classes ::: time,
children :::
branches ::: the Dawn

bookmarks: Instances - Definitions - Quotes - Chapters - Wordnet - Webgen


object:the Dawn
the Dawn of the Divine Moment

--- NOTES
  I pray, pray, pray that I may live a while longer, 7 years if not 30 or 60 more. I feel like I am nearing perhaps publication, or into the world stage of actualization of this project and it is very exciting.
--- QUOTES
vision of God follows the rosy dawn ::: Longing is like the rosy dawn. After the dawn out comes the sun. Longing is followed by the vision of God. ~ Sri Ramakrishna
dreamers see the dawn ::: A dreamer is man who can find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Oscar Wilde
Usha brings the dawn ::: She follows to the goal of those that are passing on beyond, she is the first in the eternal succession of the dawns that are coming, - Usha widens bringing out that which lives, awakening someone who was dead. . . . What is her scope when she harmonises with the dawns that shone out before and those that now must shine? She desires the ancient mornings and fulfils their light; projecting forwards her illumination she enters into communion with the rest that are to come. ~ Sri Aurobindo, The Life Divine, [Kutsu Angirasa - Rig Veda I. 113. 8, 10
the Sons of Heaven discovered the Dawn :::
He found the vast Thought with seven heads that is born of the Truth; he created some fourth world and became universal. . .
  The Sons of Heaven, the Heroes of the Omnipotent, thinking the straight thought, giving voice to the Truth, founded the plane of illumination and conceived the first abode of the Sacrifice. . . . The Master of Wisdom cast down the stone defences and called to the Herds of Light, . . . the herds that stand in the secrecy on the bridge over the Falsehood between two worlds below and one above; desiring Light in the darkness, he brought upward the Ray-Herds and uncovered from the veil the three worlds; he shattered the city that lies hidden in ambush, and cut the three out of the Ocean, and discovered the Dawn and the Sun and the Light and the Word of Light. Rig Veda.2 ~ Sri Aurobindo, The Life Divine, Out of the Sevenfold Ignorance towards the Sevenfold Knowledge

Lords of the Dawn read the language of symbolism ::: When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men. They shall then know truth and, more than that, they shall realize that from the beginning truth has been in the world unrecognized, save by a small but gradually increasing number appointed by the Lords of the Dawn as ministers to the needs of human creatures struggling co regain their consciousness of divinity. ~ Manly P Hall
The owl of Minerva begins its flight only with the coming of the dusk. ~ Georg Wilhelm Friedrich
Hegel

see also ::: the Golden Day, the Dusk, the Night, the Future

class:time

see also ::: the_Dusk, the_Future, the_Golden_Day, the_Night

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO

the_Dusk
the_Future
the_Golden_Day
the_Night

AUTH

BOOKS
Evolution_II
Modern_Man_in_Search_of_a_Soul
Mysticism_at_the_Dawn_of_the_Modern_Age
Process_and_Reality
The_Act_of_Creation
The_Divine_Companion
The_Imitation_of_Christ
The_Seals_of_Wisdom
The_Secret_Of_The_Veda
The_Yoga_Sutras
Thus_Spoke_Zarathustra
Toward_the_Future

IN CHAPTERS TITLE
1.12_-_The_Herds_of_the_Dawn
1.wby_-_The_Dawn

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
00.02_-_Mystic_Symbolism
00.03_-_Upanishadic_Symbolism
0.00_-_The_Book_of_Lies_Text
0.01f_-_FOREWARD
0.07_-_DARK_NIGHT_OF_THE_SOUL
01.01_-_The_New_Humanity
01.03_-_Mystic_Poetry
01.03_-_The_Yoga_of_the_King_-_The_Yoga_of_the_Souls_Release
01.13_-_T._S._Eliot:_Four_Quartets
0.11_-_Letters_to_a_Sadhak
0_1962-12-28
0_1963-12-07_-_supramental_ship
0_1964-01-29
0_1970-03-14
02.01_-_The_World_War
02.11_-_Hymn_to_Darkness
02.13_-_Rabindranath_and_Sri_Aurobindo
03.10_-_The_Mission_of_Buddhism
04.08_-_To_the_Heights_VIII_(Mahalakshmi)
05.03_-_Satyavan_and_Savitri
05.06_-_The_Role_of_Evil
06.02_-_The_Way_of_Fate_and_the_Problem_of_Pain
1.00e_-_DIVISION_E_-_MOTION_ON_THE_PHYSICAL_AND_ASTRAL_PLANES
1.00_-_Main
1.01_-_Economy
1.01_-_Fundamental_Considerations
1.01_-_MASTER_AND_DISCIPLE
1.01_-_Seeing
1.01_-_the_Call_to_Adventure
1.01_-_The_Human_Aspiration
1.02_-_MAPS_OF_MEANING_-_THREE_LEVELS_OF_ANALYSIS
1.02_-_The_Age_of_Individualism_and_Reason
1.02_-_The_Doctrine_of_the_Mystics
1.02_-_The_Eternal_Law
1.02_-_Where_I_Lived,_and_What_I_Lived_For
1.03_-_Hymns_of_Gritsamada
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.05_-_2010_and_1956_-_Doomsday?
1.05_-_BOOK_THE_FIFTH
1.05_-_Hymns_of_Bharadwaja
1.05_-_Vishnu_as_Brahma_creates_the_world
1.06_-_Hymns_of_Parashara
1.06_-_Man_in_the_Universe
1.07_-_Note_on_the_word_Go
1.07_-_THE_GREAT_EVENT_FORESHADOWED_-_THE_PLANETIZATION_OF_MANKIND
1.08_-_SOME_REFLECTIONS_ON_THE_SPIRITUAL_REPERCUSSIONS_OF_THE_ATOM_BOMB
1.08_-_Sri_Aurobindos_Descent_into_Death
1.08_-_The_Change_of_Vision
1.08_-_The_Depths_of_the_Divine
1.08_-_The_Gods_of_the_Veda_-_The_Secret_of_the_Veda
1.09_-_Saraswati_and_Her_Consorts
1.09_-_The_Worship_of_Trees
1.10_-_Theodicy_-_Nature_Makes_No_Mistakes
1.10_-_The_Secret_of_the_Veda
1.12_-_The_Herds_of_the_Dawn
1.12_-_The_Sociology_of_Superman
1.13_-_Dawn_and_the_Truth
1.13_-_The_Kings_of_Rome_and_Alba
1.14_-_The_Structure_and_Dynamics_of_the_Self
1.15_-_On_incorruptible_purity_and_chastity_to_which_the_corruptible_attain_by_toil_and_sweat.
1.17_-_On_Teaching
1.17_-_The_Seven-Headed_Thought,_Swar_and_the_Dashagwas
1.17_-_The_Transformation
1.18_-_M._AT_DAKSHINESWAR
1.18_-_The_Human_Fathers
1.19_-_The_Victory_of_the_Fathers
1.20_-_The_Hound_of_Heaven
1.22_-_On_Prayer
1.24_-_On_Beauty
1.25_-_ADVICE_TO_PUNDIT_SHASHADHAR
1.29_-_What_is_Certainty?
1.45_-_The_Corn-Mother_and_the_Corn-Maiden_in_Northern_Europe
1.58_-_Human_Scapegoats_in_Classical_Antiquity
1.68_-_The_God-Letters
17.01_-_Hymn_to_Dawn
17.07_-_Ode_to_Darkness
18.05_-_Ashram_Poets
1914_08_24p
1.ac_-_An_Oath
1.ac_-_Logos
1.ac_-_The_Garden_of_Janus
1.ac_-_The_Pentagram
1.ami_-_To_the_Saqi_(from_Baal-i-Jibreel)
1f.lovecraft_-_Herbert_West-Reanimator
1f.lovecraft_-_Out_of_the_Aeons
1f.lovecraft_-_Poetry_and_the_Gods
1f.lovecraft_-_The_Challenge_from_Beyond
1f.lovecraft_-_The_Curse_of_Yig
1f.lovecraft_-_The_Dream-Quest_of_Unknown_Kadath
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Electric_Executioner
1f.lovecraft_-_The_Horror_at_Red_Hook
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Nameless_City
1f.lovecraft_-_The_Slaying_of_the_Monster
1f.lovecraft_-_The_Strange_High_House_in_the_Mist
1f.lovecraft_-_The_White_Ship
1f.lovecraft_-_Under_the_Pyramids
1.fs_-_The_Walk
1.fua_-_God_Speaks_to_David
1.hs_-_Tidings_Of_Union
1.jk_-_Endymion_-_Book_I
1.jk_-_Hyperion._Book_I
1.jk_-_Isabella;_Or,_The_Pot_Of_Basil_-_A_Story_From_Boccaccio
1.jk_-_Otho_The_Great_-_Act_IV
1.jk_-_The_Cap_And_Bells;_Or,_The_Jealousies_-_A_Faery_Tale_.._Unfinished
1.jlb_-_Daybreak
1.jlb_-_Limits
1.jlb_-_That_One
1.jwvg_-_Faithful_Eckhart
1.jwvg_-_Wont_And_Done
1.lb_-_Poem_by_The_Bridge_at_Ten-Shin
1.lovecraft_-_Nemesis
1.lovecraft_-_Psychopompos-_A_Tale_in_Rhyme
1.lovecraft_-_The_Bride_Of_The_Sea
1.mah_-_My_One_and_Only,_only_You_can_make_me
1.okym_-_38_-_One_Moment_in_Annihilations_Waste
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Epipsychidion
1.pbs_-_Fragments_Of_An_Unfinished_Drama
1.pbs_-_Hellas_-_A_Lyrical_Drama
1.pbs_-_On_Death
1.pbs_-_Prometheus_Unbound
1.pbs_-_Queen_Mab_-_Part_I.
1.pbs_-_The_Devils_Walk._A_Ballad
1.pbs_-_The_Pine_Forest_Of_The_Cascine_Near_Pisa
1.pbs_-_The_Revolt_Of_Islam_-_Canto_I-XII
1.pbs_-_The_Triumph_Of_Life
1.pbs_-_The_Witch_Of_Atlas
1.pbs_-_To_Jane_-_The_Recollection
1.pbs_-_To_Night
1.poe_-_Alone
1.poe_-_Eureka_-_A_Prose_Poem
1.rajh_-_Intimate_Hymn
1.rb_-_Rhyme_for_a_Child_Viewing_a_Naked_Venus_in_a_Painting_of_'The_Judgement_of_Paris'
1.rb_-_Sordello_-_Book_the_Fifth
1.rmpsd_-_So_I_say-_Mind,_dont_you_sleep
1.rmr_-_Loneliness
1.rt_-_Fireflies
1.rt_-_Gitanjali
1.rt_-_Hard_Times
1.rt_-_Lovers_Gifts_LXX_-_Take_Back_Your_Coins
1.rt_-_Lovers_Gifts_XIII_-_Last_Night_In_The_Garden
1.rt_-_Paper_Boats
1.rt_-_The_Gardener_XIII_-_I_Asked_Nothing
1.rt_-_The_Portrait
1.rt_-_Urvashi
1.rwe_-_May-Day
1.rwe_-_The_Adirondacs
1.rwe_-_Woodnotes
1.shvb_-_O_nobilissima_viriditas
1.sjc_-_Dark_Night
1.wby_-_A_Dramatic_Poem
1.wby_-_At_Algeciras_-_A_Meditaton_Upon_Death
1.wby_-_Crazy_Jane_On_God
1.wby_-_High_Talk
1.wby_-_Hound_Voice
1.wby_-_The_Dawn
1.wby_-_The_Fascination_Of_Whats_Difficult
1.wby_-_The_Fisherman
1.wby_-_The_Grey_Rock
1.wby_-_The_Hour_Before_Dawn
1.wby_-_The_Indian_To_His_Love
1.wby_-_The_People
1.wby_-_The_Shadowy_Waters_-_The_Shadowy_Waters
1.wby_-_The_Song_Of_The_Happy_Shepherd
1.wby_-_The_Song_Of_The_Old_Mother
1.wby_-_The_Tower
1.wby_-_The_Two_Kings
1.wby_-_The_Wanderings_Of_Oisin_-_Book_I
1.wby_-_The_Wanderings_Of_Oisin_-_Book_II
1.wby_-_The_Wanderings_Of_Oisin_-_Book_III
1.whitman_-_Apostroph
1.whitman_-_Vigil_Strange_I_Kept_on_the_Field_one_Night
1.ww_-_6-_The_White_Doe_Of_Rylstone,_Or,_The_Fate_Of_The_Nortons
1.ww_-_Book_Sixth_[Cambridge_and_the_Alps]
1.ww_-_Book_Thirteenth_[Imagination_And_Taste,_How_Impaired_And_Restored_Concluded]
1.ww_-_Book_Twelfth_[Imagination_And_Taste,_How_Impaired_And_Restored_]
1.ww_-_Guilt_And_Sorrow,_Or,_Incidents_Upon_Salisbury_Plain
1.ww_-_Memorials_Of_A_Tour_In_Scotland-_1814_I._Suggested_By_A_Beautiful_Ruin_Upon_One_Of_The_Islands_Of_Lo
1.ww_-_Ode_Composed_On_A_May_Morning
1.ww_-_The_Excursion-_X-_Book_Ninth-_Discourse_of_the_Wanderer,_and_an_Evening_Visit_to_the_Lake
1.ww_-_The_Morning_Of_The_Day_Appointed_For_A_General_Thanksgiving._January_18,_1816
1.ww_-_Vaudracour_And_Julia
20.01_-_Charyapada_-_Old_Bengali_Mystic_Poems
2.01_-_Mandala_One
2.01_-_THE_CHILD_WITH_THE_MIRROR
2.02_-_Atomic_Motions
2.03_-_Atomic_Forms_And_Their_Combinations
2.03_-_DEMETER
2.03_-_Indra_and_the_Thought-Forces
2.04_-_ADVICE_TO_ISHAN
2.04_-_Agni,_the_Illumined_Will
2.04_-_The_Living_Church_and_Christ-Omega
2.09_-_SEVEN_REASONS_WHY_A_SCIENTIST_BELIEVES_IN_GOD
2.1.02_-_Love_and_Death
2.13_-_THE_MASTER_AT_THE_HOUSES_OF_BALARM_AND_GIRISH
2.14_-_The_Unpacking_of_God
2.15_-_ON_IMMACULATE_PERCEPTION
2.1.7.07_-_On_the_Verse_and_Structure_of_the_Poem
2.1.7.08_-_Comments_on_Specific_Lines_and_Passages_of_the_Poem
2.19_-_Out_of_the_Sevenfold_Ignorance_towards_the_Sevenfold_Knowledge
27.03_-_The_Great_Holocaust_-_Chhinnamasta
2_-_Other_Hymns_to_Agni
30.14_-_Rabindranath_and_Modernism
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
3.09_-_The_Return_of_the_Soul
3.0_-_THE_ETERNAL_RECURRENCE
31.01_-_The_Heart_of_Bengal
3.1.04_-_Reminiscence
3.1.1_-_The_Transformation_of_the_Physical
3.16_-_THE_SEVEN_SEALS_OR_THE_YES_AND_AMEN_SONG
3.2.02_-_Vision
33.03_-_Muraripukur_-_I
33.17_-_Two_Great_Wars
3.3.1_-_Agni,_the_Divine_Will-Force
3.4.02_-_The_Inconscient
34.03_-_Hymn_To_Dawn
34.05_-_Hymn_to_the_Mental_Being
34.09_-_Hymn_to_the_Pillar
3.4.2_-_The_Inconscient_and_the_Integral_Yoga
3-5_Full_Circle
3.6.01_-_Heraclitus
36.09_-_THE_SIT_SUKTA
3_-_Commentaries_and_Annotated_Translations
4.02_-_Humanity_in_Progress
4.03_-_The_Meaning_of_Human_Endeavor
4.03_-_THE_ULTIMATE_EARTH
4.1.3_-_Imperfections_and_Periods_of_Arrest
5.1.01.1_-_The_Book_of_the_Herald
5.1.01.2_-_The_Book_of_the_Statesman
5.1.01.3_-_The_Book_of_the_Assembly
5.1.01.4_-_The_Book_of_Partings
5.1.01.5_-_The_Book_of_Achilles
5.1.01.6_-_The_Book_of_the_Chieftains
5.1.01.7_-_The_Book_of_the_Woman
5.1.01.8_-_The_Book_of_the_Gods
5.1.02_-_Ahana
6.03_-_Extraordinary_And_Paradoxical_Telluric_Phenomena
7.2.05_-_Moon_of_Two_Hemispheres
Aeneid
A_Secret_Miracle
Blazing_P1_-_Preconventional_consciousness
Blazing_P3_-_Explore_the_Stages_of_Postconventional_Consciousness
BOOK_II._--_PART_I._ANTHROPOGENESIS.
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
Chapter_II_-_WHICH_TREATS_OF_THE_FIRST_SALLY_THE_INGENIOUS_DON_QUIXOTE_MADE_FROM_HOME
Liber_46_-_The_Key_of_the_Mysteries
Prayers_and_Meditations_by_Baha_u_llah_text
r1915_08_01
Sayings_of_Sri_Ramakrishna_(text)
Tablets_of_Baha_u_llah_text
Talks_With_Sri_Aurobindo_1
The_Act_of_Creation_text
The_Book_of_Certitude_-_P1
The_Book_of_Certitude_-_P2
The_Book_of_Job
The_Book_of_Joshua
The_Circular_Ruins
The_Dwellings_of_the_Philosophers
the_Eternal_Wisdom
The_Gold_Bug
The_Gospel_According_to_Matthew
The_Hidden_Words_text
The_Immortal
Thus_Spoke_Zarathustra_text

PRIMARY CLASS

time
SIMILAR TITLES
Mysticism at the Dawn of the Modern Age
the Dawn

DEFINITIONS


TERMS STARTING WITH


TERMS ANYWHERE

(1) The scholastic period begins with the Recognitio summularum of Alonso de la Veracruz (1554) and continues to the dawn of the nineteenth century. According to Ueberweg, the influence of Duns Scotus during this period was greater than that of Thomas Aquinas.

Alokasyopalabdhisa. (T. nye bar thob pa'i snang ba). In Sanskrit "appearance of near-attainment," the penultimate stage in the final three stages of the dissolution of consciousness that culminates in the dawning of "clear light" (PRABHASVARA), the actual moment of death according to certain systems of ANUTTARAYOGATANTRA. After the gross elements and states of consciousness dissolve, a process that is accompanied by a series of signs, the subtler levels of consciousness appear: first an experience of radiant whiteness called appearance (Aloka) like a night sky filled with moonlight, then an experience of redness, called increase (vṛddhi) like a clear sky filled with sunlight, and finally an experience called "near attainment" (upalabdha) like a black moonless sky, so called because it is the state nearest to the most subtle level of consciousness, the mind of clear light.

Asvins, Asvinau (Sanskrit) Asvin-s, Asvinau The two horsemen; two Vedic divinities which in some respects parallel the Greek Dioscuri, Pollux and Castor. Harbingers of Ushas (the dawn), they are represented as twin horsemen, appearing in the sky in a golden chariot drawn by horses or birds. One myth gives their origin as children of the sun by a nymph, Asvini, who concealed herself in the form of a mare; another myth makes Asvini their wife. Since they precede the sun’s rising they are called the parents of the sun’s form, Pushan. They are also the parents of Nakula and Sahadeva, Arjuna’s brothers by Madri. Many Vedic hymns are addressed to them; their attributes pertain to youth and beauty, to speed, and to duality. They bring treasures to mankind, averting misfortune and sickness, for they are the two physicians of heaven (svar-vaidyau). Yaska, the earliest known commentator on the Vedas, in his Nirukta writes that the Asvinau represent the transition from darkness to light and are identified with heaven and earth.

asvins &

auroral ::: a. --> Belonging to, or resembling, the aurora (the dawn or the northern lights); rosy.

aurora ::: n. --> The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises.
The rise, dawn, or beginning.
The Roman personification of the dawn of day; the goddess of the morning. The poets represented her a rising out of the ocean, in a chariot, with rosy fingers dropping gentle dew.
A species of crowfoot.
The aurora borealis or aurora australis (northern or


bar do. In Tibetan, literally "between two"; often translated as "intermediate state"; the Tibetan translation of the Sanskrit ANTARABHAVA, the intermediate state between death and rebirth, posited by some, but not all, Buddhist schools (the STHAVIRANIKAYA, for example, rejects the notion). In Tibet, the term received considerable elaboration, especially in the RNYING MA sect, most famously in a cycle of treasure texts (GTER MA) discovered in the fourteenth century by KARMA GLING PA entitled "The Profound Doctrine of Self-Liberation of the Mind [through Encountering] the Peaceful and Wrathful Deities" (Zab chos zhi khro dgongs pa rang grol) also known as the "Peaceful and Wrathful Deities According to Karmalingpa" (Kar gling zhi khro). A group of texts from this cycle is entitled BAR DO THOS GROL CHEN MO ("Great Liberation in the Intermediate State through Hearing"). Selections from this group were translated by KAZI DAWA-SAMDUP and published by WALTER Y. EVANS-WENTZ in 1927 as The Tibetan Book of the Dead. In Karma gling pa's texts, the universe through which the dead wander is composed of three bar dos. The first, and briefest, is the bar do of the moment of death ('chi kha'i bar do), which occurs with the dawning of the profound state of consciousness called the clear light (PRABHASVARACITTA). If one is able to recognize the clear light as reality, one is immediately liberated from rebirth. If not, the second bar do begins, called the bar do of reality (chos nyid bar do). The disintegration of the personality brought on by death reveals reality, but in this case, not in the form of clear light, but in the form of a MAndALA of fifty-eight wrathful deities and a mandala of forty-two peaceful deities from the GUHYAGARBHATANTRA. These deities appear in sequence to the consciousness of the deceased in the days immediately following death. If reality is not recognized in this second bar do, then the third bar do, the bar do of existence (srid pa'i bar do), dawns, during which one must again take rebirth in one of the six realms (sAdGATI) of divinities, demigods, humans, animals, ghosts, or hell denizens. The entire sequence may last as long as seven days and then be repeated seven times, such that the maximum length of the intermediate state between death and rebirth is forty-nine days. This is just one of many uses of the term bar do in Tibetan Buddhism; it was used to describe not only the period between death and rebirth but also that between rebirth and death, and between each moment of existence, which always occurs between two other moments. Cf. also SISHIJIU [RI] ZHAI.

bridals—virgin bridals of the dawn

Cock A “very occult bird, much appreciated in ancient augury and symbolism. According to the Zohar, the cock crows three times before the death of a person; . . . As the cock was always connected in symbology with the Sun (or solar gods), Death and Resurrection, it has found its appropriate place in the four Gospels in the prophecy about Peter repudiating his Master before the cock crowed thrice. The cock is the most magnetic and sensitive of all birds, hence its Greek name alectruon” (TG 86). In the Zoroastrian Avesta, the cock is called Parodarsh “he who foresees” the coming dawn, and is also termed the drum of the worlds, for he crows in the dawn which dazzles away the fiends of the Avesta: thus he shares with the dawn the honor of the victory.

Dawn Frequently denotes the beginning of a new cycle, of greater or less extent. Venus-Lucifer is called the luminous son of morning or of manvantaric dawn; and the builders are the luminous sons of manvantaric dawn. In Greek mythology Apollo (the sun) has two daughters, Hilaira and Phoebe (evening twilight and dawn); Eos is the dawn, as is Aurora in Latin. In Hindu mythology, the wife of Surya (the sun) is Ushas (dawn), and she is also his mother. In the Vishnu-Purana, Brahma, for purposes of world formation, assumes four bodies — dawn, night, day, and evening twilight. Man is said to come from the body of dawn, for dawn signifies light, the intelligence of the intellect of the universe often called mahat, the ultimate progenitor, and indeed the final cosmic goal, of the Hierarchy of Light of which the human hierarchy is a small portion. See also SANDHI

day-peep ::: n. --> The dawn.

dayspring ::: n. --> The beginning of the day, or first appearance of light; the dawn; hence, the beginning.

Eosphoros (Greek) The morning star, equivalent of Lucifer or Venus. Venus “was known in pre-Hesiodic theogony as Eosphoros (or Phosphoros) and Hesperos, the children of the dawn and twilight. In Hesiod, moreover, the planet is decomposed into two divine beings, two brothers — Eosphoros (the Lucifer of the Latins) the morning, and Hesperos, the evening star. They are the children of Astraios and Eos, the starry heaven and the dawn, as also of Kephalos and Eos . . .” (BCW 8:16). (BCW 8:5-6, 10-1, 18, 25, 27n)

Ha'Shachar ::: (Heb. The Dawn) Nineteenth-century Hebrew literary journal in Russia.

Helios, Helion, Helius (Greek) The sun god, son of Hyperion and Theia, brother of Selene (the moon) and Eos (the dawn). He drives the chariot of the sun across the sky. Generally identical with Apollo or Phoebos; sol in Latin, sun in English, assimilated etymologically with the Hebrew ’El and ’elohim, the Chaldean Bel, and the Phoenician Ba‘al. Helios is paired with Selene the moon, as Sol is with Luna.

Immortality ::: A term signifying continuous existence or being; but this understanding of the term is profoundlyillogical and contrary to nature, for there is nothing throughout nature's endless and multifarious realmsof being and existence which remains for two consecutive instants of time exactly the same.Consequently, immortality is a mere figment of the imagination, an illusory phantom of reality. When thestudent of the esoteric wisdom once realizes that continuous progress, i.e., continuous change inadvancement, is nature's fundamental procedure, he recognizes instantly that continuous remaining in anunchanging or immutable state of consciousness or being is not only impossible, but in the last analysis isthe last thing that is either desirable or comforting. Fancy continuing immortal in a state of imperfection such as we human beingsexemplify -- which is exactly what the usual acceptance of this term immortality means. The highest godin highest heaven, although seemingly immortal to us imperfect human beings, is nevertheless anevolving, growing, progressing entity in its own sublime realms or spheres, and therefore as the ages passleaves one condition or state to assume a succeeding condition or state of a nobler and higher type;precisely as the preceding condition or state had been the successor of another state before it.Continuous or unending immutability of any condition or state of an evolving entity is obviously animpossibility in nature; and when once pondered over it becomes clear that the ordinary acceptance ofimmortality involves an impossibility. All nature is an unending series of changes, which means all thehosts or multitudes of beings composing nature, for every individual unit of these hosts is growing,evolving, i.e., continuously changing, therefore never immortal. Immortality and evolution arecontradictions in terms. An evolving entity means a changing entity, signifying a continuous progresstowards better things; and evolution therefore is a succession of state of consciousness and being afteranother state of consciousness and being, and thus throughout duration. The Occidental idea of staticimmortality or even mutable immortality is thus seen to be both repellent and impossible.This doctrine is so difficult for the average Occidental easily to understand that it may be advisable onceand for all to point out without mincing of words that just as complete death, that is to say, entireannihilation of consciousness, is an impossibility in nature, just so is continuous and unchangingconsciousness in any one stage or phase of evolution likewise an impossibility, because progress ormovement or growth is continuous throughout eternity. There are, however, periods more or less long ofcontinuance in any stage or phase of consciousness that may be attained by an evolving entity; and thehigher the being is in evolution, the more its spiritual and intellectual faculties have been evolved orevoked, the longer do these periods of continuous individual, or perhaps personal, quasi-immortalitycontinue. There is, therefore, what may be called relative immortality, although this phrase is confessedlya misnomer.Master KH in The Mahatma Letters, on pages 128-30, uses the phrase ``panaeonic immortality" tosignify this same thing that I have just called relative immortality, an immortality -- falsely so called,however -- which lasts in the cases of certain highly evolved monadic egos for the entire period of amanvantara, but which of necessity ends with the succeeding pralaya of the solar system. Such a periodof time of continuous self-consciousness of so highly evolved a monadic entity is to us humans actually arelative immortality; but strictly and logically speaking it is no more immortality than is the ephemeralexistence of a butterfly. When the solar manvantara comes to an end and the solar pralaya begins, evensuch highly evolved monadic entities, full-blown gods, are swept out of manifested self-consciousexistence like the sere and dried leaves at the end of the autumn; and the divine entities thus passing outenter into still higher realms of superdivine activity, to reappear at the end of the pralaya and at the dawnof the next or succeeding solar manvantara.The entire matter is, therefore, a highly relative one. What seems immortal to us humans would seem tobe but as a wink of the eye to the vision of super-kosmic entities; while, on the other hand, the span ofthe average human life would seem to be immortal to a self-conscious entity inhabiting one of theelectrons of an atom of the human physical body.The thing to remember in this series of observations is the wondrous fact that consciousness frometernity to eternity is uninterrupted, although by the very nature of things undergoing continuous andunceasing change of phases in realization throughout endless duration. What men call unconsciousness ismerely a form of consciousness which is too subtle for our gross brain-minds to perceive or to sense or tograsp; and, secondly, strictly speaking, what men call death, whether of a universe or of their ownphysical bodies, is but the breaking up of worn-out vehicles and the transference of consciousness to ahigher plane. It is important to seize the spirit of this marvelous teaching, and not allow the imperfectbrain-mind to quibble over words, or to pause or hesitate at difficult terms.

In her Esoteric table Blavatsky, following Lefevre’s arrangement, combines the three oldest periods, the Laurentian, Cambrian and Silurian, into her Primordial era. The two latter are now placed in the Paleozoic era, and the Laurentian and older rocks are included within the preceding Precambrian era, an enormously long complex of sedimentary, plutonic and metamorphosed rocks lying in tangled confusion below the Paleozoic strata, and in which forms of life are very scanty or altogether absent. The Precambrian era was longer than all the subsequent eras combined, and probably covers much of the “third round” evolution of life on this globe, for Blavatsky says that her 320,000,000 years of sedimentation, which approximates to the time elapsed since the Precambrian era, refers to this round (the fourth) of the human life-wave, for “it must be noted that even a greater time elapsed during the preparation of this globe for the Fourth Round previous to stratification” (SD 2:715n). The tremendous cataclysms and the general transformations of the earth’s crust that took place at the end of the third round (greater than any of the “revolutions” that have happened since) destroyed nearly all traces of the third round forms of life. A few living entities, mostly or entirely marine, managed to exist in and survive the great disturbances during the dawning of the opening drama of the fourth round. Their fossils are found in the earliest periods of the Paleozoic era associated with the rather more advanced forms which gradually superseded them (SD 2:712).

