus he answered Wainamoinen:
'Greater things have been accomplished,
Much more wondrous things effected,
Through but three words of the master;
Through the telling of the causes,
Streams and oceans have been tempered,
River cataracts been lessened,
Bays been made of promontories,
Islands raised from deep sea-bottoms.'
~ Elias Lönnrot,#NFDB
1239:The Kalevala - Rune Xxxviii
ILMARINEN'S FRUITLESS WOOING.
Ilmarinen, the magician,
The eternal metal-artist,
Lays aside the golden image,
Beauteous maid of magic metals;
Throws the harness on his courser,
Binds him to his sledge of birch-wood,
Seats himself upon the cross-bench,
Snaps the whip above the racer,
Thinking once again to journey
To the mansions of Pohyola,
There to woo a bride in honor,
Second daughter of the Northland.
On he journeyed, restless, northward,
Journeyed one day, then a second,
So the third from morn till evening,
When he reached a Northland-village
On the plains of Sariola.
Louhi, hostess of Pohyola,
Standing in the open court-yard,
Spied the hero, Ilmarinen,
Thus addressed the metal-worker:
'Tell me how my child is living,
How the Bride of Beauty prospers,
As a daughter to thy mother.'
Then the blacksmith, Ilmarinen,
Head bent down and brow dejected,
Thus addressed the Northland hostess:
'O, thou dame of Sariola,
Do not ask me of thy daughter,
Since, alas I in Tuonela
Sleeps the Maiden of the Rainbow,
Sleeps in death the Bride, of Beauty,
Underneath the fragrant heather,
In the kingdom of Manala.
Come I for a second daughter,
For the fairest of thy virgins.
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Beauteous hostess of Pohyola,
Give to me thy youngest maiden,
For my former wife's compartments,
For the chambers of her sister.'
Louhi, hostess of the Northland,
Spake these words to Ilmarinen:
'Foolish was the Northland-hostess,
When she gave her fairest virgin,
In the bloom of youth and beauty
To the blacksmith of Wainola,
Only to be led to Mana,
Like a lambkin to the slaughter!
I shall never give my daughter,
Shall not give my youngest maiden
Bride of thine to be hereafter,
Life-companion at thy fireside.
Sooner would I give the fair one
To the cataract and whirlpool,
To the river of Manala,
To the waters of Tuoni!'
Then the blacksmith, Ilmarinen,
Drew away his head, disdainful,
Shook his sable locks in anger,
Entered to the inner court-room,
Where the maiden sat in waiting,
Spake these measures to the daughter:
'Come with me, thou bright-eyed maiden,
To the cottage where thy sister
Lived and lingered in contentment,
Baked for me the toothsome biscuit,
Brewed for me the beer of barley,
Kept my dwelling-place in order.'
On the floor a babe was lying,
Thus he sang to Ilmarinen:
'Uninvited, leave this mansion,
Go, thou stranger, from this dwelling;
Once before thou camest hither,
Only bringing pain and trouble,
Filling all our hearts with sorrow.
Fairest daughter of my mother,
Do not give this suitor welcome,
Look not on his eyes with pleasure,
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Nor admire his form and features.
In his mouth are only wolf-teeth,
Cunning fox-claws in his mittens,
In his shoes art only bear-claws,
In his belt a hungry dagger;
Weapons these of blood and murder,
Only worn by the unworthy.'
Then the daughter spake as follows
To the blacksmith, Ilmarinen:
'Follow thee this maid will never,
Never heed unworthy suitors;
Thou hast slain the Bride of Beauty,
Once the Maiden of the Rainbow,
Thou wouldst also slay her sister.
I deserve a better suitor,
Wish a truer, nobler husband,
Wish to ride in richer sledges,
Have a better home-protection;
Never will I sweep the cottage
And the coal-place of a blacksmith.'
Then the hero, Ilmarinen,
The eternal metal-artist,
Turned his head away, disdainful,
Shook his sable locks in anger,
Quickly seized the trembling maiden,
Held her in his grasp of iron,
Hastened from the court of Louhi
To his sledge upon the highway.
In his sleigh he seats the virgin,
Snugly wraps her in his far-robes,
Snaps his whip above the racer,
Gallops on the high-road homeward;
With one hand the reins be tightens,
With the other holds the maiden.
Speaks the virgin-daughter, weeping:
We have reached the lowland-berries,
Here the herbs of water-borders;
Leave me here to sink and perish
As a child of cold misfortune.
Wicked Ilmarinen, Iisten!
If thou dost not quickly free me,
I will break thy sledge to pieces,
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Throw thy fur-robes to the north-winds.'
Ilmarinen makes this answer:
'When the blacksmith builds his snow-sledge,
All the parts are hooped with iron;
Therefore will the beauteous maiden
Never beat my sledge to fragments.'
Then the silver-tinselled daughter
Wept and wailed in bitter accents,
Wrung her hands in desperation,
Spake again to Ilmarinen:
'If thou dost not quickly free me,
I shall change to ocean-salmon,
Be a whiting of the waters.'
'Thou wilt never thus escape me,
As a pike I'll fleetly follow.'
Then the maiden of Pohyola
Wept and wailed in bitter accents,
Wrung her hands in desperation,
Spake again to Ilmarinen;
'If thou dost not quickly free me,
I shall hasten to the forest,
Mid the rocks become an ermine!'
'Thou wilt never thus escape me,
As a serpent I will follow.'
Then the beauty of the Northland,
Wailed and wept in bitter accents,
Wrung her hands in desperation,
Spake once more to Ilmarinen:
'Surely, if thou dost not free me,
As a lark I'll fly the ether,
Hide myself within the storm-clouds.'
'Neither wilt thou thus escape me,
As an eagle I will follow.'
They had gone but little distance,
When the courser shied and halted,
Frighted at some passing object;
And the maiden looked in wonder,
In the snow beheld some foot-prints,
Spake these words to Ilmarinen:
Who has run across our highway?'
''Tis the timid hare', he answered.
Thereupon the stolen maiden
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Sobbed, and moaned, in deeps of sorrow,
Heavy-hearted, spake these measures:
'Woe is me, ill-fated virgin!
Happier far my life hereafter,
If the hare I could but follow
To his burrow in the woodlands!
Crook-leg's fur to me is finer
Than the robes of Ilmarinen.'
Ilmarinen, the magician,
Tossed his head in full resentment,
Galloped on the highway homeward,
Travelled but a little distance,
When again his courser halted,
Frighted at some passing stranger.
Quick the maiden looked and wondered,
In the snow beheld some foot-prints,
Spake these measures to the blacksmith:
Who has crossed our snowy pathway?'
''Tis a fox', replied the minstrel.
Thereupon the beauteous virgin
Moaned again in depths of anguish,
Sang these accents, heavy-hearted:
'Woe is me, ill-fated maiden!
Happier far my life hereafter,
With the cunning fox to wander,
Than with this ill-mannered suitor;
Reynard's fur to me is finer
Than the robes of Ilmarinen.'
Thereupon the metal-worker
Shut his lips in sore displeasure,
Hastened on the highway homeward;
Travelled but a little distance,
When again his courser halted.
Quick the maiden looked in wonder,
in the snow beheld some foot-prints,
Spake these words to the magician:
Who again has crossed our pathway?'
''Tis the wolf', said Ilmarinen.
Thereupon the fated daughter
Fell again to bitter weeping,
And Intoned these words of sorrow:
'Woe is me, a hapless maiden!
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Happier far my life hereafter,
Brighter far would be my future,
If these tracks I could but follow;
On the wolf the hair is finer
Than the furs of Ilmarinen,
Faithless suitor of the Northland.'
Then the minstrel of Wainola
Closed his lips again in anger,
Shook his sable locks, resentful,
Snapped the whip above the racer,
And the steed flew onward swiftly,
O'er the way to Kalevala,
To the village of the blacksmith.
Sad and weary from his journey,
Ilmarinen, home-returning,
Fell upon his couch in slumber,
And the maiden laughed derision.
In the morning, slowly waking,
Head confused, and locks dishevelled,
Spake the wizard, words as follow:
'Shall I set myself to singing
Magic songs and incantations?
Shall I now enchant this maiden
To a black-wolf on the mountains,
To a salmon of the ocean?
Shall not send her to the woodlands,
All the forest would be frighted;
Shall not send her to the waters,
All the fish would flee in terror;
This my sword shall drink her life-blood,
End her reign of scorn and hatred.'
Quick the sword feels his intention,
Quick divines his evil purpose,
Speaks these words to Ilmarinen:
'Was not born to drink the life-blood
Of a maiden pure and lovely,
Of a fair but helpless virgin.'
Thereupon the magic minstrel,
Filled with rage, began his singing;
Sang the very rocks asunder,
Till the distant hills re-echoed;
Sang the maiden to a sea-gull,
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Croaking from the ocean-ledges,
Calling from the ocean-islands,
Screeching on the sandy sea-coast,
Flying to the winds opposing.
When his conjuring had ended,
Ilmarinen joined his snow-sledge,
Whipped his steed upon a gallop,
Hastened to his ancient smithy,
To his home in Kalevala.
Wainamoinen, old and truthful,
Comes to meet him on the highway,
Speaks these words to the magician:
'Ilmarinen, worthy brother,
Wherefore comest heavy-hearted
From the dismal Sariola?
Does Pohyola live and prosper?
Spake the minstrel, Ilmarinen:
'Why should not Pohyola prosper?
There the Sampo grinds unceasing,
Noisy rocks the lid in colors;
Grinds one day the flour for eating,
Grinds the second flour for selling,
Grinds the third day flour for keeping;
Thus it is Pohyola prospers.
While the Sampo is in Northland,
There is plowing, there is sowing,
There is growth of every virtue,
There is welfare never-ending.'
Spake the ancient Wainamoinen:
'Ilmarinen, artist-brother,
Where then is the Northland-daughter,
Far renowned and beauteous maiden,
For whose hand thou hast been absent?
These the words of Ilmarinen:
'I have changed the hateful virgin
To a sea-gull on the ocean;
Now she calls above the waters,
Screeches from the ocean-islands;
On the rocks she calls and murmurs
Vainly calling for a suitor.'
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~ Elias Lönnrot,#NFDB
1240:The Kalevala - Rune Xxviii
THE MOTHER'S COUNSEL.
Ahti, hero of the Islands,
Wild magician, Lemminkainen,
Also known as Kaukomieli,
Hastened from the great carousal,
From the banquet-halls of Louhi,
From the ever-darksome Northland,
From the dismal Sariola.
Stormful strode he from the mansion,
Hastened like the smoke of battle,
From the court-yard of Pohyola,
Left his crimes and misdemeanors
In the halls of ancient Louhi.
Then he looked in all directions,
Seeking for his tethered courser,
Anxious looked in field and stable,
But he did not find his racer;
Found a black thing in the fallow,
Proved to be a clump of willows.
Who will well advise the hero,
Who will give him wise directions,
Guide the wizard out of trouble,
Give his hero-locks protection,
Keep his magic head from danger
From the warriors of Northland?
Noise is beard within the village,
And a din from other homesteads,
From the battle-hosts of Louhi,
Streaming from the doors and window,
Of the homesteads of Pohyola.
Thereupon young Lemminkainen,
Handsome Islander and hero,
Changing both his form and features,
Clad himself in other raiment,
Changing to another body,
Quick became a mighty eagle,
Soared aloft on wings of magic,
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Tried to fly to highest heaven,
But the moonlight burned his temples,
And the sunshine singed his feathers.
Then entreating, Lemminkainen,
Island-hero, turned to Ukko,
This the prayer that Ahti uttered:
'Ukko, God of love and mercy,
Thou the Wisdom of the heavens,
Wise Director of the lightning,
Thou the Author of the thunder,
Thou the Guide of all the cloudlets,
Give to me thy cloak of vapor,
Throw a silver cloud around me,
That I may in its protection
Hasten to my native country,
To my mother's Island-dwelling,
Fly to her that waits my coming,
With a mother's grave forebodings.'
Farther, farther, Lemminkainen
Flew and soared on eagle-pinions,
Looked about him, backwards, forwards,
Spied a gray-hawk soaring near him,
In his eyes the fire of splendor,
Like the eyes of Pohyalanders,
Like the eyes of Pohya's spearmen,
And the gray-hawk thus addressed him:
'Ho! There! hero, Lemminkainen,
Art thou thinking of our combat
With the, hero-heads of Northland?'
Thus the Islander made answer,
These the words of Kaukomieli:
'O thou gray-hawk, bird of beauty,
Fly direct to Sariola,
Fly as fast as wings can bear thee;
When thou hast arrived in safety,
On the plains of darksome Northland,
Tell the archers and the spearmen,
They will never catch the eagle,
In his journey from Pohyola,
To his Island-borne and fortress.'
Then the Ahti-eagle hastened
Straightway to his mother's cottage,
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In his face the look of trouble,
In his heart the pangs of sorrow.
Ahti's mother ran to meet him,
When she spied him in the pathway,
Walking toward her island-dwelling;
These the words the mother uttered:
'Of my sons thou art the bravest,
Art the strongest of my children;
Wherefore then comes thine annoyance,
On returning from Pohyola?
Wert thou worsted at the banquet,
At the feast and great carousal?
At thy cups, if thou wert injured,
Thou shalt here have better treatment
Thou shalt have the cup thy father
Brought me from the hero-castle.'
Spake the reckless Lemminkainen:
'Worthy mother, thou that nursed me,
If I had been maimed at drinking,
I the landlord would have worsted,
Would have slain a thousand heroes,
Would have taught them useful lessons.'
Lemminkainen's mother answered:
'Wherefore then art thou indignant,
Didst thou meet disgrace and insult,
Did they rob thee of thy courser?
Buy thou then a better courser
With the riches of thy mother,
With thy father's horded treasures.'
Spake the hero, Lemminkainen:
'Faithful mother of my being,
If my steed had been insulted,
If for him my heart was injured,
I the landlord would have punished,
Would have punished all the horsemen,
All of Pohya's strongest riders.'
Lemminkainen's mother answered:
'Tell me then thy dire misfortune,
What has happened to my hero,
On his journey to Pohyola?
Have the Northland maidens scorned thee,
Have the women ridiculed thee?
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If the maidens scorned thy presence.
If the women gave derision,
There are others thou canst laugh at,
Thou canst scorn a thousand women.'
Said the reckless Lemminkainen:
'Honored mother, fond and faithful,
If the Northland dames had scorned me
Or the maidens laughed derision,
I the maidens would have punished,
Would have scorned a thousand women.'
Lemminkainen's mother answered:
'Wherefore then are thou indignant,
Thus annoyed, and heavy-hearted,
On returning from Pohyola?
Was thy feasting out of season,
Was the banquet-beer unworthy,
Were thy dreams of evil import
When asleep in darksome Northland?'
This is Lemminkainen's answer:
'Aged women may remember
What they dream on beds of trouble;
I have seen some wondrous visions,
Since I left my Island-cottage.
My beloved, helpful mother,
Fill my bag with good provisions,
Flour and salt in great abundance,
Farther must thy hero wander,
He must leave his home behind him,
Leave his pleasant Island-dwelling,
Journey from this home of ages;
Men are sharpening their broadswords,
Sharpening their spears and lances,
For the death of Lemminkainen.'
Then again the mother questioned,
Hurriedly she asked the reason:
'Why the men their swords were whetting,
Why their spears are being sharpened.'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Therefore do they whet their broadswords,
Therefore sharpen they their lances:
It is for thy son's destruction,
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At his heart are aimed their lances.
In the court-yard of Pohyola,
There arose a great contention,
Fierce the battle waged against me;
But I slew the Northland hero,
Killed the host of Sariola;
Quick to arms rose Louhi's people,
All the spears and swords of Northland
Were directed at thy hero;
All of Pohya turned against me,
Turned against a single foeman.'
This the answer of the mother:
'I had told thee this beforehand,
I had warned thee of this danger,
And forbidden thee to journey
To the hostile fields of Northland.
Here my hero could have lingered,
Passed his life in full contentment,
Lived forever with his mother,
With his mother for protection,
In the court-yard with his kindred;
Here no war would have arisen,
No contention would have followed.
Whither wilt thou go, my hero,
Whither will my loved one hasten,
To escape thy fierce pursuers,
To escape from thy misdoings,
From thy sins to bide in safety,
From thy crimes and misdemeanors,
That thy head be not endangered,
That thy body be not mangled,
That thy locks be not outrooted?'
Spake the reckless Lemminkainen:
'Know I not a spot befitting,
Do not know a place of safety,
Where to hide from my pursuers,
That will give me sure protection
From the crimes by me committed.
Helpful mother of my being,
Where to flee wilt thou advise me?'
This the answer of the mother:
'I do not know where I can send thee;
483
Be a pine-tree on the mountain,
Or a juniper in lowlands?
Then misfortune may befall thee;
Often is the mountain pine-tree
Cut in splints for candle-lighters;
And the juniper is often
Peeled for fence-posts for the pastures.
Go a birch-tree to the valleys,
Or an elm-tree to the glenwood?
Even then may trouble find thee,
Misery may overtake thee;
Often is the lowland birch-tree
Cut to pieces in the ware-house;
Often is the elm-wood forest
Cleared away for other plantings.
Be a berry on the highlands,
Cranberry upon the heather,
Strawberry upon the mountains,
Blackberry along the fences?
Even there will trouble find thee,
There misfortune overtake thee,
For the berry-maids would pluck thee,
Silver-tinselled girls would get thee.
Be a pike then in the ocean,
Or a troutlet in the rivers?
Then would trouble overtake thee,
Would become thy life-companion;
Then the fisherman would catch thee,
Catch thee in his net of flax-thread,
Catch thee with his cruel fish-hook.
Be a wolf then in the forest,
Or a black-bear in the thickets?
Even then would trouble find thee,
And disaster cross thy pathway;
Sable hunters of the Northland
Have their spears and cross-bows ready
To destroy the wolf and black-bear.'
Spake the reckless Lemminkainen:
'Know I well the worst of places,
Know where Death will surely follow,
Where misfortune's eye would find me;
Since thou gavest me existence,
484
Gavest nourishment in childhood,
Whither shall I flee for safety,
Whither hide from death and danger?
In my view is fell destruction,
Dire misfortune 'hovers o'er me;
On the morrow come the spearmen,
Countless warriors from Pohya,
Ahti's head their satisfaction.'
This the answer of the mother:
'I can name a goodly refuge,
Name a land of small dimensions,
Name a distant ocean-island,
Where my son may live in safety.
Thither archers never wander,
There thy head cannot be severed;
But an oath as strong as heaven,
Thou must swear before thy mother;
Thou wilt not for sixty summers
Join in war or deadly combat,
Even though thou wishest silver,
Wishest gold and silver treasures.'
Spake the grateful Lemminkainen:
'I will swear an oath of honor,
That I'll not in sixty summers
Draw my sword in the arena,
Test the warrior in battle;
I have wounds upon my shoulders,
On my breast two scars of broadsword,
Of my former battles, relies,
Relies of my last encounters,
On the battle-fields of Northland,
In the wars with men and heroes.'
Lemminkainen's mother answered:
'Go thou, take thy father's vessel,
Go and bide thyself in safety,
Travel far across nine oceans;
In the tenth, sail to the centre,
To the island, forest-covered,
To the cliffs above the waters,
Where thy father went before thee,
Where he hid from his pursuers,
In the times of summer conquests,
485
In the darksome days of battle;
Good the isle for thee to dwell in,
Goodly place to live and linger;
Hide one year, and then a second,
In the third return in safety
To thy mother's island dwelling,
To thy father's ancient mansion,
To my hero's place of resting.'
~ Elias Lönnrot,#NFDB
1241:The Kalevala - Rune Xiii
LEMMINIKAINEN'S SECOND WOOING.
Spake the ancient Lemminkainen
To the hostess of Pohyola:
'Give to me thy lovely daughter,
Bring me now thy winsome maiden,
Bring the best of Lapland virgins,
Fairest virgin of the Northland.'
Louhi, hostess of Pohyola,
Answered thus the wild magician:
'I shall never give my daughter,
Never give my fairest maiden,
Not the best one, nor the worst one,
Not the largest, nor the smallest;
Thou hast now one wife-companion,
Thou has taken hence one hostess,
Carried off the fair Kyllikki.'
This is Lemminkainen's answer:
To my home I took Kyllikki,
To my cottage on the island,
To my entry-gates and kindred;
Now I wish a better hostess,
Straightway bring thy fairest daughter,
Worthiest of all thy virgins,
Fairest maid with sable tresses.'
Spake the hostess of Pohyola:
'Never will I give my daughter
To a hero false and worthless,
To a minstrel vain and evil;
Therefore, pray thou for my maiden,
Therefore, woo the sweet-faced flower,
When thou bringest me the wild-moose
From the Hisi fields and forests.'
Then the artful Lemminkainen
Deftly whittled out his javelins,
Quickly made his leathern bow-string,
And prepared his bow and arrows,
And soliloquized as follows:
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'Now my javelins are made ready,
All my arrows too are ready,
And my oaken cross-bow bended,
But my snow-shoes are not builded,
Who will make me worthy snow-shoes?'
Lemminkainen, grave and thoughtful,
Long reflected, well considered,
Where the snow-shoes could be fashioned,
Who the artist that could make them;
Hastened to the Kauppi-smithy,
To the smithy of Lylikki,
Thus addressed the snow-shoe artist:
'O thou skilful Woyalander,
Kauppi, ablest smith of Lapland,
Make me quick two worthy snow-shoes,
Smooth them well and make them hardy,
That in Tapio the wild-moose,
Roaming through the Hisi-forests,
I may catch and bring to Louhi,
As a dowry for her daughter.'
Then Lylikki thus made answer,
Kauppi gave this prompt decision:
'Lemminkainen, reckless minstrel,
Thou wilt hunt in vain the wild-moose,
Thou wilt catch but pain and torture,
In the Hisi fens and forests.'
Little heeding, Lemminkainen
Spake these measures to Lylikki
'Make for me the worthy snow-shoes,
Quickly work and make them ready;
Go I will and catch the blue-moose
Where in Tapio it browses,
In the Hisi woods and snow-fields.'
Then Lylikki, snow-shoe-maker,
Ancient Kauppi, master artist,
Whittled in the fall his show-shoes,
Smoothed them in the winter evenings,
One day working on the runners,
All the next day making stick-rings,
Till at last the shoes were finished,
And the workmanship was perfect.
Then he fastened well the shoe-straps,
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Smooth as adder's skin the woodwork,
Soft as fox-fur were the stick-rings;
Oiled he well his wondrous snow-shoes
With the tallow of the reindeer;
When he thus soliloquizes,
These the accents of Lylikki:
'Is there any youth in Lapland,
Any in this generation,
That can travel in these snow-shoes,
That can move the lower sections?'
Spake the reckless Lemminkainen,
Full of hope, and life, and vigor:
Surely there is one in Lapland.
In this rising generation,
That can travel in these snow-shoes,
That the right and left can manage.'
To his back he tied the quiver,
Placed the bow upon his shoulder,
With both hands he grasped his snow-cane,
Speaking meanwhile words as follow:
'There is nothing in the woodlands,
Nothing in the world of Ukko,
Nothing underneath the heavens,
In the uplands, in the lowlands,
Nothing in the snow-fields running,
Not a fleet deer of the forest,
That could not be overtaken
With the snow-shoes of Lylikki,
With the strides of Lemminkainen.'
Wicked Hisi heard these measures,
Juntas listened to their echoes;
Straightway Hisi called the wild-moose,
Juutas fashioned soon a reindeer,
And the head was made of punk-wood,
Horns of naked willow branches,
Feet were furnished by the rushes,
And the legs, by reeds aquatic,
Veins were made of withered grasses,
Eyes, from daisies of the meadows,
Ears were formed of water-flowers,
And the skin of tawny fir-bark,
Out of sappy wood, the muscles,
154
Fair and fleet, the magic reindeer.
Juutas thus instructs the wild-moose,
These the words of wicked Hisi:
Flee away, thou moose of Juutas,
Flee away, thou Hisi-reindeer,
Like the winds, thou rapid courser,
To the snow-homes of the ranger,
To the ridges of the mountains,
To the snow-capped hills of Lapland,
That thy hunter may be worn out,
Thy pursuer be tormented,
Lemminkainen be exhausted.'
Thereupon the Hisi-reindeer,
Juutas-moose with branching antlers,
Fleetly ran through fen and forest,
Over Lapland's hills and valleys,
Through the open fields and court-yards,
Through the penthouse doors and gate-ways,
Turning over tubs of water,
Threw the kettles from the fire-pole,
And upset the dishes cooking.
Then arose a fearful uproar,
In the court-yards of Pohyola,
Lapland-dogs began their barking,
Lapland-children cried in terror,
Lapland-women roared with laughter,
And the Lapland-heroes shouted.
Fleetly followed Lemminkainen,
Followed fast, and followed faster,
Hastened on behind the wild-moose,
Over swamps and through the woodlands,
Over snow-fields vast and pathless,
Over high uprising mountains,
Fire out-shooting from his runners,
Smoke arising from his snow-cane:
Could not hear the wild-moose bounding,
Could not sight the flying fleet-foot;
Glided on through field and forest,
Glided over lakes and rivers,
Over lands beyond the smooth-sea,
Through the desert plains of Hisi,
Glided o'er the plains of Kalma,
155
Through the kingdom of Tuoni,
To the end of Kalma's empire,
Where the jaws of Death stand open,
Where the head of Kalma lowers,
Ready to devour the stranger,
To devour wild Lemminkainen;
But Tuoni cannot reach him,
Kalma cannot overtake him.
Distant woods are yet untraveled,
Far away a woodland corner
Stands unsearched by Kaukomieli,
In the North's extensive, borders,
In the realm of dreary Lapland.
Now the hero, on his snow-shoes,
Hastens to the distant woodlands,
There to hunt the moose of Piru.
As he nears the woodland corner,
There he bears a frightful uproar,
From the Northland's distant borders,
From the dreary fields of Lapland,
Hears the dogs as they are barking,
Hears the children loudly screaming,
Hears the laughter or the women,
Hears the shouting of the heroes.
Thereupon wild Lemminkainen
Hastens forward on his snow-shoes,
To the place where dogs are barking,
To the distant woods of Lapland.
When the reckless Kaukomieli
Had approached this Hisi corner,
Straightway he began to question:
'Why this laughter or the women,
Why the screaming of the children,
Why the shouting of the heroes,
Why this barking of the watch-dogs?
This reply was promptly given:
'This the reason for this uproar,
Women laughing, children screaming,
Heroes shouting, watch-dogs barking
Hisi's moose came running hither,
Hither came the Piru-Reindeer,
Hither came with hoofs of silver,
156
Through the open fields and court-yards,
Through the penthouse doors and gate-ways,
Turning over tubs or water,
Threw the kettles from the fire-pole,
And upset the dishes cooking.'
Then the hero, Lemminkainen,
Straightway summoned all his courage,
Pushed ahead his mighty snow-shoes,
Swift as adders in the stubble,
Levelled bushes in the marshes,
Like the swift and fiery serpents,
Spake these words of magic import,
Keeping balance with his snow-staff:
Come thou might of Lapland heroes,
Bring to me the moose of Juutas;
Come thou strength of Lapland-women,
And prepare the boiling caldron;
Come, thou might of Lapland children,
Bring together fire and fuel;
Come, thou strength of Lapland-kettles,
Help to boil the Hisi wild-moose.'
Then with mighty force and courage,
Lemminkainen hastened onward,
Striking backward, shooting forward;
With a long sweep of his snow-shoe,
Disappeared from view the hero;
With the second, shooting further,
Was the hunter out of hearing,
With the third the hero glided
On the shoulders of the wild-moose;
Took a pole of stoutest oak-wood,
Took some bark-strings from the willow,
Wherewithal to bind the moose-deer,
Bind him to his oaken hurdle.
To the moose he spake as follows:
'Here remain, thou moose of Juutas
Skip about, my bounding courser,
In my hurdle jump and frolic,
Captive from the fields of Piru,
From the Hisi glens and mountains.'
Then he stroked the captured wild-moose,
Patted him upon his forehead,
157
Spake again in measured accents:
'I would like awhile to linger,
I would love to rest a moment
In the cottage of my maiden,
With my virgin, young and lovely.'
Then the Hisi-moose grew angry,
Stamped his feet and shook his antlers,
Spake these words to Lemminkainen:
'Surely Lempo soon will got thee,
Shouldst thou sit beside the maiden,
Shouldst thou linger by the virgin.'
Now the wild-moose stamps and rushes,
Tears in two the bands of willow,
Breaks the oak-wood pole in pieces,
And upturns the hunter's hurdle,
Quickly leaping from his captor,
Bounds away with strength of freedom,
Over hills and over lowlands,
Over swamps and over snow-fields,
Over mountains clothed in heather,
That the eye may not behold him,
Nor the hero's ear detect him.
Thereupon the mighty hunter
Angry grows, and much disheartened,
Starts again the moose to capture,
Gliding off behind the courser.
With his might he plunges forward;
At the instep breaks his snow-shoe,
Breaks the runners into fragments,
On the mountings breaks his javelins,
In the centre breaks his snow-staff,
And the moose bounds on before him,
Through the Hisi-woods and snow-fields,
Out of reach of Lemminkainen.
Then the reckless Kaukomieli
Looked with bended head, ill-humored,
One by one upon the fragments,
Speaking words of ancient wisdom:
'Northland hunters, never, never,
Go defiant to thy forests,
In the Hisi vales and mountains,
There to hunt the moose of Juutas,
158
Like this senseless, reckless hero;
I have wrecked my magic snow-shoes,
Ruined too my useful snow-staff,
And my javelins I have broken,
While the wild-moose runs in safety
Through the Hisi fields and forests.'
~ Elias Lönnrot,#NFDB
1242:Why run the crowd? What means the throng
That rushes fast the streets along?
Can Rhodes a prey to flames, then, be?
In crowds they gather hastily,
And, on his steed, a noble knight
Amid the rabble, meets my sight;
Behind himprodigy unknown!
A monster fierce they're drawing on;
A dragon stems it by its shape,
With wide and crocodile-like jaw,
And on the knight and dragon gape,
In turns, the people, filled with awe.
And thousand voices shout with glee
"The fiery dragon come and see,
Who hind and flock tore limb from limb!
The hero see, who vanquished him!
Full many a one before him went,
To dare the fearful combat bent,
But none returned home from the fight;
Honor ye, then, the noble knight!"
And toward the convent move they all,
While met in hasty council there
The brave knights of the Hospital,
St. John the Baptist's Order, were.
Up to the noble master sped
The youth, with firm but modest tread;
The people followed with wild shout,
And stood the landing-place about,
While thus outspoke that daring one:
"My knightly duty I have done.
The dragon that laid waste the land
Has fallen beneath my conquering hand.
The way is to the wanderer free,
The shepherd o'er the plains may rove;
Across the mountains joyfully
The pilgrim to the shrine may move."
But sternly looked the prince, and said:
"The hero's part thou well hast played
By courage is the true knight known,
A dauntless spirit thou hast shown.
Yet speak! What duty first should he
Regard, who would Christ's champion be,
Who wears the emblem of the Cross?"
And all turned pale at his discourse.
Yet he replied, with noble grace,
While blushingly he bent him low:
"That he deserves so proud a place
Obedience best of all can show."
"My son," the master answering spoke,
"Thy daring act this duty broke.
The conflict that the law forbade
Thou hast with impious mind essayed."
"Lord, judge when all to thee is known,"
The other spake, in steadfast tone,
"For I the law's commands and will
Purposed with honor to fulfil.
I went not out with heedless thought.
Hoping the monster dread to find;
To conquer in the fight I sought
By cunning, and a prudent mind."
"Five of our noble Order, then
(Our faith could boast no better men),
Had by their daring lost their life,
When thou forbadest us the strife.
And yet my heart I felt a prey
To gloom, and panted for the fray;
Ay, even in the stilly night,
In vision gasped I in the fight;
And when the glimmering morning came,
And of fresh troubles knowledge gave,
A raging grief consumed my frame,
And I resolved the thing to brave."
"And to myself I thus began:
'What is't adorns the youth, the man?
What actions of the heroes bold,
Of whom in ancient song we're told,
Blind heathendom raised up on high
To godlike fame and dignity?
The world, by deeds known far and wide,
From monsters fierce they purified;
The lion in the fight they met,
And wrestled with the minotaur,
Unhappy victims free to set,
And were not sparing of their gore.'"
"'Are none but Saracens to feel
The prowess of the Christian steel?
False idols only shall be brave?
His mission is the world to save;
To free it, by his sturdy arm,
From every hurt, from every harm;
Yet wisdom must his courage bend,
And cunning must with strength contend.'
Thus spake I oft, and went alone
The monster's traces to espy;
When on my mind a bright light shone,
'I have it!' was my joyful cry."
"To thee I went, and thus I spake:
'My homeward journey I would take.'
Thou, lord, didst grant my prayer to me,
Then safely traversed I the sea;
And, when I reached my native strand,
I caused a skilful artist's hand
To make a dragon's image, true
To his that now so well I knew.
On feet of measure short was placed
Its lengthy body's heavy load;
A scaly coat of mail embraced
The back, on which it fiercely showed."
"Its stretching neck appeared to swell,
And, ghastly as a gate of hell,
Its fearful jaws were open wide,
As if to seize the prey it tried;
And in its black mouth, ranged about,
Its teeth in prickly rows stood out;
Its tongue was like a sharp-edged sword,
And lightning from its small eyes poured;
A serpent's tail of many a fold
Ended its body's monstrous span,
And round itself with fierceness rolled,
So as to clasp both steed and man."
"I formed the whole to nature true,
In skin of gray and hideous hue;
Part dragon it appeared, part snake,
Engendered in the poisonous lake.
And, when the figure was complete,
A pair of dogs I chose me, fleet,
Of mighty strength, of nimble pace,
Inured the savage boar to chase;
The dragon, then, I made them bait,
Inflaming them to fury dread,
With their sharp teeth to seize it straight,
And with my voice their motions led."
"And, where the belly's tender skin
Allowed the tooth to enter in,
I taught them how to seize it there,
And, with their fangs, the part to tear.
I mounted, then, my Arab steed,
The offspring of a noble breed;
My hand a dart on high held forth,
And, when I had inflamed his wrath,
I stuck my sharp spurs in his side,
And urged him on as quick as thought,
And hurled my dart in circles wide
As if to pierce the beast I sought."
"And though my steed reared high in pain,
And champed and foamed beneath the rein,
And though the dogs howled fearfully,
Till they were calmed ne'er rested I.
This plan I ceaselessly pursued,
Till thrice the moon had been renewed;
And when they had been duly taught,
In swift ships here I had them brought;
And since my foot these shores has pressed
Flown has three mornings' narrow span;
I scarce allowed my limbs to rest
Ere I the mighty task began."
"For hotly was my bosom stirred
When of the land's fresh grief I heard;
Shepherds of late had been his prey,
When in the marsh they went astray.
I formed my plans then hastily,
My heart was all that counselled me.
My squires instructing to proceed,
I sprang upon my well-trained steed,
And, followed by my noble pair
Of dogs, by secret pathways rode,
Where not an eye could witness bear,
To find the monster's fell abode."
"Thou, lord, must know the chapel well,
Pitched on a rocky pinnacle,
That overlooks the distant isle;
A daring mind 'twas raised the pile.
Though humble, mean, and small it shows
Its walls a miracle enclose,
The Virgin and her infant Son,
Vowed by the three kings of Cologne.
By three times thirty steps is led
The pilgrim to the giddy height;
Yet, when he gains it with bold tread,
He's quickened by his Saviour's sight."
"Deep in the rock to which it clings,
A cavern dark its arms outflings,
Moist with the neighboring moorland's dew,
Where heaven's bright rays can ne'er pierce through.
There dwelt the monster, there he lay,
His spoil awaiting, night and day;
Like the hell-dragon, thus he kept
Watch near the shrine, and never slept;
And if a hapless pilgrim chanced
To enter on that fatal way,
From out his ambush quick advanced
The foe, and seized him as his prey."
"I mounted now the rocky height;
Ere I commenced the fearful fight,
There knelt I to the infant Lord,
And pardon for my sins implored.
Then in the holy fane I placed
My shining armor round my waist,
My right hand grasped my javelin,
The fight then went I to begin;
Instructions gave my squires among,
Commanding them to tarry there;
Then on my steed I nimbly sprung,
And gave my spirit to God's care."
"Soon as I reached the level plain,
My dogs found out the scent amain;
My frightened horse soon reared on high,
His fear I could not pacify,
For, coiled up in a circle, lo!
There lay the fierce and hideous foe,
Sunning himself upon the ground.
Straight at him rushed each nimble hound;
Yet thence they turned, dismayed and fast,
When he his gaping jaws op'd wide,
Vomited forth his poisonous blast,
And like the howling jackal cried."
"But soon their courage I restored;
They seized with rage the foe abhorred,
While I against the beast's loins threw
My spear with sturdy arm and true:
But, powerless as a bulrush frail,
It bounded from his coat of mail;
And ere I could repeat the throw,
My horse reeled wildly to and fro
Before his basilisk-like look,
And at his poison-teeming breath,
Sprang backward, and with terror shook,
While I seemed doomed to certain death."
"Then from my steed I nimbly sprung,
My sharp-edged sword with vigor swung;
Yet all in vain my strokes I plied,
I could not pierce his rock-like hide.
His tail with fury lashing round,
Sudden he bore me to the ground.
His jaws then opening fearfully,
With angry teeth he struck at me;
But now my dogs, with wrath new-born,
Rushed on his belly with fierce bite,
So that, by dreadful anguish torn,
He howling stood before my sight."
"And ere he from their teeth was free,
I raised myself up hastily,
The weak place of the foe explored,
And in his entrails plunged my sword,
Sinking it even to the hilt;
Black gushing forth, his blood was spilt.
Down sank he, burying in his fall
Me with his body's giant ball,
So that my senses quickly fled;
And when I woke with strength renewed,
The dragon in his blood lay dead,
While round me grouped my squires all stood."
The joyous shouts, so long suppressed,
Now burst from every hearer's breast,
Soon as the knight these words had spoken;
And ten times 'gainst the high vault broken,
The sound of mingled voices rang,
Re-echoing back with hollow clang.
The Order's sons demand, in haste,
That with a crown his brow be graced,
And gratefully in triumph now
The mob the youth would bear along
When, lo! the master knit his brow,
And called for silence 'mongst the throng.
And said, "The dragon that this land
Laid waste, thou slew'st with daring hand;
Although the people's idol thou,
The Order's foe I deem thee now.
Thy breast has to a fiend more base
Than e'en this dragon given place.
The serpent that the heart most stings,
And hatred and destruction brings,
That spirit is, which stubborn lies,
And impiously cast off the rein,
Despising order's sacred ties;
'Tis that destroys the world amain."
"The Mameluke makes of courage boast,
Obedience decks the Christian most;
For where our great and blessed Lord
As a mere servant walked abroad,
The fathers, on that holy ground,
This famous Order chose to found,
That arduous duty to fulfil
To overcome one's own self-will!
'Twas idle glory moved thee there:
So take thee hence from out my sight!
For who the Lord's yoke cannot bear,
To wear his cross can have no right."
A furious shout now raise the crowd,
The place is filled with outcries loud;
The brethren all for pardon cry;
The youth in silence droops his eye
Mutely his garment from him throws,
Kisses the master's hand, andgoes.
But he pursues him with his gaze,
Recalls him lovingly, and says:
"Let me embrace thee now, my son!
The harder fight is gained by thee.
Take, then, this crossthe guerdon won
By self-subdued humility."
~ Friedrich Schiller, The Fight With The Dragon
,#NFDB
1243:The Kalevala - Rune Xlviii
CAPTURE OF THE FIRE-FISH.
Wainamoinen, the enchanter,
The eternal wisdom-singer,
Long reflected, well considered,
How to weave the net of flax-yarn,
Weave the fish-net of the fathers.
Spake the minstrel of Wainola:
'Who will plow the field and fallow,
Sow the flax, and spin the flax-threads,
That I may prepare the fish-net,
Wherewith I may catch the Fire-pike,
May secure the thing of evil?'
Soon they found a fertile island,
Found the fallow soil befitting,
On the border of the heather,
And between two stately oak-trees.
They prepared the soil for sowing.
Searching everywhere for flax-seed,
Found it in Tuoni's kingdom,
In the keeping of an insect.
Then they found a pile of ashes,
Where the fire had burned a vessel;
In the ashes sowed the seedlings
Near the Alue-lake and border,
In the rich and loamy fallow.
There the seed took root and flourished,
Quickly grew to great proportions,
In a single night in summer.
Thus the flax was sowed at evening,
Placed within the earth by moonlight;
Quick it grew, and quickly ripened,
Quick Wainola's heroes pulled it,
Quick they broke it on the hackles,
Hastened with it to the waters,
Dipped it in the lake and washed it;
Quickly brought it borne and dried it.
Quickly broke, and combed, and smoothed it,
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Brushed it well at early morning,
Laid it into laps for spinning
Quick the maidens twirl the spindles,
Spin the flaxen threads for weaving,
In a single night in summer.
Quick the sisters wind and reel it,
Make it ready for the needle.
Brothers weave it into fish-nets,
And the fathers twist the cordage,
While the mothers knit the meshes,
Rapidly the mesh-stick circles;
Soon the fish-net is completed,
In a single night in summer.
As the magic net is finished,
And in length a hundred fathoms,
On the rim three hundred fathoms.
Rounded stones are fastened to it,
Joined thereto are seven float-boards.
Now the young men take the fish-net,
And the old men cheer them onward,
Wish them good-luck at their fishing.
Long they row and drag the flax-seine,
Here and there the net is lowered;
Now they drag it lengthwise, sidewise,
Drag it through the slimy reed-beds;
But they do not catch the Fire-pike,
Only smelts, and luckless red-fish,
Little fish of little value.
Spake the ancient Wainamoinen:
'O thou blacksmith, Ilmarinen,
Let us go ourselves a-fishing,
Let us catch the fish of evil!'
To the fishing went the brothers,
Magic heroes of the Northland,
Pulled the fish-net through the waters,
Toward an island in the deep-sea
Then they turn and drag the fish-net
Toward a meadow jutting seaward;
Now they drag it toward Wainola,
Draw it lengthwise, sidewise, crosswise,
Catching fish of every species,
salmon, trout, and pike, and whiting,
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Do not catch the evil Fire-fish.
Then the master, Wainamoinen,
Made additions to its borders,
Made it many fathoms wider,
And a hundred fathoms longer,
Then these words the hero uttered
'Famous blacksmith, Ilmarinen,
Let us go again a-fishing,
Row again the magic fish-net,
Drag it well through all the waters,
That we may obtain the Fire-pike!'
Thereupon the Northland heroes
Go a second time a-fishing,
Drag their nets across the rivers,
Lakelets, seas, and bays, and inlets,
Catching fish of many species,
But the Fire-fish is not taken.
Wainamoinen, ancient singer,
Long reflecting, spake these measures:
'Dear Wellamo, water-hostess,
Ancient mother with the reed-breast,
Come, exchange thy water-raiment,
Change thy coat of reeds and rushes
For the garments I shall give thee,
Light sea-foam, thine inner vesture,
And thine outer, moss and sea-grass,
Fashioned by the wind's fair daughters,
Woven by the flood's sweet maidens;
I will give thee linen vestments
Spun from flax of softest fiber,
Woven by the Moon's white virgins,
Fashioned by the Sun's bright daughters
Fitting raiment for Wellamo!
'Ahto, king of all the waters,
Ruler of a thousand grottoes,
Take a pole of seven fathoms,
Search with this the deepest waters,
Rummage well the lowest bottoms;
Stir up all the reeds and sea-weeds,
Hither drive a school of gray-pike,
Drive them to our magic fish-net,
From the haunts in pike abounding,
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From the caverns, and the trout-holes,
From the whirlpools of the deep-sea,
From the bottomless abysses,
Where the sunshine never enters,
Where the moonlight never visits,
And the sands are never troubled.'
Rose a pigmy from the waters,
From the floods a little hero,
Riding on a rolling billow,
And the pigmy spake these measures:
'Dost thou wish a worthy helper,
One to use the pole and frighten
Pike and salmon to thy fish-nets?'
Wainamoinen, old and faithful,
Answered thus the lake-born hero:
'Yea, we need a worthy helper,
One to hold the pole, and frighten
Pike and salmon to our fish-nets.'
Thereupon the water-pigmy
Cut a linden from the border,
Spake these words to Wainamoinen:
'Shall I scare with all my powers,
With the forces of my being,
As thou needest shall I scare them?'
Spake the minstrel, Wainamoinen:
'If thou scarest as is needed,
Thou wilt scare with all thy forces,
With the strength of thy dominions.'
Then began the pigmy-hero,
To affright the deep-sea-dwellers;
Drove the fish in countless numbers
To the net of the magicians.
Wainamoinen, ancient minstrel,
Drew his net along the waters,
Drew it with his ropes of flax-thread,
Spake these words of magic import:
'Come ye fish of Northland waters
To the regions of my fish-net,
As my hundred meshes lower.'
Then the net was drawn and fastened,
Many were the gray-pike taken
By he master and magician.
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Wainamoinen, happy-hearted,
Hastened to a neighboring island,
To a blue-point in the waters,
Near a red-bridge on the headland;
Landed there his draught of fishes,
Cast the pike upon the sea-shore,
And the Fire-pike was among them,
Cast the others to the waters.
Spake the ancient Wainamoinen:
'May I touch thee with my fingers,
Using not my gloves of iron,
Using not my blue-stone mittens?
This the Sun-child hears and answers:
'I should like to carve the Fire-fish,
I should like this pike to handle,
If I had the knife of good-luck.'
Quick a knife falls from the heavens,
From the clouds a magic fish-knife,
Silver-edged and golden-headed,
To the girdle of the Sun-child;
Quick he grasps the copper handle,
Quick the hero carves the Fire-pike,
Finds therein the tortured lake-trout;
Carves the lake-trout thus discovered.
Finds therein the fated whiting;
Carves the whiting, finds a blue-ball
In the third cave of his body.
He, the blue-ball quick unwinding,
Finds within a ball of scarlet;
Carefully removes the cover,
Finds the ball of fire within it,
Finds the flame from heaven fallen,
From the heights of the seventh heaven,
Through nine regions of the ether.
Wainamoinen long reflected
How to get the magic fire-ball
To Wainola's fireless hearth-stones,
To his cold and cheerless dwellings.
Quick he snatched the fire of heaven
From the fingers of the Sun-child.
Wainamoinen's beard it singes,
Burns the brow of Ilmarinen,
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Burns the fingers of the blacksmith.
Rolling forth it hastens westward,
Hastens to the Alue shore-lines,
Burns the juniper and alder,
Burns the and heath and meadow,
Rises to the lofty linden,
Burns the firs upon the mountains;
Hastens onward, onward, onward,
Burns the islands of the Northland,
Burns the Sawa fields and forests,
Burns the dry lands of Karyala.
Straightway ancient Wainamoinen
Hastens through the fields and fenlands,
Tracks the ranger to the glen-wood,
Finds the Fire-child in an elm-tree,
Sleeping in a bed of fungus.
Thereupon wise Wainamoinen
Wakes the child and speaks these measures:
'Wicked fire that God created,
Flame of Ukko from the heavens,
Thou hast gone in vain to sea-caves,
To the lakes without a reason;
Better go thou to my village,
To the hearth-stones of my people;
Hide thyself within my chimneys,
In mine ashes sleep and linger.
In the day-time I will use thee
To devour the blocks of birch-wood;
In the evening I will hide thee
Underneath the golden circle.'
Then he took the willing Panu,
Took the willing fire of Ukko,
Laid it in a box of tinder,
In the punk-wood of a birch-tree,
In a vessel forged from copper;
Carried it with care and pleasure
To the fog-point in the waters,
To the island forest covered.
Thus returned the fire to Northland,
To the chambers of Wainola,
To the hearths of Kalevala.
Ilmarinen, famous blacksmith,
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Hastened to the deep-sea's margin,
Sat upon the rock of torture,
Feeling pain the flame had given,
Laved his wounds with briny water,
Thus to still the Fire-child's fury,
Thus to end his persecutions.
Long reflecting, Ilmarinen
Thus addressed the flame of Ukko:
'Evil Panu from the, heavens,
Wicked son of God from ether,
Tell me what has made thee angry,
Made thee burn my weary members,
Burn my beard, and face, and fingers,
Made me suffer death-land tortures?
Spake again young Ilmarinen:
'How can I wild Panu conquer,
How shall I control his conduct,
Make him end his evil doings?
Come, thou daughter from Pohyola,
Come, white virgin of the hoar-frost,
Come on shoes of ice from Lapland,
Icicles upon thy garments,
In one band a cup of white-frost,
In the other hand an ice-spoon;
Sprinkle snow upon my members,
Where the Fire-child has been resting,
Let the hoar-frost fall and settle.
'Should this prayer be unavailing,
Come, thou son of Sariola,
Come, thou child of Frost from Pohya,
Come, thou Long-man from the ice-plains,
Of the height of stately pine-trees,
Slender as the trunks of lindens,
On thy hands the gloves of Hoar-frost,
Cap of ice upon thy forehead,
On thy waist a white-frost girdle;
Bring the ice-dust from Pohyola,
From the cold and sunless village.
Rain is crystallized in Northland,
Ice in Pohya is abundant,
Lakes of ice and ice-bound rivers,
Frozen smooth, the sea of ether.
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Bounds the hare in frosted fur-robe,
Climbs the bear in icy raiment,
Ambles o'er the snowy mountains.
Swans of frost descend the rivers,
Ducks of ice in countless numbers
Swim upon thy freezing waters,
Near the cataract and whirlpool.
Bring me frost upon thy snow-sledge,
Snow and ice in great abundance,
From the summit of the wild-top,
From the borders of the mountains.
With thine ice, and snow, and hoar-frost
Cover well mine injured members
Where wild Panu has been resting,
Where the child of Fire has lingered.
'Should this call be ineffective,
Ukko, God of love and mercy,
First and last of the creators,
From the east send forth a snow-cloud,
From the west despatch a second,
Join their edges well together,
Let there be no vacant places,
Let these clouds bring snow and
Lay the healing balm of Ukko
On my burning, tortured tissues,
Where wild Panu has been resting.'
Thus the blacksmith, Ilmarinen,
Stills the pains by fire engendered,
Stills the agonies and tortures
Brought him by the child of evil,
Brought him by the wicked Panu.
~ Elias Lönnrot,#NFDB
1244:The Kalevala - Rune Xliii
THE SAMPO LOST IN THE SEA.
Louhi, hostess of Pohyola,
Called her many tribes together,
Gave the archers bows and arrows,
Gave her brave men spears and broadswords;
Fitted out her mightiest war-ship,
In the vessel placed her army,
With their swords a hundred heroes,
With their bows a thousand archers;
Quick erected masts and sail-yards,
On the masts her sails of linen
Hanging like the clouds of heaven,
Like the white-clouds in the ether,
Sailed across the seas of Pohya,
To re-take the wondrous Sampo
From the heroes of Wainola.
Wainamoinen, old and faithful,
Sailed across the deep, blue waters,
Spake these words to Lemminkainen:
'O thou daring son of Lempo,
Best of all my friends and heroes,
Mount the highest of the topmasts,
Look before you into ether,
Look behind you at the heavens,
Well examine the horizon,
Whether clear or filled with trouble.'
Climbed the daring Lemminkainen,
Ever ready for a venture,
To the highest of the mastheads;
Looked he eastward, also westward,
Looked he northward, also southward,
Then addressed wise Wainamoinen.
'Clear the sky appears before me,
But behind a dark horizon;
In the north a cloud is rising,
And a longer cloud at north-west.'
Wainamoinen thus made answer:
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Art thou speaking truth or fiction?
I am fearful that the war-ships
Of Pohyola are pursuing;
Look again with keener vision.'
Thereupon wild Lemminkainen
Looked again and spake as follows:
'In the distance seems a forest,
In the south appears an island,
Aspen-groves with falcons laden,
Alders laden with the wood-grouse.'
Spake the ancient Wainamoinen:
'Surely thou art speaking falsehood;
'Tis no forest in the distance,
Neither aspen, birch, nor alders,
Laden with the grouse, or falcon;
I am fearful that Pohyola
Follows with her magic armies;
Look again with keener vision.'
Then the daring Lemminkainen
Looked the third time from the topmast,
Spake and these the words be uttered:
'From the north a boat pursues us,
Driven by a hundred rowers,
Carrying a thousand heroes!'
Knew at last old Wainamoinen,
Knew the truth of his inquiry,
Thus addressed his fleeing people:
'Row, O blacksmith, Ilmarinen,
Row, O mighty Lemminkainen,
Row, all ye my noble oarsmen,
That our boat may skim the waters,
May escape from our pursuers!'
Rowed the blacksmith, Ilmarinen,
Rowed the mighty Lemminkainen,
With them rowed the other heroes;
Heavily groaned the helm of birch-wood,
Loudly rattled all the row-locks;
All the vessel shook and trembled,
Like a cataract it thundered
As it plowed the waste of waters,
Tossing sea-foam to the heavens.
Strongly rowed Wainola's forces,
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Strongly were their arms united;
But the distance did not widen
Twixt the boat and their pursuers.
Quick the hero, Wainamoinen,
Saw misfortune hanging over,
Saw destruction in the distance
Heavy-hearted, long reflecting,
Trouble-laden, spake as follows:
'Only is there one salvation,
Know one miracle for safety!'
Then he grasped his box of tinder,
From the box he took a flint-stone,
Of the tinder took some fragments,
Cast the fragments on the waters,
Spake these words of master-magic.
'Let from these arise a mountain
From the bottom of the deep-sea,
Let a rock arise in water,
That the war-ship of Pohyola,
With her thousand men and heroes,
May be wrecked upon the summit,
By the aid of surging billows.'
Instantly a reef arises,
In the sea springs up a mountain,
Eastward, westward, through the waters.
Came the war-ship of the Northland,
Through the floods the boat came steering,
Sailed against the mountain-ledges,
Fastened on the rocks in water,
Wrecked upon the Mount of Magic.
In the deep-sea fell the topmasts,
Fell the sails upon the billows,
Carried by the winds and waters
O'er the waves of toil and trouble.
Louhi, hostess of Pohyola,
Tries to free her sinking vessel,
Tries to rescue from destruction;
But she cannot raise the war-ship,
Firmly fixed upon the mountain;
Shattered are the ribs and rudder,
Ruined is the ship of Pohya.
Then the hostess of the Northland,
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Much disheartened, spake as follows:
'Where the force, in earth or heaven,
That will help a soul in trouble?'
Quick she changes form and feature,
Makes herself another body;
Takes five sharpened scythes of iron,
Also takes five goodly sickles,
Shapes them into eagle-talons;
Takes the body of the vessel,
Makes the frame-work of an eagle;
Takes the vessel's ribs and flooring
Makes them into wings and breastplate;
For the tail she shapes the rudder;
In the wings she plants a thousand
Seniors with their bows and arrows;
Sets a thousand magic heroes
In the body, armed with broadswords
In the tail a hundred archers,
With their deadly spears and cross-bows,
Thus the bird is hero-feathered.
Quick she spreads her mighty pinions,
Rises as a monster-eagle,
Flies on high, and soars, and circles
With one wing she sweeps the heavens,
While the other sweeps the waters.
Spake the hero's ocean-mother:
'O thou ancient Wainamoinen,
Turn thy vision to the north-east,
Cast thine eyes upon the sunrise,
Look behind thy fleeing vessel,
See the eagle of misfortune!'
Wainamoinen turned as bidden,
Turned his vision to the north-east,
Cast his eyes upon the sunrise,
There beheld the Northland-hostess,
Wicked witch of Sariola,
Flying as a monster-eagle,
Swooping on his mighty war-ship;
Flies and perches on the topmast,
On the sail-yards firmly settles;
Nearly overturns the vessel
Of the heroes of Wainola,
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Underneath the weight of envy.
Then the hero, Ilmarinen,
Turned to Ukko as his refuge,
Thus entreated his Creator:
'Ukko, thou O God in heaven,
Thou Creator full of mercy,
Guard us from impending danger,
That thy children may not perish,
May not meet with fell destruction.
Hither bring thy magic fire-cloak,
That thy people, thus protected,
May resist Pohyola's forces,
Well may fight against the hostess
Of the dismal Sariola,
May not fall before her weapons,
May not in the deep-sea perish!'
Then the ancient Wainamoinen
Thus addressed the ancient Louhi:
'O thou hostess of Pohyola,
Wilt thou now divide the Sampo,
On the fog-point in the water,
On the island forest-covered?
Thus the Northland hostess answered:
'I will not divide the Sampo,
Not with thee, thou evil wizard,
Not with wicked Wainamoinen!'
Quick the mighty eagle, Louhi,
Swoops upon the lid in colors,
Grasps the Sampo in her talons;
But the daring Lemminkainen
Straightway draws his blade of battle,
Draws his broadsword from his girdle,
Cleaves the talons of the eagle,
One toe only is uninjured,
Speaks these magic words of conquest:
'Down, ye spears, and down, ye broadswords,
Down, ye thousand witless heroes,
Down, ye feathered hosts of Louhi!'
Spake the hostess of Pohyola,
Calling, screeching, from the sail-yards:
'O thou faithless Lemminkainen,
Wicked wizard, Kaukomieli,
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To deceive thy trusting mother!
Thou didst give to her thy promise,
Not to go to war for ages,
Not to war for sixty summers,
Though desire for gold impels thee,
Though thou wishest gold and silver!
Wainamoinen, ancient hero,
The eternal wisdom-singer,
Thinking he had met destruction,
Snatched the rudder from the waters,
With it smote the monster-eagle,
Smote the, eagle's iron talons,
Smote her countless feathered heroes.
From her breast her hosts descended,
Spearmen fell upon the billows,
From the wings descend a thousand,
From the tail, a hundred archers.
Swoops again the bird of Pohya
To the bottom of the vessel,
Like the hawk from birch or aspen,
Like the falcon from the linden;
Grasps the Sampo with one talon,
Drags the treasure to the waters,
Drops the magic lid in colors
From the red rim of the war-ship
To the bottom of the deep-sea,
Where the Sampo breaks in pieces,
Scatters through the Alue-waters,
In the mighty deeps for ages,
To increase the ocean's treasures,
Treasures for the hosts of Ahto.
Nevermore will there be wanting
Richness for the Ahto-nation,
Never while the moonlight brightens
On the waters of the Northland.
Many fragments of the Sampo
Floated on the purple waters,
On the waters deep and boundless,
Rocked by winds and waves of Suomi,
Carried by the rolling billows
To the sea-sides of Wainola.
Wainamoinen, ancient minstrel,
210
Saw the fragments of the treasure
Floating on the billows landward,
Fragments of the lid in colors,
Much rejoicing, spake as follows:
'Thence will come the sprouting seed-grain,
The beginning of good fortune,
The unending of resources,
From the plowing and the sowing,
From the glimmer of the moonlight,
From the splendor of the sunshine,
On the fertile plains of Suomi,
On the meads of Kalevala.'
Louhi, hostess of Pohyola,
Thus addressed old Wainamoinen:
'Know I other mighty measures,
Know I means that are efficient,
And against thy golden moonlight,
And the splendor of thy sunshine,
And thy plowing, and thy reaping;
In the rocks I'll sink the moonbeams,
Hide the sun within the mountain,
Let the frost destroy thy sowings,
Freeze the crops on all thy corn-fields;
Iron-hail I'll send from heaven,
On the richness of thine acres,
On the barley of thy planting;
I will drive the bear from forests,
Send thee Otso from the thickets,
That he may destroy thy cattle,
May annihilate thy sheep-folds,
May destroy thy steeds at pasture.
I will send thee nine diseases,
Each more fatal than the other,
That will sicken all thy people,
Make thy children sink and perish,
Nevermore to visit Northland,
Never while the moonlight glimmers
On the plains of Kalevala!'
Thus the ancient bard made answer:
'Not a Laplander can banish
Wainamoinen and his people;
Never can a Turyalander
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Drive my tribes from Kalevala;
God alone has power to banish,
God controls the fate of nations,
Never trusts the arms of evil,
Never gives His strength to others.
As I trust in my Creator,
Call upon benignant Ukko,
He will guard my crops from danger
Drive the Frost-fiend from my corn-fields,
Drive great Otso to his caverns.
'Wicked Louhi of Pohyola,
Thou canst banish evil-doers,
In the rocks canst hide the wicked,
In thy mountains lock the guilty;
Thou canst never hide the moonlight,
Never bide the silver sunshine,
In the caverns of thy kingdom.
Freeze the crops of thine own planting,
Freeze the barley of thy sowing,
Send thine iron-hail from heaven
To destroy the Lapland corn-fields,
To annihilate thy people,
To destroy the hosts of Pohya;
Send great Otso from the heather,
Send the sharp-tooth from the forest,
To the fields of Sariola,
On the herds and flocks of Louhi!'
Thus the wicked hostess answered:
'All my power has departed,
All my strength has gone to others,
All my hope is in the deep-sea;
In the waters lies my Sampo!'
Then the hostess of Pohyola
Home departed, weeping, wailing,
To the land of cold and darkness;
Only took some worthless fragments
Of the Sampo to her people;
Carried she the lid to Pohya,
In the blue-sea left the handle;
Hence the poverty of Northland,
And the famines of Pohyola.
Wainamoinen, ancient minstrel,
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Hastened to the broad-sea's margin,
Stepped upon the shore in joyance;
Found there fragments of the Sampo,
Fragments of the lid in colors,
On the borders of the waters,
On the curving sands and sea-sides;
Gathered well the Sampo-relics
From the waters near the fog-point,
On the island forest-covered.
Spake the ancient Wainamoinen,
Spake these words in supplication:
'Grant, O Ukko, our Creator,
Grant to us, thy needful children,
Peace, and happiness, and plenty,
That our lives may be successful,
That our days may end in honor,
On the vales and hills of Suomi,
On the prairies of Wainola,
In the homes of Kalevala!
'Ukko, wise and good Creator,
Ukko, God of love and mercy,
Shelter and protect thy people
From the evil-minded heroes,
From the wiles of wicked women,
That our country's plagues may leave us,
That thy faithful tribes may prosper.
Be our friend and strong protector,
Be the helper of thy children,
In the night a roof above them,
In the day a shield around them,
That the sunshine may not vanish,
That the moonlight may not lessen,
That the killing frosts may leave them,
And destructive hail pass over.
Build a metal wall around us,
From the valleys to the heavens;
Build of stone a mighty fortress
On the borders of Wainola,
Where thy people live and labor,
As their dwelling-place forever,
Sure protection to thy people,
Where the wicked may not enter,
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Nor the thieves break through and pilfer,
Never while the moonlight glistens,
And the Sun brings golden blessings
To the plains of Kalevala.'
~ Elias Lönnrot,#NFDB
1245:An Essay On Man: Epistle Ii
I.
Know then thyself, presume not God to scan;
The proper study of mankind is man.
Plac'd on this isthmus of a middle state,
A being darkly wise, and rudely great:
With too much knowledge for the sceptic side,
With too much weakness for the stoic's pride,
He hangs between; in doubt to act, or rest;
In doubt to deem himself a god, or beast;
In doubt his mind or body to prefer;
Born but to die, and reas'ning but to err;
Alike in ignorance, his reason such,
Whether he thinks too little, or too much:
Chaos of thought and passion, all confus'd;
Still by himself abus'd, or disabus'd;
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurl'd:
The glory, jest, and riddle of the world!
Go, wondrous creature! mount where science guides,
Go, measure earth, weigh air, and state the tides;
Instruct the planets in what orbs to run,
Correct old time, and regulate the sun;
Go, soar with Plato to th' empyreal sphere,
To the first good, first perfect, and first fair;
Or tread the mazy round his follow'rs trod,
And quitting sense call imitating God;
As Eastern priests in giddy circles run,
And turn their heads to imitate the sun.
Go, teach Eternal Wisdom how to rule—
Then drop into thyself, and be a fool!
Superior beings, when of late they saw
A mortal Man unfold all Nature's law,
Admir'd such wisdom in an earthly shape,
And showed a Newton as we shew an Ape.
Could he, whose rules the rapid comet bind,
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Describe or fix one movement of his mind?
Who saw its fires here rise, and there descend,
Explain his own beginning, or his end?
Alas what wonder! Man's superior part
Uncheck'd may rise, and climb from art to art;
But when his own great work is but begun,
What Reason weaves, by Passion is undone.
Trace science then, with modesty thy guide;
First strip off all her equipage of pride;
Deduct what is but vanity, or dress,
Or learning's luxury, or idleness;
Or tricks to show the stretch of human brain,
Mere curious pleasure, or ingenious pain;
Expunge the whole, or lop th' excrescent parts
Of all our Vices have created Arts;
Then see how little the remaining sum,
Which serv'd the past, and must the times to come!
II.
Two principles in human nature reign;
Self-love, to urge, and reason, to restrain;
Nor this a good, nor that a bad we call,
Each works its end, to move or govern all:
And to their proper operation still,
Ascribe all good; to their improper, ill.
Self-love, the spring of motion, acts the soul;
Reason's comparing balance rules the whole.
Man, but for that, no action could attend,
And but for this, were active to no end:
Fix'd like a plant on his peculiar spot,
To draw nutrition, propagate, and rot;
Or, meteor-like, flame lawless through the void,
Destroying others, by himself destroy'd.
Most strength the moving principle requires;
Active its task, it prompts, impels, inspires.
Sedate and quiet the comparing lies,
Form'd but to check, delib'rate, and advise.
Self-love still stronger, as its objects nigh;
36
Reason's at distance, and in prospect lie:
That sees immediate good by present sense;
Reason, the future and the consequence.
Thicker than arguments, temptations throng,
At best more watchful this, but that more strong.
The action of the stronger to suspend,
Reason still use, to reason still attend.
Attention, habit and experience gains;
Each strengthens reason, and self-love restrains.
Let subtle schoolmen teach these friends to fight,
More studious to divide than to unite,
And grace and virtue, sense and reason split,
With all the rash dexterity of wit:
Wits, just like fools, at war about a name,
Have full as oft no meaning, or the same.
Self-love and reason to one end aspire,
Pain their aversion, pleasure their desire;
But greedy that its object would devour,
This taste the honey, and not wound the flow'r:
Pleasure, or wrong or rightly understood,
Our greatest evil, or our greatest good.
III.
Modes of self-love the passions we may call:
'Tis real good, or seeming, moves them all:
But since not every good we can divide,
And reason bids us for our own provide;
Passions, though selfish, if their means be fair,
List under reason, and deserve her care;
Those, that imparted, court a nobler aim,
Exalt their kind, and take some virtue's name.
In lazy apathy let Stoics boast
Their virtue fix'd, 'tis fix'd as in a frost;
Contracted all, retiring to the breast;
But strength of mind is exercise, not rest:
The rising tempest puts in act the soul,
Parts it may ravage, but preserves the whole.
On life's vast ocean diversely we sail,
Reason the card, but passion is the gale;
37
Nor God alone in the still calm we find,
He mounts the storm, and walks upon the wind.
Passions, like elements, though born to fight,
Yet, mix'd and soften'd, in his work unite:
These 'tis enough to temper and employ;
But what composes man, can man destroy?
Suffice that reason keep to nature's road,
Subject, compound them, follow her and God.
Love, hope, and joy, fair pleasure's smiling train,
Hate, fear, and grief, the family of pain,
These mix'd with art, and to due bounds confin'd,
Make and maintain the balance of the mind:
The lights and shades, whose well accorded strife
Gives all the strength and colour of our life.
Pleasures are ever in our hands or eyes,
And when in act they cease, in prospect, rise:
Present to grasp, and future still to find,
The whole employ of body and of mind.
All spread their charms, but charm not all alike;
On diff'rent senses diff'rent objects strike;
Hence diff'rent passions more or less inflame,
As strong or weak, the organs of the frame;
And hence one master passion in the breast,
Like Aaron's serpent, swallows up the rest.
As man, perhaps, the moment of his breath,
Receives the lurking principle of death;
The young disease, that must subdue at length,
Grows with his growth, and strengthens with his strength:
So, cast and mingled with his very frame,
The mind's disease, its ruling passion came;
Each vital humour which should feed the whole,
Soon flows to this, in body and in soul.
Whatever warms the heart, or fills the head,
As the mind opens, and its functions spread,
Imagination plies her dang'rous art,
And pours it all upon the peccant part.
Nature its mother, habit is its nurse;
Wit, spirit, faculties, but make it worse;
38
Reason itself but gives it edge and pow'r;
As Heav'n's blest beam turns vinegar more sour.
We, wretched subjects, though to lawful sway,
In this weak queen some fav'rite still obey:
Ah! if she lend not arms, as well as rules,
What can she more than tell us we are fools?
Teach us to mourn our nature, not to mend,
A sharp accuser, but a helpless friend!
Or from a judge turn pleader, to persuade
The choice we make, or justify it made;
Proud of an easy conquest all along,
She but removes weak passions for the strong:
So, when small humours gather to a gout,
The doctor fancies he has driv'n them out.
Yes, nature's road must ever be preferr'd;
Reason is here no guide, but still a guard:
'Tis hers to rectify, not overthrow,
And treat this passion more as friend than foe:
A mightier pow'r the strong direction sends,
And sev'ral men impels to sev'ral ends.
Like varying winds, by other passions toss'd,
This drives them constant to a certain coast.
Let pow'r or knowledge, gold or glory, please,
Or (oft more strong than all) the love of ease;
Through life 'tis followed, ev'n at life's expense;
The merchant's toil, the sage's indolence,
The monk's humility, the hero's pride,
All, all alike, find reason on their side.
Th' eternal art educing good from ill,
Grafts on this passion our best principle:
'Tis thus the mercury of man is fix'd,
Strong grows the virtue with his nature mix'd;
The dross cements what else were too refin'd,
And in one interest body acts with mind.
As fruits, ungrateful to the planter's care,
On savage stocks inserted, learn to bear;
The surest virtues thus from passions shoot,
Wild nature's vigor working at the root.
What crops of wit and honesty appear
39
From spleen, from obstinacy, hate, or fear!
See anger, zeal and fortitude supply;
Ev'n av'rice, prudence; sloth, philosophy;
Lust, through some certain strainers well refin'd,
Is gentle love, and charms all womankind;
Envy, to which th' ignoble mind's a slave,
Is emulation in the learn'd or brave;
Nor virtue, male or female, can we name,
But what will grow on pride, or grow on shame.
Thus nature gives us (let it check our pride)
The virtue nearest to our vice allied:
Reason the byass turns to good from ill,
And Nero reigns a Titus, if he will.
The fiery soul abhorr'd in Catiline,
In Decius charms, in Curtius is divine:
The same ambition can destroy or save,
And make a patriot as it makes a knave.
IV.
This light and darkness in our chaos join'd,
What shall divide? The God within the mind.
Extremes in nature equal ends produce,
In man they join to some mysterious use;
Though each by turns the other's bound invade,
As, in some well-wrought picture, light and shade,
And oft so mix, the diff'rence is too nice
Where ends the virtue, or begins the vice.
Fools! who from hence into the notion fall,
That vice or virtue there is none at all.
If white and black blend, soften, and unite
A thousand ways, is there no black or white?
Ask your own heart, and nothing is so plain;
'Tis to mistake them, costs the time and pain.
V.
Vice is a monster of so frightful mien,
As, to be hated, needs but to be seen;
40
Yet seen too oft, familiar with her face,
We first endure, then pity, then embrace.
But where th' extreme of vice, was ne'er agreed:
Ask where's the North? at York, 'tis on the Tweed;
In Scotland, at the Orcades; and there,
At Greenland, Zembla, or the Lord knows where:
No creature owns it in the first degree,
But thinks his neighbour farther gone than he!
Ev'n those who dwell beneath its very zone,
Or never feel the rage, or never own;
What happier natures shrink at with affright,
The hard inhabitant contends is right.
VI.
Virtuous and vicious ev'ry man must be,
Few in th' extreme, but all in the degree;
The rogue and fool by fits is fair and wise;
And ev'n the best, by fits, what they despise.
'Tis but by parts we follow good or ill,
For, vice or virtue, self directs it still;
Each individual seeks a sev'ral goal;
But heav'n's great view is one, and that the whole:
That counterworks each folly and caprice;
That disappoints th' effect of ev'ry vice;
That, happy frailties to all ranks applied,
Shame to the virgin, to the matron pride,
Fear to the statesman, rashness to the chief,
To kings presumption, and to crowds belief,
That, virtue's ends from vanity can raise,
Which seeks no int'rest, no reward but praise;
And build on wants, and on defects of mind,
The joy, the peace, the glory of mankind.
Heav'n forming each on other to depend,
A master, or a servant, or a friend,
Bids each on other for assistance call,
'Till one man's weakness grows the strength of all.
Wants, frailties, passions, closer still ally
The common int'rest, or endear the tie:
To these we owe true friendship, love sincere,
Each home-felt joy that life inherits here;
41
Yet from the same we learn, in its decline,
Those joys, those loves, those int'rests to resign;
Taught half by reason, half by mere decay,
To welcome death, and calmly pass away.
Whate'er the passion, knowledge, fame, or pelf,
Not one will change his neighbour with himself.
The learn'd is happy nature to explore,
The fool is happy that he knows no more;
The rich is happy in the plenty giv'n,
The poor contents him with the care of heav'n.
See the blind beggar dance, the cripple sing,
The sot a hero, lunatic a king;
The starving chemist in his golden views
Supremely blest, the poet in his Muse.
See some strange comfort ev'ry state attend,
And pride bestow'd on all, a common friend;
See some fit passion ev'ry age supply,
Hope travels through, nor quits us when we die.
Behold the child, by nature's kindly law,
Pleas'd with a rattle, tickl'd with a straw:
Some livelier plaything gives his youth delight,
A little louder, but as empty quite:
Scarfs, garters, gold, amuse his riper stage,
And beads and pray'r books are the toys of age:
Pleas'd with this bauble still, as that before;
'Till tir'd he sleeps, and life's poor play is o'er!
Meanwhile opinion gilds with varying rays
Those painted clouds that beautify our days;
Each want of happiness by hope supplied,
And each vacuity of sense by Pride:
These build as fast as knowledge can destroy;
In folly's cup still laughs the bubble, joy;
One prospect lost, another still we gain;
And not a vanity is giv'n in vain;
Ev'n mean self-love becomes, by force divine,
The scale to measure others' wants by thine.
See! and confess, one comfort still must rise,
'Tis this: Though man's a fool, yet God is wise.
42
~ Alexander Pope,#NFDB
1246:The Kalevala - Rune Vii
WAINIOINEN'S RESCUE.
Wainamoinen, old and truthful,
Swam through all the deep-sea waters,
Floating like a branch of aspen,
Like a withered twig of willow;
Swam six days in summer weather,
Swam six nights in golden moonlight;
Still before him rose the billows,
And behind him sky and ocean.
Two days more he swam undaunted,
Two long nights be struggled onward.
On the evening of the eighth day,
Wainamoinen grew disheartened,
Felt a very great discomfort,
For his feet had lost their toe-nails,
And his fingers dead and dying.
Wainamoinen, ancient minstrel,
Sad and weary, spake as follows:
'Woe is me, my old life fated!
Woe is me, misfortune's offspring!
Fool was I when fortune, favored,
To forsake my home and kindred,
For a maiden fair and lovely,
Here beneath the starry heavens,
In this cruel waste of waters,
Days and nights to swim and wander,
Here to struggle with the storm-winds,
To be tossed by heaving billows,
In this broad sea's great expanses,
In this ocean vast and boundless.
'Cold my life and sad and dreary,
Painful too for me to linger
Evermore within these waters,
Thus to struggle for existence!
Cannot know how I can prosper,
How to find me food and shelter,
In these cold and lifeless waters,
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In these days of dire misfortune.
Build I in the winds my dwelling?
It will find no sure foundation.
Build my home upon the billows?
Surely would the waves destroy it.'
Comes a bird from far Pohyola,
From the occident, an eagle,
Is not classed among the largest,
Nor belongs he to the smallest;
One wing touches on the waters,
While the other sweeps the heavens;
O'er the waves he wings his body,
Strikes his beak upon the sea-cliffs,
Flies about, then safely perches,
Looks before him, looks behind him,
There beholds brave Wainamoinen,
On the blue-back of the ocean,
And the eagle thus accosts him:
'Wherefore art thou, ancient hero,
Swimming in the deep-sea billows?
Thus the water-minstrel answered:
'I am ancient Wainamoinen,
Friend and fellow of the waters
I, the famous wisdom-singer;
Went to woo a Northland maiden,
Maiden from the dismal Darkland,
Quickly galloped on my journey,
Riding on the plain of ocean.
I arrived one morning early,
At the breaking of the day-dawn.
At the bay of Luotola,
Near Youkola's foaming river,
Where the evil Youkahainen
Slew my steed with bow and arrow,
Tried to slay me with his weapons.
On the waters fell I headlong,
Plunged beneath the salt-sea's surface,
From the saddle of the courser,
From my dappled steed of magic.
'Then arose a mighty storm-wind,
From the East and West a whirlwind,
Washed me seaward on the surges,
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Seaward, seaward, further, further,
Where for many days I wandered,
Swam and rocked upon the billows,
Where as many nights I struggled,
In the dashing waves and sea-foam,
With the angry winds and waters.
'Woe is me, my life hard-fated!
Cannot solve this heavy problem,
How to live nor how to perish
In this cruel salt-sea water.
Build I in the winds my dwelling?
It will find no sure foundation.
Build my home upon the waters?
Surely will the waves destroy it.
Must I swim the sea forever,
Must I live, or must I perish?
What will happen if I perish,
If I sink below the billows,
Perish here from cold and hunger?'
Thus the bird of Ether answered
'Be not in the least disheartened,
Place thyself between my shoulders,
On my back be firmly seated,
I will lift thee from the waters,
Bear thee with my pinions upward,
Bear thee wheresoe'er thou willest.
Well do I the day remember
Where thou didst the eagle service,
When thou didst the birds a favor.
Thou didst leave the birch-tree standing,
When were cleared the Osmo-forests,
From the lands of Kalevala,
As a home for weary song-birds,
As a resting-place for eagles.'
Then arises Wainamoinen,
Lifts his head above the waters,
Boldly rises from the sea-waves,
Lifts his body from the billows,
Seats himself upon the eagle,
On the eagle's feathered shoulders.
Quick aloft the huge bird bears him,
Bears the ancient Wainamoinen,
99
Bears him on the path of zephyrs,
Floating on the vernal breezes,
To the distant shore of Northland,
To the dismal Sariola,
Where the eagle leaves his burden,
Flies away to join his fellows.
Wainamoinen, lone and weary,
Straightway fell to bitter weeping,
Wept and moaned in heavy accents,
On the border of the blue-sea.
On a cheerless promontory,
With a hundred wounds tormented,
Made by cruel winds and waters,
With his hair and beard dishevelled
By the surging of the billows.
Three long days he wept disheartened
Wept as many nights in anguish,
Did not know what way to journey,
Could not find a woodland foot-print,
That would point him to the highway,
To his home in Kalevala,
To his much-loved home and kindred.
Northland's young and slender maiden,
With complexion fair and lovely,
With the Sun had laid a wager,
With the Sun and Moon a wager,
Which should rise before the other,
On the morning of the morrow.
And the maiden rose in beauty,
Long before the Sun had risen,
Long before the Moon bad wakened,
From their beds beneath the ocean.
Ere the cock had crowed the day-break,
Ere the Sun had broken slumber
She had sheared six gentle lambkins,
Gathered from them six white fleeces,
Hence to make the rolls for spinning,
Hence to form the threads for weaving,
Hence to make the softest raiment,
Ere the morning dawn had broken,
Ere the sleeping Sun had risen.
When this task the maid had ended,
100
Then she scrubbed the birchen tables,
Sweeps the ground-floor of the stable,
With a broom of leaves and branches
From the birches of the Northland,
Scrapes the sweepings well together
On a shovel made of copper,
Carries them beyond the stable,
From the doorway to the meadow,
To the meadow's distant border,
Near the surges of the great-sea,
Listens there and looks about her,
Hears a wailing from the waters,
Hears a weeping from the sea-shore,
Hears a hero-voice lamenting.
Thereupon she hastens homeward,
Hastens to her mother's dwelling,
These the words the maiden utters:
'I have heard a wail from ocean,
Heard a weeping from the sea-coast,
On the shore some one lamenting.'
Louhi, hostess of Pohyola,
Ancient, toothless dame of Northland,
Hastens from her door and court-yard,
Through the meadow to the sea-shore,
Listens well for sounds of weeping,
For the wail of one in sorrow;
Hears the voice of one in trouble,
Hears a hero-cry of anguish.
Thus the ancient Louhi answers:
'This is not the wail of children,
These are not the tears of women,
In this way weep bearded heroes;
This the hero-cry of anguish.'
Quick she pushed her boat to water,
To the floods her goodly vessel,
Straightway rows with lightning swiftness,
To the weeping Wainamoinen;
Gives the hero consolation,
Comfort gives she to the minstrel
Wailing in a grove of willows,
In his piteous condition,
Mid the alder-trees and aspens,
101
On the border of the salt-sea,
Visage trembling, locks dishevelled.
Ears, and eyes, and lips of sadness.
Louhi, hostess of Pohyola,
Thus addresses Wainamoinen:
'Tell me what has been thy folly,
That thou art in this condition.'
Old and truthful Wainamoinen
Lifts aloft his bead and answers:
'Well I know that it is folly
That has brought me all this trouble,
Brought me to this land of strangers,
To these regions unbefitting
Happy was I with my kindred,
In my distant home and country,
There my name was named in honor.'
Louhi, hostess of Pohyola,
Thus replied to Wainamoinen:
'I would gain the information,
Should I be allowed to ask thee,
Who thou art of ancient heroes,
Who of all the host of heroes?
This is Wainamoinen's answer:
'Formerly my name was mentioned,
Often was I heard and honored,
As a minstrel and magician,
In the long and dreary winters,
Called the 'Singer of the Northland,
In the valleys of Wainola,
On the plains of Kalevala;
No one thought that such misfortune
Could befall wise Wainamoinen.'
Louhi, hostess of Pohyola,
Thus replied in cheering accents
'Rise, O hero, from discomfort,
From thy bed among the willows;
Enter now upon the new-way,
Come with me to yonder dwelling,
There relate thy strange adventures,
Tell the tale of thy misfortunes.'
Now she takes the hapless hero,
Lifts him from his bed of sorrow,
102
In her boat she safely seats him,
And begins at once her rowing,
Rows with steady hand and mighty
To her home upon the sea-shore,
To the dwellings of Pohyola.
There she feeds the starving hero,
Rests the ancient Wainamoinen,
Gives him warmth, and food, and shelter,
And the hero soon recovers.
Then the hostess of Pohyola
Questioned thus the ancient singer:
'Wherefore didst thou, Wainamoinen,
Friend and fellow of the waters,
Weep in sad and bitter accents,
On the border of the ocean,
Mid the aspens and the willows?'
This is Wainamoinen's answer:
Had good reason for my weeping,
Cause enough for all my sorrow;
Long indeed had I been swimming,
Had been buffeting the billows,
In the far outstretching waters.
This the reason for my weeping;
I have lived in toil and torture,
Since I left my home and country,
Left my native land and kindred,
Came to this the land of strangers,
To these unfamiliar portals.
All thy trees have thorns to wound me,
All thy branches, spines to pierce me,
Even birches give me trouble,
And the alders bring discomfort,
My companions, winds and waters,
Only does the Sun seem friendly,
In this cold and cruel country,
Near these unfamiliar portals.'
Louhi thereupon made answer,
Weep no longer, Wainamoinen,
Grieve no more, thou friend of waters,
Good for thee, that thou shouldst linger
At our friendly homes and firesides;
Thou shalt live with us and welcome,
103
Thou shalt sit at all our tables,
Eat the salmon from our platters,
Eat the sweetest of our bacon,
Eat the whiting from our waters.'
Answers thus old Wainamoinen,
Grateful for the invitation:
'Never do I court strange tables,
Though the food be rare and toothsome;
One's own country is the dearest,
One's own table is the sweetest,
One's own home, the most attractive.
Grant, kind Ukko, God above me,
Thou Creator, full of mercy,
Grant that I again may visit
My beloved home and country.
Better dwell in one's own country,
There to drink Its healthful waters
From the simple cups of birch-wood,
Than in foreign lands to wander,
There to drink the rarest liquors
From the golden bowls of strangers.'
Louhi, hostess of Pohyola,
Thus replied to the magician:
'What reward wilt thou award me,
Should I take thee where thou willest,
To thy native land and kindred,
To thy much-loved home and fireside,
To the meadows of Wainola,
To the plains of Kalevala?'
These the words of Wainamoinen:
'What would be reward sufficient,
Shouldst thou take me to my people,
To my home and distant country,
To the borders of the Northland,
There to hear the cuckoo singing,
Hear the sacred cuckoo calling?
Shall I give thee golden treasures,
Fill thy cups with finest silver?'
This is Louhi's simple answer:
'O thou ancient Wainamoinen,
Only true and wise magician,
Never will I ask for riches,
104
Never ask for gold nor silver;
Gold is for the children's flowers,
Silver for the stallion's jewels.
Canst thou forge for me the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins?
'I will give thee too my daughter,
Will reward thee through the maiden,
Take thee to thy much-loved home-land,
To the borders of Wainola,
There to hear the cuckoo singing,
Hear the sacred cuckoo calling.'
Wainamoinen, much regretting,
Gave this answer to her question:
'Cannot forge for thee the Sampo,
Cannot make the lid in colors.
Take me to my distant country,
I will send thee Ilmarinen,
He will forge for thee the Sampo,
Hammer thee the lid in colors,
He may win thy lovely maiden;
Worthy smith is Ilmarinen,
In this art is first and master;
He, the one that forged the heavens.
Forged the air a hollow cover;
Nowhere see we hammer-traces,
Nowhere find a single tongs-mark.'
Thus replied the hostess, Louhi:
'Him alone I'll give my daughter,
Promise him my child in marriage,
Who for me will forge the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins.'
Thereupon the hostess Louhi,
Harnessed quick a dappled courser,
Hitched him to her sledge of birch-wood,
105
Placed within it Wainamoinen,
Placed the hero on the cross-bench,
Made him ready for his journey;
Then addressed the ancient minstrel,
These the words that Louhi uttered:
'Do not raise thine eyes to heaven,
Look not upward on thy journey,
While thy steed is fresh and frisky,
While the day-star lights thy pathway,
Ere the evening star has risen;
If thine eyes be lifted upward,
While the day-star lights thy pathway,
Dire misfortune will befall thee,
Some sad fate will overtake thee.'
Then the ancient Wainamoinen
Fleetly drove upon his journey,
Merrily he hastened homeward,
Hastened homeward, happy-hearted
From the ever-darksome Northland
From the dismal Sariola.
~ Elias Lönnrot,#NFDB
1247:The Kalevala - Rune Xxxix
WAINAMOINEN'S SAILING.
Wainamoinen, old and faithful,
Spake these words to Ilmarinen:
'O thou wonder-working brother,
Let us go to Sariola,
There to gain the magic Sampo,
There to see the lid in colors.'
Ilmarinen gave this answer:
'Hard indeed to seize the Sampo,
Neither can the lid be captured
From the never-pleasant Northland,
From the dismal Sariola.
Louhi took away the Sampo,
Carried off the lid in colors
To the stone-mount of Pohyola;
Hid it in the copper mountain,
Where nine locks secure the treasure.
Many young roots sprout around it,
Grow nine fathoms deep in sand-earth,
One great root beneath the mountain,
In the cataract a second,
And a third beneath the castle
Built upon the mount of ages.'
Spake the ancient Wainamoinen:
'Brother mine, and wonder-worker,
Let us go to Sariola,
That we may secure the Sampo;
Let us build a goodly vessel,
Bring the Sampo to Wainola,
Bring away the lid in colors,
From the stone-berg of Pohyola,
From the copper-bearing mountain.
Where the miracle lies anchored.'
Ilmarinen thus made answer:
'By the land the way is safer,
Lempo travels on the ocean,
Ghastly Death upon his shoulder;
534
On the sea the waves will drift us,
And the storm-winds wreck our vessel;
Then our bands must do the rowing,
And our feet must steer us homeward.'
Spake the ancient Wainamoinen:
'Safe indeed by land to journey,
But the way is rough and trying,
Long the road and full of turnings;
Lovely is the ship on ocean,
Beautiful to ride the billows,
Journey easy o'er the waters,
Sailing in a trusty vessel;
Should the West-wind cross our pathway,
Will the South-wind drive us northward.
Be that as it may, my brother,
Since thou dost not love the water,
By the land then let us journey.
Forge me now the sword of battle,
Forge for me the mighty fire-sword,
That I may destroy the wild-beasts,
Frighten all the Northland people,
As we journey for the Sampo
To the cold and dismal village,
To the never-pleasant Northland,
To the dismal Sariola.'
Then the blacksmith, Ilmarinen,
The eternal forger-artist,
Laid the metals in the furnace,
In the fire laid steel and iron,
In the hot-coals, gold and silver,
Rightful measure of the metals;
Set the workmen at the furnace,
Lustily they plied the bellows.
Like the wax the iron melted,
Like the dough the hard steel softened,
Like the water ran the silver,
And the liquid gold flowed after.
Then the minstrel, Ilmarinen,
The eternal wonder-forger,
Looks within his magic furnace,
On the border of his oven,
There beholds the fire-sword forming,
535
Sees the blade with golden handle;
Takes the weapon from the furnace,
Lays it on his heavy anvil
For the falling of the hammer;
Forges well the blade of magic,
Well the heavy sword be tempers,
Ornaments the hero-weapon
With the finest gold and silver.
Wainamoinen, the magician,
Comes to view the blade of conquest,
Lifts admiringly the fire-sword,
Then these words the hero utters:
'Does the weapon match the soldier,
Does the handle suit the bearer?
Yea, the blade and hilt are molded
To the wishes of the minstrel.'
On the sword-point gleams the moonlight,
On the blade the sun is shining,
On the hilt the bright stars twinkle,
On the edge a horse is neighing,
On the handle plays a kitten,
On the sheath a dog is barking.
Wainamoinen wields his fire-sword,
Tests it on the iron-mountain,
And these words the hero utters:
'With this broadsword I could quickly
Cleave in twain the mount of Pohya,
Cut the flinty rocks asunder.'
Spake the blacksmith, Ilmarinen:
'Wherewith shall I guard from danger,
How protect myself from evil,
From the ills by land and water?
Shall I wear an iron armor,
Belt of steel around my body?
Stronger is a man in armor,
Safer in a mail of copper.'
Now the time has come to journey
To the never-pleasant Northland;
Wainamoinen, ancient minstrel,
And his brother, Ilmarinen,
Hasten to the field and forest,
Searching for their fiery coursers,
536
In each shining belt a bridle,
With a harness on their shoulders.
In the woods they find a race;
In the glen a steed of battle,
Ready for his master's service.
Wainamoinen, old and trusty,
And the blacksmith, Ilmarinen,
Throw the harness on the courser,
Hitch him to the sledge of conquest,
Hasten on their journey Northward;
Drive along the broad-sea's margin
Till they bear some one lamenting
On the strand hear something wailing
Near the landing-place of vessels.
Wainamoinen, ancient minstrel,
Speaks these words in wonder, guessing,
'This must be some maiden weeping,
Some fair daughter thus lamenting;
Let us journey somewhat nearer,
To discover whence this wailing.'
Drew they nearer, nearer, nearer,
Hoping thus to find a maiden
Weeping on the sandy sea-shore.
It was not a maiden weeping,
But a vessel, sad, and lonely,
Waiting on the shore and wailing.
Spake the ancient Wainamoinen:
'Why art weeping, goodly vessel,
What the cause of thy lamenting?
Art thou mourning for thy row-locks,
Is thy rigging ill-adjusted?
Dost thou weep since thou art anchored
On the shore in times of trouble?'
Thus the war-ship spake in answer:
'To the waters would this vessel
Haste upon the well-tarred rollers,
As a happy maiden journeys
To the cottage of her husband.
I, alas! a goodly vessel,
Weep because I lie at anchor,
Weep and wail because no hero
Sets me free upon the waters,
537
Free to ride the rolling billows.
It was said when I was fashioned,
Often sung when I was building,
That this bark should be for battle,
Should become a mighty war-ship,
Carry in my hull great treasures,
Priceless goods across the ocean.
Never have I sailed to conquest,
Never have I carried booty;
Other vessels not as worthy
To the wars are ever sailing,
Sailing to the songs of battle.
Three times in the summer season
Come they home with treasures laden,
In their hulls bring gold and silver;
I, alas! a worthy vessel,
Many months have lain at anchor,
I, a war-ship well constructed,
Am decaying in the harbor,
Never having sailed to conquest;
Worms are gnawing at my vitals,
In my hull their dwelling-places,
And ill-omened birds of heaven
Build their nests within my rigging;
Frogs and lizards of the forest
Play about my oars and rudder;
Three times better for this vessel
Were he but a valley birch-tree,
Or an aspen on the heather,
With the squirrels in his branches,
And the dogs beneath them barking!'
Wainamoinen, old and faithfull
Thus addressed the ship at anchor:
'Weep no more, thou goodly vessel,
Man-of-war, no longer murmur;
Thou shalt sail to Sariola,
Sing the war-songs of the Northland,
Sail with us to deadly combat.
Wert thou built by the Creator,
Thou canst sail the roughest waters,
Sidewise journey o'er the ocean;
Dost not need the hand to touch thee,
538
Dost not need the foot to turn thee,
Needing nothing to propel thee.'
Thus the weeping boat made answer:
'Cannot sail without assistance,
Neither can my brother-vessels
Sail unaided o'er the waters,
Sail across the waves undriven.'
Spake the ancient Wainamoinen:
'Should I lead thee to the broad-sea,
Wilt thou journey north unaided,
Sail without the help of rowers,
Sail without the aid of south-winds,
Sail without the b elm to guide thee?
Thus the wailing ship replying:
Cannot sail without assistance,
Neither can my brother-vessels
Sail without the aid of rowers,
Sail without the help of south-winds,
Nor without the helm to guide them.'
These the words of Wainamoinen:
'Wilt thou run with aid of oarsmen
When the south-winds give assistance,
Guided by a skillful pilot?'
This the answer of the war-ship:
'Quickly can I course these waters,
When my oars are manned by rowers,
When my sails are filled with south-winds,
All my goodly brother-vessels
Sail the ocean with assistance,
When the master holds the rudder.'
Then the ancient Wainamoinen
Left the racer on the sea-side,
Tied him to the sacred birch-tree,
Hung the harness on a willow,
Rolled the vessel to the waters,
Sang the ship upon the broad-sea,
Asked the boat this simple question:
'O thou vessel, well-appearing
From the mighty oak constructed,
Art thou strong to carry treasures
As in view thou art commanding?
Thus the goodly ship made answer:
539
'Strong am I to carry treasures,
In my hull a golden cargo;
I can bear a hundred oarsmen,
And of warriors a thousand.'
Wainamoinen, the magician,
Then began his wondrous singing.
On one side the magic vessel,
Sang he youth with golden virtues,
Bearded youth with strength of heroes,
Sang them into mail of copper.
On the other side the vessel,
Sang he silver-tinselled maidens,
Girded them with belts of copper,
Golden rings upon their fingers.
Sings again the great magician,
Fills the magic ship with heroes,
Ancient heroes, brave and mighty;
Sings them into narrow limits,
Since the young men came before them.
At the helm himself be seated,
Near the last beam of the vessel,
Steered his goodly boat in joyance,
Thus addressed the willing war-ship:
'Glide upon the trackless waters,
Sail away, my ship of magic,
Sail across the waves before thee,
Speed thou like a dancing bubble,
Like a flower upon the billows!'
Then the ancient Wainamoinen
Set the young men to the rowing,
Let the maidens sit in waiting.
Eagerly the youthful heroes
Bend the oars and try the row-locks,
But the distance is not lessened.
Then the minstrel, Wainamoinen,
Set the maidens to the rowing,
Let the young men rest in waiting.
Eagerly the merry maidens
Bend the aspen-oars in rowing,
But the distance is not lessened.
Then the master, Wainamoinen,
Set the old men to the rowing,
540
Let the youth remain in waiting.
Lustily the aged heroes
Bend and try the oars of aspen,
But the distance is not lessened.
Then the blacksmith, Ilmarinen,
Grasped the oars with master-magic,
And the boat leaped o'er the surges,
Swiftly sped across the billows;
Far and wide the oars resounded,
Quickly was the distance lessened.
With a rush and roar of waters
Ilmarinen sped his vessel,
Benches, ribs, and row-locks creaking,
Oars of aspen far resounding;
Flap the sails like wings of moor-cocks,
And the prow dips like a white-swan;
In the rear it croaks like ravens,
Loud the oars and rigging rattle.
Straightway ancient Wainamoinen
Sitting by the bending rudder,
Turns his magic vessel landward,
To a jutting promontory,
Where appears a Northland-village.
On the point stands Lemminkainen,
Kaukomieli, black magician,
Ahti, wizard of Wainola,
Wishing for the fish of Pohya,
Weeping for his fated dwelling,
For his perilous adventures,
Hard at work upon a vessel,
On the sail-yards of a fish-boat,
Near the hunger-point and island,
Near the village-home deserted.
Good the ears of the magician,
Good the wizard's eyes for seeing;
Casts his vision to the South-east,
Turns his eyes upon the sunset,
Sees afar a wondrous rainbow,
Farther on, a cloudlet hanging;
But the bow was a deception,
And the cloudlet a delusion;
'Tis a vessel swiftly sailing,
541
'Tis a war-ship flying northward,
O'er the blue-back of the broad-sea,
On the far-extending waters,
At the helm the master standing,
At the oars a mighty hero.
Spake the reckless Lemminkainen:
'Do not know this wondrous vessel,
Not this well-constructed war-ship,
Coming from the distant Suomi,
Rowing for the hostile Pohya.'
Thereupon wild Lemminkainen
Called aloud in tones of thunder
O'er the waters to the vessel;
Made the distant hills re-echo
With the music of his calling:
'Whence this vessel on the waters,
Whose the war-ship sailing hither?'
Spake the master of the vessel
To the reckless Lemminkainen:
'Who art thou from fen or forest,
Senseless wizard from the woodlands,
That thou dost not know this vessel,
Magic war-ship of Wainola?
Dost not know him at the rudder,
Nor the hero at the row-locks?'
Spake the wizard, Lemminkainen:
'Well I know the helm-director,
And I recognize the rower;
Wainamoinen, old and trusty,
At the helm directs the vessel;
Ilmarinen does the rowing.
Whither is the vessel sailing,
Whither wandering, my heroes?
Spake the ancient Wainamoinen:
'We are sailing to the Northland,
There to gain the magic Sampo,
There to get the lid in colors,
From the stone-berg of Pohyola,
From the copper-bearing mountain.'
Spake the evil Lemminkainen:
'O, thou good, old Wainamoinen,
Take me with thee to Pohyola,
542
Make me third of magic heroes,
Since thou goest for the Sampo,
Goest for the lid in colors;
I shall prove a valiant soldier,
When thy wisdom calls for fighting;
I am skilled in arts of warfare!'
Wainamoinen, ancient minstrel,
Gave assent to Ahti's wishes;
Thereupon wild Lemminkainen
Hastened to Wainola's war-ship,
Bringing floats of aspen-timber,
To the ships of Wainamoinen.
Thus the hero of the Northland
Speaks to reckless Lemminkainen:
'There is aspen on my vessel,
Aspen-floats in great abundance,
And the boat is heavy-laden.
Wherefore dost thou bring the aspen
To the vessel of Wainola?'
Lemminkainen gave this answer:
'Not through caution sinks a vessel,
Nor a hay-stack by its proppings;
Seas abound in hidden dangers,
Heavy storms arise and threaten
Fell destruction to the sailor
That would brave the angry billows.'
Spake the good, old Wainamoinen:
'Therefore is this warlike vessel
Built of trusty steel and copper,
Trimmed and bound in toughest iron,
That the winds may, not destroy it,
May not harm my ship of magic.'
~ Elias Lönnrot,#NFDB
1248:Others have told me
quiet pools are to be found
in the swiftest stream.
Why, then, is this love of mine
all unrelieved turbulence?
Like (0) 3
The Epic of Gilgamesh Tablet I
He who has seen everything, I will make known (?) to the lands.
I will teach (?) about him who experienced all things,
alike,
Anu granted him the totality of knowledge of all.
He saw the Secret, discovered the Hidden,
he brought information of (the time) before the Flood.
He went on a distant journey, pushing himself to exhaustion,
but then was brought to peace.
He carved on a stone stela all of his toils,
and built the wall of Uruk-Haven,
the wall of the sacred Eanna Temple, the holy sanctuary.
Look at its wall which gleams like copper(?),
inspect its inner wall, the likes of which no one can equal!
Take hold of the threshold stoneit dates from ancient times!
Go close to the Eanna Temple, the residence of Ishtar,
such as no later king or man ever equaled!
Go up on the wall of Uruk and walk around,
examine its foundation, inspect its brickwork thoroughly.
Is not (even the core of) the brick structure made of kiln-fired brick,
and did not the Seven Sages themselves lay out its plans?
One league city, one league palm gardens, one league lowlands, the open area(?) of the Ishtar Temple,
three leagues and the open area(?) of Uruk it (the wall) encloses.
Find the copper tablet box,
open the of its lock of bronze,
undo the fastening of its secret opening.
Take and read out from the lapis lazuli tablet
how Gilgamesh went through every hardship.
Supreme over other kings, lordly in appearance,
he is the hero, born of Uruk, the goring wild bull.
He walks our in front, the leader,
and walks at the rear, trusted by his companions.
Mighty net, protector of his people,
raging flood-wave who destroys even walls of stone!
Offspring of Lugalbanda, Gilgamesh is strong to perfection,
son of the august cow, Rimat-Ninsun; Gilgamesh is awesome to perfection.
It was he who opened the mountain passes,
who dug wells on the flank of the mountain.
It was he who crossed the ocean, the vast seas, to the rising sun,
who explored the world regions, seeking life.
It was he who reached by his own sheer strength Utanapishtim, the Faraway,
who restored the sanctuaries (or: cities) that the Flood had destroyed!
for teeming mankind.
Who can compare with him in kingliness?
Who can say like Gilgamesh: "I am King!"?
Whose name, from the day of his birth, was called "Gilgamesh"?
Two-thirds of him is god, one-third of him is human.
The Great Goddess [Aruru] designed(?) the model for his body,
she prepared his form
beautiful, handsomest of men,
perfect
He walks around in the enclosure of Uruk,
Like a wild bull he makes himself mighty, head raised (over others).
There is no rival who can raise his weapon against him.
His fellows stand (at the alert), attentive to his (orders ?),
and the men of Uruk become anxious in
Gilgamesh does not leave a son to his father,
day and night he arrogant[y(?)
[The following lines are interpreted as rhetorical, perhaps spoken by the oppressed citizens of Uruk.]
Is Gilgamesh the shepherd of Uruk-Haven,
is he the shepherd.
bold, eminent, knowing, and wise!
Gilgamesh does not leave a girl to her mother(?)
The daughter of the warrior, the bride of the young man,
the gods kept hearing their complaints, so
the gods of the heavens implored the Lord of Uruk [Anu]
"You have indeed brought into being a mighty wild bull, head raised!
"There is no rival who can raise a weapon against him.
"His fellows stand (at the alert), attentive to his (orders !),
"Gilgamesh does not leave a son to his father,
"day and night he arrogantly
"Is he the shepherd of Uruk-Haven,
"is he their shepherd
"bold, eminent, knowing, and wise,
"Gilgamesh does not leave a girl to her mother(?)!"
The daughter of the warrior, the bride of the young man,
Anu listened to their complaints,
and (the gods) called out to Aruru:
"it was you, Aruru, who created mankind(?),
now create a zikru to it/him.
Let him be equal to his (Gilgamesh's) stormy heart,
let them be a match for each other so that Uruk may find peace!"
When Aruru heard this she created within herself the zikrtt of Anu.
Aruru washed her hands, she pinched off some clay, and threw it into the wilderness.
In the wildness(?) she created valiant Enkidu,
born of Silence, endowed with strength by Ninurta.
His whole body was shaggy with hair,
he had a full head of hair like a woman,
his locks billowed in profusion like Ashnan.
He knew neither people nor settled living,
but wore a garment like Sumukan."
He ate grasses with the gazelles,
and jostled at the watering hole with the animals;
as with animals, his thirst was slaked with (mere) water.
A notorious trapper came face-to-face with him opposite the watering hole.
A first, a second, and a third day
he came face-to-face with him opposite the watering hole.
On seeing him the trapper's face went stark with fear,
and he (Enkidu?) and his animals drew back home.
He was rigid with fear; though stock-still
his heart pounded and his face drained of color.
He was miserable to the core,
and his face looked like one who had made a long journey.
The trapper addressed his father saying:"
"Father, a certain fellow has come from the mountains.
He is the mightiest in the land,
his strength is as mighty as the meteorite(?) of Anu!
He continually goes over the mountains,
he continually jostles at the watering place with the animals,
he continually plants his feet opposite the watering place.
I was afraid, so I did not go up to him.
He filled in the pits that I had dug,
wrenched out my traps that I had spread,
released from my grasp the wild animals.
He does not let me make my rounds in the wilderness!"
The trapper's father spoke to him saying:
"My son, there lives in Uruk a certain Gilgamesh.
There is no one stronger than he,
he is as strong as the meteorite(?) of Anu.
Go, set off to Uruk,
tell Gilgamesh of this Man of Might.
He will give you the harlot Shamhat, take her with you.
The woman will overcome the fellow (?) as if she were strong.
When the animals are drinking at the watering place
have her take off her robe and expose her sex.
When he sees her he will draw near to her,
and his animals, who grew up in his wilderness, will be alien to him."
He heeded his father's advice.
The trapper went off to Uruk,
he made the journey, stood inside of Uruk,
and declared to Gilgamesh:
"There is a certain fellow who has come from the mountains
he is the mightiest in the land,
his strength is as mighty as the meteorite(?) of Anu!
He continually goes over the mountains,
he continually jostles at the watering place with the animals,
he continually plants his feet opposite the watering place.
I was afraid, so I did not go up to him.
He filled in the pits that I had dug,
wrenched out my traps that I had spread,
released from my grasp the wild animals.
He does not let me make my rounds in the wilderness!"
Gilgamesh said to the trapper:
"Go, trapper, bring the harlot, Shamhat, with you.
When the animals are drinking at the watering place
have her take off her robe and expose her sex.
When he sees her he will draw near to her,
and his animals, who grew up in his wilderness, will be alien to him."
The trapper went, bringing the harlot, Shamhat, with him.
They set off on the journey, making direct way.
On the third day they arrived at the appointed place,
and the trapper and the harlot sat down at their posts(?).
A first day and a second they sat opposite the watering hole.
The animals arrived and drank at the watering hole,
the wild beasts arrived and slaked their thirst with water.
Then he, Enkidu, offspring of the mountains,
who eats grasses with the gazelles,
came to drink at the watering hole with the animals,
with the wild beasts he slaked his thirst with water.
Then Shamhat saw hima primitive,
a savage fellow from the depths of the wilderness!
"That is he, Shamhat! Release your clenched arms,
expose your sex so he can take in your voluptuousness.
Do not be restrainedtake his energy!
When he sees you he will draw near to you.
Spread out your robe so he can lie upon you,
and perform for this primitive the task of womankind!
His animals, who grew up in his wilderness, will become alien to him,
and his lust will groan over you."
Shamhat unclutched her bosom, exposed her sex, and he took in her voluptuousness.
She was not restrained, but took his energy.
She spread out her robe and he lay upon her,
she performed for the primitive the task of womankind.
His lust groaned over her;
for six days and seven nights Enkidu stayed aroused,
and had intercourse with the harlot
until he was sated with her charms.
But when he turned his attention to his animals,
the gazelles saw Enkidu and darted off,
the wild animals distanced themselves from his body.
Enkidu his utterly depleted(?) body,
his knees that wanted to go off with his animals went rigid;
Enkidu was diminished, his running was not as before.
But then he drew himself up, for his understanding had broadened.
Turning around, he sat down at the harlot's feet,
gazing into her face, his ears attentive as the harlot spoke.
The harlot said to Enkidu:
"You are beautiful," Enkidu, you are become like a god.
Why do you gallop around the wilderness with the wild beasts?
Come, let me bring you into Uruk-Haven,
to the Holy Temple, the residence of Anu and Ishtar,
the place of Gilgamesh, who is wise to perfection,
but who struts his power over the people like a wild bull."
What she kept saying found favor with him.
Becoming aware of himself, he sought a friend.
Enkidu spoke to the harlot:
"Come, Shamhat, take me away with you
to the sacred Holy Temple, the residence of Anu and Ishtar,
the place of Gilgamesh, who is wise to perfection,
but who struts his power over the people like a wild bull.
I will challenge him
Let me shout out in Uruk: I am the mighty one!'
Lead me in and I will change the order of things;
he whose strength is mightiest is the one born in the wilderness!"
[Shamhat to Enkidu:]
"Come, let us go, so he may see your face.
I will lead you to GilgameshI know where he will be.
Look about, Enkidu, inside Uruk-Haven,
where the people show off in skirted finery,
where every day is a day for some festival,
where the lyre(?) and drum play continually,
where harlots stand about prettily,
exuding voluptuousness, full of laughter
and on the couch of night the sheets are spread (!)."
Enkidu, you who do not know, how to live,
I will show you Gilgamesh, a man of extreme feelings (!).
Look at him, gaze at his face
he is a handsome youth, with freshness(!),
his entire body exudes voluptuousness
He has mightier strength than you,
without sleeping day or night!
Enkidu, it is your wrong thoughts you must change!
It is Gilgamesh whom Shamhat loves,
and Anu, Enlil, and La have enlarged his mind."
Even before you came from the mountain
Gilgamesh in Uruk had dreams about you.""
Gilgamesh got up and revealed the dream, saying to his mother:
"Mother, I had a dream last night.
Stars of the sky appeared,
and some kind of meteorite(?) of Anu fell next to me.
I tried to lift it but it was too mighty for me,
I tried to turn it over but I could not budge it.
The Land of Uruk was standing around it,
the whole land had assembled about it,
the populace was thronging around it,
the Men clustered about it,
and kissed its feet as if it were a little baby (!).
I loved it and embraced it as a wife.
I laid it down at your feet,
and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her Lord;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
"As for the stars of the sky that appeared
and the meteorite(?) of Anu which fell next to you,
you tried to lift but it was too mighty for you,
you tried to turn it over but were unable to budge it,
you laid it down at my feet,
and I made it compete with you,
and you loved and embraced it as a wife."
"There will come to you a mighty man, a comrade who saves his friend
he is the mightiest in the land, he is strongest,
his strength is mighty as the meteorite(!) of Anu!
You loved him and embraced him as a wife;
and it is he who will repeatedly save you.
Your dream is good and propitious!"
A second time Gilgamesh said to his mother: "Mother, I have had another dream:
"At the gate of my marital chamber there lay an axe,
"and people had collected about it.
"The Land of Uruk was standing around it,
"the whole land had assembled about it,
"the populace was thronging around it.
"I laid it down at your feet,
"I loved it and embraced it as a wife,
"and you made it compete with me."
The mother of Gilgamesh, the wise, all-knowing, said to her son;
Rimat-Ninsun, the wise, all-knowing, said to Gilgamesh:
""The axe that you saw (is) a man.
" (that) you love him and embrace as a wife,
"but (that) I have compete with you."
"" There will come to you a mighty man,
"" a comrade who saves his friend
"he is the mightiest in the land, he is strongest,
"he is as mighty as the meteorite(!) of Anu!"
Gilgamesh spoke to his mother saying:
""By the command of Enlil, the Great Counselor, so may it to pass!
"May I have a friend and adviser, a friend and adviser may I have!
"You have interpreted for me the dreams about him!"
After the harlot recounted the dreams of Gilgamesh to Enkidu
the two of them made love.
~ Anonymous, Others have told me
,#NFDB
1249:The Kalevala - Rune Xxvii
THE UNWELCOME GUEST.
I have brought young Kaukomieli,
Brought the Islander and hero,
Also known as Lemminkainen,
Through the jaws of death and ruin,
Through the darkling deeps of Kalma,
To the homesteads of Pohyola,
To the dismal courts of Louhi;
Now must I relate his doings,
Must relate to all my bearers,
How the merry Lemminkainen,
Handsome hero, Kaukomieli,
Wandered through Pohyola's chambers,
Through the halls of Sariola,
How the hero went unbidden
To the feasting and carousal,
Uninvited to the banquet.
Lemminkainen full of courage,
Full of life, and strength, and magic.
Stepped across the ancient threshold,
To the centre of the court-room,
And the floors of linwood trembled,
Walls and ceilings creaked and murmured.
Spake the reckless Lemminkainen,
These the words that Ahti uttered:
'Be ye greeted on my coming,
Ye that greet, be likewise greeted!
Listen, all ye hosts of Pohya;
Is there food about this homestead,
Barley for my hungry courser,
Beer to give a thirsty stranger?
Sat the host of Sariola
At the east end of the table,
Gave this answer to the questions:
'Surely is there in this homestead,
For thy steed an open stable,
Never will this host refuse thee,
459
Shouldst thou act a part becoming,
Worthy, coming to these portals,
Waiting near the birchen rafters,
In the spaces by the kettles,
By the triple hooks of iron.'
Then the reckless Lemminkainen
Shook his sable locks and answered:
'Lempo may perchance come hither,
Let him fill this lowly station,
Let him stand between the kettles,
That with soot he may be blackened.
Never has my ancient father,
Never has the dear old hero,
Stood upon a spot unworthy,
At the portals near the rafters;
For his steed the best of stables,
Food and shelter gladly furnished,
And a room for his attendants,
Corners furnished for his mittens,
Hooks provided for his snow-shoes,
Halls in waiting for his helmet.
Wherefore then should I not find here
What my father found before me?'
To the centre walked the hero,
Walked around the dining table,
Sat upon a bench and waited,
On a bench of polished fir-wood,
And the kettle creaked beneath him.
Spake the reckless Lemminkainen:
'As a guest am I unwelcome,
Since the waiters bring no viands,
Bring no dishes to the stranger?'
Ilpotar, the Northland hostess,
Then addressed the words that follow:
'Lemminkainen, thou art evil,
Thou art here, but not invited,
Thou hast not the look of kindness,
Thou wilt give me throbbing temples,
Thou art bringing pain and sorrow.
All our beer is in the barley,
All the malt is in the kernel,
All our grain is still ungarnered,
460
And our dinner has been eaten;
Yesterday thou shouldst have been here,
Come again some future season.'
Whereupon wild Lemminkainen
Pulled his mouth awry in anger,
Shook his coal-black locks and answered:
'All the tables here are empty,
And the feasting-time is over;
All the beer has left the goblets,
Empty too are all the pitchers,
Empty are the larger vessels.
O thou hostess of Pohyola,
Toothless dame of dismal Northland,
Badly managed is thy wedding,
And thy feast is ill-conducted,
Like the dogs hast thou invited;
Thou hast baked the honey-biscuit,
Wheaten loaves of greatest virtue,
Brewed thy beer from hops and barley,
Sent abroad thine invitations,
Six the hamlets thou hast honored,
Nine the villages invited
By thy merry wedding-callers.
Thou hast asked the poor and lowly,
Asked the hosts of common people,
Asked the blind, and deaf, and crippled,
Asked a multitude of beggars,
Toilers by the day, and hirelings;
Asked the men of evil habits,
Asked the maids with braided tresses,
I alone was not invited.
How could such a slight be given,
Since I sent thee kegs of barley?
Others sent thee grain in cupfuls,
Brought it sparingly in dippers,
While I sent thee fullest measure,
Sent the half of all my garners,
Of the richest of my harvest,
Of the grain that I had gathered.
Even now young Lemminkainen,
Though a guest of name and station
Has no beer, no food, no welcome,
461
Naught for him art thou preparing,
Nothing cooking in thy kettles,
Nothing brewing in thy cellars
For the hero of the Islands,
At the closing of his journey.'
Ilpotar, the ancient hostess,
Gave this order to her servants:
'Come, my pretty maiden-waiter,
Servant-girl to me belonging,
Lay some salmon to the broiling,
Bring some beer to give the stranger!'
Small of stature was the maiden,
Washer of the banquet-platters,
Rinser of the dinner-ladles,
Polisher of spoons of silver,
And she laid some food in kettles,
Only bones and beads of whiting,
Turnip-stalks and withered cabbage,
Crusts of bread and bits of biscuit.
Then she brought some beer in pitchers,
Brought of common drink the vilest,
That the stranger, Lemminkainen,
Might have drink, and meat in welcome,
Thus to still his thirst and hunger.
Then the maiden spake as follows:
'Thou art sure a mighty hero,
Here to drink the beer of Pohya,
Here to empty all our vessels!'
Then the minstrel, Lemminkainen,
Closely handled all the pitchers,
Looking to the very bottoms;
There beheld he writhing serpents,
In the centre adders swimming,
On the borders worms and lizards.
Then the hero, Lemminkainen,
Filled with anger, spake as follows:
Get ye hence, ye things of evil,
Get ye hence to Tuonela,
With the bearer of these pitchers,
With the maid that brought ye hither,
Ere the evening moon has risen,
Ere the day-star seeks the ocean!
462
0 thou wretched beer of barley,
Thou hast met with great dishonor,
Into disrepute hast fallen,
But I'll drink thee, notwithstanding,
And the rubbish cast far from me.'
Then the hero to his pockets
Thrust his first and unnamed finger,
Searching in his pouch of leather;
Quick withdraws a hook for fishing,
Drops it to the pitcher's bottom,
Through the worthless beer of barley;
On his fish-book hang the serpents,
Catches many hissing adders,
Catches frogs in magic numbers,
Catches blackened worms in thousands,
Casts them to the floor before him,
Quickly draws his heavy broad sword,
And decapitates the serpents.
Now he drinks the beer remaining,
When the wizard speaks as follows:
'As a guest am I unwelcome,
Since no beer to me is given
That is worthy of a hero;
Neither has a ram been butchered,
Nor a fattened calf been slaughtered,
Worthy food for Lemminkainen.'
Then the landlord of Pohyola
Answered thus the Island-minstrel:
'Wherefore hast thou journeyed hither,
Who has asked thee for thy presence?
Spake in answer Lemminkainen:
'Happy is the guest invited,
Happier when not expected;
Listen, son of Pohylander,
Host of Sariola, listen:
Give me beer for ready payment,
Give me worthy drink for money!'
Then the landlord of Pohyola,
In bad humor, full of anger,
Conjured in the earth a lakelet,
At the feet of Kaukomieli,
Thus addressed the Island-hero:
463
'Quench thy thirst from yonder lakelet,
There, the beer that thou deservest!'
Little heeding, Lemminkainen
To this insolence made answer:
'I am neither bear nor roebuck,
That should drink this filthy water,
Drink the water of this lakelet.'
Ahti then began to conjure,
Conjured he a bull before him,
Bull with horns of gold and silver,
And the bull drank from the lakelet,
Drank he from the pool in pleasure.
Then the landlord of Pohyola
There a savage wolf created,
Set him on the floor before him
To destroy the bull of magic,
Lemminkainen, full of courage,
Conjured up a snow-white rabbit,
Set him on the floor before him
To attract the wolf's attention.
Then the landlord of Pohyola
Conjured there a dog of Lempo,
Set him on the floor before him
To destroy the magic rabbit.
Lemminkainen, full of mischief,
Conjured on the roof a squirrel,
That by jumping on the rafters
He might catch the dog's attention.
But the master of the Northland
Conjured there a golden marten,
And he drove the magic squirrel
From his seat upon the rafters.
Lemminkainen, full of mischief,
Made a fox of scarlet color,
And it ate the golden marten.
Then the master of Pohyola
Conjured there a hen to flutter
Near the fox of scarlet color.
Lemminkainen, full of mischief,
Thereupon a hawk created,
That with beak and crooked talons
He might tear the hen to pieces.
464
Spake the landlord of Pohyola,
These the words the tall man uttered:
'Never will this feast be bettered
Till the guests are less in number;
I must do my work as landlord,
Get thee hence, thou evil stranger,
Cease thy conjurings of evil,
Leave this banquet of my people,
Haste away, thou wicked wizard,
To thine Island-home and people!
Spake the reckless Lemminkainen:
'Thus no hero will be driven,
Not a son of any courage
Will be frightened by thy presence,
Will be driven from thy banquet.'
Then the landlord of Pohyola
Snatched his broadsword from the rafters,
Drew it rashly from the scabbard,
Thus addressing Lemminkainen:
'Ahti, Islander of evil,
Thou the handsome Kaukomieli,
Let us measure then our broadswords,
Let our skill be fully tested;
Surely is my broadsword better
Than the blade within thy scabbard.'
Spake the hero, Lemminkainen.
'That my blade is good and trusty,
Has been proved on heads of heroes,
Has on many bones been tested;
Be that as it may, my fellow,
Since thine order is commanding,
Let our swords be fully tested,
Let us see whose blade is better.
Long ago my hero-father
Tested well this sword in battle,
Never failing in a conflict.
Should his son be found less worthy?'
Then he grasped his mighty broadsword,
Drew the fire-blade from the scabbard
Hanging from his belt of copper.
Standing on their hilts their broadswords,
Carefully their blades were measured,
465
Found the sword of Northland's master
Longer than the sword of Ahti
By the half-link of a finger.
Spake the reckless Lemminkainen.
'Since thou hast the longer broadsword,
Thou shalt make the first advances,
I am ready for thy weapon.'
Thereupon Pohyola's landlord
With the wondrous strength of anger,
Tried in vain to slay the hero,
Strike the crown of Lemminkainen;
Chipped the splinters from the rafters,
Cut the ceiling into fragments,
Could not touch the Island-hero.
Thereupon brave Kaukomieli,
Thus addressed Pohyola's master:
'Have the rafters thee offended?
What the crimes they have committed,
Since thou hewest them in pieces?
Listen now, thou host of Northland,
Reckless landlord of Pohyola,
Little room there is for swordsmen
In these chambers filled with women;
We shall stain these painted rafters,
Stain with blood these floors and ceilings;
Let us go without the mansion,
In the field is room for combat,
On the plain is space sufficient;
Blood looks fairer in the court-yard,
Better in the open spaces,
Let it dye the snow-fields scarlet.'
To the yard the heroes hasten,
There they find a monstrous ox-skin,
Spread it on the field of battle;
On the ox-skin stand the swordsmen.
Spake the hero, Lemminkainen:
'Listen well, thou host of Northland,
Though thy broadsword is the longer,
Though thy blade is full of horror,
Thou shalt have the first advantage;
Use with skill thy boasted broadsword
Ere the final bout is given,
466
Ere thy head be chopped in pieces;
Strike with skill, or thou wilt perish,
Strike, and do thy best for Northland.'
Thereupon Pohyola's landlord
Raised on high his blade of battle,
Struck a heavy blow in anger,
Struck a second, then a third time,
But he could not touch his rival,
Could Dot draw a single blood-drop
From the veins of Lemminkainen,
Skillful Islander and hero.
Spake the handsome Kaukomieli:
'Let me try my skill at fencing,
Let me swing my father's broadsword,
Let my honored blade be tested!'
But the landlord of Pohyola,
Does not heed the words of Ahti,
Strikes in fury, strikes unceasing,
Ever aiming, ever missing.
When the skillful Lemminkainen
Swings his mighty blade of magic,
Fire disports along his weapon,
Flashes from his sword of honor,
Glistens from the hero's broadsword,
Balls of fire disporting, dancing,
On the blade of mighty Ahti,
Overflow upon the shoulders
Of the landlord of Pohyola.
Spake the hero, Lemminkainen:
'O thou son of Sariola,
See! indeed thy neck is glowing
Like the dawning of the morning,
Like the rising Sun in ocean!'
Quickly turned Pohyola's landlord,
Thoughtless host of darksome Northland,
To behold the fiery splendor
Playing on his neck and shoulders.
Quick as lightning, Lemminkainen,
With his father's blade of battle,
With a single blow of broadsword,
With united skill and power,
Lopped the head of Pohya's master;
467
As one cleaves the stalks of turnips,
As the ear falls from the corn-stalk,
As one strikes the fins from salmon,
Thus the head rolled from the shoulders
Of the landlord of Pohyola,
Like a ball it rolled and circled.
In the yard were pickets standing,
Hundreds were the sharpened pillars,
And a head on every picket,
Only one was left un-headed.
Quick the victor, Lemminkainen,
Took the head of Pohya's landlord,
Spiked it on the empty picket.
Then the Islander, rejoicing,
Handsome hero, Kaukomieli,
Quick returning to the chambers,
Crave this order to the hostess:
'Evil maiden, bring me water,
Wherewithal to cleanse my fingers
From the blood of Northland's master,
Wicked host of Sariola.'
Ilpotar, the Northland hostess,
Fired with anger, threatened vengeance,
Conjured men with heavy broadswords,
Heroes clad in copper-armor,
Hundred warriors with their javelins,
And a thousand bearing cross-bows,
To destroy the Island-hero,
For the death of Lemminkainen.
Kaukomieli soon discovered
That the time had come for leaving,
That his presence was unwelcome
At the feasting of Pohyola,
At the banquet of her people.
~ Elias Lönnrot,#NFDB
1250:The Kalevala - Rune Xxvii
THE UNWELCOME GUEST.
I have brought young Kaukomieli,
Brought the Islander and hero,
Also known as Lemminkainen,
Through the jaws of death and ruin,
Through the darkling deeps of Kalma,
To the homesteads of Pohyola,
To the dismal courts of Louhi;
Now must I relate his doings,
Must relate to all my bearers,
How the merry Lemminkainen,
Handsome hero, Kaukomieli,
Wandered through Pohyola's chambers,
Through the halls of Sariola,
How the hero went unbidden
To the feasting and carousal,
Uninvited to the banquet.
Lemminkainen full of courage,
Full of life, and strength, and magic.
Stepped across the ancient threshold,
To the centre of the court-room,
And the floors of linwood trembled,
Walls and ceilings creaked and murmured.
Spake the reckless Lemminkainen,
These the words that Ahti uttered:
'Be ye greeted on my coming,
Ye that greet, be likewise greeted!
Listen, all ye hosts of Pohya;
Is there food about this homestead,
Barley for my hungry courser,
Beer to give a thirsty stranger?
Sat the host of Sariola
At the east end of the table,
Gave this answer to the questions:
'Surely is there in this homestead,
For thy steed an open stable,
Never will this host refuse thee,
469
Shouldst thou act a part becoming,
Worthy, coming to these portals,
Waiting near the birchen rafters,
In the spaces by the kettles,
By the triple hooks of iron.'
Then the reckless Lemminkainen
Shook his sable locks and answered:
'Lempo may perchance come hither,
Let him fill this lowly station,
Let him stand between the kettles,
That with soot he may be blackened.
Never has my ancient father,
Never has the dear old hero,
Stood upon a spot unworthy,
At the portals near the rafters;
For his steed the best of stables,
Food and shelter gladly furnished,
And a room for his attendants,
Corners furnished for his mittens,
Hooks provided for his snow-shoes,
Halls in waiting for his helmet.
Wherefore then should I not find here
What my father found before me?'
To the centre walked the hero,
Walked around the dining table,
Sat upon a bench and waited,
On a bench of polished fir-wood,
And the kettle creaked beneath him.
Spake the reckless Lemminkainen:
'As a guest am I unwelcome,
Since the waiters bring no viands,
Bring no dishes to the stranger?'
Ilpotar, the Northland hostess,
Then addressed the words that follow:
'Lemminkainen, thou art evil,
Thou art here, but not invited,
Thou hast not the look of kindness,
Thou wilt give me throbbing temples,
Thou art bringing pain and sorrow.
All our beer is in the barley,
All the malt is in the kernel,
All our grain is still ungarnered,
470
And our dinner has been eaten;
Yesterday thou shouldst have been here,
Come again some future season.'
Whereupon wild Lemminkainen
Pulled his mouth awry in anger,
Shook his coal-black locks and answered:
'All the tables here are empty,
And the feasting-time is over;
All the beer has left the goblets,
Empty too are all the pitchers,
Empty are the larger vessels.
O thou hostess of Pohyola,
Toothless dame of dismal Northland,
Badly managed is thy wedding,
And thy feast is ill-conducted,
Like the dogs hast thou invited;
Thou hast baked the honey-biscuit,
Wheaten loaves of greatest virtue,
Brewed thy beer from hops and barley,
Sent abroad thine invitations,
Six the hamlets thou hast honored,
Nine the villages invited
By thy merry wedding-callers.
Thou hast asked the poor and lowly,
Asked the hosts of common people,
Asked the blind, and deaf, and crippled,
Asked a multitude of beggars,
Toilers by the day, and hirelings;
Asked the men of evil habits,
Asked the maids with braided tresses,
I alone was not invited.
How could such a slight be given,
Since I sent thee kegs of barley?
Others sent thee grain in cupfuls,
Brought it sparingly in dippers,
While I sent thee fullest measure,
Sent the half of all my garners,
Of the richest of my harvest,
Of the grain that I had gathered.
Even now young Lemminkainen,
Though a guest of name and station
Has no beer, no food, no welcome,
471
Naught for him art thou preparing,
Nothing cooking in thy kettles,
Nothing brewing in thy cellars
For the hero of the Islands,
At the closing of his journey.'
Ilpotar, the ancient hostess,
Gave this order to her servants:
'Come, my pretty maiden-waiter,
Servant-girl to me belonging,
Lay some salmon to the broiling,
Bring some beer to give the stranger!'
Small of stature was the maiden,
Washer of the banquet-platters,
Rinser of the dinner-ladles,
Polisher of spoons of silver,
And she laid some food in kettles,
Only bones and beads of whiting,
Turnip-stalks and withered cabbage,
Crusts of bread and bits of biscuit.
Then she brought some beer in pitchers,
Brought of common drink the vilest,
That the stranger, Lemminkainen,
Might have drink, and meat in welcome,
Thus to still his thirst and hunger.
Then the maiden spake as follows:
'Thou art sure a mighty hero,
Here to drink the beer of Pohya,
Here to empty all our vessels!'
Then the minstrel, Lemminkainen,
Closely handled all the pitchers,
Looking to the very bottoms;
There beheld he writhing serpents,
In the centre adders swimming,
On the borders worms and lizards.
Then the hero, Lemminkainen,
Filled with anger, spake as follows:
Get ye hence, ye things of evil,
Get ye hence to Tuonela,
With the bearer of these pitchers,
With the maid that brought ye hither,
Ere the evening moon has risen,
Ere the day-star seeks the ocean!
472
0 thou wretched beer of barley,
Thou hast met with great dishonor,
Into disrepute hast fallen,
But I'll drink thee, notwithstanding,
And the rubbish cast far from me.'
Then the hero to his pockets
Thrust his first and unnamed finger,
Searching in his pouch of leather;
Quick withdraws a hook for fishing,
Drops it to the pitcher's bottom,
Through the worthless beer of barley;
On his fish-book hang the serpents,
Catches many hissing adders,
Catches frogs in magic numbers,
Catches blackened worms in thousands,
Casts them to the floor before him,
Quickly draws his heavy broad sword,
And decapitates the serpents.
Now he drinks the beer remaining,
When the wizard speaks as follows:
'As a guest am I unwelcome,
Since no beer to me is given
That is worthy of a hero;
Neither has a ram been butchered,
Nor a fattened calf been slaughtered,
Worthy food for Lemminkainen.'
Then the landlord of Pohyola
Answered thus the Island-minstrel:
'Wherefore hast thou journeyed hither,
Who has asked thee for thy presence?
Spake in answer Lemminkainen:
'Happy is the guest invited,
Happier when not expected;
Listen, son of Pohylander,
Host of Sariola, listen:
Give me beer for ready payment,
Give me worthy drink for money!'
Then the landlord of Pohyola,
In bad humor, full of anger,
Conjured in the earth a lakelet,
At the feet of Kaukomieli,
Thus addressed the Island-hero:
473
'Quench thy thirst from yonder lakelet,
There, the beer that thou deservest!'
Little heeding, Lemminkainen
To this insolence made answer:
'I am neither bear nor roebuck,
That should drink this filthy water,
Drink the water of this lakelet.'
Ahti then began to conjure,
Conjured he a bull before him,
Bull with horns of gold and silver,
And the bull drank from the lakelet,
Drank he from the pool in pleasure.
Then the landlord of Pohyola
There a savage wolf created,
Set him on the floor before him
To destroy the bull of magic,
Lemminkainen, full of courage,
Conjured up a snow-white rabbit,
Set him on the floor before him
To attract the wolf's attention.
Then the landlord of Pohyola
Conjured there a dog of Lempo,
Set him on the floor before him
To destroy the magic rabbit.
Lemminkainen, full of mischief,
Conjured on the roof a squirrel,
That by jumping on the rafters
He might catch the dog's attention.
But the master of the Northland
Conjured there a golden marten,
And he drove the magic squirrel
From his seat upon the rafters.
Lemminkainen, full of mischief,
Made a fox of scarlet color,
And it ate the golden marten.
Then the master of Pohyola
Conjured there a hen to flutter
Near the fox of scarlet color.
Lemminkainen, full of mischief,
Thereupon a hawk created,
That with beak and crooked talons
He might tear the hen to pieces.
474
Spake the landlord of Pohyola,
These the words the tall man uttered:
'Never will this feast be bettered
Till the guests are less in number;
I must do my work as landlord,
Get thee hence, thou evil stranger,
Cease thy conjurings of evil,
Leave this banquet of my people,
Haste away, thou wicked wizard,
To thine Island-home and people!
Spake the reckless Lemminkainen:
'Thus no hero will be driven,
Not a son of any courage
Will be frightened by thy presence,
Will be driven from thy banquet.'
Then the landlord of Pohyola
Snatched his broadsword from the rafters,
Drew it rashly from the scabbard,
Thus addressing Lemminkainen:
'Ahti, Islander of evil,
Thou the handsome Kaukomieli,
Let us measure then our broadswords,
Let our skill be fully tested;
Surely is my broadsword better
Than the blade within thy scabbard.'
Spake the hero, Lemminkainen.
'That my blade is good and trusty,
Has been proved on heads of heroes,
Has on many bones been tested;
Be that as it may, my fellow,
Since thine order is commanding,
Let our swords be fully tested,
Let us see whose blade is better.
Long ago my hero-father
Tested well this sword in battle,
Never failing in a conflict.
Should his son be found less worthy?'
Then he grasped his mighty broadsword,
Drew the fire-blade from the scabbard
Hanging from his belt of copper.
Standing on their hilts their broadswords,
Carefully their blades were measured,
475
Found the sword of Northland's master
Longer than the sword of Ahti
By the half-link of a finger.
Spake the reckless Lemminkainen.
'Since thou hast the longer broadsword,
Thou shalt make the first advances,
I am ready for thy weapon.'
Thereupon Pohyola's landlord
With the wondrous strength of anger,
Tried in vain to slay the hero,
Strike the crown of Lemminkainen;
Chipped the splinters from the rafters,
Cut the ceiling into fragments,
Could not touch the Island-hero.
Thereupon brave Kaukomieli,
Thus addressed Pohyola's master:
'Have the rafters thee offended?
What the crimes they have committed,
Since thou hewest them in pieces?
Listen now, thou host of Northland,
Reckless landlord of Pohyola,
Little room there is for swordsmen
In these chambers filled with women;
We shall stain these painted rafters,
Stain with blood these floors and ceilings;
Let us go without the mansion,
In the field is room for combat,
On the plain is space sufficient;
Blood looks fairer in the court-yard,
Better in the open spaces,
Let it dye the snow-fields scarlet.'
To the yard the heroes hasten,
There they find a monstrous ox-skin,
Spread it on the field of battle;
On the ox-skin stand the swordsmen.
Spake the hero, Lemminkainen:
'Listen well, thou host of Northland,
Though thy broadsword is the longer,
Though thy blade is full of horror,
Thou shalt have the first advantage;
Use with skill thy boasted broadsword
Ere the final bout is given,
476
Ere thy head be chopped in pieces;
Strike with skill, or thou wilt perish,
Strike, and do thy best for Northland.'
Thereupon Pohyola's landlord
Raised on high his blade of battle,
Struck a heavy blow in anger,
Struck a second, then a third time,
But he could not touch his rival,
Could Dot draw a single blood-drop
From the veins of Lemminkainen,
Skillful Islander and hero.
Spake the handsome Kaukomieli:
'Let me try my skill at fencing,
Let me swing my father's broadsword,
Let my honored blade be tested!'
But the landlord of Pohyola,
Does not heed the words of Ahti,
Strikes in fury, strikes unceasing,
Ever aiming, ever missing.
When the skillful Lemminkainen
Swings his mighty blade of magic,
Fire disports along his weapon,
Flashes from his sword of honor,
Glistens from the hero's broadsword,
Balls of fire disporting, dancing,
On the blade of mighty Ahti,
Overflow upon the shoulders
Of the landlord of Pohyola.
Spake the hero, Lemminkainen:
'O thou son of Sariola,
See! indeed thy neck is glowing
Like the dawning of the morning,
Like the rising Sun in ocean!'
Quickly turned Pohyola's landlord,
Thoughtless host of darksome Northland,
To behold the fiery splendor
Playing on his neck and shoulders.
Quick as lightning, Lemminkainen,
With his father's blade of battle,
With a single blow of broadsword,
With united skill and power,
Lopped the head of Pohya's master;
477
As one cleaves the stalks of turnips,
As the ear falls from the corn-stalk,
As one strikes the fins from salmon,
Thus the head rolled from the shoulders
Of the landlord of Pohyola,
Like a ball it rolled and circled.
In the yard were pickets standing,
Hundreds were the sharpened pillars,
And a head on every picket,
Only one was left un-headed.
Quick the victor, Lemminkainen,
Took the head of Pohya's landlord,
Spiked it on the empty picket.
Then the Islander, rejoicing,
Handsome hero, Kaukomieli,
Quick returning to the chambers,
Crave this order to the hostess:
'Evil maiden, bring me water,
Wherewithal to cleanse my fingers
From the blood of Northland's master,
Wicked host of Sariola.'
Ilpotar, the Northland hostess,
Fired with anger, threatened vengeance,
Conjured men with heavy broadswords,
Heroes clad in copper-armor,
Hundred warriors with their javelins,
And a thousand bearing cross-bows,
To destroy the Island-hero,
For the death of Lemminkainen.
Kaukomieli soon discovered
That the time had come for leaving,
That his presence was unwelcome
At the feasting of Pohyola,
At the banquet of her people.
~ Elias Lönnrot,#NFDB
1251:The Kalevala - Rune Ii
WAINAMOINEN'S SOWING.
Then arose old Wainamoinen,
With his feet upon the island,
On the island washed by ocean,
Broad expanse devoid of verdure;
There remained be many summers,
There he lived as many winters,
On the island vast and vacant,
well considered, long reflected,
Who for him should sow the island,
Who for him the seeds should scatter;
Thought at last of Pellerwoinen,
First-born of the plains and prairies,
When a slender boy, called Sampsa,
Who should sow the vacant island,
Who the forest seeds should scatter.
Pellerwoinen, thus consenting,
Sows with diligence the island,
Seeds upon the lands he scatters,
Seeds in every swamp and lowland,
Forest seeds upon the loose earth,
On the firm soil sows the acorns,
Fir-trees sows he on the mountains,
Pine-trees also on the hill-tops,
Many shrubs in every valley,
Birches sows he in the marshes,
In the loose soil sows the alders,
In the lowlands sows the lindens,
In the moist earth sows the willow,
Mountain-ash in virgin places,
On the banks of streams the hawthorn,
Junipers in hilly regions;
This the work of Pellerwoinen,
Slender Sampsa, in his childhood.
Soon the fertile seeds were sprouting,
Soon the forest trees were growing,
Soon appeared the tops of fir-trees,
13
And the pines were far outspreading;
Birches rose from all the marshes,
In the loose soil grew the alders,
In the mellow soil the lindens;
Junipers were also growing,
Junipers with clustered berries,
Berries on the hawthorn branches.
Now the hero, Wainamoinen,
Stands aloft to look about him,
How the Sampsa-seeds are growing,
How the crop of Pellerwoinen;
Sees the young trees thickly spreading,
Sees the forest rise in beauty;
But the oak-tree has not sprouted,
Tree of heaven is not growing,
Still within the acorn sleeping,
Its own happiness enjoying.
Then he waited three nights longer,
And as many days he waited,
Waited till a week had vanished,
Then again the work examined;
But the oak-tree was not growing,
Had not left her acorn-dwelling.
Wainamoinen, ancient hero,
Spies four maidens in the distance,
Water-brides, he spies a fifth-one,
On the soft and sandy sea-shore,
In the dewy grass and flowers,
On a point extending seaward,
Near the forests of the island.
Some were mowing, some were raking,
Raking what was mown together,
In a windrow on the meadow.
From the ocean rose a giant,
Mighty Tursas, tall and hardy,
Pressed compactly all the grasses,
That the maidens had been raking,
When a fire within them kindles,
And the flames shot up to heaven,
Till the windrows burned to ashes,
Only ashes now remaining
Of the grasses raked together.
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In the ashes of the windrows,
Tender leaves the giant places,
In the leaves he plants an acorn,
From the acorn, quickly sprouting,
Grows the oak-tree, tall and stately,
From the ground enriched by ashes,
Newly raked by water-maidens;
Spread the oak-tree's many branches,
Rounds itself a broad corona,
Raises it above the storm-clouds;
Far it stretches out its branches,
Stops the white-clouds in their courses,
With its branches hides the sunlight,
With its many leaves, the moonbeams,
And the starlight dies in heaven.
Wainamoinen, old and trusty,
Thought awhile, and well considered,
How to kill the mighty oak-tree,
First created for his pleasure,
How to fell the tree majestic,
How to lop its hundred branches.
Sad the lives of man and hero,
Sad the homes of ocean-dwellers,
If the sun shines not upon them,
If the moonlight does not cheer them
Is there not some mighty hero,
Was there never born a giant,
That can fell the mighty oak-tree,
That can lop its hundred branches?
Wainamoinen, deeply thinking,
Spake these words soliloquizing:
'Kape, daughter of the Ether,
Ancient mother of my being,
Luonnotar, my nurse and helper,
Loan to me the water-forces,
Great the powers of the waters;
Loan to me the strength of oceans,
To upset this mighty oak-tree,
To uproot this tree of evil,
That again may shine the sunlight,
That the moon once more may glimmer.'
Straightway rose a form from oceans,
15
Rose a hero from the waters,
Nor belonged he to the largest,
Nor belonged he to the smallest,
Long was he as man's forefinger,
Taller than the hand of woman;
On his head a cap of copper,
Boots upon his feet were copper,
Gloves upon his hands were copper,
And its stripes were copper-colored,
Belt around him made of copper,
Hatchet in his belt was copper;
And the handle of his hatchet
Was as long as hand of woman,
Of a finger's breadth the blade was.
Then the trusty Wainamoinen
Thought awhile and well considered,
And his measures are as follow:
'Art thou, sir, divine or human?
Which of these thou only knowest;
Tell me what thy name and station.
Very like a man thou lookest,
Hast the bearing of a hero,
Though the length of man's first finger,
Scarce as tall as hoof of reindeer.'
Then again spake Wainamoinen
To the form from out the ocean:
'Verily I think thee human,
Of the race of pigmy-heroes,
Might as well be dead or dying,
Fit for nothing but to perish.'
Answered thus the pigmy-hero,
Spake the small one from the ocean
To the valiant Wainamoinen
'Truly am I god and hero,
From the tribes that rule the ocean;
Come I here to fell the oak-tree,
Lop its branches with my hatchet.'
Wainamoinen, old and trusty,
Answers thus the sea-born hero:
'Never hast thou force sufficient,
Not to thee has strength been given,
To uproot this mighty oak-tree,
16
To upset this thing of evil,
Nor to lop its hundred branches.'
Scarcely had he finished speaking,
Scarcely had he moved his eyelids,
Ere the pigmy full unfolding,
Quick becomes a mighty giant.
With one step he leaves the ocean,
Plants himself, a mighty hero,
On the forest-fields surrounding;
With his head the clouds he pierces,
To his knees his beard extending,
And his locks fall to his ankles;
Far apart appear his eyeballs,
Far apart his feet are stationed.
Farther still his mighty shoulders.
Now begins his axe to sharpen,
Quickly to an edge he whets it,
Using six hard blocks of sandstone,
And of softer whetstones, seven.
Straightway to the oak-tree turning,
Thither stalks the mighty giant,
In his raiment long and roomy,
Flapping in the winds of heaven;
With his second step he totters
On the land of darker color;
With his third stop firmly planted,
Reaches he the oak-tree's branches,
Strikes the trunk with sharpened hatchet,
With one mighty swing he strikes it,
With a second blow he cuts it;
As his blade descends the third time,
From his axe the sparks fly upward,
From the oak-tree fire outshooting;
Ere the axe descends a fourth time,
Yields the oak with hundred branches,
Shaking earth and heaven in falling.
Eastward far the trunk extending,
Far to westward flew the tree-tops,
To the South the leaves were scattered,
To the North its hundred branches.
Whosoe'er a branch has taken,
Has obtained eternal welfare;
17
Who secures himself a tree-top,
He has gained the master magic;
Who the foliage has gathered,
Has delight that never ceases.
Of the chips some had been scattered,
Scattered also many splinters,
On the blue back of the ocean,
Of the ocean smooth and mirrored,
Rocked there by the winds and waters,
Like a boat upon the billows;
Storm-winds blew them to the Northland,
Some the ocean currents carried.
Northland's fair and slender maiden,
Washing on the shore a head-dress,
Beating on the rocks her garments,
Rinsing there her silken raiment,
In the waters of Pohyola,
There beheld the chips and splinters,
Carried by the winds and waters.
In a bag the chips she gathered,
Took them to the ancient court-yard,
There to make enchanted arrows,
Arrows for the great magician,
There to shape them into weapons,
Weapons for the skilful archer,
Since the mighty oak has fallen,
Now has lost its hundred branches,
That the North may see the sunshine,
See the gentle gleam of moonlight,
That the clouds may keep their courses,
May extend the vault of heaven
Over every lake and river,
O'er the banks of every island.
Groves arose in varied beauty,
Beautifully grew the forests,
And again, the vines and flowers.
Birds again sang in the tree-tops,
Noisily the merry thrushes,
And the cuckoos in the birch-trees;
On the mountains grew the berries,
Golden flowers in the meadows,
And the herbs of many colors,
18
Many kinds of vegetation;
But the barley is not growing.
Wainamoinen, old and trusty,
Goes away and well considers,
By the borders of the waters,
On the ocean's sandy margin,
Finds six seeds of golden barley,
Even seven ripened kernels,
On the shore of upper Northland,
In the sand upon the sea-shore,
Hides them in his trusty pouches,
Fashioned from the skin of squirrel,
Some were made from skin of marten;
Hastens forth the seeds to scatter,
Quickly sows the barley kernels,
On the brinks of Kalew-waters,
On the Osma-hills and lowlands.
Hark! the titmouse wildly crying,
From the aspen, words as follow:
'Osma's barley will not flourish,
Not the barley of Wainola,
If the soil be not made ready,
If the forest be not levelled,
And the branches burned to ashes.'
Wainamoinen, wise and ancient,
Made himself an axe for chopping,
Then began to clear the forest,
Then began the trees to level,
Felled the trees of all descriptions,
Only left the birch-tree standing
For the birds a place of resting,
Where might sing the sweet-voiced cuckoo,
Sacred bird in sacred branches.
Down from heaven came the eagle,
Through the air be came a-flying,
That he might this thing consider;
And he spake the words that follow:
'Wherefore, ancient Wainamoinen,
Hast thou left the slender birch-tree,
Left the birch-tree only standing?'
Wainamoinen thus made answer:
'Therefore is the birch left standing,
19
That the birds may liest within it,
That the eagle there may rest him,
There may sing the sacred cuckoo.'
Spake the eagle, thus replying:
Good indeed, thy hero-judgment,
That the birch-tree thou hast left us,
Left the sacred birch-tree standing,
As a resting-place for eagles,
And for birds of every feather,
Even I may rest upon it.'
Quickly then this bird of heaven,
Kindled fire among the branches;
Soon the flames are fanned by north-winds,
And the east-winds lend their forces,
Burn the trees of all descriptions,
Burn them all to dust and ashes,
Only is the birch left standing.
Wainamoinen, wise and ancient,
Brings his magic grains of barley,
Brings he forth his seven seed-grains,
Brings them from his trusty pouches,
Fashioned from the skin of squirrel,
Some were made from skin of marten.
Thence to sow his seeds he hastens,
Hastes the barley-grains to scatter,
Speaks unto himself these measures:
'I the seeds of life am sowing,
Sowing through my open fingers,
From the hand of my Creator,
In this soil enriched with ashes,
In this soil to sprout and flourish.
Ancient mother, thou that livest
Far below the earth and ocean,
Mother of the fields and forests,
Bring the rich soil to producing,
Bring the seed-grains to the sprouting,
That the barley well may flourish.
Never will the earth unaided,
Yield the ripe nutritious barley;
Never will her force be wanting,
If the givers give assistance,
If the givers grace the sowing,
20
Grace the daughters of creation.
Rise, O earth, from out thy slumber,
From the slumber-land of ages,
Let the barley-grains be sprouting,
Let the blades themselves be starting,
Let the verdant stalks be rising,
Let the ears themselves be growing,
And a hundredfold producing,
From my plowing and my sowing,
From my skilled and honest labor.
Ukko, thou O God, up yonder,
Thou O Father of the heavens,
Thou that livest high in Ether,
Curbest all the clouds of heaven,
Holdest in the air thy counsel,
Holdest in the clouds good counsel,
From the East dispatch a cloudlet,
From the North-east send a rain-cloud,
From the West another send us,
From the North-west, still another,
Quickly from the South a warm-cloud,
That the rain may fall from heaven,
That the clouds may drop their honey,
That the ears may fill and ripen,
That the barley-fields may rustle.'
Thereupon benignant Ukko,
Ukko, father of the heavens,
Held his counsel in the cloud-space,
Held good counsel in the Ether;
From the East, he sent a cloudlet,
From the North-east, sent a rain-cloud,
From the West another sent he,
From the North-west, still another,
Quickly from the South a warm-cloud;
Joined in seams the clouds together,
Sewed together all their edges,
Grasped the cloud, and hurled it earthward.
Quick the rain-cloud drops her honey,
Quick the rain-drops fall from heaven,
That the ears may quickly ripen,
That the barley crop may rustle.
Straightway grow the seeds of barley,
21
From the germ the blade unfolding,
Richly colored ears arising,
From the rich soil of the fallow,
From the work of Wainamoinen.
Here a few days pass unnoted
And as many nights fly over.
When the seventh day had journeyed,
On the morning of the eighth day,
Wainamoinen, wise and ancient,
Went to view his crop of barley,
How his plowing, how his sowing,
How his labors were resulting;
Found his crop of barley growing,
Found the blades were triple-knotted,
And the ears he found six-sided.
Wainamoinen, old and trusty,
Turned his face, and looked about him,
Lo! there comes a spring-time cuckoo,
Spying out the slender birch-tree,
Rests upon it, sweetly singing:
'Wherefore is the silver birch-tree
Left unharmed of all the forest? '
Spake the ancient Wainamoinen:
'Therefore I have left the birch-tree,
Left the birch-tree only growing,
Home for thee for joyful singing.
Call thou here, O sweet-voiced cuckoo,
Sing thou here from throat of velvet,
Sing thou here with voice of silver,
Sing the cuckoo's golden flute-notes;
Call at morning, call at evening,
Call within the hour of noontide,
For the better growth of forests,
For the ripening of the barley,
For the richness of, the Northland,
For the joy of Kalevala.'
~ Elias Lönnrot,#NFDB
1252:The Kalevala - Rune Xxi
ILMARINEN'S WEDDING-FEAST.
Louhi, hostess of the Northland,
Ancient dame of Sariola,
While at work within her dwelling,
Heard the whips crack on the fenlands,
Heard the rattle of the sledges;
To the northward turned her glances,
Turned her vision to the sunlight,
And her thoughts ran on as follow:
'Who are these in bright apparel,
On the banks of Pohya-waters,
Are they friends or hostile armies?'
Then the hostess of the Northland
Looked again and well considered,
Drew much nearer to examine,
Found they were not hostile armies,
Found that they were friends and suitors.
In the midst was Ilmarinen,
Son-in-law to ancient Louhi.
When the hostess of Pohyola
Saw the son-in-law approaching
She addressed the words that follow:
'I had thought the winds were raging,
That the piles of wood were falling,
Thought the pebbles in commotion,
Or perchance the ocean roaring;
Then I hastened nearer, nearer,
Drew still nearer and examined,
Found the winds were not in battle,
Found the piles of wood unshaken,
Found the ocean was not roaring,
Nor the pebbles in commotion,
Found my son-in-law was coming
With his heroes and attendants,
Heroes counted by the hundreds.
'Should you ask of me the question,
How I recognized the bridegroom
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Mid the hosts of men and heroes,
I should answer, I should tell you:
'As the hazel-bush in copses,
As the oak-tree in the forest,
As the Moon among the planets;
Drives the groom a coal-black courser,
Running like the famished black-dog,
Flying like the hungry raven,
Graceful as the lark at morning,
Golden cuckoos, six in number,
Twitter on the birchen cross-bow;
There are seven bluebirds singing
On the racer's hame and collar.'
Noises hear they in the court-yard,
On the highway hear the sledges,
To the court comes Ilmarinen,
With his body-guard of heroes;
In the midst the chosen suitor,
Not too far in front of others,
Not too far behind his fellows.
Spake the hostess of Pohyola:
'Hie ye hither, men and heroes,
Haste, ye watchers, to the stables,
There unhitch the suitor's stallion,
Lower well the racer's breast-plate,
There undo the straps and buckles,
Loosen well the shafts and traces,
And conduct the suitor hither,
Give my son-in-law good welcome!'
Ilmarinen turned his racer
Into Louhi's yard and stables,
And descended from his snow-sledge.
Spake the hostess of Pohyola:
'Come, thou servant of my bidding,
Best of all my trusted servants,
Take at once the bridegroom's courser
From the shafts adorned with silver,
From the curving arch of willow,
Lift the harness trimmed in copper,
Tie the white-face to the manger,
Treat the suitor's steed with kindness,
Lead him carefully to shelter
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By his soft and shining bridle,
By his halter tipped with silver;
Let him roll among the sand-hills,
On the bottoms soft and even,
On the borders of the snow-banks,
In the fields of milky color.
'Lead the hero's steed to water,
Lead him to the Pohya-fountains,
Where the living streams are flowing,
Sweet as milk of human kindness,
From the roots of silvery birches,
Underneath the shade of aspens.
'Feed the courser of the suitor,
On the sweetest corn and barley,
On the summer-wheat and clover,
In the caldron steeped in sweetness;
Feed him at the golden manger,
In the boxes lined with copper,
At my manger richly furnished,
In the warmest of the stables;
Tie him with a silk-like halter,
To the golden rings and staples,
To the hooks of purest silver,
Set in beams of birch and oak-wood;
Feed him on the hay the sweetest,
Feed him on the corn nutritious,
Give the best my barns can furnish.
'Curry well the suitor's courser
With the curry-comb of fish-bone,
Brush his hair with silken brushes,
Put his mane and tail in order,
Cover well with flannel blankets,
Blankets wrought in gold and silver,
Buckles forged from shining copper.
'Come, ye small lads of the village,
Lead the suitor to my chambers,
With your auburn locks uncovered,
From your hands remove your mittens,
See if ye can lead the hero
Through the door without his stooping,
Lifting not the upper cross-bar,
Lowering not the oaken threshold,
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Moving not the birchen casings,
Great the hero who must enter.
'Ilmarinen is too stately,
Cannot enter through the portals,
Not the son-in-law and bridegroom,
Till the portals have been heightened;
Taller by a head the suitor
Than the door-ways of the mansion.'
Quick the servants of Pohyola
Tore away the upper cross-bar,
That his cap might not be lifted;
Made the oaken threshold lower
That the hero might not stumble;
Made the birch-wood portals wider,
Opened full the door of welcome,
Easy entrance for the suitor.
Speaks the hostess of the Northland
As the bridegroom freely passes
Through the doorway of her dwelling:
'Thanks are due to thee, O Ukko,
That my son-in-law has entered!
Let me now my halls examine;
Make the bridal chambers ready,
Finest linen on my tables,
Softest furs upon my benches,
Birchen flooring scrubbed to whiteness,
All my rooms in perfect order.'
Then the hostess of Pohyola
Visited her spacious dwelling,
Did not recognize her chambers;
Every room had been remodeled,
Changed by force of mighty magic;
All the halls were newly burnished,
Hedge-hog bones were used for ceilings,
Bones of reindeer for foundations,
Bones of wolverine for door-sills,
For the cross-bars bones of roebuck,
Apple-wood were all the rafters,
Alder-wood, the window-casings,
Scales of trout adorned the windows,
And the fires were set in flowers.
All the seats were made of silver,
354
All the floors of copper-tiling,
Gold-adorned were all the tables,
On the floor were silken mattings,
Every fire-place set in copper,
Every hearth-stone cut from marble,
On each shelf were colored sea-shells,
Kalew's tree was their protection.
To the court-room came the hero,
Chosen suitor from Wainola,
These the words of Ilmarinen:
'Send, O Ukko, health and pleasure
To this ancient home and dwelling,
To this mansion richly fashioned!'
Spake the hostess of Pohyola:
'Let thy coming be auspicious
To these halls of thee unworthy,
To the home of thine affianced,
To this dwelling lowly fashioned,
Mid the lindens and the aspens.
'Come, ye maidens that should serve me,
Come, ye fellows from the village,
Bring me fire upon the birch-bark,
Light the fagots of the fir-tree,
That I may behold the bridegroom,
Chosen suitor of my daughter,
Fairy Maiden of the Rainbow,
See the color of his eyeballs,
Whether they are blue or sable,
See if they are warm and faithful.'
Quick the young lads from the village
Brought the fire upon the birch-bark,
Brought it on the tips of pine-wood;
And the fire and smoke commingled
Roll and roar about the hero,
Blackening the suitor's visage,
And the hostess speaks as follows;
'Bring the fire upon a taper,
On the waxen tapers bring it!'
Then the maidens did as bidden,
Quickly brought the lighted tapers,
Made the suitor's eyeballs glisten,
Made his cheeks look fresh and ruddy;
355
Made his eyes of sable color
Sparkle like the foam of waters,
Like the reed-grass on the margin,
Colored as the ocean jewels,
Iridescent as the rainbow.
'Come, ye fellows of the hamlet,
Lead my son-in-law and hero
To the highest seat at table,
To the seat of greatest honor,
With his back upon the blue-wall,
Looking on my bounteous tables,
Facing all the guests of Northland.'
Then the hostess of Pohyola
Served her guests in great abundance,
Richest drinks and rarest viands,
First of all she, served the bridegroom
On his platters, honeyed biscuit,
And the sweetest river salmon,
Seasoned butter, roasted bacon,
All the dainties of Pohyola.
Then the helpers served the others,
Filled the plates of all invited
With the varied food of Northland.
Spake the hostess of Pohyola:
'Come, ye maidens from the village,
Hither bring the beer in pitchers,
In the urns with double handles,
To the many guests in-gathered,
Ere all others, serve the bridegroom.'
Thereupon the merry maidens
Brought the beer in silver pitchers
From the copper-banded vessels,
For the wedding-guests assembled;
And the beer, fermenting, sparkled
On the beard of Ilmarinen,
On the beards of many heroes.
When the guests had all partaken
Of the wondrous beer of barley,
Spake the beer in merry accents
Through the tongues of the magicians,
Through the tongue of many a hero,
Through the tongue of Wainamoinen,
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Famed to be the sweetest singer
Of the Northland bards and minstrels,
These the words of the enchanter:
'O thou beer of honeyed flavor,
Let us not imbibe in silence,
Let some hero sing thy praises,
Sing thy worth in golden measures;
Let the hostess start the singing,
Let the bridegroom sound thy virtues!
Have our songs thus quickly vanished,
Have our joyful tongues grown silent?
Evil then has been the brewing,
Then the beer must be unworthy,
That it does not cheer the singer,
Does not move the merry minstrel,
That the golden guests are joyless,
And the cuckoo is not singing.
Never will these benches echo
Till the bench-guests chant thy virtues;
Nor the floor resound thy praises
Till the floor-guests sing in concord;
Nor the windows join the chorus
Till the window-guests have spoken;
All the tables will keep silence
Till the heroes toast thy virtues;
Little singing from the chimney
Till the chimney-guests have chanted.'
On the floor a child was sitting,
Thus the little boy made answer:
'I am small and young in singing,
Have perchance but little wisdom;
Be that as it may, my seniors,
Since the elder minstrels sing not,
Nor the heroes chant their legends,
Nor the hostess lead the singing,
I will sing my simple stories,
Sing my little store of knowledge,
To the pleasure of the evening,
To the joy of the invited.'
Near the fire reclined an old man,
And the gray-beard thus made answer:
'Not the time for children's singing,
357
Children's wisdom is too ready,
Children's songs are filled with trifles,
Filled with shrewd and vain deceptions,
Maiden-songs are full of follies;
Leave the songs and incantations
To the ancient wizard-singers;
Leave the tales of times primeval
To the minstrel of Wainola,
To the hero of the Northland,
To the, ancient Wainamoinen.'
Thereupon Osmoinen answered:
'Are there not some sweeter singers
In this honored congregation,
That will clasp their hands together,
Sing the ancient songs unbroken,
Thus begin the incantations,
Make these ancient halls re-echo
For the pleasure of the evening,
For the joy of the in-gathered?'
From the hearth-stone spake, the gray-beard
'Not a singer of Pohyola,
Not a minstrel, nor magician,
That was better skilled in chanting
Legends of the days departed,
Than was I when I was singing,
In my years of vain ambition;
Then I chanted tales of heroes,
On the blue back of the waters,
Sang the ballads of my people,
In the vales and on the mountains,
Through the verdant fields and forests;
Sweet my voice and skilled my singing,
All my songs were highly lauded,
Rippled like the quiet rivers,
Easy-flowing like the waters,
Easy-gliding as the snow-shoes,
Like the ship upon the ocean.
'Woe is me, my days are ended,
Would not recognize my singing,
All its sweetness gone to others,
Flows no more like rippling waters,
Makes no more the hills re-echo!
358
Now my songs are full of discord,
Like the rake upon the stubble,
Like the sledge upon the gravel,
Like the boat upon the sea-shore!'
Then the ancient Wainamoinen
Spake these words in magic measures:
'Since no other bard appeareth
That will clasp my hand in singing,
I will sing some simple legends,
Sing my, garnered store of wisdom,
Make these magic halls re-echo
With my tales of ancient story,
Since a bard I was created,
Born an orator and singer;
Do not ask the ways of others,
Follow not the paths of strangers.'
Wainamoinen, famous minstrel,
Song's eternal, wise supporter,
Then began the songs of pleasure,
Made the halls resound with joyance,
Filled the rooms with wondrous singing;
Sang the ancient bard-magician
All the oldest wisdom-sayings,
Did not fail in voice nor legends,
All the wisest thoughts remembered.
Thus the ancient Wainamoinen
Sang the joy of all assembled,
To the pleasure of the evening,
To the merriment of maidens,
To the happiness of heroes;
All the guests were stilled in wonder
At the magic of his singing,
At the songs of the magician.
Spake again wise Wainamoinen,
When his wonder-tales had ended:
'l have little worth or power,
Am a bard of little value,
Little consequence my singing,
Mine abilities as nothing,
If but Ukko, my Creator,
Should intone his wisdom-sayings,
Sing the source of good and evil,
359
Sing the origin of matter,
Sing the legends of omniscience,
Sing his songs in full perfection.
God could sing the floods to honey,
Sing the sands to ruddy berries,
Sing the pebbles into barley,
Sing to beer the running waters,
Sing to salt the rocks of ocean,
Into corn-fields sing the forests,
Into gold the forest-fruitage,
Sing to bread the hills and mountains,
Sing to eggs the rounded sandstones;
He could touch the springs of magic,
He could turn the keys of nature,
And produce within thy pastures,
Hurdles filled with sheep and reindeer,
Stables filled with fleet-foot stallions,
Kine in every field and fallow;
Sing a fur-robe for the bridegroom,
For the bride a coat of ermine,
For the hostess, shoes of silver,
For the hero, mail of copper.
'Grant O Ukko, my Creator,
God of love, and truth, and justice,
Grant thy blessing on our feasting,
Bless this company assembled,
For the good of Sariola,
For the happiness of Northland!
May this bread and beer bring joyance,
May they come in rich abundance,
May they carry full contentment
To the people of Pohyola,
To the cabin and the mansion;
May the hours we spend in singing,
In the morning, in the evening,
Fill our hearts with joy and gladness!
Hear us in our supplications,
Grant to us thy needed blessings,
Send enjoyment, health, and comfort,
To the people here assembled,
To the host and to the hostess,
To the bride and to the bridegroom,
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To the sons upon the waters,
To the daughters at their weavings,
To the hunters on the mountains,
To the shepherds in the fenlands,
That our lives may end in honor,
That we may recall with pleasure
Ilmarinen's magic marriage
To the Maiden of the Rainbow,
Snow-white virgin of the Northland.'
~ Elias Lönnrot,#NFDB
1253:The Dunciad: Book I.
The Mighty Mother, and her son who brings
The Smithfield muses to the ear of kings,
I sing. Say you, her instruments the great!
Called to this work by Dulness, Jove, and Fate;
You by whose care, in vain decried and cursed,
Still Dunce the second reigns like Dunce the first;
Say how the Goddess bade Britannia sleep,
And poured her spirit o’er the land and deep.
In eldest time, e’er mortals writ or read,
E’er Pallas issued from the Thunderer’s head,
Dulness o’er all possessed her ancient right,
Daughter of Chaos and eternal Night:
Fate in their dotage this fair idiot gave,
Gross as her sire, and as her mother grave,
Laborious, heavy, busy, bold, and blind,
She ruled, in native anarchy, the mind.
Still her old empire to restore she tries,
For, born a goddess, Dulness never dies.
O thou! whatever title please thine ear,
Dean, Drapier, Bickerstaff, or Gulliver!
Whether thou choose Cervantes’ serious air,
Or laugh and shake in Rabelais’ easy chair,
Or praise the court, or magnify mankind,
Or thy grieved country’s copper chains unbind;
From thy Boeotia though her power retires,
Mourn not, my SWIFT, at ought our realm acquires,
Here pleased behold her mighty wings out-spread
To hatch a new Saturnian age of lead.
Close to those walls where Folly holds her throne,
And laughs to think Monroe would take her down,
Where o’er the gates, by his famed by father’s hand
Great Cibber’s brazen, brainless brothers stand;
One cell there is, concealed from vulgar eye,
The cave of poverty and poetry.
Keen, hollow winds howl through the bleak recess,
Emblem of music caused by emptiness.
Hence bards, like Proteus long in vain tied down,
Escape in monsters, and amaze the town.
Hence miscellanies spring, the weekly boast
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Of Curll’s chaste press, and Lintot’s rubric post :
Hence hymning Tyburn’s elegiac lines,
Hence Journals, Medleys, Merc’ries, Magazines:
Sepulchral lies, our holy walls to grace,
And new Year odes, and all the Grub Street race.
In clouded majesty here Dulness shone;
Four guardian virtues, round, support her throne:
Fierce champion Fortitude, that knows no fears
Of hisses, blows, or want, or loss of ears:
Calm Temperance, whose blessings those partake
Who hunger, and who thirst for scribbling sake:
Prudence, whose glass presents th’ approaching goal.
Poetic justice, with her lifted scale,
Where, in nice balance, truth with gold she weighs,
And solid pudding against empty praise.
Here she beholds the chaos dark and deep,
Where nameless somethings in their causes sleep,
Till genial Jacob, or a warm third day,
Call forth each mass, a poem, or a play:
How hints, like spawn, scarce quick in embryo lie,
How new-born nonsense first is taught to cry.
Maggots half-formed in rhyme exactly meet,
And learn to crawl upon poetic feet.
Here one poor word an hundred clenches makes,
And ductile dullness new meanders takes;
There motley images her fancy strike,
Figures ill paired, and similes unlike.
She sees a mob of metaphors advance,
Pleased with the madness of the mazy dance:
How tragedy and comedy embrace;
How farce and epic get a jumbled race;
How time himself stands still at her command,
Realms shift their place, and ocean turns to land.
Here gay description Egypt glads with showers,
Or gives to Zembla fruits, to Barca flowers;
Glittering with ice here hoary hills are seen,
There painted valleys of eternal green,
In cold December fragrant chaplets blow,
And heavy harvests nod beneath the snow.
All these, and more, the cloud-compelling Queen
Beholds through fogs, that magnify the scene.
She, tinselled o’er in robes of varying hues,
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With self-applause her wild creation views;
Sees momentary monsters rise and fall,
And with her own fools-colours gilds them all.
’Twas on the day, when
rich and grave,
Like Cimon, triumphed both on land and wave:
(Pomps without guilt, of bloodless swords and maces,
Glad chains, warm furs, broad banners, and broad faces)
Now night descending, the proud scene was o’er,
But lived, in Settle’s numbers, one day more.
Now mayors and shrieves all hushed and satiate lay,
Yet eat, in dreams, the custard of the day;
While pensive poets painful vigils keep,
Sleepless themselves, to give their readers sleep.
Much to the mindful Queen the feast recalls
What city swans once sung within the walls;
Much she revolves their arts, their ancient praise,
And sure succession down from Heywood’s days.
She saw, with joy, the line immortal run,
Each sire impressed and glaring in his son:
So watchful Bruin forms, with plastic care,
Each growing lump, and brings it to a bear.
She saw old Prynne in restless Daniel shine,
And Eusden eke out Blackmore’s endless line;
She saw slow Philips creep like Tate’s poor page,
And all the mighty mad in Dennis rage.
In each she marks her image full expressed,
But chief in BAY’S monster-breeding breast;
Bays, formed by nature stage and town to bless,
And act, and be, a coxcomb with success.
Dulness with transport eyes the lively dunce,
Remembering she herself was pertness once.
Now (shame to fortune!) an ill run at play
Blanked his bold visage, and a thin third day:
Swearing and supperless the hero sate,
Blasphemed his gods, the dice, and damned his fate.
Then gnawed his pen, then dashed it on the ground,
Sinking from thought to thought, a vast profound!
Plunged for his sense, but found no bottom there,
Yet wrote and floundered on, in mere despair.
Round him much embryo, much abortion lay,
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Much future ode, and abdicated play;
Nonsense precipitate, like running lead,
That slipped through cracks and zigzags of the head;
All that on folly frenzy could beget,
Fruits of dull heat, and sooterkins of wit.
Next, o’er his books his eyes began to roll,
In pleasing memory of all he stole,
How here he sipped, how there he plundered snug
And sucked all o’er, like an industrious bug.
Here lay poor Fletcher’s half-eat scenes, and here
The frippery of crucified Molière;
There hapless Shakespeare, yet of Tibbald sore,
Wished he had blotted for himself before.
The rest on outside merit but presume,
Or serve (like other fools) to fill a room;
Such with their shelves as due proportion hold,
Or their fond parents dressed in red and gold;
Or where the pictures for the page atone,
And Quarles is saved by beauties not his own.
Here swells the shelf with Ogibly the great;
There, stamped with arms, Newcastle shines complete:
Here all his suffering brotherhood retire,
And ’scape the martyrdom of jakes and fire:
A Gothic library! Of Greece and Rome
Well purged, and worthy Settle, Banks, and Broome.
But, high above, more solid learning shone,
The classics of an age that heard of none;
There Caxton slept, with Wynkyn at his side,
One clasped in wood, and one in strong cow-hide;
There, saved by spice, like mummies, many a year,
Dry bodies of divinity appear:
De Lyra there a dreadful front extends,
And here the groaning shelves Philemon bends.
Of these twelve volumes, twelve of amplest size,
Redeemed from tapers and defrauded pies,
Inspired he seizes: these an altar raise:
An hetatomb of pure, unsullied lays
That altar crowns: a folio commonplace
Founds the whole pile, of all his works the base:
Quartos, octavos, shape the lessening pyre;
A twisted birthday ode completes the spire.
Then he: ‘Great tamer of all human art!
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First in my care, and ever at my heart;
Dulness! Whose good old cause I yet defend,
With whom my muse began, with whom shall end;
E’er since Sir Fopling’s periwig was praise
To the last honours of the butt and bays:
O thou! of business the directing soul!
To this our head like bias to the bowl,
Which, as more ponderous, made its aim more true,
Obliquely waddling to the mark in view:
O! ever gracias to perplexed mankind,
Still spread a healing mist before the mind;
And lest we err by wit’s wild dancing light,
Secure us kindly in our native night.
Or, if to wit a coxcomb make pretence,
Guard the sure barrier between that and sense;
Or quite unravel all the reasoning thread,
And hang some curious cobweb in its stead!
As, forced from wind-guns, lead itself can fly,
And ponderous slugs cut swiftly through the sky;
As clocks to weight their nimble motion owe,
The wheels above urged by the load below:
Me emptiness, and Dulness could inspire,
And were my elasticity, and fire.
Some daemon stole my pen(forgive th’offence)
And once betrayed me into common sense:
Else all my prose and verse were much the same;
This, prose on stilts, that, poetry fallen lame.
Did on the stage my fops appear confined?
My life gave ampler lessons to mankind.
Did the dead letter unsuccessful prove?
The brisk example never failed to move.
Yet sure had heaven decreed to save the state,
Heaven had decreed these works a longer date.
Could Troy be saved by any single hand,
This grey-goose weapon must have made her stand.
What can I now? my Fletcher cast aside,
Take up the Bible, once my better guide?
Or tread the path by venturous heroes trod,
This box my thunder, this right hand my god?
Or chaired at White’s amidst the doctors sit,
Teach oaths to gamesters, and to nobles wit?
Or bidst thou rather party to embrace?
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(A friend to party thou, and all her race;
’Tis the same rope at different ends they twist;
To Dulness Ridpath is as dear as Mist.)
Shall I, like Curtius, desperate in my zeal,
O’er head and ears plunge for the commonweal?
Or rob Rome’s ancient geese of all their glories,
And cackling save the monarchy of Tories?
Hold—to the minister I more incline;
To serve his cause, O Queen! is serving thine.
And see! Thy very gazetteers give o’er,
Ev’n Ralph repents, and Henley writes no more.
What then remains? Ourself. Still, still remain
Cibberian forehead, and Cibberian brain.
This brazen brightness, to the ‘squire so dear;
This polished hardness, that reflects the peer;
This arch absurd, that sit and fool delights;
This mess, tossed up of Hockley Hole and White’s;
Where dukes and butchers join to wreathe my crown,
At once the bear and fiddle of the town.
O born in sin, and forth in folly brought!
Works damned, or to be damned! (your father’s fault)
Go, purified by flames ascend the sky,
My better and more Christian progeny!
Unstained, untouched, and yet in maiden sheets;
While all your smutty sisters walk the streets.
Ye shall not beg, like gratis-given Bland,
Sent with a pass, and vagrant through the land;
Not sail, with Ward, to ape-and-monkey climes,
Where vile mundungus trucks for viler rhymes;
Not sulphur-tipped, emblaze an alehouse fire;
Not wrap up oranges, to pelt your sire!
O! pass more innocent, in infant state,
To the mild limbo of our father Tate:
Or peaceably forgot, at once be blessed
In Shadwell’s bosom with eternal rest!
Soon to that mass of nonsense to return,
Where things destroyed are swept to things unborn.’
With that, a tear (portentous sign of grace!)
Stole from the master of the sevenfold face:
And thrice he lifted high the birthday brand,
And thrice he dropped it from his quivering hand;
Then lights the structure, with averted eyes:
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The rolling smokes involve the sacrifice.
The opening clouds disclose each work by turns,
Now flames the Cid, and now Perolla burns;
Great Ceasar roars, and hisses in the fires;
King John in silence modestly expires:
No merit now the dear Nonjuror claims,
Molière’s old stubble in a moment flames.
