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object:the Fashioners
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DEMIURGE WIKI
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term demiurge. Although a fashioner, the demiurge is not necessarily the same as the creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered to be consequences of something else. Depending on the system, they may be considered to be either uncreated and eternal or the product of some other entity.

The word demiurge is an English word derived from demiurgus, a Latinised form of the Greek. It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's Timaeus, written c. 360 BC, where the demiurge is presented as the creator of the universe. The demiurge is also described as a creator in the Platonic and Middle Platonic philosophical traditions. In the various branches of the Neoplatonic school (third century onwards), the demiurge is the fashioner of the real, perceptible world after the model of the Ideas, but (in most Neoplatonic systems) is still not itself "the One". In the arch-dualist ideology of the various Gnostic systems, the material universe is evil, while the non-material world is good. According to some strains of Gnosticism, the demiurge is malevolent, as it is linked to the material world. In others, including the teaching of Valentinus, the demiurge is simply ignorant or misguided.

ARCHONS GNOSTICISM WIKI
Archons are, in Gnosticism and religions closely related to it, the builders of the physical universe. Among the Archontics, Ophites, Sethians and in the writings of Nag Hammadi library, the archons are rulers, each related to one of seven planets; they prevent souls from leaving the material realm. The political connotation of their name reflects rejection of the governmental system, as flawed without chance of true salvation.[1] In Manichaeism, the archons are the rulers of a realm within the 'Kingdom of Darkness', who together make up the Prince of Darkness.


see also ::: Demiurge, Archons, Gods, planes,

see also ::: Archons, Demiurge, Gods, planes

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO

Archons
Demiurge
Gods
planes

AUTH

BOOKS
The_Seals_of_Wisdom

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.03_-_Upanishadic_Symbolism
0.00_-_INTRODUCTION
01.04_-_The_Poetry_in_the_Making
1.00_-_Main
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_The_Refusal_of_the_Call
17.06_-_Hymn_of_the_Supreme_Goddess
1953-07-08
1954-08-11_-_Division_and_creation_-_The_gods_and_human_formations_-_People_carry_their_desires_around_them
1955-04-13_-_Psychoanalysts_-_The_underground_super-ego,_dreams,_sleep,_control_-_Archetypes,_Overmind_and_higher_-_Dream_of_someone_dying_-_Integral_repose,_entering_Sachchidananda_-_Organising_ones_life,_concentration,_repose
1.jr_-_Did_I_Not_Say_To_You
2.02_-_Indra,_Giver_of_Light
34.01_-_Hymn_To_Indra
34.02_-_Hymn_To_All-Gods
BOOK_II._--_PART_I._ANTHROPOGENESIS.
Prayers_and_Meditations_by_Baha_u_llah_text
Tablets_of_Baha_u_llah_text

PRIMARY CLASS

person
SIMILAR TITLES
the Fashioners

DEFINITIONS


TERMS STARTING WITH


TERMS ANYWHERE

Spark, Sacred Used in the Stanzas of Dzyan in reference to the early history of the human race, and particularly to its intellectual evolution. It means the manas principle, which was awakened in man on this globe by the manasaputras at about the midpoint of the third root-race. The fashioners of astral and physical man, the barhishad pitris, had brought the physical human being in evolutionary development to the point where mind could be contained and function therein: beings from an intellectual line of cosmic evolution, the manasaputras, awakened the intellectual spark in early humanity, and man thereafter became a reasoning, thinking, and intellectually and morally responsible entity.

The agnishvattas signify our ancestral solar selves in contradistinction to the barhishads, our lunar ancestors. The agnishvattas are variously spoken of in The Secret Doctrine as the fashioners of the inner man, manasa-dhyanis (lords of mind), solar devas, sons of the flame of wisdom, givers of human intelligence and consciousness, and fire-dhyanis. In ancient Greece they were collectively personified by the epic figure of Prometheus, and in China by the Fiery Dragons of Wisdom.



QUOTES [1 / 1 - 1 / 1]


KEYS (10k)

   1 The Mother

NEW FULL DB (2.4M)


1:What is "the heavenly archetype of the lotus"?
  