Karanopadhi(Sanskrit) ::: A compound meaning the "causal instrument" or "instrumental cause" in the long series ofreimbodiments to which human and other reimbodying entities are subject. Upadhi, the second elementof this compound, is often translated as "vehicle"; but while this definition is accurate enough for popularpurposes, it fails to set forth the essential meaning of the word which is rather "disguise," or certainnatural properties or constitutional characteristics supposed to be the disguises or clothings or masks inand through which the spiritual monad of man works, bringing about the repetitive manifestations uponearth of certain functions and powers of this monad, and, indeed, upon the other globes of the planetarychain; and, furthermore, intimately connected with the peregrinations of the monad through the variousspheres and realms of the solar kosmos. In one sense of the word, therefore, karanopadhi is almostinterchangeable with the thoughts set forth under the term maya, or the illusory disguises through whichspirit works, or rather through which spiritual monadic entities work and manifest themselves.Karanopadhi, as briefly explained under the term "causal body," is dual in meaning. The first and moreeasily understood meaning of this term shows that the cause bringing about reimbodiment is avidya,nescience rather than ignorance; because when a reimbodying entity through repeated reimbodiments inthe spheres of matter has freed itself from the entangling chains of the latter, and has risen intoself-conscious recognition of its own divine powers, it thereby shakes off the chains or disguises of mayaand becomes what is called a jivanmukta. It is only imperfect souls, or rather monadic souls, speaking ina general way, which are obliged by nature's cyclic operations and laws to undergo the repetitivereimbodiments on earth and elsewhere in order that the lessons of self-conquest and mastery over all theplanes of nature may be achieved. As the entity advances in wisdom and knowledge, and in the acquiringof self-conscious sympathy for all that is, in other words, as it grows more and more like unto itsdivine-spiritual counterpart, the less is it subject to avidya. It is, in a sense, the seeds of kama-manas leftin the fabric or being of the reincarnating entity, which act as the karana or reproducing cause, orinstrumental cause, of such entity's reincarnations on earth.The higher karanopadhi, however, although in operation similar to the lower karanopadhi, orkarana-sarira just described, nevertheless belongs to the spiritual-intellectual part of man's constitution,and is the reproductive energy inherent in the spiritual monad bringing about its re-emergence after thesolar pralaya into the new activities and new series of imbodiments which open with the dawn of thesolar manvantara following upon the solar pralaya just ended. This latter karanopadhi or karana-sarira,therefore, is directly related to the element-principle in man's constitution called buddhi -- a veil, as itwere, drawn over the face or around the being of the monadic essence, much as prakriti surroundsPurusha, or pradhana surrounds Brahman, or mulaprakriti surrounds and is the veil or disguise or sakti ofparabrahman. Hence, in the case of man, this karanopadhi or causal disguise or vehicle corresponds in ageneral way to the buddhi-manas, or spiritual soul, in which the spiritual monad works and manifestsitself.It should be said in passing that the doctrine concerning the functions and operations of buddhi in thehuman constitution is extremely recondite, because in buddhi lie the causal impulses or urges bringingabout the building of the constitution of man, and which, when the latter is completed, and when formingman as a septenary entity, express themselves as the various strata or qualities of the auric egg.Finally, the karana-sarira, the karanopadhi or causal body, is the vehicular instrumental form orinstrumental body-form, produced by the working of what is perhaps the most mysterious principle orelement, mystically speaking, in the constitution not only of man, but of the universe -- the verymysterious spiritual bija.The karanopadhi, the karana-sarira or causal body, is explained with minor differences of meaning invarious works of Hindu philosophy; but all such works must be studied with the light thrown upon themby the great wisdom-teaching of the archaic ages, esoteric theosophy. The student otherwise runs everyrisk of being led astray.I might add that the sushupti state or condition, which is that of deep dreamless sleep, involving entireinsensibility of the human consciousness to all exterior impressions, is a phase of consciousness throughwhich the adept must pass, although consciously pass in his case, before reaching the highest state ofsamadhi, which is the turiya state. According to the Vedanta philosophy, the turiya (meaning "fourth") isthe fourth state of consciousness into which the full adept can self-consciously enter and wherein hebecomes one with the kosmic Brahman. The Vedantists likewise speak of the anandamaya-kosa, whichthey describe as being the innermost disguise or frame or vehicle surrounding the atmic consciousness.Thus we see that the anandamaya-kosa and the karana-sarira, or karanopadhi, and the buddhi inconjunction with the manasic ego, are virtually identical.The author has been at some pains to set forth and briefly to develop the various phases of occult andesoteric theosophical thought given in this article, because of the many and various misunderstandingsand misconceptions concerning the nature, characteristics, and functions of the karana-sarira or causalbody.

Karma-Nemesis [from Sanskrit karma action, cause and effect + Greek Nemesis goddess of harmony or retribution] The appointed karmic lot or destiny of any entity, latent in the entity’s germinal existence and unfolded progressively in the course of its growth or evolution. The universe as a whole fulfills, in the course of its cyclic evolution, all that is contained in the germ at the dawn of its manifestation; and the individual, who in essence is a spark of the divine life, follows the same inscrutable law of destiny, as do also the worlds and all the beings in and on them.

Leibniz's philosophy was the dawning consciousness of the modern world (Dewey). So gradual and continuous, like the development of a monad, so all-inclusive was the growth of his mind, that his philosophy, as he himself says, "connects Plato with Democritus, Aristotle with Descartes, the Scholastics with the moderns, theology and morals with reason." The reform (if all science was to be effected by the use of two instruments, a universal scientific language and a calculus of reasoning. He advocated a universal language of ideographic symbols in which complex concepts would be expressed by combinations of symbols representing simple concepts or by new symbols defined as equivalent to such a complex. He believed that analysis would enable us to limit the number of undefined concepts to a few simple primitives in terms of which all other concepts could be defined. This is the essential notion back of modern logistic treatments.

light ::: n. --> That agent, force, or action in nature by the operation of which upon the organs of sight, objects are rendered visible or luminous.
That which furnishes, or is a source of, light, as the sun, a star, a candle, a lighthouse, etc.
The time during which the light of the sun is visible; day; especially, the dawn of day.
The brightness of the eye or eyes.


Madhav: “Note the capital E. The Event to be is the manifestation to come, the next cycle in creation, symbolised by the Dawn.” The Book of the Divine Mother

Madhav: “The brief perpetual sign refers to the Dawn. Now the dawn is always brief but why is it perpetual? Perpetual because it is constant, it comes again and again. …always at some point on earth there is the break of dawn. That is why it is a perpetual feature of this earth; the dawn recurs again and again.” Sat-Sang Vol. VIII

mahāmudrā. (T. phyag rgya chen po; C. dayin/dashouyin; J. daiin/daishuin; K. taein/taesuin 大印/大手印). In Sanskrit, "great seal"; an important term in tantric Buddhism, especially in the traditions that flourished in Tibet. In Tibet, although it is extolled by all sects, mahāmudrā is particularly associated with the BKA' BRGYUD sect and the lineage coming from TILOPA and NĀROPA to MAR PA and MI LA RAS PA. There, it is regarded as the crowning experience of Buddhist practice. It is a state of enlightened awareness in which phenomenal appearance and emptiness (suNYATĀ) are unified. It is also used to refer to the fundamental reality that places its imprint or "seal" on all phenomena of SAMSĀRA and NIRVĀnA. Mahāmudrā literature exalts the ordinary state of mind as being both the natural and ultimate state, characterized by lucidity and simplicity. In mahāmudrā, the worldly mind is valued for its ultimate identity with the ordinary mind; every deluded thought contains within it the lucidity and simplicity of the ordinary mind. This identity merely needs to be recognized to bring about the dawning of wisdom, the realization that a natural purity pervades all existence, including the deluded mind. It is usually set forth in a threefold rubric of the basis (gzhi), path (lam), and fruition ('bras bu), with the first referring to the pure nature of the ordinary mind, the second referring to becoming aware of that mind through the practice of meditation, and the third referring to the full realization of the innate clarity and purity of the mind. There is some debate in Tibet whether mahāmudrā is exclusively a tantric practice or whether there is also a SuTRA version, connected with TATHĀGATAGARBHA teachings. ¶ In tantric practice, mahāmudrā is also highest of the four seals, the others being the action seal (KARMAMUDRĀ), the pledge seal (SAMAYAMUDRĀ), and the wisdom seal (JNĀNAMUDRĀ).

Man alive, your proposed emendations are an admirable exposition of the art of bringing a line down the steps till my poor "slow miraculous” above-mind line meant to give or begin the concrete portrayal of an act of some hidden Godhead finally becomes a mere metaphor thrown out from its more facile mint by a brilliantly imaginative poetic intelligence. First of all, you shift my "dimly” out of the way and transfer it to something to which it does not inwardly belongs make it an epithet of the gesture or an adverb qualifying its epithet instead of something that qualifies the atmosphere in which the act of the Godhead takes place. That is a preliminary havoc which destroys what is very important to the action, its atmosphere. I never intended the gesture to be dim, it is a luminous gesture, but forcing its way through the black quietude it comes dimly. Then again the bald phrase "a gesture came” without anything to psychicise it becomes simply something that "happened”, "came” being a poetic equivalent for "happened”, instead of the expression of the slow coming of the gesture. The words "slow” and "dimly” assure this sense of motion and this concreteness to the word"s sense here. Remove one or both whether entirely or elsewhere and you ruin the vision and change altogether its character. That is at least what happens wholly in your penultimate version and as for the last its "came” gets another meaning and one feels that somebody very slowly decided to let out the gesture from himself and it was quite a miracle that it came out at all! "Dimly miraculous” means what precisely or what "miraculously dim” — it was miraculous that it managed to be so dim or there was something vaguely miraculous about it after all? No doubt they try to mean something else — but these interpretations come in their way and trip them over. The only thing that can stand is the first version which is no doubt fine poetry, but the trouble is that it does not give the effect I wanted to give, the effect which is necessary for the dawn"s inner significance. Moreover, what becomes of the slow lingering rhythm of my line which is absolutely indispensable? Letters on Savitri

Man alive, your proposed emendations are an admirable exposition of the art of bringing a line down the steps till my poor”slow miraculous” above-mind line meant to give or begin the concrete portrayal of an act of some hidden Godhead finally becomes a mere metaphor thrown out from its more facile mint by a brilliantly imaginative poetic intelligence. First of all, you shift my”dimly” out of the way and transfer it to something to which it does not inwardly belongs make it an epithet of the gesture or an adverb qualifying its epithet instead of something that qualifies the atmosphere in which the act of the Godhead takes place. That is a preliminary havoc which destroys what is very important to the action, its atmosphere. I never intended the gesture to be dim, it is a luminous gesture, but forcing its way through the black quietude it comes dimly. Then again the bald phrase”a gesture came” without anything to psychicise it becomes simply something that”happened”,”came” being a poetic equivalent for”happened”, instead of the expression of the slow coming of the gesture. The words”slow” and”dimly” assure this sense of motion and this concreteness to the word’s sense here. Remove one or both whether entirely or elsewhere and you ruin the vision and change altogether its character. That is at least what happens wholly in your penultimate version and as for the last its”came” gets another meaning and one feels that somebody very slowly decided to let out the gesture from himself and it was quite a miracle that it came out at all!”Dimly miraculous” means what precisely or what”miraculously dim”—it was miraculous that it managed to be so dim or there was something vaguely miraculous about it after all? No doubt they try to mean something else—but these interpretations come in their way and trip them over. The only thing that can stand is the first version which is no doubt fine poetry, but the trouble is that it does not give the effect I wanted to give, the effect which is necessary for the dawn’s inner significance. Moreover, what becomes of the slow lingering rhythm of my line which is absolutely indispensable? Letters on Savitri

Niwano Nikkyo. (庭野日敬) (1906-1999). Cofounder of RISSHo KoSEIKAI, a Japanese lay Buddhist organization that was an offshoot of REIYuKAI and was strongly influenced by NICHIRENSHu doctrine. Niwano was born into a poor family in a small town in Nigata prefecture in northern Japan. After going to work in Tokyo in 1923, Niwano led a typical working-class life, running such small businesses as rice, charcoal, and Japanese-pickle shops, while also showing an intense interest in astrology, numerology, and divination. Niwano became an ardent adherent of Reiyukai in 1934, when his nine-month-old daughter recovered from a serious illness after he followed the organization's practice of ancestor worship. Niwano soon became a leading evangelist for Reiyukai, recruiting many new followers, one of whom was NAGANUMA MYoKo (1899-1957). In 1938, Niwano and Naganuma left Reiyukai and cofounded Rissho Koseikai, together with about thirty other followers. According to Niwano, the group seceded because of Reiyukai's overemphasis on the miraculous benefit, rather than the teachings, of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), although others say that the split occurred because the leader of Reiyukai publicly criticized Niwano's interest in divination. After establishing the organization, Naganuma served as a spirit medium, while Niwano focused on teaching and administration. After Naganuma's death in 1957, Niwano became the president of the million-member organization and declared the end of the organization's first era of "skillful means" (J. hoben; S. UPĀYAKAUsALYA), which had been characterized by spirit mediumship and divine instructions, and the dawn of a new era of "manifesting the truth" (shinjitsu kengen). Niwano affirmed that henceforth the central objects of the organization's faith would be the Saddharmapundarīkasutra and sĀKYAMUNI Buddha, which were eternal and universal. Based on his understanding of the sutra, Niwano emphasized the spiritual development of individuals along the BODHISATTVA path, whose salvific efforts should be dedicated not just to one's own family and ancestors, but also to Japanese society and the world at large. Niwano also dedicated himself to promoting world peace through interreligious cooperation, one example of which was the establishment of the Niwano Peace Foundation in 1978. Niwano resigned from the presidency of Rissho Koseikai in 1991 and was succeeded by his eldest son Niwano Nichiko (b. 1938).

Pole Star The north star, alpha polaris in the constellation of Ursa Minor, is within 1½ degrees of the north pole of the celestial sphere, to which the north end of the earth’s axis points. This point is therefore the center around which the other constellations, in their daily apparent motion, revolve. The precession of the equinoxes shifts the position of the celestial north pole in a cycle of about 26,000 years, to a maximum extent of about 47 degrees; and thus we have a means of ascertaining ancient dates if we have any record of the position of the pole among the stars at the epochs in question. The Secret Doctrine speaks often in veiled terms of movements of the earth’s axis and hence of the position of the celestial north pole. Of the first continent, the Sacred Imperishable Land, it is said that the pole star has his watchful eye upon it from the dawn to the close of the twilight of a day of the Great Breath. Again, at one time a star in the constellation Draco occupied the position.

Pratibandhaka: That which obstructs Self-realisation or acts as an obstacle to the dawn of Self-knowledge; generally any obstacle on the path of Sadhana.

Pure Ones: Legendary primordial beings from the dawn of creation; some mages believe Avatars to be pieces of the Pure Ones.

Raysheet tzmihat g'ulatanu ::: The beginning of the dawn of our redemption; the State of Israel as conceived by religious Zionism.

Sandhi, Samdhi (Sanskrit) Saṃdhi [from sam together + the verbal root dhā to place] That which combines or unites; the interval between day and night, twilight; also the period at the expiration of each yuga (age), or between two manvantaras or kalpas. Equivalent to 1/10 the duration of the yuga and lasts until the commencement of the next yuga. Such is the way the time periods of the yugas are calculated, whether according to divine years or solar years. However, when attention is concentrated solely on the dawns and twilights (there being a dawn and a twilight for each such time period in a yuga), every dawn and twilight conjoined is 1/6 of the length of each such time period: in other words, a dawn or twilight is 1/12 of the length of such period. As an example, a mahayuga of 4,320,000 solar years (or 12,000 Divine Years, 360 solar years making one Divine Year) consists of four minor yugas — the krita, treta, dvapara, and kali, decreasing in length by the Pythagorean scale of 4, 3, 2, 1 respectively. Thus counting in Divine Years, the krita is 4800 such years long, the treta 3600 such years, the dvapara 2400 such years, and the kali 1200 such years. Otherwise phrased, the krita is 4000 years long plus 1/10 thereof — 400 years for its dawn and 400 years for its twilight. The treta is 3000 years long plus 1/10 that period or 300 years for its dawn and 300 years for its twilight. The dvapara and the kali are calculated by the same rule. With solar years, the system can be illustrated by stating that the kali yuga is 360,000 solar years long, 1/10 of that period or 36,000 years each for its dawn and its twilight, the total comprising the full duration of 432,000 years. Thus the 2/10 when added are 72,000, which is 1/6 of the total duration; and either the dawn or twilight is 1/12 of the total or 36,000.

sannyasa &

Sarama ::: a Vedic goddess whose action is "a forerunner of the dawn Sarama of Truth in the human mind", depicted in "the figure of the divine hound which was . . . a possibly later development of the Vedic imagery"; she represents the discovering intuition, a faculty "which goes straight to the Truth by the straight path of the Truth and not through the crooked paths of doubt and error".

Shruti: “The seven radiances of the Dawn, Usha (infinite consciousness, truth vision), the sevenfold principle of existence, the seven Sisters, rivers. The seven manifesting radiances of the primal light, Usha (Dawn).”

Sishta(s)(Sista, Sanskrit) ::: This is a word meaning "remainders," or "remains," or "residuals" -- anything that is leftor remains behind. In the especial application in which this word is used in the ancient wisdom, thesishtas are those superior classes -- each of its own kind and kingdom -- left behind on a planet when itgoes into obscuration, in order to serve as the seeds of life for the inflow of the next incoming life-wavewhen the dawn of the new manvantara takes place on that planet.When each kingdom passes on to its next globe, each one leaves behind its sishtas, its lives representingthe very highest point of evolution arrived at by that kingdom in that round, but leaves them sleeping as itwere: dormant, relatively motionless, including life-atoms among them. Not without life, however, foreverything is as much alive as ever, and there is no "dead" matter anywhere; but the sishtas consideredaggregatively as the remnants or residuals of the life-wave which has passed on are sleeping, dormant,resting. These sishtas await the incoming of the life-waves on the next round, and then they re-awaken toa new cycle of activity as the seeds of the new kingdom or kingdoms -- be it the three elementalkingdoms or the mineral or vegetable or the beast or the next humanity.In a more restricted and still more specific sense, the sishtas are the great elect, or sages, left behind afterevery obscuration.

Sosiosh, Soshyos (Persian) In Zoroastrianism, the deliverer of the world, who shall come on a white horse in a tornado of fire. According to the Avesta (Yast 19:89), he will be born from a maid near Lake Kasava; he will come from the region of the dawn to free the world from death and decay, from corruption and rottenness — ever living and ever thriving, the dead shall rise and immortality commence. This prophecy corresponds to that of the coming of Maitreya-Buddha, or of the Kalki-avatara of Vishnu, also repeated in the Christian Revelation of St. John.

tautology ::: n. --> A repetition of the same meaning in different words; needless repetition of an idea in different words or phrases; a representation of anything as the cause, condition, or consequence of itself, as in the following lines: --//The dawn is overcast, the morning lowers,/And heavily in clouds brings on the day. Addison.

Tehmi: “The divine Event is apparently the Dawn but it is the coming of Savitri also.”

Tehmi: “The hour just before dawn. The Gods awake with the dawn in the Veda. The Gods are called ‘Ushabuddha, ‘those who awake with the dawn’. All the gods are sons of light except Agni who burns also in the light and the darkness.”

The higher karanopadhi, belonging to the spiritual-intellectual part of the human constitution, is the reproductive impulse in the spiritual monad which causes it to reemerge into a new series of imbodiments at the dawn of the solar manvantara. This karanopadhi is directly related to buddhi or buddhi-manas, the spiritual soul as a veil or vehicle of the monadic essence or spiritual monad. Its role is similar to that of prakriti with Purusha, or pradhana surrounding Brahman, or mulaprakriti with parabrahman. The karanopadhi is also the vehicle produced by the spiritual bija (seed).

usarbudhah ::: wakers with the Dawn. [Ved.]

us.asi (ushasi) ::: in the dawn (of the illumined consciousness). usasi

"Usha is the divine illumination and Dakshina is the discerning knowledge that comes with the dawn and enables the Power in the mind, Indra, to know aright and separate the light from the darkness, the truth from the falsehood, the straight from the crooked, vrinîta vijânan.” The Secret of the Veda*

Ushas (Sanskrit) Uṣas [from the verbal root uṣ to burn, warm by illumination or light] The dawn, daughter of heaven, identical with the Latin Aurora and the Greek Eos. First mentioned in the Vedas, “wherein her name is also Ahana and Dyotana ([both words meaning] the illuminator), and is a most poetical and fascinating image. She is the ever-faithful friend of men, of rich and poor, though she is believed to prefer the latter. She smiles upon and visits the dwelling of every living mortal. She is the immortal, ever-youthful virgin, the light of the poor, and the destroyer of darkness” (TG 356).

vāgviveka. (T. ngag dben). In Sanskrit, "isolation of speech"; one of the six stages of the completion state (NIsPANNAKRAMA) in the ANUTTARAYOGATANTRA systems. In order to separate the mind from coarse conventional appearances and induce the dawning of the mind of clear light (PRABHĀSVARACITTA), the body, speech, and mind must be isolated from their ordinary forms. In the isolation of speech, the subtle wind (PRĀnA) that is the root of speech is isolated from the ordinary movement of winds. That subtle wind is then combined with MANTRA.

Wat Arun. In Thai, "Monastery of the Dawn," deriving from the Sanskrit and Pāli Aruna, the personification of dawn; located in Bangkok on the west bank of the Chao Phraya River. After defeating the Burmese in 1767, King Taksin (Boromrāja IV) is said to have arrived at the Wat Makok ("Olive Monastery") at dawn and renamed it Wat Jaeng ("Bright Monastery"). King RĀMA IV bestowed on the monastery its present name. The monastery is best known today for its tall prang, or Khmer-style tower, which was constructed during the reigns of kings Rāma II and Rāma III. The central tower is 250 feet tall and symbolizes Mount SUMERU. The temple was briefly the seat of the Emerald Buddha (see PHRA KAEW MORAKOT) before the image was moved to WAT PHRA KAEW in 1784.



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   7 Neil Gaiman
   7 H G Wells
   7 Claude McKay

1:Faith is the bird that feels the light when the dawn is still dark.
   ~ Rabindranath Tagore, [T5],
2:in the dawn
a dewy blue
flax field
~ Ogawa, @BashoSociety
3:A dreamer is man who can find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Oscar Wilde,
4:Longing is like the rosy dawn. After the dawn out comes the sun. Longing is followed by the vision of God.
   ~ Sri Ramakrishna, [T5],
5:In the shadow of death may we not look back to the past, but seek in utter darkness the dawn of God. ~ Pierre Teilhard de Chardin,
6:What the poet sees and feels, not what he opines, is the real substance of his poetry. ~ Sri Aurobindo, The Future Poetry, The Poets of the Dawn - II,
7:A poet's largeness and ease of execution,—succeeds more amply on the inferior levels of his genius. ~ Sri Aurobindo, The Future Poetry, The Poets of the Dawn - II,
8:Lord, the year is dying and our gratitude bows down to Thee. Lord, the year is reborn, our prayer rises up to Thee. Let it be for us also the dawn of a new life.
   ~ The Mother, Words Of The Mother III,
9:O indescribable beauty... and purest radiance of eternal light! Life that gives all life, light that is the source of every other light, preserving in everlasting splendor the myriad flames that have shone before the throne of your divinity from the dawn of time! ~ Bonaventure,
10:The dawn intimates that the night is over; it does not yet proclaim the full light of day…Are not all of us who follow the truth in this life daybreak and dawn? We do some things which already belong to the light but are not free from the remnants of darkness ~ Gregory the Great,
11:Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid. ~ Sri Aurobindo, Collected Poems, Ilion,
12:Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered fr ~ Sri Aurobindo, The Future Poetry, Ilion,
13:When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men. They shall then know truth and, more than that, they shall realize that from the beginning truth has been in the world unrecognized, save by a small but gradually increasing number appointed by the Lords of the Dawn as ministers to the needs of human creatures struggling co regain their consciousness of divinity. ~ Manly P Hall,
14:The Pentagram
[Dedicated to George Raffalovich]
In the Years of the Primal Course, in the dawn of terrestrial birth,
Man mastered the mammoth and horse, and Man was the Lord of the Earth.
He made him an hollow skin from the heart of an holy tree,
He compassed the earth therien, and Man was the Lord of the Sea.
He controlled the vigour of steam, he harnessed the lightning for hire;
He drove the celestial team, and man was the Lord of the Fire.
Deep-mouthed from their thrones deep-seated, the choirs of the æeons declare
The last of the demons defeated, for Man is the Lord of the Air.
Arise, O Man, in thy strength! the kingdom is thine to inherit,
Till the high gods witness at lenght that Man is the Lord of his spirit.
~ Aleister Crowley,
15:Medieval alchemy prepared the way for the greatest intervention in the divine world that man has ever attempted: alchemy was the dawn of the scientific age, when the daemon of the scientific spirit compelled the forces of nature to serve man to an extent that had never been known before. It was from the spirit of alchemy that Goethe wrought the figure of the "superman" Faust, and this superman led Nietzsche's Zarathustra to declare that God was dead and to proclaim the will to give birth to the superman, to "create a god for yourself out of your seven devils." Here we find the true roots, the preparatory processes deep in the psyche, which unleashed the forces at work in the world today. Science and technology have indeed conquered the world, but whether the psyche has gained anything is another matter. ~ Carl Jung, "Paracelsus as a Spiritual Phenomenon" (1942), CW 13, § 163.,
16:He found the vast Thought with seven heads that is born of the Truth; he created some fourth world and became universal. . . .
The Sons of Heaven, the Heroes of the Omnipotent, thinking the straight thought, giving voice to the Truth, founded the plane of illumination and conceived the first abode of the Sacrifice. . . . The Master of Wisdom cast down the stone defences and called to the Herds of Light, . . . the herds that stand in the secrecy on the bridge over the Falsehood between two worlds below and one above; desiring Light in the darkness, he brought upward the Ray-Herds and uncovered from the veil the three worlds; he shattered the city that lies hidden in ambush, and cut the three out of the Ocean, and discovered the Dawn and the Sun and the Light and the Word of Light. Rig Veda.2 ~ Sri Aurobindo, The Life Divine, Out of the Sevenfold Ignorance towards the Sevenfold Knowledge,
17:To what gods shall the sacrifice be offered? Who shall be invoked to manifest and protect in the human being this increasing godhead?

Agni first, for without him the sacrificial flame cannot burn on the altar of the soul. That flame of Agni is the seven-tongued power of the Will, a Force of God instinct with Knowledge. This conscious and forceful will is the immortal guest in our mortality, a pure priest and a divine worker, the mediator between earth and heaven. It carries what we offer to the higher Powers and brings back in return their force and light and joy into our humanity.

Indra, the Puissant next, who is the power of pure Existence self-manifested as the Divine Mind. As Agni is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth. He comes down into our world as the Hero with the shining horses and slays darkness and division with his lightnings, pours down the life-giving heavenly waters, finds in the trace of the hound, Intuition, the lost or hidden illuminations, makes the Sun of Truth mount high in the heaven of our mentality.

Surya, the Sun, is the master of that supreme Truth, - truth of being, truth of knowledge, truth of process and act and movement and functioning. He is therefore the creator or rather the manifester of all things - for creation is out-bringing, expression by the Truth and Will - and the father, fosterer, enlightener of our souls. The illuminations we seek are the herds of this Sun who comes to us in the track of the divine Dawn and releases and reveals in us night-hidden world after world up to the highest Beatitude.

Of that beatitude Soma is the representative deity. The wine of his ecstasy is concealed in the growths of earth, in the waters of existence; even here in our physical being are his immortalising juices and they have to be pressed out and offered to all the gods; for in that strength these shall increase and conquer.

Each of these primary deities has others associated with him who fulfil functions that arise from his own. For if the truth of Surya is to be established firmly in our mortal nature, there are previous conditions that are indispensable; a vast purity and clear wideness destructive of all sin and crooked falsehood, - and this is Varuna; a luminous power of love and comprehension leading and forming into harmony all our thoughts, acts and impulses, - this is Mitra; an immortal puissance of clear-discerning aspiration and endeavour, - this is Aryaman; a happy spontaneity of the right enjoyment of all things dispelling the evil dream of sin and error and suffering, - this is Bhaga. These four are powers of the Truth of Surya. For the whole bliss of Soma to be established perfectly in our nature a happy and enlightened and unmaimed condition of mind, vitality and body are necessary. This condition is given to us by the twin Ashwins; wedded to the daughter of Light, drinkers of honey, bringers of perfect satisfactions, healers of maim and malady they occupy our parts of knowledge and parts of action and prepare our mental, vital and physical being for an easy and victorious ascension.

Indra, the Divine Mind, as the shaper of mental forms has for his assistants, his artisans, the Ribhus, human powers who by the work of sacrifice and their brilliant ascension to the high dwelling-place of the Sun have attained to immortality and help mankind to repeat their achievement. They shape by the mind Indra's horses, the chariot of the Ashwins, the weapons of the Gods, all the means of the journey and the battle. But as giver of the Light of Truth and as Vritra-slayer Indra is aided by the Maruts, who are powers of will and nervous or vital Force that have attained to the light of thought and the voice of self-expression. They are behind all thought and speech as its impellers and they battle towards the Light, Truth and Bliss of the supreme Consciousness.

There are also female energies; for the Deva is both Male and Female and the gods also are either activising souls or passively executive and methodising energies. Aditi, infinite Mother of the Gods, comes first; and there are besides five powers of the Truthconsciousness, - Mahi or Bharati, the vast Word that brings us all things out of the divine source; Ila, the strong primal word of the Truth who gives us its active vision; Saraswati, its streaming current and the word of its inspiration; Sarama, the Intuition, hound of heaven who descends into the cavern of the subconscient and finds there the concealed illuminations; Dakshina, whose function is to discern rightly, dispose the action and the offering and distribute in the sacrifice to each godhead its portion. Each god, too, has his female energy.

All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, master of life, links them together by the mid-air, the region of vital force. And there are other deities, - Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.