Tears gushed again, as from pale Priam’s eyes
When the last blaze sent Ilion to the skies.
Roused by the light, old Dulness heaved the head;
Then snatched a sheet of Thulè from her bed,
Sudden she flies, and whelms it o’er the pyre;
Down sink the flames, and with a hiss expire.
Her ample presence fills up all the place;
A veil of fogs dilates her awful face;
Great in her charms! as when on shrieves and mayors
She looks, and breathes herself into their airs.
She bids him wait her to her sacred dome:
Well pleased he entered, and confessed his home.
So spirits ending their terrestrial race,
Ascend, and recognize their native place.
This the Great Mother dearer held than all
The clubs of quidnuncs, or her own Guildhall:
Here stood her opium, here she nursed her owls,
And here she planned th’ imperial seat of Fools.
Here to her chosen all her works she shows;
Prose swelled to verse, verse loitering into prose:
How random thoughts now meaning chance to find,
Now leave all memory of sense behind:
How prologues into prefaces decay,
And these to notes are frittered quite away:
How index-learning turns no student pale,
Yet holds the eel of science by the tail:
How, with less reading than makes felons ’scape,
Less human genius than God gives an ape,
Small thanks to France, and none to Rome or Greece,
A past, vamped, future, old, revived, new piece,
’Twixt Plautus, Fletcher, Shakespeare, and Corneille,
Can make a Cibber, Tibbald, or Ozell.
The Goddess then, o’er his anointed head,
With mystic words, the sacred opium shed.
And lo! her bird, (a monster of a fowl,
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Something betwixt a Heidegger and owl,)
Perched on his crown: ‘ All hail! and hail again,
My son! The promised land expects thy reign.
Know, Eusden thirsts no more for sack or praise;
He sleeps among the dull of ancient days;
Safe, where no critics damn, no duns molest,
Where wretched Withers, Ward, and Gildon rest,
And high-born Howard, more majestic sire,
With fool of quality completes the quire.
Thou Cibber! thou, his laurel shalt support,
Folly, my son, has still a friend at court.
Lift up your gates, ye princes, see him come!
Sound, sound ye viols, be the catcall dumb!
Bring, bring the madding bay, the drunken vine;
The creeping, dirty, courtly ivy join.
And thou! his aide de camp, lead on my sons,
Light-armed with points, antitheses, and puns.
Let bawdry, Billingsgate, my daughters dear,
Support his front, and oaths bring up the rear:
And under his, and under Archer’s wing,
Gaming and Grub Street skulk behind the king.
O! when shall rise a monarch all our own,
And I, a nursing-mother, rock the throne,
’Twixt prince and people close the curtain draw,
Shade him from light, and cover him from law;
Fatten the courtier, starve the learned band,
And suckle armies, and dry-nurse the land:
Till senates nod to lullabies divine,
And all be asleep, as at an ode of thine.’
She ceased. Then swells the Chapel Royal throat:
‘God save King Cibber!’ mounts in every note.
Familiar White’s, ‘God save king Colley!’ cries;
‘God save King Colley!’ Drury Lane replies:
To Needham’s quick the voice triumphal rode,
But pious Needham dropped the name of God;
Back to the Devil the last echoes roll,
And ‘Coll!’ each butcher roars at Hockley Hole.
So when Jove’s block descended from on high
(As sings thy great forefather Ogilby)
Loud thunder to its bottom shook the bog,
And the hoarse nation croaked, ‘God save King Log!
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~ Alexander Pope,#NFDB
1254:The Kalevala - Rune Xlix
RESTORATION OF THE SUN AND MOON.
Thus has Fire returned to Northland
But the gold Moon is not shining,
Neither gleams the silver sunlight
In the chambers of Wainola,
On the plains of Kalevala.
On the crops the white-frost settled,
And the cattle died of hunger,
Even birds grew sick and perished.
Men and maidens, faint and famished,
Perished in the cold and darkness,
From the absence of the sunshine,
From the absence of the moonlight.
Knew the pike his holes and hollows,
And the eagle knew his highway,
Knew the winds the times for sailing;
But the wise men of the Northland
Could not know the dawn of morning,
On the fog-point in the ocean,
On the islands forest-covered.
Young and aged talked and wondered,
Well reflected, long debated,
How to live without the moonlight,
Live without the silver sunshine,
In the cold and cheerless Northland,
In the homes of Kalevala.
Long conjectured all the maidens,
Orphans asked the wise for counsel.
Spake a maid to Ilmarinen,
Running to the blacksmith's furnace:
'Rise, O artist, from thy slumbers,
Hasten from thy couch unworthy;
Forge from gold the Moon for Northland,
Forge anew the Sun from silver
Cannot live without the moonlight,
Nor without the silver sunshine!'
From his couch arose the artist,
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From his couch of stone, the blacksmith,
And began his work of forging,
Forging Sun and Moon for Northland.
Came the ancient Wainamoinen,
In the doorway sat and lingered,
Spake, these Words to Ilmarinen:
'Blacksmith, my beloved brother,
Thou the only metal-worker,
Tell me why thy magic hammer
Falls so heavy on thine anvil?'
Spake the youthful Ilmarinen:
'Moon of gold and Sun of silver,
I am forging for Wainola;
I shall swing them into ether,
Plant them in the starry heavens.'
Spake the wise, old Wainamoinen:
'Senseless blacksmith of the ages,
Vainly dost thou swing thy hammer,
Vainly rings thy mighty anvil;
Silver will not gleam as sunshine,
Not of gold is born the moonlight!'
Ilmarinen, little heeding,
Ceases not to ply his hammer,
Sun and Moon the artist forges,
Wings the Moon of Magic upward,
Hurls it to the pine-tree branches;
Does not shine without her master.
Then the silver Sun he stations
In an elm-tree on the mountain.
From his forehead drip the sweat-drops,
Perspiration from his fingers,
Through his labors at the anvil
While the Sun and Moon were forging;
But the Sun shone not at morning
From his station in the elm-tree;
And the Moon shone not at evening
From the pine-tree's topmost branches.
Spake the ancient Wainamoinen:
'Let the Fates be now consulted,
And the oracles examined;
Only thus may we discover
Where the Sun and Moon lie hidden.'
224
Thereupon old Wainamoinen,
Only wise and true magician,
Cut three chips from trunks of alder,
Laid the chips in magic order,
Touched and turned them with his fingers,
Spake these words of master-magic:
'Of my Maker seek I knowledge,
Ask in hope and faith the answer
From the great magician, Ukko:
Tongue of alder, tell me truly,
Symbol of the great Creator,
Where the Sun and Moon are sleeping;
For the Moon shines not in season,
Nor appears the Sun at midday,
From their stations in the sky-vault.
Speak the truth, O magic alder,
Speak not words of man, nor hero,
Hither bring but truthful measures.
Let us form a sacred compact:
If thou speakest me a falsehood,
I will hurl thee to Manala,
Let the nether fires consume thee,
That thine evil signs may perish.'
Thereupon the alder answered,
Spake these words of truthful import:
'Verily the Sun lies hidden
And the golden Moon is sleeping
In the stone-berg of Pohyola,
In the copper-bearing mountain.'
These the words of Wainamoinen:
'I shall go at once to Northland,
To the cold and dark Pohyola,
Bring the Sun and Moon to gladden
All Wainola's fields and forests.'
Forth he hastens on his journey,
To the dismal Sariola,
To the Northland cold and dreary;
Travels one day, then a second,
So the third from morn till evening,
When appear the gates of Pohya,
With her snow-clad hills and mountains.
Wainamoinen, the magician,
225
At the river of Pohyola,
Loudly calls the ferry-maiden:
Bring a boat, O Pohya-daughter,
Bring a strong and trusty vessel,
Row me o'er these chilling waters,
O'er this rough and rapid river! '
But the Ferry-maiden heard not,
Did not listen to his calling.
Thereupon old Wainamoinen,
Laid a pile of well-dried brush-wood,
Knots and needles of the fir-tree,
Made a fire beside the river,
Sent the black smoke into heaven
Curling to the home of Ukko.
Louhi, hostess of the Northland,
Hastened to her chamber window,
Looked upon the bay and river,
Spake these words to her attendants:
'Why the fire across the river
Where the current meets the deep-sea,
Smaller than the fires of foemen,
Larger than the flames of hunters?'
Thereupon a Pohyalander
Hastened from the court of Louhi
That the cause he might discover,'
Bring the sought-for information
To the hostess of Pohyola;
Saw upon the river-border
Some great hero from Wainola.
Wainamoinen saw the stranger,
Called again in tones of thunder:
'Bring a skiff; thou son of Northland,
For the minstrel, Wainamoinen!
Thus the Pohyalander answered:
'Here no skiffs are lying idle,
Row thyself across the waters,
Use thine arms, and feet, and fingers,
To propel thee o'er the river,
O'er the sacred stream of Pohya.'
Wainamoinen, long reflecting,
Bravely thus soliloquizes:
'I will change my form and features,
226
Will assume a second body,
Neither man, nor ancient minstrel,
Master of the Northland waters!'
Then the singer, Wainamoinen,
Leaped, a pike, upon the waters,
Quickly swam the rapid river,
Gained the frigid Pohya-border.
There his native form resuming,
Walked he as a mighty hero,
On the dismal isle of Louhi,
Spake the wicked sons of Northland:
Come thou to Pohyola's court-room.'
To Pohyola's, court he hastened.
Spake again the sons of evil:
Come thou to the halls of Louhi!'
To Pohyola's halls he hastened.
On the latch he laid his fingers,
Set his foot within the fore-hall,
Hastened to the inner chamber,
Underneath the painted rafters,
Where the Northland-heroes gather.
There he found the Pohya-masters
Girded with their swords of battle,
With their spears and battle-axes,
With their fatal bows and arrows,
For the death of Wainamoinen,
Ancient bard, Suwantolainen.
Thus they asked the hero-stranger.
'Magic swimmer of the Northland,
Son of evil, what the message
That thou bringest from thy people,
What thy mission to Pohyola?'
Wainamoinen, old and truthful,
Thus addressed the hosts of Louhi:
'For the Sun I come to Northland,
Come to seek the Moon in Pohya;
Tell me where the Sun lies hidden,
Where the golden Moon is sleeping.'
Spake the evil sons of Pohya:
'Both the Sun and Moon are hidden
In the rock of many colors,
In the copper-bearing mountain,
227
In a cavern iron-banded,
In the stone-berg of Pohyola,
Nevermore to gain their freedom,
Nevermore to shine in Northland!'
Spake the hero, Wainamoinen:
'If the Sun be not uncovered,
If the Moon leave not her dungeon,
I will challenge all Pohyola
To the test of spear or broadsword,
Let us now our weapons measure!'
Quick the hero of Wainola
Drew his mighty sword of magic;
On its border shone the moonlight,
On its hilt the Sun was shining,
On its back, a neighing stallion,
On its face a cat was mewing,
Beautiful his magic weapon.
Quick the hero-swords are tested,
And the blades are rightly measured
Wainamoinen's sword is longest
By a single grain of barley,
By a blade of straw, the widest.
To the court-yard rushed the heroes,
Hastened to the deadly combat,
On the plains of Sariola.
Wainamoinen, the magician,
Strikes one blow, and then a second,
Strikes a third time, cuts and conquers.
As the house-maids slice the turnips,
As they lop the heads of cabbage,
As the stalks of flax are broken,
So the heads of Louhi's heroes
Fall before the magic broadsword
Of the ancient Wainamoinen.
Then victor from Wainola,
Ancient bard and great magician,
Went to find the Sun in slumber,
And the golden Moon discover,
In, the copper-bearing Mountains,
In the cavern iron-banded,
In the stone-berg of Pohyola.
He had gone but little distance,
228
When he found a sea-green island;
On the island stood a birch-tree,
Near the birch-tree stood a pillar
Carved in stone of many colors;
In the pillar, nine large portals
Bolted in a hundred places;
In the rock he found a crevice
Sending forth a gleam of sunlight.
Quick he drew his mighty broadsword,
From the pillar struck three colors,
From the magic of his weapon;
And the pillar fell asunder,
Three the number of the fragments.
Wainamoinen, old and faithful,
Through the crevice looked and wondered.
In the center of the pillar,
From a scarlet-colored basin,
Noxious serpents beer were drinking,
And the adders eating spices.
Spake the ancient Wainamoinen:
'Therefore has Pohyola's hostess
Little drink to give to strangers,
Since her beer is drank by serpents,
And her spices given to adders.'
Quick he draws his magic fire-blade,
Cuts the vipers green in pieces,
Lops the heads off all the adders,
Speaks these words of master-magic:
Thus, hereafter, let the serpent
Drink the famous beer of barley,
Feed upon the Northland-spices!'
Wainamoinen, the magician,
The eternal wizard-singer,
Sought to open wide the portals
With the hands and words of magic;
But his hands had lost their cunning,
And his magic gone to others.
Thereupon the ancient minstrel
Quick returning, heavy-hearted,
To his native halls and hamlets,
Thus addressed his brother-heroes:
'Woman, he without his weapons,
229
With no implements, a weakling!
Sun and Moon have I discovered,
But I could not force the Portals
Leading to their rocky cavern
In the copper bearing mountain.
Spake the reckless Lemminkainen
'O thou ancient Wainamoinen,
Why was I not taken with thee
To become, thy war-companion?
Would have been of goodly service,
Would have drawn the bolts or broken,
All the portals to the cavern,
Where the Sun and Moon lie hidden
In the copper-bearing mountain!'
Wainamoinen, ancient minstrel,
Thus replied to Lemminkainen:
'Empty Words will break no portals,
Draw no bolts of any moment;
Locks and bolts are never broken.
With the words of little wisdom!
Greater means than thou commandest
Must be used to free the sunshine,
Free the moonlight from her dungeon.'
Wainamoinen, not discouraged,
Hastened to the, forge and smithy,
Spake these words to Ilmarinen:
'O thou famous metal-artist,
Forge for me a magic trident,
Forge from steel a dozen stout-rings,
Master-keys, a goodly number,
Iron bars and heavy hammers,
That the Sun we may uncover
In the copper-bearing mountain,
In the stone-berg of Pohyola.'
Then the blacksmith, Ilmarinen,
The eternal metal-worker,
Forged the needs of Wainamoinen,
Forged for him the magic trident,
Forged from steel a dozen stout-rings,
Master-keys a goodly number,
Iron bars and heavy hammers,
Not the largest, nor the smallest,
230
Forged them of the right dimensions.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Fastened wings upon her shoulders,
As an eagle, sailed the heavens,
Over field, and fen, and forest,
Over Pohya's many, waters,
To the hamlets of Wainola,
To the forge of Ilmarinen.
Quick the famous metal-worker
Went to see if winds were blowing;
Found the winds at peace and silent,
Found an eagle, sable-colored,
Perched upon his window-casement.
Spake the artist, Ilmarinen:
'Magic bird, whom art thou seeking,
Why art sitting at my window?'
This the answer of the eagle:
'Art thou blacksmith, Ilmarinen,
The eternal iron-forger,
Master of the magic metals,
Northland's wonder-working artist?'
Ilmarinen gave this answer:
'There is nothing here of wonder,
Since I forged the dome of heaven,
Forged the earth a concave cover!'
Spake again the magic eagle:
Why this ringing of thine anvil,
Why this knocking of thy hammer,
Tell me what thy hands are forging?'
This the answer of the blacksmith:
''Tis a collar I am forging
For the neck of wicked Louhi,
Toothless witch of Sariola,
Stealer of the silver sunshine,
Stealer of the golden moonlight;
With this collar I shall bind her
To the iron-rock of Ehstland!'
Louhi, hostess of Pohyola,
Saw misfortune fast approaching,
Saw destruction flying over,
Saw the signs of bad-luck lower;
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Quickly winged her way through ether
To her native halls and chambers,
To the darksome Sariola,
There unlocked the massive portals
Where the Sun and Moon were hidden,
In the rock of many colors,
In the cavern iron-banded,
In the copper-bearing mountain.
Then again the wicked Louhi
Changed her withered form and features,
And became a dove of good-luck;
Straightway winged the starry heavens,
Over field, and fen, and forest,
To the meadows of Wainola,
To the plains of Kalevala,
To the forge of Ilmarinen.
This the question of the blacksmith
'Wherefore comest, dove of good-luck,
What the tidings that thou bringest?'
Thus the magic bird made answer:
'Wherefore come I to thy smithy?
Come to bring the joyful tidings
That the Sun has left his cavern,
Left the rock of many colors,
Left the stone-berg of Pohyola;
That the Moon no more is hidden
In the copper-bearing mountains,
In the caverns iron-banded.'
Straightway hastened Ilmarinen
To the threshold of his smithy,
Quickly scanned the far horizon,
Saw again the silver sunshine,
Saw once more the golden moonlight,
Bringing peace, and joy, and plenty,
To the homes of Kalevala.
Thereupon the blacksmith hastened
To his brother, Wainamoinen,
Spake these words to the magician:
'O thou ancient bard and minstrel,
The eternal wizard-singer
See, the Sun again is shining,
And the golden Moon is beaming
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From their long-neglected places,
From their stations in the sky-vault!'
Wainamoinen, old and faithful,
Straightway hastened to the court-yard,
Looked upon the far horizon,
Saw once more the silver sunshine,
Saw again the golden moonlight,
Bringing peace, and joy, and plenty,
To the people of the Northland,
And the minstrel spake these measures:
'Greetings to thee, Sun of fortune,
Greetings to thee, Moon of good-luck,
Welcome sunshine, welcome moonlight,
Golden is the dawn of morning!
Free art thou, O Sun of silver,
Free again, O Moon beloved,
As the sacred cuckoo's singing,
As the ring-dove's liquid cooings.
'Rise, thou silver Sun, each Morning,
Source of light and life hereafter,
Bring us, daily, joyful greetings,
Fill our homes with peace and plenty,
That our sowing, fishing, hunting,
May be prospered by thy coming.
Travel on thy daily journey,
Let the Moon be ever with thee;
Glide along thy way rejoicing,
End thy journeyings in slumber;
Rest at evening in the ocean,
When the daily cares have ended,
To the good of all thy people,
To the pleasure Of Wainoloa,
To the joy of Kalevala!'
~ Elias Lönnrot,#NFDB
1255:The Kalevala - Rune Xi
LEMMINKAINEN'S LAMENT.
This the time to sing of Ahti,
Son of Lempo, Kaukomieli,
Also known as Lemminkainen.
Ahti was the king of islands,
Grew amid the island-dwellings,
At the site of his dear mother,
On the borders of the ocean,
On the points of promontories.
Ahti fed upon the salmon,
Fed upon the ocean whiting,
Thus became a mighty hero,
In his veins the blood of ages,
Read erect and form commanding,
Growth of mind and body perfect
But alas! he had his failings,
Bad indeed his heart and morals,
Roaming in unworthy places,
Staying days and nights in sequences
At the homes of merry maidens,
At the dances of the virgins,
With the maids of braided tresses.
Up in Sahri lived a maiden,
Lived the fair and winsome Kulli,
Lovely as a summer-flower,
From a kingly house descended,
Grew to perfect form and beauty,
Living in her father's cottage,
Home of many ancient heroes,
Beautiful was she and queenly,
Praised throughout the whole of Ehstland;
From afar men came to woo her,
To the birthplace of the virgin,
To the household of her mother.
For his son the Day-star wooes her,
But she will not go to Sun-land,
Will not shine beside the Day-star,
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In his haste to bring the summer.
For her son, the bright Moon wooes her,
But she will not go to Moon-land,
By the bright Moon will not glimmer,
Will not run through boundless ether.
For his son the Night-star wooes her,
But she will not go to Star-land,
Will not twinkle in the starlight,
Through the dreary nights in winter.
Lovers come from distant Ehstlaud,
Others come from far-off Ingern,
But they cannot win the maiden,
This the answer that she gives them
'Vainly are your praises lavished
Vainly is your silver offered,
Wealth and praise are no temptation;
Never shall I go to Ehstland,
Never shall I go a-rowing
On the waters of the Ingern,
Shall not cross the Sahri-waters,
Never eat the fish of Ehstland,
Never taste the Ehstland viands.
Ingerland shall never see me,
Will not row upon her rivers,
Will not step within her borders;
Hunger there, and fell starvation,
Wood is absent, fuel wanting,
Neither water, wheat, nor barley,
Even rye is not abundant.'
Lemminkainen of the islands,
Warlike hero, Kaukomieli,
Undertakes to win the maiden,
Woo and win the Sahri-flower,
Win a bride so highly honored,
Win the maid with golden tresses,
Win the Sahri maid of beauty;
But his mother gives him warning:
'Nay,' replies his gray-haired mother,
'Do not woo, my son beloved,
Maiden of a higher station;
She will never make thee happy
With her lineage of Sahri.'
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Spake the hero, Lemminkainen,
These the words of Kaukomieli:
'Should I come from lowly station,
Though my tribe is not the highest,
I shall woo to please my fancy,
Woo the maiden fair and lovely,
Choose a wife for worth and beauty.'
This the anxious mother's answer:
'Lemminkainen, son beloved,
Listen to advice maternal:
Do not go to distant Sahri,
To her tribe of many branches;
All the maidens there will taunt thee,
All the women will deride thee.'
Lemminkainen, little hearing,
Answers thus his mother's pleading:
'I will still the sneers of women,
Silence all the taunts of maidens,
I will crush their haughty bosoms,
Smite the hands and cheeks of infants;
Surely this will check their insults,
Fitting ending to derision!'
This the answer of' the mother:
'Woe is me, my son beloved!
Woe is me, my life hard-fated!
Shouldst thou taunt the Sahri daughters.
Or insult the maids of virtue,
Shouldst thou laugh them to derision,
There will rise a great contention,
Fierce the battle that will follow.
All the hosts of Sahri-suitors,
Armed in thousands will attack thee,
And will slay thee for thy folly.'
Nothing listing, Lemminkainen,
Heeding not his mother's warning,
Led his war-horse from the stables,
Quickly hitched the fiery charger,
Fleetly drove upon his journey,
To the distant Sahri-village,
There to woo the Sahri-flower,
There to win the Bride of Beauty.
All the aged Sahri-women,
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All the young and lovely maidens
Laughed to scorn the coming stranger
Driving careless through the alleys,
Wildly driving through the court-yard,
Now upsetting in the gate-way,
Breaking shaft, and hame, and runner.
Then the fearless Lemminkainen,
Mouth awry and visage wrinkled,
Shook his sable locks and answered:
'Never in my recollection
Have I heard or seen such treatment,
Never have I been derided,
Never suffered sneers of women,
Never suffered scorn of virgins,
Not in my immortal life-time.
Is there any place befitting
On the Sahri-plains and pastures,
Where to join in songs and dances?
Is there here a hall for pleasure,
Where the Sahri-maidens linger,
Merry maids with braided tresses?'
Thereupon the Sahri-maidens
Answered from their promontory.,
'Room enough is there in Sahri,
Room upon the Sahri-pastures,
Room for pleasure-halls and dances;
Sing and dance upon our meadows,
Be a shepherd on the mountains,
Shepherd-boys have room for dancing;
Indolent the Sahri-children,
But the colts are fat and frisky.'
Little caring, Lemminkainen
Entered service there as shepherd,
In the daytime on the pastures,
In the evening, making merry
At the games of lively maidens,
At the dances with the virgins,
With the maids with braided tresses.
Thus it was that Lemminkainen,
Thus the shepherd, Kaukomieli,
Quickly hushed the women's laughter,
Quickly quenched the taunts of maidens,
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Quickly silenced their derision.
All the dames and Sahri-daughters
Soon were feasting Lemminkainen,
At his side they danced and lingered.
Only was there one among them,
One among the Sahri-virgins,
Harbored neither love nor wooers,
Favored neither gods nor heroes,
This the lovely maid Kyllikki,
This the Sahri's fairest flower.
Lemminkainen, full of pleasure,
Handsome hero, Kaukomieli,
Rowed a hundred boats in pieces,
Pulled a thousand oars to fragments,
While he wooed the Maid of Beauty,
Tried to win the fair Kyllikki.
Finally the lovely maiden,
Fairest daughter of the Northland,
Thus addresses Lemminkainen:
'Why dost linger here, thou weak one,
Why dost murmur on these borders,
Why come wooing at my fireside,
Wooing me in belt of copper?
Have no time to waste upon thee,
Rather give this stone its polish,
Rather would I turn the pestle
In the heavy sandstone mortar;
Rather sit beside my mother
In the dwellings of my father.
Never shall I heed thy wooing,
Neither wights nor whisks I care for,
Sooner have a slender husband
Since I have a slender body;
Wish to have him fine of figure,
Since perchance I am well-shapen;
Wish to have him tall and stately,
Since my form perchance is queenly;
Never waste thy time in wooing
Saliri's maid and favored flower.'
Time had gone but little distance,
Scarcely had a month passed over,
When upon a merry evening,
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Where the maidens meet for dancing,
In the glen beyond the meadow,
On a level patch of verdure,
Came too soon the maid Kyllikki,
Sahri's pride, the Maid of Beauty;
Quickly followed Lemminkainen,
With his stallion proudly prancing,
Fleetest racer of the Northland,
Fleetly drives beyond the meadow,
Where the maidens meet for dancing,
Snatches quick the maid Kyllikki,
On the settle seats the maiden,
Quickly draws the leathern cover,
And adjusts the brichen cross-bar,
Whips his courser to a gallop.
With a rush, and roar, and rattle,
Speeds he homeward like the storm-wind,
Speaks these words to those that listen:
'Never, never, anxious maidens,
Must ye give the information,
That I carried off Kyllikki
To my distant home and kindred.
If ye do not heed this order,
Ye shall badly fare as maidens;
I shall sing to war your suitors,
Sing them under spear and broadsword,
That for months, and years, and ages,
Never ye will see their faces,
Never hear their merry voices,
Never will they tread these uplands,
Never will they join these dances,
Never will they drive these highways.'
Sad the wailing of Kyllikki,
Sad the weeping flower of Sahri!
Listen to her tearful pleading:
'Give, O give me back my freedom,
Free me from the throes of thralldom,
Let this maiden wander homeward,
By some foot-path let me wander
To my father who is grieving,
To my mother who is weeping;
Let me go or I will curse thee!
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If thou wilt not give me freedom,
Wilt not let me wander homeward,
Where my loved ones wait my coming,
I have seven stalwart brothers,
Seven sons of father's brother,
Seven sons of mother's sister,
Who pursue the tracks of red-deer,
Hunt the hare upon the heather;
They will follow thee and slay thee,
Thus I'll gain my wished-for freedom.'
Lemminkainen, little heeding,
Would not grant the maiden's wishes,
Would not heed her plea for mercy.
Spake again the waiting virgin,
Pride and beauty of the Northland:
'Joyful was I with my kindred,
Joyful born and softly nurtured
Merrily I spent my childhood,
Happy I, in virgin-freedom,
In the dwelling of my father,
By the bedside of my mother,
With my lineage in Sahri;
But alas! all joy has vanished,
All my happiness departed,
All my maiden beauty waneth
Since I met thine evil spirit,
Shameless hero of dishonor,
Cruel fighter of the islands,
Merciless in civil combat.'
Spake the hero, Lemminkainen,
These the words of Kaukomieli:
'Dearest maiden, fair Kyllikki,
My sweet strawberry of Pohya,
Still thine anguish, cease thy weeping,
Be thou free from care and sorrow,
Never shall I do thee evil,
Never will my hands maltreat thee,
Never will mine arms abuse thee,
Never will my tongue revile thee,
Never will my heart deceive thee.
'Tell me why thou hast this anguish,
Why thou hast this bitter sorrow,
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Why this sighing and lamenting,
Tell me why this wail of sadness?
Banish all thy cares and sorrows,
Dry thy tears and still thine anguish,
I have cattle, food, and shelter,
I have home, and friends, and kindred,
Kine upon the plains and uplands,
In the marshes berries plenty,
Strawberries upon the mountains
I have kine that need no milking,
Handsome kine that need no feeding,
Beautiful if not well-tended;
Need not tie them up at evening,
Need not free them in the morning,
Need not hunt them, need not feed them,
Need not give them salt nor water.
'Thinkest thou my race is lowly,
Dost thou think me born ignoble,
Does my lineage agrieve thee?
Was not born in lofty station,
From a tribe of noble heroes,
From a worthy race descended;
But I have a sword of fervor,
And a spear yet filled with courage,
Surely these are well descended,
These were born from hero-races,
Sharpened by the mighty Hisi,
By the gods were forged and burnished;
Therefore will I give thee greatness,
Greatness of my race and nation,
With my broadsword filled with fervor,
With my spear still filled with courage.'
Anxiously the sighing maiden
Thus addresses Lemminkainen:
'O thou Ahti, son of Lempo,
Wilt thou take this trusting virgin,
As thy faithful life-companion,
Take me under thy protection,
Be to me a faithful husband,
Swear to me an oath of honor,
That thou wilt not go to battle,
When for gold thou hast a longing,
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When thou wishest gold and silver?'
This is Lemminkainen's answer:
I will swear an oath of honor,
That I'll never go to battle,
When for gold I feel a longing,
When I wish for gold and silver.
Swear thou also on thine honor,
Thou wilt go not to the village,
When desire for dance impels thee,
Wilt not visit village-dances.'
Thus the two made oath together,
Registered their vows in heaven,
Vowed before omniscient Ukko,
Ne'er to go to war vowed Ahti,
Never to the dance, Kyllikki.
Lemminkainen, full of joyance,
Snapped his whip above his courser,
Whipped his racer to a gallop,
And these words the hero uttered:
'Fare ye well, ye Sahri-meadows,
Roots of firs, and stumps of birch-trees.
That I wandered through in summer,
That I travelled o'er in winter,
Where ofttimes in rainy seasons,
At the evening hour I lingered,
When I sought to win the virgin,
Sought to win the Maid of Beauty,
Fairest of the Sahri-flowers.
Fare ye well, ye Sahri-woodlands,
Seas and oceans, lakes and rivers,
Vales and mountains, isles and inlets,
Once the home of fair Kyllikki!'
Quick the racer galloped homeward,
Galloped on along the highway,
Toward the meadows of Wainola,
To the plains of Kalevala.
As they neared the Ahti-dwellings,
Thus Kyllikki spake in sorrow:
'Cold and drear is thy cottage,
Seeming like a place deserted;
Who may own this dismal cabin,
Who the one so little honored?'
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Spake the hero, Lemminkainen,
These the words that Ahti uttered:
'Do not grieve about my cottage,
Have no care about my chambers;
I shall build thee other dwellings,
I shall fashion them much better,
Beams, and posts, and sills, and rafters,
Fashioned from the sacred birch-wood.'
Now they reach the home of Ahti,
Lemminkainen's home and birthplace,
Enter they his mother's cottage;
There they meet his aged mother,
These the words the mother uses:
'Long indeed hast thou been absent,
Long in foreign lands hast wandered,
Long in Sahri thou hast lingered!'
This is Lemminkainen's answer:
'All the host of Sahri-women,
All the chaste and lovely maidens,
All the maids with braided tresses,
Well have paid for their derision,
For their scorn and for their laughter,
That they basely heaped upon me.
I have brought the best among them
In my sledge to this thy cottage;
Well I wrapped her in my fur-robes,
Kept her warm enwrapped in bear-skin,
Brought her to my mother's dwelling,
As my faithful life-companion;
Thus I paid the scornful maidens,
Paid them well for their derision.
'Cherished mother of my being,
I have found the long-sought jewel,
I have won the Maid of Beauty.
Spread our couch with finest linen,
For our heads the softest pillows,
On our table rarest viands,
So that I may dwell in pleasure
With my spouse, the bride of honor,
With the pride of distant Sahri.'
This the answer of the mother:
'Be thou praised, O gracious Ukko,
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Loudly praised, O thou Creator,
Since thou givest me a daughter,
Ahti's bride, my second daughter,
Who can stir the fire at evening,
Who can weave me finest fabrics,
Who can twirl the useful spindle,
Who can rinse my silken ribbons,
Who can full the richest garments.
'Son beloved, praise thy Maker,
For the winning of this virgin,
Pride and joy of distant Sahri
Kind indeed is thy Creator,
Wise the ever-knowing Ukko!
Pure the snow upon the mountains,
Purer still thy Bride of Beauty;
White the foam upon the ocean,
Whiter still her virgin-spirit;
Graceful on the lakes, the white-swan,
Still more graceful, thy companion:
Beautiful the stars in heaven,
Still more beautiful, Kyllikki.
Larger make our humble cottage,
Wider build the doors and windows,
Fashion thou the ceilings higher,
Decorate the walls in beauty,
Now that thou a bride hast taken
From a tribe of higher station,
Purest maiden of creation,
From the meadow-lands of Sahri,
From the upper shores of Northland.'
~ Elias Lönnrot,#NFDB
1256:The Kalevala - Rune Xvi
WAINAMOINEN'S BOAT-BUILDING.
Wainamoinen, ancient minstrel,
The eternal wisdom-singer,
For his boat was working lumber,
Working long upon his vessel,
On a fog-point jutting seaward,
On an island, forest-covered;
But the lumber failed the master,
Beams were wanting for his vessel,
Beams and scantling, ribs and flooring.
Who will find for him the lumber,
Who procure the timber needed
For the boat of Wainamoinen,
For the bottom of his vessel?
Pellerwoinen of the prairies,
Sampsa, slender-grown and ancient,
He will seek the needful timber,
He procure the beams of oak-wood
For the boat of Wainamoinen,
For the bottom of his vessel.
Soon he starts upon his journey
To the eastern fields and forests,
Hunts throughout the Northland mountain
To a second mountain wanders,
To a third he hastens, searching,
Golden axe upon his shoulder,
In his hand a copper hatchet.
Comes an aspen-tree to meet him
Of the height of seven fathoms.
Sampsa takes his axe of copper,
Starts to fell the stately aspen,
But the aspen quickly halting,
Speaks these words to Pellerwoinen:
'Tell me, hero, what thou wishest,
What the service thou art needing?'
Sampsa Pellerwoinen answers:
'This indeed, the needed service
291
That I ask of thee, O aspen:
Need thy lumber for a vessel,
For the boat of Wainamoinen,
Wisest of the wisdom-singers.'
Quick and wisely speaks the aspen,
Thus its hundred branches answer:
'All the boats that have been fashioned
From my wood have proved but failures;
Such a vessel floats a distance,
Then it sinks upon the bottom
Of the waters it should travel.
All my trunk is filled with hollows,
Three times in the summer seasons
Worms devour my stem and branches,
Feed upon my heart and tissues.'
Pellerwoinen leaves the aspen,
Hunts again through all the forest,
Wanders through the woods of Northland,
Where a pine-tree comes to meet him,
Of the height of fourteen fathoms.
With his axe he chops the pine-tree,
Strikes it with his axe of copper,
As he asks the pine this question:
'Will thy trunk give worthy timber
For the boat of Wainamoinen,
Wisest of the wisdom-singers?'
Loudly does the pine-tree answer:
'All the ships that have been fashioned
From my body are unworthy;
I am full of imperfections,
Cannot give thee needed timber
Wherewithal to build thy vessel;
Ravens live within ray branches,
Build their nests and hatch their younglings
Three times in my trunk in summer.'
Sampsa leaves the lofty pine-tree,
Wanders onward, onward, onward,
To the woods of gladsome summer,
Where an oak-tree comes to meet him,
In circumference, three fathoms,
And the oak he thus addresses:
'Ancient oak-tree, will thy body
292
Furnish wood to build a vessel,
Build a boat for Wainamoinen,
Master-boat for the magician,
Wisest of the wisdom-singers?'
Thus the oak replies to Sampsa:
'I for thee will gladly furnish
Wood to build the hero's vessel;
I am tall, and sound, and hardy,
Have no flaws within my body;
Three times in the months of summer,
In the warmest of the seasons,
Does the sun dwell in my tree-top,
On my trunk the moonlight glimmers,
In my branches sings the cuckoo,
In my top her nestlings slumber.'
Now the ancient Pellerwoinen
Takes the hatchet from his shoulder,
Takes his axe with copper handle,
Chops the body of the oak-tree;
Well he knows the art of chopping.
Soon he fells the tree majestic,
Fells the mighty forest-monarch,
With his magic axe and power.
From the stems he lops the branches,
Splits the trunk in many pieces,
Fashions lumber for the bottom,
Countless boards, and ribs, and braces,
For the singer's magic vessel,
For the boat of the magician.
Wainamoinen, old and skilful,
The eternal wonder-worker,
Builds his vessel with enchantment,
Builds his boat by art of magic,
From the timber of the oak-tree,
From its posts, and planks, and flooring.
Sings a song, and joins the frame-work;
Sings a second, sets the siding;
Sings a third time, sets the row-locks;
Fashions oars, and ribs, and rudder,
Joins the sides and ribs together.
When the ribs were firmly fastened,
When the sides were tightly jointed,
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Then alas! three words were wanting,
Lost the words of master-magic,
How to fasten in the ledges,
How the stern should be completed,
How complete the boat's forecastle.
Then the ancient Wainamoinen,
Wise and wonderful enchanter,
Heavy-hearted spake as follows:
'Woe is me, my life hard-fated!
Never will this magic vessel
Pass in safety o'er the water,
Never ride the rough sea-billows.'
Then he thought and long considered,
Where to find these words of magic,
Find the lost-words of the Master:
'From the brains of countless swallows,
From the heads of swans in dying,
From the plumage of the gray-duck?'
For these words the hero searches,
Kills of swans a goodly number,
Kills a flock of fattened gray-duck,
Kills of swallows countless numbers,
Cannot find the words of magic,
Not the lost-words of the Master.
Wainamoinen, wisdom-singer,
Still reflected and debated:
'I perchance may find the lost-words
On the tongue of summer-reindeer,
In the mouth of the white squirrel.'
Now again he hunts the lost-words,
Hastes to find the magic sayings,
Kills a countless host of reindeer,
Kills a rafterful of squirrels,
Finds of words a goodly number,
But they are of little value,
Cannot find the magic lost-word.
Long he thought and well considered:
'I can find of words a hundred
In the dwellings of Tuoni,
In the Manala fields and castles.'
Wainamoinen quickly journeys
To the kingdom of Tuoni,
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There to find the ancient wisdom,
There to learn the secret doctrine;
Hastens on through fen and forest,
Over meads and over marshes,
Through the ever-rising woodlands,
Journeys one week through the brambles,
And a second through the hazels,
Through the junipers the third week,
When appear Tuoni's islands,
And the Manala fields and castles.
Wainamoinen, brave and ancient,
Calls aloud in tones of thunder,
To the Tuonela deeps and dungeons,
And to Manala's magic castle:
'Bring a boat, Tuoni's daughter,
Bring a ferry-boat, O maiden,
That may bear me o'er this channel,
O'er this black and fatal river.'
Quick the daughter of Tuoni,
Magic maid of little stature,
Tiny virgin of Manala,
Tiny washer of the linen,
Tiny cleaner of the dresses,
At the river of Tuoni,
In Manala's ancient castles,
Speaks these words to Wainamoinen,
Gives this answer to his calling:
'Straightway will I bring the row-boat,
When the reasons thou hast given
Why thou comest to Manala
In a hale and active body.'
Wainamoinen, old and artful.,
Gives this answer to the maiden:
'I was brought here by Tuoni,
Mana raised me from the coffin.'
Speaks the maiden of Manala:
'This a tale of wretched liars;
Had Tuoni brought thee hither,
Mana raised thee from the coffin,
Then Tuoni would be with thee,
Manalainen too would lead thee,
With Tuoni's hat upon thee,
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On thy hands, the gloves of Mana;
Tell the truth now, Wainamoinen,
What has brought thee to Manala?'
Wainamoinen, artful hero,
Gives this answer, still finessing:
'Iron brought me to Manala,
To the kingdom of Tuoni.'
Speaks the virgin of the death-land,
Mana's wise and tiny daughter:
'Well I know that this is falsehood,
Had the iron brought thee hither,
Brought thee to Tuoni's kingdom,
Blood would trickle from thy vesture,
And the blood-drops, scarlet-colored.
Speak the truth now, Wainamoinen,
This the third time that I ask thee.'
Wainamoinen, little heeding,
Still finesses to the daughter:
'Water brought me to Manala,
To the kingdom of Tuoui.'
This the tiny maiden's answer:
'Well I know thou speakest falsely;
If the waters of Manala,
If the cataract and whirlpool,
Or the waves had brought thee hither,
From thy robes the drops would trickle,
Water drip from all thy raiment.
Tell the truth and I will serve thee,
What has brought thee to Manala?'
Then the wilful Wainamoinen
Told this falsehood to the maiden:
'Fire has brought me to Manala,
To the kingdom of Tuoni.'
Spake again Tuoni's daughter:
'Well I know the voice of falsehood.
If the fire had brought thee hither,
Brought thee to Tuoni's empire,
Singed would be thy locks and eyebrows,
And thy beard be crisped and tangled.
O, thou foolish Wainamoinen,
If I row thee o'er the ferry,
Thou must speak the truth in answer,
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This the last time I will ask thee;
Make an end of thy deception.
What has brought thee to Manala,
Still unharmed by pain or sickness,
Still untouched by Death's dark angel
Spake the ancient Wainamoinen:
'At the first I spake, not truly,
Now I give thee rightful answer:
I a boat with ancient wisdom,
Fashioned with my powers of magic,
Sang one day and then a second,
Sang the third day until evening,
When I broke the magic main-spring,
Broke my magic sledge in pieces,
Of my song the fleetest runners;
Then I come to Mana's kingdom,
Came to borrow here a hatchet,
Thus to mend my sledge of magic,
Thus to join the parts together.
Send the boat now quickly over,
Send me, quick, Tuoni's row-boat,
Help me cross this fatal river,
Cross the channel of Manala.'
Spake the daughter of Tuoni,
Mana's maiden thus replying:
'Thou art sure a stupid fellow,
Foresight wanting, judgment lacking,
Having neither wit nor wisdom,
Coming here without a reason,
Coming to Tuoni's empire;
Better far if thou shouldst journey
To thy distant home and kindred;
Man they that visit Mana,
Few return from Maria's kingdom.'
Spake the good old Wainamoinen:
'Women old retreat from danger,
Not a man of any courage,
Not the weakest of the heroes.
Bring thy boat, Tuoni's daughter,
Tiny maiden of Manala,
Come and row me o'er the ferry.'
Mana's daughter does as bidden,
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Brings her boat to Wainamoinen,
Quickly rows him through the channel,
O'er the black and fatal river,
To the kingdom of Manala,
Speaks these words to the magician:
'Woe to thee! O Wainamoinen!
Wonderful indeed, thy magic,
Since thou comest to Manala,
Comest neither dead nor dying.'
Tuonetar, the death-land hostess,
Ancient hostess of Tuoni,
Brings him pitchers filled with strong-beer,
Fills her massive golden goblets,
Speaks these measures to the stranger:
'Drink, thou ancient Wainamoinen,
Drink the beer of king Tuoni!'
Wainamoinen, wise and cautious,
Carefully inspects the liquor,
Looks a long time in the pitchers,
Sees the spawning of the black-frogs,
Sees the young of poison-serpents,
Lizards, worms, and writhing adders,
Thus addresses Tuonetar:
'Have not come with this intention,
Have not come to drink thy poisons,
Drink the beer of Tuonela;
Those that drink Tuoni's liquors,
Those that sip the cups of Mana,
Court the Devil and destruction,
End their lives in want and ruin.'
Tuonetar makes this answer:
'Ancient minstrel, Wainamoinen,
Tell me what has brought thee hither,
Brought thee to the, realm of Mana,
To the courts of Tuonela,
Ere Tuoni sent his angels
To thy home in Kalevala,
There to cut thy magic life-thread.'
Spake the singer, Wainamoinen:
'I was building me a vessel,
At my craft was working, singing,
Needed three words of the Master,
298
How to fasten in the ledges,
How the stern should be completed,
How complete the boat's forecastle.
This the reason of my coming
To the empire of Tuoni,
To the castles of Manala:
Came to learn these magic sayings,
Learn the lost-words of the Master.'
Spake the hostess, Tuonetar:
'Mana never gives these sayings,
Canst not learn them from Tuoni,
Not the lost-words of the Master;
Thou shalt never leave this kingdom,
Never in thy magic life-time,
Never go to Kalevala,
To Wainola's peaceful meadows.
To thy distant home and country.'
Quick the hostess, Tuonetar,
Waves her magic wand of slumber
O'er the head of Wainamoinen,
Puts to rest the wisdom-hero,
Lays him on the couch of Mana,
In the robes of living heroes,
Deep the sleep that settles o'er him.
In Manala lived a woman,
In the kingdom of Tuoni,
Evil witch and toothless wizard,
Spinner of the threads of iron,
Moulder of the bands of copper,
Weaver of a hundred fish-nets,
Of a thousand nets of copper,
Spinning in the days of summer,
Weaving in the winter evenings,
Seated on a rock in water.
In the kingdom of Tuoni
Lived a man, a wicked wizard,
Three the fingers of the hero,
Spinner he of iron meshes,
Maker too of nets of copper,
Countless were his nets of metal,
Moulded on a rock in water,
Through the many days of summer.
299
Mana's son with crooked fingers,
Iron-pointed, copper fingers,
Pulls of nets, at least a thousand,
Through the river of Tuoni,
Sets them lengthwise, sets them crosswise,
In the fatal, darksome river,
That the sleeping Wainamomen,
Friend and brother of the waters,
May not leave the isle of Mana,
Never in the course of ages,
Never leave the death-land castles,
Never while the moonlight glimmers
On the empire of Tuoni.
Wainamoinen, wise and wary,
Rising from his couch of slumber,
Speaks these words as he is waking:
'Is there not some mischief brewing,
Am I not at last in danger,
In the chambers of Tuoni,
In the Manala home and household?'
Quick he changes his complexion,
Changes too his form and feature,
Slips into another body;
Like a serpent in a circle,
Rolls black-dyed upon the waters;
Like a snake among the willows,
Crawls he like a worm of magic,
Like an adder through the grasses,
Through the coal-black stream of death-land,
Through a thousand nets of copper
Interlaced with threads of iron,
From the kingdom of Tuoni,
From the castles of Manala.
Mana's son, the wicked wizard,
With his iron-pointed fingers,
In the early morning hastens
To his thousand nets of copper,
Set within the Tuoni river,
Finds therein a countless number
Of the death-stream fish and serpents;
Does not find old Wainamoinen,
Wainamoinen, wise and wary,
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Friend and fellow of the waters.
When the wonder-working hero
Had escaped from Tuonela,
Spake he thus in supplication:
'Gratitude to thee, O Ukko,
Do I bring for thy protection!
Never suffer other heroes,
Of thy heroes not the wisest,
To transgress the laws of nature;
Never let another singer,
While he lives within the body,
Cross the river of Tuoni,
As thou lovest thy creations.
Many heroes cross the channel,
Cross the fatal stream of Mana,
Few return to tell the story,
Few return from Tuonela,
From Manala's courts and castles.'
Wainamoinen calls his people,
On the plains of Kalevala,
Speaks these words of ancient wisdom,
To the young men, to the maidens,
To the rising generation:
'Every child of Northland, listen:
If thou wishest joy eternal,
Never disobey thy parents,
Never evil treat the guiltless,
Never wrong the feeble-minded,
Never harm thy weakest fellow,
Never stain thy lips with falsehood,
Never cheat thy trusting neighbor,
Never injure thy companion,
Lest thou surely payest penance
In the kingdom of Tuoni,
In the prison of Manala;
There, the home of all the wicked,
There the couch of the unworthy,
There the chambers of the guilty.
Underneath Manala's fire-rock
Are their ever-flaming couches,
For their pillows hissing serpents,
Vipers green their writhing covers,
301
For their drink the blood of adders,
For their food the pangs of hunger,
Pain and agony their solace;
If thou wishest joy eternal,
Shun the kingdom of Tuoui!'
~ Elias Lönnrot,#NFDB
1257:The Kalevala - Rune Xxx
THE FROST-FIEND.
Lemminkainen, reckless minstrel,
Handsome hero, Kaukomieli,
Hastens as the dawn is breaking,
At the dawning of the morning,
To the resting-place of vessels,
To the harbor of the island,
Finds the vessels sorely weeping,
Hears the wailing of the rigging,
And the ships intone this chorus:
'Must we wretched lie forever
In the harbor of this island,
Here to dry and fall in pieces?
Ahti wars no more in Northland,
Wars no more for sixty summers,
Even should he thirst for silver,
Should he wish the gold of battle.'
Lemminkainen struck his vessels
With his gloves adorned with copper,
And addressed the ships as follows:
'Mourn no more, my ships of fir-wood,
Strong and hardy is your rigging,
To the wars ye soon may hasten,
Hasten to the seas of battle;
Warriors may swarm your cabins
Ere to-morrow's morn has risen.!''
Then the reckless Lemminkainen
Hastened to his aged mother,
Spake to her the words that follow:
'Weep no longer, faithful mother,
Do not sorrow for thy hero,
Should he leave for scenes of battle,
For the hostile fields of Pohya;
Sweet revenge has fired my spirit,
And my soul is well determined,
To avenge the shameful insult
That the warriors of Northland
487
Gave to thee, defenseless woman.'
To restrain him seeks his mother,
Warns her son again of danger:
'Do not go, my son beloved,
To the wars in Sariola;
There the jaws of Death await thee,
Fell destruction lies before thee!'
Lemminkainen, little heeding,
Still determined, speaks as follows:
'Where may I secure a swordsman,
Worthy of my race of heroes,
To assist me in the combat?
Often I have heard of Tiera,
Heard of Kura of the islands,
This one I will take to help me,
Magic hero of the broadsword;
He will aid me in the combat,
Will protect me from destruction.'
Then he wandered to the islands,
On the way to Tiera's hamlet,
These the words that Ahti utters
As he nears the ancient dwellings:
Dearest friend, my noble Tiera,
My, beloved hero-brother,
Dost thou other times remember,
When we fought and bled together,
On the battle-fields of Northland?
There was not an island-village
Where there were not seven mansions,
In each mansion seven heroes,
And not one of all these foemen
Whom we did not slay with broadswords,
Victims of our skill and valor.'
Near the window sat the father
Whittling out a javelin-handle;
Near the threshold sat the mother
Skimming cream and making butter;
Near the portal stood the brother
Working on a sledge of birch-wood
Near the bridge-pass were the sisters
Washing out their varied garments.
Spake the father from the window,
488
From the threshold spake the mother,
From the portals spake the brother,
And the sisters from the bridge-pass:
'Tiera has no time for combat,
And his broadsword cannot battle;
Tiera is but late a bridegroom,
Still unveiled his bride awaits him.'
Near the hearth was Tiera lying,
Lying by the fire was Kura,
Hastily one foot was shoeing,
While the other lay in waiting.
From the hook he takes his girdle,
Buckles it around his body,
Takes a javelin from its resting,
Not the largest, nor the smallest,
Buckles on his mighty scabbard,
Dons his heavy mail of copper;
On each javelin pranced a charger,
Wolves were howling from his helmet,
On the rings the bears were growling.
Tiera poised his mighty javelin,
Launched the spear upon its errand;
Hurled the shaft across the pasture,
To the border of the forest,
O'er the clay-fields of Pohyola,
O'er the green and fragrant meadows,
Through the distant bills of Northland.
Then great Tiera touched his javelin
To the mighty spear of Ahti,
Pledged his aid to Lemminkainen,
As his combatant and comrade.
Thereupon wild Kaukomieli
Pushed his boat upon the waters;
Like the serpent through the heather,
Like the creeping of the adder,
Sails the boat away to Pohya,
O'er the seas of Sariola.
Quick the wicked hostess, Louhi,
Sends the black-frost of the heavens
To the waters of Pohyola,
O'er the far-extending sea-plains,
Gave the black-frost these directions:
489
'Much-loved Frost, my son and hero,
Whom thy mother has instructed,
Hasten whither I may send thee,
Go wherever I command thee,
Freeze the vessel of this hero,
Lemminkainen's bark of magic,
On the broad back of the ocean,
On the far-extending waters;
Freeze the wizard in his vessel,
Freeze to ice the wicked Ahti,
That he never more may wander,
Never waken while thou livest,
Or at least till I shall free him,
Wake him from his icy slumber!'
Frost, the son of wicked parents,
Hero-son of evil manners,
Hastens off to freeze the ocean,
Goes to fasten down the flood-gates,
Goes to still the ocean-currents.
As he hastens on his journey,
Takes the leaves from all the forest,
Strips the meadows of their verdure,
Robs the flowers of their colors.
When his journey he had ended,
Gained the border of the ocean,
Gained the sea-shore curved and endless,
On the first night of his visit,
Freezes he the lakes and rivers,
Freezes too the shore of ocean,
Freezes not the ocean-billows,
Does not check the ocean-currents.
On the sea a finch is resting,
Bird of song upon the waters,
But his feet are not yet frozen,
Neither is his head endangered.
When the second night Frost lingered,
He began to grow important,
He became a fierce intruder,
Fearless grew in his invasions,
Freezes everything before him;
Sends the fiercest cold of Northland,
Turns to ice the boundless waters.
490
Ever thicker, thicker, thicker,
Grew the ice on sea and ocean,
Ever deeper, deeper, deeper,
Fell the snow on field and forest,
Froze the hero's ship of beauty,
Cold and lifeless bark of Ahti;
Sought to freeze wild Lemminkainen,
Freeze him lifeless as his vessel,
Asked the minstrel for his life-blood,
For his ears, and feet, and fingers.
Then the hero, Lemminkainen,
Angry grew and filled with magic,
Hurled the black-frost to the fire-god,
Threw him to the fiery furnace,
Held him in his forge of iron,
Then addressed the frost as follows:
'Frost, thou evil son of Northland,
Dire and only son of Winter,
Let my members not be stiffened,
Neither ears, nor feet, nor fingers,
Neither let my head be frozen.
Thou hast other things to feed on,
Many other beads to stiffen;
Leave in peace the flesh of heroes,
Let this minstrel pass in safety,
Freeze the swamps, and lakes, and rivers,
Fens and forests, bills and valleys;
Let the cold stones grow still colder,
Freeze the willows in the waters,
Let the aspens freeze and suffer,
Let the bark peel from the birch-trees,
Let the Pines burst on the mountains,
Let this hero pass in safety,
Do not let his locks be stiffened.
'If all these prove insufficient,
Feed on other worthy matters;
Lot the hot stones freeze asunder,
Let the flaming rocks be frozen,
Freeze the fiery blocks of iron,
Freeze to ice the iron mountains;
Stiffen well the mighty Wuoksi,
Let Imatra freeze to silence;
491
Freeze the sacred stream and whirlpoo4
Let their boiling billows stiffen,
Or thine origin I'll sing thee,
Tell thy lineage of evil.
Well I know thine evil nature,
Know thine origin and power,
Whence thou camest, where thou goest,
Know thine ancestry of evil.
Thou wert born upon the aspen,
Wert conceived upon the willows,
Near the borders of Pohyola,
In the courts of dismal Northland;
Sin-begotten was thy father,
And thy mother was Dishonor.
'While in infancy who fed thee
While thy mother could not nurse thee?
Surely thou wert fed by adders,
Nursed by foul and slimy serpents;
North-winds rocked thee into slumber,
Cradled thee in roughest weather,
In the worst of willow-marshes,
In the springs forever flowing,
Evil-born and evil-nurtured,
Grew to be an evil genius,
Evil was thy mind and spirit,
And the infant still was nameless,
Till the name of Frost was given
To the progeny of evil.
'Then the young lad lived in hedges,
Dwelt among the weeds and willows,
Lived in springs in days of summer,
On the borders of the marshes,
Tore the lindens in the winter,
Stormed among the glens and forests,
Raged among the sacred birch-trees,
Rattled in the alder-branches,
Froze the trees, the shoots, the grasses,
Evened all the plains and prairies,
Ate the leaves within the woodlands,
Made the stalks drop down their blossoms,
Peeled the bark on weeds and willows.
'Thou hast grown to large proportions,
492
Hast become too tall and mighty;
Dost thou labor to benumb me,
Dost thou wish mine ears and fingers,
Of my feet wouldst thou deprive me?
Do not strive to freeze this hero,
In his anguish and misfortune;
In my stockings I shall kindle
Fire to drive thee from my presence,
In my shoes lay flaming faggots,
Coals of fire in every garment,
Heated sandstones in my rigging;
Thus will hold thee at a distance.
Then thine evil form I'll banish
To the farthest Northland borders;
When thy journey is completed,
When thy home is reached in safety,
Freeze the caldrons in the castle,
Freeze the coal upon the hearthstone,
In the dough, the hands of women,
On its mother's lap, the infant,
Freeze the colt beside its mother.
'If thou shouldst not heed this order,
I shall banish thee still farther,
To the carbon-piles of Hisi,
To the chimney-hearth of Lempo,
Hurl thee to his fiery furnace,
Lay thee on the iron anvil,
That thy body may be hammered
With the sledges of the blacksmith,
May be pounded into atoms,
Twixt the anvil and the hammer.
'If thou shouldst not heed this order,
Shouldst not leave me to my freedom,
Know I still another kingdom,
Know another spot of resting;
I shall drive thee to the summer,
Lead thy tongue to warmer climates,
There a prisoner to suffer,
Never to obtain thy freedom
Till thy spirit I deliver,
Till I go myself and free thee.'
Wicked Frost, the son of Winter,
493
Saw the magic bird of evil
Hovering above his spirit,
Straightway prayed for Ahti's mercy,
These the words the Frost-fiend uttered:
'Let us now agree together,
Neither one to harm the other,
Never in the course of ages,
Never while the moonlight glimmers
On the snow-capped hills of Northland.
If thou hearest that I bring thee
Cold to freeze thy feet and fingers,
Hurl me to the fiery furnace,
Hammer me upon the anvil
Of the blacksmith, Ilmarinen;
Lead my tongue to warmer climates,
Banish me to lands of summer,
There a prisoner to suffer,
Nevermore to gain my freedom.'
Thereupon wild Lemminkainen
Left his vessel in the ocean,
Frozen in the ice of Northland,
Left his warlike boat forever,
Started on his cheerless journey
To the borders of Pohyola,
And the mighty Tiera followed
In the tracks of his companion.
On the ice they journeyed northward
Briskly walked upon the ice-plain,
Walked one day, and then a second,
Till the closing of the third day,
When the Hunger-land approached them,
When appeared Starvation-island.
Here the hardy Lemminkainen
Hastened forward to the castle,
This the hero's prayer and question;
'Is there food within this castle,
Fish or fowl within its larders,
To refresh us on our journey,
Mighty heroes, cold and weary?
When the hero, Lemminkainen,
Found no food within the castle,
Neither fish, nor fowl, nor bacon,
494
Thus he cursed it and departed:
'May the fire destroy these chambers,
May the waters flood this dwelling,
Wash it to the seas of Mana!'
Then they hastened onward, onward,
Hastened on through field and forest,
Over by-ways long untrodden,
Over unknown paths and snow-fields;
Here the hardy Lemminkainen,
Reckless hero, Kaukomieli,
Pulled the soft wool from the ledges,
Gathered lichens from the tree-trunks,
Wove them into magic stockings,
Wove them into shoes and mittens,
On the settles of the hoar-frost,
In the stinging cold of Northland.
Then he sought to find some pathway,
That would guide their wayward footsteps,
And the hero spake as follows:
'O thou Tiera, friend beloved,
Shall we reach our destination,
Wandering for days together,
Through these Northland fields and forests?
Kura thus replies to Ahti:
'We, alas! have come for vengeance,
Come for blood and retribution,
To the battle-fields of Northland,
To the dismal Sariola,
Here to leave our souls and bodies,
Here to starve, and freeze, and perish,
In the dreariest of places,
In this sun-forsaken country!
Never shall we gain the knowledge,
Never learn it, never tell it,
Which the pathway that can guide us
To the forest-beds to suffer,
To the Pohya-plains to perish,
In the home-land of the ravens,
Fitting food for crows and eagles.
Often do the Northland vultures
Hither come to feed their fledgelings;
Hither bring the birds of heaven
495
Bits of flesh and blood of heroes;
Often do the beaks of ravens
Tear the flesh of kindred corpses,
Often do the eagle's talons
Carry bones and trembling vitals,
Such as ours, to feed their nestlings,
In their rocky homes and ledges.
'Oh! my mother can but wonder,
Never can divine the answer,
Where her reckless son is roaming,
Where her hero's blood is flowing,
Whether in the swamps and lowlands
Whether in the heat of battle,
Or upon the waves of the ocean,
Or upon the hop-feld mountains,
Or along some forest by-way.
Nothing can her mind discover
Of the frailest of her heroes,
Only think that he has perished.
Thus the hoary-headed mother
Weeps and murmurs in her chambers:
'Where is now my son beloved,
In the kingdom of Manala?
Sow thy crops, thou dread Tuoni,
Harrow well the fields of Kalma!
Now the bow receives its respite
From the fingers of my Tiera;
Bow and arrow now are useless,
Now the merry birds can fatten
In the fields, and fens, and forests;
Bears may live in dens of freedom,
On the fields may sport the elk-herds.''
Spake the reckless Lemminkainen:
'Thus it is, mine aged mother,
Thou that gavest me existence!
Thou hast reared thy broods of chickens,
Hatched and reared thy flights of white-swans
All of them the winds have scattered,
Or the evil Lempo frightened;
One flew hither, and one thither,
And a third one, lost forever!
Think thou of our former pleasures,
496
Of our better days together,
When I wandered like the flowers,
Like the berry in the meadows.
Many saw my form majestic,
Many thought me well-proportioned.
Now is not as then with Ahti,
Into evil days have fallen,
Since I see but storms and darkness!
Then my eyes beheld but sunshine,
Then we did not weep and murmur,
Did not fill our hearts with sorrow,
When the maids in joy were singing,
When the virgins twined their tresses;
Then the women joined in joyance,
Whether brides were happy-wedded,
Whether bridegrooms choose discreetly,
Whether they were wise or unwise.
'But we must not grow disheartened,
Let the Island-maidens cheer us;
Here we are not yet enchanted,
Not bewitched by magic singing,
On the paths not left to perish,
Sink and perish on our journey.
Full of youth we should not suffer,
Strong, we should not die unworthy,
Whom the wizards have enchanted,
Have bewitched with songs of magic;
Sorcerers may charm and conquer,
Bury them within their dungeons,
Hide them spell-bound in their cabins.
Let the wizards charm each other,
And bewitch their magic offspring,
Bring their tribes to fell destruction.
Never did my gray-haired father
Bow submission to a wizard,
Offer worship to magicians.
These the words my father uttered,
These the thoughts his son advances:
'Guard us, thou O great Creator,
Shield us, thou O God of mercy,
With thine arms of grace protect us,
Help us with thy strength and wisdom,
497
Guide the minds of all thy heroes,
Keep aright the thoughts of women,
Keep the old from speaking evil,
Keep the young from sin and folly,
Be to us a help forever,
Be our Guardian and our Father,
That our children may not wander
From the ways of their Creator,
From the path that God has given!''
Then the hero Lemminkainen,
Made from cares the fleetest racers,
Sable racers from his sorrows,
Reins he made from days of evil,
From his sacred pains made saddles.
To the saddle, quickly springing,
Galloped he away from trouble,
To his dear and aged mother;
And his comrade, faithful Tiera,
Galloped to his Island-dwelling.
Now departs wild Lemminkainen,
Brave and reckless Kaukomieli,
From these ancient songs and legends;
Only guides his faithful Kura
To his waiting bride and kindred,
While these lays and incantations
Shall be turned to other heroes.
~ Elias Lönnrot,#NFDB
1258:The Kalevala - Rune Xiv
DEATH OF LEMMINKAINEN.
Lemminkainen, much disheartened,
Deeply thought and long considered,
What to do, what course to follow,
Whether best to leave the wild-moose
In the fastnesses of Hisi,
And return to Kalevala,
Or a third time hunt the ranger,
Hoping thus to bring him captive,
Thus return at last a victor
To the forest home of Louhi,
To the joy of all her daughters,
To the wood-nymph's happy fireside.
Taking courage Lemminkainen
Spake these words in supplication:
'Ukko, thou O God above me,
Thou Creator of the heavens,
Put my snow-shoes well in order,
And endow them both with swiftness,
That I rapidly may journey
Over marshes, over snow-fields,
Over lowlands, over highlands,
Through the realms of wicked Hisi,
Through the distant plains of Lapland,
Through the paths of Lempo's wild-moose,
To the forest hills of Juutas.
To the snow-fields shall I journey,
Leave the heroes to the woodlands,
On the way to Tapiola,
Into Tapio's wild dwellings.
'Greeting bring I to the mountains,
Greeting to the vales and uplands,
Greet ye, heights with forests covered,
Greet ye, ever-verdant fir-trees,
Greet ye, groves of whitened aspen,
Greetings bring to those that greet you,
Fields, and streams, and woods of Lapland.
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Bring me favor, mountain-woodlands,
Lapland-deserts, show me kindness,
Mighty Tapio, be gracious,
Let me wander through thy forests,
Let me glide along thy rivers,
Let this hunter search thy snow-fields,
Where the wild-moose herds in numbers
Where the bounding reindeer lingers.
'O Nyrikki, mountain hero,
Son of Tapio of forests,
Hero with the scarlet head-gear,
Notches make along the pathway,
Landmarks upward to the mountains,
That this hunter may not wander,
May not fall, and falling perish
In the snow-fields of thy kingdom,
Hunting for the moose of Hisi,
Dowry for the pride of Northland.
'Mistress of the woods, Mielikki,
Forest-mother, formed in beauty,
Let thy gold flow out abundant,
Let thy silver onward wander,
For the hero that is seeking
For the wild-moose of thy kingdom;
Bring me here thy keys of silver,
From the golden girdle round thee;
Open Tapio's rich chambers,
And unlock the forest fortress,
While I here await the booty,
While I hunt the moose of Lempo.
'Should this service be too menial
Give the order to thy servants,
Send at once thy servant-maidens,
And command it to thy people.
Thou wilt never seem a hostess,
If thou hast not in thy service,
Maidens ready by the hundreds,
Thousands that await thy bidding,
Who thy herds may watch and nurture,
Tend the game of thy dominions.
'Tall and slender forest-virgin,
Tapio's beloved daughter,
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Blow thou now thy honey flute-notes,
Play upon thy forest-whistle,
For the hearing of thy mistress,
For thy charming woodland-mistress,
Make her hear thy sweet-toned playing,
That she may arise from slumber.
Should thy mistress not awaken
At the calling of thy flute-notes,
Play again, and play unceasing,
Make the golden tongue re-echo.'
Wild and daring Lemminkainen
Steadfast prays upon his journey,
Calling on the gods for succor,
Hastens off through fields and moorlands,
Passes on through cruel brush-wood,
To the colliery of Hisi,
To the burning fields of Lempo;
Glided one day, then a second,
Glided all the next day onward,
Till he came to Big-stone mountain,
Climbed upon its rocky summit,
Turned his glances to the north-west,
Toward the Northland moors and marshes;
There appeared the Tapio-mansion.
All the doors were golden-colored,
Shining in the gleam of sunlight
Through the thickets on the mountains,
Through the distant fields of Northland.
Lemminkainen, much encouraged,
Hastens onward from his station
Through the lowlands, o'er the uplands,
Over snow-fields vast and vacant,
Under snow-robed firs and aspens,
Hastens forward, happy-hearted,
Quickly reaches Tapio's court-yards,
Halts without at Tapio's windows,
Slyly looks into her mansion,
Spies within some kindly women,
Forest-dames outstretched before him,
All are clad in scanty raiment,
Dressed in soiled and ragged linens.
Spake the stranger Lemminkainen:
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'Wherefore sit ye, forest-mothers,
In your old and simple garments,
In your soiled and ragged linen?
Ye, forsooth! are too untidy,
Too unsightly your appearance
In your tattered gowns appareled.
When I lived within the forest,
There were then three mountain castles,
One of horn and one of ivory,
And the third of wood constructed;
In their walls were golden windows,
Six the windows in each castle,
Through these windows I discovered
All the host of Tapio's mansion,
Saw its fair and stately hostess;
Saw great Tapio's lovely daughter,
Saw Tellervo in her beauty,
With her train of charming maidens;
All were dressed in golden raiment,
Rustled all in gold and silver.
Then the forest's queenly hostess,
Still the hostess of these woodlands,
On her arms wore golden bracelets,
Golden rings upon her fingers,
In her hair were sparkling, jewels,
On her bead were golden fillets,
In her ears were golden ear-rings,
On her neck a pearly necklace,
And her braidlets, silver-tinselled.
'Lovely hostess of the forest,
Metsola's enchanting mistress,
Fling aside thine ugly straw-shoes,
Cast away the shoes of birch-bark,
Doff thy soiled and ragged linen,
Doff thy gown of shabby fabric,
Don the bright and festive raiment,
Don the gown of merry-making,
While I stay within thy borders,
While I seek my forest-booty,
Hunt the moose of evil Hisi.
Here my visit will be irksome,
Here thy guest will be ill-humored,
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Waiting in thy fields and woodlands,
Hunting here the moose of Lempo,
Finding not the Hisi-ranger,
Shouldst thou give me no enjoyment,
Should I find no joy, nor respite.
Long the eve that gives no pleasure,
Long the day that brings no guerdon!
'Sable-bearded god of forests,
In thy hat and coat of ermine,
Robe thy trees in finest fibers,
Deck thy groves in richest fabrics,
Give the fir-trees shining silver,
Deck with gold the slender balsams,
Give the spruces copper belting,
And the pine-trees silver girdles,
Give the birches golden flowers,
Deck their stems with silver fret-work,
This their garb in former ages,
When the days and nights were brighter,
When the fir-trees shone like sunlight,
And the birches like the moonbeams;
Honey breathed throughout the forest,
Settled in the glens and highlands
Spices in the meadow-borders,
Oil out-pouring from the lowlands.
'Forest daughter, lovely virgin,
Golden maiden, fair Tulikki,
Second of the Tapio-daughters,
Drive the game within these borders,
To these far-extending snow-fields.
Should the reindeer be too sluggish,
Should the moose-deer move too slowly
Cut a birch-rod from the thicket,
Whip them hither in their beauty,
Drive the wild-moose to my hurdle,
Hither drive the long-sought booty
To the hunter who is watching,
Waiting in the Hisi-forests.
'When the game has started hither,
Keep them in the proper highway,
Hold thy magic hands before them,
Guard them well on either road-side,
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That the elk may not escape thee,
May not dart adown some by-path.
Should, perchance, the moose-deer wander
Through some by-way of the forest,
Take him by the ears and antlers,
Hither lead the pride of Lempo.
'If the path be filled with brush-wood
Cast the brush-wood to the road-side;
If the branches cross his pathway,
Break the branches into fragments;
Should a fence of fir or alder
Cross the way that leads him hither.
Make an opening within it,
Open nine obstructing fences;
If the way be crossed by streamlets,
If the path be stopped by rivers,
Make a bridge of silken fabric,
Weaving webs of scarlet color,
Drive the deer-herd gently over,
Lead them gently o'er the waters,
O'er the rivers of thy forests,
O'er the streams of thy dominions.
'Thou, the host of Tapio's mansion,
Gracious host of Tapiola,
Sable-bearded god of woodlands,
Golden lord of Northland forests,
Thou, O Tapio's worthy hostess,
Queen of snowy woods, Mimerkki,
Ancient dame in sky-blue vesture,
Fenland-queen in scarlet ribbons,
Come I to exchange my silver,
To exchange my gold and silver;
Gold I have, as old as moonlight,
Silver of the age of sunshine,
In the first of years was gathered,
In the heat and pain of battle;
It will rust within my pouches,
Soon will wear away and perish,
If it be not used in trading.'
Long the hunter, Lemminkainen,
Glided through the fen and forest,
Sang his songs throughout the woodlands,
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Through three mountain glens be sang them,
Sang the forest hostess friendly,
Sang he, also, Tapio friendly,
Friendly, all the forest virgins,
All of Metsola's fair daughters.
Now they start the herds of Lempo,
Start the wild-moose from his shelter,
In the realms of evil Hisi,
Tapio's highest mountain-region;
Now they drive the ranger homeward,
To the open courts of Piru,
To the hero that is waiting,
Hunting for the moose of Juutas.
When the herd had reached the castle,
Lemminkainen threw his lasso
O'er the antlers of the blue-moose,
Settled on the neck and shoulders
Of the mighty moose of Hisi.
Then the hunter, Kaukomieli,
Stroked his captive's neck in safety,
For the moose was well-imprisoned.
Thereupon gay Lemminkainen
Filled with joyance spake as follows:
'Pride of forests, queen of woodlands,
Metsola's enchanted hostess,
Lovely forest dame, Mielikki,
Mother-donor of the mountains,
Take the gold that I have promised,
Come and take away the silver;
Spread thy kerchief well before me,
Spread out here thy silken neck-wrap,
Underneath the golden treasure,
Underneath the shining silver,
that to earth it may not settle,
Scattered on the snows of winter.'
Then the hero went a victor
To the dwellings of Pohyola,
And addressed these words to Louhi:
'I have caught the moose of Hisi,
In the Metsola-dominions,
Give, O hostess, give thy daughter,
Give to me thy fairest virgin,
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Bride of mine to be hereafter.'
Louhi, hostess of the Northland,
Gave this answer to the suitor:
'I will give to thee my daughter,
For thy wife my fairest maiden,
When for me thou'lt put a bridle
On the flaming horse of Hisi,
Rapid messenger of Lempo,
On the Hisi-plains and pastures.'
Nothing daunted, Lemminkainen
Hastened forward to accomplish
Louhi's second test of heroes,
On the cultivated lowlands,
On the sacred fields and forests.
Everywhere he sought the racer,
Sought the fire-expiring stallion,
Fire out-shooting from his nostrils.
Lemminkainen, fearless hunter,
Bearing in his belt his bridle,
On his shoulders, reins and halter,
Sought one day, and then a second,
Finally, upon the third day,
Went he to the Hisi-mountain,
Climbed, and struggled to the summit;
To the east he turned his glances,
Cast his eyes upon the sunrise,
There beheld the flaming courser,
On the heath among the far-trees.
Lempo's fire-expiring stallion
Fire and mingled smoke, out-shooting
From his mouth, and eyes, and nostrils.
Spake the daring Lemminkainen,
This the hero's supplication:
'Ukko, thou O God above me,
Thou that rulest all the storm-clouds,
Open thou the vault of heaven,
Open windows through the ether,
Let the icy rain come falling,
Lot the heavy hailstones shower
On the flaming horse of Hisi,
On the fire-expiring stallion.'
Ukko, the benign Creator,
167
Heard the prayer of Lemminkainen,
Broke apart the dome of heaven,
Rent the heights of heaven asunder,
Sent the iron-hail in showers,
Smaller than the heads of horses,
Larger than the heads of heroes,
On the flaming steed of Lempo,
On the fire-expiring stallion,
On the terror of the Northland.
Lemminkainen, drawing nearer,
Looked with care upon the courser,
Then he spake the words that follow:
'Wonder-steed of mighty Hisi,
Flaming horse of Lempo's mountain,
Bring thy mouth of gold, assenting,
Gently place thy head of silver
In this bright and golden halter,
In this silver-mounted bridle.
I shall never harshly treat thee,
Never make thee fly too fleetly,
On the way to Sariola,
On the tracks of long duration,
To the hostess of Pohyola,
To her magic courts and stables,
Will not lash thee on thy journey;
I shall lead thee gently forward,
Drive thee with the reins of kindness,
Cover thee with silken blankets.'
Then the fire-haired steed of Juutas,
Flaming horse of mighty Hisi,
Put his bead of shining silver,
In the bright and golden bead-stall,
In the silver-mounted bridle.
Thus the hero, Lemminkainen,
Easy bridles Lempo's stallion,
Flaming horse of evil Piru;
Lays the bits within his fire-mouth,
On his silver head, the halter,
Mounts the fire-expiring courser,
Brandishes his whip of willow,
Hastens forward on his journey,
Bounding o'er the hills and mountains,
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Dashing through the valleys northward,
O'er the snow-capped hills of Lapland,
To the courts of Sariola.
Then the hero, quick dismounting,
Stepped within the court of Louhi,
Thus addressed the Northland hostess:
'I have bridled Lempo's fire-horse,
I have caught the Hisi-racer,
Caught the fire-expiring stallion,
In the Piru plains and pastures,
Ridden him within thy borders;
I have caught the moose of Lempo,
I have done what thou demandest;
Give, I pray thee, now thy daughter,
Give to me thy fairest maiden,
Bride of mine to be forever.'
Louhi, hostess of Pohyola,
Made this answer to the suitor:
'I will only give my daughter,
Give to thee my fairest virgin,
Bride of thine to be forever,
When for me the swan thou killest
In the river of Tuoni,
Swimming in the black death-river,
In the sacred stream and whirlpool;
Thou canst try one cross-bow only,
But one arrow from thy quiver.'
Then the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Braved the third test of the hero,
Started out to hunt the wild-swan,
Hunt the long-necked, graceful swimmer,
In Tuoni's coal-black river,
In Manala's lower regions.
Quick the daring hunter journeyed,
Hastened off with fearless footsteps,
To the river of Tuoni,
To the sacred stream and whirlpool,
With his bow upon his shoulder,
With his quiver and one arrow.
Nasshut, blind and crippled shepherd,
Wretched shepherd of Pohyola,
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Stood beside the death-land river,
Near the sacred stream and whirlpool,
Guarding Tuonela's waters,
Waiting there for Lemminkainen,
Listening there for Kaukomieli,
Waiting long the hero's coming.
Finally he hears the footsteps
Of the hero on his journey,
Hears the tread of Lemminkainen,
As he journeys nearer, nearer,
To the river of Tuoni,
To the cataract of death-land,
To the sacred stream and whirlpool.
Quick the wretched shepherd, Nasshut,
From the death-stream sends a serpent,
Like an arrow from a cross-bow,
To the heart of Lemminkainen,
Through the vitals of the hero.
Lemminkainen, little conscious,
Hardly knew that be was injured,
Spake these measures as he perished.
'Ah! unworthy is my conduct,
Ah! unwisely have I acted,
That I did not heed my mother,
Did not take her goodly counsel,
Did not learn her words of magic.
Oh I for three words with my mother,
How to live, and bow to suffer,
In this time of dire misfortune,
How to bear the stings of serpents,
Tortures of the reed of waters,
From the stream of Tuonela!
'Ancient mother who hast borne me,
Who hast trained me from my childhood,
Learn, I pray thee, where I linger,
Where alas! thy son is lying,
Where thy reckless hero suffers.
Come, I pray thee, faithful mother,
Come thou quickly, thou art needed,
Come deliver me from torture,
From the death-jaws of Tuoni,
From the sacred stream and whirlpool.'
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Northland's old and wretched shepherd,
Nasshut, the despised protector
Of the flocks of Sariola,
Throws the dying Lemminkainen,
Throws the hero of the islands,
Into Tuonela's river,
To the blackest stream of death-land,
To the worst of fatal whirlpools.
Lemminkainen, wild and daring,
Helpless falls upon the waters,
Floating down the coal-black current,
Through the cataract and rapids
To the tombs of Tuonela.
There the blood-stained son of death-land,
There Tuoni's son and hero,
Cuts in pieces Lemminkainen,
Chops him with his mighty hatchet,
Till the sharpened axe strikes flint-sparks
From the rocks within his chamber,
Chops the hero into fragments,
Into five unequal portions,
Throws each portion to Tuoni,
In Manala's lowest kingdom,
Speaks these words when he has ended:
'Swim thou there, wild Lemminkainen,
Flow thou onward in this river,
Hunt forever in these waters,
With thy cross-bow and thine arrow,
Shoot the swan within this empire,
Shoot our water-birds in welcome!'
Thus the hero, Lemminkainen,
Thus the handsome Kaukomieli,
The untiring suitor, dieth
In the river of Tuoni,
In the death-realm of Manala.
~ Elias Lönnrot,#NFDB
1259:The Kalevala - Rune Xlii
CAPTURE OF THE SAMPO.
Wainamoinen, old and truthful,
With the blacksmith, Ilmarinen,
With the reckless son of Lempo,
Handsome hero, Kaukomieli,
On the sea's smooth plain departed,
On the far-extending waters,
To the village, cold and dreary,
To the never-pleasant Northland,
Where the heroes fall and perish.
Ilmarinen led the rowers
On one side the magic war-ship,
And the reckless Lemminkainen
Led the rowers on the other.
Wainamoinen, old and trusty,
Laid his hand upon the rudder,
Steered his vessel o'er the waters,
Through the foam and angry billows
To Pohyola's place of landing,
To the cylinders of copper,
Where the war-ships lie at anchor.
When they had arrived at Pohya,
When their journey they had ended,
On the land they rolled their vessel,
On the copper-banded rollers,
Straightway journeyed to the village,
Hastened to the halls and hamlets
Of the dismal Sariola.
Louhi, hostess of the Northland,
Thus addressed the stranger-heroes:
Magic heroes of Wainola,
What the tidings ye are bringing
To the people of my village?'
Wainamoinen, ancient minstrel.
Gave this answer to the hostess:
'All the hosts of Kalevala
Are inquiring for the Sampo,
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Asking for the lid in colors;
Hither have these heroes journeyed
To divide the priceless treasure.
Thus the hostess spake in answer:
'No one would divide a partridge,
Nor a squirrel, with three heroes;
Wonderful the magic Sampo,
Plenty does it bring to Northland;
And the colored lid re-echoes
From the copper-bearing mountains,
From the stone-berg of Pohyola,
To the joy of its possessors.'
Wainamoinen, ancient minstrel,
Thus addressed the ancient Louhi:
'If thou wilt not share the Sampo,
Give to us an equal portion,
We will take it to Wainola,
With its lid of many colors,
Take by force the hope of Pohya.'
Thereupon the Northland hostess
Angry grew and sighed for vengeance;
Called her people into council,
Called the hosts of Sariola,
Heroes with their trusted broadswords,
To destroy old Wainamoinen
With his people of the Northland.
Wainamoinen, wise and ancient,
Hastened to his harp of fish-bone,
And began his magic playing;
All of Pohya stopped and listened,
Every warrior was silenced
By the notes of the magician;
Peaceful-minded grew the soldiers,
All the maidens danced with pleasure,
While the heroes fell to weeping,
And the young men looked in wonder.
Wainamoinen plays unceasing,
Plays the maidens into slumber,
Plays to sleep the young and aged,
All of Northland sleeps and listens.
Wise and wondrous Wainamoinen,
The eternal bard and singer,
193
Searches in his pouch of leather,
Draws therefrom his slumber-arrows,
Locks the eyelids of the sleepers,
Of the heroes of Pohyola,
Sings and charms to deeper slumber
All the warriors of the Northland.
Then the heroes of Wainola
Hasten to obtain the Sampo,
To procure the lid in colors
From the copper-bearing mountains.
From behind nine locks of copper,
In the stone-berg of Pohyola.
Wainamoinen, ancient minstrel,
Then began his wondrous singing,
Sang in gentle tones of magic,
At the entrance to the mountain,
At the border of the stronghold;
Trembled all the rocky portals,
And the iron-banded pillars
Fell and crumbled at his singing.
Ilmarinen, magic blacksmith,
Well anointed all the hinges,
All the bars and locks anointed,
And the bolts flew back by magic,
All the gates unlocked in silence,
Opened for the great magician.
Spake the minstrel Wainamoinen:
'O thou daring Lemminkainen,
Friend of mine in times of trouble,
Enter thou within the mountain,
Bring away the wondrous Sampo,
Bring away the lid in colors!'
Quick the reckless Lemminkainen,
Handsome hero, Kaukomieli,
Ever ready for a venture,
Hastens to the mountain-caverns,
There to find the famous Sampo,
There to get the lid in colors;
Strides along with conscious footsteps,
Thus himself he vainly praises:
'Great am I and full of glory,
Wonder-hero, son of Ukko,
194
I will bring away the Sampo,
Turn about the lid in colors,
Turn it on its magic hinges!'
Lemminkainen finds the wonder,
Finds the Sampo in the mountain,
Labors long with strength heroic,
Tugs with might and main to turn it;
Motionless remains the treasure,
Deeper sinks the lid in colors,
For the roots have grown about it,
Grown nine fathoms deep in sand-earth.
Lived a mighty ox in Northland,
Powerful in bone and sinew,
Beautiful in form and color,
Horns the length of seven fathoms,
Mouth and eyes of wondrous beauty.
Lemminkainen, reckless hero,
Harnesses the ox in pasture,
Takes the master-plow of Pohya,
Plows the roots about the Sampo,
Plows around the lid in colors,
And the sacred Sampo loosens,
Falls the colored lid in silence.
Straightway ancient Wainamoinen
Brings the blacksmith, Ilmarinen,
Brings the daring Lemminkainen,
Lastly brings the magic Sampo,
From the stone-berg of Pohyola,
From the copper-bearing mountain,
Hides it in his waiting vessel,
In the war-ship of Wainola.
Wainamoinen called his people,
Called his crew of men and maidens,
Called together all his heroes,
Rolled his vessel to the water,
Into billowy deeps and dangers.
Spake the blacksmith, Ilmarinen:
'Whither shall we take the Sampo,
Whither take the lid in colors,
From the stone-berg of Pohyola,
From this evil spot of Northland?'
Wainamoinen, wise and faithful,
195
Gave this answer to the question:
'Thither shall we take the Sampo,
Thither take the lid in colors,
To the fog-point on the waters,
To the island forest-covered;
There the treasure may be hidden,
May remain in peace for ages,
Free from trouble, free from danger,
Where the sword will not molest it.'
Then the minstrel, Wainamoinen,
Joyful, left the Pohya borders,
Homeward sailed, and happy-hearted,
Spake these measures on departing:
'Turn, O man-of-war, from Pohya,
Turn thy back upon the strangers,
Turn thou to my distant country!
Rock, O winds, my magic vessel,
Homeward drive my ship, O billows,
Lend the rowers your assistance,
Give the oarsmen easy labor,
On this vast expanse of waters!
Give me of thine oars, O Ahto,
Lend thine aid, O King of sea-waves,
Guide as with thy helm in safety,
Lay thy hand upon the rudder,
And direct our war-ship homeward;
Let the hooks of metal rattle
O'er the surging of the billows,
On the white-capped waves' commotion.'
Then the master, Wainamoinen,
Guided home his willing vessel;
And the blacksmith, Ilmarinen,
With the lively Lemminkainen,
Led the mighty host of rowers,
And the war-ship glided homeward
O'er the sea's unruffled surface,
O'er the mighty waste of waters.
Spake the reckless Lemminkainen:
'Once before I rode these billows,
There were viands for the heroes,
There was singing for the maidens;
But to-day I hear no singing,
196
Hear no songs upon the vessel,
Hear no music on the waters.'
Wainamoinen, wise and ancient,
Answered thus wild Lemminkainen:
'Let none sing upon the blue-sea,
On the waters, no rejoicing;
Singing would prolong our journey,
Songs disturb the host of rowers;
Soon will die the silver sunlight,
Darkness soon will overtake us,
On this evil waste of waters,
On this blue-sea, smooth and level.'
These the words of Lemminkainen:
'Time will fly on equal pinions
Whether we have songs or silence;
Soon will disappear the daylight,
And the night as quickly follow,
Whether we be sad or joyous.'
Wainamoinen, the magician,
O'er the blue backs of the billows,
Steered one day, and then a second,
Steered the third from morn till even,
When the wizard, Lemminkainen,
Once again addressed the master:
'Why wilt thou, O famous minstrel,
Sing no longer for thy people,
Since the Sampo thou hast captured,
Captured too the lid in colors?'
These the words of Wainamoinen:
''Tis not well to sing too early!
Time enough for songs of joyance
When we see our home-land mansions,
When our journeyings have ended!'
Spake the reckless Lemminkainen:
'At the helm, if I were sitting,
I would sing at morn and evening,
Though my voice has little sweetness;
Since thy songs are not forthcoming
Listen to my wondrous singing!'
Thereupon wild Lemminkainen,
Handsome hero, Kaukomieli,
Raised his voice above the waters,
197
O'er the sea his song resounded;
But his measures were discordant,
And his notes were harsh and frightful.
Sang the wizard, Lemminkainen,
Screeched the reckless Kaukomieli,
Till the mighty war-ship trembled;
Far and wide was heard his singing,
Heard his songs upon the waters,
Heard within the seventh village,
Heard beyond the seven oceans.
Sat a crane within the rushes,
On a hillock clothed in verdure,
And the crane his toes was counting;
Suddenly he heard the singing
Of the wizard, Lemminkainen;
And the bird was justly frightened
At the songs of the magician.
Then with horrid voice, and screeching,
Flew the crane across the broad-sea
To the lakes of Sariola,
O'er Pohyola's hills and hamlets,
Screeching, screaming, over Northland,
Till the people of the darkness
Were awakened from their slumbers.
Louhi hastens to her hurdles,
Hastens to her droves of cattle,
Hastens also to her garners,
Counts her herds, inspects her store-house;
Undisturbed she finds her treasures.
Quick she journeys to the entrance
To the copper-bearing mountain,
Speaks these words as she approaches:
'Woe is me, my life hard-fated,
Woe to Louhi, broken-hearted!
Here the tracks of the destroyers,
All my locks and bolts are broken
By the hands of cruel strangers!
Broken are my iron hinges,
Open stand the mountain-portals
Leading to the Northland-treasure.
Has Pohyola lost her Sampo?'
Then she hastened to the chambers
198
Where the Sampo had been grinding;
But she found the chambers empty,
Lid and Sampo gone to others,
From the stone-berg of Pohyola,
From behind nine locks of copper,
In the copper-bearing mountain.
Louhi, hostess of the Northland,
Angry grew and cried for vengeance;
As she found her fame departing,
Found her-strength fast disappearing,
Thus addressed the sea-fog virgin:
'Daughter of the morning-vapors,
Sift thy fogs from distant cloud-land,
Sift the thick air from the heavens,
Sift thy vapors from the ether,
On the blue-back of the broad-sea,
On the far extending waters,
That the ancient Wainamoinen,
Friend of ocean-wave and billow,
May not baffle his pursuers!
'Should this prayer prove unavailing,
Iku-Turso, son of Old-age,
Raise thy head above the billows,
And destroy Wainola's heroes,
Sink them to thy deep sea-castles,
There devour them at thy pleasure;
Bring thou back the golden Sampo
To the people of Pohyola!
'Should these words be ineffective,
Ukko, mightiest of rulers,
Golden king beyond the welkin,
Sitting on a throne of silver,
Fill thy skies with heavy storm-clouds,
Call thy fleetest winds about thee,
Send them o'er the seven broad-seas,
There to find the fleeing vessel,
That the ancient Wainamoinen
May not baffle his pursuers!'
Quick the virgin of the vapors
Breathed a fog upon the waters,
Made it settle on the war-ship
Of the, heroes of the Northland,
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Held the minstrel, Wainamoinen,
Anchored in the fog and darkness;
Bound him one day, then a second,
Then a third till dawn of morning,
In the middle of the blue-sea,
Whence he could not flee in safety
From the wrath of his pursuers.
When the third night had departed,
Resting in the sea, and helpless,
Wainamoinen spake as follows,
'Not a man of strength and courage,
Not the weakest of the heroes,
Who upon the sea will suffer,
Sink and perish in the vapors,
Perish in the fog and darkness!'
With his sword he smote the billows,
From his magic blade flowed honey;
Quick the vapor breaks, and rises,
Leaves the waters clear for rowing;
Far extend the sky and waters,
Large the ring of the horizon,
And the troubled sea enlarges.
Time had journeyed little distance,
Scarce a moment had passed over,
When they heard a mighty roaring,
Heard a roaring and a rushing
Near the border of the vessel,
Where the foam was shooting skyward
O'er the boat of Wainamoinen.
Straightway youthful Ilmarinen
Sank in gravest apprehension,
From his cheeks the blood departed;
Pulled his cap down o'er his forehead,
Shook and trembled with emotion.
Wainamoinen, ancient minstrel,
Casts his eyes upon the waters
Near the broad rim of his war-ship;
There perceives an ocean-wonder
With his head above the sea-foam.
Wainamoinen, brave and mighty,
Seizes quick the water-monster,
Lifts him by his ears and questions:
200
'Iku-Turso, son of Old-age,
Why art rising from the blue-sea?
Wherefore dost thou leave thy castle,
Show thyself to mighty heroes,
To the heroes of Wainola?'
Iku-Turso, son of Old-age,
Ocean monster, manifested
Neither pleasure, nor displeasure,
Was not in the least affrighted,
Did not give the hero answer.
Whereupon the ancient minstrel,
Asked the second time the monster,
Urgently inquired a third time:
'Iku-Turso, son of Old-age,
Why art rising from the waters,
Wherefore dost thou leave the blue-sea?
Iku-Turso gave this answer:
For this cause I left my castle
Underneath the rolling billows:
Came I here with the intention
To destroy the Kalew-heroes,
And return the magic Sampo
To the people of Pohyola.
If thou wilt restore my freedom,
Spare my life, from pain and sorrow,
I will quick retrace my journey,
Nevermore to show my visage
To the people of Wainola,
Never while the moonlight glimmers
On the hills of Kalevala!'
Then the singer, Wainamoinen,
Freed the monster, Iku-Turso,
Sent him to his deep sea-castles,
Spake these words to him departing:
'Iku-Turso, son of Old-age,
Nevermore arise from ocean,
Nevermore let Northland-heroes
See thy face above the waters I
Nevermore has Iku-Turso
Risen to the ocean-level;
Never since have Northland sailors
Seen the head of this sea-monster.
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Wainamoinen, old and truthful,
Onward rowed his goodly vessel,
Journeyed but a little distance,
Scarce a moment had passed over,
When the King of all creators,
Mighty Ukko of the heavens,
Made the winds blow full of power,
Made the storms arise in fury,
Made them rage upon the waters.
From the west the winds came roaring,
From the north-east came in anger,
Winds came howling from the south-west,
Came the winds from all directions,
In their fury, rolling, roaring,
Tearing branches from the lindens,
Hurling needles from the pine-trees,
Blowing flowers from the heather,
Grasses blowing from the meadow,
Tearing up the very bottom
Of the deep and boundless blue-sea.
Roared the winds and lashed the waters
Till the waves were white with fury;
Tossed the war-ship high in ether,
Tossed away the harp of fish-bone,
Magic harp of Wainamoinen,
To the joy of King Wellamo,
To the pleasure of his people,
To the happiness of Ahto,
Ahto, rising from his caverns,
On the floods beheld his people
Carry off the harp of magic
To their home below the billows.
Wainamoinen, ancient minstrel,
Heavy-hearted, spake these measures:
'I have lost what I created,
I have lost the harp of joyance;
Now my strength has gone to others,
All my pleasure too departed,
All my hope and comfort vanished!
Nevermore the harp of fish-bone
Will enchant the hosts of Suomi!'
Then the blacksmith, Ilmarinen,
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Sorrow-laden, spake as follows:
'Woe is me, my life hard-fated!
Would that I had never journeyed
On these waters filled with dangers,
On the rolling waste before me,
In this war-ship false and feeble.
Winds and storms have I encountered,
Wretched days of toil and trouble,
I have witnessed in the Northland;
Never have I met such dangers
On the land, nor on the ocean,
Never in my hero life-time!'
Then the ancient Wainamoinen
Spake and these the words he uttered:
'Weep no more, my goodly comrades,
In my bark let no one murmur;
Weeping cannot mend disaster,
Tears can never still misfortune,
Mourning cannot save from evil.
'Sea, command thy warring forces,
Bid thy children cease their fury!
Ahto, still thy surging billows!
Sink, Wellamo, to thy slumber,
That our boat may move in safety.
Rise, ye storm-winds, to your kingdoms,
Lift your heads above the waters,
To the regions of your kindred,
To your people and dominions;
Cut the trees within the forest,
Bend the lindens of the valley,
Let our vessel sail in safety!'
Then the reckless Lemminkainen,
Handsome wizard, Kaukomieli,
Spake these words in supplication:
'Come, O eagle, Turyalander,
Bring three feathers from thy pinions,
Three, O raven, three, O eagle,
To protect this bark from evil!'
All the heroes of Wainola
Call their forces to the rescue,
And repair the sinking vessel.
By the aid of master-magic,
203
Wainamoinen saved his war-ship,
Saved his people from destruction,
Well repaired his ship to battle
With the roughest seas of Northland;
Steers his mighty boat in safety
Through the perils of the whirlpool,
Through the watery deeps and dangers.
~ Elias Lönnrot,#NFDB
1260:The Kalevala - Rune Xxiv
THE BRIDE'S FAREWELL.
Osmotar, the bride-instructor,
Gives the wedding-guests this counsel,
Speaks these measures to the bridegroom:
'Ilmarinen, artist-brother,
Best of all my hero-brothers,
Of my mother's sons the dearest,
Gentlest, truest, bravest, grandest,
Listen well to what I tell thee
Of the Maiden of the Rainbow,
Of thy beauteous life-companion
Bridegroom, praise thy fate hereafter,
Praise forever thy good fortune;
If thou praisest, praise sincerely,
Good the maiden thou hast wedded,
Good the bride that Ukko gives thee,
Graciously has God bestowed her.
Sound her praises to thy father,
Praise her virtues to thy mother,
Let thy heart rejoice in secret,
That thou hast the Bride of Beauty,
Lovely Maiden of the Rainbow!
'Brilliant near thee stands the maiden,
At thy shoulder thy companion,
Happy under thy protection,
Beautiful as golden moonlight,
Beautiful upon thy bosom,
Strong to do thy kindly bidding,
Labor with thee as thou wishest,
Rake the hay upon thy meadows,
Keep thy home in full perfection,
Spin for thee the finest linen,
Weave for thee the richest fabrics,
Make for thee the softest raiment,
Make thy weaver's loom as merry
As the cuckoo of the forest;
Make the shuttle glide in beauty
396
Like the ermine of the woodlands;
Make the spindle twirl as deftly
As the squirrel spins the acorn;
Village-maidens will not slumber
While thy young bride's loom is humming,
While she plies the graceful shuttle.
'Bridegroom of the Bride of Beauty,
Noblest of the Northland heroes,
Forge thyself a scythe for mowing,
Furnish it with oaken handle,
Carve it in thine ancient smithy,
Hammer it upon thine anvil,
Have it ready for the summer,
For the merry days of sunshine;
Take thy bride then to the lowlands,
Mow the grass upon thy meadows,
Rake the hay when it is ready,
Make the reeds and grasses rustle,
Toss the fragrant heads of clover,
Make thy hay in Kalevala
When the silver sun is shining.
'When the time has come for weaving,
To the loom attract the weaver,
Give to her the spools and shuttles,
Let the willing loom be worthy,
Beautiful the frame and settle;
Give to her what may be needed,
That the weaver's song may echo,
That the lathe may swing and rattle,
Ma y be heard within the village,
That the aged may remark it,
And the village-maidens question:
'Who is she that now is weaving,
What new power now plies the shuttle?'
'Make this answer to the question:
'It is my beloved weaving,
My young bride that plies the shuttle.'
'Shall the weaver's weft be loosened,
Shall the young bride's loom be tightened?
Do not let the weft be loosened,
Nor the weaver's loom be tightened;
Such the weaving of the daughters
397
Of the Moon beyond the cloudlets;
Such the spinning of the maidens
Of the Sun in high Jumala,
Of the daughters of the Great Bear,
Of the daughters of the Evening.
Bridegroom, thou beloved hero,
Brave descendant of thy fathers,
When thou goest on a journey,
When thou drivest on the highway,
Driving with the Rainbow-daughter,
Fairest bride of Sariola,
Do not lead her as a titmouse,
As a cuckoo of the forest,
Into unfrequented places,
Into copses of the borders,
Into brier-fields and brambles,
Into unproductive marshes;
Let her wander not, nor stumble
On opposing rocks and rubbish.
Never in her father's dwelling,
Never in her mother's court-yard,
Has she fallen into ditches,
Stumbled hard against the fences,
Run through brier-fields, nor brambles,
Fallen over rocks, nor rubbish.
'Magic bridegroom of Wainola,
Wise descendant of the heroes,
Never let thy young wife suffer,
Never let her be neglected,
Never let her sit in darkness,
Never leave her unattended.
Never in her father's mansion,
In the chambers of her mother,
Has she sat alone in darkness,
Has she suffered for attention;
Sat she by the crystal window,
Sat and rocked, in peace and plenty,
Evenings for her father's pleasure,
Mornings for her mother's sunshine.
Never mayest thou, O bridegroom,
Lead the Maiden of the Rainbow
To the mortar filled with sea-grass,
398
There to grind the bark for cooking,
There to bake her bread from stubble,
There to knead her dough from tan-bark
Never in her father's dwelling,
Never in her mother's mansion,
Was she taken to the mortar,
There to bake her bread from sea-grass.
Thou shouldst lead the Bride of Beauty
To the garner's rich abundance,
There to draw the till of barley,
Grind the flour and knead for baking,
There to brew the beer for drinking,
Wheaten flour for honey-biscuits.
'Hero-bridegroom of Wainola,
Never cause thy Bride of Beauty
To regret her day of marriage;
Never make her shed a tear-drop,
Never fill her cup with sorrow.
Should there ever come an evening
When thy wife shall feel unhappy,
Put the harness on thy racer,
Hitch the fleet-foot to the snow-sled;
Take her to her father's dwelling,
To the household of her mother;
Never in thy hero-lifetime,
Never while the moonbeams glimmer,
Give thy fair spouse evil treatment,
Never treat her as thy servant;
Do not bar her from the cellar,
Do not lock thy best provisions
Never in her father's mansion,
Never by her faithful mother
Was she treated as a hireling.
Honored bridegroom of the Northland,
Proud descendant of the fathers,
If thou treatest well thy young wife,
Worthily wilt thou be treated;
When thou goest to her homestead,
When thou visitest her father,
Thou shalt meet a cordial welcome.
'Censure not the Bride of Beauty,
Never grieve thy Rainbow-maiden,
399
Never say in tones reproachful,
She was born in lowly station,
That her father was unworthy;
Honored are thy bride's relations,
From an old-time tribe, her kindred;
When of corn they sowed a measure,
Each one's portion was a kernel;
When they sowed a cask of flax-seed,
Each received a thread of linen.
Never, never, magic husband,
Treat thy beauty-bride unkindly,
Teach her not with lash of servants,
Strike her not with thongs of leather;
Never has she wept in anguish
From the birch-whip of her mother.
Stand before her like a rampart,
Be to her a strong protection,
Do not let thy mother chide her,
Let thy father not upbraid her,
Never let thy guests offend her;
Should thy servants bring annoyance,
They may need the master's censure;
Do not harm the Bride of Beauty,
Never injure her thou lovest;
Three long years hast thou been wooing,
Hoping every mouth to win her.
'Counsel with the bride of heaven,
To thy young wife give instruction,
Kindly teach thy bride in secret,
In the long and dreary evenings,
When thou sittest at the fireside;
Teach one year, in words of kindness,
Teach with eyes of love a second,
In the third year teach with firmness.
If she should not heed thy teaching,
Should not hear thy kindly counsel
After three long years of effort,
Cut a reed upon the lowlands,
Cut a nettle from the border,
Teach thy wife with harder measures.
In the fourth year, if she heed not,
Threaten her with sterner treatment,
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With the stalks of rougher edges,
Use not yet the thongs of leather,
Do not touch her with the birch-whip.
If she does not heed this warning,
Should she pay thee no attention,
Cut a rod upon the mountains,
Or a willow in the valleys,
Hide it underneath thy mantle,
That the stranger may not see it,
Show it to thy wife in secret,
Shame her thus to do her duty,
Strike not yet, though disobeying.
Should she disregard this warning,
Still refuse to heed thy wishes,
Then instruct her with the willow,
Use the birch-rod from the mountains
In the closet of thy dwelling,
In the attic of thy mansion;
Strike, her not upon the common,
Do not conquer her in public,
Lest the villagers should see thee,
Lest the neighbors hear her weeping,
And the forests learn thy troubles.
Touch thy wife upon the shoulders,
Let her stiffened back be softened.
Do not touch her on the forehead,
Nor upon the ears, nor visage;
If a ridge be on her forehead,
Or a blue mark on her eyelids,
Then her mother would perceive it,
And her father would take notice,
All the village-workmen see it,
And the village-women ask her
'Hast thou been in heat of battle,
Hast thou struggled in a conflict,
Or perchance the wolves have torn thee,
Or the forest-bears embraced thee,
Or the black-wolf be thy husband,
And the bear be thy protector?''
By the fire-place lay a gray-beard,
On the hearth-stone lay a beggar,
And the old man spake as follows:
401
'Never, never, hero-husband,
Follow thou thy young wife's wishes,
Follow not her inclinations,
As, alas! I did, regretful;
Bought my bride the bread of barley,
Veal, and beer, and best of butter,
Fish and fowl of all descriptions,
Beer I bought, home-brewed and sparkling,
Wheat from all the distant nations,
All the dainties of the Northland;
All of this was unavailing,
Gave my wife no satisfaction,
Often came she to my chamber,
Tore my sable locks in frenzy,
With a visage fierce and frightful,
With her eyeballs flashing anger,
Scolding on and scolding ever,
Ever speaking words of evil,
Using epithets the vilest,
Thought me but a block for chopping.
Then I sought for other measures,
Used on her my last resources,
Cut a birch-whip in the forest,
And she spake in tones endearing;
Cut a juniper or willow,
And she called me 'hero-darling';
When with lash my wife I threatened,
Hung she on my neck with kisses.'
Thus the bridegroom was instructed,
Thus the last advices given.
Then the Maiden of the Rainbow,
Beauteous bride of Ilmarinen,
Sighing heavily and moaning,
Fell to weeping, heavy-hearted,
Spake these words from depths of sorrow:
'Near, indeed, the separation,
Near, alas! the time for parting,
Near the time for my departure;
O the anguish of the parting,
O the pain of separation,
From these walls renowned and ancient,
From this village of the Northland,
402
From these scenes of peace and plenty,
Where my faithful mother taught me,
Where my father gave instruction
To me in my happy childhood,
When my years were few and tender!
As a child I did not fancy,
Never thought of separation
From the confines of this cottage,
From these dear old hills and mountains,
But, alas! I now must journey,
Since I now cannot escape it;
Empty is the bowl of parting,
All the farewell-beer is taken,
And my husband's sledge is waiting,
With the break-board looking southward,
Looking from my father's dwelling.
'How shall I give compensation,
How repay, on my departure,
All the kindness of my mother,
All the counsel of my father,
All the friendship of my brother,
All my sister's warm affection?
Gratitude to thee, dear father,
For my former-life and blessings,
For the comforts of thy table,
For the pleasures of my childhood!
Gratitude to thee, dear mother,
For thy tender care and guidance,
For my birth and for my culture,
Nurtured by thy purest life-blood!
Gratitude to thee, dear brother,
Gratitude to thee, sweet sister,
To the servants of my childhood,
To my many friends and playmates!
'Never, never, aged father,
Never, thou, beloved mother,
Never, ye, my kindred spirits,
Never harbor care, nor sorrow,
Never fall to bitter weeping,
Since thy child has gone to others,
To the distant home of strangers,
To the meadows of Wainola,
403
From her father's fields and firesides.
Shines the Sun of the Creator,
Shines the golden Moon of Ukko,
Glitter all the stars of heaven,
In the firmament of ether,
Full as bright on other homesteads;
Not upon my father's uplands,
Not upon my home in childhood,
Shines the Star of Joyance only.
'Now the time has come for parting
From my father's golden firesides,
From my brother's welcome hearth-stone,
From the chambers of my sister,
From my mother's happy dwelling;
Now I leave the swamps and lowlands,
Leave the grassy vales and mountains,
Leave the crystal lakes and rivers,
Leave the shores and sandy shallows,
Leave the white-capped surging billows,
Where the maidens swim and linger,
Where the mermaids sing and frolic;
Leave the swamps to those that wander,
Leave the corn-fields to the plowman,
Leave the forests to the weary,
Leave the heather to the rover,
Leave the copses to the stranger,
Leave the alleys to the beggar,
Leave the court-yards to the rambler,
Leave the portals to the servant,
Leave the matting to the sweeper,
Leave the highways to the roebuck,
Leave the woodland-glens to lynxes,
Leave the lowlands to the wild-geese,
And the birch-tree to the cuckoo.
Now I leave these friends of childhood,
Journey southward with my husband,
To the arms of Night and Winter,
O'er the ice-grown seas of Northland.
'Should I once again, returning,
Pay a visit to my tribe-folk,
Mother would not hear me calling,
Father would not see me weeping,
404
Calling at my mother's grave-stone,
'Weeping o'er my buried father,
On their graves the fragrant flowers,
Junipers and mournful willows,
Verdure from my mother's tresses,
From the gray-beard of my father.
'Should I visit Sariola,
Visit once again these borders,
No one here would bid me welcome.
Nothing in these hills would greet me,
Save perchance a few things only,
By the fence a clump of osiers,
And a land-mark at the corner,
Which in early youth I planted,
When a child of little stature.
'Mother's kine perhaps will know me,
Which so often I have watered,
Which I oft have fed and tended,
Lowing now at my departure,
In the pasture cold and cheerless;
Sure my mother's kine will welcome
Northland's daughter home returning.
Father's steeds may not forget me,
Steeds that I have often ridden,
When a maiden free and happy,
Neighing now for me departing,
In the pasture of my brother,
In the stable of my father;
Sure my father's steeds will know me,
Bid Pohyola's daughter welcome.
Brother's faithful dogs may know me,
That I oft have fed and petted,
Dogs that I have taught to frolic,
That now mourn for me departing,
In their kennels in the court-yard,
In their kennels cold and cheerless;
Sure my brother's dogs will welcome
Pohya's daughter home returning.
But the people will not know me,
When I come these scenes to visit,
Though the fords remain as ever,
Though unchanged remain the rivers,
405
Though untouched the flaxen fish-nets
On the shores await my coming.
'Fare thou well, my dear old homestead,
Fare ye well, my native bowers;
It would give me joy unceasing
Could I linger here forever.
Now farewell, ye halls and portals,
Leading to my father's mansion;
It would give me joy unceasing
Could I linger here forever.
Fare ye well, familiar gardens
Filled with trees and fragrant flowers;
It would give me joy unceasing,
Could I linger here forever.
Send to all my farewell greetings,
To the fields, and groves, and berries;
Greet the meadows with their daisies,
Greet the borders with their fences,
Greet the lakelets with their islands,
Greet the streams with trout disporting,
Greet the hills with stately pine-trees,
And the valleys with their birches.
Fare ye well, ye streams and lakelets,
Fertile fields, and shores of ocean,
All ye aspens on the mountains,
All ye lindens of the valleys,
All ye beautiful stone-lindens,
All ye shade-trees by the cottage,
All ye junipers and willows,
All ye shrubs with berries laden,
Waving grass and fields of barley,
Arms of elms, and oaks, and alders,
Fare ye well, dear scenes of childhood,
Happiness of days departed!'
Ending thus, Pohyola's daughter
Left her native fields and fallows,
Left the darksome Sariola,
With her husband, Ilmarinen,
Famous son of Kalevala.
But the youth remained for singing,
This the chorus of the children:
'Hither came a bird of evil '
406
Flew in fleetness from the forest,
Came to steal away our virgin,
Came to win the Maid of Beauty;
Took away our fairest flower,
Took our mermaid from the waters,
Won her with his youth and beauty,
With his keys of ancient wisdom.
Who will lead us to the sea-beach,
Who conduct us to the rivers?
Now the buckets will be idle,
On the hooks will rest the fish-poles,
Now unswept will lie the matting,
And unswept the halls of birch-wood,
Copper goblets be unburnished,
Dark the handles of the pitchers,
Fare thou well, dear Rainbow Maiden.'
Ilmarinen, happy bridegroom,
Hastened homeward with the daughter
Of the hostess of Pohyola,
With the beauty of the Northland
Fleetly flew the hero's snow-sledge,
Loudly creaked, and roared, and rattled
Down the banks of Northland waters,
By the side of Honey-inlet,
On the back of Sandy Mountain.
Stones went rolling from the highway,
Like the winds the sledge flew onward,
On the yoke rang hoops of iron,
Loud the spotted wood resounded,
Loudly creaked the bands of willow,
All the birchen cross-bars trembled,
And the copper-bells rang music,
In the racing of the fleet-foot,
In the courser's gallop homeward;
Journeyed one day, then a second,
Journeyed still the third day onward,
In one hand the reins of magic,
While the other grasped the maiden,
One foot resting on the cross-bar,
And the other in the fur-robes.
Merrily the steed flew homeward,
Quickly did the highways shorten,
407
Till at last upon the third day,
As the sun was fast declining,
There appeared the blacksmith's furnace,
Nearer, Ilmarinen's dwelling,
Smoke arising high in ether,
Clouds of smoke to lofty heaven,
From the village of Wainola,
From the suitor's forge and smithy,
From the chimneys of the hero,
From the home of the successful.
~ Elias Lönnrot,#NFDB
1261:The Kalevala - Rune Xii
KYLLIKKI'S BROKEN VOW.
Lemminkainen, artful husband,
Reckless hero, Kaukomieli,
Constantly beside his young wife.,
Passed his life in sweet contentment,
And the years rolled swiftly onward;
Ahti thought not of the battles,
Nor Kyllikki of the dances.
Once upon a time it happened
That the hero, Lemminkainen,
Went upon the lake a-fishing,
Was not home at early evening,
As the cruel night descended;
To the village went Kyllikki,
To the dance of merry maidens.
Who will tell the evil story,
Who will bear the information
To the husband, Lemminkainen?
Ahti's sister tells the story,
And the sister's name, Ainikki.
Soon she spreads the cruel tidings,
Straightway gives the information,
Of Kyllikki's perjured honor,
These the words Ainikki utters:
'Ahti, my beloved brother,
To the village went Kyllikki,
To the hall of many strangers,
To the plays and village dances,
With the young men and the maidens,
With the maids of braided tresses,
To the halls of joy and pleasure.'
Lemminkainen, much dejected,
Broken-hearted, flushed with anger,
Spake these words in measured accents:
'Mother dear, my gray-haired mother,
Wilt thou straightway wash my linen
In the blood of poison-serpents,
139
In the black blood of the adder?
I must hasten to the combat,
To the camp-fires of the Northland,
To the battle-fields of Lapland;
To the village went Kyllikki,
To the play of merry maidens,
To the games and village dances,
With the maids of braided tresses.'
Straightway speaks the wife, Kyllikki:
'My beloved husband, Ahti,
Do not go to war, I pray thee.
In the evening I lay sleeping,
Slumbering I saw in dream-land
Fire upshooting from the chimney,
Flames arising, mounting skyward,
From the windows of this dwelling,
From the summits of these rafters,
Piercing through our upper chambers,
Roaring like the fall of waters,
Leaping from the floor and ceiling,
Darting from the halls and doorways.'
But the doubting Lemminkainen
Makes this answer to Kyllikki:
'I discredit dreams or women,
Have no faith in vows of maidens!
Faithful mother of my being,
Hither bring my mail of copper;
Strong desire is stirring in me
For the cup of deadly combat,
For the mead of martial conquest.'
This the pleading mother's answer:
'Lemminkainen, son beloved,
Do not go to war I pray thee;
We have foaming beer abundant,
In our vessels beer of barley,
Held in casks by oaken spigots;
Drink this beer of peace and pleasure,
Let us drink of it together.'
Spake the hero, Lemminkainen:
'I shall taste no more the viands,
In the home of false Kyllikki;
Rather would I drink the water
140
From the painted tips of birch-oars;
Sweeter far to me the water,
Than the beverage of dishonor,
At my mother's home and fireside!
'Hither bring my martial doublet,
Bring me now the sword of battle,
Bring my father's sword of honor;
I must go to upper Northland,
To the battle-fields of Lapland,
There to win me gold and silver.'
This the anxious mother's answer:
'My beloved Kaukomieli,
We have gold in great abundance,
Gold and silver in the store-room;
Recently upon the uplands,
In the early hours of morning,
Toiled the workmen in the corn-fields,
Plowed the meadows filled with serpents,
When the plowshare raised the cover
From a chest of gold and silver,
Countless was the gold uncovered,
Hid beneath the grassy meadow;
This the treasure I have brought thee,
Take the countless gold in welcome.'
Spake the hero, Lemminkainen:
'Do not wish thy household silver,
From the wars I'll earn my silver;
Gold and silver from the combat
Are to me of greater value
Than the wealth thou hast discovered.
Bring me now my heavy armor,
Bring me too my spear and broadsword;
To the Northland I must hasten,
To the bloody wars of Lapland,
Thither does my pride impel me,
Thitherward my heart is turning.
'I have heard a tale of Lapland,
Some believe the wondrous story,
That a maid in Pimentola
Lives that does not care for suitors,
Does not care for bearded heroes.'
This the aged mother's answer:
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'Warlike Athi, son beloved,
In thy home thou hast Kyllikki,
Fairest wife of all the islands;
Strange to see two wives abiding
In the home of but one husband.'
Spake the hero, Lemminkainen:
'To the village runs Kyllikki;
Let her run to village dances,
Let her sleep in other dwellings,
With the village youth find pleasure,
With the maids of braided tresses.'
Seeks the mother to detain him,
Thus the anxious mother answers:
'Do not go, my son beloved,
Ignorant of Pohya-witchcraft,
To the distant homes of Northland
Till thou hast the art of magic,
Till thou hast some little wisdom
Do not go to fields of battle,
To the fires of Northland's children,
To the slaughter-fields of Lapland,
Till of magic thou art master.
There the Lapland maids will charm thee,
Turyalanders will bewitch thee,
Sing thy visage into charcoal,
Head and shoulders to the furnace,
Into ashes sing thy fore-arm,
Into fire direct thy footsteps.'
Spake the warlike Lemminkainen:
Wizards often have bewitched me,
And the fascinating serpents;
Lapland wizards, three in number,
On an eve in time of summer,
Sitting on a rock at twilight,
Not a garment to protect them,
Once bewitched me with their magic;
This much they have taken from me,
This the sum of all my losses:
What the hatchet gains from flint-stone,
What the auger bores from granite,
What the heel chips from the iceberg,
And what death purloins from tomb-stones.
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'Horribly the wizards threatened,
Tried to sink me with their magic,
In the water of the marshes,
In the mud and treacherous quicksand,
To my chin in mire and water;
But I too was born a hero,
Born a hero and magician,
Was not troubled by their magic.
'Straightway I began my singing,
Sang the archers with their arrows,
Sang the spearmen with their weapons,
Sang the swordsmen with their poniards,
Sang the singers with their singing,
The enchanters with their magic,
To the rapids of the rivers,
To the highest fall of waters,
To the all-devouring whirlpool,
To the deepest depths of ocean,
Where the wizards still are sleeping,
Sleeping till the grass shoots upward
Through the beards and wrinkled faces,
Through the locks of the enchanters,
As they sleep beneath the billows.'
Still entreats the anxious mother,
Still beseeches Lemminkainen,
Trying to restrain the hero,
While Kyllikki begs forgiveness;
This the language of the mother:
'Do not go, my son beloved,
To the villages of Northland,
Nor to Lapland's frigid borders;
Dire misfortune will befall thee,
Star of evil settle o'er thee,
Lemminkainen's end, destruction.
'Couldst thou speak in tongues a hundred,
I could not believe thee able,
Through the magic of thy singing,
To enchant the sons of Lapland
To the bottom of the ocean,
Dost not know the Tury-language,
Canst but speak the tongue of Suomi,
Canst not win by witless magic.'
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Lemminkainen, reckless hero,
Also known as Kaukomieli,
Stood beside his mother, combing
Out his sable locks and musing,
Brushing down his beard, debating,
Steadfast still in his decision,
Quickly hurls his brush in anger,
Hurls it to the wall opposing,
Gives his mother final answer,
These the words that Ahti uses:
'Dire misfortune will befall me,
Some sad fate will overtake me,
Evil come to Lemminkainen,
When the blood flows from that hair-brush,
When blood oozes from those bristles.'
Thus the warlike Lemminkainen
Goes to never-pleasant Lapland,
Heeding not his mother's warning,
Heeding not her prohibition.
Thus the hero, Kaukomieli,
Quick equips himself for warfare,
On his head a copper helmet,
On his shoulders caps of copper,
On his body iron armor,
Steel, the belt around his body;
As he girds himself for battle,
Ahti thus soliloquizing:
'Strong the hero in his armor,
Strong indeed in copper helmet,
Powerful in mail of iron,
Stronger far than any hero
On the dismal shores of Lapland,
Need not fear their wise enchanters,
Need not fear their strongest foemen,
Need not fear a war with wizards.'
Grasped he then the sword of battle,
Firmly grasped the heavy broadsword
That Tuoni had been grinding,
That the gods had brightly burnished,
Thrust it in the leathern scabbard,
Tied the scabbard to his armor.
How do heroes guard from danger,
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Where protect themselves from evil?
Heroes guard their homes and firesides,
Guard their doors, and roofs, and windows,
Guard the posts that bold the torch-lights,
Guard the highways to the court-yard,
Guard the ends of all the gate-ways.
Heroes guard themselves from women,
Carefully from merry maidens;
If in this their strength be wanting,
Easy fall the heroes, victims
To the snares of the enchanters.
Furthermore are heroes watchful
Of the tribes of warlike giants,
Where the highway doubly branches,
On the borders of the blue-rock,
On the marshes filled with evil,
Near the mighty fall of waters,
Near the circling of the whirlpool,
Near the fiery springs and rapids.
Spake the stout-heart, Lemminkainen:
'Rise ye heroes of the broadsword,
Ye, the earth's eternal heroes,
From the deeps, ye sickle-bearers,
From the brooks, ye crossbow-shooters,
Come, thou forest, with thine archers,
Come, ye thickets, with your armies,
Mountain spirits, with your powers,
Come, fell Hisi, with thy horrors,
Water-mother, with thy dangers,
Come, Wellamo, with thy mermaids,
Come, ye maidens from the valleys,
Come, ye nymphs from winding rivers,
Be protection to this hero,
Be his day-and-night companions,
Body-guard to Lemminkainen,
Thus to blunt the spears of wizards,
Thus to dull their pointed arrows,
That the spears of the enchanters,
That the arrows of the archers,
That the weapons of the foemen,
May not harm this bearded hero.
'Should this force be insufficient,
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I can call on other powers,
I can call the gods above me,
Call the great god of the heavens,
Him who gives the clouds their courses,
Him who rules through boundless ether,
Who directs the march of storm-winds.
'Ukko, thou O God above me,
Thou the father of creation,
Thou that speakest through the thunder,
Thou whose weapon is the lightning,
Thou whose voice is borne by ether,
Grant me now thy mighty fire-sword,
Give me here thy burning arrows,
Lightning arrows for my quiver,
Thus protect me from all danger,
Guard me from the wiles of witches,
Guide my feet from every evil,
Help me conquer the enchanters,
Help me drive them from the Northland;
Those that stand in front of battle,
Those that fill the ranks behind me,
Those around me, those above me,
Those beneath me, help me banish,.
With their knives, and swords, and cross-bows,
With their spears of keenest temper,
With their tongues of evil magic;
Help me drive these Lapland wizards
To the deepest depths of ocean,
There to wrestle with Wellamo.'
Then the reckless Lemminkainen
Whistled loudly for his stallion,
Called the racer from the hurdles,
Called his brown steed from the pasture,
Threw the harness on the courser,
Hitched the fleet-foot to the snow-sledge,
Leaped upon the highest cross-bench,
Cracked his whip above the racer,
And the steed flies onward swiftly,
Bounds the sleigh upon its journey,
And the golden plain re-echoes;
Travels one day, then a second,
Travels all the next day northward,
146
Till the third day evening brings him
To a sorry Northland village,
On the dismal shores of Lapland.
Here the hero, Lemminkainen,
Drove along the lowest highway,
Through the streets along the border,
To a court-yard in the hamlet,
Asked one standing in the doorway:
'Is there one within this dwelling,
That can loose my stallion's breastplate,
That can lift his heavy collar,
That these shafts can rightly lower?'
On the floor a babe was playing,
And the young child gave this answer:
'There is no one in this dwelling
That can loose thy stallion's breastplate,
That can lift his heavy collar,
That the shafts can rightly lower.'
Lemminkainen, not discouraged,
Whips his racer to a gallop,
Rushes forward through the village,
On the middle of the highways,
To the court-yard in the centre,
Asks one standing in the threshold,
Leaning on the penthouse door-posts:
'Is there any one here dwelling
That can slip my stallion's bridle,
That can loose his leathern breast-straps,
That can tend my royal racer?'
From the fire-place spake a wizard,
From her bench the witch made answer:
'Thou canst find one in this dwelling,
That can slip thy courser's bridle,
That can loose his heavy breastplate,
That can tend thy royal racer.
There are here a thousand heroes
That can make thee hasten homeward,
That can give thee fleet-foot stallions,
That can chase thee to thy country,
Reckless rascal and magician,
To thy home and fellow minstrels,
To the uplands of thy father,
147
To the cabins of thy mother,
To the work-bench of thy brother,
To the dairy or thy sister,
Ere the evening star has risen,
Ere the sun retires to slumber.'
Lemminkainen, little fearing,
Gives this answer to the wizard:
'I should slay thee for thy pertness,
That thy clatter might be silenced.'
Then he whipped his fiery charger,
And the steed flew onward swiftly,
On the upper of the highways,
To the court-yard on the summit.
When the reckless Lemminkainen
Had approached the upper court-yard,
Uttered he the words that follow:
'O thou Hisi, stuff this watch-dog,
Lempo, stuff his throat and nostrils,
Close the mouth of this wild barker,
Bridle well the vicious canine,
That the watcher may be silent
While the hero passes by him.'
Then he stepped within the court-room,
With his whip he struck the flooring,
From the floor arose a vapor,
In the fog appeared a pigmy,
Who unhitched the royal racer,
From his back removed the harness,
Gave the weary steed attention.
Then the hero, Lemminkainen,
Carefully advanced and listened.
No one saw the strange magician,
No one heard his cautious footsteps;
Heard he songs within the dwelling,
Through the moss-stuffed chinks heard voices.
Through the walls he beard them singing,
Through the doors the peals of laughter.
Then he spied within the court-rooms,
Lurking slyly in the hall-ways,
Found the court-rooms filled with singers,
By the walls were players seated,
Near the doors the wise men hovered,
148
Skilful ones upon the benches,
Near the fires the wicked wizards;
All were singing songs of Lapland,
Singing songs of evil Hisi.
Now the minstrel, Lemminkainen,
Changes both his form and stature,
Passes through the inner door-ways,
Enters he the spacious court-hall,
And these words the hero utters:
'Fine the singing quickly ending,
Good the song that quickly ceases;
Better far to keep thy wisdom
Than to sing it on the house-tops.'
Comes the hostess of Pohyola,
Fleetly rushing through the door-way,
To the centre of the court-room,
And addresses thus the stranger:
Formerly a dog lay watching,
Was a cur of iron-color,
Fond of flesh, a bone-devourer,
Loved to lick the blood of strangers.
Who then art thou of the heroes,
Who of all the host of heroes,
That thou art within my court-rooms,
That thou comest to my dwelling,
Was not seen without my portals,
Was not scented by my watch-dogs?
Spake the reckless Lemminkainen:
'Do not think that I come hither
Having neither wit nor wisdom,
Having neither art nor power,
Wanting in ancestral knowledge,
Lacking prudence of the fathers,
That thy watch-dogs may devour me.
'My devoted mother washed me,
When a frail and tender baby,
Three times in the nights of summer,
Nine times in the nights of autumn,
That upon my journeys northward
I might sing the ancient wisdom,
Thus protect myself from danger;
When at home I sing as wisely
149
As the minstrels of thy hamlet.'
Then the singer, Lemminkainen,
Ancient hero, Kaukomieli,
Quick began his incantations,
Straightway sang the songs of witchcraft,
From his fur-robe darts the lightning,
Flames outshooting from his eye-balls,
From the magic of his singing
From his wonderful enchantment.
Sang the very best of singers
To the very worst of minstrels,
Filled their mouths with dust and ashes,
Piled the rocks upon their shoulders,
Stilled the best of Lapland witches,
Stilled the sorcerers and wizards.
Then he banished all their heroes,
Banished all their proudest minstrels,
This one hither, that one thither,
To the lowlands poor in verdure,
To the unproductive uplands,
To the oceans wanting whiting,
To the waterfalls of Rutya,
To the whirlpool hot and flaming,
To the waters decked with sea-foam,
Into fires and boiling waters,
Into everlasting torment.
Then the hero, Lemminkainen,
Sang the foemen with their broadswords?
Sang the heroes with their weapons,
Sang the eldest, sang the youngest,
Sang the middle-aged, enchanted;
Only one he left his senses,
He a poor, defenseless shepherd,
Old and sightless, halt and wretched,
And the old man's name was Nasshut.
Spake the miserable shepherd:
'Thou hast old and young enchanted,
Thou hast banished all our heroes,
Why hast spared this wretched shepherd?'
This is Lemminkainen's answer:
'Therefore have I not bewitched thee:
Thou art old, and blind, and wretched
150
Feeble-minded thou, and harmless,
Loathsome now without my magic.
Thou didst, in thy better life-time,
When a shepherd filled with malice,
Ruin all thy mother's berries,
Make thy sister, too unworthy,
Ruin all thy brother's cattle,
Drive to death thy father's stallions,
Through the marshes, o'er the meadows,
Through the lowlands, o'er the mountains,
Heeding not thy mother's counsel.'
Thereupon the wretched Nasshut,
Angry grew and swore for vengeance,
Straightway limping through the door-way,
Hobbled on beyond the court-yard,
O'er the meadow-lands and pastures,
To the river of the death-land,
To the holy stream and whirlpool,
To the kingdom of Tuoni,
To the islands of Manala;
Waited there for Kaukomieli,
Listened long for Lemminkainen,
Thinking he must pass this river
On his journey to his country,
On. the highway to the islands,
From the upper shores of Pohya,
From the dreary Sariola.
~ Elias Lönnrot,#NFDB
1262:The Kalevala - Rune Xix
ILMARINEN'S WOOING.
ILMARINEN, hero-blacksmith,
The eternal metal-worker,
Hastens forward to the court-room
Of the hostess of Pohyola,
Of the master of the Northland,
Hastens through the open portals
Into Louhi's home and presence.
Servants come with silver pitchers,
Filled with Northland's richest brewing;
Honey-drink is brought and offered
To the blacksmith of Wainola,
Ilmarinen thus replying:
'I shall not in all my life-time
Taste the drink that thou hast brought me,
Till I see the Maid of Beauty,
Fairy Maiden of the Rainbow;
I will drink with her in gladness,
For whose hand I journey hither.'
Spake the hostess of Pohyola:
'Trouble does the one selected
Give to him that wooes and watches;
Not yet are her feet in sandals,
Thine affianced is not ready.
Only canst thou woo my daughter,
Only canst thou win the maiden,
When thou hast by aid of magic
Plowed the serpent-field of Hisi,
Plowed the field of hissing vipers,
Touching neither beam nor handles.
Once this field was plowed by Piru,
Lempo furrowed it with horses,
With a plowshare made of copper,
With a beam of flaming iron;
Never since has any hero
Brought this field to cultivation.'
Ilmarinen of Wainola
172
Straightway hastens to the chamber
Of the Maiden of the Rainbow,
Speaks these words in hesitation:
'Thou of Night and Dawn the daughter,
Tell me, dost thou not remember
When for thee I forged the Sampo,
Hammered thee the lid in colors?
Thou didst swear by oath the strougest,
By the forge and by the anvil,
By the tongs and by the hammer,
In the ears of the Almighty,
And before omniscient Ukko,
Thou wouldst follow me hereafter,
Be my bride, my life-companion,
Be my honored wife forever.
Now thy mother is exacting,
Will not give to me her daughter,
Till by means of magic only,
I have plowed the field of serpents,
Plowed the hissing soil of Hisi.'
The affianced Bride of Beauty
Gives this answer to the suitor:
'O, thou blacksmith, Ilmarinen,
The eternal wonder-forger,
Forge thyself a golden plowshare,
Forge the beam of shining silver,
And of copper forge the handles;
Then with ease, by aid of magic,
Thou canst plow the field of serpents,
Plow the hissing soil of Hisi.'
Ilmarinen, welcome suitor,
Straightway builds a forge and smithy,
Places gold within the furnace,
In the forge he lays the silver,
Forges then a golden plowshare,
Forges, too, a beam of silver,
Forges handles out of copper,
Forges boots and gloves of iron,
Forges him a mail of metal,
For his limbs a safe protection,
Safe protection for his body.
Then a horse of fire selecting,
173
Harnesses the flaming stallion,
Goes to plow the field of serpents,
Plow the viper-lands of Hisi.
In the field were countless vipers,
Serpents there of every species,
Crawling, writhing, hissing, stinging,
Harmless all against the hero,
Thus he stills the snakes of Lempo:
'Vipers, ye by God created,
Neither best nor worst of creatures,
Ye whose wisdom comes from Ukko,
And whose venom comes from Hisi,
Ukko is your greater Master,
By His will your heads are lifted;
Get ye hence before my plowing,
Writ-he ye through the grass and stubble,
Crawl ye to the nearest thicket,
Keep your heads beneath the heather,
Hunt our holes to Mana's kingdom
If your poison-heads be lifted,
Then will mighty Ukko smite them
'With his iron-pointed arrows,
With the lightning of his anger.'
Thus the blacksmith, Ilmarinen,
Safely plows the field of serpents,
Lifts the vipers in his plowing,
Buries them beneath the furrow,
Harmless all against his magic.
When the task had been completed,
Ilmarinen, quick returning,
Thus addressed Pohyola's hostess:
'I have plowed the field of Hisi,
Plowed the field of hissing serpents,
Stilled and banished all the vipers;
Give me, ancient dame, thy daughter,
Fairest maiden of the Northland.
Spake the hostess of Pohyola:
'Shall not grant to thee my daughter,
Shall not give my lovely virgin,
Till Tuoni's bear is muzzled,
Till Manala's wolf is conquered,
In the forests of the Death-land,
174
In the boundaries of Mana.
Hundreds have been sent to hunt him,
So one yet has been successful,
All have perished in Manala.'
Thereupon young Ilmarinen
To the maiden's chamber hastens,
Thus addresses his affianced:
'Still another test demanded,
I must go to Tuonela,
Bridle there the bear of Mana,
Bring him from the Death-land forests,
From Tuoni's grove and empire!
This advice the maiden gives him:
'O thou artist, Ilmarinen,
The eternal metal-worker,
Forge of steel a magic bridle,
On a rock beneath the water,
In the foaming triple currents;
Make the straps of steel and copper,
Bridle then the bear of Mana,
Lead him from Tuoni's forests.'
Then the blacksmith, Ilmarinen,
Forged of steel a magic bridle,
On a rock beneath the water,
In the foam of triple currents;
Made the straps of steel and copper,
Straightway went the bear to muzzle,
In the forests of the Death-land,
Spake these words in supplication:
'Terhenetar, ether-maiden,
Daughter of the fog and snow-flake,
Sift the fog and let it settle
O'er the bills and lowland thickets,
Where the wild-bear feeds and lingers,
That he may not see my coming,
May not hear my stealthy footsteps!'
Terhenetar hears his praying,
Makes the fog and snow-flake settle
On the coverts of the wild-beasts;
Thus the bear he safely bridles,
Fetters him in chains of magic,
In the forests of Tuoni,
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In the blue groves of Manala.
When this task had been completed,
Ilmarinen, quick returning,
Thus addressed the ancient Louhi:
'Give me, worthy dame, thy daughter,
Give me now my bride affianced,
I have brought the bear of Mana
From Tuoni's fields and forests.'
Spake the hostess of Pohyola
To the blacksmith, Ilmarinen:
'I will only give my daughter,
Give to thee the Maid of Beauty,
When the monster-pike thou catchest
In the river of Tuoni,
In Manala's fatal waters,
Using neither hooks, nor fish-nets,
Neither boat, nor fishing-tackle;
Hundreds have been sent to catch him,
No one yet has been successful,
All have perished in Manala.'
Much disheartened, Ilmarinen
Hastened to the maiden's chamber,
Thus addressed the rainbow-maiden:
'Now a third test is demanded,
Much more difficult than ever;
I must catch the pike of Mana,
In the river of Tuoni,
And without my fishing-tackle,
Hard the third test of the hero!
This advice the maiden gives him:
'O thou hero, Ilmarinen,
Never, never be discouraged:
In thy furnace, forge an eagle,
From the fire of ancient magic;
He will catch the pike of Mana,
Catch the monster-fish in safety,
From the death-stream of Tuoni,
From Manala's fatal waters.'
Then the suitor, Ilmarinen,
The eternal artist-forgeman,
In the furnace forged an eagle
From the fire of ancient wisdom;
176
For this giant bird of magic
Forged he talons out of iron,
And his beak of steel and copper;
Seats himself upon the eagle,
On his back between the wing-bones,
Thus addresses he his creature,
Gives the bird of fire, this order:
'Mighty eagle, bird of beauty,
Fly thou whither I direct thee,
To Tuoni's coal-black river,
To the blue deeps of the Death-stream,
Seize the mighty fish of Mana,
Catch for me this water-monster.'
Swiftly flies the magic eagle,
Giant-bird of worth and wonder,
To the river of Tuoni,
There to catch the pike of Mana;
One wing brushes on the waters,
While the other sweeps the heavens;
In the ocean dips his talons,
Whets his beak on mountain-ledges.
Safely landing, Ilmarinen,
The immortal artist-forger,
Hunts the monster of the Death-stream,
While the eagle hunts and fishes
In the waters of Manala.
From the river rose a monster,
Grasped the blacksmith, Ilmarinen,
Tried to drag him to his sea-cave;
Quick the eagle pounced upon him,
With his metal-beak he seized him,
Wrenched his head, and rent his body,
Hurled him back upon the bottom
Of the deep and fatal river,
Freed his master, Ilmarinen.
Then arose the pike of Mana,
Came the water-dog in silence,
Of the pikes was not the largest,
Nor belonged he to the smallest;
Tongue the length of double hatchets,
Teeth as long as fen-rake handles,
Mouth as broad as triple streamlets,
177
Back as wide as seven sea-boats,
Tried to snap the magic blacksmith,
Tried to swallow Ilmarinen.
Swiftly swoops the mighty eagle,
Of the birds was not the largest,
Nor belonged he to the smallest;
Mouth as wide as seven streamlets,
Tongue as long as seven javelins,
Like five crooked scythes his talons;
Swoops upon the pike of Mana.
Quick the giant fish endangered,
Darts and flounders in the river,
Dragging down the mighty eagle,
Lashing up the very bottom
To the surface of the river;
When the mighty bird uprising
Leaves the wounded pike in water,
Soars aloft on worsted pinions
To his home in upper ether;
Soars awhile, and sails, and circles,
Circles o'er the reddened waters,
Swoops again on lightning-pinions,
Strikes with mighty force his talons
Into the shoulder of his victim;
Strikes the second of his talons
On the flinty mountain-ledges,
On the rocks with iron hardened;
From the cliffs rebound his talons,
Slip the flinty rocks o'erhanging,
And the monster-pike resisting
Dives again beneath the surface
To the bottom of the river,
From the talons of the eagle;
Deep, the wounds upon the body
Of the monster of Tuoni.
Still a third time soars the eagle,
Soars, and sails, and quickly circles,
Swoops again upon the monster,
Fire out-shooting from his pinoins,
Both his eyeballs flashing lightning;
With his beak of steel and copper
Grasps again the pike of Mana
178
Firmly planted are his talons
In the rocks and in his victim,
Drags the monster from the river,
Lifts the pike above the waters,
From Tuoni's coal-black river,
From the blue-back of Manala.
Thus the third time does the eagle
Bring success from former failures;
Thus at last the eagle catches
Mana's pike, the worst of fishes,
Swiftest swimmer of the waters,
From the river of Tuoni;
None could see Manala's river,
For the myriad of fish-scales;
Hardly could one see through ether,
For the feathers of the eagle,
Relicts of the mighty contest.
Then the bird of copper talons
Took the pike, with scales of silver,
To the pine-tree's topmost branches,
To the fir-tree plumed with needles,
Tore the monster-fish in pieces,
Ate the body of his victim,
Left the head for Ilmarinen.
Spake the blacksmith to the eagle:
'O thou bird of evil nature,
What thy thought and what thy motive?
Thou hast eaten what I needed,
Evidence of my successes;
Thoughtless eagle, witless instinct,
Thus to mar the spoils of conquest!'
But the bird of metal talons
Hastened onward, soaring upward,
Rising higher into ether,
Rising, flying, soaring, sailing,
To the borders of the long-clouds,
Made the vault of ether tremble,
Split apart the dome of heaven,
Broke the colored bow of Ukko,
Tore the Moon-horns from their sockets,
Disappeared beyond the Sun-land,
To the home of the triumphant.
179
Then the blacksmith, Ilmarinen,
Took the pike-head to the hostess
Of the ever-dismal Northland,
Thus addressed the ancient Louhi:
'Let this head forever serve thee
As a guest-bench for thy dwelling,
Evidence of hero-triumphs;
I have caught the pike of Mana,
I have done as thou demandest,
Three my victories in Death-land,
Three the tests of magic heroes;
Wilt thou give me now thy daughter,
Give to me the Maid of Beauty?'
Spake the hostess of Pohyola:
'Badly is the test accomplished,
Thou has torn the pike in pieces,
From his neck the head is severed,
Of his body thou hast eaten,
Brought to me this worthless relic!
These the words of Ilmarinen:
'When the victory is greatest,
Do we suffer greatest losses!
From the river of Tuoni,
From the kingdom of Manala,
I have brought to thee this trophy,
Thus the third task is completed.
Tell me is the maiden ready,
Wilt thou give the bride affianced?
Spake the hostess of Pohyola:
'I will give to thee my daughter,
Will prepare my snow-white virgin,
For the suitor, Ilmarinen;
Thou hast won the Maid of Beauty,
Bride is she of thine hereafter,
Fit companion of thy fireside,
Help and joy of all thy lifetime.'
On the floor a child was sitting,
And the babe this tale related.
'There appeared within this dwelling,
Came a bird within the castle,
From the East came flying hither,
From the East, a monstrous eagle,
180
One wing touched the vault of heaven,
While the other swept the ocean;
With his tail upon the waters,
Reached his beak beyond the cloudlets,
Looked about, and eager watching,
Flew around, and sailing, soaring,
Flew away to hero-castle,
Knocked three times with beak of copper
On the castle-roof of iron;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew again, and sailed, and circled,
Flew then to the mothers' castle,
Loudly rapped with heavy knocking
On the mothers' roof of copper;
But the eagle could not enter.
'Then the eagle, looking round him,
Flew a third time, sailing, soaring,
Flew then to the virgins' castle,
Knocked again with beak of copper,
On the virgins' roof of linen,
Easy for him there to enter;
Flew upon the castle-chimney,
Quick descending to the chamber,
Pulled the clapboards from the studding,
Tore the linen from the rafters,
Perched upon the chamber-window,
Near the walls of many colors,
On the cross-bars gaily-feathered,
Looked upon the curly-beaded,
Looked upon their golden ringlets,
Looked upon the snow-white virgins,
On the purest of the maidens,
On the fairest of the daughters,
On the maid with pearly necklace,
On the maiden wreathed in flowers;
Perched awhile, and looked, admiring,
Swooped upon the Maid of Beauty,
On the purest of the virgins,
On the whitest, on the fairest,
On the stateliest and grandest,
Swooped upon the rainbow-daughter
181
Of the dismal Sariola;
Grasped her in his mighty talons,
Bore away the Maid of Beauty,
Maid of fairest form and feature,
Maid adorned with pearly necklace,
Decked in feathers iridescent,
Fragrant flowers upon her bosom,
Scarlet band around her forehead,
Golden rings upon her fingers,
Fairest maiden of the Northland.'
Spake the hostess of Pohyola,
When the babe his tale had ended:
'Tell me bow, my child beloved,
Thou hast learned about the maiden,
Hast obtained the information,
How her flaxen ringlets nestled,
How the maiden's silver glistened,
How the virgin's gold was lauded.
Shone the silver Sun upon thee,
Did the moonbeams bring this knowledge?'
From the floor the child made answer:
'Thus I gained the information,
Moles of good-luck led me hither,
To the home, of the distinguished,
To the guest-room of the maiden,
Good-name bore her worthy father,
He that sailed the magic vessel;
Better-name enjoyed the mother,
She that baked the bread of barley,
She that kneaded wheaten biscuits,
Fed her many guests in Northland.
'Thus the information reached me,
Thus the distant stranger heard it,
Heard the virgin had arisen:
Once I walked within the court-yard,
Stepping near the virgin's chamber,
At an early hour of morning,
Ere the Sun had broken slumber
Whirling rose the soot in cloudlets,
Blackened wreaths of smoke came rising
From the chamber of the maiden,
From thy daughter's lofty chimney;
182
There the maid was busy grinding,
Moved the handles of the millstone
Making voices like the cuckoo,
Like the ducks the side-holes sounded,
And the sifter like the goldfinch,
Like the sea-pearls sang the grindstones.
'Then a second time I wandered
To the border of the meadow
In the forest was the maiden
Rocking on a fragrant hillock,
Dyeing red in iron vessels,
And in copper kettles, yellow.
'Then a third time did I wander
To the lovely maiden's window;
There I saw thy daughter weaving,
Heard the flying of her shuttle,
Heard the beating of her loom-lathe,
Heard the rattling of her treddles,
Heard the whirring of her yarn-reel.'
Spake the hostess of Pohyola:
'Now alas! beloved daughter,
I have often taught this lesson:
'Do not sing among the pine-trees,
Do not call adown the valleys,
Do not hang thy head in walking,
Do not bare thine arms, nor shoulders,
Keep the secrets of thy bosom,
Hide thy beauty and thy power.'
'This I told thee in the autumn,
Taught thee in the summer season,
Sang thee in the budding spring-time,
Sang thee when the snows were falling:
'Let us build a place for hiding,
Let us build the smallest windows,
Where may weave my fairest daughter,
Where my maid may ply her shuttle,
Where my joy may work unnoticed
By the heroes of the Northland,
By the suitors of Wainola.''
From the floor the child made answer,
Fourteen days the young child numbered;
'Easy 'tis to hide a war-horse
183
In the Northland fields and stables;
Hard indeed to hide a maiden,
Having lovely form and features!
Build of stone a distant castle
In the middle of the ocean,
Keep within thy lovely maiden,
Train thou there thy winsome daughter,
Not long hidden canst thou keep her.
Maidens will not grow and flourish,
Kept apart from men and heroes,
Will not live without their suitors,
Will not thrive without their wooers;
Thou canst never hide a maiden,
Neither on the land nor water.'
Now the ancient Wainamoinen,
Head down-bent and heavy-hearted,
Wanders to his native country,
To Wainola's peaceful meadows,
To the plains of Kalevala,
Chanting as he journeys homeward:
'I have passed the age for wooing,
Woe is me, rejected suitor,
Woe is me, a witless minstrel,
That I did not woo and marry,
When my face was young and winsome,
When my hand was warm and welcome!
Youth dethrones my age and station,
Wealth is nothing, wisdom worthless,
When a hero goes a-wooing
With a poor but younger brother.
Fatal error that a hero
Does not wed in early manhood,
In his youth does not be master
Of a worthy wife and household.'
Thus the ancient Wainamoinen
Sends the edict to his people:
'Old men must not go a-wooing,
Must not swim the sea of anger,
Must not row upon a wager,
Must not run a race for glory,
With the younger sons of Northland.'
184
~ Elias Lönnrot,#NFDB
1263: Book VII: The Book of the Woman
So to the voice of their best they were bowed and obeyed undebating;
Men whose hearts were burning yet with implacable passion
Felt Odysseus strength and rose up clay to his counsels.
King Agamemnon rose at his word, the wide-ruling monarch,
Rose at his word the Cretan and Locrian, Thebes and Epirus,
Nestor rose, the time-tired hoary chief of the Pylians.
Round Agamemnon the Atreid Europe surged in her chieftains
Forth from their tent on the shores of the Troad, splendid in armour,
Into the golden blaze of the sun and the race of the sea-winds.
Fierce and clear like a flame to the death-gods bright on its altar
Shone in their eyes the lust of blood and of earth and of pillage;
For in their hearts those fires replaced the passions of discord
Forging a brittle peace by a common hatred and yearning.
Joyous they were of mood; for their hopes were already in Troya
Sating with massacre, plunder and rape and the groans of their foemen
Death and Hell in our mortal bosoms seated and shrouded;
There they have altars and seats, in mankind, in this fair-builded temple,
Made for purer gods; but we turn from their luminous temptings;
Vainly the divine whispers seek us; the heights are rejected.
Man to his earth drawn always prefers his nethermost promptings,
Man, devouring, devoured who is slayer and slain through the ages
Since by the beast he soars held and exceeds not that pedestals measure.
They now followed close on the steps of the mighty Atrides
Glued like the forest pack to the war-scarred coat of its leader,
Glued as the pack when wolves follow their prey like Doom that can turn not.
Perfect forms and beautiful faces crowded the tent-door,
Brilliant eyes and fierce of souls that remembered the forest,
Wild-beasts touched by thought and savages lusting for beauty.
Dire and fierce and formidable chieftains followed Atrides,
Merciless kings of merciless men and the founders of Europe,
Sackers of Troy and sires of the Par thenon, Athens and Caesar.
Here they had come to destroy the ancient perishing cultures;
For, it is said, from the savage we rose and were born to a wild-beast.
So when the Eye supreme perceives that we rise up too swiftly,
Drawn towards height but fullness contemning, called by the azure,
Life when we fail in, poor in our base and forgetting our mother,
Back we are hurled to our roots; we recover our sap from the savage.
So were these sent by Zeus to destroy the old that was grandiose.
Such were those frames of old as the sons of Heaven might have chosen
Who in the dawn of eternity wedded the daughters of Nature,
Cultures touched by the morning star, vast, bold and poetic,
Titans works and joys, but thrust down from their puissance and pleasure
Fainting now fell from the paces of Time or were left by his ages.
So were these born from Zeus to found the new that should flower
Lucid and slender and perfectly little as fit for this mortal
Ever who sinks back fatigued from immortalitys stature;
Man, repelled by the gulfs within him and shrinking from vastness,
Form of the earth accepts and is glad of the lap of his mother.
Safe through the infinite seas could his soul self-piloted voyage,
Chasing the dawns and the wondrous horizons, eternitys secrets
Drawn from her luminous gulfs! But he journeys rudderless, helmless,
Driven and led by the breath of God who meets him with tempest,
Hurls at him Night. The earth is safer, warmer its sunbeams;
Death and limits are known; so he clings to them hating the summons.
So might one dwell who has come to take joy in a fair-lighted prison;
Amorous grown of its marble walls and its noble adornments,
Lost to mightier cares and the spaces boundlessly calling
Lust of the infinite skies he forgets and the kiss of the stormwind.
So might one live who inured to his days of the field and the farm-yard
Shrinks from the grandiose mountain-tops; shut up in lanes and in hedges
Only his furrows he leads and only orders his gardens,
Only his fleeces weaves and drinks of the yield of his vine-rows:
Lost to his ear is the song of the waterfall, wind in the forests.
Now to our earth we are bent and we study the skies for its image.
That was Greece and its shining, that now is France and its keenness,
That still is Europe though by the Christ-touch troubled and tortured,
Seized by the East but clasping her chains and resisting our freedom.
Then was all founded, on Phrygias coasts, round Ilions ramparts,
Then by the spear of Achilles, then in the Trojan death-cry;
Bearers mute of a future world were those armoured Achaians.
So they arrived from Zeus, an army led by the death-god.
So one can see them still who has sight from the gods in the trance-sleep
Out from the tent emerging on Phrygias coasts in their armour;
Those of the early seed Pelasgian slighter in stature,
Dark-haired, hyacinth-curled from the isles of the sea and the southron,
Soft-eyed men with pitiless hearts; bright-haired the Achaians,
Hordes of the Arctic Dawn who had fled from the ice and the death-blast;
Children of conquerors lured to the coasts and the breezes and olives,
Noons of Mediterranean suns and the kiss of the southwind
Mingled their brilliant force with the plastic warmth of the Hamite.
There they shall rule and their children long till Fate and the Dorian
Break down Hellene doors and trample stern through the passes.
Mixed in a glittering rout on the Ocean beaches one sees them,
Perfect and beautiful figures and fronts, not as now are we mortals
Marred and crushed by our burden long of thought and of labour;
Perfect were these as our race bright-imaged was first by the Thinker
Seen who in golden lustres shapes all the glories we tarnish,
Rich from the moulds of Gods and unmarred in their splendour and swiftness.
Many and mighty they came over the beaches loud of the Aegean,
Roots of an infant world and the morning stars of this Europe,
Great Agamemnons kingly port and the bright Menelaus,
Tall Idomeneus, Nestor, Odysseus Atlas-shouldered,
Helmeted Ajax, his chin of the beast and his eyes of the dreamer.
Over the sands they dispersed to their armies ranked by the Ocean.
But from the Argive front Acirrous loosed by Tydides
Parted as hastens a shaft from the string and he sped on intently
Swift where the beaches were bare or threading the gaps of the nations;
Crossing Thebes and Epirus he passed through the Lemnian archers,
Ancient Gnossus hosts and Meriones leaderless legions.
Heedless of cry and of laughter calling over the sea-sands
Swiftly he laboured, wind in his hair and the sea to him crying,
Straight he ran to the Myrmidon hosts and the tents of Achilles.
There he beheld at his tent-door the Phthian gleaming in armour,
Glittering-helmed with the sun that climbed now the cusp of Cronion,
Nobly tall, excelling humanity, planned like Apollo.
Proud at his side like a pillar upreared of snow or of marble,
Golden-haired, hard and white was the boy Neoptolemus, fire-eyed.
New were his feet to the Trojan sands from the ships and from Scyros:
Led to this latest of all his fathers fights in the Troad
He for his earliest battle waited, the son of Achilles.
So in her mood had Fate brought them together, the son and the father,
Even as our souls travelling different paths have met in the ages
Each for its work and they cling for an hour to the names of affection,
Then Times long waves bear them apart for new forms we shall know not,
So these two long severed had met in the shadow of parting.
Often he smote his hand on the thigh-piece for sound of the armour,
Bent his ear to the plains or restless moved like a war-horse
Curbed by his masters will, when he stands new-saddled for battle
Hearing the voice of the trumpets afar and pawing the meadows.
Over the sands Acirrous came to them running and toiling,
Known from far off, for he ran unhelmeted. High on the hero
Sunlike smiled the golden Achilles and into the tent-space
Seized by the hand and brought him and seated. War-shaft of Troezen,
Whence was thy speed, Acirrous? Comst thou, O friend, to my tent-side
Spurred by thy eager will or the trusted stern Diomedes?
Or from the Greeks like the voice still loved from a heart that is hollow?
What say the banded princes of Greece to the single Achilles?
Bringest thou flattery pale or an empty and futureless menace?
But to the strength of Pelides the hero Acirrous answered:
Response none make the Greeks to thy high-voiced message and challenge;
Only their shout at thy side will reply when thou leapst into Troya.
So have their chieftains willed and the wisdom calm of Odysseus.
But with a haughty scorn made answer the high-crested Hellene:
Wise is Odysseus, wise are the hearts of Achaias chieftains.
Ilions chiefs are enough for their strength and life is too brittle
Hurrying Fate to advance on the spear of the Phthian Achilles.
Not from the Greeks have I sped to thy tents, their friendship or quarrel
Urged not my feet; but Tiryns chieftain strong Diomedes
Sent me claiming a word long old that first by his war-car
Young Neoptolemus come from island Scyros should enter
Far-crashing into the fight that has lacked this shoot of Achilles,
Pressing in front with his fathers strength in the playground of Ares,
Shouting his fathers cry as he clashed to his earliest battle.
So let Achilles son twin-carred fight close by Tydides,
Seal of the ancient friendship new-sworn twixt your sires in their boyhood
Then when they learned the spear to guide and strove in the wrestle.
So he spoke recalling other times and regretted
And to the Argives word consented the strength of Pelides.
He on the shoulder white of his son with a gesture of parting
Laid his fateful hand and spoke from his prescient spirit:
Pyrrhus, go. No mightier guide couldst thou hope into battle
Opening the foemens ranks than the hero stern Diomedes.
Noble that rugged heart, thy fathers friend and his fathers.
Journey through all wide Greece, seek her prytanies, schools and palaestras,
Traverse Oceans rocks and the cities that dream on his margin,
Phocian dales, Aetolias cliffs and Arcadys pastures,
Never a second man wilt thou find, but alone Diomedes.
Pyrrhus, follow his counsels always losing thy father,
If in this battle I fall and Fate has denied to me Troya.
Pyrrhus, be like thy father in virtue, thou canst not excel him;
Noble be in peace, invincible, brave in the battle,
Stern and calm to thy foe, to the suppliant merciful. Mortal
Favour and wrath as thou walkst heed never, son of Achilles.
Always thy will and the right impose on thy friend and thy foeman.
Count not life nor death, defeat nor triumph, Pyrrhus.
Only thy soul regard and the gods in thy joy or thy labour.
Pyrrhus heard and erect with a stride that was rigid and stately
Forth with Acirrous went from his sire to the joy of the battle.
Little he heeded the word of death that the god in our bosom
Spoke from the lips of Achilles, but deemed at sunset returning,
Slaying Halamus, Paris or dangerous mighty Aeneas,
Proudly to lay at his fathers feet the spoils of the foeman.
But in his lair alone the godlike doomed Pelides
Turned to the door of his tent and was striding forth to the battle,
When from her inner chamber Briseis parting the curtain,
Long had she stood there spying and waiting her lonely occasion,
Came and caught and held his hand like a creeper detaining
Vainly a moment the deathward stride of the kings of the forest.
Tarry awhile, Achilles; not yet have the war-horns clamoured,
Nor have the scouts streamed yet from Xanthus fierily running.
Lose a moment for her who has only thee under heaven.
Nay, had war sounded, thou yet wouldst squander that moment, Achilles,
Hearkening a womans fears and the voice of a dream in the midnight.
Art thou not gentle even as terrible, lion of Hellas?
Others have whispered the deeds of thy wrath; we have heard, but not seen it;
Marvelling much at their pallor and awe we have listened and wondered.
Never with thrall or slavegirl or captive saw I thee angered,
Hero, nor any humble heart ever trembled to near thee.
Pardoning rather our many faults and our failures in service
Lightly thou layedst thy yoke on us kind as the clasp of a lover
Sparing the weak as thou breakest the mighty, O godlike Achilles.
Only thy equals have felt all the dread of the death-god within thee;
We have presumed and have played with the strength at which nations have trembled.
Lo, thou hast leaned thy mane to the clutch of the boys and the maidens.
But to Briseis white-armed made answer smiling Achilles:
Something sorely thou needst, for thou flatterest long, O Briseis.
Tell me, O woman, thy fear or thy dream that my touch may dispel it,
White-armed net of bliss slipped down from the gold Aphrodite.
And to Achilles answered the captive white Briseis:
Long have they vexed my soul in the tents of the Greeks, O Achilles,
Telling of Thetis thy mother who bore thee in caves of the Ocean
Clasped by a mortal and of her fear from the threats of the Ancients,
Weavers of doom who play with our hopes and smile at our passions
Painting Time with the red of our hearts on the web they have woven,
How on the Oceans bosom she hid thee in vine-tangled Scyros
Clothed like a girl among girls with the daughters of King Lycomedes,
Art thou not fairer than womans beauty, yet great as Apollo?
Fearing Paris shafts and the anger of Delian Phoebus.
Now in the night has a vision three times besieged me from heaven.
Over the sea in my dream an argent bow was extended;
Nearing I saw a terror august over moonlit waters,
Cloud and a fear and a face that was young and lovely and hostile.
Then three times I heard arise in the grandiose silence,
Still was the sky and still was the land and still were the waters,
Echoing a mighty voice, Take back, O King, what thou gavest;
Strength, take thy strong man, sea, take thy wave, till the warfare eternal
Need him again to thunder through Asias plains to the Ganges.
That fell silent, but nearer the beautiful Terror approached me,
Clang I heard of the argent bow and I gazed on Apollo.
Shrilly I cried; it was thee that the shaft of the heavens had yearned for,
Thee that it sought like a wild thing in anger straight at its quarry,
Quivering into thy heel. I awoke and found myself trembling,
Held thee safe in my arms, yet hardly believed that thou livest.
Lo, in the night came this dream; on the morn thou arisest for battle.
But to Briseis white-armed made answer the golden Achilles:
This was a dream indeed, O princess, daughter of Brises!
Will it restrain Achilles from fight, the lion from preying?
Come, thou hast heard of my prowess and knowest what man is Achilles.
Deemst thou so near my end? or does Polyxena vex thee,
Jealousy shaping thy dreams to frighten me back from her capture?
Passionate, vexed Briseis, smiting his arm with her fingers,
Yet with a smile half-pleased made answer to mighty Achilles.
Thinkst thou I fear thee at all? I am brave and will chide thee and threaten.
See that thou recklessly throw not, Achilles, thy life into battle
Hurting this body, my world, nor venture sole midst thy foemen,
Leaving thy shielders behind as oft thou art wont in thy war-rage
Lured by thy tempting gods who seek their advantage to slay thee,
Fighting divinely, careless of all but thy spear and thy foeman.
Cover thy limbs with thy shield, speed slowly restraining thy coursers.
Dost thou not know all the terrible void and cold desolation
Once again my life must become if I lose thee, Achilles?
Twice then thus wilt thou smite me, O hero, a desolate woman?
I will not stay behind on an earth that is empty and kingless.
Into the grave I will leap, through the fire I will burn, I will follow
Down into Hades depths or wherever thy footsteps go clanging,
Hunting thee always,didst thou not seize me here for thy pleasure?
Stronger there by my love as thou than I here, O Achilles.
Thou shalt not dally alone with Polyxena safe in the shadows.
But to Briseis answered the hero, mighty Pelides,
Holding her delicate hands like gathered flowers in his bosom,
Pressing her passionate mouth like a rose that trembles with beauty.
There then follow me even as I would have drawn thee, O woman,
Voice that chimes with my soul and hands that are eager for service,
Beautiful spoil beloved of my foemen, perfect Briseis
But for the dreams that come to us mortals sleeping or waking,
Shadows are these from our souls and who shall discern what they figure?
Fears from the heart speak voiced like Zeus, take shape as Apollo.
But were they truer than Delphis cavern voice or Dodonas
Moan that seems wind in his oaks immemorable, how should they alter
Fate that the stern gods have planned from the first when the earth was unfashioned,
Shapeless the gyre of the sun? For dream or for oracle adverse
Why should man swerve from the path of his feet? The gods have invented
Only one way for a man through the world, O my slavegirl Briseis,
Valiant to be and noble and truthful and just to the humble,
Only one way for a woman, to love and serve and be faithful.
This observe, thy task in thy destiny noble or fallen;
Time and result are the gods; with these things be not thou troubled.
So he spoke and kissed her lips and released her and parted.
Out from the tent he strode and into his chariot leaping
Seized the reins and shouted his cry and drove with a far-borne
Sound of wheels mid the clamour of hooves and the neigh of the war-steeds
Swift through the line of the tents and forth from the heart of the leaguer.
Over the causeway Troyward thundered the wheels of Achilles.
After him crashing loud with a fierce and resonant rumour
Chieftains impetuous prone to the mellay and swift at the war-cry
Came, who long held from the lust of the spear and the joy of the war-din
Rushed over earth like hawks released through the air; a shouting
Limitless rolled behind, for nations followed each war-cry.
Lords renowned of the northern hills and the plains and the coast-lands,
Many a Dorian, many a Phthian, many a Hellene,
Names now lost to the ear though then reputed immortal!
Night has swallowed them, Zeus has devoured the light of his children;
Drawn are they back to his bosom vast whence they came in their fierceness
Thinking to conquer the earth and dominate Time and his ages.
Nor on their left less thick came numerous even as the sea-sands
Forth from the line of the leaguer that skirted the far-sounding waters,
Ranked behind Tydeus son and the Spartan, bright Menelaus,
Ithacas chief and Epeus, Idomeneus lord of the Cretans,
Acamas, Nestor, Neleus son, and the brave Ephialtus,
Prothous, Meges, Leitus the bold and the king Prothonor,
Wise Alcestes son and the Lemnian, stern Philoctetes,
These and unnumbered warlike captains marching the Argives.
Last in his spacious car drove shaping the tread of his armies,
Even as a shepherd who follows his flock to the green of the pastures,
Atreus far-famed son, the monarch great Agamemnon.
They on the plain moved out and gazing far over the pastures
Saw behind Xanthus rolling with dust like a cloud full of thunder,
Ominous, steadily nearing, shouting their war-cry the Trojans.
***
~ Sri Aurobindo, 7 - The Book of the Woman
,#NFDB
1264:Imitations Of Horace: The First Epistle Of The Second
Book
Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,
Ambition humbled, mighty cities storm'd,
Or laws establish'd, and the world reform'd;
Clos'd their long glories with a sigh, to find
Th' unwilling gratitude of base mankind!
All human virtue, to its latest breath
Finds envy never conquer'd, but by death.
The great Alcides, ev'ry labour past,
Had still this monster to subdue at last.
Sure fate of all, beneath whose rising ray
Each star of meaner merit fades away!
Oppress'd we feel the beam directly beat,
Those suns of glory please not till they set.
To thee the world its present homage pays,
The harvest early, but mature the praise:
Great friend of liberty! in kings a name
Above all Greek, above all Roman fame:
Whose word is truth, as sacred and rever'd,
As Heav'n's own oracles from altars heard.
Wonder of kings! like whom, to mortal eyes
None e'er has risen, and none e'er shall rise.
Just in one instance, be it yet confest
Your people, Sir, are partial in the rest:
Foes to all living worth except your own,
105
And advocates for folly dead and gone.
Authors, like coins, grow dear as they grow old;
It is the rust we value, not the gold.
Chaucer's worst ribaldry is learn'd by rote,
And beastly Skelton heads of houses quote:
One likes no language but the Faery Queen ;
A Scot will fight for Christ's Kirk o' the Green:
And each true Briton is to Ben so civil,
He swears the Muses met him at the Devil.
Though justly Greece her eldest sons admires,
Why should not we be wiser than our sires?
In ev'ry public virtue we excel:
We build, we paint, we sing, we dance as well,
And learned Athens to our art must stoop,
Could she behold us tumbling through a hoop.
If time improve our wit as well as wine,
Say at what age a poet grows divine?
Shall we, or shall we not, account him so,
Who died, perhaps, an hundred years ago?
End all dispute; and fix the year precise
When British bards begin t'immortalize?
"Who lasts a century can have no flaw,
I hold that wit a classic, good in law."
Suppose he wants a year, will you compound?
And shall we deem him ancient, right and sound,
Or damn to all eternity at once,
At ninety-nine, a modern and a dunce?
"We shall not quarrel for a year or two;
By courtesy of England, he may do."
Then by the rule that made the horsetail bare,
I pluck out year by year, as hair by hair,
And melt down ancients like a heap of snow:
While you, to measure merits, look in Stowe,
And estimating authors by the year,
Bestow a garland only on a bier.
106
Shakespeare (whom you and ev'ry playhouse bill
Style the divine, the matchless, what you will)
For gain, not glory, wing'd his roving flight,
And grew immortal in his own despite.
Ben, old and poor, as little seem'd to heed
The life to come, in ev'ry poet's creed.
Who now reads Cowley? if he pleases yet,
His moral pleases, not his pointed wit;
Forgot his epic, nay Pindaric art,
But still I love the language of his heart.
"Yet surely, surely, these were famous men!
What boy but hears the sayings of old Ben?
In all debates where critics bear a part,
Not one but nods, and talks of Jonson's art,
Of Shakespeare's nature, and of Cowley's wit;
How Beaumont's judgment check'd what Fletcher writ;
How Shadwell hasty, Wycherley was slow;
But, for the passions, Southerne sure and Rowe.
These, only these, support the crowded stage,
From eldest Heywood down to Cibber's age."
All this may be; the people's voice is odd,
It is, and it is not, the voice of God.
To Gammer Gurton if it give the bays,
And yet deny the Careless Husband praise,
Or say our fathers never broke a rule;
Why then, I say, the public is a fool.
But let them own, that greater faults than we
They had, and greater virtues, I'll agree.
Spenser himself affects the obsolete,
And Sidney's verse halts ill on Roman feet:
Milton's strong pinion now not Heav'n can bound,
Now serpent-like, in prose he sweeps the ground,
In quibbles, angel and archangel join,
And God the Father turns a school divine.
Not that I'd lop the beauties from his book,
Like slashing Bentley with his desp'rate hook,
Or damn all Shakespeare, like th' affected fool
At court, who hates whate'er he read at school.
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But for the wits of either Charles's days,
The mob of gentlemen who wrote with ease;
Sprat, Carew, Sedley, and a hundred more,
(Like twinkling stars the Miscellanies o'er)
One simile, that solitary shines
In the dry desert of a thousand lines,
Or lengthen'd thought that gleams through many a page,
Has sanctified whole poems for an age.
I lose my patience, and I own it too,
When works are censur'd, not as bad, but new;
While if our elders break all reason's laws,
These fools demand not pardon, but applause.
On Avon's bank, where flow'rs eternal blow,
If I but ask if any weed can grow?
One tragic sentence if I dare deride,
Which Betterton's grave action dignified,
Or well-mouth'd Booth with emphasis proclaims
(Though but, perhaps, a muster-roll of names)
How will our fathers rise up in a rage,
And swear, all shame is lost in George's age!
You'd think no fools disgrac'd the former reign,
Did not some grave examples yet remain,
Who scorn a lad should teach his father skill,
And, having once been wrong, will be so still.
He, who to seem more deep than you or I,
Extols old bards, or Merlin's Prophecy,
Mistake him not; he envies, not admires,
And to debase the sons, exalts the sires.
Had ancient times conspir'd to disallow
What then was new, what had been ancient now?
Or what remain'd, so worthy to be read
By learned critics, of the mighty dead?
In days of ease, when now the weary sword
Was sheath'd, and luxury with Charles restor'd;
In ev'ry taste of foreign courts improv'd,
"All, by the King's example, liv'd and lov'd."
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Then peers grew proud in horsemanship t'excel,
Newmarket's glory rose, as Britain's fell;
The soldier breath'd the gallantries of France,
And ev'ry flow'ry courtier writ romance.
Then marble, soften'd into life, grew warm,
And yielding metal flow'd to human form:
Lely on animated canvas stole
The sleepy eye, that spoke the melting soul.
No wonder then, when all was love and sport,
The willing Muses were debauch'd at court:
On each enervate string they taught the note
To pant or tremble through an eunuch's throat.
But Britain, changeful as a child at play,
Now calls in princes, and now turns away:
Now Whig, now Tory, what we lov'd we hate;
Now all for pleasure, now for Church and state;
Now for prerogative, and now for laws;
Effects unhappy! from a noble cause.
Time was, a sober Englishman would knock
His servants up, and rise by five o'clock,
Instruct his family in ev'ry rule,
And send his wife to church, his son to school.
To worship like his fathers was his care;
To teach their frugal virtues to his heir;
To prove that luxury could never hold,
And place, on good security, his gold.
Now times are chang'd, and one poetic itch
Has seiz'd the court and city, poor and rich:
Sons, sires, and grandsires, all will wear the bays,
Our wives read Milton, and our daughters plays,
To theatres, and to rehearsals throng,
And all our grace at table is a song.
I, who so oft renounce the Muses, lie,
Not {-}{-}{-}{-}{-}'s self e'er tells more fibs than I;
When sick of Muse, our follies we deplore,
And promise our best friends to rhyme no more;
We wake next morning in a raging fit,
And call for pen and ink to show our wit.
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He serv'd a 'prenticeship who sets up shop;
Ward tried on puppies and the poor, his drop;
Ev'n Radcliffe's doctors travel first to France,
Nor dare to practise till they've learn'd to dance.
Who builds a bridge that never drove a pile?
(Should Ripley venture, all the world would smile)
But those who cannot write, and those who can,
All rhyme, and scrawl, and scribble, to a man.
Yet, Sir, reflect, the mischief is not great;
These madmen never hurt the Church or state:
Sometimes the folly benefits mankind;
And rarely av'rice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne'er rebels, or plots, like other men:
Flight of cashiers, or mobs, he'll never mind;
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter;
The good man heaps up nothing but mere metre,
Enjoys his garden and his book in quiet;
And then--a perfect hermit in his diet.
Of little use the man you may suppose,
Who says in verse what others say in prose:
Yet let me show, a poet's of some weight,
And (though no soldier) useful to the state.
What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What's long or short, each accent where to place,
And speak in public with some sort of grace.
I scarce can think him such a worthless thing,
Unless he praise some monster of a king;
Or virtue or religion turn to sport,
To please a lewd, or unbelieving court.
Unhappy Dryden!--In all Charles's days,
Roscommon only boasts unspotted bays;
And in our own (excuse some courtly stains)
No whiter page than Addison remains.
He, from the taste obscene reclaims our youth,
And sets the passions on the side of truth,
Forms the soft bosom with the gentlest art,
And pours each human virtue in the heart.
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Let Ireland tell, how wit upheld her cause,
Her trade supported, and supplied her laws;
And leave on Swift this grateful verse engrav'd,
"The rights a court attack'd, a poet sav'd."
Behold the hand that wrought a nation's cure,
Stretch'd to relieve the idiot and the poor,
Proud vice to brand, or injur'd worth adorn,
And stretch the ray to ages yet unborn.
Not but there are, who merit other palms;
Hopkins and Sternhold glad the heart with psalms:
The boys and girls whom charity maintains,
Implore your help in these pathetic strains:
How could devotion touch the country pews,
Unless the gods bestow'd a proper Muse?
Verse cheers their leisure, verse assists their work,
Verse prays for peace, or sings down Pope and Turk.
The silenc'd preacher yields to potent strain,
And feels that grace his pray'r besought in vain;
The blessing thrills through all the lab'ring throng,
And Heav'n is won by violence of song.
Our rural ancestors, with little blest,
Patient of labour when the end was rest,
Indulg'd the day that hous'd their annual grain,
With feasts, and off'rings, and a thankful strain:
The joy their wives, their sons, and servants share,
Ease of their toil, and part'ners of their care:
The laugh, the jest, attendants on the bowl,
Smooth'd ev'ry brow, and open'd ev'ry soul:
With growing years the pleasing licence grew,
And taunts alternate innocently flew.
But times corrupt, and nature, ill-inclin'd,
Produc'd the point that left a sting behind;
Till friend with friend, and families at strife,
Triumphant malice rag'd through private life.
Who felt the wrong, or fear'd it, took th' alarm,
Appeal'd to law, and justice lent her arm.
At length, by wholesome dread of statutes bound,
The poets learn'd to please, and not to wound:
Most warp'd to flatt'ry's side; but some, more nice,
Preserv'd the freedom, and forbore the vice.
111
Hence satire rose, that just the medium hit,
And heals with morals what it hurts with wit.
We conquer'd France, but felt our captive's charms;
Her arts victorious triumph'd o'er our arms;
Britain to soft refinements less a foe,
Wit grew polite, and numbers learn'd to flow.
Waller was smooth; but Dryden taught to join
The varying verse, the full-resounding line,
The long majestic march, and energy divine.
Though still some traces of our rustic vein
And splayfoot verse remain'd, and will remain.
Late, very late, correctness grew our care,
When the tir'd nation breath'd from civil war.
Exact Racine, and Corneille's noble fire
Show'd us that France had something to admire.
Not but the tragic spirit was our own,
And full in Shakespeare, fair in Otway shone:
But Otway fail'd to polish or refine,
And fluent Shakespeare scarce effac'd a line.
Ev'n copious Dryden wanted, or forgot,
The last and greatest art, the art to blot.
Some doubt, if equal pains, or equal fire
The humbler Muse of comedy require.
But in known images of life, I guess
The labour greater, as th' indulgence less.
Observe how seldom ev'n the best succeed:
Tell me if Congreve's fools are fools indeed?