It means the primal idea of the lotus.
   Each thing that is expressed physically was conceived somewhere before being realised materially.
   There is an entire world which is the world of the fashioners, where all conceptions are made. And this world is very high, much higher than all the worlds of the mind; and from there these formations, these creations, these types which have been conceived by the fashioners come down and are expressed in physical realisations. And there is always a great distance between the perfection of the idea and what is materialised. Very often the materialised things are like caricatures in comparison with the primal idea. This is what he calls the archetype. This takes place in worlds... not always the same ones, it depends on the things; but for many things in the physical, the primal ideas, these archetypes, were in what Sri Aurobindo calls the Overmind.
   But there is a still higher domain than this where the origins are still purer, and if one reaches this, attains this, one finds the absolutely pure types of what is manifested upon earth. And then it is very interesting to compare, to see to what an extent earthly creation is a frightful distortion. And moreover, it is only when one can reach these regions and see the reality of things in their essence that one can work with knowledge to transform them here; otherwise on what can we take our stand to conceive a better world, more perfect, more beautiful than the existing one? It can't be on our imagination which is itself something very poor and very material. But if one can enter that consciousness, rise right up to these higher worlds of creation, then with this in one's consciousness one can work at making material things take their real form. ~ The Mother, Questions And Answers 1955, 121,

*** WISDOM TROVE ***

*** NEWFULLDB 2.4M ***

1:What is "the heavenly archetype of the lotus"?
  
It means the primal idea of the lotus.
   Each thing that is expressed physically was conceived somewhere before being realised materially.
   There is an entire world which is the world of the fashioners, where all conceptions are made. And this world is very high, much higher than all the worlds of the mind; and from there these formations, these creations, these types which have been conceived by the fashioners come down and are expressed in physical realisations. And there is always a great distance between the perfection of the idea and what is materialised. Very often the materialised things are like caricatures in comparison with the primal idea. This is what he calls the archetype. This takes place in worlds... not always the same ones, it depends on the things; but for many things in the physical, the primal ideas, these archetypes, were in what Sri Aurobindo calls the Overmind.
   But there is a still higher domain than this where the origins are still purer, and if one reaches this, attains this, one finds the absolutely pure types of what is manifested upon earth. And then it is very interesting to compare, to see to what an extent earthly creation is a frightful distortion. And moreover, it is only when one can reach these regions and see the reality of things in their essence that one can work with knowledge to transform them here; otherwise on what can we take our stand to conceive a better world, more perfect, more beautiful than the existing one? It can't be on our imagination which is itself something very poor and very material. But if one can enter that consciousness, rise right up to these higher worlds of creation, then with this in one's consciousness one can work at making material things take their real form. ~ The Mother, Questions And Answers 1955, 121,

IN CHAPTERS [5/5]



   2 Integral Yoga
   1 Yoga
   1 Psychology
   1 Mythology


   2 The Mother




0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   Sri Ramakrishna also became acquainted with a number of people whose scholarship or wealth entitled them everywhere to respect. He had met, a few years before, Devendranath Tagore, famous all over Bengal for his wealth, scholarship, saintly character, and social position. But the Master found him disappointing; for, whereas Sri Ramakrishna expected of a saint complete renunciation of the world, Devendranath combined with his saintliness a life of enjoyment. Sri Ramakrishna met the great poet Michael Madhusudan, who had embraced Christianity "for the sake of his stomach". To him the Master could not impart instruction, for the Divine Mother "pressed his tongue". In addition he met Maharaja Jatindra Mohan Tagore, a titled aristocrat of Bengal; Kristodas Pal, the editor, social reformer, and patriot; Iswar Vidyasagar, the noted philanthropist and educator; Pundit Shashadhar, a great champion of Hindu orthodoxy; Aswini Kumar Dutta, a headmaster, moralist, and leader of Indian Nationalism; and Bankim Chatterji, a deputy magistrate, novelist, and essayist, and one of the Fashioners of modern Bengali prose. Sri Ramakrishna was not the man to be dazzled by outward show, glory, or eloquence. A pundit without discrimination he regarded as a mere straw. He would search people's hearts for the light of God, and if that was missing he would have nothing to do with them.
   --- KRISTODAS PAL

1.02 - The Refusal of the Call, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  This is indeed a dull and unrewarding finish. Apollo, the sun, the lord of time and ripeness, no longer pressed his frightening suit, but instead, simply named the laurel his favorite tree and ironically recommended its leaves to the Fashioners of victory wreaths. The girl had retreated to the image of her parent and there found protectionlike the unsuccessful husb and whose dream of mother love preserved him from the state of cleaving to a wife.
  The literature of psychoanalysis abounds in examples of such desperate fixations. What they represent is an impotence to put off the infantile ego, with its sphere of emotional relationships and ideals. One is bound in by the walls of childhood; the father and mother stand as threshold guardians, and the timorous soul, fearful of some punishment, fails to make the passage through the door and come to birth in the world without.