The development of all these godheads is necessary to our perfection. And that perfection must be attained on all our levels, - in the wideness of earth, our physical being and consciousness; in the full force of vital speed and action and enjoyment and nervous vibration, typified as the Horse which must be brought forward to upbear our endeavour; in the perfect gladness of the heart of emotion and a brilliant heat and clarity of the mind throughout our intellectual and psychical being; in the coming of the supramental Light, the Dawn and the Sun and the shining Mother of the herds, to transform all our existence; for so comes to us the possession of the Truth, by the Truth the admirable surge of the Bliss, in the Bliss infinite Consciousness of absolute being. ~ Sri Aurobindo, Hymns to the Mystic Fire, The Doctrine of the Mystics,

*** WISDOM TROVE ***

1:When God sends the dawn, he sends it for all. ~ miguel-de-cervantes, @wisdomtrove
2:The nearer the dawn the darker the night. ~ henry-wadsworth-longfellow, @wisdomtrove
3:Not knowing when the dawn will come I open every door. ~ emily-dickinson, @wisdomtrove
4:I rise to taste the dawn, and find that love alone will shine today. ~ ken-wilber, @wisdomtrove
5:No sun outlasts its sunset but will rise again and bring the dawn. ~ maya-angelou, @wisdomtrove
6:Death is turning out the lamp because the dawn has appeared. ~ rabindranath-tagore, @wisdomtrove
7:I think we are at the dawn of a new era in commercial space exploration. ~ elon-musk, @wisdomtrove
8:Night's darkness is a bag that bursts with the gold of the dawn. ~ rabindranath-tagore, @wisdomtrove
9:Faith is the bird that feels the light when the dawn is still dark. ~ rabindranath-tagore, @wisdomtrove
10:The Stars are setting and the Caravan Starts for the Dawn of Nothing-Oh, make haste! ~ omar-khayyam, @wisdomtrove
11:Where others see but the dawn coming over the hill, I see the soul of God shouting for joy. ~ william-blake, @wisdomtrove
12:It's always darkest before the dawn. The bigger your challenge, the closer you are to your victory. ~ joel-osteen, @wisdomtrove
13:The tomb is not a blind alley: it is a thoroughfare. It closes on the twilight. It opens on the dawn. ~ victor-hugo, @wisdomtrove
14:Death is not extinguishing the light; it is only putting out the lamp because the dawn has come. ~ rabindranath-tagore, @wisdomtrove
15:God has set his intentions in the flowers, in the dawn, in the spring, it is his will that we should love. ~ victor-hugo, @wisdomtrove
16:Longing is like the rosy dawn. After the dawn out comes the sun. Longing is followed by the vision of God. ~ sri-ramakrishna, @wisdomtrove
17:Whatever their future, at the dawn of their lives, men seek a noble vision of man's nature and of life's potential. ~ ayn-rand, @wisdomtrove
18:Learning to weep, learning to keep vigil, learning to wait for the dawn. Perhaps this is what it means to be human. ~ henri-nouwen, @wisdomtrove
19:A library implies an act of faith which generations, still in darkness hid, sign in their night in witness of the dawn. ~ victor-hugo, @wisdomtrove
20:The very admission: &
21:A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ oscar-wilde, @wisdomtrove
22:Death is the chillness that precedes the dawn; We shudder for a moment, then awake In the broad sunshine of the other life. ~ henry-wadsworth-longfellow, @wisdomtrove
23:When the dawn was still long hours away, bad thoughts took on flesh and began to walk. In the middle of the night thoughts became zombies. ~ stephen-king, @wisdomtrove
24:I think it's darkness before the dawn, because the next evolution is going to be a consciousness evolution instead of a communication revolution. ~ ram-das, @wisdomtrove
25:Though force can protect in emergency, only justice, fairness, consideration and cooperation can finally lead men to the dawn of eternal peace. ~ dwight-eisenhower, @wisdomtrove
26:Night is always darker before the dawn and life is the same, the hard times will pass, every thing will get better and sun will shine brighter then ever. ~ ernest-hemingway, @wisdomtrove
27:It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet. ~ charles-dickens, @wisdomtrove
28:But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend. ~ henry-wadsworth-longfellow, @wisdomtrove
29:Do what experts since the dawn of recorded history have told you you must do: pay the price by becoming the person you want to become. It's not nearly as difficult as living unsuccessfully. ~ earl-nightingale, @wisdomtrove
30:We call those poets who are first to mark, Through earth's dull mist the coming of the dawn, Who see in twilight's gloom the first pale spark, While others only note that day is gone. ~ oliver-wendell-holmes-sr, @wisdomtrove
31:As of 1992, in fact-though the picture would have improved since then-the money that had been made since the dawn of aviation by all of this country's airline companies was zero. Absolutely zero. ~ warren-buffet, @wisdomtrove
32:Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair! ~ j-r-r-tolkien, @wisdomtrove
33:The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices in to its whiteness ~ virginia-woolf, @wisdomtrove
34:The populations of most cities around the world continue to grow. The reasonspeople congregate in cities are various and complex, and the dawn of the digital age has not put much of adamper on the human urge to congregate. ~ tom-peters, @wisdomtrove
35:Are we alone in the universe? This is a question which goes back to the dawn of history, but for most of human history it has been in the province of religion and philosophy. Fifty or something years ago, however, it became part of science. ~ paul-davies, @wisdomtrove
36:How did it happen that their lips came together? How does it happen that birds sing, that snow melts, that the rose unfolds, that the dawn whitens behind the stark shapes of trees on the quivering summit of the hill? A kiss, and all was said. ~ victor-hugo, @wisdomtrove
37:Eastward the dawn rose, ridge behind ridge into the morning, and vanished out of eyesight into guess; it was no more than a glimmer blending with the hem of the sky, but it spoke to them, out of the memory and old tales, of the high and distant mountains. ~ j-r-r-tolkien, @wisdomtrove
38:Let us remember with devotion that the flag we love and honor is the flag of freedom that flew in victory at Yorktown, the flag the United States Marines raised on Mount Suribachi, the flag Francis Scott Key saw by the dawn's early light. Long may it wave. ~ ronald-reagan, @wisdomtrove
39:Faith is the bird that feels the light and sings when the dawn is still dark. In effect, the people who change our lives the most begin to sing to us while we are still in darkness. If we listen to their song, we will see the dawning of a new part of ourselves. ~ rabindranath-tagore, @wisdomtrove
40:I've never understood all this fuss people make about the dawn. I've seen a few and they're never as good as the photographs, which have the additional advantage of being things you can look at when you're in the right frame of mind, which is usually around lunchtime. ~ douglas-adams, @wisdomtrove
41:Let him who gropes painfully in darkness or uncertain light, and prays vehemently that the dawn may ripen into day, lay this precept well to heart: "Do the duty which lies nearest to thee," which thou know to be a duty! Thy second duty will already have become clearer. ~ thomas-carlyle, @wisdomtrove
42:If man survives for as long as the least successful of the dinosaurs-those creatures whom we often deride as nature's failures-then we may be certain of this: for all but a vanishingly brief instant near the dawn of history, the word &
43:An altered look about the hills; A Tyrian light the village fills; A wider sunrise in the dawn; A deeper twilight on the lawn; A print of a vermilion foot; A purple finger on the slope; A flippant fly upon the pane; A spider at his trade again; An added strut in chanticleer; A flower expected everywhere. ~ emily-dickinson, @wisdomtrove
44:They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. They were renewed by love; the heart of each held infinite sources of life for the heart of the other. ~ fyodor-dostoevsky, @wisdomtrove
45:A pilot's business is with the wind, and with the stars, with night, with sand, with the sea. He strives to outwit the forces of nature. He stares with expectancy for the coming of the dawn the way a gardener awaits the coming of spring. He looks forward to port as a promised land, and truth for him is what lives in the stars. ~ antoine-de-saint-exupery, @wisdomtrove
46:You end up exhausted and spent, but later, in retrospect, you realize what it all was for. The parts fall into place, and you can see the whole picture and finally understand the role each individual part plays. The dawn comes, the sky grows light, and the colors and shapes of the roofs of houses, which you could only glimpse vaguely before, come into focus. ~ haruki-murakami, @wisdomtrove
47:Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn. ~ victor-hugo, @wisdomtrove
48:I tried. But I feel that I haven't given utterance to the thousandth part of what lies within me. When I go to the grave I can say as others have said, "I have finished my day's work." But I cannot say, "I have finished my life." My day's work will begin again the next morning. The tomb is not a blind alley; it is a thoroughfare. It closes on the twilight, but opens on the dawn. ~ victor-hugo, @wisdomtrove
49:The curse of poverty has no justification in our age. It is socially as cruel and blind as the practice of cannibalism at the dawn of civilization, when men ate each other because they had not yet learned to take food from the soil or to consume the abundant animal life around them. The time has come for us to civilize ourselves by the total, direct and immediate abolition of poverty. ~ martin-luther-king, @wisdomtrove
50:Yet, she said to herself, form the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this&
51:Farewell sweet earth and northern sky, for ever blest, since here did lie and here with lissom limbs did run beneath the Moon, beneath the Sun, L√∫thien Tin√∫viel more fair than Mortal tongue can tell. Though all to ruin fell the world and were dissolved and backward hurled; unmade into the old abyss, yet were its making good, for this - the dusk, the dawn, the earth, the sea - that L√∫thien for a time should be. ~ j-r-r-tolkien, @wisdomtrove
52:Ever since the dawn of civilization, people have not been content to see events as unconnected and inexplicable. They have craved an understanding of the underlying order in the world. Today we still yearn to know why we are here and where we came from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in. ~ stephen-hawking, @wisdomtrove
53:On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realized the new wonder; but even they hardly realized that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but of the dawn. ~ g-k-chesterton, @wisdomtrove
54:When love awakens in your life, in the night of your heart, it is like the dawn breaking within you. Where before there was anonymity, now there is intimacy; where before there was fear, now there is courage; where before in your life there was awkwardness, now there is a rhythm of grace and gracefulness; where before you used to be jagged, now you are elegant and in rhythm with your self. When love awakens in your life, it is like a rebirth, a new beginning. ~ john-odonohue, @wisdomtrove
55:Rudolf Otto describes the feeling of communing with the natural world as: … the sense of being immersed in the oneness of nature, so that man feels all the individuality, all the peculiarities of natural things in himself. He dances with the motes of dust and radiates with the sun; he rises with the dawn, surges with the wave, is fragrant with the rose, rapt with the nightingale: he knows and is all being, all strength, all joy, all desire, all pain in all things inseparably. ~ tim-freke, @wisdomtrove
56:It means that though the Witch knew the Deep Magic, there is a magic deeper still that she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and darkness before Time began, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and death itself would work backwards. ~ c-s-lewis, @wisdomtrove
57:Tell a child, a husband or an employee that he is stupid or dumb at a certain thing, that he has no gift for it, and that he is doing it all wrong and you have destroyed almost every incentive to try to improve. But use the opposite technique, be liberal with encouragement; make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it - and he will practice until the dawn comes in at the window in order to excel. ~ dale-carnegie, @wisdomtrove
58:For why, my brothers and sisters, would you rejoice in silver? Either your silver will perish, or you will, and no one knows which will perish first. For neither can you remain here always, nor can silver remain here always; so also with gold, wardrobes, houses, money, real estate-and in the end, even the light by which we enjoy all these things. So do not be willing then to rejoice in such things as these. Rejoice instead in the light that has no setting; rejoice in the dawn which no yesterday precedes, and no tomorrow follows. ~ saint-augustine, @wisdomtrove
59:It is common to assume that human progress affects everyone - that even the dullest man, in these bright days, knows more than any man of, say, the Eighteenth Century, and is far more civilized. This assumption is quite erroneous. . . . The great masses of men, even in this inspired republic, are precisely where the mob was at the dawn of history. They are ignorant, they are dishonest, they are cowardly, they are ignoble. They know little if anything that is worth knowing, and there is not the slightest sign of a natural desire among them to increase their knowledge. ~ h-l-mencken, @wisdomtrove
60:People of the world, the time for decision is short. It is measured in a few years. The choice is ours as to whether or not we will pay the price of peace. If we are not willing to pay it, all that we hold dear will be consumed in the flame of war. The darkness in our world today is due to the disintegration of things which are contrary to God's laws. Let us never say hopelessly this is the darkness before a storm; rather let us say with faith this is the darkness before the dawn of the golden age of peace, which we cannot now even imagine. For this, let us hope and work and pray. ~ peace-pilgrim, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:Red as the dawn. ~ Victoria Aveyard,
2:Red as the dawn... ~ Victoria Aveyard,
3:Red of the Dawn ~ Alfred Lord Tennyson,
4:Rise, red as the dawn. ~ Victoria Aveyard,
5:O gentle vision in the dawn: ~ Harold Monro,
6:I want to chase the dawn with you. ~ E L James,
7:One rose is enough for the dawn ~ Edmond Jabes,
8:It is always darkest before the dawn. ~ Dan Brown,
9:It’s always darkest before the dawn, ~ Chloe Neill,
10:It's always darkest before the dawn ~ Stephen King,
11:We will rise up red as the dawn. ~ Victoria Aveyard,
12:As the dawn comes up like thunder. ~ Rudyard Kipling,
13:We will rise up, Red as the dawn. ~ Victoria Aveyard,
14:it's always darkness before the dawn ~ Florence Welch,
15:No child should die in the dawn of life. ~ Danny Thomas,
16:And we will rise up, Red as the dawn. ~ Victoria Aveyard,
17:The dawn is coming for you all. ~ Victoria Aveyard,
18:I was angry. I wanted blood in the dawn. ~ Bernard Cornwell,
19:Remember it’s always darkest before the dawn. ~ Demi Lovato,
20:We’ve chased the dawn, Anastasia, now the dusk, ~ E L James,
21:We’ve chased the dawn, Anastasia, now the dusk. ~ E L James,
22:Til the Dawn Breaks and Shadows Flee Away. ~ Caroline Graham,
23:Beauty shall rise with the dawn from the east. ~ Khalil Gibran,
24:Be patient where you sit in the dark. The dawn is coming ~ Rumi,
25:I rise in the dawn, and I kneel and blow ~ William Butler Yeats,
26:All silence is. All emptiness. And now: The dawn. ~ Ray Bradbury,
27:The dawn of space travel is the dawn of woman. ~ Samuel R Delany,
28:One may not reach the dawn save by path of night. ~ Khalil Gibran,
29:When God sends the dawn, he sends it for all. ~ Miguel de Cervantes,
30:You have to have the darkness for the dawn to come. ~ Harrison Ford,
31:darkest before the dawn. it will get darker. be light. ~ Suheir Hammad,
32:I have never, since the dawn of mankind, been adorable. ~ Lisa Kessler,
33:The darkest hour of the day comes just before the dawn. ~ Paulo Coelho,
34:the darkest hour of the night came just before the dawn ~ Paulo Coelho,
35:The nearer the dawn the darker the night. ~ Henry Wadsworth Longfellow,
36:The nearer the dawn, the darker the night ~ Henry Wadsworth Longfellow,
37:Little princess, lovely as the dawn, well named Aurore. ~ Cameron Dokey,
38:the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
39:What could they fear? We will rise, Red as the dawn. ~ Victoria Aveyard,
40:I would hold the rosy, slender fingers of the dawn for you. ~ Ezra Pound,
41:Not knowing when the dawn will come I open every door. ~ Emily Dickinson,
42:Not knowing when the dawn will come, I open every door. ~ Emily Dickinson,
43:The dawn was breaking the bones of your heart like twigs. ~ Richard Siken,
44:The nearer the dawn
the darker the night. ~ Henry Wadsworth Longfellow,
45:I never see the dawn that I don't say to myself perhaps. ~ John Dos Passos,
46:No eternal reward will forgive us now for wasting the dawn. ~ Jim Morrison,
47:No heavenly power will forgive us now for wasting the dawn. ~ Jim Morrison,
48:One may not reach the dawn save by the path of the night. ~ Germaine Greer,
49:The dawn of history reveals a humanity already civilized. ~ G K Chesterton,
50:and then the dawn, pink as salmon meat, buttery. Daylight. ~ Kristin Hannah,
51:And so often the darkest hour is just before the dawn. ~ Bear Grylls,
52:Jesus is the sun and Mary is the dawn announcing his rising. ~ Pope Francis,
53:Not knowing when the dawn will come
I open every door. ~ Emily Dickinson,
54:Night never had the last word. The dawn is always invincible. ~ Hugh B Brown,
55:that the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
56:The dawn would come eventually, and what was broken could mend. ~ Claire Kent,
57:He who is neither human nor demon is not the dawn nor the dusk. ~ Kohta Hirano,
58:The dawn speeds a man on his journey, and speeds him too in his work. ~ Hesiod,
59:The evening sings in a voice of amber, the dawn is surely coming. ~ Al Stewart,
60:Rise free from care before the dawn, and seek adventures. ~ Henry David Thoreau,
61:The life that the dawn brings us is the only life we have. Life ~ Vimala Thakar,
62:I rise to taste the dawn, and find that love alone will shine today. ~ Ken Wilber,
63:Sometimes we got to look in the dark to see how bright’s the dawn. ~ A S Peterson,
64:Death is turning out the lamp because the dawn has appeared. ~ Rabindranath Tagore,
65:No sun outlasts its sunset, but will rise again and bring the dawn. ~ Maya Angelou,
66:Expect the dawn of a new beginning in the dark nights of life. ~ Lloyd John Ogilvie,
67:Body snatching and other sordid tales from the dawn of human dissection ~ Mary Roach,
68:I think we are at the dawn of a new era in commercial space exploration. ~ Elon Musk,
69:It said that the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
70:The dawn breaks everything, including the mood from the night before. ~ Steve Martin,
71:Since the dawn of humanity, stories have allowed each of us to be many. ~ Neil Gaiman,
72:Night's darkness is a bag that bursts with the gold of the dawn. ~ Rabindranath Tagore,
73:of night crowded into the slanting places beyond the reach of the dawn. ~ Laini Taylor,
74:The light of the dawn is not so sweet as the first glimpses of fame. ~ Luc de Clapiers,
75:In matters of creating the dawn, hope is as successful as the sun! ~ Mehmet Murat ildan,
76:They lose the day in waiting for the night, and the night in fearing the dawn. ~ Seneca,
77:The period before the dawn of knowledge is called the age of darkness. ~ Wasif Ali Wasif,
78:Faith is the bird that feels the light when the dawn is still dark. ~ Rabindranath Tagore,
79:It is said that the darkest hour of the night comes just before the dawn. ~ Thomas Fuller,
80:The world is always young again for just a few moments at the dawn. ~ Lucy Maud Montgomery,
81:They lose the day in expectation of the night, and the night in fear of the dawn. ~ Seneca,
82:The dawn, the dusk, centuries, arms, and the binding and sundering sea. ~ Jorge Luis Borges,
83:Turns out we've been eating the wrong things...since the dawn of civilisation ~ Lewis Black,
84:Age is not the flight of years; it is the dawn of wisdom in the mind of man. ~ Joseph Murphy,
85:and rising extremely unlike Phoebus with the dawn to prepare the schoolhouse. ~ Peter Straub,
86:If the dawn should break
and take away this sunrise,
I hope I break, too. ~ Ryan Mecum,
87:Death for the Christian is a turning off the light because the dawn has come. ~ Leon Jaworski,
88:Only because uplifted in song, was I able to endure the blaze of the dawn. ~ George MacDonald,
89:I am old as the ages and young as the dawn. Otherworldly beings cannot be bribed. ~ Alex Flinn,
90:To know that you are a prisoner of your mind is the dawn of wisdom. ~ Sri Nisargadatta Maharaj,
91:His eyelids were the color of the dawn sky; he smelled like earth after rain. ~ Madeline Miller,
92:Aurora now, fair daughter of the dawn, Sprinkled with rosy light the dewy lawn. ~ Alexander Pope,
93:In the dawn, armed with a burning patience, we shall enter the splendid cities. ~ Arthur Rimbaud,
94:Parents: Perfecting ways to humiliate their children since the dawn of time. ~ Shannon Messenger,
95:Stalking old flames has become a whole lot easier with the dawn of the Internet ~ Sharon J Bolton,
96:The dawn is not distant, nor is the night starless; love is eternal. ~ Henry Wadsworth Longfellow,
97:Come quickly. You mustn’t miss the dawn. It will never be just like this again. ~ Georgia O Keeffe,
98:Fairest of stars, last in the train of night, If better thou belong not to the dawn. ~ John Milton,
99:Faith is the bird that feels the light when the dawn is still dark.
   ~ Rabindranath Tagore, [T5],
100:Faith is the bird that feels the light and sings when the dawn is still dark. ~ Rabindranath Tagore,
101:The Stars are setting and the Caravan Starts for the Dawn of Nothing-Oh, make haste! ~ Omar Khayyam,
102:What humbugs we are, who pretend to live for beauty, and never see the dawn! ~ Logan Pearsall Smith,
103:Determined, I rise
and face the dawn with resolve.
This time I will win. ~ Richelle E Goodrich,
104:With every kiss, we'll promise this, we'll find a way to light the dawn of all we wish. ~ Pocahontas,
105:You don't see us, and so we are everywhere. And we will rise up, Red as the dawn. ~ Victoria Aveyard,
106:And, in the dawn, armed with a burning patience, we shall enter the splendid cities. ~ Arthur Rimbaud,
107:The thriller is not a recent invention. It probably goes back to the dawn of storytelling. ~ Lee Child,
108:They lose the day in expectation of the night, and the night in fear of the dawn. ~ Seneca the Younger,
109:You don't see us,
and so we are everywhere.
And we will rise Red as the Dawn! ~ Victoria Aveyard,
110:Since the dawn of history, mankind has honoured and respected brave and honest people. ~ Nelson Mandela,
111:12 “Have you ever in your life commanded the morning, And caused the dawn to know its place, ~ Anonymous,
112:As cool as the pale wet leaves
of lily-of-the-valley
She lay beside me in the dawn. ~ Ezra Pound,
113:Holy flowers floating in the air, were all these tired faces in the dawn of Jazz America. ~ Jack Kerouac,
114:Make plans at night and the dawn is the best time to start implementing these plans! ~ Mehmet Murat ildan,
115:Crowdfunding as an idea itself isn't new - bands have been doing it since the dawn of time. ~ Amanda Palmer,
116:From the dawn of time to the end of time, the world would never run short of cold, cold hearts. ~ Tami Hoag,
117:We can never sneer at the stars, mock the dawn, or scoff at the totality of being. ~ Abraham Joshua Heschel,
118:Where others see but the dawn coming over the hill, I see the soul of God shouting for joy. ~ William Blake,
119:Age is not the flight of years; it is really the dawn of wisdom and Divine knowledge in you. ~ Joseph Murphy,
120:“Be patient when you sit in the dark. The dawn is coming.” ~ Jalaluddin Rumi #meditation#art: @BuddhaDoodles,
121:I say to this night: "Pass more slowly"; and the dawn will come to dispel the night. ~ Alphonse de Lamartine,
122:I've often been sorry to see a night end, even while I have loved seeing the dawn come. ~ Marilynne Robinson,
123:Nothing is black and white. There may be day and night, but not without the dawn and the dusk. ~ Hannah Hart,
124:The dawn broke, but the Sun did not rise that morning. It was a morning of ‘mourning’. (Page 24) ~ Neena Verma,
125:Down the long and silent street, The dawn, with silver-sandaled feet, Crept like a frightened girl. ~ Oscar Wilde,
126:In the midst of darkness, he alone sees the dawn; in the midst of the soundless, he alone hears harmony. ~ Zhuangzi,
127:I wondered how many people had sung "By the dawn's early light' yesterday and were dead today. ~ Susan Beth Pfeffer,
128:The tomb is not a blind alley: it is a thoroughfare. It closes on the twilight. It opens on the dawn. ~ Victor Hugo,
129:And when the dawn comes creeping in,
Cautiously I shall raise
Myself to watch the daylight win. ~ D H Lawrence,
130:The dawn is a term for the early morning used by poets and other people who don’t have to get up. – ~ Oliver Herford,
131:The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn. ~ H G Wells,
132:Since the dawn of time man understands that suffering, faced with no fear, is his passport to freedom. ~ Paulo Coelho,
133:We can recognize the dawn and the decline of love by the uneasiness we feel when alone together. ~ Jean de la Bruyere,
134:Death is not extinguishing the light; it is only putting out the lamp because the dawn has come. ~ Rabindranath Tagore,
135:Every two days now we create as much information as we did from the dawn of civilization up until 2003. ~ Eric Schmidt,
136:..she unleashed the disappointed look all mothers had used to cower their children from the dawn of time. ~ Ann Mayburn,
137:The highest intellects, like the tops of mountains, are the first to catch and to reflect the dawn. ~ Thomas B Macaulay,
138:The past is but the beginning of a beginning, and all that is and has been is but the twilight of the dawn. ~ H G Wells,
139:Finally the dawn came, the sky fringed with pink, and the sun bright as a coin in a spill of rising red. ~ Lauren Slater,
140:God has set his intentions in the flowers, in the dawn, in the spring, it is his will that we should love. ~ Victor Hugo,
141:Life is the lust of a lamp for the light that is dark till the dawn of the day that we die. ~ Algernon Charles Swinburne,
142:[S]ince the dawn of civilization, getting in-laws has been one of marriage's most important functions. ~ Stephanie Coontz,
143:It's always darkest before the dawn—if you're going to steal your neighbor's newspaper, that's the time to do it. ~ Various,
144:Twilight ...
Say, who you are !!
The dusk before the night
Or the dawn before the light
(Page 73) ~ Neena Verma,
145:Doubts, like ghosts, gain strength in darkness; even with the dawn I wasn’t sure I’d done the right thing. ~ Jonathan Stroud,
146:Longing is like the rosy dawn. After the dawn out comes the sun. Longing is followed by the vision of God. ~ Sri Ramakrishna,
147:Did you really need to yawn like that, Graypaw? Oh, I see, it’s because it’s the dawn patrol, and you’re tired. ~ Erin Hunter,
148:See you not the dawn after the dark night. The earth shudders, the lotus blossoms. The sun rises to please the world. ~ Kalki,
149:War has been with us ever since the dawn of civilization. Nothing has been more constant in history than war. ~ Robert Aumann,
150:Today, as chief Of the guardians of the seas Of the land of the dawn, I gaze up with awe At the rising sun! ~ Isoroku Yamamoto,
151:Whatever their future, at the dawn of their lives, men seek a noble vision of man's nature and of life's potential. ~ Ayn Rand,
152:...and the wild beast rose up within him and screamed, as it had screamed in the Jungle from the dawn of time. ~ Upton Sinclair,
153:Born in 1966, I came of age at the dawn of a revolution. The past was gone; we would move on and get over it! ~ Deborah Copaken,
154:It's always darkest before the dawn—if you're going to steal your neighbor's newspaper, that's the time to do it. *** ~ Various,
155:she drove slowly into town as the gold and rose fingers of the dawn reached toward fading stars that eluded them. ~ Dean Koontz,
156:It was the dawn of new era, one where most of the human race now spent all of their free time inside a videogame. ~ Ernest Cline,
157:These be Three silent things: The Falling snow. . . the hour Before the dawn. . . the mouth of one Just dead. ~ Adelaide Crapsey,
158:Do birds arise from ashes?
Will 5 years bring the dawn?
Or will night neverending
Subdue the rooster's song? ~ Ben Winch,
159:In the shadow of death may we not look back to the past, but seek in utter darkness the dawn of God. ~ Pierre Teilhard de Chardin,
160:10Remove vexation from your heart, and  u put away pain [3] from your body, for youth and the dawn of life are vanity. ~ Anonymous,
161:And Milo, full of thoughts and questions, curled up on the pages of tomorrow's music and eagerly awaited the dawn. ~ Norton Juster,
162:Brothers, he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn. ~ Victor Hugo,
163:Earth? Golden Age?" Stilgar was irritated and puzzled. Why would Paul wish to discuss myths from the dawn of time? ~ Frank Herbert,
164:In the middle of the night, there is always less hope; in the dawn of the morning, there is always more hope! ~ Mehmet Murat ildan,
165:In the shadow of death may we not look back to the past, but seek in utter darkness the dawn of God. ~ Pierre Teilhard de Chardin,
166:Learning to weep, learning to keep vigil, learning to wait for the dawn. Perhaps this is what it means to be human. ~ Henri Nouwen,
167:We must believe that it is the darkest before the dawn of a beautiful new world. We will see it when we believe it. ~ Saul Alinsky,
168:It will be people like us that save the world, she said: those who have walked the side of sorrow and seen the dawn. ~ Rene Denfeld,
169:She wasn’t surprised when his character revealed itself—if you waited long enough, it always did. Like the dawn. ~ Colson Whitehead,
170:Every mystery ever solved had been a puzzle from the dawn of the human species right up until someone solved it. ~ Eliezer Yudkowsky,
171:A library implies an act of faith which generations, still in darkness hid, sign in their night in witness of the dawn. ~ Victor Hugo,
172:Longing is like the rosy dawn. After the dawn out comes the sun. Longing is followed by the vision of God.
   ~ Sri Ramakrishna, [T5],
173:Since the dawn of time, primitive humans thought, loved and had poetry. They also pooped on everything. It was horrible. ~ Dana Gould,
174:It was funny how tangled lives could become, how so many lives could brush against you only to disappear with the dawn. ~ Lisa Jackson,
175:The movies are funny, in one way, because you think of everyone being as beautiful as the dawn, but that isn't true. ~ Julian Fellowes,
176:There is no short and easy road, no magic cure for those ills which have afflicted mankind from the dawn of history. ~ Frank B Kellogg,
177:You may as well know, also, that every great leader, from the dawn of civilization down to the present, was a dreamer. ~ Napoleon Hill,
178:Enlighten the people, and tyranny and oppressions of body and mind will vanish like evil spirits at the dawn of day. ~ Thomas Jefferson,
179:He knows: he went over everyone, & nobody's missing. Often he reckons, in the dawn, them up. Nobody is ever missing. ~ John Berryman,
180:On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer; China 'crost the Bay! ~ Rudyard Kipling,
181:The boy remembered an old proverb from his country. It said that the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
182:Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. ~ John Herrick,
183:Jefferson subsequently came to believe that Henry’s speech attacking the Stamp Act had been “the dawn of the Revolution.”36 ~ John Ferling,
184:Like the early days of the Internet, the dawn of personal genomics promises benefits and pitfalls that no one can foresee. ~ Steven Pinker,
185:For a storm is certainly coming, whether from my hand or someone else's.
and i have no idea who will survive the dawn ~ Victoria Aveyard,
186:The measure of a civilization is how it treats those at the dawn of life, the margins of life and the twilight of life. ~ Hubert H Humphrey,
187:A dreamer is man who can find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Oscar Wilde,
188:I saw two clouds at morning Tinged by the rising sun, And in the dawn they floated on And mingled into one. ~ John Gardiner Calkins Brainard,
189:Only the road and the dawn, the sun, the wind, and the rain, And the watch fire under stars, and sleep, and the road again. ~ John Masefield,
190:That I had loved not as I should. A creature made of clay. When the angel woos the clay, he'll lose his wings at the dawn of day ~ Jean Haus,
191:The moral test of a society is how that society treats those who are in the dawn of life: the children; ... the elderly. ~ Hubert H Humphrey,
192:They say it’s always darkest until right before the dawn. I’ve worked on enough projects to know how true this saying really is. ~ Meg Cabot,
193:We must learn to reawaken and keep ourselves awake, not by mechanical aid, but by an infinite expectation of the dawn. ~ Henry David Thoreau,
194:One legged veterans will greet the dawn, and they're whistling marches as they mow the lawn, and the gargoyles on sit and grieve. ~ Phil Ochs,
195:There are a lot of truths in this world. When it rains it pours. It's always darkest before the dawn. He who smelt it dealt it. ~ Rob Thurman,
196:We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn. ~ Henry David Thoreau,
197:Up the river, toward the city, buttery sunlight bounced off the Temple of the Dawn, scattering color into the air like a jewel. ~ Sharon Guskin,
198:A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Oscar Wilde,
199:Enlighten the people generally, and tyranny and oppressions of body and mind will vanish like evil spirits at the dawn of day. ~ Thomas Jefferson,
200:Many a man has owed the first white gleams of the dawn of Democracy in his soul to a desire to find a stick and beat the butler. ~ G K Chesterton,
201:Stoke thy fires, thou Dragon-hearted daughter of flame, Rend the storm with thy mighty wings unfurled, Graciously salute the dawn. ~ Marc Secchia,
202:The dawn came up entirely gold, with no hint of pink or purple. The sky was a rinsed blue, like an old shirt washed a thousand times. ~ Lee Child,
203:I laugh because me been dancing with shadow in the dawn and in the night. Even in broad, bright daylight we searching for the dark. ~ Marlon James,
204:A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Robin S Sharma,
205:Enlighten the people generally, and tyranny and opressions of the body and mind will vanish like evil spirits at the dawn of day. ~ Thomas Jefferson,
206:Since the dawn of time, warring combatants have regularly reached for what support they could find to nerve their own side for battle. ~ Mark A Noll,
207:Hitlerites are blood and soil worshipers, human sacrifice mystics out of the dark forests of Germany before the dawn of civilization. ~ Upton Sinclair,
208:...it was the dawn of a new day that Birdie prized. It was God's little reminder that no matter how dark the night, the sun always rises. ~ Lisa Unger,
209:What the poet sees and feels, not what he opines, is the real substance of his poetry. ~ Sri Aurobindo, The Future Poetry, The Poets of the Dawn - II,
210:[H]e lay awake, dreading the dawn when he would have to say good-bye to the small universe he had built for himself over the years. ~ Carlos Ruiz Zaf n,
211:[H]e lay awake, dreading the dawn when he would have to say good-bye to the small universe he had built for himself over the years. ~ Carlos Ruiz Zafon,
212:Death is the chillness that precedes the dawn; We shudder for a moment, then awake In the broad sunshine of the other life. ~ Henry Wadsworth Longfellow,
213:Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel. ~ Gerald Haslam,
214:The dawn chorus had still been chattering in the giant yew against the west wall of his cottage, the sky pink, when the telephone rang. ~ Helen Simonson,
215:Even though I was growing up in a land that had been tormented since the dawn of time, I refused to consider the world as a battlefield. ~ Yasmina Khadra,
216:When the dawn was still long hours away, bad thoughts took on flesh and began to walk. In the middle of the night thoughts became zombies. ~ Stephen King,
217:And though, finally, they would bring him down with sheer weight of numbers, none who heard him ask that question lived to see the dawn. ~ Richard K Morgan,
218:Instead, I try to adjust to the dawn, letting the tears fall where they may, because it is morning; it is morning and there is so much to see. ~ Libba Bray,
219:I relax my thoughts and absorb everything humming around me. The branches with their gray-green leaves. The birds stirring against the dawn. ~ Sophie Jordan,
220:I think it's darkness before the dawn, because the next evolution is going to be a consciousness evolution instead of a communication revolution. ~ Ram Dass,
221:The seventeenth century was the dawn of an age of secularisation. The twenty-first century will be the start of an age of desecularisation. ~ Jonathan Sacks,
222:We stand on the threshold of a twilight-whether morning or evening we do not know. One is followed by the night, the other heralds the dawn. ~ Mahatma Gandhi,
223:There is a road, no simple highway, between the dawn and the dark of night, and if you go, no one may follow, that path is for your steps alone ~ Jerry Garcia,
224:Just as the dawn is the forerunner of the arising of the sun, so true friendship is the forerunner of the arising of the noble eightfold path. ~ Gautama Buddha,
225:The darker the night, the nearer the dawn. Victory in life is decided by that last concentrated burst of energy filled with the resolve to win. ~ Daisaku Ikeda,
226:There is a road, no simple highway, between the dawn and the dark of night, and if you go, no one may follow, that path is for your steps alone. ~ Robert Hunter,
227:This is the twilight of the banks. It would be a more cheerful spectacle if we could envision the dawn of the institutions that will replace them ~ Martin Mayer,
228:When he thought to complain about the burden of it’s weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn ~ Paulo Coelho,
229:There were 5 Exabytes of information created between the dawn of civilization through 2003, but that much information is now created every 2 days. ~ Eric Schmidt,
230:When Kilorn steps toward me, his face set and determined, his bruises and scars and bandages seem to fade. I think I see the dawn in his eyes. ~ Victoria Aveyard,
231:And I'm up while the dawn is breaking, even though my heart is aching. I should be drinking a toast to absent friends instead of these comedians. ~ Elvis Costello,
232:The memory of war was fading into the past as a nightmare vanishes with the dawn; soon
it would lie outside the experience of all living men. ~ Arthur C Clarke,
233:A poet’s largeness and ease of execution,—succeeds more amply on the inferior levels of his genius. ~ Sri Aurobindo, The Future Poetry, The Poets of the Dawn - II,
234:Before the dawn of the scientific worldview, reality was construed differently. Being was understood as a place of action, not a place of things. ~ Jordan Peterson,
235:Oh, night that guided me, Oh, night more lovely than the dawn,Oh, night that joined Beloved with lover, Lover transformed in the Beloved! ~ Saint John of the Cross,
236:On Sunday mornings, as the dawn burned into day, swarms of gulls descended on the uncollected trash, hovering and dropping in the cold clear light. ~ Edward Conlon,
237:The first light on the roof outside; very early morning. The leaves on all the trees tremble with a soft awakening to any breeze the dawn may offer. ~ Ray Bradbury,
238:A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. — OSCAR WILDE ~ Maggie Stiefvater,
239:But French people understand that first you live, and then you die. It’s not an outrage. It’s something that’s been happening since the dawn of time. It ~ Lee Child,
240:But when he thought to complain about the burden of its weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn. ~ Paulo Coelho,
241:Before the dawn of the scientific worldview, reality was construed differently. Being was understood as a place of action, not a place of things. ~ Jordan B Peterson,
242:I die without seeing the dawn brighten over my native land. You who have it to see, welcome it ... and forget not those who have fallen during the night! ~ Jos Rizal,
243:Though force can protect in emergency, only justice, fairness, consideration and cooperation can finally lead men to the dawn of eternal peace. ~ Dwight D Eisenhower,
244:Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. ~ Bill Bryson,
245:I would have had him hanged from the yardarm, hick—if somebody hadn't stolen the, hick, yardarm, hick. At dawn, hick—if somebody hadn't stolen the dawn. ~ Kurt Vonnegut,
246:Now I understand—how sleep allows you to forget, but your pain wakes with the dawn, worse because for a split second you don’t remember what you’ve suffered. ~ Amy Engel,
247:There is no such thing as a “peacekeeping mission” in the Middle East. Period. The Middle East has been at war, literally, since the dawn of history. The ~ Larry Correia,
248:Tomorrow I will curse the dawn, but there will be other, earlier nights, and the dawns will be no longer hell laid out in alarms and raw bells and sirens. ~ Sylvia Plath,
249:Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world. ~ Oscar Wilde,
250:The tail of the comet slashed the dawn and in the red light of the rising sun, for a brief instant, it seemed as if the comet was bleeding across the sky. ~ Kathryn Lasky,
251:A library implies an act of faith which generations, still in darkness hid, sign in their night in witness of the dawn."