What pert, low dialogue has Farqu'ar writ!
How Van wants grace, who never wanted wit!
The stage how loosely does Astr{ae}ea tread,
Who fairly puts all characters to bed!
And idle Cibber, how he breaks the laws,
To make poor Pinky eat with vast applause!
But fill their purse, our poet's work is done,
Alike to them, by pathos or by pun.
O you! whom vanity's light bark conveys
112
On fame's mad voyage by the wind of praise,
With what a shifting gale your course you ply,
For ever sunk too low, or borne too high!
Who pants for glory finds but short repose,
A breath revives him, or a breath o'erthrows.
Farewell the stage! if just as thrives the play,
The silly bard grows fat, or falls away.
There still remains, to mortify a wit,
The many-headed monster of the pit:
A senseless, worthless, and unhonour'd crowd;
Who, to disturb their betters mighty proud,
Clatt'ring their sticks before ten lines are spoke,
Call for the farce, the bear, or the black-joke.
What dear delight to Britons farce affords!
Farce once the taste of mobs, but now of lords;
(For taste, eternal wanderer, now flies
From heads to ears, and now from ears to eyes.)
The play stands still; damn action and discourse,
Back fly the scenes, and enter foot and horse;
Pageants on pageants, in long order drawn,
Peers, heralds, bishops, ermine, gold, and lawn;
The champion too! and, to complete the jest,
Old Edward's armour beams on Cibber's breast.
With laughter sure Democritus had died,
Had he beheld an audience gape so wide.
Let bear or elephant be e'er so white,
The people, sure, the people are the sight!
Ah luckless poet! stretch thy lungs and roar,
That bear or elephant shall heed thee more;
While all its throats the gallery extends,
And all the thunder of the pit ascends!
Loud as the wolves on Orcas' stormy steep,
Howl to the roarings of the Northern deep.
Such is the shout, the long-applauding note,
At Quin's high plume, or Oldfield's petticoat,
Or when from Court a birthday suit bestow'd
Sinks the lost actor in the tawdry load.
Booth enters--hark! the universal peal!
"But has he spoken?" Not a syllable.
"What shook the stage, and made the people stare?"
113
Cato's long wig, flow'r'd gown, and lacquer'd chair.
Yet lest you think I rally more than teach,
Or praise malignly arts I cannot reach,
Let me for once presume t'instruct the times,
To know the poet from the man of rhymes:
'Tis he, who gives my breast a thousand pains,
Can make me feel each passion that he feigns;
Enrage, compose, with more than magic art,
With pity and with terror tear my heart;
And snatch me o'er the earth or thro' the air,
To Thebes, to Athens, when he will, and where.
But not this part of the poetic state
Alone, deserves the favour of the great:
Think of those authors, Sir, who would rely
More on a reader's sense, than gazer's eye.
Or who shall wander where the Muses sing?
Who climb their mountain, or who taste their spring?
How shall we fill a library with wit,
When Merlin's Cave is half unfurnish'd yet?
My Liege! why writers little claim your thought,
I guess: and, with their leave, will tell the fault:
We poets are (upon a poet's word)
Of all mankind, the creatures most absurd:
The season, when to come, and when to go,
To sing, or cease to sing, we never know;
And if we will recite nine hours in ten,
You lose your patience, just like other men.
Then too we hurt ourselves, when to defend
A single verse, we quarrel with a friend;
Repeat unask'd; lament, the wit's too fine
For vulgar eyes, and point out ev'ry line.
But most, when straining with too weak a wing,
We needs will write epistles to the king;
And from the moment we oblige the town,
Expect a place, or pension from the Crown;
Or dubb'd historians by express command,
114
T'enroll your triumphs o'er the seas and land,
Be call'd to court to plan some work divine,
As once for Louis, Boileau and Racine.
Yet think, great Sir! (so many virtues shown)
Ah think, what poet best may make them known?
Or choose at least some minister of grace,
Fit to bestow the laureate's weighty place.
Charles, to late times to be transmitted fair,
Assign'd his figure to Bernini's care;
And great Nassau to Kneller's hand decreed
To fix him graceful on the bounding steed;
So well in paint and stone they judg'd of merit:
But kings in wit may want discerning spirit.
The hero William, and the martyr Charles,
One knighted Blackmore, and one pension'd Quarles;
Which made old Ben, and surly Dennis swear,
"No Lord's anointed, but a Russian bear."
Not with such majesty, such bold relief,
The forms august, of king, or conqu'ring chief,
E'er swell'd on marble; as in verse have shin'd
(In polish'd verse) the manners and the mind.
Oh! could I mount on the M{ae}onian wing,
Your arms, your actions, your repose to sing!
What seas you travers'd! and what fields you fought!
Your country's peace, how oft, how dearly bought!
How barb'rous rage subsided at your word,
And nations wonder'd while they dropp'd the sword!
How, when you nodded, o'er the land and deep,
Peace stole her wing, and wrapp'd the world in sleep;
Till earth's extremes your mediation own,
And Asia's tyrants tremble at your throne-But verse, alas! your Majesty disdains;
And I'm not us'd to panegyric strains:
The zeal of fools offends at any time,
But most of all, the zeal of fools in rhyme,
Besides, a fate attends on all I write,
115
That when I aim at praise, they say I bite.
A vile encomium doubly ridicules:
There's nothing blackens like the ink of fools;
If true, a woeful likeness; and if lies,
"Praise undeserv'd is scandal in disguise."
Well may he blush, who gives it, or receives;
And when I flatter, let my dirty leaves
(Like journals, odes, and such forgotten things
As Eusden, Philips, Settle, writ of kings)
Clothe spice, line trunks, or flutt'ring in a row,
Befringe the rails of Bedlam and Soho.
~ Alexander Pope,#NFDB
1265:The Kalevala - Rune X
ILMARINEN FORGES THE SAMPO.
Wainamoinen, the magician,
Takes his steed of copper color,
Hitches quick his fleet-foot courser,
Puts his racer to the snow-sledge,
Straightway springs upon the cross-seat,
Snaps his whip adorned with jewels.
Like the winds the steed flies onward,
Like a lightning flash, the racer
Makes the snow-sledge creak and rattle,
Makes the highway quickly vanish,
Dashes on through fen and forest,
Over hills and through the valleys,
Over marshes, over mountains,
Over fertile plains and meadows;
Journeys one day, then a second,
So a third from morn till evening,
Till the third day evening brings him
To the endless bridge of Osmo,
To the Osmo-fields and pastures,
To the plains of Kalevala;
When the hero spake as follows:
'May the wolves devour the dreamer,
Eat the Laplander for dinner,
May disease destroy the braggart,
Him who said that I should never
See again my much-loved home-land,
Nevermore behold my kindred,
Never during all my life-time,
Never while the sunshine brightens,
Never while the moonlight glimmers
On the meadows of Wainola,
On the plains of Kalevala.'
Then began old Wainamoinen,
Ancient bard and famous singer,
To renew his incantations;
Sang aloft a wondrous pine-tree,
114
Till it pierced the clouds in growing
With its golden top and branches,
Till it touched the very heavens,
Spread its branches in the ether,
In the ever-shining sunlight.
Now he sings again enchanting,
Sings the Moon to shine forever
In the fir-tree's emerald branches;
In its top he sings the Great Bear.
Then be quickly journeys homeward,
Hastens to his golden portals,
Head awry and visage wrinkled,
Crooked cap upon his forehead,
Since as ransom he had promised
Ilmarinen, magic artist,
Thus to save his life from torture
On the distant fields of Northland
In the dismal Sariola.
When his stallion he had halted
On the Osmo-field and meadow,
Quickly rising in his snow-sledge,
The magician heard one knocking,
Breaking coal within the smithy,
Beating with a heavy hammer.
Wainamoinen, famous minstrel,
Entering the smithy straightway,
Found the blacksmith, Ilmarinen,
Knocking with his copper hammer.
Ilmarinen spake as follows:
'Welcome, brother Wainamoinen,
Old and worthy Wainamoinen!
Why so long hast thou been absent,
Where hast thou so long been hiding?'
Wainamoinen then made answer,
These the words of the magician:
'Long indeed have I been living,
Many dreary days have wandered,
Many cheerless nights have lingered,
Floating on the cruel ocean,
Weeping in the fens and woodlands
Of the never-pleasant Northland,
In the dismal Sariola;
115
With the Laplanders I've wandered,
With the people filled with witchcraft.'
Promptly answers Ilmarinen,
These the words the blacksmith uses:
'O thou ancient Wainamoinen,
Famous and eternal singer,
Tell me of thy journey northward,
Of thy wanderings in Lapland,
Of thy dismal journey homeward.'
Spake the minstrel, Wainamoinen:
'I have much to tell thee, brother,
Listen to my wondrous story:
In the Northland lives a virgin,
In a village there, a maiden,
That will not accept a lover,
That a hero's hand refuses,
That a wizard's heart disdaineth;
All of Northland sings her praises,
Sings her worth and magic beauty,
Fairest maiden of Pohyola,
Daughter of the earth and ocean.
From her temples beams the moonlight,
From her breast, the gleam of sunshine,
From her forehead shines the rainbow,
On her neck, the seven starlets,
And the Great Bear from her shoulder.
'Ilmarinen, worthy brother,
Thou the only skilful blacksmith,
Go and see her wondrous beauty,
See her gold and silver garments,
See her robed in finest raiment,
See her sitting on the rainbow,
Walking on the clouds of purple.
Forge for her the magic Sampo,
Forge the lid in many colors,
Thy reward shall be the virgin,
Thou shalt win this bride of beauty;
Go and bring the lovely maiden
To thy home in Kalevala.'
Spake the brother, Ilmarinen:
O thou cunning Wainamoinen,
Thou hast promised me already
116
To the ever-darksome Northland,
Thy devoted head to ransom,
Thus to rescue thee from trouble.
I shall never visit Northland,
Shall not go to see thy maiden,
Do not love the Bride of Beauty;
Never while the moonlight glimmers,
Shall I go to dreary Pohya,
To the plains of Sariola,
Where the people eat each other,
Sink their heroes in the ocean,
Not for all the maids of Lapland.'
Spake the brother, Wainamoinen:
'I can tell thee greater wonders,
Listen to my wondrous story:
I have seen the fir-tree blossom,
Seen its flowers with emerald branches,
On the Osmo-fields and woodlands;
In its top, there shines the moonlight,
And the Bear lives in its branches.'
Ilmarinen thus made answer:
'I cannot believe thy story,
Cannot trust thy tale of wonder,
Till I see the blooming fir-tree,
With its many emerald branches,
With its Bear and golden moonlight.'
This is Wainamoinen's answer:
'Wilt thou not believe my story?
Come with me and I will show thee
If my lips speak fact or fiction.'
Quick they journey to discover,
Haste to view the wondrous fir-tree;
Wainamoinen leads the journey,
Ilmarinen closely follows.
As they near the Osmo-borders,
Ilmarinen hastens forward
That be may behold the wonder,
Spies the Bear Within the fir-top,
Sitting on its emerald branches,
Spies the gleam of golden moonlight.
Spake the ancient Wainamoinen,
These the words the singer uttered:
117
Climb this tree, dear Ilmarinen,
And bring down the golden moonbeams,
Bring the Moon and Bear down with thee
From the fir-tree's lofty branches.'
Ilmarinen, full consenting,
Straightway climbed the golden fir-tree,
High upon the bow of heaven,
Thence to bring the golden moonbeams,
Thence to bring the Bear of heaven,
From the fir-tree's topmost branches.
Thereupon the blooming fir-tree
Spake these words to Ilmarinen:
'O thou senseless, thoughtless hero,
Thou hast neither wit nor instinct;
Thou dost climb my golden branches,
Like a thing of little judgment,
Thus to get my pictured moonbeams,
Take away my silver starlight,
Steal my Bear and blooming branches.'
Quick as thought old Wainamoinen
Sang again in magic accents,
Sang a storm-wind in the heavens,
Sang the wild winds into fury,
And the singer spake as follows:
`Take, O storm-wind, take the forgeman,
Carry him within thy vessel,
Quickly hence, and land the hero
On the ever-darksome Northland,
On the dismal Sariola.'
Now the storm-wind quickly darkens,
Quickly piles the air together,
Makes of air a sailing vessel,
Takes the blacksmith, Ilmarinen,
Fleetly from the fir-tree branches,
Toward the never-pleasant Northland,
Toward the dismal Sariola.
Through the air sailed Ilmarinen,
Fast and far the hero travelled,
Sweeping onward, sailing northward,
Riding in the track of storm-winds,
O'er the Moon, beneath the sunshine,
On the broad back of the Great Bear,
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Till he neared Pohyola's woodlands,
Neared the homes of Sariola,
And alighted undiscovered,
Was Dot noticed by the hunters,
Was not scented by the watch-dogs.
Louhi, hostess of Pohyola,
Ancient, toothless dame of Northland,
Standing in the open court-yard,
Thus addresses Ilmarinen,
As she spies the hero-stranger:
'Who art thou of ancient heroes,
Who of all the host of heroes,
Coming here upon the storm-wind,
O'er the sledge-path of the ether,
Scented not by Pohya's watch-dogs?
This is Ilmarinen's answer:
'I have surely not come hither
To be barked at by the watch-dogs,
At these unfamiliar portals,
At the gates of Sariola.'
Thereupon the Northland hostess
Asks again the hero-stranger:
'Hast thou ever been acquainted
With the blacksmith of Wainola,
With the hero, Ilmarinen,
With the skilful smith and artist?
Long I've waited for his coming,
Long this one has been expected,
On the borders of the Northland,
Here to forge for me the Sampo.'
Spake the hero, Ilmarinen:
'Well indeed am I acquainted
With the blacksmith, Ilmarinen,
I myself am Ilmarinen,
I, the skilful smith and artist.'
Louhi, hostess of the Northland,
Toothless dame of Sariola,
Straightway rushes to her dwelling,
These the words that Louhi utters:
'Come, thou youngest of my daughters,
Come, thou fairest of my maidens,
Dress thyself in finest raiment,
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Deck thy hair with rarest jewels,
Pearls upon thy swelling bosom,
On thy neck, a golden necklace,
Bind thy head with silken ribbons,
Make thy cheeks look fresh and ruddy,
And thy visage fair and winsome,
Since the artist, Ilmarinen,
Hither comes from Kalevala,
Here to forge for us the Sampo,
Hammer us the lid in colors.'
Now the daughter of the Northland,
Honored by the land and water,
Straightway takes her choicest raiment,
Takes her dresses rich in beauty,
Finest of her silken wardrobe,
Now adjusts her silken fillet,
On her brow a band of copper,
Round her waist a golden girdle,
Round her neck a pearly necklace,
Shining gold upon her bosom,
In her hair the threads of silver.
From her dressing-room she hastens,
To the hall she bastes and listens,
Full of beauty, full of joyance,
Ears erect and eyes bright-beaming,
Ruddy cheeks and charming visage,
Waiting for the hero-stranger.
Louhi, hostess of Pohyola,
Leads the hero, Ilmarinen,
To her dwelling-rooms in Northland,
To her home in Sariola,
Seats him at her well-filled table,
Gives to him the finest viands,
Gives him every needed comfort,
Then addresses him as follows:
'O thou blacksmith, Ilmarinen,
Master of the forge and smithy,
Canst thou forge for me the Sampo,
Hammer me the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
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From the finest wool of lambkins?
Thou shalt have my fairest daughter,
Recompense for this thy service.'
These the words of Ilmarinen:
'I will forge for thee the Sampo,
Hammer thee the lid in colors,
From the tips of white-swan feathers,
From the milk of greatest virtue,
From a single grain of barley,
From the finest wool of lambkins?
Since I forged the arch of heaven,
Forged the air a concave cover,
Ere the earth had a beginning.'
Thereupon the magic blacksmith
Went to forge the wondrous Sampo,
Went to find a blacksmith's workshop,
Went to find the tools to work with;
But he found no place for forging,
Found no smithy, found no bellows,
Found no chimney, found no anvil,
Found no tongs, and found no hammer.
Then the-artist, Ilmarinen.
Spake these words, soliloquizing:
'Only women grow discouraged,
Only knaves leave work unfinished,
Not the devils, nor the heroes,
Nor the Gods of greater knowledge.'
Then the blacksmith, Ilmarinen,
Sought a place to build a smithy,
Sought a place to plant a bellows,
On the borders of the Northland,
On the Pohya-hills and meadows;
Searched one day, and then a second;
Ere the evening of the third day,
Came a rock within his vision,
Came a stone with rainbow-colors.
There the blacksmith, Ilmarinen,
Set at work to build his smithy,
Built a fire and raised a chimney;
On the next day laid his bellows,
On the third day built his furnace,
And began to forge the Sampo.
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The eternal magic artist,
Ancient blacksmith, Ilmarinen,
First of all the iron-workers,
Mixed together certain metals,
Put the mixture in the caldron,
Laid it deep within the furnace,
Called the hirelings to the forging.
Skilfully they work the bellows,
Tend the fire and add the fuel,
Three most lovely days of summer,
Three short nights of bright midsummer,
Till the rocks begin to blossom,
In the foot-prints of the workmen,
From the magic heat and furnace.
On the first day, Ilmarinen
Downward bent and well examined,
On the bottom of his furnace,
Thus to see what might be forming
From the magic fire and metals.
From the fire arose a cross-bow,
'With the brightness of the moonbeams,
Golden bow with tips of silver;
On the shaft was shining copper,
And the bow was strong and wondrous,
But alas! it was ill-natured,
Asking for a hero daily,
Two the heads it asked on feast-days.
Ilmarinen, skilful artist,
Was not pleased with this creation,
Broke the bow in many pieces,
Threw them back within the furnace,
Kept the workmen at the bellows,
Tried to forge the magic Sampo.
On the second day, the blacksmith
Downward bent and well examined,
On the bottom of the furnace;
From the fire, a skiff of metals,
Came a boat of purple color,
All the ribs were colored golden,
And the oars were forged from copper;
Thus the skiff was full of beauty,
But alas! a thing of evil;
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Forth it rushes into trouble,
Hastens into every quarrel,
Hastes without a provocation
Into every evil combat.
Ilmarinen, metal artist,
Is not pleased with this creation,
Breaks the skiff in many fragments,
Throws them back within the furnace,
Keeps the workmen at the bellows,
Thus to forge the magic Sampo.
On the third day, Ilmarinen,
First of all the metal-workers,
Downward bent and well examined,
On the bottom of the furnace;
There be saw a heifer rising,
Golden were the horns of Kimmo,
On her head the Bear of heaven,
On her brow a disc of sunshine,
Beautiful the cow of magic;
But alas! she is ill-tempered,
Rushes headlong through the forest,
Rushes through the swamps and meadows,
Wasting all her milk in running.
Ilmarinen, the magician.
Is not pleased with this creation,
Cuts the magic cow in pieces,
Throws them in the fiery furnace,
Sets the workmen at the bellows,
Thus to forge the magic Sampo.
On the fourth day, Ilmarinen
Downward bent and well examined,
To the bottom of the furnace;
There beheld a plow in beauty
Rising from the fire of metals,
Golden was the point and plowshare,
And the beam was forged from copper,
And the handles, molten silver,
Beautiful the plow and wondrous;
But alas! it is ill-mannered,
Plows up fields of corn and barley,
Furrows through the richest meadows.
Ilmarinen, metal artist,
123
Is not pleased with this creation,
Quickly breaks the plow in pieces,
Throws them back within the furnace,
Lets the winds attend the bellows,
Lets the storm-winds fire the metals.
Fiercely vie the winds of heaven,
East-wind rushing, West-wind roaring,
South-wind crying, North-wind howling,
Blow one day and then a second,
Blow the third from morn till even,
When the fire leaps through the windows,
Through the door the sparks fly upward,
Clouds of smoke arise to heaven;
With the clouds the black smoke mingles,
As the storm-winds ply the bellows.
On the third night Ilmarinen,
Bending low to view his metals,
On the bottom of the furnace,
Sees the magic Sampo rising,
Sees the lid in many colors.
Quick the artist of Wainola
Forges with the tongs and anvil,
Knocking with a heavy hammer,
Forges skilfully the Sampo;
On one side the flour is grinding,
On another salt is making,
On a third is money forging,
And the lid is many-colored.
Well the Sampo grinds when finished,
To and fro the lid in rocking,
Grinds one measure at the day-break,
Grinds a measure fit for eating,
Grinds a second for the market,
Grinds a third one for the store-house.
Joyfully the dame of Northland,
Louhi, hostess of Pohyola,
Takes away the magic Sampo,
To the hills of Sariola,
To the copper-bearing mountains,
Puts nine locks upon the wonder,
Makes three strong roots creep around it;
In the earth they grow nine fathoms,
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One large root beneath the mountain,
One beneath the sandy sea-bed,
One beneath the mountain-dwelling.
Modestly pleads Ilmarinen
For the maiden's willing answer,
These the words of the magician:
'Wilt thou come with me, fair maiden,
Be my wife and queen forever?
I have forged for thee the Sampo,
Forged the lid in many colors.'
Northland's fair and lovely daughter
Answers thus the metal-worker:
'Who will in the coming spring-time,
Who will in the second summer,
Guide the cuckoo's song and echo?
Who will listen to his calling,
Who will sing with him in autumn,
Should I go to distant regions,
Should this cheery maiden vanish
From the fields of Sariola,
From Pohyola's fens and forests,
Where the cuckoo sings and echoes?
Should I leave my father's dwelling,
Should my mother's berry vanish,
Should these mountains lose their cherry,
Then the cuckoo too would vanish,
All the birds would leave the forest,
Leave the summit of the mountain,
Leave my native fields and woodlands,
Never shall I, in my life-time,
Say farewell to maiden freedom,
Nor to summer cares and labors,
Lest the harvest be ungarnered,
Lest the berries be ungathered,
Lest the song-birds leave the forest,
Lest the mermaids leave the waters,
Lest I sing with them no longer.'
Ilmarinen, the magician,
The eternal metal-forger,
Cap awry and head dejected,
Disappointed, heavy-hearted,
Empty-handed, well considers,
125
How to reach his distant country,
Reach his much-loved home and kinded,
Gain the meadows of Wainola,
From the never-pleasant Northland,
From the darksome Sariola.
Louhi thus addressed the suitor:
'O thou blacksmith, Ilmarinen,
Why art thou so heavy-hearted,
Why thy visage so dejected?
Hast thou in thy mind to journey
From the vales and hills of Pohya,
To the meadows of Wainola,
To thy home in Kalevala?
This is Ilmarinen's answer:
'Thitherward my mind is tending,
To my home-land let me journey,
With my kindred let me linger,
Be at rest in mine own country.'
Straightway Louhi, dame of Northland,
Gave the hero every comfort,
Gave him food and rarest viands,
Placed him in a boat of copper,
In a copper-banded vessel,
Called the winds to his assistance,
Made the North-wind guide him homeward.
Thus the skilful Ilmarinen
Travels toward his native country,
On the blue back of the waters,
Travels one day, then a second,
Till the third day evening brings him
To Wainola's peaceful meadows,
To his home in Kalevala.
Straightway ancient Wainamoinen
Thus addresses Ilmarinen:
'O my brother, metal-artist,
Thou eternal wonder-worker,
Didst thou forge the magic Sampo,
Forge the lid in many colors?'
Spake the brother, Ilmarinen,
These the words the master uttered:
'Yea, I forged the magic Sampo,
Forged the lid in many colors;
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To and fro the lid in rocking
Grinds one measure at the day-dawn,
Grinds a measure fit for eating,
Grinds a second for the market,
Grinds a third one for the store-house.
Louhi has the wondrous Sampo,
I have not the Bride of Beauty.'
~ Elias Lönnrot,#NFDB
1266:The Ghost - Book I
With eager search to dart the soul,
Curiously vain, from pole to pole,
And from the planets' wandering spheres
To extort the number of our years,
And whether all those years shall flow
Serenely smooth, and free from woe,
Or rude misfortune shall deform
Our life with one continual storm;
Or if the scene shall motley be.
Alternate joy and misery,
Is a desire which, more or less.
All men must feel, though few confess.
Hence, every place and every age
Affords subsistence to the sage,
Who, free from this world and its cares,
Holds an acquaintance with the stars,
From whom he gains intelligence
Of things to come some ages hence,
Which unto friends, at easy rates.
He readily communicates.
At its first rise, which all agree on,
This noble science was Chaldean;
That ancient people, as they fed
Their flocks upon the mountain's head,
Gazed on the stars, observed their motions,
And suck'd in astrologic notions,
Which they so eagerly pursue,
As folks are apt whate'er is new,
That things below at random rove,
Whilst they're consulting things above;
And when they now so poor were grown,
That they'd no houses of their own,
They made bold with their friends the stars,
And prudently made use of theirs.
To Egypt from Chaldee it travell'd,
And Fate at Memphis was unravell'd:
The exotic science soon struck root,
And flourish'd into high repute.
Each learned priest, oh strange to tell!
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Could circles make, and cast a spell;
Could read and write, and taught the nation
The holy art of divination.
Nobles themselves, for at that time
Knowledge in nobles was no crime,
Could talk as learned as the priest,
And prophesy as much, at least.
Hence all the fortune-telling crew,
Whose crafty skill mars Nature's hue,
Who, in vile tatters, with smirch'd face,
Run up and down from place to place,
To gratify their friends' desires,
From Bampfield Carew, to Moll Squires,
Are rightly term'd Egyptians all;
Whom we, mistaking, Gypsies call.
The Grecian sages borrow'd this,
As they did other sciences,
From fertile Egypt, though the loan
They had not honesty to own.
Dodona's oaks, inspired by Jove,
A learned and prophetic grove,
Turn'd vegetable necromancers,
And to all comers gave their answers.
At Delphos, to Apollo dear,
All men the voice of Fate might hear;
Each subtle priest on three-legg'd stool,
To take in wise men, play'd the fool.
A mystery, so made for gain,
E'en now in fashion must remain;
Enthusiasts never will let drop
What brings such business to their shop;
And that great saint we Whitefield call,
Keeps up the humbug spiritual.
Among the Romans, not a bird
Without a prophecy was heard;
Fortunes of empires often hung
On the magician magpie's tongue,
And every crow was to the state
A sure interpreter of Fate.
Prophets, embodied in a college
(Time out of mind your seat of knowledge;
For genius never fruit can bear
178
Unless it first is planted there,
And solid learning never falls
Without the verge of college walls)
Infallible accounts would keep
When it was best to watch or sleep,
To eat or drink, to go or stay,
And when to fight or run away;
When matters were for action ripe,
By looking at a double tripe;
When emperors would live or die,
They in an ass's skull could spy;
When generals would their station keep,
Or turn their backs, in hearts of sheep.
In matters, whether small or great,
In private families or state
As amongst us, the holy seer
Officiously would interfere;
With pious arts and reverend skill
Would bend lay bigots to his will;
Would help or injure foes or friends,
Just as it served his private ends.
Whether in honest way of trade
Traps for virginity were laid;
Or if, to make their party great,
Designs were form'd against the state,
Regardless of the common weal,
By interest led, which they call zeal,
Into the scale was always thrown
The will of Heaven to back their own.
England--a happy land we know,
Where follies naturally grow,
Where without culture they arise
And tower above the common size;
England, a fortune-telling host,
As numerous as the stars, could boast,-Matrons, who toss the cup, and see
The grounds of Fate in grounds of tea,
Who, versed in every modest lore,
Can a lost maidenhead restore,
Or, if their pupils rather choose it,
Can show the readiest way to lose it;
Gypsies, who every ill can cure,
179
Except the ill of being poor,
Who charms 'gainst love and agues sell,
Who can in hen-roost set a spell,
Prepared by arts, to them best known,
To catch all feet except their own,
Who, as to fortune, can unlock it
As easily as pick a pocket;
Scotchmen, who, in their country's right,
Possess the gift of second-sight,
Who (when their barren heaths they quit,
Sure argument of prudent wit,
Which reputation to maintain,
They never venture back again)
By lies prophetic heap up riches,
And boast the luxury of breeches.
Amongst the rest, in former years,
Campbell (illustrious name!) appears,
Great hero of futurity,
Who, blind, could every thing foresee,
Who, dumb, could every thing foretell,
Who, Fate with equity to sell,
Always dealt out the will of Heaven
According to what price was given.
Of Scottish race, in Highlands born,
Possess'd with native pride and scorn,
He hither came, by custom led,
To curse the hands which gave him bread.
With want of truth, and want of sense,
Amply made up by impudence
(A succedaneum, which we find
In common use with all mankind);
Caress'd and favour'd too by those
Whose heart with patriot feelings glows,
Who foolishly, where'er dispersed,
Still place their native country first;
(For Englishmen alone have sense
To give a stranger preference,
Whilst modest merit of their own
Is left in poverty to groan)
Campbell foretold just what he would,
And left the stars to make it good,
On whom he had impress'd such awe,
180
His dictates current pass'd for law;
Submissive, all his empire own'd;
No star durst smile, when Campbell frown'd.
This sage deceased,--for all must die,
And Campbell's no more safe than I,
No more than I can guard the heart,
When Death shall hurl the fatal dart,-Succeeded, ripe in art and years,
Another favourite of the spheres;
Another and another came,
Of equal skill, and equal fame;
As white each wand, as black each gown,
As long each beard, as wise each frown,
In every thing so like, you'd swear
Campbell himself was sitting there:
To all the happy art was known,
To tell our fortunes, make their own.
Seated in garret,--for, you know,
The nearer to the stars we go
The greater we esteem his art,-Fools, curious, flock'd from every part;
The rich, the poor, the maid, the married,
And those who could not walk, were carried.
The butler, hanging down his head,
By chambermaid, or cookmaid led,
Inquires, if from his friend the Moon
He has advice of pilfer'd spoon.
The court-bred woman of condition,
(Who, to approve her disposition
As much superior as her birth
To those composed of common earth,
With double spirit must engage
In every folly of the age)
The honourable arts would buy,
To pack the cards, and cog a die.
The hero--who, for brawn and face,
May claim right honourable place
Amongst the chiefs of Butcher-row:
Who might, some thirty years ago,
If we may be allow'd to guess
At his employment by his dress,
Put medicines off from cart or stage,
181
The grand Toscano of the age;
Or might about the country go
High-steward of a puppet-show,-Steward and stewardship most meet,
For all know puppets never eat:
Who would be thought (though, save the mark!
That point is something in the dark)
The man of honour, one like those
Renown'd in story, who loved blows
Better than victuals, and would fight,
Merely for sport, from morn to night:
Who treads like Mavors firm, whose tongue
Is with the triple thunder hung,
Who cries to Fear, 'Stand off--aloof,'
And talks as he were cannon-proof;
Would be deem'd ready, when you list,
With sword and pistol, stick and fist,
Careless of points, balls, bruises, knocks,
At once to fence, fire, cudgel, box,
But at the same time bears about,
Within himself, some touch of doubt,
Of prudent doubt, which hints--that fame
Is nothing but an empty name;
That life is rightly understood
By all to be a real good;
That, even in a hero's heart,
Discretion is the better part;
That this same honour may be won,
And yet no kind of danger run-Like Drugger comes, that magic powers
May ascertain his lucky hours;
For at some hours the fickle dame,
Whom Fortune properly we name,
Who ne'er considers wrong or right,
When wanted most, plays least in sight,
And, like a modern court-bred jilt,
Leaves her chief favourites in a tilt.
Some hours there are, when from the heart
Courage into some other part,
No matter wherefore, makes retreat,
And Fear usurps the vacant seat;
Whence, planet-struck, we often find
182
Stuarts and Sackvilles of mankind.
Farther, he'd know (and by his art
A conjurer can that impart)
Whether politer it is reckon'd
To have, or not to have, a second;
To drag the friends in, or alone
To make the danger all their own;
Whether repletion is not bad,
And fighters with full stomachs mad;
Whether, before he seeks the plain,
It were not well to breathe a vein;
Whether a gentle salivation,
Consistently with reputation,
Might not of precious use be found,
Not to prevent, indeed, a wound,
But to prevent the consequence
Which oftentimes arises thence,
Those fevers, which the patient urge on
To gates of death, by help of surgeon;
Whether a wind at east or west
Is for green wounds accounted best;
Whether (was he to choose) his mouth
Should point towards the north or south;
Whether more safely he might use,
On these occasions, pumps or shoes;
Whether it better is to fight
By sunshine or by candlelight;
Or, lest a candle should appear
Too mean to shine in such a sphere,
For who could of a candle tell
To light a hero into hell;
And, lest the sun should partial rise
To dazzle one or t'other's eyes,
Or one or t'other's brains to scorch,
Might not Dame Luna hold a torch?
These points with dignity discuss'd,
And gravely fix'd,--a task which must
Require no little time and pains,
To make our hearts friends with our brains,-The man of war would next engage
The kind assistance of the sage,
Some previous method to direct,
183
Which should make these of none effect.
Could he not, from the mystic school
Of Art, produce some sacred rule,
By which a knowledge might be got
Whether men valiant were, or not;
So he that challenges might write
Only to those who would not fight?
Or could he not some way dispense
By help of which (without offence
To Honour, whose nice nature's such
She scarce endures the slightest touch)
When he, for want of t'other rule,
Mistakes his man, and, like a fool,
With some vain fighting blade gets in,
He fairly may get out again?
Or should some demon lay a scheme
To drive him to the last extreme,
So that he must confess his fears,
In mercy to his nose and ears,
And like a prudent recreant knight,
Rather do anything than fight,
Could he not some expedient buy
To keep his shame from public eye?
For well he held,--and, men review,
Nine in ten hold the maxim too,-That honour's like a maidenhead,
Which, if in private brought to bed,
Is none the worse, but walks the town,
Ne'er lost, until the loss be known.
The parson, too, (for now and then
Parsons are just like other men,
And here and there a grave divine
Has passions such as yours and mine)
Burning with holy lust to know
When Fate preferment will bestow,
'Fraid of detection, not of sin,
With circumspection sneaking in
To conjurer, as he does to whore,
Through some bye-alley or back-door,
With the same caution orthodox
Consults the stars, and gets a pox.
The citizen, in fraud grown old,
184
Who knows no deity but gold,
Worn out, and gasping now for breath,
A medicine wants to keep off death;
Would know, if that he cannot have,
What coins are current in the grave;
If, when the stocks (which, by his power,
Would rise or fall in half an hour;
For, though unthought of and unseen,
He work'd the springs behind the screen)
By his directions came about,
And rose to par, he should sell out;
Whether he safely might, or no,
Replace it in the funds below?
By all address'd, believed, and paid,
Many pursued the thriving trade,
And, great in reputation grown,
Successive held the magic throne.
Favour'd by every darling passion,
The love of novelty and fashion,
Ambition, avarice, lust, and pride,
Riches pour'd in on every side.
But when the prudent laws thought fit
To curb this insolence of wit;
When senates wisely had provided,
Decreed, enacted, and decided,
That no such vile and upstart elves
Should have more knowledge than themselves;
When fines and penalties were laid
To stop the progress of the trade,
And stars no longer could dispense,
With honour, further influence;
And wizards (which must be confess'd
Was of more force than all the rest)
No certain way to tell had got
Which were informers, and which not;
Affrighted sages were, perforce,
Obliged to steer some other course.
By various ways, these sons of Chance
Their fortunes labour'd to advance,
Well knowing, by unerring rules,
Knaves starve not in the land of fools.
Some, with high titles and degrees,
185
Which wise men borrow when they please,
Without or trouble, or expense,
Physicians instantly commence,
And proudly boast an Equal skill
With those who claim the right to kill.
Others about the country roam,
(For not one thought of going home)
With pistol and adopted leg,
Prepared at once to rob or beg.
Some, the more subtle of their race,
(Who felt some touch of coward grace,
Who Tyburn to avoid had wit,
But never fear'd deserving it)
Came to their brother Smollett's aid,
And carried on the critic trade.
Attach'd to letters and the Muse,
Some verses wrote, and some wrote news;
Those each revolving month are seen,
The heroes of a magazine;
These, every morning, great appear
In Ledger, or in Gazetteer,
Spreading the falsehoods of the day,
By turns for Faden and for Say.
Like Swiss, their force is always laid
On that side where they best are paid:
Hence mighty prodigies arise,
And daily monsters strike our eyes;
Wonders, to propagate the trade,
More strange than ever Baker made,
Are hawk'd about from street to street,
And fools believe, whilst liars eat.
Now armies in the air engage,
To fright a superstitious age;
Now comets through the ether range,
In governments portending change;
Now rivers to the ocean fly
So quick, they leave their channels dry;
Now monstrous whales on Lambeth shore
Drink the Thames dry, and thirst for more;
And every now and then appears
An Irish savage, numbering years
More than those happy sages could
186
Who drew their breath before the flood;
Now, to the wonder of all people,
A church is left without a steeple;
A steeple now is left in lurch,
And mourns departure of the church,
Which, borne on wings of mighty wind,
Removed a furlong off we find;
Now, wrath on cattle to discharge,
Hailstones as deadly fall, and large,
As those which were on Egypt sent,
At once their crime and punishment;
Or those which, as the prophet writes,
Fell on the necks of Amorites,
When, struck with wonder and amaze,
The sun, suspended, stay'd to gaze,
And, from her duty longer kept,
In Ajalon his sister slept.
But if such things no more engage
The taste of a politer age,
To help them out in time of need
Another Tofts must rabbits breed:
Each pregnant female trembling hears,
And, overcome with spleen and fears,
Consults her faithful glass no more,
But, madly bounding o'er the floor,
Feels hairs all o'er her body grow,
By Fancy turn'd into a doe.
Now, to promote their private ends,
Nature her usual course suspends,
And varies from the stated plan
Observed e'er since the world began.
Bodies--which foolishly we thought,
By Custom's servile maxims taught,
Needed a regular supply,
And without nourishment must die-With craving appetites, and sense
Of hunger easily dispense,
And, pliant to their wondrous skill,
Are taught, like watches, to stand still,
Uninjured, for a month or more,
Then go on as they did before.
The novel takes, the tale succeeds,
187
Amply supplies its author's needs,
And Betty Canning is at least,
With Gascoyne's help, a six months' feast.
Whilst, in contempt of all our pains,
The tyrant Superstition reigns
Imperious in the heart of man,
And warps his thoughts from Nature's plan;
Whilst fond Credulity, who ne'er
The weight of wholesome doubts could bear,
To Reason and herself unjust,
Takes all things blindly upon trust;
Whilst Curiosity, whose rage
No mercy shows to sex or age,
Must be indulged at the expense
Of judgment, truth, and common sense,
Impostures cannot but prevail;
And when old miracles grow stale,
Jugglers will still the art pursue,
And entertain the world with new.
For them, obedient to their will,
And trembling at their mighty skill,
Sad spirits, summon'd from the tomb,
Glide, glaring ghastly, through the gloom;
In all the usual pomp of storms,
In horrid customary forms,
A wolf, a bear, a horse, an ape,
As Fear and Fancy give them shape,
Tormented with despair and pain,
They roar, they yell, and clank the chain.
Folly and Guilt (for Guilt, howe'er
The face of Courage it may wear,
Is still a coward at the heart)
At fear-created phantoms start.
The priest--that very word implies
That he's both innocent and wise-Yet fears to travel in the dark,
Unless escorted by his clerk.
But let not every bungler deem
Too lightly of so deep a scheme;
For reputation of the art,
Each ghost must act a proper part,
Observe Decorum's needful grace,
188
And keep the laws of Time and Place;
Must change, with happy variation,
His manners with his situation;
What in the country might pass down,
Would be impertinent in town.
No spirit of discretion here
Can think of breeding awe and fear;
'Twill serve the purpose more by half
To make the congregation laugh.
We want no ensigns of surprise,
Locks stiff with gore, and saucer eyes;
Give us an entertaining sprite,
Gentle, familiar, and polite,
One who appears in such a form
As might an holy hermit warm,
Or who on former schemes refines,
And only talks by sounds and signs,
Who will not to the eye appear,
But pays her visits to the ear,
And knocks so gently, 't would not fright
A lady in the darkest night.
Such is our Fanny, whose good-will,
Which cannot in the grave lie still,
Brings her on earth to entertain
Her friends and lovers in Cock-lane.
~ Charles Churchill,#NFDB
1267:How gracefully, O man, with thy palm-bough,
Upon the waning century standest thou,
In proud and noble manhood's prime,
With unlocked senses, with a spirit freed,
Of firmness mild,though silent, rich in deed,
The ripest son of Time,
Through meekness great, through precepts strong,
Through treasures rich, that time had long
Hid in thy bosom, and through reason free,
Master of Nature, who thy fetters loves,
And who thy strength in thousand conflicts proves,
And from the desert soared in pride with thee!
Flushed with the glow of victory,
Never forget to prize the hand
That found the weeping orphan child
Deserted on life's barren strand,
And left a prey to hazard wild,
That, ere thy spirit-honor saw the day,
Thy youthful heart watched over silently,
And from thy tender bosom turned away
Each thought that might have stained its purity;
That kind one ne'er forget who, as in sport,
Thy youth to noble aspirations trained,
And who to thee in easy riddles taught
The secret how each virtue might be gained;
Who, to receive him back more perfect still,
E'en into strangers' arms her favorite gave
Oh, may'st thou never with degenerate will,
Humble thyself to be her abject slave!
In industry, the bee the palm may bear;
In skill, the worm a lesson may impart;
With spirits blest thy knowledge thou dost share,
But thou, O man, alone hast art!
Only through beauty's morning gate
Didst thou the land of knowledge find.
To merit a more glorious fate,
In graces trains itself the mind.
What thrilled thee through with trembling blessed,
When erst the Muses swept the chord,
That power created in thy breast,
Which to the mighty spirit soared.
When first was seen by doting reason's ken,
When many a thousand years had passed away,
A symbol of the fair and great e'en then,
Before the childlike mind uncovered lay.
Its blessed form bade us honor virtue's cause,
The honest sense 'gainst vice put forth its powers,
Before a Solon had devised the laws
That slowly bring to light their languid flowers.
Before Eternity's vast scheme
Was to the thinker's mind revealed,
Was't not foreshadowed in his dream,
Whose eyes explored yon starry field?
Urania,the majestic dreaded one,
Who wears a glory of Orions twined
Around her brow, and who is seen by none
Save purest spirits, when, in splendor shrined,
She soars above the stars in pride,
Ascending to her sunny throne,
Her fiery chaplet lays aside,
And now, as beauty, stands alone;
While, with the Graces' girdle round her cast,
She seems a child, by children understood;
For we shall recognize as truth at last,
What here as beauty only we have viewed.
When the Creator banished from his sight
Frail man to dark mortality's abode,
And granted him a late return to light,
Only by treading reason's arduous road,
When each immortal turned his face away,
She, the compassionate, alone
Took up her dwelling in that house of clay,
With the deserted, banished one.
With drooping wing she hovers here
Around her darling, near the senses' land,
And on his prison-walls so drear
Elysium paints with fond deceptive hand.
While soft humanity still lay at rest,
Within her tender arms extended,
No flame was stirred by bigots' murderous zest,
No guiltless blood on high ascended.
The heart that she in gentle fetters binds,
Views duty's slavish escort scornfully;
Her path of light, though fairer far it winds,
Sinks in the sun-track of morality.
Those who in her chaste service still remain,
No grovelling thought can tempt, no fate affright;
The spiritual life, so free from stain,
Freedom's sweet birthright, they receive again,
Under the mystic sway of holy might.
The purest among millions, happy they
Whom to her service she has sanctified,
Whose mouths the mighty one's commands convey,
Within whose breasts she deigneth to abide;
Whom she ordained to feed her holy fire
Upon her altar's ever-flaming pyre,
Whose eyes alone her unveiled graces meet,
And whom she gathers round in union sweet
In the much-honored place be glad
Where noble order bade ye climb,
For in the spirit-world sublime,
Man's loftiest rank ye've ever had!
Ere to the world proportion ye revealed,
That every being joyfully obeys,
A boundless structure, in night's veil concealed,
Illumed by naught but faint and languid rays,
A band of phantoms, struggling ceaselessly,
Holding his mind in slavish fetters bound,
Unsociable and rude as be,
Assailing him on every side around,
Thus seemed to man creation in that day!
United to surrounding forms alone
By the blind chains the passions had put on,
Whilst Nature's beauteous spirit fled away
Unfelt, untasted, and unknown.
And, as it hovered o'er with parting ray,
Ye seized the shades so neighborly,
With silent hand, with feeling mind,
And taught how they might be combined
In one firm bond of harmony.
The gaze, light-soaring, felt uplifted then,
When first the cedar's slender trunk it viewed;
And pleasingly the ocean's crystal flood
Reflected back the dancing form again.
Could ye mistake the look, with beauty fraught,
That Nature gave to help ye on your way?
The image floating on the billows taught
The art the fleeting shadow to portray.
From her own being torn apart,
Her phantom, beauteous as a dream,
She plunged into the silvery stream,
Surrendering to her spoiler's art.
Creative power soon in your breast unfolded;
Too noble far, not idly to conceive,
The shadow's form in sand, in clay ye moulded,
And made it in the sketch its being leave.
The longing thirst for action then awoke,
And from your breast the first creation broke.
By contemplation captive made,
Ensnared by your discerning eye,
The friendly phantom's soon betrayed
The talisman that roused your ecstasy.
The laws of wonder-working might,
The stores by beauty brought to light,
Inventive reason in soft union planned
To blend together 'neath your forming hand.
The obelisk, the pyramid ascended,
The Hermes stood, the column sprang on high,
The reed poured forth the woodland melody,
Immortal song on victor's deeds attended.
The fairest flowers that decked the earth,
Into a nosegay, with wise choice combined,
Thus the first art from Nature had its birth;
Into a garland then were nosegays twined,
And from the works that mortal hands had made,
A second, nobler art was now displayed.
The child of beauty, self-sufficient now,
That issued from your hands to perfect day,
Loses the chaplet that adorned its brow,
Soon as reality asserts its sway.
The column, yielding to proportion's chains,
Must with its sisters join in friendly link,
The hero in the hero-band must sink,
The Muses' harp peals forth its tuneful strains.
The wondering savages soon came
To view the new creation's plan
"Behold!"the joyous crowds exclaim,
"Behold, all this is done by man!"
With jocund and more social aim
The minstrel's lyre their awe awoke,
Telling of Titans, and of giant's frays
And lion-slayers, turning, as he spoke,
Even into heroes those who heard his lays.
For the first time the soul feels joy,
By raptures blessed that calmer are,
That only greet it from afar,
That passions wild can ne'er destroy,
And that, when tasted, do not cloy.
And now the spirit, free and fair,
Awoke from out its sensual sleep;
By you unchained, the slave of care
Into the arms of joy could leap.
Each brutish barrier soon was set at naught,
Humanity first graced the cloudless brow,
And the majestic, noble stranger, thought,
From out the wondering brain sprang boldly now.
Man in his glory stood upright,
And showed the stars his kingly face;
His speaking glance the sun's bright light
Blessed in the realms sublime of space.
Upon the cheek now bloomed the smile,
The voice's soulful harmony
Expanded into song the while,
And feeling swam in the moist eye;
And from the mouth, with spirit teeming o'er,
Jest, sweetly linked with grace, began to pour.
Sunk in the instincts of the worm,
By naught but sensual lust possessed,
Ye recognized within his breast
Love-spiritual's noble germ;
And that this germ of love so blest
Escaped the senses' abject load,
To the first pastoral song he owed.
Raised to the dignity of thought,
Passions more calm to flow were taught
From the bard's mouth with melody.
The cheeks with dewy softness burned;
The longing that, though quenched, still yearned,
Proclaimed the spirit-harmony.
The wisest's wisdom, and the strongest's vigor,
The meekest's meekness, and the noblest's grace,
By you were knit together in one figure,
Wreathing a radiant glory round the place.
Man at the Unknown's sight must tremble,
Yet its refulgence needs must love;
That mighty Being to resemble,
Each glorious hero madly strove;
The prototype of beauty's earliest strain
Ye made resound through Nature's wide domain.
The passions' wild and headlong course,
The ever-varying plan of fate,
Duty and instinct's twofold force,
With proving mind and guidance straight
Ye then conducted to their ends.
What Nature, as she moves along,
Far from each other ever rends,
Become upon the stage, in song,
Members of order, firmly bound.
Awed by the Furies' chorus dread,
Murder draws down upon its head
The doom of death from their wild sound.
Long e'er the wise to give a verdict dared,
An Iliad had fate's mysteries declared
To early ages from afar;
While Providence in silence fared
Into the world from Thespis' car.
Yet into that world's current so sublime
Your symmetry was borne before its time,
When the dark hand of destiny
Failed in your sight to part by force.
What it had fashioned 'neath your eye,
In darkness life made haste to die,
Ere it fulfilled its beauteous course.
Then ye with bold and self-sufficient might
Led the arch further through the future's night:
Then, too, ye plunged, without a fear,
Into Avernus' ocean black,
And found the vanished life so dear
Beyond the urn, and brought it back.
A blooming Pollux-form appeared now soon,
On Castor leaning, and enshrined in light
The shadow that is seen upon the moon,
Ere she has filled her silvery circle bright!
Yet higher,higher still above the earth
Inventive genius never ceased to rise:
Creations from creations had their birth,
And harmonies from harmonies.
What here alone enchants the ravished sight,
A nobler beauty yonder must obey;
The graceful charms that in the nymph unite,
In the divine Athene melt away;
The strength with which the wrestler is endowed,
In the god's beauty we no longer find:
The wonder of his timeJove's image proud
In the Olympian temple is enshrined.
The world, transformed by industry's bold hand,
The human heart, by new-born instincts moved,
That have in burning fights been fully proved,
Your circle of creation now expand.
Advancing man bears on his soaring pinions,
In gratitude, art with him in his flight,
And out of Nature's now-enriched dominions
New worlds of beauty issue forth to light.
The barriers upon knowledge are o'erthrown;
The spirit that, with pleasure soon matured,
Has in your easy triumphs been inured
To hasten through an artist-whole of graces,
Nature's more distant columns duly places.
And overtakes her on her pathway lone.
He weighs her now with weights that human are,
Metes her with measures that she lent of old;
While in her beauty's rites more practised far,
She now must let his eye her form behold.
With youthful and self-pleasing bliss,
He lends the spheres his harmony,
And, if he praise earth's edifice,
'Tis for its wondrous symmetry.
In all that now around him breathes,
Proportion sweet is ever rife;
And beauty's golden girdle wreathes
With mildness round his path through life;
Perfection blest, triumphantly,
Before him in your works soars high;
Wherever boisterous rapture swells,
Wherever silent sorrow flees,
Where pensive contemplation dwells,
Where he the tears of anguish sees,
Where thousand terrors on him glare,
Harmonious streams are yet behind
He sees the Graces sporting there,
With feeling silent and refined.
Gentle as beauty's lines together linking,
As the appearances that round him play,
In tender outline in each other sinking,
The soft breath of his life thus fleets away.
His spirit melts in the harmonious sea,
That, rich in rapture, round his senses flows,
And the dissolving thought all silently
To omnipresent Cytherea grows.
Joining in lofty union with the Fates,
On Graces and on Muses calm relying,
With freely-offered bosom he awaits
The shaft that soon against him will be flying
From the soft bow necessity creates.
Favorites beloved of blissful harmony,
Welcome attendants on life's dreary road,
The noblest and the dearest far that she,
Who gave us life, to bless that life bestowed!
That unyoked man his duties bears in mind,
And loves the fetters that his motions bind,
That Chance with brazen sceptre rules him not,
For this eternity is now your lot,
Your heart has won a bright reward for this.
That round the cup where freedom flows,
Merrily sport the gods of bliss,
The beauteous dream its fragrance throws,
For this, receive a loving kiss!
The spirit, glorious and serene,
Who round necessity the graces trains,
Who bids his ether and his starry plains
Upon us wait with pleasing mien,
Who, 'mid his terrors, by his majesty gives joy,
And who is beauteous e'en when seeking to destroy,
Him imitate, the artist good!
As o'er the streamlet's crystal flood
The banks with checkered dances hover,
The flowery mead, the sunset's light,
Thus gleams, life's barren pathway over,
Poesy's shadowy world so bright.
In bridal dress ye led us on
Before the terrible Unknown,
Before the inexorable fate,
As in your urns the bones are laid,
With beauteous magic veil ye shade
The chorus dread that cares create.
Thousands of years I hastened through
The boundless realm of vanished time
How sad it seems when left by you
But where ye linger, how sublime!
She who, with fleeting wing, of yore
From your creating hand arose in might,
Within your arms was found once more,
When, vanquished by Time's silent flight,
Life's blossoms faded from the cheek,
And from the limbs all vigor went,
And mournfully, with footstep weak,
Upon his staff the gray-beard leant.
Then gave ye to the languishing,
Life's waters from a new-born spring;
Twice was the youth of time renewed,
Twice, from the seeds that ye had strewed.
When chased by fierce barbarian hordes away,
The last remaining votive brand ye tore
From Orient's altars, now pollution's prey,
And to these western lands in safety bore.
The fugitive from yonder eastern shore,
The youthful day, the West her dwelling made;
And on Hesperia's plains sprang up once more
Ionia's flowers, in pristine bloom arrayed.
Over the spirit fairer Nature shed,
With soft refulgence, a reflection bright,
And through the graceful soul with stately tread
Advanced the mighty Deity of light.
Millions of chains were burst asunder then,
And to the slave then human laws applied,
And mildly rose the younger race of men,
As brethren, gently wandering side by side,
With noble inward ecstasy,
The bliss imparted ye receive,
And in the veil of modesty,
With silent merit take your leave.
If on the paths of thought, so freely given,
The searcher now with daring fortune stands,
And, by triumphant Paeans onward driven,
Would seize upon the crown with dauntless hands
If he with grovelling hireling's pay
Thinks to dismiss his glorious guide
Or, with the first slave's-place array
Art near the throne his dream supplied
Forgive him!O'er your head to-day
Hovers perfection's crown in pride,
With you the earliest plant Spring had,
Soul-forming Nature first began;
With you, the harvest-chaplet glad,
Perfected Nature ends her plan.
The art creative, that all-modestly arose
From clay and stone, with silent triumph throws
Its arms around the spirit's vast domain.
What in the land of knowledge the discoverer knows,
He knows, discovers, only for your gain
The treasures that the thinker has amassed,
He will enjoy within your arms alone,
Soon as his knowledge, beauty-ripe at last.
To art ennobled shall have grown,
Soon as with you he scales a mountain-height,
And there, illumined by the setting sun,
The smiling valley bursts upon his sight.
The richer ye reward the eager gaze
The higher, fairer orders that the mind
May traverse with its magic rays,
Or compass with enjoyment unconfined
The wider thoughts and feelings open lie
To more luxuriant floods of harmony.
To beauty's richer, more majestic stream,
The fair members of the world's vast scheme,
That, maimed, disgrace on his creation bring,
He sees the lofty forms then perfecting
The fairer riddles come from out the night
The richer is the world his arms enclose,
The broader stream the sea with which he flows
The weaker, too, is destiny's blind might
The nobler instincts does he prove
The smaller he himself, the greater grows his love.
Thus is he led, in still and hidden race,
By poetry, who strews his path with flowers,
Through ever-purer forms, and purer powers,
Through ever higher heights, and fairer grace.
At length, arrived at the ripe goal of time,
Yet one more inspiration all-sublime,
Poetic outburst of man's latest youth,
Andhe will glide into the arms of truth!
Herself, the gentle Cypria,
Illumined by her fiery crown,
Then stands before her full-grown son
Unveiledas great Urania;
The sooner only by him caught,
The fairer he had fled away!
Thus stood, in wonder rapture-fraught,
Ulysses' noble son that day,
When the sage mentor who his youth beguiled;
Herself transfigured as Jove's glorious child!
Man's honor is confided to your hand,
There let it well protected be!
It sinks with you! with you it will expand!
Poesy's sacred sorcery
Obeys a world-plan wise and good;
In silence let it swell the flood
Of mighty-rolling harmony.
By her own time viewed with disdain,
Let solemn truth in song remain,
And let the Muses' band defend her!
In all the fullness of her splendor,
Let her survive in numbers glorious,
More dread, when veiled her charms appear,
And vengeance take, with strains victorious,
On her tormentor's ear!
The freest mother's children free,
With steadfast countenance then rise
To highest beauty's radiancy,
And every other crown despise!
The sisters who escaped you here,
Within your mother's arms ye'll meet;
What noble spirits may revere,
Must be deserving and complete.
High over your own course of time
Exalt yourselves with pinion bold,
And dimly let your glass sublime
The coming century unfold!
On thousand roads advancing fast
Of ever-rich variety,
With fond embraces meet at last
Before the throne of harmony!
As into seven mild rays we view
With softness break the glimmer white,
As rainbow-beams of sevenfold hue
Dissolve again in that soft light,
In clearness thousandfold thus throw
Your magic round the ravished gaze,
Into one stream of light thus flow,
One bond of truth that ne'er decays!
~ Friedrich Schiller, The Artists
,#NFDB
1268:A Veteran Cavalryman's Tale
LOW in the fertile vale by Tunstall’s Run
A rainy rifle skirmish closed the day.
Beyond the April-swollen, narrow stream,
Lee’s stubborn rearguard veteran raggedies
Lay prone amid last year’s tobacco stalks,
Shooting hot Enfields straight from red-mud pools,
While from their rear four angry howitzers,
High set on Armistead’s Plantation Hill,
Flamed shrieking shell o’erhead across the bridge
That Custer raged to seize before black night
Should close his daylong toil in mud and rain.
Thrice did we gallop vainly at the planks,
Then vainly strove on foot the pass to win,
Till through the drizzling dark but flashes showed
The points where sullen rifles opposite rang,
And back we straggled, stumbling up the slope
Where Union buglers shrilled the bivouac.
Ninety unanswering voices told our loss,
While silence ruled so deep we heard the rain’s
Small rataplan on ponchos and on hats,
Until the crackling rail-fence Company fires
Lighted the piney length of Custer’s Ridge.
That night John Woolston served as orderly,
The John who strokes to-day his white old beard
And sees himself, scarce downy of the lips,
Eyeing young long-haired Custer through the smoke
Across a flaming pyre, that steaming slaves
Of Tunstall fed afresh with Tunstall rails.
Down in the shrouded vale about the Run
Three score of boys John Woolston knew in life
Lay scattered round an old-hoed, red-mud field,
Peaceful with scores of veteran boys in gray,
Whose bodily particles were resurrect
As corn for bread, and leaf for smokers’ pipes,
Before the Americans of now were born
To share, through common-soldier sacrifice,
The comrade Union of the States to-day.
A rail-heap seated Custer with his aide,
Their drowsing bugler opposite leaned on John,
While overhead the swaying boughs of pine
Creaked in an upward-rushing draught of warmth,
And from our solitary surgeons’ tent
Came smothered ecstasies of mortal pain,
And in the outer darkness horses stamped
And bit and squealed and enviously eyed
The huddling regiments about the fires,
Pipes lit, hats slouched to fend the rain and glare.
As Woolston watched lean Custer’s martial face,
It seemed the hero heard not flame nor bough,
Nor marked the groans, nor knew at what he stared,
So deep intent his mind ranged o’er the Run
And up the opposite-sloping Arm’stead hill,
As questioning if the murderous howitzers
Would hold the bridge at dawn, or march by night,
And so, perchance, next eve, afar repeat
The dusky fight, and cost him ninety more
He would fain range about the field of fields
Where lion Lee, enringed, must stand at bay,
Choosing to greatly die, or greatlier yield.
At last he shook his aide. “Get up! Go bring
A prisoner here.” And when the head-hurt man
In butternut stood boldly to his eyes,
He asked one word alone: “Your general’s name?”
“My general’s name!” stared Butternut, then proud,
As ’t were a cubit added to his height,
He spoke,—“My general’s name is R. E. Lee!”
“I mean who fights Lee’s rearguard?” Custer said,
“Who held the bridge to-night? His name alone.”
And then the bitter man in butternut
Smiled ghastly grim, and smacked as tasting blood;
“It’s General Henry Tunstall, his own self,
And if you find our ‘Fighting Tunce’ alive
When daylight comes, there’ll be red hell to pay
For every plank that spans that trifling bridge.”
“Good man!” said Custer. “Spoke right soldierly!
Here—take this cloak—to save your wound from rain”:
And gave the brave the poncho that he wore.
Then up flamed Butternut: “Say, General,
You’re Yank, and yet, by God, you’re white clean through.
And so I kind of feel to tell you why
Them planks will cost you so almighty dear.
You’re camped to-night on ‘Fighting Tunce’s’ land;
Cross yonder, on the hill his guns defend,
Is where his lady lives, his promised wife,—
God bless her heart!—Miss Mary Armistead.
She’s there herself to-night—she’d never run.
Her widowed father fell at Fredericksburg,
Three brothers died in arms, one limps with Lee.
Herself has worked their darkies right along
Four years, to raise our army pork and pone,
And she herself not twenty-four to-day!
Will Tunstall fight for her? Say, General,
Your heart can guess what hell you’ll face at day.”
“You’re right, my man,” said Custer. “That will do.”
And off they marched the ponchoed prisoner.
“By heaven!” spoke Custer then, and faced his aide,
“I know why Tunstall’s gunners spared the bridge.
It’s ten to one he means to swarm across,
After his hungry Johnnies get some rest,
To strike us here and hard before the dawn.
His heart was forged in fire and enterprise!
His bully-boys will back his wildest dare!
Lieutenant—pick me out two first-rate men—
Morton for one, if ‘Praying Mort’ ’s alive—
Tell them I go myself to post vedettes.
Now—mind—I want a pair of wideawakes.—
You, Orderly, go saddle up my bay.”
“I want to go with Morton,” blurted John.
“You! Call yourself a wideawake, my lad?”
“Yes, sir,” said Woolston.—
“But you’re just a boy.”
“Well, General, Uncle Sam enlisted me
For man, all right.” Then Custer smiled, and mused.
“Farm boy?” he asked.—
“Exactly what I am.”
“All right,” he said. “If once I see he’s keen,
A likely farm boy’s just the man for me.
When back his aide returned the General spoke:
“It’s barely possible we march to-night.
You’ll see that every man about the fires
Splits torch stuff plenty from the pitchy rails.”
And with the words he reined toward Arm’stead’s Hill.
Down hill, beyond the flares, beyond the pines,
Beyond his foothill pickets, through the rain,
He led as if his eyes beheld the way;
Yet they, who followed close his bay’s fast walk
By sound alone, saw not their horses’ heads,
Saw not the hand held up to blotch the gloom.
No breath of wind. The ear heard only hoofs
Splashing and squattering in the puddle field,
Or heard the saddle-leathers scarcely creak,
Or little clanks of curbing bit and chain.
Scattered about whatever way they trod
Must be the clay that marched but yesterday,
And nervously John listened, lest some soul
Faint lingering in the dark immensity
Might call its longing not to die alone.
Sudden a crash, a plunge, a kicking horse,
Then “Praying Morton” whispering cautiously:
“A post-hole, General! My horse is done.
His off fore-leg is broke, as sure as faith!
Oh, what a dispensation of the Lord—”
“Hish-sh. Save the rest!” said Custer. “Broke is broke!
Get back to camp whatever way you can.”
“Me, General! What use to post the boy?
You, Woolston, you get back. I’ll take your horse.”
“Not much, you won’t,” said Woolston angrily.
And Custer chuckled crisply in the dark.
“Enough,” he ordered. “Morton, get you back!
Be cautious when you near my picket post,
Or else they’ll whang to hit your pious voice,
And I may lose a first-rate soldier man.”
Then Morton, prayerful, mild, and mollified:
“The merciful man would end a beast in pain—
One shot.”
“No, too much noise. You get right back!
Horses, like men, must bear the luck of war.”
III
Again the plashing hoofs through endless drip,
Until the solid footing of their beasts
Bespoke them trampling in a turnpike road,
And Custer reined with: “Hish-sh, my man—come here.
Now listen.” Then John’s ears became aware
Of small articulations in the dark,
Queer laughters, as of countless impish glee,
And one pervasive, low, incessant hum,
All strange till Custer spoke: “You hear the Run?
All right! Now, mind exactly what I say.
But no. First hold my horse. I’ll feel the bridge.
Maybe I’ll draw their fire; but stay right here.”
On foot he went, and came, so stealthily
John could not hear the steps ten feet away.
“All right!” He mounted. “Not one plank removed.”
Then, communing rather with himself than John:
“No picket there! It’s strange! But surely Tunce
Would smash the bridge unless he meant to cross
And rip right back at me in dark or dawn.
Now, private—mind exactly what I say;
You’ll listen here for trampers on the bridge,
And if you hear them reach the mud this side,
With others following on the planks behind,
You’ll get right back—stick to the turnpike, mind—
And tell my challenging road-guard picket post
They’re coming strong. That’s all you’ve got to do
Unless—” he paused—“unless some negro comes
Bringing the news they’re falling back on Lee;
Then—if he’s sure—you’ll fire four carbine shots
Right quick—and stay until you see me come.
You understand?”
“I do. I’m not to shoot
In case they’re coming on. But if they’re off,
I’ll fire four shots as fast as I can pull.”
“That’s right. Be sure you keep your wits awake.
Listen for prowlers—both your ears well skinned.”
John heard the spattering bay’s fast-walking hoofs
Fainter and fainter through the steady pour,
And then no sound, except the beating rain’s
Small pit-a-pat on poncho, and the Run
Drifting its babbling through the blinding mirk.
How long he sat, no guessing in the slow
Monotony of night, that never changed
Save when the burdened horse replaced his hoofs,
Or seemed to raise or droop his weary head,
Or when some shiver shook the weary boy,
Though sheltered dry from aching neck to spurs:
A shiver at the dream of dead men nigh,
Beaten with rain, and merging with the mud,
And staring up with open, sightless eyes
That served as little cups for tiny pools
That trickled in and out incessantly;
A shiver at the thought of home and bed,
And mother tucking in her boy at night,
And how she’d shiver could she see him there—
Longing more sore than John to wrap him warm;
A shiver from the tense expectancy
Of warning sounds, while yet no sound he heard
10
Save springtime water lapping on the pier,
Or tumbling often from the clayey banks
Lumps that splashed lifelike in the turbid flood.
His aching ears were strained for other sounds,
And still toward Arm’stead’s Hill they ached and strained,
While, in the evening fight of memory,
Again he saw the broad Plantation House
Whene’er a brassy howitzer spouted flame,
Suddenly lighting up its firing men,
Who vanished dim again in streaking rain;
And then, once more, the Enfields in the vale
Thrust cores of fire, until some lightning piece
Again lit all the Arm’stead buildings clear.
From visioning swift that wide Plantation House
John’s mind went peering through its fancied rooms.
And who were there? And did they sleep, or wake?
Until he found Miss Mary Armistead
And General Henry Tunstall in the dream.
It seemed those lovers could not, could not part,
But murmured low of parting in the dawn,
Since he must march and fight, and she must stay
To hold the home, whatever war might send—
And they might never, never meet again.
So good she looked, described by Butternut’s
“God bless her heart,” and he so soldier bold
In “fire and enterprise,” by Custer’s words,—
So true and sorrowful they talked in dream,
Of Love and Life that walk the ways of Death,—
The dreamer’s under lip went quivering.
Until the startled horse put up his head
And stood, John knew, stark stiff with listening
11
To that kalatta-klank beyond the Run,
As if some cowbell clattered far away
Once, twice, and thrice, to cease as suddenly.
Then John, once more keen Yankee soldier boy,
Gathered his rein, half threw his carbine breech,
Made sure again of cartridge ready there,
Felt for the flap of holster at his thigh,
Listened alert for that most dubious bell,—
Thinking of bushwhackers in campfire tales
Impressively related to recruits;
How, in deep night, some lone vedette might hear
An innocent-seeming klatta-klatta-klank,
And never dream but that some roaming cow
Ranged through the covering woodland nigh his post,—
Till—suddenly—a bullet laid him low!
Or, perhaps, guerillas crept before the bell,
Their footsteps deadened by its klatta-klank,
Till, rushing in, they clubbed the youngster down,
So “gobbling” him unheard, a prisoner,
Then, sneaking through the gap, on sleeping posts,
They killed, and killed, and killed—so horridly
That green recruities’ hairs would stand on end.
John, shrewdly discounting the veteran yarns,
Yet knew full well that klatta-klatta-klank,
Which came again, might mean the enemy
Intent on stratagem to search the dark,
Tempting some shot or challenge to reveal
If any Union picket held the bridge.
Or else the steady-coming, clanging knell
Might signify some party far advanced,
Creeping all noiselessly, and listening keen
For any sound of Custer, horse or man.
12
Even it might be that the ridgy road
Ten yards, or five, or three from where he sat,
Concealed some foeman hungry for a move
That might betray precisely where their rush
Should be, to seize his tightened bridle-rein,
Or grasp the poncho’s skirt to pull him down.
John half inclined to lift the neck-yoke off
And lay the armless cloak on saddle-bow,
Lest it encumber him in sudden fight,
Or give the foremost foe a strangling hold.
Yet sat he motionless, since such a sound
As slicking glaze might guide an enemy.
And still the klatta-klatta-klank came on.
It surely neared the bridge! Yet John sat still,
With Custer’s orders clearly in his brain,
Waiting to learn the meaning of the thing.
It trod the planks. It moved with solid hoofs,
Hoofs that declared to farm-bred Woolston’s ear
Most unmistakably an actual cow!
But then! Oh, mystery! For rolling wheels
Rumbled upon the planking of the Run!
As up went Woolston’s horse’s head asnort,
Upon the bridge the other beast stood still.
The clanking ceased. Again no mortal sound
Blent with the tittering tumult of the stream.
Until a clear young voice of lady tone
Inquired in startled accents,—“Who goes there?”
Yet John, in utter wonder, spoke no word.
“If there’s a Yankee cavalry picket there,”
The voice proclaimed, “I wish to pass the line.”
And still the Yankee knew not what to say,
Since Custer’s orders covered not the case,
13
And since, alas, the wondrous lady voice
Might possibly denote some stratagem.
And yet—suppose ’t was only just a girl!
John sickened with a sense of foolishness.
“Go on,” she cried, and seemed to slap her beast,
Which moved some doubtful steps, and stopped again.
Then calmly scornful came the lady tones:—
“Oh, Mister Yankee picket, have no fear
To speak right up. No dangerous man am I.
Only a woman. And she’s got no gun,
No pistol, bayonet, knife, or anything.
And all she asks is just to pass your line,
A prisoner if you like.” But there she broke,
Or choked, and wailed, “O God, it’s life or death!
Oh, soldier, soldier, let me pass the line.”
So John, half desperate, called, “Young lady, come.
I don’t care what the orders are. Come on.”
“Get up,” she slapped again. But then she called:—
“My cow won’t move! She sees you, I suppose,
All armed and threatening in the middle road.
Please go away. Or ride a bit aside;
Perhaps then she’ll come. Yes, now she moves along.
You’ll pass me through?—But are there surgeons there
Where, hours ago, I saw your campfires glow?
If not, I may as well turn back again.”
“No need,” said John. “We’ve got a surgeon there.
But what’s the trouble, Miss? Yourself been hurt?”
“The trouble is I’ve got a soldier here
With desperate wounds—if still alive he be.
Oh, help me save him.” And she broke again.
14
“Why, Miss,” said Woolston, melting at the heart,
“Was there no surgeon on the Arm’stead Hill
To help your wounded live?”
“No, none,” she said,
“No man remained. At eve the negroes fled,
Or followed close behind the wagon train
He urged, with every soldier, back toward Lee.
We two were left alone. I thought you’d come.
For hours and hours I waited, all in vain.
His life was flowing fast. One chance remained.
We women placed him in our best barouche,
The only vehicle our rearguard spared.
Alone I hitched this cow, the only beast
I kept from rations for our starving men.
I led her here. Oh, soldier, help me soon
To pass your lines, and reach a surgeon’s care.”
Then Custer’s orders flashed again to John;—
“Hold hard one moment, Miss, I’ve got to shoot.”
The carbine rang. “Thank God, that’s done,” said John.
“We’ll wait right here. A surgeon’s sure to come
With Custer’s march, for march I guess he will.
He’ll turn you round, I think, and see you home.
I s’pose your name’s Miss Mary Armistead?
I hope that’s not your General wounded there.”
She could but choke, or weep, and spoke no word.
It seemed long hours they waited silently,
Save once John heard the hidden carriage creak,
And guessed she rose beside the dying man
Beneath the drumlike pattering, sheltering hood.
At last, the bugles blared on Custer’s Ridge.
Then, far away, a lengthening stream of flare
Came round the distant, curtaining screen of pines,
And down the hill the torches, borne on high
15
By fifteen hundred horsemen, formed a slope
Of flame that moved behind the bugles’ call,
Till on the level road a fiery front
Tossing, yet solid-seeming, walked along.
And in the van rode Custer, beardless, tall,
His long hair dabbled in the streaming rain.
John rode to meet him. There he called the halt,
And came, with twenty torches, round the chaise.
Then first they saw Miss Mary Armistead,
Her honorable, fearless, lifted eyes
Gazing on Custer’s bare and bended head,
While General Henry Tunstall’s countenance,
Supported close within her sheltering arm,
Leaned unto hers in pallid soldier death.
“Madam,” said Custer, “would that I had known
The bravest of the brave lay needing aid.
Lady, the great heroic name he won
Held me from marching onward to your hill,
Held me expecting from him night attack,
Till now in vain we bring a surgeon’s help,—
And words are useless. Yet again I say—
Because a soldier’s heart compels the due—
He lived the bravest of the bravest brave
That ever faced the odds of mighty war.
May God sustain yourself for years and years
The living shrine of Tunstall’s memory.”
She bowed her noble head, but answered naught.
Then past the chariot streamed our wondering men
Behind tall Custer in the foremost front,
Trampling as thunder on the bridging planks,
Their torches gleaming on the swirling Run;
16
A tossing, swaying column o’er the flat,
A fiery slope of fours abreast the hill,
And on, unresting on, through night and rain,
Remorseless, urgent, yet most merciful,
Because the Nation’s life demanded war,
Relentless, hurrying swift to force an end,
And banish night, and bring a peaceful dawn.
But old John Woolston sees across the years,
Beneath the black, cavernous carriage hood,
Flaring in torchlight, Tunstall’s face of death
Beside a lovely, living, haloed face,
Heroic, calm, ineffably composed
With pride unconquerable in valiant deeds,
With trust in God our Lord unspeakable—
The sainted Woman of the Perished Cause,
The chastened soul of that Confederacy
Which marches on, no less than John Brown’s soul,
Inspiring, calling on the Nation’s heart,
Urging it dauntlessly to front stark death
For what ideals the Nation’s heart holds true.
Straight rain streaks downward through the torches’ flare,
And solemn through the ancient darkness sound
The small, bewildered, lingering, million tones
Of atoms streaming to the eternal sea.
~ Edward William Thomson,#NFDB
1269:The Kalevala - Rune Xlvi
OTSO THE HONEY-EATER.
Came the tidings to Pohyola,
To the village of the Northland,
That Wainola had recovered
From her troubles and misfortunes,
From her sicknesses and sorrows.
Louhi, hostess of the Northland,
Toothless dame of Sariola,
Envy-laden, spake these measures:
'Know I other means of trouble,
I have many more resources;
I will drive the bear before me,
From the heather and the mountain,
Drive him from the fen and forest,
Drive great Otso from the glen-wood
On the cattle of Wainola,
On the flocks of Kalevala.'
Thereupon the Northland hostess
Drove the hungry bear of Pohya
From his cavern to the meadows,
To Wainola's plains and pastures.
Wainamoinen, ancient minstrel,
To his brother spake as follows:
'O thou blacksmith, Ilmarinen,
Forge a spear from magic metals,
Forge a lancet triple-pointed,
Forge the handle out of copper,
That I may destroy great Otso,
Slay the mighty bear of Northland,
That he may not eat my horses,
Nor destroy my herds of cattle,
Nor the flocks upon my pastures.'
Thereupon the skillful blacksmith
Forged a spear from magic metals,
Forged a lancet triple-pointed,
Not the longest, nor the shortest,
Forged the spear in wondrous beauty.
242
On one side a bear was sitting,
Sat a wolf upon the other,
On the blade an elk lay sleeping,
On the shaft a colt was running,
Near the hilt a roebuck bounding.
Snows had fallen from the heavens,
Made the flocks as white as ermine
Or the hare, in days of winter,
And the minstrel sang these measures:
'My desire impels me onward
To the Metsola-dominions,
To the homes of forest-maidens,
To the courts of the white virgins;
I will hasten to the forest,
Labor with the woodland-forces.
'Ruler of the Tapio-forests,
Make of me a conquering hero,
Help me clear these boundless woodlands.
O Mielikki, forest-hostess,
Tapio's wife, thou fair Tellervo,
Call thy dogs and well enchain them,
Set in readiness thy hunters,
Let them wait within their kennels.
'Otso, thou O Forest-apple,
Bear of honey-paws and fur-robes,
Learn that Wainamoinen follows,
That the singer comes to meet thee;
Hide thy claws within thy mittens,
Let thy teeth remain in darkness,
That they may not harm the minstrel,
May be powerless in battle.
Mighty Otso, much beloved,
Honey-eater of the mountains,
Settle on the rocks in slumber,
On the turf and in thy caverns;
Let the aspen wave above thee,
Let the merry birch-tree rustle
O'er thy head for thy protection.
Rest in peace, thou much-loved Otso,
Turn about within thy thickets,
Like the partridge at her brooding,
In the spring-time like the wild-goose.'
243
When the ancient Wainamoinen
Heard his dog bark in the forest,
Heard his hunter's call and echo,
He addressed the words that follow:
'Thought it was the cuckoo calling,
Thought the pretty bird was singing;
It was not the sacred cuckoo,
Not the liquid notes of songsters,
'Twas my dog that called and murmured,
'Twas the echo of my hunter
At the cavern-doors of Otso,
On the border of the woodlands.'
Wainamoinen, old and trusty,
Finds the mighty bear in waiting,
Lifts in joy the golden covers,
Well inspects his shining fur-robes;
Lifts his honey-paws in wonder,
Then addresses his Creator:
'Be thou praised, O mighty Ukko,
As thou givest me great Otso,
Givest me the Forest-apple,
Thanks be paid to thee unending.'
To the bear he spake these measures:
'Otso, thou my well beloved,
Honey-eater of the woodlands,
Let not anger swell thy bosom;
I have not the force to slay thee,
Willingly thy life thou givest
As a sacrifice to Northland.
Thou hast from the tree descended,
Glided from the aspen branches,
Slippery the trunks in autumn,
In the fog-days, smooth the branches.
Golden friend of fen and forest,
In thy fur-robes rich and beauteous,
Pride of woodlands, famous Light-foot,
Leave thy cold and cheerless dwelling,
Leave thy home within the alders,
Leave thy couch among the willows,
Hasten in thy purple stockings,
Hasten from thy walks restricted,
Come among the haunts of heroes,
244
Join thy friends in Kalevala.
We shall never treat thee evil,
Thou shalt dwell in peace and plenty,
Thou shalt feed on milk and honey,
Honey is the food of strangers.
Haste away from this thy covert,
From the couch of the unworthy,
To a couch beneath the rafters
Of Wainola's ancient dwellings.
Haste thee onward o'er the snow-plain,
As a leaflet in the autumn;
Skip beneath these birchen branches,
As a squirrel in the summer,
As a cuckoo in the spring-time.'
Wainamoinen, the magician,
The eternal wisdom-singer,
O'er the snow-fields hastened homeward,
Singing o'er the hills and mountains,
With his guest, the ancient Otso,
With his friend, the, famous Light-foot,
With the Honey-paw of Northland.
Far away was heard the singing,
Heard the playing of the hunter,
Heard the songs of Wainamoinen;
All the people heard and wondered,
Men and maidens, young and aged,
From their cabins spake as follows:
'Hear the echoes from the woodlands,
Hear the bugle from the forest,
Hear the flute-notes of the songsters,
Hear the pipes of forest-maidens!'
Wainamoinen, old and trusty,
Soon appears within the court-yard.
Rush the people from their cabins,
And the heroes ask these questions:
'Has a mine of gold been opened,
Hast thou found a vein of silver,
Precious jewels in thy pathway?
Does the forest yield her treasures,
Give to thee the Honey-eater?
Does the hostess of the woodlands,
Give to thee the lynx and adder,
245
Since thou comest home rejoicing,
Playing, singing, on thy snow-shoes?'
Wainamoinen, ancient minstrel,
Gave this answer to his people:
'For his songs I caught the adder,
Caught the serpent for his wisdom;
Therefore do I come rejoicing,
Singing, playing, on my snow-shoes.
Not the mountain lynx, nor serpent,
Comes, however, to our dwellings;
The Illustrious is coming,
Pride and beauty of the forest,
'Tis the Master comes among us,
Covered with his friendly fur-robe.
Welcome, Otso, welcome, Light-foot,
Welcome, Loved-one from the glenwood!
If the mountain guest is welcome,
Open wide the gates of entry;
If the bear is thought unworthy,
Bar the doors against the stranger.'
This the answer of the tribe-folk:
'We salute thee, mighty Otso,
Honey-paw, we bid thee welcome,
Welcome to our courts and cabins,
Welcome, Light-foot, to our tables
Decorated for thy coming!
We have wished for thee for ages,
Waiting since the days of childhood,
For the notes of Tapio's bugle,
For the singing of the wood-nymphs,
For the coming of dear Otso,
For the forest gold and silver,
Waiting for the year of plenty,
Longing for it as for summer,
As the shoe waits for the snow-fields,
As the sledge for beaten highways,
As the, maiden for her suitor,
And the wife her husband's coming;
Sat at evening by the windows,
At the gates have, sat at morning,
Sat for ages at the portals,
Near the granaries in winter, Vanished,
246
Till the snow-fields warmed and
Till the sails unfurled in joyance,
Till the earth grew green and blossomed,
Thinking all the while as follows:
'Where is our beloved Otso,
Why delays our forest-treasure?
Has he gone to distant Ehstland,
To the upper glens of Suomi?'
Spake the ancient Wainamoinen:
'Whither shall I lead the stranger,
Whither take the golden Light-foot?
Shall I lead him to the garner,
To the house of straw conduct him?'
This the answer of his tribe-folk:
'To the dining-hall lead Otso,
Greatest hero of the Northland.
Famous Light-foot, Forest-apple,
Pride and glory of the woodlands,
Have no fear before these maidens,
Fear not curly-headed virgins,
Clad in silver-tinselled raiment
Maidens hasten to their chambers
When dear Otso joins their number,
When the hero comes among them.'
This the prayer of Wainamoinen:
'Grant, O Ukko, peace and plenty
Underneath these painted rafters,
In this ornamented dweling;
Thanks be paid to gracious Ukko!'
Spake again the ancient minstrel:
'Whither shall we lead dear Otso,
'Whither take the fur-clad stranger?
This the answer of his people:
'Hither let the fur-robed Light-foot
Be saluted on his coming;
Let the Honey-paw be welcomed
To the hearth-stone of the penthouse,
Welcomed to the boiling caldrons,
That we may admire his fur-robe,
May behold his cloak with joyance.
Have no care, thou much-loved Otso,
Let not anger swell thy bosom
247
As thy coat we view with pleasure;
We thy fur shall never injure,
Shall not make it into garments
To protect unworthy people.'
Thereupon wise Wainamoinen
Pulled the sacred robe from Otso,
Spread it in the open court-yard,
Cut the, members into fragments,
Laid them in the heating caldrons,
In the copper-bottomed vesselsO'er the fire the crane was hanging,
On the crane were hooks of copper,
On the hooks the broiling-vessels
Filled with bear-steak for the feasting,
Seasoned with the salt of Dwina,
From the Saxon-land imported,
From the distant Dwina-waters,
From the salt-sea brought in shallops.
Ready is the feast of Otso;
From the fire are swung the kettles
On the crane of polished iron;
In the centers of the tables
Is the bear displayed in dishes,
Golden dishes, decorated;
Of the fir-tree and the linden
Were the tables newly fashioned;
Drinking cups were forged from copper,
Knives of gold and spoons of silver;
Filled the vessels to their borders
With the choicest bits of Light-foot,
Fragments of the Forest-apple.
Spake the ancient Wainamoinen
'Ancient one with bosom golden,
Potent voice in Tapio's councils
Metsola's most lovely hostess,
Hostess of the glen and forest,
Hero-son of Tapiola,
Stalwart youth in cap of scarlet,
Tapio's most beauteous virgin,
Fair Tellervo of the woodlands,
Metsola with all her people,
Come, and welcome, to the feasting,
248
To the marriage-feast of Otso!
All sufficient, the provisions,
Food to eat and drink abundant,
Plenty for the hosts assembled,
Plenty more to give the village.'
This the question of the people:
'Tell us of the birth of Otso!
Was be born within a manger,
Was he nurtured in the bath-room
Was his origin ignoble?'
This is Wainamoinen's answer:
'Otso was not born a beggar,
Was not born among the rushes,
Was not cradled in a manger;
Honey-paw was born in ether,
In the regions of the Moon-land,
On the shoulders of Otava,
With the daughters of creation.
'Through the ether walked a maiden,
On the red rims of the cloudlets,
On the border of the heavens,
In her stockings purple-tinted,
In her golden-colored sandals.
In her hand she held a wool-box,
With a hair-box on her shoulder;
Threw the wool upon the ocean,
And the hair upon the rivers;
These are rocked by winds and waters,
Water-currents bear them onward,
Bear them to the sandy sea-shore,
Land them near the Woods of honey,
On an island forest-covered.
'Fair Mielikki, woodland hostess,
Tapio's most cunning daughter,
Took the fragments from the sea-side,
Took the white wool from the waters,
Sewed the hair and wool together,
Laid the bundle in her basket,
Basket made from bark of birch-wood,
Bound with cords the magic bundle;
With the chains of gold she bound it
To the pine-tree's topmost branches.
249
There she rocked the thing of magic,
Rocked to life the tender baby,
Mid the blossoms of the pine-tree,
On the fir-top set with needles;
Thus the young bear well was nurtured,
Thus was sacred Otso cradled
On the honey-tree of Northland,
In the middle of the forest.
'Sacred Otso grew and flourished,
Quickly grew with graceful movements,
Short of feet, with crooked ankles,
Wide of mouth and broad of forehead,
Short his nose, his fur-robe velvet;
But his claws were not well fashioned,
Neither were his teeth implanted.
Fair Mielikki, forest hostess,
Spake these words in meditation:
'Claws I should be pleased to give him,
And with teeth endow the wonder,
Would be not abuse the favor.'
'Swore the bear a promise sacred,
On his knees before Mielikki,
Hostess of the glen and forest,
And before omniscient Ukko,
First and last of all creators,
That he would not harm the worthy,
Never do a deed of evil.
Then Mielikki, woodland hostess,
Wisest maid of Tapiola,
Sought for teeth and claws to give him,
From the stoutest mountain-ashes,
From the juniper and oak tree,
From the dry knots of the alder.
Teeth and claws of these were worthless,
Would not render goodly service.
'Grew a fir-tree on the mountain,
Grew a stately pine in Northland,
And the fir had silver branches,
Bearing golden cones abundant;
These the sylvan maiden gathered,
Teeth and claws of these she fashioned
In the jaws and feet of Otso,
250
Set them for the best of uses.
Then she freed her new-made creature,
Let the Light-foot walk and wander,
Let him lumber through the marshes,
Let him amble through the forest,
Roll upon the plains and pastures;
Taught him how to walk a hero,
How to move with graceful motion,
How to live in ease and pleasure,
How to rest in full contentment,
In the moors and in the marshes,
On the borders of the woodlands;
How unshod to walk in summer,
Stockingless to run in autumn;
How to rest and sleep in winter
In the clumps of alder-bushes
Underneath the sheltering fir-tree,
Underneath the pine's protection,
Wrapped securely in his fur-robes,
With the juniper and willow.
This the origin of Otso,
Honey-eater of the Northlands,
Whence the sacred booty cometh.
Thus again the people questioned:
Why became the woods so gracious,
Why so generous and friendly?
Why is Tapio so humored,
That he gave his dearest treasure,
Gave to thee his Forest-apple,
Honey-eater of his kingdom?
Was he startled with thine arrows,
Frightened with the spear and broadsword?'
Wainamoinen, the magician,
Gave this answer to the question:
'Filled with kindness was the forest,
Glen and woodland full of greetings,
Tapio showing greatest favor.
Fair Mielikki, forest hostess,
Metsola's bewitching daughter,
Beauteous woodland maid, Tellervo,
Gladly led me on my journey,
Smoothed my pathway through the glen-wood.
251
Marked the trees upon the, mountains,
Pointing me to Otso's caverns,
To the Great Bear's golden island.
'When my journeyings had ended,
When the bear had been discovered,
Had no need to launch my javelins,
Did not need to aim the arrow;
Otso tumbled in his vaulting,
Lost his balance in his cradle,
In the fir-tree where he slumbered;
Tore his breast upon the branches,
Freely gave his life to others.
'Mighty Otso, my beloved,
Thou my golden friend and hero,
Take thy fur-cap from thy forehead,
Lay aside thy teeth forever,
Hide thy fingers in the darkness,
Close thy mouth and still thine anger,
While thy sacred skull is breaking.
'Now I take the eyes of Otso,
Lest he lose the sense of seeing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the ears of Otso,
Lest he lose the sense of 'hearing,
Lest their former powers shall weaken;
Though I take not all his members,
Not alone must these be taken.
'Now I take the nose of Otso,
Lest he lose the sense of smelling,
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the tongue of Otso,
Lest he lose the sense of tasting
Lest its former powers shall weaken;
Though I take not all his members,
Not alone must this be taken.
'Now I take the brain of Otso,
Lest he lose the means of thinking,
Lest his consciousness should fail him,
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Lest his former instincts weaken;
Though I take not all his members,
Not alone must this be taken.
'I will reckon him a hero,
That will count the teeth of Light-foot,
That will loosen Otso's fingers
From their settings firmly fastened.'
None he finds with strength sufficient
To perform the task demanded.
Therefore ancient Wainamoinen
Counts the teeth of sacred Otso;
Loosens all the claws of Light-foot,
With his fingers strong as copper,
Slips them from their firm foundations,
Speaking to the bear these measures:
'Otso, thou my Honey-eater,
Thou my Fur-ball of the woodlands,
Onward, onward, must thou journey
From thy low and lonely dwelling,
To the court-rooms of the village.
Go, my treasure, through the pathway
Near the herds of swine and cattle,
To the hill-tops forest covered,
To the high and rising mountains,
To the spruce-trees filled with needles,
To the branches of the pine-tree;
There remain, my Forest-apple,
Linger there in lasting slumber,
Where the silver bells are ringing,
To the pleasure of the shepherd.'
Thus beginning, and thus ending,
Wainamoinen, old and truthful,
Hastened from his emptied tables,
And the children thus addressed him:
'Whither hast thou led thy booty,
Where hast left thy Forest-apple,
Sacred Otso of the woodlands?
Hast thou left him on the iceberg,
Buried him upon the snow-field?
Hast thou sunk him in the quicksand,
Laid him low beneath the heather?'
Wainamoinen spake in answer:
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'Have not left him on the iceberg,
Have not buried him in snow-fields;
There the dogs would soon devour him,
Birds of prey would feast upon him;
Have not hidden him in Swamp-land,
Have not buried him in heather;
There the worms would live upon him,
Insects feed upon his body.
Thither I have taken Otso,
To the summit of the Gold-hill,
To the copper-bearing mountain,
Laid him in his silken cradle
In the summit of a pine-tree,
Where the winds and sacred branches
Rock him to his lasting slumber,
To the pleasure of the hunter,
To the joy of man and hero.
To the east his lips are pointing,
While his eyes are northward looking;
But dear Otso looks not upward,
For the fierceness of the storm-winds
Would destroy his sense of vision.'
Wainamoinen, ancient minstrel,
Touched again his harp of joyance,
Sang again his songs enchanting,
To the pleasure of the evening,
To the joy of morn arising.
Spake the singer of Wainola:
'Light for me a torch of pine-wood,
For the darkness is appearing,
That my playing may be joyous
And my wisdom-songs find welcome.'
Then the ancient sage and singer,
Wise and worthy Wainamoinen,
Sweetly sang and played, and chanted,
Through the long and dreary evening,
Ending thus his incantation:
'Grant, O Ukko, my Creator,
That the people of Wainola
May enjoy another banquet
In the company of Light-foot;
Grant that we may long remember
254
Kalevala's feast with Otso!
'Grant, O Ukko, my Creator,
That the signs may guide our footsteps,
That the notches in the pine-tree
May direct my faithful people
To the bear-dens of the woodlands;
That great Tapio's sacred bugle
May resound through glen and forest;
That the wood-nymph's call may echo,
May be heard in field and hamlet,
To the joy of all that listen!
Let great Tapio's horn for ages
Ring throughout the fen and forest,
Through the hills and dales of Northland
O'er the meadows and the mountains,
To awaken song and gladness
In the forests of Wainola,
On the snowy plains of Suomi,
On the meads of Kalevala,
For the coming generations.'
~ Elias Lönnrot,#NFDB
1270:The Kalevala - Rune Xvii
WAINAMOINEN FINDS THE LOST-WORD.
Wainamoinen, old and truthful,
Did not learn the words of magic
In Tuoni's gloomy regions,
In the kingdom of Manala.
Thereupon he long debated,
Well considered, long reflected,
Where to find the magic sayings;
When a shepherd came to meet him,
Speaking thus to Wainamoinen:
'Thou canst find of words a hundred,
Find a thousand wisdom-sayings,
In the mouth of wise Wipunen,
In the body of the hero;
To the spot I know the foot-path,
To his tomb the magic highway,
Trodden by a host of heroes;
Long the distance thou must travel,
On the sharpened points of needles;
Then a long way thou must journey
On the edges of the broadswords;
Thirdly thou must travel farther
On the edges of the hatchets.'
Wainamoinen, old and trustful,
Well considered all these journeys,
Travelled to the forge and smithy,
Thus addressed the metal-worker:
'Ilmarinen, worthy blacksmith,
Make a shoe for me of iron,
Forge me gloves of burnished copper,
Mold a staff of strongest metal,
Lay the steel upon the inside,
Forge within the might of magic;
I am going on a journey
To procure the magic sayings,
Find the lost-words of the Master,
From the mouth of the magician,
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From the tongue of wise Wipunen.'
Spake the artist, Ilmarinen:
'Long ago died wise Wipunen,
Disappeared these many ages,
Lays no more his snares of copper,
Sets no longer traps of iron,
Cannot learn from him the wisdom,
Cannot find in him the lost-words.'
Wainamoinen, old and hopeful,
Little heeding, not discouraged,
In his metal shoes and armor,
Hastens forward on his journey,
Runs the first day fleetly onward,
On the sharpened points of needles;
'Wearily he strides the second,
On the edges of the broadswords
Swings himself the third day forward,
On the edges of the hatchets.
Wise Wipunen, wisdom-singer,
Ancient bard, and great magician,
With his magic songs lay yonder,
Stretched beside him, lay his sayings,
On his shoulder grew the aspen,
On each temple grew the birch-tree,
On his mighty chin the alder,
From his beard grew willow-bushes,
From his mouth the dark green fir-tree,
And the oak-tree from his forehead.
Wainamoinen, coming closer,
Draws his sword, lays bare his hatchet
From his magic leathern scabbard,
Fells the aspen from his shoulder,
Fells the birch-tree from his temples,
From his chin he fells the alder,
From his beard, the branching willows,
From his mouth the dark-green fir-tree,
Fells the oak-tree from his forehead.
Now he thrusts his staff of iron
Through the mouth of wise Wipunen,
Pries his mighty jaws asunder,
Speaks these words of master-magic:
'Rise, thou master of magicians,
304
From the sleep of Tuonela,
From thine everlasting slumber!'
Wise Wipunen, ancient singer,
Quickly wakens from his sleeping,
Keenly feels the pangs of torture,
From the cruel staff of iron;
Bites with mighty force the metal,
Bites in twain the softer iron,
Cannot bite the steel asunder,
Opens wide his mouth in anguish.
Wainamoinen of Wainola,
In his iron-shoes and armor,
Careless walking, headlong stumbles
In the spacious mouth and fauces
Of the magic bard, Wipunen.
Wise Wipunen, full of song-charms,
Opens wide his mouth and swallows
Wainamoinen and his magic,
Shoes, and staff, and iron armor.
Then outspeaks the wise Wipunen:
'Many things before I've eaten,
Dined on goat, and sheep, and reindeer,
Bear, and ox, and wolf, and wild-boar,
Never in my recollection,
Have I tasted sweeter morsels!'
Spake the ancient Wainamoinen:
'Now I see the evil symbols,
See misfortune hanging o'er me,
In the darksome Hisi-hurdles,
In the catacombs of Kalma.'
Wainamoinen long considered
How to live and how to prosper,
How to conquer this condition.
In his belt he wore a poniard,
With a handle hewn from birch-wood,
From the handle builds a vessel,
Builds a boat through magic science;
In this vessel rows he swiftly
Through the entrails of the hero,
Rows through every gland and vessel
Of the wisest of magicians.
Old Wipunen, master-singer,
305
Barely feels the hero's presence,
Gives no heed to Wainamoinen.
Then the artist of Wainola
Straightway sets himself to forging,
Sets at work to hammer metals;
Makes a smithy from his armor,
Of his sleeves he makes the bellows,
Makes the air-valve from his fur-coat,
From his stockings, makes the muzzle,
Uses knees instead of anvil,
Makes a hammer of his fore-arm;
Like the storm-wind roars the bellows,
Like the thunder rings the anvil;
Forges one day, then a second,
Forges till the third day closes,
In the body of Wipunen,
In the sorcerer's abdomen.
Old Wipunen, full of magic,
Speaks these words in wonder, guessing:
'Who art thou of ancient heroes,
Who of all the host of heroes?
Many heroes I have eaten,
And of men a countless number,
Have not eaten such as thou art;
Smoke arises from my nostrils,
From my mouth the fire is streaming,
In my throat are iron-clinkers.
'Go, thou monster, hence to wander,
Flee this place, thou plague of Northland,
Ere I go to seek thy mother,
Tell the ancient dame thy mischief;
She shall bear thine evil conduct,
Great the burden she shall carry;
Great a mother's pain and anguish,
When her child runs wild and lawless;
Cannot comprehend the meaning,
Nor this mystery unravel,
Why thou camest here, O monster,
Camest here to give me torture.
Art thou Hisi sent from heaven,
Some calamity from Ukko?
Art, perchance, some new creation,
306
Ordered here to do me evil?
If thou art some evil genius,
Some calamity from Ukko,
Sent to me by my Creator,
Then am I resigned to suffer
God does not forsake the worthy,
Does not ruin those that trust him,
Never are the good forsaken.
If by man thou wert created,
If some hero sent thee hither,
I shall learn thy race of evil,
Shall destroy thy wicked tribe-folk.
'Thence arose the violation,
Thence arose the first destruction,
Thence came all the evil-doings:
From the neighborhood of wizards,
From the homes of the magicians,
From the eaves of vicious spirits,
From the haunts of fortune-tellers,
From the cabins of the witches,
From the castles of Tuoni,
From the bottom of Manala,
From the ground with envy swollen,
From Ingratitude's dominions,
From the rocky shoals and quicksands,
From the marshes filled with danger,
From the cataract's commotion,
From the bear-caves in the mountains,
From the wolves within the thickets,
From the roarings of the pine-tree,
From the burrows of the fox-dog,
From the woodlands of the reindeer,
From the eaves and Hisi-hurdles,
From the battles of the giants,
From uncultivated pastures,
From the billows of the oceans,
From the streams of boiling waters,
From the waterfalls of Rutya,
From the limits of the storm-clouds,
From the pathways of the thunders,
From the flashings of the lightnings,
From the distant plains of Pohya,
307
From the fatal stream and whirlpool,
From the birthplace of Tuoni.
'Art thou coming from these places?
Hast thou, evil, hastened hither,
To the heart of sinless hero,
To devour my guiltless body,
To destroy this wisdom-singer?
Get thee hence, thou dog of Lempo,
Leave, thou monster from Manala,
Flee from mine immortal body,
Leave my liver, thing of evil,
In my body cease thy forging,
Cease this torture of my vitals,
Let me rest in peace and slumber.
'Should I want in means efficient,
Should I lack the magic power
To outroot thine evil genius,
I shall call a better hero,
Call upon a higher power,
To remove this dire misfortune,
To annihilate this monster.
I shall call the will of woman,
From the fields, the old-time heroes?
Mounted heroes from the sand-hills,
Thus to rescue me from danger,
From these pains and ceaseless tortures.
'If this force prove inefficient,
Should not drive thee from my body,
Come, thou forest, with thy heroes,
Come, ye junipers and pine-trees,
With your messengers of power,
Come, ye mountains, with your wood-nymphs,
Come, ye lakes, with all your mermaids,
Come, ye hundred ocean-spearmen,
Come, torment this son of Hisi,
Come and kill this evil monster.
'If this call is inefficient,
Does not drive thee from my vitals,
Rise, thou ancient water-mother,
With thy blue-cap from the ocean,
From the seas, the lakes, the rivers,
Bring protection to thy hero,
308
Comfort bring and full assistance,
That I guiltless may not suffer,
May not perish prematurely.
'Shouldst thou brave this invocation,
Kapè, daughter of Creation,
Come, thou beauteous, golden maiden,
Oldest of the race of women,
Come and witness my misfortunes,
Come and turn away this evil,
Come, remove this biting torment,
Take away this plague of Piru.
'If this call be disregarded,
If thou wilt not leave me guiltless,
Ukko, on the arch of heaven,
In the thunder-cloud dominions,
Come thou quickly, thou art needed,
Come, protect thy tortured hero,
Drive away this magic demon,
Banish ever his enchantment,
With his sword and flaming furnace,
With his fire-enkindling bellows.
'Go, thou demon, hence to wander,
Flee, thou plague of Northland heroes;
Never come again for shelter,
Nevermore build thou thy dwelling
In the body of Wipunen;
Take at once thy habitation
To the regions of thy kindred,
To thy distant fields and firesides;
When thy journey thou hast ended,
Gained the borders of thy country,
Gained the meads of thy Creator,
Give a signal of thy coming,
Rumble like the peals of thunder,
Glisten like the gleam of lightning,
Knock upon the outer portals,
Enter through the open windows,
Glide about the many chambers,
Seize the host and seize the hostess,
Knock their evil beads together,
Wring their necks and hurl their bodies
To the black-dogs of the forest.
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'Should this prove of little value,
Hover like the bird of battle,
O'er the dwellings of the master,
Scare the horses from the mangers,
From the troughs affright the cattle,
Twist their tails, and horns, and forelocks,
Hurl their carcasses to Lempo.
'If some scourge the winds have sent me,
Sent me on the air of spring-tide,
Brought me by the frosts of winter,
Quickly journey whence thou camest,
On the air-path of the heavens,
Perching not upon some aspen,
Resting not upon the birch-tree;
Fly away to copper mountains,
That the copper-winds may nurse thee,
Waves of ether, thy protection.
'Didst those come from high Jumala,
From the hems of ragged snow-clouds,
Quick ascend beyond the cloud-space,
Quickly journey whence thou camest,
To the snow-clouds, crystal-sprinkled,
To the twinkling stars of heaven
There thy fire may burn forever,
There may flash thy forked lightnings,
In the Sun's undying furnace.
'Wert thou sent here by the spring-floods,
Driven here by river-torrents?
Quickly journey whence thou camest,
Quickly hasten to the waters,
To the borders of the rivers,
To the ancient water-mountain,
That the floods again may rock thee,
And thy water-mother nurse thee.
'Didst thou come from Kalma's kingdom,
From the castles of the death-land?
Haste thou back to thine own country,
To the Kalma-halls and castles,
To the fields with envy swollen,
Where contending armies perish.
'Art thou from the Hisi-woodlands,
From ravines in Lempo's forest,
310
From the thickets of the pine-wood,
From the dwellings of the fir-glen?
Quick retrace thine evil footsteps
To the dwellings of thy master,
To the thickets of thy kindred;
There thou mayest dwell at pleasure,
Till thy house decays about thee,
Till thy walls shall mould and crumble.
Evil genius, thee I banish,
Got thee hence, thou horrid monster,
To the caverns of the white-bear,
To the deep abysm of serpents,
To the vales, and swamps, and fenlands,
To the ever-silent waters,
To the hot-springs of the mountains,
To the dead-seas of the Northland,
To the lifeless lakes and rivers,
To the sacred stream and whirlpool.
'Shouldst thou find no place of resting,
I will banish thee still farther,
To the Northland's distant borders,
To the broad expanse of Lapland,
To the ever-lifeless deserts,
To the unproductive prairies,
Sunless, moonless, starless, lifeless,
In the dark abyss of Northland;
This for thee, a place befitting,
Pitch thy tents and feast forever
On the dead plains of Pohyola.
'Shouldst thou find no means of living,
I will banish thee still farther,
To the cataract of Rutya,
To the fire-emitting whirlpool,
Where the firs are ever falling,
To the windfalls of the forest;
Swim hereafter in the waters
Of the fire-emitting whirlpool,
Whirl thou ever in the current
Of the cataract's commotion,
In its foam and boiling waters.
Should this place be unbefitting,
I will drive thee farther onward,
311
To Tuoni's coal-black river,
To the endless stream of Mana,
Where thou shalt forever linger;
Thou canst never leave Manala,
Should I not thy head deliver,
Should I never pay thy ransom;
Thou canst never safely journey
Through nine brother-rams abutting,
Through nine brother-bulls opposing
Through nine brother-stallions thwarting,
Thou canst not re-cross Death-river
Thickly set with iron netting,
Interlaced with threads of copper.
'Shouldst thou ask for steeds for saddle,
Shouldst thou need a fleet-foot courser,
I will give thee worthy racers,
I will give thee saddle-horses;
Evil Hisi has a charger,
Crimson mane, and tail, and foretop,
Fire emitting from his nostrils,
As he prances through his pastures;
Hoofs are made of strongest iron,
Legs are made of steel and copper,
Quickly scales the highest mountains,
Darts like lightning through the valleys,
When a skilful master rides him.
'Should this steed be insufficient,
I will give thee Lempo's snow-shoes,
Give thee Hisi's shoes of elm-wood,
Give to thee the staff of Piru,
That with these thou mayest journey
Into Hisi's courts and castles,
To the woods and fields of Juutas;
If the rocks should rise before thee,
Dash the flinty rocks in pieces,
Hurl the fragments to the heavens;
If the branches cross thy pathway,
Make them turn aside in greeting;
If some mighty hero hail thee,
Hurl him headlong to the woodlands.
'Hasten hence, thou thing of evil,
Heinous monster, leave my body,
312
Ere the breaking of the morning
Ere the Sun awakes from slumber,
Ere the sinning of the cuckoo;
Haste away, thou plague of Northland,
Haste along the track of' moonbeams,
Wander hence, forever wander,
To the darksome fields or Pohya.
'If at once thou dost not leave me,
I will send the eagle's talons,
Send to thee the beaks of vultures,
To devour thine evil body,
Hurl thy skeleton to Hisi.
Much more quickly cruel Lempo
Left my vitals when commanded,
When I called the aid of Ukko,
Called the help of my Creator.
Flee, thou motherless offendant,
Flee, thou fiend of Sariola,
Flee, thou hound without a master,
Ere the morning sun arises,
Ere the Moon withdraws to slumber!'
Wainamoinen, ancient hero,
Speaks at last to old Wipunen:
'Satisfied am I to linger
In these old and spacious caverns,
Pleasant here my home and dwelling;
For my meat I have thy tissues,
Have thy heart, and spleen, and liver,
For my drink the blood of ages,
Goodly home for Wainamoinen.
'I shall set my forge and bellows
Deeper, deeper in thy vitals;
I shall swing my heavy hammer,
Swing it with a greater power
On thy heart, and lungs, and liver;
I shall never, never leave thee
Till I learn thine incantations,
Learn thy many wisdom-sayings,
Learn the lost-words of the Master;
Never must these words be bidden,
Earth must never lose this wisdom,
Though the wisdom-singers perish.'
313
Old Wipunen, wise magician,
Ancient prophet, filled with power,
Opens fall his store of knowledge,
Lifts the covers from his cases,
Filled with old-time incantations,
Filled with songs of times primeval,
Filled with ancient wit and wisdom;
Sings the very oldest folk-songs,
Sings the origin of witchcraft,
Sings of Earth and its beginning
Sings the first of all creations,
Sings the source of good and evil
Sung alas! by youth no longer,
Only sung in part by heroes
In these days of sin and sorrow.
Evil days our land befallen.
Sings the orders of enchantment.
How, upon the will of Ukko,
By command of the Creator,
How the air was first divided,
How the water came from ether,
How the earth arose from water,
How from earth came vegetation,
Fish, and fowl, and man, and hero.
Sings again the wise Wipunen,
How the Moon was first created,
How the Sun was set in heaven,
Whence the colors of the rainbow,
Whence the ether's crystal pillars,
How the skies with stars were sprinkled.
Then again sings wise Wipunen,
Sings in miracles of concord,
Sings in magic tones of wisdom,
Never was there heard such singing;
Songs he sings in countless numbers,
Swift his notes as tongues of serpents,
All the distant hills re-echo;
Sings one day, and then a second,
Sings a third from dawn till evening,
Sings from evening till the morning;
Listen all the stars of heaven,
And the Moon stands still and listens
314
Fall the waves upon the deep-sea,
In the bay the tides cease rising,
Stop the rivers in their courses,
Stops the waterfall of Rutya,
Even Jordan ceases flowing,
And the Wuoksen stops and listens.
When the ancient Wainamoinen
Well had learned the magic sayings,
Learned the ancient songs and legends,
Learned the words of ancient wisdom,
Learned the lost-words of the Master,
Well had learned the secret doctrine,
He prepared to leave the body
Of the wisdom-bard, Wipunen,
Leave the bosom of the master,
Leave the wonderful enchanter.
Spake the hero, Wainamoinen:
'O, thou Antero Wipunen,
Open wide thy mouth and fauces,
I have found the magic lost-words,
I will leave thee now forever,
Leave thee and thy wondrous singing,
Will return to Kalevala,
To Wainola's fields and firesides.'
Thus Wipunen spake in answer:
'Many are the things I've eaten,
Eaten bear, and elk, and reindeer,
Eaten ox, and wolf, and wild-boar,
Eaten man, and eaten hero,
Never, never have I eaten
Such a thing as Wainamoinen;
Thou hast found what thou desirest,
Found the three words of the Master;
Go in peace, and ne'er returning,
Take my blessing on thy going.'
Thereupon the bard Wipunen
Opens wide his mouth, and wider;
And the good, old Wainamoinen
Straightway leaves the wise enchanter,
Leaves Wipunen's great abdomen;
From the mouth he glides and journeys
O'er the hills and vales of Northland,
315
Swift as red-deer or the forest,
Swift as yellow-breasted marten,
To the firesides of Wainola,
To the plains of Kalevala.
Straightway hastes he to the smithy
Of his brother, Ilmarinen,
Thus the iron-artist greets him:
Hast thou found the long-lost wisdom,
Hast thou heard the secret doctrine,
Hast thou learned the master magic,
How to fasten in the ledges,
How the stern should be completed,
How complete the ship's forecastle?
Wainamoinen thus made answer:
'I have learned of words a hundred,
Learned a thousand incantations,
Hidden deep for many ages,
Learned the words of ancient wisdom,
Found the keys of secret doctrine,
Found the lost-words of the Master.'
Wainamoinen, magic-builder,
Straightway journeys to his vessel,
To the spot of magic labor,
Quickly fastens in the ledges,
Firmly binds the stern together
And completes the boat's forecastle.
Thus the ancient Wainamoinen
Built the boat with magic only,
And with magic launched his vessel,
Using not the hand to touch it,
Using not the foot to move it,
Using not the knee to turn it,
Using nothing to propel it.
Thus the third task was completed,
For the hostess of Pohyola,
Dowry for the Maid of Beauty
Sitting on the arch of heaven,
On the bow of many colors.
~ Elias Lönnrot,#NFDB
1271: Book V: The Book of Achilles
Meanwhile grey from the Trojan gates Talthybius journeyed
Spurred by the secret thought of the Fates who change not nor falter.
Simois sighed round his wheels and Xanthus roared at his passing,
Troas god like a lion wroth and afraid; to meet him
Whistling the ocean breezes came and Ida regarded.
So with his haste in the wheels the herald oceanward driving
Came through the gold of the morn, oer the trampled green of the pastures
Back to the ships and the roar of the sea and the iron-hooped leaguer.
Wide to the left his circle he wrote where the tents of Achilles
Trooped like a flock of the sea-fowl pensive and still on the margin.
He past the outposts rapidly coursed to the fosse of the Argives.
In with a quavering cry to the encampment over the causeway
Bridging the moat of the ships Talthybius drove in his chariot
Out of the wide plains azure-roofed and the silence of Nature
Passing in to the murmur of men and the thick of the leaguer.
There to a thrall of the Hellene he cast his reins and with labour
Down from the high seat climbed of the war-car framed for the mighty.
Then betwixt tent-doors endless, vistaed streets of the canvas,
Slowly the old man toiled with his eager heart, and to meet him
Sauntering forth from his tent at the sound of the driving car-wheels
Strong Automedon came who was charioteer of Achilles.
Grey Talthybius, whence art thou coming? From Troya the ancient?
Or from a distant tent was thy speed and the King Agamemnon?
What in their armoured assembly counsel the kings of the Argives?
Not from the host but from Troy, Automedon, come I with tidings,
Nor have I mixed with the Greeks in their cohorts ranked by the Ocean,
Nor have I stood in their tents who are kings in sceptred Achaia,
But from Achilles sent to Achilles I bring back the message.
Tell me, then, what does Pelides, whether his strength he reposes
Soothed by the lyre or hearing the chanted deeds of the mighty
Or does he walk as he loves by the shore of the far-sounding waters?
And to the Argive herald grey Automedon answered:
Now from the meal he rests and Briseis lyres to him singing
One of the Ilian chants of old in the tongue of the Trojans.
Early, then, he has eaten, Automedon, early reposes?
Early the meat was broached on the spits, Talthybius, early
High on the sands or under the tents we have eaten and rested.
None knows the hour of the hunt, red, fierce, nor the prey he shall leap on,
All are like straining hounds; for Achilles shares not his counsels,
But on the ships, in the tents the talk has run like Peneus;
These upon Troy to be loosed and the hard-fighting wolf-brood of Priam,
These hope starkly with Argos embraced to have done with the Spartan,
Ending his brilliance in blood or to sport on the sands of the margent
Playing at bowls with the heads of the Cretan and crafty Odysseus.
Welcome were either or both; we shall move in the dances of Ares,
Quicken heart-beats dulled and limbs that are numb with reposing.
War we desire and no longer this ease by the drone of the waters.
So as they spoke, they beheld far-off the tent of Achilles
Splendid and spacious even as the hall of a high-crested chieftain,
Lofty, held by a hundred stakes to the Phrygian meadow.
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
Slain by the hand of the mighty Achilles warring with Troya.
Teemed in its canvas rooms the plundered riches of Troas,
Craftsmans work and the wood well-carved and the ivory painted,
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
Noble boys and daughters of high-born Phrygians captive,
Borne from the joyless ruins that now were the sites of their childhood,
Served in the land of their sires the will of the Phthian Achilles.
There on a couch reclined in his beauty mighty and golden,
Loved by the Fates and doomed by them, spear of their will against Troya,
Peleus hero son by the foam-white child of the waters
Dreaming reposed and his death-giving hand hung lax oer the couch-side.
Near him dark-eyed Briseis, the fatal and beautiful captive,
Sang to the Grecian victor chants of the land of her fathers,
Sang the chant of Ilus, the tale of the glories of Troya.
Trojan boys and maidens sat near the singer and listened
Heart-delighted if with some tears; for easy are mortal
Hearts to be bent by Fate and soon we consent to our fortunes.
But in the doorway Automedon stood with the shadowy Argive
And at the ominous coming the voice of the singer faltered,
Faltering hushed like a thought melodious ceasing in heaven.
But from his couch the Peleid sprang and he cried to the herald.
Long hast thou lingered in Ilion, envoy, mute in the chambers
Golden of Priam old, while around thee darkened the counsels
Wavering blindly and fiercely of minds that revolt from compulsion,
Natures at war with the gods and their fortunes. Fain would I fathom
What were the thoughts of Deiphobus locked in that nature of iron
Now that he stands confronting his fate in the town of his fathers.
Peace dwells not in thy aspect. Sowst thou a seed then of ruin
Cast from the inflexible heart and the faltering tongue of Aeneas,
Or with the golden laugh of the tameless bright Alexander?
Grey Talthybius answered, Surely their doom has embraced them
Wrapping her locks round their ears and their eyes, lest they see and escape her,
Kissing their tongue with her fatal lips and dictating its answers.
Dire is the hope of their chiefs and fierce is the will of their commons.
Son of the Aeacids, spurned is thy offer. The pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen captive be dragged to the feet of her husband,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail on us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours;
Not of such sires were we born, but of kings and of gods. Larissan,
Not with her gold Troy purchases safety but with her spear-point.
Stand with thy oath in the war-front, Achilles, call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So they reply; they are true to their death, they are constant for ruin.
Humbler answer hope not, O hero, from Penthesilea;
Insolent, warlike, regal and swift as herself is her message.
Sea of renown and of valour that fillest the world with thy rumour,
Speed of the battle incarnate, mortal image of Ares!
Terror and tawny delight like a lion one hunts or is hunted!
Dread of the world and my target, swift-footed glorious hero!
Thus have I imaged thee, son of Peleus, dreaming in countries
Far from thy knowledge, in mountains that never have rung to thy war-cry.
O, I have longed for thee, warrior! Therefore today by thy message
So was I seized with delight that my heart was hurt with its rapture,
Knowing today I shall gaze with my eyes on that which I imaged
Only in air of the mind or met in the paths of my dreaming.
Thus have I praised thee first with my speech; with my spear I would answer.
Yet for thy haughty scorn who deeming of me as some Hellene
Or as a woman weak of these plains fit but for the distaff,
Promisest capture in war and fame as thy slavegirl in Phthia,
Surely I think that death today will reply to that promise,
Now I will give thee my answer and warn thee ere we encounter.
Know me queen of a race that never was conquered in battle!
Know me armed with a spear that never has missed in the combat!
There where my car-wheels run, good fruit gets the husbandman after.
This thou knowest. Ajax has told thee, thy friend, in his dying.
Has not Meriones spirit come in thy dreams then to warn thee?
Didst thou not number the Argives once ere I came to the battle?
Number them now and measure the warrior Penthesilea.
Such am I then whom thy dreams have seen meek-browed in Larissa,
And in the battle behind me thunder the heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
Never yet from the shock have they fled; if they turn from the foeman,
Always tis to return like death recircling on mortals.
Yet being such, having such for my armies, this do I promise:
I on the left of the Trojans war with my bright-armed numbers,
Thou on the Argive right come forth, Achilles, and meet me!
If thou canst drive us with rout into Troy, I will own thee for master,
Do thy utmost will and make thee more glorious than gods are
Serving thy couch in Phthia and drawing the jar from thy rivers.
Nay, if thou hast that strength, then hunt me, O hunter, and seize me,
If tis thy hope indeed that the sun can turn back from the Orient,
But if thou canst not, death of myself or thyself thou shalt capture.
Musing heard and was silent awhile the strength of Achilles,
Musing of Fate and the wills of men and the purpose of Heaven,
Then from his thoughts he broke and turned in his soul towards battle.
Well did I know what reply would come winged from the princes of Troya.
Prone are the hearts of heroes to wrath and to God-given blindness
When from their will they are thrust and harried by Fate and disaster:
Fierceness then is the armour of strength against grief and its yieldings.
So have the gods made man for their purpose, cunningly fashioned.
Once had defiance waked from my depths a far-striding fury,
Flaming for justice and vengeance, nor had it, satisfied, rested,
Sunk to its lair, till the insulter died torn or was kneeling for pardon.
Fierce was my heart in my youth and exulted in triumph and slaughter.
Now as I grow in my spirit like to my kin the immortals,
Joy more I find in saving and cherishing than in the carnage.
Greater it seems to my mind to be king over men than their slayer,
Nobler to build and to govern than what the ages have laboured
Putting their godhead forth to create or the high gods have fashioned,
That to destroy in our wrath of a moment. Ripened, more widely
Opens my heart to the valour of man and the beauty of woman,
Works of the world and delight; the cup of my victory sweetens
Not with the joys of hate, but the human pride of the triumph.
Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan.
So will I seize by the onset what peace from my soul would sequester,
So will I woo with the sword and with love the delight of my foeman,
Troy and Polyxena, beauty of Paris and glory of Priam.
This was the ancient wrestling, this was the spirit of warfare
Fit for the demigods. Soon in the city of gold and of marble,
There where Ilus sat and Tros, where Laomedon triumphed,
Peleus house shall reign, the Hellene sit where the Trojan
Thought himself deathless. Arise, Automedon! Out to the people!
Send forth the cry through the ships and the tents of the Myrmidon nation.
Let not a man be found then lingering when oer the causeway
Thunder my chariot-wheels, nor let any give back in the battle,
Good if he wills from me, till through the conquered gates of the foeman
Storming we herd in their remnants and press into Troy as with evening
Helios rushing sinks to the sea. But thou, Briseis,
Put by thy lyre, O girl; it shall gladden my heart in my triumph
Victor returned from Troy to listen pleased to thy singing,
Bearing a captive bound to my car-wheels Penthesilea,
Bearing my valours reward, Polyxena, daughter of Priam,
Won in despite of her city and brothers and spears of her kindred.
So by force it is best to take ones will and be mighty.
Joyful, Automedon ran through the drowsy camp of the Hellenes
Changing the hum of the tents as he raced into shoutings of battle;
For with the giant din of a nation triumphant arising
Hellas sprang from her irksome ease and mounted her war-car;
Donning her armour bright she rejoiced in the trumpets of battle.
But to the herald grey the Peleid turned and the old man
Shuddered under his gaze and shrank from the voice of the hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
Stand in the Argive assembly, voice of the strength of Achilles.
Care not at all though the greatest and fiercest be wroth with thy message.
Deem not thyself, old man, as a body and flesh that is mortal,
Rather as living speech from the iron breast of the Hellene.
Thus shalt thou cry to the vanquished chiefs who fled from a woman,
Thus shalt thou speak my will to the brittle and fugitive legions:
Now Achilles turns towards Troya and fast-flowing Xanthus,
Now he leaps at the iron zone, the impregnable city.
Two were the forms of the Gods that oerhung the sails of Pelides
When with a doubtful word in his soul he came wind-helped from Hellas
Cleaving the Aegean deep towards the pine-crested vision of Ida.
Two are the Fates that stride with the hero counting his exploits.
Over all earthly things the soul that is fearless is master,
Only on death he can reckon not whether it comes in the midnight
Treading the couch of Kings in their pride or speeds in the spear-shaft.
Now will I weigh down that double beam of the Olympian balance
Claiming one of the equal Fates that stand robed for the fighter,
For to my last dire wrestle I go with the Archer of heaven,
And ere the morning gleam have awakened the eagles on Ida,
Troy shall lie prone or the earth shall be empty of Phthian Achilles.
But for whatever Fate I accept from the ageless Immortals,
Whether cold Hades dim or Indus waits for my coming
Pouring down vast to the sea with the noise of his numberless waters,
I with Zeus am enough. Your mortal aid I desire not,
Rushing to Troy like the eagle of Zeus when he flies towards the thunders,
Winged with might, the bird of the spaces, upbuoying his pinions.
Nor shall my spirit look back for the surge of your Danaan fighters,
Tramp of the Argive multitudes helping my lonely courage,
Neither the transient swell of the cry Achaian behind me
Seek, nor the far-speeding voice of Atrides guiding his legions.
Need has he none for a leader who himself is the soul of his action.
Zeus and his fate and his spear are enough for the Phthian Achilles.
Rest, O wearied hosts; my arm shall win for you Troya,
Quelled when the stern Eoans break and Penthesilea
Lies like a flower in the dust at my feet. Yet if Ares desire you,
Come then and meet him once more mid the cry and the trampling! Assemble
Round the accustomed chiefs, round the old victorious wrestlers
Wearied strengths Deiphobus leaves you or sternest Aeneas.
But when my arm and my Fate have vanquished their gods and Apollo,
Brilliant with blood when we stand amid Ilions marble splendours,
Then let none seat deaf flame on the glory of Phrygias marbles
Or with his barbarous rapine shatter the chambers of sweetness
Slaying the work of the gods and the beauty the ages have lived for.
For he shall moan in the night remote from the earth and her greenness,
Spurred like a steed to its goal by my spear dug deep in his bosom;
Fast he shall fleet to the waters of wailing, the pleasureless pastures.
Touch not the city Apollo built, where Poseidon has laboured.
Seized and dishelmed and disgirdled of Apollonian ramparts,
Empty of wide-rolling wheels and the tramp of a turbulent people
Troy with her marble domes shall live for our nations in beauty
Hushed mid the trees and the corn and the pictured halls of the ancients,
Watching her image of dreams in the gliding waves of Scamander,
Sacred and still, a city of memory spared by the Grecians.
So shalt thou warn the arrogant hearts of Achaias chieftains
Lest upon Greece an evil should fall and her princes should perish.
Herald, beware how thou soften my speech in the ears of thy nation
Sparing their pride and their hearts but dooming their lives to the death-stroke.
Even thy time-touched snows shall not shield thy days from my sword-edge.
Wroth the old mans heart, but he feared Achilles and slowly
Over the margin grey on the shore of the far-sounding ocean
Silent paced to the tents of the Greeks and the Argive assembly.
There on the sands while the scream of the tide as it dragged at the pebbles
Strove in vain with their droning roar, awaiting their chieftains
Each in his tribe and his people far down the margin Aegean
Argolis sons and Epirote spears and the isles and the southron,
Locris swarms and Messenes pikes and the strength of the Theban,
Hosts bright-armed, bright-eyed, bright-haired, time-hardened to Ares,
Stretched in harsh and brilliant lines with a glitter of spear-points
Far as the eye could toil. All Europe helmeted, armoured
Swarmed upon Asias coasts disgorged from her ships in their hundreds.
There in the wide-winged tent of the council that peered oer the margin,
High where the grass and the meadow-bloom failed on the sand-rifted sward-edge,
Pouring his argent voice Epeus spoke to the princes,
Rapid in battle and speech; and even as a boy in a courtyard
Tosses his ball in the air and changes his hands for the seizing
So he played with counsel and thought and rejoiced in his swiftness.
But now a nearing Fate he felt and his impulse was silenced.
Stilled were his thoughts by the message that speeds twixt our minds in their shadows
Dumb, unthought, unphrased, to us dark, but the caverns of Nature
Hear its cry when Gods moment changing our fate comes visored
Silently into our lives and the spirit too knows, for it watches.
Quiet he fell and all men turned to the face of the herald.
Mute and alone through the ranks of the seated and silent princes
Old Talthybius paced, nor paused till he stood at the midmost
Fronting that council of Kings and nearest to Locrian Ajax
And where Sthenelus sat and where sat the great Diomedes,
Chiefs of the South, but their love was small for the Kings of the Spartans.
There like one close to a refuge he lifted his high-chanting accents.
High was his voice like the winds when it whistles shrill oer a forest
Sole of all sounds at night, for the kite is at rest and the tiger
Sleeps from the hunt returned in the deepest hush of the jungle.
Hearken, O Kings of the world, to the lonely will of the Phthian!
One is the roar of the lion heard by the jungles hundreds,
One is the voice of the great and the many shall hear it inclining.
Lo, he has shaken his mane for the last great leap upon Troya
And when the eagles scream shall arise in the dawn over Ida,
Troy shall have fallen or earth shall be empty of Phthian Achilles.
But by whatever Fate he is claimed that waits for the mortal,
Whether the fast-closed hands above have kept for his morrows
Chill of the joyless shades or earth and her wooings of sunlight
Still shall detain his days with the doubtful meed of our virtues,
He and Zeus shall provide, not mortals. Chaff are mens armies
Threshed by the flails of Fate; tis the soul of the hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
Founds the strong man his strength but the god that he carries within him.
Zeus and his Fate and his spear are enough for the Phthian Achilles.
Prudence of men shall curb no more his god-given impulse.
He has no need of thy voice, O Atrides, guiding the legions,
He is the leader, his is the soul of magnificent emprise.
Rest, O ye sons of the Greeks, the Phthian shall conquer for Hellas!
Rest! expose not your hearts to the war-cry of Penthesilea.
Yet if the strength in you thirsts for the war-din, if Ares is hungry,
Meet him stark in the mellay urging Deiphobus coursers,
Guiding Aeneas spear; recover the souls of your fathers.
Bronze must his heart be who looks in the eyes of the implacable war-god!
But when his Fate has conquered their gods and slaughtered their heroes,
And in this marble Ilion forced to the tread of her foemen
Watched by the ancient domes you stand, by the timeless turrets,
Then let no chieftain garbed for the sacrifice lift against Troya,
Counselled of Ate, torch of the burning, hand of the plunder
Groping for gold but finding death in her opulent chambers.
For he shall moan in the night regretting the earth and her greenness,
Spurred by the spear in his arrogant breast like a steed to the gorges:
Fast he shall fleet to the flowerless meadows, the sorrowful pastures.
Touch not the city Apollo built, where Poseidon has laboured,
Slay not the work of the gods and the glory the ages have lived for.
Mute of the voice of her children, void of the roll of her war-cars
Timeless Troy leave solitary dreaming by ancient Scamander
Sacred and still, a city of memory spared by the Phthian.
So Talthybius spoke and anger silenced the Argives.
Mute was the warlike assembly, silent Achaias princes.
Wrath and counsel strove in the hush for the voice of the speakers.
***
~ Sri Aurobindo, 5 - The Book of Achilles
,#NFDB
1272:The Kalevala - Rune Ix
ORIGIN OF IRON.
Wainamoinen, thus encouraged,
Quickly rises in his snow-sledge,
Asking no one for assistance,
Straightway hastens to the cottage,
Takes a seat within the dwelling.
Come two maids with silver pitchers,
Bringing also golden goblets;
Dip they up a very little,
But the very smallest measure
Of the blood of the magician,
From the wounds of Wainamoinen.
From the fire-place calls the old man,
Thus the gray-beard asks the minstrel:
'Tell me who thou art of heroes,
Who of all the great magicians?
Lo! thy blood fills seven sea-boats,
Eight of largest birchen vessels,
Flowing from some hero's veinlets,
From the wounds of some magician.
Other matters I would ask thee;
Sing the cause of this thy trouble,
Sing to me the source of metals,
Sing the origin of iron,
How at first it was created.'
Then the ancient Wainamoinen
Made this answer to the gray-beard:
'Know I well the source of metals,
Know the origin of iron;
f can tell bow steel is fashioned.
Of the mothers air is oldest,
Water is the oldest brother,
And the fire is second brother,
And the youngest brother, iron;
Ukko is the first creator.
Ukko, maker of the heavens,
Cut apart the air and water,
54
Ere was born the metal, iron.
Ukko, maker of the heavens,
Firmly rubbed his hands together,
Firmly pressed them on his knee-cap,
Then arose three lovely maidens,
Three most beautiful of daughters;
These were mothers of the iron,
And of steel of bright-blue color.
Tremblingly they walked the heavens,
Walked the clouds with silver linings,
With their bosoms overflowing
With the milk of future iron,
Flowing on and flowing ever,
From the bright rims of the cloudlets
To the earth, the valleys filling,
To the slumber-calling waters.
'Ukko's eldest daughter sprinkled
Black milk over river channels
And the second daughter sprinkled
White milk over hills and mountains,
While the youngest daughter sprinkled
Red milk over seas and oceans.
Whero the black milk had been sprinked,
Grew the dark and ductile iron;
Where the white milk had been sprinkled.
Grew the iron, lighter-colored;
Where the red milk had been sprinkled,
Grew the red and brittle iron.
'After Time had gone a distance,
Iron hastened Fire to visit,
His beloved elder brother,
Thus to know his brother better.
Straightway Fire began his roarings,
Labored to consume his brother,
His beloved younger brother.
Straightway Iron sees his danger,
Saves himself by fleetly fleeing,
From the fiery flame's advances,
Fleeing hither, fleeing thither,
Fleeing still and taking shelter
In the swamps and in the valleys,
In the springs that loudly bubble,
55
By the rivers winding seaward,
On the broad backs of the marshes,
Where the swans their nests have builded,
Where the wild geese hatch their goslings.
'Thus is iron in the swamp-lands,
Stretching by the water-courses,
Hidden well for many ages,
Hidden in the birchen forests,
But he could not hide forever
From the searchings of his brother;
Here and there the fire has caught him,
Caught and brought him to his furnace,
That the spears, and swords, and axes,
Might be forged and duly hammered.
In the swamps ran blackened waters,
From the heath the bears came ambling,
And the wolves ran through the marshes.
Iron then made his appearance,
Where the feet of wolves had trodden,
Where the paws of bears had trampled.
'Then the blacksmith, Ilmarinen,
Came to earth to work the metal;
He was born upon the Coal-mount,
Skilled and nurtured in the coal-fields;
In one hand, a copper hammer,
In the other, tongs of iron;
In the night was born the blacksmith,
In the morn he built his smithy,
Sought with care a favored hillock,
Where the winds might fill his bellows;
Found a hillock in the swamp-lands,
Where the iron hid abundant;
There he built his smelting furnace,
There he laid his leathern bellows,
Hastened where the wolves had travelled,
Followed where the bears had trampled,
Found the iron's young formations,
In the wolf-tracks of the marshes,
In the foot-prints of the gray-bear.
'Then the blacksmith, Ilmarinen,
'Thus addressed the sleeping iron:
Thou most useful of the metals,
56
Thou art sleeping in the marshes,
Thou art hid in low conditions,
Where the wolf treads in the swamp-lands,
Where the bear sleeps in the thickets.
Hast thou thought and well considered,
What would be thy future station,
Should I place thee in the furnace,
Thus to make thee free and useful?'
'Then was Iron sorely frightened,
Much distressed and filled with horror,
When of Fire he heard the mention,
Mention of his fell destroyer.
'Then again speaks Ilmarinen,
Thus the smith addresses Iron:
'Be not frightened, useful metal,
Surely Fire will not consume thee,
Will not burn his youngest brother,
Will not harm his nearest kindred.
Come thou to my room and furnace,
Where the fire is freely burning,
Thou wilt live, and grow, and prosper,
Wilt become the swords of heroes,
Buckles for the belts of women.'
'Ere arose the star of evening,
Iron ore had left the marshes,
From the water-beds had risen,
Had been carried to the furnace,
In the fire the smith had laid it,
Laid it in his smelting furnace.
Ilmarinen starts the bellows,
Gives three motions of the handle,
And the iron flows in streamlets
From the forge of the magician,
Soon becomes like baker's leaven,
Soft as dough for bread of barley.
Then out-screamed the metal, Iron:
'Wondrous blacksmith, Ilmarinen,
Take, O take me from thy furnace,
From this fire and cruel torture.'
'Ilmarinen thus made answer:
'I will take thee from my furnace,
'Thou art but a little frightened,
57
Thou shalt be a mighty power,
Thou shalt slay the best of heroes,
Thou shalt wound thy dearest brother.'
'Straightway Iron made this promise,
Vowed and swore in strongest accents,
By the furnace, by the anvil,
By the tongs, and by the hammer,
These the words he vowed and uttered:
'Many trees that I shall injure,
Shall devour the hearts of mountains,
Shall not slay my nearest kindred,
Shall not kill the best of heroes,
Shall not wound my dearest brother;
Better live in civil freedom,
Happier would be my life-time,
Should I serve my fellow-beings,
Serve as tools for their convenience,
Than as implements of warfare,
Slay my friends and nearest. kindred,
Wound the children of my mother.'
'Now the master, Ilmarinen,
The renowned and skilful blacksmith,
From the fire removes the iron,
Places it upon the anvil,
Hammers well until it softens,
Hammers many fine utensils,
Hammers spears, and swords, and axes,
Hammers knives, and forks, and hatchets,
Hammers tools of all descriptions.
'Many things the blacksmith needed,
Many things he could not fashion,
Could not make the tongue of iron,
Could not hammer steel from iron,
Could not make the iron harden.
Well considered Ilmarinen,
Deeply thought and long reflected.
Then he gathered birchen ashes,
Steeped the ashes in the water,
Made a lye to harden iron,
Thus to form the steel most needful.
With his tongue he tests the mixture,
Weighs it long and well considers,
58
And the blacksmith speaks as follows:
'All this labor is for nothing,
Will not fashion steel from iron,
Will not make the soft ore harden.'
'Now a bee flies from the meadow,
Blue-wing coming from the flowers,
Flies about, then safely settles
Near the furnace of the smithy.
''Thus the smith the bee addresses,
These the words of Ilmarinen:
'Little bee, thou tiny birdling,
Bring me honey on thy winglets,
On thy tongue, I pray thee, bring me
Sweetness from the fragrant meadows,
From the little cups of flowers,
From the tips of seven petals,
That we thus may aid the water
To produce the steel from iron.'
'Evil Hisi's bird, the hornet,
Heard these words of Ilmarinen,
Looking from the cottage gable,
Flying to the bark of birch-trees,
While the iron bars were heating
While the steel was being tempered;
Swiftly flew the stinging hornet,
Scattered all the Hisi horrors,
Brought the blessing of the serpent,
Brought the venom of the adder,
Brought the poison of the spider,
Brought the stings of all the insects,
Mixed them with the ore and water,
While the steel was being, tempered.
'Ilmarinen, skilful blacksmith,
First of all the iron-workers,
Thought the bee had surely brought him
Honey from the fragrant meadows,
From the little cups of flowers,
From the tips of seven petals,
And he spake the words that follow:
'Welcome, welcome, is thy coming,
Honeyed sweetness from the flowers
Thou hast brought to aid the water,
59
Thus to form the steel from iron!'
'Ilmarinen, ancient blacksmith,
Dipped the iron into water,
Water mixed with many poisons,
Thought it but the wild bee's honey;
Thus he formed the steel from iron.
When he plunged it into water,
Water mixed with many poisons,
When be placed it in the furnace,
Angry grew the hardened iron,
Broke the vow that he had taken,
Ate his words like dogs and devils,
Mercilessly cut his brother,
Madly raged against his kindred,
Caused the blood to flow in streamlets
From the wounds of man and hero.
This, the origin of iron,
And of steel of light blue color.'
From the hearth arose the gray-beard,
Shook his heavy looks and answered:
'Now I know the source of iron,
Whence the steel and whence its evils;
Curses on thee, cruel iron,
Curses on the steel thou givest,
Curses on thee, tongue of evil,
Cursed be thy life forever!
Once thou wert of little value,
Having neither form nor beauty,
Neither strength nor great importance,
When in form of milk thou rested,
When for ages thou wert hidden
In the breasts of God's three daughters,
Hidden in their heaving bosoms,
On the borders of the cloudlets,
In the blue vault of the heavens.
'Thou wert once of little value,
Having neither form nor beauty,
Neither strength nor great importance,
When like water thou wert resting
On the broad back of the marshes,
On the steep declines of mountains,
When thou wert but formless matter,
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Only dust of rusty color.
'Surely thou wert void of greatness,
Having neither strength nor beauty,
When the moose was trampling on thee,
When the roebuck trod upon thee,
When the tracks of wolves were in thee,
And the bear-paws scratched thy body.
Surely thou hadst little value
When the skilful Ilmarinen,
First of all the iron-workers,
Brought thee from the blackened swamp-lands,
Took thee to his ancient smithy,
Placed thee in his fiery furnace.
Truly thou hadst little vigor,
Little strength, and little danger,
When thou in the fire wert hissing,
Rolling forth like seething water,
From the furnace of the smithy,
When thou gavest oath the strongest,
By the furnace, by the anvil,
By the tongs, and by the hammer,
By the dwelling of the blacksmith,
By the fire within the furnace.
'Now forsooth thou hast grown mighty,
Thou canst rage in wildest fury;
Thou hast broken all thy pledges,
All thy solemn vows hast broken,
Like the dogs thou shamest honor,
Shamest both thyself and kindred,
Tainted all with breath of evil.
Tell who drove thee to this mischief,
Tell who taught thee all thy malice,
Tell who gavest thee thine evil!
Did thy father, or thy mother,
Did the eldest of thy brothers,
Did the youngest of thy sisters,
Did the worst of all thy kindred
Give to thee thine evil nature?
Not thy father, nor thy mother,
Not the eldest of thy brothers,
Not the youngest of thy sisters,
Not the worst of all thy kindred,
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But thyself hast done this mischief,
Thou the cause of all our trouble.
Come and view thine evil doings,
And amend this flood of damage,
Ere I tell thy gray-haired mother,
Ere I tell thine aged father.
Great indeed a mother's anguish,
Great indeed a father's sorrow,
When a son does something evil,
When a child runs wild and lawless.
'Crimson streamlet, cease thy flowing
From the wounds of Wainamoinen;
Blood of ages, stop thy coursing
From the veins of the magician;
Stand like heaven's crystal pillars,
Stand like columns in the ocean,
Stand like birch-trees in the forest,
Like the tall reeds in the marshes,
Like the high-rocks on the sea-coast,
Stand by power of mighty magic!
'Should perforce thy will impel thee,
Flow thou on thine endless circuit,
Through the veins of Wainamoinen,
Through the bones, and through the muscles,
Through the lungs, and heart, and liver,
Of the mighty sage and singer;
Better be the food of heroes,
Than to waste thy strength and virtue
On the meadows and the woodlands,
And be lost in dust and ashes.
Flow forever in thy circle;
Thou must cease this crimson out-flow;
Stain no more the grass and flowers,
Stain no more these golden hill-tops,
Pride and beauty of our heroes.
In the veins of the magician,
In the heart of Wainamoinen,
Is thy rightful home and storehouse.
Thither now withdraw thy forces,
Thither hasten, swiftly flowing;
Flow no more as crimson currents,
Fill no longer crimson lakelets,
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Must not rush like brooks in spring-tide,
Nor meander like the rivers.
'Cease thy flow, by word of magic,
Cease as did the falls of Tyrya,
As the rivers of Tuoni,
When the sky withheld her rain-drops,
When the sea gave up her waters,
In the famine of the seasons,
In the years of fire and torture.
If thou heedest not this order,
I shall offer other measures,
Know I well of other forces;
I shall call the Hisi irons,
In them I shall boil and roast thee,
Thus to check thy crimson flowing,
Thus to save the wounded hero.
'If these means be inefficient,
Should these measures prove unworthy,
I shall call omniscient Ukko,
Mightiest of the creators,
Stronger than all ancient heroes,
Wiser than the world-magicians;
He will check the crimson out-flow,
He will heal this wound of hatchet.
'Ukko, God of love and mercy,
God and Master Of the heavens,
Come thou hither, thou art needed,
Come thou quickly I beseech thee,
Lend thy hand to aid thy children,
Touch this wound with healing fingers,
Stop this hero's streaming life-blood,
Bind this wound with tender leaflets,
Mingle with them healing flowers,
Thus to check this crimson current,
Thus to save this great magician,
Save the life of Wainamoinen.'
Thus at last the blood-stream ended,
As the magic words were spoken.
Then the gray-beard, much rejoicing,
Sent his young son to the smithy,
There to make a healing balsam,
From the herbs of tender fibre,
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From the healing plants and flowers,
From the stalks secreting honey,
From the roots, and leaves, and blossoms.
On the way he meets an oak-tree,
And the oak the son addresses:
'Hast thou honey in thy branches,
Does thy sap run full of sweetness?'
Thus the oak-tree wisely answers:
'Yea, but last night dripped the honey
Down upon my spreading branches,
And the clouds their fragrance sifted,
Sifted honey on my leaflets,
From their home within the heavens.'
Then the son takes oak-wood splinters,
Takes the youngest oak-tree branches,
Gathers many healing grasses,
Gathers many herbs and flowers,
Rarest herbs that grow in Northland,
Places them within the furnace
In a kettle made of copper;
Lets them steep and boil together,
Bits of bark chipped from the oak-tree,
Many herbs of healing virtues;
Steeps them one day, then a second,
Three long days of summer weather,
Days and nights in quick succession;
Then he tries his magic balsam,
Looks to see if it is ready,
If his remedy is finished;
But the balsam is unworthy.
Then he added other grasses,
Herbs of every healing virtue,
That were brought from distant nations,
Many hundred leagues from Northland,
Gathered by the wisest minstrels,
Thither brought by nine enchanters.
Three days more be steeped the balsam,
Three nights more the fire be tended,
Nine the days and nights be watched it,
Then again be tried the ointment,
Viewed it carefully and tested,
Found at last that it was ready,
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Found the magic balm was finished.
Near by stood a branching birch-tree.
On the border of the meadow,
Wickedly it had been broken,
Broken down by evil Hisi;
Quick he takes his balm of healing,
And anoints the broken branches,
Rubs the balsam in the fractures,
Thus addresses then the birch-tree:
'With this balsam I anoint thee,
With this salve thy wounds I cover,
Cover well thine injured places;
Now the birch-tree shall recover,
Grow more beautiful than ever.'
True, the birch-tree soon recovered,
Grew more beautiful than ever,
Grew more uniform its branches,
And its bole more strong and stately.
Thus it was be tried the balsam,
Thus the magic salve he tested,
Touched with it the splintered sandstone,
Touched the broken blocks of granite,
Touched the fissures in the mountains,
And the broken parts united,
All the fragments grew together.
Then the young boy quick returning
With the balsam he had finished,
To the gray-beard gave the ointment,
And the boy these measures uttered
'Here I bring the balm of healing,
Wonderful the salve I bring thee;
It will join the broken granite,
Make the fragments grow together,
Heat the fissures in the mountains,
And restore the injured birch-tree.'
With his tongue the old man tested,
Tested thus the magic balsam,
Found the remedy effective,
Found the balm had magic virtues;
Then anointed he the minstrel,
Touched the wounds of Wainamoinen,
Touched them with his magic balsam,
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With the balm of many virtues;
Speaking words of ancient wisdom,
These the words the gray-beard uttered:
'Do not walk in thine own virtue,
Do not work in thine own power,
Walk in strength of thy Creator;
Do not speak in thine own wisdom,
Speak with tongue of mighty Ukko.
In my mouth, if there be sweetness,
It has come from my Creator;
If my bands are filled with beauty,
All the beauty comes from Ukko.'
When the wounds had been anointed,
When the magic salve had touched them,
Straightway ancient Wainamoinen
Suffered fearful pain and anguish,
Sank upon the floor in torment,
Turning one way, then another,
Sought for rest and found it nowhere,
Till his pain the gray-beard banished,
Banished by the aid of magic,
Drove away his killing torment
To the court of all our trouble,
To the highest hill of torture,
To the distant rocks and ledges,
To the evil-bearing mountains,
To the realm of wicked Hisi.
Then be took some silken fabric,
Quick he tore the silk asunder,
Making equal strips for wrapping,
Tied the ends with silken ribbons,
Making thus a healing bandage;
Then he wrapped with skilful fingers
Wainamoinen's knee and ankle,
Wrapped the wounds of the magician,
And this prayer the gray-beard uttered
'Ukko's fabric is the bandage,
Ukko's science is the surgeon,
These have served the wounded hero,
Wrapped the wounds of the magician.
Look upon us, God of mercy,
Come and guard us, kind Creator,
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And protect us from all evil!
Guide our feet lest they may stumble,
Guard our lives from every danger,
From the wicked wilds of Hisi.'
Wainamoinen, old and truthful,
Felt the mighty aid of magic,
Felt the help of gracious Ukko,
Straightway stronger grew in body,
Straightway were the wounds united,
Quick the fearful pain departed.
Strong and hardy grew the hero,
Straightway walked in perfect freedom,
Turned his knee in all directions,
Knowing neither pain nor trouble.
Then the ancient Wainamoinen
Raised his eyes to high Jumala,
Looked with gratitude to heaven,
Looked on high, in joy and gladness,
Then addressed omniscient Ukko,
This the prayer the minstrel uttered:
'O be praised, thou God of mercy,
Let me praise thee, my Creator,
Since thou gavest me assistance,
And vouchsafed me thy protection,
Healed my wounds and stilled mine anguish,
Banished all my pain and trouble,
Caused by Iron and by Hisi.
O, ye people of Wainola,
People of this generation,
And the folk of future ages,
Fashion not in emulation,
River boat, nor ocean shallop,
Boasting of its fine appearance,
God alone can work completion,
Give to cause its perfect ending,
Never hand of man can find it,
Never can the hero give it,
Ukko is the only Master.'
~ Elias Lönnrot,#NFDB
1273:The Kalevala - Rune L
MARIATTA--WAINAMOINEN'S DEPARTURE.
Mariatta, child of beauty,
Grew to maidenhood in Northland,
In the cabin of her father,
In the chambers of her mother,
Golden ringlets, silver girdles,
Worn against the keys paternal,
Glittering upon her bosom;
Wore away the father's threshold
With the long robes of her garments;
Wore away the painted rafters
With her beauteous silken ribbons;
Wore away the gilded pillars
With the touching of her fingers;
Wore away the birchen flooring
With the tramping of her fur-shoes.
Mariatta, child of beauty,
Magic maid of little stature,
Guarded well her sacred virtue,
Her sincerity and honor,
Fed upon the dainty whiting,
On the inner bark of birch-wood,
On the tender flesh of lambkins.
When she hastened in the evening
To her milking in the hurdles,
Spake in innocence as follows:
'Never will the snow-white virgin
Milk the kine of one unworthy!'
When she journeyed over snow-fields,
On the seat beside her father,
Spake in purity as follows:
'Not behind a steed unworthy
Will I ever ride the snow-sledge!'
Mariatta, child of beauty,
Lived a virgin with her mother,
As a maiden highly honored,
Lived in innocence and beauty,
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Daily drove her flocks to pasture,
Walking with the gentle lambkins.
When the lambkins climbed the mountains,
When they gamboled on the hill-tops,
Stepped the virgin to the meadow,
Skipping through a grove of lindens,
At the calling of the cuckoo,
To the songster's golden measures.
Mariatta, child of beauty,
Looked about, intently listened,
Sat upon the berry-meadow
Sat awhile, and meditated
On a hillock by the forest,
And soliloquized as follows:
'Call to me, thou golden cuckoo,
Sing, thou sacred bird of Northland,
Sing, thou silver breasted songster,
Speak, thou strawberry of Ehstland,
Tell bow long must I unmarried,
As a shepherdess neglected,
Wander o'er these bills and mountains,
Through these flowery fens and fallows.
Tell me, cuckoo of the woodlands,
Sing to me how many summers
I must live without a husband,
As a shepherdess neglected!'
Mariatta, child of beauty,
Lived a shepherd-maid for ages,
As a virgin with her mother.
Wretched are the lives of shepherds,
Lives of maidens still more wretched,
Guarding flocks upon the mountains;
Serpents creep in bog and stubble,
On the greensward dart the lizards;
But it was no serpent singing,
Nor a sacred lizard calling,
It was but the mountain-berry
Calling to the lonely maiden:
'Come, O virgin, come and pluck me,
Come and take me to thy bosom,
Take me, tinsel-breasted virgin,
Take me, maiden, copper-belted,
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Ere the slimy snail devours me,
Ere the black-worm feeds upon me.
Hundreds pass my way unmindful,
Thousands come within my hearing,
Berry-maidens swarm about me,
Children come in countless numbers,
None of these has come to gather,
Come to pluck this ruddy berry.'
Mariatta, child of beauty,
Listened to its gentle pleading,
Ran to pick the berry, calling,
With her fair and dainty fingers,.
Saw it smiling near the meadow,
Like a cranberry in feature,
Like a strawberry in flavor;
But be Virgin, Mariatta,
Could not pluck the woodland-stranger,
Thereupon she cut a charm-stick,
Downward pressed upon the berry,
When it rose as if by magic,
Rose above her shoes of ermine,
Then above her copper girdle,
Darted upward to her bosom,
Leaped upon the maiden's shoulder,
On her dimpled chin it rested,
On her lips it perched a moment,
Hastened to her tongue expectant
To and fro it rocked and lingered,
Thence it hastened on its journey,
Settled in the maiden's bosom.
Mariatta, child of beauty,
Thus became a bride impregnate,
Wedded to the mountain-berry;
Lingered in her room at morning,
Sat at midday in the darkness,
Hastened to her couch at evening.
Thus the watchful mother wonders:
'What has happened to our Mary,
To our virgin, Mariatta,
That she throws aside her girdle,
Shyly slips through hall and chamber,
Lingers in her room at morning,
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Hastens to her couch at evening,
Sits at midday in the darkness?'
On the floor a babe was playing,
And the young child thus made answer:
'This has happened to our Mary,
To our virgin, Mariatta,
This misfortune to the maiden:
She has lingered by the meadows,
Played too long among the lambkins,
Tasted of the mountain-berry.'
Long the virgin watched and waited,
Anxiously the days she counted,
Waiting for the dawn of trouble.
Finally she asked her mother,
These the words of Mariatta:
'Faithful mother, fond and tender,
Mother whom I love and cherish,
Make for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the mother:
'Woe to thee, thou Hisi-maiden,
Since thou art a bride unworthy,
Wedded only to dishonor!'
Mariatta, child of beauty,
Thus replied in truthful measures:
'I am not a maid of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
As a shepherdess I wandered
With the lambkins to the glen-wood,
Wandered to the berry-mountain,
Where the strawberry had ripened;
Quick as thought I plucked the berry,
On my tongue I gently laid it,
To and fro it rocked and lingered,
Settled in my heaving bosom.
This the source of all my trouble,
Only cause of my dishonor!'
As the mother was relentless,
Asked the maiden of her father,
This the virgin-mother's pleading:
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O my father, full of pity,
Source of both my good and evil,
Build for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the father,
Of the father unforgiving:
'Go, thou evil child of Hisi,
Go, thou child of sin and sorrow,
Wedded only to dishonor,
To the Great Bear's rocky chamber,
To the stone-cave of the growler,
There to lessen all thy troubles,
There to cast thy heavy burdens!'
Mariatta, child of beauty,
Thus made answer to her father:
'I am not a child of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
I shall bear a noble hero,
I shall bear a son immortal,
Who will rule among the mighty,
Rule the ancient Wainamoinen.'
Thereupon the virgin-mother
Wandered hither, wandered thither,
Seeking for a place befitting,
Seeking for a worthy birth-place
For her unborn son and hero;
Finally these words she uttered
'Piltti, thou my youngest maiden,
Trustiest of all my servants,
Seek a place within the village,
Ask it of the brook of Sara,
For the troubled Mariatta,
Child of sorrow and misfortune.'
Thereupon the little maiden,
Piltti, spake these words in answer:
'Whom shall I entreat for succor,
Who will lend me his assistance?
These the words of Mariatta:
'Go and ask it of Ruotus,
Where the reed-brook pours her waters.'
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Thereupon the servant, Piltti,
Ever hopeful, ever willing,
Hastened to obey her mistress,
Needing not her exhortation;
Hastened like the rapid river,
Like the flying smoke of battle
To the cabin of Ruotus.
When she walked the hill-tops tottered,
When she ran the mountains trembled;
Shore-reeds danced upon the pasture,
Sandstones skipped about the heather
As the maiden, Piltti, hastened
To the dwelling of Ruotus.
At his table in his cabin
Sat Ruotus, eating, drinking,
In his simple coat of linen.
With his elbows on the table
Spake the wizard in amazement:
'Why hast thou, a maid of evil,
Come to see me in my cavern,
What the message thou art bringing?
Thereupon the servant, Piltti,
Gave this answer to the wizard:
'Seek I for a spot befitting,
Seek I for a worthy birth-place,
For an unborn child and hero;
Seek it near the Sara-streamlet,
Where the reed-brook pours her waters.
Came the wife of old Ruotus,
Walking with her arms akimbo,
Thus addressed the maiden, Piltti:
'Who is she that asks assistance,
Who the maiden thus dishonored,
What her name, and who her kindred?'
'I have come for Mariatta,
For the worthy virgin-mother.'
Spake the wife of old Ruotus,
Evil-minded, cruel-hearted:
'Occupied are all our chambers,
All our bath-rooms near the reed-brook;
in the mount of fire are couches,
is a stable in the forest,
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For the flaming horse of Hisi;
In the stable is a manger
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta!'
Thereupon the servant, Piltti,
Hastened to her anxious mistress,
Spake these measures, much regretting.
'There is not a place befitting,
on the silver brook of Sara.
Spake the wife of old Ruotus:
'Occupied are all the chambers,
All the bath-rooms near the reed-brook;
In the mount of fire are couches,
Is a stable, in the forest,
For the flaming horse of Hisi;
In the stable is a manger,
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta.''
Thereupon the hapless maiden,
Mariatta, virgin-mother,
Fell to bitter tears and murmurs,
Spake these words in depths of sorrow:
'I, alas! must go an outcast,
Wander as a wretched hireling,
Like a servant in dishonor,
Hasten to the burning mountain,
To the stable in the forest,
Make my bed within a manger,
Near the flaming steed of Hisi!'
Quick the hapless virgin-mother,
Outcast from her father's dwelling,
Gathered up her flowing raiment,
Grasped a broom of birchen branches,
Hastened forth in pain and sorrow
To the stable in the woodlands,
On the heights of Tapio's mountains,
Spake these words in supplication:
'Come, I pray thee, my Creator,
Only friend in times of trouble,
Come to me and bring protection
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To thy child, the virgin-mother,
To the maiden, Mariatta,
In this hour of sore affliction.
Come to me, benignant Ukko,
Come, thou only hope and refuge,
Lest thy guiltless child should perish,
Die the death of the unworthy!'
When the virgin, Mariatta,
Had arrived within the stable
Of the flaming horse of Hisi,
She addressed the steed as follows:
'Breathe, O sympathizing fire-horse,
Breathe on me, the virgin-mother,
Let thy heated breath give moisture,
Let thy pleasant warmth surround me,
Like the vapor of the morning;
Let this pure and helpless maiden
Find a refuge in thy manger!'
Thereupon the horse, in pity,
Breathed the moisture of his nostrils
On the body of the virgin,
Wrapped her in a cloud of vapor,
Gave her warmth and needed comforts,
Gave his aid to the afflicted,
To the virgin, Mariatta.
There the babe was born and cradled
Cradled in a woodland-manger,
Of the virgin, Mariatta,
Pure as pearly dews of morning,
Holy as the stars in heaven.
There the mother rocks her infant,
In his swaddling clothes she wraps him,
Lays him in her robes of linen;
Carefully the babe she nurtures,
Well she guards her much-beloved,
Guards her golden child of beauty,
Her beloved gem of silver.
But alas! the child has vanished,
Vanished while the mother slumbered.
Mariatta, lone and wretched,
Fell to weeping, broken-hearted,
Hastened off to seek her infant.
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Everywhere the mother sought him,
Sought her golden child of beauty,
Her beloved gem of silver;
Sought him underneath the millstone,
In the sledge she sought him vainly,
Underneath the sieve she sought him,
Underneath the willow-basket,
Touched the trees, the grass she parted,
Long she sought her golden infant,
Sought him on the fir-tree-mountain,
In the vale, and hill, and heather;
Looks within the clumps of flowers,
Well examines every thicket,
Lifts the juniper and willow,
Lifts the branches of the alder.
Lo! a star has come to meet her,
And the star she thus beseeches-.
'O, thou guiding-star of Northland,
Star of hope, by God created,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Thus the star of Northland answers:
'If I knew, I would not tell thee;
'Tis thy child that me created,
Set me here to watch at evening,
In the cold to shine forever,
Here to twinkle in the darkness.'
Comes the golden Moon to meet her,
And the Moon she thus beseeches:
'Golden Moon, by Ukko fashioned,
Hope and joy of Kalevala,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?
Speaks the golden Moon in answer:
'If I knew I would not tell thee;
'Tis thy child that me created,
Here to wander in the darkness,
All alone at eve to wander
On my cold and cheerless journey,
Sleeping only in the daylight,
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Shining for the good of others.'
Thereupon the virgin-mother
Falls again to bitter weeping,
Hastens on through fen and forest,
Seeking for her babe departed.
Comes the silver Sun to meet her,
And the Sun she thus addresses:
'Silver Sun by Ukko fashioned,
Source of light and life to Northland,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Wisely does the Sun make answer:
'Well I know thy babe's dominions,
Where thy holy child is sleeping,
Where Wainola's light lies hidden;
'Tis thy child that me created,
Made me king of earth and ether,
Made the Moon and Stars attend me,
Set me here to shine at midday,
Makes me shine in silver raiment,
Lets me sleep and rest at evening;
Yonder is thy golden infant,
There thy holy babe lies sleeping,
Hidden to his belt in water,
Hidden in the reeds and rushes.'
Mariatta, child of beauty,
Virgin-mother of the Northland,
Straightway seeks her babe in Swamp-land,
Finds him in the reeds and rushes;
Takes the young child on her bosom
To the dwelling of her father.
There the infant grew in beauty,
Gathered strength, and light, and wisdom,
All of Suomi saw and wondered.
No one knew what name to give him;
When the mother named him, Flower,
Others named him, Son-of-Sorrow.
When the virgin, Mariatta,
Sought the priesthood to baptize him,
Came an old man, Wirokannas,
With a cup of holy water,
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Bringing to the babe his blessing;
And the gray-beard spake as follows:
'I shall not baptize a wizard,
Shall not bless a black-magician
With the drops of holy water;
Let the young child be examined,
Let us know that he is worthy,
Lest he prove the son of witchcraft.'
Thereupon old Wirokannas
Called the ancient Wainamoinen,
The eternal wisdom-singer,
To inspect the infant-wonder,
To report him good or evil.
Wainamoinen, old and faithful,
Carefully the child examined,
Gave this answer to his people:
'Since the child is but an outcast,
Born and cradled in a manger,
Since the berry is his father;
Let him lie upon the heather,
Let him sleep among the rushes,
Let him live upon the mountains;
Take the young child to the marshes,
Dash his head against the birch-tree.'
Then the child of Mariatta,
Only two weeks old, made answer:
'O, thou ancient Wainamoinen,
Son of Folly and Injustice,
Senseless hero of the Northland,
Falsely hast thou rendered judgment.
In thy years, for greater follies,
Greater sins and misdemeanors,
Thou wert not unjustly punished.
In thy former years of trouble,
When thou gavest thine own brother,
For thy selfish life a ransom,
Thus to save thee from destruction,
Then thou wert not sent to Swamp-land
To be murdered for thy follies.
In thy former years of sorrow,
When the beauteous Aino perished
In the deep and boundless blue-sea,
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To escape thy persecutions,
Then thou wert not evil-treated,
Wert not banished by thy people.'
Thereupon old Wirokannas,
Of the wilderness the ruler,
Touched the child with holy water,
Crave the wonder-babe his blessing,
Gave him rights of royal heirship,
Free to live and grow a hero,
To become a mighty ruler,
King and Master of Karyala.
As the years passed Wainamoinen
Recognized his waning powers,
Empty-handed, heavy-hearted,
Sang his farewell song to Northland,
To the people of Wainola;
Sang himself a boat of copper,
Beautiful his bark of magic;
At the helm sat the magician,
Sat the ancient wisdom-singer.
Westward, westward, sailed the hero
O'er the blue-back of the waters,
Singing as he left Wainola,
This his plaintive song and echo:
'Suns may rise and set in Suomi,
Rise and set for generations,
When the North will learn my teachings,
Will recall my wisdom-sayings,
Hungry for the true religion.
Then will Suomi need my coming,
Watch for me at dawn of morning,
That I may bring back the Sampo,
Bring anew the harp of joyance,
Bring again the golden moonlight,
Bring again the silver sunshine,
Peace and plenty to the Northland.'
Thus the ancient Wainamoinen,
In his copper-banded vessel,
Left his tribe in Kalevala,
Sailing o'er the rolling billows,
Sailing through the azure vapors,
Sailing through the dusk of evening,
79
Sailing to the fiery sunset,
To the higher-landed regions,
To the lower verge of heaven;
Quickly gained the far horizon,
Gained the purple-colored harbor.
There his bark be firmly anchored,
Rested in his boat of copper;
But be left his harp of magic,
Left his songs and wisdom-sayings,
To the lasting joy of Suomi.
EPILOGUE.
Now I end my measured singing,
Bid my weary tongue keep silence,
Leave my songs to other singers.
Horses have their times of resting
After many hours of labor;
Even sickles will grow weary
When they have been long at reaping;
Waters seek a quiet haven
After running long in rivers;
Fire subsides and sinks in slumber
At the dawning of the morning
Therefore I should end my singing,
As my song is growing weary,
For the pleasure of the evening,
For the joy of morn arising.
Often I have heard it chanted,
Often heard the words repeated:
'Worthy cataracts and rivers
Never empty all their waters.'
Thus the wise and worthy singer
Sings not all his garnered wisdom;
Better leave unsung some sayings
Than to sing them out of season.
Thus beginning, and thus ending,
Do I roll up all my legends,
Roll them in a ball for safety,
In my memory arrange them,
In their narrow place of resting,
Lest the songs escape unheeded,
While the lock is still unopened,
While the teeth remain unparted,
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And the weary tongue is silent.
Why should I sing other legends,
Chant them in the glen and forest,
Sing them on the hill and heather?
Cold and still my golden mother
Lies beneath the meadow, sleeping,
Hears my ancient songs no longer,
Cannot listen to my singing;
Only will the forest listen,
Sacred birches, sighing pine-trees,
Junipers endowed with kindness,
Alder-trees that love to bear me,
With the aspens and the willows.
When my loving mother left me,
Young was I, and low of stature;
Like the cuckoo of the forest,
Like the thrush upon the heather,
Like the lark I learned to twitter,
Learned to sing my simple measures,
Guided by a second mother,
Stern and cold, without affection;
Drove me helpless from my chamber
To the wind-side of her dwelling,
To the north-side of her cottage,
Where the chilling winds in mercy
Carried off the unprotected.
As a lark I learned to wander,
Wander as a lonely song-bird,
Through the forests and the fenlands
Quietly o'er hill and heather;
Walked in pain about the marshes,
Learned the songs of winds and waters,
Learned the music of the ocean,
And the echoes of the woodlands.
Many men that live to murmur,
Many women live to censure,
Many speak with evil motives;
Many they with wretched voices
Curse me for my wretched singing,
Blame my tongue for speaking wisdom,
Call my ancient songs unworthy,
Blame the songs and curse the singer.
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Be not thus, my worthy people,
Blame me not for singing badly,
Unpretending as a minstrel.
I have never had the teaching,
Never lived with ancient heroes,
Never learned the tongues of strangers,
Never claimed to know much wisdom.
Others have had language-masters,
Nature was my only teacher,
Woods and waters my instructors.
Homeless, friendless, lone, and needy,
Save in childhood with my mother,
When beneath her painted rafters,
Where she twirled the flying spindle,
By the work-bench of my brother,
By the window of my sister,
In. the cabin of my father,
In my early days of childhood.
Be this as it may, my people,
This may point the way to others,
To the singers better gifted,
For the good of future ages,
For the coming generations,
For the rising folk of Suomi.
~ Elias Lönnrot,#NFDB
1274:The Kalevala - Rune Xxix
THE ISLE OF REFUGE.
Lemminkainen, full of joyance,
Handsome hero, Kaukomieli,
Took provisions in abundance,
Fish and butter, bread and bacon,
Hastened to the Isle of Refuge,
Sailed away across the oceans,
Spake these measures on departing:
'Fare thee well, mine Island-dwelling,
I must sail to other borders,
To an island more protective,
Till the second summer passes;
Let the serpents keep the island,
Lynxes rest within the glen-wood,
Let the blue-moose roam the mountains,
Let the wild-geese cat the barley.
Fare thee well, my helpful mother!
When the warriors of the Northland,
From the dismal Sariola,
Come with swords, and spears, and cross-bows,
Asking for my head in vengeance,
Say that I have long departed,
Left my mother's Island-dwelling,
When the barley had been garnered.'
Then he launched his boat of copper,
Threw the vessel to the waters,
From the iron-banded rollers,
From the cylinders of oak-wood,
On the masts the sails he hoisted,
Spread the magic sails of linen,
In the stern the hero settled
And prepared to sail his vessel,
One hand resting on the rudder.
Then the sailor spake as follows,
These the words of Lemminkainen:
'Blow, ye winds, and drive me onward,
Blow ye steady, winds of heaven,
409
Toward the island in the ocean,
That my bark may fly in safety
To my father's place of refuge,
To the far and nameless island!'
Soon the winds arose as bidden,
Rocked the vessel o'er the billows,
O'er the blue-back of the waters,
O'er the vast expanse of ocean;
Blew two months and blew unceasing,
Blew a third month toward the island,
Toward his father's Isle of Refuge.
Sat some maidens on the seaside,
On the sandy beach of ocean,
Turned about in all directions,
Looking out upon the billows;
One was waiting for her brother,
And a second for her father,
And a third one, anxious, waited
For the, coming of her suitor;
There they spied young Lemminkainen,
There perceived the hero's vessel
Sailing o'er the bounding billows;
It was like a hanging cloudlet,
Hanging twixt the earth and heaven.
Thus the island-maidens wondered,
Thus they spake to one another:
'What this stranger on the ocean,
What is this upon the waters?
Art thou one of our sea-vessels?
Wert thou builded on this island?
Sail thou straightway to the harbor,
To the island-point of landing
That thy tribe may be discovered.'
Onward did the waves propel it,
Rocked his vessel o'er the billows,
Drove it to the magic island,
Safely landed Lemminkainen
On the sandy shore and harbor.
Spake he thus when he had landed,
These the words that Ahti uttered:
'Is there room upon this island,
Is there space within this harbor,
410
Where my bark may lie at anchor,
Where the sun may dry my vessel?'
This the answer of the virgins,
Dwellers on the Isle of Refuge:
'There is room within this harbor,
On this island, space abundant,
Where thy bark may lie at anchor,
Where the sun may dry thy vessel;
Lying ready are the rollers,
Cylinders adorned with copper;
If thou hadst a hundred vessels,
Shouldst thou come with boats a thousand,
We would give them room in welcome.'
Thereupon wild Lemminkainen
Rolled his vessel in the harbor,
On the cylinders of copper,
Spake these words when he had ended:
'Is there room upon this island,
Or a spot within these forests,
Where a hero may be hidden
From the coming din of battle,
From the play of spears and arrows?
Thus replied the Island-maidens:
'There are places on this island,
On these plains a spot befitting
Where to hide thyself in safety,
Hero-son of little valor.
Here are many, many castles,
Many courts upon this island;
Though there come a thousand heroes,
Though a thousand spearmen. follow,
Thou canst hide thyself in safety.'
Spake the hero, Lemminkainen:
'Is there room upon this island,
Where the birch-tree grows abundant,
Where this son may fell the forest,
And may cultivate the fallow? '
Answered thus the Island-maidens:
'There is not a spot befitting,
Not a place upon the island,
Where to rest thy wearied members,
Not the smallest patch of birch-wood,
411
Thou canst bring to cultivation.
All our fields have been divided,
All these woods have been apportioned,
Fields and forests have their owners.'
Lemminkainen asked this question,
These the words of Kaukomieli:
'Is there room upon this island,
Worthy spot in field or forest,
Where to Sing my songs of magic,
Chant my gathered store of wisdom,
Sing mine ancient songs and legends?'
Answered thus the Island-maidens:
'There is room upon this island,
Worthy place in these dominions,
Thou canst sing thy garnered wisdom,
Thou canst chant thine ancient legends,
Legends of the times primeval,
In the forest, in the castle,
On the island-plains and pastures.'
Then began the reckless minstrel
To intone his wizard-sayings;
Sang he alders to the waysides,
Sang the oaks upon the mountains,
On the oak-trees sang be branches,
On each branch he sang an acorn,
On the acorns, golden rollers,
On each roller, sang a cuckoo;
Then began the cuckoos, calling,
Gold from every throat came streaming,
Copper fell from every feather,
And each wing emitted silver,
Filled the isle with precious metals.
Sang again young Lemminkainen,
Conjured on, and sang, and chanted,
Sang to precious stones the sea-sands,
Sang the stones to pearls resplendent,
Robed the groves in iridescence,
Sang the island full of flowers,
Many-colored as the rainbow.
Sang again the magic minstrel,
In the court a well he conjured,
On the well a golden cover,
412
On the lid a silver dipper,
That the boys might drink the water,
That the maids might lave their eyelids.
On the plains he conjured lakelets,
Sang the duck upon the waters,
Golden-cheeked and silver-headed,
Sang the feet from shining copper;
And the Island-maidens wondered,
Stood entranced at Ahti's wisdom,
At the songs of Lemminkainen,
At the hero's magic power.
Spake the singer, Lemminkainen,
Handsome hero, Kaukomieli:
'I would sing a wondrous legend,
Sing in miracles of sweetness,
If within some hall or chamber,
I were seated at the table.
If I sing not in the castle,
In some spot by walls surrounded
Then I sing my songs to zephyrs,
Fling them to the fields and forests.'
Answered thus the Island-maidens:
'On this isle are castle-chambers,
Halls for use of magic singers,
Courts complete for chanting legends,
Where thy singing will be welcome,
Where thy songs will not be scattered
To the forests of the island,
Nor thy wisdom lost in ether.'
Straightway Lemminkainen journeyed
With the maidens to the castle;
There he sang and conjured pitchers
On the borders of the tables,
Sang and conjured golden goblets
Foaming with the beer of barley;
Sang he many well-filled vessels,
Bowls of honey-drink abundant,
Sweetest butter, toothsome biscuit,
Bacon, fish, and veal, and venison,
All the dainties of the Northland,
Wherewithal to still his hunger.
But the proud-heart, Lemminkainen,
413
Was not ready for the banquet,
Did not yet begin his feasting,
Waited for a knife of silver,
For a knife of golden handle;
Quick he sang the precious metals,
Sang a blade from purest silver,
To the blade a golden handle,
Straightway then began his feasting,
Quenched his thirst and stilled his hunger,
Charmed the maidens on the island.
Then the minstrel, Lemminkainen,
Roamed throughout the island-hamlets,
To the joy of all the virgins,
All the maids of braided tresses;
Wheresoe'er he turned his footsteps,
There appeared a maid to greet him;
When his hand was kindly offered,
There his band was kindly taken;
When he wandered out at evening,
Even in the darksome places,
There the maidens bade him welcome;
There was not an island-village
Where there were not seven castles,
In each castle seven daughters,
And the daughters stood in waiting,
Gave the hero joyful greetings,
Only one of all the maidens
Whom he did not greet with pleasure.
Thus the merry Lemminkainen
Spent three summers in the ocean,
Spent a merry time in refuge,
In the hamlets on the island,
To the pleasure of the maidens,
To the joy of all the daughters;
Only one was left neglected,
She a poor and graceless spinster,
On the isle's remotest border,
In the smallest of the hamlets.
'Then he thought about his journey
O'er the ocean to his mother,
To the cottage of his father.
There appeared the slighted spinster,
414
To the Northland son departing,
Spake these words to Lemminkainen:
'O, thou handsome Kaukomieli,
Wisdom-bard, and magic singer,
Since this maiden thou hast slighted,
May the winds destroy thy vessel,
Dash thy bark to countless fragments
On the ocean-rocks and ledges!'
Lemminkainen's thoughts were homeward,
Did not heed the maiden's murmurs,
Did not rise before the dawning
Of the morning on the island,
To the pleasure of the maiden
Of the much-neglected hamlet.
Finally at close of evening,
He resolved to leave the island,
He resolved to waken early,
Long before the dawn of morning;
Long before the time appointed,
He arose that he might wander
Through the hamlets of the island,
Bid adieu to all the maidens,
On the morn of his departure.
As he wandered hither, thither,
Walking through the village path-ways
To the last of all the hamlets;
Saw he none of all the castle-,
Where three dwellings were not standing;
Saw he none of all the dwellings
Where three heroes were not watching;
Saw he none of all the heroes,
Who was not engaged in grinding
Swords, and spears, and battle-axes,
For the death of Lemminkainen.
And these words the hero uttered:
'Now alas! the Sun arises
From his couch within the ocean,
On the frailest of the heroes,
On the saddest child of Northland;
On my neck the cloak of Lempo
Might protect me from all evil,
Though a hundred foes assail me,
415
Though a thousand archers follow.'