1953-07-08, #Questions And Answers 1953, #The Mother, #Integral Yoga
   Perhaps, if we say that these insects are moved by the spirit of the species which in itself is conscious and has a conscious will, we can then say that all these imaginations (I give you this one instance, but there are any number of them as terrible, as monstrous for our human consciousness), all these beings, fashioners, who have created these insects must be frightful beings (dont you think so?) and have a perverse and diabolical imagination. It is quite possible, for indeed it is said that the origin of the insect species is a vital origin, that the Fashioners are those of a vital type, that is, beings who not only symbolise but represent and live upon the ill-will in the world. These are very conscious of their ill-will, and it is deliberate. The ill-will of men is usually only a kind of reflectionan imitation or a reflectionof the will of the beings of the vital, a will clearly hostile to creation, a will to make things as painful, as ugly, as sorrowful, as monstrous as possible. It is said that it is these who have created insects, and so the insect species would perhaps be But they do not wilfully represent evil, you understand, they are moved by an unconscious instinct. They do not do evil intentionally. They do it because it is in their nature. What I call ill-will is truly the will to do evil for the sake of doing evil, destroying for the sake of destroying, harming for harmings sake and taking pleasure in the fact of doing evil. That really is ill-will. Egoism, I do believe, begins with the birth of mind. I cant tell for certain, for always new things are being found. But what I have seen of the animal species, specially of the higher animals, may be the instinct of preservation, may be violence, obscure and brutal reactions, but is that truly what is called ill-will? It is possible. If someone were to tell me a story he has witnessed which proves the opposite, I am ready to admit it but for the time being I havent seen it. All that I know of animals is their instinct which pushes them into action, but they dont have that perversity thats in the human mind. I believe it is with this kind of mental functioning and under the direct influence of the vital that man has become an ill-willed being. The Titans are ill-willed beings but the Titans are beings of the vital world manifested in the forces of Nature: they want to do evil for the pleasure of doing it, to destroy for the pleasure of destroying.
   People always speak about the wickedness of cats, for instance, playing with the mouse before eating it. Thats an example given to children; but I have seen cats. I know what they do. It is not at all true. They dont do this at all through malice. Usually it happens like this: the mother-cat hunts for the little ones and catches a mouse. If it were to give the mouse immediately to the kittens to eat, they wouldnt be able to eat it, for it is hard, tough, and they dont have the capacity to eat such hard, tough flesh. Besides, it is also bad when it is like that. So they play with it (they seem to be playing with it), they toss it about, roll it, catch it, let it run, run after it, until it is very nicely softened. And then, when it is well softened, ready for eating, and the meat already worked upon, then they give it to the little ones who can now eat it. But certainly they dont go and play with the mouse for the pleasure of playing! They hunt first, you see, and then prepare the dinner. They have neither furnace nor fire to cook and soften the thing. They must prepare it and make it ready for eating.

1955-04-13 - Psychoanalysts - The underground super-ego, dreams, sleep, control - Archetypes, Overmind and higher - Dream of someone dying - Integral repose, entering Sachchidananda - Organising ones life, concentration, repose, #Questions And Answers 1955, #The Mother, #Integral Yoga
  There is an entire world which is the world of the Fashioners, where all conceptions are made. And this world is very high, much higher than all the worlds of the mind; and from there these formations, these creations, these types which have been conceived by the Fashioners come down and are expressed in physical realisations. And there is always a great distance between the perfection of the idea and what is materialised. Very often the materialised things are like caricatures in comparison with the primal idea. This is what he calls the archetype. This takes place in worlds not always the same ones, it depends on the things; but for many things in the physical, the primal ideas, these archetypes, were in what Sri Aurobindo calls the Overmind.
  But there is a still higher domain than this where the origins are still purer, and if one reaches this, attains this, one finds the absolutely pure types of what is manifested upon earth. And then it is very interesting to compare, to see to what an extent earthly creation is a frightful distortion. And moreover, it is only when one can reach these regions and see the reality of things in their essence that one can work with knowledge to transform them here; otherwise on what can we take our stand to conceive a better world, more perfect, more beautiful than the existing one? It cant be on our imagination which is itself something very poor and very material. But if one can enter that consciousness, rise right up to these higher worlds of creation, then with this in ones consciousness one can work at making material things take their real form.

BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
  since they were the Fashioners of the first differentiations of the primary Cosmic substance for the
  creation of the phenomenal Universe. Therefore Jehovah was called by the Gnostics the Creator of,

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