À qui la faute? (1872) ~ Victor Hugo,
252:Now I understand - how sleep allows you to forget, but your pain wakes with the dawn, worse because for a split second you don't remember what you've suffered. ~ Amy Engel,
253:I had got to the dawn of the beautiful not caring, but fully aware, stage, which degenerates so imperceptibly into the doing something unpermissible stage. ~ Caitlin Thomas,
254:Night is always darker before the dawn and life is the same, the hard times will pass, every thing will get better and sun will shine brighter then ever. ~ Ernest Hemingway,
255:The dawn is an awakening to a deepening realization of who we really are in and with God and the world, and of what has been going on within us in the night. ~ Gerald G May,
256:Disappointment always arrives before hope and the darkness of night comes before the dawn. Don't lose hope now because things will brighter with the new day. ~ Henry Rollins,
257:In the dawn of this new phase in redemptive history, no teachers (including Jesus) in the New Testament ever promise material wealth as a reward for obedience. ~ David Platt,
258:You have to have a darkness...for the dawn to come. You have to have experienced difficulties and challenges to fully appreciate and be grateful for success. ~ Harrison Ford,
259:When we are in health, all sounds fife and drum for us; we hear the notes of music in the air, or catch its echoes dying away when we awake in the dawn. ~ Henry David Thoreau,
260:In the darkest night to be certain of the dawn...to go through Hell and to continue to trust in the goodness of God-this is the challenge and the way. ~ Abraham Joshua Heschel,
261:Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning. ~ T S Eliot,
262:When I wrote 'Before The Dawn,' I made it quite clear that there are lots of people involved in my life who I can't talk about simply because I'd put them at risk. ~ Gerry Adams,
263:Everything is darkest," Xaphen mused, "before the dawn."

"That, my brother, is an axiom that sounds immensely profound until you realize it's a lie. ~ Aaron Dembski Bowden,
264:It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet. ~ Charles Dickens,
265:This is the reason why you were brought to Narnia, that by knowing me here for a little you might come to know me better there".
-Aslan, Voyage of the Dawn Treader ~ C S Lewis,
266:He tried to get up and move, but a searing pain from his leg shot through him. The last thing he heard before he blacked out was the song of a bird, greeting the dawn. ~ Rhys Bowen,
267:Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up. ~ Anne Lamott,
268:It was the second white apparition which he had encountered. The Bishop had caused the dawn of virtue to rise on his horizon; Cosette caused the dawn of love to rise. ~ Victor Hugo,
269:The grace of God does not come with a roll of thunder. It is a small, growing and steady light. It arrives as the dawn comes, slowly and truly, each day a new birth. ~ James Runcie,
270:The way we treat our children in the dawn of their lives and the way we treat our elderly in the twilight of their lives is a measure of the quality of a nation. ~ Hubert H Humphrey,
271:Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don’t give up. I ~ Anne Lamott,
272:I stayed at the port until the dawn broke, leaning over the railing, unable to reconcile myself to the idea that something that had never really begun was truly over. ~ Yasmina Khadra,
273:They had graduated from cloth-and-wood flying machines in the dawn of human flight to steel and aluminum behemoths with thousands of horsepower and terrific firepower; ~ Winston Groom,
274:In the heartfelt mercy of our God, the dawn from on high will visit us, to shine on those sitting in darkness, in the shadow of death, to guide our feet to the way of peace. ~ Anonymous,
275:For darkness is the rule and light its exception, as death is the rule and life its exception. Light and life are anomalies, the dawn is their continual affirmation. ~ Karl Ove Knausg rd,
276:When life happened, it did it in a heartbeat. That space between time. A first inhale, a last exhale. The dawn of realization, the eve of what was and never again would be. ~ Jewel E Ann,
277:All that night he followed bends of the black road jeweled by starlight until the wan light of the dawn touched the east with red and the pastures turned green." (pg. 76) ~ Robert Olmstead,
278:Every time the word 'breastfeeding' is mentioned, there's a snicker on the House floor. This has been happening since the dawn of creation. Can we finally get a grip on it? ~ Susan Molinari,
279:He was a mighty beast, mightily muscled, and the urge that has made males fight since the dawn of life on earth filled him with the blood-lust and the thirst to slay; ~ Edgar Rice Burroughs,
280:It will be the dawn of my new kingdom. I will scour all life from this continent, and this pyramid shall stand as a monument to my power—the final and eternal tomb of Osiris! ~ Rick Riordan,
281:These are lessons that they have been taught since the dawn of time and, yet, they still fight and die, as if without care, as if relishing the release from their mortal coil. ~ Kate Danley,
282:A smile is ever the most bright and beautiful with a tear upon it. What is the dawn without the dew? The tear is rendered by the smile precious above the smile itself. ~ Walter Savage Landor,
283:We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. ~ Henry David Thoreau,
284:As early as the angels’ genesis, Lucinda’s wings were bright reflective silver, the color of starlight. They had shone in their singular glory since the dawn of the dawn of time. ~ Lauren Kate,
285:These flowers, which were splendid and sprightly, waking in the dawn of the morning, in the evening will be a pitiful frivolity, sleeping in the cold night's arms. ~ Pedro Calderon de la Barca,
286:À l'aurore, armés d'une ardente patience, nous entrerons aux splendides Villes.

(In the dawn, armed with a burning patience, we shall enter the splendid Cities.) ~ Arthur Rimbaud,
287:The wolves prey upon the lambs in the darkness of the night, but the blood stains remain upon the stones in the valley until the dawn comes, and the sun reveals the crime to all. ~ Khalil Gibran,
288:Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. ~ Oscar Wilde,
289:Every day he thought would last forever, and the night forever, and the dawn drag eternally another long and empty day to light forever; yet they sped away, the day, the night... ~ William H Gass,
290:It is true that the sky was always beautiful but I don't remember marvelling at sunset or gazing at the dawn of a new day. Survival does not allow time for poetic reflection. ~ Izzeldin Abuelaish,
291:Hold me, O Night, with motherly affection,
While the wan earth wakes with a misty yawn.
By my blood will be born the dawn
and from my fleeting dream—the undying sun! ~ Gabriele D Annunzio,
292:La poésie se fait dans un lit comme l’amour
Ses draps défaits sont l’aurore des choses

(English) Poetry is made in bed like love
Its unmade sheets are the dawn of things ~ Andr Breton,
293:Better--while life is quick And every pain immense and joy supreme, And all I have and am Flames upward to the dream ... Than like a taper forgotten in the dawn, Burning out the quick. ~ Lola Ridge,
294:Or perhaps it was curiosity that motivated them after all, that earliest of motives, the most human and the most suspect, the one that had led Adam to the Tree, in the dawn of Story. ~ Lavie Tidhar,
295:I thought about this. “Young female bodies are built to get pregnant, you know,” I said coolly. I was still gazing up at the ceiling. “And it’s been that way since the dawn of time.” We ~ Cat Marnell,
296:But I don't shut up and I don't die.
I live
and fight, maddening
those who rule my country.

For if I live
I fight,
and if I fight
I contribute to the dawn. ~ Otto Ren Castillo,
297:Let us do the work that is before us, so that when our time here is over we will all watch the sun go down as we all must, and say truly, we have prepared our children for the dawn. ~ William J Clinton,
298:Rise free from care before the dawn and seek new adventures.
Let noon find you at other lakes,
And night find you everywhere at home...
Grow wild according to thy nature. ~ Henry David Thoreau,
299:So he lay there, desperate as a beetle fallen on its back, trying not to think of all the things he did not want to think of, as the dawn sifted into the room like a radiant gray dust. ~ Benjamin Black,
300:With each word, he broke past every barrier, every wall. And Sharazad's will fought him, screamed a silent scream, while her heart welcomed the intrusion as a songbird welcomes the dawn. ~ Ren e Ahdieh,
301:Lord, the year is dying and our gratitude bows down to Thee. Lord, the year is reborn, our prayer rises up to Thee. Let it be for us also the dawn of a new life.
   ~ The Mother, Words Of The Mother III,
302:burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. Were those the same words you said when you took your vows? ~ Anonymous,
303:Nix,” I said, and her name was a poem. She tilted her face up to the dawn; my lips met hers. She pressed close to me, and then there was no past, no future—only now. No her, no me. Only us. ~ Heidi Heilig,
304:But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. ~ Donna Tartt,
305:But the nearer the dawn the darker the night, And by going wrong all things come right. Things have been mended that were worse, and the the worse, the nearer they are to mend. ~ Henry Wadsworth Longfellow,
306:I gazed at the far woods and knew our enemies were also sharpening their blades. They had to be confident. They knew the dawn would bring them a battle, victory, plunder, and reputation. ~ Bernard Cornwell,
307:Africa, help me to go home, carry me like an aged child in your arms. Undress me and wash me. Strip me of all of these garments, strip me as a man strips off dreams when the dawn comes. . . . ~ Aime Cesaire,
308:Ragtime plinking, glasses clinking, choruses getting sung with only half the lyrics right, giggles bubbling over like a tower of champagne.

It's a party, shaking down the dawn. ~ Catherynne M Valente,
309:There comes a day when the young girl glances in this manner. Woe to him who chances to be there! That first gaze of a soul which does not, as yet, know itself, is like the dawn in the sky. It ~ Victor Hugo,
310:The market came with the dawn of civilization and it is not an invention of capitalism. ... If it leads to improving the well-being of the people there is no contradiction with socialism. ~ Mikhail Gorbachev,
311:The moon, B had noticed, awakened the dawn, and so the two – like pale cousins – never saw each other. Even on the most hopeful of days the moon could only peep, from a distant sky, at the sun. ~ Rene Denfeld,
312:Do I look like a fucking slave to you?” he asked them. And though, finally, they would bring him down with sheer weight of numbers, none who heard him ask that question lived to see the dawn. ~ Richard K Morgan,
313:exaggerated boogeymen in scary stories told by their elders, who, in the fashion of all old people since the dawn of time, believed theirs had been the vastly harder and more consequential life. ~ Justin Cronin,
314:We call those poets who are first to mark, Through earth's dull mist the coming of the dawn, Who see in twilight's gloom the first pale spark, While others only note that day is gone. ~ Oliver Wendell Holmes Sr,
315:with the colors of the dawn still in the sky, when right smack-dab in the center of my field of vision I noticed this cloud in the perfect shape of an angel with her wings arched across the sky. ~ Doreen Virtue,
316:Man is inconsolable, thanks to that eternal "Why?" when there is no Why, that question mark twisted like a fishhook in the human heart.
"Let there be light," we cry, and only the dawn breaks. ~ Peter De Vries,
317:The sun rises on Newfoundland, sets on British Columbia, island to island. Chilly Atlantic mornings and warm Pacific sunsets. An arc that traces a path from the dawn of an empire to its twilight. ~ Will Ferguson,
318:As of 1992, in fact-though the picture would have improved since then-the money that had been made since the dawn of aviation by all of this country's airline companies was zero. Absolutely zero. ~ Warren Buffett,
319:He knew that he was caught up in one of those stretches of time when for anything to happen normally would be abnormal. The dawn was too tense and highly charged for any common happening to survive. ~ Mervyn Peake,
320:If you have ever prayed in the dawn you will ask yourself why you were so foolish as not to do it always: it is difficult to get into communion with God in the midst of the hurly-burly of the day. ~ Oswald Chambers,
321:There are so many who take the dawn for the noon, a momentary experience for full realisation and destroy even the little they gain by excess of pride. Humility and silence are essential. ~ Sri Nisargadatta Maharaj,
322:The universality of belief in an afterlife is astonishing, because life after death is not one of those empirically obvious beliefs that one would expect every society from the dawn of mankind to share. ~ Anonymous,
323:Instead of a Dark Lord, you would have a queen, not dark but beautiful and terrible as the dawn! Tempestuous as the sea, and stronger than the foundations of the earth! All shall love me and despair! ~ J R R Tolkien,
324:Dreams do not exist within the realm of hours or minutes or any measure of the day. They live between the tick and the tock. Before the toiling of the bell, past the dawn, and beyond the velvet night. ~ William Joyce,
325:I think I loved you before I ever knew you because it’s never felt like a choice for me. It’s just something as certain as the change of the seasons, the tilt of the earth, the dawn welcoming a new day. ~ Jewel E Ann,
326:But everything's always been fucked up. Since the dawn of time. That's why people find each other. For comfort. For shelter. They find their own little crevice in the world, shielded from all the horror. ~ Drew Magary,
327:This sweet, blessed, God-inspired place called America is a champion that has absorbed some blows. But while we bend, we don't break. This is no dark hour; this is the dawn before we remember who we are. ~ Artur Davis,
328:What they do at 6:00 a.m. is anyone's guess. I only know that they're incredibly self-righteous about it and talk about the dawn as if it's a personal reward, bestowed on account of their great virtue. ~ David Sedaris,
329:Black On The Depths
Black on the depths of blackest skies
whence even the levin seems withdrawn,
the cities threaten: burning eyes
ask what dread hand hath slain the dawn.
~ Christopher John Brennan,
330:My only armor is my belief that life has meaning and that, when my last sun has set and my last moon has risen, when the dawn comes that marks the moment when I am born with the dead, there will be mercy. ~ Dean Koontz,
331:at the dawn of July, Ukraine was to celebrate the first birthday of its ultramodern constitution, which makes us feel very nationalistic, and so many people would be on vacation in foreign places. ~ Jonathan Safran Foer,
332:Django: “Would you buy it if I told you that it’s always darkest before the dawn? Or that there’s a light at the end of the tunnel? Course there’s always a possibility that it’s an oncoming train. But still. ~ Zoey Dean,
333:[For Before the Dawn] it was in the hands of a fantastic drummer and percussionist and who drove it into another moment in time. It's such a poignant song and it was transformed into entirely different beast. ~ Kate Bush,
334:So may it be for him, and me, and all of us!" I mused. "All that is evil, and dead, and hopeless, fading with the Night that is past! All that is good, and living, and hopeful, rising with the dawn of Day! ~ Lewis Carroll,
335:She said we are all part of a secret club. Someday, she said, we will take over the earth. It will be people like us that save the world, she said: those who have walked the side of sorrow and seen the dawn. ~ Rene Denfeld,
336:The dawn had drawn an intricate ornament with golden curvy clouds, hiding the rising sun that was on its way to dry up the trails of yesterday’s storm and to warm up the upcoming day with its healing rays. ~ Sahara Sanders,
337:They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. ~ Fyodor Dostoyevsky,
338:Tonight we will drink ourselves into wild joy, until the fire has dimmed and the stars flee the dawn, whereupon we will all grow maudlin and each swear everlasting fealty to one another, before passing out. ~ Steven Erikson,
339:I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men ~ Anonymous,
340:No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. ~ John Herrick,
341:Heroes abound at the dawn of civilizations, during pre-Homeric and Gothic epochs, when people, not having yet experienced spiritual torture, satisfy their thirst for renunciation through a derivative: heroism. ~ Emil M Cioran,
342:I have expressed some ideas that point to the center; I have saluted the dawn in my way, from my point of view. He who knows the way should do the same, in his way, and from his point of view. ~ Karl Wilhelm Friedrich Schlegel,
343:It's this time of year when Kit mist rise in the dark, as if we're a farmer or a fisherman, someone whose livelihood depends on beating the dawn, convincing himself that what looks like night is actually morning. ~ Julia Glass,
344:And so we remained till the red of the dawn began to fall through the snow gloom. I was desolate and afraid, and full of woe and terror. But when that beautiful sun began to climb the horizon life was to me again. ~ Bram Stoker,
345:God darkens our awareness in order to keep us safe. When we cannot chart our own course, we become vulnerable to God’s protection, and the darkness becomes a “guiding night,” a “night more kindly than the dawn.”5 ~ Gerald G May,
346:Eric Schmidt likes to point out that if you recorded all human communication from the dawn of time to 2003, it takes up about five billion gigabytes of storage space. Now were creating that much data every two days ~ Eli Pariser,
347:The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices in to its whiteness ~ Virginia Woolf,
348:At the dawn of the nineteenth century, many parts of the world, especially in Africa, lacked a state that could provide even a minimal degree of law and order, which is a prerequisite for having a modern economy. ~ Daron Acemo lu,
349:What have they done to the earth? What have they done to our fair sister? Ravaged and plundered and ripped her and bit her Stuck her with knives in the side of the dawn And tied her with fences and dragged her down ~ Jim Morrison,
350:...All of it burning. Every memory he ever made. Above Fort National, the dawn becomes deeply, murderously clear. The Milky Way a fading river. He looks across to the fires. He thinks: The universe is full of fuel. ~ Anthony Doerr,
351:God cannot be bound by a law, a moral code, a universal sense of justice, or a “deep magic from the dawn of time.” God could have forgiven us of our sin however God wanted too—with or without the execution of his son. ~ Tony Jones,
352:I have spent too much of my life opening doors for cats—I once calculated that, since the dawn of civilization, nine hundred and seventy-eight man-centuries have been used up that way. I could show you figures. ~ Robert A Heinlein,
353:I was working the hole with the Sailor and we did not bad fifteen cents on average night boosting the afternoons and short timing the dawn we made out from the land of the free but I was running out of veins. ~ William S Burroughs,
354:Kallista nodded. “Come, Torchay. Seems we should pack.” They sailed upriver with the dawn. “What’s wrong with you?” Someone had hold of Stone’s hair, shaking his head as if it were a sackful of kittens to be drowned. ~ Gail Dayton,
355:Browncoats, look up to the skies! Browncoats, hail the dawn! Today will see tyranny Dying with the morn. “Browncoats, are you weary? Browncoats, rise and sing! Your time has come, your war is won. Victory takes wing. ~ Nancy Holder,
356:The narrative of so many fairy tales are timeless in so many different cultures, and they have been since the dawn of man. They represent escapism, but they all feature themes that have such poignancy in a modern world. ~ Lily Cole,
357:I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. ~ George R R Martin,
358:Above, the stars faded behind the misty sky, and the sun fanned its light upon us. We melted into each other until the dawn slid into dusk, and the sun paled into the moon, and the stars, once lost, became found again. ~ Elizabeth Lim,
359:I don't know if power seduces less or more. I think power is a constant evolving mechanism that, since the dawn of time, on one level corrupts and on another level does not. But I think, no matter what, mutates. ~ Nicolas Winding Refn,
360:Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. ~ John Herrick,
361:The light is so bright it hurts my eyes. But I don't dare close them. I won't. Instead, I try to adjust to the dawn, letting the tears fall where they may, because it is morning; it is morning, and there is so much to see. ~ Libba Bray,
362:The populations of most cities around the world continue to grow. The reasonspeople congregate in cities are various and complex, and the dawn of the digital age has not put much of adamper on the human urge to congregate. ~ Tom Peters,
363:If you love a Dream Woman ... let her stay the divine Woman of the Dream. To awaken and clasp flesh and blood, no matter how delicately tender, and find that love has sped at the dawn is a misery too deep for tears. ~ William John Locke,
364:Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid. ~ Sri Aurobindo, Collected Poems, Ilion,
365:Human rights are not a privilege granted by the few, they are a liberty entitled to all, and human rights, by definition, include the rights of all humans, those in the dawn of life, the dusk of life, or the shadows of life. ~ Kay Granger,
366:In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally. ~ E M Forster,
367:Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. ~ Anonymous,
368:the day when a computer would come along that was small and inexpensive enough for an ordinary person to use and own. That day had finally arrived. If January 1975 was the dawn of the personal computer age, then who would ~ Malcolm Gladwell,
369:We are going to die, and that makes us the lucky ones. Good writing starts strong. Not with a cliché (“Since the dawn of time”), not with a banality (“Recently, scholars have been increasingly concerned with the question of …”), ~ Anonymous,
370:It is here that we see the dawn of hope: for no matter how formidably Communism bristles with tanks and rockets, no matter what successes it attains in seizing the planet, it is doomed never to vanquish Christianity. ~ Aleksandr Solzhenitsyn,
371:Something always turns up. It always seems darkest before the dawn. When God closes a door he opens a window. All things happen for a reason. Into every life a little rain must fall. What doesn't kill us makes us stronger. ~ Charlaine Harris,
372:What have they done to the earth?
What have they done to our fair sister?
Ravaged and plundered and ripped her and bit her
Stuck her with knives in the side of the dawn
And tied her with fences and dragged her down ~ Jim Morrison,
373:At the dawn of the 21st century, a free people must now choose to shape the forces of the Information Age and the global society, to unleash the limitless potential of all our people, and yes, to form a more perfect union. ~ William J Clinton,
374:At the dawn of the second decade of the Twenty First Century, masculinity has been rendered so self-conscious in our mediated, mirrored world that even ‘regular guys’ are apparently just a fashion fad – this season’s accessory. ~ Mark Simpson,
375:Every search begins with beginner's luck. And every search ends with the victor's being severely tested." The boy remembered an old proverb from his country. It said that the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
376:Every search begins with beginner’s luck. And every search ends with the victor’s being severely tested.” The boy remembered an old proverb from his country. It said that the darkest hour of the night came just before the dawn. ~ Paulo Coelho,
377:The pale stars are gone! For the sun, their swift shepherd, To their folds them compelling, In the depths of the dawn, Hastes, in meteor-eclipsing array, and the flee Beyond his blue dwelling, As fawns flee the leopard. ~ Percy Bysshe Shelley,
378:The heat lasted until nightfall, and all that time he had to carry his jacket. But when he thought to complain about the burden of its weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn. ~ Paulo Coelho,
379:He is here: the One who forms the mountains, i creates the wind, j and reveals His D thoughts to man, k the One who makes the dawn out of darkness and strides on the heights of the earth. l •Yahweh, the God of •Hosts, is His name. m ~ Anonymous,
380:Nuclear abolition is the democratic wish of the world's people, and has been our goal almost since the dawn of the atomic age. Together, we have the power to decide whether the nuclear era ends in a bang or worldwide celebration. ~ Desmond Tutu,
381:Our life is a walk in the night, we know not how great the distance to the dawn that awaits us. And the path is strewn with stumbling blocks and our bodies are grown tyrannous with weeping yet we lift our feet. We lift our feet. ~ Rachel Kadish,
382:Rise free from care before the dawn and seek adventure. Let the noon find you by other lakes, and the night overtake thee everywhere at home. There are no larger fields than these, no worthier games than may here be played. ~ Henry David Thoreau,
383:They won’t let any part of him fall to the ground,” says Raffe in a quiet voice. “His brothers will keep him from falling.”