Then he left the maids ungreeted,
Left his longing for the daughters
Of the nameless Isle of Refuge,
With his farewell-words unspoken,
Hastened toward the island-harbor,
Toward his magic bark at anchor;
But he found it burned to ashes,
Sweet revenge had fired his vessel,
Lighted by the slighted spinster.
Then he saw the dawn of evil,
Saw misfortune hanging over,
Saw destruction round about him.
Straightway he began rebuilding
Him a magic sailing-vessel,
New and wondrous, full of beauty;
But the hero needed timber,
Boards, and planks, and beams, and braces,
Found the smallest bit of lumber,
Found of boards but seven fragments,
Of a spool he found three pieces,
Found six pieces of the distaff;
With these fragments builds his vessel,
Builds a ship of magic virtue,
Builds the bark with secret knowledge,
Through the will of the magician;
Strikes one blow, and builds the first part,
Strikes a second, builds the centre,
Strikes a third with wondrous power,
And the vessel is completed.
Thereupon the ship he launches,
Sings the vessel to the ocean,
And these words the hero utters:
'Like a bubble swim these waters,
Like a flower ride the billows;
Loan me of thy magic feathers,
Three, O eagle, four, O raven,
For protection to my vessel,
Lest it flounder in the ocean!'
Now the sailor, Lemminkainen,
Seats himself upon the bottom
Of the vessel he has builded,
416
Hastens on his journey homeward,
Head depressed and evil-humored,
Cap awry upon his forehead,
Mind dejected, heavy-hearted,
That he could not dwell forever
In the castles of the daughters
Of the nameless Isle of Refuge.
Spake the minstrel, Lemminkainen,
Handsome hero, Kaukomieli:
'Leave I must this merry island,
Leave her many joys and pleasures,
Leave her maids with braided tresses,
Leave her dances and her daughters,
To the joys of other heroes;
But I take this comfort with me:
All the maidens on the island,
Save the spinster who was slighted,
Will bemoan my loss for ages,
Will regret my quick departure;
They will miss me at the dances,
In the halls of mirth and joyance,
In the homes of merry maidens,
On my father's Isle of Refuge.'
Wept the maidens on the island,
Long lamenting, loudly calling
To the hero sailing homeward:
'Whither goest, Lemminkainen,
Why depart, thou best of heroes?
Dost thou leave from inattention,
Is there here a dearth of maidens,
Have our greetings been unworthy?'
Sang the magic Lemminkainen
To the maids as he was sailing,
This in answer to their calling:
'Leaving not for want of pleasure,
Do not go from dearth of women
Beautiful the island-maidens,
Countless as the sands their virtues.
This the reason of my going,
I am longing for my home-land,
Longing for my mother's cabins,
For the strawberries of Northland,
417
For the raspberries of Kalew,
For the maidens of my childhood,
For the children of my mother.'
Then the merry Lemminkainen
Bade farewell to all the island;
Winds arose and drove his vessel
On the blue-back of the ocean,
O'er the far-extending waters,
Toward the island of his mother.
On the shore were grouped the daughters
Of the magic Isle of Refuge,
On the rocks sat the forsaken,
Weeping stood the island-maidens,
Golden daughters, loud-lamenting.
Weep the maidens of the island
While the sail-yards greet their vision,
While the copper-beltings glisten;
Do not weep to lose the sail-yards,
Nor to lose the copper-beltings;
Weep they for the loss of Ahti,
For the fleeing Kaukomieli
Guiding the departing vessel.
Also weeps young Lemminkainen,
Sorely weeps, and loud-lamenting,
Weeps while he can see the island,
While the island hill-tops glisten;
Does not mourn the island-mountains,
Weeps he only for the maidens,
Left upon the Isle of Refuge.
Thereupon sailed Kaukomieli
On the blue-back of the ocean;
Sailed one day, and then a second,
But, alas! upon the third day,
There arose a mighty storm-wind,
And the sky was black with fury.
Blew the black winds from the north-west,
From the south-east came the whirlwind,
Tore away the ship's forecastle,
Tore away the vessel's rudder,
Dashed the wooden hull to pieces.
Thereupon wild Lemminkainen
Headlong fell upon the waters;
418
With his head he did the steering,
With his hands and feet, the rowing;
Swam whole days and nights unceasing,
Swam with hope and strength united,
Till at last appeared a cloudlet,
Growing cloudlet to the westward,
Changing to a promontory,
Into land within the ocean.
Swiftly to the shore swam Ahti,
Hastened to a magic castle,
Found therein a hostess baking,
And her daughters kneading barley,
And these words the hero uttered:
'O, thou hostess, filled with kindness,
Couldst thou know my pangs of hunger,
Couldst thou guess my name and station,
Thou wouldst hasten to the storehouse,
Bring me beer and foaming liquor,
Bring the best of thy provisions,
Bring me fish, and veal, and bacon,
Butter, bread, and honeyed biscuits,
Set for me a wholesome dinner,
Wherewithal to still my hunger,
Quench the thirst of Lemminkainen.
Days and nights have I been swimming,
Buffeting the waves of ocean,
Seemed as if the wind protected,
And the billows gave me shelter,'
Then the hostess, filled with kindness,
Hastened to the mountain storehouse,
Cut some butter, veal, and bacon,
Bread, and fish, and honeyed biscuit,
Brought the best of her provisions,
Brought the mead and beer of barley,
Set for him a toothsome dinner,
Wherewithal to still his hunger,
Quench the thirst of Lemminkainen.
When the hero's feast had ended,
Straightway was a magic vessel
Given by the kindly hostess
To the weary Kaukomieli,
Bark of beauty, new and hardy,
419
Wherewithal to aid the stranger
In his journey to his home-land,
To the cottage of his mother.
Quickly sailed wild Lemminkainen
On the blue-back of the ocean;
Sailed he days and nights unceasing,
Till at last he reached the borders
Of his own loved home and country;
There beheld he scenes familiar,
Saw the islands, capes, and rivers,
Saw his former shipping-stations,
Saw he many ancient landmarks,
Saw the mountains with their fir-trees,
Saw the pine-trees on the hill-tops,
Saw the willows in the lowlands;
Did not see his father's cottage,
Nor the dwellings of his mother.
Where a mansion once had risen,
There the alder-trees were growing,
Shrubs were growing on the homestead,
Junipers within the court-yard.
Spake the reckless Lemminkainen:
'In this glen I played and wandered,
On these stones I rocked for ages,
On this lawn I rolled and tumbled,
Frolicked on these woodland-borders,
When a child of little stature.
Where then is my mother's dwelling,
Where the castles of my father?
Fire, I fear, has found the hamlet,
And the winds dispersed the ashes.'
Then he fell to bitter weeping,
Wept one day and then a second,
Wept the third day without ceasing;
Did not mourn the ancient homestead,
Nor the dwellings of his father;
Wept he for his darling mother,
Wept he for the dear departed,
For the loved ones of the island.
Then he saw the bird of heaven,
Saw an eagle flying near him,
And he asked the bird this question:
420
'Mighty eagle, bird majestic,
Grant to me the information,
Where my mother may have wandered,
Whither I may go and find her!'
But the eagle knew but little,
Only knew that Ahti's people
Long ago together perished;
And the raven also answered
That his people had been scattered
By the, swords, and spears, and arrows,
Of his enemies from Pohya.
Spake the hero, Lemminkainen:
'Faithful mother, dear departed,
Thou who nursed me in my childhood,
Art thou dead and turned to ashes,
Didst thou perish for my follies,
O'er thy head are willows weeping,
Junipers above thy body,
Alders watching o'er thy slumbers?
This my punishment for evil,
This the recompense of folly!
Fool was I, a son unworthy,
That I measured swords in Northland
With the landlord of Pohyola,
To my tribe came fell destruction,
And the death of my dear mother,
Through my crimes and misdemeanors.'
Then the ministrel [sic] looked about him,
Anxious, looked in all directions,
And beheld some gentle foot-prints,
Saw a pathway lightly trodden
Where the heather had been beaten.
Quick as thought the path he followed,
Through the meadows, through the brambles,
O'er the hills, and through the valleys,
To a forest, vast and cheerless;
Travelled far and travelled farther,
Still a greater distance travelled,
To a dense and hidden glenwood,
In the middle of the island;
Found therein a sheltered cabin,
Found a small and darksome dwelling
421
Built between the rocky ledges,
In the midst of triple pine-trees;
And within he spied his mother,
Found his gray-haired mother weeping.
Lemminkainen loud rejoices,
Cries in tones of joyful greetings,
These the words that Ahti utters:
'Faithful mother, well-beloved,
Thou that gavest me existence,
Happy I, that thou art living,
That thou hast not yet departed
To the kingdom of Tuoni,
To the islands of the blessed,
I had thought that thou hadst perished,
Hadst been murdered by my foemen,
Hadst been slain with bows and arrows.
Heavy are mine eyes from weeping,
And my checks are white with sorrow,
Since I thought my mother slaughtered
For the sins I had committed!'
Lemminkainen's mother answered:
'Long, indeed, hast thou been absent,
Long, my son, hast thou been living
In thy father's Isle of Refuge,
Roaming on the secret island,
Living at the doors of strangers,
Living in a nameless country,
Refuge from the Northland foemen.'
Spake the, hero, Lemminkainen:
'Charming is that spot for living,
Beautiful the magic island,
Rainbow-colored was the forest,
Blue the glimmer of the meadows,
Silvered were, the pine-tree branches,
Golden were the heather-blossoms;
All the woodlands dripped with honey,
Eggs in every rock and crevice,
Honey flowed from birch and sorb-tree,
Milk in streams from fir and aspen,
Beer-foam dripping from the willows,
Charming there to live and linger,
All their edibles delicious.
422
This their only source of trouble:
Great the fear for all the maidens,
All the heroes filled with envy,
Feared the coming of the stranger;
Thought that all the island-maidens,
Thought that all the wives and daughters,
All the good, and all the evil,
Gave thy son too much attention;
Thought the stranger, Lemminkainen,
Saw the Island-maids too often;
Yet the virgins I avoided,
Shunned the good and shunned the evil,
Shunned the host of charming daughters,
As the black-wolf shuns the sheep-fold,
As the hawk neglects the chickens.'
~ Elias Lönnrot,#NFDB
1275: Book IX
Meanwhile moved by their unseen spirits, led by the immortal
Phalanxes, who of our hopes and our fears are the reins and the drivers,
Minds they use as if steam and our bodies like power-driven engines,
Leading our lives towards the goal that the gods have prepared for our striving,
Men upon earth fulfilled their harsh ephemeral labour.
But in the Troad the armies clashed on the plain of the Xanthus.
Swift from their ships the Argives marched,more swiftly through Xanthus
Driving their chariots the Trojans came and Penthesilea
Led and Anchises son and Deiphobus the Priamid hero.
Now ere the armies met, ere their spears were nearer, Apollo
Sent a thought for his bale to the heart of Zethus the Hellene.
He to Achilles car drew close and cried to the hero:
Didst thou not promise a boon to me, son of Peleus and Thetis,
Then when I guarded thy life-breath in Memnons battle from Hades?
Therefore I claim the proudest of boons, one worthy a Hellene.
Here in the front I will fight against dangerous Penthesilea.
Thou on our left make war with the beauty and cunning of Paris.
But from his heart dismayed Achilles made answer to Zethus:
What hast thou said, O Zethus, betrayed by some Power that is hostile?
Art thou then hired by the gods for the bale and the slaughter of Hellas?
Zethus answered him, Alone art thou mighty, Achilles, in Phthia?
Tyrant art thou of this fight and keepst for thee all of its glory
We are but wheels of thy chariot, reins of thy courser, Achilles.
What though dire be thy lust, yet here thou canst gather not glory,
Only thy shame and the Greeks, if a girl must be matched with Achilles!
Zethus, evil thy word and from death are the wings of its folly.
Even a god might hesitate fronting the formidable virgin.
Many the shafts that, borne in her chariot, thirst for the blood-draught.
Pages ride in her car behind and hand to her swiftly
Death in the rapid spears and she hurls them and drives and she stays not.
Forty wind-footed men of the mountains race with her chariot
Shielded and armed and bring back the spears from their hearts whom she slaughters.
So like the lightning she moves incessantly flashing and slaying,
Not like mens warring her fight who battle for glory and plunder.
Never she pauses to pluck back her point nor to strip off the armour.
Only to slay she cares and only the legions to shatter.
Come thou not near to her wheels; preserve thy life for thy father.
Pity Arithoas heart who shall wait in vain for her children.
Wroth at Pelides scorn made answer Zethus the Hellene,
Give me my boon I have chosen and thou fight far from my battle
Lest it be said that Achilles was near and therefore she perished.
Cycnus and I []1 will strike down the terror of Argos.
Moved the mighty Achilles answered him, Zethus and Cycnus,
Granted your will; I am bound by my truth, as are you now by Hades.
So he spoke and cried to his steeds, who the wings of the southwind
Racing outvied to the left where from Xanthus galloping swiftly
Came in a mass the Ilian chariots loud towards the Hellenes.
Phoces was with him and Echemus drove and Drus and Thretaon,
They were like rays of the sun, but nighest him, close to his shadow
Ascanus, Phrinix son, who fought ever near to his war-car.
And from the Trojan battle gleaming in arms like the sungod
Paris beheld that dangerous spear and he cried to the heroes:
See now where death on the Trojans comes in the speed of that war-car.
Warriors, fight not [.] Achilles
But where you see him guiding his spear or turning his coursers,
Menace his days and shield the Trojan life that he threatens.
Fighting together hide with your spear-rain his head from the heavens.
Zeus perhaps shall, blinded, forget to cover the hero.
So as he spoke, the armies neared and they clashed in the mellay.
Who first shed the blood [.] that fell in that combat
Thick with the fall of the mighty, last of the battles of Troya?
Helenus first, King Priams son, smote down in that battle
Phoces, Amarus son, who fought in the front of Pelides.
He by the point twixt his brows surprised left the spear he had lifted;
Down he clanged from his car with his armour sounding upon him.
Echemus wroth let drive at Helenus, grieved for his comrade.
Him he missed but Ahites slew who was Helenus henchman.
Helenus wroth in his turn at Echemus aimed and his spear-point
Bit through the shield and quivering paused,by Ananke arrested.
Back avoiding death the Hellene shrank from the forefront.
Nor had Achilles mingled yet his strength with the fighters.
But like a falconer on a hillock lone in his war-car
Shouting his dreadful cry in the pause ere the shock he had lingered
Wheeling slowly his gaze for the choice of a prey or a victim
For with his host was his heart [.] behind Zethus
Herding in shepherded [.]
Ill at ease was his heart [..] or lying
Slain on the Trojan [..] Ares.
Forward [..] towards the Trojans
[.] helmet.
Helenus [] his shield from the death-blow.
But oer his [] Apollo extended.
And from the left and the right the heroes of Ilion gathered.
Dyus and Polites came and Eumachus threatened Achilles.
Paris fatal shafts sang joyously now from the bowstring.
Fast from the Hellene [..]
Ares iron [..]
Neighing [..] of the war-cries.
Nor could the Trojan fighters break through the wall of their foemen,
Nor could the mighty Pelides slay in his war-rage the Trojans.
Ever he fought surrounded or drew back compelled to his legions;
For to each spear of his strength full twenty hissed round his helmet,
Rang on his shield, attempted his cuirass or leaped at his coursers
Or at Automedon ran like living things in their blood-thirst.
Galled the deathless steeds high-neighing pawed in their anger;
Wrathful Achilles wheeled and threatened seeking a victim.
So might a fire on the high-piled altar of sacrifice blazing
Seek for its tongues an offering fit for the gods, but tis answered
Only by spitting rain that a dense cloud sends out of heaven.
Sibilant hiss the drops on the glowing wood and the altar.
Chill a darkness oerhangs and its brief and envious spirits
Rail at the glorious flame desiring an end of its brilliance.
Meanwhile behind by the ranks of the fighters sheltered from Hades
Paris loosed his lethal shafts at the head of the Hellene.
Then upon Helenus wrath from the gods who are noble descended,
Seized on the tongue of the prophet and framed their thoughts in his accents,
Thoughts by men rejected who follow the beast in their reason,
Only advantage seek, and honour and pride are forgotten:
Paris, not thus shalt thou slay Achilles but only thy glory.
Hast thou no heed that the women should mock in the streets of our city
Thee and thy bow and thy numbers, hearing this shame of the Trojans?
Dost thou not fear the gods and their harms? Not so do they combat
Who have the awe of their deeds and follow the way of the mighty.
Paris the Priamid answered his brother: Helenus, wherefore
Care should I have for fame, or the gods and their punishments, heeding
Breath of men when they praise or condemn me? Victory I ask for,
Joy for my living heart, not a dream and a breath for my ashes.
Work I desire and the wish of my heart and the fruit of my labour.
Nay, let my fame be crushed into mire for the ages to spit at,
But let my country live and her foes be slain on her beaches.
So he spoke and fitted another shaft to the bowstring.
Always they fought and were locked in a fierce unyielding combat.
But on the Hellene right stood the brothers stark in their courage
Waiting the Eoan horsehooves that checked at the difficult crossing
Late arrived through field and through pasture. Zethus exultant
Watched their advent stern and encouraged the legions behind him.
Now is the hour of your highest fame, O ye sons of the Hellenes.
These are the iron squadrons, these are the world-famed fighters.
Here is a swifter than Memnon, here is a greater than Hector.
Who would fight with the war-wearied Trojans, the Lycian remnants,
When there are men in the world like these? O Phthians, we conquer
Asias best today. And you, O my brothers, with courage
Reap all the good I have won for our lives this morn from Achilles.
Glad let our fame go before us to our mother Arithoa waiting
Lonely in Phthia, desiring death or the eyes of her children.
Soon will our sails pursue their herald Fame, with our glory
Bellying out and the winds. They shall bear oer the murmurs of Ocean
Heaped up Ilions wealth and the golden bricks of King Priam
And for the halls of our fathers a famous and noble adornment
Severed the beautiful head of the virgin Penthesilea.
So he cried and the Hellenes shouted, a savage rumour,
Proud of their victories past and incredulous grown of disaster.
Now from the Xanthus dripping-wheeled came the Eoan war-cars
Rolling thunder-voiced with the tramp of the runners behind them,
Dust like a flag and dire with the battle-cry, full on the Hellenes.
They to the mid-plain arrived where the might of the Hellene brothers
Waited their coming. Zethus first with his cry of the cascade
Hurrying-footed, headlong that leaps far down to the valley:
Curb, but curb thy advance, O Amazon Penthesilea!
These are not Gnossus ranks and these are not levies from Sparta.
Hellas spears await thee here and the Myrmidon fighters.
But like the northwind high and clear answered Penthesilea,
High like the northwind racing and whistling over the icefields,
Death at its side and snow for its breath in the pitiless winter:
Who art thou biddest to pause the horsehooves of Penthesilea?
Hellene, thou in thy strength who standest forth from thy shielders,
Turn yet, save thy life; for I deem that thou art not Achilles.
Zethus the Hellene I am and Cycnus and Pindus, my brothers,
Stand at my either side, and thou passest no farther, Bellona.
Lioness, turn thou back, for thou canst not here be a hunter.
Zethus and Cycnus and Pindus, little you loved then your mother
Who in this field that is wide must needs all three perish together
Piled on one altar of death by the spear-shafts of Penthesilea.
Empty for ever your halls shall be, childless the age of your father.
High she rose to the spear-cast, poised like a thunderbolt lifted,
Forward swung to the blow and loosed it hissing and ruthless
Straight at the Hellene shield, and it tore through the bronze and groaning
Butted and pushed through the cuirass and split the breast of the hero.
Round in his car he spun, then putting his hands out before him,
Even as a diver who leaps from the shed of the bath to the current,
Launched out so headlong, struggled, sideward collapsed, then was quiet,
Dead on Trojan earth. But dismay and grief on his brothers
Yet alive now seized, then rage came blinding the eyeballs.
Blindly they hurled, yet attained, for Athene guided the spear-shafts;
Death like a forest beast yet played with the might of the virgin.
One on her shield and one on her cuirass rang, but rejected
Fell back like reeds that are thrown at a boulder by boys on the seashore.
She unmoved replied; her shafts in their angry succession
Hardly endured delay between. Like trees the brothers,
Felled, to each side sank prone. So lifeless these strong ones of Hellas
Lay on their couch of the hostile soil reunited in slumber
As in their childhood they lay in Hellas watched by their mother,
Three of them side by side and she dreamed for her darlings their future.
But on the ranks of the Hellenes fear and amazement descended,
Messengers they from Zeus to discourage the pride and the blood-lust.
Back many yards their foremost recoiled in a god-given terror,
As from a snake a traveller scorned for a bough by the wayside,
But it arises puffing its hood and hisses its hatred.
Forward the henchmen ran and plucked back the spears from the corpses;
Onward the Eoan thousands rolled oer the ground that was conquered
Trampling the fallen men into earth with the wheels of their war-cars.
But in her speed like the sea or the stormwind Penthesilea
Drove towards the ranks of the foe and her spear-shafts hastened before her,
Messengers whistling shrilly to Death; he came like a wolfhound
Called by his masters voice and silently fell on the quarry.
Hyrtamus fell, Admetus was wounded, Charmidas slaughtered;
Cirrhes died, though he faced not the blow while he hastened to shelter.
Itylus, bright and beautiful, went down to night and to Hades.
Back, ever back the Hellenes recoiled from the shock of the Virgin,
Slain by her prowess fierce, alarmed by the might of her helpers.
For at her right Surabdas threatened and iron Surenas,
And at her left hill-shouldered Pharatus slaughtered the Hellenes.
Then in the ranks of the Greeks a shouting arose and the leaders
Cried to their hosts and recalled their unstained fame and their valour
Never so lightly conquered before in the onsets of Ares
And of Achilles they spoke and King Peleus waiting in Phthia,
Listening for Troy oerthrown not his hosts overcome by a woman.
And from the right and the left came heroes mighty to succour.
Chiefs of the Dolopes Ar and Aglauron came mid the foremost,
Hillus fair as a drifting moon but fierce as the winter;
Pryas came the Thessalian and Sebes whom Pharsalus honoured,
Victors in countless fights who had stood against Memnon and Hector.
But though their hands were mighty, though fierce their obdurate natures,
Mightier strengths they met and a sterner brood of the war-god.
Light from the hand of the Virgin the spear ran laughing at Sebes,
Crashed through his helmet and left him supine on the pastures of Troya;
Ar to Surabdas fell and the blood-spirting head of Aglauron
Dropped like a fruit from a branch by its weight to the discus of Sambus;
Iron Surenas mace-head shattered the beauty of Hillus;
Pryas by Pharatus slain lay still and had rest from the war-cry.
Back, ever back reeled the Hellene host with the Virgin pursuing.
Storm-shod the Amazon fought and she slew like a god unresisted.
None now dared to confront her burning eyes; the boldest
Shuddered back from her spear and the cry of her tore at their heart-strings.
Fear, the daughter of Zeus, had gripped at the hearts of the Hellenes.
So as their heroes yielded before her, Penthesilea
Lifted with victory cried to her henchman, Aurus of Ellae,
Who had the foot of the wind and its breath that scants not for running,
Hasten, hasten, Aurus; race to the right where unwarring
Valarus leads his host; bid him close with the strength of the Hellenes.
Soon will they scatter like chaff on the threshing-floor blown to the beaches.
But when he sees their flight by Sumalus shepherded seaward,
Swift let him turn like the wind in its paths and follow me, pouring
All in a victor flood on the Myrmidon left and Achilles.
Then shall no Hellene again dare embark in ships for the Troad.
Cursed shall its beaches be to their sons and their sons and for ever.
So she spoke and Aurus ran by the chariots protected.
Then had all Hellas perished indeed on the beaches of Troas,
But from the Argives right where she battled Pallas Athene
Saw and was wroth and she missioned her thought to Automedon speeding.
Splendid it came and found him out mid the hiss of the spear-shafts
Guiding, endangered, Achilles steeds in the thick of the battle.
Shaped like a woman clad in armour and fleeing from battle,
Helmed with the Hellene crest it knocked at the gates of his spirit
Shaking the heros heart with the vision that came to his eyeballs;
Silent he stared aghast and turned his ear to the war-din.
Dost thou not hear to our right, Achilles, these voices of Ares?
High is the sound of Eoan battle, a womans war-cry
Rings in my ears, but faint and sparse come the shouts of our nation.
Far behind is their call and nearer the ships and the beaches.
Great Pelides heard and groaned in the caves of his spirit:
It is the doom that I feared and the fatal madness of Zethus;
Slain are the men of my nation or routed by Penthesilea.
Drive, Automedon, drive, lest shame and defeat upon Hellas
Fasten their seal and her heroes flee from the strength of a woman.
And to the steeds divine Automedon called and they hearkened,
Rose as if seeking their old accustomed paths in the heavens,
Then through the ranks that parted they galloped as gallops the dust-cloud
When the cyclone is abroad and the high trees snap by the wayside,
And from the press of the Hellenes into the plain of the Xanthus
Thundering, neighing came with the war-car borne like a dead leaf
Chased by the blast. Then Athene opened the eyes of Achilles,
Eyes that in all of us sleep, yet can see the near and the distant,
Eyes that the gods in their pity have sealed from the giant confusion,
Sealed from the bale and the grief. He saw like one high on a summit
Near him the Eoans holding the plain and out in the distance
Breaking the Hellene strengths. Like a dream in the night he regarded
High-crested Sumalus fight, Somaranes swift in the onset,
Bull-shouldered Taurons blows and the hero Artavoruxes.
But in the centre fiercest the cry and the death and the fleeing.
There were his chieftains ever reforming vainly resistance,
Even in defeat these were Hellenes and fit to be hosts of Achilles,
But like a doom on them thundered the war-car of Penthesilea,
Pharatus smote and Surabdas and Sambus and iron Surenas.
Down the leaders fell and the armies reeled towards the Ocean.
Wroth he cried to his coursers and fiercely they heard and they hastened;
Swift like a wind oer the grasses galloped the car of Achilles.
Echemus followed, Ascanus drove and Drus and Thretaon:
Phoces alone in the dust of the Troad lay there and moved not.
Yet brought not all of them help to their brothers oppressed in the combat:
For from the forefront forth on the knot of the swift-speeding war-cars
High an Eoan chariot came drawn fast by its coursers
Bearing a mighty chieftain, Valarus son of Supaures.
Fire-footed thundered past him the hooves of the heavenly coursers,
Nor to his challenging shout nor his spear the warlike Pelides
Answered at all, but made haste like a flood to the throng and the mellay.
But twixt the chariots behind and their leader the mighty Eoan
Drove his dark-maned steeds and stood like a cliff to their onset.
Great is your haste, O ye Kings of the Greeks! Abide yet and converse.
Scatheless your leader has fled from me borne by the hooves of his coursers;
Ye, abide! For we meet from far lands on this soil of the Trojans.
All of us meet from afar, but not all shall return to their hearthsides.
Valarus stays you, O Greeks, and this is the point of his greeting.
So as he spoke he launched out his spear as a cloud hurls its storm-flash;
Nor from that fatal hand parted vainly the pitiless envoy,
But of its blood-thirst had right. Riven through and through with the death-stroke
Drus fell prone and tore with dying fingers the grasses.
Sobbing his soul fled out to the night and the chill and the silence.
They like leaves that are suddenly stayed by the fall of a wind-gust
Ceased from their headlong speed. And Echemus poising his spear-shaft:
Sharp are thy greetings, chieftain Eoan. Message for message
Echemus son of Ates, one of the mighty in Hellas,
Thus returns. Let Ares judge twixt the Greek and the Eastern.
Fast sped the spear but Valarus held forth his shield and re butted
Shouting the deadly point that could pierce not his iron refusal.
Echemus, surely thy vaunt has reached me, but unfelt is thy spear-point.
Weak are mens arms, it seems, in Hellas; a boy there Ares
Aims with reeds not spears at pastoral cheeses not iron.
Judge now my strength. Two spears from him ran at the hearts of his foemen.
Crouching Thretaon heard the keen death over him whistle;
Ascanus hurt in the shoulder cried out and paused from his war-lust.
Echemus hurled now again and hurled with him stalwart Thretaon.
Strong Thretaon missed, but Echemus point at the helmet
Bit and fastened as fastens a hound on the ear of the wild-boar
Wroth with the cry and the hunt that gores the pack and his hunters.
Valarus frowning tugged at the heavy steel; yet his right hand
Smote at Echemus. Him he missed but valiant Thretaon
Sat back dead in his seat and the chariot wild with its coursers
Snorting and galloping bore his corpse oer the plains to the Hellenes.
But while yet Valarus strove with the shaft, obscured and encumbered,
Ascanus sprang down swift from his car and armed with his sword-point
Clove the Eoans neck as the lightning springs at an oak-trunk
Seized in the stride of the storm and severs that might with its sharpness.
Slain the hero fell; his mighty limbs the spirit
Mightier released to the gods and it rose to the heavens of the noble.
Ascanus gathered the spear-shafts; loud was his shout as exulting
Back he leaped to the car triumphant oer death and its menace.
Lie there, Valarus, king of the East, with imperial Troya.
Six rich feet of her soil she gives thee for couch of the nuptials.
Rest then! talk not again on the way with the heroes of Hellas.
So delivered they hastened glad to the ranks of their brothers.
After them rolled the Eoan war-cars, Arithon leading,
Loud with the clamour of hooves and the far-rolling gust of the war-cry;
Wroth at their chieftains fall they moved to the help of their nation
Now by the unearthly horses neared and the might of Achilles.
Then from the Hellenes who heard the noise and the cry of their coming,
Lifted eyes dismayed, but saw the familiar war-car,
Saw the heaven-born steeds and the helm unconquered in battle,
Cry was of other hopefulness. Loud as the outbursting thunder
Rises oer lower sounds of the storm, oer the din of the battle
Rose the Hellene shout and rose the name of Achilles.
Here and below some words have been lost as a result of damage to the manuscript.Ed.
***
~ Sri Aurobindo, 9 - Book IX
,#NFDB
1276:The Kalevala - Rune Xx
THE BREWING OF BEER.
Now we sing the wondrous legends,
Songs of wedding-feasts and dances,
Sing the melodies of wedlock,
Sing the songs of old tradition;
Sing of Ilmarinen's marriage
To the Maiden of the Rainbow,
Fairest daughter of the Northland,
Sing the drinking-songs of Pohya.
Long prepared they for the wedding
In Pohyola's halls and chambers,
In the courts of Sariola;
Many things that Louhi ordered,
Great indeed the preparations
For the marriage of the daughter,
For the feasting of the heroes,
For the drinking of the strangers,
For the feeding of the poor-folk,
For the people's entertainment.
Grew an ox in far Karjala,
Not the largest, nor the smallest,
Was the ox that grew in Suomi;
But his size was all-sufficient,
For his tail was sweeping Jamen,
And his head was over Kemi,
Horns in length a hundred fathoms,
Longer than the horns his mouth was;
Seven days it took a weasel
To encircle neck and shoulders;
One whole day a swallow journeyed
From one horn-tip to the other,
Did not stop between for resting.
Thirty days the squirrel travelled
From the tail to reach the shoulders,
But he could not gain the horn-tip
Till the Moon had long passed over.
This young ox of huge dimensions,
335
This great calf of distant Suomi,
Was conducted from Karjala
To the meadows of Pohyola;
At each horn a hundred heroes,
At his head and neck a thousand.
When the mighty ox was lassoed,
Led away to Northland pastures,
Peacefully the monster journeyed
By the bays of Sariola,
Ate the pasture on the borders;
To the clouds arose his shoulders,
And his horns to highest heaven.
Not in all of Sariola
Could a butcher be discovered
That could kill the ox for Louhi,
None of all the sons of Northland,
In her hosts of giant people,
In her rising generation,
In the hosts of those grown older.
Came a hero from a distance,
Wirokannas from Karelen,
And these words the gray-beard uttered:
'Wait, O wait, thou ox of Suomi,
Till I bring my ancient war-club;
Then I'll smite thee on thy forehead,
Break thy skull, thou willing victim!
Nevermore wilt thou in summer
Browse the woods of Sariola,
Bare our pastures, fields, and forests;
Thou, O ox, wilt feed no longer
Through the length and breadth of Northland,
On the borders of this ocean!'
When the ancient Wirokannas
Started out the ox to slaughter,
When Palwoinen swung his war-club,
Quick the victim turned his forehead,
Flashed his flaming eyes upon him;
To the fir-tree leaped the hero,
In the thicket hid Palwoinen,
Hid the gray-haired Wirokannas.
Everywhere they seek a butcher,
One to kill the ox of Suomi,
336
In the country of Karelen,
And among the Suomi-giants,
In the quiet fields of Ehstland,
On the battle-fields of Sweden,
Mid the mountaineers of Lapland,
In the magic fens of Turya;
Seek him in Tuoni's empire,
In the death-courts of Manala.
Long the search, and unsuccessful,
On the blue back of the ocean,
On the far-outstretching pastures.
There arose from out the sea-waves,
Rose a hero from the waters,
On the white-capped, roaring breakers,
From the water's broad expanses;
Nor belonged he to the largest,
Nor belonged he to the smallest;
Made his bed within a sea-shell,
Stood erect beneath a flour-sieve,
Hero old, with hands of iron,
And his face was copper-colored;
Quick the hero full unfolded,
Like the full corn from the kernel.
On his head a hat of flint-stone,
On his feet were sandstone-sandals,
In his hand a golden cleaver,
And the blade was copper-handled.
Thus at last they found a butcher,
Found the magic ox a slayer.
Nothing has been found so mighty
That it has not found a master.
As the sea-god saw his booty,
Quickly rushed he on his victim,
Hurled him to his knees before him,
Quickly felled the calf of Suomi,
Felled the young ox of Karelen.
Bountifully meat was furnished;
Filled at least a thousand hogsheads
Of his blood were seven boatfuls,
And a thousand weight of suet,
For the banquet of Pohyola,
For the marriage-feast of Northland.
337
In Pohyola was a guest-room,
Ample was the hall of Louhi,
Was in length a hundred furlongs,
And in breadth was nearly fifty;
When upon the roof a rooster
Crowed at break of early morning,
No one on the earth could hear him;
When the dog barked at one entrance,
None could hear him at the other.
Louhi, hostess of Pohyola,
Hastens to the hall and court-room,
In the centre speaks as follows:
'Whence indeed will come the liquor,
Who will brew me beer from barley,
Who will make the mead abundant,
For the people of the Northland,
Coming to my daughter's marriage,
To her drinking-feast and nuptials?
Cannot comprehend the malting,
Never have I learned the secret,
Nor the origin of brewing.'
Spake an old man from his corner:
'Beer arises from the barley,
Comes from barley, hops, and water,
And the fire gives no assistance.
Hop-vine was the son of Remu,
Small the seed in earth was planted,
Cultivated in the loose soil,
Scattered like the evil serpents
On the brink of Kalew-waters,
On the Osmo-fields and borders.
There the young plant grew and flourished,
There arose the climbing hop-vine,
Clinging to the rocks and alders.
'Man of good-luck sowed the barley
On the Osmo hills and lowlands,
And the barley grew and flourished,
Grew and spread in rich abundance,
Fed upon the air and water,
On the Osmo plains and highlands,
On the fields of Kalew-heroes.
'Time had travelled little distance,
338
Ere the hops in trees were humming,
Barley in the fields was singing,
And from Kalew's well the water,
This the language of the trio:
'Let us join our triple forces,
Join to each the other's powers;
Sad alone to live and struggle,
Little use in working singly,
Better we should toil together.'
'Osmotar, the beer-preparer,
Brewer of the drink refreshing,
Takes the golden grains of barley,
Taking six of barley-kernels,
Taking seven tips of hop-fruit,
Filling seven cups with water,
On the fire she sets the caldron,
Boils the barley, hops, and water,
Lets them steep, and seethe, and bubble
Brewing thus the beer delicious,
In the hottest days of summer,
On the foggy promontory,
On the island forest-covered;
Poured it into birch-wood barrels,
Into hogsheads made of oak-wood.
'Thus did Osmotar of Kalew
Brew together hops and barley,
Could not generate the ferment.
Thinking long and long debating,
Thus she spake in troubled accents:
'What will bring the effervescence,
Who will add the needed factor,
That the beer may foam and sparkle,
May ferment and be delightful?'
Kalevatar, magic maiden,
Grace and beauty in her fingers,
Swiftly moving, lightly stepping,
In her trimly-buckled sandals,
Steps upon the birch-wood bottom,
Turns one way, and then another,
In the centre of the caldron;
Finds within a splinter lying
From the bottom lifts the fragment,
339
Turns it in her fingers, musing:
'What may come of this I know not,
In the hands of magic maidens,
In the virgin hands of Kapo,
Snowy virgin of the Northland!'
'Kalevatar took the splinter
To the magic virgin, Kapo,
Who by unknown force and insight.
Rubbed her hands and knees together,
And produced a snow-white squirrel;
Thus instructed she her creature,
Gave the squirrel these directions:
'Snow-white squirrel, mountain-jewel,
Flower of the field and forest,
Haste thee whither I would send thee,
Into Metsola's wide limits,
Into Tapio's seat of wisdom;
Hasten through the heavy tree-tops,
Wisely through the thickest branches,
That the eagle may not seize thee,
Thus escape the bird of heaven.
Bring me ripe cones from the fir-tree,
From the pine-tree bring me seedlings,
Bring them to the hands of Kapo,
For the beer of Osmo's daughter.'
Quickly hastened forth the squirrel,
Quickly sped the nimble broad-tail,
Swiftly hopping on its journey
From one thicket to another,
From the birch-tree to the aspen,
From the pine-tree to the willow,
From the sorb-tree to the alder,
Jumping here and there with method,
Crossed the eagle-woods in safety,
Into Metsola's wide limits,
Into Tapio's seat of wisdom;
There perceived three magic pine-trees,
There perceived three smaller fir-trees,
Quickly climbed the dark-green branches,
Was not captured by the eagle,
Was not mangled in his talons;
Broke the young cones from the fir-tree,
340
Cut the shoots of pine-tree branches,
Hid the cones within his pouches,
Wrapped them in his fur-grown mittens
Brought them to the hands of Kapo,
To the magic virgin's fingers.
Kapo took the cones selected,
Laid them in the beer for ferment,
But it brought no effervescence,
And the beer was cold and lifeless.
'Osmotar, the beer-preparer,
Kapo, brewer of the liquor,
Deeply thought and long considered:
'What will bring the effervescence,
Who will lend me aid efficient,
That the beer may foam and sparkle,
May ferment and be refreshing?'
'Kalevatar, sparkling maiden,
Grace and beauty in her fingers,
Softly moving, lightly stepping,
In her trimly-buckled sandals,
Steps again upon the bottom,
Turns one way and then another,
In the centre of the caldron,
Sees a chip upon the bottom,
Takes it from its place of resting,
Looks upon the chip and muses
'What may come of this I know not,
In the hands of mystic maidens,
In the hands of magic Kapo,
In the virgin's snow-white fingers.'
'Kalevatar took the birch-chip
To the magic maiden, Kapo,
Gave it to the white-faced maiden.
Kapo, by the aid of magic,
Rubbed her hands and knees together,
And produced a magic marten,
And the marten, golden-breasted;
Thus instructed she her creature,
Gave the marten these directions.
'Thou, my golden-breasted marten,
Thou my son of golden color,
Haste thou whither I may send thee,
341
To the bear-dens of the mountain,
To the grottoes of the growler,
Gather yeast upon thy fingers,
Gather foam from lips of anger,
From the lips of bears in battle,
Bring it to the hands of Kapo,
To the hands of Osmo's daughter.'
'Then the marten golden-breasted,
Full consenting, hastened onward,
Quickly bounding on his journey,
Lightly leaping through the distance
Leaping o'er the widest rivers,
Leaping over rocky fissures,
To the bear-dens of the mountain,
To the grottoes of the growler,
Where the wild-bears fight each other,
Where they pass a dread existence,
Iron rocks, their softest pillows,
In the fastnesses of mountains;
From their lips the foam was dripping,
From their tongues the froth of anger;
This the marten deftly gathered,
Brought it to the maiden, Kapo,
Laid it in her dainty fingers.
'Osmotar, the beer-preparer,
Brewer of the beer of barley,
Used the beer-foam as a ferment;
But it brought no effervescence,
Did not make the liquor sparkle.
'Osmotar, the beer-preparer,
Thought again, and long debated:
'Who or what will bring the ferment,
Th at my beer may not be lifeless?'
'Kalevatar, magic maiden,
Grace and beauty in her fingers,
Softly moving, lightly stepping,
In her trimly-buckled sandals,
Steps again upon the bottom,
Turns one way and then another,
In the centre of the caldron,
Sees a pod upon the bottom,
Lifts it in her snow-white fingers,
342
Turns it o'er and o'er, and muses:
'What may come of this I know not,
In the hands of magic maidens,
In the hands of mystic Kapo,
In the snowy virgin's fingers?'
'Kalevatar, sparkling maiden,
Gave the pod to magic Kapo;
Kapo, by the aid of magic,
Rubbed the pod upon her knee-cap,
And a honey-bee came flying
From the pod within her fingers,
Kapo thus addressed her birdling:
'Little bee with honeyed winglets,
King of all the fragrant flowers,
Fly thou whither I direct thee,
To the islands in the ocean,
To the water-cliffs and grottoes,
Where asleep a maid has fallen,
Girdled with a belt of copper
By her side are honey-grasses,
By her lips are fragrant flowers,
Herbs and flowers honey-laden;
Gather there the sweetened juices,
Gather honey on thy winglets,
From the calyces of flowers,
From the tips of seven petals,
Bring it to the hands of Kapo,
To the hands of Osmo's daughter.'
'Then the bee, the swift-winged birdling,
Flew away with lightning-swiftness
On his journey to the islands,
O'er the high waves of the ocean;
Journeyed one day, then a second,
Journeyed all the next day onward,
Till the third day evening brought him
To the islands in the ocean,
To the water-cliffs and grottoes;
Found the maiden sweetly sleeping,
In her silver-tinselled raiment,
Girdled with a belt of copper,
In a nameless meadow, sleeping,
In the honey-fields of magic;
343
By her side were honeyed grasses,
By her lips were fragrant flowers,
Silver stalks with golden petals;
Dipped its winglets in the honey,
Dipped its fingers in the juices
Of the sweetest of the flowers,
Brought the honey back to Kapo,
To the mystic maiden's fingers.
'Osmotar, the beer-preparer,
Placed the honey in the liquor;
Kapo mixed the beer and honey,
And the wedding-beer fermented;
Rose the live beer upward, upward,
From the bottom of the vessels,
Upward in the tubs of birch-wood,
Foaming higher, higher, higher,
Till it touched the oaken handles,
Overflowing all the caldrons;
To the ground it foamed and sparkled,
Sank away in sand and gravel.
'Time had gone but little distance,
Scarce a moment had passed over,
Ere the heroes came in numbers
To the foaming beer of Northland,
Rushed to drink the sparkling liquor.
Ere all others Lemminkainen
Drank, and grew intoxicated
On the beer of Osmo's daughter,
On the honey-drink of Kalew.
'Osmotar, the beer-preparer,
Kapo, brewer of the barley,
Spake these words in saddened accents:
'Woe is me, my life hard-fated,
Badly have I brewed the liquor,
Have not brewed the beer in wisdom,
Will not live within its vessels,
Overflows and fills Pohyola!'
'From a tree-top sings the redbreast,
From the aspen calls the robin:
'Do not grieve, thy beer is worthy,
Put it into oaken vessels,
Into strong and willing barrels
344
Firmly bound with hoops of copper.'
'Thus was brewed the beer or Northland,
At the hands of Osmo's daughter;
This the origin of brewing
Beer from Kalew-hops and barley;
Great indeed the reputation
Of the ancient beer of Kalew,
Said to make the feeble hardy,
Famed to dry the tears of women,
Famed to cheer the broken-hearted,
Make the aged young and supple,
Make the timid brave and mighty,
Make the brave men ever braver,
Fill the heart with joy and gladness,
Fill the mind with wisdom-sayings,
Fill the tongue with ancient legends,
Only makes the fool more foolish.'
When the hostess of Pohyola
Heard how beer was first fermented,
Heard the origin of brewing,
Straightway did she fill with water
Many oaken tubs and barrels;
Filled but half the largest vessels,
Mixed the barley with the water,
Added also hops abundant;
Well she mixed the triple forces
In her tubs of oak and birch-wood,
Heated stones for months succeeding,
Thus to boil the magic mixture,
Steeped it through the days of summer,
Burned the wood of many forests,
Emptied all the, springs of Pohya;
Daily did the, forests lesson,
And the wells gave up their waters,
Thus to aid the hostess, Louhi,
In the brewing of the liquors,
From the water, hops, and barley,
And from honey of the islands,
For the wedding-feast of Northland,
For Pohyola's great carousal
And rejoicings at the marriage
Of the Malden of the Rainbow
345
To the blacksmith, Ilmarinen,
Metal-worker of Wainola.
Smoke is seen upon the island,
Fire, upon the promontory,
Black smoke rising to the heavens
From the fire upon the island;
Fills with clouds the half of Pohya,
Fills Karelen's many hamlets;
All the people look and wonder,
This the chorus of the women:
'Whence are rising all these smoke-clouds,
Why this dreadful fire in Northland?
Is not like the smoke of camp-fires,
Is too large for fires of shepherds!'
Lemminkainen's ancient mother
Journeyed in the early morning
For some water to the fountain,
Saw the smoke arise to heaven,
In the region of Pohyola,
These the words the mother uttered:
''Tis the smoke of battle-heroes,
From the beat of warring armies!'
Even Ahti, island-hero,
Ancient wizard, Lemminkainen,
Also known as Kaukomieli,
Looked upon the scene in wonder,
Thought awhile and spake as follows:
'I would like to see this nearer,
Learn the cause of all this trouble,
Whence this smoke and great confusion,
Whether smoke from heat of battle,
Or the bonfires of the shepherds.'
Kaukomieli gazed and pondered,
Studied long the rising smoke-clouds;
Came not from the heat of battle,
Came not from the shepherd bonfires;
Heard they were the fires of Louhi
Brewing beer in Sariola,
On Pohyola's promontory;
Long and oft looked Lemminkainen,
Strained in eagerness his vision,
Stared, and peered, and thought, and wondered,
346
Looked abashed and envy-swollen,
'O beloved, second mother,
Northland's well-intentioned hostess,
Brew thy beer of honey-flavor,
Make thy liquors foam and sparkle,
For thy many friends invited,
Brew it well for Lemminkainen,
For his marriage in Pohyola
With the Maiden of the Rainbow.'
Finally the beer was ready,
Beverage of noble heroes,
Stored away in casks and barrels,
There to rest awhile in silence,
In the cellars of the Northland,
In the copper-banded vessels,
In the magic oaken hogsheads,
Plugs and faucets made of copper.
Then the hostess of Pohyola
Skilfully prepared the dishes,
Laid them all with careful fingers
In the boiling-pans and kettles,
Ordered countless loaves of barley,
Ordered many liquid dishes,
All the delicacies of Northland,
For the feasting of her people,
For their richest entertainment,
For the nuptial songs and dances,
At the marriage of her daughter
With the blacksmith, Ilmarinen.
When the loaves were baked and ready.
When the dishes all were seasoned,
Time had gone but little distance,
Scarce a moment had passed over,
Ere the beer, in casks imprisoned,
Loudly rapped, and sang, and murmured:
'Come, ye heroes, come and take me,
Come and let me cheer your spirits,
Make you sing the songs of wisdom,
That with honor ye may praise me,
Sing the songs of beer immortal!'
Straightway Louhi sought a minstrel,
Magic bard and artist-singer,
347
That the beer might well be lauded,
Might be praised in song and honor.
First as bard they brought a salmon,
Also brought a pike from ocean,
But the salmon had no talent,
And the pike had little wisdom;
Teeth of pike and gills of salmon
Were not made for singing legends.
Then again they sought a singer,
Magic minstrel, beer-enchanter,
Thus to praise the drink of heroes,
Sing the songs of joy and gladness;
And a boy was brought for singing;
But the boy had little knowledge,
Could not praise the beer in honor;
Children's tongues are filled with questions,
Children cannot speak in wisdom,
Cannot sing the ancient legends.
Stronger grew the beer imprisoned
In the copper-banded vessels,
Locked behind the copper faucets,
Boiled, and foamed, and sang, and murmured:
'If ye do not bring a singer,
That will sing my worth immortal,
That will sing my praise deserving,
I will burst these bands of copper,
Burst the heads of all these barrels;
Will not serve the best of heroes
Till he sings my many virtues.'
Louhi, hostess of Pohyola,
Called a trusted maiden-servant,
Sent her to invite the people
To the marriage of her daughter,
These the words that Louhi uttered:
'O my trusted, truthful maiden,
Servant-maid to me belonging,
Call together all my people,
Call the heroes to my banquet,
Ask the rich, and ask the needy,
Ask the blind and deaf, and crippled,
Ask the young, and ask the aged;
Go thou to the hills, and hedges,
348
To the highways, and the by-ways,
Urge them to my daughter's wedding;
Bring the blind, and sorely troubled,
In my boats upon the waters,
In my sledges bring the halting,
With the old, and sick, and needy;
Ask the whole of Sariola,
Ask the people of Karelen,
Ask the ancient Wainamoinen,
Famous bard and wisdom-singer;
But I give command explicit
Not to ask wild Lemminkainen,
Not the island-dweller, Ahti!'
This the question of the servant:
'Why not ask wild Lemminkainen,
Ancient islander and minstrel?'
Louhi gave this simple answer:
'Good the reasons that I give thee
Why the wizard, Lemminkainen,
Must not have an invitation
To my daughter's feast and marriage
Ahti courts the heat of battle,
Lemminkainen fosters trouble,
Skilful fighter of the virtues;
Evil thinking, acting evil,
He would bring but pain and sorrow,
He would jest and jeer at maidens
In their trimly buckled raiment,
Cannot ask the evil-minded!'
Thus again the servant questions:
'Tell me how to know this Ahti,
Also known as Lemminkainen,
That I may not ask him hither;
Do not know the isle of Ahti,
Nor the home of Kaukomieli
Spake the hostess of Pohyola:
'Easy 'tis to know the wizard,
Easy find the Ahti-dwelling:
Ahti lives on yonder island,
On that point dwells Lemminkainen,
In his mansion near the water,
Far at sea his home and dwelling.'
349
Thereupon the trusted maiden
Spread the wedding-invitations
To the people of Pohyola,
To the tribes of Kalevala;
Asked the friendless, asked the homeless
Asked the laborers and shepherds,
Asked the fishermen and hunters,
Asked the deaf, the dumb, the crippled,
Asked the young, and asked the aged,
Asked the rich, and asked the needy;
Did not give an invitation
To the reckless Lemminkainen,
Island-dweller of the ocean.
~ Elias Lönnrot,#NFDB
1277:or Callistratus. Similarly, the hero in The Acharnians complains about Cleon
"dragging me into court" over "last year's play" but here again it is not clear if
this was said on behalf of ~ Aristophanes
or Callistratus, either of whom might
have been prosecuted by Cleon.
Comments made by the Chorus on behalf of ~ Aristophanes
in The Clouds have
been interpreted as evidence that he can have been hardly more than 18 years
old when his first play The Banqueters was produced. The second parabasis in
Wasps appears to indicate that he reached some kind of temporary
accommodation with Cleon following either the controversy over The Babylonians
or a subsequent controversy over The Knights.[ It has been inferred from
statements in The Clouds and Peace that ~ Aristophanes
was prematurely bald.
We know that ~ Aristophanes
was probably victorious at least once at the City
Dionysia (with Babylonians in 427)and at least three times at the Lenaia, with
Acharnians in 425, Knights in 424, and Frogs in 405. Frogs in fact won the
unique distinction of a repeat performance at a subsequent festival. We know
that a son of ~ Aristophanes
, Araros, was also a comic poet and he could have
been heavily involved in the production of his father's play Wealth II in s is also
thought to have been responsible for the posthumous performances of the now
lost plays Aeolosicon II and Cocalus, and it is possible that the last of these won
the prize at the City Dionysia in 387. It appears that a second son, Philippus, was
twice victorious at the Lenaia and he could have directed some of Eubulus’
comedies.A third son was called either Nicostratus or Philetaerus, and a man by
the latter name appears in the catalogue of Lenaia victors with two victories, the
first probably in the late 370s.
Plato's The Symposium appears to be a useful source of biographical information
about ~ Aristophanes
, but its reliability is open to doubt. It purports to be a record
of conversations at a dinner party at which both ~ Aristophanes
and Socrates are
guests, held some seven years after the performance of The Clouds, the play in
which Socrates was cruelly caricatured. One of the guests, Alcibiades, even
quotes from the play when teasing Socrates over his appearance and yet there is
no indication of any ill-feeling between Socrates and ~ Aristophanes
. Plato's
~ Aristophanes
is in fact a genial character and this has been interpreted as
evidence of Plato's own friendship with him (their friendship appears to be
corroborated by an epitaph for ~ Aristophanes
, reputedly written by Plato, in which
the playwright's soul is compared to an eternal shrine for the Graces). Plato was
only a boy when the events in The Symposium are supposed to have occurred
and it is possible that his ~ Aristophanes
is in fact based on a reading of the plays.
For example, conversation among the guests turns to the subject of Love and
~ Aristophanes
explains his notion of it in terms of an amusing allegory, a device
he often uses in his plays. He is represented as suffering an attack of hiccoughs
and this might be a humorous reference to the crude physical jokes in his plays.
He tells the other guests that he is quite happy to be thought amusing but he is
wary of appearing ridiculous. This fear of being ridiculed is consistent with his
declaration in The Knights that he embarked on a career of comic playwright
warily after witnessing the public contempt and ridicule that other dramatists had
incurred.
~ Aristophanes
survived The Peloponnesian War, two oligarchic revolutions and two
democratic restorations; this has been interpreted as evidence that he was not
actively involved in politics despite his highly political plays. He was probably
appointed to the Council of Five Hundred for a year at the beginning of the fourth
century but such appointments were very common in democratic tes, in the trial
leading up to his own death, put the issue of a personal conscience in those
troubled times quite succinctly:
"...he who will really fight for the right, if he would live even for a little while,
must have a private station and not a public one.
~ Aristophanes
the Poet
The language in ~ Aristophanes
' plays, and in Old Comedy generally, was valued
by ancient commentators as a model of the Attic dialect. The orator Quintilian
believed that the charm and grandeur of the Attic dialect made Old Comedy an
example for orators to study and follow, and he considered it inferior in these
respects only to the works of
A full appreciation of ~ Aristophanes
' plays requires an understanding of the poetic
forms he employed with virtuoso skill, and of their different rhythms and
associations. There were three broad poetic forms: iambic dialogue, tetrameter
verses and lyrics:
Iambic dialogue: ~ Aristophanes
achieves an effect resembling natural speech
through the use of the iambic hexameter (corresponding to the effects achieved
by English poets such as
based on words that are similar rather than identical, and it has been observed
that there could be more of them than scholars have yet been able to identify.
Others are based on double meanings. Sometimes entire scenes are constructed
on puns, as in The Acharnians with the Megarian farmer and his pigs: the
Megarian farmer defies the Athenian embargo against Megarian trade, and tries
to trade his daughters disguised as pigs, except "pig" was ancient slang for
"vagina". Since the embargo against Megara was the pretext for the
Peloponnesian War, ~ Aristophanes
naturally concludes that this whole mess
happened because of "three cunts".
It can be argued that the most important feature of the language of the plays is
imagery, particularly the use of similes, metaphors and pictorial expressions. In
'The Knights', for example, the ears of a character with selective hearing are
represented as parasols that open and close.In The Frogs, Aeschylus is said to
compose verses in the manner of a horse rolling in a sandpit. Some plays feature
revelations of human perfectibility that are poetic rather than religious in
character, such as the marriage of the hero Pisthetairos to Zeus's paramour in
The Birds and the 'recreation' of old Athens, crowned with roses, at the end of
The Knights.
~ Aristophanes
and Old Comedy
The Greek word for 'comedy' (komoidía) derives from the words for 'revel' and
'song' (komos and ode) and according to Aristotle comic drama actually
developed from song. The first, official comedy at the City Dionysia was not
staged until 487/6 BC, by which time tragedy had already been long established
there. The first comedy at the Lenaia was staged later still, only about 20 years
before the performance there of The Acharnians, the first of ~ Aristophanes
'
surviving plays. According to Aristotle, comedy was slow to gain official
acceptance because nobody took it seriously yet, only sixty years after comedy
first appeared at 'The City Dionysia', ~ Aristophanes
observed that producing
comedies was the most difficult work of tition at the Dionysian festivals needed
dramatic conventions for plays to be judged, but it also fuelled innovations.
Developments were quite rapid and Aristotle was able to distinguish between
'old' and 'new' comedy by 330 BC. The trend from Old Comedy to New Comedy
saw a move away from highly topical concerns with real individuals and local
issues towards generalized situations and stock characters. This was partly due
to the internationalization of cultural perspectives during and after the
Peloponnesian War. For ancient commentators such as Plutarch, New Comedy
was a more sophisticated form of drama than Old Comedy. However Old Comedy
was in fact a complex and sophisticated dramatic form incorporating many
approaches to humour and entertainment. In ~ Aristophanes
' early plays, the
genre appears to have developed around a complex set of dramatic conventions
and these were only gradually simplified and abandoned.
The City Dionysia and the Lenaia were celebrated in honour of Dionysus, a god
who represented Man's darker nature (Euripides' play The Bacchae offers the
best insight into 5th Century ideas about this god). Old Comedy can be
understood as a celebration of the exuberant sense of release inherent in his
worship It was more interested in finding targets for satire than in any kind of
advocacy. During the City Dionysia, a statue of the god was brought to the
theatre from a temple outside the city and it remained in the theatre throughout
the festival, overseeing the plays like a privileged member of the audience.[102]
In The Frogs, the god appears also as a dramatic character and he enters the
theatre ludicrously disguised as Hercules. He observes to the audience that every
time he is on hand to hear a joke from a comic dramatist like Phrynichus (one of
~ Aristophanes
' rivals) he ages by more than a year. The scene opens the play and
it is a reminder to the audience that nobody is above mockery in Old Comedy —
not even its patron god and its practitioners! Gods, artists, politicians and
ordinary citizens were legitimate targets, comedy was a kind of licensed
buffoonery and there was no legal redress for anyone who was slandered in a
play. There were some limits to the scope of the satire, but they are not easily
defined. Impiety could be punished in 5th century Athens but absurdities implicit
in traditional religion were open to ridicule. The polis was not allowed to be
slandered but, as stated in the biography section of this article, that could
depend on who was in the audience and which festival was involved.
For convenience, Old Comedy, as represented by ~ Aristophanes
' early plays, is
analysed below in terms of three broad characteristics — topicality, festivity and
complexity. Dramatic structure contributes to the complexity of ~ Aristophanes
'
plays. However it is associated with poetic rhythms and meters that have little
relevance to English translations and it is therefore treated in a separate section.
Influence and legacy
The tragic dramatists, Sophocles and Euripides, died near the end of the
Peloponnesian War and the art of tragedy thereafter ceased to develop, yet
comedy did continue to develop after the defeat of Athens and it is possible that
it did so because, in ~ Aristophanes
, it had a master craftsman who lived long
enough to help usher it into a new age. Indeed, according to one ancient source
(Platonius, c.9th Century AD), one of ~ Aristophanes
's last plays, Aioliskon, had
neither a parabasis nor any choral lyrics (making it a type of Middle Comedy),
while Kolakos anticipated all the elements of New Comedy, including a rape and
a recognition scene. ~ Aristophanes
seems to have had some appreciation of his
formative role in the development of comedy, as indicated by his comment in
Clouds that his audience would be judged by other times according to its
reception of his plays. Clouds was awarded third (i.e. last) place after its original
performance and the text that has come down to the modern age was a
subsequent draft that ~ Aristophanes
intended to be read rather than circulation of
his plays in manuscript extended their influence beyond the original audience,
over whom in fact they seem to have had little or no practical influence: they did
not affect the career of Cleon, they failed to persuade the Athenians to pursue an
honourable peace with Sparta and it is not clear that they were instrumental in
the trial and execution of Socrates, whose death probably resulted from public
animosity towards the philosopher's disgraced associates (such as Alcibiades),
exacerbated of course by his own intransigence during the plays, in manuscript
form, have been put to some surprising uses — as indicated earlier, they were
used in the study of rhetoric on the recommendation of Quintilian and by
students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible
that Plato sent copies of the plays to Dionysius of Syracuse so that he might
learn about Athenian life and government.
Latin translations of the plays by Andreas Divus (Venice 1528) were circulated
widely throughout Europe in the Renaissance and these were soon followed by
translations and adaptations in modern languages. Racine, for example, drew Les
Plaideurs (1668) from The Wasps.
winged."
Drama
1909: Wasps, original Greek, Cambridge University undergraduate production,
music by Vaughan Williams;
2004, July–October: The Frogs (musical), adapted by Nathan Lane, music and
lyrics by Stephen Sondheim, performed at The Vivian Beaumont Theatre
Broadway;
1962-2006: various plays by students and staff, Kings College London, in the
original Greek:Frogs 1962,1971,1988; Thesmophoriazusae 1965, 1974, 1985;
Acharnians 1968, 1992, 2004; Clouds 1977, 1990; Birds 1982, 2000;
Ecclesiazusae 2006; Peace 1970; Wasps 1981
2002: Lysistrata, adapted by Robert Brustein, music by Galt McDermot,
performed by American Repertory Theatre, Boston U.S.A.;
10
2008, May–June: Frogs, adapted by David Greenspan, music by Thomas
Cabaniss, performed by Classic Stage Company, New York, U.S.A.
Literature
The romantic poet, Percy Shelley, wrote a comic, lyrical drama (Swellfoot the
Tyrrant) in imitation of ~ Aristophanes
' play The Frogs after he was reminded of
the Chorus in that play by a herd of pigs passing to market under the window of
his lodgings in San Giuliano, Italy.
~ Aristophanes
(particularly in reference to The Clouds) is mentioned frequently by
the character Menedemos in the Hellenic Traders series of novels by H N
Turteltaub.
A liberal version of the comedies have been published in comic book format,
initially by "Agrotikes Ekdoseis" during the 1990s and republished over the years
by other companies. The plot was written by Tasos Apostolidis and the sketches
were of George Akokalidis. The stories feature either ~ Aristophanes
narrating
them, directing the play, or even as a character inside one of his stories.
Electronic Media
The Wasps, radio play adapted by David Pountney, music by Vaughan Williams,
recorded 26–28 July 2005, Albert Halls, Bolten, in association with BBC, under
Halle label;
Acropolis Now is a comedy radio show for the BBC set in Ancient Greece. It
features ~ Aristophanes
, Socrates and many other famous Greeks. (Not to be
confused with the Australian sitcom of the same name.) ~ Aristophanes
is
characterised as a celebrity playwright, and most of his plays have the title
formula: One of Our [e.g] Slaves has an Enormous Knob (a reference to the
exaggerated appendages worn by Greek comic actors)
~ Aristophanes
Against the World was a radio play by Martyn Wade and broadcast
on BBC Radio 4. Loosely based on several of his plays, it featured Clive Merrison
as ~ Aristophanes
.
In The Odd Couple, Oscar and Felix are on Password, and when the password is
bird, Felix’s esoteric clue is "~ Aristophanes
" because of his play The Birds. During
the commercial break (having failed to guess the password and lost the round),
Oscar orders Felix not to give any more Greek clues and angrily growls,
"~ Aristophanes
is ridiculous"! Then when it's Oscar’s turn to give the clue on the
11
team’s next shot, the password is ridiculous and Oscar angrily growls
"~ Aristophanes
", to which Felix gleefully responds, "Ridiculous!"
Music
Satiric Dances for a Comedy by ~ Aristophanes
is a three-movement piece for
concert band composed by Norman Dello Joio. It was commissioned in
commemoration of the Bicentennial of April 19, 1775 (the start of the American
Revolutionary War) by the Concord (Massachusetts) Band. The commission was
funded by the Town of Concord and assistance was given by the Eastern National
Park and Monument Association in cooperation with the National Park Service.
12
A Parody On Euripides's Lyric Verse
Halcyons ye by the flowing sea
Waves that warble twitteringly,
Circling over the tumbling blue,
Dipping your down in its briny dew,
Spi-i-iders in corners dim
Spi-spi-spinning your fairy film,
Shuttles echoing round the room
Silver notes of the whistling loom,
Where the light-footed dolphin skips
Down the wake of the dark-prowed ships,
Over the course of the racing steed
Where the clustering tendrils breed
Grapes to drown dull care in delight,
Oh! mother make me a child again just for to-night!
I don't exactly see how that last line is to scan,
But that's a consideration I leave to our musical man.
~ Aristophanes,#NFDB
1278:The Kalevala - Rune Iii
WAINAMOINEN AND YOUKAHAINEN.
Wainamoinen, ancient minstrel,
Passed his years in full contentment,
On the meadows of Wainola,
On the plains of Kalevala,
Singing ever wondrous legends,
Songs of ancient wit and wisdom,
Chanting one day, then a second,
Singing in the dusk of evening,
Singing till the dawn of morning,
Now the tales of old-time heroes,
Tales of ages long forgotten,
Now the legends of creation,
Once familiar to the children,
By our children sung no longer,
Sung in part by many heroes,
In these mournful days of evil,
Evil days our race befallen.
Far and wide the story travelled,
Far away men spread the knowledge
Of the chanting of the hero,
Of the song of Wainamoinen;
To the South were heard the echoes,
All of Northland heard the story.
Far away in dismal Northland,
Lived the singer, Youkahainen,
Lapland's young and reckless minstrel,
Once upon a time when feasting,
Dining with his friends and fellows,
Came upon his ears the story
That there lived a sweeter singer,
On the meadows of Wainola,
On the plains of Kalevala,
Better skilled in chanting legends,
Better skilled than Youkahainen,
Better than the one that taught him.
Straightway then the bard grew angry,
23
Envy rose within his bosom,
Envy of this Wainamoinen,
Famed to be a sweeter singer;
Hastes he angry to his mother,
To his mother, full of wisdom,
Vows that he will southward hasten,
Hie him southward and betake him
To the dwellings of Wainola,
To the cabins of the Northland,
There as bard to vie in battle,
With the famous Wainamoinen.
'Nay,' replies the anxious father,
'Do not go to Kalevala.'
'Nay,' replies the fearful mother,
'Go not hence to Wainamoinen,
There with him to offer battle;
He will charm thee with his singing
Will bewitch thee in his anger,
He will drive thee back dishonored,
Sink thee in the fatal snow-drift,
Turn to ice thy pliant fingers,
Turn to ice thy feet and ankles.'
These the words of Youkahainen:
Good the judgement of a father,
Better still, a mother's counsel,
Best of all one's own decision.
I will go and face the minstrel,
Challenge him to sing in contest,
Challenge him as bard to battle,
Sing to him my sweet-toned measures,
Chant to him my oldest legends,
Chant to him my garnered wisdom,
That this best of boasted singers,
That this famous bard of Suomi,
Shall be worsted in the contest,
Shall become a hapless minstrel;
By my songs shall I transform him,
That his feet shall be as flint-stone,
And as oak his nether raiment;
And this famous, best of singers,
Thus bewitched, shall carry ever,
In his heart a stony burden,
24
On his shoulder bow of marble,
On his hand a flint-stone gauntlet,
On his brow a stony visor.'
Then the wizard, Youkahainen,
Heeding not advice paternal,
Heeding not his mother's counsel,
Leads his courser from his stable,
Fire outstreaming from his nostrils,
From his hoofs, the sparks outshooting,
Hitches to his sledge, the fleet-foot,
To his golden sledge, the courser,
Mounts impetuous his snow-sledge,
Leaps upon the hindmost cross-bench,
Strikes his courser with his birch-whip,
With his birch-whip, pearl-enamelled.
Instantly the prancing racer
Springs away upon his journey;
On he, restless, plunges northward,
All day long be onward gallops,
All the next day, onward, onward,
So the third from morn till evening,
Till the third day twilight brings him
To the meadows of Wainola,
To the plains of Kalevala.
As it happened, Wainamoinen,
Wainamoinen, the magician,
Rode that sunset on the highway,
Silently for pleasure driving
Down Wainola's peaceful meadows,
O'er the plains of Kalevala.
Youkahainen, young and fiery,
Urging still his foaming courser,
Dashes down upon the singer,
Does not turn aside in meeting,
Meeting thus in full collision;
Shafts are driven tight together,
Hames and collars wedged and tangled,
Tangled are the reins and traces.
Thus perforce they make a stand-still,
Thus remain and well consider;
Water drips from hame and collar,
Vapors rise from both their horses.
25
Speaks the minstrel, Wainamoinen:
'Who art thou, and whence? Thou comest
Driving like a stupid stripling,
Wainamoinen and Youkahainen.
Careless, dashing down upon me.
Thou hast ruined shafts and traces;
And the collar of my racer
Thou hast shattered into ruin,
And my golden sleigh is broken,
Box and runners dashed to pieces.'
Youkahainen then make answer,
Spake at last the words that follow:
'I am youthful Youkahainen,
But make answer first, who thou art,
Whence thou comest, where thou goest,
From what lowly tribe descended?'
Wainamolinen, wise and ancient,
Answered thus the youthful minstrel:
'If thou art but Youkahainen,
Thou shouldst give me all the highway;
I am many years thy senior.'
Then the boastful Youkahainen
Spake again to Wainamoinen:
'Young or ancient, little matter,
Little consequence the age is;
He that higher stands in wisdom,
He whose knowledge is the greater,
He that is the sweeter singer,
He alone shall keep the highway,
And the other take the roadside.
Art thou ancient Wainamoinen,
Famous sorcerer and minstrel?
Let us then begin our singing,
Let us sing our ancient legends,
Let us chant our garnered wisdom,
That the one may hear the other,
That the one may judge the other,
In a war of wizard sayings.'
Wainamoinen, wise and ancient,
Thus replied in modest accents:
'What I know is very little,
Hardly is it worth the singing,
26
Neither is my singing wondrous:
All my days I have resided
In the cold and dreary Northland,
In a desert land enchanted,
In my cottage home for ayes;
All the songs that I have gathered,
Are the cuckoo's simple measures,
Some of these I may remember;
But since thou perforce demandest,
I accept thy boastful challenge.
Tell me now, my golden youngster,
What thou knowest more than others,
Open now thy store of wisdom.'
Thus made answer Youkahainen,
Lapland's young and fiery minstrel:
'Know I many bits of learning
This I know in perfect clearness:
Every roof must have a chimney,
Every fire-place have a hearth-stone;
Lives of seal are free and merry,
Merry is the life of walrus,
Feeding on incautious salmon,
Daily eating perch and whiting;
Whitings live in quiet shallows,
Salmon love the level bottoms;
Spawns the pike in coldest weather,
And defies the storms of winter.
Slowly perches swim in Autumn,
Wry-backed, hunting deeper water,
Spawn in shallows in the summer,
Bounding on the shore of ocean.
Should this wisdom seem too little,
I can tell thee other matters,
Sing thee other wizard sayings:
All the Northmen plow with reindeer,
Mother-horses plow the Southland,
Inner Lapland plows with oxen;
All the trees on Pisa-mountain,
Know I well in all their grandeur;
On the Horna-rock are fir-trees,
Fir-trees growing tall and slender;
Slender grow the trees on mountains.
27
Three, the water-falls in number,
Three in number, inland oceans,
Three in number, lofty mountains,
Shooting to the vault of heaven.
Hallapyora's near to Yaemen,
Katrakoski in Karyala;
Imatra, the falling water,
Tumbles, roaring, into Wuoksi.'
Then the ancient Wainimoinen:
'Women's tales and children's wisdom
Do not please a bearded hero,
Hero, old enough for wedlock;
Tell the story of creation,
Tell me of the world's beginning,
Tell me of the creatures in it,
And philosophize a little.'
Then the youthful Youkahainen
Thus replied to Wainamoinen:
'Know I well the titmouse-fountains,
Pretty birdling is the titmouse;
And the viper, green, a serpent;
Whitings live in brackish waters;
Perches swim in every river;
Iron rusts, and rusting weakens;
Bitter is the taste of umber;
Boiling water is malicious;
Fire is ever full of danger;
First physician, the Creator;
Remedy the oldest, water;
Magic is the child of sea-foam;
God the first and best adviser;
Waters gush from every mountain;
Fire descended first from heaven;
Iron from the rust was fashioned;
Copper from the rocks created;
Marshes are of lands the oldest;
First of all the trees, the willow;
Fir-trees were the first of houses;
Hollowed stones the first of kettles.'
Now the ancient Wainamoinen
Thus addresses Youkahainen:
'Canst thou give me now some wisdom,
28
Is this nonsense all thou knowest?'
Youkahainen thus made answer:
'I can tell thee still a trifle,
Tell thee of the times primeval,
When I plowed the salt-sea's bosom,
When I raked the sea-girt islands,
When I dug the salmon-grottoes,
Hollowed out the deepest caverns,
When I all the lakes created,
When I heaped the mountains round them,
When I piled the rocks about them.
I was present as a hero,
Sixth of wise and ancient heroes,
Seventh of all primeval heroes,
When the heavens were created,
When were formed the ether-spaces,
When the sky was crystal-pillared,
When was arched the beauteous rainbow,
When the Moon was placed in orbit,
When the silver Sun was planted,
When the Bear was firmly stationed,
And with stars the heavens were sprinkled.'
Spake the ancient Wainamoinen:
'Thou art surely prince of liars,
Lord of all the host of liars;
Never wert thou in existence,
Surely wert thou never present,
When was plowed the salt-sea's bosom,
When were raked the sea-girt islands,
When were dug the salmon-grottoes,
When were hollowed out the caverns,
When the lakes were all created,
When were heaped the mountains round them,
When the rocks were piled about them.
Thou wert never seen or heard of
When the earth was first created,
When were made the ether-spaces,
When the air was crystal-pillared,
When the Moon was placed in orbit,
When the silver Sun was planted,
When the Bear was firmly stationed,
When the skies with stars were sprinkled.'
29
Then in anger Youkahainen
Answered ancient Wainamoinen:
'Then, sir, since I fail in wisdom,
With the sword I offer battle;
Come thou, famous bard and minstrel,
Thou the ancient wonder-singer,
Let us try our strength with broadswords,
let our blades be fully tested.'
Spake the ancient Wainamoinen:
'Not thy sword and not thy wisdom,
Not thy prudence, nor thy cunning,
Do I fear a single moment.
Let who may accept thy challenge,
Not with thee, a puny braggart,
Not with one so vain and paltry,
Will I ever measure broadswords.'
Then the youthful Youkahainen,
Mouth awry and visage sneering,
Shook his golden locks and answered:
'Whoso fears his blade to measure,
Fears to test his strength at broadswords,
Into wild-boar of the forest,
Swine at heart and swine in visage,
Singing I will thus transform him;
I will hurl such hero-cowards,
This one hither, that one thither,
Stamp him in the mire and bedding,
In the rubbish of the stable.'
Angry then grew Wainamoinen,
Wrathful waxed, and fiercely frowning,
Self-composed he broke his silence,
And began his wondrous singing.
Sang he not the tales of childhood,
Children's nonsense, wit of women,
Sang he rather bearded heroes,
That the children never heard of,
That the boys and maidens knew not
Known but half by bride and bridegroom,
Known in part by many heroes,
In these mournful days of evil,
Evil times our race befallen.
Grandly sang wise Wainamoinen,
30
Till the copper-bearing mountains,
And the flinty rocks and ledges
Heard his magic tones and trembled;
Mountain cliffs were torn to pieces,
All the ocean heaved and tumbled;
And the distant hills re-echoed.
Lo! the boastful Youkahainen
Is transfixed in silent wonder,
And his sledge with golden trimmings
Floats like brushwood on the billows;
Sings his braces into reed-grass,
Sings his reins to twigs of willow,
And to shrubs his golden cross-bench.
Lo! his birch-whip, pearl-enameled,
Floats a reed upon the border;
Lo! his steed with golden forehead,
Stands a statue on the waters;
Hames and traces are as fir-boughs,
And his collar, straw and sea-grass.
Still the minstrel sings enchantment,
Sings his sword with golden handle,
Sings it into gleam of lightning,
Hangs it in the sky above him;
Sings his cross-bow, gaily painted,
To a rainbow o'er the ocean;
Sings his quick and feathered arrows
Into hawks and screaming eagles;
Sings his dog with bended muzzle,
Into block of stone beside him;
Sings his cap from off his forehead,
Sings it into wreaths of vapor;
From his hands he sings his gauntlets
Into rushes on the waters;
Sings his vesture, purple-colored,
Into white clouds in the heavens;
Sings his girdle, set with jewels,
Into twinkling stars around him;
And alas! for Youkahainen,
Sings him into deeps of quick-sand;
Ever deeper, deeper, deeper,
In his torture, sinks the wizard,
To his belt in mud and water.
31
Now it was that Youkahainen
Comprehended but too clearly
What his folly, what the end was,
Of the journey he had ventured,
Vainly he had undertaken
For the glory of a contest
With the grand, old Wainamoinen.
When at last young Youkahainen,
Pohyola's old and sorry stripling,
Strives his best to move his right foot,
But alas! the foot obeys not;
When he strives to move his left foot,
Lo! he finds it turned to flint-stone.
Thereupon sad Youkahainen,
In the deeps of desperation,
And in earnest supplication,
Thus addresses Wainamoinen:
'O thou wise and worthy minstrel,
Thou the only true, magician,
Cease I pray thee thine enchantment,.
Only turn away thy magic,
Let me leave this slough of horror,
Loose me from this stony prison,
Free me from this killing torment,
I will pay a golden ransom.'
Spake the ancient Wainamoinen:
'What the ransom thou wilt give me
If I cease from mine enchantment,
If I turn away my magic,
Lift thee from thy slough of horror,
Loose thee from thy stony prison,
Free thee from thy killing torment?'
Answered youthful Youkahainen:
'Have at home two magic cross-bows,
Pair of bows of wondrous power,
One so light a child can bend it,
Only strength can bend the other,
Take of these the one that pleases.'
Then the ancient Wainamoinen:
'Do not wish thy magic cross-bows,
Have a few of such already,
Thine to me are worse than useless
32
I have bows in great abundance,
Bows on every nail and rafter,
Bows that laugh at all the hunters,
Bows that go themselves a-hunting.'
Then the ancient Wainamoinen
Sang alas! poor Youkahainen
Deeper into mud and water,
Deeper in the slough of torment.
Youkahainen thus made answer:
'Have at home two magic shallops,
Beautiful the boats and wondrous;
One rides light upon the ocean,
One is made for heavy burdens;
Take of these the one that pleases.'
Spake the ancient Wainamoinen:
'Do not wish thy magic shallops,
Have enough of such already;
All my bays are full of shallops,
All my shores are lined with shallops,
Some before the winds are sailors,
Some were built to sail against them.'
Still the Wainola bard and minstrel
Sings again poor Youkahainen
Deeper, deeper into torment,
Into quicksand to his girdle,
Till the Lapland bard in anguish
Speaks again to Wainamoinen:
'Have at home two magic stallions,
One a racer, fleet as lightning,
One was born for heavy burdens;
Take of these the one that pleases.'
Spake the ancient Wainamoinen:
'Neither do I wish thy stallions,
Do not need thy hawk-limbed stallions,
Have enough of these already;
Magic stallions swarm my stables,
Eating corn at every manger,
Broad of back to hold the water,
Water on each croup in lakelets.'
Still the bard of Kalevala
Sings the hapless Lapland minstrel
Deeper, deeper into torment,
33
To his shoulders into water.
Spake again young Youkahainen:
'O thou ancient Wainamoinen,
Thou the only true magician,
Cease I pray thee thine enchantment,
Only turn away thy magic,
I will give thee gold abundant,
Countless stores of shining silver;
From the wars my father brought it,
Brought it from the hard-fought battles.'
Spake the wise, old Wainamoinen:
'For thy gold I have no longing,
Neither do I wish thy silver,
Have enough of each already;
Gold abundant fills my chambers,
On each nail hang bags of silver,
Gold that glitters in the sunshine,
Silver shining in the moonlight.'
Sank the braggart, Youkahainen,
Deeper in his slough of torment,
To his chin in mud and water,
Ever praying, thus beseeching:
'O thou ancient Wainamoinen,
Greatest of the old magicians,
Lift me from this pit of horror,
From this prison-house of torture;
I will give thee all my corn-fields,
Give thee all my corn in garners,
Thus my hapless life to ransom,
Thus to gain eternal freedom.'
Wainamoinen thus made answer:
'Take thy corn to other markets,
Give thy garners to the needy;
I have corn in great abundance,
Fields have I in every quarter,
Corn in all my fields is growing;
One's own fields are always richer,
One's own grain is much the sweeter.'
Lapland's young and reckless minstrel,
Sorrow-laden, thus enchanted,
Deeper sinks in mud and water,
Fear-enchained and full of anguish,
34
In the mire, his beard bedrabbled,
Mouth once boastful filled with sea-weed,
In the grass his teeth entangled,
Youkahainen thus beseeches:
'O thou ancient Wainamoinen,
Wisest of the wisdom-singers,
Cease at last thine incantations,
Only turn away thy magic,
And my former life restore me,
Lift me from this stifling torment,
Free mine eyes from sand and water,
I will give thee sister, Aino,
Fairest daughter of my mother,
Bride of thine to be forever,
Bride of thine to do thy pleasure,
Sweep the rooms within thy cottage,
Keep thy dwelling-place in order,
Rinse for thee the golden platters,
Spread thy couch with finest linens,
For thy bed, weave golden covers,
Bake for thee the honey-biscuit.'
Wainamoinen, old and truthful,
Finds at last the wished-for ransom,
Lapland's young and fairest daughter,
Sister dear of Youkahainen;
Happy he, that he has won him,
In his age a beauteous maiden,
Bride of his to be forever,
Pride and joy of Kalevala.
Now the happy Wainamoinen,
Sits upon the rock of gladness,
Joyful on the rock of music,
Sings a little, sings and ceases,
Sings again, and sings a third time,
Thus to break the spell of magic,
Thus to lessen the enchantment,
Thus the potent charm to banish.
As the magic spell is broken,
Youkahainen, sad, but wiser,
Drags his feet from out the quicksand,
Lifts his beard from out the water,
From the rocks leads forth his courser,
35
Brings his sledge back from the rushes,
Calls his whip back from the ocean,
Sets his golden sledge in order,
Throws himself upon the cross-bench,
Snaps his whip and hies him homeward,
Hastens homeward, heavy-hearted,
Sad indeed to meet his mother,
Aino's mother, gray and aged.
Careless thus be hastens homeward,
Nears his home with noise and bustle,
Reckless drives against the pent-house,
Breaks the shafts against the portals,
Breaks his handsome sledge in pieces.
Then his mother, quickly guessing,
Would have chided him for rashness,
But the father interrupted:
'Wherefore dost thou break thy snow-sledge,
Wherefore dash thy thills in fragments,
Wherefore comest home so strangely,
Why this rude and wild behavior?'
Now alas! poor Youkahainen,
Cap awry upon his forehead,
Falls to weeping, broken-hearted,
Head depressed and mind dejected,
Eyes and lips expressing sadness,
Answers not his anxious father.
Then the mother quickly asked him,
Sought to find his cause for sorrow:
'Tell me, first-born, why thou weepest,
Why thou weepest, heavy-hearted,
Why thy mind is so dejected,
Why thine eyes express such sadness.'
Youkahainen then made answer:
'Golden mother, ever faithful,
Cause there is to me sufficient,
Cause enough in what has happened,
Bitter cause for this my sorrow,
Cause for bitter tears and murmurs:
All my days will pass unhappy,
Since, O mother of my being,
I have promised beauteous Aino,
Aino, thy beloved daughter,
36
Aino, my devoted sister,
To decrepit Wainamoinen,
Bride to be to him forever,
Roof above him, prop beneath him,
Fair companion at his fire-side.'
Joyful then arose the mother,
Clapped her hands in glee together,
Thus addressing Youkahainen:
'Weep no more, my son beloved,
Thou hast naught to cause thy weeping,
Hast no reason for thy sorrow,
Often I this hope have cherished;
Many years have I been praying
That this mighty bard and hero,
Wise and valiant Wainamoinen,
Spouse should be to beauteous Aino,
Son-in-law to me, her mother.'
But the fair and lovely maiden,
Sister dear of Youkahainen,
Straightway fell to bitter weeping,
On the threshold wept and lingered,
Wept all day and all the night long,
Wept a second, then a third day,
Wept because a bitter sorrow
On her youthful heart had fallen.
Then the gray-haired mother asked her:
'Why this weeping, lovely Aino?
Thou hast found a noble suitor,
Thou wilt rule his spacious dwelling,
At his window sit and rest thee,
Rinse betimes his golden platters,
Walk a queen within his dwelling.'
Thus replied the tearful Aino:
'Mother dear, and all-forgiving,
Cause enough for this my sorrow,
Cause enough for bitter weeping:
I must loose my sunny tresses,
Tresses beautiful and golden,
Cannot deck my hair with jewels,
Cannot bind my head with ribbons,
All to be hereafter hidden
Underneath the linen bonnet
37
That the wife. must wear forever;
Weep at morning, weep at evening,
Weep alas! for waning beauty,
Childhood vanished, youth departed,
Silver sunshine, golden moonlight,
Hope and pleasure of my childhood,
Taken from me now forever,
And so soon to be forgotten
At the tool-bench of my brother,
At the window of my sister,
In the cottage of my father.'
Spake again the gray-haired mother
To her wailing daughter Aino:
'Cease thy sorrow, foolish maiden,
By thy tears thou art ungrateful,
Reason none for thy repining,
Not the slightest cause for weeping;
Everywhere the silver sunshine
Falls as bright on other households;
Not alone the moonlight glimmers
Through thy father's open windows,
On the work-bench of thy brother;
Flowers bloom in every meadow,
Berries grow on every mountain;
Thou canst go thyself and find them,
All the day long go and find them;
Not alone thy brother's meadows
Grow the beauteous vines and flowers;
Not alone thy father's mountains
Yield the ripe, nutritious berries;
Flowers bloom in other meadows,
Berries grow on other mountains,
There as here, my lovely Aino.'
~ Elias Lönnrot,#NFDB
1279:Gotham - Book I
Far off (no matter whether east or west,
A real country, or one made in jest,
Nor yet by modern Mandevilles disgraced,
Nor by map-jobbers wretchedly misplaced)
There lies an island, neither great nor small,
Which, for distinction sake, I Gotham call.
The man who finds an unknown country out,
By giving it a name, acquires, no doubt,
A Gospel title, though the people there
The pious Christian thinks not worth his care
Bar this pretence, and into air is hurl'd
The claim of Europe to the Western world.
Cast by a tempest on the savage coast,
Some roving buccaneer set up a post;
A beam, in proper form transversely laid,
Of his Redeemer's cross the figure made-Of that Redeemer, with whose laws his life,
From first to last, had been one scene of strife;
His royal master's name thereon engraved,
Without more process the whole race enslaved,
Cut off that charter they from Nature drew,
And made them slaves to men they never knew.
Search ancient histories, consult records,
Under this title the most Christian lords
Hold (thanks to conscience) more than half the ball;
O'erthrow this title, they have none at all;
For never yet might any monarch dare,
Who lived to Truth, and breathed a Christian air,
Pretend that Christ, (who came, we all agree,
To bless his people, and to set them free)
To make a convert, ever one law gave
By which converters made him first a slave.
Spite of the glosses of a canting priest,
Who talks of charity, but means a feast;
Who recommends it (whilst he seems to feel
The holy glowings of a real zeal)
To all his hearers as a deed of worth,
To give them heaven whom they have robb'd of earth;
Never shall one, one truly honest man,
25
Who, bless'd with Liberty, reveres her plan,
Allow one moment that a savage sire
Could from his wretched race, for childish hire,
By a wild grant, their all, their freedom pass,
And sell his country for a bit of glass.
Or grant this barbarous right, let Spain and France,
In slavery bred, as purchasers advance;
Let them, whilst Conscience is at distance hurl'd,
With some gay bauble buy a golden world:
An Englishman, in charter'd freedom born,
Shall spurn the slavish merchandise, shall scorn
To take from others, through base private views,
What he himself would rather die, than lose.
Happy the savage of those early times,
Ere Europe's sons were known, and Europe's crimes!
Gold, cursed gold! slept in the womb of earth,
Unfelt its mischiefs, as unknown its worth;
In full content he found the truest wealth,
In toil he found diversion, food, and health;
Stranger to ease and luxury of courts,
His sports were labours, and his labours sports;
His youth was hardy, and his old age green;
Life's morn was vigorous, and her eve serene;
No rules he held, but what were made for use,
No arts he learn'd, nor ills which arts produce;
False lights he follow'd, but believed them true;
He knew not much, but lived to what he knew.
Happy, thrice happy now the savage race,
Since Europe took their gold, and gave them grace!
Pastors she sends to help them in their need,
Some who can't write; with others who can't read;
And on sure grounds the gospel pile to rear,
Sends missionary felons every year;
Our vices, with more zeal than holy prayers,
She teaches them, and in return takes theirs.
Her rank oppressions give them cause to rise,
Her want of prudence, means and arms supplies,
Whilst her brave rage, not satisfied with life,
Rising in blood, adopts the scalping-knife.
Knowledge she gives, enough to make them know
How abject is their state, how deep their woe;
The worth of freedom strongly she explains,
26
Whilst she bows down, and loads their necks with chains.
Faith, too, she plants, for her own ends impress'd,
To make them bear the worst, and hope the best;
And whilst she teaches, on vile Interest's plan,
As laws of God, the wild decrees of man,
Like Pharisees, of whom the Scriptures tell,
She makes them ten times more the sons of Hell.
But whither do these grave reflections tend?
Are they design'd for any, or no end?
Briefly but this--to prove, that by no act
Which Nature made, that by no equal pact
'Twixt man and man, which might, if Justice heard,
Stand good; that by no benefits conferr'd,
Or purchase made, Europe in chains can hold
The sons of India, and her mines of gold.
Chance led her there in an accursed hour;
She saw, and made the country hers by power;
Nor, drawn by virtue's love from love of fame,
Shall my rash folly controvert the claim,
Or wish in thought that title overthrown
Which coincides with and involves my own.
Europe discover'd India first; I found
My right to Gotham on the self-same ground;
I first discover'd it, nor shall that plea
To her be granted, and denied to me;
I plead possession, and, till one more bold
Shall drive me out, will that possession hold.
With Europe's rights my kindred rights I twine;
Hers be the Western world, be Gotham mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
As on a day, a high and holy day,
Let every instrument of music play,
Ancient and modern; those which drew their birth
(Punctilios laid aside) from Pagan earth,
As well as those by Christian made and Jew;
Those known to many, and those known to few;
Those which in whim and frolic lightly float,
27
And those which swell the slow and solemn note;
Those which (whilst Reason stands in wonder by)
Make some complexions laugh, and others cry;
Those which, by some strange faculty of sound,
Can build walls up, and raze them to the ground;
Those which can tear up forests by the roots,
And make brutes dance like men, and men like brutes;
Those which, whilst Ridicule leads up the dance,
Make clowns of Monmouth ape the fops of France;
Those which, where Lady Dulness with Lord Mayors
Presides, disdaining light and trifling airs,
Hallow the feast with psalmody; and those
Which, planted in our churches to dispose
And lift the mind to Heaven, are disgraced
With what a foppish organist calls Taste:
All, from the fiddle (on which every fool,
The pert son of dull sire, discharged from school,
Serves an apprenticeship in college ease,
And rises through the gamut to degrees)
To those which (though less common, not less sweet)
From famed Saint Giles's, and more famed Vine Street,
(Where Heaven, the utmost wish of man to grant,
Gave me an old house, and an older aunt)
Thornton, whilst Humour pointed out the road
To her arch cub, hath hitch'd into an ode;-All instruments (attend, ye listening spheres!
Attend, ye sons of men! and hear with ears),
All instruments (nor shall they seek one hand
Impress'd from modern Music's coxcomb band),
All instruments, self-acted, at my name
Shall pour forth harmony, and loud proclaim,
Loud but yet sweet, to the according globe,
My praises; whilst gay Nature, in a robe,
A coxcomb doctor's robe, to the full sound
Keeps time, like Boyce, and the world dances round.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Infancy, straining backward from the breast,
28
Tetchy and wayward, what he loveth best
Refusing in his fits, whilst all the while
The mother eyes the wrangler with a smile,
And the fond father sits on t' other side,
Laughs at his moods, and views his spleen with pride,
Shall murmur forth my name, whilst at his hand
Nurse stands interpreter, through Gotham's land.
Childhood, who like an April morn appears,
Sunshine and rain, hopes clouded o'er with fears,
Pleased and displeased by starts, in passion warm,
In reason weak; who, wrought into a storm,
Like to the fretful billows of the deep,
Soon spends his rage, and cries himself asleep;
Who, with a feverish appetite oppress'd,
For trifles sighs, but hates them when possess'd;
His trembling lash suspended in the air,
Half-bent, and stroking back his long lank hair,
Shall to his mates look up with eager glee,
And let his top go down to prate of me.
Youth, who, fierce, fickle, insolent, and vain,
Impatient urges on to Manhood's reign,
Impatient urges on, yet with a cast
Of dear regard looks back on Childhood past,
In the mid-chase, when the hot blood runs high,
And the quick spirits mount into his eye;
When pleasure, which he deems his greatest wealth,
Beats in his heart, and paints his cheeks with health;
When the chafed steed tugs proudly at the rein,
And, ere he starts, hath run o'er half the plain;
When, wing'd with fear, the stag flies full in view,
And in full cry the eager hounds pursue,
Shall shout my praise to hills which shout again,
And e'en the huntsman stop to cry, Amen.
Manhood, of form erect, who would not bow
Though worlds should crack around him; on his brow
Wisdom serene, to passion giving law,
Bespeaking love, and yet commanding awe;
Dignity into grace by mildness wrought;
Courage attemper'd and refined by thought;
Virtue supreme enthroned; within his breast
The image of his Maker deep impress'd;
Lord of this earth, which trembles at his nod,
29
With reason bless'd, and only less than God;
Manhood, though weeping Beauty kneels for aid,
Though Honour calls, in Danger's form array'd,
Though clothed with sackloth, Justice in the gates,
By wicked elders chain'd, Redemption waits,
Manhood shall steal an hour, a little hour,
(Is't not a little one?) to hail my power.
Old Age, a second child, by Nature cursed
With more and greater evils than the first;
Weak, sickly, full of pains, in every breath
Railing at life, and yet afraid of death;
Putting things off, with sage and solemn air,
From day to day, without one day to spare;
Without enjoyment, covetous of pelf,
Tiresome to friends, and tiresome to himself;
His faculties impair'd, his temper sour'd,
His memory of recent things devour'd
E'en with the acting, on his shatter'd brain
Though the false registers of youth remain;
From morn to evening babbling forth vain praise
Of those rare men, who lived in those rare days,
When he, the hero of his tale, was young;
Dull repetitions faltering on his tongue;
Praising gray hairs, sure mark of Wisdom's sway,
E'en whilst he curses Time, which made him gray;
Scoffing at youth, e'en whilst he would afford
All but his gold to have his youth restored,
Shall for a moment, from himself set free,
Lean on his crutch, and pipe forth praise to me.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Things without life shall in this chorus join,
And, dumb to others' praise, be loud in mine.
The snowdrop, who, in habit white and plain,
Comes on, the herald of fair Flora's train;
The coxcomb crocus, flower of simple note,
Who by her side struts in a herald's coat;
The tulip, idly glaring to the view,
30
Who, though no clown, his birth from Holland drew;
Who, once full dress'd, fears from his place to stir,
The fop of flowers, the More of a parterre;
The woodbine, who her elm in marriage meets,
And brings her dowry in surrounding sweets;
The lily, silver mistress of the vale;
The rose of Sharon, which perfumes the gale;
The jessamine, with which the queen of flowers,
To charm her god, adorns his favourite bowers,
Which brides, by the plain hand of Neatness dress'd,
Unenvied rival, wear upon their breast,
Sweet as the incense of the morn, and chaste
As the pure zone which circles Dian's waist;
All flowers, of various names, and various forms,
Which the sun into strength and beauty warms,
From the dwarf daisy, which, like infants, clings,
And fears to leave the earth from whence it springs,
To the proud giant of the garden race,
Who, madly rushing to the sun's embrace,
O'ertops her fellows with aspiring aim,
Demands his wedded love, and bears his name;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Forming a gloom, through which, to spleen-struck minds,
Religion, horror-stamp'd, a passage finds,
The ivy crawling o'er the hallow'd cell
Where some old hermit's wont his beads to tell
By day, by night; the myrtle ever green,
Beneath whose shade Love holds his rites unseen;
The willow, weeping o'er the fatal wave
Where many a lover finds a watery grave;
The cypress, sacred held, when lovers mourn
Their true love snatch'd away; the laurel worn
By poets in old time, but destined now,
In grief, to wither on a Whitehead's brow;
The fig, which, large as what in India grows,
31
Itself a grove, gave our first parents clothes;
The vine, which, like a blushing new-made bride,
Clustering, empurples all the mountain's side;
The yew, which, in the place of sculptured stone,
Marks out the resting-place of men unknown;
The hedge-row elm; the pine, of mountain race;
The fir, the Scotch fir, never out of place;
The cedar, whose top mates the highest cloud,
Whilst his old father Lebanon grows proud
Of such a child, and his vast body laid
Out many a mile, enjoys the filial shade;
The oak, when living, monarch of the wood;
The English oak, which, dead, commands the flood;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The showers, which make the young hills, like young lambs,
Bound and rebound; the old hills, like old rams,
Unwieldy, jump for joy; the streams which glide,
Whilst Plenty marches smiling by their side,
And from their bosom rising Commerce springs;
The winds, which rise with healing on their wings,
Before whose cleansing breath Contagion flies;
The sun, who, travelling in eastern skies,
Fresh, full of strength, just risen from his bed,
Though in Jove's pastures they were born and bred,
With voice and whip can scarce make his steeds stir,
Step by step, up the perpendicular;
Who, at the hour of eve, panting for rest,
Rolls on amain, and gallops down the west
As fast as Jehu, oil'd for Ahab's sin,
Drove for a crown, or postboys for an inn;
The moon, who holds o'er night her silver reign,
Regent of tides, and mistress of the brain,
Who to her sons, those sons who own her power,
And do her homage at the midnight hour,
Gives madness as a blessing, but dispenses
32
Wisdom to fools, and damns them with their senses;
The stars, who, by I know not what strange right,
Preside o'er mortals in their own despite,
Who, without reason, govern those who most
(How truly, judge from thence!) of reason boast,
And, by some mighty magic yet unknown,
Our actions guide, yet cannot guide their own;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The moment, minute, hour, day, week, month, year,
Morning and eve, as they in turn appear;
Moments and minutes, which, without a crime,
Can't be omitted in accounts of time,
Or, if omitted, (proof we might afford)
Worthy by parliaments to be restored;
The hours, which, dress'd by turns in black and white,
Ordain'd as handmaids, wait on Day and Night;
The day, those hours, I mean, when light presides,
And Business in a cart with Prudence rides;
The night, those hours, I mean, with darkness hung,
When Sense speaks free, and Folly holds her tongue;
The morn, when Nature, rousing from her strife
With death-like sleep, awakes to second life;
The eve, when, as unequal to the task,
She mercy from her foe descends to ask;
The week, in which six days are kindly given
To think of earth, and one to think of heaven;
The months, twelve sisters, all of different hue,
Though there appears in all a likeness too;
Not such a likeness as, through Hayman's works,
Dull mannerist! in Christians, Jews, and Turks,
Cloys with a sameness in each female face,
But a strange something, born of Art and Grace,
Which speaks them all, to vary and adorn,
At different times of the same parents born;
All, one and all, shall in this chorus join,
33
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Frore January, leader of the year,
Minced-pies in van, and calves' heads in the rear;
Dull February, in whose leaden reign
My mother bore a bard without a brain;
March, various, fierce, and wild, with wind-crack'd cheeks,
By wilder Welshmen led, and crown'd with leeks;
April, with fools, and May, with bastards bless'd;
June, with White Roses on her rebel breast;
July, to whom, the Dog-star in her train,
Saint James gives oysters, and Saint Swithin rain;
August, who, banish'd from her Smithfield stand,
To Chelsea flies, with Doggett in her hand;
September, when by custom (right divine)
Geese are ordain'd to bleed at Michael's shrine,
Whilst the priest, not so full of grace as wit,
Falls to, unbless'd, nor gives the saint a bit;
October, who the cause of Freedom join'd,
And gave a second George to bless mankind;
November, who, at once to grace our earth,
Saint Andrew boasts, and our Augusta's birth;
December, last of months, but best, who gave
A Christ to man, a Saviour to the slave,
Whilst, falsely grateful, man, at the full feast,
To do God honour makes himself a beast;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The seasons as they roll; Spring, by her side
Lechery and Lent, lay-folly and church-pride,
By a rank monk to copulation led,
34
A tub of sainted salt-fish on her head;
Summer, in light transparent gauze array'd,
Like maids of honour at a masquerade,
In bawdry gauze, for which our daughters leave
The fig, more modest, first brought up by Eve,
Panting for breath, inflamed with lustful fires,
Yet wanting strength to perfect her desires,
Leaning on Sloth, who, fainting with the heat,
Stops at each step, and slumbers on his feet;
Autumn, when Nature, who with sorrow feels
Her dread foe Winter treading on her heels,
Makes up in value what she wants in length,
Exerts her powers, and puts forth all her strength,
Bids corn and fruits in full perfection rise,
Corn fairly tax'd, and fruits without excise;
Winter, benumb'd with cold, no longer known
By robes of fur, since furs became our own;
A hag, who, loathing all, by all is loathed,
With weekly, daily, hourly, libels clothed,
Vile Faction at her heels, who, mighty grown,
Would rule the ruler, and foreclose the throne,
Would turn all state affairs into a trade,
Make laws one day, the next to be unmade,
Beggar at home, a people fear'd abroad,
And, force defeated, make them slaves by fraud;
All, one and all, shall in this chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
The year, grand circle! in whose ample round
The seasons regular and fix'd are bound,
(Who, in his course repeated o'er and o'er,
Sees the same things which he had seen before;
The same stars keep their watch, and the same sun
Runs in the track where he from first hath run;
The same moon rules the night; tides ebb and flow;
Man is a puppet, and this world a show;
Their old dull follies, old dull fools pursue,
35
And vice in nothing, but in mode, is new;
He ---- a lord (now fair befall that pride,
He lived a villain, but a lord he died)
Dashwood is pious, Berkeley fix'd as Fate,
Sandwich (thank Heaven!) first minister of state;
And, though by fools despised, by saints unbless'd,
By friends neglected, and by foes oppress'd,
Scorning the servile arts of each court elf,
Founded on honour, Wilkes is still himself)
The year, encircled with the various train
Which waits, and fills the glories of his reign,
Shall, taking up this theme, in chorus join,
And, dumb to others' praise, be loud in mine.
Rejoice, ye happy Gothamites! rejoice;
Lift up your voice on high, a mighty voice,
The voice of gladness; and on every tongue,
In strains of gratitude, be praises hung,
The praises of so great and good a king:
Shall Churchill reign, and shall not Gotham sing?
Thus far in sport--nor let our critics hence,
Who sell out monthly trash, and call it sense,
Too lightly of our present labours deem,
Or judge at random of so high a theme:
High is our theme, and worthy are the men
To feel the sharpest stroke of Satire's pen;
But when kind Time a proper season brings,
In serious mood to treat of serious things,
Then shall they find, disdaining idle play,
That I can be as grave and dull as they.
Thus far in sport--nor let half patriots, those
Who shrink from every blast of Power which blows,
Who, with tame cowardice familiar grown,
Would hear my thoughts, but fear to speak their own;
Who (lest bold truths, to do sage Prudence spite,
Should burst the portals of their lips by night,
Tremble to trust themselves one hour in sleep)
Condemn our course, and hold our caution cheap;
When brave Occasion bids, for some great end,
When Honour calls the poet as a friend,
Then shall they find that, e'en on Danger's brink,
He dares to speak what they scarce dare to think.
36
~ Charles Churchill,#NFDB
1280:Custer: Book Second
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
183
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on,' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
184
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe,' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam).
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die,' quoth he, 'mine be the part
To fall upon the field, a bullet in my heart.'
XII
185
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
XIV
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
186
XVI
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here.
XIX
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
187
Whom following friends will bless, while foes will curse and cower.
XX
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
XXI
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
188
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
189
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
XXVIII
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI
The weary warriors mount their foam-flecked steeds,
190
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV
191
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve.
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
192
XXXIX
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII
With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
193
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
Who in one year have known a lifetime of despair.
XLVI
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
194
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
XLVIII
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX
The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
Like some elixir which the gods prepare,
195
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
The gods alone create, gods only should destroy.
LIII
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV
196
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI
At last she lifts her lazy head and heeds
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
197
LVIII
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
Against the blue-clad troops, this patch of color lies.
LX
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
198
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep
~ Ella Wheeler Wilcox,#NFDB
1281:The Kalevala - Rune Xxv
WAINAMOINEN'S WEDDING-SONGS.
At the home of Ilmarinen
Long had they been watching, waiting,
For the coming of the blacksmith,
With his bride from Sariola.
Weary were the eyes of watchers,
Waiting from the father's portals,
Looking from the mother's windows;
Weary were the young knees standing
At the gates of the magician;
Weary grew the feet of children,
Tramping to the walls and watching;
Worn and torn, the shoes of heroes,
Running on the shore to meet him.
Now at last upon a morning
Of a lovely day in winter,
Heard they from the woods the rumble
Of a snow-sledge swiftly bounding.
Lakko, hostess of Wainola,
She the lovely Kalew-daughter,
Spake these words in great excitement:
''Tis the sledge of the magician,
Comes at last the metal-worker
From the dismal Sariola,
By his side the Bride of Beauty!
Welcome, welcome, to this hamlet,
Welcome to thy mother's hearth-stone,
To the dwelling of thy father,
By thine ancestors erected!'
Straightway came great Ilmarinen
To his cottage drove the blacksmith,
To the fireside of his father,
To his mother's ancient dwelling.
Hazel-birds were sweetly singing
On the newly-bended collar;
Sweetly called the sacred cuckoos
From the summit of the break-board;
424
Merry, jumped the graceful squirrel
On the oaken shafts and cross-bar.
Lakko, Kalew's fairest hostess,
Beauteous daughter of Wainola,
Spake these words of hearty welcome:
'For the new moon hopes the village,
For the sun, the happy maidens,
For the boat, the swelling water;
I have not the moon expected,
For the sun have not been waiting,
I have waited for my hero,
Waited for the Bride of Beauty;
Watched at morning, watched at evening,
Did not know but some misfortune,
Some sad fate had overtaken
Bride and bridegroom on their journey;
Thought the maiden growing weary,
Weary of my son's attentions,
Since he faithfully had promised
To return to Kalevala,
Ere his foot-prints had departed
From the snow-fields of his father.
Every morn I looked and listened,
Constantly I thought and wondered
When his sledge would rumble homeward,
When it would return triumphant
To his home, renowned and ancient.
Had a blind and beggared straw-horse
Hobbled to these shores awaiting,
With a sledge of but two pieces,
Well the steed would have been lauded,
Had it brought my son beloved,
Had it brought the Bride of Beauty.
Thus I waited long, impatient,
Looking out from morn till even,
Watching with my head extended,
With my tresses streaming southward,
With my eyelids widely opened,
Waiting for my son's returning
To this modest home of heroes,
To this narrow place of resting.
Finally am I rewarded,
425
For the sledge has come triumphant,
Bringing home my son and hero,
By his side the Rainbow maiden,
Red her cheeks, her visage winsome,
Pride and joy of Sariola.
'Wizard-bridegroom of Wainola,
Take thy-courser to the stable,
Lead him to the well-filled manger,
To the best of grain and clover;
Give to us thy friendly greetings,
Greetings send to all thy people.
When thy greetings thou hast ended,
Then relate what has befallen
To our hero in his absence.
Hast thou gone without adventure
To the dark fields of Pohyola,
Searching for the Maid of Beauty?
Didst thou scale the hostile ramparts,
Didst thou take the virgin's mansion,
Passing o'er her mother's threshold,
Visiting the halls of Louhi?
'But I know without the asking,
See the answer to my question:
Comest from the North a victor,
On thy journey well contented;
Thou hast brought the Northland daughter,
Thou hast razed the hostile portals,
Thou hast stormed the forts of Louhi,
Stormed the mighty walls opposing,
On thy journey to Pohyola,
To the village of the father.
In thy care the bride is sitting,
In thine arms, the Rainbow-maiden,
At thy side, the pride of Northland,
Mated to the highly-gifted.
Who has told the cruel story,
Who the worst of news has scattered,
That thy suit was unsuccessful,
That in vain thy steed had journeyed?
Not in vain has been thy wooing,
Not in vain thy steed has travelled
To the dismal homes of Lapland;
426
He has journeyed heavy laden,
Shaken mane, and tail, and forelock,
Dripping foam from lips and nostrils,
Through the bringing of the maiden,
With the burden of the husband.
'Come, thou beauty, from the snow-sledge,
Come, descend thou from the cross-bench,
Do not linger for assistance,
Do not tarry to be carried;
If too young the one that lifts thee,
If too proud the one in waiting,
Rise thou, graceful, like a young bird,
Hither glide along the pathway,
On the tan-bark scarlet- colored,
That the herds of kine have evened,
That the gentle lambs have trodden,
Smoothened by the tails of horses.
Haste thou here with gentle footsteps,
Through the pathway smooth and tidy,
On the tiles of even surface,
On thy second father's court-yard,
To thy second mother's dwelling,
To thy brother's place of resting,
To thy sister's silent chambers.
Place thy foot within these portals,
Step across this waiting threshold,
Enter thou these halls of joyance,
Underneath these painted rafters,
Underneath this roof of ages.
During all the winter evenings,
Through the summer gone forever,
Sang the tiling made of ivory,
Wishing thou wouldst walk upon it;
Often sang the golden ceiling,
Hoping thou wouldst walk beneath it,
And the windows often whistled,
Asking thee to sit beside them;
Even on this merry morning,
Even on the recent evening,
Sat the aged at their windows,
On the sea-shore ran the children,
Near the walls the maidens waited,
427
Ran the boys upon the highway,
There to watch the young bride's coming,
Coming with her hero-husband.
'Hail, ye courtiers of Wainola,
With the heroes of the fathers,
Hail to thee, Wainola's hamlet,
Hail, ye halls with heroes peopled,
Hail, ye rooms with all your inmates,
Hail to thee, sweet golden moonlight,
Hail to thee, benignant Ukko,
Hail companions of the bridegroom!
Never has there been in Northland
Such a wedding-train of honor,
Never such a bride of beauty.
'Bridegroom, thou beloved hero,
Now untie the scarlet ribbons,
And remove the silken muffler,
Let us see the honey-maiden,
See the Daughter of the Rainbow.
Seven years hast thou been wooing,
Hast thou brought the maid affianced,
Wainamoinen's Wedding-Songs.
Hast thou sought a sweeter cuckoo,
Sought one fairer than the moonlight,
Sought a mermaid from the ocean?
But I know without the asking,
See the answer to my question:
Thou hast brought the sweet-voiced cuckoo,
Thou hast found the swan of beauty
Plucked the sweetest flower of Northland,
Culled the fairest of the jewels,
Gathered Pohya's sweetest berry!'
Sat a babe upon the matting,
And the young child spake as follows:
'Brother, what is this thou bringest,
Aspen-log or trunk of willow,
Slender as the mountain-linden?
Bridegroom, well dost thou remember,
Thou hast hoped it all thy life-time,
Hoped to bring the Maid of Beauty,
Thou a thousand times hast said it,
Better far than any other,
428
Not one like the croaking raven,
Nor the magpie from the border,
Nor the scarecrow from the corn-fields,
Nor the vulture from the desert.
What has this one done of credit,
In the summer that has ended?
Where the gloves that she has knitted,
Where the mittens she has woven?
Thou hast brought her empty-handed,
Not a gift she brings thy father;
In thy chests the nice are nesting,
Long-tails feeding on thy vestments,
And thy bride, cannot repair them.'
Lakko hostess of Wainola,
She the faithful Kalew-daughter,
Hears the young child's speech in wonder,
Speaks these words of disapproval:
Silly prattler, cease thy talking,
Thou Last spoken in dishonor;
Let all others be astonished,
Reap thy malice on thy kindred,
must not harm the Bride of Beauty,
Rainbow-daughter of the Northland.
False indeed is this thy Prattle,
All thy words are full or evil,
Fallen from thy tongue of mischief
From the lips of one unworthy.
Excellent the hero 's young bride,
Best of all in Sariola,
Like the, strawberry in summer,
Like the daisy from the meadow,
Like the cuckoo from the forest,
Like the bluebird from the aspen,
Like the redbreast from the heather,
Like the martin. from the linden;
Never couldst thou find in Ehstland
Such a virgin as this daughter,
Such a graceful beauteous maiden,
With such dignity of Carriage,
With such arms of pearly whiteness,
With. a neck so fair and lovely.
Neither is she empty-handed,
429
She has brought us furs abundant,
Brought us many silken garments,
Richest weavings of Pohyola.
Many beauteous things the maiden,
With the spindle has accomplished,
Spun and woven with her fingers
Dresses of the finest texture
She in winter has upfolded,
Bleached them in the days of spring-time,
Dried them at the hour of noon-day,
For our couches finest linen,
For our heads the softest pillows,
For our comfort woollen blankets,
For our necks the silken ribbons.'
To the bride speaks gracious Lakko:
'Goodly wife, thou Maid of Beauty,
Highly wert thou praised as daughter,
In thy father's distant country;
Here thou shalt be praised forever
By the kindred of thy husband;
Thou shalt never suffer sorrow,
Never give thy heart to grieving;
In the swamps thou wert not nurtured,
Wert not fed beside the brooklets;
Thou wert born 'neath stars auspicious,
Nurtured from the richest garners,
Thou wert taken to the brewing
Of the sweetest beer in Northland.
'Beauteous bride from Sariola,
Shouldst thou see me bringing hither
Casks of corn, or wheat, or barley;
Bringing rye in great abundance,
They belong to this thy household;
Good the plowing of thy husband.
Good his sowing and his reaping.
'Bride of Beauty from the Northland,
Thou wilt learn this home to manage,
Learn to labor with thy kindred;
Good the home for thee to dwell in,
Good enough for bride and daughter.
At thy hand will rest the milk-pail,
And the churn awaits thine order;
430
It is well here for the maiden,
Happy will the young bride labor,
Easy are the resting-benches;
Here the host is like thy father,
Like thy mother is the hostess,
All the sons are like thy brothers,
Like thy sisters are the daughters.
'Shouldst thou ever have a longing
For the whiting of the ocean,
For thy, father's Northland salmon,
For thy brother's hazel-chickens,
Ask them only of thy husband,
Let thy hero-husband bring them.
There is not in all of Northland,
Not a creature of the forest,
Not a bird beneath the ether,
Not a fish within the waters,
Not the largest, nor the smallests
That thy husband cannot capture.
It is well here for the maiden,
Here the bride may live in freedom,
Need not turn the heavy millstone,
Need not move the iron pestle;
Here the wheat is ground by water,
For the rye, the swifter current,
While the billows wash the vessels
And the surging waters rinse them.
Thou hast here a lovely village,
Finest spot in all of Northland,
In the lowlands sweet the verdure,
in the uplands, fields of beauty,
With the lake-shore near the hamlet,
Near thy home the running water,
Where the goslings swim and frolic,
Water-birds disport in numbers.'
Thereupon the bride and bridegroom
Were refreshed with richest viands,
Given food and drink abundant,
Fed on choicest bits of reindeer,
On the sweetest loaves of barley,
On the best of wheaten biscuits,
On the richest beer of Northland.
431
Many things were on the table,
Many dainties of Wainola,
In the bowls of scarlet color,
In the platters deftly painted,
Many cakes with honey sweetened,
To each guest was butter given,
Many bits of trout and whiting,
Larger salmon carved in slices,
With the knives of molten silver,
Rimmed with gold the silver handles,
Beer of barley ceaseless flowing,
Honey-drink that was not purchased,
In the cellar flows profusely,
Beer for all, the tongues to quicken,
Mead and beer the minds to freshen.
Who is there to lead the singing,
Lead the songs of Kalevala?
Wainamoinen, old and truthful,
The eternal, wise enchanter,
Quick begins his incantations,
Straightway sings the songs that follow.
'Golden brethren, dearest kindred,
Ye, my loved ones, wise and worthy
Ye companions, highly-gifted,
Listen to my simple sayings:
Rarely stand the geese together,
Sisters do not mate each other,
Not together stand the brothers,
Nor the children of one mother,
In the countries of the Northland.
'Shall we now begin the singing,
Sing the songs of old tradition?
Singers can but sing their wisdom,
And the cuckoo call the spring-time,
And the goddess of the heavens
Only dyes the earth in beauty;
So the goddesses of weaving
Can but weave from dawn till twilight,
Ever sing the youth of Lapland
In their straw-shoes full of gladness,
When the coarse-meat of the roebuck,
Or of blue-moose they have eaten.
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Wherefore should I not be singing,
And the children not be chanting
Of the biscuits of Wainola,
Of the bread of Kalew-waters?
Even Sing the lads of Lapland
In their straw-shoes filled with joyance,
Drinking but a cup of water,
Eating but the bitter tan-bark.
Wherefore should I not be singing,
And the children not be chanting
Of the beer of Kalevala,
Brewed from barley in perfection,
Dressed in quaint and homely costume,
As they sit beside their hearth-stones.
Wherefore should I not be singing,
And the children too be chanting
Underneath these painted rafters,
In these halls renowned and ancient?
This the place for men to linger,
This the court-room for the maidens,
Near the foaming beer of barley,
Honey-brewed in great abundance,
Very near, the salmon-waters,
Near, the nets for trout and whiting,
Here where food is never wanting,
Where the beer is ever brewing.
Here Wainola's sons assemble,
Here Wainola's daughters gather,
Here they never eat in trouble,
Here they live without regretting,
In the life-time of the landlord,
While the hostess lives and prospers.
'Who shall first be sung and lauded?
Shall it be the bride or bridegroom?
Let us praise the bridegroom's father,
Let the hero-host be chanted,
Him whose home is in the forest,
Him who built upon the mountains,
Him who brought the trunks of lindens,
With their tops and slender branches,
Brought them to the best of places,
Joined them skilfully together,
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For the mansion of the nation,
For this famous hero-dwelling,
Walls procured upon the lowlands,
Rafters from the pine and fir-tree,
From the woodlands beams of oak-wood,
From the berry-plains the studding,
Bark was furnished by the aspen,
And the mosses from the fenlands.
Trimly builded is this mansion,
In a haven warmly sheltered;
Here a hundred men have labored,
On the roof have stood a thousand,
As this spacious house was building,
As this roof was tightly jointed.
Here the ancient mansion-builder,
When these rafters were erected,
Lost in storms his locks of sable,
Scattered by the winds of heaven.
Often has the hero-landlord
On the rocks his gloves forgotten,
Left his hat upon the willows,
Lost his mittens in the marshes;
Oftentimes the mansion-builder,
In the early hours of morning,
Ere his workmen had awakened,
Unperceived by all the village,
Has arisen from his slumber,
Left his cabin the snow-fields,
Combed his locks among the branches,
Bathed his eyes in dews of morning.
'Thus obtained the pleasant landlord
Friends to fill his spacious dwelling,
Fill his benches with magicians,
Fill his windows with enchanters,
Fill his halls with wizard-singers,
Fill his floors with ancient speakers,
Fill his ancient court with strangers,
Fill his hurdles with the needy;
Thus the Kalew-host is lauded.
'Now I praise the genial hostess,
Who prepares the toothsome dinner,
Fills with plenty all her tables,
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Bakes the honeyed loaves of barley,
Kneads the dough with magic fingers,
With her arms of strength and beauty,
Bakes her bread in copper ovens,
Feeds her guests and bids them welcome,
Feeds them on the toothsome bacon,
On the trout, and pike, and whiting,
On the rarest fish in ocean,
On the dainties of Wainola.
'Often has the faithful hostess
Risen from her couch in silence,
Ere the crowing of the watcher,
To prepare the wedding-banquet,
Make her tables look attractive.
Brew the honey-beer of wedlock.
Excellently has the housewife,
Has the hostess filled with wisdom,
Brewed the beer from hops and barley,
From the corn of Kalevala,
From the wheat-malt honey-seasoned,
Stirred the beer with graceful fingers,
At the oven in the penthouse,
In the chamber swept and polished.
Neither did the prudent hostess,
Beautiful, and full of wisdom,
Let the barley sprout too freely,
Lest the beer should taste of black-earth,
Be too bitter in the brewing,
Often went she to the garners,
Went alone at hour of midnight,
Was not frightened by the black-wolf,
Did not fear the beasts of woodlands.
'Now the hostess I have lauded,
Let me praise the favored suitor,
Now the honored hero-bridegroom,
Best of all the village-masters.
Clothed in purple is the hero,
Raiment brought from distant nations,
Tightly fitting to his body;
Snugly sets his coat of ermine,
To the floor it hangs in beauty,
Trailing from his neck and shoulders,
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Little of his vest appearing,
Peeping through his outer raiment,
Woven by the Moon's fair daughters,
And his vestment silver-tinselled.
Dressed in neatness is the suitor,
Round his waist a belt of copper,
Hammered by the Sun's sweet maidens,
Ere the early fires were lighted,
Ere the fire had been discovered.
Dressed in richness is the bridegroom,
On his feet are silken stockings,
Silken ribbons on his ankles,
Gold and silver interwoven.
Dressed in beauty is the bridegroom,
On his feet are shoes of deer-skin,
Like the swans upon the water,
Like the blue-duck on the sea-waves,
Like the thrush among the willows,
Like the water-birds of Northland.
Well adorned the hero-suitor,
With his locks of golden color,
With his gold-beard finely braided,
Hero-hat upon his forehead,
Piercing through the forest branches,
Reaching to the clouds of heaven,
Bought with countless gold and silver,
Priceless is the suitor's head-gear.
'Now the bridegroom has been lauded,
I will praise the young bride's playmate,
Day-companion in her childhood,
In the maiden's magic mansion.
Whence was brought the merry maiden,
From the village of Tanikka?
Thence was never brought the playmate,
Playmate of the bride in childhood.
Has she come from distant nations,
From the waters of the Dwina,
O'er the ocean far-outstretching?
Not from Dwina came the maiden,
Did not sail across the waters;
Grew as berry in the mountains,
As a strawberry of sweetness,
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On the fields the child of beauty,
In the glens the golden flower.
Thence has come the young bride's playmate,
Thence arose her fair companion.
Tiny are her feet and fingers,
Small her lips of scarlet color,
Like the maiden's loom of Suomi;
Eyes that shine in kindly beauty
Like the twinkling stars of heaven;
Beam the playmate's throbbing temples
Like the moonlight on the waters.
Trinkets has the bride's companion,
On her neck a golden necklace,
In her tresses, silken ribbons,
On her arms are golden bracelets,
Golden rings upon her fingers,
Pearls are set in golden ear-rings,
Loops of gold upon her temples,
And with pearls her brow is studded.
Northland thought the Moon was shining
When her jeweled ear-ringsglistened;
Thought the Sun had left his station
When her girdle shone in beauty;
Thought a ship was homeward sailing
When her colored head-gear fluttered.
Thus is praised the bride's companion,
Playmate of the Rainbow-maiden.
'Now I praise the friends assembled,
All appear in graceful manners;
If the old are wise and silent,
All the youth are free and merry,
All the guests are fair and worthy.
Never was there in Wainola,
Never will there be in Northland,
Such a company assembled;
All the children speak in joyance,
All the aged move sedately;
Dressed in white are all the maidens,
Like the hoar-frost of the morning,
Like the welcome dawn of spring-time,
Like the rising of the daylight.
Silver then was more abundant,
437
Gold among the guests in plenty,
On the hills were money, pockets,
Money-bags along the valleys,
For the friends that were invited,
For the guests in joy assembled.
All the friends have now been lauded,
Each has gained his meed of honor.'
Wainamoinen, old and truthful,
Song-deliverer of Northland,
Swung himself upon the fur-bench
Or his magic sledge of copper,
Straightway hastened to his hamlet,
Singing as he journeyed onward,
Singing charms and incantations,
Singing one day, then a second,
All the third day chanting legends.
On the rocks the runners rattled,
Hung the sledge upon a birch-stump,
Broke it into many pieces,
With the magic of his singing;
Double were the runners bended,
All the parts were torn asunder,
And his magic sledge was ruined.
Then the good, old Wainamoinen
Spake these words in meditation:
'Is there one among this number,
In this rising generation,
Or perchance among the aged,
In the passing generation,
That will go to Mana's kingdom,
To the empire of Tuoni,
There to get the magic auger
From the master of Manala,
That I may repair my snow-sledge,
Or a second sledge may fashion?'
What the younger people answered
Was the answer of the aged:
'Not among the youth of Northland,
Nor among the aged heroes,
Is there one of ample courage,
That has bravery sufficient,
To attempt the reckless journey
438
To the kingdom of Tuoni,
To Manala's fields and castles,
Thence to bring Tuoni's auger,
Wherewithal to mend thy snow-sledge,
Build anew thy sledge of magic.'
Thereupon old Wainamoinen,
The eternal wisdom-singer,
Went again to Mana's empire,
To the kingdom of Tuoni,
Crossed the sable stream of Deathland,
To the castles of Manala,
Found the auger of Tuoni,
Brought the instrument in safety.
Straightway sings old Wainamoinen,
Sings to life a purple forest,
In the forest, slender birches,
And beside them, mighty oak-trees,
Shapes them into shafts and runners,
Moulds them by his will and power,
Makes anew his sledge of magic.
On his steed he lays the harness,
Binds him to his sledge securely,
Seats himself upon the cross-bench,
And the racer gallops homeward,
To the manger filled and waiting,
To the stable of his master;
Brings the ancient Wainamoinen,
Famous bard and wise enchanter,
To the threshold of his dwelling,
To his home in Kalevala.
~ Elias Lönnrot,#NFDB
1282:The Kalevala - Rune Xv
LEMMINKAINEN'S RESTORATION.
Lemminkainen's aged mother
Anxious roams about the islands,
Anxious wonders in her chambers,
What the fate of Lemminkainen,
Why her son so long has tarried;
Thinks that something ill has happened
To her hero in Pohyola.
Sad, indeed, the mother's anguish,
As in vain she waits his coming,
As in vain she asks the question,
Where her daring son is roaming,
Whether to the fir-tree mountain,
Whether to the distant heath-land,
Or upon the broad-sea's ridges,
On the floods and rolling waters,
To the war's contending armies,
To the heat and din of battle,
Steeped in blood of valiant heroes,
Evidence of fatal warfare.
Daily does the wife Kyllikki
Look about her vacant chamber,
In the home of Lemminkainen,
At the court of Kaukomieli;
Looks at evening, looks at morning,
Looks, perchance, upon his hair-brush,
Sees alas! the blood-drops oozing,
Oozing from the golden bristles,
And the blood-drops, scarlet-colored.
Then the beauteous wife, Kyllikki,
Spake these words in deeps of anguish:
'Dead or wounded is my husband,
Or at best is filled with trouble,
Lost perhaps in Northland forests,
In some glen unknown to heroes,
Since alas! the blood is flowing
From the brush of Lemminkainen,
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Red drops oozing from the bristles.'
Thereupon the anxious mother
Looks upon the bleeding hair-brush
And begins this wail of anguish:
'Woe is me, my life hard-fated,
Woe is me, all joy departed!
For alas! my son and hero,
Valiant hero of the islands,
Son of trouble and misfortune!
Some sad fate has overtaken
My ill-fated Lemminkainen!
Blood is flowing from his hair-brush,
Oozing from its golden bristles,
And the drops are scarlet-colored.'
Quick her garment's hem she clutches,
On her arm she throws her long-robes,
Fleetly flies upon her journey;
With her might she hastens northward,
Mountains tremble from her footsteps,
Valleys rise and heights are lowered,
Highlands soon become as lowlands,
All the hills and valleys levelled.
Soon she gains the Northland village,
Quickly asks about her hero,
These the words the mother utters:
'O thou hostess of Pohyola,
Where hast thou my Lemminkainen?
Tell me of my son and hero!'
Louhi, hostess of the Northland,
Gives this answer to the mother:
'Nothing know I of thy hero,
Of the hero of the islands;
Where thy son may be I know not,
Cannot lend the information;
Once I gave thy son a courser,
Hitched the racer to his snow-sledge,
This the last of Lemminkainen;
May perchance be drowned in Wuhne,
Frozen In the icy ocean,
Fallen prey to wolves in hunger,
In a bear's den may have perished.'
Lemminkainen's mother answers:
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'Thou art only speaking falsehoods,
Northland wolves cannot devour us,
Nor the bears kill Kaukomieli;
He can slay the wolves of Pohya
With the fingers of his left hand;
Bears of Northland he would silence
With the magic of his singing.
'Hostess of Pohyola, tell me
Whither thou hast sent my hero;
I shall burst thy many garners,
Shall destroy the magic Sampo,
If thou dost not tell me truly
Where to find my Lemminkainen.'
Spake the hostess of Pohyola:
'I have well thy hero treated,
Well my court has entertained him,
Gave him of my rarest viands,
Fed him at my well-filled tables,
Placed him in a boat of copper,
Thus to float adown the current,
This the last of Lemminkainen;
Cannot tell where he has wandered.
Whether in the foam of waters,
Whether in the boiling torrent,
Whether in the drowning whirlpool.'
Lemminkainen's mother answers:
Thou again art speaking falsely;
Tell me now the truth I pray thee,
Make an end of thy deception,
Where is now my Lemminkainen,
Whither hast thou sent my hero,
Young and daring son of Kalew?
If a third time thou deceivest,
I will send thee plagues, unnumbered,
I will send thee fell destruction,
Certain death will overtake thee.'
Spake the hostess of Pohyola:
'This the third time that I answer,
This the truth that I shall tell thee:
I have sent the Kalew-hero
To the Hisi-fields and forests,
There to hunt the moose of Lempo;
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Sent him then to catch the fire-horse,
Catch the fire-expiring stallion,
On the distant plains of Juutas,
In the realm of cruel Hisi.
Then I sent him to the Death-stream,
In the kingdom of Tuoni,
With his bow and but one arrow,
There to shoot the swan as dowry
For my best and fairest daughter;
Have not heard about thy hero
Since he left for Tuonela;
May in misery have fallen,
May have perished in Manala;
Has not come to ask my daughter,
Has not come to woo the maiden,
Since he left to hunt the death-swan.'
Now the mother seeks her lost one,
For her son she weeps and trembles,
Like the wolf she bounds through fenlands,
Like the bear, through forest thickets,
Like the wild-boar, through the marshes,
Like the hare, along the sea-coast,
To the sea-point, like the hedgehog
Like the wild-duck swims the waters,
Casts the rubbish from her pathway,
Tramples down opposing brush-wood,
Stops at nothing in her journey
Seeks a long time for her hero,
Seeks, and seeks, and does not find him.
Now she asks the trees the question,
And the forest gives this answer:
'We have care enough already,
Cannot think about thy matters;
Cruel fates have we to battle,
Pitiful our own misfortunes!
We are felled and chopped in pieces,
Cut in blocks for hero-fancy,
We are burned to death as fuel,
No one cares how much we suffer.'
Now again the mother wanders,
Seeks again her long-lost hero,
Seeks, and seeks, and does not find him.
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Paths arise and come to meet her,
And she questions thus the pathways:
'Paths of hope that God has fashioned,
Have ye seen my Lemminkainen,
Has my son and golden hero
Travelled through thy many kingdoms?'
Sad, the many pathways answer:
'We ourselves have cares sufficient,
Cannot watch thy son and hero,
Wretched are the lives of pathways,
Deep indeed our own misfortunes;
We are trodden by, the red-deer,
By the wolves, and bears, and roebucks,
Driven o'er by heavy cart-wheels,
By the feet of dogs are trodden,
Trodden under foot of heroes,
Foot-paths for contending armies.'
Seeks again the frantic mother,
Seeks her long-lost son and hero,
Seeks, and seeks, and does not find him;
Finds the Moon within her orbit,
Asks the Moon in pleading measures:
'Golden Moon, whom God has stationed
In the heavens, the Sun's companion,
Hast thou seen my Kaukomieli,
Hast thou seen my silver apple,
Anywhere in thy dominions? '
Thus the golden Moon makes answer:
'I have trouble all-sufficient,
Cannot watch thy daring hero;
Long the journey I must travel,
Sad the fate to me befallen,
Pitiful mine own misfortunes,
All alone the nights to wander,
Shine alone without a respite,
In the winter ever watching,
In the summer sink and perish.'
Still the mother seeks, and wanders,
Seeks, and does not find her hero,
Sees the Sun in the horizon,
And the mother thus entreats him:
Silver Sun, whom God has fashioned,
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Thou that giveth warmth and comfort,
Hast thou lately seen my hero,
Hast thou seen my Lemminkainen,
Wandering in thy dominions?'
Thus the Sun in kindness answers:
'Surely has thy hero perished,
To ingratitude a victim;
Lemminkainen died and vanished
In Tuoni's fatal river,
In the waters of Manala,
In the sacred stream and whirlpool,
In the cataract and rapids,
Sank within the drowning current
To the realm of Tuonela,
To Manala's lower regions.'
Lemminkainen's mother weeping,
Wailing in the deeps of anguish,
Mourns the fate of Kaukomieli,
Hastens to the Northland smithy,
To the forge of Ilmarinen,
These the words the mother utters:
'Ilmarinen, metal-artist,
Thou that long ago wert forging,
Forging earth a concave cover,
Yesterday wert forging wonders,
Forge thou now, immortal blacksmith,
Forge a rake with shaft of copper,
Forge the teeth of strongest metal,
Teeth in length a hundred fathoms,
And five hundred long the handle.'
Ilmarinen does as bidden,
Makes the rake in full perfection.
Lemminkainen's anxious mother
Takes the magic rake and hastens
To the river of Tuoni,
Praying to the Sun as follows:
'Thou, O Sun, by God created,
Thou that shinest on thy Maker,
Shine for me in heat of magic,
Give me warmth, and strength, and courage,
Shine a third time full of power,
Lull to sleep the wicked people,
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Still the people of Manala,
Quiet all Tuoni's empire.'
Thereupon the sun of Ukko,
Dearest child of the Creator,
Flying through the groves of Northland,
Sitting on a curving birch-tree,
Shines a little while in ardor,
Shines again in greater fervor,
Shines a third time full of power,
Lulls to sleep the wicked people
In the Manala home and kingdom,
Still the heroes with their broadswords,
Makes the lancers halt and totter,
Stills the stoutest of the spearmen,
Quiets Tuoni's ghastly empire.
Now the Sun retires in magic,
Hovers here and there a moment
Over Tuoni's hapless sleepers,
Hastens upward to his station,
To his Jumala home and kingdom.
Lemminkainen's faithful mother
Takes the rake of magic metals,
Rakes the Tuoni river bottoms,
Rakes the cataract and whirlpool,
Rakes the swift and boiling current
Of the sacred stream of death-land,
In the Manala home and kingdom.
Searching for her long-lost hero,
Rakes a long time, finding nothing;
Now she wades the river deeper,
To her belt in mud and water,
Deeper, deeper, rakes the death-stream,
Rakes the river's deepest caverns,
Raking up and down the current,
Till at last she finds his tunic,
Heavy-hearted, finds his jacket;
Rakes again and rakes unceasing,
Finds the hero's shoes and stockings,
Sorely troubled, finds these relies;
Now she wades the river deeper,
Rakes the Manala shoals and shallows,
Rakes the deeps at every angle;
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As she draws the rake the third time
From the Tuoni shores and waters,
In the rake she finds the body
Of her long-lost Lemminkainen,
In the metal teeth entangled,
In the rake with copper handle.
Thus the reckless Lemminkainen,
Thus the son of Kalevala,
Was recovered from the bottom
Of the Manala lake and river.
There were wanting many fragments,
Half the head, a hand, a fore-arm,
Many other smaller portions,
Life, above all else, was missing.
Then the mother, well reflecting,
Spake these words in bitter weeping:
'From these fragments, with my magic,
I will bring to life my hero.'
Hearing this, the raven answered,
Spake these measures to the mother:
'There is not in these a hero,
Thou canst not revive these fragments;
Eels have fed upon his body,
On his eyes have fed the whiting;
Cast the dead upon the waters,
On the streams of Tuonela,
Let him there become a walrus,
Or a seal, or whale, or porpoise.'
Lemminkainen's mother does not
Cast the dead upon the waters,
On the streams of Tuonela,
She again with hope and courage,
Rakes the river lengthwise, crosswise,
Through the Manala pools and caverns,
Rakes up half the head, a fore-arm,
Finds a hand and half the back-bone,
Many other smaller portions;
Shapes her son from all the fragments,
Shapes anew her Lemminkainen,
Flesh to flesh with skill she places,
Gives the bones their proper stations,
Binds one member to the other,
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Joins the ends of severed vessels,
Counts the threads of all the venules,
Knits the parts in apposition;
Then this prayer the mother offers:
'Suonetar, thou slender virgin,
Goddess of the veins of heroes,
Skilful spinner of the vessels,
With thy slender, silver spindle,
With thy spinning-wheel of copper,
Set in frame of molten silver,
Come thou hither, thou art needed;
Bring the instruments for mending,
Firmly knit the veins together,
At the end join well the venules,
In the wounds that still are open,
In the members that are injured.
'Should this aid be inefficient;
There is living in the ether,
In a boat enriched with silver,
In a copper boat, a maiden,
That can bring to thee assistance.
Come, O maiden, from the ether,
Virgin from the belt of heaven,
Row throughout these veins, O maiden,
Row through all these lifeless members,
Through the channels of the long-bones,
Row through every form of tissue.
Set the vessels in their places,
Lay the heart in right position,
Make the pulses beat together,
Join the smallest of the veinlets,
And unite with skill the sinews.
Take thou now a slender needle,
Silken thread within its eyelet,
Ply the silver needle gently,
Sew with care the wounds together.
'Should this aid be inefficient,
Thou, O God, that knowest all things,
Come and give us thine assistance,
Harness thou thy fleetest racer
Call to aid thy strongest courser,
In thy scarlet sledge come swiftly,
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Drive through all the bones and channels,
Drive throughout these lifeless tissues,
Drive thy courser through each vessel,
Bind the flesh and bones securely,
In the joints put finest silver,
Purest gold in all the fissures.
'Where the skin is broken open,
Where the veins are torn asunder,
Mend these injuries with magic;
Where the blood has left the body,
There make new blood flow abundant;
Where the bones are rudely broken,
Set the parts in full perfection;
Where the flesh is bruised and loosened,
Touch the wounds with magic balsam,
Do not leave a part imperfect;
Bone, and vein, and nerve, and sinew,
Heart, and brain, and gland, and vessel,
Heal as Thou alone canst heal them.'
These the means the mother uses,
Thus she joins the lifeless members,
Thus she heals the death-like tissues,
Thus restores her son and hero
To his former life and likeness;
All his veins are knit together,
All their ends are firmly fastened,
All the parts in apposition,
Life returns, but speech is wanting,
Deaf and dumb, and blind, and senseless.
Now the mother speaks as follows:
'Where may I procure the balsam,
Where the drops of magic honey,
To anoint my son and hero,
Thus to heal my Lemminkainen,
That again his month may open,
May again begin his singing,
Speak again in words of wonder,
Sing again his incantations?
'Tiny bee, thou honey-birdling,
Lord of all the forest flowers,
Fly away and gather honey,
Bring to me the forest-sweetness,
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Found in Metsola's rich gardens,
And in Tapio's fragrant meadows,
From the petals of the flowers,
From the blooming herbs and grasses,
Thus to heal my hero's anguish,
Thus to heal his wounds of evil.'
Thereupon the honey-birdling
Flies away on wings of swiftness,
Into Metsola's rich gardens,
Into Tapio's flowery meadows,
Gathers sweetness from the meadows,
With the tongue distills the honey
From the cups of seven flowers,
From the bloom of countless grasses;
Quick from Metsola returning,
Flying, humming darting onward,
With his winglets honey-laden,
With the store of sweetest odors,
To the mother brings the balsam.
Lemminkainen's anxious mother
Takes the balm of magic virtues,
And anoints the injured hero,
Heals his wounds and stills his anguish;
But the balm is inefficient,
For her son is deaf and speechless.
Then again out-speaks the mother:
Lemminkainen's Restoration.
'Little bee, my honey-birdling,
Fly away in one direction,
Fly across the seven oceans,
In the eighth, a magic island,
Where the honey is enchanted,
To the distant Turi-castles,
To the chambers of Palwoinen;
There the honey is effective,
There, the wonder-working balsam,
This may heal the wounded hero;
Bring me of this magic ointment,
That I may anoint his eyelids,
May restore his injured senses.'
Thereupon the honey-birdling
Flew away o'er seven oceans,
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To the old enchanted island;
Flies one day, and then a second,
On the verdure does not settle,
Does not rest upon the flowers;
Flies a third day, fleetly onward,
Till a third day evening brings him
To the island in the ocean,
To the meadows rich in honey,
To the cataract and fire-flow,
To the sacred stream and whirlpool.
There the honey was preparing,
There the magic balm distilling
In the tiny earthen vessels,
In the burnished copper kettles,
Smaller than a maiden's thimble,
Smaller than the tips of fingers.
Faithfully the busy insect
Gathers the enchanted honey
From the magic Turi-cuplets
In the chambers of Palwoinen.
Time had gone but little distance,
Ere the bee came loudly humming
Flying fleetly, honey-laden;
In his arms were seven vessels,
Seven, the vessels on each shoulder;
All were filled with honey-balsam,
With the balm of magic virtues.
Lemminkainen's tireless mother
Quick anoints her speechless hero,
With the magic Turi-balsam,
With the balm of seven virtues;
Nine the times that she anoints him
With the honey of Palwoinen,
With the wonder-working balsam;
But the balm is inefficient,
For the hero still is speechless.
Then again out-speaks the mother:
'Honey-bee, thou ether birdling,
Fly a third time on thy journey,
Fly away to high Jumala,
Fly thou to the seventh heaven,
Honey there thou'lt find abundant,
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Balsam of the highest virtue,
Only used by the Creator,
Only made from the breath of Ukko.
God anoints his faithful children,
With the honey of his wisdom,
When they feel the pangs of sorrow,
When they meet the powers of evil.
Dip thy winglets in this honey,
Steep thy plumage in His sweetness,
Hither bring the all-sufficient
Balsam of the great Creator;
This will still my hero's anguish,
This will heal his wounded tissues,
This restore his long-lost vision,
Make the Northland hills re-echo
With the magic of his singing,
With his wonderful enchantment.'
Thus the honey-bee made answer:
'I can never fly to heaven,
To the seventh of the heavens,
To the distant home of Ukko,
With these wings of little virtue.'
Lemminkainen's mother answered:
'Thou canst surely fly to heaven,
To the seventh of the heavens,
O'er the Moon, beneath the sunshine,
Through the dim and distant starlight.
On the first day, flying upward,
Thou wilt near the Moon in heaven,
Fan the brow of Kootamoinen;
On the second thou canst rest thee
On the shoulders of Otava;
On the third day, flying higher,
Rest upon the seven starlets,
On the heads of Hetewanè;
Short the journey that is left thee,
Inconsiderable the distance
To the home of mighty Ukko,
To the dwellings of the blessed.'
Thereupon the bee arising,
From the earth flies swiftly upward,
Hastens on with graceful motion,
285
By his tiny wings borne heavenward,
In the paths of golden moonbeams,
Touches on the Moon's bright borders,
Fans the brow of Kootamoinen,
Rests upon Otava's shoulders,
Hastens to the seven starlets.,
To the heads of Hetewanè,
Flies to the Creator's castle,
To the home of generous Ukko,
Finds the remedy preparing,
Finds the balm of life distilling,
In the silver-tinted caldrons,
In the purest golden kettles;
On one side, heart-easing honey,
On a second, balm of joyance,
On the third, life-giving balsam.
Here the magic bee, selecting,
Culls the sweet, life-giving balsam,
Gathers too, heart-easing honey,
Heavy-laden hastens homeward.
Time had traveled little distance,
Ere the busy bee came humming
To the anxious mother waiting,
In his arms a hundred cuplets,
And a thousand other vessels,
Filled with honey, filled with balsam,
Filled with the balm of the Creator.
Lemminkainen's mother quickly
Takes them on her, tongue and tests them,
Finds a balsam all-sufficient.
Then the mother spake as follows:
'I have found the long-sought balsam,
Found the remedy of Ukko,
Where-with God anoints his people,
Gives them life, and faith, and wisdom,
Heals their wounds and stills their anguish,
Makes them strong against temptation,
Guards them from the evil-doers.'
Now the mother well anointing,
Heals her son, the magic singer,
Eyes, and ears, and tongue, and temples,
Breaks, and cuts, and seams, anointing,
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Touching well the life-blood centres,
Speaks these words of magic import
To the sleeping Lemminkainen:
'Wake, arise from out thy slumber,
From the worst of low conditions,
From thy state of dire misfortune!'
Slowly wakes the son and hero,
Rises from the depths of slumber,
Speaks again in magic accents,
These the first words of the singer:
'Long, indeed, have I been sleeping,
Long unconscious of existence,
But my sleep was full of sweetness,
Sweet the sleep in Tuonela,
Knowing neither joy nor sorrow!'
This the answer of his mother:
'Longer still thou wouldst have slumbered,
Were it not for me, thy, mother;
Tell me now, my son beloved,
Tell me that I well may hear thee,
Who enticed thee to Manala,
To the river of Tuoni,
To the fatal stream and whirlpool?'
Then the hero, Lemminkainen,
Gave this answer to his mother:
'Nasshut, the decrepit shepherd
Of the flocks of Sariola,
Blind, and halt, and poor, and wretched,
And to whom I did a favor;
From the slumber-land of envy
Nasshut sent me to Manala,
To the river of Tuoni;
Sent a serpent from the waters,
Sent an adder from the death-stream,
Through the heart of Lemminkainen;
Did not recognize the serpent,
Could not speak the serpent-language,
Did not know the sting of adders.'
Spake again the ancient mother:
'O thou son of little insight,
Senseless hero, fool-magician,
Thou didst boast betimes thy magic
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To enchant the wise enchanters,
On the dismal shores of Lapland,
Thou didst think to banish heroes,
From the borders of Pohyola;
Didst not know the sting of serpents,
Didst not know the reed of waters,
Nor the magic word-protector!
Learn the origin of serpents,
Whence the poison of the adder.
'In the floods was born the serpent,
From the marrow of the gray-duck,
From the brain of ocean-swallows;
Suoyatar had made saliva,
Cast it on the waves of ocean,
Currents drove it outward, onward,
Softly shone the sun upon it,
By the winds 'twas gently cradled,
Gently nursed by winds and waters,
By the waves was driven shoreward,
Landed by the surging billows.
Thus the serpent, thing of evil,
Filling all the world with trouble,
Was created in the waters
Born from Suoyatar, its maker.'
Then the mother of the hero
Rocked her son to rest and comfort,
Rocked him to his former being,
To his former life and spirit,
Into greater magic powers;
Wiser, handsomer than ever
Grew the hero of the islands;
But his heart was full of trouble,
And his mother, ever watchful,
Asked the cause of his dejection.
This is Lemminkainen's answer:
'This the cause of all my sorrow;
Far away my heart is roaming,
All my thoughts forever wander
To the Northland's blooming virgins,
To the maids of braided tresses.
Northland's ugly hostess, Louhi,
Will not give to me her daughter,
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Fairest maiden of Pohyola,
Till I kill the swan of Mana,
With my bow and but one arrow,
In the river of Tuoni.
Lemminkainen's mother answers,
In the sacred stream and whirlpool.
'Let the swan swim on in safety,
Give the water-bird his freedom,
In the river of Manala,
In the whirlpool of Tuoni;
Leave the maiden in the Northland.,
With her charms and fading beauty;
With thy fond and faithful mother,
Go at once to Kalevala,
To thy native fields and fallows.
Praise thy fortune, all sufficient,
Praise, above all else, thy Maker.
Ukko gave thee aid when needed,
Thou wert saved by thy Creator,
From thy long and hopeless slumber,
In the waters of Tuoni,
In the chambers of Manala.
I unaided could not save thee,
Could not give the least assistance;
God alone, omniscient Ukko,
First and last of the creators,
Can revive the dead and dying,
Can protect his worthy people
From the waters of Manala, .
From the fatal stream and whirlpool,
In the kingdom of Tuoni.'
Lemminkainen, filled with wisdom,
With his fond and faithful mother,
Hastened straightway on his journey
To his distant home and kindred,
To the Wainola fields and meadows,
To the plains of Kalevala.
*****
Here I leave my Kaukomieli,
Leave my hero Lemminkainen,
Long I leave him from my singing,
Turn my song to other heroes,
289
Send it forth on other pathways,
Sing some other golden legend.
~ Elias Lönnrot,#NFDB
1283:The Kalevala - Rune Xviii
THE RIVAL SUITORS
Wainamoinen, old and truthful,
Long considered, long debated,
How to woo and win the daughter
Of the hostess of Pohyola,
How to lead the Bride of Beauty,
Fairy maiden of the rainbow,
To the meadows of Wainola,
From the dismal Sariola.
Now he decks his magic vessel,
Paints the boat in blue and scarlet,
Trims in gold the ship's forecastle,
Decks the prow in molten silver;
Sings his magic ship down gliding,
On the cylinders of fir-tree:
Now erects the masts of pine-wood,
On each mast the sails of linen,
Sails of blue, and white, and scarlet,
Woven into finest fabric.
Wainamoinen, the magician,
Steps aboard his wondrous vessel,
Steers the bark across the waters,
On the blue back of the broad-sea,
Speaks these words in sailing northward,
Sailing to the dark Pohyola:
'Come aboard my ship, O Ukko,
Come with me, thou God of mercy,
To protect thine ancient hero,
To support thy trusting servant,
On the breasts of raging billows,
On the far out-stretching waters.
'Rock, O winds, this wondrous vessel,
Causing not a single ripple;
Rolling waves, bear ye me northward,
That the oar may not be needed
In my journey to Pohyola,
O'er this mighty waste of waters.'
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Ilmarinen's beauteous sister,
Fair and goodly maid, Annikki,
Of the Night and Dawn, the daughter,
Who awakes each morning early,
Rises long before the daylight,
Stood one morning on the sea-shore,
Washing in the foam her dresses,
Rinsing out her silken ribbons,
On the bridge of scarlet color,
On the border of the highway,
On a headland jutting seaward,
On the forest-covered island.
Here Annikki, looking round her,
Looking through the fog and ether,
Looking through the clouds of heaven,
Gazing far out on the blue-sea,
Sees the morning sun arising,
Glimmering along the billows,
Looks with eyes of distant vision
Toward the sunrise on the waters,
Toward the winding streams of Suomi,
Where the Wina-waves were flowing.
There she sees, on the horizon,
Something darkle in the sunlight,
Something blue upon the billows,
Speaks these words in wonder guessing:
What is this upon the surges,
What this blue upon the waters,
What this darkling in the sunlight?
'Tis perhaps a flock of wild-geese,
Or perchance the blue-duck flying;
Then upon thy wings arising,
Fly away to highest heaven.
'Art thou then a shoal of sea-trout,
Or perchance a school of salmon?
Dive then to the deep sea-bottom,
In the waters swim and frolic.
'Art thou then a cliff of granite,
Or perchance a mighty oak-tree,
Floating on the rough sea-billows?
May the floods then wash and beat thee
Break thee to a thousand fragments.'
318
Wainamoinen, sailing northward,
Steers his wondrous ship of magic
Toward the headland jutting seaward,
Toward the island forest-covered.
Now Annikki, goodly maiden,
Sees it is the magic vessel
Of a wonderful enchanter,
Of a mighty bard and hero,
And she asks this simple question:
'Art thou then my father's vessel,
Or my brother's ship of magic?
Haste away then to thy harbor,
To thy refuge in Wainola.
Hast thou come a goodly distance?
Sail then farther on thy journey,
Point thy prow to other waters.'
It was not her father's vessel,
Not a sail-boat from the distance,
'Twas the ship of Wainamoinen,
Bark of the eternal singer;
Sails within a hailing distance,
Swims still nearer o'er the waters,
Brings one word and takes another,
Brings a third of magic import.
Speaks the goodly maid, Annikki,
Of the Night and Dawn, the daughter,
To the sailor of the vessel:
'Whither sailest, Wainamoinen,
Whither bound, thou friend of waters,
Pride and joy of Kalevala?'
From the vessel Wainamomen
Gives this answer to the maiden:
'I have come to catch some sea-trout,
Catch the young and toothsome whiting,
Hiding in tbese-reeds and rushes.'
This the answer of Annikki:
'Do not speak to me in falsehood,
Know I well the times of fishing;
Long ago my honored father
Was a fisherman in Northland,
Came to catch the trout and whiting,
Fished within these seas and rivers.
319
Very well do I remember
How the fisherman disposes,
How he rigs his fishing vessel,
Lines, and gaffs, and poles, and fish-nets;
Hast not come a-fishing hither.
Whither goest, Wainamoinen,
Whither sailest, friend of waters?
Spake the ancient Wainamoinen:
'I have come to catch some wild-geese,
Catch the hissing birds of Suomi,
In these far-extending borders,
In the Sachsensund dominions.'
Good Annikki gives this answer:
'Know I well a truthful speaker,
Easily detect a falsehood;
Formerly my aged father
Often came a-hunting hither,
Came to hunt the hissing wild-geese,
Hunt the red-bill of these waters.
Very well do I remember
How the hunter rigs his vessel,
Bows, and arrows, knives, and quiver,
Dogs enchained within the vessel,
Pointers hunting on the sea-shore,
Setters seeking in the marshes,
Tell the truth now Wainamoinen,
Whither is thy vessel sailing?'
Spake the hero of the Northland:
'To the wars my ship is sailing,
To the bloody fields of battle,
Where the streams run scarlet-colored,
Where the paths are paved with bodies!'
These the words of fair Annikki:
'Know I well the paths to battle.
Formerly my aged father
Often sounded war's alarum,
Often led the hosts to conquest;
In each ship a hundred rowers,
And in arms a thousand heroes,
Oil the prow a thousand cross-bows,
Swords, and spears, and battle-axes;
Know I well the ship of battle.
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Speak Do longer fruitless falsehoods,
Whither sailest, Wainamoinen,
Whither steerest, friend of waters?
These the words of Wainamoinen:
'Come, O maiden, to my vessel,
In my magic ship be seated,
Then I'll give thee truthful answer.'
Thus Annikki, silver-tinselled,
Answers ancient Wainamoinen:
'With the winds I'll fill thy vessel,
To thy bark I'll send the storm-winds
And capsize thy ship of magic,
Break in pieces its forecastle,
If the truth thou dost not tell me,
If thou dost not cease thy falsehoods,
If thou dost not tell me truly
Whither sails thy magic vessel.'
These the words of Wainamoinen:
'Now I make thee truthful answer,
Though at first I spake deception:
I am sailing to the Northland
To the dismal Sariola,
Where the ogres live and flourish,
Where they drown the worthy heroes,
There to woo the Maid of Beauty
Sitting on the bow of heaven,
Woo and win the fairy virgin,
Bring her to my home and kindred,
To the firesides of Walnola.'
Then Aunikki, graceful maiden,
Of the Night and Dawn, the daughter,
As she heard the rightful answer,
Knew the truth was fully spoken,
Straightway left her coats unbeaten,
Left unwashed her linen garments,
Left unrinsed her silks and ribbons
On the highway by the sea-shore,
On the bridge of scarlet color
On her arm she threw her long-robes,
Hastened off with speed of roebuck
To the shops of Ilmarinen,
To the iron-forger's furnace,
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To the blacksmith's home and smithy,
Here she found the hero-artist,
Forging out a bench of iron,
And adorning it with silver.
Soot lay thick upon his forehead,
Soot and coal upon his shoulders.
On the threshold speaks Annikki,
These the words his sister uses:
'Ilmarinen, dearest brother,
Thou eternal artist-forger,
Forge me now a loom of silver,
Golden rings to grace my fingers,
Forge me gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for my bosom,
For my head forge golden trinkets,
And I'll tell a tale surprising,
Tell a story that concerns thee
Truthfully I'll tell the story.'
Then the blacksmith Ilmarinen
Spake and these the words he uttered:
'If thou'lt tell the tale sincerely,
I will forge the loom of silver,
Golden rings to grace thy fingers,
Forge thee gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for thy bosom,
For thy head forge golden trinkets;
But if thou shouldst tell me falsely,
I shall break thy beauteous jewels,
Break thine ornaments in pieces,
Hurl them to the fire and furnace,
Never forge thee other trinkets.'
This the answer of Annikki:
'Ancient blacksmith, Ilmarinen,
Dost thou ever think to marry
Her already thine affianced,
Beauteous Maiden of the Rainbow,
Fairest virgin of the Northland,
Chosen bride of Sariola?
Shouldst thou wish the Maid of Beauty,
Thou must forge, and forge unceasing,
322
Hammering the days and nights through;
Forge the summer hoofs for horses,
Forge them iron hoofs for winter,
In the long nights forge the snow-sledge,
Gaily trim it in the daytime,
Haste thou then upon thy journey
To thy wooing in the Northland,
To the dismal Sariola;
Thither journeys one more clever,
Sails another now before thee,
There to woo thy bride affianced,
Thence to lead thy chosen virgin,
Woo and win the Maid of Beauty;
Three long years thou hast been wooing.
Wainamoinen now is sailing
On the blue back of the waters,
Sitting at his helm of copper;
On the prow are golden carvings,
Beautiful his boat of magic,
Sailing fleetly o'er the billows,
To the never-pleasant Northland,
To the dismal Sariola.'
Ilmarinen stood in wonder,
Stood a statue at the story;
Silent grief had settled o'er him,
Settled o'er the iron-artist;
From one hand the tongs descended,
From the other fell the hammer,
As the blacksmith made this answer:
'Good Annikki, worthy sister,
I shall forge the loom of silver,
Golden rings to grace thy fingers,
Forge thee gold and silver ear-rings,
Six or seven golden girdles,
Golden crosslets for thy bosom;
Go and heat for me the bath-room,
Fill with heat the honey-chambers,
Lay the faggots on the fire-place,
Lay the smaller woods around them,
Pour some water through the ashes,
Make a soap of magic virtue,
Thus to cleanse my blackened visage,
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Thus to cleanse the blacksmith's body,
Thus remove the soot and ashes.'
Then Annikki, kindly sister,
Quickly warmed her brother's bath-room,
Warmed it with the knots of fir-trees,
That the thunder-winds had broken;
Gathered pebbles from the fire-stream,
Threw them in the heating waters;
Broke the tassels from the birch-trees,
Steeped the foliage in honey,
Made a lye from milk and ashes,
Made of these a strong decoction,
Mixed it with the fat and marrow
Of the reindeer of the mountains,
Made a soap of magic virtue,
Thus to cleanse the iron-artist,
Thus to beautify the suitor,
Thus to make the hero worthy.
Ilmarinen, ancient blacksmith,
The eternal metal-worker,
Forged the wishes of his sister,
Ornaments for fair Annikki,
Rings, and bracelets, pins and ear-drops,
Forged for her six golden girdles,
Forged a weaving loom of silver,
While the maid prepared the bath-room,
Set his toilet-room in order.
To the maid he gave the trinkets,
Gave the loom of molten silver,
And the sister thus made answer:
'I have heated well thy bath-room,
Have thy toilet-things in order,
Everything as thou desirest;
Go prepare thyself for wooing,
Lave thy bead to flaxen whiteness,
Make thy cheeks look fresh and ruddy,
Lave thyself in Love's aroma,
That thy wooing prove successful.'
Ilmarinen, magic artist,
Quick repairing to his bath-room,
Bathed his head to flaxen whiteness,
Made his cheeks look fresh and ruddy,
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Laved his eyes until they sparkled
Like the moonlight on the waters;
Wondrous were his form and features,
And his cheeks like ruddy berries.
These the words of Ilmarinen:
'Fair Annikki, lovely sister,
Bring me now my silken raiment,
Bring my best and richest vesture,
Bring me now my softest linen,
That my wooing prove successful.'
Straightway did the helpful sister
Bring the finest of his raiment,
Bring the softest of his linen,
Raiment fashioned by his mother;
Brought to him his silken stockings,
Brought him shoes of marten-leather,
Brought a vest of sky-blue color,
Brought him scarlet-colored trousers,
Brought a coat with scarlet trimming,
Brought a red shawl trimmed in ermine
Fourfold wrapped about his body;
Brought a fur-coat made of seal-skin,
Fastened with a thousand bottons,
And adorned with countless jewels;
Brought for him his magic girdle,
Fastened well with golden buckles,
That his artist-mother fashioned;
Brought him gloves with golden wristlets,
That the Laplanders had woven
For a head of many ringlets;
Brought the finest cap in Northland,
That his ancient father purchased
When he first began his wooing.
Ilmarinen, blacksmith-artist,
Clad himself to look his finest,
When he thus addressed a servant:
'Hitch for me a fleet-foot racer,
Hitch him to my willing snow-sledge,
For I start upon a journey
To the distant shores of Pohya,
To the dismal Sariola.'
Spake the servant thus in answer:
325
'Thou hast seven fleet-foot racers,
Munching grain within their mangers,
Which of these shall I make ready?'
Spake the blacksmith, Ilmarinen:
'Take the fleetest of my coursers,
Put the gray steed in the harness,
Hitch him to my sledge of magic;
Place six cuckoos on the break-board,
Seven bluebirds on the cross-bars,
Thus to charm the Northland maidens,
Thus to make them look and listen,
As the cuckoos call and echo.
Bring me too my largest bear-skin,
Fold it warm about the cross-bench;
Bring me then my marten fur-robes,
As a cover and protection.'
Straightway then the trusty servant
Of the blacksmith, Ilmarinen,
Put the gray steed in the harness,
Hitched the racer to the snow-sledge,
Placed six cuckoos on the break-board,
Seven bluebirds on the cross-bars,
On the front to sing and twitter;
Then he brought the largest bear-skin,
Folded it upon the cross-bench;
Brought the finest robes of marten,
Warm protection for the master.
Ilmarinen, forger-artist,
The eternal metal-worker,
Earnestly entreated Ukko:
'Send thy snow-flakes, Ukko, father,
Let them gently fall from heaven,
Let them cover all the heather,
Let them hide the berry-bushes,
That my sledge may glide in freedom
O'er the hills to Sariola!'
Ukko sent the snow from heaven,
Gently dropped the crystal snow-flakes,
Lending thus his kind assistance
To the hero, Ilmarinen,
On his journey to the Northland.
Reins in hand, the ancient artist
326
Seats him in his metal snow-sledge,
And beseeches thus his Master:
'Good luck to my reins and traces,
Good luck to my shafts and runners!
God protect my magic snow-sledge,
Be my safeguard on my journey
To the dismal Sariola!'
Now the ancient Ilmarinen
Draws the reins upon the racer,
Snaps his whip above the courser,
To the gray steed gives this order,
And the charger plunges northward:
'Haste away, my flaxen stallion,
Haste thee onward, noble white-face,
To the never-pleasant Pohya,
To the dreary Sariola!'
Fast and faster flies the fleet-foot,
On the curving snow-capped sea-coast,
On the borders of the lowlands,
O'er the alder-hills and mountains.
Merrily the steed flies onward,
Bluebirds singing, cuckoos calling,
On the sea-shore looking northward,
Through the sand and falling snow-flakes
Blinding winds, and snow, and sea-foam,
Cloud the hero, Ilmarinen,
As he glides upon his journey,
Looking seaward for the vessel
Of the ancient Wainamoinen;
Travels one day, then a second,
Travels all the next day northward,
Till the third day Ilmarinen
Overtakes old Wainamoinen,
Rails him in his magic vessel,
And addresses thus the minstrel:
'O thou ancient Wainamoinen,
Let us woo in peace the maiden,
Fairest daughter or the Northland,
Sitting on the bow of heaven,
Let each labor long to win her,
Let her wed the one she chooses,
Him selecting, let her follow.'
327
Wainamoinen thus makes answer:
'I agree to thy proposal,
Let us woo in peace the maiden,
Not by force, nor faithless measures,
Shall we woo the Maid of Beauty,
Let her follow him she chooses;
Let the unsuccessful suitor
Harbor neither wrath nor envy
For the hero that she follows.'
Thus agreeing, on they journey,
Each according to his pleasure;
Fleetly does the steed fly onward,
Quickly flies the magic vessel,
Sailing on the broad-sea northward;
Ilmarinen's fleet-foot racer
Makes the hills of Northland tremble,
As he gallops on his journey
To the dismal Sariola.
Wainamoinen calls the South-winds,
And they fly to his assistance;
Swiftly sails his ship of beauty,
Swiftly plows the rough sea-billows
In her pathway to Pohyola.
Time had gone but little distance,
Scarce a moment had passed over,
Ere the dogs began their barking,
In the mansions of the Northland,
In the courts of Sariola,
Watch-dogs of the court of Louhi;
Never had they growled so fiercely,
Never had they barked so loudly,
Never with their tails had beaten
Northland into such an uproar.
Spake the master of Pohyola:
'Go and learn, my worthy daughter,
Why the watch-dogs have been barking,
Why the black-dog signals danger.'
Quickly does the daughter answer:
'I am occupied, dear father,
I have work of more importance,
I must tend my flock of lambkins,
I must turn the nether millstone,
328
Grind to flour the grains of barley,
Run the grindings through the sifter,
Only have I time for grinding.'
Lowly growls the faithful watch-dog,
Seldom does he growl so strangely.
Spake the master of Pohyola:
'Go and learn, my trusted consort,
Why the Northland dogs are barking,
Why the black-dog signals danger.'
Thus his aged wife makes answer;
'Have no time, nor inclination,
I must feed my hungry household,
Must prepare a worthy dinner,
I must bake the toothsome biscuit,
Knead the dough till it is ready,
Only have I strength for kneading.'
Spake the master of Pohyola:
'Dames are always in a hurry,
Maidens too are ever busy,
Whether warming at the oven,
Or asleep upon their couches;
Go my son, and learn the danger,
Why the black-dog growls displeasure,'
Quickly does the son give answer:
'Have no time, nor inclination,
Am in haste to grind my hatchet;
I must chop this log to cordwood,
For the fire must cut the faggots,
I must split the wood in fragments,
Large the pile and small the fire-wood,
Only have I strength for chopping.'
Still the watch-dog growls in anger,
Growl the whelps within the mansion,
Growl the dogs chained in the kennel,
Growls the black-dog on the hill-top,
Setting Northland in an uproar.
Spake the master of Pohyola:
'Never, never does my black-dog
Growl like this without a reason;
Never does he bark for nothing,
Does not growl at angry billows,
Nor the sighing of the pine-trees.'
329
Then the master of Pohyola
Went himself to learn the reason
For the barking of the watch-dogs;
Strode he through the spacious court-yard,
Through the open fields beyond it,
To the summit of the uplands.
Looking toward his black-dog barking,
He beholds the muzzle pointed
To a distant, stormy hill-top,
To a mound with alders covered;
There he learned the rightful reason,
Why his dogs had barked so loudly,
Why had growled the wool-tail bearer,
Why his whelps had signalled danger.
At full sail, he saw a vessel,
And the ship was scarlet-colored,
Entering the bay of Lempo;
Saw a sledge of magic colors,
Gliding up the curving sea-shore,
O'er the snow-fields of Pohyola.
Then the master of the Northland
Hastened straightway to his dwelling,
Hastened forward to his court-room,
These the accents of the master:
'Often strangers journey hither,
On the blue back of the ocean,
Sailing in a scarlet vessel,
Rocking in the bay of Lempo;
Often strangers come in sledges
To the honey-lands of Louhi.'
Spake the hostess of Pohyola:
How shall we obtain a token
Why these strangers journey hither?
My beloved, faithful daughter,
Lay a branch upon the fire-place,
Let it burn with fire of magic
If it trickle drops of scarlet,
War and bloodshed do they bring us;
If it trickle drops of water,
Peace and plenty bring the strangers.'
Northland's fair and slender maiden,
Beautiful and modest daughter,
330
Lays a sorb-branch on the fire-place,
Lights it with the fire of magic;
Does not trickle drops of scarlet,
Trickles neither blood, nor water,
From the wand come drops of honey.
From the corner spake Suowakko,
This the language of the wizard:
'If the wand is dripping honey,
Then the strangers that are coming
Are but worthy friends and suitors.'
Then the hostess of the Northland,
With the daughter of the hostess,
Straightway left their work, and hastened
From their dwelling to the court-yard;
Looked about in all directions,
Turned their eyes upon the waters,
Saw a magic-colored vessel
Rocking slowly in the harbor,
Having sailed the bay of Lempo,
Triple sails, and masts, and rigging,
Sable was the nether portion,
And the upper, scarlet-colored,
At the helm an ancient hero
Leaning on his oars of copper;
Saw a fleet-foot racer running,
Saw a red sledge lightly follow,
Saw the magic sledge emblazoned,
Guided toward the courts of Louhi;
Saw and heard six golden cuckoos
Sitting on the break-board, calling,
Seven bluebirds richly colored
Singing from the yoke and cross-bar;
In the sledge a magic hero,
Young, and strong, and proud, and handsome,
Holding reins upon the courser.
Spake the hostess of Pohyola:
'Dearest daughter, winsome maiden,
Dost thou wish a noble suitor?
Should these heroes come to woo thee,
Wouldst thou leave thy home and country,
Be the bride of him that pleases,
Be his faithful life-companion?
331
'He that comes upon the waters,
Sailing in a magic vessel,
Having sailed the bay of Lempo,
Is the good, old Wainamoinen;
In his ship are countless treasures,
Richest presents from Wainola.
'He that rides here in his snow-sledge
In his sledge of magic beauty,
With the cuckoos and the bluebirds,
Is the blacksmith, Ilmarinen,
Cometh hither empty-handed,
Only brings some wisdom-sayings.
When they come within the dwelling,
Bring a bowl of honeyed viands,
Bring a pitcher with two handles,
Give to him that thou wouldst follow
Give it to old Wainamoinen,
Him that brings thee countless treasures,
Costly presents in his vessel,
Priceless gems from Kalevala.'
Spake the Northland's lovely daughter,
This the language of the maiden
'Good, indeed, advice maternal,
But I will not wed for riches,
Wed no man for countless treasures;
For his worth I'll choose a husband,
For his youth and fine appearance,
For his noble form and features;
In the olden times the maidens
Were not sold by anxious mothers
To the suitors that they loved not.
I shall choose without his treasures
Ilmarinen for his wisdom,
For his worth and good behavior,
Him that forged the wondrous Sampo,
Hammered thee the lid in colors.'
Spake the hostess of Pohyola:
'Senseless daughter, child of folly,
Thus to choose the ancient blacksmith,
From whose brow drips perspiration,
Evermore to rinse his linen,
Lave his hands, and eyes, and forehead,
332
Keep his ancient house in order;
Little use his wit and wisdom
When compared with gold and silver.'
This the answer of the daughter:
'I will never, never, never,
Wed the ancient Wainamoinen
With his gold and priceless jewels;
Never will I be a helpmate
To a hero in his dotage,
Little thanks my compensation.'
Wainamoinen, safely landing
In advance of Ilmarinen,
Pulls his gaily-covered vessel
From the waves upon the sea-beach,
On the cylinders of birch-wood,
On the rollers copper-banded,
Straightway hastens to the guest-room
Of the hostess of Pohyola,
Of the master of the Northland,
Speaks these words upon the threshold
To the famous Maid of Beauty:
'Come with me, thou lovely virgin,
Be my bride and life-companion,
Share with me my joys and sorrows,
Be my honored wife hereafter!'
This the answer of the maiden:
'Hast thou built for me the vessel,
Built for me the ship of magic
From the fragments of the distaff,
From the splinters of the spindle?'
Wainamoinen thus replying:
'I have built the promised vessel,
Built the wondrous ship for sailing,
Firmly joined the parts by magic;
It will weather roughest billows,
Will outlive the winds and waters,
Swiftly glide upon the blue-back
Of the deep and boundless ocean
It will ride the waves in beauty,
Like an airy bubble rising,
Like a cork on lake and river,
Through the angry seas of Northland,
333
Through Pohyola's peaceful waters.'
Northland's fair and slender daughter
Gives this answer to her suitor:
'Will not wed a sea-born hero,
Do not care to rock the billows,
Cannot live with such a husband
Storms would bring us pain and trouble,
Winds would rack our hearts and temples;
Therefore thee I cannot follow,
Cannot keep thy home in order,
Cannot be thy life-companion,
Cannot wed old Wainamoinen.'
~ Elias Lönnrot,#NFDB
1284:The Kalevala - Rune Xxvi
ORIGIN OF THE SERPENT.
Ahti, living on the island,
Near the Kauko-point and harbor,
Plowed his fields for rye and barley,
Furrowed his extensive pastures,
Heard with quickened ears an uproar,
Heard the village in commotion,
Heard a noise along the sea-shore,
Heard the foot-steps on the ice-plain,
Heard the rattle of the sledges;
Quick his mind divined the reason,
Knew it was Pohyola's wedding,
Wedding of the Rainbow-virgin.
Quick he stopped in disappointment,
Shook his sable locks in envy,
Turned his hero-head in anger,
While the scarlet blood ceased flowing
Through his pallid face and temples;
Ceased his plowing and his sowing,
On the field he left the furrows,
On his steed he lightly mounted,
Straightway galloped fleetly homeward
To his well-beloved mother,
To his mother old and golden,
Gave his mother these directions,
These the words of Lemminkainen:
'My beloved, faithful mother,
Quickly bring me beer and viands,
Bring me food for I am hungry,
Food and drink for me abundant,
Have my bath-room quickly heated,
Quickly set the room in order,
That I may refresh my body,
Dress myself in hero-raiment.'
Lemminkainen's aged mother
Brings her hero food in plenty,
Beer and viands for the hungry,
440
For her thirsting son and hero;
Quick she heats the ancient bath-room,
Quickly sets his bath in order.
Then the reckless Lemminkainen
Ate his meat with beer inspiring,
Hastened to his bath awaiting;
Only was the bullfinch bathing,
With the many-colored bunting;
Quick the hero laved his temples,
Laved himself to flaxen whiteness,
Quick returning to his mother,
Spake in haste the words that follow:
'My beloved, helpful mother,
Go at once to yonder mountain,
To the store-house on the hill-top,
Bring my vest of finest texture,
Bring my hero-coat of purple,
Bring my suit of magic colors,
Thus to make me look attractive,
Thus to robe myself in beauty.'
First the ancient mother asked him,
Asked her son this simple question:
'Whither dost thou go, my hero?
Dost thou go to hunt the roebuck,
Chase the lynx upon the mountains,
Shoot the squirrel in the woodlands?'
Spake the reckless Lemminkainen,
Also known as Kaukomieli:
'Worthy mother of my being,
Go I not to hunt the roebuck,
Chase the lynx upon the mountains,
Shoot the squirrel on the tree-tops;
I am going to Pohyola,
To the feasting of her people.
Bring at once my purple vestments,
Straightway bring my nuptial outfit,
Let me don it for the marriage
Of the maiden of the Northland.'
But the ancient dame dissented,
And the wife forebade the husband;
Two of all the best of heroes,
Three of nature's fairest daughters,
441
Strongly urged wild Lemminkainen
Not to go to Sariola,
To Pohyola's great carousal,
To the marriage-feast of Northland,
'Since thou hast not been invited,
Since they do not wish thy presence.'
Spake the reckless Lemminkainen.