In the distance, the Watchers weave a beautiful dance in the dawn sky beneath Beliel’s shower of fire. ~ Susan Ee,
384:And so often the darkest hour is just before the dawn. You just have to hang on in there through those dark hours - don’t give up, let the mountain sustain you and empower you, and you will experience the mountain within you. ~ Bear Grylls,
385:Rush Limbaugh is good for the party. Drive it all the way down, take it down as low as it can go, make complete fools of themselves, because it's always darkest before the dawn, and then maybe a moderate can come in and rescue them. ~ Evan Thomas,
386:Since the dawn of time, traditional marriage - the union between one man and one woman - has been the building block of civilization, and at no point in our nation's history has that foundation been under more severe attack than now. ~ Jim DeMint,
387:Man is unhappy because he knows, because he feels, in general, that the world in which he lives, of which he is a part, is not what it should be; not what is could be; not what, in fact, it was at the dawn of time, before decay set in. ~ Boyd Rice,
388:Dawn is about luminosity and so is the iPhone... The little drawings of the dawn are done while I'm still in bed... If you're in my kind of business you'd be a fool to sleep through that... Artists can't work office hours, can they? ~ David Hockney,
389:I wandered out like a haggard ghost, and there she was, Frisco - long, bleak streets with trolley wires all shrouded in fog and whiteness. I stumbled around a few blocks. Weird bums (Mission and Third) asked me for dimes in the dawn. ~ Jack Kerouac,
390:Siri whispered an answer to my unasked question. "No, Merin, one is never really too old. At least not too old to want the warmth and closeness. You decide, my love. I will be content either way." I decided. Towards the dawn we slept. ~ Dan Simmons,
391:The Moon is earth’s oldest temple holding the potency of countless prayers since the dawn of time… a bell whose ringing brings you into the field of the Mother, where body and soul can quietly drink. DANA GERHARDT, MOONCIRCLES Would ~ Yasmin Boland,
392:The measure of human character is our reaction to dark times. No one can sidestep darkness. It is the throne upon which light sits. If a soul has not known sadness and struggle, there is no chance of overcoming, no cherishing the dawn. ~ David Wolpe,
393:We've had periods of meanness in American politics. Actually, the dawn of partisan division in America was basically in George Washington's second term, when it was obvious that he would be the first and only consensus president. ~ William J Clinton,
394:My whole being is a dark chant
that will carry you perpetuating you
to the dawn of eternal growths and blossomings
in this chant I sighed you, oh
in this chant,
I grafted you to the tree, to the water, to the fire. ~ Forough Farrokhzad,
395:Since the dawn of the Internet, I have always operated under the assumption that if the government or corporations have technological capability to do something, they are doing it - whatever the laws we happen to know about might say. ~ Douglas Rushkoff,
396:Sometimes we love with nothing more than hope. Sometimes we cry with everything except tears. In the end that’s all there is: love and its duty, sorrow and its truth. In the end that’s all we have—to hold on tight until the dawn. ~ Gregory David Roberts,
397:Good night, then - sleep to gather strength for the morning. For the morning will come. Brightly will it shine on the brave and true, kindly on all who suffer for the cause, glorious upon the tombs of heroes. Thus will shine the dawn. ~ Winston Churchill,
398:Sometimes we love with nothing more than hope. Sometimes we cry with everything except tears. In the end that’s all there is: love and its duty, sorrow and its truth. In the end that’s all we have - to hold on tight until the dawn ~ Gregory David Roberts,
399:WHEN ISHMAEL WOKE, the walls of his trench were seeping water and the dawn was colder than it should have been, the sky an unnatural and ubiquitous pale color that had less to do with the rising of the sun than the passing of the night. ~ James Lee Burke,
400:To his inner ear, the cardinal speaks. He says, I saw you, Crumb, when you were at Elvetham: scratching your balls in the dawn and wondering at the violence of the king’s whims. If he wants a new wife, fix him one. I didn’t, and I am dead. ~ Hilary Mantel,
401:And he will be as handsome as the dawn and wear red and he will keep ravens of his own. And your beautiful bird will meet his mate as well, and the two of them will be kept as official court ravens and fed all the best bits from the kitchen. ~ T Kingfisher,
402:"Are we alone in the universe?" This is a question which goes back to the dawn of history, but for most of human history it has been in the province of religion and philosophy. Fifty or something years ago, however, it became part of science. ~ Paul Davies,
403:How did it happen that their lips came together? How does it happen that birds sing, that snow melts, that the rose unfolds, that the dawn whitens behind the stark shapes of trees on the quivering summit of the hill? A kiss, and all was said. ~ Victor Hugo,
404:She was almost there. She could feel the weight of herself, the ponderousness of her body, the distant memories of the dawn of time when rock was molten and free. For the first time in her life she knew what it was like to have balconies. ~ Terry Pratchett,
405:Mathilde was there in the dawn, this perfect girl as if made to his specifications. [A different life, had Lotto listened to the terror: no glory, no plays; peace, ease, and money. No glamour; children. Which life was better? Not for us to say.] ~ Lauren Groff,
406:And maybe it means you’re choosing one of your children—the one who has the best chance of survival—over the other. But that’s no different from what mothers have had to do since the dawn of time: sacrifice the present, in hopes of a better future. ~ N K Jemisin,
407:As the days and the years of your life go by, I will keep watch over you, and when your blossom closes its petals, finally surrendering to the night, I will meet you at the dawn of your new existence and I will be your new guide in the afterlife. ~ Colleen Houck,
408:credit, security passes, and other documents. It was a booming trade in the booming economy of Bombay, and we often worked through the dawn to satisfy the demand. And the business was generational: as licensing authorities and other bodies ~ Gregory David Roberts,
409:The day has already begun to lessen. It has shrunk considerably, but yet will still allow a goodly space of time if one rises, so to speak, with the day itself. We are more industrious, and we are better men if we anticipate the day and welcome the dawn; ~ Seneca,
410:liberal with your encouragement, make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it—and he will practice until the dawn comes in the window in order to excel. ~ Dale Carnegie,
411:Stop your bitching, Nick. You should try being an immortal demon who’s lived since the dawn of time having to sit through this crap when English is not my native tongue, and if you think you’re fluent in it, buddy, I actually know what a gerund is. ~ Sherrilyn Kenyon,
412:This was a troublesome supplication, because at the dawn of July, Ukraine was to celebrate the first birthday of its ultramodern constitution, which makes
us feel very nationalistic, and so many people would be on vacation in foreign places. ~ Jonathan Safran Foer,
413:I feel, as never before, how justly, from the dawn of history to the present time, men have paid the homage of their gratitude and admiration to the memory of those who nobly sacrifice their lives, that their fellow-men may live in safety and in honor. ~ Edward Everett,
414:It is possible to believe that all the past is but the beginning of a beginning, and that all that is and has been is but the twilight of the dawn. It is possible to believe that all the human mind has ever accomplished is but the dream before the awakening. ~ H G Wells,
415:Arethusa liked to call us Poseidon’s Children. Orphans of the storm. We’d endured the worst the world could throw at us, the worst consequences of our own stupidity, and came through ... ready to face the dawn. But there are always more storms, Chiku. ~ Alastair Reynolds,
416:Eastward the dawn rose, ridge behind ridge into the morning, and vanished out of eyesight into guess; it was no more than a glimmer blending with the hem of the sky, but it spoke to them, out of the memory and old tales, of the high and distant mountains. ~ J R R Tolkien,
417:If the prosecution of crime is to be conducted with so little regard for that protection which centuries of English law have given to the individual, we are indeed at the dawn of a new era; and much that we have deemed vital to our liberties, is a delusion. ~ Learned Hand,
418:Let us remember with devotion that the flag we love and honor is the flag of freedom that flew in victory at Yorktown, the flag the United States Marines raised on Mount Suribachi, the flag Francis Scott Key saw by the dawn's early light. Long may it wave. ~ Ronald Reagan,
419:Far, far below the chariot’s path, Calm as a slumbering babe, Tremendous Ocean lay. The mirror of its stillness showed The pale and waning stars, The chariot’s fiery track, And the gray light of morn Tinging those fleecy clouds That canopied the dawn. ~ Percy Bysshe Shelley,
420:Drugs, sex, Satan, and power, Eve mused. A religious war? Hadn't humans fought and died for beliefs since the dawn of time? Animals fought for territory; people fought for territory as well. And for gain, for passion, for beliefs. For the hell of it. ~ J D Robb,
421:Know me, for I am death to all oath breaker, promise renders, and betrayers. Know me, for I am the last sunset, the night without the dawn, the winter without spring. I am pain to your pleasure, silence to your shout, stillness to your speed. I hunt death. ~ Sarah Beth Durst,
422:When the dawn at last arose, the demon raised my staff to strike again, but I, too, took hold of it. I called upon the Lord to send me strength, and the devil was defeated by a fire from the Heavens. In Christ’s name, I bound him then, and kept him prisoner. ~ Robert Masello,
423:Seth wished he had kept the zombie hand. What a perfect souvenir from his first official mission as a Knight of the Dawn! Instead he had thrown it out of the jeep almost reflexively. Hearing all of those zombie voices must have temporarily scrambled his reason. ~ Brandon Mull,
424:There is a solitude, or perhaps a solemnity, in the few hours that precede the dawn of day which is unlike that of any others in the twenty-four, and which I cannot explain or account for. Thoughts come to me at this time that I never have at any other. ~ George Bird Grinnell,
425:Humanity shows itself in all its intellectual splendour during this tender age as the sun shows itself at the dawn, and the flower in the first unfolding of the petals; and we must respect religiously, reverently, these first indications of individuality. If ~ Maria Montessori,
426:This can't happen, they were saying. Father can't be an old man. Samuel is young as the dawn--the perpetual dawn. He might get old as midday maybe, but sweet God! the evening cannot come, and the night--? Sweet God, no! There can't be any world without Samuel. ~ John Steinbeck,
427:What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we're sure we ought to bring along. We pack too heavy with what we hope we'll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn. ~ Chang Rae Lee,
428:What hasty preperations we make for our future. Think of it: it seems almost tragic, the things we’re sure we ought to bring along. We pack too heavy with what we hope we’ll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn. ~ Chang rae Lee,
429:War has frightful beauties which we have not concealed; it has also, we acknowledge, some hideous features. One of the most surprising is the prompt stripping of the bodies of the dead after the victory. The dawn which follows a battle always rises on naked corpses. ~ Victor Hugo,
430:If man survives for as long as the least successful of the dinosaurs-those creatures whom we often deride as nature's failures-then we may be certain of this: for all but a vanishingly brief instant near the dawn of history, the word 'ship' will mean- 'spaceship.' ~ Arthur C Clarke,
431:The Empire was quickly becoming the other, a featureless grey enemy that species of varied sorts would be able to stave off only if they united, all differences set aside. It was almost heartening to witness the dawn of hope, as cautious and fragile as it was. ~ James Luceno,
432:‘At the time when the Zodiac was invented, man was in the springtime of consciousness, so the falling of the spring-point in Aries, a spring-sign, was appropriate; It is as if the horoscope of humanity had begun with the dawn of consciousness’. ~ Carl Jung, Dream Analysis 1: 1928-30,
433:Bosch knew the dawn had nothing on the dusk. Dawn always came up ugly, as if the sun was clumsy and in a hurry. The dusk was smoother, the moon more graceful. Maybe it was because the moon was more patient. In life and nature, Bosch thought, darkness always waits. ~ Michael Connelly,
434:Faith is the bird that feels the light and sings when the dawn is still dark. In effect, the people who change our lives the most begin to sing to us while we are still in darkness. If we listen to their song, we will see the dawning of a new part of ourselves. ~ Rabindranath Tagore,
435:Green
The dawn was apple-green,
The sky was green wine held up in the sun,
The moon was a golden petal between.
She opened her eyes, and green
They shone, clear like flowers undone,
For the first time, now for the first time seen.
~ David Herbert Lawrence,
436:It was once said that the moral test of government is how that government treats those who are in the dawn of life, the children; those who are in the twilight of life, the elderly; and those who are in the shadows of life, the sick, the needy and the handicapped. ~ Hubert H Humphrey,
437:I've never understood all this fuss people make about the dawn. I've seen a few and they're never as good as the photographs, which have the additional advantage of being things you can look at when you're in the right frame of mind, which is usually around lunchtime. ~ Douglas Adams,
438:And Esme remembered in a rush--the wolfsong, the haunting, lyrical spirals of it in the dawn quiet and the feeling of euphoria that had attended it. Even in recollection the howling uplifted her like the crescendo at the end of a symphony and made her heartbeat quicken. ~ Laini Taylor,
439:Why is it that the finish line always tends to appear just after the point at which we most want to give up? is it the universe's way of reserving the best for those who can give the most? What I do know, from nature, is that the dawn only appears after the darkest hour. ~ Bear Grylls,
440:Let him who gropes painfully in darkness or uncertain light, and prays vehemently that the dawn may ripen into day, lay this precept well to heart: "Do the duty which lies nearest to thee," which thou know to be a duty! Thy second duty will already have become clearer. ~ Thomas Carlyle,
441:Though sands be black and bitter black the sea, Night lie before me and behind me night, And God within far Heaven refuse to light The consolation of the dawn for me,-- Between the shadowy burns of Heaven and Hell, It is enough love leaves my soul to dwell With memory. ~ Madison Cawein,
442:Seeing the moon, he becomes the moon, the moon seen by him becomes him. He sinks into nature, becomes one with nature. The light of the "clear heart" of the priest, seated in the meditation hall in the darkness before the dawn, becomes for the dawn moon its own light. ~ Yasunari Kawabata,
443:I heard a preacher say recently that hope is a revolutionary patience; let me add that so is being a writer. Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up. ~ Anne Lamott,
444:I’ve never understood all this fuss people make about the dawn. I’ve seen a few and they’re never as good as the photographs, which have the additional advantage of being things you can look at when you’re in the right frame of mind, which is usually about lunchtime. After ~ Douglas Adams,
445:Why is it that the finish line always tends to appear just after the point at which we most want to give up? Is it the universe's way of reserving the best for those who can give the most?
What I do know, from nature, is that the dawn only appears after the darkest hour. ~ Bear Grylls,
446:The first day of January always presents to my mind a train of very solemn and important reflections and a question more easily asked than answered frequently occurs viz: How have I improved the past year and with [what] good intentions do I view the dawn of its successor? ~ Charlotte Bront,
447:And when I wake, the room is white with the morning sun. The light is so bright it hurts my eyes. But I don't dare close them. I won't. Instead, I try to adjust to the dawn, letting the tears fall where they may, because it is morning; it is morning, and there is so much to see. ~ Libba Bray,
448:Sight
Unseemly are the open eyes
That watch the midnight sheep,
That look upon the secret skies
Nor close, abashed, in sleep;
That see the dawn drag in, unbidden,
To birth another dayOh, better far their gaze were hidden
Below the decent clay.
~ Dorothy Parker,
449:They shall exist, and so long as society shall be what it is, they will be what they are. Under the dark vault of their cave, they are forever reproduced in the ooze. What is required to exorcise these goblins? Light. Light in floods. No bat resists the dawn. Illuminate society. ~ Victor Hugo,
450:Up in Shirley Falls, spring was slower to arrive. Nights were cold, but the way the dawn light cracked open along the horizon, bringing a gentle moistness that lightly touched the skin, spoke of a full-throated summer to come, and it was painful, all the promise in the air. ~ Elizabeth Strout,
451:Listen to the night wind in the trees, Listen to the summer grass singing; Listen to the time that’s tripping by, And the dawn dew falling. Listen to the moon as it climbs the sky, Listen to the pebbles humming; Listen to the mist in the trembling leaves, And the silence calling. ~ Ruskin Bond,
452:Sunset At Night—is Natural
415
Sunset at Night—is natural—
But Sunset on the Dawn
Reverses Nature—Master—
So Midnight's—due—at Noon.
Eclipses be—predicted—
And Science bows them in—
But do one face us suddenly—
Jehovah's Watch—is wrong.
~ Emily Dickinson,
453:[Economic restrictions] is one of the elements that is destabilising the world economic order that was at one time created largely by the United States itself at the dawn of the General Agreement on Tariffs and Trade that was later transformed into the World Trade Organisation. ~ Vladimir Putin,
454:Never since the dawn of human history, as far as I can find out, did people long settled in any region give a friendly welcome to newcomers. One of the disagreeable traits of our human nature seems to be to dislike on sight people who come later than the first settlers. ~ Dorothy Canfield Fisher,
455:How dark it is before the dawn! In reality that was the beginning of my last debauch. I was soon to be catapulted into what I like to call the fourth dimension of existence. I was to know happiness, peace, and usefulness, in a way of life that is incredibly more wonderful as time passes. ~ Bill W,
456:The world...is full of resurrections... Every night that folds us up in darkness is a death; and those of you that have been out early, and have seen the first of the dawn, will know it - the day rises out of the night like a being that has burst its tomb and escaped into life. ~ George MacDonald,
457:We pull on to the road, where our only company are the wandering cattle, who have become commonplace as traffic lights. Lethargic and listless, they look like they've been roaming the roads of Guinea since the dawn of time. And no doubt they will continue to long after we're gone. ~ Tom Hiddleston,
458:When the dawn light is coursing through the slats in the shutters at last, making thin stripes on the floor, she, tossing, decides that for every human soul there must surely be a possible childhood worth living, but once it slips by, there isn’t any reclaiming it or revising it. ~ Gregory Maguire,
459:Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered fr ~ Sri Aurobindo, The Future Poetry, Ilion,
460:Religion has failed us. Christ was not a Christian. Buddha was not a Buddhist. Mohammed was not a Mohammedan. And yet ever since the dawn of history, we have engaged in conflict and war and terrorism and murder and racism and ethnocentrism and bigotry and prejudice in the name of God. ~ Deepak Chopra,
461:We were granted the right to exist by the God of our fathers at the glimmer of the dawn of human civilization nearly 4,000 years ago. For that right, which has been sanctified in Jewish blood from generation to generation, we have paid a price unexampled in the annals of the nations. ~ Menachem Begin,
462:A few minutes later, Kukarov himself came out, locked the door, and got into a Jaguar parked half a block away. The car started right up, which contradicted all I had ever heard about Jaguars, and Kukarov drove away, off into the dawn to Morticia and a peaceful day of rest in his crypt. I ~ Jeff Lindsay,
463:At the dawn of his administration, President Obama opined: 'A democracy requires accountability, and accountability requires transparency.' Magical rays of white-hot sunlight emanated from his media-manufactured halo. And then bureaucratically engineered darkness settled over the land. ~ Michelle Malkin,
464:At the dawn of history India started on her unending quest, and trackless centuries are filled with her striving and the grandeur of her success and her failures. Through good and ill fortune alike she has never lost sight of that quest or forgotten the ideals which gave her strength. ~ Jawaharlal Nehru,
465:But use the opposite technique – be liberal with your encouragement, make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it – and he will practise until the dawn comes in the window in order to excel. ~ Dale Carnegie,
466:The rose Dawn might have found them weeping still had not grey-eyed Athena slowed the night when night was most profound, and held the Dawn under the Ocean of the East. That glossy team, Firebright and Daybright, the Dawn's horses that draw her heavenward for men- Athena stayed their harnessing. ~ Homer,
467:There is a deep and undeniable sadness in all this: whenever we see the dawn of an eternal good that will never be overcome by evil – an evil that is itself eternal but will never succeed in overcoming good – whenever we see this dawn, the blood of old people and children is always shed. ~ Vasily Grossman,
468:If you could fly backwards into the past at the rate of one year per second, it would take you about half an hour to reach the time of Christ, and a little over three weeks to get back to the beginnings of human life. But it would take you twenty years to reach the dawn of the Cambrian period. ~ Bill Bryson,
469:Young? He’d hear his own harsh, pained laugh. Oh, no, not this lass. She’s old. She walked under a blood-red moon in the dawn of time, did this one. Her face is the face of all that cannot be fathomed, and she’s looking you in the eye, Whiskeyjack, and you’ll never know what she’s thinking. ~ Steven Erikson,
470:Anarchism, the great leaven of thought, is today permeating every phase of human endeavor.... It is the philosophy of the sovereignty of the individual. It is the theory of social harmony. It is the great, surging, living truth that is reconstructing the world, and that will usher in the Dawn. ~ Emma Goldman,
471:And the pregnancy made Natalya more morose and silent, as though she were looking still deeper into herself, absorbed in the throbbing of new life within her. But the smile on her lips became clearer, and in her eyes flashed at times something new, weak and timid, like the first ray of the dawn. ~ Maxim Gorky,
472:He fell to the seat, she by his side. There no more words. The stars were beginning to shine. How was it that their lips met? How is it that the birds sing, the the snow melts, that the rose opens, that May blooms, that the dawn whitens behind the black trees on the shivering summit of the hills? ~ Victor Hugo,
473:That morning I was not yet a vampire, and I saw my last sunrise. I remember it completely, and yet I can't recall any sunrise before it. I watched the whole magnificence of the dawn for the last time as if it were the first. And then I said farewell to sunlight, and set out to become what I became. ~ Anne Rice,
474:But when he thought to complain about the burden of its weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn. We have to be prepared for change, he thought, and he was grateful for the jacket's weight and warmth. The jacket had a purpose, and so did the boy. ~ Paulo Coelho,
475:When I see nature, when I look into the sky, the dawn, the sun, the colors of insects, snow crystals, the night stars, I don't feel a need for God. Perhaps when I can no longer look and wonder, when I believe in nothing - then, perhaps, I might need something else. But I don't know what. ~ Michelangelo Antonioni,
476:Since the dawn of time, women have been attracted to mates with strong survival skills—like intelligence and physical prowess— because men with these qualities are more likely to bring home dinner at the end of the day.” He stuck his thumbs in the air and grinned. “Dinner equals survival, team ~ Becca Fitzpatrick,
477:Since the dawn of time, women have been attracted to mates with strong survival skills—like intelligence and physical prowess—because men with these qualities are more likely to bring home dinner at the end of the day.” He stuck his thumbs in the air and grinned. “Dinner equals survival, team. ~ Becca Fitzpatrick,
478:It's a corny old gag about Las Vegas, the temporal city if there ever was one, trying to camouflage the hours and retard the dawn, when everybody knows that if you're feeling lucky you're really feeling time in its rawest form, and if you're not feeling lucky, they've got a clock at the bus station. ~ Michael Herr,
479:He fell to the seat, she by his side. There were no more words. The stars were beginning to shine. How was it that their lips met? How is it that the birds sing, the the snow melts, that the rose opens, that May blooms, that the dawn whitens behind the black trees on the shivering summit of the hills? ~ Victor Hugo,
480:Suddenly the Doctor heard the greatest sound in the universe, more delightful than the dawn chorus, more lovely than the laughter of children, more sweet than the mountain stream. It was the wheezing, groaning sound of the relative dimensional stabiliser of a Type 40 TARDIS in materialisation mode. ~ Gareth Roberts,
481:Certainly religion must be granted to be one of the greatest inventions ever made on earth. It not only probably antedated all the rest... it was also more valuable to the Dawn Man than any or all of them. For it had the peculiar virtue of making his existence more endurable. ~ H. L. Mencken, in Treatise on the Gods,
482:But when he thought to complain about the burden of its weight, he remembered that, because he had the jacket, he had withstood the cold of the dawn.
We have to be prepared for change, he thought, and he was grateful for the jacket's weight and warmth.
The jacket had a purpose, and so did the boy. ~ Paulo Coelho,
483:The three of us, each paralyzed in his own silence, contemplate the horizon, which the dawn lights up with a thousand fires; and each of us knows for certain that the rising sun of this day, like all those that have gone before it, will be incapable of bringing sufficient light into the hearts of men. ~ Yasmina Khadra,
484:What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be short sighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full. ~ Shams Tabrizi,
485:Where can I go from your Spirit? Where can I flee from your presence? If I go up to the heavens, you are there; if I make my bed in the depths, you are there. If I rise on the wings of the dawn, if I settle on the far side of the sea, even there your hand will guide me, your right hand will hold me fast. ~ Sarah Young,
486:Experts touted confrontational "encounter," gestalt therapy, bioenergetics, "sensitivity training," meditation, massage, breathing, drugs, and even easy recreational sex. Any or all would bring out the inherent spirituality of the self, enlarge human potential, and light up the dawn of the New Age.12 ~ James T Patterson,
487:Islands of memory begin to rise above the river of his life. At first they are little uncharted islands, rocks just peeping above the surface of the waters. Round about them and behind in the twilight of the dawn stretches the great untroubled sheet of water; then new islands, touched to gold by the sun. ~ Romain Rolland,
488:Moths swarmed around the parking lot lamps, banging into the glass with a steady tap-tap-tap, and I wondered if they welcomed the dawn. At dawn, they could stop slamming their heads into the thing that forever kept them from the light. People don't have a dawn. We just keep slamming away until it kills us. ~ Robert Crais,
489:Moths swarmed around the parking lot lamps, banging into the glass with a steady tap-tap-tap, and I wondered if they welcomed the dawn. At dawn, they could stop slamming their heads into the thing that forever kept them from the light. People don’t have a dawn. We just keep slamming away until it kills us. ~ Robert Crais,
490:An altered look about the hills; A Tyrian light the village fills; A wider sunrise in the dawn; A deeper twilight on the lawn; A print of a vermilion foot; A purple finger on the slope; A flippant fly upon the pane; A spider at his trade again; An added strut in chanticleer; A flower expected everywhere. ~ Emily Dickinson,
491:In my perfect imagination, with stern discipline I rise with the first bird, salute the dawn, have a healthy breakfast of fruits, wander over to my faux-oak desk, tap the On button on my Macbook Air, acknowledge the muse, and skip into the world where the story flows over the day and into the night. ~ Yvonne Adhiambo Owuor,
492:It doesn't matter," said Persephone. "He [Henry] wasn't supposed to do that. While I ruled with him, we only made a few exceptions, and even then there were so many caveats that no one ever really made it back to the surface. He violated everything he's stood for since the dawn of humanity to save your life. ~ Aimee Carter,
493:He kissed me as if we had all the time in the world, as if it weren’t cold outside, as if winter weren’t coming, or the dawn, or any of the dangers that waited for us outside this field. I kissed him back as if he were right, as if there were only the two of us, as if the only worry we had were my curfew. ~ Alyxandra Harvey,
494:I know a girl from whose body sunbeams rose to the clouds as if they’d fallen from the sun.
Her laugh was like a bangle of bells.
“Your hair is wet,” I told her one day, “Did you take a bath?”
“It is dew!” she laughed, “I’ve been lying in the grass. All morning long, I lay here waiting for the dawn. ~ Roman Payne,
495:They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. They were renewed by love; the heart of each held infinite sources of life for the heart of the other. ~ Fyodor Dostoevsky,
496:A Chrysanthemum Espied A Marigold
A chrysanthemum espied a marigold
and said:
'Why hurry!
Stay a while.
The sunshine is still all colour.
You are in the dawn of youth;
my childhood died a long ago.
Yours are the shavings of autumn;
mine is only the incense of spring.'
~ Dina Nath Nadim,
497:They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. They were renewed by love; the heart of each held infinite sources of life for the heart of the other. ~ Fyodor Dostoyevsky,
498:Give an earnest-hearted, devoted girl any true work that will make her active in the dawn, and weary at night, with the consciousness that her fellow-creatures have indeed been the better for her day, and the powerless sorrow of her enthusiasm will transform itself into a majesty of radiant and beneficent peace. ~ John Ruskin,
499:The future we face at the dawn of the twenty-first century is, like all futures left to themselves, “emergent, complex messiness.” Its “messiness” lies not in disorder, but in an order that is unpredictable, spontaneous, and ever shifting, a pattern created by millions of uncoordinated, independent decisions. ~ Virginia Postrel,
500:IMDB is ridiculous... First of all, they had me down as my height being 5ft 7ins. I'm 5ft 10ins. But now they've got me down as 6ft 1ins and three quarters. They also have me down as doing Voyage of the Dawn Treader. I wish they had me down as doing Francis Ford Coppola's next film. That would be a great rumour. ~ Skandar Keynes,
501:let him who gropes painfully in darkness or uncertain light, and prays vehemently that the dawn may ripen into day, lay this other precept well to heart, which to me was of invaluable service: ‘Do the duty which lies nearest thee,’ which thou knowest to be a Duty! Thy second duty will already have become clearer. ~ Thomas Carlyle,
502:To-day the claims of the masses are becoming more and more sharply defined, and amount to nothing less than a determination to utterly destroy society as it now exists, with a view to making it hark back to that primitive communism which was the normal condition of all human groups before the dawn of civilisation. ~ Gustave Le Bon,
503:And as he spoke, in the youth and noonday of the West, a nation, sleeping in the shadows of the darkened half of earth, on the far side of the Pacific, waited in spirit for the words that would be borne on the dawn that was travelling towards them, to reveal to them the secret of their own greatness and strength. ~ Swami Vivekananda,
504:Our business calls for casualties of war, and unfortunately, it’s the innocent bred by the guilty who have to pay the price. I don’t agree with a lot of the old ways, but these methods have been in place since the dawn of time, and there’s a reason they’re still used today. Fear is the best motivator in a world like ours ~ Ker Dukey,
505:The climate warmed. Wild grasses, flowers and trees took root in the land behind the huge rock. In time, their growing and dying made deep rich loam on which a magnificent forest grew. Into the forest came bear, deer, brightly colored birds, and the Pawtuxets, a tribe of the Wampanoag, The People of the Dawn. ~ Jean Craighead George,
506:It was not a beautiful sleep; it was a deep and worn out coma. Vhalla's face was flat against a pillow, her mouth open, and her breathing deep. Aldrik splayed out on the bed, limbs this way and that barely fitting alongside her. It was a sleep that rested in the comfort that they had one less thing to fear with the dawn. ~ Elise Kova,
507:The past, present and future are not three different places, they are a single happening, here and now. When you live this moment profoundly, you experience time not serially but simultaneously not as three , but one. You then wake up to the fact that mystics have known since the dawn of time, that this moment is eternity. ~ Sadhguru,
508:In modern industrialized countries, networks grew to a complexity that has proved bewildering to the Paleolithic mind we inherited. Our instincts still desire the tiny, united band-networks that prevailed during the hundreds of millennia preceding the dawn of history. Our instincts remain unprepared for civilization. ~ Edward O Wilson,
509:The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife TETHYS; HYPERION, the father of the sun, the moon, and the dawn; MNEMOSYNE, which means Memory; THEMIS, usually translated by Justice; and IAPETUS, important because of his sons, ATLAS, who bore the world on his shoulders, ~ Edith Hamilton,
510:When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ball point pens. You can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn. ~ Bruno Munari,
511:I don't doubt that at the dawn of martial arts, the main goal was to beat up one's opponents in the most effective way possible. But then, indirectly, the alchemy of martial arts began to strike some chords deep within the spirit of many individuals, transforming living war-machines into poets, artists, and philosophers. ~ Daniele Bolelli,
512:WHEN Zarathustra was thirty years old, he left his home and the lake of his home, and went into the mountains. There he enjoyed his spirit and his solitude, and for ten years did not weary of it. But finally he had a change of heart - and rising one morning with the dawn, he went before the sun, and spoke thus to it: ~ Friedrich Nietzsche,
513:My One and Only, only You can make me one with You, For Your Oneness is neither reached by roads nor religion. Truth! I am Truth wrapped in Truth -- For Truth Is, indivisible from itself. Your Presence is the dawn, brilliant, Lightning flashing forth in all directions!