These the words of Kaukomieli:
'Where the wicked are invited,
There the good are always welcome,
Herein lies my invitation;
I am constantly reminded
By this sword of sharpened edges,
By this magic blade and scabbard,
That Pohyola needs my presence.'
Lemminkainen's aged mother
Sought again to stay her hero:
'Do not go, my son beloved,
To the feasting in Pohyola;
Full of horrors are the highways,
On the road are many wonders,
Three times Death appears to frighten,
Thrice destruction hovers over!'
Spake the reckless Lemminkainen,
These the words of Kaukomieli:
'Death is seen by aged people,
Everywhere they see perdition,
Death can never frighten heroes,
Heroes do not fear the spectre;
Be that as it may, dear mother,
Tell that I may understand thee,
Name the first of all destructions,
Name the first and last destroyers!'
Lemminkainen's mother answered:
'I will tell thee, son and hero,
Not because I wish to speak it,
But because the truth is worthy;
I will name the chief destruction,
Name the first of the destroyers.
When thou hast a distance journeyed,
Only one day hast thou travelled,
Comes a stream along the highway,
442
Stream of fire of wondrous beauty,
In the stream a mighty fire-spout,
In the spout a rock uprising,
On the rock a fiery hillock,
On the top a flaming eagle,
And his crooked beak he sharpens,
Sharpens too his bloody talons,
For the coming of the stranger,
For the people that approach him.'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Women die beneath the eagle,
Such is not the death of heroes;
Know I well a magic lotion,
That will heal the wounds of eagles;
Make myself a steed of alders,
That will walk as my companion,
That will stride ahead majestic;
As a duck I'll drive behind him,
Drive him o'er the fatal waters,
Underneath the flaming eagle,
With his bloody beak and talons.
Worthy mother of my being,
Name the second of destroyers.'
Lemminkainen's mother answered:
'This the second of destroyers:
When thou hast a distance wandered,
Only two clays hast thou travelled,
Comes a pit of fire to meet thee,
In the centre of the highway,
Eastward far the pit extending,
Stretches endless to the westward,
Filled with burning coals and pebbles,
Glowing with the heat of ages;
Hundreds has this monster swallowed,
In his jaws have thousands perished,
Hundreds with their trusty broadswords,
Thousands on their fiery chargers.'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Never will the hero perish
In the jaws of such a monster;
443
Know I well the means of safety,
Know a remedy efficient:
I will make of snow a master,
On the snow-clad fields, a hero,
Drive the snow-man on before me,
Drive him through the flaming vortex,
Drive him through the fiery furnace,
With my magic broom of copper;
I will follow in his shadow,
Follow close the magic image,
Thus escape the frightful monster,
With my golden locks uninjured,
With my flowing beard untangled.
Ancient mother of my being,
Name the last of the destructions,
Name the third of the destroyers.'
Lemminkainen's mother answered:
'This the third of fatal dangers:
Hast thou gone a greater distance,
Hast thou travelled one day longer,
To the portals of Pohyola,
To the narrowest of gate-ways,
There a wolf will rise to meet thee,
There the black-bear sneak upon thee-,
In Pohyola's darksome portals,
Hundreds in their jaws have perished,
Have devoured a thousand heroes;
Wherefore will they not destroy thee,
Since thy form is unprotected?'
Spake the reckless Lemminkainen,
Handsome hero, Kaukomieli:
'Let them eat the gentle lambkins,
Feed upon their tender tissues,
They cannot devour this hero;
I am girded with my buckler,
Girded with my belt of copper,
Armlets wear I of the master,
From the wolf and bear protected,
Will not hasten to Untamo.
I can meet the wolf of Lempo,
For the bear I have a balsam,
For his mouth I conjure bridles,
444
For the wolf, forge chains of iron;
I will smite them as the willow,
Chop them into little fragments,
Thus I'll gain the open court-yard,
Thus triumphant end my journey.'
Lemminkainen's mother answered:
'Then thy journey is not ended,
Greater dangers still await thee,
Great the wonders yet before thee,
Horrors three within thy pathway;
Three great dangers of the hero
Still await thy reckless footsteps,
These the worst of all thy dangers:
When thou hast still farther wandered,
Thou wilt reach the Court of Pohya,
Where the walls are forged from iron,
And from steel the outer bulwark;
Rises from the earth to heaven,
Back again to earth returning;
Double spears are used for railings,
On each spear are serpents winding,
On each rail are stinging adders;
Lizards too adorn the bulwarks,
Play their long tails in the sunlight,
Hissing lizards, venomed serpents,
Jump and writhe upon the rampart,
Turn their horrid heads to meet thee;
On the greensward lie the monsters,
On the ground the things of evil,
With their pliant tongues of venom,
Hissing, striking, crawling, writhing;
One more horrid than the others,
Lies before the fatal gate-way,
Longer than the longest rafters,
Larger than the largest portals;
Hisses with the tongue of anger,
Lifts his head in awful menace,
Raises it to strike none other
Than the hero of the islands.'
Spake the warlike Lemminkainen,
Handsome hero, Kaukomieli:
'By such things the children perish,
445
Such is not the death of heroes;
Know I well the fire to manage,
I can quench the flames of passion,
I can meet the prowling wild-beasts,
Can appease the wrath of serpents,
I can heal the sting of adders,
I have plowed the serpent-pastures,
Plowed the adder-fields of Northland;
While my hands were unprotected,
Held the serpents in my fingers,
Drove the adders to Manala,
On my hands the blood of serpents,
On my feet the fat of adders.
Never will thy hero stumble
On the serpents of the Northland;
With my heel I'll crush the monsters,
Stamp the horrid things to atoms;
I will banish them from Pohya,
Drive them to Manala's kingdom,
Step within Pohyola's mansion,
Walk the halls of Sariola!'
Lemminkainen's mother answered:
'Do not go, my son beloved,
To the firesides of Pohyola,
Through the Northland fields and fallows;
There are warriors with broadswords,
Heroes clad in mail of copper,
Are on beer intoxicated,
By the beer are much embittered;
They will charm thee, hapless creature,
On the tips of swords of magic;
Greater heroes have been conjured,
Stronger ones have been outwitted.'
Spake the reckless Lemminkainen:
'Formerly thy son resided
In the hamlets of Pohyola;
Laplanders cannot enchant me,
Nor the Turyalanders harm me
I the, Laplander will conjure,
Charm him with my magic powers,
Sing his shoulders wide asunder,
In his chin I'll sing a fissure,
446
Sing his collar-bone to pieces,
Sing his breast to thousand fragments.'
Lemminkainen's mother answered:
'Foolish son, ungrateful wizard,
Boasting of thy former visit,
Boasting of thy fatal journey!
Once in Northland thou wert living,
In the homesteads of Pohyola;
There thou tried to swim the whirlpool,
Tasted there the dog-tongue waters,
Floated down the fatal current,
Sank beneath its angry billows;
Thou hast seen Tuoni's river,
Thou hast measured Mana's waters,
There to-day thou wouldst be sleeping,
Had it not been for thy mother!
What I tell thee well remember,
Shouldst thou gain Pohyola's chambers,
Filled with stakes thou'lt find the court-yard,
These to hold the heads of heroes;
There thy head will rest forever,
Shouldst thou go to Sariola.'
Spake the warlike Lemminkainen:
'Fools indeed may heed thy counsel,
Cowards too may give attention;
Those of seven conquest-summers
Cannot heed such weak advising.
Bring to me my battle-armor.
Bring my magic mail of copper,
Bring me too my father's broadsword,
Keep the old man's blade from rusting;
Long it has been cold and idle,
Long has lain in secret places,
Long and constantly been weeping,
Long been asking for a bearer.'
Then he took his mail of copper,
Took his ancient battle-armor,
Took his father's sword of magic,
Tried its point against the oak-wood,
Tried its edge upon the sorb-tree;
In his hand the blade was bended,
Like the limber boughs of willow,
447
Like the juniper in summer.
Spake the hero, Lemminkainen:
'There is none in Pohya's hamlets,
In the courts of Sariola,
That with me can measure broadswords,
That can meet this blade ancestral.'
From the nail he took a cross-bow,
Took the strongest from the rafters,
Spake these words in meditation:
'I shall recognize as worthy,
Recognize that one a hero
That can bend this mighty cross-bow,
That can break its magic sinews,
In the hamlets of Pohyola.'
Lemminkainen, filled with courage,
Girds himself in suit of battle,
Dons his mighty mail of copper,
To his servant speaks as follows:
'Trusty slave, and whom I purchased,
Whom I bought with gold and silver,
Quick prepare my fiery charger,
Harness well my steed of battle;
I am going to the feasting,
To the banquet-fields of Lempo.'
Quick obeys the faithful servant,
Hitches well the noble war-horse,
Quick prepares the fire-red stallion,
Speaks these words when all is I ready:
'I have done what thou hast hidden,
Ready harnessed is the charger,
Waiting to obey his master.'
Comes the hour of the departing
Of the hero, Lemminkainen,
Right hand ready, left unwilling,
All his anxious fingers pain him,
Till at last in full obedience,
All his members give permission;
Starts the hero on his journey,
While the mother gives him counsel,
At the threshold of the dwelling,
At the highway of the court-yard:
'Child of courage, my beloved,
448
Son of strength, my wisdom-hero,
If thou goest to the feasting,
Shouldst thou reach the great carousal,
Drink thou only a half a cupful,
Drink the goblet to the middle,
Always give the half remaining,
Give the worse half to another,
To another more unworthy;
In the lower half are serpents,
Worms, and frogs, and hissing lizards,
Feeding on the slimy bottom.'
Furthermore she tells her hero,
Gives her son these sage directions,
On the border of the court-yard,
At the portals farthest distant:
'If thou goest to the banquet,
Shouldst thou reach the great carousal,
Occupy but half the settle,
Take but half a stride in walking,
Give the second half to others,
To another less deserving;
Only thus thou'lt be a hero,
Thus become a son immortal;
In the guest-rooms look courageous,
Bravely move about the chambers,
In the gatherings of heroes,
With the hosts of magic valor.'
Thereupon wild Lemminkainen
Quickly leaped upon the cross-bench
Of his battle-sledge of wonder,
Raised his pearl-enamelled birch-rod,
Snapped his whip above his charger,
And the steed flew onward fleetly,
Galloped on his distant journey.
He had travelled little distance,
When a flight of hazel-chickens
Quick arose before his coming,
Flew before the foaming racer.
There were left some feathers lying,
Feathers of the hazel-chickens,
Lying in the hero's pathway.
These the reckless Lemminkainen
449
Gathered for their magic virtues,
Put them in his pouch of leather,
Did not know what things might happen
On his journey to Pohyola;
All things have some little value,
In a strait all things are useful.
Then he drove a little distance,
Galloped farther on the highway,
When his courser neighed in danger,
And the fleet-foot ceased his running.
Then the stout-heart, Lemminkainen,
Handsome hero, Kaukomieli,
Rose upon his seat in wonder,
Craned his neck and looked about him
Found it as his mother told him,
Found a stream of fire opposing;
Ran the fire-stream like a river,
Ran across the hero's pathway.
In the river was a fire-fall,
In the cataract a fire-rock,
On the rock a fiery hillock,
On its summit perched an eagle,
From his throat the fire was streaming
To the crater far below him,
Fire out-shooting from his feathers,
Glowing with a fiery splendor;
Long he looked upon the hero,
Long he gazed on Lemminkainen,
Then the eagle thus addressed him:
'Whither art thou driving, Ahti,
Whither going, Lemminkainen?'
Kaukomieli spake in answer:
'To the feastings of Pohyola,
To the drinking-halls of Louhi,
To the banquet of her people;
Move aside and let me journey,
Move a little from my pathway,
Let this wanderer pass by thee,
I am warlike Lemminkainen.'
This the answer of the eagle,
Screaming from his throat of splendor:
'Though thou art wild Lemminkainen,
450
I shall let thee wander onward,
Through my fire-throat let thee journey,
Through these flames shall be thy passage
To the banquet-halls of Louhi,
To Pohyola's great carousal!'
Little heeding, Kaukomieli
Thinks himself in little trouble,
Thrusts his fingers in his pockets,
Searches in his pouch of leather,
Quickly takes the magic feathers,
Feathers from the hazel-chickens,
Rubs them into finest powder,
Rubs them with his magic fingers
Whence a flight of birds arises,
Hazel-chickens from the feathers,
Large the bevy of the young birds.
Quick the wizard, Lemminkainen,
Drives them to the eagle's fire-mouth,
Thus to satisfy his hunger,
Thus to quench the fire out-streaming.
Thus escapes the reckless hero,
Thus escapes the first of dangers,
Passes thus the first destroyer,
On his journey to Pohyola.
With his whip he strikes his courser,
With his birch-whip, pearl-enamelled;
Straightway speeds the fiery charger,
Noiselessly upon his journey,
Gallops fast and gallops faster,
Till the flying steed in terror
Neighs again and ceases running.
Lemminkainen, quickly rising,
Cranes his neck and looks about him,
Sees his mother's words were truthful,
Sees her augury well-taken.
Lo! before him yawned a fire-gulf,
Stretching crosswise through his pathway;
Far to east the gulf extending,
To the west an endless distance,
Filled with stones and burning pebbles,
Running streams of burning matter.
Little heeding, Lemminkainen
451
Cries aloud in prayer to Ukko:
'Ukko, thou O God above me,
Dear Creator, omnipresent,
From the north-west send a storm-cloud,
From the east, dispatch a second,
From the south send forth a third one;
Let them gather from the south-west,
Sew their edges well together,
Fill thou well the interspaces,
Send a snow-fall high as heaven,
Let it fall from upper ether,
Fall upon the flaming fire-pit,
On the cataract and whirlpool!'
Mighty Ukko, the Creator,
Ukko, father omnipresent,
Dwelling in the courts of heaven,
Sent a storm-cloud from the north-west,
From the east he sent a second,
From the south despatched a third one,
Let them gather from the south-west,
Sewed their edges well together,
Filled their many interspaces,
Sent a snow-fall high as heaven,
From the giddy heights of ether,
Sent it seething to the fire-pit,
On the streams of burning matter;
From the snow-fall in the fire-pond,
Grows a lake with rolling billows.
Quick the hero, Lemminkainen,
Conjures there of ice a passage
From one border to the other,
Thus escapes his second danger,
Thus his second trouble passes.
Then the reckless Lemminkainen
Raised his pearl-enamelled birch-rod,
Snapped his whip above his racer,
And the steed flew onward swiftly,
Galloped on his distant journey
O'er the highway to Pohyola;
Galloped fast and galloped faster,
Galloped on a greater distance,
When the stallion loudly neighing,
452
Stopped and trembled on the highway,
Then the lively Lemminkainen
Raised himself upon the cross-bench,
Looked to see what else had happened;
Lo I a wolf stands at the portals,
in the passage-way a black-bear,
At the high-gate of Pohyola,
At the ending of the journey.
Thereupon young Lemminkainen,
Handsome hero, Kaukomieli,
Thrusts his fingers in his pockets,
Seeks his magic pouch of leather,
Pulls therefrom a lock of ewe-wool,
Rubs it firmly in his fingers,
In his hands it falls to powder;
Breathes the breath of life upon it,
When a flock of sheep arises,
Goats and sheep of sable color;
On the flock the black-wolf pounces,
And the wild-bear aids the slaughter,
While the reckless Lemminkainen
Rushes by them on his journey;
Gallops on a little distance,
To the court of Sariola,
Finds the fence of molten iron,
And of steel the rods and pickets,
In the earth a hundred fathoms,
To the azure sky, a thousand,
Double-pointed spears projecting;
On each spear were serpents twisted,
Adders coiled in countless numbers,
Lizards mingled with the serpents,
Tails entangled pointing earthward,
While their heads were skyward whirling,
Writhing, hissing mass of evil.
Then the stout-heart, Kaukomieli,
Deeply thought and long considered:
'It is as my mother told me,
This the wall that she predicted,
Stretching from the earth to heaven;
Downward deep are serpents creeping,
Deeper still the rails extending;
453
High as highest flight of eagles,
Higher still the wall shoots upward.'
But the hero, Lemminkainen,
Little cares, nor feels disheartened,
Draws his broadsword from its scabbard,
Draws his mighty blade ancestral,
Hews the wall with might of magic,
Breaks the palisade in pieces,
Hews to atoms seven pickets,
Chops the serpent-wall to fragments;
Through the breach he quickly passes
To the portals of Pohyola.
In the way, a serpent lying,
Lying crosswise in the entry,
Longer than the longest rafters,
Larger than the posts of oak-wood;
Hundred-eyed, the heinous serpent,
And a thousand tongues, the monster,
Eyes as large as sifting vessels,
Tongues as long as shafts of javelins,
Teeth as large as hatchet-handles,
Back as broad as skiffs of ocean.
Lemminkainen does not venture
Straightway through this host opposing,
Through the hundred heads of adders,
Through the thousand tongues of serpents.
Spake the magic Lemminkainen:
'Venomed viper, thing of evil,
Ancient adder of Tuoni,
Thou that crawlest in the stubble,
Through the flower-roots of Lempo,
Who has sent thee from thy kingdom,
Sent thee from thine evil coverts,
Sent thee hither, crawling, writhing,
In the pathway I would travel?
Who bestowed thy mouth of venom,
Who insisted, who commanded,
Thou shouldst raise thy head toward heaven,
Who thy tail has given action?
Was this given by the father,
Did the mother give this power,
Or the eldest of the brothers,
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Or the youngest of the sisters,
Or some other of thy kindred?
'Close thy mouth, thou thing of evil,
Hide thy pliant tongue of venom,
In a circle wrap thy body,
Coil thou like a shield in silence,
Give to me one-half the pathway,
Let this wanderer pass by thee,
Or remove thyself entirely;
Get thee hence to yonder heather,
Quick retreat to bog and stubble,
Hide thyself in reeds and rushes,
In the brambles of the lowlands.
Like a ball of flax enfolding,
Like a sphere of aspen-branches,
With thy head and tail together,
Roll thyself to yonder mountain;
In the heather is thy dwelling,
Underneath the sod thy caverns.
Shouldst thou raise thy head in anger,
Mighty Ukko will destroy it,
Pierce it with his steel-tipped arrows,
With his death-balls made of iron!'
Hardly had the hero ended,
When the monster, little heeding,
Hissing with his tongue in anger,
Plying like the forked lightning,
Pounces with his mouth of venom
At the head of Lemminkainen;
But the hero, quick recalling,
Speaks the master-words of knowledge,
Words that came from distant ages,
Words his ancestors had taught him,
Words his mother learned in childhood,
These the words of Lemminkainen:
'Since thou wilt not heed mine order,
Since thou wilt not leave the highway,
Puffed with pride of thine own greatness,
Thou shall burst in triple pieces.
Leave thy station for the borders,
I will hunt thine ancient mother,
Sing thine origin of evil,
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How arose thy head of horror;
Suoyatar, thine ancient mother,
Thing of evil, thy creator!'
'Suoyatar once let her spittle
Fall upon the waves of ocean;
This was rocked by winds and waters,
Shaken by the ocean-currents,
Six years rocked upon the billows,
Rocked in water seven summers,
On the blue-back of the ocean,
On the billows high as heaven;
Lengthwise did the billows draw it,
And the sunshine gave it softness,
To the shore the billows washed it,
On the coast the waters left it.
'Then appeared Creation's daughters,
Three the daughters thus appearing,
On the roaring shore of ocean,
There beheld the spittle lying,
And the daughters spake as follows:
'What would happen from this spittle,
Should the breath of the Creator
Fall upon the writhing matter,
Breathe the breath of life upon it,
Give the thing the sense of vision?
'The Creator heard these measures,
Spake himself the words that follow:
'Evil only comes from evil,
This is the expectoration
Of fell Suoyatar, its mother;
Therefore would the thing be evil,
Should I breathe a soul within it,
Should I give it sense of vision.'
'Hisi heard this conversation,
Ever ready with his mischief,
Made himself to be creator,
Breathed a soul into the spittle,
To fell Suoyatar's fierce anger.
Thus arose the poison-monster,
Thus was born the evil serpent,
This the origin of evil.
'Whence the life that gave her action'?
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From the carbon-pile of Hisi.
Whence then was her heart created?
From the heart-throbs of her mother
Whence arose her brain of evil?
From the foam of rolling waters.
Whence was consciousness awakened?
From the waterfall's commotion.
Whence arose her head of venom?
From the seed-germs of the ivy.
Whence then came her eyes of fury?
From the flaxen seeds of Lempo.
Whence the evil ears for hearing?
From the foliage of Hisi.
Whence then was her mouth created?
This from Suoyatar's foam-currents
Whence arose thy tongue of anger r
From the spear of Keitolainen.
Whence arose thy fangs of poison?
From the teeth of Mana's daughter.
Whence then was thy back created?
From the carbon-posts of Piru.
How then was thy tail created?
From the brain of the hobgoblin.
Whence arose thy writhing entrails?
From the death-belt of Tuoni.
'This thine origin, O Serpent,
This thy charm of evil import,
Vilest thing of God's creation,
Writhing, hissing thing of evil,
With the color of Tuoni,
With the shade of earth and heaven,
With the darkness of the storm-cloud.
Get thee hence, thou loathsome monster,
Clear the pathway of this hero.
I am mighty Lemminkainen,
On my journey to Pohyola,
To the feastings and carousals,
In the halls of darksome Northland.'
Thereupon the snake uncoiling,
Hundred-eyed and heinous monster,
Crawled away to other portals,
That the hero, Kaukomieli,
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Might proceed upon his errand,
To the dismal Sariola,
To the feastings and carousals
In the banquet-halls of Pohya.
~ Elias Lönnrot,#NFDB
1285:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
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Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
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Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
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And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
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And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
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Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
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-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
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VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
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Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
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On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
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Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
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When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
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And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
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And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
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Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
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Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,#NFDB
1286: Book VI: The Book of the Chieftains
Then as from common hills great Pelion rises to heaven
So from the throng uprearing a brow that no crown could ennoble,
Male and kingly of front like a lion conscious of puissance
Rose a form august, the monarch great Agamemnon.
Wroth he rose yet throwing a rein on the voice of his passion,
Governing the beast and the demon within by the god who is mighty.
Happy thy life and my fame that thou comst with the aegis of heaven
Shadowing thy hoary brows, thou herald of pride and of insult.
Well is it too for his days who sent thee that other and nobler
Heaven made my heart than his who insults and a voice of the immortals
Cries to my soul forbidding its passions. O hardness of virtue,
Thus to be seized and controlled as in fetters by Zeus and Athene.
Free is the peasant to smite in the pastures the mouth that has wronged him,
Chained in his soul is Atrides. Bound by their debt to the fathers,
Curbed by the god in them painfully move the lives of the noble,
Forced to obey the eye that watches within in their bosoms.
Ever since Zeus Cronion turned in our will towards the waters,
Scourged by the heavens in my dearest, wronged by men and their clamours,
Griefs untold I have borne in Argos and Aulis and Troas,
Yoked to this sacred toil of the Greeks for their children and country,
Bound by the gods to a task that is heavy, a load that is bitter.
Seeing the faces of foes in the mask of friends I was silent.
Hateful I hold him who sworn to a cause that is holy and common
Broods upon private wrongs or serving his lonely ambition
Studies to reap his gain from the labour and woe of his fellows.
Mire is the man who hears not the gods when they cry to his bosom.
Grief and wrath I coerced nor carried my heart to its record
All that has hurt its chords and wounded the wings of my spirit.
Nobler must kings be than natures of earth on whom Zeus lays no burden.
Other is Peleus son than the race of his Aeacid fathers,
Nor like his sire of the wise-still heart far-sighted and patient
Bearing the awful rein of the gods, but hastes to his longings,
Dire in his wrath and pursued by the band of his giant ambitions.
Measure and virtue forsake him as Ate grows in his bosom.
Yet not for tyrant wrong nor to serve as a sword for our passions
Zeus created our strength, but that earth might have help from her children.
Not of our moulding its gifts to our soul nor were formed by our labour!
When did we make them, where were they forged, in what workshop or furnace?
Found in what aeon of Time, that pride should bewilder the mortal?
Bowed to our will are the folk and our prowess dreadful and godlike?
Shadows are these of the gods which the deep heavens cast on our spirits.
Transient, we made not ourselves, but at birth from the first we were fashioned
Valiant or fearful and as was our birth by the gods and their thinkings
Formed, so already enacted and fixed by their wills are our fortunes.
What were the strength of Atrides and what were the craft of Odysseus
Save for their triumphing gods? They would fail and be helpless as infants.
Stronger a woman, wiser a child were favoured by Heaven.
Ceased not Sarpedon slain who was son of Zeus and unconquered?
Not to Achilles he fell, but Fate and the gods were his slayers.
Kings, to the arrogant shaft that was launched, the unbearable insult,
Armoured wisdoms oppose, let not Ate seize on your passions.
Be not as common souls, O you who are Greece and her fortunes,
Nor of your spirits of wrath take counsel but of Athene.
Merit the burden laid by Zeus, his demand from your natures
Suffer, O hearts of his seed, O souls who are chosen and mighty,
All forgetting but Greece and her good; resolve what is noble.
I will not speak nor advise, for tis known we are rivals and foemen.
Calmed by his words and his will he sat down mighty and kinglike;
But Menelaus arose, the Spartan, the husb and of Helen,
Atreus younger son from a lesser womb, in his brilliance
Dwarfed by the others port, yet tall was he, gracile and splendid,
As if a panther might hunt by a lions side in the forest.
Smiting his thigh with his firm-clenched hand he spoke mid the Argives:
Woe to me, shameless, born to my country a cause of affliction,
Since for my sake all wrongs must be borne and all shames be encountered;
And for my sake you have spun through the years down the grooves of disaster
Bearing the shocks of the Trojans and ravaged by Zeus and by Hector,
Slaughtered by Rhesus and Memnon, Sarpedon and Penthesilea;
Or by the Archer pierced, the hostile dreadful Apollo,
Evilly end the days of the Greeks remote from their kindred
Slain on an alien soil by Asian Xanthus and Ida.
Doomed to the pyre we have toiled for a woman ungracious who left us
Passing serenely my portals to joy in the chambers of Troya.
Here let it cease, O my brother! how much wilt thou bear for this graceless
Child of thy sire, cause still of thy griefs and never of blessing?
Easily Zeus afflicts who trouble their hearts for a woman;
But in our ships that sailed close-fraught with this dolorous Ate
Worse was the bane they bore which King Peleus begot on white Thetis.
Evil ever was sown by the embrace of the gods with a mortal!
Alien a portent is born and a breaker of men and their labours,
One who afflicts with his light or his force mortalitys weakness
Stripping for falsehoods their verities, shaking the walls they erected.
Hostile all things the scourge divine overbears or, if helpful,
Neither without him his fellows can prosper, nor will his spirit
Fit in the frame of things earthly but shatters their rhythm and order
Rending the measures just that the wise have decreed for our growing.
So have our mortal plannings broken on this fateful Achilles
And with our blood and our anguish Heaven has fostered his greatness.
It is enough; let the dire gods choose between Greece and their offspring.
Even as he bids us, aloof let our hosts twixt the ships and the Xanthus
Stand from the shock and the cry where Hellene meets with Eoan,
Troy and Phthia locked, Achilles and Penthesilea,
Nor any more than watchers care who line an arena;
Calm like the impartial gods, approve the bravest and swiftest.
Sole let him fight! The fates shall preserve him he vaunts of or gather,
Even as death shall gather us all for memorys clusters,
All in their day who were great or were little, heroes or cowards.
So shall he slay or be slain, a boon to mankind and his country.
Since if he mow down this flower of bale, this sickle by Hades
Whirled if he break,for the high gods ride on the hiss of his spear-shaft,
Ours is the gain who shall break rejoicing through obdurate portals
Praising Pallas alone and Hera daughter of Heaven.
But if he sink in this last of his fights, as they say it is fated,
Nor do I deem that the man has been born in Asia or Hellas
Who in the dreadful field can prevail against Penthesilea,
If to their tents the Myrmidons fleeing cumber the meadows
Slain by a girl in her speed and leaving the corpse of their leader,
Ours is the gain, we are rid of a shame and a hate and a danger.
True is it, Troy shall exultant live on in the shadow of Ida,
Yet shall our hearts be light because earth is void of Achilles.
And for the rest of the infinite loss, what we hoped, what we suffered,
Let it all go, let the salt floods swallow it, fate and oblivion
Bury it out in the night; let us sail oer the waves to our country
Leaving Helen in Troy since the gods are the friends of transgressors.
So Menelaus in anger and grief miscounselled the Argives.
Great Idomeneus next, the haughty king of the Cretans,
Raised his brow of pride in the lofty Argive assembly.
Tall like a pine that stands up on the slope of Thessalian mountains
Overpeering a cascades edge and is seen from the valleys,
Such he seemed to their eyes who remembered Greece and her waters,
Heard in their souls the torrents leap and the wind on the hill-tops.
Oft have I marvelled, O Greeks, to behold in this levy of heroes
Armies so many, chieftains so warlike suffer in silence
Pride of a single man when he thunders and lightens in Troas.
Doubtless the nations that follow his cry are many and valiant,
Doubtless the winds of the north have made him a runner and spearman.
Shall not then force be the King? is not strength the seal of the Godhead?
This my soul replies, Agamemnon the Atreid only
Choosing for leader and king I have come to the toil and the warfare.
Wisdom and greatness he owns and the wealth and renown of his fathers.
But for this whelp of the northlands, nursling of rocks and the sea-cliff
Who with his bleak and rough-hewn Myrmidons hastes to the carnage,
Leader of wolves to their prey, not the king of a humanised nation,
Not to such head of the cold-drifting mist and the gloom-vigilled Chaos,
Crude to our culture and light and void of our noble fulfilments
Minos shall bend his knee nor Crete, a barbarians vassal,
Stain her old glories. Oh, but he boasts of a goddess for mother
Born in the senseless seas mid the erring wastes of the Ocean,
White and swift and foam-footed, vast Oceanus daughter.
Gods we adore enough in the heavens, and if from us Hades
Claim one more of this breed, we can bear that excess of his glories,
Not upon earth these new-born deities huge-passioned, sateless
Who with their mouth as of Orcus and stride of the ruinous Ocean
Sole would be seen mid her sons and devour all lifes joy and its greatness.
Millions must empty their lives that a man may oershadow the nations,
Numberless homes must weep, but his hunger of glory is sated!
Troy shall descend to the shadow; gods and men have condemned her,
Weary, hating her fame. Her dreams, her grandeur, her beauty,
All her greatness and deeds that now end in miserable ashes,
Ceasing shall fade and be as a tale that was forged by the poets.
Only a name shall go down from her past and the woe of her ending
Naked to hatred and rapine and punished with rape and with slaughter.
Never again must marble pride high-domed on her hill-top
Look forth dominion and menace over the crested Aegean
Shadowing Achaia. Fire shall abolish the fame of her ramparts,
Earth her foundations forget. Shall she stand affronting the azure?
Dire in our path like a lioness once again must we meet her,
Leap and roar of her led by the spear of Achilles, not Hector?
Asia by Peleus guided shall stride on us after Antenor?
Though one should plan in the night of his thoughts where no eye can pursue him,
Instincts of men discover their foe and like hounds in the darkness
Bay at a danger hid. No silence of servitude trembling
Trains to bondage sons of the race of whom Aeolus father
Storm-voiced was and free, nor like other groupings of mortals
Moulded we were by Zeus, but supremely were sifted and fashioned.
Other are Danaus sons and other the lofty Achaians:
Chainless like Natures tribes in their many-voiced colonies founded
They their god-given impulse shall keep and their natures of freedom.
Only themselves shall rule them, only their equal spirits
Bowed to the voice of a law that is just, obeying their leaders,
Awed by the gods. So with order and balance and harmony noble
Life shall move golden, free in its steps and just in its measure,
Glad of a manhood complete, by excess and defect untormented.
Freedom is life to the Argive soul, to Aeolias peoples.
Dulled by a yoke our nations would perish, or live but as shadows,
Changed into phantoms of men with the name of a Greek for a byword.
Not like the East and her sons is our race, they who bow to a mortal.
Gods there may be in this flesh that suffers and dies; Achaia
Knows them not. Need if he feels of a world to endure and adore him,
Hearts let him seek that are friends with the dust, overpowered by their heavens,
Here in these Asian vastnesses, here where the heats and the perfumes
Sicken the soul and the sense and a soil of indolent plenty
Breeds like the corn in its multitudes natures accustomed to thraldom.
Here let the northern Achilles seek for his slaves and adorers,
Not in the sea-ringed isles and not in the mountains Achaian.
Ten long years of the shock and the war-cry twixt rampart and ocean
Hurting our hearts we have toiled; shall they reap not their ease in the vengeance?
Troas is sown with the lives of our friends and with ashes remembered;
Shall not Meriones slain be reckoned in blood and in treasure?
Cretan Idomeneus girt with the strength of his iron retainers
Slaying and burning will stride through the city of music and pleasure,
Babes of her blood borne high on the spears at the head of my column,
Wives of her princes dragged through her streets in its pomp to their passion,
Gold of Troy stream richly past in the gaze of Achilles.
Then let him threaten my days, then rally the might of his triumphs,
Yet shall a Cretan spear make search in his heart for his godhead.
Limbs of this god can be pierced; not alone shall I fleet down to Hades.
After him rose from the throng the Locrian, swift-footed Ajax.
Kings of the Greeks, throw a veil on your griefs, lay a curb on your anger.
Moved mans tongue in its wrath looses speech that is hard to be pardoned,
Afterwards stilled we regret, we forgive. If all were resented,
None could live on this earth that is thick with our stumblings. Always
This is the burden of man that he acts from his heart and his passions,
Stung by the goads of the gods he hews at the ties that are dearest.
Lust was the guide they sent us, wrath was a whip for his coursers,
Madness they made the hearts comrade, repentance they gave for its scourger.
This too our hearts demand that we bear with our friend when he chides us.
Insult forgive from the noble embittered soul of Achilles!
When with the scorn and the wrath of a lover our depths are tormented,
Who shall forbid the cry and who shall measure the anguish?
Sharper the pain that looses the taunt than theirs who endure it.
Rage has wept in my blood as I lived through the flight oer the pastures,
Shame coils a snake in my back when thought whispers of Penthesilea.
Bright shine his morns if he mows down this hell-bitch armed by the Furies!
But for this shaft of his pity it came from a lesser Pelides,
Not from the slayer of Hector, not from the doom of Sarpedon,
Memnons mighty oerthrower, the blood-stained splendid Achilles.
These are the Trojan snares and the fateful smile of a woman!
This thing the soul of a man shall not bear that blood of his labour
Vainly has brought him victory leaving life to the hated;
This is a wound to our race that a Greek should whisper of mercy.
Who can pardon a foe though a god should descend to persuade him?
Justice is first of the gods, but for Pity twas spawned by a mortal,
Pity that only disturbs Gods measures and false and unrighteous
Holds man back from the joy he might win and troubles his bosom.
Troy has a debt to our hearts; she shall pay it all down to the obol,
Blood of the fall and anguish of flight when the heroes are slaughtered,
Days without joy while we labour and see not the eyes of our parents,
Toil of the war-cry, nights that drag past upon alien beaches,
Helen ravished, Paris triumphant, endless the items
Crowd on a wrath in the memory, kept as in bronze the credit
Stretches out long and blood-stained and savage. Most for the terror
Graved in the hearts of our fathers that still by our youth is remembered,
Hellas waiting and crouching, dreading the spear of the Trojan,
Flattering, sending gifts and pale in her mortal anguish,
Agony long of a race at the mercy of iron invaders,
This she shall pay most, the city of pride, the insolent nation,
Pay with her temples charred and her golden mansions in ruins,
Pay with the shrieks of her ravished virgins, the groans of the aged
Burned in their burning homes for our holiday. Music and dancing
Shall be in Troy of another sort than she loved in her greatness
Merry with conquered gold and insulting the world with her flutings.
All that she boasted of, statue and picture, all shall be shattered;
Out of our shame she chiselled them, rich with our blood they were coloured.
This not the gods from Olympus crowding, this not Achilles,
This not your will, O ye Greeks, shall deny to the Locrian Ajax.
Even though Pallas divine with her aegis counselling mercy
Cumbered my path, I would push her aside to leap on my victims.
Learn shall all men on that day how a warrior deals with his foemen.
Darting flames from his eyes the barbarian sate, and there rose up
Frowning Tydeus son, the Tirynthian, strong Diomedes.
Ajax Oileus, thy words are foam on the lips of a madman.
Cretan Idomeneus, silence the vaunt that thy strength can fulfil not.
Strong art thou, fearless in battle, but not by thy spear-point, O hero,
Hector fell, nor Sarpedon, nor Troilus leading the war-cry.
These were Achilles deeds which a god might have done out of heaven.
Him we upbraid who saved, nor would any now who revile him
Still have a living tongue for ingratitude but for the hero.
Much to the man forgive who has saved his race and his country:
Him shall the termless centuries praise when we are forgotten.
Curb then your speech, crush down in your hearts the grief and the choler;
Has not Atrides curbed who is greatest of all in our nations
Wrath in the heart and the words that are winged for our bale from our bosoms?
For as a load to be borne were these passions given to mortals.
Honour Achilles, conquer Troy by his god-given valour.
Now of our discords and griefs debate not for joy of our foemen!
First over Priams corpse stand victors in Ilions ramparts;
Discord then let arise or concord solder our nations.
Rugged words and few as fit for the soul that he harboured
Great Tydides spoke and ceased; and there rose up impatient
Tall from the spears of the north the hero king Prothonor,
Prince in Cadmeian Thebes who with Leitus led on his thousands.
Loudly thou vauntest thy freedom Ionian Minos recalling,
Lord of thy southern isles who gildst with tri bute Mycenae.
We have not bowed our neck to Pelops line, at Argos
Iron heel have not crouched, nor clasped like thy time-wearied nations,
Python-befriended, gripped in the coils of an iron protection,
Bondage soothed by a name and destruction masked as a helper.
We are the young and lofty and free-souled sons of the Northland.
Nobly Peleus, the Aeacid, seer of a vaster Achaia,
Pride of his strength and his deeds renouncing for joy of that vision,
Yielded his hoary right to the sapling stock of Atrides.
Noble, we gave to that nobleness freely our grandiose approval.
Not as a foe then, O King, who angered sharpens his arrows,
Fits his wrath and hate to the bow and aims at the heart-strings
But from the Truth that is seated within me compelling my accents,
Taught by my fathers stern not to lie nor to hide what I harbour,
Truth the goddess I speak, nor constrain the voice in my bosom.
Monarch, I own thee first of the Greeks save in valour and counsel,
Brave, but less than Achilles, wise, but not as Odysseus,
First still in greatness and calm and majesty. Yet, Agamemnon,
Love of thy house and thy tribe disfigures the king in thy nature;
Thou thy brother preferrest, thy friends and thy nations unjustly,
Even as a common man whose heart is untaught by Athene,
Beastlike favours his brood forgetting the law of the noble.
Therefore Ajax grew wroth and Teucer sailing abandoned
Over the angry seas this fierce-locked toil of the nations;
Therefore Achilles has turned in his soul and gazed towards the Orient.
Yet are we fixed in our truth like hills in heaven, Atrides;
Greece and her safety and good our passions strive to remember.
Not of this stamp was thy brothers speech; such words Lacedaemon
Hearing may praise in her kings; we speak not in Thebes what is shameful.
Shamefuller thoughts have never escaped from lips that were high-born.
We will not send forth earths greatest to die in a friendless battle,
Nor will forsake the daughter of Zeus and white glory of Hellas,
Helen the golden-haired Tyndarid, left for the joy of our foemen,
Chained to Paris delight, earths goddess the slave of the Phrygian,
Though Menelaus the Spartan abandon his wife to the Trojans
And from the field where he lavished the unvalued blood of his people
Flee to a hearth dishonoured. Not the Atreids sullied grandeurs,
Greece to defend we have toiled through the summers and lingering autumns
Blind with our blood; for our country we bleed repelling her foemen.
Dear is that loss to our veins and still that expense we would lavish
Claiming its price from the heavens, though thou sail with thy brother and cohorts.
Weakling, flee! take thy southern ships, take thy Spartan levies.
Still will the Greeks fight on in the Troad helped by thy absence.
For though the beaches vast grow empty, the tents can be numbered
Standing friendless and few on the huge and hostile champaign,
Always a few will be left whom the threatenings of Fate cannot conquer,
Always souls are born whose courage waits not on fortune;
Hellas heart will be firm confronting the threat of the victor,
Sthenelus war and Tydides, Odysseus and Locrian Ajax,
Thebes unconquered sons and the hero chiefs of the northland.
Stern and persistent as Time or the seas and as deaf to affliction
We will clash on in the fight unsatisfied, fain of the war-cry,
Helped by the gods and our cause through the dawns and the blood-haunted evenings,
Rising in armour with morn and outstaying the red of the sunset,
Till in her ashes Troy forgets that she lusted for empire
Or in our own the honour and valour of Greece are extinguished.
So Prothonor spoke nor pleased with his words Agamemnon;
But to the northern kings they were summer rain on the visage.
Last Laertes son, the Ithacan, war-wise Odysseus,
Rose up wide-acclaimed; like an oak was he stunted in stature,
Broad-shouldered, firm-necked, lone and sufficient, as on some island
Regnant one peak whose genial streams flow down to the valley,
Dusk on its slopes are the olives, the storms butt in vain at its shoulders,
Such he stood and pressed the earth with his feet like one vanquished,
Striving, but held to his will. So Atlas might seem were he mortal,
Atlas whose vastness free from impatience suffers the heavens,
Suffering spares the earth, the thought-haunted motionless Titan,
Bearer of worlds. In those jarring tribes no man was his hater;
For as the Master of all guides humanity, so this Odysseus
Dealt with men and helped and guided them, careful and selfless,
Crafty, tender and wise,like the Master who bends oer His creatures,
Suffers their sins and their errors and guides them screening the guidance;
Each through his nature He leads and the world by the lure of His wisdom.
Princes of Argolis, chiefs of the Locrians, spears of the northland,
Warriors vowed to a sacred hate and a vengeance thats holy,
Sateless still is that hate, that vengeance cries for its victims,
Still is the altar unladen, the priest yet waits with the death-knife.
Who while the rites are unfinished, the god unsatisfied, impious
Turns in his heart to the feuds of his house and his strife with his equals?
None will approve the evil that fell from the younger Atrides;
But it was anger and sorrow that spoke, it was not Menelaus.
Who would return from Troy and arrive with his war-wasted legions
Back to his home in populous city or orcharded island;
There from his ships disembarked look round upon eyes that grow joyless
Seeking a father or husb and slain, a brother heart-treasured,
Mothers in tears for their children, and when he is asked, O our chieftain,
What dost thou bring back in place of our dead to fill hearts that are empty?
Who then will say, I bring back my shame and the shame of my nation;
Troy yet stands confronting her skies and Helen in Troya?
Not for such foil will I go back to Ithaca or to Laertes,
Rather far would I sail in my ships past southern Cythera,
Turning away in silence from waters where on some headland
Gazing south oer the waves my father waits for my coming,
Leaving Sicilys shores and on through the pillars of Gades.
Far I would sail whence sound of me never should come to Achaia
Out into tossing worlds and weltering reaches of tempest
Dwarfing the swell of the wide-wayed Aegean,Oceans unbounded
Either by cliff or by sandy margin, only the heavens
Ever receding before my keel as it ploughs on for ever
Frail and alone in a world of waves. Even there would I venture
Seeking some island unknown, not return with shame to my fathers.
Well might they wonder how souls like theirs begot us for their offspring.
Fighters war-afflicted, champions banded by heaven,
Wounds and defeat you have borne; bear too their errors who lead you.
Mortals are kings and have hearts; our leaders too have their passions.
Then if they err, yet still obey lest anarchy fostered,
Discord and deaf rebellion that speed like a poison through kingdoms,
Break all this army in pieces while Ate mocking at mortals
Trails to a shameful end this lofty essay of the nations.
Who among men has not thoughts that he holds for the wisest, though foolish?
Who, though feeble and nought, esteems not his strength oer his fellows?
Therefore the wisest and strongest choose out a king and a leader,
Not as a perfect arbiter armed with impossible virtues
Far oer our heads and our ken like a god high-judging his creatures,
But as a man among men who is valiant, wise and far-seeing,
One of ourselves and the knot of our wills and the sword of our action.
Him they advise and obey and cover his errors with silence.
Not Agamemnon the Atreid, Greeks, we obey in this mortal;
Greece we obey; for she walks in his gait and commands by his gestures.
Evil he works then who loosens this living knot of Achaia;
Falling apart from his nation who, wed to a solitary virtue,
Deeming he does but right, renounces the yoke of his fellows,
Errs more than hearts of the mire that in blindness and weakness go stumbling.
Man when he spurns his kind, when he equals himself with the deathless,
Even in his virtues sins and, erring, calls up Ate:
For among men we were born, not as wild-beasts sole in a fastness.
Oft with a name are misled the passionate hearts of the noble;
Chasing highly some image of good they trample its substance.
Evil is worked, not justice, when into the mould of our thinkings
God we would force and enchain to the throb of our hearts the immortals,
Justice and Virtue, her sister,for where is justice mid creatures
Perfectly? Even the gods are betrayed by our clay to a semblance.
Evil not good he sows who lifted too high for his fellows,
Dreams by his light or his force to compel this deity earth-born,
Evil though his wisdom exceeded the gathered light of the millions,
Evil though his single fate were vaster than Troy and Achaia.
Less is our gain from gods upon earth than from men in our image;
Just is the slow and common march, not a lonely swiftness
Far from our human reach that is vowed to impossible strivings.
Better the stumbling leader of men than inimitable paces.
If he be Peleus son and his name the Phthian Achilles,
Worse is the bane: lo, the Ilian battlefield strewn with his errors!
Yet, O ye Greeks, if the heart returns that was loved, though it wandered,
Though with some pride it return and reproaching the friends that it fled from,
Be not less fond than heart-satisfied parents who yearn oer that coming,
Smile at its pride and accept the wanderer. Happier music
Never has beat on my grief-vexed ears than the steps of Achilles
Turning back to this Greece and the cry of his strength in its rising.
Zeus is awake in this man who his dreadful world-slaying puissance
Gave in an hour of portentous birth to the single Achilles.
Taken today are Ilions towers, a dead man is Priam.
Cross not the heros will in his hour, Agamemnon Atrides,
Cross not the man whom the gods have chosen to work out their purpose
Then when he rises; his hour is his, though thine be all morrows.
First in the chambers of Paris delight let us stable our horses,
Afterwards bale that is best shall be done persuading Achilles;
Doubt not the gods decisions, awful, immutable, ruthless.
Flame shall lick Troys towers and the limbs of her old men and infants.
O not today nor now remember the faults of the hero!
Follow him rather bravely and blindly as children their leader,
Guide your fate through the war-surge loud in the wake of his exploits.
Rise, O ye kings of the Greeks! leave debate for the voices of battle.
Peal forth the war-shout, pour forth the spear-sleet, surge towards Troya.
Ilion falls today; we shall turn in our ships to our children.
So Odysseus spoke and the Achaians heard him applauding;
Ever the pack by the voice of the mighty is seized and attracted!
Then from his seat Agamemnon arising his staff to the herald
Gave and around him arose the Kings of the west and its leaders,
Loud their assembly broke with a stern and martial rumour.
***
~ Sri Aurobindo, 6 - The Book of the Chieftains
,#NFDB
1287:The Dunciad: Book Iv
Yet, yet a moment, one dim ray of light
Indulge, dread Chaos, and eternal Night!
Of darkness visible so much be lent,
As half to show, half veil, the deep intent.
Ye pow'rs! whose mysteries restor'd I sing,
To whom time bears me on his rapid wing,
Suspend a while your force inertly strong,
Then take at once the poet and the song.
Now flam'd the Dog Star's unpropitious ray,
Smote ev'ry brain, and wither'd every bay;
Sick was the sun, the owl forsook his bow'r.
The moon-struck prophet felt the madding hour:
Then rose the seed of Chaos, and of Night,
To blot out order, and extinguish light,
Of dull and venal a new world to mould,
And bring Saturnian days of lead and gold.
She mounts the throne: her head a cloud conceal'd,
In broad effulgence all below reveal'd;
('Tis thus aspiring Dulness ever shines)
Soft on her lap her laureate son reclines.
Beneath her footstool, Science groans in chains,
And Wit dreads exile, penalties, and pains.
There foam'd rebellious Logic , gagg'd and bound,
There, stripp'd, fair Rhet'ric languish'd on the ground;
His blunted arms by Sophistry are borne,
And shameless Billingsgate her robes adorn.
Morality , by her false guardians drawn,
Chicane in furs, and Casuistry in lawn,
Gasps, as they straighten at each end the cord,
And dies, when Dulness gives her page the word.
Mad Mathesis alone was unconfin'd,
Too mad for mere material chains to bind,
Now to pure space lifts her ecstatic stare,
Now running round the circle finds it square.
But held in tenfold bonds the Muses lie,
Watch'd both by Envy's and by Flatt'ry's eye:
191
There to her heart sad Tragedy addres'd
The dagger wont to pierce the tyrant's breast;
But sober History restrain'd her rage,
And promised vengeance on a barb'rous age.
There sunk Thalia, nerveless, cold, and dead,
Had not her sister Satire held her head:
Nor couldst thou, Chesterfield! a tear refuse,
Thou weptst, and with thee wept each gentle Muse.
When lo! a harlot form soft sliding by,
With mincing step, small voice, and languid eye;
Foreign her air, her robe's discordant pride
In patchwork flutt'ring, and her head aside:
By singing peers upheld on either hand,
She tripp'd and laugh'd, too pretty much to stand;
Cast on the prostrate Nine a scornful look,
Then thus in quaint recitativo spoke.
'O
Cara! Cara!
silence all that train:
Joy to great Chaos! let Division reign:
Chromatic tortures soon shall drive them hence,
Break all their nerves, and fritter all their sense:
One trill shall harmonize joy, grief, and rage,
Wake the dull Church, and lull the ranting Stage;
To the same notes thy sons shall hum, or snore,
And all thy yawning daughters cry,
encore
Another Phoebus, thy own Phoebus, reigns,
Joys in my jigs, and dances in my chains.
But soon, ah soon, Rebellion will commence,
If Music meanly borrows aid from Sense.
Strong in new arms, lo! Giant Handel stands,
Like bold Briarerus, with a hundred hands;
To stir, to rouse, to shake the soul he comes,
And Jove's own thunders follow Mars's drums.
Arrest him, Empress, or you sleep no more-'
She heard, and drove him to th' Hibernian shore.
And now had Fame's posterior trumpet blown,
192
And all the nations summoned to the throne.
The young, the old, who feel her inward sway,
One instinct seizes, and transports away.
None need a guide, by sure attraction led,
And strong impulsive gravity of head:
None want a place, for all their centre found
Hung to the Goddess, and coher'd around.
Not closer, orb in orb, conglob'd are seen
The buzzing bees about their dusky Queen.
The gath'ring number, as it moves along,
Involves a vast involuntary throng,
Who gently drawn, and struggling less and less,
Roll in her Vortex, and her pow'r confess.
Not those alone who passive own her laws,
But who, weak rebels, more advance her cause.
Whate'er of dunce in college or in town
Sneers at another, in toupee or gown;
Whate'er of mongrel no one class admits,
A wit with dunces, and a dunce with wits.
Nor absent they, no members of her state,
Who pay her homage in her sons, the Great;
Who false to Phoebus bow the knee to Baal;
Or, impious, preach his Word without a call.
Patrons, who sneak from living worth to dead,
Withhold the pension, and set up the head;
Or vest dull Flattery in the sacred gown;
Or give from fool to fool the laurel crown.
And (last and worst) with all the cant of wit,
Without the soul, the Muse's hypocrite.
There march'd the bard and blockhead, side by side,
Who rhym'd for hire, and patroniz'd for pride.
Narcissus, prais'd with all a Parson's pow'r,
Look'd a white lily sunk beneath a show'r.
There mov'd Montalto with superior air;
His stretch'd-out arm display'd a volume fair;
Courtiers and Patriots in two ranks divide,
Through both he pass'd, and bow'd from side to side:
But as in graceful act, with awful eye
Compos'd he stood, bold Benson thrust him by:
193
On two unequal crutches propp'd he came,
Milton's on this, on that one Johnston's name.
The decent knight retir'd with sober rage,
Withdrew his hand, and closed the pompous page.
But (happy for him as the times went then)
Appear'd Apollo's mayor and aldermen,
On whom three hundred gold-capp'd youths await,
To lug the pond'rous volume off in state.
When Dulness, smiling-'Thus revive the Wits!
But murder first, and mince them all to bits;
As erst Medea (cruel, so to save!)
A new edition of old Aeson gave;
Let standard authors, thus, like trophies born,
Appear more glorious as more hack'd and torn,
And you, my Critics! in the chequer'd shade,
Admire new light through holes yourselves have made.
Leave not a foot of verse, a foot of stone,
A page, a grave, that they can call their own;
But spread, my sons, your glory thin or thick,
On passive paper, or on solid brick.
So by each bard an Alderman shall sit,
A heavy lord shall hang at ev'ry wit,
And while on Fame's triumphal Car they ride,
Some Slave of mine be pinion'd to their side.'
Now crowds on crowds around the Goddess press,
Each eager to present their first address.
Dunce scorning dunce beholds the next advance,
But fop shows fop superior complaisance,
When lo! a spector rose, whose index hand
Held forth the virtue of the dreadful wand;
His beaver'd brow a birchen garland wears,
Dropping with infant's blood, and mother's tears.
O'er every vein a shud'ring horror runs;
Eton and Winton shake through all their sons.
All flesh is humbl'd, Westminster's bold race
Shrink, and confess the Genius of the place:
The pale boy senator yet tingling stands,
And holds his breeches close with both his hands.
194
Then thus. 'Since man from beast by words is known,
Words are man's province, words we teach alone.
When reason doubtful, like the Samian letter,
Points him two ways, the narrower is the better.
Plac'd at the door of learning, youth to guide,
We never suffer it to stand too wide.
To ask, to guess, to know, as they commence,
As fancy opens the quick springs of sense,
We ply the memory, we load the brain,
Bind rebel Wit, and double chain on chain,
Confine the thought, to exercise the breath;
And keep them in the pale of words till death.
Whate'er the talents, or howe'er design'd,
We hang one jingling padlock on the mind:
A Poet the first day, he dips his quill;
And what the last? A very Poet still.
Pity! the charm works only in our wall,
Lost, lost too soon in yonder house or hall.
There truant Wyndham every Muse gave o'er,
There Talbot sunk, and was a wit no more!
How sweet an Ovid, Murray was our boast!
How many Martials were in Pult'ney lost!
Else sure some bard, to our eternal praise,
In twice ten thousand rhyming nights and days,
Had reach'd the work, and All that mortal can;
And South beheld that Masterpiece of Man.'
'Oh' (cried the Goddess) 'for some pedant Reign!
Some gentle James, to bless the land again;
To stick the Doctor's chair into the throne,
Give law to words, or war with words alone,
Senates and courts with Greek and Latin rule,
And turn the council to a grammar school!
For sure, if Dulness sees a grateful day,
'Tis in the shade of arbitrary sway.
O! if my sons may learn one earthly thing,
Teach but that one, sufficient for a king;
That which my priests, and mine alone, maintain,
Which as it dies, or lives, we fall, or reign:
May you, may Cam and Isis, preach it long!
'The Right Divine of Kings to govern wrong'.'
195
Prompt at the call, around the Goddess roll
Broad hats, and hoods, and caps, a sable shoal:
Thick and more thick the black blockade extends,
A hundred head of Aristotle's friends.
Nor wert thou, Isis! wanting to the day,
Though Christ Church long kept prudishly away.
Each staunch polemic, stubborn as a rock,
Each fierce logician, still expelling Locke,
Came whip and spur, and dash'd through thin and thick
On German Crousaz, and Dutch Burgersdyck.
As many quit the streams that murm'ring fall
To lull the sons of Marg'ret and Clare Hall,
Where Bentley late tempestuous wont to sport
In troubled waters, but now sleeps in Port.
Before them march'd that awful Aristarch;
Plow'd was his front with many a deep remark:
His hat, which never vail'd to human pride,
Walker with rev'rence took, and laid aside.
Low bowed the rest: He, kingly, did but nod;
So upright Quakers please both man and God.
'Mistress! dismiss that rabble from your throne:
Avaunt-is Aristarchus yet unknown?
Thy mighty scholiast, whose unwearied pains
Made Horace dull, and humbl'd Milton's strains.
Turn what they will to verse, their toil is vain,
Critics like me shall make it prose again.
Roman and Greek grammarians! know your better:
Author of something yet more great than letter;
While tow'ring o'er your alphabet, like Saul,
Stands our Digamma, and o'ertops them all.
'Tis true, on words is still our whole debate,
Disputes of
Me
or
Te
, of
aut
or
at
To sound or sink in
196
cano
, O or A,
Or give up Cicero to C or K.
Let Freind affect to speak as Terence spoke,
And Alsop never but like Horace joke:
For me, what Virgil, Pliny may deny,
Manilius or Solinus shall supply:
For Attic Phrase in Plato let them seek,
I poach in Suidas for unlicens'd Greek.
In ancient sense if any needs will deal,
Be sure I give them fragments, not a meal;
What Gellius or Stobaeus hash'd before,
Or chew'd by blind old Scholiasts o'er and o'er.
The critic eye, that microscope of wit,
Sees hairs and pores, examines bit by bit:
How parts relate to parts, or they to whole,
The body's harmony, the beaming soul,
Are things which Kuster, Burman, Wasse shall see,
When man's whole frame is obvious to a
Flea
'Ah, think not, Mistress! more true dulness lies
In Folly's cap, than Wisdom's grave disguise.
Like buoys, that never sink into the flood,
On learning's surface we but lie and nod.
Thine is the genuine head of many a house,
And much Divinity without a Nous.
Nor could a Barrow work on every block,
Nor has one Atterbury spoil'd the flock.
See! still thy own, the heavy canon roll,
And metaphysic smokes involve the pole.
For thee we dim the eyes, and stuff the head
With all such reading as was never read:
For thee explain a thing till all men doubt it,
And write about it, Goddess, and about it:
So spins the silkworm small its slender store,
And labours till it clouds itself all o'er.
'What tho' we let some better sort of fool
Thrid ev'ry science, run through ev'ry school?
Never by tumbler through the hoops was shown
197
Such skill in passing all, and touching none.
He may indeed (if sober all this time)
Plague with dispute, or persecute with rhyme.
We only furnish what he cannot use,
Or wed to what he must divorce, a Muse:
Full in the midst of Euclid dip at once,
And petrify a Genius to a Dunce:
Or set on metaphysic ground to prance,
Show all his paces, not a step advance.
With the same cement ever sure to bind,
We bring to one dead level ev'ry mind.
Then take him to develop, if you can,
And hew the block off, and get out the man.
But wherefore waste I words? I see advance
Whore, pupil, and lac'd governor from France.
Walker! our hat' -nor more he deign'd to say,
But, stern as Ajax' spectre, strode away.
In flow'd at once a gay embroider'd race,
And titt'ring push'd the Pedants off the place;
Some would have spoken, but the voice was drown'd
By the French horn, or by the op'ning hound.
The first came forwards, with as easy mien,
As if he saw St. James's and the Queen.
When thus th' attendant Orator begun,
Receive, great Empress! thy accomplish'd Son:
Thine from the birth, and sacred from the rod,
A dauntless infant! never scar'd with God.
The Sire saw, one by one, his Virtues wake:
The Mother begg'd the blessing of a Rake.
Thou gav'st that Ripeness, which so soon began,
And ceas'd so soon, he ne'er was Boy, nor Man,
Thro' School and College, thy kind cloud o'ercast,
Safe and unseen the young AEneas past:
Thence bursting glorious, all at once let down,
Stunn'd with his giddy Larum half the town.
Intrepid then, o'er seas and lands he flew:
Europe he saw, and Europe saw him too.
There all thy gifts and graces we display,
Thou, only thou, directing all our way!
To where the Seine, obsequious as she runs,
Pours at great Bourbon's feet her silken sons;
198
Or Tyber, now no longer Roman, rolls,
Vain of Italian Arts, Italian Souls:
To happy Convents, bosom'd deep in vines,
Where slumber Abbots, purple as their wines:
To Isles of fragrance, lilly-silver'd vales,
Diffusing languor in the panting gales:
To lands of singing, or of dancing slaves,
Love-whisp'ring woods, and lute-resounding waves.
But chief her shrine where naked Venus keeps,
And Cupids ride the Lyon of the Deeps;
Where, eas'd of Fleets, the Adriatic main
Wafts the smooth Eunuch and enamour'd swain.
Led by my hand, he saunter'd Europe round,
And gather'd ev'ry Vice on Christian ground;
Saw ev'ry Court, hear'd ev'ry King declare
His royal Sense, of Op'ra's or the Fair;
The Stews and Palace equally explor'd,
Intrigu'd with glory, and with spirit whor'd;
Try'd all hors-d' uvres, all Liqueurs defin'd,
Judicious drank, and greatly-daring din'd;
Dropt the dull lumber of the Latin store,
Spoil'd his own Language, and acquir'd no more;
All Classic learning lost on Classic ground;
And last turn'd Air, the Eccho of a Sound!
See now, half-cur'd, and perfectly well-bred,
With nothing but a Solo in his head;
As much Estate, and Principle, and Wit,
As Jansen, Fleetwood, Cibber shall think fit;
Stol'n from a Duel, follow'd by a Nun,
And, if a Borough chuse him, not undone;
See, to my country happy I restore
This glorious Youth, and add one Venus more.
Her too receive (for her my soul adores)
So may the sons of sons of sons of whores,
Prop thine, O Empress! like each neighbour Throne,
And make a long Posterity thy own.
Pleas'd, she accepts the Hero, and the Dame,
Wraps in her Veil, and frees from sense of Shame.
Then look'd, and saw a lazy, lolling sort,
Unseen at Church, at Senate, or at Court,
Of ever-listless Loit'rers, that attend
No Cause, no Trust, no Duty, and no Friend.
199
Thee too, my Paridel! she mark'd thee there,
Stretch'd on the rack of a too easy chair,
And heard thy everlasting yawn confess
The Pains and Penalties of Idleness.
She pity'd! but her Pity only shed
Benigner influence on thy nodding head.
But Annius, crafty Seer, with ebon wand,
And well-dissembl'd Em'rald on his hand,
False as his Gems and canker'd as his Coins,
Came, cramm'd with Capon, from where Pollio dines.
Soft, as the wily Fox is seen to creep,
Where bask on sunny banks the simple sheep,
Walk round and round, now prying here, now there;
So he; but pious, whisper'd first his pray'r.
Grant, gracious Goddess! grant me still to cheat,
O may thy cloud still cover the deceit!
Thy choicer mists on this assembly shed,
But pour them thickest on the noble head.
So shall each youth, assisted by our eyes,
See other C‘sars, other Homers rise;
Thro' twilight ages hunt th'Athenian fowl,
Which Chalcis Gods, and mortals call an Owl,
Now see an Attys, now a Cecrops clear,
Nay, Mahomet! the Pigeon at thine ear;
Be rich in ancient brass, tho' not in gold,
And keep his Lares, tho' his house be sold;
To headless Ph be his fair bride postpone,
Honour a Syrian Prince above his own;
Lord of an Otho, if I vouch it true;
Blest in one Niger, till he knows of two.
Mummius o'erheard him; Mummius, Fool-renown'd,
Who like his Cheops stinks above the ground,
Fierce as a startled Adder, swell'd, and said,
Rattling an ancient Sistrum at his head.
Speak'st thou of Syrian Princes? Traitor base!
Mine, Goddess! mine is all the horned race.
True, he had wit, to make their value rise;
From foolish Greeks to steal them, was as wise;
More glorious yet, from barb'rous hands to keep,
When Sallee Rovers chac'd him on the deep.
Then taught by Hermes, and divinely bold,
Down his own throat he risqu'd the Grecian gold;
200
Receiv'd each Demi-God, with pious care,
Deep in his Entrails — I rever'd them there,
I bought them, shrouded in that living shrine,
And, at their second birth, they issue mine.
Witness great Ammon! by whose horns I swore,
(Reply'd soft Annius) this our paunch before
Still bears them, faithful; and that thus I eat,
Is to refund the Medals with the meat.
To prove me, Goddess! clear of all design,
Bid me with Pollio sup, as well as dine:
There all the Learn'd shall at the labour stand,
And Douglas lend his soft, obstetric hand.
The Goddess smiling seem'd to give consent;
So back to Pollio, hand in hand, they went.
Then thick as Locusts black'ning all the ground,
A tribe, with weeds and shells fantastic crown'd,
Each with some wond'rous gift approach'd the Pow'r,
A Nest, a Toad, a Fungus, or a Flow'r.
But far the foremost, two, with earnest zeal,
And aspect ardent to the Throne appeal.
The first thus open'd: Hear thy suppliant's call,
Great Queen, and common Mother of us all!
Fair from its humble bed I rear'd this Flow'r,
Suckled, and chear'd, with air, and sun, and show'r,
Soft on the paper ruff its leaves I spread,
Bright with the gilded button tipt its head,
Then thron'd in glass, and nam'd it Caroline:
Each Maid cry'd, charming! and each Youth, divine!
Did Nature's pencil ever blend such rays,
Such vary'd light in one promiscuous blaze?
Now prostrate! dead! behold that Caroline:
No Maid cries, charming! and no Youth, divine!
And lo the wretch! whose vile, whose insect lust
Lay'd this gay daughter of the Spring in dust.
Oh punish him, or to th' Elysian shades
Dismiss my soul, where no Carnation fades.
He ceas'd, and wept. With innocence of mien,
Th'Accus'd stood forth, and thus address'd the Queen.
Of all th'enamel'd race, whose silv'ry wing
Waves to the tepid Zephyrs of the spring,
Or swims along the fluid atmosphere,
Once brightest shin'd this child of Heat and Air.
201
I saw, and started from its vernal bow'r
The rising game, and chac'd from flow'r to flow'r.
It fled, I follow'd; now in hope, now pain;
It stopt, I stopt; it mov'd, I mov'd again.
At last it fix'd, 'twas on what plant it pleas'd,
And where it fix'd, the beauteous bird I seiz'd:
Rose or Carnation was below my care;
I meddle, Goddess! only in my sphere.
I tell the naked fact without disguise,
And, to excuse it, need but shew the prize;
Whose spoils this paper offers to your eye,
Fair ev'n in death! this peerless Butterfly.
My sons! (she answer'd) both have done your parts:
Live happy both, and long promote our arts.
But hear a Mother, when she recommends
To your fraternal care, our sleeping friends.
The common Soul, of Heav'n's more frugal make,
Serves but to keep fools pert, and knaves awake:
A drowzy Watchman, that just gives a knock,
And breaks our rest, to tell us what's a clock.
Yet by some object ev'ry brain is stirr'd;
The dull may waken to a Humming-bird;
The most recluse, discreetly open'd, find
Congenial matter in the Cockle-kind;
The mind, in Metaphysics at a loss,
May wander in a wilderness of Moss;
The head that turns at super-lunar things,
Poiz'd with a tail, may steer on Wilkins' wings.
'O! would the sons of men once think their eyes
And reason given them but to study flies !
See Nature in some partial narrow shape,
And let the Author of the Whole escape:
Learn but to trifle; or, who most observe,
To wonder at their Maker, not to serve.'
'Be that my task' (replies a gloomy clerk,
Sworn foe to Myst'ry, yet divinely dark;
Whose pious hope aspires to see the day
When Moral Evidence shall quite decay,
And damns implicit faith, and holy lies,
Prompt to impose, and fond to dogmatize):
'Let others creep by timid steps, and slow,
On plain experience lay foundations low,
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By common sense to common knowledge bred,
And last, to Nature's Cause through Nature led.
All-seeing in thy mists, we want no guide,
Mother of Arrogance, and Source of Pride!
We nobly take the high Priori Road,
And reason downward, till we doubt of God:
Make Nature still encroach upon his plan;
And shove him off as far as e'er we can:
Thrust some Mechanic Cause into his place;
Or bind in matter, or diffuse in space.
Or, at one bound o'erleaping all his laws,
Make God man's image, man the final Cause,
Find virtue local, all relation scorn
See all in self , and but for self be born:
Of naught so certain as our reason still,
Of naught so doubtful as of soul and will .
Oh hide the God still more! and make us see
Such as Lucretius drew, a god like thee:
Wrapp'd up in self, a god without a thought,
Regardless of our merit or default.
Or that bright image to our fancy draw,
Which Theocles in raptur'd vision saw,
While through poetic scenes the Genius roves,
Or wanders wild in academic groves;
That Nature our society adores,
Where Tindal dictates, and Silenus snores.'
Rous'd at his name up rose the bousy Sire,
And shook from out his pipe the seeds of fire;
Then snapp'd his box, and strok'd his belly down:
Rosy and rev'rend, though without a gown.
Bland and familiar to the throne he came,
Led up the youth, and call'd the Goddess Dame .
Then thus, 'From priestcraft happily set free,
Lo! ev'ry finished Son returns to thee:
First slave to words, then vassal to a name,
Then dupe to party; child and man the same;
Bounded by Nature, narrow'd still by art,
A trifling head, and a contracted heart.
Thus bred, thus taught, how many have I seen,
Smiling on all, and smil'd on by a queen.
Marked out for honours, honour'd for their birth,
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To thee the most rebellious things on earth:
Now to thy gentle shadow all are shrunk,
All melted down, in pension, or in punk!
So K-- so B-- sneak'd into the grave,
A monarch's half, and half a harlot's slave.
Poor W-- nipp'd in Folly's broadest bloom,
Who praises now? his chaplain on his tomb.
Then take them all, oh take them to thy breast!
Thy Magus , Goddess! shall perform the rest.'
With that, a Wizard old his Cup extends;
Which whoso tastes, forgets his former friends,
Sire, ancestors, himself. One casts his eyes
Up to a Star , and like Endymion dies:
A Feather , shooting from another's head,
Extracts his brain, and principle is fled,
Lost is his God, his country, ev'rything;
And nothing left but homage to a king!
The vulgar herd turn off to roll with hogs,
To run with horses, or to hunt with dogs;
But, sad example! never to escape
Their infamy, still keep the human shape.
But she, good Goddess, sent to ev'ry child
Firm impudence, or stupefaction mild;
And straight succeeded, leaving shame no room,
Cibberian forehead, or Cimmerian gloom.
Kind self-conceit to somewhere glass applies,
Which no one looks in with another's eyes:
But as the flatt'rer or dependant paint,
Beholds himself a patriot, chief, or saint.
On others Int'rest her gay liv'ry flings,
Int'rest that waves on party-colour'd wings:
Turn'd to the sun, she casts a thousand dyes,
And, as she turns, the colours fall or rise.
Others the siren sisters warble round,
And empty heads console with empty sound.
No more, Alas! the voice of Fame they hear,
The balm of Dulness trickling in their ear.
Great C--, H--, P--, R--, K--,
Why all your toils? your Sons have learn'd to sing.
How quick ambition hastes to ridicule!
The sire is made a peer, the son a fool.
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On some, a Priest succinct in amice white
Attends; all flesh is nothing in his sight!
Beeves, at his touch, at once to jelly turn,
And the huge boar is shrunk into an urn:
The board with specious miracles he loads,
Turns hares to larks, and pigeons into toads.
Another (for in all what one can shine?)
Explains the
Seve
and
Verdeur
of the vine.
What cannot copious sacrifice atone?
Thy truffles, Perigord! thy hams, Bayonne!
With French libation, and Italian strain,
Wash Bladen white, and expiate Hays's stain.
Knight lifts the head, for what are crowds undone.
To three essential partridges in one?
Gone ev'ry blush, and silent all reproach,
Contending princes mount them in their coach.
Next, bidding all draw near on bended knees,
The Queen confers her Titles and Degrees .
Her children first of more distinguish'd sort,
Who study Shakespeare at the Inns of Court,
Impale a glowworm, or vertú profess,
Shine in the dignity of F.R.S.
Some, deep Freemasons, join the silent race
Worthy to fill Pythagoras's place:
Some botanists, or florists at the least,
Or issue members of an annual feast.
Nor pass'd the meanest unregarded, one
Rose a Gregorian, one a Gormogon.
The last, not least in honour or applause,
Isis and Cam made Doctors of her Laws.
Then, blessing all, 'Go, Children of my care!
To practice now from theory repair.
All my commands are easy, short, and full:
My sons! be proud, be selfish, and be dull.
Guard my prerogative, assert my throne:
This nod confirms each privilege your own.
The cap and switch be sacred to his Grace;
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With staff and pumps the Marquis lead the race;
From stage to stage the licens'd Earl may run,
Pair'd with his fellow charioteer the sun;
The learned Baron butterflies design,
Or draw to silk Arachne's subtle line;
The Judge to dance his brother Sergeant call;
The Senator at cricket urge the ball;
The Bishop stow (pontific luxury!)
An hundred souls of turkeys in a pie;
The sturdy Squire to Gallic masters stoop,
And drown his lands and manors in a soupe .
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
Perhaps more high some daring son may soar,
Proud to my list to add one monarch more;
And nobly conscious, princes are but things
Born for first ministers, as slaves for kings,
Tyrant supreme! shall three Estates command,
And make one mighty Dunciad of the Land!
More she had spoke, but yawn'd-All Nature nods:
What mortal can resist the yawn of gods?
Churches and Chapels instantly it reach'd;
(St. James's first, for leaden Gilbert preach'd)
Then catch'd the schools; the Hall scarce kept awake;
The Convocation gap'd, but could not speak:
Lost was the nation's sense, nor could be found,
While the long solemn unison went round:
Wide, and more wide, it spread o'er all the realm;
Even Palinurus nodded at the helm:
The vapour mild o'er each committee crept;
Unfinish'd treaties in each office slept;
And chiefless armies doz'd out the campaign;
And navies yawn'd for orders on the main.
O Muse! relate (for you can tell alone,
Wits have short memories, and Dunces none),
Relate, who first, who last resign'd to rest;
Whose heads she partly, whose completely blest;
What charms could faction, what ambition lull,
The venal quiet, and entrance the dull;
Till drown'd was sense, and shame, and right, and wrongO sing, and hush the nations with thy song!
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In vain, in vain-the all-composing hour
Resistless falls: The Muse obeys the Pow'r.
She comes! she comes! the sable throne behold
Of Night primeval, and of Chaos old!
Before her, Fancy's gilded clouds decay,
And all its varying rainbows die away.
Wit shoots in vain its momentary fires,
The meteor drops, and in a flash expires.
As one by one, at dread Medea's strain,
The sick'ning stars fade off th' ethereal plain;
As Argus' eyes by Hermes' wand oppress'd,
Clos'd one by one to everlasting rest;
Thus at her felt approach, and secret might,
Art after Art goes out, and all is Night.
See skulking Truth to her old cavern fled,
Mountains of Casuistry heap'd o'er her head!
Philosophy, that lean'd on Heav'n before,
Shrinks to her second cause, and is no more.
Physic of Metaphysic begs defence,
And Metaphysic calls for aid on Sense !
See Mystery to Mathematics fly!
In vain! they gaze, turn giddy, rave, and die.
Religion blushing veils her sacred fires,
And unawares Morality expires.
Nor public Flame, nor private , dares to shine;
Nor human Spark is left, nor Glimpse divine !
Lo! thy dread Empire, Chaos! is restor'd;
Light dies before thy uncreating word:
Thy hand, great Anarch! lets the curtain fall;
And universal Darkness buries All.
~ Alexander Pope,#NFDB
1288:The Kalevala - Rune Xxiii
OSMOTAR THE BRIDE-ADVISER
Now the bride must be instructed,
Who will teach the Maid of Beauty,
Who instruct the Rainbow-daughter?
Osmotar, the wisdom-maiden,
Kalew's fair and lovely virgin,
Osmotar will give instructions
To the bride of Ilmarinen,
To the orphaned bride of Pohya,
Teach her how to live in pleasure,
How to live and reign in glory,
Win her second mother's praises,
Joyful in her husband's dwelling.
Osmotar in modest accents
Thus the anxious bride addresses;
'Maid of Beauty, lovely sister,
Tender plant of Louhi's gardens,
Hear thou what thy sister teaches,
Listen to her sage instructions:
Go thou hence, my much beloved,
Wander far away, my flower,
Travel on enwrapped in colors,
Glide away in silks and ribbons,
From this house renowned and ancient,
From thy father's halls and court-yards
Haste thee to thy husband's village,
Hasten to his mother's household;
Strange, the rooms in other dwellings,
Strange, the modes in other hamlets.
'Full of thought must be thy going,
And thy work be well considered,
Quite unlike thy home in Northland,
On the meadows of thy father,
On the high-lands of thy brother,
Singing through thy mother's fenlands,
Culling daisies with thy sister.
'When thou goest from thy father
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Thou canst take whatever pleases,
Only three things leave behind thee:
Leave thy day-dreams to thy sister,
Leave thou kindness for thy mother,
To thy brother leave thy labors,
Take all else that thou desirest.
Throw away thine incantations,
Cast thy sighing to the pine-trees,
And thy maidenhood to zephyrs,
Thy rejoicings to the couches,
Cast thy trinkets to the children,
And thy leisure to the gray-beards,
Cast all pleasures to thy playmates,
Let them take them to the woodlands,
Bury them beneath the mountain.
'Thou must hence acquire new habits,
Must forget thy former customs,
Mother-love must be forsaken,
Thou must love thy husband's mother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Father-love must be forsaken,
Thou must love thy husband's father,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits,
Must forget thy former customs,
Brother-love must be forsaken,
Thou must love thy husband's brother,
Lower must thy head be bended,
Kind words only must thou utter.
'Thou must hence acquire new habits
Must forget thy former customs,
Sister-love must be forsaken,
Thou must love thy husband's sister,
Lower must thy head be bended,
Kind words only must thou utter.
'Never in the course of ages,
Never while the moonlight glimmers,
Wickedly approach thy household,
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Nor unworthily, thy servants,
Nor thy courts with indiscretion;
Let thy dwellings sing good manners,
And thy walls re-echo virtue.
After mind the hero searches.
And the best of men seek honor,
Seek for honesty and wisdom;
If thy home should be immoral,
If thine inmates fail in virtue,
Then thy gray-beards would be black-dogs
In sheep's clothing at thy firesides;
All thy women would be witches,
Wicked witches in thy chambers,
And thy brothers be as serpents
Crawling through thy husband's mansion;
All thy sisters would be famous
For their evil thoughts and conduct.
'Equal honors must be given
To thy husband's friends and kindred;
Lower must thy head be bended,
Than within thy mother's dwelling,
Than within thy father's guest-room,
When thou didst thy kindred honor.
Ever strive to give good counsel,
Wear a countenance of sunshine,
Bear a head upon thy shoulders
Filled with wise and ancient sayings;
Open bright thine eyes at morning
To behold the silver sunrise,
Sharpen well thine ears at evening,
Thus to hear the rooster crowing;
When he makes his second calling,
Straightway thou must rise from slumber,
Let the aged sleep in quiet;
Should the rooster fail to call thee,
Let the moonbeams touch thine eyelids,
Let the Great Bear be thy keeper
Often go thou and consult them,
Call upon the Moon for counsel,
Ask the Bear for ancient wisdom,
From the stars divine thy future;
When the Great Bear faces southward,
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When his tail is pointing northward,
This is time to break with slumber,
Seek for fire within the ashes,
Place a spark upon the tinder,
Blow the fire through all the fuel.
If no spark is in the ashes,
Then go wake thy hero-husband,
Speak these words to him on waking:
'Give me fire, O my beloved,
Give a single spark, my husband,
Strike a little fire from flintstone,
Let it fall upon my tinder.'
'From the spark, O Bride of Beauty,
Light thy fires, and heat thine ovens,
In the holder, place the torch-light,
Find thy pathway to the stables,
There to fill the empty mangers;
If thy husband's cows be lowing,
If thy brother's steeds be neighing,
Then the cows await thy coming,
And the steeds for thee are calling,
Hasten, stooping through the hurdles,
Hasten through the yards and stables,
Feed thy husband's cows with pleasure,
Feed with care the gentle lambkins,
Give the cows the best of clover,
Hay, and barley, to the horses,
Feed the calves of lowing mothers,
Feed the fowl that fly to meet thee.
'Never rest upon the haymow,
Never sleep within the hurdles,
When the kine are fed and tended,
When the flocks have all been watered;
Hasten thence, my pretty matron,
Like the snow-flakes to thy dwelling,
There a crying babe awaits thee,
Weeping in his couch neglected,
Cannot speak and tell his troubles,
Speechless babe, and weeping infant,
Cannot say that he is hungry,
Whether pain or cold distresses,
Greets with joy his mother's footsteps.
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Afterward repair in silence
To thy husband's rooms and presence,
Early visit thou his chambers,
In thy hand a golden pitcher,
On thine arm a broom of birch-wood,
In thy teeth a lighted taper,
And thyself the fourth in order.
Sweep thou then thy hero's dwelling,
Dust his benches and his tables,
Wash the flooring well with water.
'If the baby of thy sister
Play alone within his corner,
Show the little child attention,
Bathe his eyes and smoothe his ringlets,
Give the infant needed comforts;
Shouldst thou have no bread of barley,
In his hand adjust some trinket.
'Lastly, when the week has ended,
Give thy house a thorough cleansing,
Benches, tables, walls, and ceilings;
What of dust is on the windows,
Sweep away with broom of birch-twigs,
All thy rooms must first be sprinkled,
at the dust may not be scattered,
May not fill the halls and chambers.
Sweep the dust from every crevice,
Leave thou not a single atom;
Also sweep the chimney-corners,
Do not then forget the rafters,
Lest thy home should seem untidy,
Lest thy dwelling seem neglected.
'Hear, O maiden, what I tell thee,
Learn the tenor of my teaching:
Never dress in scanty raiment,
Let thy robes be plain and comely,
Ever wear the whitest linen,
On thy feet wear tidy fur-shoes,
For the glory of thy husband,
For the honor of thy hero.
Tend thou well the sacred sorb-tree,
Guard the mountain-ashes planted
In the court-yard, widely branching;
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Beautiful the mountain-ashes,
Beautiful their leaves and flowers,
Still more beautiful the berries.
Thus the exiled one demonstrates
That she lives to please her husband,
Tries to make her hero happy.
'Like the mouse, have ears for hearing,
Like the hare, have feet for running,
Bend thy neck and turn thy visage
Like the juniper and aspen,
Thus to watch with care thy goings,
Thus to guard thy feet from stumbling,
That thou mayest walk in safety.
'When thy brother comes from plowing,
And thy father from his garners,
And thy husband from the woodlands,
From his chopping, thy beloved,
Give to each a water-basin,
Give to each a linen-towel,
Speak to each some pleasant greeting.
'When thy second mother hastens
To thy husband's home and kindred,
In her hand a corn-meal measure,
Haste thou to the court to meet her,
Happy-hearted, bow before her,
Take the measure from her fingers,
Happy, bear it to thy husband.
'If thou shouldst not see distinctly
What demands thy next attention,
Ask at once thy hero's mother:
'Second mother, my beloved,
Name the task to be accomplished
By thy willing second daughter,
Tell me how to best perform it.'
'This should be the mother's answer:
'This the manner of thy workings,
Thus thy daily work accomplish:
Stamp with diligence and courage,
Grind with will and great endurance,
Set the millstones well in order,
Fill the barley-pans with water,
Knead with strength the dough for baking,
380
Place the fagots on the fire-place,
That thy ovens may be heated,
Bake in love the honey-biscuit,
Bake the larger loaves of barley,
Rinse to cleanliness thy platters,
Polish well thy drinking-vessels.
'If thou hearest from the mother,
From the mother of thy husband,
That the cask for meal is empty,
Take the barley from the garners,
Hasten to the rooms for grinding.
When thou grindest in the chambers,
Do not sing in glee and joyance,
Turn the grinding-stones in silence,
To the mill give up thy singing,
Let the side-holes furnish music;
Do not sigh as if unhappy,
Do not groan as if in trouble,
Lest the father think thee weary,
Lest thy husband's mother fancy
That thy groans mean discontentment,
That thy sighing means displeasure.
Quickly sift the flour thou grindest,
Take it to the casks in buckets,
Bake thy hero's bread with pleasure,
Knead the dough with care and patience,
That thy biscuits may be worthy,
That the dough be light and airy.
'Shouldst thou see a bucket empty,
Take the bucket on thy shoulder,
On thine arm a silver-dipper,
Hasten off to fill with water
From the crystal river flowing;
Gracefully thy bucket carry,
Bear it firmly by the handles,
Hasten houseward like the zephyrs,
Hasten like the air of autumn;
Do not tarry near the streamlet,
At the waters do not linger,
That the father may not fancy,
Nor the ancient dame imagine,
That thou hast beheld thine image,
381
Hast admired thy form and features,
Hast admired thy grace and beauty
In the mirror of the fountain,
In the crystal streamlet's eddies.
'Shouldst thou journey to the woodlands,
There to gather aspen-fagots,
Do not go with noise and bustle,
Gather all thy sticks in silence,
Gather quietly the birch-wood,
That the father may not fancy,
And the mother not imagine,
That thy calling came from anger,
And thy noise from discontentment.
'If thou goest to the store-house
To obtain the flour of barley,
Do not tarry on thy journey,
On the threshold do not linger,
That the father may not fancy,
And the mother not imagine,
That the meal thou hast divided
With the women of the village.
'If thou goest to the river,
There to wash thy birchen platters,
There to cleanse thy pans and buckets,
Lest thy work be done in neatness,
Rinse the sides, and rinse the handles,
Rinse thy pitchers to perfection,
Spoons, and forks, and knives, and goblets,
Rinse with care thy cooking-vessels,
Closely watch the food-utensils,
That the dogs may not deface them,
That the kittens may not mar them,
That the eagles may not steal them,
That the children may not break them;
Many children in the village,
Many little heads and fingers,
That will need thy careful watching,
Lest they steal the things of value.
'When thou goest to thy bathing,
Have the brushes ready lying
In the bath-room clean and smokeless;
Do not, linger in the water,
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At thy bathing do not tarry,
That the father may not fancy,
And the mother not imagine,
Thou art sleeping on the benches,
Rolling in the laps of comfort.
'From thy bath, when thou returnest,
To his bathing tempt the father,
Speak to him the words that follow:
'Father of my hero-husband,
Clean are all the bath-room benches,
Everything in perfect order;
Go and bathe for thine enjoyment,
Pour the water all-sufficient,
I will lend thee needed service.'
'When the time has come for spinning,
When the hours arrive for weaving,
Do not ask the help of others,
Look not in the stream for knowledge,
For advice ask not the servants,
Nor the spindle from the sisters,
Nor the weaving-comb from strangers.
Thou thyself must do the spinning,
With thine own hand ply the shuttle,
Loosely wind the skeins of wool-yarn,
Tightly wind the balls of flax-thread,
Wind them deftly in the shuttle
Fit the warp upon the rollers,
Beat the woof and warp together,
Swiftly ply the weaver's shuttle,
Weave good cloth for all thy vestments,
Weave of woolen, webs for dresses
From the finest wool of lambkins,
One thread only in thy weaving.
'Hear thou what I now advise thee:
Brew thy beer from early barley,
From the barley's new-grown kernels,
Brew it with the magic virtues,
Malt it with the sweets of honey,
Do not stir it with the birch-rod,
Stir it with thy skilful fingers;
When thou goest to the garners,
Do not let the seed bring evil,
383
Keep the dogs outside the brew-house,
Have no fear of wolves in hunger,
Nor the wild-beasts of the mountains,
When thou goest to thy brewing,
Shouldst thou wander forth at midnight.
'Should some stranger come to see thee,
Do not worry for his comfort;
Ever does the worthy household
Have provisions for the stranger,
Bits of meat, and bread, and biscuit,
Ample for the dinner-table;
Seat the stranger in thy dwelling,
Speak with him in friendly accents,
Entertain the guest with kindness,
While his dinner is preparing.
When the stranger leaves thy threshold,
When his farewell has been spoken,
Lead him only to the portals,
Do not step without the doorway,
That thy husband may not fancy,
And the mother not imagine,
Thou hast interest in strangers.
'Shouldst thou ever make a journey
To the centre of the village,
There to gain some needed object,
While thou speakest in the hamlet,
Let thy words be full of wisdom,
That thou shamest not thy kindred,
Nor disgrace thy husband's household.
'Village-maidens oft will ask thee,
Mothers of the hamlet question:
'Does thy husband's mother greet thee
As in childhood thou wert greeted,
In thy happy home in Pohya?'
Do not answer in negation,
Say that she has always given
Thee the best of her provisions,
Given thee the kindest greetings,
Though it be but once a season.
'Listen well to what I tell thee:
As thou goest from thy father
To thy husband's distant dwelling,
384
Thou must not forget thy mother,
Her that gave thee life and beauty,
Her that nurtured thee in childhood,
Many sleepless nights she nursed thee;
Often were her wants neglected,
Numberless the times she rocked thee;
Tender, true, and ever faithful,
Is the mother to her daughter.
She that can forget her mother,
Can neglect the one that nursed her,
Should not visit Mana's castle,
In the kingdom of Tuoni;
In Manala she would suffer,
Suffer frightful retribution,
Should her mother be forgotten;
Should her dear one be neglected,
Mana's daughters will torment her,
And Tuoni's sons revile her,
They will ask her much as follows:
'How couldst thou forget thy mother,
How neglect the one that nursed thee?
Great the pain thy mother suffered,
Great the trouble that thou gavest
When thy loving mother brought thee
Into life for good or evil,
When she gave thee earth-existence,
When she nursed thee but an infant,
When she fed thee in thy childhood,
When she taught thee what thou knowest,
Mana's punishments upon thee,
Since thy mother is forgotten!''
On the floor a witch was sitting,
Near the fire a beggar-woman,
One that knew the ways of people,
These the words the woman uttered:
'Thus the crow calls in the winter:
'Would that I could be a singer,
And my voice be full of sweetness,
But, alas! my songs are worthless,
Cannot charm the weakest creature;
I must live without the singing
Leave the songs to the musicians,
385
Those that live in golden houses,
In the homes of the beloved;
Homeless therefore I must wander,
Like a beggar in the corn-fields,
And with none to do me honor.'
'Hear now, sister, what I tell thee,
Enter thou thy husband's dwelling,
Follow not his mind, nor fancies,
As my husband's mind I followed;
As a flower was I when budding,
Sprouting like a rose in spring-time,
Growing like a slender maiden,
Like the honey-gem of glory,
Like the playmates of my childhood,
Like the goslings of my father,
Like the blue-ducks of my mother,
Like my brother's water-younglings,
Like the bullfinch of my sister;
Grew I like the heather-flower,
Like the berry of the meadow,
Played upon the sandy sea-shore,
Rocked upon the fragrant upland,
Sang all day adown the valley,
Thrilled with song the hill and mountain,
Filled with mirth the glen and forest,
Lived and frolicked in the woodlands.
'Into traps are foxes driven
By the cruel pangs of hunger,
Into traps, the cunning ermine;
Thus are maidens wooed and wedded,
In their hunger for a husband.
Thus created is the virgin,
Thus intended is the daughter,
Subject to her hero-husband,
Subject also to his mother.
'Then to other fields I hastened,
Like a berry from the border,
Like a cranberry for roasting,
Like a strawberry for dinner;
All the elm-trees seemed to wound me,
All the aspens tried to cut me,
All the willows tried to seize me,
386
All the forest tried to slay me.
Thus I journeyed to my husband,
Thus I travelled to his dwelling,
Was conducted to his mother.
Then there were, as was reported,
Six compartments built of pine-wood,
Twelve the number of the chambers,
And the mansion filled with garrets,
Studding all the forest border,
Every by-way filled with flowers
Streamlets bordered fields of barley,
Filled with wheat and corn, the islands,
Grain in plenty in the garners,
Rye unthrashed in great abundance,
Countless sums of gold and silver,
Other treasures without number.
When my journey I had ended,
When my hand at last was given,
Six supports were in his cabin,
Seven poles as rails for fencing.
Filled with anger were the bushes,
All the glens disfavor showing,
All the walks were lined with trouble,
Evil-tempered were the forests,
Hundred words of evil import,
Hundred others of unkindness.
Did not let this bring me sorrow,
Long I sought to merit praises,
Long I hoped to find some favor,
Strove most earnestly for kindness;
When they led me to the cottage,
There I tried some chips to gather,
Knocked my head against the portals
Of my husband's lowly dwelling.
'At the door were eyes of strangers,
Sable eyes at the partition,
Green with envy in his cabin,
Evil heroes in the back-ground,
From each mouth the fire was streaming,
From each tongue the sparks out-flying,
Flying from my second father,
From his eyeballs of unkindness.
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Did not let this bring me trouble,
Tried to live in peace and pleasure,
In the homestead of my husband
In humility I suffered,
Skipped about with feet of rabbit,
Flew along with steps of ermine,
Late I laid my head to slumber,
Early rose as if a servant,
Could not win a touch of kindness,
Could not merit love nor honor,
Though I had dislodged the mountains,
Though the rocks had I torn open.
'Then I turned the heavy millstone,
Ground the flour with care and trouble,
Ground the barley-grains in patience,
That the mother might be nourished,
That her fury-throat might swallow
What might please her taste and fancy,.
From her gold-enamelled platters,
From the corner of her table.
'As for me, the hapless daughter,
All my flour was from the siftings
On the table near the oven,
Ate I from the birchen ladle;
Oftentimes I brought the mosses
Gathered in the lowland meadows,
Baked them into loaves for eating;
Brought the water from the river,
Thirsty, sipped it from the dipper,
Ate of fish the worst in Northland,
Only smelts, and worthless swimmers,
Rocking in my boat of birch-bark
Never ate I fish or biscuit
From my second mother's fingers.
'Blades I gathered in the summers,
Twisted barley-stalks in winter,
Like the laborers of heroes,
Like the servants sold in bondage.
In the thresh-house of my husband,
Evermore to me was given
Flail the heaviest and longest,
And to me the longest lever,
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On the shore the strongest beater,
And the largest rake in haying;
No one thought my burden heavy,
No one thought that I could suffer,
Though the best of heroes faltered,
And the strongest women weakened.
'Thus did I, a youthful housewife,
At the right time, all my duties,
Drenched myself in perspiration,
Hoped for better times to follow;
But I only rose to labor,
Knowing neither rest nor pleasure.
I was blamed by all the household,
With ungrateful tongues derided,
Now about my awkward manners,
Now about my reputation,
Censuring my name and station.
Words unkind were heaped upon me,
Fell like hail on me unhappy,
Like the frightful flash of lightning,
Like the heavy hail of spring-time.
I did not despair entirely,
Would have lived to labor longer
Underneath the tongue of malice,
But the old-one spoiled Lay temper,
Roused my deepest ire and hatred
Then my husband grew a wild-bear,
Grew a savage wolf of Hisi.
'Only then I turned to weeping,
And reflected in my chamber,
Thought of all my former pleasures
Of the happy days of childhood,
Of my father's joyful firesides,
Of my mother's peaceful cottage,
Then began I thus to murmur:
'Well thou knowest, ancient mother,
How to make thy sweet bud blossom,
How to train thy tender shootlet;
Did not know where to ingraft it,
Placed, alas! the little scion
In the very worst of places,
On an unproductive hillock,
389
In the hardest limb of cherry,
Where it could not grow and flourish,
There to waste its life, in weeping,
Hapless in her lasting sorrow.
Worthier had been my conduct
In the regions that are better,
In the court-yards that are wider,
In compartments that are larger,
Living with a loving husband,
Living with a stronger hero.
Shoe of birch-bark was my suitor,
Shoe of Laplanders, my husband;
Had the body of a raven,
Voice and visage like the jackdaw,
Mouth and claws were from the black-wolf,
The remainder from the wild-bear.
Had I known that mine affianced
Was a fount of pain and evil,
To the hill-side I had wandered,
Been a pine-tree on the highway,
Been a linden on the border,
Like the black-earth made my visage,
Grown a beard of ugly bristles,
Head of loam and eyes of lightning,
For my ears the knots of birches,
For my limbs the trunks of aspens.'
'This the manner of my singing
In the hearing of my husband,
Thus I sang my cares and murmurs
Thus my hero near the portals
Heard the wail of my displeasure,
Then he hastened to my chamber;
Straightway knew I by his footsteps,
Well concluded be was angry,
'Knew it by his steps implanted;
All the winds were still in slumber,
Yet his sable locks stood endwise,
Fluttered round his bead in fury,
While his horrid mouth stood open;
To and fro his eyes were rolling,
In one hand a branch of willow,
In the other, club of alder;
390
Struck at me with might of malice,
Aimed the cudgel at my forehead.
'When the evening had descended,
When my husband thought of slumber
Took he in his hand a whip-stalk,
With a whip-lash made of deer-skin,
Was not made for any other,
Only made for me unhappy.
'When at last I begged for mercy,
When I sought a place for resting,
By his side I courted slumber,
Merciless, my husband seized me,
Struck me with his arm of envy,
Beat me with the whip of torture,
Deer-skin-lash and stalk of birch-wood.
From his couch I leaped impulsive,
In the coldest night of winter,
But the husband fleetly followed,
Caught me at the outer portals,
Grasped me by my streaming tresses,
Tore my ringlets from my forehead,
Cast in curls upon the night-winds
To the freezing winds of winter.
What the aid that I could ask for,
Who could free me from my torment?
Made I shoes of magic metals,
Made the straps of steel and copper,
Waited long without the dwelling,
Long I listened at the portals,
Hoping he would end his ravings,
Hoping he would sink to slumber,
But he did not seek for resting,
Did not wish to still his fury.
Finally the cold benumbed me;
As an outcast from his cabin,
I was forced to walk and wander,
When I, freezing, well reflected,
This the substance of my thinking:
'I will not endure this torture,
Will not bear this thing forever,
Will not bear this cruel treatment,
Such contempt I will not suffer
391
In the wicked tribe of Hisi,
In this nest of evil Piru.'
'Then I said, 'Farewell forever!'
To my husband's home and kindred,
To my much-loved home and husband;
Started forth upon a journey
To my father's distant hamlet,
Over swamps and over snow-fields,
Wandered over towering mountains,
Over hills and through the valleys,
To my brother's welcome meadows,
To my sister's home and birthplace.
'There were rustling withered pine-trees.
Finely-feathered firs were fading,
Countless ravens there were cawing,
All the jackdaws harshly singing,
This the chorus of the ravens:
'Thou hast here a home no longer,
This is not the happy homestead
Of thy merry days of childhood.'
'Heeding not this woodland chorus,
Straight I journeyed to the dwelling
Of my childhood's friend and brother,
Where the portals spake in concord,
And the hills and valleys answered,
This their saddened song and echo:
'Wherefore dost thou journey hither,
Comest thou for joy or sorrow,
To thy father's old dominions?
Here unhappiness awaits thee,
Long departed is thy father,
Dead and gone to visit Ukko,
Dead and gone thy faithful mother,
And thy brother is a stranger,
While his wife is chill and heartless!'
'Heeding not these many warnings,
Straightway to my brother's cottage
Were my weary feet directed,
Laid my hand upon the door-latch
Of my brother's dismal cottage,
But the latch was cold and lifeless.
When I wandered to the chamber,
392
When I waited at the doorway,
There I saw the heartless hostess,
But she did not give me greeting,
Did not give her hand in welcome;
Proud, alas! was I unhappy,
Did not make the first advances,
Did not offer her my friendship,
And my hand I did not proffer;
Laid my hand upon the oven,
All its former warmth departed!
On the coal I laid my fingers,
All the latent heat had left it.
On the rest-bench lay my brother,
Lay outstretched before the fire-place,
Heaps of soot upon his shoulders,
Heaps of ashes on his forehead.
Thus the brother asked the stranger,
Questioned thus his guest politely:
'Tell me what thy name and station,
Whence thou comest o'er the waters!'
This the answer that I gave him:
Hast thou then forgot thy sister,
Does my brother not remember,
Not recall his mother's daughter
We are children of one mother,
Of one bird were we the fledgelings,
In one nest were hatched and nurtured.'
'Then the brother fell to weeping,
From his eyes great tear-drops flowing,
To his wife the brother whispered,
Whispered thus unto the housewife.
'Bring thou beer to give my sister,
Quench her thirst and cheer her spirits.'
'Full of envy, brought the sister
Only water filled with evil,
Water for the infant's eyelids,
Soap and water from the bath-room.
'To his wife the brother whispered,
Whispered thus unto the housewife:
'Bring thou salmon for my sister,
For my sister so long absent,
Thus to still her pangs of hunger.'
393
'Thereupon the wife obeying,
Brought, in envy, only cabbage
That the children had been eating,
And the house-dogs had been licking,
Leavings of the black-dog's breakfast.
'Then I left my brother's dwelling,
Hastened to the ancient homestead,
To my mother's home deserted;
Onward, onward did I wander,
Hastened onward by the cold-sea,
Dragged my body on in anguish,
To the cottage-doors of strangers,
To the unfamiliar portals,
For the care of the neglected,
For the needy of the village,
For the children poor and orphaned.
'There are many wicked people,
Many slanderers of women,
Many women evil-minded,
That malign their sex through envy.
Many they with lips of evil,
That belie the best of maidens,
Prove the innocent are guilty
Of the worst of misdemeanors,
Speak aloud in tones unceasing,
Speak, alas! with wicked motives,
Spread the follies of their neighbors
Through the tongues of self-pollution.
Very few, indeed, the people
That will feed the poor and hungry,
That will bid the stranger welcome;
Very few to treat her kindly,
Innocent, and lone, and needy,
Few to offer her a shelter
From the chilling storms of winter,
When her skirts with ice are stiffened,
Coats of ice her only raiment!
'Never in my days of childhood,
Never in my maiden life-time,
Never would believe the story
Though a hundred tongues had told
Though a thousand voices sang it,
394
That such evil things could happen,
That such misery could follow,
Such misfortune could befall one
Who has tried to do her duty,
Who has tried to live uprightly,
Tried to make her people happy.'
Thus the young bride was instructed,
Beauteous Maiden of the Rainbow,
Thus by Osmotar, the teacher.
~ Elias Lönnrot,#NFDB
1289:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
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Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
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Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,#NFDB
1290:Orpheus
ORPHEUS.
LAUGHTER and dance, and sounds of harp and lyre,
Piping of flutes, singing of festal songs,
Ribbons of flame from flaunting torches, dulled
By the broad summer sunshine, these had filled
Since the high noon the pillared vestibules,
The peristyles and porches, in the house
Of the bride's father. Maidens, garlanded
With rose and myrtle dedicate to Love,
Adorned with chaplets fresh the bride, and veiled
The shining head and wistful, girlish face,
Ineffable sweetness of divided lips,
Large light of clear, gray eyes, low, lucid brows,
White as a cloud, beneath pale, clustering gold.
When sunless skies uncertain twilight cast,
That makes a friend's face as an alien's strange,
Investing with a foreign mystery
The dear green fields about our very home.
Then waiting stood the gilded chariot
Before the porch, and from the vine-wreathed door,
Issued the white-veiled bride, while jocund youths
And mænads followed her with dance and song.
She came with double glory; for her lord,
Son of Apollo and Calliope,
Towered beside her, beautiful in limb
And feature, as though formed to magic strains,
Like the Bœotian city, that arose
In airy structures to Amphion's lute.
The light serene shone from his brow and eyes,
Of one whose lofty thoughts keep consonance
With the celestial music of the spheres.
His smile was fluent, and his speech outsang
The cadences of soft-stringed instruments.
He to the chariot led Eurydice,
And these twain, mounting with their paranymph,
Drove onward through the dusky twilit fields,
Preceded by the nymphs and singing youths,
And boys diffusing light and odors warm,
With flaming brands of aromatic woods,
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And matrons bearing symbols of the life
Of careful wives, the distaff and the sieve;
And followed by the echoes of their songs,
The fragrance crushed from moist and trodden grass,
The blessing of the ever-present gods,
Whom they invoked with earnest hymns and prayer.
From Orpheus' portico, festooned with vines,
Issued a flood of rare, ambrosial light,
As though Olympian portals stood ajar,
And Hymen, radiant by his torch's flame,
Mystic with saffron vest and purple, stood
With hands munificent to greet and bless.
Ripe fruits were poured upon the married pair
Alighting, and the chariot wheels were burnt,
A token that the bride returned no more
Unto her father's house. With step resolved,
She crossed the threshold soft with flowers, secure
That his heroic soul who guided her,
Was potent and alert to grace her life,
With noble outlines and ideal hues,
Uplifting it to equal height with his.
EPITHALAMIUM. TO ZEUS.
Because thou art enthroned beyond our reach,
Behind the brightest and the farthest star,
And silence is as eloquent as speech,
To thee who knowest us for what we are,
We bring thee naught save brief and simple prayer,
Strong in its naked, frank sincerity.
Send sacred joys of marriage to this pair,
With fertile increase and prosperity.
Three nymphs had met beneath an oak that cast
Cool, dappled shadow on the glowing grass,
And liquid gleam of the translucent brook.
The air was musical with frolic sounds
Of feminine voices, and of laughter blithe.
Patines of sunshine fell like mottled gold
On the rose-white of bright bare limbs and neck,
On flowing, snowy mantles, and again
With sudden splendor on the gloriole
Of warm, rich hair. The fairest nymph reclined
Beneath the tree, and leaned her yellow head,
With its crisp, clustering rings, against the trunk,
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And dipped her pure feet in the colorless brook,
Stirring the ripples into circles wide,
With cool, delicious plashings in the stream.
Her young companions lay upon the grass,
With indolent eyes half closed, and parted lips
Half-smiling, in the languor of the noon.
But suddenly these twain, arising, cried,
Startled and sharply, 'Lo, Eurydice,
Behold!' and she, uplifting frightened eyes,
Saw a strange shepherd watching with bold glance.
Veiling their faces with their mantles light,
Her sisters fled swift-footed, with shrill cries,
Adown the meadow, but her wet feet clung
To the dry grasses and the earthy soil.
'Eurydice, I love thee! fear me not,
For I am Aristæus, with gray groves
Of hoary olives, and innumerous flocks,
And precious swarms of yellow-vested bees.'
But she with sudden strength eluding him,
Sprang o'er the flowery turf, with back-blown hair,
And wing-like garments, shortened breath, and face
Kindled with shame and terror. In her flight
She ran through fatal flowers and tangled weeds,
And thick rank grass beside a stagnant pool,
When, with a keen and breathless cry of pain,
Abrupt she fell amidst the tall, green reeds.
Then Aristæus reached her, as a snake
Crept back in sinuous lines amidst the slime.
Desire was changed to pity, when he saw
The wounded dryad in her agony
Strive vainly to escape, repelling him
With feeble arms. 'Forgive me, nymph,' he cried;
' I will not touch, save with most reverent hands,
Thy sacred form. But let me bear thee hence,
And soothe thy bruise with healing herbs. 'Too late,
Leave me,' she sighed, 'and lead thou Orpheus here,
That I may see him ere the daylight fails.'
He left her pale with suffering, —earth seemed strange
Unto her eyes, who knew she looked her last
On level-stretching meadows, hazy hills,
And all the light and color of the sky.
Brief as a dream she saw her happy life,
140
Her father's face, her mother's blessed eyes,
The hero who, unheralded, appeared,
And all was changed,— all things put forth a voice,
As in the season of the singing birds.
She looked around revived, and saw again
The lapsing river and abiding sky.
Across the sunny fields came Aristæus,
With Orpheus following,— and after these,
Sad nymphs and heroes grave with sympathy.
Quite calm she lay, and almost wished to die
Before they reached her, if the throbbing pain
Of limb and heart could only thus be stilled.
But Orpheus hastened to her side, and mourned,
'Eurydice, Eurydice! Remain, —
For there is no delight of speech nor song
Among the dead. Will the gods jest with me,
And call this life, which must forevermore
Be but a void, a hunger, a desire,
A stretching out of empty hands to grasp
What earth nor sea nor heaven will restore?
Is this the life that I conceived and sang,
Rich with all noble opportunities
And beautiful realities?' But she:
'Brave Orpheus, search thou not the eternal gods,
Surely they love us dearer than we know.
Do thou refrain, for yet I hold my faith.
When I am gone, thou still wilt have thy lyre;
Love it and cherish,— it is Fate's best gift,
And with death's clearer vision, I can see
That in all ages men will be upraised
Nearer to gods through this than through aught else.
My death may but inspire a larger note,
A passionate cadence to thy strain, which else
Were not quite human, and thus incomplete.
And with this thought I am content to die.
Cease not to sing to me when I am gone;
Thy voice will reach me in the farthest spheres,
Or wake me out of silence. Now begin,
That I may float on those celestial waves
Into the darkness, as I oft have longed.'
ORPHEUS.
Once in a wild, bright vision, came to me
141
Beautiful music, luminous as morn,
An effluence of light and rapture born,
With eyes as full of splendor as the sea;
Dazzling as youth, with pinions frail as air,
Yet potent to uplift and soar as prayer.
Again I see her, cypress in her wreath,
Sad with all grave and tender mysteries;
Tears in her unimaginable eyes,
That look their first with wondering awe on Death.
Never again, in all the after years,
Will her lips laugh with utter mirthfulness;
Nor the strange longing in her eyes grow less,
Nor any time dispel their mist of tears.
Yea, with new numbers she completes her strain,
A song unsung before by gods or men;
But she hath lost, ah! lost for evermore,
The ringing note of joy ineffable,
The high assurance proud, that all is well,
The glad refrain that pealed from shore to shore.
O lyre, thou hast done with joyous things,
Triumphant ecstasies, exultant song;
Of subtle pain, keen anguish, hopeless wrong,
I fashion now another of thy strings,
And strike thee with a strong hand passionate,
Into a fuller music, adequate
Unto a soul that seeks insatiably,
With fond, illusive hope and faith divine;
For through all ages will my soul seek thine,
Eurydice, my lost Eurydice!
What solace to lament with empty hands
And smitten heart, above a mound of earth,
Vivid with mockery of perpetual flowers,
O'er one small urn that holds beneath its lid,
With overmeasure, all the flameless dust
And soulless ashes of our love? Yet this
Was Orpheus' life, to mourn beside the grave,
From his stringed lyre compelling wild response
And thrilling intonation of his grief,
That made the hearts of gnarled and knotty oaks
Ache as with human sympathy, and rived
The adamantine centre of the rock,
And lured the forest beasts, and hushed the birds,
142
Mavis and lark, while with wide, awful wings,
The eagle shadowed his exalted brow.
'Surely,' he cried, 'the senseless dust hears not,
More than the burnt brand hears old natural sounds
Innumerable rustle of young leaves.
It cannot be that only these remain,
The ashes of her glittering limbs, warm flesh,
And blessed hair,— my love had more than these
Where is the vital soul, that was to me
An inspiration and an influence?
The gods are not unstable like rash man,
Aimlessly to create and discreate,
With cruel and capricious fantasy,
For thus the immaculate skies would be a lie;
Eurydice is but withdrawn from me,
And disembodied, while mine eyesight blinds,
My senses are a hindrance, and obstruct
The accurate perception of my soul.
When mine own spirit, nightly disenthralled,
Soars to the land of dreams, whose boundaries,
By day, loom infinitely far and vague,
And yet, at night, become our very home,—
There still I see thee with the same bright form,
The same auroral eyes that made for me
Perpetual morning; and I stretch mine arms
Hungering after thee, and, calling, wake
Unto the vapid glare of languid dawn.
Yet all these things address my very soul,
Telling it that thou art not dead; for death
Is but the incarnation of man's fears;
Gods do not recognize it. If thou art
(As I have faith) in the known universe,
Yea, though it be in the extremest land,
Beyond the sunset, with its shining isles,
I will go forth and seek thee, nor will cease
To mourn thee and desire, till I have found.'
Thus Orpheus fared across the full-fed streams
Of Hebrus and of Strymon, and beyond
The purple outlines and aerial crags,
Snow-glittering of Scardus, Rhodope,
And grand Orbelus; through fair, fertile fields
Of Thessaly with increase of ripe corn,
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Through Attica, Bœotia and Eubœa,
And southward to the royal-citied state,
Beautiful Corinth, throned upon the base
Of green Acrocorinthus, whose soft slope
Was dedicate with temples to the gods,
And towering over all the sacred shrine
Of Aphrodite. Upward from the town
The mountain rose defensive, where the walls
Of Corinth ended, and beyond the gates,
The radiant plain of the Corinthian Gulf
Stretched infinitely. Orpheus rested here,
Till he bethought him to ascend the mount,
With offerings at Aphrodite's shrine—
Not sanguine victims, but fresh myrtle wreath
And faultless rose—to sue the oracle
For help and guidance.
All the town was still,
The bright red band of sunrise lit the sky
Above the dark blue gulf, and Orpheus heard
A hundred birds saluting, from the brake,
Aurora, and cool rush of waterfalls.
Made murmurous music, while Athené breathed
The vigor of the morning in his soul.
Up the steep mountain side he passed, beyond
The silver growth of olives, and the belt
Of pines, to where the foam-white temple stood,
Smitten at once by all the beams of morn.
He saw the double peak, rose-white with snow
And early sunshine, of Parnassus cleave
The northern sky, and sacred Helicon
Erect its head, crowned with the Muses' grove,
The Bay of Crissa and Corinthian Gulf,
Below flashed restless, and a path of gold
Divided with clear, tremulous light the waves.
From the large beauty of the morn, he went
Into the holy limits of the shrine,
With warm air heavy with the odorous rose.
ORPHEUS.
I put into my prayer to thee, O mother,
The tumult and the passion of the ocean,
The unflecked purity of winnowed foam-wreaths;
To thee who sprang from these, the incarnation
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Of all the huge sea holds of grace or splendor,
With its own light between thine amorous eyelids.
For I, in thy most sacred cause a pilgrim,
Have wandered tireless, from Thrace to Corinth,
'Midst foreign scenes and alien men and women.
And at my right hand Grief incessant follows,
And at my left walks Memory with the semblance
Of lost Eurydice's ethereal beauty.
Infatuate I gaze, until the vision
Thrills me to madness, and I start and tremble,
Remembering also Grief is my companion.
Onward through spacious fields, by copious waters,
Through purple growth of amaranth and crocus,
And past the marble beauty of great cities,
We three have journeyed,— strangers saw me reckless,
And knew at once that I had walked with sorrow,
And that the gods had chosen me their victim.
Are all my carols useless, worse than useless?
Shall my long pilgrimage, thus unrewarded,
End at the blank, insuperable ocean?
Hast thou no wise compassion, goddess, mother?
In all the measureless years' unfathomed chances,
Is the dear past to be repeated never?
O supreme mother! crowned with blessed poppy
As well as myrtle,— bring her here, or compass
My soul with death, that elsewhere I may seek her.
He ceased, and through the temple spread a mist
Ambrosial, and above the shrine a star
Serenely brightened, and a heavenly voice
Made sweet response: ' Love guides himself thy course
To the last sea-girt rock. No worthy soul
May ever truly seek, and fail to find.'
Still southward Orpheus journeyed, till he reached
Cape Tænarus, the last bleak point of Greece,
Desolate o'er an infinite waste of waves,
While sunset lit the western sea and sky
With yellow floods of warm, diffusive light,
Kindling his serious face and earnest eyes,
And glittering on his lyre. Long time he stood,
And gazed upon the trouble of the waves,
Expectant of a word, a sign— and still
No answer made the wild, indifferent sea.
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Impetuous, he smote his quivering lyre
To reckless and sonorous melody,
Vibrating o'er the watery turbulence.
Then far below its western bath, the sun
Dipped and was gone, and all the sea was gray.
Still through the air rang those imploring notes,
Unutterably plaintive— till there came
From out the ocean cave of Tænarus
The shining forms of Oceanides,
With myriad faces raised supremely fair,
And myriad arms that beckoned as he sang.
Behold! a stir amidst the frothing brine,
As though upheaved by powers submarine,
In implicate confusion, wave on wave,
Then rose with windy manes and fiery eyes,
Proudly careering, the immortal steeds,
Bearing, within the shell-shaped car, the god
Of august aspect and imperial port,
With such profusion of ambrosial locks
As curl around the very front of Zeus.
He with benign regard the minstrel viewed,
Then whirling thrice his massy trident, struck
The scarpéd promontory with its fork.
And Orpheus felt the solid basis yield,
And heard the hollow rumbling, as when earth
Rocks to her centre, and high hills spit flame.
And lo! he stood before a sulphurous throne,
Set in an open space, wherefrom there streamed
Four rivers stagnant, black. Here Ades reigned,
His very presence unto mortal sense
Oppressive as low thunder in the air.
The triple-headed guardian of his realm
Crouched at his feet, and in the dismal murk,
The hideous Harpies hovered o'er his head.
The serpent-haired Eumenides stood near,
Brow-bound with sanguine fillets, and the Fates
Wielded the distaff, spindle, and sharp shears.
The air was dense with noisome influence,
And shadowy apparitions seemed to float
Athwart the dusk. But on the infernal throne
Conspicuous in beauty, by her lord,
Persephone was seated. Wonderment
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Looked from her eyes, in seeing him, no god,
Who came before his time among the dead,
Unarmed with spear or shield, a glistening lyre
Nigh slipping from the loose grasp of his hands.
'Who comes unsummoned to my realm?' began
The baleful godhead in discordant tones,
Widely reverberant; and the low, clear voice
Of Orpheus answered: 'One who would remain,
If but the impotent body could be free
To follow the desires of the soul,—
Orpheus, an unskilled singer.' 'Birth and death
Are preordained for thee, presumptuous man.
What narrow space of time the Fates accord,
'Twould best become thee to bear worthily,
With dignity, and leave the rest to them,
The end as the beginning.' 'Plead for me,
O beautiful Persephone, — behold!
Eurydice was snatched with violent hand
From out mine eager arms, and I have sought
Her image o'er the peopled earth in vain.'
Then she: 'I may not summon her, nor hope
To swerve the haughty purpose of my lord.
With influence of thy familiar voice,
If thou canst touch her spirit, she is thine.'
But Ades: 'Who recalls the dead by prayer?
They whose calm souls are once possessed by death,
Find such a solid joy in grasping firm,
After life's phantasms, this reality,
That wisdom, grief, nor love persuadeth them
Their liberated spirits to confine
With fleshly limitations. Nathless sing,—
And prove life's glittering evanescence vain,
Outweighed by death's sublime security.'
ORPHEUS.
I render thanks, eternal gods, that ye
Empower myself to call Eurydice.
Man only can fulfill his own desire;
And if I fail, the sorrow rests with me.
Ye give what we deserve; I pray alone
Ne'er to be cursed with what I have not won.
And to whom else would I intrust my lyre,
This supreme invocation to intone?
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But in myself I feel the love, the power,
The lyric inspiration, while the flower
Of all my life brings forth its proper fruit,
In this my loftiest, most godlike hour.
If I could make ye feel the agony
Of the strong man, O gods, condemned to see
The light fail from dear eyes, the white lips mute,
The elusive soul take flight eternally
To where we cannot follow it nor find,
With the most subtle searchings of the mind,
With the most passionate longings of the soul,
Deaf, unresponsive as the empty wind;
Then would your pity as your power be,
'Twould crown us all with immortality,
And grace us with completeness, make us whole,
Worthy to be the peers of deity.
For we are mighty now to slay and bless,
Yea, gifted with strange strength of steadfastness,
To conquer bodiless and viewless foes
Within ourselves, yet in our helplessness,
As children, in the presence of this Death,
Whom nor revolt nor patience conquereth,
Implacable, with grim mouth fastened close,
That with no hope our anguish answereth.
Resound with wildest utterance, O my lyre;
Let each note be a living flame of fire,
To reach her, to burn through her, to compel,
Strong with the infinite strength of my desire.
I am no god, yet Fate, Eurydice,
A goddess for my slave hath given me,—
Immortal Music, pure, ineffable;
And I send her, my handmaid, after thee.
If all wherein I put my faith as sure,
Be not delusions vain which death will cure;
If the sublime reliance of the soul
On her own powers be no empty lure,
Whereat the high gods laugh in bitter scorn;
If what I have achieved and what forborne,
Will lead me nearer to a worthy goal,
If all life's promises be not forsworn,—
Eurydice, appear! Before mine eyes,
O gods, I see a formless essence rise,
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That moulds itself unto the music's beat,
Appareled in the glory of the skies.
Now, while I ring a more celestial tone,
The spirit more divinely bright hath grown,
To larger modulations, strains complete,
The white limbs from the shapeless mist are won,
As from the bosom of a summer cloud,
Wherewith a goddess would her semblance shroud.
Is this mine own creation? Is it truth,
That with warm life I have blank air endowed?
The soft cloud parts asunder,— yea, 'tis she!
Once more the face that was my star I see,
Crowned with the beauty of immortal youth,
Eurydice, my lost Eurydice!
Silent beside his silent, fallen lyre,
The singer stood, and clasped her in his arms,
Gazing upon this pale, fair face as one
Whose heart's supreme desire is satisfied.
'Is not this hour the hour I have foreseen,
Through all obstructions and infirmities
Of my mortality, and is it not
More glorious in fruition than I dreamed!
Yea, I have dreamed it all, eternal gods,
Even as now have pressed her to my heart
With the same clinging effort to retain,
And seen this breathing form, these lucent eyes
Vivid as now, instinct with life and love.
Yet have I waked to chill discouragement,
To vacant disappointment, and the sense
Of aching, unassuaged desire. O speak,
For in my dreams I never hear thy voice,
Save veiled and indistinct, a mockery
Of the old limpid music. Speak to me:
Thy flesh is warm, thy heart beats close to mine,
Thine upturned face is wet with human tears;
O speak to me,— lest I should wake again
To barren fields and empty skies of Thrace.'
Then in low, natural tones, Eurydice:
'Thy voice hath reached me in the farthest spheres,
And waked me out of silence.' 'Follow me,—
It is thyself,— if I must wake from this,
'Twill be to death or madness. Follow me,
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From darkness palpable, to earth, to light
Of ample skies, and freshness of blown grass
And rolling waters.' 'Hold!' the jarring voice
Of Ades interposed: ''Tis excellent
The attribute we gave thee, to convert
To such a weapon as may overcome
The old hereditary foes of man,
Sleep, death, corruption, and necessity.
But to reveal thyself the peer of gods,
Not only through inspired ecstasy,
But through a continent persistency,
This never was accomplished by thy race,
And thou must yet be tried. This soul is thine,
For thou hast won her from the jaws of Hell;
Yea, she may follow thee as free as light,—
Lead thou the way and charm the hostile fiends.
Look forward ever; if thine eyes revert
But once to gaze on her, to reassure
Unworthy fears, or sate a mean desire,
Thou art not mate for us. She will dissolve
To empty air —never to be recalled.
ORPHEUS.
Back to the vital earth, O follow me,
Regained Eurydice.
To rippling well-heads and to sunlit plains,
Greened by soft wash of rains.
See orchards rosy with prolific bloom,
And vineyards' purple gloom.
Lulled by the languid flow of lilied streams,
There will I sing my dreams.
Behold! I chant a hymn of adoration,
Triumphant exultation,
For I can see, in all the universe,
No error and no curse.
The gods have naught withheld, in power and sway,
From him who will obey
Their own divine and everlasting laws.
Above the world's applause,
As vigorous as morning, he can rise,
Wrest the desired prize
From the clenched hands of Nemesis and Fate.
With victory elate,
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I chant unmitigated prayer and praise
To gods who part our ways,
Seeing 'midst clamorous change incredible,
That all is ordered well.
In more harmonious strains, O lyre, express
My twice-born happiness;
Yea, utter and translate with larger sense
My rich experience,
That makes complete life's solemn threnody
Joy unalloyed and free,
Grief unexampled, victory at last,
When strife is overpast.
Through pathways hedged with horrors still they fared
Invulnerable. Darkness stayed them not,
Nor yet more dreadful light, revealing oft
The hideous fiends who rose on every side,
Huge shapes of ill, to gaze upon the twain.
A Greek, who, fleeing, smote a vibrant lyre,
That chimed to carols more divinely quired
Than those that fill with ravishment a grove,
Misty with moonlight, where the plain brown bird
Makes midnight vocal. Closely following him,
A woman with grave aspect, parted lips,
Upraising, in enthralléd ecstasy,
Large eyes serene, fulfilled with holier light
For having pierced beyond the boundaries
Of time and of mortality. The day
Shone through the murk at last, and filled their path
With dusky sunbeams; and far-stretching fields
Of soft, delicious green, and crystal skies,
Encouraged them; all perils past save one.
But a black, stagnant river crawled along,
Spanned by no bridge, and ferried by no sail,
With muddy tide between the day and them.
And Orpheus with enamored eyes passed on,
And saw not how the loathsome waters crept,
Nor how his magic song enchanted them
To solid substance; but he missed at once
The footsteps light that had inspired his lay.
Impetuous he turned to reassure
His fearful soul, and sate his hungry eyes;
But as he turned, the inspiration fled,
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His lips refused to frame the fruitless words,
His eyes beheld,—O gods! Eurydice
Removed already far away from him,
By all the wide-expanded space, between
Our loftiest dream and our unworthy deed.
She gazed with no reproachful glance nor tears,
And Orpheus felt himself beneath her, fall,
Momently down from empyreal heights,
And lo! he stood within the fields of Thrace,
On earth familiar, 'neath familiar skies,
And heard a voice float through the shining air,
From unimaginable distances,
Faint as a dream, — 'Farewell, farewell, farewell.'
'Woe! woe! what lamentations may express
The fullness of my new calamity!
I, overbearing, who presumed to reach
The lordly and severe stability
Of the immortals, — whom may I invoke?
To whom may man appeal when he hath failed
Unto himself? What god will interpose
To thwart invincible necessity?
Lost, lost forever! I stood elevate,
For one brief moment dreaming I had won
The skill and power of true divinity.
Gods! with what lofty and superb disdain
Ye must look down on mine unworthy haste,—
Ye, who with grandeur of sublime repose,
And majesty of patience, still abide
Invariable through eternity!
Alas! my mighty visions were to me
Auspicious omens, and they fed my heart
With vigor and encouragement; but now,
This was no dream; for Hope, full-flushed and fair,
Born, like the freshness of auroral dew,
From unseen air, and traceless vanishing,
Consorts not with this mighty goddess, Truth,
With solemn and unfathomable eyes,
For Truth is one with Death and Destiny.
With what a depth of meaning didst thou turn,
For the last time, to me, Eurydice,
A glory 'midst the darkness, with that glance
Of infinite compassion, hands outstretched,
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As if to save the from mine own defect.
With what humiliation and despair
I saw thee rising unattainably!—
The vault, the stream accursed had disappeared;
I was in Thrace uplooking to the sky.
O, to what harmonies I might have wed
The blessed tidings which all men await!
Now I can only make my song express
A distant echo, a suggestion vague,
Of the serene contentment of thy voice.
Sing this, my lyre, that all who hark to thee
With an attentive and a gentle ear,
May hear the promise, faint and yet assured,
Recall the grace and the deliciousness
Of immortality, and strive anew
Towards the ideal unattained by me,
Yet still accessible to stronger souls.'
Thus Orpheus, when the first wild burst of woe
Had passed; no need to seek her now;
No need to wander o'er the peopled earth.
Was he in truth a victim of the gods,
Or rather with a fairer fortune blest
Than happier men, selected for a fate
Divinely tragical, that he might know
The fullness of a life's experience,
And find expression adequate for all,
Simple as wisdom, and as dignified
As silence? From his kind he lived apart,
As one who cherishes a grief, nor seeks
Forgetfulness nor comfort; elevate
To glittering eminence by destiny,
And lonely through the privacy of woe
Beyond the reaches of man's sympathy.
Where lucid Hebrus bathes its golden sands,
He sat discoursing gracious harmonies,
Amidst the morning fields, when on his ears
Sounded with horrid dissonance the clang
Of smitten cymbals and the throb of drums.
But still the revelers remained unseen,
Till, rounding suddenly a neighboring hill,
The whole mad troop came dancing into sight.
First marched a jovial bacchanal, who bore
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A crystal vessel, decked with branching vine,
Then youth and nymphs with ivy chapleted,
In purfled raiment of hues delicate,
With mitres, thyrsi, cymbals, drums and flutes,
Some balancing upon their graceful heads,
Regal with crisp-curled gold, their burdens light
Of baskets heaped with figs and dusky grapes.
And 'midst them all the sacrificial goat,
Adorned with berries. Thus the festal throng,
With wanton gestures, and with antic bounds,
And wild embracings, mad with wine, approached,
With peals of laughter, echoing faintly back
From jocund hill to hill, and lusty shouts
Of 'Bacché, Bacché!'
SONG.
With wassail all the night,
Celestial Bacchus, we have worshipped thee!
With riotous revel and with festal wine.
Still on the hills in early morning light,
With frolic dances and brisk jollity,
Our hymns of praise are thine.
For we have seen thee, god!
The fawn-skin slipping from thy shoulder bare,
Thy gestures lithe and loose, thine eyes that shine,
Thy rosy hands that waved a clustered rod
Of uncrushed grapes, and thine ambrosial hair,
Dripping with myrrh and wine.
Thou art not strict, severe,
Like loftier gods and ruthless goddesses,
Implacable like Pallas, Zeus, or Truth;
But to humanity akin and near,
Eager for folly, and the luxuries
Of lustful health and youth.
This crystal-vialed balm,
Divinely brewed, soothing as Lethe's streams,
Is the most generous gift of Deity,
Informing us with soft oblivion calm
Of Death and Fate, with joys beyond the dreams
Of grave sobriety.
Come, let us drink again.
Resound, O timbrels, and thou bird-voiced flute;
Thyrsus and pipes make shrill and dear acclaim,
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To Bacchus, who impurples hill and plain
With vineyards bursting with increase of fruit,
Subtle as liquid flame.
Œoë! quaff and sing!
Who drinks no more, offends the deity
Of Bacchus! lo on Hebrus' grassy brink,
A minstrel sits, with gold lute glistening,
Marring our rites with stern solemnity,
Who doth not chant nor drink.
Ho! Orpheus, laugh again,
From mirthful heart, and join our happy throng;
Cease to lament with unappeased desire.
We bring a cordial for all grief and pain.
Add to the choral strain thy siren song,
And thine enchanted lyre.
For Fate hath answered thee
With cold derision; Death respondeth not.
Here is a god who soothes tire soul and sense
With sweet nepenthe,—thy Eurydice
Thou wilt not lure to earthly grove nor grot
With suasive eloquence.
Here, nymphs no whit less fair
Are waiting thee, with warm, caressing arms
And loving eyes, lips fit for gods to kiss,
And rosy shoulders, dimpling white and bare,—
Pliant and graceful, with innumerous Charms,
To sate thy heart with bliss.
ORPHEUS.
Hence, thou ignoble throng!
Dare ye profane the splendid purity,
The high nobility of morn, with rites
Lewd and disgusting, and delirious song,
Completing in dear sunshine, shamelessly,
Rude orgies of wild nights?
BACCHANTES.
Ha! he insults the god,
With his presumptuous and impious scorn.
Avenge, O bacchanals, the cause divine;
Compel him with the sacred cup and rod,
To quaff his salutation to the morn,
In frothing, Massic wine!
ORPHEUS.
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Mad bacchanals, begone!
I honor all the gods and Nemesis.
They favor not such frantic revelry,
But blameless lives, and deeds most like their own,
The service of a patient heart submiss,
And staunch integrity.
Behold the morning hills,
Sky-kissed Libethra, delicate as air;
The fragile grasses gray with wreaths of dew.
Hark to the tumbling of the mountain rills
To Eos and Athene your first prayer
And sacrifice are due.
BACCHANTES.
With shameless blasphemy,
He dares proscribe, O god, thy rank and fame.
Enough! enough! he hath despised us long,
Bewailing his beloved Eurydice.
O nymphs, avenge yourselves in Liber's name,
Slay him 'midst dance and song.
Your deadly javelins fling
With flinty missiles at the singer proud,
Who deems himself an equal of the gods,
Because he hath the skill to pipe and sing,
With facile fluency of speech endowed.
Smite him with spears and rods.
ORPHEUS.
Ring forth, my lyre, again,—
With magic harmonies my doom avert,
In tones as plaintive and as rich as life.
BACCHANTES.
Our stones and javelins we have hurled in vain;
His lyre enchants them, he remains unhurt,
'Midst all the wrath and strife.
Toss the loud tambourine,
Its tight-drawn skin with noisy fingers smite;
Clash ye the cymbals, sing with fatal art;
Cast ye his sundered limbs the stream within,—
They irritate us, soft and bare and white;
Rend them, O nymphs, apart.
ORPHEUS.
Sweet Death, deliver me
Out of the reach of envy, lust, and hate;
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Enfold me in thy large-embracing arms.
BACCHANTES.
Ah! will he now invoke Eurydice,
Madly resisting his allotted fate
With vile, unhallowed charms?
So with a clamorous swell
Of drums and timbrels, we o'erpower the breath
Of dulcet and persuasive melody.
ORPHEUS.
The maniacs conquer! O my lyre, farewell!
Approach, thou beautiful and welcome Death,
With lost Eurydice.
~ Emma Lazarus,#NFDB
1291: Ahana
Ahana
(Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
Vision delightful alone on the hills whom the silences cover,
Closer yet lean to mortality; human, stoop to thy lover.
Wonderful, gold like a moon in the square of the sun where thou strayest
Glimmers thy face amid crystal purities; mighty thou playest
Sole on the peaks of the world, unafraid of thy loneliness. Glances
Leap from thee down to us, dream-seas and light-falls and magical trances;
Sun-drops flake from thy eyes and the heart's caverns packed are with pleasure
Strange like a song without words or the dance of a measureless measure.
Tread through the edges of dawn, over twilight's grey-lidded margin;
Heal earth's unease with thy feet, O heaven-born delicate virgin.
Children of Time whose spirits came down from eternity, seizing
Joys that escape us, yoked by our hearts to a labour unceasing,
Earth-bound, torn with our longings, our life is a brief incompleteness.
Thou hast the stars to sport with, the winds run like bees to thy sweetness.
Art thou not heaven-bound even as I with the earth? Hast thou ended
All desirable things in a stillness lone and unfriended?
Only is calm so sweet? is our close tranquillity only?
Cold are the rivers of peace and their banks are leafless and lonely.
Heavy is godhead to bear with its mighty sun-burden of lustre.
Art thou not weary of only the stars in their solemn muster,
Sky-hung the chill bare plateaus and peaks where the eagle rejoices
In the inhuman height of his nesting, solitude's voices
Making the heart of the silence lonelier? strong and untiring,
Deaf with the cry of the waterfall, lonely the pine lives aspiring.
Two are the ends of existence, two are the dreams of the Mother:
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Pondicherry, c. 1910 - 1920
Heaven unchanging, earth with her time-beats yearn to each other, -
Earth-souls needing the touch of the heavens peace to recapture,
Heaven needing earth's passion to quiver its peace into rapture.
Marry, O lightning eternal, the passion of a moment-born fire!
Out of thy greatness draw close to the breast of our mortal desire!
Is he thy master, Rudra the mighty, Shiva ascetic?
Has he denied thee his world? In his dance that they tell of, ecstatic,
Slaying, creating, calm in the midst of the movement and madness,
Stole there no rhythm of an earthly joy and a mortal sadness?
Wast thou not made in the shape of a woman? Sweetness and beauty
Move like a song of the gods in thy limbs and to love is thy duty
Graved in thy heart as on tablets of fate; joy's delicate blossom
Sleeps in thy lids of delight; all Nature hides in thy bosom
Claiming her children unborn and the food of her love and her laughter.
Is he the first? was there none then before him? shall none come after?
He who denies and his blows beat down on our hearts like a hammer's,
He whose calm is the silent reply to our passion and clamours!
Is not there deity greater here new-born in a noble
Labour and sorrow and struggle than stilled into rapture immobile?
Earth has beatitudes warmer than heaven's that are bare and undying,
Marvels of Time on the crest of the moments to Infinity flying.
Earth has her godheads; the Tritons sway on the toss of the billows,
Emerald locks of the Nereids stream on their foam-crested pillows,
Dryads peer out from the branches, Naiads glance up from the waters;
High are her flame-points of joy and the gods are ensnared by her daughters.
Artemis calls as she flees through the glades and the breezes pursue her;
Cypris laughs in her isles where the ocean-winds linger to woo her.
Here thou shalt meet amid beauty forgotten the dance of the Graces;
Night shall be haunted for ever with strange and delicate faces.
Music is here of the fife and the flute and the lyre and the timbal,
Wind in the forests, bees in the grove, - spring's ardent cymbal
Thrilling, the cry of the cuckoo; the nightingale sings in the branches,
Human laughter is heard and the cattle low in the ranches.
Frankly and sweetly she gives to her children the bliss of her body,
Breath of her lips and the green of her garments, rain-pourings heady
Tossed from her cloud-carried beaker of tempest, oceans and streamlets,
Dawn and the mountain-air, corn-fields and vineyards, pastures and hamlets,
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Tangles of sunbeams asleep, mooned dream-depths, twilight's shadows,
Taste and scent and the fruits of her trees and the flowers of her meadows,
Life with her wine-cup of longing under the purple of her tenture,
Death as her gate of escape and rebirth and renewal of venture.
Still must they mutter that all here is vision and passing appearance,
Magic of Maya with falsehood and pain for its only inherence.
One is there only, apart in his greatness, the End and Beginning, -
He who has sent through his soul's wide spaces the universe spinning.
One eternal, Time an illusion, life a brief error!
One eternal, Master of heaven - and of hell and its terror!
Spirit of silence and purity rapt and aloof from creation, -
Dreaming through aeons unreal his splendid and empty formation!
Spirit all-wise in omnipotence shaping a world but to break it, -
Pushed by what mood of a moment, the breath of what fancy to make it?
None is there great but the eternal and lonely, the unique and unmated,
Bliss lives alone with the self-pure, the single, the forever-uncreated.
Truths? or thought's structures bridging the vacancy mute and unsounded
Facing the soul when it turns from the stress of the figures around it?
Solely we see here a world self-made by some indwelling Glory
Building with forms and events its strange and magnificent story.
Yet at the last has not all been solved and unwisdom demolished,
Myth cast out and all dreams of the soul, and all worship abolished?
All now is changed, the reverse of the coin has been shown to us; Reason
Waking, detecting the hoax of the spirit, at last has arisen,
Captured the Truth and built round her its bars that she may not skedaddle,
Gallop again with the bit in her teeth and with Fancy in the saddle.
Now have the wise men discovered that all is the craft of a superMagic of Chance and a movement of Void and inconscient Stupor.
Chance by a wonderful accident ever her ripples expanding
Out of a gaseous circle of Nothingness, implacably extending
Freak upon freak, repeating rigidly marvels on marvels,
Making a world out of Nothing, started on the arc of her travels.
Nothingness born into feeling and action dies back to Nothing.
Sea of a vague electricity, romping through space-curves and clothing
Strangely the Void with a semblance of Matter, painfully flowered
Into this giant phenomenon universe. Man who has towered
Out of the plasm and struggled by thought to Divinity's level,
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Man, this miniature second creator of good and of evil,
He too was only a compost of Matter made living, organic,
Forged as her thinking tool by an Energy blind and mechanic.
Once by an accident queer but quite natural, provable, simple,
Out of blind Space-Nought lashed into life, wearing Mind as its wimple,
Dupe of a figment of consciousness, doped with behaviour and feature,
Matter deluded claimed to be spirit and sentient creature.
All the high dreams man has dreamed and his hopes and his deeds, his soul's greatness
Are but a food-seeking animal's acts with the mind for their witness, -
Mind a machine for the flickers of thought, Matter's logic unpremissed, -
Are but a singular fireworks, chemistry lacking the chemist,
Matter's nervous display; the heart's passion, the sorrow and burning
Fire of delight and sweet ecstasy, love and its fathomless yearning,
Boundless spiritual impulses making us one with world-being,
Outbursts of vision opening doors to a limitless seeing,
Gases and glands and the genes and the nerves and the brain-cells have done it,
Brooded out drama and epic, structured the climb of the sonnet,
Studied the stars and discovered the brain and the laws of its thinking,
Sculptured the cave-temple, reared the cathedral, infinity drinking
Wrought manufacturing God and the soul for the uplift of Nature, -
Science, philosophy, head of his mystical chemical stature,
Music and painting revealing the godhead in sound and in colour,
Acts of the hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
Only a trick of the atom, its marvellous magical blunder.
Who can believe it? Something or someone, a Force or a Spirit
Conscious, creative, wonderful shaped out a world to inherit
Here for the beings born from its vast universal existence, -
Fields of surprise and adventure, vistas of light-haunted distance,
Play-routes of wisdom and vision and struggle and rapture and sorrow,
Sailing in Time through the straits of today to the sea of tomorrow.
Worlds and their wonders, suns and their flamings, earth and her nations,
Voyages endless of Mind through the surge of its fate-tossed creations,
Star upon star throbbing out in the silence of infinite spaces,
Species on species, bodies on bodies, faces on faces,
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Souls without number crossing through Time towards eternity, aeons
Crowding on aeons, loving and battle, dirges and paeans,
Thoughts ever leaping, hopes ever yearning, lives ever streaming,
Millions and millions on trek through the days with their doings and dreaming,
Herds of the Sun who move on at the cry of the radiant drover, -
Countless, surviving the death of the centuries, lost to recover,
Finished, but only to begin again, who is its tireless creator,
Cause or the force of its driving, its thinker or formless dictator?
Surely no senseless Vacancy made it, surely 'twas fashioned
By an almighty One million-ecstasied, thousand-passioned.
Self-made? then by what self from which thought could arise and emotion,
Waves that well up to the surface, born from what mysteried ocean?
Nature alone is the fountain. But what is she? Is she not only
Figure and name for what none understands, though all feel, or a lonely
Word in which all finds expression, spirit-heights, dumb work of Matter, -
Vague designation filling the gaps of our thought with its clatter?
Power without vision that blunders in man into thinking and sinning?
Rigid, too vast inexhaustible mystery void of a meaning?
Energy blindly devising, unconsciously ranging in order?
Chance in the march of a cosmic Insanity crossing the border
Out of the eternal silence to thought and its strangeness and splendour?
Consciousness born by an accident until an accident end her?
Nought else is she but the power of the Spirit who dwells in her ever,
Witness and cause of her workings, lord of her pauseless endeavour.
All things she knows, though she seems here unseeing; even in her slumber
Wondrous her works are, design and its magic and magic of number,
Plan of her mighty cosmic geometry, balance of forces,
Universe flung beyond universe, law of the stars and their courses,
Cosmos atomic stretched to the scale of the Infinite's measure.
Mute in the trance of the Eternal she sleeps with the stone and the azure.
Now she awakes; for life has just stirred in her, stretching first blindly
Outward for sense and its pleasure and pain and the gifts of the kindly
Mother of all, for her light and her air and the sap from her flowing,
Pleasure of bloom and inconscient beauty, pleasure of growing.
Then into mind she arises; heart's yearning awakes and reflection
Looks out on struggle and harmony, - conscious, her will of selection
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Studies her works and illumines the choice of her way; last, slowly
Inward she turns and stares at the Spirit within her. Holy
Silences brood in her heart and she feels in her ardent recesses
Passions too great for her frame, on her body immortal caresses.
Into the calm of the Greatness beyond her she enters, burning
Now with a light beyond thought's, towards Self and Infinity turning,
Turned to beatitude, turned to eternity, spiritual grandeur,
Power without limit, ecstasy imperishable, shadowless splendour.
Then to her mortals come, flashing, thoughts that are wisdom's fire-kernel;
Leaping her flame-sweeps of might and delight and of vision supernal
Kindle the word and the act, the Divine and humanity fusing,
Illuminations, trance-seeds of silence, flowers of musing, -
Light of our being that yet has to be, its glory and glimmer
Smiting with sunrise the soul of the sage and the heart of the dreamer.
Or is it all but a vain expectation and effort ungrounded,
Wings without body, sight without object, waters unsounded,
Hue of a shimmer that steals through some secret celestial portal,
Glory of a gleam or a dream in an animal brief-lived and mortal?
Are they not radiances native to heaven's more fortunate ether,
Won when we part from this body, this temporal house of a nether
Mystery of life lived in vain? Upon earth is the glory forbidden,
Nature for ever accursed, frustrated, grief-vexed, fate-ridden?
Half of the glory she dreamed of forgotten or lost in earth's darkness,
Half of it mangled and missed as the death-wheels whirl in their starkness,
Cast out from heaven a goddess rebellious with mind for her mirror,
Cursed with desire and self-will and doomed to self-torture and error,
Came she to birth then with God for her enemy? Were we created
He unwilling or sleeping? did someone transgress the fated
Limits he set, outwitting God? In the too hasty vision
Marred of some demiurge filmed there the blur of a fatal misprision,
Making a world that revolves on itself in a circuit of failure,
Aeons of striving, death for a recompense, Time for our tenure?
Out of him rather she came and for him are her cry and her labour;
Deep are her roots in him; topless she climbs, to his greatness a neighbour.
All is himself in her, brooding in darkness, mounting the sun-ways;
Air-flight to him is man's journey with heaven and earth for the runways.
He is the witness and doer, he is the loved and the lover,
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He the eternal Truth that we look in ourselves to discover.
All is his travel in Time; it is he who turns history's pages,
Act and event and result are the trail that he leaves through the ages;
Form and idea are his signs and number and sound are his symbols,
Music and singing, the word and its rhythm are Divinity's cymbals,
Thunder and surge are the drums of his marching. Through us, with urges
Self-ward, form-bound, mute, motionless, slowly inevitably emerges
Vast as the cosmos, minute as the atom, the Spirit eternal.
Often the gusts of his force illumining moments diurnal
Flame into speech and idea; transcendences splendid and subtle
Suddenly shoot through the weft of our lives from a magical shuttle;
Hid in our hearts is his glory; the Spirit works in our members.
Silence is he, with our voices he speaks, in our thoughts he remembers.
Deep in our being inhabits the voiceless invisible Teacher;
Powers of his godhead we live; the Creator dwells in the creature.
Out of his Void we arise to a mighty and shining existence,
Out of Inconscience, tearing the black Mask's giant resistance;
Waves of his consciousness well from him into these bodies in Nature,
Forms are put round him; his oneness, divided by mind's nomenclature,
High on the summits of being ponders immobile and single,
Penetrates atom and cell as the tide drenches sand-grain and shingle.
Oneness unknown to us dwells in these millions of figures and faces,
Wars with itself in our battles, loves in our clinging embraces,
Inly the self and the substance of things and their cause and their mover
Veiled in the depths which the foam of our thoughts and our life's billows cover,
Heaves like the sea in its waves; like heaven with its star-fires it gazes
Watching the world and its works. Interned in the finite's mazes,
Still shall he rise to his vast superconscience, we with him climbing;
Truth of man's thought with the truth of God's spirit faultlessly timing,
That which was mortal shall enter immortality's golden precincts,
Hushed breath of ecstasy, honey of lotus depths where the bee sinks,
Timeless expanses too still for the voice of the hours to inveigle,
Spaces of spirit too vast for the flight of the God-bearing eagle, -
Enter the Splendour that broods now unseen on us, deity invading,
Sight without error, light without shadow, beauty unfading,
Infinite largeness, rapture eternal, love none can sever,
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Life, not this death-play, but a power God-driven and blissful for ever.
"No," cry the wise, "for a circle was traced, there was pyloned a limit
Only we escape through dream's thin passages. None can disclaim it;
All things created are made by their borders, sketched out and coded;
Vain is the passion to divinise manhood, humanise godhead.
None can exceed himself; even to find oneself hard for our search is:
Only we see as in night by a lustre of flickering torches.
To be content with our measure, our space is the law of our living.
All of thyself to thy manhood and Nature and Circumstance giving,
Be what thou must be or be what thou canst be, one hour in an era.
Knowing the truth of thy days, shun the light of ideal and chimera:
Curb heart's impatience, bind thy desires down, pause from self-vexing."
Who is the nomad then? who is the seeker, the gambler risking
All for a dream in a dream, the old and the sure and the stable
Flung as a stake for a prize that was never yet laid on the table?
Always the world is expanding and growing from minute to minute;
Playing the march of the adventure of Time with our lives for her spinet
Maya or Nature, the wonderful Mother, strikes out surprising
Strains of the spirit disprisoned; creation heavenward rising
Wrestles with Time and Space and the Unknown to give form to the Formless.
Bliss is her goal, but her road is through whirlwind and death-blast and storm-race.
All is a wager and danger, all is a chase and a battle.
Vainly man, crouched in his corner of safety, shrinks from the fatal
Lure of the Infinite. Guided by Powers that surround and precede us
Fearful and faltering steps are our perishing efforts that lead us
On through the rooms of the finite till open the limitless spaces
And we can look into all-seeing eyes and imperishable faces.
But we must pass through the aeons; Space is a bar twixt our ankles,
Time is a weight that we drag and the scar of the centuries rankles:
Caught by the moments, held back from the spirit's timelessness, slowly
Wading in shallows we take not the sea-plunge vastly and wholly.
Hard is the way to the Eternal for the mind-born will of the mortal
Bound by the body and life to the gait of the house-burdened turtle.
Here in this world that knows not its morrow, this reason that stumbles
Onward from error to truth and from truth back to error while crumbles
All that it fashioned, after the passion and travail are ended,
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After the sacrifice offered when the will and the strength are expended,
Nothing is done but to have laid down one stone of a road without issue,
Added our quota of evil and good to an ambiguous tissue.
Destiny's lasso, its slip-knot tied by delight and repining,
Draws us through tangles of failure and victory's inextricable twining.
In the hard reckoning made by the grey-robed accountant at even
Pain is the ransom we pay for the smallest foretaste of heaven.
Ignorance darkens, death and inconscience gape to absorb us;
Thick and persistent the Night confronts us, its hunger enormous
Swallowing our work and our lives. Our love and our knowledge squandered
Lie like a treasure refused and trod down on the ways where we wandered;
All we have done is effaced by the thousands behind us arriving.
Trapped in a round fixed for ever circles our thought and our living.
Fiercely the gods in their jealousy strike down the heads that have neighboured
Even for a moment their skies; in the sands our achievements are gravured.
Yet survives bliss in the rhythm of our heart-beats, yet is there wonder,
Beauty's immortal delight, and the seals of the mystery sunder.
Honied a thousand whispers come, in the birds, in the breezes,
Moonlight, the voices of streams; with a hundred marvellous faces
Always he lures us to love him, always he draws us to pleasure
Leaving remembrance and anguish behind for our only treasure.
Passionate we seek for him everywhere, yearn for some sign of him, calling,
Scanning the dust for his footprints, praying and stumbling and falling;
Nothing is found and no answer comes from the masks that are passing.
Memories linger, lines from the past like a half-faded tracing.
He has passed on into silence wearing his luminous mantle.
Out of the melodied distance a laugh rings pure-toned, infantile,
Sole reminder that he is, last signal recalling his presence.
There is a joy behind suffering; pain digs our road to his pleasance.
All things have bliss for their secret; only our consciousness falters
Fearing to offer itself as a victim on ecstasy's altars.
Is not the world his disguise? when that cloak is tossed back from his shoulders,
Beauty looks out like a sun on the hearts of the ravished beholders.
Mortals, your end is beatitude, rapture eternal his meaning:
Joy, which he most now denies, is his purpose: the hedges, the screening
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Were but the rules of his play; his denials came to lure farther.
These too were magic of Maya, smiles of the marvellous Mother.
Oh, but the cruelty! oh, but the empty pain we go rueing!
Edges of opposite sweetness, calls to a closer pursuing.
All that we meet is a symbol and gateway; cryptic intention
Lurks in a common appearance, smiles from a casual mention:
Opposites hide in each other; in the laughter of Nature is danger,
Glory and greatness their embryos form in the womb of her anger.
Why are we terrified? wherefore cry out and draw back from the smiting -
Blows from the hands of a lover to direr exactions exciting,
Fiery points of his play! Was he Rudra only the mighty?
Whose were the whispers of sweetness, whose were the murmurs of pity?
Something opposes our grasp on the light and the sweetness and power,
Something within us, something without us, trap-door or tower,
Nature's gap in our being - or hinge! That device could we vanquish,
Once could we clasp him and hold, his joy we could never relinquish.
Then we could not be denied, for our might would be single and flawless.
Sons of the Eternal, sovereigns of Nature absolute and lawless,
Termlessly our souls would possess as he now enjoys and possesses,
Termlessly probe the delight of his laughter's lurking recesses,
Chasing its trail to the apex of sweetness and secrecy. Treasured
Close to the beats of Eternity's heart in a greatness unmeasured,
Locked into a miracle and mystery of Light we would live in him, - seated
Deep in his core of beatitude ceaselessly by Nature repeated,
Careless of Time, with no fear of an end, with no need for endeavour
Caught by his ecstasy dwell in a rapture enduring for ever.
What was the garden he built when the stars were first set in their places,
Soul and Nature together mid streams and in cloudless spaces
Naked and innocent? Someone offered a fruit of derision,
Knowledge of good and of evil, cleaving in God a division.
Though He who made all said, "It is good; I have fashioned perfection,"
"No, there is evil," someone whispered, "'tis screened from detection."
Wisest he of the beasts of the field, one cunning and creeping;
"See it," he said, "be wise; you shall be as the gods are, unsleeping,
They who know all." And they ate. The roots of our being were shaken;
Hatred and weeping and wrath at once trampled a world overtaken,
Terror and fleeing and anguish and shame and desires unsated;
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Cruelty stalked like a lion; Revenge and her brood were created.
Out to the desert he drove the rebellious. Flaming behind them
Streamed out the sword of his wrath and it followed leaping to find them,
Stabbing at random. The pure and the evil, the strong and the tempted,
All are confounded in punishment; justly is no one exempted.
Virtuous? yes, there are many, but who is there innocent? Toiling
Therefore we seek, but find not that Eden. Planting and spoiling,
"This is the garden," we say, "lo, the trees and this is the river."
Vainly redeemers came, not one has availed to deliver.
Never can Nature go back to her careless and childlike beginning,
Laugh of the babe and the song of the wheel in its delicate spinning,
Smile of the sun upon flowers and earth's beauty, life without labour
Plucking the fruits of the soil and rejoicing in cottage and arbour.
Once we have chosen to be as the gods, we must follow that motion.
Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp hymeneal.
Was it not he once in Brindavan? Woods divine to our yearning,
Memorable always! O flowers, O delight on the tree-tops burning,
Grasses his herds have grazed and crushed by his feet in the dancing,
Yamuna flowing with song, through the greenness always advancing,
You unforgotten remind; for his flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go stumbling, maddened and thrilled to his dreadful embraces,
Slaves of his rapture to Brindavan crowded with amorous faces,
Luminous kine in the green glades seated, soft-eyed gazing,
Flowers on the branches distressing us, moonbeams unearthly amazing,
Yamuna flowing before us, laughing low with her voices,
Brindavan arching o'er us where Shyama sports and rejoices.
Inly the miracle trembles repeated; mist-walls are broken
Hiding that country of God and we look on the wonderful token,
Clasp the beautiful body of the Eternal; his flute-call of yearning
Cries in our breast with its blissful anguish for ever returning;
Life flows past us with passionate voices, a heavenly river,
All our being goes back as a bride of his bliss to the Giver.
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Even an hour of the soul can unveil the Unborn, the Everlasting,
Gaze on its mighty Companion; the load of mortality casting,
Mind hushes stilled in eternity; waves of the Infinite wander
Thrilling body and soul and its endless felicity squander;
All world-sorrow is finished, the cry of the parting is over;
Ecstasy laughs in our veins, in our heart is the heart of the Lover.
As when a stream from a highl and plateau green mid the mountains
Draws through broad lakes of delight the gracious sweep of its fountains,
Life from its heaven of desire comes down to the toil of the earth-ways;
Streaming through mire it pours still the mystical joy of its birthplace,
Green of its banks and the green of its trees and the hues of the flower.
Something of child-heart beauty, something of greatness and power,
Dwell with it still in its early torrent laughter and brightness,
Call in the youth of its floods and the voice of the wideness and whiteness.
But in its course are set darkness and fall and the spirit's ordeal.
Hating its narrowness, forced by an ardour to see all and be all,
Dashed on the inconscient rocks and straining through mud, over gravel,
Flows, like an ardent prisoner bound to the scenes of his travail,
Life, the river of the Spirit, consenting to anguish and sorrow
If by her heart's toil a loan-light of joy from the heavens she can borrow.
Out of the sun-rays and moon-rays, the winds' wing-glimmer and revel,
Out of the star-fields of wonder, down to earth's danger and evil
Headlong cast with a stridulant thunder, the doom-ways descending,
Shuddering below into sunless depths, across chasms unending,
Baulked of the might of its waters, a thread in a mountainous vastness,
Parcelled and scanted it hurries as if storming a Titan fastness,
Carving the hills with a sullen and lonely gigantic labour.
Hurled into strangling ravines it escapes with a leap and a quaver,
Breaks from the channels of hiding it grooves out and chisels and twistens,
Angry, afraid, white, foaming. A stony and monstrous resistance
Meets it piling up stubborn limits. Afflicted the river
Treasures a scattered sunbeam, moans for a god to deliver,
Longing to lapse through the plain's green felicity, yearning to widen
Joined to the ocean's shoreless eternity far-off and hidden.
High on the cliffs the Great Ones are watching, the Mighty and Deathless,
Soaring and plunging the roadway of the Gods climbs uplifted and breathless;
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Ever we hear in the heart of the peril a flute go before us,
Luminous beckoning hands in the distance invite and implore us.
Ignorant, circled with death and the abyss, we have dreamed of a human
Paradise made from the mind of a man, from the heart of a woman,
Dreamed of the Isles of the Blest in a light of perpetual summer,
Dreamed of the joy of an earthly life with no pain for incomer.
Never, we said, can these waters from heaven be lost in the marshes,
Cease in the sands of the desert, die where the simoom parches;
Plains are beyond, there are hamlets and fields where the river rejoices
Pacing once more with a quiet step and with amical voices:
Bright amid woodlands red with the berries and cool with the breezes
Glimmer the leaves; all night long the heart of the nightingale eases
Sweetly its burden of pity and sorrow. There amid flowers
We shall take pleasure in arbours delightful, leng thening the hours,
Time for our servitor waiting our fancy through moments unhasting,
Under the cloudless blue of those skies of tranquillity resting,
Lying on beds of lilies, hearing the bells of the cattle
Tinkle, and drink red wine of life and go forth to the battle,
Fight and unwounded return to our beautiful home by the waters,
Fruit of our joy rear tall strong sons and radiant daughters.
Then shall the Virgins of Light come down to us clad in clear raiment
Woven from sunbeam and moonbeam and lightnings, limitless payment
Bring of our toil and our sorrow, carrying life-giving garlands
Plucked by the fountains of Paradise, bring from imperishable star-lands
Hymn-words of wisdom, visions of beauty, heaven-fruit ruddy,
Wine-cups of ecstasy sending the soul like a stream through the body.
Fate shall not know; if her spies come down to our beautiful valley,
They shall grow drunk with its grapes and wander in woodl and and alley.
There leaps the anger of Rudra? there will his lightnings immortal
Circle around with their red eye of cruelty stabbing the portal?
Fearless is there life's play; I shall sport with my dove from his highlands,
Drinking her laughter of bliss like a god in my Grecian islands.
Life in my limbs shall grow deathless, flesh with the God-glory tingle,
Lustre of Paradise, light of the earth-ways marry and mingle.
These are but dreams and the truth shall be greater. Heaven made woman!
Flower of beatitude! living shape of the bliss of the Brahman!
Art thou not she who shall bring into life and time the Eternal?
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Body of the summer of the Gods, a sweetness virginal, vernal,
Breathes from thy soul into Nature; Love sits dreaming in thy bosom,
Wisdom gazes from thy eyes, thy breasts of God-rapture are the blossom.
If but the joy of thy feet once could touch our spaces smiting
Earth with a ray from the Unknown, on the world's heart heaven's script writing,
All then would change into harmony and beauty, Time's doors shudder
Swinging wide on their hinges into Eternity, other
Voices than earth's would be fire in our speech and make deathless our thinking.
One who is hidden in Light would grow visible, multitudes linking,
Lyres of a single ecstasy, throbs of the one heart beating,
Wonderful bodies and souls in the spirit's identity meeting
Even as stars in sky-vastness know their kindred in grandeur.
Yet may it be that although in the hands of our destiny stands sure
Fixed to its hour the Decree of the Advent, still it is fated
Only when kindling earth's bodies a mightier Soul is created.
Far-off the gold and the greatness, the rapture too splendid and dire.
Are not the ages too young? too low in our hearts burns the fire.
Bringest thou only a gleam on the summits, a cry in the distance,
Seen by the eyes that are wakened, heard by a spirit that listens?
Form of the formless All-Beautiful, lodestar of Nature's aspirance,
Music of prelude giving a voice to the ineffable Silence,
First white dawn of the God-Light cast on these creatures that perish,
Word-key of a divine and eternal truth for mortals to cherish,
Come! let thy sweetness and force be a breath in the breast of the future
Making the god-ways alive, immortality's golden-red suture:
Deep in our lives there shall work out a honeyed celestial leaven,
Bliss shall grow native to being and earth be a kin-soil to heaven.
Open the barriers of Time, the world with thy beauty enamour.
Trailing behind thee the purple of thy soul and the dawn-moment's glamour,
Forcing the heart of the Midnight where slumber and secrecy linger,
Guardians of Mystery, touching her bosom with thy luminous finger,
Daughter of Heaven, break through to me moonlike, mystic and gleaming;
Tread through the margins of twilight, cross over borders of dreaming.
Vision delightful alone on the peaks whom the silences cover,
Vision of bliss, stoop down to mortality, lean to thy lover.
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AHANA
Voice of the sensuous mortal, heart of eternal longing,
Thou who hast lived as in walls, thy soul with thy senses wronging!
But I descend at last. Fickle and terrible, sweet and deceiving,
Poison and nectar one has dispensed to thee, luring thee, leaving.
We two together shall capture the flute and the player relentless.
Son of man, thou hast crowned thy life with the flowers that are scentless,
Chased the delights that wound. But I come and midnight shall sunder.
Lo, I come, and behind me Knowledge descends and with thunder
Filling the spaces Strength, the Angel, bears on his bosom
Joy to thy arms. Thou shalt look on her face like a child's or a blossom,
Innocent, free as in Eden of old, not afraid of her playing,
When thy desires I have seized and devoured like a lioness preying.
Thou shalt not suffer always nor cry to me lured and forsaken:
I have a snare for his footsteps, I have a chain for him taken.
Come then to Brindavan, soul of the joyous; faster and faster
Follow the dance I shall teach thee with Shyama for slave and for master.
Follow the notes of the flute with a soul aware and exulting;
Trample Delight that submits and crouch to a sweetness insulting.
Then shalt thou know what the dance meant, fathom the song and the singer,
Hear behind thunder its rhymes, touched by lightning thrill to his finger,
Brindavan's rustle shalt understand and Yamuna's laughter,
Take thy place in the Ras1 and thy share of the ecstasy after.
1 The dance-round of Krishna with the cowherdesses in the moonlit groves of Brindavan, type of the dance of Divine Delight with the souls of men liberated in the world of
Bliss secret within us.
Poems from Manuscripts
Circa 1912 - 1913
~ Sri Aurobindo, - Ahana
,#NFDB
1292:class:Classics
BOOK THE TWELFTH
The Trojan War
Priam, to whom the story was unknown,
As dead, deplor'd his metamorphos'd son:
A cenotaph his name, and title kept,
And Hector round the tomb, with all his brothers, wept.
This pious office Paris did not share;
Absent alone; and author of the war,
Which, for the Spartan queen, the Grecians drew
T' avenge the rape; and Asia to subdue.
A thousand ships were mann'd, to sail the sea:
Nor had their just resentments found delay,
Had not the winds, and waves oppos'd their way.
At Aulis, with united pow'rs they meet,
But there, cross-winds or calms detain'd the fleet.
Now, while they raise an altar on the shore,
And Jove with solemn sacrifice adore;
A boding sign the priests and people see:
A snake of size immense ascends a tree,
And, in the leafie summit, spy'd a nest,
Which o'er her callow young, a sparrow press'd.
Eight were the birds unfledg'd; their mother flew,
And hover'd round her care; but still in view:
'Till the fierce reptile first devour'd the brood,
Then seiz'd the flutt'ring dam, and drunk her blood.
This dire ostent, the fearful people view;
Calchas alone, by Phoebus taught, foreknew
What Heav'n decreed; and with a smiling glance,
Thus gratulates to Greece her happy chance:
O Argives, we shall conquer: Troy is ours,
But long delays shall first afflict our pow'rs:
Nine years of labour, the nine birds portend;
The tenth shall in the town's destruction end.
The serpent, who his maw obscene had fill'd,
The branches in his curl'd embraces held:
But, as in spires he stood, he turn'd to stone:
The stony snake retain'd the figure still his own.
Yet, not for this, the wind-bound navy weigh'd;
Slack were their sails; and Neptune disobey'd.
Some thought him loth the town should be destroy'd,
Whose building had his hands divine employ'd:
Not so the seer; who knew, and known foreshow'd,
The virgin Phoebe, with a virgin's blood
Must first be reconcil'd: the common cause
Prevail'd; and pity yielding to the laws,
Fair Iphigenia the devoted maid
Was, by the weeping priests, in linnen-robes array'd;
All mourn her fate; but no relief appear'd;
The royal victim bound, the knife already rear'd:
When that offended Pow'r, who caus'd their woe,
Relenting ceas'd her wrath; and stop'd the coming blow.
A mist before the ministers she cast,
And, in the virgin's room, a hind she plac'd.
Th' oblation slain, and Phoebe, reconcil'd,
The storm was hush'd, and dimpled ocean smil'd:
A favourable gale arose from shore,
Which to the port desir'd, the Graecian gallies bore.
The House of Fame
Full in the midst of this created space,
Betwixt Heav'n, Earth, and skies, there stands a place,
Confining on all three, with triple bound;
Whence all things, tho' remote, are view'd around;
And thither bring their undulating sound.
The palace of loud Fame, her seat of pow'r,
Plac'd on the summet of a lofty tow'r;
A thousand winding entries long and wide,
Receive of fresh reports a flowing tide.
A thousand crannies in the walls are made;
Nor gate, nor bars exclude the busie trade.
'Tis built of brass, the better to diffuse
The spreading sounds, and multiply the news:
Where eccho's in repeated eccho's play:
A mart for ever full, and open night and day.
Nor silence is within, nor voice express,
But a deaf noise of sounds, that never cease.
Confus'd and chiding, like the hollow roar
Of tides, receding from th' insulted shore,
Or like the broken thunder heard from far,
When Jove at distance drives the rouling war.
The courts are fill'd with a tumultuous din
Of crouds, or issuing forth, or entring in:
A thorough-fare of news: where some devise
Things never heard, some mingle truth with lies;
The troubled air with empty sounds they beat,
Intent to hear, and eager to repeat.
Error sits brooding there, with added train
Of vain credulity, and joys as vain:
Suspicion, with sedition join'd, are near,
And rumours rais'd, and murmurs mix'd, and panique fear.
Fame sits aloft, and sees the subject ground,
And seas about, and skies above; enquiring all around.
The Goddess gives th' alarm; and soon is known
The Grecian fleet descending on the town.
Fix'd on defence, the Trojans are not slow
To guard their shore, from an expected foe.
They meet in fight: by Hector's fatal hand
Protesilaus falls, and bites the strand:
Which with expence of blood the Grecians won;
And prov'd the strength unknown of Priam's son.
And to their cost the Trojan leaders felt
The Grecian heroes; and what deaths they dealt.
The Story of Cygnus
From these first onsets, the Sigaean shore
Was strew'd with carcasses, and stain'd with gore:
Neptunian Cygnus troops of Greeks had slain;
Achilles in his carr had scour'd the plain,
And clear'd the Trojan ranks: where-e'er he fought,
Cygnus, or Hector, through the fields he sought:
Cygnus he found; on him his force essay'd:
For Hector was to the tenth year delay'd.
His white-main'd steeds, that bow'd beneath the yoke,
He chear'd to courage, with a gentle stroke;
Then urg'd his fiery chariot on the foe;
And rising shook his lance; in act to throw.
But first he cry'd, O youth, be proud to bear
Thy death, ennobled by Pelides' spear.
The lance pursu'd the voice without delay,
Nor did the whizzing weapon miss the way;
But pierc'd his cuirass, with such fury sent,
And sign'd his bosom with a purple dint.
At this the seed of Neptune: Goddess-born,
For ornament, not use, these arms are worn;
This helm, and heavy buckler, I can spare;
As only decorations of the war:
So Mars is arm'd for glory, not for need.
'Tis somewhat more from Neptune to proceed,
Than from a daughter of the sea to spring:
Thy sire is mortal; mine is ocean's king.
Secure of death, I shou'd contemn thy dart,
Tho' naked; and impassible depart:
He said, and threw: the trembling weapon pass'd
Through nine bull-hides, each under other plac'd,
On his broad shield; and stuck within the last.
Achilles wrench'd it out; and sent again
The hostile gift: the hostile gift was vain.
He try'd a third, a tough well-chosen spear;
Th' inviolable body stood sincere,
Though Cygnus then did no defence provide,
But scornful offer'd his unshielded side.
Not otherwise th' impatient hero far'd,
Than as a bull incompass'd with a guard,
Amid the Circus roars, provok'd from far
By sight of scarlet, and a sanguine war:
They quit their ground, his bended horns elude;
In vain pursuing, and in vain pursu'd:
Before to farther fight he wou'd advance,
He stood considering, and survey'd his lance.
Doubts if he wielded not a wooden spear
Without a point: he look'd, the point was there.
This is my hand, and this my lance, he said;
By which so many thousand foes are dead,
O whither is their usual virtue fled!
I had it once; and the Lyrnessian wall,
And Tenedos, confess'd it in their fall.
Thy streams, Caicus, rowl'd a crimson-flood;
And Thebes ran red with her own natives' blood.
Twice Telephus employ'd their piercing steel,
To wound him first, and afterward to heal.
The vigour of this arm was never vain:
And that my wonted prowess I retain,
Witness these heaps of slaughter on the plain.
He said; and, doubtful of his former deeds,
To some new tryal of his force proceeds.
He chose Menoetes from among the rest;
At him he launch'd his spear, and pierc'd his breast:
On the hard earth the Lycian knock'd his head,
And lay supine; and forth the spirit fled.
Then thus the hero: Neither can I blame
The hand, or jav'lin; both are still the same.
The same I will employ against this foe,
And wish but with the same success to throw.
So spoke the chief; and while he spoke he threw;
The weapon with unerring fury flew,
At his left shoulder aim'd: nor entrance found;
But back, as from a rock, with swift rebound
Harmless return'd: a bloody mark appear'd,
Which with false joy the flatter'd hero chear'd.
Wound there was none; the blood that was in view,
The lance before from slain Menoetes drew.
Headlong he leaps from off his lofty car,
And in close fight on foot renews the war.
Raging with high disdain, repeats his blows;
Nor shield, nor armour can their force oppose;
Huge cantlets of his buckler strew the ground,
And no defence in his bor'd arms is found,
But on his flesh, no wound or blood is seen;
The sword it self is blunted on the skin.
This vain attempt the chief no longer bears;
But round his hollow temples and his ears
His buckler beats: the son of Neptune, stunn'd
With these repeated buffets, quits his ground;
A sickly sweat succeeds, and shades of night;
Inverted Nature swims before his sight:
Th' insulting victor presses on the more,
And treads the steps the vanquish'd trod before,
Nor rest, nor respite gives. A stone there lay
Behind his trembling foe, and stopp'd his way:
Achilles took th' advantage which he found,
O'er-turn'd, and push'd him backward on the ground,
His buckler held him under, while he press'd,
With both his knees, above his panting breast.
Unlac'd his helm: about his chin the twist
He ty'd; and soon the strangled soul dismiss'd.
With eager haste he went to strip the dead:
The vanish'd body from his arms was fled.
His sea-God sire, t' immortalize his frame,
Had turn'd it to a bird that bears his name.
A truce succeeds the labours of this day,
And arms suspended with a long delay.
While Trojan walls are kept with watch and ward;
The Greeks before their trenches mount the guard;
The feast approach'd; when to the blue-ey'd maid
His vows for Cygnus slain the victor paid,
And a white heyfer on her altar laid.
The reeking entrails on the fire they threw,
And to the Gods the grateful odour flew.
Heav'n had its part in sacrifice: the rest
Was broil'd, and roasted for the future feast.
The chief-invited guests were set around!
And hunger first asswag'd, the bowls were crown'd,
Which in deep draughts their cares, and labours drown'd.
The mellow harp did not their ears employ:
And mute was all the warlike symphony:
Discourse, the food of souls, was their delight,
And pleasing chat prolong'd the summer's night.
The subject, deeds of arms; and valour shown,
Or on the Trojan side, or on their own.
Of dangers undertaken, fame atchiev'd,
They talk'd by turns; the talk by turns reliev'd.
What things but these could fierce Achilles tell,
Or what cou'd fierce Achilles hear so well?
The last great act perform'd, of Cygnus slain,
Did most the martial audience entertain:
Wondring to find a body free by Fate
From steel; and which cou'd ev'n that steel rebate:
Amaz'd, their admiration they renew;
And scarce Pelides cou'd believe it true.
The Story of Caeneus
Then Nestor thus: what once this age has known,
In fated Cygnus, and in him alone,
These eyes have seen in Caeneus long before;
Whose body not a thousand swords cou'd bore.
Caeneus, in courage, and in strength, excell'd;
And still his Othrys with his fame is fill'd:
But what did most his martial deeds adorn
(Though since he chang'd his sex) a woman born.
A novelty so strange, and full of Fate,
His list'ning audience ask'd him to relate.
Achilles thus commends their common sute:
O father, first for prudence in repute,
Tell, with that eloquence, so much thy own,
What thou hast heard, or what of Caeneus known:
What was he, whence his change of sex begun,
What trophies, join'd in wars with thee, he won?
Who conquer'd him, and in what fatal strife
The youth, without a wound, cou'd lose his life?
Neleides then: Though tardy age, and time,
Have shrunk my sinews, and decay'd my prime;
Though much I have forgotten of my store,
Yet not exhausted, I remember more.
Of all that arms atchiev'd, or peace design'd,
That action still is fresher in my mind,
Than ought beside. If reverend age can give
To faith a sanction, in my third I live.
'Twas in my second cent'ry, I survey'd
Young Caenis, then a fair Thessalian maid:
Caenis the bright, was born to high command;
A princess, and a native of thy land,
Divine Achilles; every tongue proclaim'd
Her beauty, and her eyes all hearts inflam'd.
Peleus, thy sire, perhaps had sought her bed,
Among the rest; but he had either led
Thy mother then; or was by promise ty'd;
But she to him, and all, alike her love deny'd.
It was her fortune once to take her way
Along the sandy margin of the sea:
The Pow'r of ocean view'd her as she pass'd,
And, lov'd as soon as seen, by force embrac'd.
So Fame reports. Her virgin-treasure seiz'd,
And his new joys, the ravisher so pleas'd,
That thus, transported, to the nymph he cry'd;
Ask what thou wilt, no pray'r shall be deny'd.
This also Fame relates: the haughty fair,
Who not the rape ev'n of a God cou'd bear,
This answer, proud, return'd: To mighty wrongs
A mighty recompence, of right, belongs.
Give me no more to suffer such a shame;
But change the woman, for a better name;
One gift for all: she said; and while she spoke,
A stern, majestick, manly tone she took.
A man she was: and as the Godhead swore,
To Caeneus turn'd, who Caenis was before.
To this the lover adds, without request,
No force of steel shou'd violate his breast.
Glad of the gift, the new-made warrior goes;
And arms among the Greeks, and longs for equal foes.
The Skirmish between the Centaurs and Lapithites
Now brave Perithous, bold Ixion's son,
The love of fair Hippodame had won.
The cloud-begotten race, half men, half beast,
Invited, came to grace the nuptial feast:
In a cool cave's recess the treat was made,
Whose entrance, trees with spreading boughs o'er-shade
They sate: and summon'd by the bridegroom, came,
To mix with those, the Lapythaean name:
Nor wanted I: the roofs with joy resound:
And Hymen, Io Hymen, rung around.
Rais'd altars shone with holy fires; the bride,
Lovely her self (and lovely by her side
A bevy of bright nymphs, with sober grace),
Came glitt'ring like a star, and took her place.
Her heav'nly form beheld, all wish'd her joy;
And little wanted; but in vain, their wishes all employ.
For one, most brutal, of the brutal brood,
Or whether wine, or beauty fir'd his blood,
Or both at once, beheld with lustful eyes
The bride; at once resolv'd to make his prize.
Down went the board; and fastning on her hair,
He seiz'd with sudden force the frighted fair.
'Twas Eurytus began: his bestial kind
His crime pursu'd; and each as pleas'd his mind,
Or her, whom chance presented, took: the feast
An image of a taken town express'd.
The cave resounds with female shrieks; we rise,
Mad with revenge to make a swift reprise:
And Theseus first, What phrenzy has possess'd,
O Eurytus, he cry'd, thy brutal breast,
To wrong Perithous, and not him alone,
But while I live, two friends conjoyn'd in one?
To justifie his threat, he thrusts aside
The crowd of centaurs; and redeems the bride:
The monster nought reply'd: for words were vain,
And deeds cou'd only deeds unjust maintain;
But answers with his hand, and forward press'd,
With blows redoubled, on his face, and breast.
An ample goblet stood, of antick mold,
And rough with figures of the rising gold;
The hero snatch'd it up, and toss'd in air
Full at the front of the foul ravisher.
He falls; and falling vomits forth a flood
Of wine, and foam, and brains, and mingled blood.
Half roaring, and half neighing through the hall,
Arms, arms, the double-form'd with fury call;
To wreak their brother's death: a medley-flight
Of bowls, and jars, at first supply the fight,
Once instruments of feasts; but now of Fate;
Wine animates their rage, and arms their hate.
Bold Amycus, from the robb'd vestry brings
The chalices of Heav'n; and holy things
Of precious weight: a sconce that hung on high,
With tapers fill'd, to light the sacristy,
Torn from the cord, with his unhallow'd hand
He threw amid the Lapythaean band.
On Celadon the ruin fell; and left
His face of feature, and of form bereft:
So, when some brawny sacrificer knocks,
Before an altar led, an offer'd ox,
His eyes-balls rooted out, are thrown to ground;
His nose, dismantled, in his mouth is found;
His jaws, cheeks, front, one undistinguish'd wound.
This, Belates, th' avenger, cou'd not brook;
But, by the foot, a maple board he took;
And hurl'd at Amycus; his chin it bent
Against his chest, and down the centaur sent:
Whom sputtring bloody teeth, the second blow
Of his drawn sword, dispatch'd to shades below.
Grineus was near; and cast a furious look
On the side-altar, cens'd with sacred smoke,
And bright with flaming fires; The Gods, he cry'd,
Have with their holy trade our hands supply'd:
Why use we not their gifts? Then from the floor
An altar stone he heav'd, with all the load it bore:
Altar, and altar's freight together slew,
Where thickest throng'd the Lapythaean crew:
And, at once, Broteas and Oryus flew.
Oryus' mother, Mycale, was known
Down from her sphere to draw the lab'ring moon.
Exadius cry'd, Unpunish'd shall not go
This fact, if arms are found against the foe.
He look'd about, where on a pine were spread
The votive horns of a stag's branching head:
At Grineus these he throws; so just they fly,
That the sharp antlers stuck in either eye:
Breathless, and blind he fell; with blood besmear'd;
His eye-balls beaten out, hung dangling on his beard.
Fierce Rhoetus, from the hearth a burning brand
Selects, and whirling waves; 'till, from his hand
The fire took flame; then dash'd it from the right,
On fair Charaxus' temples, near the sight:
The whistling pest came on, and pierc'd the bone,
And caught the yellow hair, that shrivel'd while it shone.
Caught, like dry stubble fir'd; or like seerwood;
Yet from the wound ensu'd no purple flood;
But look'd a bubbling mass of frying blood.
His blazing locks sent forth a crackling sound;
And hiss'd, like red hot ir'n within the smithy drown'd.
The wounded warrior shook his flaming hair,
Then (what a team of horse could hardly rear)
He heaves the threshold stone, but could not throw;
The weight itself forbad the threaten'd blow;
Which dropping from his lifted arms, came down
Full on Cometes' head; and crush'd his crown.
Nor Rhoetus then retain'd his joy; but said,
So by their fellows may our foes be sped;
Then, with redoubled strokes he plies his head:
The burning lever not deludes his pains:
But drives the batter'd skull within the brains.
Thus flush'd, the conqueror, with force renew'd,
Evagrus, Dryas, Corythus, pursu'd:
First, Corythus, with downy cheeks, he slew;
Whose fall, when fierce Evagrus had in view,
He cry'd, What palm is from a beardless prey?
Rhoetus prevents what more he had to say;
And drove within his mouth the fi'ry death,
Which enter'd hissing in, and choak'd his breath.
At Dryas next he flew: but weary chance,
No longer wou'd the same success advance.
For while he whirl'd in fiery circles round
The brand, a sharpen'd stake strong Dryas found;
And in the shoulder's joint inflicts the wound.
The weapon stuck; which, roaring out with pain,
He drew; nor longer durst the fight maintain,
But turn'd his back, for fear; and fled amain.
With him fled Orneus, with like dread possess'd,
Thaumas, and Medon wounded in the breast;
And Mermeros, in the late race renown'd,
Now limping ran, and tardy with his wound.
Pholus, and Melaneus from fight withdrew,
And Abas maim'd, who boars encountring slew:
And Augur Asbolos, whose art in vain,
From fight dissuaded the four-footed train,
Now beat the hoof with Nessus on the plain;
But to his fellow cry'd, Be safely slow,
Thy death deferr'd is due to great Alcides' bow.
Mean-time strong Dryas urg'd his chance so well,
That Lycidas, Areos, Imbreus fell;
All, one by one, and fighting face to face:
Crenaeus fled, to fall with more disgrace:
For, fearful, while he look'd behind, he bore,
Betwixt his nose, and front, the blow before.
Amid the noise, and tumult of the fray,
Snoring, and drunk with wine, Aphidas lay.
Ev'n then the bowl within his hand he kept,
And on a bear's rough hide securely slept.
Him Phorbas with his flying dart transfix'd;
Take thy next draught, with Stygian waters mix'd,
And sleep thy fill, th' insulting victor cry'd;
Surpriz'd with death unfelt, the centaur dy'd;
The ruddy vomit, as he breath'd his soul
Repass'd his throat, and fill'd his empty bowl.
I saw Petraeus' arms employ'd around
A well-grown oak, to root it from the ground.
This way, and that, he wrench'd the fibrous bands;
The trunk was like a sappling, in his hands,
And still obey'd the bent: while thus he stood,
Perithous' dart drove on; and nail'd him to the wood;
Lycus, and Chromis fell, by him oppress'd:
Helops, and Dictis added to the rest
A nobler palm: Helops, through either ear
Transfix'd, receiv'd the penetrating spear.
This Dictis saw; and, seiz'd with sudden fright,
Leapt headlong from the hill of steepy height;
And crush'd an ash beneath, that cou'd not bear his weight.
The shatter'd tree receives his fall; and strikes,
Within his full-blown paunch, the sharpen'd spikes.
Strong Aphareus had heav'd a mighty stone,
The fragment of a rock; and wou'd have thrown;
But Theseus, with a club of harden'd oak,
The cubit-bone of the bold centaur broke;
And left him maim'd; nor seconded the stroke.
Then leapt on tall Bianor's back (who bore
No mortal burden but his own, before);
Press'd with his knees his sides; the double man,
His speed with spurs increas'd, unwilling ran.
One hand the hero fastn'd on his locks;
His other ply'd him with repeated strokes.
The club rung round his ears, and batter'd brows;
He falls; and lashing up his heels, his rider throws.
The same Herculean arms, Nedymnus wound;
And lay by him Lycotas on the ground,
And Hippasus, whose beard his breast invades;
And Ripheus, haunter of the woodl and shades:
And Thereus, us'd with mountain-bears to strive,
And from their dens to draw th' indignant beasts alive.
Demoleon cou'd not bear this hateful sight,
Or the long fortune of th' Athenian knight:
But pull'd with all his force, to disengage
From Earth a pine, the product of an age:
The root stuck fast: the broken trunk he sent
At Theseus; Theseus frustrates his intent,
And leaps aside; by Pallas warn'd, the blow
To shun (for so he said; and we believ'd it so).
Yet not in vain th' enormous weight was cast;
Which Crantor's body sunder'd at the waist:
Thy father's 'squire, Achilles, and his care;
Whom conquer'd in the Polopeian war,
Their king, his present ruin to prevent,
A pledge of peace implor'd, to Peleus sent.
Thy sire, with grieving eyes, beheld his Fate;
And cry'd, Not long, lov'd Crantor, shalt thou wait
Thy vow'd revenge. At once he said, and threw
His ashen-spear; which quiver'd, as it flew;
With all his force, and all his soul apply'd;
The sharp point enter'd in the centaur's side:
Both hands, to wrench it out, the monster join'd;
And wrench'd it out; but left the steel behind;
Stuck in his lungs it stood: inrag'd he rears
His hoofs, and down to ground thy father bears.
Thus trampled under foot, his shield defends
His head; his other hand the lance portends.
Ev'n while he lay extended on the dust,
He sped the centaur, with one single thrust.
Two more his lance before transfix'd from far;
And two, his sword had slain, in closer war.
To these was added Dorylas, who spread
A bull's two goring horns around his head.
With these he push'd; in blood already dy'd,
Him fearless, I approach'd; and thus defy'd:
Now, monster, now, by proof it shall appear,
Whether thy horns are sharper, or my spear.
At this, I threw: for want of other ward,
He lifted up his hand, his front to guard.
His hand it pass'd; and fix'd it to his brow:
Loud shouts of ours attend the lucky blow.
Him Peleus finish'd, with a second wound,
Which thro' the navel pierc'd: he reel'd around;
And dragg'd his dangling bowels on the ground.
Trod what he drag'd; and what he trod, he crush'd:
And to his mother-Earth, with empty belly, rush'd.
The Story of Cyllarus and Hylonome
Nor cou'd thy form, o Cyllarus, foreflow
Thy Fate (if form to monsters men allow):
Just bloom'd thy beard: thy beard of golden hue:
Thy locks, in golden waves, about thy shoulders flew.
Sprightly thy look: thy shapes in ev'ry part
So clean, as might instruct the sculptor's art;
As far as man extended: where began
The beast, the beast was equal to the man.
Add but a horse's head and neck; and he,
O Castor, was a courser worthy thee.
So was his back proportion'd for the seat:
So rose his brawny chest; so swiftly mov'd his feet.
Coal-black his colour, but like jett it shone;
His legs, and flowing tail were white alone.
Belov'd by many maidens of his kind;
But fair Hylonome possess'd his mind;
Hylonome, for features, and for face,
Excelling all the nymphs of double race:
Nor less her blandishments, than beauty, move;
At once both loving, and confessing love.
For him she dress'd: for him, with female care
She comb'd, and set in curls, her auburn hair.
Of roses, violets, and lillies mix'd,
And sprigs of flowing rosemary betwixt,
She form'd the chaplet, that adorn'd her front:
In waters of the Pegasaean fount,
And in the streams that from the fountain play,
She wash'd her face; and bath'd her twice a-day.
The scarf of furs, that hung below her side,
Was ermin, or the panther's spotted pride;
Spoils of no common beast: with equal flame
They lov'd: their silvan pleasures were the same:
All day they hunted: and when day expir'd,
Together to some shady cave retir'd:
Invited to the nuptials, both repair:
And, side by side, they both engage in war.
Uncertain from what hand, a flying dart
At Cyllarus was sent; which pierc'd his heart.
The jav'lin drawn from out the mortal wound,
He faints with stagg'ring steps; and seeks the ground:
The fair within her arms receiv'd his fall,
And strove his wand'ring spirits to recall:
And while her hand the streaming blood oppos'd,
Join'd face to face, his lips with hers she clos'd.
Stifled with kisses, a sweet death he dies;
She fills the fields with undistinguish'd cries;
At least her words were in her clamour drown'd;
For my stunn'd ears receiv'd no vocal sound.
In madness of her grief, she seiz'd the dart
New-drawn, and reeking from her lover's heart;
To her bare bosom the sharp point apply'd;
And wounded fell; and falling by his side,
Embrac'd him in her arms; and thus embracing dy'd.
Ev'n still methinks, I see Phaeocomes;
Strange was his habit, and as odd his dress.
Six lions' hides, with thongs together fast,
His upper part defended to his waist:
And where man ended, the continued vest,
Spread on his back, the houss and trappings of a beast.
A stump too heavy for a team to draw
(It seems a fable, tho' the fact I saw);
He threw at Pholon; the descending blow
Divides the skull, and cleaves his head in two.
The brains, from nose, and mouth, and either ear,
Came issuing out, as through a colendar
The curdled milk; or from the press the whey,
Driv'n down by weight above, is drain'd away.
But him, while stooping down to spoil the slain,
Pierc'd through the paunch, I tumbled on the plain.
Then Chthonyus, and Teleboas I slew:
A fork the former arm'd; a dart his fellow threw.
The jav'lin wounded me (behold the scar,
Then was my time to seek the Trojan war;
Then I was Hector's match in open field;
But he was then unborn; at least a child:
Now, I am nothing). I forbear to tell
By Periphantas how Pyretus fell;
The centaur by the knight: nor will I stay
On Amphix, or what deaths he dealt that day:
What honour, with a pointless lance, he won,
Stuck in the front of a four-footed man.
What fame young Macareus obtain'd in fight:
Or dwell on Nessus, now return'd from flight.
How prophet Mopsus not alone divin'd,
Whose valour equal'd his foreseeing mind.
Caeneus transform'd to an Eagle
Already Caeneus, with his conquering hand,
Had slaughter'd five the boldest of their band.
Pyrachmus, Helymus, Antimachus,
Bromus the brave, and stronger Stiphelus,
Their names I number'd, and remember well,
No trace remaining, by what wounds they fell.
Laitreus, the bulki'st of the double race,
Whom the spoil'd arms of slain Halesus grace,
In years retaining still his youthful might,
Though his black hairs were interspers'd with white,
Betwixt th' imbattled ranks began to prance,
Proud of his helm, and Macedonian lance;
And rode the ring around; that either hoast
Might hear him, while he made this empty boast:
And from a strumpet shall we suffer shame?
For Caenis still, not Caeneus, is thy name:
And still the native softness of thy kind
Prevails; and leaves the woman in thy mind;
Remember what thou wert; what price was paid
To change thy sex; to make thee not a maid:
And but a man in shew; go, card and spin;
And leave the business of the war to men.
While thus the boaster exercis'd his pride,
The fatal spear of Caeneus reach'd his side:
Just in the mixture of the kinds it ran;
Betwixt the neather beast, and upper man:
The monster mad with rage, and stung with smart,
His lance directed at the hero's heart:
It struck; but bounded from his harden'd breast,
Like hail from tiles, which the safe house invest.
Nor seem'd the stroke with more effect to come,
Than a small pebble falling on a drum.
He next his fauchion try'd, in closer fight;
But the keen fauchion had no pow'r to bite.
He thrust; the blunted point return'd again:
Since downright blows, he cry'd, and thrusts are vain,
I'll prove his side; in strong embraces held
He prov'd his side; his side the sword repell'd:
His hollow belly eccho'd to the stroke,
Untouch'd his body, as a solid rock;
Aim'd at his neck at last, the blade in shivers broke.
Th' impassive knight stood idle, to deride
His rage, and offer'd oft his naked side;
At length, Now monster, in thy turn, he cry'd,
Try thou the strength of Caeneus: at the word
He thrust; and in his shoulder plung'd the sword.
Then writh'd his hand; and as he drove it down,
Deep in his breast, made many wounds in one.
The centaurs saw, inrag'd, th' unhop'd success;
And rushing on in crowds, together press;
At him, and him alone, their darts they threw:
Repuls'd they from his fated body flew.
Amaz'd they stood; 'till Monichus began,
O shame, a nation conquer'd by a man!
A woman-man! yet more a man is he,
Than all our race; and what he was, are we.
Now, what avail our nerves? th' united force,
Of two the strongest creatures, man and horse;
Nor Goddess-born; nor of Ixion's seed
We seem (a lover built for Juno's bed);
Master'd by this half man. Whole mountains throw
With woods at once, and bury him below.
This only way remains. Nor need we doubt
To choak the soul within; though not to force it out:
Heap weights, instead of wounds. He chanc'd to see
Where southern storms had rooted up a tree;
This, rais'd from Earth, against the foe he threw;
Th' example shewn, his fellow-brutes pursue.
With forest-loads the warrior they invade;
Othrys, and Pelion soon were void of shade;
And spreading groves were naked mountains made.
Press'd with the burden, Caeneus pants for breath;
And on his shoulders bears the wooden death.
To heave th' intolerable weight he tries;
At length it rose above his mouth and eyes:
Yet still he heaves; and, strugling with despair,
Shakes all aside, and gains a gulp of air:
A short relief, which but prolongs his pain;
He faints by fits; and then respires again:
At last, the burden only nods above,
As when an earthquake stirs th' Idaean grove.
Doubtful his death: he suffocated seem'd,
To most; but otherwise our Mopsus deem'd,
Who said he saw a yellow bird arise
From out the piles, and cleave the liquid skies:
I saw it too, with golden feathers bright;
Nor e'er before beheld so strange a sight.
Whom Mopsus viewing, as it soar'd around
Our troop, and heard the pinions' rattling sound,
All hail, he cry'd, thy country's grace and love!
Once first of men below, now first of birds above.
Its author to the story gave belief:
For us, our courage was increas'd by grief:
Asham'd to see a single man, pursu'd
With odds, to sink beneath a multitude,
We push'd the foe: and forc'd to shameful flight,
Part fell, and part escap'd by favour of the night.
The Fate of Periclymenos
This tale, by Nestor told, did much displease
Tlepolemus, the seed of Hercules:
For, often he had heard his father say,
That he himself was present at the fray;
And more than shar'd the glories of the day.
Old Chronicle, he said, among the rest,
You might have nam'd Alcides at the least:
Is he not worth your praise? The Pylian prince
Sigh'd ere he spoke; then made this proud defence.
My former woes in long oblivion drown'd,
I wou'd have lost; but you renew the wound:
Better to pass him o'er, than to relate
The cause I have your mighty sire to hate.
His fame has fill'd the world, and reach'd the sky
(Which, oh, I wish, with truth, I cou'd deny!);
We praise not Hector; though his name, we know,
Is great in arms; 'tis hard to praise a foe.
He, your great father, levell'd to the ground
Messenia's tow'rs: nor better fortune found
Elis, and Pylos; that a neighb'ring state,
And this my own: both guiltless of their fate.
To pass the rest, twelve, wanting one, he slew;
My brethren, who their birth from Neleus drew,
All youths of early promise, had they liv'd;
By him they perish'd: I alone surviv'd.
The rest were easie conquest: but the fate
Of Periclymenos, is wondrous to relate.
To him, our common grandsire of the main
Had giv'n to change his form, and chang'd, resume again.
Vary'd at pleasure, every shape he try'd;
And in all beasts, Alcides still defy'd:
Vanquish'd on Earth, at length he soar'd above;
Chang'd to the bird, that bears the bolt of Jove:
The new-dissembled eagle, now endu'd
With beak, and pounces, Hercules pursu'd,
And cuff'd his manly cheeks, and tore his face;
Then, safe retir'd, and tour'd in empty space.
Alcides bore not long his flying foe;
But bending his inevitable bow,
Reach'd him in air, suspended as he stood;
And in his pinion fix'd the feather'd wood.
Light was the wound; but in the sinew hung
The point, and his disabled wing unstrung.
He wheel'd in air, and stretch'd his vans in vain;
His vans no longer cou'd his flight sustain:
For while one gather'd wind, one unsupply'd
Hung drooping down, nor pois'd his other side.
He fell: the shaft that slightly was impress'd,
Now from his heavy fall with weight increas'd,
Drove through his neck, aslant, he spurns the ground,
And the soul issues through the weazon's wound.
Now, brave commander of the Rhodian seas,
What praise is due from me, to Hercules?
Silence is all the vengeance I decree
For my slain brothers; but 'tis peace with thee.
Thus with a flowing tongue old Nestor spoke:
Then, to full bowls each other they provoke:
At length, with weariness, and wine oppress'd,
They rise from table; and withdraw to rest.
The Death of Achilles
The sire of Cygnus, monarch of the main,
Mean-time, laments his son, in battel slain,
And vows the victor's death; nor vows in vain.
For nine long years the smother'd pain he bore
(Achilles was not ripe for Fate before):
Then when he saw the promis'd hour was near,
He thus bespoke the God, that guides the year:
Immortal offspring of my brother Jove;
My brightest nephew, and whom best I love,
Whose hands were join'd with mine, to raise the wall
Of tott'ring Troy, now nodding to her fall,
Dost thou not mourn our pow'r employ'd in vain;
And the defenders of our city slain?
To pass the rest, could noble Hector lie
Unpity'd, drag'd around his native Troy?
And yet the murd'rer lives: himself by far
A greater plague, than all the wasteful war:
He lives; the proud Pelides lives, to boast
Our town destroy'd, our common labour lost.
O, could I meet him! But I wish too late:
To prove my trident is not in his Fate!
But let him try (for that's allow'd) thy dart,
And pierce his only penetrable part.
Apollo bows to the superior throne;
And to his uncle's anger, adds his own.
Then in a cloud involv'd, he takes his flight,
Where Greeks, and Trojans mix'd in mortal fight;
And found out Paris, lurking where he stood,
And stain'd his arrows with plebeian blood:
Phoebus to him alone the God confess'd,
Then to the recreant knight, he thus address'd.
Dost thou not blush, to spend thy shafts in vain
On a degenerate, and ignoble train?
If fame, or better vengeance be thy care,
There aim: and, with one arrow, end the war.
He said; and shew'd from far the blazing shield
And sword, which, but Achilles, none cou'd wield;
And how he mov'd a God, and mow'd the standing field.
The deity himself directs aright
Th' invenom'd shaft; and wings the fatal flight.
Thus fell the foremost of the Grecian name;
And he, the base adult'rer, boasts the fame.
A spectacle to glad the Trojan train;
And please old Priam, after Hector slain.
If by a female hand he had foreseen
He was to die, his wish had rather been
The lance, and double ax of the fair warriour queen.
And now the terror of the Trojan field,
The Grecian honour, ornament, and shield,
High on a pile, th' unconquer'd chief is plac'd,
The God that arm'd him first, consum'd at last.
Of all the mighty man, the small remains
A little urn, and scarcely fill'd, contains.
Yet great in Homer, still Achilles lives;
And equal to himself, himself survives.
His buckler owns its former lord; and brings
New cause of strife, betwixt contending kings;
Who worthi'st after him, his sword to wield,
Or wear his armour, or sustain his shield.
Ev'n Diomede sat mute, with down-cast eyes;
Conscious of wanted worth to win the prize:
Nor Menelaus presum'd these arms to claim,
Nor he the king of men, a greater name.
Two rivals only rose: Laertes' son,
And the vast bulk of Ajax Telamon:
The king, who cherish'd each with equal love,
And from himself all envy wou'd remove,
Left both to be determin'd by the laws;
And to the Graecian chiefs transferr'd the cause.
----------------------------------------------------------------------
~ Ovid, BOOK THE TWELFTH
,#NFDB
1293:Custer
BOOK FIRST.
I.
ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening seaGreece her Achilles claimed, immortal Custer, we.
II.
Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.
III.
And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shownDeath with the comrades dear, refusing flight alone.
IV.
He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
152
So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,
V.
So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.
But one dark shadow marred his bounding joy;
And then the soldier vanished, and the boy,
The tender son, clung close, with sobbing breath,
To her from whom each parting was new death;
That mother who like goddesses of old,
Gave to the mighty Mars, three warriors brave and bold,
VI.
Yet who, unlike those martial dames of yore,
Grew pale and shuddered at the sight of gore.
A fragile being, born to grace the hearth,
Untroubled by the conflicts of the earth.
Some gentle dove who reared young eaglets, might,
In watching those bold birdlings take their flight,
Feel what that mother felt who saw her sons
Rush from her loving arms, to face death-dealing guns.
VII.
But ere thy lyre is strung to martial strains
Of wars which sent our hero o'er the plains,
To add the cypress to his laureled brow,
Be brave, my Muse, and darker truths avow.
Let Justice ask a preface to thy songs,
Before the Indian's crimes declare his wrongs;
Before effects, wherein all horrors blend,
Declare the shameful cause, precursor of the end.
VIII.
153
When first this soil the great Columbus trod,
He was less like the image of his God
Than those ingenuous souls, unspoiled by art,
Who lived so near to Mother Nature's heart;
Those simple children of the wood and wave,
As frank as trusting, and as true as brave;
Savage they were, when on some hostile raid
(For where is he so high, whom war does not degrade?) .
IX.
But dark deceit and falsehood's shameless shame
They had not learned, until the white man came.
He taught them, too, the lurking devil's joy
In liquid lies, that lure but to destroy.
With wily words, as false as they were sweet,
He spread his snares for unsuspecting feet;
Paid truth with guile, and trampled in the dust
Their gentle childlike faith and unaffected trust.
X.
And for the sport of idle kings and knaves
Of Nature's greater noblemen, made slaves.
Alas, the hour, when the wronged Indian knows
His seeming benefactors are but foes.
His kinsmen kidnapped and his lands possessed,
The demon woke in that untutored breast.
Four hundred years have rolled upon their wayThe ruthless demon rules the red man to this day.
XI.
If, in the morning of success, that grand
Invincible discoverer of our land
Had made no lodge or wigwam desolate
To carry trophies to the proud and great;
If on our history's page there were no blot
Left by the cruel rapine of Cabot,
Of Verrazin, and Hudson, dare we claim
The Indian of the plains, to-day had been same?
154
XII.
For in this brief existence, not alone
Do our lives gather what our hands have sown,
But we reap, too, what others long ago
Sowed, careless of the harvests that might grow.
Thus hour by hour the humblest human souls
Inscribe in cipher on unending scrolls,
The history of nations yet to be;
Incite fierce bloody wars, to rage from sea to sea,
XIII.
Or pave the way to peace. There is no past,
So deathless are events-results so vast.
And he who strives to make one act or hour
Stand separate and alone, needs first the power
To look upon the breaking wave and say,
'These drops were bosomed by a cloud to-day,
And those from far mid-ocean's crest were sent.'
So future, present, past, in one wide sea are blent.
BOOK SECOND.
I.
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II.
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
155
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III.
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV.
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
V.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI.
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
156
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII.
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on, ' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII.
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX.
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
X.
157
But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe, ' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI.
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam) .
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die, ' quoth he, ' mine be the part
To fall upon the field, a bullet in my heart.'
XII.
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII.
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
158
XIV.
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV.
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
XVI.
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII.
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
159
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII.
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here,
XIX.
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.
XX.
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
160
XXI.
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII.
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII.
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV.
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
161
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV.
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI.
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII.
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
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XXVIII.
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX.
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX.
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI.
The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
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And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII.
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII.
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV.
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV.
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To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI.
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII.
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII.
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve,
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
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Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
XXXIX.
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL.
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI.
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII.
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With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII.
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV.
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV.
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
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Who in one year have known a lifetime of despair.
XLVI.
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII.
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
A row of six asterisks is on the page at this point
XLVIII.
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX.
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The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
L.
Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI.
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII.
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
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The gods alone create, gods only should destroy.
LIII.
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV.
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV.
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI.
At last she lifts her lazy head and heeds
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The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII.
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
LVIII.
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX.
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and, with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
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Against the blue-clad troops, this patch of color lies.
LX.
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI.
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep.
BOOK THIRD.
There is an interval of eight years between Books Second and Third.
I.
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds) ,
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
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II.
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
III.
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
IV.
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
V.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot.
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The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold! ' the cry arose and ran
VI.
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
VII.
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
VIII.
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring- hate.
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IX.
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
X.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
XI.
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
XII.
'Suns were his eyes, a speaking tear his voice,
.Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
175
Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
XIII.
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
XIV.
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
XV.
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
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XVI.
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
XVII.
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
XVIII.
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
XIX.
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
177
Keeps for the hapless victim in his path.
And if the last lone remnants of that race
Were by the white man swept from off the earth's fair face,
XX.
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
XXI.
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
XXII.
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
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XXIII.
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
XXIV.
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
XXV.
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
XXVI.
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
179
Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
XXVII.
So flawless was the union of each part
The mighty column (moved as by one heart)
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
XXVIII.
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
XXIX.
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
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XXX.
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
XXXI.
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
XXXII.
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth, '
Then shook his long locks in the face of death
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
XXXIII.
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
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He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,#NFDB
1294: Ilion
Book I: The Book of the Herald
Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,#NFDB
1295:class:Classics
BOOK THE NINTH
The Story of Achelous and Hercules
Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
Perhaps you've heard of Deianira's name,
For all the country spoke her beauty's fame.
Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.
Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.
While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.
Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.
A-while we breathe, then forward rush amain,
Renew the combat, and our ground maintain;
Foot strove with foot, I prone extend my breast,
Hands war with hands, and forehead forehead prest.
Thus have I seen two furious bulls engage,
Inflam'd with equal love, and equal rage;
Each claims the fairest heifer of the grove,
And conquest only can decide their love:
The trembling herds survey the fight from far,
'Till victory decides th' important war.
Three times in vain he strove my joints to wrest,
To force my hold, and throw me from his breast;
The fourth he broke my gripe, that clasp'd him round,
Then with new force he stretch'd me on the ground;
Close to my back the mighty bur then clung,
As if a mountain o'er my limbs were flung.
Believe my tale; nor do I, boastful, aim
By feign'd narration to extol my fame.
No sooner from his grasp I freedom get,
Unlock my arms, that flow'd with trickling sweat,
But quick he seized me, and renew'd the strife,
As my exhausted bosom pants for life:
My neck he gripes, my knee to earth he strains;
I fall, and bite the sand with shame, and pains.
O'er-match'd in strength, to wiles, and arts I take,
And slip his hold, in form of speckled snake;
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
Smiles at my threats: Such foes my cradle knew,
He cries, dire snakes my infant hand o'erthrew;
A dragon's form might other conquests gain,
To war with me you take that shape in vain.
Art thou proportion'd to the Hydra's length,
Who by his wounds receiv'd augmented strength?
He rais'd a hundred hissing heads in air;
When one I lopt, up-sprung a dreadful pair.
By his wounds fertile, and with slaughter strong,
Singly I quell'd him, and stretch'd dead along.
What canst thou do, a form precarious, prone,
To rouse my rage with terrors not thy own?
He said; and round my neck his hands he cast,
And with his straining fingers wrung me fast;
My throat he tortur'd, close as pincers clasp,
In vain I strove to loose the forceful grasp.
Thus vanquish'd too, a third form still remains,
Chang'd to a bull, my lowing fills the plains.
Strait on the left his nervous arms were thrown
Upon my brindled neck, and tugg'd it down;
Then deep he struck my horn into the sand,
And fell'd my bulk among the dusty land.
Nor yet his fury cool'd; 'twixt rage and scorn,
From my maim'd front he tore the stubborn horn:
This, heap'd with flow'rs, and fruits, the Naiads bear,
Sacred to plenty, and the bounteous year.
He spoke; when lo, a beauteous nymph appears,
Girt like Diana's train, with flowing hairs;
The horn she brings in which all Autumn's stor'd,
And ruddy apples for the second board.
Now morn begins to dawn, the sun's bright fire
Gilds the high mountains, and the youths retire;
Nor stay'd they, 'till the troubled stream subsides,
And in its bounds with peaceful current glides.
But Achelous in his oozy bed
Deep hides his brow deform'd, and rustick head:
No real wound the victor's triumph show'd,
But his lost honours griev'd the watry God;
Yet ev'n that loss the willow's leaves o'erspread,
And verdant reeds, in garlands, bind his head.
The Death of Nessus the Centaur
This virgin too, thy love, O Nessus, found,
To her alone you owe the fatal wound.
As the strong son of Jove his bride conveys,
Where his paternal lands their bulwarks raise;
Where from her slopy urn, Evenus pours
Her rapid current, swell'd by wintry show'rs,
He came. The frequent eddies whirl'd the tide,
And the deep rolling waves all pass deny'd.
As for himself, he stood unmov'd by fears,
For now his bridal charge employ'd his cares,
The strong-limb'd Nessus thus officious cry'd
(For he the shallows of the stream had try'd),
Swim thou, Alcides, all thy strength prepare,
On yonder bank I'll lodge thy nuptial care.
Th' Aonian chief to Nessus trusts his wife,
All pale, and trembling for her heroe's life:
Cloath'd as he stood in the fierce lion's hide,
The laden quiver o'er his shoulder ty'd
(For cross the stream his bow and club were cast),
Swift he plung'd in: These billows shall be past,
He said, nor sought where smoother waters glide,
But stem'd the rapid dangers of the tide.
The bank he reach'd; again the bow he bears;
When, hark! his bride's known voice alarms his ears.
Nessus, to thee I call (aloud he cries)
Vain is thy trust in flight, be timely wise:
Thou monster double-shap'd, my right set free;
If thou no rev'rence owe my fame and me,
Yet kindred should thy lawless lust deny;
Think not, perfidious wretch, from me to fly,
Tho' wing'd with horse's speed; wounds shall pursue;
Swift as his words the fatal arrow flew:
The centaur's back admits the feather'd wood,
And thro' his breast the barbed weapon stood;
Which when, in anguish, thro' the flesh he tore,
From both the wounds gush'd forth the spumy gore
Mix'd with Lernaean venom; this he took,
Nor dire revenge his dying breast forsook.
His garment, in the reeking purple dy'd,
To rouse love's passion, he presents the bride.
The Death of Hercules
Now a long interval of time succeeds,
When the great son of Jove's immortal deeds,
And step-dame's hate, had fill'd Earth's utmost round;
He from Oechalia, with new lawrels crown'd,
In triumph was return'd. He rites prepares,
And to the King of Gods directs his pray'rs;
When Fame (who falshood cloaths in truth's disguise,
And swells her little bulk with growing lies)
Thy tender ear, o Deianira, mov'd,
That Hercules the fair Iole lov'd.
Her love believes the tale; the truth she fears
Of his new passion, and gives way to tears.
The flowing tears diffus'd her wretched grief,
Why seek I thus, from streaming eyes, relief?
She cries; indulge not thus these fruitless cares,
The harlot will but triumph in thy tears:
Let something be resolv'd, while yet there's time;
My bed not conscious of a rival's crime.
In silence shall I mourn, or loud complain?
Shall I seek Calydon, or here remain?
What tho', ally'd to Meleager's fame,
I boast the honours of a sister's name?
My wrongs, perhaps, now urge me to pursue
Some desp'rate deed, by which the world shall view
How far revenge, and woman's rage can rise,
When weltring in her blood the harlot dies.
Thus various passions rul'd by turns her breast,
She now resolves to send the fatal vest,
Dy'd with Lernaean gore, whose pow'r might move
His soul anew, and rouse declining love.
Nor knew she what her sudden rage bestows,
When she to Lychas trusts her future woes;
With soft endearments she the boy commands,
To bear the garment to her husband's hands.
Th' unwitting hero takes the gift in haste,
And o'er his shoulders Lerna's poison cast,
As first the fire with frankincense he strows,
And utters to the Gods his holy vows;
And on the marble altar's polish'd frame
Pours forth the grapy stream; the rising flame
Sudden dissolves the subtle pois'nous juice,
Which taints his blood, and all his nerves bedews.
With wonted fortitude he bore the smart,
And not a groan confess'd his burning heart.
At length his patience was subdu'd by pain,
He rends the sacred altar from the plain;
Oete's wide forests echo with his cries:
Now to rip off the deathful robe he tries.
Where-e'er he plucks the vest, the skin he tears,
The mangled muscles, and huge bones he bares
(A ghastful sight!), or raging with his pain,
To rend the sticking plague he tugs in vain.
As the red iron hisses in the flood,
So boils the venom in his curdling blood.
Now with the greedy flame his entrails glow,
And livid sweats down all his body flow;
The cracking nerves burnt up are burst in twain,
The lurking venom melts his swimming brain.
Then, lifting both his hands aloft, he cries,
Glut thy revenge, dread Empress of the skies;
Sate with my death the rancour of thy heart,
Look down with pleasure, and enjoy my smart.
Or, if e'er pity mov'd a hostile breast
(For here I stand thy enemy profest),
Take hence this hateful life, with tortures torn,
Inur'd to trouble, and to labours born.
Death is the gift most welcome to my woe,
And such a gift a stepdame may bestow.
Was it for this Busiris was subdu'd,
Whose barb'rous temples reek'd with strangers' blood?
Press'd in these arms his fate Antaeus found,
Nor gain'd recruited vigour from the ground.
Did I not triple-form'd Geryon fell?
Or did I fear the triple dog of Hell?
Did not these hands the bull's arm'd forehead hold?
Are not our mighty toils in Elis told?
Do not Stymphalian lakes proclaim thy fame?
And fair Par thenian woods resound thy name?
Who seiz'd the golden belt of Thermodon?
And who the dragon-guarded apples won?
Could the fierce centaur's strength my force withstand,
Or the fell boar that spoil'd th' Arcadian land?
Did not these arms the Hydra's rage subdue,
Who from his wounds to double fury grew?
What if the Thracian horses, fat with gore,
Who human bodies in their mangers tore,
I saw, and with their barb'rous lord o'erthrew?
What if these hands Nemaea's lion slew?
Did not this neck the heav'nly globe sustain?
The female partner of the Thunderer's reign
Fatigu'd, at length suspends her harsh commands,
Yet no fatigue hath slack'd these valiant hands.
But now new plagues pursue me, neither force,
Nor arms, nor darts can stop their raging course.
Devouring flame thro' my rack'd entrails strays,
And on my lungs and shrivel'd muscles preys.
Yet still Eurystheus breathes the vital air.
What mortal now shall seek the Gods with pray'r?
The Transformation of Lychas into a Rock
The hero said; and with the torture stung,
Furious o'er Oete's lofty hills he sprung.
Stuck with the shaft, thus scours the tyger round,
And seeks the flying author of his wound.
Now might you see him trembling, now he vents
His anguish'd soul in groans, and loud laments;
He strives to tear the clinging vest in vain,
And with up-rooted forests strows the plain;
Now kindling into rage, his hands he rears,
And to his kindred Gods directs his pray'rs.
When Lychas, lo, he spies; who trembling flew,
And in a hollow rock conceal'd from view,
Had shun'd his wrath. Now grief renew'd his pain,
His madness chaf'd, and thus he raves again.
Lychas, to thee alone my fate I owe,
Who bore the gift, the cause of all my woe.
The youth all pale, with shiv'ring fear was stung,
And vain excuses falter'd on his tongue.
Alcides snatch'd him, as with suppliant face
He strove to clasp his knees, and beg for grace:
He toss'd him o'er his head with airy course,
And hurl'd with more than with an engine's force;
Far o'er th' Eubaean main aloof he flies,
And hardens by degrees amid the skies.
So showry drops, when chilly tempests blow,
Thicken at first, then whiten into snow,
In balls congeal'd the rolling fleeces bound,
In solid hail result upon the ground.
Thus, whirl'd with nervous force thro' distant air,
The purple tide forsook his veins, with fear;
All moisture left his limbs. Transform'd to stone,
In ancient days the craggy flint was known;
Still in the Eubaean waves his front he rears,
Still the small rock in human form appears,
And still the name of hapless Lychas bears.
The Apotheosis of Hercules
But now the hero of immortal birth
Fells Oete's forests on the groaning Earth;
A pile he builds; to Philoctetes' care
He leaves his deathful instruments of war;
To him commits those arrows, which again
Shall see the bulwarks of the Trojan reign.
The son of Paean lights the lofty pyre,
High round the structure climbs the greedy fire;
Plac'd on the top, thy nervous shoulders spread
With the Nemaean spoils, thy careless head
Rais'd on a knotty club, with look divine,
Here thou, dread hero, of celestial line,
Wert stretch'd at ease; as when a chearful guest,
Wine crown'd thy bowls, and flow'rs thy temples drest.
Now on all sides the potent flames aspire,
And crackle round those limbs that mock the fire
A sudden terror seiz'd th' immortal host,
Who thought the world's profess'd defender lost.
This when the Thund'rer saw, with smiles he cries,
'Tis from your fears, ye Gods, my pleasures rise;
Joy swells my breast, that my all-ruling hand
O'er such a grateful people boasts command,
That you my suff'ring progeny would aid;
Tho' to his deeds this just respect be paid,
Me you've oblig'd. Be all your fears forborn,
Th' Oetean fires do thou, great hero, scorn.
Who vanquish'd all things, shall subdue the flame.
That part alone of gross maternal frame
Fire shall devour; while what from me he drew
Shall live immortal, and its force subdue;
That, when he's dead, I'll raise to realms above;
May all the Pow'rs the righteous act approve.
If any God dissent, and judge too great
The sacred honours of the heav'nly seat,
Ev'n he shall own his deeds deserve the sky,
Ev'n he reluctant, shall at length comply.
Th' assembled Pow'rs assent. No frown 'till now
Had mark'd with passion vengeful Juno's brow,
Mean-while whate'er was in the pow'r of flame
Was all consum'd; his body's nervous frame
No more was known, of human form bereft,
Th' eternal part of Jove alone was left.
As an old serpent casts his scaly vest,
Wreathes in the sun, in youthful glory drest;
So when Alcides mortal mold resign'd,
His better part enlarg'd, and grew refin'd;
August his visage shone; almighty Jove
In his swift carr his honour'd offspring drove;
High o'er the hollow clouds the coursers fly,
And lodge the hero in the starry sky.
The Transformation of Galanthis
Atlas perceiv'd the load of Heav'n's new guest.
Revenge still rancour'd in Eurystheus' breast
Against Alcides' race. Alcmena goes
To Iole, to vent maternal woes;
Here she pours forth her grief, recounts the spoils
Her son had bravely reap'd in glorious toils.
This Iole, by Hercules' commands,
Hyllus had lov'd, and joyn'd in nuptial bands.
Her swelling womb the teeming birth confess'd,
To whom Alcmena thus her speech address'd.
O, may the Gods protect thee, in that hour,
When, 'midst thy throws, thou call'st th' Ilithyan Pow'r!
May no delays prolong thy racking pain,
As when I su'd for Juno's aid in vain.
When now Alcides' mighty birth drew nigh,
And the tenth sign roll'd forward on the sky,
My womb extends with such a mighty load,
As Jove the parent of the bur then show'd.
I could no more th' encreasing smart sustain,
My horror kindles to recount the pain;
Cold chills my limbs while I the tale pursue,
And now methinks I feel my pangs anew.
Seven days and nights amidst incessant throws,
Fatigu'd with ills I lay, nor knew repose;
When lifting high my hands, in shrieks I pray'd,
Implor'd the Gods, and call'd Lucina's aid.
She came, but prejudic'd, to give my Fate
A sacrifice to vengeful Juno's hate.
She hears the groaning anguish of my fits,
And on the altar at my door she sits.
O'er her left knee her crossing leg she cast,
Then knits her fingers close, and wrings them fast:
This stay'd the birth; in mutt'ring verse she pray'd,
The mutt'ring verse th' unfinish'd birth delay'd.
Now with fierce struggles, raging with my pain,
At Jove's ingratitude I rave in vain.
How did I wish for death! such groans I sent,
As might have made the flinty heart relent.
Now the Cadmeian matrons round me press,
Offer their vows, and seek to bring redress;
Among the Theban dames Galanthis stands,
Strong limb'd, red hair'd, and just to my commands:
She first perceiv'd that all these racking woes
From the persisting hate of Juno rose.
As here and there she pass'd, by chance she sees
The seated Goddess; on her close-press'd knees
Her fast-knit hands she leans; with chearful voice
Galanthis cries, Whoe'er thou art, rejoyce,
Congratulate the dame, she lies at rest,
At length the Gods Alcmena's womb have blest.
Swift from her seat the startled Goddess springs,
No more conceal'd, her hands abroad she flings;
The charm unloos'd, the birth my pangs reliev'd;
Galanthis' laughter vex'd the Pow'r deceiv'd.
Fame says, the Goddess dragg'd the laughing maid
Fast by the hair; in vain her force essay'd
Her grov'ling body from the ground to rear;
Chang'd to fore-feet her shrinking arms appear:
Her hairy back her former hue retains,
The form alone is lost; her strength remains;
Who, since the lye did from her mouth proceed,
Shall from her pregnant mouth bring forth her breed;
Nor shall she quit her long-frequented home,
But haunt those houses where she lov'd to roam.
The Fable of Dryope
She said, and for her lost Galanthis sighs;
When the fair consort of her son replies;
Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own,
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.
No nymph of all Oechaloa could compare
For beauteous form with Dryope the fair;
Her tender mother's only hope and pride
(My self the offspring of a second bride),
This nymph, compress'd by him who rules the day,
Whom Delphi, and the Delian isle obey,
Andraemon lov'd; and blest in all those charms
That pleas'd a God, succeeded to her arms.
A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
Those shades, unknowing of the fates, she sought;
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Between her arms, and nourish'd at her breast.
Not distant far a watry lotos grows;
The Spring was new, and all the verdant boughs,
Acorn'd with blossoms, promis'd fruits that vye
In glowing colours with the Tyrian dye.
Of these she cropt, to please her infant son,
And I my self the same rash act had done,
But, lo! I saw (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look,
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.
This change unknown, astonish'd at the sight,
My trembling sister strove to urge her flight;
Yet first the pardon of the Nymphs implor'd,
And those offended Sylvan pow'rs ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted to the ground:
In vain to free her fasten'd feet she strove,
And as she struggles only moves above;
She feels th' incroaching bark around her grow,
By slow degrees, and cover all below:
Surpriz'd at this, her trembling hand she heaves
To rend her hair; her hand is fill'd with leaves;
Where late was hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The Child Amphisus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that n'er 'till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy, what I now relate,
And stood the helpless witness of thy fate;
Embrac'd thy boughs, the rising bark delay'd,
There wish'd to grow, and mingle shade with shade.
Behold Andraemon, and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind;
Prostrate, with tears their kindred plant bedew,
And close embrac'd, as to the roots they grew;
The face was all that now remain'd of thee;
No more a woman, nor yet quite a tree:
Thy branches hung with humid pearls appear,
From ev'ry leaf distills a trickling tear;
And strait a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.
If to the wretched any faith be giv'n,
I swear by all th' unpitying Pow'rs of Heav'n,
No wilful crime this heavy vengeance bred,
In mutual innocence our lives we led.
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
Now from my branching arms this infant bear,
Let some kind nurse supply a mother's care;
Yet to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree, and say with weeping eyes,
Within this plant my hapless parent lies;
And when in youth he seeks the shady woods,
Oh, let him fly the chrystal lakes and floods,
Nor touch the fatal flow'rs; but warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewel!
If in your breasts or love, or pity, dwell,
Protect your plant, nor let my branches feel
The browzing cattle, or the piercing steel.
Farewel! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands; the bark shall soon suffice,
Without their aid, to seal these dying eyes.
She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree:
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.
Iolaus restor'd to Youth
While Iole the fatal change declares,
Alcmena's pitying hand oft wip'd her tears.
Grief too stream'd down her cheeks; soon sorrow flies,
And rising joy the trickling moisture dries,
Lo Iolaus stands before their eyes.
A youth he stood; and the soft down began
O'er his smooth chin to spread, and promise man.
Hebe submitted to her husband's pray'rs,
Instill'd new vigour, and restor'd his years.
The Prophecy of Themis
Now from her lips a solemn oath had past,
That Iolaus this gift alone shou'd taste,
Had not just Themis thus maturely said
(Which check'd her vow, and aw'd the blooming maid).
Thebes is embroil'd in war. Capaneus stands
Invincible, but by the Thund'rer's hands.
Ambition shall the guilty brothers fire,
Both rush to mutual wounds, and both expire.
The reeling Earth shall ope her gloomy womb,
Where the yet breathing bard shall find his tomb.
The son shall bath his hands in parents' blood,
And in one act be both unjust, and good.
Of home, and sense depriv'd, where-e'er he flies,
The Furies, and his mother's ghost he spies.
His wife the fatal bracelet shall implore,
And Phegeus stain his sword in kindred gore.
Callirhoe shall then with suppliant pray'r
Prevail on Jupiter's relenting ear.
Jove shall with youth her infant sons inspire,
And bid their bosoms glow with manly fire.
The Debate of the Gods
When Themis thus with prescient voice had spoke,
Among the Gods a various murmur broke;
Dissention rose in each immortal breast,
That one should grant, what was deny'd the rest.
Aurora for her aged spouse complains,
And Ceres grieves for Jason's freezing veins;
Vulcan would Erichthonius' years renew,
Her future race the care of Venus drew,
She would Anchises' blooming age restore;
A diff'rent care employ'd each heav'nly Pow'r:
Thus various int'rests did their jars encrease,
'Till Jove arose; he spoke, their tumults cease.
Is any rev'rence to our presence giv'n,
Then why this discord 'mong the Pow'rs of Heav'n?
Who can the settled will of Fate subdue?
'Twas by the Fates that Iolaus knew
A second youth. The Fates' determin'd doom
Shall give Callirhoe's race a youthful bloom.
Arms, nor ambition can this pow'r obtain;
Quell your desires; ev'n me the Fates restrain.
Could I their will controul, no rolling years
Had Aeacus bent down with silver hairs;
Then Rhadamanthus still had youth possess'd,
And Minos with eternal bloom been bless'd.
Jove's words the synod mov'd; the Pow'rs give o'er,
And urge in vain unjust complaint no more.
Since Rhadamanthus' veins now slowly flow'd,
And Aeacus, and Minos bore the load;
Minos, who in the flow'r of youth, and fame,
Made mighty nations tremble at his name,
Infirm with age, the proud Miletus fears,
Vain of his birth, and in the strength of years,
And now regarding all his realms as lost,
He durst not force him from his native coast.
But you by choice, Miletus, fled his reign,
And thy swift vessel plow'd th' Aegean main;
On Asiatick shores a town you frame,
Which still is honour'd with the founder's name.
Here you Cyanee knew, the beauteous maid,
As on her father's winding banks she stray'd:
Caunus and Byblis hence their lineage trace,
The double offspring of your warm embrace.
The Passion of of Byblis
Let the sad fate of wretched Byblis prove
A dismal warning to unlawful love;
One birth gave being to the hapless pair,
But more was Caunus than a sister's care;
Unknown she lov'd, for yet the gentle fire
Rose not in flames, nor kindled to desire,
'Twas thought no sin to wonder at his charms,
Hang on his neck, and languish in his arms;
Thus wing'd with joy, fled the soft hours away,
And all the fatal guilt on harmless Nature lay.
But love (too soon from piety declin'd)
Insensibly deprav'd her yielding mind.
Dress'd she appears, with nicest art adorn'd,
And ev'ry youth, but her lov'd brother, scorn'd;
For him alone she labour'd to be fair,
And curst all charms that might with hers compare.
'Twas she, and only she, must Caunus please,
Sick at her heart, yet knew not her disease:
She call'd him lord, for brother was a name
Too cold, and dull for her aspiring flame;
And when he spoke, if sister he reply'd,
For Byblis change that frozen word, she cry'd.
Yet waking still she watch'd her strugling breast,
And love's approaches were in vain address'd,
'Till gentle sleep an easy conquest made,
And in her soft embrace the conqueror was laid.
But oh too soon the pleasing vision fled,
And left her blushing on the conscious bed:
Ah me! (she cry'd) how monstrous do I seem?
Why these wild thoughts? and this incestuous dream?
Envy herself ('tis true) must own his charms,
But what is beauty in a sister's arms?
Oh were I not that despicable she,
How bless'd, how pleas'd, how happy shou'd I be!
But unregarded now must bear my pain,
And but in dreams, my wishes can obtain.
O sea-born Goddess! with thy wanton boy!
Was ever such a charming scene of joy?
Such perfect bliss! such ravishing delight!
Ne'er hid before in the kind shades of night.
How pleas'd my heart! in what sweet raptures tost!
Ev'n life it self in the soft combat lost,
While breathless he on my heav'd bosom lay,
And snatch'd the treasures of my soul away.
If the bare fancy so affects my mind,
How shou'd I rave if to the substance join'd?
Oh, gentle Caunus! quit thy hated line,
Or let thy parents be no longer mine!
Oh that in common all things were enjoy'd,
But those alone who have our hopes destroy'd.
Were I a princess, thou an humble swain,
The proudest kings shou'd rival thee in vain.
It cannot be, alas! the dreadful ill
Is fix'd by Fate, and he's my brother still.
Hear me, ye Gods! I must have friends in Heav'n,
For Jove himself was to a sister giv'n:
But what are their prerogatives above,
To the short liberties of human love?
Fantastick thoughts! down, down, forbidden fires,
Or instant death extinguish my desires.
Strict virtue, then, with thy malicious leave,
Without a crime I may a kiss receive:
But say shou'd I in spight of laws comply,
Yet cruel Caunus might himself deny,
No pity take of an afflicted maid
(For love's sweet game must be by couples play'd).
Yet why shou'd youth, and charms like mine, despair?
Such fears ne'er startled the Aeolian pair;
No ties of blood could their full hopes destroy,
They broke thro' all, for the prevailing joy;
And who can tell but Caunus too may be
Rack'd and tormented in his breast for me?
Like me, to the extreamest anguish drove,
Like me, just waking from a dream of love?
But stay! Oh whither wou'd my fury run!
What arguments I urge to be undone!
Away fond Byblis, quench these guilty flames;
Caunus thy love but as brother claims;
Yet had he first been touch'd with love of me,
The charming youth cou'd I despairing see?
Oppress'd with grief, and dying by disdain?
Ah no! too sure I shou'd have eas'd his pain!
Since then, if Caunus ask'd me, it were done;
Asking my self, what dangers can I run?
But canst thou ask? and see that right betray'd,
From Pyrrha down to thy whole sex convey'd?
That self-denying gift we all enjoy,
Of wishing to be won, yet seeming to be coy.
Well then, for once, let a fond mistress woo;
The force of love no custom can subdue;
This frantick passion he by words shall know,
Soft as the melting heart from whence they flow.
The pencil then in her fair hand she held,
By fear discourag'd, but by love compell'd
She writes, then blots, writes on, and blots again,
Likes it as fit, then razes it as vain:
Shame, and assurance in her face appear,
And a faint hope just yielding to despair;
Sister was wrote, and blotted as a word
Which she, and Caunus too (she hop'd) abhorr'd;
But now resolv'd to be no more controul'd
By scrup'lous virtue, thus her grief she told.
Thy lover (gentle Caunus) wishes thee
That health, which thou alone canst give to me.
O charming youth! the gift I ask bestow,
Ere thou the name of the fond writer know;
To thee without a name I would be known,
Since knowing that, my frailty I must own.
Yet why shou'd I my wretched name conceal?
When thousand instances my flames reveal:
Wan looks, and weeping eyes have spoke my pain,
And sighs discharg'd from my heav'd heart in vain;
Had I not wish'd my passion might be seen,
What cou'd such fondness and embraces mean?
Such kisses too! (Oh heedless lovely boy)
Without a crime no sister cou'd enjoy:
Yet (tho' extreamest rage has rack'd my soul,
And raging fires in my parch'd bosom roul)
Be witness, Gods! how piously I strove,
To rid my thoughts of this enchanting love.
But who cou'd scape so fierce, and sure a dart,
Aim'd at a tender, and defenceless heart?
Alas! what maid cou'd suffer, I have born,
Ere the dire secret from my breast was torn;
To thee a helpless vanquish'd wretch I come,
'Tis you alone can save, or give my doom;
My life, or death this moment you may chuse.
Yet think, oh think, no hated stranger sues,
No foe; but one, alas! too near ally'd,
And wishing still much nearer to be ty'd.
The forms of decency let age debate,
And virtue's rules by their cold morals state;
Their ebbing joys give leisure to enquire,
And blame those noble flights our youth inspire:
Where Nature kindly summons let us go,
Our sprightly years no bounds in love shou'd know,
Shou'd feel no check of guilt, and fear no ill;
Lovers, and Gods act all things at their will:
We gain one blessing from our hated kin,
Since our paternal freedom hides the sin;
Uncensur'd in each other's arms we lye,
Think then how easie to compleat our joy.
Oh, pardon and oblige a blushing maid,
Whose rage the pride of her vain sex betray'd;
Nor let my tomb thus mournfully complain,
Here Byblis lies, by her lov'd Caunus slain.
Forc'd here to end, she with a falling tear
Temper'd the pliant wax, which did the signet bear:
The curious cypher was impress'd by art,
But love had stamp'd one deeper in her heart;
Her page, a youth of confidence, and skill,
(Secret as night) stood waiting on her will;
Sighing (she cry'd): Bear this, thou faithful boy,
To my sweet partner in eternal joy:
Here a long pause her secret guilt confess'd,
And when at length she would have spoke the rest,
Half the dear name lay bury'd in her breast.
Thus as he listned to her vain command,
Down fell the letter from her trembling hand.
The omen shock'd her soul. Yet go, she cry'd;
Can a request from Byblis be deny'd?
To the Maeandrian youth this message's born,
The half-read lines by his fierce rage were torn;
Hence, hence, he cry'd, thou pandar to her lust,
Bear hence the triumph of thy impious trust:
Thy instant death will but divulge her shame,
Or thy life's blood shou'd quench the guilty flame.
Frighted, from threatning Caunus he withdrew,
And with the dreadful news to his lost mistress flew.
The sad repulse so struck the wounded fair,
Her sense was bury'd in her wild despair;
Pale was her visage, as the ghastly dead;
And her scar'd soul from the sweet mansion fled;
Yet with her life renew'd, her love returns,
And faintly thus her cruel fate she mourns:
'Tis just, ye Gods! was my false reason blind?
To write a secret of this tender kind?
With female craft I shou'd at first have strove,
By dubious hints to sound his distant love;
And try'd those useful, tho' dissembled, arts,
Which women practise on disdainful hearts:
I shou'd have watch'd whence the black storm might rise;
Ere I had trusted the unfaithful skies.
Now on the rouling billows I am tost,
And with extended sails, on the blind shelves am lost.
Did not indulgent Heav'n my doom foretell,
When from my hand the fatal letter fell?
What madness seiz'd my soul? and urg'd me on
To take the only course to be undone?
I cou'd my self have told the moving tale
With such alluring grace as must prevail;
Then had his eyes beheld my blushing fears,
My rising sighs, and my descending tears;
Round his dear neck these arms I then had spread,
And, if rejected, at his feet been dead:
If singly these had not his thoughts inclin'd,
Yet all united would have shock'd his mind.
Perhaps, my careless page might be in fault,
And in a luckless hour the fatal message brought;
Business, and worldly thoughts might fill his breast,
Sometimes ev'n love itself may be an irksome guest:
He cou'd not else have treated me with scorn,
For Caunus was not of a tygress born;
Nor steel, nor adamant has fenc'd his heart;
Like mine, 'tis naked to the burning dart.
Away false fears! he must, he shall be mine;
In death alone I will my claim resign;
'Tis vain to wish my written crime unknown,
And for my guilt much vainer to atone.
Repuls'd and baffled, fiercer still she burns,
And Caunus with disdain her impious love returns.
He saw no end of her injurious flame,
And fled his country to avoid the shame.
Forsaken Byblis, who had hopes no more;
Burst out in rage, and her loose robes she tore;
With her fair hands she smote her tender breast,
And to the wond'ring world her love confess'd;
O'er hills and dales, o'er rocks and streams she flew,
But still in vain did her wild lust pursue:
Wearied at length, on the cold earth she fell,
And now in tears alone could her sad story tell.
Relenting Gods in pity fix'd her there,
And to a fountain turn'd the weeping fair.
The Fable of Iphis and Ian the
The fame of this, perhaps, thro' Crete had flown:
But Crete had newer wonders of her own,
In Iphis chang'd; for, near the Gnossian bounds
(As loud report the miracle resounds),
At Phaestus dwelt a man of honest blood,
But meanly born, and not so rich as good;
Esteem'd, and lov'd by all the neighbourhood;
Who to his wife, before the time assign'd
For child-birth came, thus bluntly spoke his mind.
If Heav'n, said Lygdus, will vouchsafe to hear,
I have but two petitions to prefer;
Short pains for thee, for me a son and heir.
Girls cost as many throes in bringing forth;
Beside, when born, the titts are little worth;
Weak puling things, unable to sustain
Their share of labour, and their bread to gain.
If, therefore, thou a creature shalt produce,
Of so great charges, and so little use
(Bear witness, Heav'n, with what reluctancy),
Her hapless innocence I doom to die.
He said, and common tears the common grief display,
Of him who bad, and her who must obey.
Yet Telethusa still persists, to find
Fit arguments to move a father's mind;
T' extend his wishes to a larger scope,
And in one vessel not confine his hope.
Lygdus continues hard: her time drew near,
And she her heavy load could scarcely bear;
When slumbring, in the latter shades of night,
Before th' approaches of returning light,
She saw, or thought she saw, before her bed,
A glorious train, and Isis at their head:
Her moony horns were on her forehead plac'd,
And yellow shelves her shining temples grac'd:
A mitre, for a crown, she wore on high;
The dog, and dappl'd bull were waiting by;
Osyris, sought along the banks of Nile;
The silent God: the sacred crocodile;
And, last, a long procession moving on,
With timbrels, that assist the lab'ring moon.
Her slumbers seem'd dispell'd, and, broad awake,
She heard a voice, that thus distinctly spake.
My votary, thy babe from death defend,
Nor fear to save whate'er the Gods will send.
Delude with art thy husband's dire decree:
When danger calls, repose thy trust on me:
And know thou hast not serv'd a thankless deity.
This promise made, with night the Goddess fled;
With joy the woman wakes, and leaves her bed;
Devoutly lifts her spotless hands on high,
And prays the Pow'rs their gift to ratifie.
Now grinding pains proceed to bearing throes,
'Till its own weight the burden did disclose.
'Twas of the beauteous kind, and brought to light
With secrecy, to shun the father's sight.
Th' indulgent mother did her care employ,
And past it on her husb and for a boy.
The nurse was conscious of the fact alone;
The father paid his vows as for a son;
And call'd him Iphis, by a common name,
Which either sex with equal right may claim.
Iphis his grandsire was; the wife was pleas'd,
Of half the fraud by Fortune's favour eas'd:
The doubtful name was us'd without deceit,
And truth was cover'd with a pious cheat.
The habit show'd a boy, the beauteous face
With manly fierceness mingled female grace.
Now thirteen years of age were swiftly run,
When the fond father thought the time drew on
Of settling in the world his only son.
Ian the was his choice; so wondrous fair,
Her form alone with Iphis cou'd compare;
A neighbour's daughter of his own degree,
And not more bless'd with Fortune's goods than he.
They soon espous'd; for they with ease were join'd,
Who were before contracted in the mind.
Their age the same, their inclinations too;
And bred together, in one school they grew.
Thus, fatally dispos'd to mutual fires,
They felt, before they knew, the same desires.
Equal their flame, unequal was their care;
One lov'd with hope, one languish'd in despair.
The maid accus'd the lingring day alone:
For whom she thought a man, she thought her own.
But Iphis bends beneath a greater grief;
As fiercely burns, but hopes for no relief.
Ev'n her despair adds fuel to her fire;
A maid with madness does a maid desire.
And, scarce refraining tears, Alas, said she,
What issue of my love remains for me!
How wild a passion works within my breast,
With what prodigious flames am I possest!
Could I the care of Providence deserve,
Heav'n must destroy me, if it would preserve.
And that's my fate, or sure it would have sent
Some usual evil for my punishment:
Not this unkindly curse; to rage, and burn,
Where Nature shews no prospect of return.
Nor cows for cows consume with fruitless fire;
Nor mares, when hot, their fellow-mares desire:
The father of the fold supplies his ewes;
The stag through secret woods his hind pursues;
And birds for mates the males of their own species chuse.
Her females Nature guards from female flame,
And joins two sexes to preserve the game:
Wou'd I were nothing, or not what I am!
Crete, fam'd for monsters, wanted of her store,
'Till my new love produc'd one monster more.
The daughter of the sun a bull desir'd,
And yet ev'n then a male a female fir'd:
Her passion was extravagantly new,
But mine is much the madder of the two.
To things impossible she was not bent,
But found the means to compass her intent.
To cheat his eyes she took a different shape;
Yet still she gain'd a lover, and a leap.
Shou'd all the wit of all the world conspire,
Shou'd Daedalus assist my wild desire,
What art can make me able to enjoy,
Or what can change Ian the to a boy?
Extinguish then thy passion, hopeless maid,
And recollect thy reason for thy aid.
Know what thou art, and love as maidens ought,
And drive these golden wishes from thy thought.
Thou canst not hope thy fond desires to gain;
Where hope is wanting, wishes are in vain.
And yet no guards against our joys conspire;
No jealous husb and hinders our desire;
My parents are propitious to my wish,
And she herself consenting to the bliss.
All things concur to prosper our design;
All things to prosper any love but mine.
And yet I never can enjoy the fair;
'Tis past the pow'r of Heav'n to grant my pray'r.
Heav'n has been kind, as far as Heav'n can be;
Our parents with our own desires agree;
But Nature, stronger than the Gods above,
Refuses her assistance to my love;
She sets the bar that causes all my pain;
One gift refus'd, makes all their bounty vain.
And now the happy day is just at hand,
To bind our hearts in Hymen's holy band:
Our hearts, but not our bodies: thus accurs'd,
In midst of water I complain of thirst.
Why com'st thou, Juno, to these barren rites,
To bless a bed defrauded of delights?
But why shou'd Hymen lift his torch on high,
To see two brides in cold embraces lye?
Thus love-sick Iphis her vain passion mourns;
With equal ardour fair Ian the burns,
Invoking Hymen's name, and Juno's pow'r,
To speed the work, and haste the happy hour.
She hopes, while Telethusa fears the day,
And strives to interpose some new delay:
Now feigns a sickness, now is in a fright
For this bad omen, or that boding sight.
But having done whate'er she could devise,
And empty'd all her magazine of lies,
The time approach'd; the next ensuing day
The fatal secret must to light betray.
Then Telethusa had recourse to pray'r,
She, and her daughter with dishevel'd hair;
Trembling with fear, great Isis they ador'd,
Embrac'd her altar, and her aid implor'd.
Fair queen, who dost on fruitful Egypt smile,
Who sway'st the sceptre of the Pharian isle,
And sev'n-fold falls of disemboguing Nile,
Relieve, in this our last distress, she said,
A suppliant mother, and a mournful maid.
Thou, Goddess, thou wert present to my sight;
Reveal'd I saw thee by thy own fair light:
I saw thee in my dream, as now I see,
With all thy marks of awful majesty:
The glorious train that compass'd thee around;
And heard the hollow timbrels holy sound.
Thy words I noted, which I still retain;
Let not thy sacred oracles be vain.
That Iphis lives, that I myself am free
From shame, and punishment, I owe to thee.
On thy protection all our hopes depend.
Thy counsel sav'd us, let thy pow'r defend.
Her tears pursu'd her words; and while she spoke,
The Goddess nodded, and her altar shook:
The temple doors, as with a blast of wind,
Were heard to clap; the lunar horns that bind
The brows of Isis cast a blaze around;
The trembling timbrel made a murm'ring sound.
Some hopes these happy omens did impart;
Forth went the mother with a beating heart:
Not much in fear, nor fully satisfy'd;
But Iphis follow'd with a larger stride:
The whiteness of her skin forsook her face;
Her looks embolden'd with an awful grace;
Her features, and her strength together grew,
And her long hair to curling locks withdrew.
Her sparkling eyes with manly vigour shone,
Big was her voice, audacious was her tone.
The latent parts, at length reveal'd, began
To shoot, and spread, and burnish into man.
The maid becomes a youth; no more delay
Your vows, but look, and confidently pay.
Their gifts the parents to the temple bear:
The votive tables this inscription wear;
Iphis the man, has to the Goddess paid
The vows, that Iphis offer'd when a maid.
Now when the star of day had shewn his face,
Venus and Juno with their presence grace
The nuptial rites, and Hymen from above
Descending to compleat their happy love;
The Gods of marriage lend their mutual aid;
And the warm youth enjoys the lovely maid.
----------------------------------------------------------------------
~ Ovid, BOOK THE NINTH
,#NFDB
1296: Book IV: The Book of Partings
Eagerly, spurred by Ares swift in their souls to the war-cry,
All now pressed to their homes for the food of their strength in the battle.
Ilion turned her thoughts in a proud expectancy seaward
Waiting to hear the sounds that she loved and the cry of the mellay.
Now to their citadel Priams sons returned with their father,
Now from the gates Talthybius issued grey in his chariot;
But in the halls of Anchises Aeneas not doffing his breastpiece
Hastily ate of the corn of his country, cakes of the millet
Doubled with wild-deers flesh, from the quiet hands of Cresa.
She, as he ate, with her calm eyes watching him smiled on her husband:
Ever thou hastest to battle, O warrior, ever thou fightest
Far in the front of the ranks and thou seekest out Locrian Ajax,
Turnest thy ear to the roar for the dangerous shout of Tydides;
There, once heard, leaving all thou drivest, O stark in thy courage.
Yet am I blest among women who tremble not, left in thy mansion,
Quiet at old Anchises feet when I see thee in vision
Sole with the shafts hissing round thee and say to my quivering spirit,
Now he is striking at Ajax, now he has met Diomedes.
Such are the mighty twain who are ever near to protect thee,
Phoebus, the Thunderers son, and thy mother, gold Aphrodite;
Such are the Fates that demand thee, O destined head of the future.
But though my thoughts for their own are not troubled, always, Aeneas,
Sore is my heart with pity for other Ilian women
Who in this battle are losing their children and well-loved husbands,
Brothers too dear, for the eyes that are wet, for the hearts that are silent.
Will not this war then end that thunders for ever round Troya?
But to Cresa the hero answered, the son of Anchises:
Surely the gods protect, yet is Death too always mighty.
Most in his shadowy envy he strikes at the brave and the lovely,
Grudging works to abridge their days and to widow the sunlight.
Most, disappointed, he rages against the beloved of Heaven;
Striking their lives through their hearts he mows down their loves and their pleasures.
Truly thou sayst, thou needst not to fear for my life in the battle;
Ever for thine I fear lest he find thee out in his anger,
Missing my head in the fight, when he comes here crossed in his godhead.
Yet shall Phoebus protect and my mother, gold Aphrodite.
But to Aeneas answered the tranquil lips of Cresa:
So may it be that I go before thee, seeing, Aeneas,
Over my dying eyes thy lips bend down for the parting.
Blissfullest end is this for a woman here mid earths sorrows;
Afterwards there we hope that the hands shall join which were parted.
So she spoke, not knowing the gods: but Aeneas departing
Clasped his fathers knees, the ancient mighty Anchises.
Bless me, my father; I go to the battle. Strong with thy blessing
Even today may I hurl down Ajax, slay Diomedes,
And on the morrow gaze on the empty beaches of Troas.
Troubled and joyless, nought replying to warlike Aeneas
Long Anchises sat unmoving, silent, sombre,
Gazing into his soul with eyes that were closed to the sunlight.
Prosper, Aeneas, slowly he answered him, son of a goddess,
Prosper, Aeneas; and if for Troy some doom is preparing,
Suffer always the will of the gods with a piety constant.
Only they will what Necessity fashions compelled by the Silence.
Labour and war she has given to man as the law of his transience.
Work; she shall give thee the crown of thy deeds or their ending appointed,
Whether glorious thou pass or in silent shadows forgotten.
But what thy mother commands perform ever, loading thy vessels.
Who can know what the gods have hid with the mist of our hopings?
Then from the house of his fathers Aeneas rapidly striding
Came to the city echoing now with the wheels of the chariots,
Clanging with arms and astream with the warlike tramp of her thousands.
Fast through the press he strode and men turning knew Aeneas,
Greatened in heart and went on with loftier thoughts towards battle.
He through the noise and the crowd to Antenors high-built mansion
Striding came, and he turned to its courts and the bronze of its threshold
Trod which had suffered the feet of so many princes departed.
But as he crossed its brazen square from the hall there came running,
Leaping up light to his feet and laughing with sudden pleasure,
Eurus the youngest son of Polydamas. Clasping the fatal
War-hardened hand with a palm that was smooth as a maidens or infants,
Well art thou come, Aeneas, he said, and good fortune has sent thee!
Now I shall go to the field; thou wilt speak with my grandsire Antenor
And he shall hear thee though chid by his heart reluctant. Rejoicing
I shall go forth in thy car or warring by Penthesilea,
Famous, give to her grasp the spear that shall smite down Achilles.
Smiling answered Aeneas, Surely will, Eurus, thy prowess
Carry thee far to the front; thou shalt fight with Epeus and slay him.
Who shall say that this hand was not chosen to pierce Menelaus?
But for a while with the ball should it rather strive, O hero,
Till in the play and the wrestle its softness is trained for the smiting.
Eagerly Eurus answered, But they have told me, Aeneas,
This is the last of our fights; for today will Penthesilea
Meet Achilles in battle and slay him ending the Argives.
Then shall I never have mixed in this war that is famous for ever.
What shall I say when my hairs are white like the aged Antenors?
Men will ask, And what were thy deeds in the warfare Titanic?
Whom didst thou slay of the Argives, son of Polydamas, venging
Bravely thy father? Then must I say, I lurked in the city.
I was too young and only ascending the Ilian ramparts
Saw the return or the flight, but never the deed and the triumph.
Friend, if you take me not forth, I shall die of grief ere the sunset.
Plucking the hand of Aeneas he drew him into the mansion
Vast; and over the floor of the spacious hall they hastened
Laughing, the gracious child and the mighty hero and statesman,
Flower of a present stock and the burdened star of the future.
Meanwhile girt by his sons and the sons of his sons in his chamber
Cried to the remnants left of his blood the aged Antenor.
Hearken you who are sprung from my loins and children, their offspring!
None shall again go forth to the fight who is kin to Antenor.
Weighed with my curse he shall go and the spear-points athirst of the Argives
Meet him wroth; he shall die in his sin and his name be forgotten.
Oft have I sent forth my blood to be spilled in vain in the battle
Fighting for Troy and her greatness earned by my toil and my fathers.
Now all the debt has been paid; she rejects us driven by the immortals.
Much do we owe to the mother who bore us, much to our country;
But at the last our life is ours and the gods and the futures.
Gather the gold of my house and our kin, O ye sons of Antenor.
Warned by a voice in my soul I will go forth tonight from this city
Fleeing the doom and bearing my treasures; the ships shall receive them
Gathered, new-keeled by my care and the gods, in the narrow Propontis.
Over Gods waters guided, treading the rage of Poseidon,
Bellying out with their sails let them cleave to the untravelled distance
Oceans crests and resign to their Fates the doomed and the evil.
So Antenor spoke and his children heard him in silence;
Awed by his voice and the dread of his curse they obeyed, though in sorrow.
Halamus only replied to his father: Dire are the white hairs
Reverend, loved, of a father, dreadful his curse to his children.
Yet in my heart there is one who cries, tis the voice of my country,
She for whose sake I would be in Tartarus tortured for ever.
Pardon me then, if thou wilt; if the gods can, then let them pardon.
For I will sleep in the dust of Troy embracing her ashes,
There where Polydamas sleeps and the many comrades I cherished.
So let me go to the darkness remembered or wholly forgotten,
Yet having fought for my country, true in my fall to my nation.
Then in his aged wrath to Halamus answered Antenor:
Go then and perish doomed with the doomed and the hated of heaven;
Nor shall the gods forgive thee dying nor shall thy father.
Out from the chamber Halamus strode with grief in his bosom
Wrestling with wrath and he went to his doom nor looked back at his dear ones.
Crossing the hall the son of Antenor and son of Anchises
Met in the paths of their fates where they knotted and crossed for the parting,
One with the curse of the gods and his sire fast wending to Hades,
Fortunate, blessed the other; yet equal their minds were and virtues.
Cypris son to the Antenorid: Thee I have sought and thy brothers,
Bough of Antenor; sore is our need today of thy counsels,
Endless our want of their arms that are strong and their hearts that recoil not
Meeting myriads stark with the spear in unequal battle.
Halamus answered him: I will go forth to the palace of Priam,
There where Troy yet lives and far from the halls of my fathers;
There will I speak, not here. For my kin they repose in the mansion
Sitting unarmed in their halls while their brothers fall in the battle.
Eurus eagerly answered the hero: Me rather, therefore,
Take to the fight with you; I will make war on the Greeks for my uncles;
One for all I will fill their place in the shock with the foemen.
But from his chamber-door Antenor heard and rebuked him:
Scamp of my heart, thou torment! in to thy chamber and rest there,
Bound with cords lest thou cease, thou flutter-brain, scourged into quiet;
So shall thy lust of the fight be healed and our mansion grow tranquil.
Chid by the old man Eurus slunk from the hall discontented,
Yet with a dubious smile like a moonbeam lighting his beauty.
But to Antenor the Dardanid born from the white Aphrodite:
Late the Antenorids learn to flinch from the spears of the Argives,
Even this boy of their blood has Polydamas heart and his valour.
Nor should a life that was honoured and noble be stained in its ending.
Nay, then, the mood of a child would shame a grey-headed wisdom,
If for the fault of the people virtue and Troy were forgotten.
For, though the people hear us not, yet are we bound to our nation:
Over the people the gods are; over a man is his country;
This is the deity first adored by the hearths of the noble.
For by our nations will we are ruled in the home and the battle
And for our nations weal we offer our lives and our childrens.
Not by their own wills led nor their passions men rise to their manhood,
Selfishly seeking their good, but the gods and the States and the fathers.
Wroth Antenor replied to the warlike son of Anchises:
Great is the soul in thee housed and stern is thy will, O Aeneas;
Onward it moves undismayed to its goal though a city be ruined.
They too guide thee who deepest see of the ageless immortals,
One with her heart and one in his spirit, Cypris and Phoebus.
Yet might a man not knowing this think as he watched thee, Aeneas,
Spurring Priams race to its fall he endangers this city,
Hoping to build a throne out of ruins sole in the Troad.
I too have gods who warn me and lead, Athene and Hera.
Not as the ways of other mortals are theirs who are guided,
They whose eyes are the gods and they walk by a light that is secret.
Coldly Aeneas made answer, stirred into wrath by the taunting:
High wert thou always, nurtured in wisdom, ancient Antenor.
Walk then favoured and led, yet watch lest passion and evil
Feign auguster names and mimic the gait of the deathless.
And with a smile on his lips but wrath in his bosom answered,
Wisest of men but with wisdom of mortals, aged Antenor:
Led or misled we are mortals and walk by a light that is given;
Most they err who deem themselves most from error excluded.
Nor shalt thou hear in this battle the shout of the men of my lineage
Holding the Greeks as once and driving back Fate from their country.
His alone will be heard for a space while the stern gods are patient
Even now who went forth a victim self-offered to Hades,
Last whom their wills have plucked from the fated house of Antenor.
They now with wrath in their bosoms sundered for ever and parted.
Forth from the halls of Antenor Aeneas rapidly striding
Passed once more through the city hurrying now with its car-wheels,
Filled with a mightier rumour of war and the march of its thousands,
Till at Troys upward curve he found the Antenorid crestward
Mounting the steep incline that climbed to the palace of Priam
White in her proud and armed citadel. Silent, ascending
Hardly their feet had attempted the hill when behind them they hearkened
Sweet-tongued a call and the patter and hurry of light-running sandals,
Turning they beheld with a flush on his cheeks and a light on his lashes
Challenging mutely and pleading the boyish beauty of Eurus.
Racer to mischief, said Halamus, couldst thou not sit in thy chamber?
Surely cords and the rod await thee, Eurus, returning.
Answered with laughter the child, I have broken through ranks of the fighters,
Dived under chariot-wheels to arrive here and I return not.
I too for counsel of battle have come to the palace of Priam.
Burdened with thought they mounted slowly the road of their fathers
Breasting the Ilian hill where Laomedons mansion was seated,
They from the crest down-gazing saw their countrys housetops
Under their feet and heard the murmur of Troya below them.
But in the palace of Priam coming and going of house-thralls
Filled all the corridors; smoke from the kitchens curled in its plenty
Rich with savour and breathed from the labouring lungs of Hephaestus.
Far in the halls and the chambers voices travelled and clustered,
Anklets jangling ran and sang back from doorway to doorway
Mocking with music of speed and its laughters the haste of the happy,
Sound came of arms, there was tread of the great, there were murmurs of women,
Voices glad of the doomed in Laomedons marvellous mansion.
Six were the halls of its splendour, a hundred and one were its chambers
Lifted on high upon columns that soared like the thoughts of its dwellers,
Thoughts that transcended the earth though they sank down at last into ashes;
So had Apollo dreamed to his lyre; and its tops were a grandeur
Domed, as if seeking to roof mens lives with a hint of the heavens;
Marble his columns rose and with marble his roofs were appointed,
Conquered wealth of the world in its largeness suffered, supporting
Purities of marble, glories of gold. Nor only of matter
Blazed there the brutal pomps, but images mystic or mighty
Crowded ceiling and wall, a work that the gods even admire
Hardly believing that forms like these were imagined by mortals
Here upon earth where sight is a blur and the soul lives encumbered.
Scrolls that remembered in gems the thoughts austere of the ancients
Bordered the lines of the stone and the forms of serpent and Naiad
Ran in relief on those walls of pride in the palace of Priam
Mingled with Dryads who tempted and fled and Satyrs who followed,
Sports of the nymphs in the sea and the woods and their meetings with mortals,
Sessions and battles of Trojan demigods, deaths that were famous,
Wars and loves of men and the deeds of the golden immortals.
Pillars sculptured with gods and with giants soared up from bases
Lion-carved or were seated on bulls and bore into grandeur
Amply those halls where they soared, or in lordliness slenderly fashioned,
Dressed in flowers and reeds like virgins standing on Ida,
Guarded the screens of stone and divided alcove and chamber.
Ivory carved and broidered robes and the riches of Indus
Cherished in sandalwood triumphed and teemed in the palace of Priam;
Doors that were carven and fragrant sheltered the joys of its princes.
Here in a chamber of luminous privacy Paris was arming.
Near him moved Helen, a whiteness divine, and intent on her labour
Fastened his cuirass, bound the greaves and settled the hauberk
Thrilling his limbs with her touch that was heaven to the yearning of mortals.
She with her hands of delight caressing the senseless metal
Pressed her lips to his brilliant armour; she bowed down, she whispered:
Cuirass, allowed by the gods, protect the beauty of Paris;
Keep for me that for which country was lost and my child and my brothers.
Yearning she bent to his feet, to the sandal-strings of her lover;
Then as she gazed up, changed grew her mood; for the Daemon within her
Rose that had banded Greece and was burning Troy into ashes.
Slowly a smile that was perfect and perilous over her beauty
Dawned like the sunlight on Paradise; strangely she looked on her lover.
So might a goddess have gazed as she played with the love of a mortal
Passing an hour on the earth ere she rose up white to Olympus.
So art thou winner, Paris, yet and thy spirit ascendant
Leads this Troy where thou wilt, O thou mighty one veiled in thy beauty.
First in the dance and the revel, first in the joy of the mellay,
Who would not leave for thy sake and repent it not country and homestead?
Winning thou reignest still over Troy, over Fate, over Helen.
Always so canst thou win? Has Death no claim on thy beauty,
Fate no scourge for thy sins? How the years have passed by in a glory,
Years of this heaven of the gods, O ravisher, since from my hearthstone
Seizing thou borest me compelled to thy ships and my joy on the waters.
Troy is enringed with the spears, her children fall and her glories,
Mighty souls of heroes have gone down prone to the darkness;
Thou and I abide! the mothers wail for our pleasure.
Wilt thou then keep me for ever, O son of Priam, in Troya?
Fate was my mother, they say, and Zeus for this hour begot me.
Art thou a god too, O hero, disguised in this robe of the mortal,
Brilliant, careless of death and of sin as if sure of thy rapture?
What then if Fate today were to lay her hands on thee, Paris?
Calmly he looked on the face of which Greece was enamoured, the body
For whose desire great Troy was a sacrifice, tranquil regarded
Lovely and dire on the lips he loved that smile of a goddess,
Saw the daughter of Zeus in the woman, yet was not shaken.
Temptress of Argos, he answered, thou snare for the world to be seized in,
Thou then hopst to escape! But the gods could not take thee, O Helen,
How then thy will that to mine is a captive, or how, though with battle,
He who has lost thee, unhappy, the Spartan, bright Menelaus?
All things yield to a man and Zeus is himself his accomplice
When like a god he wills without remorse or longing.
Thou on this earth art mine since I claimed thee beheld, not speaking,
But with thy lids that fell thou veiledst thy heart of compliance.
Then in whatever beyond I shall know how to take thee, O Helen,
Even as here upon earth I knew, in heaven as in Sparta;
I on Elysian fields will enjoy thee as now in the Troad.
Silent a moment she lingered like one who is lured by a music
Rapturous, heard by himself alone and his lover in heaven,
Then in her beauty compelling she rose up divine among women.
Yes, it is good, she cried, what the gods do and actions of mortals;
Good is this play of the world; it is good, the joy and the torture.
Praised be the hour of the gods when I wedded bright Menelaus!
Praised, more praised the keels that severed the seas towards Helen
Churning the senseless waves that knew not the bliss of their burden!
Praised to the end the hour when I passed through the doors of my husband
Laughing with joy in my heart for the arms that bore and enchained me!
Never can Death undo what life has done for us, Paris.
Nor, whatsoever betide, can the hour be unlived of our rapture.
This too is good that nations should meet in the shock of the battle,
Heroes be slain and a theme be made for the songs of the poets,
Songs that shall thrill with the name of Helen, the beauty of Paris.
Well is this also that empires should fall for the eyes of a woman;
Well that for Helen Hector ended, Memnon was slaughtered,
Strong Sarpedon fell and Troilus ceased in his boyhood.
Troy for Helen burning, her glory, her empire, her riches,
This is the sign of the gods and the type of things that are mortal.
Thou who art kin to the masters of heaven, unconstrained like thy kindred
High on this ancient stage of the Troad with gods for spectators
Play till the end thy part, O thou wondrous and beautiful actor:
Fight and slay the Greeks, my countrymen; victor returning
Take for reward of the play, thy delight of Argive Helen.
Force from my bosom a hint of the joy denied to the death-claimed,
Rob in the kiss of my lips a pang from the raptures of heaven.
Clasping him wholly her arms of desire were a girdle of madness,
Cestus divine of the dread Aphrodite. He with her kisses
Flushed like the gods with unearthly wine and rejoiced in his ruin.
Thus while they conversed now in this hour that was near to their parting
Last upon earth, a fleet-footed slavegirl came to the chamber:
Paris, thy father and mother desire thee; there in the strangers
Outer hall Aeneas and Halamus wait for thy coming.
So with the Argive he wended to Priams ample chamber
Far in Laomedons house where Troy looked upwards to Ida.
Priam and Hecuba there, the ancient grey-haired rulers,
Waiting him sat in their chairs of ivory calm in their greatness;
Hid in her robes at their feet lay Cassandra crouched from her visions.
Since, O my father, said Paris, thy thoughts have been with me, thy blessing
Surely shall help me today in my strife with the strength of Achilles.
Surely the gods shall obey in the end the might of our spirits,
Pallas and Hera, flame-sandalled Artemis, Zeus and Apollo.
Ever serve the immortal brightnesses man when he stands up
Firm with his will uplifted a steadfast flame towards the heavens,
Ares works in his heart and Hephaestus burns in his labour.
Priam replied to his son: Forewilled by the gods, Alexander,
All things happen on earth and yet we must strive who are mortals,
Knowing all vain, yet we strive; for our nature seizing us always
Drives like the flock that is herded and urged towards shambles or pasture.
So have the high gods fashioned these tools of their action and pleasure;
Failure and grief are their engines no less than the might of the victor;
They in the blow descend and resist in the sobs of the smitten.
Such are their goads that I too must walk in the paths that are common,
Even I who know must send for thee, moved by Cassandra.
Speak, O my child, since Apollo has willed it, once, and be silent.
But in her raiment hidden Cassandra answered her father:
No, for my heart has changed since I cried for him, vexed by Apollo.
Why should I speak? For who will believe me in Troy? who believed me
Ever in Troy or the world? Event and disaster approve me
Only, my comrades, not men in their thoughts, not my brothers and kinsmen.
All by their hopes are gladly deceived and grow wroth with the warner,
Half-blind prophets of hope entertained by the gods in the mortal!
Wiser blind, if nothing they saw or only the darkness.
I too once hoped when Apollo pursued me with love in his temple.
Round me already there gleamed the ray of the vision prophetic,
Thrill of that rapture I felt and the joy of the god in his seeing
Nor did I know that the knowledge of mortals is bound unto blindness.
Either only they walk mid the coloured dreams of the senses
Treading the greenness of earth and deeming the touch of things real,
Or if they see, by the curse of the gods their sight into falsehood
Easily turns and leads them more stumbling astray than the sightless.
So are we either blind in a darkness or dazzled by seeing.
Thus have the gods protected their purpose and baffled the sages;
Over the face of the Truth their shield of gold is extended.
But I deemed otherwise, urged by the Dreadful One, he who sits always
Veiled in us fighting the gods whom he uses. I cried to Apollo,
Give me thy vision sheer, not such as thou givst to thy prophets,
Troubled though luminous; clear be the vision and ruthless to error,
Far-darting god who art veiled by the sun and by death thou art shielded.
Then I shall know that thou lovest. He gave, alarmed and reluctant,
Driven by Fate and his heart; but I mocked him, I broke from my promise,
Courage fatal helping my heart to its ruin with laughter.
Always now I remember his face that grew tranquil and ruthless,
Hear the voice divine and implacable: Since thou deceivest
Even the gods and thou hast not feared to lie to Apollo,
Speak shalt thou henceforth only truth, but none shall believe thee:
Scorned in thy words, rejected yet more for their bitter fulfilment,
Scourged by the gods thou must speak though thy sick heart yearns to be silent.
For in this play thou hast dared to play with the masters of heaven,
Girl, it is thou who hast lost; thy voice is mine and thy bosom.
Since then all I foreknow; therefore anguish is mine for my portion:
Since then all whom I love must perish slain by my loving.
Even of that I denied him, violent force shall bereave me
Grasped mid the flames of my city and shouts of her merciless victors.
But to Cassandra answered gently the voice of her brother:
Sister of mine, afflicted and seized by the dreadful Apollo,
All whose eyes can pierce that curtain, gaze into dimness;
This they have glimpsed and that they imagine deceived by their natures
Seeing the forms in their hearts of dreadful things and of joyous;
As in the darkness our eyes are deceived by shadows uncertain,
Such is their sight who rend the veil that the dire gods have woven.
Busy our hearts are weaving thoughts and images always:
After their kind they see what here we call truth. So thy nature
Tender and loving, plagued by this war and its fears for thy loved ones,
Sees calamity everywhere; when the event like the vision
Seems, as in every war the beloved must fall and the cherished,
Then the heart cries, It has happened as all shall happen I mourn for.
All that was bright it misses and only seizes on sorrow.
Dear, on the brightness look and if thou must prophesy, tell us
Rather of great Pelides slain by my spear in the onset.
But with a voice of grief the sister answered her brother:
Yes, he shall fall and his slayer too perish and Troy with his slayer.
But in his spirit rejoicing Paris answered Cassandra:
Let but this word come true; for the rest, the gods shall avert it.
Look once more, O Cassandra, and comfort the heart of thy mother,
See, O seer, my safe return with the spoils of Achilles.
And with a voice of grief the sister answered her brother:
Thou shalt return for thy hour while Troy yet stands in the sunshine.
But in his spirit exultant Paris seizing the omen:
Hearst thou, my father, my mother? She who still prophesied evil
Now perceives of our night this dawning. Yet is it grievous,
Since through a heart that we love must be pierced the heart of Achilles.
Fate, with this evil satisfied, turn in the end from Troya.
Bless me, my father, and thou, O Hecuba, mother long-patient,
Still forgive that thy children have fallen for Helen and Paris.
Tenderly yearning his mother drew him towards her and murmured:
All for thy hyacinth curls was forgiven even from childhood
And for thy sunlit looks, O wonder of charm, O Paris.
Paris, my son, though Troy must fall, thy mother forgives thee,
Blessing the gods who have lent thee to me for a while in their sunshine.
Theirs are fate and result, but ours is the joy of our children;
Even the griefs are dear that come from their hands while they love us.
Fight and slay Achilles, the murderer dire of thy brothers;
Venging Hector return, my son, to the clasp of thy mother.
But in his calm august to Paris Priam the monarch:
Victor so mightst thou come, so gladden the heart of thy mother.
Then to the aged father of Paris Helen the Argive
Bright and immortal and sad like a star that grows near to the dawning
And on its pale companions looks who now fade from its vision:
Me too pardon and love, my parents, even Helen,
Cause of all bane and all death; but I came from the gods for this ruin
Born as a torch for the burning of empires, cursed with this beauty.
Nor have I known a fathers embrace, a mothers caresses,
But to the distant gods I was born and nursed as an alien
Here by earth from fear, not affection, compelled by the thunders.
Two are her monstrous births, from the Furies and from the immortals;
Either touching mortality suffers and bears not the contact.
I have been both, a monster of doom and a portent of beauty.
Slowly Priam the monarch answered to Argive Helen:
That which thou art the gods have made thee; thou couldst not be other:
That which thou didst, the gods have done; thou couldst not prevent them.
Who here shall blame or whom shall he pardon? Should not my people
Rail at me murmuring, Priam has lost what his fathers had gathered;
Cursed is this king by heaven and cursed who are born as his subjects?
Masked the high gods act; the doer is hid by his working.
Each of us bears his punishment, fruit of a seed thats forgotten;
Each of us curses his neighbour protecting his heart with illusions:
Therefore like children we blame each other and hate and are angry.
Take, my child, the joy of the sunshine won by thy beauty.
I who lodge on this earth as an alien bound by the body,
Wearing my sorrow even as I wear the imperial purple,
Praise yet the gods for my days that have seen thee at last in my ending.
Fitly Troy may cease having gazed on thy beauty, O Helen.
He became silent, he ceased from words. But Paris and Helen
Lightly went and gladly; pursuing their footsteps the mother,
Mother once of Troilus, mother once of Hector,
Stood at the door with her death in her eyes, nor returned from her yearning,
But as one after a vanishing sunbeam gazes in prison,
Gazed down the corridors after him, long who had passed from her vision.
Then in the silent chamber Cassandra seized by Apollo
Staggered erect and tossing her snow-white arms of affliction
Cried to the heavens in her pain; for the fierce god tortured her bosom:
Woe is me, woe for the guile and the bitter gift of Apollo!
Woe, thrice woe, for my birth in Troy and the lineage of Teucer!
So do you deal, O gods, with those who have served you and laboured,
Those who have borne for your sake the evil burden of greatness.
Blessed is he who holds mattock in hand or who bends oer the furrow
Taking no thought for the good of mankind, with no yearnings for knowledge.
Woe unto me for my wisdom which none shall value nor hearken!
Woe unto thee, O King, for thy strength which shall not deliver!
Better the eye that is sealed, more blest is the spirit thats feeble.
Vainly your hopes with iron Necessity struggle, O mortals.
Virtue shall lie in her pangs, for the gods have need of her torture;
Sin shall be scourged, though her deeds were compelled by the gods in their anger.
None shall avail in the end, the coward shall die and the hero.
Troy shall fall in her sin and her virtues shall not protect her;
Argos shall grow by her crimes till the gods shall destroy her for ever.
Now have I fruit of thy love, O Loxias, dreadful Apollo.
Woe is me, woe for the flame that approaches the house of my fathers!
Woe is me, woe for the hand of Ajax laid on my tresses!
Woe, thrice woe to him who shall ravish and him who shall cherish!
Woe for the ships that shall bound too swift oer the azure Aegean!
Woe for thy splendid shambles of hell, O Argive Mycenae!
Woe for the evil spouse and the house accursd of Atreus!
So with her voice of the swan she clanged out doom on the peoples,
Over the palace of Priam and over the armd nation
Marching resolved to the war in the pride of its centuries conquered,
Centuries slain by a single day of the anger of heaven.
Dim to the thoughts like a vision of Hades the luminous chamber
Grew; in his ivory chair King Priam sat like a shadow
Throned mid the ghosts of departed kings and forgotten empires.
But in his valiance careless and bli the the Priamid hastened
Seeking the pillared megaron wide where Deiphobus armoured
Waited his coming forth with the warlike chiefs of the Trojans.
Now as he passed by the halls of the women, the chambers that harboured
Daughters and wives of King Priam and wives of his sons and their playmates,
Niches of joy that were peopled with murmurs and sweet-tongued laughters,
Troubled like trees with their birds in a morning of sun and of shadow
Where in some garden of kings one walks with his heart in the sunshine,
Out from her door where she stood for him waiting Polyxena started,
Seized his hand and looked in his face and spoke to her brother.
Then not even the brilliant strength of Paris availed him;
Joyless he turned his face from her eyes of beauty and sorrow.
So it is come, the hour that I feared, and thou goest, O Paris,
Armed with the strength of Fate to strike at my heart in the battle;
For he is doomed and thou and I, a victim to Hades.
This thou preferrest and neither thy father could move nor thy mother
Burning with Troy in their palace, nor could thy country persuade thee,
Nor dost thou care for thy sisters happiness pierced by thy arrows.
Will she remember it all, my sister Helen, in Argos
Passing tranquil days with her husband, bright Menelaus,
Holding her child on her knees? But we shall lie joyless in Hades.
Paris replied: O sister Polyxena, blame me not wholly.
We by the gods are ensnared; for the pitiless white Aphrodite
Doing her will with us both compels this. Helpless our hearts are
And when she drives perforce must love, for death or for gladness:
Weighed in unequal scales she deals them to one or another.
Happy who holding his love can go down into bottomless Hades.
But to her brother replied in her anguish the daughter of Priam:
Evilly deal with my days the immortals happy in heaven;
Yes, I accuse the gods and I curse them who heed not our sorrow.
This they have done with me, forcing my heart to the love of a foeman,
One whose terrible hands have been stained with the blood of my brothers.
This now they do, they have taken the two whom I love beyond heaven,
Brother and husband, and drive to the fight to be slain by each other.
Nay, go thou forth; for thou canst not help it, nor I, nor can Helen.
Since I must die as a pageant to satisfy Zeus and his daughter,
Since now my heart must be borne as a victim bleeding to please them,
So let it be, let me deck myself and be bright for the altar.
Into her chamber she turned with her great eyes blind, unregarding;
He for a moment stood, then passed to the megaron slowly;
Dim was the light in his eyes and clouded his glorious beauty.
Meanwhile armed in the palace of Priam Penthesilea.
Near her her captains silent and mighty stood, from the Orient
Distant clouds of war, Surabdas and iron Surenas,
Pharatus planned like the hills, Somaranes, Valarus, Tauron,
High-crested Sumalus, Arithon, Sambus and Artavoruxes.
There too the princes of Phrygian Troya gathered for counsel
And with them Eurus came, Polydamas son, who most dearly
Loved was of all the Trojan boys by the glorious virgin.
She from her arming stayed to caress his curls and to chide him:
Eurus, forgotten of grace, dost thou gad like a stray in the city
Eager to mix with the armoured men and the chariots gliding?
High on the roofs wouldst thou watch the swaying speck that is battle?
Better to aim with the dart or seek with thy kind the palaestra;
So wilt thou sooner be part of this greatness rather than straining
Yearn from afar to the distance that veils the deeds of the mighty.
But with an anxious lure in his smile on her Eurus answered:
Not that remoteness to see have I come to the palace of Priam
Leaving the house of my fathers, but for the spear and the breastpiece.
Hast thou not promised me long I shall fight in thy car with Achilles?
Doubtful he eyed her, a lions cub at play in his beauty,
And mid the heroes who heard him laughter arose for a moment,
Yet with a sympathy stirred; they remembered the days of their childhood,
Thought of Troy still mighty, life in its rose-touched dawning
When they had longed for the clash of the fight and the burden of armour.
Glad, with the pride of the lioness watching her cub in the desert,
Couchant she lies with her paws before her and joys in his gambols,
Over the prey as he frisks and is careless, answered the virgin:
Younger than thou in my nation have mounted the steed and the war-car.
Eurus, arm; from under my shield thou shalt gaze at the Phthian,
Reaching my shafts for the cast from the rim of my car in the battle
Handle perhaps the spear that shall smite down the Phthian Achilles.
What sayst thou, Halamus? Were not such prowess a perfect beginning
Worthy Polydamas son and the warlike house of Antenor?
Halamus started and smiting his hand on the grief of his bosom,
Sombre replied and threatened with Fate the high-hearted virgin.
Virgin armipotent, wherefore mockst thou thy friend, though unwitting?
Nay, for the world will know at the end and my death cannot hide it,
Slain by a fathers curse we fight who are kin to Antenor.
Take not the boy in thy car, lest the Furies, Penthesilea,
Aim through the shield and the shielder to wreak the curse of the grandsire.
They will not turn nor repent for thy strength nor his delicate beauty.
Swiftly to Halamus answered the high-crested might of the virgin:
Curses leave lightly the lips when the soul of a man is in anger
Even as blessings easily crowd round the head that is cherished.
Yet have I never seen that a curse has sharpened a spear-point;
Never Death drew back from the doomed by the power of a blessing.
Valour and skill and chance are Fate and the gods and the Furies.
Give me the boy; a hero shall come back formed from the onset.
Do as thou wilt, replied Halamus; Fate shall guard or shall end him.
Then to the boy delighted and smiling-eyed and exultant
Cried with her voice like the call of heavens bugles waking the heroes,
Blown by the lips of gold-haired Valkyries, Penthesilea.
Go, find the spear, gird the sword, don the cuirass, child of the mighty.
Armed when thou standst on the plain of the Xanthus, field of thy fathers,
See that thou fight on this day like the comrade of Penthesilea.
Bud of a hero, gaze unalarmed in the eyes of Achilles.
Light as a hound released he ran to the hall of the armour
Where were the shields of the mighty, the arms of the mansion of Teucer;
There from the house-thralls he wrung the greaves and the cuirass and helmet
Troilus wore, the wonderful boy who, ere ripened his prowess,
Conquered the Greeks and drove to the ships and fought with Achilles.
These on his boyish limbs he donned and ran back exulting
Bearing spears and a sword and rejoiced in the clank on his armour.
Meanwhile Deiphobus, head of the mellay, moved by Aeneas
Opened the doors of their warlike debate to the strength of the virgin:
Well do I hope that our courage outwearying every opponent
Triumph shall lift to her ancient seat on the Pergaman turrets;
Clouds from Zeus come and pass; his sunshine eternal survives them.
Yet we are few in the fight and armoured nations besiege us.
Surging on Troy today a numberless foe well-captained
Hardly pushed back in shock after shock with the Myrmidon numbers
Swelled returns; they fight with a hope that broken refashion
Helpful skies and a man now leads them who conquers and slaughters,
One of the sons of the gods and armed by the gods for the struggle.
We unhelped save by Ares stern and the mystic Apollo
And but as mortals striving with stubborn mortal courage,
Hated and scorned and alone in the world, by the nations rejected,
Fight with the gods and mankind and Achilles and numbers against us
Keeping our country from death in this bitter hour of her fortunes.
Therefore have prudence and hardihood severed contending our counsels
Whether far out to fight on the seaward plain with the Argives
Or behind Xanthus the river impetuous friendly to Troya.
This my brother approves and the son of Antenor advises,
Prudent masters of war who prepare by defence their aggression.
But for myself from rashness I seek a more far-seeing wisdom,
Not behind vain defences choosing a tardy destruction,
Rather as Zeus with his spear of the lightning and chariot of tempest
Scatters and chases the heavy mass of the clouds through the heavens,
So would I hunt the Greeks through the plains to their lair by the Ocean,
Straight at the throat of my foeman so would I leap in the battle.
Swiftly to smite at the foe is prudence for armies outnumbered.
Then to the Dardanid answered the high-crested Penthesilea:
There where I find my foe I will fight him, whether by Xanthus
Or at the fosse of the ships where they crouch behind bulwarks for shelter,
Or if they dare by Scamander the higher marching on Troya.
Sternly approved her the Trojan, So should they fight who would triumph
Meeting the foe ere he move in his will to the clash of encounter.
But with his careless laughter the brilliant Priamid Paris:
Joy of the battle, joy of the tempest, joy of the gamble
Mated are in thy blood, O virgin, daughter of Ares.
Thou like the deathless wouldst have us combat, us who are human?
Come, let the gods do their will with us, Ares let lead and his daughter!
Always the blood is wiser and knows what is hid from the thinker.
Life and treasure and fame to cast on the wings of a moment,
Fiercer joy than this the gods have not given to mortals.
Highly to Paris the virgin armipotent Penthesilea,
Paris and Halamus, shafts of the war-god, fear not for Troya.
Not as a vaunt do I speak it, you gods who stern-thoughted watch us,
But in my vision of strength and the soul that is seated within me,
Not while I live and war shall the host of the Myrmidon fighters
Forcing the currents lave, as once they were wont, in Scamander
Vaunting their victor car-wheels red with the blood of the vanquished.
Then when I lie by some war-god slain on the fields of the Troad,
Fight again if you will behind high-banked fast-flowing Xanthus.
Halamus answered her, Never so by my will would I battle
Flinging Troy as a stake on the doubtful diceboard of Ares.
But you have willed it and so let it be; yet hearken my counsel.
Massed in the fight let us aim the storm of our spears at one greatness,
Mighty Pelides head who gives victory still to the Argives.
Easy the Greeks to destroy lay Achilles once slain on the Troad,
But if the Peleid lives the fire shall yet finish with Troya.
Join then Orestes speed to the stubborn might of Aeneas,
Paris fatal shafts and the missiles of Penthesilea.
Others meanwhile, a puissant screen of our bravest and strongest,
Fighting shall hold back Pylos and Argolis, Crete and the Locrian.
Thou, Deiphobus, front the bronze-clad stern Diomedes,
I with Polydamas spear will dare to restrain and discourage
Ajax feet though they yearn for pursuit and are hungry for swiftness.
Knot of retreat behind let some strong experienced captain
Stand with our younger levies guarding the fords of the Xanthus,
Fortify the wavering line and dawn as fresh strength on the wearied.
Then if the fierce gods prevail we shall perish not driven like cattle
Over the plains, but draw back sternly and slowly to Troya.
Answered the Priamid, Wise is thy counsel, branch of Antenor.
Chaff are the southern Achaians, only the hardihood Hellene,
Only the savage speed of the Locrian rescues their legions.
Marshal we so this field. Stand, Halamus, covering Xanthus,
Helping our need when the foe press hard on the Ilian fighters.
Paris, my brother, thou with our masses aid the Eoan.
I with Aeneas single spear am enough for the Argive.
Gladlier Halamus cried would I fight in the front with the Locrian!
This too let be as you will; for one is the glory and service
Fighting in front or guarding behind the fate of our country.
So in their thoughts they ordered battle. Meanwhile Eurus
Gleaming returned and the room grew glad with the light of his armour.
Glad were its conscious walls of that vision of boyhood and valour;
Gods of the household sighed and smiled at his courage and beauty,
They who had seen so many pass over their floors and return not
Hasting to battle, the fair and the mighty, the curled and the grizzled,
All of them treading one path like the conscious masks of one pageant
Winding past through the glare of a light to the shadows beyond them.
But on her captains proudly smiling Penthesilea
Seized him and cried aloud, her wild and warlike nature
Moved by the mothers heart that the woman loses not ever.
Who then shall fear for the fate of Troy when such are her children?
Verily, Eurus, yearning has seized me to meet thee in battle
Rather than Locrian Ajax, rather than Phthian Achilles.
There acquiring a deathless fame I would make thee my captive,
Greedy and glad who feel as a lioness eyeing her booty.
Nay, I can never leave thee behind, my delicate Trojan,
But, when this war ends, will bear thee away to the hills of my country
And, as a robber might, with my captive glad and unwilling
Bring thee a perfect gift to my sisters Ditis and Anna.
Eurus, there in my land thou shalt look on such hills as thy vision
Gazed not on yet, with their craggy tops besieging Cronion,
Sheeted in virgin white and chilling his feet with their vastness.
Thou shalt rejoice in our wooded peaks and our fruit-bearing valleys,
Lakes of Elysium dreaming and wide and rivers of wonder.
All day long thou shalt glide between mystic woodlands in silence
Broken only by call of the birds and the plashing of waters.
There shalt thou see, O Eurus, the childhood of Penthesilea.
Thou shalt repose in my fathers house and walk in the gardens
Green where I played at the ball with my sisters, Ditis and Anna.
Musing she ceased, but if any god had touched her with prescience
Bidding her think for the last time now of the haunts of her childhood,
Gaze in her soul with a parting love at the thought of her sisters
And of the lovely and distant land where she played through her summers,
Brief was the touch; for she changed at once and only of triumph
Dreamed and only yearned in her heart for the shock of Achilles.
So they passed from the halls of Priam fated and lofty,
Halls where the air seemed sobbing yet with the cry of Cassandra;
Clad in their brilliant armour, bright in their beauty and courage,
Sons of the passing demigods, they to their latest battle
Down the ancestral hill of the Pergamans moved to the gateway.
Loud with an endless march, with a tireless gliding to meet them,
All Troy streamed from her streets and her palaces armed for the combat.
Then to the voice of Deiphobus clanging high oer the rumour
Wide the portals swung that shall close on a blood-red evening,
Slow, foreboding, reluctant, and through the yawn of the gateway
Drove with a cry her steeds the virgin Penthesilea
Calling aloud, O steeds of my east, we drive to Achilles.
Bli the in the car behind her Eurus scouted around him
Scared with his eyes lest Antenor his grandsire should rise in the gateway,
Hardly believing his fate that led him safe through the portals.
After her trampled and crashed the ranks of her orient fighters.
Paris next with his hosts came brilliant, gold on his armour,
Gold on his helm; a mighty bow hung slack on his shoulder,
Propped oer his arm a spear, as he drove his car through the gateway.
Next Deiphobus drove and the hero strong Aeneas,
Leading their numbers on. Behind them Dus and Polites,
Helenus, Priams son, Thrasymachus, grizzled Aretes,
Came like the tempest his father, Adamas, son of the Northwind
Orus old in the fight and Eumachus, kin to Aeneas,
Who was Cresas brother and richest of men in the Troad
After Antenor only and Priam, Ilions monarch.
Halamus drove and Arintheus led on his Lycian levies.
Who were the last to speed out of Troya of all those legions
Doomed to the sword? for never again from the ancient city
Foot would march or chariots crash in their pride to the Xanthus.
Aetor the old and Tryas the conqueror known by the Oxus.
They in the portals met and their ancient eyes on each other
Looked amazed, admiring on age the harness of battle.
They in the turreted head of the gateway halted and conversed.
Twenty years have passed, O Tryas, chief of the Trojans,
Since in the battle thy car was seen and the arm of thy prowess
Age has wronged. Why now to the crowded ways of the battle
Move once more thy body infirm and thy eyes that are faded?
And to Antenors brother the Teucrian, Thou too, O Aetor,
Old and weary hast sat in thy halls and desisted from battle.
Now in Troys portals I meet thee driving forth to the mellay.
Aetor answered, Which then is better, to wretchedly perish
Crushed by the stones of my falling house or slain like a victim
Dragged through the blood of my kin on the sacred hearth of my fathers,
Or in the battle to cease mid the war-cry and hymn of the chariots
Knowing that Troy yet stands in her pride though doomed in her morrows?
So have the young men willed and the old like thee who age not,
Old are thy limbs, but thy heart is still young and hot for the war-din.
Tryas replied, To perish is better for man or for nation
Nobly in battle, nor end disgraced by disease or subjection.
So have I come here to offer this shoulder Laomedon leaned on,
Arms that have fought by the Oxus and conquered the Orients heroes
Famous in Priams wars, and a heart that is faithful to Troya.
These I will offer to death on his splendid altar of battle,
Tri bute from Ilion. If she must fall, I shall see not her ending.
Aetor replied to Tryas, Then let us perish together,
Joined by the love of our race who in life were divided in counsel.
All things embrace in death and the strife and the hatred are ended.
Silent together they drove for the last time through Ilions portals
Out with the rest to the fight towards the sea and the spears of the Argives.
Only once, as they drove, they gazed back silent on Troya
Lifting her marble pride in the golden joy of the morning.
So through the ripening morn the army, crossing Scamander,
Filling the heavens with the dust and the war-cry, marched on the Argives.
Far in front Troys plain spread wide to the echoing Ocean.
***
~ Sri Aurobindo, 4 - The Book of Partings
,#NFDB
1297:The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
259
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
260
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:-At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,-Let Favour speak for others, Worth for me.-For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows-At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
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Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view-What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
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Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
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What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
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Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
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Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
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By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
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From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,-Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
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With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know-It was the fashion twenty years ago.
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Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last-He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
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'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
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Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came-Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
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Can none remember? Yes--I know all must-When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
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Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
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Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
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Talk not to me of diffidence and fear-I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,-Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
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Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
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The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
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The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly-Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
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Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:-From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
280
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
281
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
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In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low-Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause-'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
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If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught-Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,-Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:-If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
284
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
~ Charles Churchill,#NFDB
1298: Book VIII: The Book of the Gods
So on the earth the seed that was sown of the centuries ripened;
Europe and Asia, met on their borders, clashed in the Troad.
All over earth men wept and bled and laboured, world-wide
Sowing Fate with their deeds and had other fruit than they hoped for,
Out of desires and their passionate griefs and fleeting enjoyments
Weaving a tapestry fit for the gods to admire, who in silence
Joy, by the cloud and the sunbeam veiled, and men know not their movers.
They in the glens of Olympus, they by the waters of Ida
Or in their temples worshipped in vain or with heart-strings of mortals
Sated their vast desire and enjoying the world and each other
Sported free and unscourged; for the earth was their prey and their playground.
But from his luminous deep domain, from his estate of azure
Zeus looked forth; he beheld the earth in its flowering greenness
Spread like an emerald dream that the eyes have enthroned in the sunlight,
Heard the symphonies old of the ocean recalling the ages
Lost and dead from its marches salt and unharvested furrows,
Felt in the pregnant hour the unborn hearts of the future.
Troubled kingdoms of men he beheld, the hind in the furrow,
Lords of the glebe and the serf subdued to the yoke of his fortunes,
Slavegirls tending the fire and herdsmen driving the cattle,
Artisans labouring long for a little hire in mens cities,
Labour long and the meagre reward for a toil that is priceless.
Kings in their seats august or marching swift with their armies
Founded ruthlessly brittle empires. Merchant and toiler
Patiently heaped up our transient wealth like the ants in their hillock.
And to preserve it all, to protect this dust that must perish,
Hurting the eternal soul and maiming heaven for some metal
Judges condemned their brothers to chains and to death and to torment,
Criminals scourgers of crime, for so are these ant-heaps founded,
Punishing sin by a worse affront to our crucified natures.
All the uncertainty, all the mistaking, all the delusion
Naked were to his gaze; in the moonlit orchards there wandered
Lovers dreaming of love that endurestill the moment of treason;
Helped by the anxious joy of their kindred supported their anguish
Women with travail racked for the child who shall rack them with sorrow.
Hopes that were confident, fates that sprang dire from the seed of a moment,
Yearning that claimed all time for its date and all life for its fuel,
All that we wonder at gazing back when the passion has fallen,
Labour blind and vain expense and sacrifice wasted,
These he beheld with a heart unshaken; to each side he studied
Seas of confused attempt and the strife and the din and the crying.
All things he pierced in us gazing down with his eyelids immortal,
Lids on which sleep dare not settle, the Father of men on his creatures;
Nor by the cloud and the mist was obscured which baffles our eyeballs,
But he distinguished our source and saw to the end of our labour.
He in the animal racked knew the god that is slowly delivered;
Therefore his heart rejoiced. Not alone the mind in its trouble
God beholds, but the spirit behind that has joy of the torture.
Might not our human gaze on the smoke of a furnace, the burning
Red, intolerable, anguish of ore that is fused in the hell-heat,
Shrink and yearn for coolness and peace and condemn all the labour?
Rather look to the purity coming, the steel in its beauty,
Rather rejoice with the master who stands in his gladness accepting
Heat of the glorious god and the fruitful pain of the iron.
Last the eternal gaze was fixed on Troy and the armies
Marching swift to the shock. It beheld the might of Achilles
Helmed and armed, knew all the craft in the brain of Odysseus,
Saw Deiphobus stern in his car and the fates of Aeneas,
Greece of her heroes empty, Troy enringed by her slayers,
Paris a setting star and the beauty of Penthesilea.
These things he saw delighted; the heart that contains all our ages
Blessed our toil and grew full of its fruits, as the Artist eternal
Watched his vehement drama staged twixt the sea and the mountains,
Phrased in the clamour and glitter of arms and closed by the firebrand,
Act itself out in blood and in passions fierce on the Troad.
Yet as a father his children, who sits in the peace of his study
Hearing the noise of his brood and pleased with their play and their quarrels,
So he beheld our mortal race. Then, turned from the armies,
Into his mind he gazed where Time is reflected and, conscient,
Knew the iron knot of our human fates in their warfare.
Calm he arose and left our earth for his limitless kingdoms.
Far from this lower blue and high in the death-scorning spaces
Lifted oer mortal mind where Time and Space are but figures
Lightly imagined by Thought divine in her luminous stillness,
Zeus has his palace high and there he has stabled his war-car.
Thence he descends to our mortal realms; where the heights of our mountains
Meet with the divine air, he touches and enters our regions.
Now he ascended back to his natural realms and their rapture,
There where all life is bliss and each feeling an ecstasy mastered.
Thence his eagle Thought with its flashing pinions extended
Winged through the world to the gods, and they came at the call, they ascended
Up from their play and their calm and their works through the infinite azure.
Some from our mortal domains in grove or by far-flowing river
Cool from the winds of the earth or quivering with perishable fragrance
Came, or our laughter they bore and the song of the sea in their paces.
Some from the heavens above us arrived, our vital dominions
Whence we draw breath; for there all things have life, the stone like the ilex,
Clay of those realms like the children of men and the brood of the giants.
There Enceladus groans oppressed and draws strength from his anguish
Under a living Aetna and flames that have joy of his entrails.
Fiercely he groans and rejoices expecting the end of his foemen
Hastened by every pang and counts long Time by his writhings.
There in the champaigns unending battle the gods and the giants,
There in eternal groves the lovers have pleasure for ever,
There are the faery climes and there are the wonderful pastures.
Some from a marvellous Paradise hundred-realmed in its musings,
Million-ecstasied, climbed like flames that in silence aspire
Windless, erect in a motionless dream, yet ascending for ever.
All grew aware of the will divine and were drawn to the Father.
Grandiose, calm in her gait, imperious, awing the regions,
Hera came in her pride, the spouse of Zeus and his sister.
As at her birth from the foam of the spaces white Aphrodite
Rose in the cloud of her golden hair like the moon in its halo.
Aegis-bearing Athene, shielded and helmeted, answered
Rushing the call and the heavens thrilled with the joy of her footsteps
Dumbly repeating her name, as insulted and trampled by beauty
Thrill might the soul of a lover and cry out the name of its tyrant.
Others there were as mighty; for Artemis, archeress ancient,
Came on her sandals lightning-tasselled. Up the vast incline
Shaking the world with the force of his advent thundered Poseidon;
Space grew full of his stride and his cry. Immortal Apollo
Shone and his silver clang was heard with alarm in our kingdoms.
Ares impetuous eyes looked forth from a cloud-drift of splendour;
Themis steps appeared and Ananke, the mystic Erinnys;
Nor was Hephaestus flaming strength from his father divided.
Even the ancient Dis to arrive dim-featured, eternal,
Seemed; but his rays are the shades and his voice is the call of the silence.
Into the courts divine they crowded, radiant, burning,
Perfect in utter grace and light. The joy of their spirits
Calls to eternal Time and the glories of Space are his answer:
Thence were these bright worlds born and persist by the throb of their heart-beats.
Not in the forms that mortals have seen when assisted they scatter
Mists of this earthly dust from their eyes in their moments of greatness
Shone those unaging Powers; nor as in our centuries radiant
Mortal-seeming bodies they wore when they mixed with our nations.
Then the long youth of the world had not faded still out of our natures,
Flowers and the sunlight were felt and the earth was glad like a mother.
Then for a human delight they were masked in this denser vesture
Earth desires for her bliss, thin veils, for the god through them glimmered.
Quick were mens days with the throng of the brilliant presences near them:
Gods from the wood and the valley, gods from the obvious wayside,
Gods on the secret hills leaped out from their light on the mortal.
Oft in the haunt and the grove they met with our kind and their touches
Seized and subjected our clay to the greatness of passions supernal,
Grasping the earthly virgin and forcing heaven on this death-dust.
Glorifying human beauty Apollo roamed in our regions
Clymene when he pursued or yearned in vain for Marpessa;
Glorifying earth with a human-seeming face of the beauty
Brought from her heavenly climes Aphrodite mixed with Anchises.
Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces,
Dryad and Naiad in river and forest, Oreads haunting
Glens and the mountain-glades where they played with the manes of our lions
Glimmered on death-claimed eyes; for the gods then were near us and clasped us,
Heaven leaned down in love with our clay and yearned to its transience.
But we have coarsened in heart and in mood; we have turned in our natures
Nearer our poorer kindred; leaned to the ant and the ferret.
Sight we have darkened with sense and power we have stifled with labour,
Likened in mood to the things we gaze at and are in our vestures:
Therefore we toil unhelped; we are left to our weakness and blindness.
Not in those veils now they rose to their skies, but like loose-fitting mantles
Dropped in the vestibules huge of their vigorous realms that besiege us
All that reminded of earth; then clothed with raiment of swiftness
Straight they went quivering up in a glory like fire or the storm-blast.
Even those natural vestures of puissance they leave when they enter
Minds more subtle fields and agree with its limitless regions
Peopled by creatures of bliss and forms more true than earths shadows,
Mind that pure from this density, throned in her splendours immortal
Looks up at Light and suffers bliss from ineffable kingdoms
Where beyond Mind and its rays is the gleam of a glory supernal:
There our sun cannot shine and our moon has no place for her lustres,
There our lightnings flash not, nor fire of these spaces is suffered.
They with bodies impalpable here to our touch and our seeing,
But for a higher delight, to a brighter sense, with more sweetness
Palpable there and visible, thrilled with a lordlier joyance,
Came to the courts of Zeus and his heavens sang to their footsteps.
Harmonies flowed through the blissful coils of the kingdoms of rapture.
Then by his mighty equals surrounded the Thunderer regnant
Veiled his thought in sound that was heard in their souls as they listened.
Veiled are the high gods always lest there should dawn on the mortal
Light too great from the skies and men to their destiny clear-eyed
Walk unsustained like the gods; then Night and Dawn were defeated
And of their masks the deities robbed would be slaves to their subjects.
Children of Immortality, gods who are joyous for ever,
Rapture is ours and eternity measures our lives by his aeons.
For we desireless toil who have joy in the fall as the triumph,
Knowledge eternal possessing we work for an end that is destined
Long already beyond by the Will of which Time is the courser.
Therefore death cannot alter our lives nor pain our enjoyment.
But in the world of mortals twilight is lord of its creatures.
Nothing they perfectly see, but all things seek and imagine,
Out of the clod who have come and would climb from their mire to our heavens.
Yet are the heavenly seats not easy even for the chosen:
Rough and remote is that path; that ascent is too hard for the death-bound.
Hard are Gods terms and few can meet them of men who are mortal.
Mind resists; their breath is a clog; by their tools they are hampered,
Blindly mistaking the throb of their mortal desires for our guidance.
How shall they win in their earth to our skies who are clay and a life-wind,
But that their hearts we invade? Our shocks on their lives come incessant,
Ease discourage and penetrate coarseness; sternness celestial
Forces their souls towards the skies and their bodies by anguish are sifted.
We in the mortal wake an immortal strength by our tortures
And by the flame of our lightnings choose out the vessels of godhead.
This is the nature of earth that to blows she responds and by scourgings
Travails excited; pain is the bed of her blossoms of pleasure.
Earth that was wakened by pain to life and by hunger to thinking
Left to her joys rests inert and content with her gains and her station.
But for the unbearable whips of the gods back soon to her matter
She would go glad and the goal would be missed and the aeons be wasted.
But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his feet to the journey.
But in their minds to impression made subject, by forms of things captured
Blind is the thought and presumptuous the hope and they swerve from our goading;
Blinded are human hearts by desire and fear and possession,
Darkened is knowledge on earth by hope the helper of mortals.
Now too from earth and her children voices of anger and weeping
Beat at our thrones; tis the grief and the wrath of fate-stricken creatures,
Mortals struggling with destiny, hearts that are slaves to their sorrow.
We unmoved by the cry will fulfil our unvarying purpose.
Troy shall fall at last and the ancient ages shall perish.
You who are lovers of Ilion turn from the moans of her people,
Chase from your hearts their prayers, blow back from your nostrils the incense.
Let not one nation resist by its glory the good of the ages.
Twilight thickens over man and he moves to his winter of darkness.
Troy that displaced with her force and her arms the luminous ancients,
Sinks in her turn by the ruder strength of the half-savage Achaians.
They to the Hellene shall yield and the Hellene fall by the Roman.
Rome too shall not endure, but by strengths ill-shaped shall be broken,
Nations formed in the ice and mist, confused and crude-hearted.
So shall the darker and ruder always prevail oer the brilliant
Till in its turn to a ruder and darker it falls and is shattered.
So shall mankind make speed to destroy what twas mighty creating.
Ever since knowledge failed and the ancient ecstasy slackened,
Light has been helper to death and darkness increases the victor.
So shall it last till the fallen ages return to their greatness.
For if the twilight be helped not, night oer the world cannot darken;
Night forbidden how shall a greater dawn be effected?
Gods of the light who know and resist that the doomed may have succour,
Always then shall desire and passion strive with Ananke?
Conquer the cry of your heart-strings that man too may conquer his sorrow,
Stilled in his yearnings. Cease, O ye gods, from the joy of rebellion.
Open the eye of the soul, admit the voice of the Silence.
So in the courts of Heaven august the Thunderer puissant
Spoke to his sons in their souls and they heard him, mighty in silence.
Then to her brother divine the white-armed passionless Hera:
Zeus, we remember; thy sons forget, Apollo and Ares.
Hera, queen of the heavens, they forget not, but choose to be mindless.
This is the greatness of gods that they know and can put back the knowledge;
Doing the work they have chosen they turn not for fruit nor for failure,
Griefless they walk to their goal and strain not their eyes towards the ending.
Light that they have they can lose with a smile, not as souls in the darkness
Clutch at every beam and mistake their one ray for all splendour.
All things are by Time and the Will eternal that moves us,
And for each birth its hour is set in the night or the dawning.
There is an hour for knowledge, an hour to forget and to labour.
Great Cronion ceased and high in the heavenly silence
Rose in their midst the voice of the loud impetuous Ares
Sounding far in the luminous fields of his soul as with thunder.
Father, we know and we have not forgotten. This is our godhead,
Still to strive and never to yield to the evil that conquers.
I will not dwell with the Greeks nor aid them save forced by Ananke
And because lives of the great and the blood of the strong are my portion.
This too thou knowest, our nature enjoys in mankind its fulfilment.
War is my nature and greatness and hardness, the necks of the vanquished;
Force is my soul and strength is my bosom; I shout in the battle
Breaking cities like toys and the nations are playthings of Ares:
Hither and thither I shove them and throw down or range on my table.
Constancy most I love, nobility, virtue and courage;
Fugitive hearts I abhor and the nature fickle as sea-foam.
Now if the ancient spirit of Titan battle is over,
Tros fights no more on the earth, nor now Heracles tramples and struggles,
Bane of the hydra or slaying the Centaurs oer Pelion driven,
Now if the earth no more must be shaken by Titan horsehooves,
Since to a pettier framework all things are fitted consenting,
Yet will I dwell not in Greece nor favour the nurslings of Pallas.
I will await the sons of my loins and the teats of the she-wolf,
Consuls browed like the cliffs and plebeians stern of the wolf-brood,
Senates of kings and armies of granite that grow by disaster;
Such be the nation august that is fit for the favour of Ares!
They shall fulfil me and honour my mother, imperial Hera.
Then with an iron march they shall move to their world-wide dominion,
Through the long centuries rule and at last because earth is impatient,
Slowly with haughtiness perish compelled by mortalitys transience
Leaving a Roman memory stamped on the ages of weakness.
But to his son far-sounding the Father high of the Immortals:
So let it be since such is the will in thee, mightiest Ares;
Thou shalt till sunset prevail, O war-god, fighting for Troya.
So he decreed and the soul of the Warrior sternly consented.
He from his seats arose and down on the summits of Ida
Flaming through Space in his cloud in a headlong glory descended,
Prone like a thunderbolt flaming down from the hand of the Father.
Thence in his chariot drawn by living fire and by swiftness,
Thundered down to earths plains the mighty impetuous Ares.
Far where Deiphobus stern was labouring stark and outnumbered
Smiting the Achaian myriads back on the right of the carnage,
Over the hosts in his car he stood and darkened the Argives.
But in the courts divine the Thunderer spoke to his children:
Ares resisting a present Fate for the hope of the future,
Gods, has gone forth from us. Choose thou thy paths, O my daughter,
More than thy brother assailed by the night that darkens oer creatures.
Choose the silence in heaven or choose the struggle mid mortals,
Golden joy of the worlds, O thou roseate white Aphrodite.
Then with her starry eyes and bosom of bliss from the immortals
Glowing and rosy-limbed cried the wonderful white Aphrodite,
Drawing her fingers like flowers through the flowing gold of her tresses,
Calm, discontented, her perfect mouth like a rose of resistance
Chidingly budded gainst Fate, a charm to their senses enamoured.
Well do I know thou hast given my world to Hera and Pallas.
What though my temples shall stand in Paphos and island Cythera
And though the Greek be a priest for my thoughts and a lyre for my singing,
Beauty pursuing and light through the figures of grace and of rhythm,
Forms shall he mould for mens eyes that the earth has forgotten and mourns for,
Mould even the workings of Pallas to commune with Paphias sweetness,
Mould Hephaestus craft in the gaze of the gold Aphrodite,
Only my form he pursues that I wear for a mortal enchantment,
He to whom now thou givest the world, the Ionian, the Hellene,
But for my might is unfit which Babylon worshipped and Sidon
Palely received from the past in images faint of the gladness
Once that was known by the children of men when the thrill of their members
Was but the immortal joy of the spirit overflowing their bodies,
Wine-cups of Gods desire; but their clay from my natural greatness
Falters betrayed to pain, their delight they have turned into ashes.
Nor to my peaks shall he rise and the perfect fruit of my promptings,
There where the senses swoon but the heart is delivered by rapture:
Never my touch can cling to his soul nor reply from his heart-strings.
Once could my godhead surprise all the stars with the seas of its rapture;
Once the world in its orbit danced to a marvellous rhythm.
Men in their limits, gods in their amplitudes answered my calling;
Life was moved by a chant of delight that sang from the spaces,
Sang from the Soul of the Vast, its rapture clasping its creatures.
Sweetly agreed my fire with their soil and their hearts were as altars.
Pure were its crests; twas not dulled with earth, twas not lost in the hazes
Then when the sons of earth and the daughters of heaven together
Met on lone mountain peaks or, linked on wild beach and green meadow,
Twining embraced. For I danced on Taygetus peaks and oer Ida
Naked and loosing my golden hair like a nimbus of glory
Oer a deep-ecstasied earth that was drunk with my roses and whiteness.
There was no shrinking nor veil in our old Saturnian kingdoms.
Equals were heaven and earth, twin gods on the lap of Dione.
Now shall my waning greatness perish and pass out of Nature.
For though the Romans, my children, shall grasp at the strength of their mother,
They shall not hold the god, but lose in unsatisfied orgies
Yet what the earth has kept of my joy, my glory, my puissance,
Who shall but drink for a troubled hour in the dusk of the sunset
Dregs of my wine Pandemian missing the Uranian sweetness.
So shall the night descend on the greatness and rapture of living;
Creeds that refuse shall persuade the world to revolt from its mother.
Pallas adorers shall loa the me and Heras scorn me for lowness;
Beauty shall pass from mens work and delight from their play and their labour;
Earth restored to the Cyclops shall shrink from the gold Aphrodite.
So shall I live diminished, owned but by beasts in the forest,
Birds of the air and the gods in their heavens, but disgraced in the mortal.
Then to the discontented rosy-mouthed Aphrodite
Zeus replied, the Father divine: O goddess Astarte,
What are these thoughts thou hast suffered to wing from thy rose-mouth immortal?
Bees that sting and delight are the words from thy lips, Cytherea.
Art thou not womb of the world and from thee are the thronging of creatures?
And didst thou cease the worlds too would cease and the aeons be ended.
Suffer my Greeks; accept who accept thee, O gold Dionaean.
They in the works of their craft and their dreams shall enthrone thee for ever,
Building thee temples in Paphos and Eryx and island Cythera,
Building the fane more enduring and bright of thy golden ideal.
Even if natures of men could renounce thee and God do without thee,
Rose of love and sea of delight, O my child Aphrodite,
Still wouldst thou live in the worship they gave thee protected from fading,
Splendidly statued and shrined in mens works and mens thoughts, Cytherea.
Pleased and blushing with bliss of her praise and the thought of her empire
Answered, as cries a harp in heaven, the gold Aphrodite:
Father, I know and I spoke but to hear from another my praises.
I am the womb of the world and the cause of this teeming of creatures,
And if discouraged I ceased, Gods world would lose heart and would perish.
How will you do then without me your works of wisdom and greatness,
Hera, queen of heaven, and thou, O my sister Athene?
Yes, I shall reign and endure though the pride of my workings be conquered.
What though no second Helen find a second Paris,
Lost though their glories of form to the earth, though their confident gladness
Pass from a race misled and forgetting the sap that it sprang from,
They are eternal in man in the worship of beauty and rapture.
Ever while earth is embraced by the sun and hot with his kisses
And while a Will supernal works through the passions of Nature,
Me shall men seek with my light or their darkness, sweetly or crudely,
Cold on the ice of the north or warm in the heats of the southland,
Slowly enduring my touch or with violence rapidly burning.
I am the sweetness of living, I am the touch of the Master.
Love shall die bound to my stake like a victim adorned as for bridal,
Life shall be bathed in my flames and be purified gold or be ashes.
I, Aphrodite, shall move the world for ever and ever.
Yet now since most to me, Father of all, the ages arriving,
Hostile, rebuke my heart and turn from my joy and my sweetness,
I will resist and not yield, nor care what I do, so I conquer.
Often I curbed my mood for your sakes and was gracious and kindly,
Often I lay at Heras feet and obeyed her commandments
Tranquil and proud or oercome by a honeyed and ancient compulsion
Fawned on thy pureness and served thy behests, O my sister Pallas.
Deep was the love that united us, happy the wrestle and clasping;
Love divided, Love united, Love was our mover.
But since you now overbear and would scourge me and chain and control me,
War I declare on you all, O my Father and brothers and sisters.
Henceforth I do my will as the joy in me prompts or the anger.
Ranging the earth with my beauty and passion and golden enjoyments
All whom I can, I will bind; I will drive at the bliss of my workings,
Whether mens hearts are seized by the joy or seized by the torture.
Most I will plague your men, your worshippers and in my malice
Break up your works with confusion divine, O my mother and sister;
Then shall you fume and resist and be helpless and pine with my torments.
Yet will I never relent but always be sweet and malignant,
Cruel and tyrannous, hurtful and subtle, a charm and a torture.
Thou too, O father Zeus, shalt always be vexed with my doings;
Called in each moment to judge thou shalt chafe at our cry and our quarrels,
Often grope for thy thunderbolt, often frown magisterial
Joining in vain thy awful brows oer thy turbulent children.
Yet in thy wrath recall my might and my wickedness, Father;
Hurt me not then too much lest the world and thyself too should suffer.
Save, O my Father, life and grace and the charm of the senses;
Love preserve lest the heart of the world grow dulled and forsaken.
Smiling her smile immortal of love and of mirth and of malice
White Aphrodite arose in her loveliness armed for the conflict.
Golden and careless and joyous she went like a wild bird that winging
Flits from bough to bough and resumes its chant interrupted.
Love where her white feet trod bloomed up like a flower from the spaces;
Mad round her touches billowed incessantly laughter and rapture.
Thrilled with her feet was the bosom of Space, for her amorous motion
Floated, a flower on the wave of her bliss or swayed like the lightning.
Rich as a summer fruit and fresh as Springs blossoms her body
Gleaming and blushing, veiled and bare and with ecstasy smiting
Burned out rosy and white through her happy ambrosial raiment,
Golden-tressed and a charm, her bosom a fragrance and peril.
So was she framed to the gaze as she came from the seats of the Mighty,
So embodied she visits the hearts of men and their dwellings
And in her breathing tenement laughs at the eyes that can see her.
Swift-footed down to the Troad she hastened thrilling the earth-gods.
There with ambrosial secrecy veiled, admiring the heroes
Strong and beautiful, might of the warring and glory of armour,
Over her son Aeneas she stood, his guard in the battle.
But in the courts divine the Thunderer spoke mid his children:
Thou for a day and a night and another day and a nightfall,
White Aphrodite, prevail; oer thee too the night is extended.
She has gone forth who made men like gods in their glory and gladness.
Now in the darkness coming all beauty must wane or be tarnished;
Joy shall fade and mighty Love grow fickle and fretful;
Even as a child that is scared in the night, he shall shake in his chambers.
Yet shall a portion be kept for these, Ares and white Aphrodite.
Thou whom already thy Pythoness bears not, torn by thy advent,
Caverned already who sittest in Delphi knowing thy future,
What wilt thou do with the veil and the night, O burning Apollo?
Then from the orb of his glory unbearable save to immortals
Bright and austere replied the beautiful mystic Apollo:
Zeus, I know that I fade; already the night is around me.
Dusk she extends her reign and obscures my lightnings with error.
Therefore my prophets mislead mens hearts to the ruin appointed,
Therefore Cassandra cries in vain to her sire and her brothers.
All I endure I foresee and the strength in me waits for its coming;
All I foresee I approve; for I know what is willed, O Cronion.
Yet is the fierce strength wroth in my breast at the need of approval
And for the human race fierce pity works in my bosom;
Wroth is my splendid heart with the cowering knowledge of mortals,
Wroth are my burning eyes with the purblind vision of reason.
I will go forth from your seats and descend to the night among mortals
There to guard the flame and the mystery; vast in my moments
Rare and sublime to sound like a sea against Time and its limits,
Cry like a spirit in pain in the hearts of the priest and the poet,
Cry against limits set and disorder sanities bounded.
Jealous for truth to the end my might shall prevail and for ever
Shatter the moulds that men make to imprison their limitless spirits.
Dire, overpowering the brain I shall speak out my oracles splendid.
Then in their ages of barren light or lucidity fruitful
Whenso the clear gods think they have conquered earth and its mortals,
Hidden God from all eyes, they shall wake from their dream and recoiling
Still they shall find in their paths the fallen and darkened Apollo.
So he spoke, repressing his dreadful might in his bosom,
And from their high seats passed, his soul august and resplendent
Drawn to the anguish of men and the fierce terrestrial labour.
Down he dropped with a roar of light invading the regions,
And in his fierce and burning spirit intense and uplifted
Sure of his luminous truth and careless for weakness of mortals
Flaming oppressed the earth with his dire intolerant beauty.
Over the summits descending that slept in the silence of heaven,
He through the spaces angrily drew towards the tramp and the shouting
Over the speeding of Xanthus and over the pastures of Troya.
Clang of his argent bow was the wrath restrained of the mighty,
Stern was his pace like Fates; so he came to the warfare of mortals
And behind Paris strong and inactive waited Gods moment
Knowing what should arrive, nor disturbed like men by their hopings.
But in the courts of Heaven Zeus to his brother immortal
Turned like a menaced king on his counsellor smiling augustly:
Seest thou, Poseidon, this sign that great gods revolting have left us,
Follow their hearts and strive with Ananke? Yet though they struggle,
Thou and I will do our will with the world, O earth-shaker.
Answered to Zeus the besieger of earth, the voice of the waters:
This is our strength and our right, for we are the kings and the masters.
Too much pity has been and yielding of Heaven to mortals.
I will go down with my chariot drawn by my thunder-maned coursers
Into the battle and thrust down Troy with my hand to the silence,
Even though she cling round the snowy knees of our child Aphrodite
Or with Apollos sun take refuge from Night and her shadows.
I will not pity her pain, who am ruthless even as my surges.
Brother, thou knowest, O Zeus, that I am a king and a trader;
For on my paths I receive earths skill and her merchandise gather,
Traffic richly in pearls and bear the swift ships on my bosom.
Blue are my waves and they call mens hearts to wealth and adventure.
Lured by the shifting surges they launch their delight and their treasures
Trusting the toil of years to the perilous moments of Ocean.
Huge mans soul in its petty frame goes wrestling with Nature
Over her vasts and his fragile ships between my horizons
Buffeting death in his solitudes labour through swell and through storm-blast
Bound for each land with her sons and watched for by eyes in each haven.
I from Tyre up to Gades trace on my billows their trade-routes
And on my vast and spuming Atlantic suffer their rudders.
Carthage and Greece are my children, the marts of the world are my term-posts.
Who then deserves the earth if not he who enriches and fosters?
But thou hast favoured thy sons, O Zeus; O Hera, earths sceptres
Still were denied me and kept for strong Ares and brilliant Apollo.
Now all your will shall be done, so you give me the earth for my nations.
Gold shall make men like gods and bind their thoughts into oneness;
Peace I will build with gold and heaven with the pearls of my caverns.
Smiling replied to his brothers craft the mighty Cronion:
Lord of the boundless seas, Poseidon, soul of the surges,
Well thou knowest that earth shall be seized as a booth for the trader.
Rome nor Greece nor France can drive back Carthage for ever.
Always each birth of the silence attaining the field and the movement
Takes from Time its reign; for it came for its throne and its godhead.
So too shall Mammon take and his sons their hour from the ages.
Yet is the flame and the dust last end of the silk and the iron,
And at their end the king and the prophet shall govern the nations.
Even as Troy, so shall Babylon flame up to heaven for the spoiler
Wailed by the merchant afar as he sees the red glow from the ocean.
Up from the seats of the Mighty the Earth-shaker rose. His raiment
Round him purple and dominant rippled and murmured and whispered,
Whispered of argosies sunk and the pearls and the Nereids playing,
Murmured of azure solitudes, sounded of storm and the death-wail.
Even as the march of his waters so was the pace of the sea-god
Flowing on endless through Time; with the glittering symbol of empire
Crowned were his fatal brows; in his grasp was the wrath of the trident,
Tripled force, life-shattering, brutal, imperial, sombre.
Resonant, surging, vast in the pomp of his clamorous greatness
Proud and victorious he came to his home in the far-spuming waters.
Even as a soul from the heights of thought plunges back into living,
So he plunged like a rock through the foam; for it falls from a mountain
Overpeering the waves in some silence of desolate waters
Left to the wind and the sea-gull where Ocean alone with the ages
Dreams of the calm of the skies or tosses its spray to the wind-gods,
Tosses for ever its foam in the solitude huge of its longings
Far from the homes and the noises of men. So the dark-browed Poseidon
Came to his coral halls and the sapphire stables of Nereus
Ever where champ their bits the harnessed steeds of the Ocean
Watched by foam-white girls in the caverns of still Amphitrite.
There was his chariot yoked by the Tritons, drawn by his coursers
Born of the fleeing sea-spray and shod with the northwind who journey
Black like the front of the storm and clothed with their manes as with thunder.
This now rose from its depths to the upper tumults of Ocean
Bearing the awful brows and the mighty form of the sea-god
And from the roar of the surges fast oer the giant margin
Came remembering the storm and the swiftness wide towards the Troad.
So among men he arrived to the clamorous labours of Ares,
Close by the stern Diomedes stood and frowned oer the battle.
He for the Trojan slaughter chose for his mace and his sword-edge
Iron Tydeus son and the adamant heart of young Pyrrhus.
But in the courts divine the Father high of the immortals
Turned in his heart to the brilliant offspring born of his musings,
She who tranquil observes and judges her father and all things.
What shall I say to the thought that is calm in thy breasts, O Athene?
Have I not given thee earth for thy portion, throned thee and armoured,
Darkened Cypris smile, dimmed Heras son and Latonas?
Swift in thy silent ambition, proud in thy radiant sternness,
Girl, thou shalt rule with the Greek and the Saxon, the Frank and the Roman.
Worker and fighter and builder and thinker, light of the reason,
Men shall leave all temples to crowd in thy courts, O Athene.
Go then and do my will, prepare mans tribes for their fullness.
But with her high clear smile on him answered the mighty Athene,
Wisely and soberly, tenderly smiled she chiding her father
Even as a mother might rail at her child when he hides and dissembles:
Zeus, I see and I am not deceived by thy words in my spirit.
We but build forms for thy thought while thou smilest down high oer our toiling;
Even as men are we tools for thee, who are thy children and dear ones.
All this life is thy sport and thou workst like a boy at his engines
Making a toil of the game and a play of the serious labour.
Then to that play thou callest us wearing a sombre visage,
This consulting, that to our wills confiding, O Ruler;
Choosing thy helpers, hastened by those whom thou lurest to oppose thee
Guile thou usest with gods as with mortals, scheming, deceiving,
And at the wrath and the love thou hast prompted laughest in secret.
So we two who are sisters and enemies, lovers and rivals,
Fondled and baffled in turn obey thy will and thy cunning,
I, thy girl of war, and the rosy-white Aphrodite.
Always we served but thy pleasure since our immortal beginnings,
Always each other we helped by our play and our wrestlings and quarrels.
This too I know that I pass preparing the paths of Apollo
And at the end as his sister and slave and bride I must sojourn
Rapt to his courts of mystic light and unbearable brilliance.
Was I not ever condemned since my birth from the toil of thy musings
Seized like a lyre in my body to sob and to laugh out his music,
Shake as a leaf in his fierceness and leap as a flame in his splendours!
So must I dwell overpowered and so must I labour subjected
Robbed of my loneliness pure and coerced in my radiant freedom,
Now whose clearness and pride are the sovereign joy of thy creatures.
Such the reward that thou keepst for my labour obedient always.
Yet I work and I do thy will, for tis mine, O my father.
Proud of her ruthless lust of thought and action and battle,
Swift-footed rose the daughter of Zeus from her sessions immortal:
Breasts of the morning unveiled in a purity awful and candid,
Head of the mighty Dawn, the goddess Pallas Athene!
Strong and rapacious she swooped on the world as her prey and her booty
Down from the courts of the Mighty descending, darting on Ida.
Dire she descended, a god in her reason, a child in her longings,
Joy and woe to the world that is given to the whims of the child-god
Greedy for rule and play and the minds of men and their doings!
So with her aegis scattering light oer the heads of the nations
Shining-eyed in her boyish beauty severe and attractive
Came to the fields of the Troad, came to the fateful warfare,
Veiled, the goddess calm and pure in her luminous raiment
Zoned with beauty and strength. Rejoicing, spurring the fighters
Close oer Odysseus she stood and clear-eyed governed the battle.
Zeus to Hephaestus next, the Cyclopean toiler
Turned, Hephaestus the strong-souled, priest and king and a bond-slave,
Servant of men in their homes and their workshops, servant of Nature,
He who has built these worlds and kindles the fire for a mortal.
Thou, my son, art obedient always. Wisdom is with thee,
Therefore thou knowst and obeyest. Submission is wisdom and knowledge;
He who is blind revolts and he who is limited struggles:
Strife is not for the infinite; wisdom observes to accomplish.
Troy and her sons and her works are thy food today, O Hephaestus.
And to his father the Toiler answered, the silent Seer:
Yes, I obey thee, my Father, and That which than thou is more mighty;
Even as thou obeyest by rule, so I by my labour.
Now must I heap the furnace, now must I toil at the smithy,
I who have flamed on the altar of sacrifice helping the sages.
I am the Cyclops, the lamester, who once was pure and a high-priest.
Holy the pomp of my flames ascendant from pyre and from altar
Robed mens souls for their heavens and my smoke was a pillar to Nature.
Though I have burned in the sight of the sage and the heart of the hero,
Now is no nobler hymn for my ear than the clanging of metal,
Breath of human greed and the dolorous pant of the engines.
Still I repine not, but toil; for to toil I was yoked by my Maker.
I am your servant, O Gods, and his of whom you are servants.
But to the toiler Zeus replied, to the servant of creatures:
What is the thought thou hast uttered betrayed by thy speech, O Hephaestus?
True is it earth shall grow as a smithy, the smoke of the furnace
Fill mens eyes and their souls shall be stunned with the clang of the hammers;
Yet in the end there is rest on the peak of a labour accomplished.
Nor shall the might of the thinker be quelled by that iron oppression,
Nor shall the soul of the warrior despair in the darkness triumphant;
For when the night shall be deepest, dawn shall increase on the mountains
And in the heart of the worst the best shall be born by my wisdom.
Pallas thy sister shall guard mans knowledge fighting the earth-smoke.
Thou too art mighty to live through the clamour even as Apollo.
Work then, endure; expect from the Silence an end and thy wages.
So King Hephaestus arose and passed from the courts of his father;
Down upon earth he came with his lame omnipotent motion;
And with uneven steps absorbed and silent the Master
Worked employed mid the wheels of the cars as a smith in his smithy,
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
Helping Ajax war and the Theban and Phocian fighters.
Zeus to his grandiose helper next, who proved and unmoving,
Calm in her greatness waited the mighty comm and of her husband:
Hera, sister and spouse, what my will is thou knowest, O consort.
One are our blood and our hearts, nor the thought for the words of the speaker
Waits, but each other we know and ourselves and the Vast and the heavens,
Life and all between and all beyond and the ages.
That which Space not knows nor Time, we have known, O my sister.
Therefore our souls are one soul and our minds become mirrors of oneness.
Go then and do my will, O thou mighty one, burning down Troya.
Silent she rose from the seats of the Blissful, Hera majestic,
And with her flowing garment and mystical zone through the spaces
Haloed came like the moon on an evening of luminous silence
Down upon Ida descending, a snow-white swan on the greenness,
Down upon Ida the mystic haunted by footsteps immortal
Ever since out of the Ocean it rose and lived gazing towards heaven.
There on a peak of the mountains alone with the sea and the azure
Voiceless and mighty she paused like a thought on the summits of being
Clasped by all heaven; the winds at play in her gust-scattered raiment
Sported insulting her gracious strength with their turbulent sweetness,
Played with their mother and queen; but she stood absorbed and unheeding,
Mute, with her sandalled foot for a moment thrilling the grasses,
Dumbly adored by a soul in the mountains, a thought in the rivers,
Roared to loud by her lions. The voice of the cataracts falling
Entered her soul profound and it heard eternitys rumour.
Silent its gaze immense contained the wheeling of aeons.
Huge-winged through Time flew her thought and its grandiose vast revolutions
Turned and returned. So musing her timeless creative spirit,
Master of Time, its instrument, grieflessly hastening forward
Parted with greatnesses dead and summoned new strengths from their stables;
Maned they came to her call and filled with their pacings the future.
Calm, with the vision satisfied, thrilled by the grandeurs within her,
Down in a billow of whiteness and gold and delicate raiment
Gliding the daughter of Heaven came to the earth that received her
Glad of the tread divine and bright with her more than with sunbeams.
King Agamemnon she found and smiling on Spartas levies
Mixed unseen with the far-glinting spears of haughty Mycenae.
Then to the Mighty who tranquil abode and august in his regions
Zeus, while his gaze over many forms and high-seated godheads
Passed like a swift-fleeing eagle over the peaks and the glaciers
When to his eyrie he flies alone through the vastness and silence:
Artemis, child of my loins and you, O legioned immortals,
All you have heard. Descend, O ye gods, to your sovereign stations,
Labour rejoicing whose task is joy and your bliss is creation;
Shrink from no act that Necessity asks from your luminous natures.
Thee I have given no part in the years that come, O my daughter,
Huntress swift of the worlds who with purity all things pursuest.
Yet not less is thy portion intended than theirs who oerpass thee:
Helped are the souls that wait more than strengths soon fulfilled and exhausted.
Archeress, brilliance, wait thine hour from the speed of the ages.
So they departed, Artemis leading lightning-tasselled.
Ancient Themis remained and awful Dis and Ananke.
Then mid these last of the gods who shall stand when all others have perished,
Zeus to the Silence obscure under iron brows of that goddess,
Griefless, unveiled was her visage, dire and unmoved and eternal:
Thou and I, O Dis, remain and our sister Ananke.
That which the joyous hearts of our children, radiant heaven-moths
Flitting mid flowers of sense for the honey of thought have not captured,
That which Poseidon forgets mid the pomp and the roar of his waters,
We three keep in our hearts. By the Light that I watch for unsleeping,
By thy tremendous consent to the silence and darkness, O Hades,
By her delight renounced and the prayers and the worship of mortals
Making herself as an engine of God without bowels or vision,
Yet in that engine are only heart-beats, yet is her riddle
Only Love that is veiled and pity that suffers and slaughters,
We three are free from ourselves, O Dis, and free from each other.
Do then, O King of the Night, observe then with Time for thy servant
Not my behest, but What she and thou and I are for ever.
Mute the Darkness sat like a soul unmoved through the aeons,
Then came a voice from the silence of Dis, from the night there came wisdom.
Yes, I have chosen and that which I chose I endure, O Cronion,
Though to the courts of the gods I come as a threat and a shadow,
Even though none to their counsels call me, none to their pastime,
None companions me willingly; even thy daughter, my consort,
Trembling whom once from our sister Demeter I plucked like a blossom
Torn from Sicilian fields, while Fate reluctant, consenting,
Bowed her head, lives but by her gasps of the sun and the azure;
Stretched are her hands to the light and she seeks for the clasp of her mother.
I, I am Night and her reign and that of which Night is a symbol.
All to me comes, even thou shalt come to me, brilliant Cronion.
All here exists by me whom all walk fearing and shunning;
He who shuns not, He am I and thou and Ananke.
All things I take to my bosom that Life may be swift in her voyage;
For out of death is Life and not by birth and her motions
And behind Night is light and not in the sun and his splendours.
Troy to the Night I will gather a wreath for my shadows, O grower.
So in his arrogance dire the vast invincible Death-god
Triumphing passed out of heaven with Themis and silent Ananke.
Zeus alone in the spheres of his bliss, in his kingdoms of brilliance
Sat divine and alarmed; for even the gods in their heavens
Scarce shall live who have gazed on the unveiled face of Ananke,
Heard the accents dire of the Darkness that waits for the ages.
Awful and dull grew his eyes and mighty and still grew his members.
Back from his nature he drew to the passionless peaks of the spirit,
Throned where it dwells for ever uplifted and silent and changeless
Far beyond living and death, beyond Nature and ending of Nature.
There for a while he dwelt veiled, protected from Dis and his greatness;
Then to the works of the world he returned and the joy of his musings.
Life and the blaze of the mighty soul that he was of Gods making
Dawned again in the heavenly eyes and the majestied semblance.
Comforted heaven he beheld, to the green of the earth was attracted.
But through this Space unreal, but through these worlds that are shadows
Went the awful Three. None saw them pass, none felt them.
Only in the heavens was a tread as of death, in the air was a winter,
Earth oppressed moaned long like a woman striving with anguish.
Ida saw them not, but her grim lions cowered in their caverns,
Ceased for a while on her slopes the eternal laughter of fountains.
Over the ancient ramparts of Dardanus high-roofed city
Darkening her victor domes and her gardens of life and its sweetness
Silent they came. Unseen and unheard was the dreadful arrival.
Troy and her gods dreamed secure in the moment flattered by sunlight.
Dim to the citadel high they arrived and their silence invaded
Pallas marble shrine where stern and white in her beauty,
Armed on her pedestal, trampling the prostrate image of darkness
Mighty Athenes statue guarded imperial Troya.
Dim and vast they entered in. Then through all the great city
Huge a rushing sound was heard from her gardens and places
And in their musings her seers as they strove with night and with error
And in the fane of Apollo Laocoon torn by his visions
Heard aghast the voice of Troys deities fleeing from Troya,
Saw the flaming lords of her households drive in a death-rout
Forth from her ancient halls and their noble familiar sessions.
Ghosts of her splendid centuries wailed on the wings of the doom-blast.
Moaning the Dryads fled and her Naiads passed from Scamander
Leaving the world to deities dumb of the clod and the earth-smoke,
And from their tombs and their shrines the shadowy Ancestors faded.
Filled was the air with their troops and the sound of a vast lamentation.
Wailing they went, lamenting mortalitys ages of greatness,
Ruthless Anankes deeds and the mortal conquests of Hades.
Then in the fane Palladian the shuddering priests of Athene
Entered the darkened shrine and saw on the suffering marble
Shattered Athenes mighty statue prostrate as conquered,
But on its pedestal rose oer the unhurt image of darkness
Awful shapes, a Trinity dim and dire unto mortals.
Dumb they fell down on the earth and the life-breath was slain in their bosoms.
And in the noon there was night. And Apollo passed out of Troya.
***
~ Sri Aurobindo, 8 - The Book of the Gods
,#NFDB
1299:BOOK THE ELEVENTH
The Death of Orpheus
Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.
But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.
His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.
The Thracian Women transform'd to Trees
Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.
The Fable of Midas
Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.
Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.
But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.
To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.
The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.
The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.
Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.
For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.
The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.
All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.
He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.
In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.
The Building of Troy
Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.
Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.
The Story of Thetis and Peleus
For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.
Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:
A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.
Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.
The Transformation of Daedalion
Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.
Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.
A Wolf turn'd into Marble
While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.
The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.
The Story of Ceyx and Alcyone
These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.
Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.
These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.
This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.
The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.
Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.
And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.
This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.
In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.
Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.
The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.
Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.
An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.
All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.
The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.
Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.
Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:
She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.
But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.
Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.
The House of Sleep
Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.
An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.
But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.
The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.
To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.
The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.
Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.
Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.
Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!
So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.
No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:
There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.
Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.
No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.
'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.
Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.
Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.
And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).
Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.
Aesacus transform'd into a Cormorant
These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.
----------------------------------------------------------------------
~ Ovid, BOOK THE ELEVENTH
,#NFDB
1300:class:Classics
BOOK THE THIRTEENTH
The Speeches of Ajax and Ulysses
The chiefs were set; the soldiers crown'd the field:
To these the master of the seven-fold shield
Upstarted fierce: and kindled with disdain.
Eager to speak, unable to contain
His boiling rage, he rowl'd his eyes around
The shore, and Graecian gallies hall'd a-ground.
Then stretching out his hands, O Jove, he cry'd,
Must then our cause before the fleet be try'd?
And dares Ulysses for the prize contend,
In sight of what he durst not once defend?
But basely fled that memorable day,
When I from Hector's hands redeem'd the flaming prey.
So much 'tis safer at the noisie bar
With words to flourish, than ingage in war.
By diff'rent methods we maintain our right,
Nor am I made to talk, nor he to fight.
In bloody fields I labour to be great;
His arms are a smooth tongue, and soft deceit:
Nor need I speak my deeds, for those you see,
The sun, and day are witnesses for me.
Let him who fights unseen, relate his own,
And vouch the silent stars, and conscious moon.
Great is the prize demanded, I confess,
But such an abject rival makes it less;
That gift, those honours, he but hop'd to gain,
Can leave no room for Ajax to be vain:
Losing he wins, because his name will be
Ennobled by defeat, who durst contend with me.
Were my known valour question'd, yet my blood
Without that plea wou'd make my title good:
My sire was Telamon, whose arms, employ'd
With Hercules, these Trojan walls destroy'd;
And who before with Jason sent from Greece,
In the first ship brought home the golden fleece.
Great Telamon from Aeacus derives
His birth (th' inquisitor of guilty lives
In shades below; where Sisyphus, whose son
This thief is thought, rouls up the restless heavy stone),
Just Aeacus, the king of Gods above
Begot: thus Ajax is the third from Jove.
Nor shou'd I seek advantage from my line,
Unless (Achilles) it was mix'd with thine:
As next of kin, Achilles' arms I claim;
This fellow wou'd ingraft a foreign name
Upon our stock, and the Sisyphian seed
By fraud, and theft asserts his father's breed:
Then must I lose these arms, because I came
To fight uncall'd, a voluntary name,
Nor shunn'd the cause, but offer'd you my aid?
While he long lurking was to war betray'd:
Forc'd to the field he came, but in the reer;
And feign'd distraction to conceal his fear:
'Till one more cunning caught him in the snare
(Ill for himself); and dragg'd him into war.
Now let a hero's arms a coward vest,
And he who shunn'd all honours, gain the best:
And let me stand excluded from my right,
Robb'd of my kinsman's arms, who first appear'd in fight,
Better for us, at home had he remain'd,
Had it been true the madness which he feign'd,
Or so believ'd; the less had been our shame,
The less his counsell'd crime, which brands the Grecian name;
Nor Philoctetes had been left inclos'd
In a bare isle, to wants and pains expos'd,
Where to the rocks, with solitary groans,
His suff'rings, and our baseness he bemoans:
And wishes (so may Heav'n his wish fulfill)
The due reward to him, who caus'd his ill.
Now he, with us to Troy's destruction sworn,
Our brother of the war, by whom are born
Alcides' arrows, pent in narrow bounds,
With cold and hunger pinch'd, and pain'd with wounds,
To find him food and cloathing, must employ
Against the birds the shafts due to the fate of Troy.
Yet still he lives, and lives from treason free,
Because he left Ulysses' company;
Poor Palamede might wish, so void of aid,
Rather to have been left, than so to death betray'd.
The coward bore the man immortal spight,
Who sham'd him out of madness into fight:
Nor daring otherwise to vent his hate,
Accus'd him first of treason to the state;
And then for proof produc'd the golden store,
Himself had hidden in his tent before:
Thus of two champions he depriv'd our host,
By exile one, and one by treason lost.
Thus fights Ulysses, thus his fame extends,
A formidable man, but to his friends:
Great, for what greatness is in words, and sound,
Ev'n faithful Nestor less in both is found:
But that he might without a rival reign,
He left this faithful Nestor on the plain;
Forsook his friend ev'n at his utmost need,
Who tir'd, and tardy with his wounded steed,
Cry'd out for aid, and call'd him by his name;
But cowardice has neither ears nor shame;
Thus fled the good old man, bereft of aid,
And, for as much as lay in him, betray'd:
That this is not a fable forg'd by me,
Like one of his, an Ulyssean lie,
I vouch ev'n Diomede, who tho' his friend,
Cannot that act excuse, much less defend:
He call'd him back aloud, and tax'd his fear;
And sure enough he heard, but durst not hear.
The Gods with equal eyes on mortal look,
He justly was forsaken, who forsook:
Wanted that succour, he refus'd to lend,
Found ev'ry fellow such another friend:
No wonder, if he roar'd that all might hear;
His elocution was increas'd by fear:
I heard, I ran, I found him out of breath,
Pale, trembling, and half dead with fear of death.
Though he had judg'd himself by his own laws,
And stood condemn'd, I help'd the common cause:
With my broad buckler hid him from the foe
(Ev'n the shield trembled as he lay below);
And from impending Fate the coward freed:
Good Heav'n forgive me for so bad a deed!
If still he will persist, and urge the strife,
First let him give me back his forfeit life:
Let him return to that opprobrious field;
Again creep under my protecting shield:
Let him lie wounded, let the foe be near,
And let his quiv'ring heart confess his fear;
There put him in the very jaws of Fate;
And let him plead his cause in that estate:
And yet when snatch'd from death, when from below
My lifted shield I loos'd, and let him go;
Good Heav'ns, how light he rose, with what a bound
He sprung from earth, forgetful of his wound;
How fresh, how eager then his feet to ply;
Who had not strength to stand, had speed to fly!
Hector came on, and brought the Gods along;
Fear seiz'd alike the feeble, and the strong:
Each Greek was an Ulysses; such a dread
Th' approach, and ev'n the sound of Hector bred:
Him, flesh'd with slaughter, and with conquest crown'd,
I met, and over-turn'd him to the ground;
When after, matchless as he deem'd in might,
He challeng'd all our host to single fight;
All eyes were fix'd on me: the lots were thrown;
But for your champion I was wish'd alone:
Your vows were heard; we fought, and neither yield;
Yet I return'd unvanquish'd from the field.
With Jove to friend, th' insulting Trojan came,
And menac'd us with force, our fleet with flame.
Was it the strength of this tongue-valiant lord,
In that black hour, that sav'd you from the sword?
Or was my breast expos'd alone, to brave
A thousand swords, a thousand ships to save?
The hopes of your return! And can you yield,
For a sav'd fleet, less than a single shield?
Think it no boast, o Grecians, if I deem
These arms want Ajax, more than Ajax them:
Or, I with them an equal honour share;
They honour'd to be worn, and I to wear.
Will he compare my courage with his sleight?
As well he may compare the day with night.
Night is indeed the province of his reign:
Yet all his dark exploits no more contain
Than a spy taken, and a sleeper slain;
A priest made pris'ner, Pallas made a prey:
But none of all these actions done by day:
Nor ought of these was done, and Diomede away.
If on such petty merits you confer
So vast a prize, let each his portion share;
Make a just dividend; and if not all,
The greater part to Diomede will fall.
But why for Ithacus such arms as those,
Who naked, and by night invades his foes?
The glitt'ring helm by moonlight will proclaim
The latent robber, and prevent his game:
Nor cou'd he hold his tott'ring head upright
Beneath that morion, or sustain the weight;
Nor that right arm cou'd toss the beamy lance;
Much less the left that ampler shield advance;
Pond'rous with precious weight, and rough with cost
Of the round world in rising gold emboss'd.
That orb would ill become his hand to wield,
And look as for the gold he stole the shield;
Which, shou'd your error on the wretch bestow,
It would not frighten, but allure the foe:
Why asks he, what avails him not in fight,
And wou'd but cumber, and retard his flight,
In which his only excellence is plac'd?
You give him death, that intercept his haste.
Add, that his own is yet a maiden-shield,
Nor the least dint has suffer'd in the field,
Guiltless of fight: mine batter'd, hew'd, and bor'd,
Worn out of service, must forsake his lord,
What farther need of words our right to scan?
My arguments are deeds, let action speak the man.
Since from a champion's arms the strife arose,
Go cast the glorious prize amid the foes;
Then send us to redeem both arms, and shield,
And let him wear, who wins 'em in the field.
He said: a murmur from a multitude,
Or somewhat like a stifled shout, ensu'd:
'Till from his seat arose Laertes' son,
Look'd down a while, and paus'd, e'er he begun;
Then, to th' expecting audience, rais'd his look,
And not without prepar'd attention spoke:
Soft was his tone, and sober was his face;
Action his words, and words his action grace.
If Heav'n, my lords, had heard our common pray'r,
These arms had caus'd no quarrel for an heir;
Still great Achilles had his own possess'd,
And we with great Achilles had been bless'd;
But since hard Fate, and Heav'n's severe decree,
Have ravish'd him away from you, and me
(At this he sigh'd, and wip'd his eyes, and drew,
Or seem'd to draw, some drops of kindly dew),
Who better can succeed Achilles lost,
Than he, who gave Achilles to your hoast?
This only I request, that neither he
May gain, by being what he seems to be,
A stupid thing; nor I may lose the prize,
By having sense, which Heav'n to him denies:
Since great or small, the talent I enjoy'd
Was ever in the common cause employ'd;
Nor let my wit, and wonted eloquence,
Which often has been us'd in your defense,
And in my own, this only time be brought
To bear against my self, and deem'd a fault.
Make not a crime, where Nature made it none;
For ev'ry man may freely use his own.
The deeds of long-descended ancestors
Are but by grace of imputation ours,
Theirs in effect; but since he draws his line
From Jove, and seems to plead a right divine;
From Jove, like him, I claim my pedigree,
And am descended in the same degree:
My sire Laertes was Arcesius' heir,
Arcesius was the son of Jupiter:
No parricide, no banish'd man, is known
In all my line: let him excuse his own.
Hermes ennobles too my mother's side,
By both my parents to the Gods ally'd.
But not because that on the female part
My blood is better, dare I claim desert,
Or that my sire from parricide is free;
But judge by merit betwixt him, and me:
The prize be to the best; provided yet
That Ajax for a while his kin forget,
And his great sire, and greater uncle's name,
To fortifie by them his feeble claim:
Be kindred and relation laid aside,
And honour's cause by laws of honour try'd:
For if he plead proximity of blood;
That empty title is with ease withstood.
Peleus, the hero's sire, more nigh than he,
And Pyrrhus, his undoubted progeny,
Inherit first these trophies of the field;
To Scyros, or to Pthia, send the shield:
And Teucer has an uncle's right; yet he
Waves his pretensions, nor contends with me.
Then since the cause on pure desert is plac'd,
Whence shall I take my rise, what reckon last?
I not presume on ev'ry act to dwell,
But take these few, in order as they fell.
Thetis, who knew the Fates, apply'd her care
To keep Achilles in disguise from war;
And 'till the threatning influence was past,
A woman's habit on the hero cast:
All eyes were cozen'd by the borrow'd vest,
And Ajax (never wiser than the rest)
Found no Pelides there: at length I came
With proffer'd wares to this pretended dame;
She, not discover'd by her mien, or voice,
Betray'd her manhood by her manly choice;
And while on female toys her fellows look,
Grasp'd in her warlike hand, a javelin shook;
Whom, by this act reveal'd, I thus bespoke:
O Goddess-born! resist not Heav'n's decree,
The fall of Ilium is reserv'd for thee;
Then seiz'd him, and produc'd in open light,
Sent blushing to the field the fatal knight.
Mine then are all his actions of the war;
Great Telephus was conquer'd by my spear,
And after cur'd: to me the Thebans owe,
Lesbos, and Tenedos, their overthrow;
Syros and Cylla: not on all to dwell,
By me Lyrnesus, and strong Chrysa fell:
And since I sent the man who Hector slew,
To me the noble Hector's death is due:
Those arms I put into his living hand,
Those arms, Pelides dead, I now demand.
When Greece was injur'd in the Spartan prince,
And met at Aulis to avenge th' offence,
'Twas a dead calm, or adverse blasts, that reign'd,
And in the port the wind-bound fleet detain'd:
Bad signs were seen, and oracles severe
Were daily thunder'd in our gen'ral's ear;
That by his daughter's blood we must appease
Diana's kindled wrath, and free the seas.
Affection, int'rest, fame, his heart assail'd:
But soon the father o'er the king prevail'd:
Bold, on himself he took the pious crime,
As angry with the Gods, as they with him.
No subject cou'd sustain their sov'reign's look,
'Till this hard enterprize I undertook:
I only durst th' imperial pow'r controul,
And undermin'd the parent in his soul;
Forc'd him t' exert the king for common good,
And pay our ransom with his daughter's blood.
Never was cause more difficult to plead,
Than where the judge against himself decreed:
Yet this I won by dint of argument;
The wrongs his injur'd brother underwent,
And his own office, sham'd him to consent.
'Tis harder yet to move the mother's mind,
And to this heavy task was I design'd:
Reasons against her love I knew were vain;
I circumvented whom I could not gain:
Had Ajax been employ'd, our slacken'd sails
Had still at Aulis waited happy gales.
Arriv'd at Troy, your choice was fix'd on me,
A fearless envoy, fit for a bold embassy:
Secure, I enter'd through the hostile court,
Glitt'ring with steel, and crowded with resort:
There, in the midst of arms, I plead our cause,
Urge the foul rape, and violated laws;
Accuse the foes, as authors of the strife,
Reproach the ravisher, demand the wife.
Priam, Antenor, and the wiser few,
I mov'd; but Paris, and his lawless crew
Scarce held their hands, and lifted swords; but stood
In act to quench their impious thirst of blood:
This Menelaus knows; expos'd to share
With me the rough preludium of the war.
Endless it were to tell, what I have done,
In arms, or council, since the siege begun:
The first encounter's past, the foe repell'd,
They skulk'd within the town, we kept the field.
War seem'd asleep for nine long years; at length
Both sides resolv'd to push, we try'd our strength
Now what did Ajax, while our arms took breath,
Vers'd only in the gross mechanick trade of death?
If you require my deeds, with ambush'd arms
I trapp'd the foe, or tir'd with false alarms;
Secur'd the ships, drew lines along the plain,
The fainting chear'd, chastis'd the rebel-train,
Provided forage, our spent arms renew'd;
Employ'd at home, or sent abroad, the common cause pursu'd.
The king, deluded in a dream by Jove,
Despair'd to take the town, and order'd to remove.
What subject durst arraign the Pow'r supream,
Producing Jove to justifie his dream?
Ajax might wish the soldiers to retain
From shameful flight, but wishes were in vain:
As wanting of effect had been his words,
Such as of course his thundring tongue affords.
But did this boaster threaten, did he pray,
Or by his own example urge their stay?
None, none of these: but ran himself away.
I saw him run, and was asham'd to see;
Who ply'd his feet so fast to get aboard, as he?
Then speeding through the place, I made a stand,
And loudly cry'd, O base degenerate band,
To leave a town already in your hand!
After so long expence of blood, for fame,
To bring home nothing, but perpetual shame!
These words, or what I have forgotten since
(For grief inspir'd me then with eloquence),
Reduc'd their minds; they leave the crowded port,
And to their late forsaken camp resort:
Dismay'd the council met: this man was there,
But mute, and not recover'd of his fear:
Thersites tax'd the king, and loudly rail'd,
But his wide opening mouth with blows I seal'd.
Then, rising, I excite their souls to fame,
And kindle sleeping virtue into flame.
From thence, whatever he perform'd in fight
Is justly mine, who drew him back from flight.
Which of the Grecian chiefs consorts with thee?
But Diomede desires my company,
And still communicates his praise with me.
As guided by a God, secure he goes,
Arm'd with my fellowship, amid the foes:
And sure no little merit I may boast,
Whom such a man selects from such an hoast;
Unforc'd by lots I went without affright,
To dare with him the dangers of the night:
On the same errand sent, we met the spy
Of Hector, double-tongu'd, and us'd to lie;
Him I dispatch'd, but not 'till undermin'd,
I drew him first to tell, what treach'rous Troy design'd:
My task perform'd, with praise I had retir'd,
But not content with this, to greater praise aspir'd:
Invaded Rhesus, and his Thracian crew,
And him, and his, in their own strength I slew;
Return'd a victor, all my vows compleat,
With the king's chariot, in his royal seat:
Refuse me now his arms, whose fiery steeds
Were promis'd to the spy for his nocturnal deeds:
Yet let dull Ajax bear away my right,
When all his days out-balance this one night.
Nor fought I darkling still: the sun beheld
With slaughter'd Lycians when I strew'd the field:
You saw, and counted as I pass'd along,
Alastor, Chromius, Ceranos the strong,
Alcander, Prytanis, and Halius,
Noemon, Charopes, and Ennomus;
Coon, Chersidamas; and five beside,
Men of obscure descent, but courage try'd:
All these this hand laid breathless on the ground;
Nor want I proofs of many a manly wound:
All honest, all before: believe not me;
Words may deceive, but credit what you see.
At this he bar'd his breast, and show'd his scars,
As of a furrow'd field, well plow'd with wars;
Nor is this part unexercis'd, said he;
That gyant-bulk of his from wounds is free:
Safe in his shield he fears no foe to try,
And better manages his blood, than I:
But this avails me not; our boaster strove
Not with our foes alone, but partial Jove,
To save the fleet: this I confess is true
(Nor will I take from any man his due):
But thus assuming all, he robs from you.
Some part of honour to your share will fall,
He did the best indeed, but did not all.
Patroclus in Achilles' arms, and thought
The chief he seem'd, with equal ardour fought;
Preserv'd the fleet, repell'd the raging fire,
And forc'd the fearful Trojans to retire.
But Ajax boasts, that he was only thought
A match for Hector, who the combat sought:
Sure he forgets the king, the chiefs, and me:
All were as eager for the fight, as he:
He but the ninth, and not by publick voice,
Or ours preferr'd, was only Fortune's choice:
They fought; nor can our hero boast th' event,
For Hector from the field unwounded went.