~ Mansur al-Hallaj, My One and Only, only You can make me
,
514:/Farsi One Moment in Annihilation's Waste, One Moment, of the Well of Life to taste -- The Stars are setting and the Caravan Starts for the Dawn of Nothing -- Oh, make haste! [bk1sm.gif] -- from The Rubaiyat of Omar Khayyam, by Omar Khayyam / Translated by Edward FitzGerald

~ Omar Khayyam, 38 - One Moment in Annihilations Waste
,
515:He fell upon the bench, and she beside him. They had no words more. The stars were beginning to gleam. How did it come to pass that their lips met? How comes it to pass that the birds sing, that snow melts, that the rose unfolds, that May expands, that the dawn grows white behind the black trees on the shivering crest of hills? ~ Victor Hugo,
516:It is the West that has liberated women, racial minorities, religious minorities, and gays and lesbians, recognizing and defending their rights. The notions of freedom and human rights were present at the dawn of Western civilization, as ideals at least, but have gradually come to fruition through supreme acts of self-criticism. ~ Ibn Warraq,
517:The demand for continuity has, over large tracts of science, proved itself to possess true prophetic power. We ought therefore ourselves sincerely to try every possible mode of conceiving the dawn of consciousness so that it may not appear equivalent to the irruption into the universe of a new nature, non-existent until then. ~ William James,
518:At the dawn of the 21st century, where knowledge is literally power, where it unlocks the gates of opportunity and success, we all have responsibilities as parents, as librarians, as educators, as politicians, and as citizens to instill in our children a love of reading so that we can give them a chance to fulfill their dreams. ~ Barack Obama,
519:Sometimes I felt the whole world was converging on this little room. And as I became more intoxicated and frustrated I'd throw open the bedroom window as the dawn came up, and look across the gardens, lawns, greenhouses, sheds and curtained windows. I wanted my life to begin now, at this instant, just when I was ready for it. ~ Hanif Kureishi,
520:Time is clearly not our natural dimension. Thus it is that we are never really at home in time. Alternately, we find ourselves wishing to hasten the passage of time or to hold back the dawn. We can do neither, of course, but whereas the fish is at home in water, we are clearly not at home in time--because we belong to eternity. ~ Neal A Maxwell,
521:If... we choose death rather than true life, God does not take away the power that He gave us. And not only does He not take it away, but He reminds us of it again and again. From the dawn till the dusk of life? For, indeed, no one can come to Christ, as He Himself said in the Gospels, unless the Father draws him (cf. Jn. 6:44). ~ Gregory Palamas,
522:In the streets of Hau-kai, we wait. Night comes, winter descends, The lights of the world grow cold. And, in this three-hundredth year From the ascendancy of Bilat, He will come who treads the dawn. Tramples the sun beneath his feet, And judges the souls of men. He will stride across the rooftops, And he will fire the engines of God. ~ Jack McDevitt,
523:The jagged mountains were pure blue in the dawn and everywhere birds twittered and the sun when it rose caught the moon in the west so that they lay opposed to each other across the earth, the sun whitehot and the moon a pale replica, as if they were the ends of a common bore beyond whose terminals burned worlds past all reckoning. ~ Cormac McCarthy,
524:There are times in our lives when the Lord calls us to seize the opportunities presented us. When we must, no matter how hard or fearful, summon the courage to step out into the unknown, brave the darkness, and embrace the dawn. With the Lord's help, though, such seemingly impossible feats become not only attainable, but essential. ~ Kathleen Morgan,
525:What, my friends, is the conquest of one nation by another? It is meaningless. Each produces the same result. But those fierce fights, when in the dawn of the ages the cave-dwellers held their own against the tier folk, or the elephants first found that they had a master, those were the real conquests - the victories that count. ~ Arthur Conan Doyle,
526:Nothing changed. The headstones stood quietly in the stillness of the dawn. Puddles on the ground reflected the brightening sky like countless mirrors, giving the illusion that the Earth was a mirrored sphere with the ground and the world just a thin layer on top. The rain’s erosion had exposed small pieces of the sphere’s smooth surface. ~ Liu Cixin,
527:What, my friends, is the conquest of one nation by another? It is meaningless. Each produces the same result. But those fierce fights, when in the dawn of the ages the cave-dwellers held their own against the tiger folk, or the elephants first found that they had a master, those were the real conquests - the victories that count. ~ Arthur Conan Doyle,
528:My own plans are made. While I can, I sail east in the Dawn Treader. When she fails me, I paddle east in my coracle. When she sinks, I shall swim east with my four paws. And when I can swim no longer, if I have not reached Aslan’s country, or shot over the edge of the world into some vast cataract, I shall sink with my nose to the sunrise. ~ C S Lewis,
529:A pilot's business is with the wind, and with the stars, with night, with sand, with the sea. He strives to outwit the forces of nature. He stares with expectancy for the coming of the dawn the way a gardener awaits the coming of spring. He looks forward to port as a promised land, and truth for him is what lives in the stars. ~ Antoine de Saint Exupery,
530:Why get excited over this latest episode in the long, sad history of American anti-intellectualism? Let me suggest that, as patriotic Americans, we should cringe in embarrassment that, at the dawn of a new, technological millennium, a jurisdiction in our heartland has opted to suppress one of the greatest triumphs of human discovery. ~ Stephen Jay Gould,
531:This whole theater of great tit socio-sexual opportunities, threats, decisions, and interactions is played out during the dawn chorus, when territorial males are flitting about nervously, loudly broadcasting their “dee-du” calls, and meanwhile keeping an eye on their own females and on rival males, as well as ogling female neighbors. ~ Menno Schilthuizen,
532:Some mornings they awake and can believe that they traverse an Eden, unbearably fair in the Dawn, squandering all its Beauty, day after day unseen, bearing them fruits, presenting them Game, bringing them a fugitive moment of Peace,--how, for days at a time, can they not, dizzy with it, believe themselves pass'd permanently into Dream...? ~ Thomas Pynchon,
533:You believe you are the masters of the world, but your reign as kings and gods is at an end. Until you recognize us as human, as equal, the fight will be at your door. Not on a battlefield but in your cities. In your streets. In your homes. You don't see us, and so we are everywhere. ... And we will rise up, Red as the dawn. ~ Victoria Aveyard,
534:I have optimism and am incredibly hopeful for the future. I often say to friends, it's always darkest before the dawn, and lets be frank there's a lot of darkness out there right now, at least at a macro level. But once you drill down through that I think there's so much light, or at least the chance for it to erupt and illuminate the dark. ~ Lawrence English,
535:How lovely she was in her raiments of silk and levantine purple; the fabric provocatively set off the sheen of her white shoulders, which glistened with the sweat of the world. I was on the verge of giving in to the dangerous enticements of her caresses when I realized that I recognized her from an earlier encounter, back at the dawn of time. ~ G rard de Nerval,
536:They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. ~ Anonymous,
537:Traveling is sacred; mankind has traveled ever since the dawn of time, in search of hunting and grazing ground, or milder climates. Very few men manage to understand the world without leaving their home towns. When you travel - and I am not speaking of tourism, but of the solitary experience of a journey - four important things occur in your life: ~ Paulo Coelho,
538:Al trasladarse de un río a otro, los wabanakis tenían que acarrear sus canoas y el resto de sus posesiones. Todos conocían el valor de viajar ligero y comprendían que ello requería dejar atrás algunas cosas. El miedo, con frecuencia la carga más difícil de abandonar, era lo que más entorpecía el movimiento. BUNNY MCBRIDE, Women of the Dawn ~ Christina Baker Kline,
539:Before the dawn of the scientific worldview, reality was construed differently. Being was understood as a place of action, not a place of things.31 It was understood as something more akin to story or drama. That story or drama was lived, subjective experience, as it manifested itself moment to moment in the consciousness of every living person. ~ Jordan Peterson,
540:In the downhill of life, when I find I'm declining, May my lot no less fortunate be Than a snug elbow-chair can afford for reclining, And a cot that o'erlooks the wide sea; With an ambling pad-pony to pace o'er the lawn, While I carol away idle sorrow, And blithe as the lark that each day hails the dawn, Look forward with hope for to-morrow. ~ John Churton Collins,
541:Before the dawn of the scientific worldview, reality was construed differently. Being was understood as a place of action, not a place of things.31 It was understood as something more akin to story or drama. That story or drama was lived, subjective experience, as it manifested itself moment to moment in the consciousness of every living person. ~ Jordan B Peterson,
542:Every organized religion created after the dawn of agriculture placed a premium on human destiny. Thus, every religion in the world today, with the exception of those rare outliers among indigenous peoples, was created to answer a question the very asking of which betrays a bias so vast we can scarcely see around it: What is the meaning of human life? ~ Clark Strand,
543:Every living thing is, from the cosmic perspective, incredibly lucky simply to be alive. Most, 90 percent and more, of all the organisms that have ever lived have died without viable offspring, but not a single one of your ancestors, going back to the dawn of life on Earth, suffered that normal misfortune. You spring from an unbroken line of winners. ~ Daniel Dennett,
544:For the first time I felt the pull of race and blood and kindred, and felt beating within me things that had not begun with me. It was as if the earth under my feet had grasped and rooted me, and were pouring its essence into me. I sat there until the dawn of morning, and all night long my life seemed to be pouring out of me and running into the ground. ~ Willa Cather,
545:In voting for the Republic, I voted for that. I voted for fraternity, concord, the dawn. I have aided in the overthrow of prejudices and errors. The crumbling away of prejudices and errors causes light. We have caused the fall of the old world, and the old world, that vase of miseries, has become, through its upsetting upon the human race, an urn of joy. ~ Victor Hugo,
546:Laith took off his boots and set them next to a tree. "We've been here since the dawn of time. We're no' going anywhere, Rhys. We're supposed to be protecting the humans, remember?"
"The humans doona want our protection. We sent our dragons away for them, and for what purpose? To hide who we are, to forget the fierce magic that runs through our veins? ~ Donna Grant,
547:The habit of a midwinter festivity had come by the dawn of history (and probably very long before) to seem a natural one to the British, and not one to be eradicated by changes of political or religious fashion. ... It was general custom in pagan Europe to decorate spaces with greenery and flowers for festivals, attested wherever records have survived. ~ Ronald Hutton,
548:Women have been charged with deviousness and duplicity since the dawn of civilization so they have never been able to pretend that their masks were anything but masks. It is a slender case but perhaps it does mean that women have always been in closer contact with reality than men: it would seem to be the just recompense for being deprived of idealism. ~ Germaine Greer,
549:For within your flesh, deep within the center of your being, is the undaunted, waiting, longing, all-knowing. Is the ready, able, perfect. Within you, waiting its turn to emerge, piece by piece, with the dawn of every former test of trial and blackness, is the next unfolding, the great unfurling of wings, the re-forged backbone of a true Child of Light. ~ Jennifer DeLucy,
550:9If I take the wings of the dawn, If I dwell in the remotest part of the sea, 10Even there Thy hand will lead me, And Thy right hand will lay hold of me. 11If I say, “Surely the darkness will overwhelm me, And the light around me will be night,” 12Even the darkness is not dark to Thee, And the night is as bright as the day. Darkness and light are alike to Thee. ~ Anonymous,
551:The extraordinary-looking pair of young people weren't holding hands, but the way they tilted ever so subtly toward each other made it clear that they didn't have to touch to feel the other. Even the air between them crackled with a kind of magnetism that had yet to be discovered by science, but that poets had been writing about since the dawn of time. ~ Josephine Angelini,
552:We have had our failures.” Yes, Karellen, that was true: and were you the one who failed, before the dawn of human history? It must have been a failure indeed, thought Stormgren, for its echoes to roll down all the ages, to haunt the childhood of every race of man. Even in fifty years, could you overcome the power of all the myths and legends of the world? ~ Arthur C Clarke,
553:It’s always darkest before the dawn. This elderly chestnut occurred to Rob Martin as the ambulance he drove rolled slowly along Upper Marlborough Street toward home base, which was Firehouse 3. It seemed to him that whoever thought that one up really got hold of something, because it was darker than a woodchuck’s asshole this morning, and dawn wasn’t far away. ~ Stephen King,
554:Sitting beside a young woman who in the dawn seemed so lovely, soothed and spellbound in these magical surroundings—the sea, mountains, clouds, the open sky—Gurov thought how in reality everything is beautiful in this world when one reflects: everything except what we think or do ourselves when we forget our human dignity and the higher aims of our existence. ~ Anton Chekhov,
555:Something new was entering his soul. Jean Valjean had never loved anything... But, as he was fifty-five and Cosette was only eight, all the love he might have felt through his whole life melted into a sort of ineffable glow. This was the second white vision he had met. The bishop had caused the dawn of virtue on his horizon; Cosette had invoked the dawn of love. ~ Victor Hugo,
556:We are independent of the change we detect. The longer the lever, the less perceptible its motion. It is the slowest pulsation which is the most vital. The hero then will know how to wait, as well as to make haste. All good abides with him who waiteth wisely; we shall sooner overtake the dawn by remaining here than by hurrying over the hills of the west. ~ Henry David Thoreau,
557:You end up exhausted and spent, but later, in retrospect, you realize what it all was for. The parts fall into place, and you can see the whole picture and finally understand the role each individual part plays. The dawn comes, the sky grows light, and the colors and shapes of the roofs of houses, which you could only glimpse vaguely before, come into focus. ~ Haruki Murakami,
558:It is hard to live alone in the dark, confusing the day and night; dropping to sleep through sheer weariness at mid-day, and rising restless in the chill of the dawn. At first Dick, on his awakenings, would grope along the corridors of the chambers till he heard some one snore. Then he would know that the day had not yet come, and return wearily to his bedroom. ~ Rudyard Kipling,
559:Somewhere close I knew spear-nosed bats flew through the tree crowns in search of fruit, palm vipers coiled in ambush in the roots of orchids, jaguars walked the river's edge; around them eight hundred species of trees stood, more than are native to all of North America; and a thousand species of butterflies, 6 percent of the entire world fauna, waited for the dawn. ~ E O Wilson,
560:Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap. ~ Roger Ebert,
561:The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife TETHYS; HYPERION, the father of the sun, the moon, and the dawn; MNEMOSYNE, which means Memory; THEMIS, usually translated by Justice; and IAPETUS, important because of his sons, ATLAS, who bore the world on his shoulders, and PROMETHEUS, who was the savior of mankind. ~ Edith Hamilton,
562:There is a children’s film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange, towering creature in the forest, you curl up on its tummy and have a nap. ~ Roger Ebert,
563:You believe you are the masters of the world, but your reign as kings and gods is at an end. Until you recognize us as human, as equal, the fight will be at your door. Not on a battlefield but in your cities. In your streets. In your homes. You don’t see us, and so we are everywhere.” Her voice hums with authority and poise. “And we will rise up, Red as the dawn. ~ Victoria Aveyard,
564:Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn. ~ Victor Hugo,
565:There has never been a time on Earth like we see today. What we need are more ways to experience our interconnectedness - it is a precursor to deep love. So in this quickening light, with the dawn of each new day, let us look for love. Let us no longer struggle. Let us ever become who we most want to be. As we begin to be who we truly are, the world will be a better place. ~ John Denver,
566:Yet as he gazed he became aware that at last that it was no magelight, no cold glory of wizardry, that lay shadowless on every line of the man's face, but light itself: morning, the common light of day [...]
Sparrowhawk sat by him watching the dawn come and the sun rise, even as one might study a treasure for something gone amiss in it, a jewel flawed, a child sick. ~ Ursula K Le Guin,
567:She walked the spiral corridor, running her hand along the painted horizon - sea, beach, dunes, woods, moors - the journey of her people from over the sea. The story of the Anglisc, woven with Woden back to the dawn of their songs. Ships. Fire. Bright swords. Kin and kine. Woods and wold. Hearth and home. Where was Christ in this? Christ didn't fight. Christ didn't farm. ~ Nicola Griffith,
568:This New Age is marking the dawn of a new world-thought. That new thought is a new cosmic concept of the value of man to man. The whole world is discovering that all mankind is one and that the unity of man is real – not just an abstract idea. Mankind is beginning to discover that the hurt of any man hurts every man, and, conversely, the uplift of any man uplifts every man ~ Walter Russell,
569:With H. sapiens it is the axial vitalisation of matter arriving under the veil of socialisation at a new stage; not simply the reflexion of an individual on himself, but millions of reflexions seeking and reinforcing one another. The dawn of a collective reflexion. The emergence of reflexion into the collective state…. ~ Pierre Teilhard de Chardin, The Phyletic Structure of the Human Group,
570:Courage~ What makes the flag on the mast to wave? What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage! What makes the dawn come up like thunder? Courage! What makes the Hottentot so hot? What puts the "ape" in apricot?~Cowardly Lion from the Wizard of Oz ~ L Frank Baum,
571:Salutation to the Dawn Look to this day! For it is life, the very life of life. In its brief course Lie all the verities and realities of your existence: The bliss of growth The glory of action The splendor of beauty, For yesterday is but a dream And tomorrow is only a vision, But today well lived makes every yesterday a dream of happiness And every tomorrow a vision of hope. ~ Dale Carnegie,
572:I tried. But I feel that I haven't given utterance to the thousandth part of what lies within me. When I go to the grave I can say as others have said, "I have finished my day's work." But I cannot say, "I have finished my life." My day's work will begin again the next morning. The tomb is not a blind alley; it is a thoroughfare. It closes on the twilight, but opens on the dawn. ~ Victor Hugo,
573:The fragment of glass with the blood on its edge, as it soaked up the dawn air, was almost transparent.

It was a boundless blue, almost transparent. I stood up, and as I walked toward my own apartment, I thought, I want to become like this glass. And then I want to reflect this smooth white curving myself. I want to show other people these splendid curves reflected in me. ~ Ry Murakami,
574:Are you reading this, human? I hope so. Becuase here is the truth.
I am a werewolf. Quod Hominem, genus gerulfos, Warwoof, wehrwulf, wearul, varulv, garwall, garoul, warou, looup-garou. Lycanthrope. We have been known by many names over the centuries and none of them accurate, for we are neither wolf nor man but a breed apart. We have been with you since before the dawn of time. ~ Donna Boyd,
575:Dreams&Mdash;Are Well&Mdash;But Waking's Better
450
Dreams—are well—but Waking's better,
If One wake at morn—
If One wake at Midnight—better—
Dreaming—of the Dawn
Sweeter—the Surmising Robins—
Never gladdened Tree—
Than a Solid Dawn—confronting—
Leading to no Day—
~ Emily Dickinson,
576:The inspiration for the book came after a visitation from a spiritual being that materialized before me on two consecutive nights. Although I crumpled into unconsciousness at the outset of each encounter and consciously remembered hearing only an initial word or two from the entity, I awakened on the dawn after the second visit with the ideas for The Divine Fire bubbling in my brain. ~ Brad Steiger,
577:Have you ever seen the dawn? Not a dawn groggy with lack of sleep or hectic with mindless obligations and you about to rush off on an early adventure or business, but full of deep silence and absolute clarity of perception? A dawning which you truly observe, degree by degree. It is the most amazing moment of birth. And more than anything it can spur you to action. Have a burning day. ~ Vera Nazarian,
578:The moon went slowly down in chastened loveliness, she departed like some sweet bride into her chamber, and long veil-like shadows crept up the sky through which the stars peeped shyly out. Soon, however, they too began to pale before a splendour in the east, and then the quivering footsteps of the dawn came rushing across the new-born blue, and shook the planets from their places. ~ H Rider Haggard,
579:We cannot, we must not, think of entering upon a day, or upon an enterprise, without first saying, “Bring here the ephod: let us ask counsel of the Lord!” We can do nothing without our God! Let us attempt nothing without Him. So the Savior rises a great while before day and gets alone with His God, that for Him prayer might perfume the morning dew and sweeten the first breath of the dawn. ~ Anonymous,
580:Are not the forest fringes wet with tears? Is not the voice of all regret Breaking out of the dark earth’s heart? She too, she too, has loved and lost; and though She turned last night in disdain Away from the sunset-embers, From her soul she can never depart; She can never depart from her pain. Vainly she strives to forget; Beautiful in her woe, She awakes in the dawn and remembers. ~ Mary Alice Monroe,
581:I am he who cometh out of the depths. My lords, you are great and rich. There lies your danger. You profit by the night; but beware! The dawn is all-powerful. You cannot prevail over it. It is coming. Nay! it is come. Within it is the day-spring of irresistible light. And who shall hinder that sling from hurling the sun into the sky. The sun I speak of is Right. You are Privilege. Tremble! ~ Victor Hugo,
582:The seven schools, each composed of twelve initiates and their disciples surrounding a thirteenth exalted brother, are the God-ordained perpetuators of the Ancient Wisdom as it has come from the dawn of the world when the gods descended from the nebula of the sun and took up their dwelling place on the sacred island at the north polar cap. ~ Manly P Hall, What the Ancient Wisdom Expects of Its Disciples,
583:I’m a king. My father told me a king can rule through fear, or through love. Fifty years from now, the people will love me. They won’t remember this – and those who do will consider it the necessary dark before the dawn. When they have prosperity, and security, and know their place, they will be content and they will love me for it. But until then, I’ll rule through fear if I have to. ~ Melinda Salisbury,
584:The dawn was coming then. All the lower valley was covered with mist, and sometimes little pieces of it broke off and floated away in small clouds. The sky was lighter in the east, and the horizon was a thin golden line. The clouds changed from gray to pink, and the mist was touched with gold. There was a silent moment when everything held its breath, and then the sun rose. It was beautiful. ~ S E Hinton,
585:During our first months in the house, we hosted a homeless couple we only ever saw slinking off in the dawn: at dusk, they would silently lift off the latticework to the crawl space under our house and then sleep there, their roof our bedroom floor, and when we got up in the middle of the night, we tried to walk softly because it felt rude to step inches above the face of a dreaming person. ~ Lauren Groff,
586:The curse of poverty has no justification in our age. It is socially as cruel and blind as the practice of cannibalism at the dawn of civilization, when men ate each other because they had not yet learned to take food from the soil or to consume the abundant animal life around them. The time has come for us to civilize ourselves by the total, direct and immediate abolition of poverty. ~ Martin Luther King Jr,
587:Pain and pleasure, good and evil, come to us from unexpected sources. It is not there where we have gathered up our brightest hopes, that the dawn of happiness breaks. It is not there where we have glanced our eye with affright, that we find the deadliest gloom. What should this teach us? To bow to the great and only Source of light, and live humbly and with confiding resignation. ~ Johann Wolfgang von Goethe,
588:Since the dawn of time, nearly every man (and I'd wager to guess most women) has, at his most visceral level, secretly desired for one thing - to be standing triumphantly atop a heaping pile of his slain enemies, holding a gigantic axe aloft while some unbelievably attractive member of whatever gender he's attracted to desperately clutches his leg like it's the last life raft on the HMS Titanic. ~ Ben Thompson,
589:Survival on Earth is a surprisingly tricky business. Of the billions and billions of species of living thing that have existed since the dawn of time, most—99.99 percent—are no longer around. Life on Earth, you see, is not only brief but dismayingly tenuous. It is a curious feature of our existence that we come from a planet that is very good at promoting life but even better at extinguishing it. ~ Bill Bryson,
590:Too much! Wait till you have lived here longer. Look down the valley! See the cloud of a hundred chimneys that overshadows it! I tell you that the cloud of murder hangs thicker and lower than that over the heads of the people. It is the Valley of Fear, the Valley of Death. The terror is in the hearts of the people from the dusk to the dawn. Wait, young man, and you will learn for yourself. ~ Arthur Conan Doyle,
591:Insofar as there is a politics, here, it seems a variation on a theme seen since the dawn of capitalism. Ultimately, it’s sociality itself that’s treated as abusive, criminal, demonic. To this, most ordinary Americans—including Black and Latino Americans, recent immigrants, and others who were formerly excluded from credit—have responded with a stubborn insistence on continuing to love one another. ~ David Graeber,
592:The Church was the one institution whose mission depended on galvanizing attention; and through its daily and weekly offices, as well as its sometimes central role in education, that is exactly what it managed to do. At the dawn of the attention industries, then, religion was still, in a very real sense, the incumbent operation, the only large-scale human endeavor designed to capture attention and use it. ~ Tim Wu,
593:I wanted my austere young man to put me back together, scarred but whole.
But I was already whole. I was Elisabeth, entire, even if I was Elisabeth alone. The knowledge of it gave me strength. I straightened my shoulders. I would not look back. I would not regret. He smiled at me and pressed his fingers to his lips in farewell. Then I turned and walked away, into the world above, and into the dawn. ~ S Jae Jones,
594:Nightingales, A Sigh, A Whisper
Nightingales, a sigh, a whisper
In a shady nook
And the lullaby in silver
Of a lazy brook.
Light of night and midnight shadow
Falling from above
And the changing mood and magic
Of a face you love
Through dark clouds a red rose peeping
And an amber gleam,
And the kissing and the weeping
And the dawn serene!
~ Afanasy Afanasyevich Fet,
595:We're looking at the dawn of a new arms race. For example, Germany technically opposes the US space militarization program, but is bound to get involved. Otherwise it will be left behind in the development of advanced technology. Germany understands that very well. The US understands it too, and they fully expect that Germany and other countries that they want on board will go along with the program. ~ Noam Chomsky,
596:Courage~ L Frank Baum What makes the flag on the mast to wave? What makes the elephant charge his tusk in the misty mist, or the dusky dusk? What makes the muskrat guard his musk? Courage! What makes the sphinx the seventh wonder? Courage! What makes the dawn come up like thunder? Courage! What makes the Hottentot so hot? What puts the "ape" in apricot?~ L Frank BaumCowardly Lion from the Wizard of Oz ~ L Frank Baum,
597:Hope has returned to the hearts of scores of millions of men and women, and with that hope there burns the flame of anger against the brutal, corrupt invader ... In a dozen famous ancient States now prostrate under the Nazi yoke, the masses of the people ... await the hour of liberation ... That hour will strike, and its solemn peal will proclaim that the night is past and that the dawn has come. ~ Winston Churchill,
598:You have done well to come and look at a man who is on the point of death. It is well that there should be witnesses at that moment. One has one's caprices; I should have liked to last until the dawn, but I know that I shall hardly live three hours. It will be night then. What does it matter, after all? Dying is a simple affair. One has no need of the light for that. So be it. I shall die by starlight. ~ Victor Hugo,
599:Before long, billions of people around the world were working and playing in the OASIS every day. Some of them met, fell in love, and got married without ever setting foot on the same continent. The lines of distinction between a person’s real identity and that of their avatar began to blur. It was the dawn of new era, one where most of the human race now spent all of their free time inside a videogame. ~ Ernest Cline,
600:Yet, she said to herself, form the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this--love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary. ~ Virginia Woolf,
601:Now, there was a certain guy etiquette when it came to urinals. If possible, always piss two urinal lengths apart. It was just courtesy, man. I didn't make the rules, but they've been there since the dawn of time. Hell, cavemen probably had a system like, stand two woolly mammoth femurs away or something. They'd say it in grunts and shit. Like two grunts and a bark meant, "Two femurs, bruh. Two. ~ Megan Erickson,
602:You fascinate me, Thalassa."

I sucked in a breath. I hadn't been called by that name in ages, since before the dawn of man. It was my true birth name.

Swallowing hard, for once I had no words to say, and I watched hungrily as he turned and stole from my room.

I wanted to chase after him. Wanted to call him back and demand he tell me why he'd said that name. But goddesses did not beg. ~ Jovee Winters,
603:It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was now no sound; only silence lay over the fields and woods and marsh... Even the streams were now lifeless... No witchcraft, no enemy action had silenced the rebirth of new life in this stricken world. The people had done it themselves. ~ Rachel Carson,
604:Farewell sweet earth and northern sky, for ever blest, since here did lie and here with lissom limbs did run beneath the Moon, beneath the Sun, Lúthien Tinúviel more fair than Mortal tongue can tell. Though all to ruin fell the world and were dissolved and backward hurled; unmade into the old abyss, yet were its making good, for this - the dusk, the dawn, the earth, the sea - that Lúthien for a time should be. ~ J R R Tolkien,
605:He went along the corridor to the tiny spare room at the back of the house and looked down into the gardens below. The dawn chorus had begun, and he could see blackbirds, and small hedge-hopping sparrows, a single spotted-breasted thrush in the boughs of a nearby tree. Fat Charlie thought that a world in which birds sang in the morning was a normal world, a sensible world, a world he didn’t mind being a part of. ~ Neil Gaiman,
606:Sometimes—after futile all-nights—deserts fill my work-house and smoking sand gets in my eyes . . . and I must split the swollen cabin to check the dawn, to find: the creek still parties with the moon . . . the thrusting pine and whippoorwills still celebrate the sun. It generally works, and things are cool, but sometimes—after cutting out—nothing out there happens but the night. And those days were best forgotten. ~ Ken Kesey,
607:I saw the first light, fore-running the sun, gather in a cup of the eastern cloud, gather and grow and brim, till at last it spilled like milk over the golden lip, to smear the dark face of heaven from end to end. From east to north, and back to south again, the clouds slackened, the stars, trembling on the verge of extinction, guttered in the dawn wind, and the gates of day were ready to open at the trumpet. . . ~ Mary Stewart,
608:He caught Kin's eye and grinned again. Joel often grinned. Palaeolithic genes had somehow met again at his conception, and a slab face like Joel's had to smile frequently lest it frighten small children. When his face brightened it was like the dawn of Man. They spoke, and not merely with words. Between them they were 400 years old. Now words were mere flatcars on which towered cargoes of nuance and expression. ~ Terry Pratchett,
609:It is proven that the Celts whencesoever they came, had, before the dawn of history, subjugated the German people and established themselves in Central Europe. At about the date we have mentioned, a great Celtic wave, breaking westward over the Rhine, penetrated into England, Scotland, and Ireland. Subsequently a wave swept over the Pyrenees into the Spanish Peninsula. Other waves came westward still later. The ~ Seumas MacManus,
610:Lying under an acacia tree with the sound of the dawn around me, I realized more clearly the facts that man should never overlook: that the construction of an airplane, for instance, is simple when compared [with] a bird; that airplanes depend on an advanced civilization, and that were civilization is most advanced, few birds exist. I realized that If I had to choose, I would rather have birds than airplanes. ~ Charles Lindbergh,
611:Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so shortsighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full. ~ Elif Safak,
612:Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so shortsighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full. ~ Elif Shafak,
613:As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which lean spirits roam with sharp claws. If a am a hyena I am a lean and hungry one: I go forth to fatten myself. ~ Henry Miller,
614:Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so short-sighted as to not be able to see the outcome. The lover’s of God never run out of patience, for they know that time is needed for the crescent moon to become full. (9) ~ Various,
615:When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men. They shall then know truth and, more than that, they shall realize that from the beginning truth has been in the world unrecognized, save by a small but gradually increasing number appointed by the Lords of the Dawn as ministers to the needs of human creatures struggling co regain their consciousness of divinity. ~ Manly P Hall,
616:When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men. They shall then know truth and, more than that, they shall realize that from the beginning truth has been in the world unrecognized, save by a small but gradually increasing number appointed by the Lords of the Dawn as ministers to the needs of human creatures struggling co regain their consciousness of divinity. ~ Manly P Hall,
617:- Everything's finished.
Riders gallop black horses, a tyrant composes
a sentence of death with grammatical errors.
Youth dissolves in a day; girls' faces freeze
into medallions, despair turns to rapture
and the hard fruits of stars in the sky
ripen like grapes, and beauty endures, shaken, unperturbed,
and God is and God dies; night returns to us
in the evening, and the dawn is hoary with dew. ~ Adam Zagajewski,
618:« My heart is steadfast, O God, my heart is steadfast ! I will sing and make melody ! Awake my soul ! Awake, O harp and lyre ! I will awake the dawn. »
In childhood these words had always risen in his mind when he watched the wind blow over the blue sky and through the trees ; but that was a time when God was not as now an object of fear and perplexity but one who was near to the earth, giving harmony and living joy.  ~ Sh saku End,
619:I paused beneath the arched entrance, where the drawbridge had once been, imagining all the people who had passed in and out over the centuries, every one of them carrying a combination of desire, hope, jealousy, despair, grief, love, and every other human emotion; a combination that made each one as unique as a snowflake, yet linked all of them inextricably to every other human being from the dawn of time to the end of it. ~ Sara Gruen,
620:More of what he said, I cannot tell; somehow this much has reached my ears. He remained there upon the straw while hour after hour passed, pleading with the great Father for his son; his soul now lost in dull fatigue, now uttering itself in groans for lack of words, until at length the dawn looked in on the night-weary earth, and into the two sorrow-laden hearts, bringing with it a comfort they did not seek to understand. ~ George MacDonald,
621:The labor arbitrage view of global trade, a model that goes back to the dawn of the First Industrial Revolution, assumes that manufacturing will always flow to low-cost countries. But the new automation view suggests that the advantages of cheap labor are shrinking while other factors—closeness to the ultimate consumer, transportation costs (including possible carbon taxes), flexibility, quality, and reliability—are rising. ~ Chris Anderson,
622:Before The Dawn
In the hush of the morn before the sun
I waken to think of thee
And all the sweet day thus begun
As hallowed sees to be.
In the holly repose the morning star
With trembling awaits the sun,
And thus my heart if near or far
Awaits thee, sweetest one.
In a golden ecstasy of bliss
The fair morning star will die
But I immortal by thy kiss
Live but when thou art nigh.
~ Arlo Bates,
623:Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. ~ Arthur C Clarke,
624:Most noble evergreen with your roots in the sun: you shine in the cloudless sky of a sphere no earthly eminence can grasp, enfolded in the clasp of ministries divine. You blush like the dawn, you burn like a flame of the sun. [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman

~ Saint Hildegard von Bingen, O nobilissima viriditas
,
625:Each in the most hidden sack kept the lost jewels of memory, intense love, secret nights and permanent kisses, the fragment of public or private happiness. A few, the wolves, collected thighs, other men loved the dawn scratching mountain ranges or ice floes, locomotives, numbers. For me happiness was to share singing, praising, cursing, crying with a thousand eyes. I ask forgiveness for my bad ways: my life had no use on earth. ~ Pablo Neruda,
626:Ever since the dawn of civilization, people have not been content to see events as unconnected and inexplicable. They have craved an understanding of the underlying order in the world. Today we still yearn to know why we are here and where we came from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in. ~ Stephen Hawking,
627:CONTENTS FIRE MAGE 1. The Hunt 2. A Feather for a Friend 3. A Demon's Eyes 4. The Order of the Dawn 5. The Blood Dagger 6. The Ancient Struggle 7. Jiserian Invasion 8. The Surineda Map 9. The Sej Elders 10. The Fire Sword 11. The Nalgoran Desert 12. The Northlands 13. Assault in the Forest 14. The Inn at Blansko 15. The Edge of the Storm 16. Ashtera Summons the Darkness 17. Aurellia 18. Intrigue in Khael 19. Passage to Lorello ~ John Forrester,
628:Song Of The Palace
Tears utmost gauze cloth dream not succeed
Night deep before palace press song sound
Red cheek not old favour first cut
Slant lean on smoke cover sit arrive brightness
Her handkerchief all soaked in tears, she cannot dream,
In deepest night before the palace voices sing.
Her rosy cheeks aren't old, but first love has been cut,
Leaning, wreathed in smoke, she sits until the dawn.
~ Bai Juyi,
629:In 1867, at the dawn of the Reconstruction Era, no black man held political office in the South, yet three years later, at least 15 percent of all Southern elected officials were black. This is particularly extraordinary in light of the fact that fifteen years after the passage of the Voting Rights Act of 1965—the high water mark of the Civil Rights Movement—fewer than 8 percent of all Southern elected officials were black. ~ Michelle Alexander,
630:But ever since the dawn of civilization, people have not been content to see events as unconnected and inexplicable. They have craved an understanding of the underlying order in the world. Today we still yearn to know why we are here and where we come from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in. ~ Stephen Hawking,
631:That mysterious change is too subtle and too gradual to be measured by dates. Least of all does the maiden herself know it until the tone of a voice or the touch of a hand sets her heart thrilling within her, and she learns, with a mixture of pride and of fear, that a new and a larger nature has awoke within her. There are few who cannot recall that day and remember the one little incident which heralded the dawn of a new life. ~ Arthur Conan Doyle,
632:Oh,to be walking through Leningrad white night after white night, the dawn to dusk all smelting together like platinum ore, Tatiana thought, turning away to the wall, again to the wall, the wall, as ever. Alexander, my nights, my days, my every thought. You will fall away from me in just a while, won't you, and I'll be whole again, and I will go on and feel for someone else, the way everyone does.
But my innocence is forever gone. ~ Paullina Simons,
633:If all persons with any trace of homosexual history, or those who were predominantly homosexual, were eliminated from the population today, there is no reason for believing that the incidence of the homosexual in the next generation would be materially reduced. The homosexual has been a significant part of human sexual activity since the dawn of history, primarily because it is an expression of capacities that are basic in the human animal. ~ Alfred Kinsey,
634:In presenting a mathematical argument the great thing is to give the educated reader the chance to catch on at once to the momentary point and take details for granted: two trivialities omitted can add up to an impasse). The unpractised writer, even after the dawn of a conscience, gives him no such chance; before he can spot the point he has to tease his way through a maze of symbols of which not the tiniest suffix can be skipped. ~ John Edensor Littlewood,
635:Oh, say can you see by the dawn's early light What so proudly we hailed as the twilight's last gleaming? Whose broad stripes and bright stars thru the perilous fight O'er the ramplarts we watched were so gallantly streaming? And the rocket's red glare, the bombs bursting in air, Gave proof through the night that our flag was still there. Oh, say does that star-spangled banner yet wave O'er the land of the free and the home of the brave? ~ Francis Scott Key,
636:Perfume
Shake out your hair about me, so,
That I may feel the stir and scent
Of those vague odours come and go
The way our kisses went.
Night gave this priceless hour of love,
But now the dawn steals in apace,
And amorously bends above
The wonder of your face.
'Farewell' between our kisses creeps,
You fade, a ghost, upon the air;
Yet ah! the vacant place still keeps
The odour of your hair.
~ Arthur Symons,
637:Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket. ~ Margaret Atwood,
638:On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realised the new wonder; but even they hardly realised that the world had died in the night.  What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but the dawn. ~ G K Chesterton,
639:We also have to bear in mind that our own sense of what is plausible and implausible is severely limited by the fact that the modern world is dominated by an extremely narrow range of family arrangements. Looking in anthropology books on kinship and marriage is like opening a book on a huge variety of dead and dying languages, all victims of the inexorable homogenisation of the world that has been in progress since the dawn of civilisation. ~ Patricia Crone,
640:We are the Scarlet Guard and we stand for the freedom and equality of all people, starting with the Reds. You believe you are the masters of the world, but your reign as kings and gods is at and end. Until you recognize us as human as equal, the fight will be at your door. Not on a battlefield but in your cities. In your streets, In your homes. You don't see us, and so we are everywhere. And we will rise up, Red as the dawn. ~ Victoria Aveyard,
641:To anticipate, not the sunrise and the dawn merely, but, if possible, Nature herself! How many mornings, summer and winter, before yet any neighbor was stirring about his business, have I been about mine...So many autumn, ay, and winter days, spent outside the town, trying to hear what was in the wind, to hear and carry it express! I well-nigh sunk all my capital in it, and lost my own breath into the bargain, running in the face of it. ~ Henry David Thoreau,
642:SALUTATION TO THE DAWN Look to this day! For it is life, the very life of life. In its brief course Lie all the verities and realities of your existence: The bliss of growth The glory of action The splendour of achievement. For yesterday is but a dream And tomorrow is only a vision, But today well lived makes yesterday a dream of happiness And every tomorrow a vision of hope. Look well, therefore, to this day! Such is the salutation to the dawn. ~ Dale Carnegie,
643:The resurrection is not only God’s vindication of his Son; it is the vindication of all Jesus taught. Easter Sunday is nothing less than the triumph of the peaceable kingdom of Christ. Easter changes everything. Easter is the hope of the world, the dawn of a new age, the rising of the New Jerusalem on the horizon of humanity’s burned-out landscape. Easter is God saying once again, “This is my beloved Son, with whom I am well pleased. Listen to him! ~ Brian Zahnd,
644:Mariposa
Butterflies are white and blue
In this field we wander through.
Suffer me to take your hand.
Death comes in a day or two.
All the things we ever knew
Will be ashes in that hour,
Mark the transient butterfly,
How he hangs upon the flower.
Suffer me to take your hand.
Suffer me to cherish you
Till the dawn is in the sky.
Whether I be false or true,
Death comes in a day or two.
~ Edna St. Vincent Millay,
645:TWILIGHT I have dreamed of flight. And I have dreamed of your laces strewn in the bedroom. I have dreamed of some mother walking the length of a wharf and at fifteen nursing the hour. I have dreamed of flight. A “forever” sighed at a fo’c’sle ladder. I have dreamed of a mother, of fresh sprigs of table-greens, and the stars stitched in bridals of the dawn.             The length of a wharf … the length of a drowning throat! Translated by John Knoepfle ~ Robert Bly,
646:On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realized the new wonder; but even they hardly realized that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but of the dawn. ~ Gilbert K Chesterton,
647:Salutation To The Dawn Look to this day! For it is life, the very life of life. In its brief course Lie all the verities and realities of your existence: The bliss of growth The glory of action The splendour of achievement. For yesterday is but a dream And tomorrow is only a vision, But today well lived makes yesterday a dream of happiness And every tomorrow a vision of hope. Look well, therefore, to this day! Such is the salutation to the dawn. So, ~ Dale Carnegie,
648:The heyday of spiritualism--with its seances and spirit communications zinging through the ether--coincided with the dawn of the electric age. The generation that so readily embraced spiritualism was the same generation that had been asked to accept such seeming witchery as electricity, telegraphy, radio waves, and telephonic communications--disembodied voices mysteriously travelling through space and emerging from a "receiver" hundreds of miles distant ~ Mary Roach,
649:The great river-courses which have shaped the lives of men have hardly changed; and those other streams, the life-currents that ebb and flow in human hearts, pulsate to the same great needs, the same great loves and terrors. As our thought follows close in the slow wake of the dawn, we are impressed with the broad sameness of the human lot, which never alters in the main headings of its history--hunger and labour, seed-time and harvest, love and death. ~ George Eliot,
650:Tell me why entire sleepless nights flash by in an inexhaustible blithe happiness, and when the dawn shines in through the windows, pink and radiant, and daybreak illumines the cheerless room with that uncertain fantastical light we know in Petersburg, does our dreamer, worn out and weary, throw himself on to his bed and fall asleep amid the blissful afterglow of his painfully shaken spirit and with such a languishingly sweet pain about his heart? ~ Fyodor Dostoyevsky,
651:Without Love, humanity dies of thirst, grasps at riches, destroys the earth through insatiable greed. Without Love, we are walking dust, dead matter stumbling from the dawn of birth to the dusk of death. Without Love, our Earth is stripped of beingness, left barren and lifeless, a pile of rocks and resources, objects to possess and control. Without Love, humanity sleepwalks as automatons, controlled, manipulated, and shoved through a nightmarish existence. ~ Rivera Sun,
652:You'll be shot," they cautioned. "No. I won't be shot. I'm going to shoot them, and then I'll go home. I'll be perfectly safe. I can see the future, and the clouds are lifting." "You can see the future? How can you see the future?" "I know enough now about the patterns of the past to see the darkness of the future unraveling before the golden light of time. Behind the clouds is the dawn. How can I possibly know such things? The fact is, I do. So watch out. ~ Mark Helprin,
653:If He Dissolve—then—there Is Nothing
236
If He dissolve—then—there is nothing—more—
Eclipse—at Midnight—
It was dark—before—
Sunset—at Easter—
Blindness—on the Dawn
Faint Star of Bethlehem—
Gone down!
Would but some God—inform Him—
Or it be too late!
Say—that the pulse just lisps—
The Chariots wait—
Say—that a little life—for His—
Is leaking—red—
His little Spaniel—tell Him!
Will He heed?
~ Emily Dickinson,
654:Not only do we end up with a vivid, surprising and soulful sense of one artist and his work, but Leigh also offers us a commanding view of a city, London, and country at the dawn of the modern age and of a man being overawed and overtaken by new technologies such as photography and the railways. As ever with Leigh, 'Mr Turner' addresses the big questions with small moments. It's an extraordinary film, all at once strange, entertaining, thoughtful and exciting. ~ Dave Calhoun,
655:Under A Telephone Pole
I am a copper wire slung in the air,
Slim against the sun I make not even a clear line of shadow.
Night and day I keep singing--humming and thrumming:
It is love and war and money; it is the fighting and the
tears, the work and want,
Death and laughter of men and women passing through
me, carrier of your speech,
In the rain and the wet dripping, in the dawn and the
shine drying,
A copper wire.
~ Carl Sandburg,
656:Listen to the Exhortation of the Dawn! Look to this Day! For it is Life, the very Life of Life. In its brief course lie all the Verities and Realities of your Existence. The Bliss of Growth, The Glory of Action, The Splendor of Beauty; For Yesterday is but a Dream, And To-morrow is only a Vision; But To-day well lived makes Every Yesterday a Dream of Happiness, And every Tomorrow a Vision of Hope. Look well therefore to this Day! Such is the Salutation of the Dawn! ~ Kalidasa,
657:When love awakens in your life, in the night of your heart, it is like the dawn breaking within you. Where before there was anonymity, now there is intimacy; where before there was fear, now there is courage; where before in your life there was awkwardness, now there is a rhythm of grace and gracefulness; where before you used to be jagged, now you are elegant and in rhythm with your self. When love awakens in your life, it is like a rebirth, a new beginning. ~ John O Donohue,
658:Establishing a client state in Iraq would significantly enhance that strategic power, a matter of great significance for the future. As Zbigniew Brzezinski observed, it would provide the US with "critical leverage" of its European and Asian rivals, a conception with roots in early post-war planning. These are substantial reasons for aggression - not unlike those of the British when they invaded and occupied Iraq over 80 years earlier, at the dawn of the oil age. ~ Noam Chomsky,
659:I happened to observe a mother lifting her eight-year-old boy in her arms. As she did so she laughed and said, “You’re getting so big you’ll be lifting me soon.” It was the simplest of statements. Yet I felt something transiently touching about the scene merely because millions upon millions of mothers reaching back into the dawn of history must have said the same thing to their children at some time and because other millions will say it in the remote future long ~ Leo Tolstoy,
660:I’m sorry it’s had to be this hard. But if I hadn’t walked this path, who would I be? At the moment I felt at the center of my life, the dream still braided like sweetgrass in my memory. I remembered Duffy’s challenge. Imagine a world worth living in, a world worth fighting for. I closed my eyes and allowed my hopes to soar. I heard the beatings of wings nearby. I opened my eyes. A young man on a nearby rooftop released his pigeons, like dreams, into the dawn. ~ Leslie Feinberg,
661:Tell Me How To Punish Thee
Tell me how to punish thee,
For the mischief done to me?
Silly swallow! prating thing,
Shall I clip that wheeling wing?
Or, as Tereus did of old
(So the fabled tale is told),
Tongue that utter'd such a lay?
How unthinking hast thou been!
Long before the dawn was seen,
When I slumber'd in a dream,
(Love was the delicious theme!)
Just when I was nearly blest,
Ah! thy matin broke my rest!
~ Anacreon,
662:The virtues of getting up early have nothing to do with cramming more hours of busyness and industry into one's day. Just the opposite. They stem from the stillness and solitude of the hour, and the potential to use that time to expand consciousness, to contemplate, to make time for being, for purposefully not doing anything. The peacefulness, the darkness, the dawn, the stillness - all contribute to making early morning a special time for mindfulness practice. ~ Jon Kabat Zinn,
663:But, this dark place is not the end. Remember that the darkness of night precedes the dawn. And as long as your heart still beats, this is not the death of it. You don’t have to die here. Sometimes, the ocean floor is only a stop on the journey. And it is when you are at this lowest point, that you are faced with a choice. You can stay there at the bottom, until you drown. Or you can gather pearls and rise back up—stronger from the swim, and richer from the jewels. ~ Yasmin Mogahed,
664:People were touchingly naive at the dawn of the Internet revolution when they said the Internet will route around censorship the way it routes around damage. With any revolution, the establishment catches up and figures out how to screw it up. The answer is to keep technology advancing fast enough so that those who would try to control it can't. It's up to people to defend what they care about. We shouldn't be complacent that this stuff is going to be a force for good. ~ Paul Saffo,
665:I bent my head and breathed the fresh new scent of her. I looked into her deep blue eyes and saw reflected there the dawn of my own new life. This little girl seemed to me, at that moment, answer enough to all my questions. To have saved this small, singular one—this alone seemed reason enough that I lived. I knew then that this was how I was meant to go on: away from death and toward life, from birth to birth, from seed to blossom, living my life amongst wonders. ~ Geraldine Brooks,
666:The Duchessa d’Aosta had been placed under the command of Geoffrey Appleyard and a skeleton crew, who were so delighted with their prize ship – and their Italian prisoners now locked below decks – that they hoisted a skull and crossbones from the mainmast. March-Phillipps exploded when he saw it fluttering in the dawn breeze. ‘We all got a rocket and we were told we weren’t to fly the Jolly Roger,’ recalled Leonard Guise. ‘He was a great stickler for etiquette, old Gus. ~ Giles Milton,
667:It means that though the Witch knew the Deep Magic, there is a magic deeper still that she did not know. Her knowledge goes back only to the dawn of Time. But if she could have looked a little further back, into the stillness and darkness before Time began, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and death itself would work backwards. ~ C S Lewis,
668:But I knew he wouldn't kiss me. Not tonight. Not like this. There was too much between us now, all the words and near misses. All the potential, the alternate futures that would stretch out before us in an unending spiral, all built on what happened in this moment. I held his fiery gaze and remembered the five-oh, the half-and-half, the promises I'd whispered to myself in the dawn light.

I might lose all my memories one day, but that wouldn't keep me from making them. ~ Sarah Ockler,
669:He continued on, on to the glacier, towards the dawn, from ridge to ridge, in deep, new-fallen snow, paying no heed to the storms that might pursue him. As a child he had stood by the seashore at Ljósavík and watched the waves soughing in and out, but now he was heading away from the sea. "Think of me when you are in glorious sunshine." Soon the sun of the day of resurrection will shine on the bright paths where she awaits her poet.
And beauty shall reign alone. ~ Halld r Kiljan Laxness,
670:What if believing was not about the good in the world? What if people had faith not because of what some superior being could do for them but what they could do when the light of something bigger than any one individual awakened within them—for the sake of others? If evil had been here since the dawn of time, maybe goodness was also here. Maybe, his mistake was thinking it was about him, his own future, his own soul, and not about this: the world needed the good that was in him. ~ G P Ching,
671:What if believing was not about the good in the world? What if people had faith not because of what some superior being could do for them but what they could do when the light of something bigger than any one individual awakened within them--for the sake of others? If evil had been here since the dawn of time, maybe goodness was also here. Maybe, his mistake was thinking it was about him, his own future, his own soul, and not about this: the world needed the good that was in him. ~ G P Ching,
672:The Temple dedicated to the pantheon of gods, constructed by the magical Order of the Dawn over a thousand years ago, gleamed in the morning sunlight as Talis sauntered up the cobblestone street. Today he would study with Master Viridian, the leading wizard of the Order, for a chance at breaking his many year long failing streak, his inability at casting magic. Not that Talis was optimistic today. Especially since every time he’d tried in the past the results had proved disastrous. ~ John Forrester,
673:All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning ~ W S Merwin,
674:The Milkman
EARLY in the morning, when the dawn is on the roofs,
You hear his wheels come rolling, you hear his horses hoofs;
You hear the bottles clinking, and then he drives away:
You yawn in bed, turn over, and begin another day!
The old-time dairy maids are dear to every poet's heartI'd rather be the dairy man and drive a little cart,
And bustle round the village in the early morning blue,
And hang my reigns upon a hook, as I've seen Casey do.
~ Christopher Morley,
675:Do you think I enjoy this? My life has been threatened from the day I was born! All of my waking hours have been spent avoiding danger in one form or another. And sleep never comes easily because I always worry if I'll live to see the dawn. If there ever was a time I felt secure, it must have been in my mother's womb, though I wasn't safe even there! You don't understand - if you lived with this fear, you would have learned the same lesson I did: Do not take chances."
Murtagh ~ Christopher Paolini,
676:Prelude
OUT of the west when the sun was dying
Clouds of white wings came flying, flying,
Wheeling and whirling they swept away
Into the heart of the eastern gray;
But one white dove came straight to my breast
Out of the west.
Into the west when the dawn was pearly
Clouds of white wings went, dewy-early,
Straight from the world of the waning stars;
O beating pinions! O prison bars!
My dove flies free no more with the rest
Into the west.
~ Edith Nesbit,
677:Psalm 37a Of David. 1Do not fret because of those who are evil or be envious of those who do wrong; 2for like the grass they will soon wither, like green plants they will soon die away. 3Trust in the LORD and do good; dwell in the land and enjoy safe pasture. 4Take delight in the LORD, and he will give you the desires of your heart. 5Commit your way to the LORD; trust in him and he will do this: 6He will make your righteous reward shine like the dawn, your vindication like the noonday sun. ~ Henry Cloud,
678:There was once a town in the heart of America where all life seemed to live in harmony with its surroundings Then a strange blight crept over the area and everything began to change There was a strange stillness The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of scores of bird voices there was now no sound; only silence lay over the fields and woods and marsh. ~ Rachel Carson,
679:Its at night, when perhaps we should be dreaming, that the mind is most clear, that we are most able to hold all our life in the palm of our skull. I dont know if anyone has ever pointed out that great attraction of insomnia before, but it is so; the night seems to release a little more of our vast backward inheritance of instincts and feelings; as with the dawn, a little honey is allowed to ooze between the lips of the sandwich, a little of the stuff of dreams to drip into the waking mind. ~ Brian Aldiss,
680:And the day will come when the mystical generation of Jesus, by the supreme being as his father in the womb of a virgin will be classed with the fable of the generation of Minerva in the brain of Jupiter. But we may hope that the dawn of reason and freedom of thought in these United States will do away all this artificial scaffolding...

{Letter to John Adams, April 11, 1823} ~ Thomas Jefferson,
681:My heart is  c steadfast, O God,         my heart is steadfast!     I will sing and make melody! 8         d Awake,  e my glory! [2]     Awake,  f O harp and lyre!         I will awake the dawn! 9    I will give thanks to you, O Lord, among the peoples;         I will sing praises to you among the nations. 10    For your  g steadfast love is great to the heavens,         your faithfulness to the clouds.     11  x Be exalted, O God, above the heavens!         Let your glory be over all the earth! ~ Anonymous,
682:the Kali yuga will dawn. A new age will dawn where nothing will be as it was. Only a quarter of the values instituted by Prithu at the dawn of civilization will survive. Man will live for pleasure, children will abandon responsibility, women will be like men, men like women. Humans will copulate like beasts. Power will be respected, justice abandoned, sacrifice forgotten and love ridiculed. The wise will argue for the law of the jungle. Every victim will, given a chance, turn victimizer. ~ Devdutt Pattanaik,
683:Tell a child, a husband or an employee that he is stupid or dumb at a certain thing, that he has no gift for it, and that he is doing it all wrong and you have destroyed almost every incentive to try to improve. But use the opposite technique, be liberal with encouragement; make the thing seem easy to do, let the other person know that you have faith in his ability to do it, that he has an undeveloped flair for it - and he will practice until the dawn comes in at the window in order to excel. ~ Dale Carnegie,
684:Tomorrow
See where the falling day
In silence steals away
Behind the western hills withdrawn:
Her fires are quenched, her beauty fled,
While blushes all her face o'erspread,
As conscious she had ill fulfilled
The promise of the dawn.
Another morning soon shall rise,
Another day salute our eyes,
As smiling and as fair as she,
And make as many promises:
But do not thou
The tale believe,
They're sisters all,
And all deceive.
~ Anna Laetitia Barbauld,
685:Only to two or three persons in all the world are the reminiscences of a man's early youth interesting: to the parent who nursed him; to the fond wife or child mayhap afterwards who loves him; to himself always and supremely--whatever may be his actual prosperity or ill fortune, his present age, illness, difficulties, renown, or disappointments--the dawn of his life still shines brightly for him, the early griefs and delights and attachments remain with him ever faithful and dear. ~ William Makepeace Thackeray,
686:Aubade THE lark now leaves his wat'ry nest, And climbing shakes his dewy wings. He takes this window for the East, And to implore your light he sings- Awake, awake! the morn will never rise Till she can dress her beauty at your eyes. The merchant bows unto the seaman's star, The ploughman from the sun his season takes, But still the lover wonders what they are Who look for day before his mistress wakes. Awake, awake! break thro' your veils of lawn! Then draw your curtains, and begin the dawn! ~ William Davenant,
687:I RISE in the dawn, and I kneel and blow
Till the seed of the fire flicker and glow;
And then I must scrub and bake and sweep
Till stars are beginning to blink and peep;
And the young lie long and dream in their bed
Of the matching of ribbons for bosom and head,
And their day goes over in idleness,
And they sigh if the wind but lift a tress:
While I must work because I am old,
And the seed of the fire gets feeble and cold.

~ William Butler Yeats, The Song Of The Old Mother
,
688:To anticipate, not the sunrise and the dawn merely, but, if possible, Nature herself!  How many mornings, summer and winter, before yet any neighbor was stirring about his business, have I been about mine! No doubt, many of my townsmen have met me returning from this enterprise, farmers starting for Boston in the twilight, or woodchoppers going to their work. It is true, I never assisted the sun materially in his rising, but, doubt not, it was of the last importance only to be present at it. ~ Henry David Thoreau,
689:Gradually, the night stumbled as if stunned and wandering aimlessly into an overcast day -- limped through the wilderland of transition as though there were no knowing where the waste of darkness ended and the ashes of light began. The low clouds seemed full of grief -- tense and uneasy with accumulated woe -- and yet affectless, unable to rain, as if the air clenched itself too hard for tears. And through the dawn, Atiaran and Covenant moved heavily, unevenly, like pieces of a broken lament. ~ Stephen R Donaldson,
690:Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully. ~ Norton Juster,
691:Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven’t the answer to a question you’ve been asked, or the hush of a country road at night, or the expectant pause of a room full of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you’re alone in the whole house? Each one is different, you know, and all very beautiful if you listen carefully. ~ Norton Juster,
692:and while faith based on theological reasoning is today universally engaged in a bitter struggle with doubt and resistance from the prevailing brand of rationalism, it does seem that the naked fundamental experience itself, that primal seizure of mystic insight, stripped of religious concepts, perhaps no longer to be regarded as a religious experience at all, has undergone an immense expansion and now forms the soul of that complex irrationalism that haunts our era like a night bird lost in the dawn. ~ Robert Musil,
693:It was true that up until the end of the twentieth century it was men who wielded most of the power. This is undeniable. What cannot be readily ascertained is why this should have been so. Was it, as some have maintained, that from the dawn of history might was right and the physically stronger sex gained ascendancy over the weaker? Or was it, as others have claimed, that women’s horizons were narrower than men’s, thus by their very nature keeping them within the more limited confines of home and family? ~ Jean Ure,
694:When I A Householder Became
EARLY in the morning, when the dawn is on the roofs,
You hear his wheels come rolling, you hear his horses hoofs;
You hear the bottles clinking, and then he drives away:
You yawn in bed, turn over, and begin another day!
The old-time dairy maids are dear to every poet's heartI'd rather be the dairy man and drive a little cart,
And bustle round the village in the early morning blue,
And hang my reigns upon a hook, as I've seen Casey do.
~ Christopher Morley,
695:Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night’s Watch, for this night and all the nights to come. ~ Anonymous,
696:Weather patterns in the Pacific were not human-driven, but the futures market in Chicago was. The world had shifted so rapidly from subsistence agriculture to a market economy that price fluctuations sent ripples throughout the system, destabilizing entire regions. Traders could now set off starvation halfway across the world with the touch of a telegraph key, sucking up grain supplies in India or the Dakotas and sending them to Europe, where prices were high. It was the dawn of “price famines.”174 ~ Caroline Fraser,
697:Have you ever heard the wonderful silence just before the dawn? Or the quiet and calm just as a storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause in a roomful of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're all alone in the whole house? Each one is different, you know, and all very beautiful, if you listen carefully. ~ Norton Juster,
698:The Humming Bird
A sudden whirr of eager sound—
And now a something throbs around
The flowers that watch the fountain. Look!
It touched the rose, the green leaves shook,
I think, and yet so lightly tost
That not a spark of dew was lost.
Tell me, O rose, what thing it is
That now appears, now vanishes?
Surely it took its fire-green hue
From day-breaks that it glittered through;
Quick, for this sparkle of the dawn
Glints through the garden and is gone.
~ Edwin Markham,
699:Then, instead of telling her that where there was life there was hope, or to let a smile be her umbrella, or that it was always darkest just before the dawn, or anything else that had just lately fallen out of the dog’s ass, she simply held her. Because sometimes only holding was best. That was one of the things she had taught the man whose last name she had taken for her own—that sometimes it was best to be quiet; sometimes it was best to just shut your everlasting mouth and hang on, hang on, hang on. ~ Stephen King,
700:From the dawn of exact knowledge to the present day, observation, experiment, and speculation have gone hand in hand; and, whenever science has halted or strayed from the right path, it has been, either because its votaries have been content with mere unverified or unverifiable speculation (and this is the commonest case, because observation and experiment are hard work, while speculation is amusing); or it has been, because the accumulation of details of observation has for a time excluded speculation. ~ Thomas Huxley,
701:Then, instead of telling her that where there was life there was hope, or to let a smile be her umbrella, or that it was always darkest just before the dawn, or anything else that had just lately fallen out of the dog's ass, she simply held her. Because sometimes only holding was best. That was one of the things she had taught that man whose last name she had taken for her own--that sometimes it was best to be quiet; sometimes it was best to just shut your everlasting mouth and hang on, hang on, hang on. ~ Stephen King,
702:Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come. ~ George R R Martin,
703:Then, instead of telling her that where there was life there was hope, or to let a smile be her umbrella, or that it was always darkest just before the dawn, or anything else that had just lately fallen out of the dog’s ass, she simply held her. Because sometimes only holding was best. That was one of the things she had taught the man whose last name she had taken for her own—that sometimes it was best to be quiet; sometimes it was best to just shut your everlasting mouth and hang on, hang on, hang on. 10 ~ Stephen King,
704:The cynics, they can only speak of the dark, of the obvious, and this is not hard. For all it’s supposed sophistication, it’s cynicism that’s simplistic. In a fallen world, how profound is to see the cracks?

The sages and prophets, the disciples and revolutionaries, they are the ones up on the ramparts, up on the wall pointing to the dawn of the new Kingdom coming, pointing to the light that breaks through all things broken, pointing to redemption always rising and to the Blazing God who never sleeps. ~ Ann Voskamp,
705:We only live in moments, passing us by.
As big as the sky.
They’re here and gone in the blink of an eye.

Don’t waste time thinking about
What you’re going to sprout out
Or what route you need to scout.

There is a reason for everything that happens.
Don’t worry too much and let in sadness.
Don’t let the thoughts throw off your balance.

We only live in moments, here and gone
Quick as a sunrise and slow as the dawn.
Please hold on before your moment’s drawn. ~ Rachel Nicole Wagner,
706:Enlighten the people generally, and tyranny and oppressions of body and mind will vanish like evil spirits at the dawn of day. ~ Thomas Jefferson, letter to P. S. du Pont de Nemours (April 24, 1816); reported in Henry Augustine Washington, ed., The Writings of Thomas Jefferson: Being His Autobiography, Correspondence, Reports, Messages, Addresses, And Other Writings, Official and Private, Volume 5 (1854), p. 592. This sentence is one of many quotations inscribed on Cox Corridor II, a first floor House corridor, U.S. Capitol.,
707:From the dawn of exact knowledge to the present day, observation, experiment, and speculation have gone hand in hand; and, whenever science has halted or strayed from the right path, it has been, either because its votaries have been content with mere unverified or unverifiable speculation (and this is the commonest case, because observation and experiment are hard work, while speculation is amusing); or it has been, because the accumulation of details of observation has for a time excluded speculation. ~ Thomas Henry Huxley,
708:Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk. ~ Barry Lopez,
709:It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward. And now— ~ C S Lewis,
710:if somebody is waking for the first time from a deep sleep, she might see the midnight stars. But if she waits long enough without going back to sleep, she will begin to see not only stars, but the dawn, then the sunrise, and then the whole landscape being lit by a brilliant light coming from the sky. She will begin to see her hands, her palms, her toes, and she will also begin to see her tables, her chairs, and the world around her. And if she is clever enough to look at a mirror, she will see herself as well. ~ Ch gyam Trungpa,
711:Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk. ~ N Scott Momaday,
712:To judge from the entrance the dawn was making, it promised to be a very iffy day -- that is, blasts of angry sunlight one minute, fits of freezing rain the next, all of it seasoned with sudden gusts of wind -- one of those days when someone who is sensitive to abrupt shifts in weather and suffers them in his blood and brain is likely to change opinion and direction continuously, like those sheets of tin, cut in the shape of banners and roosters, that spin every which way on rooftops with each new puff of wind. ~ Andrea Camilleri,
713:with that characteristic touch of late-Romanov rashness, the government, by ukase of August 22, extended prohibition for the duration of the war. As the sale of vodka was a state monopoly, this act at one stroke cut off a third of the government’s income. It was well known, commented a bewildered member of the Duma, that governments waging war seek by a variety of taxes and levies to increase income, “but never since the dawn of history has a country in time of war renounced the principal source of its revenue. ~ Barbara W Tuchman,
714:Does this mean we will always understand our challenges? Won't all of us, sometime, have reason to ask, 'O God, where art thou?' Yes! When a spouse dies, a companion will wonder. When financial hardship befalls a family, a father will ask. When children wander from the path, a mother and father will cry out in sorrow. Yes, 'weeping may endure for a night, but joy cometh in the morning.' Then, in the dawn of our increased faith and understanding, we arise and choose to wait upon the Lord, saying, 'Thy will be done.' ~ Robert D Hales,
715:Another day down the mines of our lives. We drink 'til we stink and smoke 'til we choke because that's how we get things done, you and me. Spending our lives making things and making things out of our lives, because anything else would be dull as hell and we're damned if we're going to sit at the other end of whatever years we get saying, well, what the fuck was that for?