Why am I forc'd to name that fatal day,
That snatch'd the prop and pride of Greece away?
I saw Pelides sink, with pious grief,
And ran in vain, alas! to his relief;
For the brave soul was fled: full of my friend
I rush'd amid the war, his relicks to defend:
Nor ceas'd my toil, 'till I redeem'd the prey,
And, loaded with Achilles, march'd away:
Those arms, which on these shoulders then I bore,
'Tis just you to these shoulders should restore.
You see I want not nerves, who cou'd sustain
The pond'rous ruins of so great a man:
Or if in others equal force you find,
None is endu'd with a more grateful mind.
Did Thetis then, ambitious in her care,
These arms thus labour'd for her son prepare;
That Ajax after him the heav'nly gift shou'd wear!
For that dull soul to stare with stupid eyes,
On the learn'd unintelligible prize!
What are to him the sculptures of the shield,
Heav'n's planets, Earth, and Ocean's watry field?
The Pleiads, Hyads; less, and greater Bear,
Undipp'd in seas; Orion's angry star;
Two diff'ring cities, grav'd on either hand;
Would he wear arms he cannot understand?
Beside, what wise objections he prepares
Against my late accession to the wars?
Does not the fool perceive his argument
Is with more force against Achilles bent?
For if dissembling be so great a crime,
The fault is common, and the same in him:
And if he taxes both of long delay,
My guilt is less, who sooner came away.
His pious mother, anxious for his life,
Detain'd her son; and me, my pious wife.
To them the blossoms of our youth were due,
Our riper manhood we reserv'd for you.
But grant me guilty, 'tis not much my care,
When with so great a man my guilt I share:
My wit to war the matchless hero brought,
But by this fool I never had been caught.
Nor need I wonder, that on me he threw
Such foul aspersions, when he spares not you:
If Palamede unjustly fell by me,
Your honour suffer'd in th' unjust decree:
I but accus'd, you doom'd: and yet he dy'd,
Convinc'd of treason, and was fairly try'd:
You heard not he was false; your eyes beheld
The traytor manifest; the bribe reveal'd.
That Philoctetes is on Lemnos left,
Wounded, forlorn, of human aid bereft,
Is not my crime, or not my crime alone;
Defend your justice, for the fact's your own:
'Tis true, th' advice was mine; that staying there
He might his weary limbs with rest repair,
From a long voyage free, and from a longer war.
He took the counsl, and he lives at least;
Th' event declares I counsell'd for the best:
Though faith is all in ministers of state;
For who can promise to be fortunate?
Now since his arrows are the Fate of Troy,
Do not my wit, or weak address, employ;
Send Ajax there, with his persuasive sense,
To mollifie the man, and draw him thence:
But Xanthus shall run backward; Ida stand
A leafless mountain; and the Grecian band
Shall fight for Troy; if, when my councils fail,
The wit of heavy Ajax can prevail.
Hard Philoctetes, exercise thy spleen
Against thy fellows, and the king of men;
Curse my devoted head, above the rest,
And wish in arms to meet me breast to breast:
Yet I the dang'rous task will undertake,
And either die my self, or bring thee back.
Nor doubt the same success, as when before
The Phrygian prophet to these tents I bore,
Surpriz'd by night, and forc'd him to declare
In what was plac'd the fortune of the war,
Heav'n's dark decrees, and answers to display,
And how to take the town, and where the secret lay:
Yet this I compass'd, and from Troy convey'd
The fatal image of their guardian-maid;
That work was mine; for Pallas, though our friend,
Yet while she was in Troy, did Troy defend.
Now what has Ajax done, or what design'd?
A noisie nothing, and an empty wind.
If he be what he promises in show,
Why was I sent, and why fear'd he to go?
Our boasting champion thought the task not light
To pass the guards, commit himself to night;
Not only through a hostile town to pass,
But scale, with steep ascent, the sacred place;
With wand'ring steps to search the cittadel,
And from the priests their patroness to steal:
Then through surrounding foes to force my way,
And bear in triumph home the heavn'ly prey;
Which had I not, Ajax in vain had held,
Before that monst'rous bulk, his sev'nfold shield.
That night to conquer Troy I might be said,
When Troy was liable to conquest made.
Why point'st thou to my partner of the war?
Tydides had indeed a worthy share
In all my toil, and praise; but when thy might
Our ships protected, did'st thou singly fight?
All join'd, and thou of many wert but one;
I ask'd no friend, nor had, but him alone:
Who, had he not been well assur'd, that art,
And conduct were of war the better part,
And more avail'd than strength, my valiant friend
Had urg'd a better right, than Ajax can pretend:
As good at least Eurypilus may claim,
And the more mod'rate Ajax of the name:
The Cretan king, and his brave charioteer,
And Menelaus bold with sword, and spear:
All these had been my rivals in the shield,
And yet all these to my pretensions yield.
Thy boist'rous hands are then of use, when I
With this directing head those hands apply.
Brawn without brain is thine: my prudent care
Foresees, provides, administers the war:
Thy province is to fight; but when shall be
The time to fight, the king consults with me:
No dram of judgment with thy force is join'd:
Thy body is of profit, and my mind.
By how much more the ship her safety owes
To him who steers, than him that only rows;
By how much more the captain merits praise,
Than he who fights, and fighting but obeys;
By so much greater is my worth than thine,
Who canst but execute, what I design.
What gain'st thou, brutal man, if I confess
Thy strength superior, when thy wit is less?
Mind is the man: I claim my whole desert,
From the mind's vigour, and th' immortal part.
But you, o Grecian chiefs, reward my care,
Be grateful to your watchman of the war:
For all my labours in so long a space,
Sure I may plead a title to your grace:
Enter the town, I then unbarr'd the gates,
When I remov'd their tutelary Fates.
By all our common hopes, if hopes they be
Which I have now reduc'd to certainty;
By falling Troy, by yonder tott'ring tow'rs,
And by their taken Gods, which now are ours;
Or if there yet a farther task remains,
To be perform'd by prudence, or by pains;
If yet some desp'rate action rests behind,
That asks high conduct, and a dauntless mind;
If ought be wanting to the Trojan doom,
Which none but I can manage, and o'ercome,
Award, those arms I ask, by your decree:
Or give to this, what you refuse to me.
He ceas'd: and ceasing with respect he bow'd,
And with his hand at once the fatal statue show'd.
Heav'n, air and ocean rung, with loud applause,
And by the gen'ral vote he gain'd his cause.
Thus conduct won the prize, when courage fail'd,
And eloquence o'er brutal force prevail'd.
The Death of Ajax
He who cou'd often, and alone, withstand
The foe, the fire, and Jove's own partial hand,
Now cannot his unmaster'd grief sustain,
But yields to rage, to madness, and disdain;
Then snatching out his fauchion, Thou, said he,
Art mine; Ulysses lays no claim to thee.
O often try'd, and ever-trusty sword,
Now do thy last kind office to thy lord:
'Tis Ajax who requests thy aid, to show
None but himself, himself cou'd overthrow:
He said, and with so good a will to die,
Did to his breast the fatal point apply,
It found his heart, a way 'till then unknown,
Where never weapon enter'd, but his own.
No hands cou'd force it thence, so fix'd it stood,
'Till out it rush'd, expell'd by streams of spouting blood.
The fruitful blood produc'd a flow'r, which grew
On a green stem; and of a purple hue:
Like his, whom unaware Apollo slew:
Inscrib'd in both, the letters are the same,
But those express the grief, and these the name.
The Story of Polyxena and Hecuba
The victor with full sails for Lemnos stood
(Once stain'd by matrons with their husbands' blood),
Thence great Alcides' fatal shafts to bear,
Assign'd to Philoctetes' secret care.
These with their guardian to the Greeks convey'd,
Their ten years' toil with wish'd success repaid.
With Troy old Priam falls: his queen survives;
'Till all her woes compleat, transform'd she grieves
In borrow'd sounds, nor with an human face,
Barking tremendous o'er the plains of Thrace.
Still Ilium's flames their pointed columns raise,
And the red Hellespont reflects the blaze.
Shed on Jove's altar are the poor remains
Of blood, which trickl'd from old Priam's veins.
Cassandra lifts her hands to Heav'n in vain,
Drag'd by her sacred hair; the trembling train
Of matrons to their burning temples fly:
There to their Gods for kind protection cry;
And to their statues cling 'till forc'd away,
The victor Greeks bear off th' invidious prey.
From those high tow'rs Astyanax is thrown,
Whence he was wont with pleasure to look down.
When oft his mother with a fond delight
Pointed to view his father's rage in fight,
To win renown, and guard his country's right.
The winds now call to sea; brisk northern gales
Sing in the shrowds, and court the spreading sails.
Farewel, dear Troy, the captive matrons cry;
Yes, we must leave our long-lov'd native sky.
Then prostrate on the shore they kiss the sand,
And quit the smoking ruines of the land.
Last Hecuba on board, sad sight! appears;
Found weeping o'er her children's sepulchres:
Drag'd by Ulysses from her slaughter'd sons,
Whilst yet she graspt their tombs, and kist their mouldring bones.
Yet Hector's ashes from his urn she bore,
And in her bosom the sad relique wore:
Then scatter'd on his tomb her hoary hairs,
A poor oblation mingled with her tears.
Oppos'd to Ilium lye the Thracian plains,
Where Polymestor safe in plenty reigns.
King Priam to his care commits his son,
Young Polydore, the chance of war to shun.
A wise precaution! had not gold, consign'd
For the child's use, debauch'd the tyrant's mind.
When sinking Troy to its last period drew,
With impious hands his royal charge he slew;
Then in the sea the lifeless coarse is thrown;
As with the body he the guilt could drown.
The Greeks now riding on the Thracian shore,
'Till kinder gales invite, their vessels moor.
Here the wide-op'ning Earth to sudden view
Disclos'd Achilles, great as when he drew
The vital air, but fierce with proud disdain,
As when he sought Briseis to regain;
When stern debate, and rash injurious strife
Unsheath'd his sword, to reach Atrides' life.
And will ye go? he said. Is then the name
Of the once great Achilles lost to fame?
Yet stay, ungrateful Greeks; nor let me sue
In vain for honours to my Manes due.
For this just end, Polyxena I doom
With victim-rites to grace my slighted tomb.
The phantom spoke; the ready Greeks obey'd,
And to the tomb led the devoted maid
Snatch'd from her mother, who with pious care
Cherish'd this last relief of her despair.
Superior to her sex, the fearless maid,
Approach'd the altar, and around survey'd
The cruel rites, and consecrated knife,
Which Pyrrhus pointed at her guiltless life,
Then as with stern amaze intent he stood,
"Now strike," she said; "now spill my genr'ous blood;
Deep in my breast, or throat, your dagger sheath,
Whilst thus I stand prepar'd to meet my death.
For life on terms of slav'ry I despise:
Yet sure no God approves this sacrifice.
O cou'd I but conceal this dire event
From my sad mother, I should dye content.
Yet should she not with tears my death deplore,
Since her own wretched life demands them more.
But let not the rude touch of man pollute
A virgin-victim; 'tis a modest suit.
It best will please, whoe'er demands my blood,
That I untainted reach the Stygian flood.
Yet let one short, last, dying prayer be heard;
To Priam's daughter pay this last regard;
'Tis Priam's daughter, not a captive, sues;
Do not the rites of sepulture refuse.
To my afflicted mother, I implore,
Free without ransom my dead corpse restore:
Nor barter me for gain, when I am cold;
But be her tears the price, if I am sold:
Time was she could have ransom'd me with gold".
Thus as she pray'd, one common shower of tears
Burst forth, and stream'd from ev'ry eye but hers.
Ev'n the priest wept, and with a rude remorse
Plung'd in her heart the steel's resistless force.
Her slacken'd limbs sunk gently to the ground,
Dauntless her looks, unalter'd by the wound.
And as she fell, she strove with decent pride
To hide, what suits a virgin's care to hide.
The Trojan matrons the pale corpse receive,
And the whole slaughter'd race of Priam grieve,
Sad they recount the long disastrous tale;
Then with fresh tears, thee, royal maid, bewail;
Thy widow'd mother too, who flourish'd late
The royal pride of Asia's happier state:
A captive lot now to Ulysses born;
Whom yet the victor would reject with scorn,
Were she not Hector's mother: Hector's fame
Scarce can a master for his mother claim!
With strict embrace the lifeless coarse she view'd;
And her fresh grief that flood of tears renew'd,
With which she lately mourn'd so many dead;
Tears for her country, sons, and husb and shed.
With the thick gushing stream she bath'd the wound;
Kiss'd her pale lips; then weltring on the ground,
With wonted rage her frantick bosom tore;
Sweeping her hair amidst the clotted gore;
Whilst her sad accents thus her loss deplore.
"Behold a mother's last dear pledge of woe!
Yes, 'tis the last I have to suffer now.
Thou, my Polyxena, my ills must crown:
Already in thy Fate, I feel my own.
'Tis thus, lest haply of my numerous seed
One should unslaughter'd fall, even thou must bleed:
And yet I hop'd thy sex had been thy guard;
But neither has thy tender sex been spar'd.
The same Achilles, by whose deadly hate
Thy brothers fell, urg'd thy untimely fate!
The same Achilles, whose destructive rage
Laid waste my realms, has robb'd my childless age.
When Paris' shafts with Phoebus' certain aid
At length had pierc'd this dreaded chief, I said,
Secure of future ills, he can no more:
But see, he still pursues me as before.
With rage rekindled his dead ashes burn;
And his yet murd'ring ghost my wretched house must mourn.
This tyrant's lust of slaughter I have fed
With large supplies from my too-fruitful bed.
Troy's tow'rs lye waste; and the wide ruin ends
The publick woe; but me fresh woe attends.
Troy still survives to me; to none but me;
And from its ills I never must be free.
I, who so late had power, and wealth, and ease,
Bless'd with my husband, and a large encrease,
Must now in poverty an exile mourn;
Ev'n from the tombs of my dead offspring torn:
Giv'n to Penelope, who proud of spoil,
Allots me to the loom's ungrateful toil;
Points to her dames, and crys with scorning mien:
See Hector's mother, and great Priam's queen!
And thou, my child, sole hope of all that's lost,
Thou now art slain, to sooth this hostile ghost.
Yes, my child falls an offering to my foe!
Then what am I, who still survive this woe?
Say, cruel Gods! for what new scenes of death
Must a poor aged wretch prolong this hated breath?
Troy fal'n, to whom could Priam happy seem?
Yet was he so; and happy must I deem
His death; for O! my child, he saw not thine,
When he his life did with his Troy resign.
Yet sure due obsequies thy tomb might grace;
And thou shalt sleep amidst thy kingly race.
Alas! my child, such fortune does not wait
Our suffering house in this abandon'd state.
A foreign grave, and thy poor mother's tears
Are all the honours that attend thy herse.
All now is lost!- Yet no; one comfort more
Of life remains, my much-lov'd Polydore.
My youngest hope: here on this coast he lives,
Nurs'd by the guardian-king, he still survives.
Then let me hasten to the cleansing flood,
And wash away these stains of guiltless blood."
Streit to the shore her feeble steps repair
With limping pace, and torn dishevell'd hair
Silver'd with age. "Give me an urn," she cry'd,
"To bear back water from this swelling tide":
When on the banks her son in ghastly hue
Transfix'd with Thracian arrows strikes her view.
The matrons shriek'd; her big-swoln grief surpast
The pow'r of utterance; she stood aghast;
She had nor speech, nor tears to give relief;
Excess of woe suppress'd the rising grief.
Lifeless as stone, on Earth she fix'd her eyes;
And then look'd up to Heav'n with wild surprise.
Now she contemplates o'er with sad delight
Her son's pale visage; then her aking sight
Dwells on his wounds: she varys thus by turns,
Wild as the mother-lion, when among
The haunts of prey she seeks her ravish'd young:
Swift flies the ravisher; she marks his trace,
And by the print directs her anxious chase.
So Hecuba with mingled grief, and rage
Pursues the king, regardless of her age.
She greets the murd'rer with dissembled joy
Of secret treasure hoarded for her boy.
The specious tale th' unwary king betray'd.
Fir'd with the hopes of prey: "Give quick," he said
With soft enticing speech, "the promis'd store:
Whate'er you give, you give to Polydore.
Your son, by the immortal Gods I swear,
Shall this with all your former bounty share."
She stands attentive to his soothing lyes,
And darts avenging horrour from her eyes.
Then full resentment fires her boyling blood:
She springs upon him, 'midst the captive crowd
(Her thirst of vengeance want of strength supplies):
Fastens her forky fingers in his eyes:
Tears out the rooted balls; her rage pursues,
And in the hollow orbs her hand imbrews.
The Thracians, fir'd, at this inhuman scene,
With darts, and stones assail the frantick queen.
She snarls, and growls, nor in an human tone;
Then bites impatient at the bounding stone;
Extends her jaws, as she her voice would raise
To keen invectives in her wonted phrase;
But barks, and thence the yelping brute betrays.
Still a sad monument the place remains,
And from this monstrous change its name obtains:
Where she, in long remembrance of her ills,
With plaintive howlings the wide desart fills.
Greeks, Trojans, friends, and foes, and Gods above
Her num'rous wrongs to just compassion move.
Ev'n Juno's self forgets her ancient hate,
And owns, she had deserv'd a milder fate.
The Funeral of Memnon
Yet bright Aurora, partial as she was
To Troy, and those that lov'd the Trojan cause,
Nor Troy, nor Hecuba can now bemoan,
But weeps a sad misfortune, more her own.
Her offspring Memnon, by Achilles slain,
She saw extended on the Phrygian plain:
She saw, and strait the purple beams, that grace
The rosie morning, vanish'd from her face;
A deadly pale her wonted bloom invades,
And veils the lowring skies with mournful shades.
But when his limbs upon the pile were laid,
The last kind duty that by friends is paid,
His mother to the skies directs her flight,
Nor cou'd sustain to view the doleful sight:
But frantick, with her loose neglected hair,
Hastens to Jove, and falls a suppliant there.
O king of Heav'n, o father of the skies,
The weeping Goddess passionately cries,
Tho' I the meanest of immortals am,
And fewest temples celebrate my fame,
Yet still a Goddess, I presume to come
Within the verge of your etherial dome:
Yet still may plead some merit, if my light
With purple dawn controuls the Pow'rs of night;
If from a female hand that virtue springs,
Which to the Gods, and men such pleasure brings.
Yet I nor honours seek, nor rites divine,
Nor for more altars, or more fanes repine;
Oh! that such trifles were the only cause,
From whence Aurora's mind its anguish draws!
For Memnon lost, my dearest only child,
With weightier grief my heavy heart is fill'd;
My warrior son! that liv'd but half his time,
Nipt in the bud, and blasted in his prime;
Who for his uncle early took the field,
And by Achilles' fatal spear was kill'd.
To whom but Jove shou'd I for succour come?
For Jove alone cou'd fix his cruel doom.
O sov'reign of the Gods accept my pray'r,
Grant my request, and sooth a mother's care;
On the deceas'd some solemn boon bestow,
To expiate the loss, and ease my woe.
Jove, with a nod, comply'd with her desire;
Around the body flam'd the fun'ral fire;
The pile decreas'd, that lately seem'd so high,
And sheets of smoak roll'd upward to the sky:
As humid vapours from a marshy bog,
Rise by degrees, condensing into fog,
That intercept the sun's enliv'ning ray,
And with a cloud infect the chearful day.
The sooty ashes wafted by the air,
Whirl round, and thicken in a body there;
Then take a form, which their own heat, and fire
With active life, and energy inspire.
Its lightness makes it seem to fly, and soon
It skims on real wings, that are its own;
A real bird, it beats the breezy wind,
Mix'd with a thousand sisters of the kind,
That, from the same formation newly sprung,
Up-born aloft on plumy pinions hung.
Thrice round the pile advanc'd the circling throng.
Thrice, with their wings, a whizzing consort rung.
In the fourth flight their squadron they divide,
Rank'd in two diff'rent troops, on either side:
Then two, and two, inspir'd with martial rage,
From either troop in equal pairs engage.
Each combatant with beak, and pounces press'd,
In wrathful ire, his adversary's breast;
Each falls a victim, to preserve the fame
Of that great hero, whence their being came.
From him their courage, and their name they take,
And, as they liv'd, they dye for Memnon's sake.
Punctual to time, with each revolving year,
In fresh array the champion birds appear;
Again, prepar'd with vengeful minds, they come
To bleed, in honour of the souldier's tomb.
Therefore in others it appear'd not strange,
To grieve for Hecuba's unhappy change:
But poor Aurora had enough to do
With her own loss, to mind another's woe;
Who still in tears, her tender nature shews,
Besprinkling all the world with pearly dews.
The Voyage of Aeneas
Troy thus destroy'd, 'twas still deny'd by Fate,
The hopes of Troy should perish with the state.
His sire, the son of Cytherea bore,
And household-Gods from burning Ilium's shore,
The pious prince (a double duty paid)
Each sacred bur then thro' the flames convey'd.
With young Ascanius, and this only prize,
Of heaps of wealth, he from Antandros flies;
But struck with horror, left the Thracian shore,
Stain'd with the blood of murder'd Polydore.
The Delian isle receives the banish'd train,
Driv'n by kind gales, and favour'd by the main.
Here pious Anius, priest, and monarch reign'd,
And either charge, with equal care sustain'd,
His subjects rul'd, to Phoebus homage pay'd,
His God obeying, and by those obey'd.
The priest displays his hospitable gate,
And shows the riches of his church, and state
The sacred shrubs, which eas'd Latona's pain,
The palm, and olive, and the votive fane.
Here grateful flames with fuming incense fed,
And mingled wine, ambrosial odours shed;
Of slaughter'd steers the crackling entrails burn'd:
And then the strangers to the court return'd.
On beds of tap'stry plac'd aloft, they dine
With Ceres' gift, and flowing bowls of wine;
When thus Anchises spoke, amidst the feast:
Say, mitred monarch, Phoebus' chosen priest,
Or (e'er from Troy by cruel Fate expell'd)
When first mine eyes these sacred walls beheld,
A son, and twice two daughters crown'd thy bliss?
Or errs my mem'ry, and I judge amiss?
The royal prophet shook his hoary head,
With snowy fillets bound, and sighing, said:
Thy mem'ry errs not, prince; thou saw'st me then,
The happy father of so large a train;
Behold me now (such turns of chance befall
The race of man!), almost bereft of all.
For (ah!) what comfort can my son bestow,
What help afford, to mitigate my woe!
While far from hence, in Andros' isle he reigns,
(From him so nam'd) and there my place sustains.
Him Delius praescience gave; the twice-born God
A boon more wond'rous on the maids bestow'd.
Whate'er they touch'd, he gave them to transmute
(A gift past credit, and above their suit)
To Ceres, Bacchus, and Minerva's fruit.
How great their value, and how rich their use,
Whose only touch such treasures could produce!
The dire destroyer of the Trojan reign,
Fierce Agamemnon, such a prize to gain
(A proof we also were design'd by Fate
To feel the tempest, that o'erturn'd your state),
With force superior, and a ruffian crew,
From these weak arms, the helpless virgins drew:
And sternly bad them use the grant divine,
To keep the fleet in corn, and oil, and wine.
Each, as they could, escap'd: two strove to gain
Euboea's isle, and two their brother's reign.
The soldier follows, and demands the dames;
If held by force, immediate war proclaims.
Fear conquer'd Nature in their brother's mind,
And gave them up to punishment assign'd.
Forgive the deed; nor Hector's arm was there,
Nor thine, Aeneas, to maintain the war;
Whose only force upheld your Ilium's tow'rs,
For ten long years, against the Grecian pow'rs.
Prepar'd to bind their captive arms in bands,
To Heav'n they rear'd their yet unfetter'd hands,
Help, Bacchus, author of the gift, they pray'd;
The gift's great author gave immediate aid;
If such destruction of their human frame
By ways so wond'rous, may deserve the name;
Nor could I hear, nor can I now relate
Exact, the manner of their alter'd state;
But this in gen'ral of my loss I knew,
Transform'd to doves, on milky plumes they flew,
Such as on Ida's mount thy consort's chariot drew.
With such discourse, they entertain'd the feast;
Then rose from table, and withdrew to rest.
The following morn, ere Sol was seen to shine,
Th' inquiring Trojans sought the sacred shrine;
The mystick Pow'r commands them to explore
Their ancient mother, and a kindred shore.
Attending to the sea, the gen'rous prince
Dismiss'd his guests with rich munificence,
In old Anchises' hand a sceptre plac'd,
A vest, and quiver young Ascanius grac'd,
His sire, a cup; which from th' Aonian coast,
Ismenian Therses sent his royal host.
Alcon of Myle made what Therses sent,
And carv'd thereon this ample argument.
A town with sev'n distinguish'd gates was shown,
Which spoke its name, and made the city known;
Before it, piles, and tombs, and rising flames,
The rites of death, and quires of mourning dames,
Who bar'd their breasts, and gave their hair to flow,
The signs of grief, and marks of publick woe.
Their fountains dry'd, the weeping Naiads mourn'd,
The trees stood bare, with searing cankers burn'd,
No herbage cloath'd the ground, a ragged flock
Of goats half-famish'd, lick'd the naked rock,
Of manly courage, and with mind serene,
Orion's daughters in the town were seen;
One heav'd her chest to meet the lifted knife,
One plung'd the poyniard thro' the seat of life,
Their country's victims; mourns the rescu'd state,
The bodies burns, and celebrates their Fate.
To save the failure of th' illustrious line,
From the pale ashes rose, of form divine,
Two gen'rous youths; these, fame Coronae calls,
Who join the pomp, and mourn their mother's falls.
These burnish'd figures form'd of antique mold,
Shone on the brass, with rising sculpture bold;
A wreath of gilt Acanthus round the brim was roll'd.
Nor less expence the Trojan gifts express'd;
A fuming censer for the royal priest,
A chalice, and a crown of princely cost,
With ruddy gold, and sparkling gems emboss'd.
Now hoisting sail, to Crete the Trojans stood,
Themselves remembring sprung from Teucer's blood;
But Heav'n forbids, and pestilential Jove
From noxious skies, the wand'ring navy drove.
Her hundred cities left, from Crete they bore,
And sought the destin'd land, Ausonia's shore;
But toss'd by storms at either Strophas lay,
'Till scar'd by Harpies from the faithless bay.
Then passing onward with a prosp'rous wind,
Left sly Ulysses' spacious realms behind;
Ambracia's state, in former ages known.
The strife of Gods, the judge transform'd to stone
They saw; for Actian Phoebus since renown'd,
Who Caesar's arms with naval conquest crown'd;
Next pass'd Dodona, wont of old to boast
Her vocal forest; and Chaonia's coast,
Where king Molossus' sons on wings aspir'd,
And saw secure the harmless fewel fir'd.
Now to Phaeacia's happy isle they came,
For fertile orchards known to early fame;
Epirus past, they next beheld with joy
A second Ilium, and fictitious Troy;
Here Trojan Helenus the sceptre sway'd,
Who show'd their fate and mystick truths display'd.
By him confirm'd Sicilia's isle they reach'd,
Whose sides to sea three promontories stretch'd,
Pachynos to the stormy south is plac'd,
On Lilybaeum blows the gentle west,
Peloro's cliffs the northern bear survey,
Who rolls above, and dreads to touch the sea.
By this they steer, and favour'd by the tide,
Secure by night in Zancle's harbour ride.
Here cruel Scylla guards the rocky shore,
And there the waves of loud Charybdis roar:
This sucks, and vomits ships, and bodies drown'd;
And rav'nous dogs the womb of that surround,
In face a virgin; and (if ought be true
By bards recorded) once a virgin too.
A train of youths in vain desir'd her bed;
By sea-nymphs lov'd, to nymphs of seas she fled;
The maid to these, with female pride, display'd
Their baffled courtship, and their love betray'd.
When Galatea thus bespoke the fair
(But first she sigh'd), while Scylla comb'd her hair:
You, lovely maid, a gen'rous race pursues,
Whom safe you may (as now you do) refuse;
To me, tho' pow'rful in a num'rous train
Of sisters, sprung from Gods, who rule the main,
My native seas could scarce a refuge prove,
To shun the fury of the Cyclops' love,
Tears choak'd her utt'rance here; the pity'ng maid
With marble fingers wip'd them off, and said:
My dearest Goddess, let thy Scylla know,
(For I am faithful) whence these sorrows flow.
The maid's intreaties o'er the nymph prevail,
Who thus to Scylla tells the mournful tale.
The Story of Acis, Polyphemus and Galatea
Acis, the lovely youth, whose loss I mourn,
From Faunus, and the nymph Symethis born,
Was both his parents' pleasure; but, to me
Was all that love could make a lover be.
The Gods our minds in mutual bands did join:
I was his only joy, and he was mine.
Now sixteen summers the sweet youth had seen;
And doubtful down began to shade his chin:
When Polyphemus first disturb'd our joy;
And lov'd me fiercely, as I lov'd the boy.
Ask not which passion in my soul was high'r,
My last aversion, or my first desire:
Nor this the greater was, nor that the less;
Both were alike, for both were in excess.
Thee, Venus, thee both Heav'n, and Earth obey;
Immense thy pow'r, and boundless is thy sway.
The Cyclops, who defy'd th' aetherial throne,
And thought no thunder louder than his own,
The terror of the woods, and wilder far
Than wolves in plains, or bears in forests are,
Th' inhuman host, who made his bloody feasts
On mangl'd members of his butcher'd guests,
Yet felt the force of love, and fierce desire,
And burnt for me, with unrelenting fire.
Forgot his caverns, and his woolly care,
Assum'd the softness of a lover's air;
And comb'd, with teeth of rakes, his rugged hair.
Now with a crooked scy the his beard he sleeks;
And mows the stubborn stubble of his cheeks:
Now in the crystal stream he looks, to try
His simagres, and rowls his glaring eye.
His cruelty, and thirst of blood are lost;
And ships securely sail along the coast.
The prophet Telemus (arriv'd by chance
Where Aetna's summets to the seas advance,
Who mark'd the tracts of every bird that flew,
And sure presages from their flying drew)
Foretold the Cyclops, that Ulysses' hand
In his broad eye shou'd thrust a flaming brand.
The giant, with a scornful grin, reply'd,
Vain augur, thou hast falsely prophesy'd;
Already love his flaming brand has tost;
Looking on two fair eyes, my sight I lost,
Thus, warn'd in vain, with stalking pace he strode,
And stamp'd the margin of the briny flood
With heavy steps; and weary, sought agen
The cool retirement of his gloomy den.
A promontory, sharp'ning by degrees,
Ends in a wedge, and overlooks the seas:
On either side, below, the water flows;
This airy walk the giant lover chose.
Here on the midst he sate; his flocks, unled,
Their shepherd follow'd, and securely fed.
A pine so burly, and of length so vast,
That sailing ships requir'd it for a mast,
He wielded for a staff, his steps to guide:
But laid it by, his whistle while he try'd.
A hundred reeds of a prodigious growth,
Scarce made a pipe, proportion'd to his mouth:
Which when he gave it wind, the rocks around,
And watry plains, the dreadful hiss resound.
I heard the ruffian-shepherd rudely blow,
Where, in a hollow cave, I sat below;
On Acis' bosom I my head reclin'd:
And still preserve the poem in my mind.
Oh lovely Galatea, whiter far
Than falling snows, and rising lillies are;
More flowry than the meads, as chrystal bright:
Erect as alders, and of equal height:
More wanton than a kid, more sleek thy skin,
Than orient shells, that on the shores are seen,
Than apples fairer, when the boughs they lade;
Pleasing, as winter suns, or summer shade:
More grateful to the sight, than goodly plains;
And softer to the touch, than down of swans;
Or curds new turn'd; and sweeter to the taste
Than swelling grapes, that to the vintage haste:
More clear than ice, or running streams, that stray
Through garden plots, but ah! more swift than they.
Yet, Galatea, harder to be broke
Than bullocks, unreclaim'd, to bear the yoke,
And far more stubborn, than the knotted oak:
Like sliding streams, impossible to hold;
Like them, fallacious, like their fountains, cold.
More warping, than the willow, to decline
My warm embrace, more brittle, than the vine;
Immovable, and fixt in thy disdain:
Tough, as these rocks, and of a harder grain.
More violent, than is the rising flood;
And the prais'd peacock is not half so proud.
Fierce, as the fire, and sharp, as thistles are,
And more outragious, than a mother-bear:
Deaf, as the billows to the vows I make;
And more revengeful, than a trodden snake.
In swiftness fleeter, than the flying hind,
Or driven tempests, or the driving wind.
All other faults, with patience I can bear;
But swiftness is the vice I only fear.
Yet if you knew me well, you wou'd not shun
My love, but to my wish'd embraces run:
Wou'd languish in your turn, and court my stay;
And much repent of your unwise delay.
My palace, in the living rock, is made
By Nature's hand; a spacious pleasing shade:
Which neither heat can pierce, nor cold invade.
My garden fill'd with fruits you may behold,
And grapes in clusters, imitating gold;
Some blushing bunches of a purple hue:
And these, and those, are all reserv'd for you.
Red strawberries, in shades, expecting stand,
Proud to be gather'd by so white a hand.
Autumnal cornels latter fruit provide;
And plumbs, to tempt you, turn their glossy side:
Not those of common kinds; but such alone,
As in Phaeacian orchards might have grown:
Nor chestnuts shall be wanting to your food,
Nor garden-fruits, nor wildings of the wood;
The laden boughs for you alone shall bear;
And yours shall be the product of the year.
The flocks you see, are all my own; beside
The rest that woods, and winding vallies hide;
And those that folded in the caves abide.
Ask not the numbers of my growing store;
Who knows how many, knows he has no more.
Nor will I praise my cattle; trust not me,
But judge your self, and pass your own decree:
Behold their swelling dugs; the sweepy weight
Of ewes, that sink beneath the milky freight;
In the warm folds their tender lambkins lye;
Apart from kids, that call with human cry.
New milk in nut-brown bowls is duely serv'd
For daily drink; the rest for cheese reserv'd.
Nor are these household dainties all my store:
The fields, and forests will afford us more;
The deer, the hare, the goat, the savage boar.
All sorts of ven'son; and of birds the best;
A pair of turtles taken from the nest.
I walk'd the mountains, and two cubs I found
(Whose dam had left 'em on the naked ground),
So like, that no distinction could be seen:
So pretty, they were presents for a queen;
And so they shall; I took them both away;
And keep, to be companions of your play.
Oh raise, fair nymph, your beauteous face above
The waves; nor scorn my presents, and my love.
Come, Galatea, come, and view my face;
I late beheld it, in the watry glass;
And found it lovelier, than I fear'd it was.
Survey my towring stature, and my size:
Not Jove, the Jove you dream, that rules the skies,
Bears such a bulk, or is so largely spread:
My locks (the plenteous harvest of my head)
Hang o'er my manly face; and dangling down,
As with a shady grove, my shoulders crown.
Nor think, because my limbs and body bear
A thick-set underwood of bristling hair,
My shape deform'd; what fouler sight can be,
Than the bald branches of a leafless tree?
Foul is the steed without a flowing mane:
And birds, without their feathers, and their train.
Wool decks the sheep; and Man receives a grace
From bushy limbs, and from a bearded face.
My forehead with a single eye is fill'd,
Round, as a ball, and ample, as a shield.
The glorious lamp of Heav'n, the radiant sun,
Is Nature's eye; and she's content with one.
Add, that my father sways your seas, and I,
Like you, am of the watry family.
I make you his, in making you my own;
You I adore; and kneel to you alone:
Jove, with his fabled thunder, I despise,
And only fear the lightning of your eyes.
Frown not, fair nymph; yet I cou'd bear to be
Disdain'd, if others were disdain'd with me.
But to repulse the Cyclops, and prefer
The love of Acis (Heav'ns!) I cannot bear.
But let the stripling please himself; nay more,
Please you, tho' that's the thing I most abhor;
The boy shall find, if e'er we cope in fight,
These giant limbs, endu'd with giant might.
His living bowels from his belly torn,
And scatter'd limbs shall on the flood be born:
Thy flood, ungrateful nymph; and fate shall find,
That way for thee, and Acis to be join'd.
For oh! I burn with love, and thy disdain
Augments at once my passion, and my pain.
Translated Aetna flames within my heart,
And thou, inhuman, wilt not ease my smart.
Lamenting thus in vain, he rose, and strode
With furious paces to the neighb'ring wood:
Restless his feet, distracted was his walk;
Mad were his motions, and confus'd his talk.
Mad, as the vanquish'd bull, when forc'd to yield
His lovely mistress, and forsake the field.
Thus far unseen I saw: when fatal chance,
His looks directing, with a sudden glance,
Acis and I were to his sight betray'd;
Where, nought suspecting, we securely play'd.
From his wide mouth a bellowing cry he cast,
I see, I see; but this shall be your last:
A roar so loud made Aetna to rebound:
And all the Cyclops labour'd in the sound.
Affrighted with his monstrous voice, I fled,
And in the neighbouring ocean plung'd my head.
Poor Acis turn'd his back, and Help, he cry'd,
Help, Galatea, help, my parent Gods,
And take me dying to your deep abodes.
The Cyclops follow'd; but he sent before
A rib, which from the living rock he tore:
Though but an angle reach'd him of the stone,
The mighty fragment was enough alone,
To crush all Acis; 'twas too late to save,
But what the Fates allow'd to give, I gave:
That Acis to his lineage should return;
And rowl, among the river Gods, his urn.
Straight issu'd from the stone a stream of blood;
Which lost the purple, mingling with the flood,
Then, like a troubled torrent, it appear'd:
The torrent too, in little space, was clear'd.
The stone was cleft, and through the yawning chink
New reeds arose, on the new river's brink.
The rock, from out its hollow womb, disclos'd
A sound like water in its course oppos'd,
When (wond'rous to behold), full in the flood,
Up starts a youth, and navel high he stood.
Horns from his temples rise; and either horn
Thick wreaths of reeds (his native growth) adorn.
Were not his stature taller than before,
His bulk augmented, and his beauty more,
His colour blue; for Acis he might pass:
And Acis chang'd into a stream he was,
But mine no more; he rowls along the plains
With rapid motion, and his name retains.
The Story of Glaucus and Scylla
Here ceas'd the nymph; the fair assembly broke,
The sea-green Nereids to the waves betook:
While Scylla, fearful of the wide-spread main,
Swift to the safer shore returns again.
There o'er the sandy margin, unarray'd,
With printless footsteps flies the bounding maid;
Or in some winding creek's secure retreat
She baths her weary limbs, and shuns the noonday's heat.
Her Glaucus saw, as o'er the deep he rode,
New to the seas, and late receiv'd a God.
He saw, and languish'd for the virgin's love;
With many an artful blandishment he strove
Her flight to hinder, and her fears remove.
The more he sues, the more she wings her flight,
And nimbly gains a neighb'ring mountain's height.
Steep shelving to the margin of the flood,
A neighb'ring mountain bare, and woodless stood;
Here, by the place secur'd, her steps she stay'd,
And, trembling still, her lover's form survey'd.
His shape, his hue, her troubled sense appall,
And dropping locks that o'er his shoulders fall;
She sees his face divine, and manly brow,
End in a fish's wreathy tail below:
She sees, and doubts within her anxious mind,
Whether he comes of God, or monster kind.
This Glaucus soon perceiv'd; and, Oh! forbear
(His hand supporting on a rock lay near),
Forbear, he cry'd, fond maid, this needless fear.
Nor fish am I, nor monster of the main,
But equal with the watry Gods I reign;
Nor Proteus, nor Palaemon me excell,
Nor he whose breath inspires the sounding shell.
My birth, 'tis true, I owe to mortal race,
And I my self but late a mortal was:
Ev'n then in seas, and seas alone, I joy'd;
The seas my hours, and all my cares employ'd,
In meshes now the twinkling prey I drew;
Now skilfully the slender line I threw,
And silent sat the moving float to view.
Not far from shore, there lies a verdant mead,
With herbage half, and half with water spread:
There, nor the horned heifers browsing stray,
Nor shaggy kids, nor wanton lambkins play;
There, nor the sounding bees their nectar cull,
Nor rural swains their genial chaplets pull,
Nor flocks, nor herds, nor mowers haunt the place,
To crop the flow'rs, or cut the bushy grass:
Thither, sure first of living race came I,
And sat by chance, my dropping nets to dry.
My scaly prize, in order all display'd,
By number on the greensward there I lay'd,
My captives, whom or in my nets I took,
Or hung unwary on my wily hook.
Strange to behold! yet what avails a lye?
I saw 'em bite the grass, as I sate by;
Then sudden darting o'er the verdant plain,
They spread their finns, as in their native main:
I paus'd, with wonder struck, while all my prey
Left their new master, and regain'd the sea.
Amaz'd, within my secret self I sought,
What God, what herb the miracle had wrought:
But sure no herbs have pow'r like this, I cry'd;
And strait I pluck'd some neighb'ring herbs, and try'd.
Scarce had I bit, and prov'd the wond'rous taste,
When strong convulsions shook my troubled breast;
I felt my heart grow fond of something strange,
And my whole Nature lab'ring with a change.
Restless I grew, and ev'ry place forsook,
And still upon the seas I bent my look.
Farewel for ever! farewel, land! I said;
And plung'd amidst the waves my sinking head.
The gentle Pow'rs, who that low empire keep,
Receiv'd me as a brother of the deep;
To Tethys, and to Ocean old, they pray
To purge my mortal earthy parts away.
The watry parents to their suit agreed,
And thrice nine times a secret charm they read,
Then with lustrations purify my limbs,
And bid me ba the beneath a hundred streams:
A hundred streams from various fountains run,
And on my head at once come rushing down.
Thus far each passage I remember well,
And faithfully thus far the tale I tell;
But then oblivion dark, on all my senses fell.
Again at length my thought reviving came,
When I no longer found my self the same;
Then first this sea-green beard I felt to grow,
And these large honours on my spreading brow;
My long-descending locks the billows sweep,
And my broad shoulders cleave the yielding deep;
My fishy tail, my arms of azure hue,
And ev'ry part divinely chang'd, I view.
But what avail these useless honours now?
What joys can immortality bestow?
What, tho' our Nereids all my form approve?
What boots it, while fair Scylla scorns my love?
Thus far the God; and more he wou'd have said;
When from his presence flew the ruthless maid.
Stung with repulse, in such disdainful sort,
He seeks Titanian Circe's horrid court.
----------------------------------------------------------------------
~ Ovid, BOOK THE THIRTEENTH
,#NFDB
1301:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
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Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
91
aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
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To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
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with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
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dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
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Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
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as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
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through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
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with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
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A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
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for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
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But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
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heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
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Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
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His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
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From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
121
so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,#NFDB
66 Poetry
62 Integral Yoga
34 Psychology
22 Occultism
18 Philosophy
16 Mythology
8 Christianity
6 Fiction
5 Mysticism
4 Yoga
3 Hinduism
1 Zen
1 Science
1 Philsophy
1 Integral Theory
1 Buddhism
1 Baha i Faith
1 Alchemy
43 Sri Aurobindo
32 Nolini Kanta Gupta
22 Carl Jung
11 The Mother
9 William Wordsworth
8 Ovid
8 Joseph Campbell
7 Friedrich Nietzsche
6 Jordan Peterson
6 H P Lovecraft
5 Robert Browning
5 James George Frazer
4 Walt Whitman
4 Sri Ramakrishna
4 Satprem
4 Plato
4 George Van Vrekhem
4 Friedrich Schiller
3 William Butler Yeats
3 Vyasa
3 Saint Augustine of Hippo
3 John Keats
3 Aristotle
3 Aldous Huxley
2 Rabindranath Tagore
2 Pierre Teilhard de Chardin
2 Percy Bysshe Shelley
2 Jorge Luis Borges
2 Henry David Thoreau
2 Anonymous
2 A B Purani
9 Wordsworth - Poems
8 The Hero with a Thousand Faces
8 The Archetypes and the Collective Unconscious
8 Mysterium Coniunctionis
8 Metamorphoses
8 Collected Poems
7 5.1.01 - Ilion
6 The Secret Doctrine
6 Maps of Meaning
6 Lovecraft - Poems
6 Hymns to the Mystic Fire
6 Collected Works of Nolini Kanta Gupta - Vol 07
6 Collected Works of Nolini Kanta Gupta - Vol 04
6 Collected Works of Nolini Kanta Gupta - Vol 01
5 The Golden Bough
5 Browning - Poems
4 Words Of Long Ago
4 Whitman - Poems
4 Twilight of the Idols
4 The Practice of Psycho therapy
4 Schiller - Poems
4 Savitri
4 Preparing for the Miraculous
4 Collected Works of Nolini Kanta Gupta - Vol 05
4 Collected Works of Nolini Kanta Gupta - Vol 02
3 Yeats - Poems
3 Vishnu Purana
3 Thus Spoke Zarathustra
3 The Secret Of The Veda
3 The Perennial Philosophy
3 The Gospel of Sri Ramakrishna
3 The Bible
3 Poetics
3 Letters On Yoga I
3 Keats - Poems
3 Essays On The Gita
3 Collected Works of Nolini Kanta Gupta - Vol 03
3 City of God
2 Walden
2 Vedic and Philological Studies
2 The Red Book Liber Novus
2 Tagore - Poems
2 Shelley - Poems
2 Selected Fictions
2 Labyrinths
2 Evening Talks With Sri Aurobindo
2 Essays In Philosophy And Yoga
2 Anonymous - Poems
2 Aion
01.02 - Sri Aurobindo - Ahana and Other Poems, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
And because our Vedic poets always looked beyond humanity, beyond earth, therefore could they make divine poetry of humanity and what is of earth. Therefore it was that they were pervadingly so grandiose and sublime and puissant. the Heroic, the epic was their natural element and they could not but express themselves in the grand manner Sri Aurobindo has the same outlook and it is why we find in him the ring of the old-world manner.
Mark the stately march, the fullness of voice, the wealth of imagery, the vigour of movement of these lines:
01.05 - The Nietzschean Antichrist, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Nietzsche as the apostle of force is a name now familiar to all the world. the Hero, the warrior who never tamely accepts suffering and submission and defeat under any condition but fights always and fights to conquersuch is the ideal man, according to Nietzsche,the champion of strength, of greatness, of mightiness. The dominating personality infused with the supreme "will to power"he is Ubermensch, the Superman. Sentiment does not move the mountains, emotion diffuses itself only in vague aspiration. The motive power, the creative fiat does not dwell in the heart but somewhere higher. The way of the Cross, the path of love and charity and pity does not lead to the kingdom of Heaven. The world has tried it for the last twenty centuries of its Christian civilisation and the result is that we are still living in a luxuriant abundance of misery and sordidness and littleness. This is how Nietzsche thinks and feels. He finds no virtue in the old rgimes and he revolts from them. He wants a speedy and radical remedy and teaches that by violence only the Kingdom of Heaven can be seized. For, to Nietzsche the world is only a clash of forces and the Superman therefore is one who is the embodiment of the greatest force. Nietzsche does not care for the good, it is the great that moves him. The good, the moral is of man, conventional and has only a fictitious value. The great, the non-moral is, on the other hand, divine. That only has a value of its own. The good is nothing but a sort of makeshift arrangement which man makes for himself in order to live commodiously and which changes according to his temperament. But the great is one with the Supreme Wisdom and is absolute and imperative. The good cannot create the great; it is the great that makes for the good. This is what he really means when he says, "They say that a good cause sanctifies war but I tell thee it is a good war that sanctifies all cause." For the goodness of your cause you judge by your personal predilections, by your false conventionalities, by a standard that you set up in your ignoranceBut a good war, the output of strength in any cause is in itself a cause of salvation. For thereby you are the champion of that ultimate verity which conduces to the ultimate good. Do not shrink, he would say, to be even like the cyclone and the avalanche, destructive, indeed, but grand and puissant and therefore truer emblems of the BeyondJenseitsthan the weak, the little, the pitiful that do not dare to destroy and by that very fact cannot hope to create.
This is the Nietzsche we all know. But there is another aspect of his which the world has yet been slow to recognise. For, at bottom, Nietzsche is not all storm and fury. If his Superman is a Destroying Angel, he is none the less an angel. If he is endowed with a supreme sense of strength and power, there is also secreted in the core of his heart a sense of the beautiful that illumines his somewhat sombre aspect. For although Nietzsche is by birth a Slavo-Teuton, by culture and education he is pre-eminently Hellenic. His earliest works are on the subject of Greek tragedy and form what he describes as an "Apollonian dream." And to this dream, to this Greek aesthetic sense more than to any thing else he sacrifices justice and pity and charity. To him the weak and the miserable, the sick and the maimed are a sort of blot, a kind of ulcer on the beautiful face of humanity. The herd that wallow in suffering and relish suffering disfigure the aspect of the world and should therefore be relentlessly mowed out of existence. By being pitiful to them we give our tacit assent to their persistence. And it is precisely because of this that Nietzsche has a horror of Christianity. For compassion gives indulgence to all the ugliness of the world and thus renders that ugliness a necessary and indispensable element of existence. To protect the weak, to sympathise with the lowly brings about more of weakness and more of lowliness. Nietzsche has an aristocratic taste par excellencewhat he aims at is health and vigour and beauty. But above all it is an aristocracy of the spirit, an aristocracy endowed with all the richness and beauty of the soul that Nietzsche wants to establish. The beggar of the street is the symbol of ugliness, of the poverty of the spirit. And the so-called aristocrat, die millionaire of today is as poor and ugly as any helpless leper. The soul of either of them is made of the same dirty, sickly stuff. The tattered rags, the crouching heart, the effeminate nerve, the unenlightened soul are the standing ugliness of the world and they have no place in the ideal, the perfect humanity. Humanity, according to Nietzsche, is made in order to be beautiful, to conceive the beautiful, to create the beautiful. Nietzsche's Superman has its perfect image in a Grecian statue of Zeus cut out in white marble-Olympian grandeur shedding in every lineament Apollonian beauty and Dionysian vigour.
01.08 - A Theory of Yoga, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Secondly, there is the line of Substitution. Here the mind does not stand in an antagonistic and protestant mood to combat and repress the impulse, but seeks to divert it into other channels, use it to other purposes which do not demand equal sacrifice, may even, on the other hand, be considered by the conscious mind as worthy of human pursuit. Thus the energy that normally would seek sexual gratification might find its outlet in the cultivation of art and literature. It is a common thing in novels to find the Heroine disappointed in love taking finally to works of charity and beneficence and thus forgetting her disappointment. Another variety of this is what is known as "drowning one's sorrow in drinking."
Thirdly, there is the line of Sublimationit is when the natural impulse is neither repressed nor diverted but lifted up into a higher modality. The thing is given a new sense and a new value which serve to remove the stigma usually attached to it and thus allow its free indulgence. Instances of carnal love sublimated into spiritual union, of passion transmuted into devotion (Bhakti) are common enough to illustrate the point.
0.10 - Letters to a Young Captain, #Some Answers From The Mother, #The Mother, #Integral Yoga
About the Hero of the film Reach for the Sky, I said
that nothing could ever discourage him. For even after
--
cries for the sword of the Hero of the struggle and the word of
its prophet."26
01.10 - Principle and Personality, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
And yet we yield to none in our demand for holding forth the principles always and ever before the wide open gaze of all. The principle is there to make people self-knowing and self-guiding; and the man is also there to illustrate that principle, to serve as the hope and prophecy of achievement. The living soul is there to touch your soul, if you require the touch; and the principle is there by which to test and testify. For, we do not ask anybody to be a mere automaton, a blind devotee, a soul without individual choice and initiative. On the contrary, we insist on each and every individual to find his own soul and stand on his own Truththis is the fundamental principle we declare, the only creedif creed it be that we ask people to note and freely follow. We ask all people to be fully self-dependent and self-illumined, for only thus can a real and solid reconstruction of human nature and society be possible; we do not wish that they should bow down ungrudgingly to anything, be it a principle or a personality. In this respect we claim the very first rank of iconoclasts and anarchists. And along with that, if we still choose to remain an idol-lover and a hero-worshipper, it is because we recognise that our mind, human as it is, being not a simple equation but a complex paradox, the idol or the Hero symbolises for us and for those who so will, the very iconoclasm and anarchism and perhaps other more positive things as wellwhich we behold within and seek to manifest.
The world is full of ikons and archons; we cannot escape them, even if we try the world itself being a great ikon and as great an archon. Those who swear by principles, swear always by some personality or other, if not by a living creature then by a lifeless book, if not by Religion then by Science, if not by the East then by the West, if not by Buddha or Christ then by Bentham or Voltaire. Only they do it unwittingly they change one set of personalities for another and believe they have rejected them all. The veils of Maya are a thousand-fold tangle and you think you have entirely escaped her when you have only run away from one fold to fall into another. The wise do not attempt to reject and negate Maya, but consciously accept herfreedom lies in a knowing affirmation. So we too have accepted and affirmed an icon, but we have done it consciously and knowingly; we are not bound by our idol, we see the truth of it, and we serve and utilise it as best as we may.
0 1962-02-17, #Agenda Vol 03, #The Mother, #Integral Yoga
I climb not to thy everlasting Day... Earth is the chosen place of mightiest souls; Earth is the Heroic spirit's battlefield... Thy servitudes on earth are greater, king, Than all the glorious liberties of heaven... Oh, to spread forth, oh to encircle and seize More hearts till love in us has filled thy world!... Are there not still a million fights to wage?
Savitri, XI,1 (Cent. Ed. XXIX. 686).
0 1965-08-25, #Agenda Vol 06, #The Mother, #Integral Yoga
No real peace can be till the heart of man deserves peace; the law of Vishnu cannot prevail till the debt to Rudra is paid. To turn aside then and preach to a still unevolved mankind the law of love and oneness? Teachers of the law of love and oneness there must be, for by that way must come the ultimate salvation. But not till the Time-Spirit in man is ready, can the inner and ultimate prevail over the outer and immediate reality. Christ and Buddha have come and gone, but it is Rudra who still holds the world in the hollow of his hand. And meanwhile the fierce forward labour of mankind tormented and oppressed by the powers that are profiteers of egoistic force and their servants cries for the sword of the Hero of the struggle and the word of its prophet.
(Essays on the Gita, XIII.372)
0 1970-05-16, #Agenda Vol 11, #The Mother, #Integral Yoga
Sometimes one catches a glimpse of the Heroism it takes to do the work youre doing.
(Mother laughs) The body is enduring enough, I cant complain.
0 1972-03-29a, #Agenda Vol 13, #The Mother, #Integral Yoga
I think I am correctly interpreting the feeling of my young Indian friends when I say that they see the Heroes of your novels as raw mystics, to use Claudels description of Rimbaud. This may seem a surprising attribute, considering your heroes atheism, but that is because we have too often confused mysticism or spirituality with religion, as Sri Aurobindo stresses. One need not believe in a personal, extracosmic God to be a mystic. (That is certainly why religion has from time to time taken upon itself to bum alive all the non-regular mystics.) Here we touch upon a huge confusion rooted in religions. Through their monks, sannyasins and ascetics, religions have shown us a purely contemplative, austere and lifeless side of mysticismindeed those mystics, like the religions they practice, live in a negation of life; they go through this vale of tears with their eyes exclusively fixed on the Beyond. But true mysticism is not so limited as that, it seeks to transform life, to reveal the Absolute hidden in it; it seeks to establish the kingdom of God in man, as Sri Aurobindo wrote, and not the kingdom of a Pope, clergy or sacerdotal class. If the modem world lives in conflict and anguish, if it is torn between being and doing, it is because religion has driven away God from this world, severed him from his creation and flung him back to some distant heaven or empty nirvana, thus denying any possibility of human perfection on this earth and digging an unbridgeable gulf between being and doing, between mystics sunk in their dreams and this world abandoned to the forces of evil, to Satan and all those who consent to get their hands dirty.
That contradiction is powerfully expressed in your books, it is striking to my Indian students. And they are surprised, for the urge to do something at all coststo do anything at all, as long as we do something, as one often hears in Europewithout this action being based on a being which it expresses and of which it is but the material translation, appears to them a strange attitude. Neither the despair, the silence or the revolt, nor the absurd pointlessness that sometimes surrounds the death of many of your heroes escape them. They feel that your heroes flee from themselves rather than express themselves. This torment between being and doing can be found in each one of them. They have apparently renounced to be something in order to do something, as one character stresses in Hope, but are they not desperately seeking to be through their actions, a being that they will capture only as time is abolished, in death? The same obsession seems to run through each of them: from Perken, who wants to leave his scar on the map, to outlive himself through twenty tribes, who fights against time as one fights against cancer, to Tchen, who shuts himself in the world of terrorism: an eternal world where time does not exist, and to Katow, who whispers to himself, O prisons, where time stops. In that respect, these characters clearly symbolize the impotence of a religion that has not been able to give the earth its meaning and plenitude.
02.03 - The Shakespearean Word, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
Shakespeare himself has said of his hero Romeo, characterising the supreme beauty the Hero embodies:
when he shall die,
02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
There is kept grandeur's store, the Hero's mould;
The soul is the watchful builder of its fate;
02.11 - The Kingdoms and Godheads of the Greater Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
We feel the Hero's immortality;
The courage and the strength death cannot touch
03.03 - A Stainless Steel Frame, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The institution of punishment is no longer respected or appreciated in modern times to the same extent as in the past, even a century ago. When character goes awry, punishment is of no avail. Punishment does not cure or redeem the criminal; it often hardens, fixes the trait that is sought to be eradicated. Fear of punishment does not always prevent one from doing wrong things. Often danger has an irresistible fascination for a certain type of temperament, especially danger of the wrong kindindeed the greater the wrong, the greater the danger and the greater the fascination. "To live dangerously" is the motto of the Heroic soul, as well as of the lost soul. A strong penal system, a rigorous policing is of help no doubt to maintain "peace and order" of some kind in a society; but that is an external pressure which cannot last very long or be effective in the end.
So the ideal proposed is that of moral regeneration. But what is the kind of moral regeneration and how is it to be effected? All depends upon that. If you issue some moral rules and regulations, inscribe them on pillars, print them in pamphlets, preach them from the platform and the pulpit, these things have been done in the past and for ages, the result is not assured and the world goes its way as ever. Something more than mental and moral rules has to be discovered: some dynamic and irresistible element in man has to be touched, evoked and brought out, something that challenges the whole world and maintains its truth and the fiat of its truth. That is the inmost soul in man, the real being behind all the apparent forms of his personality, the divine element, the very Divine in him. It is the outer man, the marginal man, man in his inferior nature that lives and moves in normal circumstances; instead, the central man, man in his higher and highest nature has to come out and take his place in the world.
03.10 - Hamlet: A Crisis of the Evolving Soul, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Arjuna tided over the crisis as he could avail himself of the knowledge of the way out and the necessary help that was given by the Divine Guide. Hamlet bears the full crash of doom upon his head and makes others also share its consequences with him. At one point, however, he seemed to make just a move towards the right solution of the difficulty. He finds that the avoidance of the Evil by self-destructionwhich is a common and natural temptation in like situationsis no solution: it may lead you into a still greater evil. One has to face the evil, stand and fight it. Once this is decided, the right course for the Hero (the Aryan fighter, as the Gitawould say) would be to live
As one, in suffering all, that suffers nothing;
04.03 - Consciousness as Energy, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Now this superconsciousness is the true origin of creation, although the apparent and objective creation starts with and is based upon Unconsciousness. All norms and archetypes belong to the superconsciousness; for the sake of material creation they are thrown down or cast as seed into the Unconscious and in this process they undergo a change, a deformation and aberration. All the major themes of dream myths and prehistoric legends which the psychologists claim to have found imbedded in man's subconscient consciousness are in fact echoes and mirages of great spiritualsuperconscientrealities reflected here below. The theme of the Hero of the Dual Mother (Dark and Fair), of Creation and Sacrifice, these are, according to Jung, dramatisations of some fundamental movements and urges in the dark subconscient nature. Jung, however, throws a luminous suggestion in characterising the nature of this vast complex. The general sense, Jung says; is that of a movement forward, of a difficult journey, of a pull backward and downward, of yawning abysses that call, of a light that beckons. It is an effort, a travail of what lies imbedded and suppressed to come out into the open, into the normal consciousness and thus release an unhealthy tension, restore a balance in the individual's system. Modern psychology lays great stress upon the integration of personality. Most of the ills that human nature suffers from, they say, are due to this division or schism in it, a suppressed subconsciousness and an expressed consciousness seeking to express a negation of that subconsciousness. Modern psychology teaches that one should dive into the nether regions and face squarely whatever elements are there, help these to follow their natural bent to come up and see the light of the day. Only thus there can be established a unitary movement, an even consistency and an equilibrium throughout the entire consciousness and being.
So far so good. But two things are to be taken note of. First of all, the resolution of the normal conflict in man's consciousness, the integration of his personality, is not wholly practicable within the scope of the present nature and the field of the actual forces at play. That can give only a shadow of the true resolution and integration. A conscious envisaging of the conflicting forces, a calm survey of the submerged or side-tracked libidos in their true nature, a voluntary acceptance, of these dark elements as a part of normal human nature, does not automatically make for their sublimation and purification or transformation. The thing is possible only through another force and on another level, by the intervention and interfusion precisely of the superconsciousness. And here comes the second point to note. For it is this superconsciousness towards which all the strife and struggle of the under-consciousness are turned and directed. The yearning and urge in the subconsciousness to move forward, to escape outside into the light does not refer merely to the march towards normal awareness and consciousness: it has a deeper direction and a higher aimit seeks that of which it is an aberration and a deformation, the very origin and source, the height from which it fell.
04.04 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
Is it so in fact? For, if one admits and accepts the evolutionary character of human nature and consciousness, the outlook becomes somewhat different. According to this view, human civilisation is seen as moving through progressive stages: man at the outset was centrally lodged in and occupied with his body consciousness, he was an annamaya purua; then he raised himself and centred in the vital consciousness and so became fundamentally a prnamaya purua; next he climbed into the mental consciousness and became a maomaya purua; from that level again he has been attempting to go further beyond. On each plane the normal life is planned according to the central character, the lawdharmaof that plane. One can have the religious or spiritual experience on each of these planes, representing various degrees of growth and evolution according to the plane to which it is attached. It is therefore that the Tantra refers to three gradations of spiritual seekers and accordingly three types or lines of spiritual discipline: the animal (pau bhva), the Heroic (vra bhva) and the godly or divine (deva bhva). The classification is not merely typal but also hierarchical and evolutionary in character.
The Divine or the spiritual consciousness, instead of being a simple unitary entity, is a vast, complex, stratified reality. There are many chambers in my Father's mansion, says the Bible: many chambers on many stories, one may add. Also there are different levels or approaches that serve different seekers each with his own starting-point, his point de repaire. When one speaks of union with the Divine or of entering into the spiritual consciousness, one does not refer to the same identical truth or reality as any other. There is a physical Divine, a vital Divine, a mental Divine; and beyond the mindfrom where one may consider that the region of true spirit begins there are other innumerable modes, aspects, manifestations of the Divine.
04.06 - Evolution of the Spiritual Consciousness, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
Is it so in fact? For if one admits and accepts the evolutionary character of human nature and consciousness, the outlook becomes somewhat different. According to this view, human civilisation is seen as moving through progressive stages: man at the outset was centrally lodged in and occupied with his body consciousness, he was an annamaya purua; then he raised himself and was centred in the vital consciousness and so became fundamentally a pramaya purua ; next the climbed into the mental consciousness and became the manomaya purua; from that level again he has been attempting to go further beyond. On each plane the normal life is planned' according to the central character, the lawdharmaof that plane. One can have the religious or spiritual experience on each of these planes, representing various degrees of grow and evolution according to the plane to which it is attached. It is therefore that the Tantra refers to three gradations of spiritual seekers and accordingly three types or lines of spiritual discipline: the animal (pau bhva) the Heroic (Vra bhva) and the godly or divine (deva bhva). The classification is not merely typal but also hierarchical and evolutionary in character.
The Divine or the spiritual consciousness, instead of being a simple unitary entity, is a vast, complex stratified reality. "There are many chambers in my Father's mansions", says the Bible: many chambers on many storeys, one may add. Also there are different levels or approaches that serve different seekers, each with his own starting-point, his point de repre. When one speaks of union with the Divine or of entering into the spiritual consciousness, one does not refer to the same identical truth or reality as any other. There is a physical Divine, a vital Divine, a mental Divine; and beyond the mindfrom where one may consider that the region of true spirit begins there are other innumerable modes, aspects, manifestations of the Divine.
05.03 - Of Desire and Atonement, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
He is the Hero who resists the temptation to let himself slip, even for a moment, even to the extent of a hair's breadth.
The only atonement for a wrong thing done is to do the right thing on the next occasion.
05.25 - Sweet Adversity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
But once the danger is right upon us and we are inside the jaws of death, there is an end to all speculation and anxiety; there are then two issues possible. One is that of absolute helplessness and hopelessness, of an unquestioning resignation, a quiet bowing down to the inevitable and implacable destiny. Many a victim on the gallows felt like that: an incredible quietness seized them in their last moments. Very often it is the quietness of the shadow of Deatha supreme inertness, tamas, coming over and possessing. But there is another issue, a more luminous egress. When all uncertainty is set at rest as to the in vitability of the calamity, when circumstances have really besieged us in their unshakable steel-frame and we are doomed obviously, it is then that comes the chance for the Hero-soul to stand out and declare its freedom and immortalitydeny and strive to reverse the obvious.
Man has something in him which is irrepressible in the worst of circumstances, which can and does live outside and beyond their attacks and menaces. Adverse circumstances the more adverse the betterare God-sent in that sense, because they tend to throw us back upon ourselves, upon our inner truth and reality, which otherwise we would not have known or recognised. And it is the nature of that truth and reality to be free and happy and hopeful absolutely. And the consciousness which possesses that temper and vibration is master of an energy, a force of executiona will and power to do the miracle.
07.04 - The Triple Soul-Forces, #Savitri, #Sri Aurobindo, #Integral Yoga
And the Hero's might wrestling with death and fate.
He is Wisdom incarnate on a glorious throne
07.10 - Diseases and Accidents, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
I will tell you a story, I mean a true story, in this connection. There was a pilot who was considered what is called an ace among his fellowmen in the first Great War. He was an extraordinary aviator and the Hero of many victories. Nothing had happened to him at any time. But towards the end of his life, an event occurredsome private tragedy and all at once he had the feeling that something was going to happen to him; an accident perhaps, and it was all finished with him. He had come out of the war but was still in the army. He wanted to make a flight to South Africa, from France right up to the south of Africa. He started from France and made for Madagascar, so far as I remember, and then wanted to fly back to France. Now, my brother was at that time the Governor of Congo and needed to join his post as soon as possible. He asked for a place in the aeroplane of the pilot I am speaking about. It was not a regular service plane, but one of those used for trial to show what the machines were capable of and the skills of the airmen. Many tried to dissuade my brother from making the journey, saying that these adventurous trips were, always dangerous. My brother however did not mind the risk. Nothing serious happened, but for a slight breakdown in the middle of the Sahara which was easily got over, and the plane made safe journey and dropped him at his place in Congo. The plane continued further down, to Madagascar, as I said. Now the pilot started back, he did half the journey, his plane crashed and he was killed forthwith. I shall explain to you what really the matter was. What happened had to happen, it was a foregone conclusion. My brother had an absolute faith in his destiny, a certainty that nothing would touch him. The consciousness of the other was on the contrary full of doubt and apprehension. So the mixture of the two atmospheres brought about this that in the first instance the accident could not be prevented, but it stopped short of a catastrophe. But once the destiny of my brother was not there with the machine,like Caesar's destiny that made the boatman row safely across the river through a storm the protection was also withdrawn and the pilot had to go down under the full blast of his bad fate. I can narrate another analogous story, it is with regard to a ship. There were two persons, husb and and wife. They went by air to Indo-China. They had an accident, a very serious accident. All were killed except only these two. Now they had to return to France. They did not want to travel by air, they had had an experience of it. So they took a boat, I mean a ship, which they thought would be quite safe. Now what happened was absolutely unexpected, quite extraordinary. In the middle of the Red Sea, in broad daylight, the ship struck against a reef and sanka thing that does not happen even once perhaps in a million cases. All the passengers were drowned except, miraculous again to say, the couple. There are people like thatthey carry misfortune with them, but the misfortune is for others, they themselves escape some-how.
If you look at the thing in an ordinary way, you do not notice it. But the fact is there. You must be very careful about your associations. An unfortunate association may prove disastrous to you. The karma of others may fall upon you, unless you have the inner knowledge, the vision and the necessary power. If you see a person with something like a dark whirl around avoid him at all cost. The moral of it all is that it is very useful to look into things a little more deeply than to observe the surface only.
10.04 - Lord of Time, #Writings In Bengali and Sanskrit, #Sri Aurobindo, #Integral Yoga
The sun has risen in the glory of the Hero,
At the end I found peace in my heart,
1.00 - PREFACE - DESCENSUS AD INFERNOS, #Maps of Meaning, #Jordan Peterson, #Psychology
conform. Identification with the Hero serves to decrease the unbearable motivational valence of the
unknown; furthermore, provides the individual with a standpoint that simultaneously transcends and
1.01 - Foreward, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
He is not thinking of the Nature-Power presiding over the outer element of fire or of the fire of the ceremonial sacrifice. Or he speaks of Saraswati as one who impels the words of Truth and awakes to right thinkings or as one opulent with the thought: Saraswati awakes to consciousness or makes us conscious of the "Great Ocean and illumines all our thoughts." It is surely not the River Goddess whom he is thus hymning but the Power, theRiver if you will, of inspiration, the word of the Truth, bringing its light into our thoughts, building up in us that Truth, an inner knowledge. The Gods constantly stand out in their psychological functions; the sacrifice is the outer symbol of an inner work, an inner interchange between the gods and men, - man givingwhat he has, the gods giving in return the horses of power, the herds of light, the Heroes of Strength to be his retinue, winning for him victory in his battle with the hosts of Darkness, Vritras, Dasyus, Panis. When the Rishi says, "Let us become conscious whether by the War-Horse or by the Word of a Strength beyond men", his words have either a mystic significance or they have no coherent meaning at all. In the portions translated in this book we have many mystic verses and whole hymns which, however mystic, tear the veil off the outer sacrificial images covering the real sense of the Veda. "Thought", says the Rishi, "has nourished for us human things in the Immortals, in the Great Heavens; it is the milch-cow which milks of itself the wealth of many forms" - the many kinds of wealth, cows, horses and the rest for which the sacrificer prays; evidently this is no material wealth, it is something which Thought, the Thought embodied in the Mantra, can give and it is the result of the same Thought that nourishes our human things in the Immortals, in the Great Heavens. A process of divinisation, and of a bringing down of great and luminous riches, treasures won from the Gods by the inner work of sacrifice, is hinted at in terms necessarily covert but still for one who knows how to read these secret words, nin.ya vacamsi, sufficiently expressive, kavaye nivacana. Again, Night and Dawn the eternal sisters are like "joyful weaving women weaving the weft of our perfected works into the form of a sacrifice."
Again, words with a mystic form and meaning, but there
--
for the Heroes or fighting men as his retinue, sometimes in more
abstract language and without symbol for a complete hero-force
1.01 - Introduction, #unset, #Arthur C Clarke, #Fiction
For the boldest, the highest Wisdom! For the pioneers of action and thought, the Heroic march through the paths of the unknown!
***
1.01 - the Call to Adventure, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
The Adventure of the Hero
C H A P T E R
--
though the Hero returns for a while to his familiar occupations,
they may be found unfruitful. A series of signs of increasing
--
summoned the Hero and transferred his spiritual center of grav
ity from within the pale of his society to a zone unknown. This
--
ments, superhuman deeds, and impossible delight. the Hero can
go forth of his own volition to accomplish the adventure, as did
10.24 - Savitri, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Earth is the Heroic spirit's battlefield. .||151.4||
Thy servitudes on earth are greater, king,
1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
the knight who slays the dragon of chaos, the Hero who replaces disorder and confusion with clarity and
certainty, the sun-god who eternally slays the forces of darkness, and the word that engenders creation
--
works of metaphysical speculation, which more directly address the idea of the Heroic renewal of culture.
The three constituent elements of experience and the fourth who proceeds them can be viewed, at a
--
the source of all new things, the benevolent bearer and lover of the Hero; the destructive forces of the
unknown, the source of fear itself, constantly conspiring to destroy life. The bivalent divine son (fourth and
fifth) is the sun-god, the Hero who journeys to the underworld to rescue his incapacitated ancestors, the
messianic son of the virgin mother, savior of the world and, simultaneously, his sworn adversary,
--
overbearing and deadly, if allowed unregulated or permanent expression. The actions of the Hero constitute
an antidote to the deadly forces of chaos, and to the tyranny of order. the Hero creates order from chaos,
and re-constructs that order, when necessary. His actions simultaneously ensure that novelty remains
--
consciousness, the illuminated or enlightened one, the trickster, the fool, the Hero, the coward; spirit (as
89
--
house he brings his bride, Damkina, who soon gives birth to Marduk, the Hero of the story, the wisest of
the wise, the wisest of the gods,232 filled with awe-inspiring majesty.233 When Ea saw his son:
--
hero who constructs the world. Marduk, the last-born child of instinct, is the Hero who voluntarily faces
the creative/destructive power that comprises the place from which all things emerge. He is the martial
--
small step from this dramatic/imagistic portrayal of the Hero to the most explicit Christian doctrine of
Logos the creative Word (and from there to our notion of consciousness).
--
and to bring things into being, as a consequence. the Hero cuts the world of the unpredictable unexplored
territory, signified by Tiamat into its distinguishable elements; weaves a net of determinate meaning,
--
When the world regresses to precosmogonic chaos, it is always the case that the Hero is missing.
the Hero is, after all, incarnation of the process by which chaos is transformed into order. If chaos has the
--
protection from his creative and destructive wife), and the absence of the Hero (who turns chaos into order)
all represent different ways of telling the same story the story which describes a life-threatening
--
Seth) is overcome by the mythic son, the Hero who (temporarily) defeats the power of evil, and who
rejuvenates the father. Marduk, the Mesopotamian supreme god, is by comparison a straightforward hero:
--
it). This means that the Hero/king who establishes, embodies and updates the social world is also the same
force that establishes, embodies and updates the intrapsychic world, the personality and that one act of
--
update cannot necessarily or reasonably be distinguished from the other. In improving the world, the Hero
improves himself; in improving himself, he sets example for the world.
--
figure of the Hero that brings order to the inner community of necessity and desire; that brings order to the
generative chaos of the soul.
--
regarded, as well, as the single androgynous grandparent of the Hero, son of the night and the day, mediator
between the known and unknown, whose being constitutes a necessary precondition for the existence of
--
against a foreign usurper the dragon Azdahak with the cosmogonic fight of the Hero Thraetona against
Azi Dahaka, the primordial serpent of chaos.284 The enemies of the Old Testament Hebrews also suffer the
--
The ritual of voluntary exposure fosters mimetic identification with the Hero (whether this is explicitly
recognized, or not); teaches the individual that the courageous exploratory spirit can eternally prevail
--
incorporation of the Heroic process. Such rituals were abstracted and altered, as they developed with the
nature of the sacrificial entity changing (with constancy of underlying ideation).
--
denial of the Hero. Someone miserable and useless in the midst of plenty just for the sake of illustration
is unhappy because of his or her attachments to the wrong things. Unhappiness is frequently the
--
psyche the Heroic aspect, the Word as active, individually doomed, yet mythically eternal, destined to
tragic contact with threat and promise of unknown, yet constant participant in the creative adaptive
--
comprised a preconscious attempt to embody the Heroic essence, to fortify the constituent elements of the
community against paralyzing fear of death and darkness to fortify the individual and the social group
against fear of the unknown itself. The sacrificial ritual was acting out of the Hero, before such acting out
could be represented in abstraction, in drama, in story. More abstract narrative representation of the target
of the Heroic sacrifice then came to portray the emergence of the beneficient goddess, capable of
showering reward upon man, her eternal lover and child.
--
the gift of the Hero a gift which demands to be given, which compels communication, either directly (say,
in the form of immediate imitation) or indirectly (in the form of abstract description, or narrative). There is
--
that the gift of the Hero constitutes normal and revolutionary adaptation, simultaneously normal
adaptation, as schemas of action and representation are extended, such that the unknown is rendered
--
under the dominion of the Hero. This means that the creative exploratory hero is also peace-maker, in his
complete manifestation:
--
If all the great kings would bow, voluntarily, to the figure of the Hero, there would be no more reason
for war.
--
strategies invented and constructed by the Heroes of the past, unconsciously mimicked and duplicated by
those currently alive. Adaptation to new territory that is, to the unexpected therefore also means
--
The myth of the Hero has come to represent the essential nature of human possibility, as manifested in
adaptive behavior, as a consequence of observation and re-representation of such behavior, conducted
cumulatively over the course of thousands of years. the Hero myth provides the structure that governs, but
147
--
and provides the precondition for change. The most fundamental presumption of the myth of the Hero is
that the nature of human experience can be (should be) improved by voluntary alteration in individual
--
image of the Hero, step by step, becomes ever clearer, and ever more broadly applicable. The pattern of
behavior characteristic of the Hero that is, voluntary advance in the face of the dangerous and promising
unknown, generation of something of value as a consequence and, simultaneously, dissolution and
--
portrayals of the unknown. Mythological representation of the Hero and his cultural construction are, by
contrast, examination and portrayal of who or what it is that knows, and of what it is that is known. The
--
The earliest stages of the development of the figure of the Hero take the form of mythic
representations of the infant or adolescent, fully or partially dominated by potent maternal force.326 This
--
more mature form, the Hero formerly son of the heavenly mother can be portrayed as lover of the
Great Mother [the mother whose body he enters into, in creative (sexual) union to die and reincarnate
--
creative (or destructive) encounter between the Hero and the possibilities of life itself. This is knowledge
as sexual, creative act: the voluntary generative union of consciousness and chaos produces or revives
--
The mythology of the Hero, in toto, depicts the development and establishment of a personality capable
of facing the most extreme conditions of existence. the Heros quest or journey has been represented in
mythology and ritual in numerous ways, but the manifold representations appear in accordance with the
--
Way, Revisited.328 Chaos breeds novelty, promising and threatening; the Hero leaves his community,
voluntarily, to face this chaos. His exploratory/creative act quells the threat embedded in chaos, and frees
--
symbolized by union with the virgin, or discovery of the treasure transforms the Hero. His transformed
(enriched) behavior then serves his community as model. The group is therefore transformed and
--
poisons (this is a partial list). the Hero, product of divine parentage and miraculous birth, survivor of a
dangerous childhood, faces the Terrible Mother in single combat, and is devoured. He is swallowed by a
--
The battle of the Hero is a frequent motif in mythologically-inspired sculpture, drawing and painting. A
representative example is presented in Figure 39: Castle, Hero, Serpent and Virgin: St. George and the
--
underworld (and whose lair is surrounded by the bones of the dead); the Hero, armed with the sword, who
cuts the leviathan into pieces, and makes the world; and the virgin, freed from the dragons clutches, who
--
Solar myths portray the journey of the Hero, utilizing simultaneously the motifs of the dragon-fight and
the night sea-journey. In the typical solar myth, the Hero is identified with the sun, bearer of the light of
consciousness, who is devoured nightly by the water-serpent of the West. In the night, he battles terribly
--
have repeatedly stressed is the central symbol of the Heros reality. the Hero is always a light-bringer
and emissary of the light. At the nethermost point of the night sea journey, when the sun hero journeys
--
and the Hero conquers the darkness. At this same lowest point of the year Christ is born as the shining
Redeemer, as the light of the year and light of the world, and is worshipped with the Christmas tree at
--
The Great Mother is embodiment of the unknown, of the novel. the Hero her son and lover, offspring
of the mystical marriage is dramatic (first concrete behavioral, then imitative/imagistic, then verbal)
--
behavior characteristic of the Hero that eventually comes to approximate the story of the savior. Behind
every particular (that is, historical) adventurer, explorer, creator, revolutionary and peacemaker lurks the
--
represented by the Hero. In the City of God that is, the archetypal human kingdom the Messiah
eternally rules.
--
case, something more like the Hero than the personality that existed prior to the change in environmental
circumstances.
--
negotiation is indicative of identity with the Hero (the eternal means to peace) as the Hero is divine
peacemaker, in one of his many guises. The emergence of negotiation, during time of dispute, is therefore
--
the nature of the Hero (which are useful for future reference).
In the case of children, engaged in a dispute over toys: a parent who (for the sake of argument) allows
--
as progenitor of the Hero. The protective capacity of benevolent tradition, embodied in the form of political
order, constitutes a common mythological/narrative theme. This may be illustrated for our purposes
--
The basic plot is established. The tailor he who clothes, mends and ties is the Hero. Although simple
(poor in outward appearance, humble, willing to take risks, helpful and kind), he has the capacity to
--
The creative union of the Hero with the benevolent aspect of the unknown is evidently approaching.
Nitechka was very happy. He looked around, and there were the Burgomaster and Councilmen
--
brings back what is needed. It is the journey of the Hero that revitalizes the king. Osiris languishes in the
underworld regardless of past greatness without Horus.
It was the emergence of the Heroic stance, mythically represented by man as equal in divinity to the
unknown or Nature, that provided the precondition for the generation of concrete behavioral adaptations to
--
new can be built without a strong foundation. He is the adaptive routines, developed by the Heroes of the
past, whose adoption by those in the present allows for control and safety. He is a house with doors; a
1.02 - The Development of Sri Aurobindos Thought, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
in 1922 and Adolf Hitler had become the Hero of a sedition
trial in 1924; fascism raised its pompous head everywhere,
1.02 - The Doctrine of the Mystics, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
Indra, the Puissant next, who is the power of pure Existence self-manifested as the Divine Mind. As Agni is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth. He comes down into our world as the Hero with the shining horses and slays darkness and division with his lightnings, pours down the life-giving heavenly waters, finds in the trace of the hound, Intuition, the lost or hidden illuminations, makes the Sun of Truth mount high in the heaven of our mentality.
Surya, the Sun, is the master of that supreme Truth, - truth of being, truth of knowledge, truth of process and act and movement and functioning. He is therefore the creator or rather the manifester of all things - for creation is out-bringing, expression by the Truth and Will - and the father, fosterer, enlightener of our souls. The illuminations we seek are the herds of this Sun who comes to us in the track of the divine Dawn and releases and reveals in us night-hidden world after world up to the highest Beatitude.
1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
This is the aspect of the Hero-problem illustrated in the won drous Arabian Nights adventure of the Prince Kamar al-Zaman and the Princess Budur. The young and handsome prince, the only son of King Shahriman of Persia, persistently refused the repeated suggestions, requests, demands, and finally injunctions, of his father, that he should do the normal thing and take to himself a wife. The first time the subject was broached to him, the lad responded: "O my father, know that I have no lust to marry nor doth my soul incline to women; for that concerning their craft and perfidy I have read many books and heard much talk, even as saith the poet:
Now, an of women ask ye, I reply:
--
With the Hero and the Heroine both following the negative way, and between them the continent of Asia, it will require a miracle to consummate the union of this eternally predestined pair. Whence can such a power come to break the life-negating spell and dissolve the wrath of the two childhood fathers?
The reply to this question would remain the same throughout the mythologies of the world. For, as is written so frequently in the sacred pages of the Koran: "Well able is Allah to save." The sole problem is what the machinery of the miracle is to be. And that is a secret to be opened only in the following stages of this
1.02 - Where I Lived, and What I Lived For, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
Every morning was a cheerful invitation to make my life of equal simplicity, and I may say innocence, with Nature herself. I have been as sincere a worshipper of Aurora as the Greeks. I got up early and bathed in the pond; that was a religious exercise, and one of the best things which I did. They say that characters were engraven on the bathing tub of king Tching-thang to this effect: Renew thyself completely each day; do it again, and again, and forever again. I can understand that. Morning brings back the Heroic ages. I was as much affected by the faint hum of a mosquito making its invisible and unimaginable tour through my apartment at earliest dawn, when I was sitting with door and windows open, as I could be by any trumpet that ever sang of fame. It was Homers requiem; itself an Iliad and Odyssey in the air, singing its own wrath and wanderings. There was something cosmical about it; a standing advertisement, till forbidden, of the everlasting vigor and fertility of the world. The morning, which is the most memorable season of the day, is the awakening hour. Then there is least somnolence in us; and for an hour, at least, some part of us awakes which slumbers all the rest of the day and night. Little is to be expected of that day, if it can be called a day, to which we are not awakened by our Genius, but by the mechanical nudgings of some servitor, are not awakened by our own newly-acquired force and aspirations from within, accompanied by the undulations of celestial music, instead of factory bells, and a fragrance filling the airto a higher life than we fell asleep from; and thus the darkness bear its fruit, and prove itself to be good, no less than the light. That man who does not believe that each day contains an earlier, more sacred, and auroral hour than he has yet profaned, has despaired of life, and is pursuing a descending and darkening way. After a partial cessation of his sensuous life, the soul of man, or its organs rather, are reinvigorated each day, and his Genius tries again what noble life it can make. All memorable events, I should say, transpire in morning time and in a morning atmosphere. The Vedas say, All intelligences awake with the morning. Poetry and art, and the fairest and most memorable of the actions of men, date from such an hour. All poets and heroes, like Memnon, are the children of Aurora, and emit their music at sunrise. To him whose elastic and vigorous thought keeps pace with the sun, the day is a perpetual morning. It matters not what the clocks say or the attitudes and labors of men. Morning is when I am awake and there is a dawn in me. Moral reform is the effort to throw off sleep.
Why is it that men give so poor an account of their day if they have not been slumbering? They are not such poor calculators. If they had not been overcome with drowsiness, they would have performed something.
1.03 - APPRENTICESHIP AND ENCULTURATION - ADOPTION OF A SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
tyranny and the elimination of necessary diversity. the Heroic aspect of the individual is regarded in light
of the ever-lurking figure of the adversary: arrogant, cowardly, and cruel. A story accounting for all of
--
although not yet procedurally) that discipline could be the father of the Hero, and not just his enemy. The
dawning of such understanding meant the beginnings of a mature and healthy philosophy of life, on his
--
functioning complex society is the consequence of the Heroic past activities which established the
profession, modified by the equally heroic activities that allowed for its maintenance and update (in the
--
conflict. This is the organization of dead kings, so to speak, under the dominion of the Hero: doctors
and lawyers are both subject to higher-order (legal) principles which govern their behavior such that one
--
represented by the Hero, who, as the ancient Sumerians stated, restores all ruined gods, as though they
were his own creation.374
--
incarnation of the Hero. This means that the individuals capacity for cultural imitation that is, his
capacity for subservience to traditional order has been rendered subordinate to his capacity to function as
1.03 - Concerning the Archetypes, with Special Reference to the Anima Concept, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
makes the Hero descend from divine as well as from human parents. In most
mysteries and religions it plays an important role as a baptism or rebirth motif.
1.03 - Hymns of Gritsamada, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
16. When to those who chant thee, the luminous Wise Ones set free thy gift, O Fire, the wealth in whose front the Ray-Cow walks and its form is the Horse, thou leadest us on and leadest them to a world of greater riches. Strong with the strength of the Heroes, may we voice the Vast in the coming of knowledge.
SUKTA 2
--
13. When to those who hymn thee the luminous Wise set free, O Fire, the gift in whose front the Ray-Cow walks and whose form is the Horse, thou leadest us on and leadest them to a world of greater riches. Strong with the strength of the Heroes, may we voice the Vast in the coming of the knowledge.
SUKTA 3
--
4. O Godhead, strewn is the seat on this altar, the Hero-guardedseat that ever grows, the seat well-packed for the riches,8 anointed with the Light. O all Gods, sit on this altar-seat, sons of the indivisible Mother princes of the treasure, kings of sacrifice.
5. May the divine Doors swing open, wide to our call, easy of approach with our prostrations of surrender; may they stretch wide opening into vastnesses, the imperishable Doors purifying the glorious and heroic kind.
--
8. Now in our mind's return on thy former safeguarding, our thought has been spoken in the third session of the knowledge. O Fire, give us the treasure with its children; give us a vast and opulent plenitude where the Heroes assemble.
9. To the luminous Wise Ones and to him who voices thee, O Fire, be the founder of their growth and expansion, that the Gritsamadas strong with the strength of the Heroes and overcoming the hostile forces may conquer the higher worlds by thy force and take delight of13 the secret inner spaces.
SUKTA 5
1.03 - Preparing for the Miraculous, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
her advanced age. Of the Heroic, superhuman battle with
the old world to create the new, and with the old body to
1.03 - Reading, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
The student may read Homer or schylus in the Greek without danger of dissipation or luxuriousness, for it implies that he in some measure emulate their heroes, and consecrate morning hours to their pages. the Heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times; and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than common use permits out of what wisdom and valor and generosity we have. The modern cheap and fertile press, with all its translations, has done little to bring us nearer to the Heroic writers of antiquity. They seem as solitary, and the letter in which they are printed as rare and curious, as ever. It is worth the expense of youthful days and costly hours, if you learn only some words of an ancient language, which are raised out of the trivialness of the street, to be perpetual suggestions and provocations. It is not in vain that the farmer remembers and repeats the few Latin words which he has heard. Men sometimes speak as if the study of the classics would at length make way for more modern and practical studies; but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave. We might as well omit to study Nature because she is old. To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object. Books must be read as deliberately and reservedly as they were written. It is not enough even to be able to speak the language of that nation by which they are written, for there is a memorable interval between the spoken and the written language, the language heard and the language read. The one is commonly transitory, a sound, a tongue, a dialect merely, almost brutish, and we learn it unconsciously, like the brutes, of our mothers. The other is the maturity and experience of that; if that is our mother tongue, this is our father tongue, a reserved and select expression, too significant to be heard by the ear, which we must be born again in order to speak. The crowds of men who merely _spoke_ the
Greek and Latin tongues in the middle ages were not entitled by the accident of birth to _read_ the works of genius written in those languages; for these were not written in that Greek or Latin which they knew, but in the select language of literature. They had not learned the nobler dialects of Greece and Rome, but the very materials on which they were written were waste paper to them, and they prized instead a cheap contemporary literature. But when the several nations of Europe had acquired distinct though rude written languages of their own, sufficient for the purposes of their rising literatures, then first learning revived, and scholars were enabled to discern from that remoteness the treasures of antiquity. What the Roman and Grecian multitude could not _hear_, after the lapse of ages a few scholars
1.03 - Supernatural Aid, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
control the movements of the Sun. the Hero who has come
under the protection of the Cosmic Mother cannot be harmed.
--
bolism of the adventure of the Hero, see Jeff King, Maud Oakes, and Joseph
Campbell, Where the Two Came to Their Father, A Navaho War Ceremonial,
--
as the Hero's act coincides with that for which his society itself is
ready, he seems to ride on the great rhythm of the historical
--
amulets and advice that the Hero will require. The higher
mythologies develop the role in the great figure of the guide, the
--
ized in some other form." the Hero, who in this sense and to this degree has
become depersonalized, incarnates, during the period of his epochal action, the
--
to Thomas Carlyle's idea of the Hero King, as "Ableman" (On Heroes, HeroWorship and the Heroic in History, Lecture VI).
66
1.04 - BOOK THE FOURTH, #Metamorphoses, #Ovid, #Poetry
And both the Heroe, and the God were own'd.
He saw, already one in Heav'n was plac'd,
--
In vain the Heroe for one night entreats,
Threat'ning he storms, and next adds force to threats.
--
Her faultless form the Heroe's bosom fires;
The more he looks, the more he still admires.
--
The cause, and sweet reward of all the Heroe's pains,
Mean-time, on shore triumphant Perseus stood,
1.04 - Descent into Future Hell, #The Red Book Liber Novus, #unset, #Zen
But whom do people kill? They kill the noble, the brave, the Heroes.
They take aim at these and do not know that with these they mean themselves. They should sacrifice the Hero in themselves, and because they do not know this, they kill their courageous brother.
The time is still not ripe. But through this blood sacrifice, it should ripen. So long as it is possible to murder the brother instead of oneself the time is not ripe. Frightful things must happen until men grow ripe. But anything else will not ripen humanity. Hence all this that takes place in these days must also be, so that the renewal can come. Since the source of blood that follows the shrouding of the sun is also the source of the new life. 96
As the fate of the peoples is represented to you in events, so will it happen in your heart. If the Hero in you is slain, then the sun of the depths rises in you, glowing from afar, and from a dreadful place. But all the same, everything that up till now seemed to be dead in you will come to life, and will change into poisonous serpents that will cover the sun, and you will fall into night and
The Red Book
--
I would like you to see what the murdered hero means. Those nameless men who in our day have murdered a prince are blind prophets who demonstrate in events what then is valid only for the soul. 98 Through the murder of princes we will learn that the prince in us, the Hero, is threatened. 99 Whether this should be seen as a good or a bad sign need not concern us. What is awful today is good in a hundred years, and in two hundred years is bad again. But we must recognize what is happening; there are nameless ones in you who threaten your prince, the hereditary ruler.
But our ruler is the spirit of this time, which rules and leads in us all. It is the general spirit in which we think and act today. He is of frightful power, since he has brought immeasurable good to this world and fascinated men with unbelievable pleasure. He is bejeweled with the most beautiful heroic virtue, and wants to drive men up to the brightest solar heights, in everlasting ascent. 100 the Hero wants to open up everything that he can. But the nameless spirit of the depths evokes everything that man cannot. Incapacity prevents further ascent. Greater height requires greater virtue. We do not possess it.
We must first create it by learning to live with our incapacity. We must give it life. For how else shall it develop into ability?
--
I came out of the fantasy; I realized that my mechanism had worked wonderfully well, but I was in great confusion as to the meaning of all those things I had seen. The light in the cave from the crystal was, I thought, like the stone of wisdom. The secret murder of the Hero I could not understand at all. The beetle of course I knew to be an ancient sun symbol, and the setting sun, the luminous red disk, was archetypal. The serpents I thought might have been connected with
Egyptian material. I could not then realize that it was all so archetypal, I need not seek connections. I was able to link the picture up with the sea of blood I had previously fantasized about. / Though I could not then grasp the significance of the Hero killed, soon after I had a dream in which Siegfried was killed by myself It was a case of destroying the Hero ideal of my efficiency. This has to be sacrificed in order that a new adaptation can be made; in short, it is connected with the sacrifice of the superior function in order to get at the libido necessary to activate the inferior functions" (Analytical Psychology, p. 48). (The killing of Siegfried occurs below in ch. 7.) Jung also anonymously cited and discussed this fantasy in his ETH lecture on
June 14, 1935 (Modern Psychology, vols. 1. and 2, p. 223).
--
100. The Draft continues: When I was aspiring to my highest worldly power, the spirit of the depths sent me nameless thoughts and visions, that wiped out the Heroic aspiration in me as our time understands it (p. 62).
101. The Draft continues: Everything that we have forgotten will be revived, each human and divine passion, the black serpents and the reddish sun of the depths (p. 64).
102. On June 9, 1917, there was a discussion on the psychology of the world war in the Association for Analytical Psychology following a presentation by Jules Vodoz on the Song of Roland. Jung argued that "Hypothetically, the World War can be raised to the subjective level. In detail, the authoritarian principle (tiling action on the basis of principles) clashes with the emotional principle. The collective unconscious enters into allegiance with the emotional." Concerning the Hero, he said: the Hero-the beloved figure of the people, should fall. All heroes bring themselves down by carrying the Heroic attitude beyond a certain limit, and hence lose their footing (MAP,vol. 2, p. 10). The psychological interpretation of the First World War on the subjective level describes what is developed in this chapter. The connection between individual and collective psychology which he articulates here forms one of the leitmotifs of his later work
(Of Present and Future [1957], CW 10).
1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
and even ritual identification with the Hero, to some degree (the imitation of Christ) almost inevitably
remains intact (at least in the case of the respectable citizen). The modern educated individual therefore
--
equivalent to the natural disaster, to the disappearance of the Hero, and to the emergent senility of the king.
The re-emergence of the Dragon of Chaos whatever his form constitutes the unleashing of dangerous,
--
unpleasant and dangerous situations calls, of course, for the entrance of the Hero the lost son of the true
king, raised in secrecy by alternative parents; the rightful ruler of the kingdom, whose authority was
--
been journeying in far-off lands, and was presumed dead. the Hero overturns the tyrant, and regains his
proper place; the gods, pleased by the re-establishment of proper order, allow the rain once more to fall (or
--
princess nature, in her benevolent guise waits for the kiss of the Hero to wake. Her awakened and
revitalized beauty subsequently re-animates her people.
--
that the Hero the active agent of adaptation must eternally upset the protective structure of tradition and
enter into sacrificial union with the re-emergent unknown. Cosmological phenomena themselves act
--
The master of the strange in its natural form is the Hero in his technological guise (more particularly,
say, than in his role as social revolutionary). Marduk, who faced Tiamat in single combat, is a very focused
--
with Tiamat.390 the Hero fashions defences out of nature to use against nature. This idea which underlies
mans cultural adaptation manifests itself naturally in the human psyche:
--
(unconscious or procedural) identity with the Hero no longer able to muster belief in human possibility, in
the face of exposure to the most dreadful imaginable. Phenomena remain constrained in their (affective)
--
from the unknown. the Hero, by contrast, author and editor of history, masters the known, exceeds its
bounds, and then subjects it to restructuring exposing chaos once more to view in the process or pushes
--
manifested change. the Hero detects the dragon, or at least admits to its presence, before anyone else, and
leads the charge. His return to the kingdom of threatened order may hardly be accompanied by praise,
--
before it proves redemptive. It is very easy to view the Hero as the most profound danger to the state, in
consequence and this would in fact be true if the absolute stasis of the state did not constitute a more
--
of identification with the Hero. This means that it is primarily those persons who have sold their soul to
the group who cannot distinguish between the Hero and the dragon of chaos (between the Hero and the
environmental disaster, the death of the king, the dangerous stranger, or the heretical idea).
--
The more tyrannical the attitude, the more those who hold it hate and fear the Hero, victim and
beneficiary of the creative illness:
--
vulnerability to the terrible nature of reality. In psychological terms: the Hero discovers the limitations of
history; discovers the nakedness of the father (Genesis 9:20-25). He must, therefore, challenge history, and
--
enables creative action. the Heros ability to risk standing alone neither rejecting his culture because he is
ignorant of its value, nor running away from it in panic because of fear offers him the possibility of
--
The true absolute in the individual, which can meet the absolute unknown, is the Heroic aspect, which
cannot be made finally subject to tyranny and is not ruled by the past. This is the spirit that created
--
voluntarism itself, of the Heroic exploratory tendency, diabolically predetermined in its unfolding, leading
inexorably to development of unbearable but potentially redemptive (self)consciousness. Extension of
1.04 - The Crossing of the First Threshold, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
also up and downstanding for the limits of the Hero's present
sphere, or life horizon. Beyond them is darkness, the unknown,
--
goes the Hero, released from ego, through the walls of the
worldleaving ego stuck to Sticky-hair and passing on.
1.04 - What Arjuna Saw - the Dark Side of the Force, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
the captains and the Heroes on both sides of the world-battle
are hastening into its tusked and terrible jaws, and some
--
in the Ashram School notebooks: Make of us the Hero-
warriors we aspire to become. May we fight successfully
--
servants cries for the sword of the Hero of the struggle and
the word of the prophet. 27
1.05 - BOOK THE FIFTH, #Metamorphoses, #Ovid, #Poetry
The dart, the Heroe to a statue grew.
In the same posture still the marble stands,
1.05 - Hymns of Bharadwaja, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
8. O Fire, thou journeyest happily to the treasures by paths where the wolf rends not, and carriest us beyond all evils. These high things thou givest to the luminous wise; thou lavishest the bliss on him who voices thee with the word. May we revel in the rapture, strong with the strength of the Heroes, living a hundred winters.
SUKTA 5
--
3. O Fire, from thee is born the Seer, the Horse and of thee are the Heroes whose might overcomes the adversary. O King, O universal Power, found in us the desirable treasures.
4. O Immortal, all the Gods come together to thee in thy birth as to a new-born child. O universal Power, they travelled to immortality by the works of thy will when thou leapedst alight from the Father and Mother
--
7. Scatter all hostile things, increase the revealing Word. May we revel in the rapture, strong with the strength of the Heroes, living a hundred winters.
SUKTA 11
--
6. O War-horse, us from the bondage deliver, kindling, O Fire, with all thy fires; for thou travellest to the Riches and scatterest the forces of affliction and sorrow. May we revel in the rapture, strong with the strength of the Heroes, living a hundred winters.
SUKTA 13
--
6. O Son of Force, become the vast speaker within us; give us the Son of our begetting, give us all that is packed with the plenitudes; let me enjoy by my every word satisfaction of fullness. May we revel in the rapture, strong with the strength of the Heroes, living a hundred winters.
SUKTA 14
--
bring to us the treasure with its strength of the Heroes; O
mighty of will, slay the demon keepers.
1.05 - Splitting of the Spirit, #The Red Book Liber Novus, #unset, #Zen
107. The Draft continues: But just as Judas is a necessary link in the chain of the work of redemption, so is our Judas betrayal of the Hero also a necessary passageway to redemption (p.
71). In Transformations and Symbols of the Libido (1912), Jung discussed the view of the Abbe
1.05 - The Belly of the Whale, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
image of the belly of the whale. the Hero, instead of conquering
or conciliating the power of the threshold, is swallowed into the
--
world, the Hero goes inward, to be born again. The disappear
ance corresponds to the passing of a worshiper into a temple
--
physical body of the Hero may be actually slain, dismembered,
and scattered over the land or seaas in the Egyptian myth of
--
overwhelm him. the Hero whose attachment to ego is already
annihilate passes back and forth across the horizons of the
1.05 - THE HOSTILE BROTHERS - ARCHETYPES OF RESPONSE TO THE UNKNOWN, #Maps of Meaning, #Jordan Peterson, #Psychology
The pitfalls of fascism and decadence may be avoided through identification with the Hero, the true
individual. the Hero organizes the demands of social being and the responsibilities of his own soul into a
coherent, hierarchically arranged unit. He stands on the border between order and chaos, and serves the
group as creator and agent of renewal. the Heros voluntary contact with the unknown transforms it into
something benevolent into the eternal source, in fact, of strength and ability. Development of such
--
when necessary, and to use it as a tool, rather than as armor. the Hero rejects identification with the group
as the ideal of life, preferring to follow the dictates of his conscience and his heart. His identification with
--
5.1. Introduction: the Hero and the Adversary
The culture bequea thed to us by our forebears degenerates of its own accord, as the flux of the present
--
the process whose essential features have been captured in the pervasive and recurrent myths of the Hero.
This hero is the individual who voluntarily faces the dragon of the unknown, cuts it up, and creates the
--
simultaneously tyrannical and protective. So far in our discussion, however, the Hero has stood alone. This
means that our story is far from over. The essential ambivalence characterizing the constituent elements of
--
the absolute adversary of the Hero is the personality who shrinks from contact with the unknown, or who
denies that it exists, instead of actively approaching and exploring; is the personality whose advice
--
opposite to the act of creative exploration (as the adversary is opposite to the Hero). What knowing
everything means, however at least in practice is that the unknown no longer exists, and that further
--
Adoption of identity with the Heroes of the past necessary, but with implicit pathological potential is
transformed into certain corruption, when the identified individual is a liar, who has voluntarily rendered
--
integrated and represented residue of the Heroic past. Such adaptation is necessarily incomplete, in that the
full scope of natural phenomena always exceeds the capacity for interpretation. Absolutist application of
--
identification with the Heroic will come to identify with and serve the tyrannical force of the past will also
come to suffer the consequence of that identification and service. This consequence is aptly illustrated by
the mythic story of Judas. Judas sacrifices Christ, the Hero, to the authorities of tradition for all the best
reasons and then destroys himself, in despair:
--
Sacrifice of the Hero to the great and terrible father means abandonment of identification with the process
that makes cosmos out of chaos. Rejection of the process whereby the endlessly negative and terrifying is
--
identity with the Hero, who is not protected from the vagaries of existence, but who can actively transform
the terrible unknown into the sustenant and productive world. Acceptance (at least recognition) of the
--
heroism. the Heroic attitude is predicated on the belief that something new and valuable still exists, to be
encountered and assimilated, regardless of the power and stability of the current position. This belief is
--
denial, implicit or explicit, of the existence, the possibility, and the necessity of the Heroic as everything
worthwhile has already been done, as all problems have been solved by the ancestral heroes, who
--
Acceptance of insufficiency paradoxically catalyzes identification with the Hero, and opens up the
possibility of participation in the process of creation and renewal. Rejection of insufficiency produces, by
--
Denial of the Heroic promotes fascism, absolute identification with the cultural canon. Everything that is
known, is known within a particular historically-determined framework, predicated upon mythologicallyexpressed assumptions. Denial or avoidance of the unknown therefore concomitantly necessitates
--
possible, but only as destructive, where lack of faith in the Heroic rules. All that lives, however, grows.
When conservatism destroys the capacity for individual creativity when it becomes tyranny then it
--
Denial of the Heroic promotes decadence, equally absolute rejection of the order of tradition; absolute
rejection of order itself. This pattern of apprehension and behavior seems far removed from that of the
--
bay. He does this because his world-view is incomplete. He does not believe in the Heroic aspect of the
individual, he does not see the negative aspect of the social world, and he cannot visualize the beneficial
--
desire to shirk that responsibility (and the Heroic sacrifice it entails), that constitutes motivation for belief
in intellectual superiority.] The suffering rebel stance that such adoption allows, as a secondary
--
dark parody of the Hero). In times of heightened uncertainty, during periods of increased unemployment or
unsettled political structure, the call for return to the glorious past therefore always arises. The fascist
--
The evidence is intolerable so much the worse for the evidence! the Hero, the savior, is
metaphorical or narrative description of the pattern by which the existence of anomalous information is
--
of behavioral possibility, unique imagination and thought is denial of the Heroic, the better part of the self,
the only part capable of voluntarily withstanding the tragedy of existence. Such denial leads inexorably to
--
to constantly adapt through encouragement of identification with the Hero, whose form is constantly
represented in ethical behavior, portrayed in ritual, and described in narrative. The story of the Hero is
symbolic depiction of the man who chooses the third way, when confronted by facts whose significance
--
rejection of the Heroic ensures constant restriction of action and imagination; generates hatred, cruelty,
disgust for the weak assures adoption of the lie as prime, and perhaps most common, adaptive strategy.
--
transformative pattern of the Heroic (paradise, breach, fall, redemption; stability, dissolution,
incorporation, reconstruction). Such transformation must be undertaken voluntarily, through conscious
--
promised land. The New Testament, by contrast, offers identification with the Hero as the means by which
the fallen state and the problems of group identity might both be permanently transcended. The New
--
life. Voluntary participation in the Heroic process, by contrast which means courageous confrontation
with the unknown makes worship a matter of true identification. This means that the true believer
rises above dogmatic adherence to realize the soul of the Hero to incarnate that soul in every aspect
of their day-to-day life.
--
transpersonal myth of the Hero into a template for action and representation, in the unique conditions that
make up an individual life. It appears equally troublesome even hubristic to presume that the individual
might a force worthy of identification with the Hero. Nonetheless, we are more than we seem and are
more trouble than we imagine, when undisciplined and unrealized. The banality of evil Hannah
--
The nature of the process of identification with the Hero can be understood in most detail as a
consequence of the analysis of alchemy, which Jung made his lifes work. Alchemy considered most
--
5.3.1. The Creative Illness and the Hero
I.N.R.I. Igni Natura Renovatur Integra531
--
reintegration) occurrences necessarily attendant upon the Heroic process that produces the phenomena
endlessly linking genius, in the popular imagination, with insanity. The genius and the lunatic are
--
life in the present itself, of the Hero and is therefore, necessarily, captor of the spirit, embodiment of the
Tyrant, the Bureaucrat. This is history as the Terrible Father, dead weight of the past, crushing mass of
--
creative hero has to battle public opinion [composed, when ideological, of contemporary slogans (sluaghghairms: battle cries of the dead)] as well as the forces of the natural unknown. the Hero is an enemy of
the historically-determined structure of values and assumptions, because he may have to re-order that
--
And they sent out unto him their disciples with the Herodians, saying, Master, we know that thou are
true, and teachest the way of God in truth, neither carest thou for any man: for thou regardest not the
--
There is, however, one exception to this, and the exception is the creative individual the Hero. As
Barlach says, the Hero has to awaken the sleeping images of the future which can come forth from the
night, in order to give the world a new and better face. This necessarily makes him a breaker of the old
--
the nature of the goal of paradise itself. Christs life and words as archetypal exemplars of the Heroic
manner of being place explicit stress on the process of life, rather than upon its products. The point of a
--
representation of the idea that the Hero must be incorporated into each individual that everyone must
partake of the essence of the savior.
--
The little boy, guided by his imagination, adopted identification with the Hero, and faced his worst
nightmare. If we are to thrive, individually and socially, each of us must do the same. Our great
--
gods and leaders of men combined the life-giving attri butes of the sun with the Heroic ideals of man, and
the coins that bore their likeness were round and golden, in imitation of the solar disk.
--
the King in the matriarchal system thematically recreates the Heroic/sacrificial motif of incest, creative
(sexual) re-union with the mother. This creative reunion manifests itself first of all as psychological chaos,
--
warlike kings. He is, therefore, explorer, creator, lover and peacemaker. the Hero is also he who has
travelled everywhere he who has mastered strange territory (even that inhabited by his enemy). This
--
glass house together with the corpse of the Kings son. the Heroes are held captive in the underworld at
the bottom of the sea, where, exposed to every kind of terror, they languish for eighty days in an intense
--
have been activated, the regius filius spirit, Logos, Nous is swallowed up by Physis.... In the Hero
myth this state is known as being swallowed up in the belly of the whale or dragon.
The heat there is usually so intense [a consequence of the war of affects; anxiety, anger] that the Hero
loses his hair, and is reborn as bald as a babe.... The philosopher makes the journey to hell as a
--
unknown, and the Hero, simultaneously)]. Subsequently: re-introduction of that integrated psychic
structure to the physical body the conscious incarnation of the now-more-complete spirit, so to speak.
--
personal aspect of the Heros journey is completed. After all, he has found the treasure hard to attain. But
the second stage of the Heros journey is return to the community. This is equivalent to Buddhas
determination to retire from the state of Nirvana, until all who were living could make their home there; is
--
(and is, therefore, the effect of the Hero on the world).
The third stage is particularly difficult to comprehend. Re-consideration of the theme of the tailor who
--
The sequence of the alchemical transformation paralleled Christs passion, paralleled the myth of the Hero
and his redemption. The essential message of alchemy is that individual rejection of tyranny, voluntary
--
some variant of the Hero myth, whenever the unknown is pursued, without avoidance, in the attempt to
improve life. The alchemist experienced what the individual always experiences, when he determines to
--
able to to turn base metals into gold. It is, as such, something more valuable than gold just as the Hero
is more valuable than any of his concrete productions. The complete alchemical opus with production
--
myth of the Hero within the confines of individual personality to voluntarily shoulder the cross of
existence, to unite the opposites within a single breast, and to serve as active conscious mediator between
--
is equivalent to identification with the Hero. Such identification renders the world bearable, despite its
tragedies and reduces unnecessary suffering, which most effectively destroys, to an absolute minimum.
--
second fruit, associated with re-emergence into lush life and health, is the savior, the Hero who redeems
mankind from the consequences of the fall,662 the divine individual whose path of being leads back to
--
portrayal of the constant recurrence, throughout time, of the Heroic spirit. This is a reflection of the same
idea that drove Christian thinkers to attri bute prehistorical (and eternal) reality to Christ, despite his
--
the individual to adopt the redemptive role of the Hero, the creator of culture; the same fall that lifted the
curtain on the drama of human history. Whether or not it would have been better for humanity to have
--
individual worships the Hero, he is not necessarily hiding from reality. It may also be that he is ready and
willing to face the unknown, as an individual; that he is prepared to adopt the pattern of heroic endeavour
--
that devour will and hope constitutes the Heroic battle, in the mythological world. Faithful adherence to
the reality of personal experience ensures contact with the dragon and it is during such contact that the
great force of the individual spirit makes itself manifest, if it is allowed to. the Hero voluntarily places
himself in opposition to the dragon. The liar pretends that the great danger does not exist, to his peril and to
--
life, ever more able to deal with nature and society, ever closer to the Heroic ideal. Each individual,
constitutionally unique, finds meaning in different pursuits, if he has the courage to maintain his difference.
--
Campbell, J. (1968). the Hero with a thousand faces. Princeton: Princeton University Press.
Campbell, J. (1973). Myths to live by. New York: Bantam Books.
--
universally exemplified in the myth of the Hero is to show that only in the region of danger (watery abyss, cavern,
forest, island, castle, etc.) can one find the treasure hard to attain (jewel, virgin, life-potion, victory over death. Jung,
--
will (the will to power; the Heroic principle) could be considered the consequence of integration of affect and
motivation:
1.06 - Being Human and the Copernican Principle, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
Earth is the Heroic spirits battlefield ...
Thy servitudes on earth are greater, king,
1.06 - MORTIFICATION, NON-ATTACHMENT, RIGHT LIVELIHOOD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
There can be no complete communism except in the goods of the spirit and, to some extent also, of the mind, and only when such goods are possessed by men and women in a state of non-attachment and self-denial. Some degree of mortification, it should be noted, is an indispensable prerequisite for the creation and enjoyment even of merely intellectual and aesthetic goods. Those who choose the profession of artist, philosopher, or man of science, choose, in many cases, a life of poverty and unrewarded hard work. But these are by no means the only mortifications they have to undertake. When he looks at the world, the artist must deny his ordinary human tendency to think of things in utilitarian, self-regarding terms. Similarly, the critical philosopher must mortify his commonsense, while the research worker must steadfastly resist the temptations to over-simplify and think conventionally, and must make himself docile to the leadings of mysterious Fact. And what is true of the creators of aesthetic and intellectual goods is also true of the enjoyers of such goods, when created. That these mortifications are by no means trifling has been shown again and again in the course of history. One thinks, for example, of the intellectually mortified Socrates and the hemlock with which his unmortified compatriots rewarded him. One thinks of the Heroic efforts that had to be made by Galileo and his contemporaries to break with the Aristotelian convention of thought, and the no less heroic efforts that have to be made today by any scientist who believes that there is more in the universe than can be discovered by employing the time-hallowed recipes of Descartes. Such mortifications have their reward in a state of consciousness that corresponds, on a lower level, to spiritual beatitude. The artistand the philosopher and the man of science are also artistsknows the bliss of aesthetic contemplation, discovery and non-attached possession.
The goods of the intellect, the emotions and the imagination are real goods; but they are not the final good, and when we treat them as ends in themselves, we fall into idolatry. Mortification of will, desire and action is not enough; there must also be mortification in the fields of knowing, thinking, feeling and fancying.
1.06 - THE FOUR GREAT ERRORS, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
from the Hero (in my language: light feet are the first attribute of
divinity).
--
is, of course, the Hero). Meanwhile the sensation becomes protracted
like a sort of continuous echo, until, as it were, the instinct of
1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
Conduct the Heroe to their palace gate;
Who entr'ring, seem'd the charming mein to wear,
1.07 - Production of the mind-born sons of Brahma, #Vishnu Purana, #Vyasa, #Hinduism
The wife of Adharma[14] (vice) was Hinsā (violence), on whom he begot a son Anrita (falsehood), and a daughter Nikriti (immorality): they intermarried, and had two sons, Bhaya (fear) and Naraka (hell); and twins to them, two daughters, Māyā (deceit) and Vedanā (torture), who became their wives. The son of Bhaya and Māyā was the destroyer of living creatures, or Mrityu (death); and Dukha (pain) was the offspring of Naraka and Vedanā. The children of Mrityu were Vyādhi (disease), Jarā (decay), Soka (sorrow), Tṛṣṇa (greediness), and Krodha (wrath). These are all called the inflictors of misery, and are characterised as the progeny of Vice (Adharma). They are all without wives, without posterity, without the faculty to procreate; they are the terrific forms of Viṣṇu, and perpetually operate as causes of the destruction of this world. On the contrary, Dakṣa and the other Ṛṣis, the elders of mankind, tend perpetually to influence its renovation: whilst the Manus and their sons, the Heroes endowed with mighty power, and treading in the path of truth, as constantly contribute to its preservation.
Maitreya said:-
1.08 - BOOK THE EIGHTH, #Metamorphoses, #Ovid, #Poetry
Just then the Heroe cast a doleful cry,
And in those absent flames began to fry:
1.08 - ON THE TREE ON THE MOUNTAINSIDE, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
throw away the Hero in your soul! Hold holy your highest hope!"
Thus spoke Zarathustra.
1.08 - The Gods of the Veda - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
When we look carefully at the passage before us, we find an expression which strikes one as a very extraordinary phrase in reference to a god of lightning and rain. Indryhi, says Madhuchchhanda, dhiyeshito viprajtah. On any ordinary acceptance of the meaning of words, we have to render this line, Come, O Indra, impelled by the understanding, driven by the Wise One. Sayana thinks that vipra means Brahmin and the idea is that Indra is moved to come by the intelligent sacrificing priests and he explains dhiyeshito, moved to come by our understanding, that is to say, by our devotion. But understanding does not mean devotion and the artificiality of the interpretation is apparent.We will, as usual, put aside the ritualistic & naturalistic traditions and see to what the natural sense of the words themselves leads us. I question the traditional acceptance of viprajta as a compound of vipra & jta; it seems tome clearly to be vi prajtah, driven forward variously or in various directions. I am content to accept the primary sense of impelled for ishita, although, whether we read dhiy ishito with the Padapatha, or dhiy shito, it may equally well mean, controlled by the understanding; but of themselves the expressions impelled & driven forward in various paths imply a perfect control.We have then, Come, O Indra, impelled (or controlled, governed) by the understanding and driven forward in various paths. What is so driven forward? Obviously not the storm, not the lightning, not any force of material Nature, but a subjective force, and, as one can see at a glance, a force of mind. Now Indra is the king of Swar and Swar in the symbolical interpretation of the Vedic terms current in after times is the mental heaven corresponding to the principle of Manas, mind. His name means the Strong. In the Puranas he is that which the Rishis have to conquer in order to attain their goal, that which sends the Apsaras, the lower delights & temptations of the senses to bewilder the sage and the Hero; and, as is well known, in the Indian system of Yoga it is the Mind with its snares, sensuous temptations & intellectual delusions which is the enemy that has to be overcome & the strong kingdom that has to be conquered. In this passage Indra is not thought of in his human form, but as embodied in the principle of light or tejas; he is harivas, substance of brightness; he is chitrabhnu, of a rich & various effulgence, epithets not easily applicable to a face or figure, but precisely applicable to the principle of mind which has always been supposed in India to be in its material element made of tejas or pure light.We may conclude, therefore, that in Indra, master of Swarga, we have the divine lord of mental force & power. It is as this mental power that he comes sutvatah upa brahmni vghatah, to the soul-movements of the chanter of the sacred song, of the holder of the nectar-wine. He is asked to come, impelled or controlled by the understanding and driven forward by it in the various paths of sumati & snrit, right thinking & truth. We remember the image in the Kathopanishad in which the mind & senses are compared to reins & horses and the understanding to the driver. We look back & see at once the connection with the function demanded of the Aswins in the preceding verses; we look forward & see easily the connection with the activity of Saraswati in the closing riks. The thought of the whole Sukta begins to outline itself, a strong, coherent and luminous progression of psychological images begins to emerge.
Brahmni, says Sayana, means the hymnal chants; vghatah is the ritwik, the sacrificial priest. These ritual senses belong to the words but we must always inquire how they came to bear them. As to vghat, we have little clue or evidence, but on the system I have developed in another work (the Origins of Aryan Speech), it may be safely concluded that the lost roots vagh & vgh, must have conveyed the sense of motion evident in the Latin vagus & vagari, wandering & to wander & the sense of crying out, calling apparent in the Latin vagire, to cry, & the Sanscrit vangh, to abuse, censure. Vghat may mean the sacrificial priest because he is the one who calls to the deity in the chant of the brahma, the sacred hymn. It may also mean one who increases in being, in his brahma, his soul, who is getting vja or substance.
1.08 - The Historical Significance of the Fish, #Aion, #Carl Jung, #Psychology
sea journey and conquest of death, where the Hero is swallowed
by a fish ("whale-dragon") and is then reborn. 32 The redemp-
1.08 - The Plot must be a Unity., #Poetics, #Aristotle, #Philosophy
Unity of plot does not, as some persons think, consist in the Unity of the Hero. For infinitely various are the incidents in one man's life which cannot be reduced to unity; and so, too, there are many actions of one man out of which we cannot make one action. Hence, the error, as it appears, of all poets who have composed a Heracleid, a Theseid, or other poems of the kind. They imagine that as Heracles was one man, the story of Heracles must also be a unity. But Homer, as in all else he is of surpassing merit, here too--whether from art or natural genius--seems to have happily discerned the truth. In composing the Odyssey he did not include all the adventures of Odysseus--such as his wound on Parnassus, or his feigned madness at the mustering of the host--incidents between which there was no necessary or probable connection: but he made the
Odyssey, and likewise the Iliad, to centre round an action that in our sense of the word is one. As therefore, in the other imitative arts, the imitation is one when the object imitated is one, so the plot, being an imitation of an action, must imitate one action and that a whole, the structural union of the parts being such that, if any one of them is displaced or removed, the whole will be disjointed and disturbed. For a thing whose presence or absence makes no visible difference, is not an organic part of the whole.
1.09 - BOOK THE NINTH, #Metamorphoses, #Ovid, #Poetry
But now the Hero of immortal birth
Fells Oete's forests on the groaning Earth;
--
And lodge the Hero in the starry sky.
The Transformation of Galanthis
1.09 - Saraswati and Her Consorts, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
We might indeed go farther and inquire whether there was not some original connection between the Hero Bellerophon, slayer of Bellerus, who rides on the divine Horse, and Indra
Valahan, the Vedic slayer of Vala, the enemy who keeps for himself the Light. But this would take us beyond the limits of our subject. Nor does this interpretation of the Pegasus legend carry us any farther than to indicate the natural turn of imagination of the Ancients and the way in which they came to figure the stream of inspiration as an actual stream of flowing water.
1.09 - SKIRMISHES IN A WAY WITH THE AGE, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
suffering, he who looks out for suffering, the Heroic man, extols his
existence by means of tragedy,--to him alone does the tragic artist
11.01 - The Eternal Day The Souls Choice and the Supreme Consummation, #Savitri, #Sri Aurobindo, #Integral Yoga
Earth is the Heroic spirit's battlefield,
The forge where the Archmason shapes his works.
1.10 - BOOK THE TENTH, #Metamorphoses, #Ovid, #Poetry
And there tough ash to form the Heroe's lance;
Here silver firs with knotless trunks ascend,
1.10 - GRACE AND FREE WILL, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
St. Paul drew a very useful and illuminating distinction between the psyche and the pneuma. But the latter word never achieved any degree of popularity, and the hopelessly ambiguous term, psyche, came to be used indifferently for either the personal consciousness or the spirit. And why, in the Western church, did devotional writers choose to speak of mans anima (which for the Romans signified the lower, animal soul) instead of using the word traditionally reserved for the rational soul, namely animus? The answer, I suspect, is that they were anxious to stress by every means in their power the essential femininity of the human spirit in its relations with God. Pneuma, being grammatically neuter, and animus, being masculine, were felt to be less suitable than anima and psyche. Consider this concrete example; given the structure of Greek and Latin, it would have been very difficult for the speakers of these languages to identify anything but a grammatically feminine soul with the Heroine of the Song of Songsan allegorical figure who, for long centuries, played the same part in Christian thought and sentiment as the Gopi Maidens played in the theology and devotion of the Hindus.
Take note of this fundamental truth. Everything that works in nature and creature, except sin, is the working of God in nature and creature. The creature has nothing else in its power but the free use of its will, and its free will hath no other power but that of concurring with, or resisting, the working of God in nature. The creature with its free will can bring nothing into being, nor make any alteration in the working of nature; it can only change its own state or place in the working of nature, and so feel or find something in its state that it did not feel or find before.
11.15 - Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
It is an adventure for the Heroic soul, for the vanguards of humanity; but its fruition will spread abroad a benefit that even the common level shall share, even those that denied shall offer their accession and adhesion.
***
1.11 - FAITH IN MAN, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
Here we have the modern version of the Heroic temptation of
all time, that of the Titans, of Prometheus, of Babel and of Faust;
1.1.2.02 - Poetry of the Material or Physical Consciousness, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
The Vedic times were an age in which men lived in the material consciousness as did the Heroes of Homer. The Rishis were the mystics of the time and took the frame of their symbolic imagery from the material life around them.
20 October 1936
1.12 - BOOK THE TWELFTH, #Metamorphoses, #Ovid, #Poetry
Then thus the Hero: Neither can I blame
The hand, or jav'lin; both are still the same.
--
One hand the Hero fastn'd on his locks;
His other ply'd him with repeated strokes.
--
His lance directed at the Hero's heart:
It struck; but bounded from his harden'd breast,
1.1.2 - Commentary, #Kena and Other Upanishads, #Sri Aurobindo, #Integral Yoga
there should be the Hero of the spirit, that is surely the highest
choice of the son of Immortality; the earth calls most, because it
1.12 - The Sacred Marriage, #The Golden Bough, #James George Frazer, #Occultism
but the Hero of the tale, generally a young man of humble birth,
interposes in her behalf, slays the monster, and receives the hand
1.12 - TIME AND ETERNITY, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
Rush the Heroes to your fiery gullets,
Moth-like to meet the flame of their destruction.
1.13 - BOOK THE THIRTEENTH, #Metamorphoses, #Ovid, #Poetry
Peleus, the Hero's sire, more nigh than he,
And Pyrrhus, his undoubted progeny,
--
A woman's habit on the Hero cast:
All eyes were cozen'd by the borrow'd vest,
1.13 - Posterity of Dhruva, #Vishnu Purana, #Vyasa, #Hinduism
Best of Munis, tell me why was the right hand of Veṇa rubbed by the holy sages, in consequence of which the Heroic Prithu was produced.
Parāśara said:-
--
On hearing this, Prithu took up his divine bow Ajagava, and his celestial arrows, and in great wrath marched forth to assail the Earth. Earth, assuming the figure of a cow, fled hastily from him, and traversed, through fear of the king, the regions of Brahmā and the heavenly spheres; but wherever went the supporter of living things, there she beheld Vaiṇya with uplifted weapons: at last, trembling with terror, and anxious to escape his arrows, the Earth addressed Prithu, the Hero of resistless prowess. "Know you not, king of men," said the Earth, "the sin of killing a female, that you thus perseveringly seek to slay me." The prince replied; "When the happiness of many is secured by. the destruction of one malignant being, the death of that being is an act of virtue." "But," said the Earth, "if, in order to promote the welfare of your subjects, you put an end to me, whence, best of monarchs, will thy people derive their support." "Disobedient to my rule," rejoined Prithu, "if I destroy thee, I will support my people by the efficacy of my own devotions." Then the Earth, overcome with apprehension, and trembling in every limb, respectfully saluted the king, and thus spake: "All undertakings are successful, if suitable means of effecting them are employed.
I will impart to you means of success, which you can make use of if you please. All vegetable products are old, and destroyed by me; but at your command I will restore them, as developed from my milk. Do you therefore, for the benefit of mankind, most virtuous of princes, give me that calf, by which I may be able to secrete milk. Make also all places level, so that I may cause my milk, the seed of all vegetation, to flow every where around."
--
This Earth, the mother, the nurse, the receptacle, and nourisher of all existent things, was produced from the sole of the foot of Viṣṇu. And thus was born the mighty Prithu, the Heroic son of Veṇa, who was the lord of the earth, and who, from conciliating the affections of the people, was the first ruler to whom the title of Rāja was ascribed. Whoever shall recite this story of the birth of Prithu, the son of Veṇa, shall never suffer any retribution for the evil he may have committed: and such is the virtue of the tale of Prithu's birth, that those who hear it repeated shall be relieved from affliction[10].
Footnotes and references:
1.15 - Index, #Aion, #Carl Jung, #Psychology
The Origin of the Hero (continued)
* Published 1961.
1.15 - The world overrun with trees; they are destroyed by the Pracetasas, #Vishnu Purana, #Vyasa, #Hinduism
kā, the wife of Viprachitti. Hiraṇyakaśipu was the father of four mighty sons, Anuhlāda, Hlāda, the wise Prahlāda, and the Heroic Sanhlāda, the augmentor of the Daitya race[28]. Amongst these, the illustrious Prahlāda, looking on all things with indifference, devoted his whole faith to Janārddana. The flames that were lighted by the king of the Daityas consumed not him, in whose heart Vāsudeva was cerished; and all the earth trembled when, bound with bonds, he moved amidst the waters of the ocean. His firm body, fortified by a mind engrossed by Achyuta, was unwounded by the weapons hurled on him by order of the Daitya monarch; and the serpents sent to destroy him breathed their venomous flames upon him in vain. Overwhelmed with rocks, he yet remained unhurt; for he never forgot Viṣṇu, and the recollection of the deity was his armour of proof. Hurled from on high by the king of the Daityas, residing in Swerga, earth received him unharmed. The wind sent into his body to wither him up was itself annihilated by him, in whom Madhusūdana was present. The fierce elephants of the spheres broke their tusks, and vailed their pride, against the firm breast which the lord of the Daityas had ordered them to assault. The ministrant priests of the monarch were baffled in all their rites for the destruction of one so steadily attached to Govinda: and the thousand delusions of the fraudulent Samvara, counteracted by the discus of Kṛṣṇa, were practised without success. The deadly poison administered by his father's officers he partook of unhesitatingly, and without its working any visible change; for he looked upon the world with mind undisturbed, and, full of benignity, regarded all things with equal affection, and as identical with himself. He was righteous; an inexhaustible mine of purity and truth; and an unfailing model for all pious men.
Footnotes and references:
1.16 - (Plot continued.) Recognition its various kinds, with examples, #Poetics, #Aristotle, #Philosophy
The third kind depends on memory when the sight of some object awakens a feeling: as in the Cyprians of Dicaeogenes, where the Hero breaks into tears on seeing the picture; or again in the 'Lay of Alcinous,' where
Odysseus, hearing the minstrel play the lyre, recalls the past and weeps; and hence the recognition.
1.16 - The Process of Avatarhood, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Strength and the rest; personally, it is the mental form and the animate being in whom this power is achieved and does its great works. A pre-eminence in this inner and outer achievement, a greater power of divine quality, an effective energy is always the sign. The human vibhuti is the Hero of the race's struggle towards divine achievement, the Hero in the Carlylean sense of heroism, a power of God in man. "I am Vasudeva (Krishna) among the Vrishnis," says the Lord in the Gita, "Dhananjaya
(Arjuna) among the Pandavas, Vyasa among the sages, the seerpoet Ushanas among the seer-poets," the first in each category,
1.16 - The Suprarational Ultimate of Life, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
The first mark of the suprarational, when it intervenes to take up any portion of our being, is the growth of absolute ideals; and since life is Being and Force and the divine state of being is unity and the Divine in force is God as Power taking possession, the absolute vital ideals must be of that nature. Nowhere are they wanting. If we take the domestic and social life of man, we find hints of them there in several forms; but we need only note, however imperfect and dim the present shapes, the strivings of love at its own self-finding, its reachings towards its absolute the absolute love of man and woman, the absolute maternal or paternal, filial or fraternal love, the love of friends, the love of comrades, love of country, love of humanity. These ideals of which the poets have sung so persistently, are not a mere glamour and illusion, however the egoisms and discords of our instinctive, infrarational way of living may seem to contradict them. Always crossed by imperfection or opposite vital movements, they are still divine possibilities and can be made a first means of our growth into a spiritual unity of being with being. Certain religious disciplines have understood this truth, have taken up these relations boldly and applied them to our souls communion with God; and by a converse process they can, lifted out of their present social and physical formulas, become for us, not the poor earthly things they are now, but deep and beautiful and wonderful movements of God in man fulfilling himself in life. All the economic development of life itself takes on at its end the appearance of an attempt to get rid of the animal squalor and bareness which is what obligatory poverty really means, and to give to man the divine ease and leisure of the gods. It is pursued in a wrong way, no doubt, and with many ugly circumstances, but still the ideal is darkly there. Politics itself, that apparent game of strife and deceit and charlatanism, can be a large field of absolute idealisms. What of patriotism,never mind the often ugly instincts from which it starts and which it still obstinately preserves,but in its aspects of worship, self-giving, discipline, self-sacrifice? The great political ideals of man, monarchy, aristocracy, democracy, apart from the selfishnesses they serve and the rational and practical justifications with which they arm themselves, have had for their soul an ideal, some half-seen truth of the absolute and have carried with them a worship, a loyalty, a loss of self in the idea which have made men ready to suffer and die for them. War and strife themselves have been schools of heroism; they have preserved the Heroic in man, they have created the katriys tyaktajvit of the Sanskrit epic phrase, the men of power and courage who have abandoned their bodily life for a cause; for without heroism man cannot grow into the Godhead; courage, energy and strength are among the very first principles of the divine nature in action. All this great vital, political, economic life of man with its two powers of competition and cooperation is stumbling blindly forward towards some realisation of power and unity,in two divine directions, therefore. For the Divine in life is Power possessed of self-mastery, but also of mastery of His world, and man and mankind too move towards conquest of their world, their environment. And again the Divine in fulfilment here is and must be oneness, and the ideal of human unity however dim and far off is coming slowly into sight. The competitive nation-units are feeling, at times, however feebly as yet, the call to cast themselves into a greater unified cooperative life of the human race.
No doubt all is still moving, however touched by dim lights from above, on a lower half rational half infrarational level, clumsily, coarsely, in ignorance of itself and as yet with little nobility of motive. All is being worked out very crudely by the confused clash of life-forces and the guidance of ideas that are half-lights of the intellect, and the means proposed are too mechanical and the aims too material; they miss the truth that the outer life-result can only endure if it is founded on inner realities. But so life in the past has moved always and must at first move. For life organises itself at first round the ego-motive and the instinct of ego-expansion is the earliest means by which men have come into contact with each other; the struggle for possession has been the first crude means towards union, the aggressive assertion of the smaller self the first step towards a growth into the larger self. All has been therefore a half-ordered confusion of the struggle for life corrected by the need and instinct of association, a struggle of individuals, clans, tribes, parties, nations, ideas, civilisations, cultures, ideals, religions, each affirming itself, each compelled into contact, association, strife with the others. For while Nature imposes the ego as a veil behind which she labours out the individual manifestation of the spirit, she also puts a compulsion on it to grow in being until it can at last expand or merge into a larger self in which it meets, harmonises with itself, comprehends in its own consciousness, becomes one with the rest of existence. To assist in this growth Life-Nature throws up in itself ego-enlarging, ego-exceeding, even ego-destroying instincts and movements which combat and correct the smaller self-affirming instincts and movements,she enforces on her human instrument impulses of love, sympathy, self-denial, self-effacement, self-sacrifice, altruism, the drive towards universality in mind and heart and life, glimmerings of an obscure unanimism that has not yet found thoroughly its own true light and motive-power. Because of this obscurity these powers, unable to affirm their own absolute, to take the lead or dominate, obliged to compromise with the demands of the ego, even to become themselves a form of egoism, are impotent also to bring harmony and transformation to life. Instead of peace they seem to bring rather a sword; for they increase the number and tension of conflict of the unreconciled forces, ideas, impulses of which the individual human consciousness and the life of the collectivity are the arena. The ideal and practical reason of man labours to find amidst all this the right law of life and action; it strives by a rule of moderation and accommodation, by selection and rejection or by the dominance of some chosen ideas or powers to reduce things to harmony, to do consciously what Nature through natural selection and instinct has achieved in her animal kinds, an automatically ordered and settled form and norm of their existence. But the order, the structure arrived at by the reason is always partial, precarious and temporary. It is disturbed by a pull from below and a pull from above. For these powers that life throws up to help towards the growth into a larger self, a wider being, are already reflections of something that is beyond reason, seeds of the spiritual, the absolute. There is the pressure on human life of an Infinite which will not allow it to rest too long in any formulation,not at least until it has delivered out of itself that which shall be its own self-exceeding and self-fulfilment.
1.18 - The Human Fathers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
(or, actively-moving) mares which bear the Hero. Seated, I call the births divine" (verse 2). What path is this? It is the path between the home of the gods and our earthly mortality down which the gods descend through the antariks.a, the vital regions, to the earthly sacrifice and up which the sacrifice and man by the sacrifice ascends to the home of the gods. Agni yokes his mares, his variously-coloured energies or flames of the divine
Force he represents, which bear the Hero, the battling power within us that performs the journey. And the births divine are at once the gods themselves and those manifestations of the divine life in man which are the Vedic meaning of the godheads. That this is the sense becomes clear from the fourth Rik. "When the
Sayana takes a-dhvara yajna, the unhurt sacrifice; but "unhurt" can never have come to be used as a synonym of sacrifice. Adhvara is "travelling", "moving", connected with adhvan, a path or journey from the lost root adh, to move, extend, be wide, compact, etc. We see the connection between the two words adhvan and adhvara in adhva, air, sky and adhvara with the same sense. The passages in the Veda are numerous in which the adhvara or adhvara yajna is connected with the idea of travelling, journeying, advancing on the path.
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Guest that lodges in the bliss has become conscious in knowledge in the gated house of the Hero rich (in felicity), when Agni is perfectly satisfied and firmly lodged in the house, then he gives the desirable good to the creature that makes the journey" or, it may be, for his journeying.
The hymn is therefore an invocation to Agni for the journey to the supreme good, the divine birth, the bliss. And its opening verse is a prayer for the necessary conditions of the journey, the things that are said here to constitute the form of the pilgrim sacrifice, adhvarasya pesah., and among these comes first the forward movement of the Angirases; "Forward let the Angirases travel, priests of the Word, forward go the cry of heaven (or, of the heavenly thing, cloud or lightning), forward move the fostering Cows that diffuse their waters, and let the two pressing-stones be yoked (to their work) - the form of the pilgrim sacrifice," pra brahman.o angiraso naks.anta, pra krandanur nabhanyasya vetu; pra dhenava udapruto navanta, yujyatam adr adhvarasya pesah.. The Angirases with the divine
12.04 - Love and Death, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
In Eric, Love's appeal is to the Heroic soul. Love as commonly understood in its human form seems to be nothing else but loose sentiment and feeling, a play of mere emotion. As such it is usually made out to be as sweet as possible and as weak as possible, even in its external violence. Weakness, frailty is promoted as a woman's character and also her charm and beauty. On the other hand, heroism, force and vigour form the masculine character. But that is evidently a superficial and a limited and decadent view. A heroic soul to be genuinely heroic and complete must be a loving soul and in the same way love in a woman must carry in it a strong heroic element. The marriage of love and heroism is the story of Eric, how heroism adds force and strength and nobility to love and how love lends grace and beauty and an other-worldly charm to force and strength. In Eric Love attains a stronger, a larger, a royal fulfilment in its human mould, on this earth.
A different, almost a contrary denouement attends Love in Rodogune. Love here passes through the normal tragic trials and tribulations, even through the final trial, even death. But for love it is not the end nor defeat, rather a higher fulfilment. Real gold brightens up, shines gloriously when passed through fire. The end of the body is not the end of love, it exists even while in the body apart from the body and maintains its autonomous existence undimmed by external barriers and difficulties even by the disappearance of the body. The legend of loves frustrated in this life but reunited in another world is not pure fiction but a truth obvious to the seeing eye. In fact Love is an immortal being and human persons are its receptacles and formations for a special play upon this earth. Earthly fate only serves to increase the delight that forms the true body of love.
12.05 - The World Tragedy, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
Love and Death the Hero and the Nymph
Other Authors Nolini Kanta Gupta Part Twelve The World Tragedy
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Love and Death the Hero and the Nymph
12.06 - The Hero and the Nymph, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
object:12.06 - the Hero and the Nymph
author class:Nolini Kanta Gupta
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Other Authors Nolini Kanta Gupta Part Twelve the Hero and the Nymph
the Hero and the Nymph
A note on Kalidasa's " the Hero and the Nymph" (translated by Sri Aurobindo), staged at the Ashram Theatre on December 1st and December 3rd 1971.
12.07 - The Double Trinity, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
the Hero and the Nymph Notes on Freedom
Other Authors Nolini Kanta Gupta Part Twelve The Double Trinity
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the Hero and the Nymph Notes on Freedom
1.20 - The Hound of Heaven, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
Word) heated all the earth and heaven (created, that is to say, the burning clarity, gharma, taptam ghr.tam, which is the yield of the solar cows); they established in that which was born a firm abiding and in the cows the Heroes (that is, the battling force was established in the light of the knowledge).
"Indra, the Vritra-slayer, by those who were born (the sons of the sacrifice), by the offerings, by the hymns of illumination released upward the shining ones; the wide and delightful Cow
1.24 - (Epic Poetry continued.) Further points of agreement with Tragedy., #Poetics, #Aristotle, #Philosophy
As for the metre, the Heroic measure has proved its fitness by the test of experience. If a narrative poem in any other metre or in many metres were now composed, it would be found incongruous. For of all measures the Heroic is the stateliest and the most massive; and hence it most readily admits rare words and metaphors, which is another point in which the narrative form of imitation stands alone. On the other hand, the iambic and the trochaic tetrameter are stirring measures, the latter being akin to dancing, the former expressive of action. Still more absurd would it be to mix together different metres, as was done by Chaeremon. Hence no one has ever composed a poem on a great scale in any other than heroic verse. Nature herself, as we have said, teaches the choice of the proper measure.
Homer, admirable in all respects, has the special merit of being the only poet who rightly appreciates the part he should take himself. The poet should speak as little as possible in his own person, for it is not this that makes him an imitator. Other poets appear themselves upon the scene throughout, and imitate but little and rarely. Homer, after a few prefatory words, at once brings in a man, or woman, or other personage; none of them wanting in characteristic qualities, but each with a character of his own.
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Accordingly, the poet should prefer probable impossibilities to improbable possibilities. The tragic plot must not be composed of irrational parts. Everything irrational should, if possible, be excluded; or, at all events, it should lie outside the action of the play (as, in the Oedipus, the Hero's ignorance as to the manner of Laius' death); not within the drama,--as in the Electra, the messenger's account of the Pythian games; or, as in the Mysians, the man who has come from Tegea to Mysia and is still speechless. The plea that otherwise the plot would have been ruined, is ridiculous; such a plot should not in the first instance be constructed. But once the irrational has been introduced and an air of likelihood imparted to it, we must accept it in spite of the absurdity. Take even the irrational incidents in the Odyssey, where Odysseus is left upon the shore of Ithaca. How intolerable even these might have been would be apparent if an inferior poet were to treat the subject. As it is, the absurdity is veiled by the poetic charm with which the poet invests it.
The diction should be elaborated in the pauses of the action, where there is no expression of character or thought. For, conversely, character and thought are merely obscured by a diction that is over brilliant.
1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Suppose a bad woman wants to drag you from the path of righteousness. You must then assume the Heroic attitude and say: 'What? You witch! You dare injure my spiritual life? I shall cut your body in two right now.' "
With a smile Sri Ramakrishna said to the pundit: "Mani Mallick has been following the tenets of the Brahmo Samaj a long time. You can't convert him to your views. Is it an easy thing to destroy old tendencies? Once there lived a very pious Hindu who always worshipped the Divine Mother and chanted Her name. When the Mussalmans conquered the country, they forced him embrace Islam. They said to him: 'You are now a Mussalman. Say "Allah". From now on you must repeat only the name of Allah.' With great difficulty he repeated the word 'Allah', but every now and then blurted out 'Jagadamba'. At that the Mussalmans were about to beat him. Thereupon he said to them: 'I beseech you! Please do not kill me. I have been trying my utmost to repeat the name of Allah, but our Jagadamba has filled me up to the throat. She pushes out your Allah.' (All laugh.)
1.28 - The Killing of the Tree-Spirit, #The Golden Bough, #James George Frazer, #Occultism
the law are expected to issue and pay their homage to the Hero of
the hour. A few moments of suspense and then a storm of cheers and
14.07 - A Review of Our Ashram Life, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
The realisation aimed at demands a wholesale change, an integral transformation; it does not rest content with a partial success, an attainment on one level, on one portion of the being. There is therefore a global shake-up, nothing is allowed to remain in its old status unnoticed, all must come out and declare themselves to the Light. Hence the darkness of it all. All the impurities, imperfections and vilenesses show themselves the grass-roots as they say, that have to be extirpated and the ground ploughed and furrowedprepared for the new seed. It is a difficult time, the Heroic soul must bear and stand, know what it is and move bravely on.
I spoke of the community-ideal that obtained among us at the outset of our life here, that broke to pieces. Individualism reared its gruesome head with all its inevitable consequence: egoism had uncontrolled sway, instead of submission and surrender and obedience, freedom attained complete freedom, liberty pushed to licence.
15.05 - Twin Prayers, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
At present when the Mother too is no more thereapparentlywe seem to be abandoned children, what are we to do or be? It is no longer sufficient to be a warrior, not sufficient even to be a hero. What should we be? Something greater than the Hero. One must be a Yogi. The yogi is one who has the Divine Consciousness or the Mother's consciousness. If you find that it is not so easy for one to be a yogi, even if one tries sincerely, I suggest to you another alternative. It is to leap into another dimension: to be a child, a child of the Mother.
I give you this subject for meditation: on becoming. . . a child, an ideal child of the Mother.
1.53 - Mother-Love, #Magick Without Tears, #Aleister Crowley, #Philosophy
But the truth stands: the woman-formula is Death: "return to the Great Mother" is the catastrophe of the Hero, whether he be Coriolanus or Peer Gynt.
It is surely unnecessary to state the rider to this theorem; so perhaps I had better:
1.66 - The External Soul in Folk-Tales, #The Golden Bough, #James George Frazer, #Occultism
him and reveals it to the Hero, who seeks out the warlock's soul,
heart, life, or death (as it is variously called), and by destroying
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three singing birds which are in a wild boar. the Hero kills two of
the birds, and then coming to the ogre's house finds him lying on
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begs that the Hero will either let it fly away or give it to him to
eat. But the Hero wrings the bird's neck, and the ogre dies on the
spot.
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egg there lies my heart." the Hero of the tale, with the help of
some animals to whom he had been kind, obtains the egg and squeezes
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would become a gilded palace, and the lake green meadows." the Hero
finds the grain of sand and takes it to the top of the high rock in
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captive. At last the Hero, after hewing and slashing at the giant
all to no purpose, discovered that the only way to kill him was to
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bottom of the sea. With the help of some obliging animals, the Hero
made himself master of the precious egg and slew the giant by merely
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roots. This task the Hero, as usual, successfully accomplishes, and
at the same moment the giant drops dead.
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in the sea. the Hero procures the egg and crushes it between his
hands, and the ogre dies. In a Magyar folk-tale, an old witch
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In a Mongolian story the Hero Joro gets the better of his enemy the
lama Tschoridong in the following way. The lama, who is an
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Then the witch dies. Another Tartar poem describes how the Hero
Kartaga grappled with the Swan-woman. Long they wrestled. Moons
1.67 - The External Soul in Folk-Custom, #The Golden Bough, #James George Frazer, #Occultism
We have seen that in the tales the Hero, as a preparation for
battle, sometimes removes his soul from his body, in order that his
1.68 - The Golden Bough, #The Golden Bough, #James George Frazer, #Occultism
blusterer quails at the sight and meekly receives the Hero into his
crazy bark, which sinks deep in the water under the unusual weight
17.02 - Hymn to the Sun, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
the Heroes prepare the dappled Scatterer even like food; such were the first and pristine laws. [43]
Three are the Shining Ones who see widely in accordance with the law of the Truth: of them one plants the seed throughout the year, another labours upon the world with his effulgences, of still another the mighty rushing is seen, not the form. [44]
19.26 - The Brahmin, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
I call him a Brahmin who has rejected all attraction and repulsion, who has become indifferent, free from limitation, who has conquered all the worlds, the Hero.
[37]
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I call him a Brahmin who is puissant, the very best, the Hero, the supreme sage who has conquered all foes, the impassible, the purified, the enlightened.
[41]
1951-04-12 - Japan, its art, landscapes, life, etc - Fairy-lore of Japan - Culture- its spiral movement - Indian and European- the spiritual life - Art and Truth, #Questions And Answers 1950-1951, #The Mother, #Integral Yoga
And in the cities, a city like Tokyo, for example, which is the biggest city in the world, bigger than London, and which extends far, far (now the houses are modernised, the whole centre of the city is very unpleasant, but when I was there, it was still good), in the outlying parts of the city, those which are not business quarters, every house has at the most two storeys and a garden there is always a garden, there are always one or two trees which are quite lovely. And then, if you go for a walkit is very difficult to find your way in Tokyo; there are no straight streets with houses on either side according to the number, and you lose your way easily. Then you go wandering aroundalways one wanders at random in that countryyou go wandering and all of a sudden you turn the corner of a street and come to a kind of paradise: there are magnificent trees, a temple as beautiful as everything else, you see nothing of the city any longer, no more traffic, no tramways; a corner, a corner of trees with magnificent colours, and it is beautiful, beautiful like everything else. You do not know how you have reached there, you seem to have come by luck. And then you turn, you seek your way, you wander off again and go elsewhere. And some days later you want to come back to this very place, but it is impossible, it is as though it had disappeared. And this is so frequent, this is so true that such stories are often told in Japan. Their literature is full of fairy-lore. They tell you a story in which the Hero comes suddenly to an enchanted place: he sees fairies, he sees marvellous beings, he spends exquisite hours among flowers, music; all is splendid. The next day he is obliged to leave; it is the law of the place, he goes away. He tries to come back, but never does. He can no longer find the place: it was there, it has disappeared! And everything in this city, in this country, from beginning to end, gives you the impression of impermanence, of the unexpected, the exceptional. You always come to things you did not expect; you want to find them again and they are lostthey have made something else which is equally charming. From the artistic point of view, the point of view of beauty, I dont think there is a country as beautiful as that.
Now, I ought to say, to complete my picture, that the four years I was there I found a dearth of spirituality as entire as could be. These people have a wonderful morality, live according to quite strict moral rules, they have a mental construction even in the least detail of life: one must eat in a certain way and not another, one must bow in a certain way and not another, one must say certain words but not all; when addressing certain people one must express oneself in a certain way; when speaking with others, one must express oneself in another. If you go to buy something in a shop, you must say a particular sentence; if you dont say it, you are not served: they look at you quizzically and do not move! But if you say the word, they wait upon you with full attention and bring, if necessary, a cushion for you to sit upon and a cup of tea to drink. And everything is like that. However, not once do you have the feeling that you are in contact with something other than a marvellously organised mental-physical domain. And what energy they have! Their whole vital being is turned into energy. They have an extraordinary endurance but no direct aspiration: one must obey the rule, one is obliged. If one does not submit oneself to rules there, one may live as Europeans do, who are considered barbarians and looked upon altogether as intruders, but if you want to live a Japanese life among the Japanese you must do as they do, otherwise you make them so unhappy that you cant even have any relation with them. In their house you must live in a particular way, when you meet them you must greet them in a particular way. I think I have already told you the story of that Japanese who was an intimate friend of ours, and whom I helped to come into contact with his soul and who ran away. He was in the countryside with us and I had put him in touch with his psychic being; he had the experience, a revelation, the contact, the dazzling inner contact. And the next morning, he was no longer there, he had taken flight! Later, when I saw him again in town after the holidays, I asked him, But what happened to you, why did you go away?Oh! You understand, I discovered my soul and saw that my soul was more powerful than my faith in the country and the Mikado; I would have had to obey my soul and I would no longer have been a faithful subject of my emperor. I had to go away. There you are! All this is au thentically true.
1953-08-12, #Questions And Answers 1953, #The Mother, #Integral Yoga
There are, in Paris, theatres of the third or fourth rank where sensational dramas are performed. These are suburban theatres. They are not for intellectuals but for the masses, and all the elements are always extremely dramatic, moving. Well, those who go there are mostly very simple people and forget completely that they are in a theatre. They identify themselves with the drama. And so, things like this happen: on the stage there is the traitor hiding behind the door, and the Hero comes along, not aware naturally that the traitor is hiding there and he is going to be killed. Now, there are people sitting up there (in what is called the gallery), right up in the theatre, who shout: Look out, he is there! (Laughter) It has not happened just once, it happens hundreds of times, spontaneously. I had seen a play of this kind called Le Bossu, I believe; anyway it was quite a sensational drama and it was being played at the Thtre de la Porte Saint-Martin. In this play there was a room. On the stage a large room could be seen and at its side a small room and I dont remember the story now, but in the small room there was a button which could be pressed, and by pressing the button the ceiling of the bigger room could be brought down on those who were there so as to crush them inexorably! And a warning had been given, people had already spoken about it, passed on the word. And now there was a traitor who had hidden himself in the little room and he knew the trick of the button, and then there was the Hero who came in with other people, and they started arguing; and everyone knew that the ceiling was going to come down. I didnt say anything, I remembered I was in the theatre, I was waiting to see how the author was going to get out of this situation to save his hero (for it was evident he couldnt kill him off like that before everybody!). But the others were not at all in the same state. Well, there were spectators who shouted, really shouted: Look out, mind the ceiling! Thats how it was.
These are phenomena of self-identification. Only, they are involuntary. And this is also one of the methods used today to cure nervous diseases. When someone cannot sleep, cannot be restful because he is too excited and nervous and his nerves are ill and weakened by excessive agitation, he is told to sit in front of an aquarium, for instancean aquarium, thats very lovely, isnt it?before an aquarium with pretty little fish in it, goldfish; just to sit there, settle down in an easy-chair and try not to think of anything (particularly not of his troubles) and look at the fish. So he looks at the fish, moving around, coming and going, swimming, gliding, turning, meeting, crossing, chasing one another indefinitely, and also the water flowing slowly and the passing fish. After a while he lives the life of fishes: he comes and goes, swims, glides, plays. And at the end of the hour his nerves are in a perfect state and he is completely restful!
1957-03-27 - If only humanity consented to be spiritualised, #Questions And Answers 1957-1958, #The Mother, #Integral Yoga
Wherefore he selected or made such a material, when he had all infinite possibility to choose from? Because of his divine Idea which saw before it not only beauty and sweetness and purity, but also force and will and greatness. Despise not force, nor hate it for the ugliness of some of its faces, nor think that love only is God. All perfect perfection must have something in it of the stuff of the Hero and even of the Titan. But the greatest force is born out of the greatest difficulty.
Thoughts and Glimpses, SABCL, Vol. 16, pp. 392-93
1960 06 22, #On Thoughts And Aphorisms, #The Mother, #Integral Yoga
That is why, as Sri Aurobindo says, all this makes a rather dismal picture without any deep significance. On the other hand, in the legendary accounts of things which may never have existed on earth, of events which have not been declared au thentic by official knowledge, of wonderful individuals whose existence is doubted by the scholars in their dried-up wisdom, we find the crystallisation of all the hopes and aspirations of man, his love of the marvellous, the Heroic and the sublime, the description of everything he would like to be and strives to become.
That, more or less, is what Sri Aurobindo means in his Aphorism.
1.anon - Others have told me, #Anonymous - Poems, #unset, #Zen
he is the Hero, born of Uruk, the goring wild bull.
He walks our in front, the leader,
1.anon - The Seven Evil Spirits, #Anonymous - Poems, #unset, #Zen
Enlil saw the darkening of the Hero Sin in heaven,
The lord spoke to his minister Nusku,
1.cllg - A Dance of Unwavering Devotion, #unset, #Arthur C Clarke, #Fiction
English version by Thupten Jinpa and Jas Elsener Original Language Tibetan You who absorb into sublime, immutable bliss all phenomena, moving and unmoving, infinite as space, O glorious Heruka and Varahi, your consort, I wear the jewel light of your feet as my crown. Great bliss, the union of method and wisdom, engaged in the play of the unmoving with movement, this young coral maiden with beautiful eyes, diamond queen, embrace me with your arts of love. Adorning the highest part of my body, my crown, with the jewel of your feet, I recite these words of aspiration and prayer with my palms folded at my heart. When shall I ever achieve this state: seeing all forms as mandala deities, all sounds as vajra songs of tantra, all thoughts as fuel to enflame the spontaneous wisdom of emptiness and bliss? When will I experience perfect purity? By purging in profound absorption all phenomena born of imaginative concepts, fully aware that they open the way to self-arisen rikpa. When will I run in a joyful step-dance, the play of supreme illusion, the bliss-void wisdom, in the dakin town, the emanation of pure realms -- where a hundred dharma doors are opened wide? Outer dakinis hover above the twenty-four mystic places; inner dakinis dwell in the sphere of radiant bliss. When will I immerse in the glory of sexual play through the secret act of conjoining space and vajra? When can I arise as the great magical net -- the union of body and mind, instantly burning all grossness of dualism with the great bliss fire flaming the expanse? When will I accomplish the natural feat of absorbing the imperfections of illusion into immutable bliss, this wheel of becoming, engaged in the blissful play of union? On the clear mirror of the luminous mind my guru, my deity, and my mind reflect as one; may I soon attain the good fortune of practicing night and day this perfect meditation. May my mind be always intoxicated by drinking insatiably the nectar -- the delicious taste of sexual play between the Hero in his utter ecstasy and his lover, the lady emptiness. By entering deep into the sphere of voidness, may I be endowed with the power of cleansing this foul odor, grasping body, speech, and mind as ordinary, through the yoga of perceiving all as divine. May I come to see with naked eyes the form of the fully emergent mandala of perfect deities, the sport of the ever-present mind inside the courtyard of the heart's dharma chakra. O yoginis, heroines of the twenty-four places, and the hosts of mantra-born and field-born dakinis who possess powers swift as thought, assist me in friendship of every kind. [1585.jpg] -- from Songs of Spiritual Experience: Tibetan Buddhist Poems of Insight & Awakening, Translated by Thupten Jinpa / Translated by Jas Elsner
1.fcn - without a voice, #unset, #Arthur C Clarke, #Fiction
English version by Gabriel Rosenstock Original Language Japanese without a voice the Heron would disappear -- morning snow [2726.jpg] -- from Haiku Enlightenment: New Expanded Edition, by Gabriel Rosenstock <
1f.lovecraft - Ibid, #Lovecraft - Poems, #unset, #Zen
much exactitude and self-satisfaction to all the Heroes of the
republic. His full namelong and pompous according to the custom of an
--
the royal unction which made of the Hero-nomad a Holy Roman Emperor.
Charlemagne took Ibids skull to his capital at Aix, soon afterward
1f.lovecraft - Sweet Ermengarde, #Lovecraft - Poems, #unset, #Zen
serpent that he was, he had persuaded the Heroine to elope! It was in
the night that she went leaving a note for her parents, sniffing the
1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
and slew all the Heroes of the land of Lomar. Those manuscripts, he
said, told much of the gods; and besides, in Ulthar there were men who
1f.lovecraft - The Unnamable, #Lovecraft - Poems, #unset, #Zen
presumably been the Hero of my fiction. I told him why the boy had gone
to that shunned, deserted house, and remarked that he ought to be
1.fs - Elegy On The Death Of A Young Man, #Schiller - Poems, #Friedrich Schiller, #Poetry
Boasts the Hero, whom his prowess leads
Up to future glory's temple bright!
1.fs - Naenia, #Schiller - Poems, #Friedrich Schiller, #Poetry
Nor could his mother immortal preserve the Hero so godlike,
When at the west gate of Troy, falling, his fate he fulfilled.
1.fs - The Artists, #Schiller - Poems, #Friedrich Schiller, #Poetry
the Hero in the Hero-band must sink,
The Muses' harp peals forth its tuneful strains.
1.fs - The Fight With The Dragon, #Schiller - Poems, #Friedrich Schiller, #Poetry
What actions of the Heroes bold,
Of whom in ancient song we're told,
1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the Heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."
(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.
1.jk - Sonnet III. Written On The Day That Mr. Leigh Hunt Left Prison, #Keats - Poems, #John Keats, #Poetry
Hunt adduces the first line ... as an example of Keats's "sense of the proper variety of versification without a due consideration of its principles," and very justly adds, "by no contrivance of any sort can we prevent this from jumping out of the Heroic measure into mere rhythmicality."
Clarke records that when this and one or two other early poems of Keats were first shown by him to Hunt, Horace Smith, being present, remarked on the 13th line, "What a well-condensed expression for a youth so young!"
1.jk - The Gadfly, #Keats - Poems, #John Keats, #Poetry
(stanza 10): The reference is probably to the Hero of Scott's novel The Antiquary, properly the Honourable William Geraldin, heir of the Earl of Glenallan, but known throughout the book as Mr. Lovel.
(stanza 12): Perhaps the reference is to Psalm cix, verse 164, "Seven times a day do I praise thee because of thy righteous judgements;" but there is certainly no intentional disrespect to David, the word 'chouse' being the exclusive property of the pious scold.'
1.lovecraft - Fungi From Yuggoth, #Lovecraft - Poems, #unset, #Zen
Against a pink sky where the Herons hover.
All would be there, for had not old dreams flung
1.lovecraft - Lines On General Robert Edward Lee, #Lovecraft - Poems, #unset, #Zen
And damn the Heroes that protect the weak;
Let LEE'S brave shade the timid throng accost,
1.mb - four haiku, #Basho - Poems, #Masho Basho, #unset
goes the Heron's cry.
1.pbs - Song. Translated From The German, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Ah! where is the Hero, whose nerves strung by youth,
Will defend the firm cause of justice and truth;
1.pbs - The Irishmans Song, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Ah! where are the Heroes! triumphant in death,
Convulsed they recline on the blood sprinkled heath,
1.rb - Abt Vogler, #Browning - Poems, #Robert Browning, #Poetry
The high that proved too high, the Heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
1.rb - Cleon, #Browning - Poems, #Robert Browning, #Poetry
With some whole man of the Heroic age,
Great in his waynot ours, nor meant for ours.
1.rb - Pippa Passes - Part I - Morning, #Browning - Poems, #Robert Browning, #Poetry
Why, on that matter he could never be supercilious enough. How should we be other (he said) than the poor devils you see, with those debasing habits we cherish? He was not to wallow in that mire, at least: he would wait, and love only at the proper time, and meanwhile put up with the Psiche-fanciulla. Now, I happened to hear of a young Greekreal Greek girl at Malamocco; a true Islander, do you see, with Alciphron's "hair like sea-moss"Schramm knows!white and quiet as an apparition, and fourteen years old at farthest, a daughter of Natalia, so she swearsthat hag Natalia, who helps us to models at three lire an hour. We selected this girl for the Heroine of our jest. So first, Jules received a scented lettersomebody had seen his Tydeus at the Academy, and my picture was nothing to it: a profound admirer bade him perseverewould make herself known to him ere long. (Paolina, my little friend of the Fenice, transcribes divinely.) And in due time, the mysterious correspondent gave certain hints of her peculiar charmsthe pale cheeks, the black hairwhatever, in short, had struck us in our Malamocco model: we retained her name, tooPhene, which is, by interpretation, sea-eagle. Now, think of Jules finding himself distinguished from the herd of us by such a creature! In his very first answer he proposed marrying his monitress: and fancy us over these letters, two, three times a day, to receive and despatch! I concocted the main of it: relations were in the waysecrecy must be observedin fine, would he wed her on trust, and only speak to her when they were indissolubly united? St stHere they come!
6th Student
1.rb - Prospice, #Browning - Poems, #Robert Browning, #Poetry
the Heroes of old,
Bear the brunt, in a minute pay glad life's arrears
1.rb - The Flight Of The Duchess, #Browning - Poems, #Robert Browning, #Poetry
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
1.rt - The Hero(2), #Tagore - Poems, #Rabindranath Tagore, #Poetry
object:1.rt - the Hero(2)
author class:Rabindranath Tagore
1.rt - The Hero, #Tagore - Poems, #Rabindranath Tagore, #Poetry
object:1.rt - the Hero
author class:Rabindranath Tagore
1.rwe - The Adirondacs, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
Loud hammered, and the Heron rose in the swamp.
As water poured through the hollows of the hills
1.wby - The Phases Of The Moon, #Yeats - Poems, #William Butler Yeats, #Poetry
Because the Hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
1.wby - The Wanderings Of Oisin - Book I, #Yeats - Poems, #William Butler Yeats, #Poetry
And on the Heroes lying slain
On Gabhra's raven-covered plain;
1.wby - The Wanderings Of Oisin - Book III, #Yeats - Poems, #William Butler Yeats, #Poetry
How the falconer follows the falcon in the weeds of the Heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.
1.whitman - A Carol Of Harvest For 1867, #Whitman - Poems, #unset, #Zen
In the midst of the armies, the Heroes, I stood,
Or pass'd with slow step through the wounded and dying.
--
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass'd, shall never return;
Them, that day, I saw not.)
--
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
--
With these, and else, and with their own strong hands, the Heroes
harvest.
1.whitman - Facing West From Californias Shores, #Whitman - Poems, #unset, #Zen
From Asiafrom the northfrom the God, the sage, and the Hero,
From the southfrom the flowery peninsulas, and the spice islands;
1.whitman - Song For All Seas, All Ships, #Whitman - Poems, #unset, #Zen
(Ever the Heroes, on water or on land, by ones or twos appearing,
Ever the stock preserv'd, and never lost, though rareenough for
1.whitman - Washingtons Monument, February, 1885, #Whitman - Poems, #unset, #Zen
(Greets the antique the Hero new? tis but the samethe heir
legitimate, continued ever,
1.ww - Artegal And Elidure, #Wordsworth - Poems, #unset, #Zen
Yet more;heart-smitten by the Heroic deed,
The reinstated Artegal became
1.ww - A Whirl-Blast From Behind The Hill, #Wordsworth - Poems, #unset, #Zen
Too much the Heroic Daughter feared
The weakness of their love.
1.ww - Book Third [Residence at Cambridge], #unset, #Arthur C Clarke, #Fiction
In which the Heron should delight to feed
By the shy rivers, and the pelican
1.ww - Hoffer, #Wordsworth - Poems, #unset, #Zen
OF mortal parents is the Hero born
By whom the undaunted Tyrolese are led?
1.ww - Is There A Power That Can Sustain And Cheer, #Wordsworth - Poems, #unset, #Zen
Filling from morn to night the Heroic scene
With deeds of hope and everlasting praise:--
1.ww - London, 1802, #Wordsworth - Poems, #unset, #Zen
Fireside, the Heroic wealth of hall and bower,
Have forfeited their ancient English dower
1.ww - The Excursion- V- Book Fouth- Despondency Corrected, #Wordsworth - Poems, #unset, #Zen
Beats to the Heroic song of ancient days;
His eye distinguishes, his soul creates.
1.ww - The Waggoner - Canto Second, #Wordsworth - Poems, #unset, #Zen
Then, when the Hero of my tale
Was passing by, and, down the vale
2.01 - Mandala One, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
(15) This is the word of adoration that has been made for the Bull, for the Self-King, for the Strong whose force is of the truth. O Indra, in this strength may we abide in thy bliss, all the Heroes with us and the happy illumined seers.
***
--
(5) To him, to Indra I make my song of light to shine with the offering flame and make it like a horse for his chariot by my desire for inspired knowing, and to adore the Hero who is a house of gifts, to adore the render of the sealed cities who brings out the inspired knowledge.
(6) For him Twastri the Maker shaped his thunderbolt that is of the sun-world and is mighty for works and gave it to him for battle. He found out by it the vital places even of the Coverer. Speed was of him and speed was of his weapon. He was master and illimitable in works.
--
(7) His increasings make him glad in the conquering of the Hero; the inhabitants of the worlds have made him the deliverer of their having. He is One and alone and yet the lord of all work that is done.
May that Indra with his retinue of Maruts be with us for our increase.
--
(6) the Heroes call to him and the cowards; the runners cry to him and the victors. To Indra all these worlds of beings turn and they grapple in him and are joined.
Call we Indra with his retinue of Maruts to be our comrade and friend.
--
(5) See how this multitude of his having has increased! Put faith in the Hero might of Indra! He has discovered the Kine and discovered the Horses and the Waters and the growths of earth and the trees of her forests.
(6) Let us press and give the nectar-wine to the Bull and the Strong One and the Doer of the multitude of works, the Lord whose strength is Truth, who like a hero adversary on the path rends away the knowledge of those that do not sacrifice and goes abroad giving of it largesse.
--
(4) The navel has been set of the higher being and the Hero moves on and shines there with his ancient powers. Anjasi and Kulishi and Virapatni are hastening with all their waters and bring him the milk of their streams.
(5) Now that the guide is seen, now that she goes in knowledge towards the house that was as if the home of the Destroyer, deliver us from the sin that was done, O King of Riches, and betray us not into his hands as one ignorant gives his wealth into the hands of the wasters.
--
(19) But now by this hymn of power may we possess Indra and all the Heroes be in our strength and we prevail and overcome. This let Mitra and Varuna and the Mother Infinite magnify in me and the great River and Earth and Heaven.
***
--
(4) I make richer here with my plenty the master of plenty who gives his self-expression to man. Our desire goes to Pushan the Increaser with his happinesses in whom the Heroes have their dwelling place. O bountiful Vasus, carry us beyond out of all the evil like a chariot out of a difficult place.
(5) O Brihaspati, ever make easy the road of our journeying who yearn for that peace and bliss of thy strength which is set in thinking man. Carry us beyond out of all the evil like a chariot from a difficult place.
--
(5) Come, O Indra and Agni, with all the Heroisms you have done and all the forms you have shaped and all your strengths and all your happy ancient comradeships, and having come drink of this nectar-wine we have made for you.
(6) Come to my true faith by which I said at first when I chose you that this nectar-wine of me must be given among the Mighty Lords. Drink of the wine we have made for you.
--
(2) Carve for our sacrifice a birth in which shall be the works of the Ribhus, carve light in the thought and power in the will, shape an impelling force which shall beget a perfect issue that we may dwell accompanied by the nation of all the Heroes. Make them the host of our battle and set in them that great Indra-force.
(3) Carve getting for us, O Ribhus, getting for our chariot and getting for our war-horse.Mass together into form conquest and winning always whose strength companioned or alone shall avail against opposing armies.
2.01 - The Road of Trials, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
ONCE having traversed the threshold, the Hero moves in a dream landscape of curiously fluid, ambiguous forms, where he must survive a succession of trials. This is a favorite phase of the mythadventure. It has produced a world literature of miraculous tests and ordeals. the Hero is covertly aided by the advice, amulets, and secret agents of the supernatural helper whom he met before his entrance into this region. Or it may be that he here discovers for the first time that there is a benign power everywhere supporting him in his superhuman passage.
One of the best known and most charming examples of the "difficult tasks" motif is that of Psyche's quest for her lost lover, Cupid[1]. Here all the principal roles are reversed: instead of the lover trying to win his bride, it is the bride trying to win her lover; and instead of a cruel father withholding his daughter from the lover, it is the jealous mother, Venus, hiding her son, Cupid, from his bride. When Psyche pleaded with Venus, the goddess grasped her violently by the hair and dashed her head upon the ground, then took a great quantity of wheat, barley, millet, poppy seed, peas, lentils, and beans, mingled these all to gether in a heap, and commanded the girl to sort them before night. Psyche was aided by an army of ants. Venus told her, next, to gather the golden wool of certain dangerous wild sheep, sharp of horn and poisonous of bite, that inhabited an inaccessible valley in a dangerous wood. But a green reed instructed her how to gather from the reeds round about the golden locks shed by the sheep in their passage. The goddess now required a bottle of water from a freezing spring high on a towering rock beset by sleepless dragons. An eagle approached, and accomplished the marvelous task. Psyche was ordered, finally, to bring from the abyss of the underworld a box full of supernatural beauty. But a high tower told her how to go down to the world below, gave her coins for Charon and sops for Cerberus, and sped her on her way. Psyche's voyage to the underworld is but one of innumerable such adventures undertaken by the Heroes of fairy tale and myth. Among the most perilous are those of the shamans of the peo ples of the farthest north (the Lapps, Siberians, Eskimo, and certain American Indian tribes), when they go to seek out and recover the lost or abducted souls of the sick. The shaman of the Siberians is clothed for the adventure in a magical costume representing a bird or reindeer, the shadow principle of the shaman himself, the shape of his soul. His drum is his animalhis eagle, reindeer, or horse; he is said to fly or ride on it. The stick that he carries is another of his aids. And he is attended by a host of invisible familiars.
An early voyager among the Lapps has left a vivid description of the weird performance of one of these strange emissaries into the kingdoms of the dead[2]. Since the yonder world is a place of everlasting night, the ceremonial of the shaman has to take place after dark. The friends and neighbors gather in the flickering, dimly lighted hut of the patient, and follow attentively the gesticulations of the magician. First he summons the helping spirits; these arrive, invisible to all but himself. Two women in ceremonial attire, but without belts and wearing linen hoods, a man without hood or belt, and a girl not as yet adult, are in attendance.
2.02 - Meeting With the Goddess, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
the Queen of Erin, the Heroic youth had undertaken to go for
three bottles of the water of Tubber Tintye, the flaming fairy
--
totality of what can be known. the Hero is the one who comes to
know. As he progresses in the slow initiation which is life, the
--
eyes of understanding. the Hero who can take her as she is,
without undue commotion but with the kindness and assurance
--
is the final test of the talent of the Hero to win the boon of love
(charity: amor fati), which is life itself enjoyed as the encase
2.02 - THE EXPANSION OF LIFE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
Suppression of the peduncles. Since the Heroic times of Lamarck
and Darwin, the favourite argument employed against the trans-
2.03 - Karmayogin A Commentary on the Isha Upanishad, #Isha Upanishad, #unset, #Zen
His part in life is the part of the Hero, - the one quality he must
possess, is the lionlike courage that will dare to meet its spiritual
2.03 - THE ENIGMA OF BOLOGNA, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[85] In order to clarify this passage, I must go back to the myth of Cadmus, a kinsman of the Pelasgian Hermes Ithyphallikos.228 the Hero set out to find his lost sister Europa, whom Zeus had carried away with him after turning himself into a bull. Cadmus, however, received the divine comm and to give up the search, and instead to follow a cow, with moon markings on both her sides, until she lay down, and there to found the city of Thebes. At the same time he was promised Harmonia, the daughter of Ares and Aphrodite as a wife. When the cow had lain down, he wanted to sacrifice her, and he sent his companions to fetch water. They found it in a grove sacred to Ares, which was guarded by a dragon, the son of Ares. The dragon killed most of the companions, and Cadmus, enraged, slew it and sowed the dragons teeth. Immediately armed men sprang up, who fell to fighting among themselves until only five remained. Cadmus was then given Harmonia to wife. The spitting of the snake (dragon) to the oak seems to be an addition of Philalethas. It represents the banishment of the dangerous daemon into the oak,229 a point made not only by the commentary on the Aelia inscription in Malvasius but by the fairytale of The Spirit in the Bottle.
[86] The psychological meaning of the myth is clear: Cadmus has lost his sister-anima because she has flown with the supreme deity into the realm of the suprahuman and the subhuman, the unconscious. At the divine comm and he is not to regress to the incest situation, and for this reason he is promised a wife. His sister-anima, acting as a psychopomp in the shape of a cow (to correspond with the bull of Zeus), leads him to his destiny as a dragon-slayer, for the transition from the brother-sister relationship to an exogamous one is not so simple. But when he succeeds in this, he wins Harmonia, who is the dragons sister. The dragon is obviously disharmony, as the armed men sprung from its teeth prove. These kill one another off as though exemplifying the maxim of Pseudo-Democritus, nature subdues nature, which is nothing less than the uroboros conceptually formulated. Cadmus holds fast to Harmonia while the opposites in projected form slaughter one another. This image is a representation of the way in which a split-off conflict behaves: it is its own battle-ground. By and large this is also true of yang and yin in classical Chinese philosophy. Hand in hand with this selfcontained conflict there goes an unconsciousness of the moral problem of opposites. Only with Christianity did the metaphysical opposites begin to percolate into mans consciousness, and then in the form of an almost dualistic opposition that reached its zenith in Manichaeism. This heresy forced the Church to take an important step: the formulation of the doctrine of the privatio boni, by means of which she established the identity of good and being. Evil as a
2.05 - Apotheosis, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
propriety at the conclusion of the Hero-task, at the moment when
the wall of Paradise is dissolved, the divine form found and rec
--
vagina. the Hero has become, by virtue of the ceremonial, more
than man.
--
the God. The ogre breaks us, but the Hero, the fit candidate, un
dergoes the initiation "like a man"; and behold, it was the fa
--
in both cases it is found (or rather, recollected) that the Hero
himself is that which he had come to find.
--
Compare the Kaushitaki Upanishad, 1:4, describing the Hero who has reached
the Brahma-world: "Just as one driving a chariot looks down upon the
2.07 - I Also Try to Tell My Tale, #The Castle of Crossed Destinies, #Italo Calvino, #Fiction
Other paintings depict the next stage (the slaughtered dragon is a stain on the ground, a deflated container), and reconciliation with nature is celebrated, as trees and rocks grow to occupy the whole picture, relegating to a corner the little figures of the warrior and the monster (Altdorfer, Munich; Giorgione, London); or else it is the festivity of regenerated society around the Hero and the princess (Pisanello, Verona; and Carpaccio, in the later pictures of the Schiavoni cycle). (Pathetic implicit meaning: the Hero being a saint, there will not be a wedding but a baptism.) Saint George leads the dragon on a leash into the square to execute him in a public ceremony. But in all this festivity of the city freed from a nightmare, there is no one who smiles: every face is grave. Trumpets sound and drums roll, we have come to witness capital punishment, Saint George's sword is suspended in the air, we are all holding our breath, on the point of understanding that the dragon is not only the enemy, the outsider, the other, but is us, a part of ourselves that we must judge.
Along the walls of San Giorgio degli Schiavoni, in Venice, the stories of Saint George and Saint Jerome follow one another, as if they were a single story. And perhaps they really are one story, the life of the same man: youth, maturity, old age, and death. I have only to find the thread that links the chivalrous enterprise with the conquest of wisdom. But just now, had I not managed to turn Saint Jerome toward the outside and Saint George toward the inside?
Let us stop and think. If you consider carefully, the element common to both stories is the relationship with a fierce animal, the dragon-enemy or the lion-friend. The dragon menaces the city; the lion, solitude. We can consider them a single animal: the fierce beast we encounter both outside and inside ourselves, in public and in private. There is a guilty way of inhabiting the city: accepting the conditions of the fierce beast, giving him our children to eat. There is a guilty way of inhabiting solitude: believing we are serene because the fierce beast has been made harmless by a thorn in his paw. the Hero of the story is he who in the city aims the point of his lance at the dragon's throat, and in solitude keeps the lion with him in all its strength, accepting it as guard and domestic genie, but without hiding from himself its animal nature.
So I have succeeded in coming to a conclusion, I can consider myself satisfied. But will I not have been too pontifical? I reread. Shall I tear it all up? Let us see. The first thing to be said is that the Saint George-Saint Jerome story is not one with a before and an after: we are in the center of a room with figures who present themselves to our view all together. The character in question either succeeds in being warrior and sage in everything he does and thinks, or he will be no one, and the same beast is at once dragon-enemy in the daily massacre of the city and lion-guard in the space of thoughts: and he does not allow himself to be confronted except in the two forms together.
2.07 - On Congress and Politics, #Evening Talks With Sri Aurobindo, #unset, #Zen
Disciple: He has also read Goethe's Faust and finds that the Heroine (Henrietta) could not find peace until she took to the spinning-wheel.
Sri Aurobindo: My God! (Turning to a disciple) Do you know Mrs. Besant, Jaykar and Natarajan have decided to spin?
2.08 - God in Power of Becoming, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
Those in whom my powers rise to the utmost heights of human attainment are myself always, my special Vibhutis. I am among men the king of men, the leader, the mighty man, the Hero. I am Rama among warriors, Krishna among the Vrishnis,
Arjuna among the Pandavas. The illumined Rishi is my Vibhuti;
2.09 - THE MASTERS BIRTHDAY, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"Unless a devotee is of the Heroic type he cannot pay attention to both God and the world. King Janaka lived a householder's life only after attaining perfection through austerity and prayer. He fenced with two swords, the one of Knowledge and the other of action."
The Master sang:
2.0 - THE ANTICHRIST, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
surely it is the idea of the Hero. It is precisely the reverse of all
struggle, of all consciousness of taking part in the fight, that has
2.10 - The Vision of the World-Spirit - Time the Destroyer, #Essays On The Gita, #Sri Aurobindo, #Integral Yoga
and moons, has a face of blazing fire and is ever burning up the whole universe with the flame of his energy. The form of him is fierce and marvellous and alone it fills all the regions and occupies the whole space between earth and heaven. The companies of the gods enter it, afraid, adoring; the Rishis and the Siddhas crying "May there be peace and weal" praise it with many praises; the eyes of Gods and Titans and Giants are fixed on it in amazement. It has enormous burning eyes; it has mouths that gape to devour, terrible with many tusks of destruction; it has faces like the fires of Death and Time. The kings and the captains and the Heroes on both sides of the world-battle are hastening into its tusked and terrible jaws and some are seen with crushed and bleeding heads caught between its teeth of power; the nations are rushing to destruction with helpless speed into its mouths of flame like many rivers hurrying in their course towards the ocean or like moths that cast themselves on a kindled fire. With those burning mouths the Form of Dread is licking all the regions around; the whole world is full of his burning energies and baked in the fierceness of his lustres. The world and its nations are shaken and in anguish with the terror of destruction and Arjuna shares in the trouble and panic around him; troubled and in pain is the soul within him and he finds no peace or gladness. He cries to the dreadful Godhead, "Declare to me who thou art that wearest this form of fierceness. Salutation to thee, O thou great Godhead, turn thy heart to grace. I would know who thou art who wast from the beginning, for I know not the will of thy workings."
This last cry of Arjuna indicates the double intention in the vision. This is the figure of the supreme and universal Being, the
--
And meanwhile the fierce forward labour of mankind tormented and oppressed by the Powers that are profiteers of egoistic force and their servants cries for the sword of the Hero of the struggle and the word of its prophet.
The highest way appointed for him is to carry out the will of
2.13 - ON THOSE WHO ARE SUBLIME, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
His arm placed over his head: thus should the Hero
rest; thus should he overcome even his rest. But just
for the Hero the beautiful is the most difficult thing. No
violent will can attain the beautiful by exertion. A little
--
For this is the soul's secret: only when the Hero has
abandoned her, she is approached in a dream by the
2.19 - Out of the Sevenfold Ignorance towards the Sevenfold Knowledge, #The Life Divine, #Sri Aurobindo, #Integral Yoga
The Sons of Heaven, the Heroes of the Omnipotent, thinking the straight thought, giving voice to the Truth, founded the plane of illumination and conceived the first abode of the Sacrifice. . . . The Master of Wisdom cast down the stone defences and called to the Herds of Light, . . . the herds that stand in the secrecy on the bridge over the Falsehood between two worlds below and one above; desiring Light in the darkness, he brought upward the Ray-Herds and uncovered from the veil the three worlds; he shattered the city that lies hidden in ambush, and cut the three out of the Ocean, and discovered the Dawn and the Sun and the Light and the Word of Light. Rig Veda.2
The Master of Wisdom in his first coming to birth in the supreme ether of the great Light, - many his births, seven his mouths of the Word, seven his Rays, - scatters the darknesses with his cry. Rig Veda.3
2.21 - 1940, #Evening Talks With Sri Aurobindo, #unset, #Zen
Disciple: But love in the sense of being faithful to one person alone even if that person is dead it is that the Heroine cannot bear.
Disciple: Sharat Chandra seems to advocate re-marriage or no marriage, free love, as far as I understand.
2.3.06 - The Mind, #Letters On Yoga I, #Sri Aurobindo, #Integral Yoga
high measure. But even if one is not a man of action or practical realisation or if circumstances are not favourable or one can do only small and ordinary things, this vital mind is there. It acts in them on a small scale, or if it needs some sense of largeness, what it does very often is to plan in the void knowing that it cannot realise its plans or else to imagine big things, stories, adventures, great doings in which oneself is the Hero or the creator. What you describe as happening in you is the rush of this vital mind or imagination making its formations; its action is not peculiar to you but works pretty much in the same way in most people
- but in each according to his turn of fancy, interest, favourite ideas or desires. You have to become master of its action and not to allow it to seize your mind and carry it away when and where it wants. In sadhana when the experiences begin to come, it is exceedingly important not to allow this power to do what it likes with you; for it then creates false experiences according to its nature and persuades the sadhak that these experiences are true or it builds unreal formations and persuades him that this is what he has to do. Some have been taken away by this misleading force used by powers of Falsehood who persuaded them through it that they had a great spiritual, political or social work to do in the world and led them away to disappointment and failure. It is rising in you in order that you may understand what it is and reject it. For there are several things you had to get out of the vital plane before the deeper or greater spiritual experiences could safely begin or safely continue.
2.3.07 - The Vital Being and Vital Consciousness, #Letters On Yoga I, #Sri Aurobindo, #Integral Yoga
They come either from the vital mind, the same source from which come all the fine imaginations and long stories which men tell themselves in which they are the Heroes and do great things or they come from little entities attached to the physical mind which pick up any random suggestion anywhere and present it to the mind just to see whether it will be accepted. If one watches oneself closely one can find the most queer and extraordinary or nonsensical things crossing the mind or peeping in on it in this way. Usually one laughs or hardly notices and the thing falls back to the world of incoherent thought from which it came.
It is again the vital mind. It has no sense of proportion or measure and is eager to be or achieve something big at once.
--
I make the distinction [between emotions and lower vital movements] by noting where these things rise from. Anger, fear, jealousy touch the heart no doubt just as they touch the mind but they rise from the navel region and entrails (i.e. the lower or at highest the middle vital). Stevenson has a striking passage in Kidnapped where the Hero notes that his fear is felt primarily not in the heart but the stomach. Love, hope have their primary seat in the heart, so with pity etc.
The Central Vital or Vital Proper
2 - Other Hymns to Agni, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
9. O divine maker of forms who hast the utter rapture, cast upon us that supreme transcendence, cause of our growth, from which is born in us the Hero ever active with wise discernment, the seeker of the gods who sets to work the stone of the wine-pressing.
10. O tree, release thy yield to the gods; Fire the achiever of the work speeds the offering on its way. It is he who does worship as the priest of the call, the more true in his act because he knows the birth of the gods.
--
births, holds the Hero-energy, he ever grows.
s k
--
1. This is the Fire that is lord of the Hero-energy and the great
felicity, lord of the wealth of the shining herds, and of good
--
on us the greatest and griefless wealth, full of the Herostrength, of progeny and of force.
cE5yo Ev
--
the strength of the Hero, nor to the absence of the Light,44
nor to the bondage,45 O son of force, put away from us the
--
2. Fire the knower wins the Hero-energies, wins the plenitudes
striving towards immortality. So do thou bring to us the
--
us the Hero-strength and good power of the Horse and the
ecstasy.
--
6. They by the treasure, by the Hero-strengths have conquered
Mandala Four
--
from thee come the riches that take the Hero's form to the
mortal giver who has the true thought.
--
Ray-Cows, the Son, the Heroes.
SUKTA 5
--
Ray-Cow, together rejoicing in the strength of the Heroes.
SASA
--
the giver of the hundreds the force of the Heroes. Uphold in
him a vast strength of battle like the ageless Sun in heaven.
--
11. O Fire, may we not dwell in the emptiness, nor in houses of men where there is no son3 and the Hero is not, but around thee may we dwell in homes where there is good progeny, O dweller in the home.
12. This is the eternal sacrifice to which there comes the Rider of the Horse, to our house full of progeny and good offspring, our house increasing with the self-born Son.
--
15. This is that Fire who guards those who would conquer, he protects from evil the man who sets him ablaze; the Heroes of the perfect birth move around him.
3 Or, where no remainder is left
--
strength of the Hero in us break us to pieces.
mA no a`n
--
9. O divine maker of forms who hast the utter rapture, cast upon us that supreme transcendence, cause of our growth, from which is born in us the Hero ever active with wise discernment, the seeker of the gods who sets to work the stone of the wine-pressing.
10. O tree, release thy yield to the gods; Fire the achiever of the work speeds the offering on its way. It is he who does worship as the priest of the call, the more true in his act because he knows the birth of the gods.
--
founds the ecstasy and the Heroic strength for the man who
performs the sacrifice for the giver.
--
7. High of fire may we be with your fires, O son of force, O lord of Energies! for thou hast the Hero-strength and thy desire is towards us.
8. As our friendly guest finding our expression for us Fire must be known, and as our chariot; in thee are all-accomplishing foundations of ease, thou art the king of the Treasures.
--
10. One for whom thou standest high exalted over his pilgrimsacrifice, he is a master and hero and accomplishes, - he conquers by the war-horses, by the luminous seers, by the Heroes, wins his work achieved.
11. He in whose house Fire, in whom are all desirable things, maintains his body and his affirming laud and his delight and the offerings, he occupies the field of his occupancy.
--
30. By thy guardings in which is the strength of the Heroes and the bringing of the plenitudes, he drives forward on his way with whom thou hast chosen friendship, O shining one.
31. The blue stream of thee with its cry is faithful to the law of its Truth, even as it is kindled it takes what is cast in it; thou art beloved of the great Dawns and thou shinest in the dwelling places of the night.
--
thousandfold wealth and the Hero-force.
a`n
--
1. Fire gives to us the Horse that carries the plenitude, Fire gives the Hero who has the inspired hearing and stands firm in the work; Fire ranges through earth and heaven revealing all things, Fire gives the Woman, the tenant of the city,21 from whose womb is born the Hero.
2. May there be a happy fuel for Fire at his labour, Fire enters into the great earth and heaven: Fire urges on one who is all alone in his battles, Fire cleaves asunder the multitude of the enemy.
--
4. May Fire in the Hero's shape give us the Treasure, may Fire give us the sage who wins the thousands; Fire has extended the offering in heaven, his are the planes upheld separately in many spaces.
5. Fire the sages with their utterances call to every side, to Fire men call who are opposed in their march, to Fire the Birds flying in mid-air; Fire encircles the thousands of the Ray-Cows.
--
in us the treasure in which are the Heroes and which wins
for us the plenitudes, - the treasure excellent36 and glorious
--
we be armed with the Heroes, holding more and more an
ever longer life.
--
forces that sustain the world, he gives us the Hero-energy.
j;qAZo a`n
--
riches glorious, (most) armed with the Heroes (to which most
are joined the Heroes).
460
30.01 - World-Literature, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
Here we find the pride of a particular nation displayed - the dangers and difficulties that had to be faced and the endeavours undergone to build the city of Rome. Here there is nothing expressly universal. But the poet has made use of these words in such a way that he does not seem to speak either about the city of Rome or obstacles and difficulties met with in building that city. This we forget in toto.There is a world-encompassing, stupendous and prodigious effort standing erect before our vision, before the eyes of the world. The city of Rome and the goddess Juno and the Hero Aeneas are mere symbols and excuses to express a great universal truth.
In a parallel manner, the epics of Dante and Milton have specifically dealt with the Christian ideas. To us, modern intellectuals and adorers of materia1 science most of the ideas of these two poets may seem not only grotesque but also superstitious - at least they will appear unfamiliar and strange. But once we cross the barrier of words and enter the realm of the spirit, leaving behind the outward theme, we are in contact with the inner soul and we come across something altogether different which is vast and intensely near and intimate to our own heart. Thus,
--
The son of Ravana. the Hero sovereign,
***
30.05 - Rhythm in Poetry, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
Somewhat similar to Bengali is the basic structure of the French metrical scheme, for French too makes no distinction of long and short vowels. In French as in Bengali the foot is based on a syllable-count, the caesura likewise follows the Bengali pattern. The payarin Bengali has an eight-six break, the basic division in French is six-six, making a total of twelve syllables in the line. This is the Alexandrine, corresponding in structure to the Heroic Couplet in English, as in the famous lines of Pope:
We call our fathers fools so wise we grow,
--
The whole of his epic, Ilion,again is in this metre. It is in Ilion that the hexameter form has been closely followed; for in Ahana,as in our payaror the Heroic couplet, in English, there is throughout rhyming at the end. This is how Ilionbegins:
Dawn in her/journey e/ternal com/pelling the/labour
30.09 - Lines of Tantra (Charyapada), #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
The world is as if a lake where lies hidden a lotus-stalk which is no other than the Cherished Deity of Kahnu. So we find him saying: "I shall churn the world-lake in Thy quest; it is like a prison-house, I shall break it and rescue Thee from there." This is as if one has to snatch away the Beloved Lady from the grasp of the enemy after a fierce fight. To claim and possess by sheer force heaven and its Deity - this is the Heroic way of the Hero-aspirant, vira-sadhaka.
Now look at another picture by another poet of this path. Here too taken as background is the daily life of the common man in his village environment:
3.01 - The Mercurial Fountain, #The Practice of Psycho therapy, #Carl Jung, #Psychology
more projected and the withdrawal of the projection into the Herowhich
in Fausts case turns him into a superman is only fleetingly hinted at.
3.02 - King and Queen, #The Practice of Psycho therapy, #Carl Jung, #Psychology
The two schemata agree in a remarkable way. In both cases the Hero
wins a bride who has something to do with magic or the world beyond.
3.02 - The Psychology of Rebirth, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
source. This is the familiar motif of the Hero's birth and need
not be documented here. 18 Anyone who knows the Bible will
--
self is the Hero, threatened already at birth by envious collective
forces; the jewel that is coveted by all and arouses jealous strife;
3.04 - Immersion in the Bath, #The Practice of Psycho therapy, #Carl Jung, #Psychology
hot in the belly of the whale that the Hero loses his hair, so the
philosophers suffer very much from the intense heat during their
confinement. the Hero-myths deal with rebirth and apocatastasis, and the
Visio likewise tells of the resuscitation of the dead Thabritius (Gabricus)
3.04 - LUNA, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[217] The moon with her antithetical nature is, in a sense, a prototype of individuation, a prefiguration of the self: she is the mother and spouse of the sun, who carries in the wind and the air the spagyric embryo conceived by the sun in her womb and belly.360 This image corresponds to the psychologem of the pregnant anima, whose child is the self, or is marked by the attri butes of the Hero. Just as the anima represents and personifies the collective unconscious, so Luna represents the six planets or spirits of the metals. Dorn says:
From Saturn, Mercury, Jupiter, Mars and Venus nothing and no other metal can arise except Luna [i.e., silver]. . . . For Luna consists of the six spiritual metals and their powers, of which each has two. . . . From the planet Mercury, from Aquarius and Gemini, or from Aquarius and Pisces, Luna has her liquidity [liquatio] and her white brightness . . ., from Jupiter, Sagittarius, and Taurus her white colour and her great stability in the fire . . ., from Mars, Cancer, and Aries her hardness and fine resonance . . ., from Venus, Gemini, and Libra her degree of solidity [coagulationis] and malleability . . ., from Sol, Leo, and Virgo her true purity and great endurance against the strength of the fire . . ., from Saturn, Virgo, and Scorpio, or from Capricorn, her homogeneous body, her pure cleanness [puram munditiem], and steadfastness against the force of the fire.361
3.05 - SAL, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[262] The recipe goes on to say that this symbolic vehicle should be immersed in the sea of the unconscious for the purpose of heating and incubation,486 corresponding to the state of tapas,487 incubation by means of self-heating. By this is obviously meant a state of introversion in which the unconscious content is brooded over and digested. During this operation all relations with the outside world are broken off; the feelers of perception and intuition, discrimination and valuation are withdrawn. The four wheels are placed upon the chariot: outside everything is quiet and still, but deep inside the psyche the wheels go on turning, performing those cyclic evolutions which bring the mandala of the total personality,488 the ground-plan of the self, closer to consciousness. But so long as consciousness has not completed the process of integration it is covered by the blackest dead sea, darkened by unconsciousness and oppressed by heat, as was the Hero in the belly of the whale during the night sea journey.489 Through the incubation the snake-like content is vapourized, literally sublimated, which amounts to saying that it is recognized and made an object of conscious discrimination.
[263] The evaporatio is followed by the desiccation of the surface, which then appears sandy and black. Here the imagery changes: the allusion to the subsiding flood means psychologically that the black blanket of unconsciousness hiding the nascent symbol is drawn away. Arena (sand) is defined as the pure substance of the stone,490 and accordingly the text describes the regenerated earth as a stone lacking all weight. The text does not explain just why it is weightless, but it is evident that nothing material, which alone has weight, is left over, and all that remains is the psychic content of the projection.
--
[297] Returning now to Michael Maiers journey to the seven mouths of the Nile, which signify the seven planets, we bring to this theme a deepened understanding of what the alchemists meant by ascent and descent. It was the freeing of the soul from the shackles of darkness, or unconsciousness; its ascent to heaven, the widening of consciousness; and finally its return to earth, to hard reality, in the form of the tincture or healing drink, endowed with the powers of the Above. What this means psychologically could be seen very clearly from the Hypnerotomachia565 were its meaning not overlaid by a mass of ornate detail. It should therefore be pointed out that the whole first part of the book is a description of the dreamers ascent to a world of gods and heroes, of his initiation into a Venus mystery, followed by the illumination and semi-apotheosis of Poliphilo and his Polia. In the second, smaller part this leads to disenchantment and the cooling off of the lovers, culminating in the knowledge that it was all only a dream. It is a descent to earth, to the reality of daily life, and it is not altogether clear whether the Hero managed to preserve in secret the nature of the heavenly centre which he acquired by the ascent.566 One rather doubts it. Nevertheless, his exciting adventure has left us a psychological document which is a perfect example of the course and the symbolism of the individuation process. The spirit, if not the language, of alchemy breathes through it and sheds light even on the darkest enigmas and riddles of the Masters.567
[298] Maiers journey through the planetary houses begins with Saturn, who is the coldest, heaviest, and most distant of the planets, the maleficus and abode of evil, the mysterious and sinister Senex (Old Man), and from there he ascends to the region of the sun, to look for the Boy Mercurius, the longed-for and long-sought goal of the adept. It is an ascent ever nearer to the sun, from darkness and cold to light and warmth, from old age to youth, from death to rebirth. But he has to go back along the way he came, for Mercurius is not to be found in the region of the sun but at the point from which he originally started. This sounds very psychological, and in fact life never goes forward except at the place where it has come to a standstill.568 The sought-for Mercurius is the spiritus vegetativus, a living spirit, whose nature it is to run through all the houses of the planets, i.e., the entire Zodiac. We could just as well say through the entire horoscope, or, since the horoscope is the chronometric equivalent of individual character, through all the characterological components of the personality. Individual character is, on the old view, the curse or blessing which the gods bestowed on the child at its birth in the form of favourable or unfavourable astrological aspects. The horoscope is like the chirographum, the handwriting of the ordinances against us . . . which Christ blotted out; and he took it out of the way, nailing it to his cross. And after having disarmed the principalities and powers he made a show of them openly, and triumphed over them.569
--
[300] I shall not go more closely here into the transitus through the planetary houses;573 it is sufficient to know that Michael Maier, like Mercurius, passes through them on his mystic journey.574 This journey is reminiscent of the voyage of the Hero, one motif of which becomes evident in the archetypal meeting at the critical place (the ford) with the Ortus, its head showing the four colours. There are other motifs too. Where there is a monster a beautiful maiden is not far away, for they have, as we know, a secret understanding so that the one is seldom found without the other. The sibyl, the guide of souls, shows the Hero the way to Mercurius, who in this case is Hermes Trismegistus, the supreme mystagogue.
[301] In the Shepherd of Hermas it is related that the Hero, while travelling along the Via Campana, met a monster resembling a dragon of the sea (
):
3.08 - The Mystery of Love, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
He is the friend, the adviser, helper, saviour in trouble and distress, the defender from enemies, the Hero who fights our
604
3.09 - The Return of the Soul, #The Practice of Psycho therapy, #Carl Jung, #Psychology
Rosencreutz, the Hero of the drama, is only a guest at the feast and, though
forbidden to do so, slips into the bedchamber of Venus in order to gaze
3.1.01 - The Problem of Suffering and Evil, #Letters On Yoga I, #Sri Aurobindo, #Integral Yoga
Power of consciousness, raising the terrestrial level, creating a new stratum, but the highest yet remain to descend and it is by their descent that the riddle of terrestrial existence will receive its solution and not only the soul but Nature herself find her deliverance. This is the Truth which has been seen in flashes, in more and more entirety of its terms by the line of seers whom the Tantra would call the Hero-seekers and the divine seekers and which may now be nearing the point of readiness for its full revelation and experience. Then whatever be the heavy weight of strife and suffering and darkness in the world, yet if there is this as its high result awaiting us, all that has gone before may not be counted too great a price by the strong and adventurous for the glory that is to come. At any rate the shadow lifts; there is a Divine Light that leans over the world and is not only a far-off incommunicable Lustre.
It is true that the problem still remains why all this that yet is should have been necessary - those crude beginnings, this long, dark and stormy passage - why should the heavy and tedious price be demanded, why should evil and suffering ever have been
3.2.02 - Yoga and Skill in Works, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
The idea of works, in the thought of the Gita, is the widest possible. All action of Nature in man is included, whether it be internal or external, operate in the mind or use the body, seem great or seem little. From the toil of the Hero to the toil of the cobbler, from the labour of the sage to the simple physical act of eating, all is included. The seeking of the Self by thought, the adoration of the Highest by the emotions of the heart, the gathering of means and material and capacity and the use of them for the service of God and man stand here on an equal footing. Buddha sitting under the Bo-tree and conquering the illumination, the ascetic silent and motionless in his cave, Shankara storming through India, debating with all men and preaching most actively the gospel of inaction are all from this point of view doing great and forceful work. But while the outward action may be the same, there is a great internal difference between the working of the ordinary man and the working of the Yogin, - a difference in the state of the being, a difference in the power and the faculty, a difference in the will and temperament.
What we do, arises out of what we are. The existent is conscious of what he is; that consciousness formulates itself as knowledge and power; works are the result of this twofold force of being in action. Mind, life and body can only operate out of that which is contained in the being of which they are forces.
32.06 - The Novel Alchemy, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
tamasa gudham agre,when all was inconscient ocean, apraketam salilam,when the dense unconsciousness of matter ruled at the beginning of creation, the first stirrings of the life-force that burst through this solid darkness took form as a pressure of deep and acute pain. It is this forceful impact of pain that shakes and breaks the dark foundations. It is through the many forms of suffering that inconscience and ignorance gradually become consciousness and knowledge. Finally, in man there awakens the spiritual urge under the blows of suffering, and it is in the transformation of suffering that the spiritual consciousness finds its growth. Not merely to escape from suffering but to transform it is the real problem and the greater achievement. What the poet calls "an escape from suffering in the midst of suffering" is the self-satisfaction of the martyr and patriot and soldier in annihilating self. This may be described as the way of the Heroic seeker, vira-bhava,but of a different nature is the work of the more godly seeker, devabhava.The latter no doubt has to pass through suffering, but he does not lose himself there, nor does he find his sole satisfaction in ending it. He crosses beyond suffering to another shore, through a tunnel as it were, and emerges into a laughter of light, a satisfaction of delight. The final end or significance lies not in the suffering itself nor even in the virtues of courage, ability, aspiration and steadfastness which are gained through or at the cost of suffering. Suffering is in reality a form of delight, although a distorted form of delight. A delight which is so keen as to become unbearable appears in the form 'of suffering. Again, enter into the inner unfathomable core of suffering and you will see and feel that it is not suffering but delight, the supreme form of delight, just as on piercing through the veil of the cosmic illusion one finds standing behind only the sole eternal Brahman.Death too is not the annihilation of the individual, not an end, but a change of-form and outward appearance. This change has been an inescapable necessity for further progress. At the final end, suffering ceases to exist, it too is transformed into delight. Death too ceases to be, it too finds its death; what remains is only immortality, an immortal life.
Chardin has been speaking of the gradual unfolding and realisation of a spiritual consciousness. It is a constant one-pointed upward movement, the being and consciousness of earth gradually moving higher and higher as a collective entity through a new creation that is growing more and more pure and integral. In this way this consciousness has been overpassing the limits of earth and the material universe and moves into a different kind of world, creates or becomes a different kind of world. It is as if a ball of fire throwing its tongues of flame as it breaks through the barrier of matter and soars up on high, and the more it grows immense and clear and attains its true form, the more it burns gradually to ashes with its massive concentration of heat whatever remains of the old creation. It seems that in the view of Chardin, the manifestation and establishment of an integral spirituality will one day set aflame the whole earth and the material body with its physical base. It is as if another world, but once it manifests here in full, its fiery energies will turn the old earth to ashes, perhaps reduce it to its primordial form. A school of scientists too hold the view that at the beginning of creation there was an infinite expanse of ether charged with intensely hot particles. The universe had neither cohesion nor a settled form, it was a gaseous nebula. And in its final end too it will have to go back to that formless state. The material world is simply a mould for the spirit. This mould or basis will be gradually rent asunder and broken and scattered before the reign of spirit manifests and establishes itself. Will it then be somewhat like the eruption of a volcano? The upward urge and movement of evolution is as if a volcanic peak slowly raising its head; as it grows in energy and heat within, the peak gets detached and is thrown into a liquid flood of lava which proclaims its flaming glory by sweeping aside and drowning and destroying all else; Will the old give place to the new and the unmanifest along these lines?
33.04 - Deoghar, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
other method, it would come inevitably and in a peaceful way, there would be no need for bloodshed. We got irritated and smiled at him with incredulity and even perhaps in derision. Englishmen would pack up their belongings and leave of their own accord without as much as a grumble, like thorough gentlemen, - this looked rather like a fairy tale if not "a tale told by an idiot". We were no Vaishnava devotee. We were Tantriks, worshippers of Kali. Our chosen deity was the Goddess of Death with her garl and of skulls. Ours was the Heroes' worship of strength.
We had long been singing the proud refrain:
Have the Hero-sons, O men,
Adorned the Mother's forehead
33.13 - My Professors, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
The phrase "Roman hand" occurs in Shakespeare's *Twelfth Night*(III. 4.48). the Hero receives a letter from his fiancee and can guess who the writer may be from the handwriting itself. He exclaims in joy, "I think we do know the sweet Roman hand." It seems I came under his special favour, somehow. Two of us once took part in a recitation competition. I do not now recall exactly what was the particular piece of which poet or dramatist. Very probably, it was from Scott's Lay of the Last Minstrel,the piece beginning:
***
34.03 - Hymn To Dawn, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
Luminous she leads forth the blissful truths. Daughter of Heaven she is hymned by the most enlightened: O Dawn, bestow upon us all the plenitudes of progeny and the Hero-power and the lifeforce-consciousness and the herd with the front of light.
(8)
3.5.02 - Thoughts and Glimpses, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
Wherefore he selected or made such a material, when he had all infinite possibility to choose from? Because of his divine Idea which saw before it not only beauty and sweetness and purity, but also force and will and greatness. Despise not force, nor hate it for the ugliness of some of its faces, nor think that love only is God. All perfect perfection must have something in it of the stuff of the Hero and even of the Titan. But the greatest force is born out of the greatest difficulty.
***
3 - Commentaries and Annotated Translations, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
Son. He is the Warrior and he brings to man the Heroes of his
battle. He destroys by his flame the Dasyu and the Rakshasa; he
--
the poet, the artist, the saint, the seer, the Hero, in all who have
any sort of communion with the divine Nature & draw from
4.01 - Introduction, #Mysterium Coniunctionis, #Carl Jung, #Psychology
Rank of the Viennese school {The Myth of the Birth of the Hero, orig. 1922). In
the Psychology of the Unconscious (orig. 1911; revised and expanded as Symbols
4.02 - The Psychology of the Child Archetype, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
wholly supernatural; the Hero's nature is human but raised to
the limit of the supernatural he is "semi-divine." While the
--
grated into a human being, the Hero's supernaturalness includes
human nature and thus represents a synthesis of the ("divine,"
--
miraculous deeds. This paradox is the essence of the Hero and
runs through his whole destiny like a red thread. He can cope
--
284 the Hero's main feat is to overcome the monster of darkness:
it is the long-hoped-for and expected triumph of consciousness
4.03 - The Special Phenomenology of the Child Archetype, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
typal forms of the Hero myth such as can be observed in almost
any individuation process.
4.04 - Conclusion, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
run true to the Hero myth. The theme of "mighty feats" is gen-
erally absent, but on the other hand the mythical dangers play
--
fication, this time with the Hero, whose role is attractive for a
variety of reasons. The identification is often extremely stub-
--
proportions, the figure of the Hero can gradually be differen-
tiated into a symbol of the self.
--
with overweening pretensions. The epiphany of the Hero (the
second identification) shows itself in a corresponding inflation:
--
favourable to the role of the Heroic sufferer (a negative infla-
tion). In spite of their contradictoriness, both forms are identi-
--
stars" were reflected. The old woman exhorted the Heroine to remember the duties
of a woman's life. In Tantric yoga an "indistinct hum of swarms of love-mad bees"
4.05 - THE DARK SIDE OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[481] It is an age-old mythological idea that the Hero, when the light of life is extinguished, goes on living as a snake and is worshipped as a snake.317 Another widespread primitive idea is the snake-form of the spirits of the dead. This may well have given rise to the worm version of the phoenix myth.
[482] In Amente, the Egyptian underworld, dwells the great seven-headed snake,318 and in the Christian underworld is the most celebrated snake of all, the devil, that old serpent. 319 Actually it is a pair of brothers that inhabit hell, namely death and the devil, the devil being characterized by the snake and death by worms. In old German the concepts of worm, snake, and dragon coalesce, as they do in Latin (vermis, serpens, draco). The underworld signifies hell320 and the grave.321 The worm or serpent is all-devouring death. The dragon-slayer is therefore always a conqueror of death. In Germanic mythology, too, hell is associated with worms. The Edda says:
--
[483] Like the Heroes and spirits of the dead, the gods too (particularly the earth-gods), are associated with the snake, as are Hermes and Asklepios.324 Indeed, the Greek god of healing, on being hatched from the egg, seems to have taken the form of a snake.325 An inscription on the temple of Hathor at Dendereh reads:326
The sun, who has existed from the beginning, rises up like a falcon out of the midst of his lotus-bud. When the doors of his petals open in sapphire-coloured splendour, he has sundered the night from the day. Thou risest up like the sacred snake as a living spirit, creating the beginnings and shining in thy glorious form in the barge of the sunrise. The divine Lord whose image dwells in secret in the temple at Dendereh is made the creator of the world by his work. Coming as one, he multiplies himself a millionfold when the light goes forth from him in the form of a child.327
4.08 - THE RELIGIOUS PROBLEM OF THE KINGS RENEWAL, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[519] The alchemical figure of the king has provoked this long discussion because it contains the whole of the Hero myth including the kingsand Godsrenewal, and on the other hand because, as we conjecture, it symbolizes the dominant that rules consciousness. King Sol is not a pleonasm; it denotes a consciousness which is not only conscious as such but is conscious in a quite special way. It is controlled and directed by a dominant that, in the last resort, is the arbiter of values. The sun is the common light of nature, but the king, the dominant, introduces the human element and brings man nearer to the sun, or the sun nearer to man.399
[520] Consciousness is renewed through its descent into the unconscious, whereby the two are joined. The renewed consciousness does not contain the unconscious but forms with it a totality symbolized by the son. But since father and son are of one being, and in alchemical language King Sol, representing the renewed consciousness, is the son, consciousness would be absolutely identical with the King as dominant. For the alchemists this difficulty did not exist, because the King was projected into a postulated substance and hence behaved merely as an object to the consciousness of the artifex. But if the projection is withdrawn by psychological criticism, we encounter the aforesaid difficulty that the renewed consciousness apparently coincides with the renewed king, or son. I have discussed the psychological aspect of this problem in the second of the Two Essays on Analytical Psychology, in the chapter on the mana personality. The difficulty cannot be resolved by purely logical argument but only by careful observation and analysis of the psychic state itself. Rather than launch out into a detailed discussion of case-histories I would prefer to recall the well-known words of Paul, I live, yet not I, but Christ liveth in me (Gal. 2 : 20), which aptly describe the peculiar nature of this state. From this we can see that that other, earlier state, when the king aged and disappeared, is marked by a consciousness in which a critical ego knowingly took the place of the sick king, looking back to an earlier mythical time when this ego still felt absolutely dependent on a higher and mightier non-ego. The subsequent disappearance of the feeling of dependence and the simultaneous streng thening of criticism are felt as progress, enlightenment, liberation, indeed as redemption, although a one-sided and limited being has usurped the throne of a king. A personal ego seizes the reins of power to its own destruction; for mere egohood, despite possessing an anima rationalis, is not even sufficient for the guidance of personal life, let alone for the guidance of men. For this purpose it always needs a mythical dominant, yet such a thing cannot simply be invented and then believed in. Contemplating our own times we must say that though the need for an effective dominant was realized to a large extent, what was offered was nothing more than an arbitrary invention of the moment. The fact that it was also believed in goes to prove the gullibility and cluelessness of the public and at the same time the profoundly felt need for a spiritual authority transcending egohood. An authority of this kind is never the product of rational reflection or an invention of the moment, which always remains caught in the narrow circle of ego-bound consciousness; it springs from traditions whose roots go far deeper both historically and psychologically. Thus a real and essentially religious renewal can be based, for us, only on Christianity. The extremely radical reformation of Hinduism by the Buddha assimilated the traditional spirituality of India in its entirety and did not thrust a rootless novelty upon the world. It neither denied nor ignored the Hindu pantheon swarming with millions of gods, but boldly introduced Man, who before that had not been represented at all. Nor did Christ, regarded simply as a Jewish reformer, destroy the law, but made it, rather, into a matter of conviction. He likewise, as the regenerator of his age, set against the Greco-Roman pantheon and the speculations of the philosophers the figure of Man, not intending it as a contradiction but as the fulfilment of a mythologem that existed long before him the conception of the Anthropos with its complex Egyptian, Persian, and Hellenistic background.
4.0 - NOTES TO ZARATHUSTRA, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
call the Heroes of self-mastery good;
People call the absolute friend of truth good-, but they also call him
5.05 - THE OLD ADAM, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[603] The primary connection between image and instinct explains the interdependence of instinct and religion in the most general sense. These two spheres are in mutually compensatory relationship, and by instinct we must understand not merely Eros but everything that goes by the name of instinct.209 Religion on the primitive level means the psychic regulatory system that is coordinated with the dynamism of instinct. On a higher level this primary interdependence is sometimes lost, and then religion can easily become an antidote to instinct, whereupon the originally compensatory relationship degenerates into conflict, religion petrifies into formalism, and instinct is vitiated. A split of this kind is not due to a mere accident, nor is it a meaningless catastrophe. It lies rather in the nature of the evolutionary process itself, in the increasing extension and differentiation of consciousness. For just as there is no energy without the tension of opposites, so there can be no consciousness without the perception of differences. But any stronger emphasis of differences leads to polarity and finally to a conflict which maintains the necessary tension of opposites. This tension is needed on the one hand for increased energy production and on the other for the further differentiation of differences, both of which are indispensable requisites for the development of consciousness. But although this conflict is unquestionably useful it also has very evident disadvantages, which sometimes prove injurious. Then a counter-movement sets in, in the attempt to reconcile the conflicting parties. As this process has repeated itself countless times in the course of the many thousand years of conscious development, corresponding customs and rites have grown up for the purpose of bringing the opposites together. These reconciling procedures are rites performed by man, but their content is an act of help or reconciliation emanating from the divine sphere, whether in the present or in the past. Generally the rites are linked up with the original state of man and with events that took place in the age of the Heroes or ancestors. This is as a rule a defective state, or a situation of distress, which is helped by divine intervention, and the intervention is repeated in the rite. To take a simple example: When the rice will not grow, a member of the rice-totem clan builds himself a hut in the rice-field and tells the rice how it originally grew from the rice-ancestor. The rice then remembers its origin and starts growing again. The ritual anamnesis of the ancestor has the same effect as his intervention.
[604] The prime situation of distress consists either in a withdrawal of the favourable gods and the emergence of harmful ones, or in the alienation of the gods by mans negligence, folly, or sacrilege, or else (as in the Taoist view) in the separation210 of heaven and earth for unfathomable reasons, so that they can now come together again only if the wise man re-establishes Tao in himself by ritual meditation. In this way he brings his own heaven and earth into harmony.211
5.05 - The War, #Words Of Long Ago, #The Mother, #Integral Yoga
All those who go into the war zonea clearly defined zone from the point of view of the active influences and atmosphereare seized, carried away, impersonalised in a formidable current, as impetuous as a raging ocean. They are disindividualised, as it were, reduced to an elemental state, to the state of natural forces which, like the wind, the storm or the waters, accomplish their earthly work, moved by a Will of which they are unconscious. They are no longer men but masses that move and act; and even the innumerable instances which seem to spring from courage, from individual heroism, are yet akin to the Heroism of bees or antsalmost mechanical gestures, instinctive gesturesinduced in an isolated element by the collective consciousness of the genius of the race.
Discarding all mental constructions, sensing them to be poor and strengthless compared to the realising, destructive power at their command, they will be invincible instruments of the transforming Will; and until they have gone to the very end of their task nothing can possibly be attempted for future reconstructions.
5.1.01.1 - The Book of the Herald, #5.1.01 - Ilion, #unset, #Zen
Vain was the toil of the Heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
--
Leaving the battle already decided, leaving the Heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
--
Turned to his mighty future the Hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
--
Speak out my word to the Hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
--
So was it spoken, the Phthian challenge. Silent the Heroes
Looked back amazed on their past and into the night of their future.
--
Thinking not ever to war; but I dreamed of the shock of the Hero.
So might a poet inland who imagines the rumour of Ocean,
5.1.01.4 - The Book of Partings, #5.1.01 - Ilion, #unset, #Zen
But to Cresa the Hero answered, the son of Anchises:
Surely the gods protect, yet is Death too always mighty.
--
Eurus eagerly answered the Hero: Me rather, therefore,
Take to the fight with you; I will make war on the Greeks for my uncles;
--
None shall avail in the end, the coward shall die and the Hero.
Troy shall fall in her sin and her virtues shall not protect her;
--
And mid the Heroes who heard him laughter arose for a moment,
Yet with a sympathy stirred; they remembered the days of their childhood,
--
Cried with her voice like the call of heavens bugles waking the Heroes,
Blown by the lips of gold-haired Valkyries, Penthesilea.
--
Next Deiphobus drove and the Hero strong Aeneas,
Leading their numbers on. Behind them Dus and Polites,
5.1.01.5 - The Book of Achilles, #5.1.01 - Ilion, #unset, #Zen
And in the battle behind me thunder the Heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
--
Shuddered under his gaze and shrank from the voice of the Hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
--
Two are the Fates that stride with the Hero counting his exploits.
Over all earthly things the soul that is fearless is master,
--
Threshed by the flails of Fate; tis the soul of the Hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
5.1.01.6 - The Book of the Chieftains, #5.1.01 - Ilion, #unset, #Zen
Blood of the fall and anguish of flight when the Heroes are slaughtered,
Days without joy while we labour and see not the eyes of our parents,
--
Still have a living tongue for ingratitude but for the Hero.
Much to the man forgive who has saved his race and his country:
--
Tall from the spears of the north the Hero king Prothonor,
Prince in Cadmeian Thebes who with Leitus led on his thousands.
--
Thebes unconquered sons and the Hero chiefs of the northland.
Stern and persistent as Time or the seas and as deaf to affliction
--
Cross not the Heros will in his hour, Agamemnon Atrides,
Cross not the man whom the gods have chosen to work out their purpose
--
O not today nor now remember the faults of the Hero!
Follow him rather bravely and blindly as children their leader,
5.1.01.7 - The Book of the Woman, #5.1.01 - Ilion, #unset, #Zen
Known from far off, for he ran unhelmeted. High on the Hero
Sunlike smiled the golden Achilles and into the tent-space
--
But to the strength of Pelides the Hero Acirrous answered:
Response none make the Greeks to thy high-voiced message and challenge;
--
Opening the foemens ranks than the Hero stern Diomedes.
Noble that rugged heart, thy fathers friend and his fathers.
--
But to Briseis answered the Hero, mighty Pelides,
Holding her delicate hands like gathered flowers in his bosom,
5.1.01.8 - The Book of the Gods, #5.1.01 - Ilion, #unset, #Zen
Soon would the Hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
--
There with ambrosial secrecy veiled, admiring the Heroes
Strong and beautiful, might of the warring and glory of armour,
--
Though I have burned in the sight of the sage and the heart of the Hero,
Now is no nobler hymn for my ear than the clanging of metal,
5.1.01.9 - Book IX, #5.1.01 - Ilion, #unset, #Zen
He to Achilles car drew close and cried to the Hero:
Didst thou not promise a boon to me, son of Peleus and Thetis,
--
Paris beheld that dangerous spear and he cried to the Heroes:
See now where death on the Trojans comes in the speed of that war-car.
--
Zeus perhaps shall, blinded, forget to cover the Hero.
So as he spoke, the armies neared and they clashed in the mellay.
--
And from the left and the right the Heroes of Ilion gathered.
Dyus and Polites came and Eumachus threatened Achilles.
--
Butted and pushed through the cuirass and split the breast of the Hero.
Round in his car he spun, then putting his hands out before him,
--
Shaking the Heros heart with the vision that came to his eyeballs;
Silent he stared aghast and turned his ear to the war-din.
--
Bull-shouldered Taurons blows and the Hero Artavoruxes.
But in the centre fiercest the cry and the death and the fleeing.
--
Slain the Hero fell; his mighty limbs the spirit
Mightier released to the gods and it rose to the heavens of the noble.
--
Rest then! talk not again on the way with the Heroes of Hellas.
So delivered they hastened glad to the ranks of their brothers.
5.1.02 - Ahana, #Collected Poems, #Sri Aurobindo, #Integral Yoga
Acts of the Hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
5 - The Phenomenology of the Spirit in Fairytales, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
always appears when the Hero is in a hopeless and desperate
situation from which only profound reflection or a lucky idea
--
and external reasons, the Hero cannot accomplish this himself,
the knowledge needed to compensate the deficiency comes in
--
the boy, the Hero of the tale, could have thought out for him-
self. Having given way to the stress of emotion and simply run
--
gloomy situation of the Hero who has got himself into trouble,
or at least can give him such information as will help him on
--
the goal and points them out to the Hero. 20 He warns of dangers
to come and supplies the means of meeting them effectively. For
--
winged demon, and the Hero is charged with the task of getting
them to restore it to him. The old man has therefore lost part
--
hero's life. Eventually the Hero succeeds in killing his persistent
murderer, but in the struggle he also kills the one-sided old
--
the old man with the two lakes on his head lured the Hero and
his wife into the hut in order to satisfy his hunger, it may be
--
had to go out and look for them; and that the Hero was then
caught in a snow-storm in order to drive him into the arms of
--
sought, for in the end the Hero marries the king's daughter. The
36 ibid., pp. 177ft. ["The Son-in-Law from Abroad"].
--
as the raven. As soon as the Hero catches sight of him, the raven
begins to cry piteously and to complain of thirst, 44 and the
--
princess's master, the Hero has to intervene anew, to which end,
as we have seen, he filches the four-legged horse from the witch
--
that the Hero has to climb up to it with considerable effort. This
"upper" unconscious, however, is far from being a "supercon-
--
inferior function, which also manifests itself in the Hero as his
inquisitiveness and love of adventure. As the story unfolds, he
--
omission the Hero learns that the unconscious lets its creatures
go only at the cost of sacrifice. 51 The number 1 2 is presumably a
--
attempt of the Hero to gain possession of his soul through rob-
bery and violence. But the conquest of the soul is in reality a
--
sion of the four-legged horse the Hero steps right into the shoes
of the hunter and carries off the princess as well. The quaternity
--
the second case to the main function, namely to the Hero.
Hunter and hero are ultimately equated with one another, so
that the hunter's function is resolved in the Hero. As a matter of
fact, the Hero lies dormant in the hunter from the very begin-
ning, egging him on, with all the unmoral means at his dis-
--
play her into the Hero's hands against the hunter's will. On the
surface a furious conflict rages between them, but down below
--
directly the Hero succeeds in capturing the quaternity or in psy-
chological language, when he assimilates the inferior function
--
victory, the Hero sets his princess upon the three-legged steed
and together they ride away to her father's kingdom. From now
--
story. It bears the title "Maria Morevna." 54 the Hero of the
story is no swineherd, but Czarevitch Ivan. There is an interest-
--
moment when the Hero unlike his German counterpart gets
into the power of the evil spirit and is killed and dismembered
--
by Princess A, spouse of the Hero. As the fairytale rightly says,
she has been changed by witchcraft into the three-legged horse
--
440 1. Princess A is the anima 59 of the Hero. She rides that is,
possesses the three-legged horse, who is the shadow, the infe-
--
she has taken possession of the inferior half of the Hero's per-
sonality. She has caught him on his weak side, as so often hap-
--
we regarded the Hero and Princess A as two ordinary people.
But since it is a fairy-story played out mainly in the world of
--
as the Hero's anima. In that case the Hero has been wafted out
of the profane world through his encounter with the anima,
--
shadow of the Hero, for this is already taken up by the latter's
58 Cf. Symbols of Transformation, pp. 249-51, 277.
--
somehow connected with the Hero, since the latter gradually
puts himself in his shoes. Hence one could easily arrive at the
--
shadow of the Hero. But this supposition is contradicted by
the fact that the hunter stands for a formidable power which
extends not only to the Hero's anima but much further, namely
to the royal brother-sister pair of whose existence the Hero and
his anima have no notion, and who appear very much out of the
--
fact that these two are an undoubted counterpart of the Hero
and Princess A. They are connected with the latter also because
--
tual life. the Hero rides the stallion, characterized by the even
(feminine) number 4; Princess A rides the mare who has only
6.07 - THE MONOCOLUS, #Mysterium Coniunctionis, #Carl Jung, #Psychology
I am an infirm and weak old man, surnamed the dragon; therefore am I shut up in a cave, that I may be ransomed by the kingly crown. . . . A fiery sword inflicts great torments upon me; death makes weak my flesh and bones. . . . My soul and my spirit depart; a terrible poison, I am likened to the black raven, for that is the wages of sin; in dust and earth I lie, that out of Three may come One. O soul and spirit, leave me not, that I may see again the light of day, and the Hero of peace whom the whole world shall behold may arise from me.204
* * *
6.08 - THE CONTENT AND MEANING OF THE FIRST TWO STAGES, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[756] Naturally there is an enormous difference between an anticipated psychosis and a real one, but the difference is not always clearly perceived and this gives rise to uncertainty or even a fit of panic. Unlike a real psychosis, which comes on you and inundates you with uncontrollable fantasies irrupting from the unconscious, the judging attitude implies a voluntary involvement in those fantasy-processes which compensate the individual andin particular the collective situation of consciousness. The avowed purpose of this involvement is to integrate the statements of the unconscious, to assimilate their compensatory content, and thereby produce a whole meaning which alone makes life worth living and, for not a few people, possible at all. The reason why the involvement looks very like a psychosis is that the patient is integrating the same fantasy-material to which the insane person falls victim because he cannot integrate it but is swallowed up by it. In myths the Hero is the one who conquers the dragon, not the one who is devoured by it. And yet both have to deal with the same dragon. Also, he is no hero who never met the dragon, or who, if he once saw it, declared afterwards that he saw nothing. Equally, only one who has risked the fight with the dragon and is not overcome by it wins the hoard, the treasure hard to attain. He alone has a genuine claim to self-confidence, for he has faced the dark ground of his self and thereby has gained himself. This experience gives him faith and trust, the pistis in the ability of the self to sustain him, for everything that menaced him from inside he has made his own. He has acquired the right to believe that he will be able to overcome all future threats by the same means. He has arrived at an inner certainty which makes him capable of self-reliance, and attained what the alchemists called the unio mentalis.
[757] As a rule this state is represented pictorially by a mandala. Often such drawings contain clear allusions to the sky and the stars and therefore refer to something like the inner heaven, the firmament or Olympus of Paracelsus, the Microcosm. This, too, is that circular product, the caelum,224 which Dorn wanted to produce by assiduous rotary movements. Because it is not very likely that he ever manufactured this quintessence as a chemical body, and he himself nowhere asserts that he did, one must ask whether he really meant this chemical operation or rather, perhaps, the opus alchymicum in general, that is, the transmutation of Mercurius duplex under the synonym of the red and white wine,225 thus alluding at the same time to the opus ad rubeum et ad album. This seems to me more probable. At any rate some kind of laboratory work was meant. In this way Dorn shaped out his intuition of a mysterious centre preexistent in man, which at the same time represented a cosmos, i.e., a totality, while he himself remained conscious that he was portraying the self in matter. He completed the image of wholeness by the admixture of honey, magic herbs, and human blood, or their meaningful equivalents, just as a modern man does when he associates numerous symbolic attributes with his drawing of a mandala. Also, following the old Sabaean and Alexandrian models, Dorn drew the influence of the planets (stellae inferiores)or Tartarus and the mythological aspect of the underworldinto his quintessence, just as the patient does today.226
6.0 - Conscious, Unconscious, and Individuation, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
stance, the figure of the Hero 7 and of the wise old man, 8 to
name only two of the best known.
--
Rank, Otto. The Myth of the Birth of the Hero. Translated by
F. Robbins and Smith Ely Jelliffe. New York, 1952. (Original:
--
The Origin of the Hero (continued)
* Published 1961.
7.02 - Courage, #Words Of Long Ago, #The Mother, #Integral Yoga
I shall tell you the story of Vibhishan the Hero. He braved a danger that was greater than the danger of death: he braved the fury of a king and gave him the wise advice that others dared not voice.
The demon-king of Lanka was Ravana of the Ten Heads.
7.11 - Building and Destroying, #Words Of Long Ago, #The Mother, #Integral Yoga
I will give house, land and money to the Hero who will rid us of this demon, said the wealthy farmer.
For a long time no hero appeared, and the farmer asked the sages who lived on the mountain what he ought to do.
7.16 - Sympathy, #Words Of Long Ago, #The Mother, #Integral Yoga
When he rested and ate, his younger brother sat at his side and shared the meal. When the Hero went to the house of his Guru to study, he learnt the four Vedas as others might learn a game or a song. Having filled his mind with the Vedas and the Puranas, he had no wish to keep the sacred words in the secrecy of his heart. He taught them to his brother.
Just as kindness loves to share good knowledge, it also loves to share good news. For example, how great was Hanuman's joy when he could give joy to others. Listen:
--
Then there stood before him the monkey-king Hanuman, noble Hanuman who had served the Hero Rama so faithfully in the wars.
281
7 - Yoga of Sri Aurobindo, #unset, #Arthur C Clarke, #Fiction
was an extraordinary aviator and the Hero of many
victories. Nothing had happened to him at any time. But
9.99 - Glossary, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
Duryodhana: One of the Heroes of the Mahabharata, the chief rival of the Pandava brothers.
Dvaita: The philosophy of Dualism.
--
Rama(chandra): the Hero of the Ramayana, regarded by the Hindus as a Divine Incarnation.
Ramananda: A devotee of Sri Chaitanya.
Aeneid, #unset, #Arthur C Clarke, #Fiction
long, needless tears, when the Hero Helenus,
the son of Priam, with a crowd behind him,
--
Fate is opposed, the god makes deaf the Hero's
kind ears. As when, among the Alps, north winds
--
no less than this, the Hero; he is battered
on this side and on that by assiduous words;
--
the weapons of the Hero. He, the traitor,
has left them hanging in my wedding chamber.
--
his friend, as old as he is. But the Hero,
not checked and not to be delayed, returns
--
so do the Hero's two hands pummel, pound
at Dares, blow on blow, from every side.
--
of Agamemnon see the Hero and
his weapons glittering across the shadows,
--
that stone upon their shoulders. But the Hero,
anxious and running headlong, snatched the boulder;
Apology, #unset, #Arthur C Clarke, #Fiction
He would like to say a few words, while there is time, to those who would have acquitted him. He wishes them to know that the divine sign never interrupted him in the course of his defence; the reason of which, as he conjectures, is that the death to which he is going is a good and not an evil. For either death is a long sleep, the best of sleeps, or a journey to another world in which the souls of the dead are gathered together, and in which there may be a hope of seeing the Heroes of oldin which, too, there are just judges; and as all are immortal, there can be no fear of any one suffering death for his opinions.
Nothing evil can happen to the good man either in life or death, and his own death has been permitted by the gods, because it was better for him to depart; and therefore he forgives his judges because they have done him no harm, although they never meant to do him any good.
--
The second question, whether Plato meant to represent Socrates as braving or irritating his judges, must also be answered in the negative. His irony, his superiority, his audacity, regarding not the person of man, necessarily flow out of the loftiness of his situation. He is not acting a part upon a great occasion, but he is what he has been all his life long, a king of men. He would rather not appear insolent, if he could avoid it (ouch os authadizomenos touto lego). Neither is he desirous of hastening his own end, for life and death are simply indifferent to him. But such a defence as would be acceptable to his judges and might procure an acquittal, it is not in his nature to make. He will not say or do anything that might pervert the course of justice; he cannot have his tongue bound even in the throat of death. With his accusers he will only fence and play, as he had fenced with other improvers of youth, answering the Sophist according to his sophistry all his life long. He is serious when he is speaking of his own mission, which seems to distinguish him from all other reformers of mankind, and originates in an accident. The dedication of himself to the improvement of his fellow-citizens is not so remarkable as the ironical spirit in which he goes about doing good only in vindication of the credit of the oracle, and in the vain hope of finding a wiser man than himself. Yet this singular and almost accidental character of his mission agrees with the divine sign which, according to our notions, is equally accidental and irrational, and is nevertheless accepted by him as the guiding principle of his life. Socrates is nowhere represented to us as a freethinker or sceptic. There is no reason to doubt his sincerity when he speculates on the possibility of seeing and knowing the Heroes of the Trojan war in another world. On the other hand, his hope of immortality is uncertain;he also conceives of death as a long sleep (in this respect differing from the Phdo), and at last falls back on resignation to the divine will, and the certainty that no evil can happen to the good man either in life or death. His absolute truthfulness seems to hinder him from asserting positively more than this; and he makes no attempt to veil his ignorance in mythology and figures of speech. The gentleness of the first part of the speech contrasts with the aggravated, almost threatening, tone of the conclusion. He characteristically remarks that he will not speak as a rhetorician, that is to say, he will not make a regular defence such as Lysias or one of the orators might have composed for him, or, according to some accounts, did compose for him. But he first procures himself a hearing by conciliatory words. He does not attack the Sophists; for they were open to the same charges as himself; they were equally ridiculed by the Comic poets, and almost equally hateful to Anytus and Meletus. Yet incidentally the antagonism between Socrates and the Sophists is allowed to appear. He is poor and they are rich; his profession that he teaches nothing is opposed to their readiness to teach all things; his talking in the marketplace to their private instructions; his tarry-at-home life to their wandering from city to city. The tone which he assumes towards them is one of real friendliness, but also of concealed irony. Towards Anaxagoras, who had disappointed him in his hopes of learning about mind and nature, he shows a less kindly feeling, which is also the feeling of Plato in other passages (Laws). But Anaxagoras had been dead thirty years, and was beyond the reach of persecution.
It has been remarked that the prophecy of a new generation of teachers who would rebuke and exhort the Athenian people in harsher and more violent terms was, as far as we know, never fulfilled. No inference can be drawn from this circumstance as to the probability of the words attri buted to him having been actually uttered. They express the aspiration of the first martyr of philosophy, that he would leave behind him many followers, accompanied by the not unnatural feeling that they would be fiercer and more inconsiderate in their words when emancipated from his control.
--
Some one will say: And are you not ashamed, Socrates, of a course of life which is likely to bring you to an untimely end? To him I may fairly answer: There you are mistaken: a man who is good for anything ought not to calculate the chance of living or dying; he ought only to consider whether in doing anything he is doing right or wrongacting the part of a good man or of a bad. Whereas, upon your view, the Heroes who fell at Troy were not good for much, and the son of Thetis above all, who altogether despised danger in comparison with disgrace; and when he was so eager to slay Hector, his goddess mother said to him, that if he avenged his companion Patroclus, and slew Hector, he would die himselfFate, she said, in these or the like words, waits for you next after Hector; he, receiving this warning, utterly despised danger and death, and instead of fearing them, feared rather to live in dishonour, and not to avenge his friend. Let me die forthwith, he replies, and be avenged of my enemy, rather than abide here by the beaked ships, a laughing-stock and a burden of the earth. Had Achilles any thought of death and danger? For wherever a mans place is, whether the place which he has chosen or that in which he has been placed by a commander, there he ought to remain in the hour of danger; he should not think of death or of anything but of disgrace. And this, O men of Athens, is a true saying.
Strange, indeed, would be my conduct, O men of Athens, if I who, when I was ordered by the generals whom you chose to comm and me at Potidaea and Amphipolis and Delium, remained where they placed me, like any other man, facing deathif now, when, as I conceive and imagine, God orders me to fulfil the philosophers mission of searching into myself and other men, I were to desert my post through fear of death, or any other fear; that would indeed be strange, and I might justly be arraigned in court for denying the existence of the gods, if I disobeyed the oracle because I was afraid of death, fancying that I was wise when I was not wise. For the fear of death is indeed the pretence of wisdom, and not real wisdom, being a pretence of knowing the unknown; and no one knows whether death, which men in their fear apprehend to be the greatest evil, may not be the greatest good. Is not this ignorance of a disgraceful sort, the ignorance which is the conceit that a man knows what he does not know? And in this respect only I believe myself to differ from men in general, and may perhaps claim to be wiser than they are:that whereas I know but little of the world below, I do not suppose that I know: but I do know that injustice and disobedience to a better, whether God or man, is evil and dishonourable, and I will never fear or avoid a possible good rather than a certain evil. And therefore if you let me go now, and are not convinced by Anytus, who said that since I had been prosecuted I must be put to death; (or if not that I ought never to have been prosecuted at all); and that if I escape now, your sons will all be utterly ruined by listening to my wordsif you say to me, Socrates, this time we will not mind Anytus, and you shall be let off, but upon one condition, that you are not to enquire and speculate in this way any more, and that if you are caught doing so again you shall die;if this was the condition on which you let me go, I should reply: Men of Athens, I honour and love you; but I shall obey God rather than you, and while I have life and strength I shall never cease from the practice and teaching of philosophy, exhorting any one whom I meet and saying to him after my manner: You, my friend,a citizen of the great and mighty and wise city of Athens,are you not ashamed of heaping up the greatest amount of money and honour and reputation, and caring so little about wisdom and truth and the greatest improvement of the soul, which you never regard or heed at all? And if the person with whom I am arguing, says: Yes, but I do care; then I do not leave him or let him go at once; but I proceed to interrogate and examine and cross-examine him, and if I think that he has no virtue in him, but only says that he has, I reproach him with undervaluing the greater, and overvaluing the less. And I shall repeat the same words to every one whom I meet, young and old, citizen and alien, but especially to the citizens, inasmuch as they are my brethren. For know that this is the comm and of God; and I believe that no greater good has ever happened in the state than my service to the God. For I do nothing but go about persuading you all, old and young alike, not to take thought for your persons or your properties, but first and chiefly to care about the greatest improvement of the soul. I tell you that virtue is not given by money, but that from virtue comes money and every other good of man, public as well as private. This is my teaching, and if this is the doctrine which corrupts the youth, I am a mischievous person. But if any one says that this is not my teaching, he is speaking an untruth. Wherefore, O men of Athens, I say to you, do as Anytus bids or not as Anytus bids, and either acquit me or not; but whichever you do, understand that I shall never alter my ways, not even if I have to die many times.
Book 1 - The Council of the Gods, #The Odyssey, #Homer, #Mythology
Perchance the Hero might return to chase
From all his palace that imperious herd,
--
the Hero old Laertes will avouch,
Of whom, I learn, that he frequents no more
BOOK II. - A review of the calamities suffered by the Romans before the time of Christ, showing that their gods had plunged them into corruption and vice, #City of God, #Saint Augustine of Hippo, #Christianity
This philosopher, Plato, has been elevated by Labeo to the rank of a demigod, and set thus upon a level with such as Hercules and Romulus. Labeo ranks demigods higher than heroes, but both he counts among the deities. But I have no doubt that he thinks this man whom he reckons a demigod worthy of greater respect not only than the Heroes, but also than the gods themselves. The laws of the Romans and the speculations of Plato have this resemblance, that the latter pronounces a wholesale condemnation of poetical fictions, while the former restrain the licence of satire, at least so far as men are the objects of it. Plato will not suffer poets even to dwell in his city: the laws of Rome prohibit actors from being enrolled as citizens; and if they had not feared to offend the gods who had asked the services of the players, they would in all likelihood have banished them altogether. It is obvious, therefore, that the Romans could not receive, nor reasonably expect to receive, laws for the regulation of their conduct from their gods, since the laws they themselves enacted far surpassed and put to shame the morality of the gods. The gods demand stage-plays in their own honour; the Romans exclude the players from all civic honours:[101] the former commanded that they should be celebrated by the scenic representation[Pg 65] of their own disgrace; the latter commanded that no poet should dare to blemish the reputation of any citizen. But that demigod Plato resisted the lust of such gods as these, and showed the Romans what their genius had left incomplete; for he absolutely excluded poets from his ideal state, whether they composed fictions with no regard to truth, or set the worst possible examples before wretched men under the guise of divine actions. We for our part, indeed, reckon Plato neither a god nor a demigod; we would not even compare him to any of God's holy angels, nor to the truth-speaking prophets, nor to any of the apostles or martyrs of Christ, nay, not to any faithful Christian man. The reason of this opinion of ours we will, God prospering us, render in its own place. Nevertheless, since they wish him to be considered a demigod, we think he certainly is more entitled to that rank, and is every way superior, if not to Hercules and Romulus (though no historian could ever narrate nor any poet sing of him that he had killed his brother, or committed any crime), yet certainly to Priapus, or a Cynocephalus,[102] or the Fever,[103]divinities whom the Romans have partly received from foreigners, and partly consecrated by home-grown rites. How, then, could gods such as these be expected to promulgate good and wholesome laws, either for the prevention of moral and social evils, or for their eradication where they had already sprung up?gods who used their influence even to sow and cherish profligacy, by appointing that deeds truly or falsely ascribed to them should be published to the people by means of theatrical exhibitions, and by thus gratuitously fanning the flame of human lust with the breath of a seemingly divine approbation. In vain does Cicero, speaking of poets, exclaim against this state of things in these words: "When the plaudits and acclamation of the people, who sit as infallible judges, are won by the poets, what darkness benights the mind, what fears invade, what passions inflame it!"[104]
[Pg 66]
BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
the DYNASTIES OF THE GODS, that of demi-gods, and of the Heroes, or giants. These "three
dynasties" are the three Races.**
--
Introduction) . . . "the latter place before the reign of Kings, that of the Heroes and demi-gods; and still
earlier and beyond they place the marvellous reign of the gods and all the fables of the golden age. . . .
--
If we reflect upon the serial development of the allegory, and the character of the Heroes, the mystery
may be unriddled. KRONOS is of course "time" in its cyclic course. He swallows his children -- the
BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
the cycle of the Heroes of the Fourth Race, and, though a "sage" in the sight of the latter, must have
been a profligate in the opinion of the pastoral Cyclopes.**** His adventure with the latter -- a savage
BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
predestined from the moment of their birth, to ape while dishonouring it, the nativity of the Hero, who
was quite God, before whom the whole earth had to bow; we traced them being born as he was, from
--
peaks. The truth is that Atlas, "the mountain of the gods," and also the Hero of that name, are the
esoteric symbols of the Fourth Race, and his seven daughters, the Atlantides, are the symbols of its
--
and in the day of Pausanias the slime which the Hero had used for this purpose was still shown in
Phocea (Paus. x, 4, 4). "On several archaic monuments one still sees Prometheus modelling a human
--
The name of this second ancestor and generator is Phoroneus, the Hero of an ancient poem, now
unfortunately no longer extant -- the Phoronidae. His legend was localized in Argolis, where a
BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
reach from Satyayuga (the first stage) to the Heroic period, these Manus or Rishis become 21 in
number.
BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
. . I speak of the genii, for I hold they dwell with us, and of the Heroes who dwell above us, between
the earth and the highest airs; wherein are neither clouds nor any tempest" (p. 84).
BOOK I. -- PART II. THE EVOLUTION OF SYMBOLISM IN ITS APPROXIMATE ORDER, #The Secret Doctrine, #H P Blavatsky, #Theosophy
human -- the Heroes and the Manoushi.
At present, however, we are only concerned with the pre-cosmic, divine gods, the Prajapati or the
Book of Genesis, #The Bible, #Anonymous, #Various
When human beings began to increase in number on the earth and daughters were born to them, 2 the sons of God saw that the daughters of humans were beautiful, and they married any of them they chose. 3 Then the Lord said, My Spirit will not contend with humans forever, for they are mortal; their days will be a hundred and twenty years. 4 The Nephilim were on the earth in those days and also afterward when the sons of God went to the daughters of humans and had children by them. They were the Heroes of old, men of renown.
Warning of the Flood
Book of Imaginary Beings (text), #unset, #Arthur C Clarke, #Fiction
Simplicissimus (). In the midst of a wood, the Hero
comes upon a stone statue which seems to him an idol from
--
leaves the Hero his instructions. Baldanders adds that his
emblem (like that of the Turk, and with more right to it than
--
the labyrinths corridors; the Hero killed the Minotaur and
was able to escape from the maze.
--
tells him that his duty lies in soothing the unhappy. the Hero
grants her a night. The Buddha, meditating under a fig tree,
--
cannot do without his home in the hills, nor the Heron without his marsh, nor the owl without his ruins. But finally,
certain of them set out on the perilous venture; they cross
BOOK XIV. - Of the punishment and results of mans first sin, and of the propagation of man without lust, #City of God, #Saint Augustine of Hippo, #Christianity
But so far as regards this question of mental perturbations, we have answered these philosophers in the ninth book[50] of this work, showing that it is rather a verbal than a real dispute, and that they seek contention rather than truth. Among ourselves, according to the sacred Scriptures and sound doctrine, the citizens of the holy city of God, who live according to God in the pilgrimage of this life, both fear and desire, and grieve and rejoice. And because their love is[Pg 16] rightly placed, all these affections of theirs are right. They fear eternal punishment, they desire eternal life; they grieve because they themselves groan within themselves, waiting for the adoption, the redemption of their body;[51] they rejoice in hope, because there "shall be brought to pass the saying that is written, Death is swallowed up in victory."[52] In like manner they fear to sin, they desire to persevere; they grieve in sin, they rejoice in good works. They fear to sin, because they hear that "because iniquity shall abound, the love of many shall wax cold."[53] They desire to persevere, because they hear that it is written, "He that endureth to the end shall be saved."[54] They grieve for sin, hearing that "If we say that we have no sin, we deceive ourselves, and the truth is not in us."[55] They rejoice in good works, because they hear that "the Lord loveth a cheerful giver."[56] In like manner, according as they are strong or weak, they fear or desire to be tempted, grieve or rejoice in temptation. They fear to be tempted, because they hear the injunction, "If a man be overtaken in a fault, ye which are spiritual restore such an one in the spirit of meekness; considering thyself, lest thou also be tempted."[57] They desire to be tempted, because they hear one of the Heroes of the city of God saying, "Examine me, O Lord, and tempt me: try my reins and my heart."[58] They grieve in temptations, because they see Peter weeping;[59] they rejoice in temptations, because they hear James saying, "My brethren, count it all joy when ye fall into divers temptations."[60]
And not only on their own account do they experience these emotions, but also on account of those whose deliverance they desire and whose perdition they fear, and whose loss or salvation affects them with grief or with joy. For if we who have come into the Church from among the Gentiles may suitably instance that noble and mighty hero who glories in his infirmities, the teacher (doctor) of the nations in faith and truth, who also laboured more than all his fellow-apostles, and instructed the tribes of God's people by his[Pg 17] epistles, which edified not only those of his own time, but all those who were to be gathered in,that hero, I say, and athlete of Christ, instructed by Him, anointed of His Spirit, crucified with Him, glorious in Him, lawfully maintaining a great conflict on the theatre of this world, and being made a spectacle to angels and men,[61] and pressing onwards for the prize of his high calling,[62]very joyfully do we with the eyes of faith behold him rejoicing with them that rejoice, and weeping with them that weep;[63] though hampered by fightings without and fears within;[64] desiring to depart and to be with Christ;[65] longing to see the Romans, that he might have some fruit among them as among other Gentiles;[66] being jealous over the Corinthians, and fearing in that jealousy lest their minds should be corrupted from the chastity that is in Christ;[67] having great heaviness and continual sorrow of heart for the Israelites,[68] because they, being ignorant of God's righteousness, and going about to establish their own righteousness, have not submitted themselves unto the righteousness of God;[69] and expressing not only his sorrow, but bitter lamentation over some who had formally sinned and had not repented of their uncleanness and fornications.[70]
BOOK X. - Porphyrys doctrine of redemption, #City of God, #Saint Augustine of Hippo, #Christianity
The power delegated to the demons at certain appointed and well-adjusted seasons, that they may give expression to their hostility to the city of God by stirring up against it the men who are under their influence, and may not only receive sacrifice from those who willingly offer it, but may also extort it from the unwilling by violent persecution;this power is found to be not merely harmless, but even useful to the Church, completing as it does the number of martyrs, whom the city of God esteems as all the more illustrious and honoured citizens, because they have striven even to blood against the sin of impiety. If the ordinary language of the Church allowed it, we might more elegantly call these men our heroes. For this name is said to be derived from Juno, who in Greek is called Hr, and hence, according to the Greek myths, one of her sons was called Heros. And these fables mystically signified that Juno was mistress of the air, which they suppose to be inhabited by the demons and the Heroes, understanding by heroes the souls of the well-deserving dead. But for a quite opposite reason would we call our martyrs heroes,supposing, as I said, that the usage of ecclesiastical language would admit of it,not because they lived along with the demons in the air, but because they conquered these demons or powers of the air, and among them Juno herself, be she what she may, not[Pg 412] unsuitably represented, as she commonly is by the poets, as hostile to virtue, and jealous of men of mark aspiring to the heavens. Virgil, however, unhappily gives way, and yields to her; for, though he represents her as saying, "I am conquered by neas,"[409] Helenus gives neas himself this religious advice:
"Pay vows to Juno: overbear Her queenly soul with gift and prayer."[410]
Cratylus, #unset, #Arthur C Clarke, #Fiction
Soc. Do you not know that the Heroes are demigods?
Her. What then?
--
slight alteration of Eros, from whom the Heroes sprang: either this is
the meaning, or, if not this, then they must have been skilful as
--
the Attic dialect the Heroes turn out to be rhetoricians and
questioners. All this is easy enough; the noble breed of heroes are
Gorgias, #unset, #Arthur C Clarke, #Fiction
SOCRATES: No, by the Hero Zethus, Callicles, by whose aid you were just now saying many ironical things against me, I am not:tell me, then, whom you mean, by the better?
CALLICLES: I mean the more excellent.
--
SOCRATES: Nay, the view is yours, after what you have admitted. Take the case of Cimon again. Did not the very persons whom he was serving ostracize him, in order that they might not hear his voice for ten years? and they did just the same to Themistocles, adding the penalty of exile; and they voted that Miltiades, the Hero of Marathon, should be thrown into the pit of death, and he was only saved by the Prytanis. And yet, if they had been really good men, as you say, these things would never have happened to them. For the good charioteers are not those who at first keep their place, and then, when they have broken-in their horses, and themselves become better charioteers, are thrown outthat is not the way either in charioteering or in any profession.What do you think?
CALLICLES: I should think not.
Guru Granth Sahib first part, #unset, #Arthur C Clarke, #Fiction
Listening-the Siddhas, the spiritual teachers, the Heroic warriors, the yogic masters.
Listening-the earth, its support and the Akaashic ethers.
Liber 111 - The Book of Wisdom - LIBER ALEPH VEL CXI, #unset, #Arthur C Clarke, #Fiction
Not Sleep, not Rest, not Contentment are of the Will of the Hero, but
these Things he hateth, and consenteth to enjoy them only with Same of
Maps of Meaning text, #Maps of Meaning, #Jordan Peterson, #Psychology
5.1. Introduction: the Hero and the Adversary _________________________________________________ 244
5.2. The Adversary: Emergence, Development and Representation _________________________________ 247
--
5.3.1. The Creative Illness and the Hero _______________________________________________________
5.3.2. The Alchemical Procedure and the Philosophers Stone ______________________________________
MoM References, #unset, #Arthur C Clarke, #Fiction
Campbell, J. (1968). the Hero with a thousand faces. Princeton: Princeton University Press.
Campbell, J. (1973). Myths to live by. New York: Bantam Books.
r1912 07 03, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
The siddhis of power have also begun their decisive action but less perfectly than the trikaldrishti of prakamya and vyapti. There are four tendencies that prevent its proper action & effectuality; (1) the tendency to miss the object of the prayoga, as when Pallas Athene turns the shafts from the Hero of her preference, so that the aishwarya or vashita does not act upon it at all; (2) the tendency because of habit, previous purpose or tendency or mere recalcitrance to a novel suggestion to pay no heed to it, to shake off the shaft of suggestion from the mental body & go on ones way, if one is in motion or remain firm, if static, as if the suggestion had not reached; by the sukshmadrishti or by some involuntary movement the hitting of the mark by the force aimed at it can be discerned; (3) the tendency to confusion in the mental current of suggestion & mechanical opposition in the body leading to delay of obedience or deviation from the time, place & circumstance enjoined; (4) the tendency for adverse circumstance to interfere & divert the faultless or generally successful fulfilment begun. However, the frequency of obedience & frequent exactness of the action show the emergence of the successful Shakti. It is notable that both these activities are confined in their success for the most part to the immediate happenings around me of a trifling nature. In the rest there is only a general pressure and ultimate success and a capricious success in details. The therapeutic power has evidently gained in force.
The vijnanamaya articulate thought had established its free activity regardless of all doubt & opposition in the mind, but it had not decisively proved its truth & vijnanamaya nature by unvarying result in the objective & subjective happenings of Yoga & life; but this movement of proof has now powerfully commenced. Drishti is also preparing a decisive movement both in lipi & in crude rupa.
Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
with the help of the bride who is Sakti Herself. This is Virabhava, 'the way of the Hero'. But I never
practised it. Mine is the attitude of the 'child'.
Tablet 1 -, #The Epic of Gilgamesh, #Anonymous, #Various
he is the Hero, born of Uruk, the goring wild bull.
He walks out in front, the leader,
Tablets of Baha u llah text, #Tablets of Baha u llah, #Baha u llah, #Baha i
Consider Hippocrates, the physician. He was one of the eminent philosophers who believed in God and acknowledged His sovereignty. After him came Socrates who was indeed wise, accomplished and righteous. He practiced self-denial, repressed his appetites for selfish desires and turned away from material pleasures. He withdrew to the mountains where he dwelt in a cave. He dissuaded men from worshipping idols and taught them the way of God, the Lord of Mercy, until the ignorant rose up against him. They arrested him and put him to death in prison. Thus relateth to thee this swift-moving Pen. What a penetrating vision into philosophy this eminent man had! He is the most distinguished of all philosophers and was highly versed in wisdom. We testify that he is one of the Heroes in this field and an outstanding champion dedicated unto it. He had a profound knowledge of such sciences as were current amongst men as well as of those which were veiled from their minds. Methinks he drank one draught when the Most Great Ocean overflowed with gleaming and life-giving waters. He it is who perceived a unique, a tempered, and a pervasive nature in things, bearing the closest likeness to the human spirit, and he discovered this nature to be distinct from the substance of things in their refined form. He hath a special pronouncement on this weighty theme. Wert thou to ask from the worldly wise of this generation about this exposition, thou wouldst witness their incapacity to grasp it. Verily, thy Lord speaketh the truth but most people comprehend not.
147
Talks With Sri Aurobindo 1, #unset, #Arthur C Clarke, #Fiction
NIRODBARAN: I have read a novel where the Heroan artisthas been depicted as unconsciously seeking for the Divine through human love but every fresh contact or relation seems to disillusion him because he finds jealously, pettiness, etc. coming in. Could it be said it was really a seeking or
was it merely a vital play?
--
NIRODBARAN: J's, There the Hero has been represented in that light and turned
towards the Divine at the end.
--
SRI AUROBINDO: What is Western about this attitude of the Heroine? If there is
one thing the Europeans like in India, it is the Taj.
NIRODBARAN: I don't mean the architectural beauty. What the Heroine ridicules
is the ideal of immortal love.
--
even if that person is deadit is this that the Heroine can't bear. Isn't this a
European attitude?
The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
At the time when John "Wilkes was the Hero of the poor and
lonely, an ill-wisher informed him gleefully: 'It seems that some of
--
instantly grows a new tentacle or head when the Hero has cut it off;
or the old woman in Raskolnikof 's dream who, after each stroke of
--
place the epics of chivalry, and in the sixteenth century the Heroic 'geste' turned
into *jest\
--
drine, arouse expectations of pathos, of the Heroic and exalted; the
pouring of homely, trivial contents into these epic moulds 'beautiful
--
flourished during the Heroic age of Greek science and was still partially
upheld by Epicureans such as Lucretius, went into a long period of
--
gathered from a scene in Disraeli's Tancred, in which the Heroine sings
the book's praises: 'You know, all is development. The principle is
--
ting heart, praying that the Hero should realize in time the deadly trap
set for him, is at the same time aware that the Hero is a shadow on the
screen. A day-dreamer like Thurber's Walter Mitty is aware of the
--
pattern was laid down in the three centuries of the Heroic age of Greek
science between Thales and Aristotle.
--
everything inventable already invented. the Heroic Age was guided
by the example of Prometheus stealing the fire of the gods; the
--
just in die nick of time to save the Hero should nevertheless go through
agonies of suspense, and display the corresponding hodily symptoms.
--
emotion from reason. the Hero, with whom the spectator has identi-
fied himself, cannot be debunked by slipping on a banana-skin or by any
--
follow the Hero through all viscissitudes. The abrupt change of situa-
tion which required an equally quick reorientation of the mind to a
--
parchment. The actor in his mask impersonated the Hero; the bard
imitated his voice; the printed book evokes the illusion that some-
--
the one repentant sinner) or to society, because the Hero's personal
scales of value deviate from the conventional. He must therefore either
--
perience, the Hero is made to realize the shallowness of his life, the
futility and frivolity of the daily pursuits of man in the trivial routines
--
world (Orpheus, Odysseus); or the Hero is cast to the bottom of a well
(Joseph), buried in a grave (Jesus), swallowed by a fish (Jonah); or he
--
which the Hero or heroine, who previously walked with self-assurance
on the smooth surface, seems to fall into a manhole with its lid off,
--
inflection of voice, an imploring gesture of the Heroine which, torn
from its context, remains engraved on one's memory. There exists,
--
were spent on the Heroic labours of its elaboration.
Darwin, as we have seen, was like Copernicus, essentially a one-
Theaetetus, #unset, #Arthur C Clarke, #Fiction
Theaetetus, the Hero of the battle of Corinth and of the dialogue, is a disciple of Theodorus, the great geometrician, whose science is thus indicated to be the propaedeutic to philosophy. An interest has been already excited about him by his approaching death, and now he is introduced to us anew by the praises of his master Theodorus. He is a youthful Socrates, and exhibits the same contrast of the fair soul and the ungainly face and frame, the Silenus mask and the god within, which are described in the Symposium. The picture which Theodorus gives of his courage and patience and intelligence and modesty is verified in the course of the dialogue. His courage is shown by his behaviour in the battle, and his other qualities shine forth as the argument proceeds. Socrates takes an evident delight in 'the wise Theaetetus,' who has more in him than 'many bearded men'; he is quite inspired by his answers. At first the youth is lost in wonder, and is almost too modest to speak, but, encouraged by Socrates, he rises to the occasion, and grows full of interest and enthusiasm about the great question. Like a youth, he has not finally made up his mind, and is very ready to follow the lead of Socrates, and to enter into each successive phase of the discussion which turns up. His great dialectical talent is shown in his power of drawing distinctions, and of foreseeing the consequences of his own answers. The enquiry about the nature of knowledge is not new to him; long ago he has felt the 'pang of philosophy,' and has experienced the youthful intoxication which is depicted in the Philebus. But he has hitherto been unable to make the transition from mathematics to metaphysics. He can form a general conception of square and oblong numbers, but he is unable to attain a similar expression of knowledge in the abstract. Yet at length he begins to recognize that there are universal conceptions of being, likeness, sameness, number, which the mind contemplates in herself, and with the help of Socrates is conducted from a theory of sense to a theory of ideas.
There is no reason to doubt that Theaetetus was a real person, whose name survived in the next generation. But neither can any importance be attached to the notices of him in Suidas and Proclus, which are probably based on the mention of him in Plato. According to a confused statement in Suidas, who mentions him twice over, first, as a pupil of Socrates, and then of Plato, he is said to have written the first work on the Five Solids. But no early authority cites the work, the invention of which may have been easily suggested by the division of roots, which Plato attri butes to him, and the allusion to the backward state of solid geometry in the Republic. At any rate, there is no occasion to recall him to life again after the battle of Corinth, in order that we may allow time for the completion of such a work (Muller). We may also remark that such a supposition entirely destroys the pathetic interest of the introduction.
--
2. The other difficulty is a more subtle, and also a more important one, because bearing on the general character of the Platonic dialogues. On a first reading of them, we are apt to imagine that the truth is only spoken by Socrates, who is never guilty of a fallacy himself, and is the great detector of the errors and fallacies of others. But this natural presumption is disturbed by the discovery that the Sophists are sometimes in the right and Socrates in the wrong. Like the Hero of a novel, he is not to be supposed always to represent the sentiments of the author. There are few modern readers who do not side with Protagoras, rather than with Socrates, in the dialogue which is called by his name. The Cratylus presents a similar difficulty: in his etymologies, as in the number of the State, we cannot tell how far Socrates is serious; for the Socratic irony will not allow him to distinguish between his real and his assumed wisdom. No one is the superior of the invincible Socrates in argument (except in the first part of the Parmenides, where he is introduced as a youth); but he is by no means supposed to be in possession of the whole truth. Arguments are often put into his mouth (compare Introduction to the Gorgias) which must have seemed quite as untenable to Plato as to a modern writer. In this dialogue a great part of the answer of Protagoras is just and sound; remarks are made by him on verbal criticism, and on the importance of understanding an opponent's meaning, which are conceived in the true spirit of philosophy. And the distinction which he is supposed to draw between Eristic and Dialectic, is really a criticism of Plato on himself and his own criticism of Protagoras.
The difficulty seems to arise from not attending to the dramatic character of the writings of Plato. There are two, or more, sides to questions; and these are parted among the different speakers. Sometimes one view or aspect of a question is made to predominate over the rest, as in the Gorgias or Sophist; but in other dialogues truth is divided, as in the Laches and Protagoras, and the interest of the piece consists in the contrast of opinions. The confusion caused by the irony of Socrates, who, if he is true to his character, cannot say anything of his own knowledge, is increased by the circumstance that in the Theaetetus and some other dialogues he is occasionally playing both parts himself, and even charging his own arguments with unfairness. In the Theaetetus he is designedly held back from arriving at a conclusion. For we cannot suppose that Plato conceived a definition of knowledge to be impossible. But this is his manner of approaching and surrounding a question. The lights which he throws on his subject are indirect, but they are not the less real for that. He has no intention of proving a thesis by a cut-and-dried argument; nor does he imagine that a great philosophical problem can be tied up within the limits of a definition. If he has analyzed a proposition or notion, even with the severity of an impossible logic, if half-truths have been compared by him with other half-truths, if he has cleared up or advanced popular ideas, or illustrated a new method, his aim has been sufficiently accomplished.
--
SOCRATES: And thus, after going a long way round, we are once more face to face with our original difficulty. the Hero of dialectic will retort upon us:'O my excellent friends, he will say, laughing, if a man knows the form of ignorance and the form of knowledge, can he think that one of them which he knows is the other which he knows? or, if he knows neither of them, can he think that the one which he knows not is another which he knows not? or, if he knows one and not the other, can he think the one which he knows to be the one which he does not know? or the one which he does not know to be the one which he knows? or will you tell me that there are other forms of knowledge which distinguish the right and wrong birds, and which the owner keeps in some other aviaries or graven on waxen blocks according to your foolish images, and which he may be said to know while he possesses them, even though he have them not at hand in his mind? And thus, in a perpetual circle, you will be compelled to go round and round, and you will make no progress.' What are we to say in reply, Theaetetus?
THEAETETUS: Indeed, Socrates, I do not know what we are to say.
The Coming Race Contents, #The Coming Race, #Nolini Kanta Gupta, #Integral Yoga
common thing in novels to find the Heroine.
75
--
idol or the Hero symbolises for us and for
those who so will,, the very iconoclasm and
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
had the Heroes of his Pantagruel accomplish.
(32) Translators Note: The antimony which sounds like antimony and also in French like Ane Timon or the
--
(12) The myth of the dragon and of the knight who attacks it, plays an important role in the Heroic or popular legends as well
as in the mythologies of all people. The Scandinavian tales as well as the Asian ones describe to us these exploits. In the
--
Zeus and that the Heroes also used it to enter into Mount Olympus. The path of St James is the starry road, accessible to the
elect ones, to the brave, knowledgeable, and persevering mortals.
--
attri butes we see her offer today. In Greek antiquity, the statues of Hercules, with the Heros
club and the Nemean lion skin, personified both physical and moral strength. As for the
the Eternal Wisdom, #unset, #Arthur C Clarke, #Fiction
45) He who suffers himself to be transported by the love of things on high, who drinks at the sources of eternal beauty, who lives by the Infinite and combats for the ideal of all virtue and all knowledge, who shows for that cult an enthusiasm pushed to a very fury,-he is the Hero. ~ Giordano Bruno
46) Holy Knowledge, by thee illumined, I hymn by thee the ideal light; I rejoice with the joy of the Intelligence. ~ Hermes: "On the Rebirth"
--
27) We shall labour to our last sigh, we shall never cease from contri buting to the common good, serving every individual, helping even our enemies, exercising our talents and our industry. We know not an age destined to repose and, like the Heroes of whom Virgil tells, our hair grows white under the helmet. ~ Seneca
Towards the Supramental Time Vision View Similar Concord
The Garden of Forking Paths 1, #Selected Fictions, #unset, #Zen
Such a publication was madness. The book is a shapeless mass of contradictory rough drafts. I examined it once upon a time: the Hero dies in the third chapter, while in the fourth he is alive. As for that other enterprise of Ts'ui Pen . . . his Labyrinth . . ."
"Here is the Labyrinth," Albert said, pointing to a tall, laquered writing cabinet.
--
me, in the last stage of a desperate adventure, on a Western island. I remember the final words, repeated at the end of each version like a secret command: "Thus the Heroes fought, with tranquil heart and bloody sword. They were resigned to killing and to dying."
At that moment I felt within me and around me something invisible and intangible pullulating. It was not the pullulation of two divergent, parallel, and finally converging armies, but an agitation more inaccessible, more intimate, prefigured by them in some way. Stephen Albert continued:
The Garden of Forking Paths 2, #Selected Fictions, #unset, #Zen
"We descendants of Ts'ui Pen," I replied, "continue to curse that monk. Their publication was senseless. The book is an indeterminate heap of contradictory drafts. I examined it once: in the third chapter the Hero dies, in the fourth he is alive. As for the other undertaking of Ts'ui Pen, his labyrinth. . ."
"Here is Ts'ui Pen's labyrinth," he said, indicating a tall lacquered desk.
--
His face, within the vivid circle of the lamplight, was unquestionably that of an old man, but with something unalterable about it, even immortal. He read with slow precision two versions of the same epic chapter. In the first, an army marches to a battle across a lonely mountain; the horror of the rocks and shadows makes the men undervalue their lives and they gain an easy victory. In the second, the same army traverses a palace where a great festival is taking place; the resplendent battle seems to them a continuation of the celebration and they win the victory. I listened with proper veneration to these ancient narratives, perhaps less admirable in themselves than the fact that they had been created by my blood and were being restored to me by a man of a remote empire, in the course of a desperate adventure, on a Western isle. I remember the last words, repeated in each version like a secret commandment: Thus fought the Heroes, tranquil their admirable hearts, violent their swords, resigned to kill and to die.
From that moment on, I felt about me and within my dark body an invisible, intangible swarming. Not the swarming of the divergent, parallel and finally coalescent armies, but a more inaccessible, more intimate agitation that they in some manner prefigured. Stephen Albert continued:
The Gospel According to Mark, #The Bible, #Anonymous, #Various
1 He entered again into a synagogue; and a man was there whose hand was withered. 2 They were watching Him to see if He would heal him on the Sabbath, so that they might accuse Him. 3 He said to the man with the withered hand, "Get up and come forward!" 4 And He said to them, "Is it lawful to do good or to do harm on the Sabbath, to save a life or to kill?" But they kept silent. 5 After looking around at them with anger, grieved at their hardness of heart, He said to the man, "Stretch out your hand." And he stretched it out, and his hand was restored. 6 The Pharisees went out and immediately began conspiring with the Herodians against Him, as to how they might destroy Him.
Cures by the Sea of Galilee
The Gospel According to Matthew, #The Bible, #Anonymous, #Various
15 Then the Pharisees went and took counsel how to entangle him in his talk. 16 And they sent their disciples to him, along with the Herodians, saying, "Teacher, we know that you are true, and teach the way of God truthfully, and care for no man; for you do not regard the position of men. 17 Tell us, then, what you think. Is it lawful to pay taxes to Caesar, or not?" 18 But Jesus, aware of their malice, said, "Why put me to the test, you hypocrites? 19 Show me the money for the tax." And they brought him a coin. 20 And Jesus said to them, "Whose likeness and inscription is this?" 21 They said, "Caesar's." Then he said to them, "Render therefore to Caesar the things that are Caesar's, and to God the things that are God's." 22 When they heard it, they marveled; and they left him and went away.
On the Resurrection of the Dead
The Riddle of this World, #unknown, #Unknown, #unset
would call the Hero-seekers and the divine-seekers and which may now
be nearing the point of readiness for its full revelation and experience.
Thus Spoke Zarathustra text, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
pictures commissioned by his sister. Her grandiose conception of the Heroic strikes us as childish and has provoked the reaction, understandably enough, that
Nietzsche was really a mere petit rentier. But perhaps
Wikipedia - Aristobulus Minor -- 1st century prince from the Herodian Dynasty
Wikipedia - Banished from the Heroes' Party -- Japanese light novel series
Wikipedia - Berenice (daughter of Herod Agrippa) -- 1st century CE member of the Herodian Dynasty that ruled the Roman province of Judaea
Wikipedia - Berenice (daughter of Mariamne) -- Member of the Herodian dyansty during the 1st century AD
Wikipedia - Cautious Hero: The Hero Is Overpowered but Overly Cautious -- Japanese light novel, manga, and anime series
Wikipedia - Conan the Hero -- Novel by Leonard Carpenter
Wikipedia - Fuzzy the Hero -- 1973 film
Wikipedia - Glorantha: Genertela, Crucible of the Hero Wars -- Fantasy tabletop role-playing game supplement
Wikipedia - Home Is the Hero -- 1959 film
Wikipedia - Jason and the Heroes of Mount Olympus -- Television series
Wikipedia - Jiraiya the Hero -- 1921 film
Wikipedia - List of Antarctic exploration ships from the Heroic Age, 1897-1922 -- Wikipedia list article
Wikipedia - List of The Heroic Legend of Arslan episodes -- Wikipedia list article
Wikipedia - Love Is the Hero -- 1986 single by Billy Squier
Wikipedia - Mistborn: The Hero of Ages -- 2008 fantasy novel by Brandon Sanderson
Wikipedia - On Heroes, Hero-Worship, and The Heroic in History -- 1841 book by Thomas Carlyle
Wikipedia - Osama the Hero -- Play written by Dennis Kelly
Wikipedia - Percy Jackson -- Fictional boy and demigod, protagonist of series Percy Jackson & the Olympians, The Heroes of Olympus and The Trials of Apollo
Wikipedia - Protest the Hero -- Canadian progressive metal band
Wikipedia - Search for the Hero -- 1995 single by M People
Wikipedia - Sven Tuuva the Hero -- 1958 film
Wikipedia - The Golden Fleece and the Heroes Who Lived Before Achilles -- Book by Padraic Colum
Wikipedia - The Hero (1917 film) -- 1917 film
Wikipedia - The Hero (1923 film) -- 1923 film
Wikipedia - The Heroes (1916 film) -- 1916 film
Wikipedia - The Heroes of Telemark -- 1965 film by Anthony Mann
Wikipedia - The Heroes of the Legion -- 1927 film
Wikipedia - The Heroic Age (journal)
Wikipedia - The Heroic Legend of Arslan -- Japanese novel series
Wikipedia - The Heroic Pioneers -- 1986 film
Wikipedia - The Heroin Busters -- 1977 film
Wikipedia - The Heroine of the Yangs -- Hong Kong television drama
Wikipedia - The Heroine -- Unfinished film directed by Orson Welles
Wikipedia - The Hero: Love Story of a Spy -- 2003 Indian spy thriller film directed by Anil Sharma
Wikipedia - The Hero of Every Girl's Dream -- 1929 film
Wikipedia - The Hero of Little Italy -- 1913 film
Wikipedia - The Hero of My Dreams -- 1960 film
Wikipedia - The Hero of the Hour -- 1917 film
Wikipedia - The Hero's Journey (book)
Wikipedia - The Hero's Journey (film)
Wikipedia - The Hero with a Thousand Faces -- 1948 book on comparative mythology by Joseph Campbell
Wikipedia - The Legend and the Hero 2 -- Television series
Wikipedia - Theme of the Traitor and the Hero
Wikipedia - The Myth of the Birth of the Hero -- Book by Otto Rank
Wikipedia - Too Young the Hero -- 1988 television film directed by Buzz Kulik
https://www.goodreads.com/book/show/1003819.The_Myth_of_the_Birth_of_the_Hero
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https://www.goodreads.com/book/show/22500646-the-hero-s-guide-complete-collection
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http://arslansenki.wikia.com/wiki/The_Heroic_Legend_of_Arslan_Wiki
https://religion.wikia.org/wiki/File:God_L_with_the_Hero_Twins.jpg
https://religion.wikia.org/wiki/Render_unto_Caesar...#The_Pharisees_and_the_Herodians
Integral World - Synchronicity and Self-Organization in Evolution: From Astrology to the Hero's Journey, Joe Corbett
In The Belly of The Whale: Joseph Campbell and The Hero’s Journey
You Are the Hero of Your Own Story
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/ShadowOfAnotherHero
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheCherokeeKid
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/FinalFantasyThe4HeroesOfLight
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/AnthemHero
https://en.wikiquote.org/wiki/My_Father_the_Hero_(1994_film)
Transformers (1984 - 1987) - In a distant corner of the universe, on the planet Cybertron, a war was fought between the heroic Autobots and the evil Decepticons, robots with the ability to transform themselves into vehicles and weapons.
Inhumanoids (1986 - 1986) - Mankind's abuse of the planet has led to the awakening of a group of huge ancient monsters with incredible power, the Inhumanoids. Now, mankind must do the best it can just to survive, and hope that with the help of the Earth Corps and the heroic Mutors (The Granites, Redwoods and Magnakor) can sav...
TUGS (1989 - 1990) - Two tugboat companies, The heroic Star Fleet run by Captain Star who was the narrator of the show and the villanous Z Stacks run by the devious Captain Zero.
Teknoman (1995 - 1996) - At the end of the 21st century, the earth was invaded by a horde of mutant Spidercrabs, under the control of the Venomoid warlord - Darkon! Even the heroic men & women of the Space Knights cannot defend the earth without the help of a mysterious man called Blade, who has the ability to transform int...
Inch High Private Eye (1973 - 1974) - INCH HIGH, "the world's biggest little detective," was the hero of Inch High, Private Eye, a 1972 Hanna Barbera cartoon for kids. He could shrink down to the height of one inch, thanks to the help of a secret shrinking formula. Unfortunately, the effects of the formula weren't reliable, and he would...
240-Robert (1979 - 1981) - 240-Robert was a television show that originally aired in 1979 on ABC-TV. It featured the heroic rescues of the Emergency Services Detail of the Los Angeles County Sheriff's Department.
Record of the Lodoss War/Record of the Lodoss War: Chronicles of the Heroic Knight (1990 - 1998) - Record of the Lodoss War is a fantasy anime OVA series based on a popular series of books in Japan called Replays (these books were transcripts of Dungeons & Dragons role-playing games sessions headed by Ryo Mizuno). These Replays would include other spin offs into regular novels, manga and various...
The Devil is a Part-Timer! (2013 - Current) - Striking fear into the hearts of mortals, the Demon Lord Satan begins to conquer the land of Ente Isla with his vast demon armies. However, while embarking on this brutal quest to take over the continent, his efforts are foiled by the hero Emilia, forcing Satan to make his swift retreat through a di...
Jason and the Heroes of Mount Olympus (2002 - 2002) - The mythological adventures of Jason and his best friend Mercury.
Loonatics Unleashed (2005 - 2007) - A futuristic version of Looney Tunes. Set in a future city called "Acmetropolis". The heroes are:
Dragon Quest (1989 - 1991) - Dragon Quest: Legend of the Hero Abel (
Chivalry of a Failed Knight (2015 - Current) - Rakudai Kishi no Kyabarurii, lit. The Heroic Tales of the Failure Knight) is a Japanese light novel series written by Riku Misora and illustrated by Won. The story is set in a fantasy world where the titular failed knight Ikki Kurogane meets Stella Vermillion who is considered a genius. The two make...
Superman (Fleischer Studios Shorts) (1941 - 1943) - Based on the popular and legendary DC Comics character, this was classic early animated adventures of Superman. Disguised as everyday reported, Clark Kent, in times of need he quickly dons the heroic alter ego know as Superman fighting for Truth, Justice and the American Way.
The Heroic Adventures of Super Zim-Zam (1983 - 1984) - Short-lived cartoon series
Masters of the Universe(1987) - Planet Eternia and Castle Greyskull are under threat from the evil Skeletor, who wants to take over the planet. A group of freedom fighters led by the heroic He-Man are accidentally transported to Earth by a mysterious Cosmic Key which holds the power to make Skeletor all-powerful. Once on Earth,...
Halloween 5: The Revenge Of Michael Myers(1989) - Fifth in the Halloween series and the fourth to feature the character of Michael Myers. It is close to Halloween 1989 and Jamie (the heroine of H4) is in Haddonfield's Children's Hospital after attacking her step-mother the year previously. She is being treated by Dr. Loomis with the aid of her step...
HOUSE(1986) - The hero of the story is Roger Cobb, played by William Katt (CARRIE, HOUSE IV, CYBORG 3, STRANGER BY NIGHT, THE PAPER BOY), William had just got off of a popular, though short lived TV series in the U.S. called Greatest American Hero (popular with audiences, but the writers ran out of ideas real qui...
Gargoyles: The Movie - The Heros Awaken(1994) - In 994 A.D., Goliath and the few remaining gargoyles help defend the Scottish castle where they live. In exchange the human occupants protect the gargoyles during the day, since they turn to stone from dawn to dusk. The gargoyles are put under a spell, and they remain in stone form for one thousand...
American Kickboxer 2(1993) - John Barrett, star of American Kickboxer 1 (1991), is nowhere to be found in American Kickboxer 2 (1993). In fact, much of the emphasis this time is not on the title character, but on the heroine. When her daughter is kidnapped, Kathy Shower calls upon the two most important men in her life. Those w...
A Chinese Ghost Story 3(1991) - This is the third in a series of movies featuring creatures from Chinese ghost stories. It begins with a scene from the first movie of the series, which shows the hero in an epic conflict with something called the Tree Devil, which has been put to sleep for a hundred years. Now it is "later," and th...
Phantom of the Mall: Eric's Revenge(1990) - The mayor of Midwood, California, Karen Wilton (Morgan Fairchild), is perplexed to discover that the mall she just ceremonially opened has become the favored hunting ground for a mass-murderer. The heroine of this would-be spoof is a young waitress (Kari Whitman). Could it be that the killer is real...
Nirvana(1997) - A computer virus endows Solo, the hero of a virtual reality game, with human consciousness thereby creating all kinds of headaches for his creator Jimi. The trouble begins in the futuristic metropolis of Northern Agglomerate three days before Christmas. With little time left, video-game designer Jim...
White Fang 2: Myth of the White Wolf(1994) - Disney filmed its version of the Jack London story in 1991 and followed with this sequel four years later. Besides the presence of a dog named White Fang and its setting in the Alaska Gold Rush days, the story bears no resemblance to London's original story. Jack Conroy (Ethan Hawke), the hero of th...
Operation Delta Force 4: Deep Fault(1999) - Marc Roper's action film Operation Delta Force IV: Deep Fault finds the heroic Delta Force attempting to recover scientists who have been kidnapped. During the mission, however, they learn of Project Zeus, and now must risk their lives before Zeus destroys the planet. The cast includes Justin Willia...
My Father the Hero(1994) - A 14-year-old New York girl goes to the Bahamas for vacation with her French father. She gives her dad a hard time because of his lack of attention over the years. When she becomes attracted to a boy who works at the hotel, she pretends that her father is her lover in order to impress him. The strat...
Too Late the Hero(1970) - A WWII film set on a Pacific island. Japanese and allied forces occupy different parts of the island. When a group of British soldiers are sent on a mission behind enemy lines, things don't go exactly to plan. This film differs in that some of the 'heroes' are very reluctant, but they come good when...
The Hero aka Bloomfield(1971) - Eitan, his yesterday's football hero waiting for tomorrow. A man who has nothing left but guts. He consults the unheroic prospects of having to find a new profession and having to face a loving woman who doesn't understand his problems.
Stryker(1983) - The world's water supply has dried up due to some sort of apocalypse. A beautiful woman holds the secret to where one of the last springs being guarded by a group of Amazons. A "Road Warrior" like crew captures her and tries to make her talk through brutal torture. The hero unites with some of the r...
Resident Evil: Extinction(2007) - Resident Evil: Extinction is a 2007 British-Canadian science fiction action horror film and the third installment in the Resident Evil film series based on the Capcom survival horror series Resident Evil. The film follows the heroine Alice, along with a group of survivors from Raccoon City, as they...
The Dictator(2012) - The heroic story of a dictator who risks his life to ensure that democracy would never come to the country he so lovingly oppressed.
Carlito's Way: Rise To Power(2005) - In the late 1960s, Carlito Brigante emerges as the heroin czar of Harlem.
A Taste Of Hell(1973) - An explosive war epic depicting the heroic stand for patriotism from the hills down to the devastated countryside.
https://myanimelist.net/anime/34032/King_of_Prism__Pride_the_Hero --
Beast Wars: Transformers ::: TV-Y7 | 30min | Animation, Action, Sci-Fi | TV Series (19961999) -- The Transformers' war continues in an older time, through a new generation. On pliocenic Earth, the heroic Maximals and the evil Predacons battle for survival against each other and against a violent planet. Stars:
Cautious Hero: The Hero Is Overpowered but Overly Cautious ::: Shinch ysha ~ kono ysha ga ore TUEEE kuse ni shinch sugiru ~ (original tit ::: TV-14 | 23min | Animation, Action, Adventure | TV Series (2019- ) Episode Guide 12 episodes Cautious Hero: The Hero Is Overpowered but Overly Cautious Poster The goddess Rista summons a hero to help her hard mode video game-like world. The hero, Seiya, is exceptional in every way, but he is incredibly cautious. He does things like buy three sets... S Stars:
Peter Pan (1953) ::: 7.3/10 -- G | 1h 17min | Animation, Adventure, Family | 5 February 1953 (USA) -- Wendy and her brothers are whisked away to the magical world of Neverland with the hero of their stories, Peter Pan. Directors: Clyde Geronimi, Wilfred Jackson | 2 more credits Writers: J.M. Barrie (play) (as Sir James M. Barrie), Ted Sears (story) | 7 more
So I'm a Spider, So What? ::: Kumo Desu ga, Nanika? (original title) 24min | Animation, Adventure, Comedy | TV Series (2021- ) Episode Guide 10 episodes So I'm a Spider, So What? Poster The world where the Hero and the Demon King continue to oppose each other. The grand magic from the Hero and the Demon King cross over worlds and exploded in the classroom of a certain high... S Stars: Aoi Yki, Shun Horie, Eri Kitamura
The Dictator (2012) ::: 6.4/10 -- R | 1h 23min | Comedy | 16 May 2012 (USA) -- The heroic story of a dictator who risked his life to ensure that democracy would never come to the country he so lovingly oppressed. Director: Larry Charles Writers: Sacha Baron Cohen, Alec Berg | 2 more credits
The Great Race (1965) ::: 7.3/10 -- Passed | 2h 40min | Action, Adventure, Comedy | 17 December 1965 (USA) -- In the early 20th century, two rivals, the heroic Leslie and the despicable Professor Fate, engage in an epic automobile race from New York to Paris. Director: Blake Edwards Writers:
The Hero (2017) ::: 6.5/10 -- R | 1h 36min | Drama, Romance, Western | 9 June 2017 (USA) -- An ailing movie star comes to terms with his past and mortality. Director: Brett Haley Writers: Brett Haley, Marc Basch
The Heroes of Telemark (1965) ::: 6.5/10 -- Approved | 2h 11min | Action, Drama, History | 3 December 1965 (UK) -- Norwegian resistance tries to stop German efforts to produce an atomic bomb component during World War II. Director: Anthony Mann Writers: Ivan Moffat (screenplay), Ben Barzman (screenplay) Stars:
The Heroic Trio (1993) ::: 6.5/10 -- Dung fong sam hap (original title) -- The Heroic Trio Poster -- The all-female Heroic Trio are Tung (Wonder Woman), Chat (Thief Catcher), a mercenary, and Ching (Invisible Woman). Initially, they're on opposing sides - the invisible Ching is kidnapping ... S Director: Johnnie To
Too Late the Hero (1970) ::: 6.7/10 -- PG | 2h 25min | Action, Drama, War | 26 June 1970 (Canada) -- A reluctant hero, American Lieutenant Sam Lawson, is secunded to a motley British unit tasked with destroying a Japanese radio on a Philippine island. Director: Robert Aldrich Writers: Robert Aldrich (story), Robert Sherman (story) | 2 more credits Stars:
Transformers (2007) ::: 7.0/10 -- PG-13 | 2h 24min | Action, Adventure, Sci-Fi | 3 July 2007 (USA) -- An ancient struggle between two Cybertronian races, the heroic Autobots and the evil Decepticons, comes to Earth, with a clue to the ultimate power held by a teenager. Director: Michael Bay Writers:
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Battle Royal High School -- -- AIC -- 1 ep -- Manga -- Action Horror Super Power Demons Supernatural Martial Arts -- Battle Royal High School Battle Royal High School -- Hyoudo Riki is just an ordinary guy who likes to wear a tiger mask while Kung-Fu fighting, which means he fits in real well at BATTLE ROYAL HIGH SCHOOL! -- -- Unfortunately for Riki, he`s the doppleganger in our world of Byoudo, Master of the Dark Realm, and when a dimensional gate opens between the two worlds, the evil Fairy Master tricks Byoudo into making an attempt to conquer our beautiful, and better lit, world. -- -- Now poor Riki is semi-possessed by his opposite number, and the minions of the Fairy Master are mutating his classmates into hideous lustful monsters. To make matters worse, all the inter-dimensional commotion has attracted the attention of a sword-happy exorcist and the heroic Zankan of the Space-Time Police! -- -- Which all means that Riki is about to take one bitch of a mid-term. The course is survival, and forget "Pass/Fail". The test is graded "Live/Die". -- -- Licensor: -- AnimEigo -- OVA - Dec 10, 1987 -- 5,964 5.56
Battle Royal High School -- -- AIC -- 1 ep -- Manga -- Action Horror Super Power Demons Supernatural Martial Arts -- Battle Royal High School Battle Royal High School -- Hyoudo Riki is just an ordinary guy who likes to wear a tiger mask while Kung-Fu fighting, which means he fits in real well at BATTLE ROYAL HIGH SCHOOL! -- -- Unfortunately for Riki, he`s the doppleganger in our world of Byoudo, Master of the Dark Realm, and when a dimensional gate opens between the two worlds, the evil Fairy Master tricks Byoudo into making an attempt to conquer our beautiful, and better lit, world. -- -- Now poor Riki is semi-possessed by his opposite number, and the minions of the Fairy Master are mutating his classmates into hideous lustful monsters. To make matters worse, all the inter-dimensional commotion has attracted the attention of a sword-happy exorcist and the heroic Zankan of the Space-Time Police! -- -- Which all means that Riki is about to take one bitch of a mid-term. The course is survival, and forget "Pass/Fail". The test is graded "Live/Die". -- OVA - Dec 10, 1987 -- 5,964 5.56
Boku no Hero Academia the Movie 1: Futari no Hero -- -- Bones -- 1 ep -- Manga -- Action Shounen Super Power -- Boku no Hero Academia the Movie 1: Futari no Hero Boku no Hero Academia the Movie 1: Futari no Hero -- U.A. High School's students of Class 1-A have made it to summer break. Izuku Midoriya accompanies his mentor All Might to a celebratory superhero festival on I-Island, an isolated patch of land dedicated to researching Quirks and everything else associated with the hero business. Midoriya is granted the opportunity to meet All Might's friend Dave and Dave's daughter Melissa, two talented hero equipment engineers. He also encounters his classmates, most of whom have been given the opportunity to spend part of their summer break at the festival. -- -- However, a mysterious squad of villains infiltrates I-Island, and it is up to Midoriya and his friends to confront them, using their developing Quirks to fight off the new enemy and uncover a treacherous plot. -- -- -- Licensor: -- Funimation -- Movie - Aug 3, 2018 -- 472,015 7.66
Boku no Hero Academia the Movie 1: Futari no Hero -- -- Bones -- 1 ep -- Manga -- Action Shounen Super Power -- Boku no Hero Academia the Movie 1: Futari no Hero Boku no Hero Academia the Movie 1: Futari no Hero -- U.A. High School's students of Class 1-A have made it to summer break. Izuku Midoriya accompanies his mentor All Might to a celebratory superhero festival on I-Island, an isolated patch of land dedicated to researching Quirks and everything else associated with the hero business. Midoriya is granted the opportunity to meet All Might's friend Dave and Dave's daughter Melissa, two talented hero equipment engineers. He also encounters his classmates, most of whom have been given the opportunity to spend part of their summer break at the festival. -- -- However, a mysterious squad of villains infiltrates I-Island, and it is up to Midoriya and his friends to confront them, using their developing Quirks to fight off the new enemy and uncover a treacherous plot. -- -- Movie - Aug 3, 2018 -- 472,015 7.66
Boku no Hero Academia the Movie 2: Heroes:Rising -- -- Bones -- 1 ep -- Manga -- Action Super Power Shounen -- Boku no Hero Academia the Movie 2: Heroes:Rising Boku no Hero Academia the Movie 2: Heroes:Rising -- Izuku "Deku'' Midoriya and his fellow students in Class 1-A of UA High's hero course have been chosen to participate in a safety program on Nabu Island. To further improve their skills and gain experience in more ordinary heroics, the students aid the kind citizens with small services and everyday chores. With the low crime rate in the quiet community, all seems well and good, but the rise of a new villain threatens to put the students' courage to the test and challenge their capabilities as heroes. -- -- A merciless villain by the name of Nine is in search of a certain "quirk" needed to fulfill his diabolical plan—creating a society where only those with the strongest quirks reign supreme. As his attack on Nabu Island endangers the lives of the residents, securing the citizens becomes the first priority for Class 1-A; defeating Nine along with his wicked accomplices is also imperative. A straightforward strategy is formulated until a young boy named Katsuma Shimano, whom Deku had befriended, suddenly requires particular protection. Concerned for the boy's wellbeing, Deku and his classmates must now devise a plan to ensure Katsuma's safety at all costs. -- -- With Nine wreaking havoc to find the catalyst for his ill-intended schemes and the heroes desperate to defend Katsuma from harm, will Deku and his friends be able to come out victorious, or will they find themselves unable to escape a hopeless situation? -- -- -- Licensor: -- Funimation -- Movie - Dec 20, 2019 -- 311,218 8.07
Boku no Hero Academia the Movie 2: Heroes:Rising -- -- Bones -- 1 ep -- Manga -- Action Super Power Shounen -- Boku no Hero Academia the Movie 2: Heroes:Rising Boku no Hero Academia the Movie 2: Heroes:Rising -- Izuku "Deku'' Midoriya and his fellow students in Class 1-A of UA High's hero course have been chosen to participate in a safety program on Nabu Island. To further improve their skills and gain experience in more ordinary heroics, the students aid the kind citizens with small services and everyday chores. With the low crime rate in the quiet community, all seems well and good, but the rise of a new villain threatens to put the students' courage to the test and challenge their capabilities as heroes. -- -- A merciless villain by the name of Nine is in search of a certain "quirk" needed to fulfill his diabolical plan—creating a society where only those with the strongest quirks reign supreme. As his attack on Nabu Island endangers the lives of the residents, securing the citizens becomes the first priority for Class 1-A; defeating Nine along with his wicked accomplices is also imperative. A straightforward strategy is formulated until a young boy named Katsuma Shimano, whom Deku had befriended, suddenly requires particular protection. Concerned for the boy's wellbeing, Deku and his classmates must now devise a plan to ensure Katsuma's safety at all costs. -- -- With Nine wreaking havoc to find the catalyst for his ill-intended schemes and the heroes desperate to defend Katsuma from harm, will Deku and his friends be able to come out victorious, or will they find themselves unable to escape a hopeless situation? -- -- Movie - Dec 20, 2019 -- 311,218 8.07
Cardfight!! Vanguard: Legion Mate-hen -- -- TMS Entertainment -- 33 eps -- Original -- Action Adventure Demons Game Shounen -- Cardfight!! Vanguard: Legion Mate-hen Cardfight!! Vanguard: Legion Mate-hen -- Several days after the mortal battle against Link Joker which embroils the whole world, the world has returned to peace. -- -- But Kai Toshiki faces a surprising situation. Sendou Aichi, the hero who saved the world from the invasion of Link Joker, has suddenly disappeared. In addition, everyone's memory about Aichi is lost...Almost all hints have been lost, and Kai starts to search Aichi with "Blaster Blade" and the deck of Royal Paladin, the only existing hint and the proof of their bonds. -- -- Kai is approached by fighters who call themselves "Quatre Knights". The four---Gaillard, Neve, Ratie and Sarah---are fighters with world-class power in vanguard fights. They control mysterious power and urge Kai to give up searching Aichi. What is their purpose...!? And what is their relationship with Aichi...!? -- -- Kai, with the new power "Legion" in his hand, fights to take Aichi back. Now, the war has begun! -- -- (Source: Cardfight!! Vanguard Wikia) -- 12,411 6.76
Chu Feng: B.E.E -- -- Haoliners Animation League -- 6 eps -- Manga -- Action Sci-Fi Comedy Romance Fantasy Mecha School -- Chu Feng: B.E.E Chu Feng: B.E.E -- In 2017, a group of genius scientists achieve a remarkable breakthrough in bioengineering. However, all the new technologies are put into military use, beginning a new round of arms race. Vanguards, as the most significant achievement of the modern bioengineering and the most advanced weapon, are widely utilized in the race. Although vanguards are exceptionally combat-effective, their life expectancy is shortened by the nanomachines they use. Usually, most vanguards will retire from the army after a number of years in service. -- -- The heroine Liuli has also consumed too much of her lifespan after executing missions for a long time. With only 380 days left in her life, Liuli receives a new mission, to rescue a hostage being held in a civilian facility. It is without doubt a difficult mission for a vanguard like Liuli, who only knows how to kill and battle. However, Liuli obediently decides to accept the mission in the end. -- -- During the mission, Liuli surprisingly finds that the man who holds the hostage was once a vanguard. The former vanguard Zhongrong Zhou cries and asks the government to hand over the son of Eden. As a vanguard, Liuli feels deep contempt against Zhou. To eliminate the scum of the vanguards, a battle between two vanguards begins... -- -- (Source: Official site, edited) -- ONA - Jul 23, 2015 -- 15,845 5.90
Corrector Yui -- -- Nippon Animation -- 52 eps -- Original -- Sci-Fi Adventure Comedy Magic -- Corrector Yui Corrector Yui -- Yui is an average schoolgirl who lives in a future where all computers are supported by a single global network known as COMNET. Yui is a computer-illiterate girl who after a computer-lab accident is approached by IR, a raccoon looking corrector computer program, which tells her she must save COMNET. She must stop the rogue A.I. (Artificial Intelligence) computer program known as Grosser and his hench-programs from taking over the world. Grosser was originally designed to be that manager of all of COMNET. At first she's very reluctant to play the heroine because of her complete lack of knowledge and ability with computers. To save COMNET she must find and gain the trust of the other seven wayward corrector programs. They must also find the creator or COMNET Professor Inukai, to help stop Grosser for good. -- -- (Source: ANN) -- -- Licensor: -- VIZ Media -- 12,488 6.82
Dog Days' -- -- Seven Arcs -- 13 eps -- Original -- Action Adventure Magic Fantasy -- Dog Days' Dog Days' -- Cinque returns to the land of Flonyard in Dog Days' to resume his duties as the hero of the Biscotti Republic and it's as though he never left! -- -- The difference this time is that he's brought two friends with him who become heroes in their own right: childhood best friend Rebecca Anderson, who becomes the hero for the Principality of Pastillage at the urging of their leader Princess Couvert Eschenbach Pastillage, and his cousin Nanami Takatsuki, who becomes the hero for the Galette Lion Dominion. -- -- As with the first season though, with so many secrets to be uncovered and mysteries to be solved, will there even be time for the athletic events that these three hyper and athletic teenagers love to participate in so much? -- 90,829 7.07
Dragon Ball GT: Gokuu Gaiden! Yuuki no Akashi wa Suushinchuu -- -- Toei Animation -- 1 ep -- Manga -- Action Adventure Comedy Super Power Martial Arts Fantasy Shounen -- Dragon Ball GT: Gokuu Gaiden! Yuuki no Akashi wa Suushinchuu Dragon Ball GT: Gokuu Gaiden! Yuuki no Akashi wa Suushinchuu -- Years after the end of the Dragonball GT, the story continues in this special with Son Goku's now eldery granddaughter Pan, and a new generation of super saiyajins, the great-great-grandsons of Goku and Vegeta -- 100 years after the end of DBGT, all the heroes of Earth have died...except for Pan, the granddaughter of Son Goku. Pan has a grandchild named Goku Jr. However, he does not have the bravery of his great-great-grandfather. Pan suffurs a heart attack, and Goku Jr. believes that he might be able to save her with the power of the 4 star Dragon Ball. Along with the school bully, he tries to find the ball...and unleashes his hidden bravery and power. -- -- (Source: ANN) -- -- Licensor: -- Funimation -- Special - Mar 26, 1997 -- 59,426 6.53
Dragon Quest: Dai no Daibouken (2020) -- -- Toei Animation -- ? eps -- Manga -- Action Adventure Fantasy Shounen -- Dragon Quest: Dai no Daibouken (2020) Dragon Quest: Dai no Daibouken (2020) -- A long time ago, there was a valiant swordsman who came to be known simply as "the hero." There was a demon who has caused people suffering. The hero and his companions arrived to challenge the demon to a battle and by combining their powers, the battle was brought swift conclusion. With no one around to cause trouble, the island became a quiet place where everyone could live together in peace. -- -- Several years later, the demon is revived. Our present-day protagonist, Dai, lives on a remote island in the southern seas and dreams of becoming a great hero. When he hears about the demon's revival, Dai and his friends take it upon themselves to stop him and the evil force that revived him. Along the way, Dai discovers the identity of "the hero," the truth behind the evil force who revived the demon, and Dai's own hidden powers that surface in times of peril. -- -- (Source: MU, edited) -- 44,669 7.08
Dragon Quest: Your Story -- -- Robot Communications, Shirogumi -- 1 ep -- Game -- Adventure Comedy Demons Magic Martial Arts Fantasy -- Dragon Quest: Your Story Dragon Quest: Your Story -- Following in his father's footsteps, Luca must find the hero who wields the zenithian sword to save his mother from Ladja. Based on Dragon Quest V: Hand of the Heavenly Bride game's story. -- -- (Source: Apple TV) -- Movie - Aug 2, 2019 -- 10,714 6.82
Dream C Club Pure Songs Clips -- -- Project No.9 -- 6 eps -- Game -- Game Music -- Dream C Club Pure Songs Clips Dream C Club Pure Songs Clips -- A two-volume DVD/CD collection of character songs and music videos of Xbox 360 dating simulation game Dream C Club. The clips recreate the heroines of the game with two-dimensional graphics. -- -- (Source: ANN) -- Music - Nov 10, 2010 -- 615 5.46
Endro~! -- -- Studio Gokumi -- 12 eps -- Original -- Fantasy Magic Slice of Life -- Endro~! Endro~! -- In a world of adventurers and magic lies Naral Island. Every generation, a Demon Lord rises to plague the land, and every generation, a Hero is born to subdue him. For countless centuries, the cycle has repeated with no end in sight. The latest Hero, Juulia "Yusha" Charldetto, has almost completed her valiant campaign alongside her party members: responsible priest Seiran "Seira" Élénoir, enigmatic mage Meiza "Mei" Endust, and hyper-energetic warrior Fai Fai. -- -- In the final battle against the Demon Lord, Yusha's party attempt a risky spell to cast their enemy into the drifts of time. But the incantation goes awry, sending Yusha and her friends back to a time before the Demon Lord, before Yusha becomes the Hero, and before the party had even graduated as adventurers. With their memories of the future erased, the four girls restart their ambitions to become the Hero's Party, aspiring to defeat the Demon Lord. -- -- However, in a sudden twist of fate, the Demon Lord was also sent back in time with her memories intact. Reduced to the form of a little girl, the Demon Lord takes the name Mao and infiltrates the adventurers' school as a teacher, planning to stop Yusha before she becomes a hero. Thus begins the story of Yusha and her friends, in their quest to defeat the Demon Lord, not knowing that the one they seek is right by their side. -- -- -- Licensor: -- Funimation -- 57,878 6.93
Enen no Shouboutai -- -- David Production -- 24 eps -- Manga -- Action Supernatural Shounen -- Enen no Shouboutai Enen no Shouboutai -- Spontaneous Human Combustion: a chaotic phenomenon that has plagued humanity for years, randomly transforming ordinary people into flaming, violent creatures known as Infernals. While Infernals make up the first-generation accounts of Human Combustion, the second and third generations became known as pyrokinetics—people gifted with the ability to manipulate and control their flames while remaining human. To combat the Infernal threat and discover the cause, the Tokyo Armed Forces, Fire Defense Agency, and Holy Church of Sol produced their answer: the Special Fire Force. -- -- Young and eager third-generation pyrokinetic Shinra Kusakabe, nicknamed Devil's Footprints for his explosive ability to ignite his feet at will, becomes a member of the lively Special Fire Force Company 8. Upholding the brigade's duty to extinguish the blazing Infernals and lay their souls to rest, Shinra is determined to become a hero who will save the lives of those threatened by the flame terror. -- -- However, this is not the hero's game Shinra imagined. The Fire Force is a fractured mess of feuding brigades, abnormal Infernal sightings are increasing all over Tokyo, and a shadowy group is claiming to have answers to the strange fire that caused the death of Shinra's family 12 years ago. Faced with many obstacles within and outside the Fire Force, Shinra fights to uncover the truth behind the burning mysteries that have kept him in the dark. -- -- -- Licensor: -- Funimation -- 779,039 7.67
Escha & Logy no Atelier: Tasogare no Sora no Renkinjutsushi -- -- Studio Gokumi -- 12 eps -- Game -- Fantasy -- Escha & Logy no Atelier: Tasogare no Sora no Renkinjutsushi Escha & Logy no Atelier: Tasogare no Sora no Renkinjutsushi -- This world has gone through many Dusks, and is slowly nearing its end. Within this world, in the western reaches of the "Land of Dusk," there was a nation that prospered thanks to its use of alchemy. -- -- There, in order to survive the eventual arrival of the "Dusk End," the people devoted their efforts to rediscover and recreate lost alchemic technologies. Rediscovered technology from the past era was gathered in the alchemy research city known as "Central," where research was conducted on how to halt the advance of the twilight. -- -- One of the heroes is a young man who researched alchemy in Central, the other a girl living in a small town on the frontier. This girl's name is Escha. In the process of using her knowledge of ancient alchemy to help others, she was assigned to the Development Department. The young man's name is Logy. Having learned the newest alchemic techniques in Central, he requested a transfer to this understaffed town to make use of his abilities, and meets Escha when he is assigned to the Development Department as well. The two make a promise to use their alchemy together, and bring success to the Development Department. -- -- (Source: Tecmo Koei Europe) -- -- Licensor: -- Sentai Filmworks -- TV - Apr 10, 2014 -- 55,103 6.44
Evangelion: 2.0 You Can (Not) Advance -- -- Khara -- 1 ep -- Original -- Action Sci-Fi Psychological Drama Mecha -- Evangelion: 2.0 You Can (Not) Advance Evangelion: 2.0 You Can (Not) Advance -- When the threat of the Angel menace escalates, mankind's defense force is pushed to its limits, with Nerv at the forefront of the struggle. Shinji Ikari and his partner Rei Ayanami are assisted by two new pilots: the fiery Asuka Langley Shikinami and the mysterious Mari Illustrious Makinami. -- -- With the aid of their mechanized Evangelion units, equipped with weapons perfect for engaging their monstrous opponents, the four young souls fight desperately to protect their loved ones and prevent an impending apocalypse. But when startling secrets are brought to light, will the heroes' greatest challenge prove to be the monsters...or humanity itself? -- -- -- Licensor: -- Funimation -- Movie - Jul 27, 2009 -- 367,320 8.34
Final Fantasy VII: Last Order -- -- Madhouse -- 1 ep -- Game -- Action Adventure Drama Fantasy Sci-Fi -- Final Fantasy VII: Last Order Final Fantasy VII: Last Order -- With reports of monsters terrorizing the reactor at Mount Nibel, the Shinra Electric Power Company dispatches their elite fighting force SOLDIER to investigate. Accompanied by fellow SOLDIER First Class Zack Fair and a small contingent of company guards, the war hero Sephiroth is to assess the condition of the Mako reactor at the behest of the company. In Nibelheim, the village that the reactor powers, Sephiroth discovers the source of the monsters and the origins of Shinra's legendary Jenova Project. -- -- Running through the woods months later, Zack is no longer the hero he once dreamt of becoming. He flees from the General Affairs Department of the Shinra Electric Power Company, better known as the Turks, who desperately seek to bury the evidence living within the two. -- -- Special - Sep 14, 2005 -- 60,821 7.33
Final Fantasy VII: On the Way to a Smile - Episode: Denzel -- -- A-1 Pictures -- 1 ep -- Novel -- Action Fantasy Super Power -- Final Fantasy VII: On the Way to a Smile - Episode: Denzel Final Fantasy VII: On the Way to a Smile - Episode: Denzel -- After the three-pronged conflict between tyrannical electric company Shinra, rebel group Avalanche, and the maniacal Sephiroth, the damaged planet slowly heals its wounds. A rural town dubbed Edge sprouts up on the outskirts of Midgar's ruins. Reeve Tuesti, former Head of Urban Development at Shinra, interviews a young boy named Denzel for potential membership in Reeve's World Regenesis Organization, a group devoted to the restoration and protection of the planet. -- -- Denzel recounts his tragic history to Reeve, detailing how the aftermath of the heroic Avalanche's actions laid waste to Midgar and took the lives of everyone the boy knew. Through reminiscing to Reeve, Denzel discovers a newfound purpose. -- -- OVA - Apr 16, 2009 -- 23,906 7.12
Ginga Eiyuu Densetsu: Die Neue These - Kaikou -- -- Production I.G -- 12 eps -- Novel -- Action Drama Military Sci-Fi Space -- Ginga Eiyuu Densetsu: Die Neue These - Kaikou Ginga Eiyuu Densetsu: Die Neue These - Kaikou -- For over a century and a half, two interstellar states have wrested for control of the Milky Way. The Galactic Empire, an absolute monarchy ruled by Kaiser Friedrich IV and an entrenched nobility, seeks to suppress the rebels daring to oppose the inviolable crown. The Free Planets Alliance, a representative democracy led by a corrupt High Council, degenerates as its elected leaders use war and conflict as a way to win popular support. -- -- But this long-standing stalemate between the Empire and the Alliance ends with the rise of two opposing military geniuses. Reinhard von Lohengramm, a minor noble and High Admiral of the Empire through his strategic brilliance and his sister's position as the favored concubine of the Kaiser, dreams of conquering the galaxy and uniting mankind under his iron fist. Meanwhile, Yang Wen-li of the Alliance, an avid historian and reluctant commodore hailed as the Hero of El Facil, uses his tactical prowess to navigate around his leaders' incompetence—and to carve the path to lasting peace. As the war rages on, Reinhard and Yang each strive for their ideals and to secure their place among the stars as the leaders of a new era of galactic heroes. -- -- 65,278 7.71
Ginga Eiyuu Densetsu: Die Neue These - Kaikou -- -- Production I.G -- 12 eps -- Novel -- Action Drama Military Sci-Fi Space -- Ginga Eiyuu Densetsu: Die Neue These - Kaikou Ginga Eiyuu Densetsu: Die Neue These - Kaikou -- For over a century and a half, two interstellar states have wrested for control of the Milky Way. The Galactic Empire, an absolute monarchy ruled by Kaiser Friedrich IV and an entrenched nobility, seeks to suppress the rebels daring to oppose the inviolable crown. The Free Planets Alliance, a representative democracy led by a corrupt High Council, degenerates as its elected leaders use war and conflict as a way to win popular support. -- -- But this long-standing stalemate between the Empire and the Alliance ends with the rise of two opposing military geniuses. Reinhard von Lohengramm, a minor noble and High Admiral of the Empire through his strategic brilliance and his sister's position as the favored concubine of the Kaiser, dreams of conquering the galaxy and uniting mankind under his iron fist. Meanwhile, Yang Wen-li of the Alliance, an avid historian and reluctant commodore hailed as the Hero of El Facil, uses his tactical prowess to navigate around his leaders' incompetence—and to carve the path to lasting peace. As the war rages on, Reinhard and Yang each strive for their ideals and to secure their place among the stars as the leaders of a new era of galactic heroes. -- -- -- Licensor: -- Funimation -- 65,278 7.71
Ginga Eiyuu Densetsu: Waga Yuku wa Hoshi no Taikai -- -- Artland, Madhouse -- 1 ep -- Novel -- Action Military Sci-Fi Space -- Ginga Eiyuu Densetsu: Waga Yuku wa Hoshi no Taikai Ginga Eiyuu Densetsu: Waga Yuku wa Hoshi no Taikai -- Four months before Count von Lohengramm of the Galactic Empire faced Yang Wen-li of the Free Planets Alliance at the Battle of Astarte, he was still just Reinhard von Müsel. The youngest admiral in the Empire's history, Reinhard was disdained and dismissed by his peers as the brother of the Kaiser's concubine. -- -- Upon arriving at Iserlohn Fortress with his expeditionary fleet, Reinhard immediately receives an order from the ambitious and cunning Fleet Admiral Gregor von Mückenberger: to intercept an Alliance fleet in a neighboring starzone. Despite recognizing this as a veiled attempt to get him killed in combat, Reinhard nevertheless orders his tired and weary men to engage the enemy in the atmosphere of the gas giant Legnica. But unbeknownst to him, this will mark the first of his many historic encounters with the Hero of El Facil. -- -- -- Licensor: -- Sentai Filmworks -- Movie - Feb 6, 1988 -- 30,991 7.94
Ginga Kikoutai Majestic Prince: Mirai e no Tsubasa -- -- Orange, Seven Arcs Pictures -- 1 ep -- Manga -- Action Sci-Fi Space Mecha School Seinen -- Ginga Kikoutai Majestic Prince: Mirai e no Tsubasa Ginga Kikoutai Majestic Prince: Mirai e no Tsubasa -- Team Fawn from Gurantseere Academy dreams of one day fighting beside the heroes of Team Rabbit. One day, they finally get their chance as the GDF launches another attack. -- -- (Source: Crunchyroll) -- -- Licensor: -- Sentai Filmworks -- Special - Sep 29, 2016 -- 5,244 6.43
GR: Giant Robo -- -- A.C.G.T. -- 13 eps -- - -- Adventure Mecha Military Sci-Fi Shounen -- GR: Giant Robo GR: Giant Robo -- The year is 20XX. Mysterious huge robots called "Giant Robo (GR)" started to appear all over the world and destroy cities. The earth was covered with fear. And their next target is Japan! The hero of this animation Daisaku Kusama, who works in a diving shop, encounters a mysterious girl, simply called V who leads him to make a contract with an enormous robot "Giant Robo 1 (GR1)" at the ancient ruins (Minami Yonaguni Island) in Okinawa. -- -- He made a contract with UNISOM (good guys) and was approved to be a commander of GR1. Thus his battle has begun against GRO (bad guys) and creates a lot of dramas. Before long, Giant Robo of the 21st century will ask the world the true meaning of its power. -- -- (Source: AniDB) -- TV - Jan 19, 2007 -- 2,840 6.37
.hack//Gift -- -- Bee Train -- 1 ep -- Original -- Comedy Fantasy Game -- .hack//Gift .hack//Gift -- As an expression of gratitude for the heroes of both the ".hack//Sign" and the ".hack" game series, Helba has prepared a special event for all the characters to find the newly established "Twilight Hot Springs." The characters can get their well deserved rest and relaxation by having a soak in the wonderful hot springs, but there is only one problem—the hot springs are hidden and there have been mysterious player murders. With the only clue being the word “GIFT," the race has begun to find the culprit and the location of the hot springs. -- -- -- Licensor: -- Bandai Entertainment -- OVA - Nov 16, 2003 -- 19,215 6.15
Hataraku Maou-sama! -- -- White Fox -- 13 eps -- Light novel -- Comedy Demons Supernatural Romance Fantasy -- Hataraku Maou-sama! Hataraku Maou-sama! -- Striking fear into the hearts of mortals, the Demon Lord Satan begins to conquer the land of Ente Isla with his vast demon armies. However, while embarking on this brutal quest to take over the continent, his efforts are foiled by the hero Emilia, forcing Satan to make his swift retreat through a dimensional portal only to land in the human world. Along with his loyal general Alsiel, the demon finds himself stranded in modern-day Tokyo and vows to return and complete his subjugation of Ente Isla—that is, if they can find a way back! -- -- Powerless in a world without magic, Satan assumes the guise of a human named Sadao Maou and begins working at MgRonald's—a local fast-food restaurant—to make ends meet. He soon realizes that his goal of conquering Ente Isla is just not enough as he grows determined to climb the corporate ladder and become the ruler of Earth, one satisfied customer at a time! -- -- Whether it's part-time work, household chores, or simply trying to pay the rent on time, Hataraku Maou-sama! presents a hilarious view of the most mundane aspects of everyday life, all through the eyes of a hapless demon lord. -- -- -- Licensor: -- Funimation -- 1,131,488 7.81
Inazuma Eleven Go: Chrono Stone -- -- OLM -- 51 eps -- Game -- Sports Super Power Shounen -- Inazuma Eleven Go: Chrono Stone Inazuma Eleven Go: Chrono Stone -- Inazuma Eleven Go: Chrono Stone is set after the Holy Road Soccer Tournament. The hero of of the moment, Tenma Matsukaze, traveled all over Japan to teach soccer to kids. -- -- He returns to Raimon Junior High School after completing his mission, but to his surprise, it's no longer the same Raimon Junior High that he remembers. The soccer club is non-existent, and the members of the champion team in the Holy Road Soccer Tournament have no recollection of taking part in the tournament. They neither remember Tenma nor the game of soccer they loved. As Tenma is baffled by this twist, Alpha, the leader of the Route Agents and captain of Protocol Omega team, suddenly appears before him. Alpha declares that he and his team are responsible for wiping out passion for soccer in Raimon along with the memories of the soccer club members: and Tenma himself is next. -- -- That's when a strange boy named Fei Rune appears just in time to save him. Just who is Fei, and why does Alpha want to eliminate soccer for good? Tenma knows that he needs to do everything in his power to emerge victorious. It's a battle that could seal the fate of soccer forever. -- 40,499 7.17
Josee to Tora to Sakana-tachi -- -- Bones -- 1 ep -- Novel -- Slice of Life Drama Romance -- Josee to Tora to Sakana-tachi Josee to Tora to Sakana-tachi -- A youth romantic drama with themes of growing up, the story focuses on college student Tsuneo and dreamer Josee, who lives her life stuck in a wheelchair. Josee—named after the heroine in Françoise Sagan's Wonderful Clouds—spends most of her days reading and painting until by chance she encounters Tsuneo, and decides it's time to face the real world. -- -- (Source: MAL News) -- Movie - Dec 25, 2020 -- 66,606 7.98
Kingsglaive: Final Fantasy XV -- -- - -- 1 ep -- Game -- Action -- Kingsglaive: Final Fantasy XV Kingsglaive: Final Fantasy XV -- For years, the Niflheim Empire and the kingdom of Lucis have been at war. The empire, having dominated most of the world of Eos, covets the power of the last known Crystal, which is held in Lucis' capital city, Insomnia. -- -- In order to protect his people from these advancing forces, King Regis Lucis Caelum CXIII used the power of the Crystal to surround Insomnia with a magical wall. Along with this barrier, Regis assembled an elite military task force known as the Kingsglaive. By drawing their power from the king, the Kingsglaive protect Lucis' borders from the onslaught of the empire and other forces that would do them harm. -- -- One such member of the Kingsglaive is Nyx, a man nicknamed "The Hero" by his fellow warriors due to his arrogance and desire to save everyone. However, his pride gets the better of him, causing him to disobey his captain's orders, resulting in a demotion. Now, Nyx spends his days guarding the city gates, but things begin to change once word gets out that Regis plans to sign a peace treaty with their sworn enemies. -- -- Movie - Jul 9, 2016 -- 49,242 7.46
Kuroshitsuji Picture Drama -- -- A-1 Pictures -- 1 ep -- Manga -- Demons Supernatural -- Kuroshitsuji Picture Drama Kuroshitsuji Picture Drama -- It is almost Valentine's Day, and grim reaper Grell Sutcliff finally receives the opportunity to become the heroine of her very own harem battle. Whilst making chocolates for the demonic butler Sebastian Michaelis, Grell's preparations are interrupted by a whole host of handsome men smashing through the window. -- -- First to appear is fellow reaper William T. Spears, who brings nothing but harsh reprimands. Next, however, the man of the hour appears—Sebastian Michaelis. The room begins to fill up even more, with Grell's unconventional harem expanding to include a pair of Phantomhive servants; the English branch manager of a Chinese trading company, Lau; the promiscuous Viscount Druitt; the Queen's butler, Ash Landers; and even the royal master-servant pair, Prince Soma and Agni. And when The Undertaker appears as "The Valentine's Fairy," this chaotic gathering becomes a lot more romantic. -- -- Special - Jan 31, 2010 -- 19,464 7.12
Maoyuu Maou Yuusha -- -- Arms -- 12 eps -- Light novel -- Adventure Demons Romance Fantasy -- Maoyuu Maou Yuusha Maoyuu Maou Yuusha -- Fifteen years have passed since the war between humans and demons began. Dissatisfied with their slow advance into the Demon Realm, the Hero abandons his companions to quickly forge ahead towards the Demon Queen's castle. Upon his arrival at the royal abode, the Hero makes a startling discovery: not only is the Demon Queen a woman of unparalleled beauty, but she also seeks the Hero's help. Confused by this unexpected turn of events, the Hero refuses to ally himself with his enemy, claiming that the war the demons have waged is tearing the Southern Nations apart. -- -- However, the Demon Queen rebuts, arguing that the war has not only united humanity but has also brought them wealth and prosperity, providing evidence to support her claims. Furthermore, she explains that if the war were to end, the supplies sent by the Central Nations in aid to the Southern Nations would cease, leaving hundreds of thousands to starve. Fortunately, she offers the Hero a way to end the war while bringing hope not only to the Southern Nations, but also to the rest of the world, though she will need his assistance to make this a reality. -- -- Finally convinced, the Hero agrees to join his now former enemy in her quest. Vowing to stay together through sickness and health, they set off for the human world. -- -- TV - Jan 5, 2013 -- 369,878 7.30
Mobile Suit Gundam SEED: After-Phase Between the Stars -- -- Sunrise -- 1 ep -- Original -- Action Drama Mecha Sci-Fi -- Mobile Suit Gundam SEED: After-Phase Between the Stars Mobile Suit Gundam SEED: After-Phase Between the Stars -- As the war between ZAFT's Coordinators and Earth's Naturals comes to a close, the survivors of the conflict recuperate. Some of these veterans heal with the aid of loved ones, and others choose to recover in isolation, reflecting on their losses and the friends no longer with them. -- -- In this epilogue to the hardships of Kira Yamato and Athrun Zala, the heroes come to terms with their roles in the recent war and prepare for adventures yet to come. -- -- Special - Mar 26, 2004 -- 13,511 7.06
Mobile Suit Gundam Wing: Endless Waltz -- -- Sunrise -- 3 eps -- Original -- Action Drama Mecha Military Sci-Fi Space -- Mobile Suit Gundam Wing: Endless Waltz Mobile Suit Gundam Wing: Endless Waltz -- In the year After Colony 196, one year after the conclusion of the intergalactic civil war, a state of stasis prevails over the Earth and its colonies. Seeing no further use for their Gundam mobile suits, war heroes Duo Maxwell, Heero Yuy, Trowa Barton, and Quatre Raberba Winner decide to destroy these weapons by launching them into the sun's surface. -- -- Before the Gundam reach their destination, the universal peace is shattered by the emergence of Mariemaia Khushrenada—the only child of the former tyrannical aristocrat Treize. Mariemaia abducts diplomat Relena Peacecraft and announces plans to launch "Operation Meteor," with the intention of posthumously fulfilling Treize's world domination plot. -- -- With the help of former enemy Zechs Marquise and his mobile suit Tallgeese, the heroic pilots must reacquire their mobile suits to wage one final battle against the Khushrenada dynasty, including fighting against their former ally Wufei Chang, now aligning himself with Mariemaia's ambitions. -- -- -- Licensor: -- Bandai Entertainment -- OVA - Jan 25, 1997 -- 41,721 7.76
Nejimaki Seirei Senki: Tenkyou no Alderamin -- -- Madhouse -- 13 eps -- Light novel -- Action Adventure Fantasy Military -- Nejimaki Seirei Senki: Tenkyou no Alderamin Nejimaki Seirei Senki: Tenkyou no Alderamin -- Ikta Solork is a carefree young man who only wants two things in life: a woman on his arm and a place to nap. Unfortunately, his peaceful life is destroyed when war breaks out between the Katjvarna Empire and the neighboring Republic of Kioka. Ikta and his childhood friend, Yatorishino Igsem, join the army as military officers, where they meet the infantryman Matthew Tetojirichi, the sniper Torway Remion, and the medic Haroma Becker on a boat heading for the military exam site. -- -- However, after a rogue storm sinks their vessel, the five of them end up in enemy territory near a military outpost. There, they discover that the heir to the Katjvarnan throne, Princess Chamille Kitora Katjvanmaninik, has been taken hostage. The five are able to rescue her, and as a reward, each one of them is granted the title of Imperial Knight—one of the highest honors a soldier can receive. It seems that Ikta will have to put his dream of tranquility on hold, as he must now become the hero he never wanted to be. -- -- 254,363 7.72
Nejimaki Seirei Senki: Tenkyou no Alderamin -- -- Madhouse -- 13 eps -- Light novel -- Action Adventure Fantasy Military -- Nejimaki Seirei Senki: Tenkyou no Alderamin Nejimaki Seirei Senki: Tenkyou no Alderamin -- Ikta Solork is a carefree young man who only wants two things in life: a woman on his arm and a place to nap. Unfortunately, his peaceful life is destroyed when war breaks out between the Katjvarna Empire and the neighboring Republic of Kioka. Ikta and his childhood friend, Yatorishino Igsem, join the army as military officers, where they meet the infantryman Matthew Tetojirichi, the sniper Torway Remion, and the medic Haroma Becker on a boat heading for the military exam site. -- -- However, after a rogue storm sinks their vessel, the five of them end up in enemy territory near a military outpost. There, they discover that the heir to the Katjvarnan throne, Princess Chamille Kitora Katjvanmaninik, has been taken hostage. The five are able to rescue her, and as a reward, each one of them is granted the title of Imperial Knight—one of the highest honors a soldier can receive. It seems that Ikta will have to put his dream of tranquility on hold, as he must now become the hero he never wanted to be. -- -- -- Licensor: -- Crunchyroll, Funimation -- 254,363 7.72
Oda Nobuna no Yabou -- -- Madhouse, Studio Gokumi -- 12 eps -- Light novel -- Comedy Historical Romance -- Oda Nobuna no Yabou Oda Nobuna no Yabou -- High school student Yoshiharu Sagara wakes up and finds himself in the middle of a raging Sengoku period battle. He is saved by the legendary Hideyoshi Toyotomi, but at the cost of the hero's life. With his dying breath, the warrior pleads for Yoshiharu to become a feudal lord in his place. Now that the course of history has been changed, Yoshiharu pledges to keep the timeline from diverging any further. Yet, after rescuing Nobuna Oda—whom he discovers is actually the fabled Nobunaga Oda's female counterpart—Yoshiharu realizes he has been transported to an alternate reality where most of Japan's historical warlords are now cute girls! -- -- To set things right and find a way back home, Yoshiharu agrees to become one of Nobuna's retainers and assist her in a conquest of Japan. As Nobuna initiates her campaign, Yoshiharu discovers that the history he learned from playing the video game "Nobunaga's Ambition" allows him to predict future events and turn the tide of war. Using this invaluable gift to aid the Oda clan's beautiful generals, Yoshiharu hopes to help his new lord fulfill her dream and win the hearts of women everywhere. -- -- -- Licensor: -- Sentai Filmworks -- TV - Jul 9, 2012 -- 248,346 7.45
One Punch Man 2nd Season -- -- J.C.Staff -- 12 eps -- Web manga -- Action Sci-Fi Comedy Parody Super Power Supernatural -- One Punch Man 2nd Season One Punch Man 2nd Season -- In the wake of defeating Boros and his mighty army, Saitama has returned to his unremarkable everyday life in Z-City. However, unbeknownst to him, the number of monsters appearing is still continuously on the rise, putting a strain on the Hero Association’s resources. Their top executives decide on the bold move of recruiting hoodlums in order to help in their battle. But during the first meeting with these potential newcomers, a mysterious man calling himself Garou makes his appearance. Claiming to be a monster, he starts mercilessly attacking the crowd. -- -- The mysterious Garou continues his rampage against the Hero Association, crushing every hero he encounters. He turns out to be the legendary martial artist Silverfang’s best former disciple and seems driven by unknown motives. Regardless, this beast of a man seems unstoppable. Intrigued by this puzzling new foe and with an insatiable thirst for money, Saitama decides to seize the opportunity and joins the interesting martial arts competition. -- -- As the tournament commences and Garou continues his rampage, a new great menace reveals itself, threatening the entire human world. Could this finally be the earth-shattering catastrophe predicted by the great seer Madame Shibabawa? -- -- -- Licensor: -- VIZ Media -- 1,071,054 7.41
One Punch Man -- -- Madhouse -- 12 eps -- Web manga -- Action Sci-Fi Comedy Parody Super Power Supernatural -- One Punch Man One Punch Man -- The seemingly ordinary and unimpressive Saitama has a rather unique hobby: being a hero. In order to pursue his childhood dream, he trained relentlessly for three years—and lost all of his hair in the process. Now, Saitama is incredibly powerful, so much so that no enemy is able to defeat him in battle. In fact, all it takes to defeat evildoers with just one punch has led to an unexpected problem—he is no longer able to enjoy the thrill of battling and has become quite bored. -- -- This all changes with the arrival of Genos, a 19-year-old cyborg, who wishes to be Saitama's disciple after seeing what he is capable of. Genos proposes that the two join the Hero Association in order to become certified heroes that will be recognized for their positive contributions to society, and Saitama, shocked that no one knows who he is, quickly agrees. And thus begins the story of One Punch Man, an action-comedy that follows an eccentric individual who longs to fight strong enemies that can hopefully give him the excitement he once felt and just maybe, he'll become popular in the process. -- -- -- Licensor: -- VIZ Media -- 2,266,752 8.55
Ore dake Haireru Kakushi Dungeon -- -- Okuruto Noboru -- 12 eps -- Light novel -- Action Adventure Harem Ecchi Fantasy -- Ore dake Haireru Kakushi Dungeon Ore dake Haireru Kakushi Dungeon -- Despite his noble title, Noir Starga is at the bottom of the social hierarchy. Because of this, his fellow nobles oppress him and treat him like garbage. However, he possesses a rare yet powerful ability to communicate with the Great Sage, an oracle who grants Noir the answer to absolutely anything. -- -- After failing to secure a job as a librarian, Noir decides to join the Hero Academy. He knows he must become stronger to enter the institution. The Great Sage advises him to explore a hidden dungeon deep within the mountains. There, Noir meets Olivia Servant, a beautiful yet enchained maiden trapped within the labyrinth. Olivia bestows upon Noir a set of ridiculously powerful skills that grants him virtually total control over reality. Naturally, there is a catch—every time Noir attempts to use his powers, his life points decrease, putting his life at risk. To replenish his energy, he must give in to worldly pleasures such as kissing his childhood friend! -- -- With his newfound powers, Noir begins his journey as a student in the Hero Academy, meeting new acquaintances and helping them through the dire situations ahead. -- -- 189,648 6.26
Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... -- -- SILVER LINK. -- 12 eps -- Light novel -- Harem Comedy Drama Romance Fantasy School Shoujo -- Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... Otome Game no Hametsu Flag shika Nai Akuyaku Reijou ni Tensei shiteshimatta... -- Most people would prefer being the protagonist of a world full of adventure, be it in a game or in another world. But, unfortunately, a certain girl is not so lucky. Regaining the memories of her past life, she realizes that she was reborn in the world of Fortune Lover—one of the games she used to play. -- -- Unfortunately, the character she was reincarnated into—Katarina Claes—is the game's main antagonist, who faces utter doom in every ending. Using her extensive knowledge of the game, she takes it upon herself to escape from the chains of this accursed destiny. -- -- However, this will not be an easy feat, especially since she needs to be cautious as to not set off death flags that may speed up the impending doom she is trying to avoid. Even so, to make a change that will affect the lives of everyone around her, she strives—not as the heroine—but as the villainess. -- -- 258,252 7.49
Pastel Memories -- -- Project No.9 -- 12 eps -- Game -- Action Sci-Fi Adventure -- Pastel Memories Pastel Memories -- The story takes place in a future Akihabara where otaku culture has declined. Players play as a shopkeeper of an otaku shop. Together with the heroines who are in fact otaku girls, the shopkeeper start helping people claim their lost otaku memories back. -- -- (Source: QooApp) -- -- Licensor: -- Sentai Filmworks -- 16,700 5.11
Ping Pong the Animation -- -- Tatsunoko Production -- 11 eps -- Manga -- Drama Psychological Seinen Sports -- Ping Pong the Animation Ping Pong the Animation -- "The hero comes. The hero comes. The hero comes. Chant these words in your mind, and I'll surely come to you..." This mantra is what Makoto Tsukimoto repeats as a source of motivation when he fights through the stress of not only grueling ping pong matches, but also in situations of his life. Makoto doesn't fight alone; he and his friend, Yutaka Hoshino, nicknamed Smile and Peco respectively, are two boys who have grown up playing ping pong together nearly every day. Peco, brimming with confidence, aims to be the best table tennis player in the world; Smile, on the other hand, shows little ambition. Nevertheless, the two have always stuck together, with a bond built upon their mutual love for this sport. -- -- Every year, students from all across Japan gather for the inter-high table tennis competition to achieve national and international stardom. Through intense training and competition, only the very best persevere. -- -- From the avant-garde director of Tatami Galaxy, Masaaki Yuasa, Ping Pong the Animation serves a tale of ambition with its fair share of bumps along the way. Whatever the odds, Peco and Smile will face them together. -- -- -- Licensor: -- Funimation -- 281,560 8.62
Saint Seiya -- -- Toei Animation -- 114 eps -- Manga -- Adventure Fantasy Sci-Fi Shounen -- Saint Seiya Saint Seiya -- In ancient times, a group of young men devoted their lives to protecting Athena, the Goddess of Wisdom and War. These men were capable of fighting without weapons—a swing of their fist alone was powerful enough to rip the very sky apart and shatter the earth beneath them. These brave heroes became known as Saints, as they could summon up the power of the Cosmos from within themselves. -- -- Now, in present day, a new generation of Saints is about to come forth. The young and spirited Seiya is fighting a tough battle for the Sacred Armor of Pegasus, and he isn't about to let anyone get in the way of him and his prize. Six years of hard work and training pay off with his victory and new title as one of Athena's Saints. -- -- But Seiya's endeavor doesn't end there. In fact, plenty of perils and dangerous enemies face him and the rest of the Saints throughout the series. What new quests await the heroes of the epic Saint Seiya saga? -- -- Licensor: -- ADV Films, DiC Entertainment, Flatiron Film Company -- TV - Oct 11, 1986 -- 149,298 7.76
Saint Seiya -- -- Toei Animation -- 114 eps -- Manga -- Adventure Fantasy Sci-Fi Shounen -- Saint Seiya Saint Seiya -- In ancient times, a group of young men devoted their lives to protecting Athena, the Goddess of Wisdom and War. These men were capable of fighting without weapons—a swing of their fist alone was powerful enough to rip the very sky apart and shatter the earth beneath them. These brave heroes became known as Saints, as they could summon up the power of the Cosmos from within themselves. -- -- Now, in present day, a new generation of Saints is about to come forth. The young and spirited Seiya is fighting a tough battle for the Sacred Armor of Pegasus, and he isn't about to let anyone get in the way of him and his prize. Six years of hard work and training pay off with his victory and new title as one of Athena's Saints. -- -- But Seiya's endeavor doesn't end there. In fact, plenty of perils and dangerous enemies face him and the rest of the Saints throughout the series. What new quests await the heroes of the epic Saint Seiya saga? -- TV - Oct 11, 1986 -- 149,298 7.76
Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru -- -- White Fox -- 12 eps -- Light novel -- Action Adventure Comedy Fantasy -- Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru -- There is a popular saying: "you can never be too careful." It is very important to prepare for every situation you may face, even if it seems like an unnecessary waste of time. Also, in games like RPGs, it is good to exceed the level of your enemies to achieve total victory. -- -- These words describe Seiya Ryuuguuin a little too perfectly. After being summoned by the goddess Ristarte to save the world of Gaeabrande from destruction, the hero prepares himself for his noble journey. While this might be normal, he spends a very long time training himself, despite having overpowered stats. He fights weak enemies using his strongest skills and buys excessive amounts of supplies and potions—all to stay safe. -- -- While his attitude may be a bit annoying, it might just be the saving grace of Gaeabrande, especially considering that it is a world where the forces of evil dominate each and every expectation. -- -- 383,578 7.53
Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru -- -- White Fox -- 12 eps -- Light novel -- Action Adventure Comedy Fantasy -- Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru Shinchou Yuusha: Kono Yuusha ga Ore Tueee Kuse ni Shinchou Sugiru -- There is a popular saying: "you can never be too careful." It is very important to prepare for every situation you may face, even if it seems like an unnecessary waste of time. Also, in games like RPGs, it is good to exceed the level of your enemies to achieve total victory. -- -- These words describe Seiya Ryuuguuin a little too perfectly. After being summoned by the goddess Ristarte to save the world of Gaeabrande from destruction, the hero prepares himself for his noble journey. While this might be normal, he spends a very long time training himself, despite having overpowered stats. He fights weak enemies using his strongest skills and buys excessive amounts of supplies and potions—all to stay safe. -- -- While his attitude may be a bit annoying, it might just be the saving grace of Gaeabrande, especially considering that it is a world where the forces of evil dominate each and every expectation. -- -- -- Licensor: -- Funimation -- 383,578 7.53
Shinmai Maou no Testament -- -- Production IMS -- 12 eps -- Light novel -- Action Ecchi Fantasy Romance Harem Demons -- Shinmai Maou no Testament Shinmai Maou no Testament -- Running into your new stepsister in the bathroom is not the best way to make a good first impression, which Basara Toujou learns the hard way. When his father suddenly brings home two beautiful girls and introduces them as his new siblings, he has no choice but to accept into his family the Naruse sisters: busty redhead Mio and petite silver-haired Maria. -- -- But when these seemingly normal girls reveal themselves as demons—Mio the former Demon Lord's only daughter and Maria her trusted succubus servant—Basara is forced to reveal himself as a former member of a clan of "Heroes," sworn enemies of the demons. However, having begun to care for his new sisters, Basara instead decides to protect them with his powers and forms a master-servant contract with Mio to keep watch over her. -- -- With the Heroes observing his every move and the constant threat of hostile demons, Basara has to do the impossible to protect his new family members. Moreover, the protector himself is hiding his own dark secret that still haunts him to this day... -- -- -- Licensor: -- Crunchyroll, Funimation -- 501,096 6.78
Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shima -- -- Studio Flad, Wolfsbane -- ? eps -- Light novel -- Adventure Slice of Life Fantasy -- Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shima Shin no Nakama ja Nai to Yuusha no Party wo Oidasareta node, Henkyou de Slow Life suru Koto ni Shima -- A heroic and mighty adventurer dreams of...opening a pharmacy? -- -- Red was once a member of the Hero's party, a powerful group destined to save the world from the evil forces of Taraxon, the Raging Demon Lord. That is, until one of his comrades kicked him out. Hoping to live the easy life on the frontier, Red's new goal is to open an apothecary. However, keeping the secret of his former life may not be as simple as he thinks. Especially when the beautiful Rit, an adventurer from his past, shows up and asks to move in with him! -- -- (Source: Yen Press) -- TV - Jul ??, 2021 -- 12,587 N/A -- -- Takamiya Nasuno Desu!: Teekyuu Spin-off -- -- Millepensee -- 12 eps -- Manga -- Slice of Life Comedy Shounen -- Takamiya Nasuno Desu!: Teekyuu Spin-off Takamiya Nasuno Desu!: Teekyuu Spin-off -- A spin-off from Teekyuu which centers on the daily life of Nasuno Takamiya, the "exceedingly airheaded" school tennis club member in Teekyuu, and her friends. -- 12,565 6.43
Sidonia no Kishi -- -- Polygon Pictures -- 12 eps -- Manga -- Action Mecha Sci-Fi Seinen Space -- Sidonia no Kishi Sidonia no Kishi -- After destroying Earth many years ago, the alien race Gauna has been pursuing the remnants of humanity—which, having narrowly escaped, fled across the galaxy in a number of giant seed ships. In the year 3394, Nagate Tanikaze surfaces from his lifelong seclusion deep beneath the seed ship Sidonia in search of food on the upper levels, only to find himself dragged into events unfolding without his knowledge. -- -- When the Gauna begin their assault on Sidonia, it's up to Tanikaze—with the help of his fellow soldiers and friends Shizuka Hoshijiro, Izana Shinatose, and Yuhata Midorikawa—to defend humanity's last hope for survival, and defeat their alien foes. Sidonia no Kishi follows Tanikaze as he discovers the world that has been above him his entire life, and becomes the hero Sidonia needs. -- -- -- Licensor: -- Sentai Filmworks -- TV - Apr 11, 2014 -- 200,208 7.68
Super Dragon Ball Heroes -- -- Toei Animation -- ? eps -- Game -- Action Comedy Super Power Martial Arts Fantasy Shounen -- Super Dragon Ball Heroes Super Dragon Ball Heroes -- In May 2018, V-Jump announced a promotional anime for Dragon Ball Heroes, a Japanese arcade and trading card game that has never been released in the West. The anime is expected to be short and it is not expected to broadcast on TV. It will adapt the game's Prison Planet Arc, fully detailed in the Heroes manga published in Saikyou Jump, which has never been published in English. The first episode will debut July 1, 2018 at Aeon Lake Town. -- ONA - Jul 1, 2018 -- 54,053 5.28
Tate no Yuusha no Nariagari -- -- Kinema Citrus -- 25 eps -- Light novel -- Action Adventure Drama Fantasy -- Tate no Yuusha no Nariagari Tate no Yuusha no Nariagari -- The Four Cardinal Heroes are a group of ordinary men from modern-day Japan summoned to the kingdom of Melromarc to become its saviors. Melromarc is a country plagued by the Waves of Catastrophe that have repeatedly ravaged the land and brought disaster to its citizens for centuries. The four heroes are respectively bestowed a sword, spear, bow, and shield to vanquish these Waves. Naofumi Iwatani, an otaku, becomes cursed with the fate of being the "Shield Hero." Armed with only a measly shield, Naofumi is belittled and ridiculed by his fellow heroes and the kingdom's people due to his weak offensive capabilities and lackluster personality. -- -- When the heroes are provided with resources and comrades to train with, Naofumi sets out with the only person willing to train alongside him, Malty Melromarc. He is soon betrayed by her, however, and becomes falsely accused of taking advantage of her. Naofumi then becomes heavily discriminated against and hated by the people of Melromarc for something he didn't do. With a raging storm of hurt and mistrust in his heart, Naofumi begins his journey of strengthening himself and his reputation. Further along however, the difficulty of being on his own sets in, so Naofumi buys a demi-human slave on the verge of death named Raphtalia to accompany him on his travels. -- -- As the Waves approach the kingdom, Naofumi and Raphtalia must fight for the survival of the kingdom and protect the people of Melromarc from their ill-fated future. -- -- -- Licensor: -- Funimation -- 980,884 8.00
Yoru no Yatterman -- -- Tatsunoko Production -- 12 eps -- Original -- Action Adventure Comedy Drama -- Yoru no Yatterman Yoru no Yatterman -- Several generations after the original Yatterman series, Leopard lives with her mother and guardians, Dorothy, Voltkatze, and Elephantus, just outside the prosperous Yatter Kingdom. She lives a happy if impoverished life, unaware of her ancestral ties to the infamous Doronbow Gang, until she discovers a mural of Doronjo, Boyacky, and Tonzura in a sealed off area of her home. It turns out that Dorothy, Voltkatze, and Elephantus are descendants of the villainous gangsters, which is why they have been forbidden from entering the hero Yatterman's Kingdom! -- -- At first, Leopard vows to never engage in villainous actions like her ancestors, but new circumstances may mean that she must go back on her word, donning the identity of villain in search of true justice. -- 29,532 6.51
Yoru no Yatterman -- -- Tatsunoko Production -- 12 eps -- Original -- Action Adventure Comedy Drama -- Yoru no Yatterman Yoru no Yatterman -- Several generations after the original Yatterman series, Leopard lives with her mother and guardians, Dorothy, Voltkatze, and Elephantus, just outside the prosperous Yatter Kingdom. She lives a happy if impoverished life, unaware of her ancestral ties to the infamous Doronbow Gang, until she discovers a mural of Doronjo, Boyacky, and Tonzura in a sealed off area of her home. It turns out that Dorothy, Voltkatze, and Elephantus are descendants of the villainous gangsters, which is why they have been forbidden from entering the hero Yatterman's Kingdom! -- -- At first, Leopard vows to never engage in villainous actions like her ancestors, but new circumstances may mean that she must go back on her word, donning the identity of villain in search of true justice. -- -- Licensor: -- Funimation -- 29,532 6.51
Youkoso! Sukebe Elf no Mori e -- -- T-Rex -- 4 eps -- Visual novel -- Harem Hentai Supernatural Fantasy -- Youkoso! Sukebe Elf no Mori e Youkoso! Sukebe Elf no Mori e -- Alfheim, a world of elves where women only exist. The world Shrine, the source of all the elves' magical power, has started to fade and the race was in danger of extinction. Then there is a prophecy that a man from another world is destined to be the savior of the elven race. And it was not too long the hero is now brought to the world of Elves... -- -- The elves ruled they must survive by child-making with the hero. But many of the other elves refused this vulgar decision and so the elves divided into groups: Those who disdain child-making with a man and those who choose to accept the fact. But those who accepted have discovered something: It turns out if they have sex with the hero and acquire semen into their bodies, their magic powers increases. So they proceed to milk him dry... -- -- (Source: DLsite) -- OVA - Feb 2, 2018 -- 16,779 7.54
Ys -- -- Tokyo Kids -- 7 eps -- Game -- Action Adventure Demons Drama Fantasy Magic -- Ys Ys -- Mythical beasts lay siege on the people of Esteria, who have raised an army to fight back. The beasts are relentless and seemingly have no end to their numbers, while the population of defenders dwindle in every skirmish. Even in the town of Minea, where the people are safely nestled behind castle walls, the constant attacks have left them hopeless. It is then that a prophecy is made, proclaiming the arrival of a brave young soul that could be the one who will bring their salvation. -- -- Ys follows Adol Christin, an adventurer driven by wanderlust towards the island of Esteria, who washes up on shore after a shipwreck. Following the guidance of the fortuneteller Sarah Tovah, he and his allies will travel the island in search of the legendary tomes known as the Books of Ys. It will be a long and perilous journey, but if fate is truly at work then Adol will certainly be the hero who returns peace to Esteria. -- -- Licensor: -- Media Blasters -- OVA - Nov 21, 1989 -- 6,790 6.48
Yuuki Yuuna wa Yuusha de Aru -- -- Studio Gokumi -- 12 eps -- Original -- Slice of Life Psychological Drama Magic Fantasy -- Yuuki Yuuna wa Yuusha de Aru Yuuki Yuuna wa Yuusha de Aru -- In her everyday life, Yuuna Yuuki is a hero. As proof, she is in her middle school's Hero Club, where she does her best to help others and bring a smile to everyone's face. -- -- But Yuuna, always up to any task, is about to become an even bigger hero. Mysterious destructive forces called Vertexes begin threatening the world she loves, and the Hero Club is called upon by a strange phone app to save it. Along with her best friend Mimori Tougou, as well as sisters Fuu and Itsuki Inubouzaki, they must transform into magical girls in order to battle the Vertexes. -- -- In between studying and putting on shows for kids, Yuuna and the Hero Club must fight for the very existence of their world and face the harsh truths behind their own powers, all the while discovering what it truly means to be a hero. -- -- 122,692 7.37
Yuuki Yuuna wa Yuusha de Aru -- -- Studio Gokumi -- 12 eps -- Original -- Slice of Life Psychological Drama Magic Fantasy -- Yuuki Yuuna wa Yuusha de Aru Yuuki Yuuna wa Yuusha de Aru -- In her everyday life, Yuuna Yuuki is a hero. As proof, she is in her middle school's Hero Club, where she does her best to help others and bring a smile to everyone's face. -- -- But Yuuna, always up to any task, is about to become an even bigger hero. Mysterious destructive forces called Vertexes begin threatening the world she loves, and the Hero Club is called upon by a strange phone app to save it. Along with her best friend Mimori Tougou, as well as sisters Fuu and Itsuki Inubouzaki, they must transform into magical girls in order to battle the Vertexes. -- -- In between studying and putting on shows for kids, Yuuna and the Hero Club must fight for the very existence of their world and face the harsh truths behind their own powers, all the while discovering what it truly means to be a hero. -- -- -- Licensor: -- Ponycan USA -- 122,692 7.37
Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. -- -- Asread -- 12 eps -- Light novel -- Comedy Romance Ecchi Fantasy -- Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. -- Dreaming of becoming a hero and vanquishing the Demon King, Raul Chaser enters the Hero Training Program in pursuit of his ambition. However, when the Demon King is defeated and peace returns to the world, the Hero Training Program is suspended indefinitely, making it impossible for anyone to become a hero. -- -- Two years later, Raul reluctantly works at a small electronics store called Magic Shop Leon. Though the former hero-in-training is plagued by the mundanity of working in retail, everything changes with the arrival of a new hire. Appearing at first to be just a boy with good looks, "he" turns out to be a female demon by the name of Fino Bloodstone. She is not just any old demon either—Raul's new coworker is in fact the daughter of the late Demon King! Handed the responsibility of training this eccentric new employee, Raul soon finds his life becoming livelier than it ever was before. -- -- 244,737 6.89
Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. -- -- Asread -- 12 eps -- Light novel -- Comedy Romance Ecchi Fantasy -- Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. Yuusha ni Narenakatta Ore wa Shibushibu Shuushoku wo Ketsui Shimashita. -- Dreaming of becoming a hero and vanquishing the Demon King, Raul Chaser enters the Hero Training Program in pursuit of his ambition. However, when the Demon King is defeated and peace returns to the world, the Hero Training Program is suspended indefinitely, making it impossible for anyone to become a hero. -- -- Two years later, Raul reluctantly works at a small electronics store called Magic Shop Leon. Though the former hero-in-training is plagued by the mundanity of working in retail, everything changes with the arrival of a new hire. Appearing at first to be just a boy with good looks, "he" turns out to be a female demon by the name of Fino Bloodstone. She is not just any old demon either—Raul's new coworker is in fact the daughter of the late Demon King! Handed the responsibility of training this eccentric new employee, Raul soon finds his life becoming livelier than it ever was before. -- -- -- Licensor: -- Sentai Filmworks -- 244,737 6.89
Amory's Tribute to the Heroes of 18611865
Banished from the Heroes' Party
Book:Protest the Hero
Calling All the Heroes
Cautious Hero: The Hero Is Overpowered but Overly Cautious
Crayon Shin-chan: Fierceness That Invites Storm! The Hero of Kinpoko
Cross to the Heroic Valour in Combat
Fortress (Protest the Hero album)
Fuzzy the Hero
Home Is the Hero
Hyro the Hero
Jiraiya the Hero
List of Antarctic exploration ships from the Heroic Age, 18971922
List of The Heroic Legend of Arslan episodes
Mahavira: The Hero of Nonviolence
Mistborn: The Hero of Ages
Monument to the heroes of Perekop
Monument to the Heroes of the Air
Monument to the Heroes of the Black Army
Monument to the Heroes of the Engineer Arm
My Father the Hero
My Father the Hero (1991 film)
My Son, the Hero
National Pantheon of the Heroes
Nike Crowns the Hero
N.O.V.A. 2: The Hero Rises Again
On Heroes, Hero-Worship, and The Heroic in History
Prinny: Can I Really Be the Hero?
Protest the Hero
Return of the Hero
Summon the Heroes
Sven Tuuva the Hero
The City of the Heroes
The Eye of the Heron
The Golden Fleece and the Heroes Who Lived Before Achilles
The Hero
The Hero's Journey (disambiguation)
The Hero's Journey (film)
The Hero (2004 film)
The Hero and the Crown
The Heroes
The Heroes' Code
The Heroes (1973 film)
The Heroes (1994 film)
The Heroes (miniseries)
The Heroes Of Karn
The Heroes of Olympus
The Heroes of Telemark
The Heroes of the Legion
The Heroic Age (journal)
The Heroic Age of American Invention
The Heroic Captain Korkorn
The Heroic Legend of Arslan
The Heroic Ones
The Heroic Pioneers
The Heroic Quest of the Valiant Prince Ivandoe
The Heroic Trio
The Heroin Busters
The Heroin Diaries
The Heroin Diaries: A Year in the Life of a Shattered Rock Star
The Heroin Diaries Soundtrack
The Heroine of the Yangs
The Heroine Sheiks
The Hero Initiative
The Hero of Color City
The Hero of Every Girl's Dream
The Hero of Little Italy
The Hero of My Dreams
The Hero of Women
The Hero Trilogy
The Hero with a Thousand Faces
The Legend and the Hero
The Legend and the Hero 2
Theme of the Traitor and the Hero
The Myth of the Birth of the Hero
The Time of the Hero
Too Late the Hero
Too Late the Hero (album)
Toto the Hero
U Kathe Hero
User:Dimka328/Eternal memory and glory to the heroes of the Great Patriotic War!
We Are the Heroes
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