Years of scars, lipstick and tears, and every day the dawn comes on we turn our eyes up in surprise, saying, "There's that goddamn sun again. ~ Warren Ellis,
716:Another antidote to despair over the ultimate baseness of human motivation is, oddly enough, gratitude. If you don’t feel thankful for the somewhat twisted moral infrastructure of our species, then consider the alternative. Given the way natural selection works, there were only two possibilities at the dawn of evolution: (a) that eventually there would be a species with conscience and sympathy and even love, all grounded ultimately in genetic self-interest; (b) that no species possessing these things would ever exist. ~ Robert Wright,
717:The sun is origin of both the dawn’s light and birds’ morning songs. The glow on the horizon is light filtered through our atmosphere; the music in the air is the sun’s energy filtered through the plants and animals that powered the singing birds. The enchantment of an April sunrise is a web of flowing energy. The web is anchored at one end by matter turned to energy in the sun and at the other end by energy turned to beauty in our consciousness. April 22nd—Walking Seeds The springtime flush of flowers is over. ~ David George Haskell,
718:Have you ever heard the wonderful silence just before the dawn?" she inquired. "Or the quiet and calm just as the storm ends? Or perhaps you know the silence when you haven't the answer to a question you've been asked, or the hush of a country road at night, or the expectant pause in a roomful of people when someone is just about to speak, or, most beautiful of all, the moment after the door closes and you're all alone in the whole house? Each one is different, you know, and all very beautiful, if you listen carefully. ~ Norton Juster,
719:me was the glittering desolation of the sea, the awful solitude upon which I had already suffered so much; behind me the island, hushed under the dawn, its Beast People silent and unseen. The enclosure, with all its provisions and ammunition, burnt noisily, with sudden gusts of flame, a fitful crackling, and now and then a crash. The heavy smoke drove up the beach away from me, rolling low over the distant tree-tops towards the huts in the ravine. Beside me were the charred vestiges of the boats and these four dead bodies. ~ H G Wells,
720:The Grave and The Rose

The Grave said to the Rose,
"What of the dews of dawn,
Love's flower, what end is theirs?"
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?"
The Rose said to the Grave.

The Rose said, "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet."
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose ~ Victor Hugo,
721:This — this is the dawn of a new day in human living. At the climax of that civilisation which had its beginning in the hammered flint and the fire-stick of the savage, just when it is becoming apparent that our ever-increasing needs cannot be borne indefinitely by our present sources of energy, we discover suddenly the possibility of an entirely new civilisation. The energy we need for our very existence, and with which Nature supplies us still so grudgingly, is in reality locked up in inconceivable quantities all about us. ~ H G Wells,
722:Everything casts two shadows.

The suns had determined this at the dawn of creation. Brothers, they were, until the younger sun showed his true face to the tribe. It was a sin. The elder sun attempted to kill his brother, as was only proper.

But he failed.

Burning, bleeding, the younger sun pursued his sibling across the sky. The wily old star fled for the hills and safety, but it was his fate never to rest again. For the younger brother had only exposed his face. The elder had exposed his failure. ~ John Jackson Miller,
723:Adrift! A Little Boat Adrift!
30
Adrift! A little boat adrift!
And night is coming down!
Will no one guide a little boat
Unto the nearest town?
So Sailors say—on yesterday—
Just as the dusk was brown
One little boat gave up its strife
And gurgled down and down.
So angels say—on yesterday—
Just as the dawn was red
One little boat—o'erspent with gales—
Retrimmed its masts—redecked its sails—
And shot—exultant on!
~ Emily Dickinson,
724:Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be. ~ Mark Helprin,
725:For why, my brothers and sisters, would you rejoice in silver? Either your silver will perish, or you will, and no one knows which will perish first. For neither can you remain here always, nor can silver remain here always; so also with gold, wardrobes, houses, money, real estate-and in the end, even the light by which we enjoy all these things. So do not be willing then to rejoice in such things as these. Rejoice instead in the light that has no setting; rejoice in the dawn which no yesterday precedes, and no tomorrow follows. ~ Saint Augustine,
726:citing a prayer Dietrich Bonhoeffer wrote in April 1945 for his co-prisoners in the concentration camp of Flossenburg before all of them were hanged. In the dawn of the day I call to Thee Help me pray Direct my thoughts to Thee I cannot manage on my own It is dark within me, but there is light in Thee I am lonely, but Thou will not leave me I am faint of heart, but know Thou will help me I am troubled, but know that in Thee is peace I am bitter, but in Thee is endurance I do not understand Thy ways But Thou understandeth them for me. ~ Gitta Sereny,
727:The glory you experience is no result of a two-dimensional transaction between you and God based on your faith. This is Trinitarian. You are effortlessly graced to participate in the Spirit because of Jesus’ relationship with the Father. He prayed, “Now, Father, bring Me into the glory we shared before the world began” and then just after added, “I have given them the glory You gave Me, so they may be one as We are one” (John 17:5, 22). You have been infused with the same glory that the Father and the Son shared from the dawn of time. ~ John Crowder,
728:The American city should be a collection of communities where every member has a right to belong. It should be a place where every man feels safe on his streets and in the house of his friends. It should be a place where each individual's dignity and self-respect is strengthened by the respect and affection of his neighbors. It should be a place where each of us can find the satisfaction and warmth which comes from being a member of the community of man. This is what man sought at the dawn of civilization. It is what we seek today. ~ Lyndon B Johnson,
729:THE WOOKIEE SIGHED, a low rumble, and gazed at the medal in his palm. On the humans it looked substantial and solid, fit to be worn around the neck. In his hand the scale was altered, and if he brought his fingers together he could conceal it entirely. A pretty thing, hastily engraved in a stylized flower meant perhaps to recall the emblem of the Republic. At its heart a rising sun, halfway above the horizon, both symbolized the dawn of a new hope in the wake of this victory over the Galactic Empire and recalled the Death Star’s destruction. ~ Greg Rucka,
730:A Farewell: To C.E.G
My fairest child, I have no song to give you;
No lark could pipe in skies so dull and gray;
Yet, if you will, one quiet hint I'll leave you,
For every day.
I'll tell you how to sing a clearer carol
Than lark who hails the dawn or breezy down;
To earn yourself a purer poet's laurel
Than Shakespeare's crown.
Be good, sweet maid, and let who can be clever;
Do lovely things, not dream them, all day long;
And so make Life, and Death, and that For Ever,
One grand sweet song.
~ Charles Kingsley,
731:It had been a long time since I’d seen the dawn. At one end of the sky a line of blue appeared, and like blue ink on a piece of paper it spread slowly across the horizon. If you gathered together all the shades of blue in the world and picked the bluest, the epitome of blue, this was the colour you would choose. I rested my elbows on the table and looked at that scene, my mind blank. When the sun showed itself over the horizon, that blue was swallowed up by ordinary sunlight… A new day had begun. But what this day would bring, I had no idea. ~ Haruki Murakami,
732:So I say: Mind, don't you sleep Or Time is going to get in and steal from you. You hold on to the sword of Kali's name. The shield of Tara's name. Can Death overwhelm you? Sound Kali's name on a horn and sound it loud. Chant Durga, Durga, Until you bring the dawn around. If She won't save you in this Dark Age --. But how many great sinners have been saved! Is Ramprasad then So unsalvageable a rogue? [2720.jpg] -- from This Dance of Bliss: Ecstatic Poetry from Around the World, Edited by Ivan M. Granger

~ Ramprasad, So I say- Mind, dont you sleep
,
733:The beginning of things – when is it exactly? Astrid Smart wants to know. (Astrid Smart. Astrid
Berenski. Astrid Smart. Astrid Berenski.) 5.04 a.m. on the substandard clock radio.
Because why do people always say the day starts now? Really it starts in the middle of
the night at a fraction of a second past midnight. But it’s not supposed to have begun
until the dawn, really the dark is still last night and it isn’t morning till the light,
though actually it was morning as soon as it was even a fraction of a second past
twelve i.e. ~ Ali Smith,
734:Stoneman In Heaven
The Seraphs came to Christ, and said: 'Behold!
The man, presumptuous and overbold,
Who boasted that his mercy could excel
Thine own, is dead and on his way to Hell.'
Gravely the Saviour asked: 'What did he do
To make his impious assertion true?'
'He was a Governor, releasing all
The vilest felons ever held in thrall.
No other mortal, since the dawn of time,
Has ever pardoned such a mass of crime!'
Christ smiled benignly on the Seraphim:
'Yet I am victor, for I pardon _him_.'
~ Ambrose Bierce,
735:Paris
My Paris is a land where twilight days
Merge into violent nights of black and gold;
Where, it may be, the flower of dawn is cold:
Ah, but the gold nights, and the scented ways!
Eyelids of women, little curls of hair,
A little nose curved softly, like a shell,
A red mouth like a wound, a mocking veil:
Phantoms, before the dawn, how phantom-fair!
And every woman with beseeching eyes,
Or with enticing eyes, or amorous,
Offers herself, a rose, and craves of us
A rose's place among our memories.
~ Arthur Symons,
736:Tenting Tonight on the Old Camp Ground” We’re tenting tonight on the old camp ground; Give us a song to cheer Our weary hearts, a song of home, And friends we love so dear. (Chorus) Many are the hearts that are weary tonight, Wishing for the war to cease; Many are the hearts looking for the right To see the dawn of peace. Tenting tonight, tenting tonight, Tenting on the old camp ground. We’ve been tenting tonight on the old camp ground, Thinking of days gone by, Of the loved ones at home that gave us the hand And the tear that said, “Good-bye! ~ Mary Pope Osborne,
737:Tomorrow, in the fields of my kingdom, may you have a happy battle.
May your kingly hands be terrible in weaving the sword stuff.
May those opposing your sword become meat for the red swan.
May your many gods glut you with glory, may they glut you with blood.
Victorious may you be in the dawn, king who treads on Ireland.
Of your many days may none shine bright as tomorrow.
Because that day will be the last. I swear it to you, King Magnus.
For before its light is blotted, I shall vanquish you and blot you out, Magnus Barfod. ~ Jorge Luis Borges,
738:The Devil hath power to assume a pleasing shape. —William Shakespeare, Hamlet How are you fallen from Heaven, Lucifer! Son of the Dawn! Cut down to the ground! And once you dominated the peoples! Didn’t you say to yourself: I will be as high as Heaven! I will be more exalted than the stars of God! I will, indeed, be the supreme leader! In the privileged places! I will be higher than the Skies! I will be the same as the Most High God! But you shall be brought down to Hell, to the bottom of its pit. And all who see you, will despise you... —Isaiah 14: 12-19 ~ Ed Warren,
739:I hold in my hands the ability to bring about a darkness unheard of since before the dawn of the industrial revolution. Imagine a time after the total collapse of society, a time when there are no longer arguments about the benefits of going off the grid, a time when all men become equal in the struggle to survive a world without order, without law, without hope. Then, and only then, would you and the rest of mankind truly understand the power I wield. —Fortis Lombardi to Prof. Richard Halberstram (from the third installment of the Dark Angel Trilogy) ~ Sarah Stafford,
740:Indeed, as we begin the twenty-first century, the money and traditional economies are slowly destroying their own support system. Increasing demands of the two economies are surpassing the sustainable yields of the ecosystems that underpin them. For example, one-third of the world's cropland is losing topsoil at a rate that is undermining its long-term productivity, fully half of the world's rangeland is overgrazed and deteriorating into desert, and the world's forests have shrunk by about half since the dawn of agriculture and are continuing to shrink. ~ Stuart L Hart,
741:He saw the dawn again, watched with lonely anguish from that open door, in the violet-shaded light, a slow bomb bursting over the Sierra Madre-Sonnenaufgang!-the oxen harnessed to their carts with wooden disc wheels patiently waiting outside for their drivers, in the sharp cool pure air of heaven. The Consul's longing was so great his soul was locked with the essence of the place as he stood and he was gripped by thoughts like those of the mariner who, sighting the faint beacon of Start Point after a long voyage, knows that soon he will embrace his wife. ~ Malcolm Lowry,
742:I WOULD be ignorant as the dawn
That has looked down
On that old queen measuring a town
With the pin of a brooch,
Or on the withered men that saw
From their pedantic Babylon
The careless planets in their courses,
The stars fade out where the moon comes.
And took their tablets and did sums;
I would be ignorant as the dawn
That merely stood, rocking the glittering coach
Above the cloudy shoulders of the horses;
I would be for no knowledge is worth a straw
Ignorant and wanton as the dawn.

~ William Butler Yeats, The Dawn
,
743:Suddenly at the end of the great couloir my vision is sharpened by a pale disjunctive shudder as a bar of buttercup-yellow thickening gradually to a ray falls slowly through the dark masses of cloud to the east. The ripple and flurry of the invisible colonies of birds around us increases. Slowly, painfully, like a half-open door the dawn is upon us, forcing back the darkness. A minute more and a stairway of soft kingcups slides smoothly down out of heaven to touch in our horizons, to give eye and mind an orientation in space which it has been lacking. ~ Lawrence Durrell,
744:Since the dawn of existence, you mortals have feared dying, feared the unknown and the pain of it, and yet, pain is a part of life, not death. And I—I am the first moment after pain ceases,” he pronounced. “It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer. . . . Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other. ~ Vera Nazarian,
745:...there are two (inter alia) two ways of ruining a society - namely, letting the market "be the sole director of the fate of human beings," and allowing technology to permeate every aspect of our lives. In the United States, both of these developments have converged, creating a huge chasm between rich and poor and pushing us over the edge into a kind of antisociety... While these developments have been widely hailed as the dawn of a golden age, the likelihood is that they actually amount to a death knell, the beginning of the end of the American empire. ~ Morris Berman,
746:And you won’t leave me?” “No.” Alec said. “No, we won’t ever leave you. You know that.” “Never.” Isabelle took his hand, the one Alec wasn’t holding, and pressed it fiercely. “Lightwoods, all together.” She whispered. Jace's hand was suddenly damp where she was holding it, and he realized she was crying, her tears splashing down crying for him, because she loved him; even after everything that had happened, she still loved him. They both did. He fell asleep like that, with Isabelle on one side of him and Alec on the other, as the sun came up with the dawn. ~ Cassandra Clare,
747:Party Piece
He said:
'Let's stay here
Now this place has emptied
And make gentle pornography with one another,
While the partygoers go out
And the dawn creeps in,
Like a stranger.
Let us not hesitate
Over what we know
Or over how cold this place has become,
But let's unclip our minds
And let tumble free
The mad, mangled crocodile of love.'
So they did,
There among the woodbines and guinness stains,
And later he caught a bus and she a train
And all there was between them then
was rain.
~ Brian Patten,
748:This first glance of a soul which does not yet know itself is like the dawn in the sky. It is the awakening of something radiant and unknown. Nothing can express the dangerous chasm of this unlooked-for gleam which suddenly suffuses adorable mysteries, and which is made up of all the innocence of the present, and of all the passion of the future. It is a kind of irresolute lovingness which is revealed by chance, and which is waiting. It is a snare which Innocence unconsciously spreads, and in which she catches hearts without intending to, and without knowing it. ~ Victor Hugo,
749:Andy said something about angels aren’t suitable superheroes, especially English ones. That was all it took and Calista ripped into him. She went on and on about angels and what we’ve done for the Earth and humanity since the dawn of Creation. Andy snapped back that having wings doesn’t make you all that great, and she’s nothing more than a molting light flitting around in the sky like a wannabe Tinker Belle. Calista slammed her hand down on the granite, smashed it to bits, and called him a small man who she could crush just as easily. I think he peed his pants! ~ Ashlan Thomas,
750:It is common to assume that human progress affects everyone - that even the dullest man, in these bright days, knows more than any man of, say, the Eighteenth Century, and is far more civilized. This assumption is quite erroneous. . . . The great masses of men, even in this inspired republic, are precisely where the mob was at the dawn of history. They are ignorant, they are dishonest, they are cowardly, they are ignoble. They know little if anything that is worth knowing, and there is not the slightest sign of a natural desire among them to increase their knowledge. ~ H L Mencken,
751:One admits that the arguments against the suffrage ARE extraordinarily strong,” said a girl opposite, leaning forward and crumbling her bread. “Are they? I never follow any arguments. I am only too thankful not to have a vote myself.” “We didn’t mean the vote, though, did we?” supplied Margaret. “Aren’t we differing on something much wider, Mrs. Wilcox? Whether women are to remain what they have been since the dawn of history; or whether, since men have moved forward so far, they too may move forward a little now. I say they may. I would even admit a biological change. ~ E M Forster,
752:What Of The Night?
To you, who look below,
Where little candles glow -Who listen in a narrow street,
Confused with noise of passing feet -To you 'tis wild and dark;
No light, no guide, no ark,
For travellers lost on moor and lea,
And ship-wrecked mariners at sea.
But they who stand apart,
With hushed but wakeful heart -They hear the lulling of the gale,
And see the dawn-rise faint and pale.
A dawn whereto they grope
In trembling faith and hope,
If haply, brightening, it may cast
A gleam on path and goal at last.
~ Ada Cambridge,
753:Ezra.’ The dawn of hope in her whisper.
He nods, swallowing hard.
She pushes to her feet, swaying, and the movement seems to release him— the next moment he’s running across the shuttle bay, watched by the debrief crew in the doorway, who know better than to move a muscle.
She steps forward, one foot in front of the other, and then he reaches her, and they come together with a crash. Her arms curl up around his neck, and his mouth finds her like he’s drowning and she’s air and her feet come clean off the ground as the world is forgotten. And they’re together. ~ Amie Kaufman,
754:Rest In Peace
No more for you the city's thorny ways,
The ugly corners of the Negro belt;
The miseries and pains of these harsh days
By you will never, never again be felt.
No more, if still you wander, will you meet
With nights of unabating bitterness;
They cannot reach you in your safe retreat,
The city's hate, the city's prejudice!
'Twas sudden--but your menial task is done,
The dawn now breaks on you, the dark is over,
The sea is crossed, the longed-for port is won;
Farewell, oh, fare you well! my friend and lover.
~ Claude McKay,
755:Archaeologists have not yet discovered any stage of human existence without art. Even in the half-light before the dawn of humanity we received this gift from Hands we did not manage to discern. Nor have we managed to ask: Why was this gift given to us and what are we to do with it? And all those prophets who are predicting that art is disintegrating, that it has used up all its forms, that it is dying, are mistaken. We are the ones who shall die. And art will remain. The question is whether before we perish we shall understand all its aspects and all its ends. ~ Aleksandr Solzhenitsyn,
756:These nights are endless, and a man can sleep through them, or he can enjoy listening to stories, and you have no need to go to bed before it is time. Too much sleep is only a bore. And of the others, any one whose heart and spirit urge him can go outside and sleep, and then, when the dawn shows, breakfast first, then go out to tend the swine of our master. But we two, sitting here in the shelter, eating and drinking, shall entertain each other remembering and retelling our sad sorrows. For afterwards a man who has suffered much and wandered much has pleasure out of his sorrows. ~ Homer,
757:And you won’t leave me?”

“No.” Alec said. “No, we won’t ever leave you. You know that.”

“Never.” Isabelle took his hand, the one Alec wasn’t holding, and pressed it fiercely. “Lightwoods, all together.” She whispered. Jace's hand was suddenly damp where she was holding it, and he realized she was crying, her tears splashing down crying for him, because she loved him; even after everything that had happened, she still loved him. They both did. He fell asleep like that, with Isabelle on one side of him and Alec on the other, as the sun came up with the dawn. ~ Cassandra Clare,
758:It is up to us to decide what human means, and exactly how it is different from machine, and what tasks ought and ought not to be trusted to either species of symbol-processing system. But some decisions must be made soon, while the technology is still young. And the deciding must be shared by as many citizens as possible, not just the experts. In that sense, the most important factor in whether we will all see the dawn of a humane, sustainable world in the twenty-first century will be how we deal with these machines a few of us thought up and a lot of us will be using. ~ Howard Rheingold,
759:Sunlight pouring across your skin, your shadow
flat on the wall.
The dawn was breaking the bones of your heart like twigs.
You had not expected this,
the bedroom gone white, the astronomical light pummeling
you in a stream of fists.
You raised your hand to your face as if
to hide it, the pink fingers gone gold as the light
streamed straight to the bone,
as if you were the small room closed in glass
With every speck of dust illuminated.
The light is no mystery,
the mystery is that there is something to keep the light
From passing through. ~ Richard Siken,
760:Since the dawn of existence, you mortals have feared dying, feared the unknown and the pain of it, and yet, pain is a part of life, not death. And I—I am the first moment after pain ceases,” he [Death] pronounced. “It is life that fights and struggles and rages; life, that tears at you in its last agonizing throes to hold on, even if but for one futile instant longer... Whereas I, I come softly when it is all done. Pain and death are an ordered sequence, not a parallel pair. So easy to confuse the correlations, not realizing that one does not bring the other. ~ Vera Nazarian,
761:She stood motionless on the shore, waiting for the dream to continue, for a solution to become visible, but nothing happened. Then she awoke and thought maybe that was how Pierre had died. Like a bird that takes off and ascends and is suddenly gone.

Free, she thought, released. Then she thought:alone.

She stared at the ceiling. No beauty whatsoever, no freedom; she remembered that Pierre was dead and felt ordinary despair and grief pour in through the dawn. The dream dispersed. Suddenly she was unsure.

Maybe the dream wasn't about Pierre but about herself. ~ Per Olov Enquist,
762:The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light. ~ Elizabeth Goudge,
763:thou hast ravished my heart with one of thine eyes, with one chain of thy neck, thy lips drop as the honeycomb, honey and milk are under thy tongue, the smell of thy breath is of apples, thy two breasts are clusters of grapes, thy palate a heady wine that goes straight to my love and flows over my lips and teeth…. A fountain sealed, spikenard and saffron, calamus and cinnamon, myrrh and aloes, I have eaten my honeycomb with my honey, I have drunk my wine with my milk. Who was she, who was she who rose like the dawn, fair as the moon, clear as the sun, terrible as an army with banners? ~ Umberto Eco,
764:Ugliness, squalor are breeding grounds for revolution. Beauty is conducive to tranquillity, happiness. Beautifying of homes and places of worship began with the dawn of civilization. Beautifying of workplaces is only in its infancy. Yet, since men normally spend more than half of their waking hours at work, surely it is important that adequate attention be devoted to elevating their working environment, whether office or factory, foundry or machine shop, mine or warehouse. Beautiful surroundings subtly encourage beautiful living. Drab surroundings, bad air, bad light, evoke bad reactions. ~ B C Forbes,
765:Moon, that against the lintel of the west
Your forehead lean until the gate be swung,
Longing to leave the world and be at rest,
Being worn with faring and no longer young,
Do you recall at all the Carian hill
Where worn with loving, loving late you lay,
Halting the sun because you lingered still,
While wondering candles lit the Carian day?
Ah, if indeed this memory to your mind
Recall some sweet employment, pity me,
That even now the dawn's dim herald see!
I charge you, goddess, in the name of one
You loved as well: endure, hold off the sun. ~ Edna St Vincent Millay,
766:I want to do the right thing, but often I don't know just what the right thing is. Every day I know I have come short of what I would like to have done. Yet as the years pass and I see the very world itself, with its oceans and mountains and plains, as something unfinished, a peculiar little satisfaction hunts out the corners of my heart. Sunsets and evening shadows find me regretful at task's undone, but sleep and the dawn and the air of the morning touch me with freshening hopes. Strange things blow in through my window on the wings of the night wind and I don't worry about my destiny. ~ Carl Sandburg,
767:author class:Sri Aurobindo
Reminiscence
My soul arose at dawn and, listening, heard
One voice abroad, a solitary bird,
A song not master of its note, a cry
That persevered into eternity.
My soul leaned out into the dawn to hear
In the world's solitude its winged compeer
And, hearkening what the Angel had to say,
Saw lustre in midnight and a secret day
Was opened to it. It beheld the stars
Born from a thought and knew how being prepares.
Then I remembered how I woke from sleep
And made the skies, built earth, formed Ocean deep.
~ Sri Aurobindo, - Reminiscence
,
768:Love's Paradox
Once I smiled when I saw you, when I saw you smile I was glad,
And the joy of my heart was as foam that the sea-wind shakes from the sea;
But the smile of your eyes grows strange, and the smile that my lips have had
Trembles back to my heart, and my heart trembles in me.
Once you laughed when you met me, when you met me your voice was gay
As the voice of a bird in the dawn of the day on a sunshiny tree;
But the sound of your voice grows strange, and the words that you do not say
Thrill from your heart to mine, and my heart trembles in me.
~ Arthur Symons,
769:The millions are awake enough for physical labor; but only one in a million is awake enough for effective intellectual exertion, only one in a hundred million to a poetic or divine life. To be awake is to be alive. I have never yet met a man who was quite awake. How could I have looked him in the face? We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by conscious endeavor. ~ Henry David Thoreau,
770:Nil sub sole novum, says Solomon; amor omnibus idem, says Virgil; and Carabine mounts with Carabin into the bark at Saint-Cloud, as Aspasia embarked with Pericles upon the fleet at Samos. One last word. Do you know what Aspasia was, ladies? Although she lived at an epoch when women had, as yet, no soul, she was a soul; a soul of a rosy and purple hue, more ardent hued than fire, fresher than the dawn. Aspasia was a creature in whom two extremes of womanhood met; she was the goddess prostitute; Socrates plus Manon Lescaut. Aspasia was created in case a mistress should be needed for Prometheus. ~ Victor Hugo,
771:Sin, Death
Sin and Death, those sisters two,
Two, two,
Sat together while dawned the morning.
Sister, marry! Your house will do,
Do, do,
For me, too, was Death's warning.
Sin was wedded, and Death was pleased,
Pleased, pleased,
Danced about them the day they married;
Night came on, she the bridegroom seized,
Seized, seized,
And away with her carried.
Sin soon wakened alone to weep,
Weep, weep.
Death sat near in the dawn of morning:
Him you love, I love too and keep,
Keep, keep.
He is here, was Death's warning.
~ Bjornstjerne Bjornson,
772:The hope you feel when you are in love is not necessarily for anything in particular. Love brings something inside you to life. Perhaps it is just the full dimensionality of your own capacity to feel that returns. In this state you think no impediment can be large enough to interrupt your passion. The feeling spills beyond the object of your love to color the whole world. The mood is not unlike the mood of revolutionaries in the first blush of victory, at the dawn of hope. Anything seems possible. And in the event of failure, it will be this taste of possibility that makes disillusion bitter. ~ Susan Griffin,
773:Loneliness

Being apart and lonely is like rain.
It climbs toward evening from the ocean plains;
from flat places, rolling and remote, it climbs
to heaven, which is its old abode.
And only when leaving heaven drops upon the city.

It rains down on us in those twittering
hours when the streets turn their faces to the dawn,
and when two bodies who have found nothing,
dissapointed and depressed, roll over;
and when two people who despise each other
have to sleep together in one bed-

that is when loneliness receives the rivers

~ Rainer Maria Rilke, Loneliness
,
774:Perhaps your eyes are
the most personal thing
I have in the world,
my love,
but they increase
like no one yet
my desire to struggle
to change the world
and besides, they make me
the happiest of all the sad people
who still live on the planet

And when I daily go out
to fight,
my love,
your eyes go with me
mindful
that nothing happens to me

And when I suffer
the world in my way,
they are
two stars, very sweet and distant
that announce to me
with their tenderness
the imminent arrival of dawn,
the dawn for everyone. ~ Otto Ren Castillo,
775:The onward march of the human race requires that the heights around it should be ablaze with noble and enduring lessons of courage. Deeds of daring dazzle history, and form one of the guiding lights of man. The dawn dares when it rises. To strive, to brave all risks, to persist, to persevere, to be faithful to yourself, to grapple hand to hand with destiny, to surprise defeat by the little terror it inspires, at one time to confront unrighteous power, at another to defy intoxicated triumph, to hold fast, to hold hard - such is the example which the nations need, and the light that electrifies them. ~ Victor Hugo,
776:These nights are endless, and a man can sleep through them,
or he can enjoy listening to stories, and you have no need
to go to bed before it is time. Too much sleep is only
a bore. And of the others, any one whose heart and spirit
urge him can go outside and sleep, and then, when the dawn shows,
breakfast first, then go out to tend the swine of our master.
But we two, sitting here in the shelter, eating and drinking,
shall entertain each other remembering and retelling
our sad sorrows. For afterwards a man who has suffered
much and wandered much has pleasure out of his sorrows. ~ Homer,
777:The white man comes, pale as the dawn, with a load of thought, with a slumbering intelligence as a fire raked up, knowing well what he knows, not guessing but calculating; strong in community, yielding obedience to authority; of experienced race; of wonderful, wonderful common sense; dull but capable, slow but persevering, severe but just, of little humor but genuine; a laboring man, despising game and sport; building a house that endures, a framed house. He buys the Indian's moccasins and baskets, then buys his hunting-grounds, and at length forgets where he is buried and plows up his bones. ~ Henry David Thoreau,
778:Forty years ago, at the dawn of molecular biology, the French biologist Jacques Monod wrote his famous book Chance and Necessity, which argues bleakly that the origin of life on earth was a freak accident, and that we are alone in an empty universe. The final lines of his book are close to poetry, an amalgam of science and metaphysics: The ancient covenant is in pieces; man knows at last that he is alone in the universe’s unfeeling immensity, out of which he emerged only by chance. His destiny is nowhere spelled out, nor is his duty. The kingdom above or the darkness below: it is for him to choose. Since ~ Nick Lane,
779:This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. ~ Donna Tartt,
780:Horatian Lyrics Odes I, 23.
Why do you shun me, Chloe, like the fawn,
That, fearful of the breezes and the wood,
Has sought her timorous mother since the dawn
And on the pathless mountain tops has stood?
Her trembling heart a thousand fears invites-Her sinking knees with nameless terrors shake;
Whether the rustling leaf of spring affrights,
Or the green lizards stir the slumbering brake.
I do not follow with a tigerish thought
Or with the fierce Gaetulian lion's quest;
So, quickly leave your mother, as you ought,
Full ripe to nestle on a husband's breast.
~ Eugene Field,
781:It is necessary, for the sake of the forward march of the human race, that there should be proud lessons of courage permanently on the heights. Daring deeds dazzle history and are one of man's great sources of light. The dawn dares when it rises. To attempt, to brave, to persist, to persevere, to be faithful to one's self, to grasp fate bodily, to astound catastrophe by the small amount of fear that it occasions us, now to affront unjust power, again to insult drunken victory, to hold one's position, to stand one's ground; that is the example which nations need, that is the light which electrifies them. ~ Victor Hugo,
782:We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us even in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavour. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. ~ Henry David Thoreau,
783:On, on we went, till at last the east began to blush like the cheek of a girl. Then there came faint rays of primrose light, that changed presently to golden bars, through which the dawn glided out across the desert. The stars grew pale and paler still, till at last they vanished; the golden moon waxed wan, and her mountain ridges stood out against her sickly face like the bones on the cheek of a dying man. Then came spear upon spear of light flashing far away across the boundless wilderness, piercing and firing the veils of mist, till the desert was draped in a tremulous golden glow, and it was day. ~ H Rider Haggard,
784:your light will break forth like the dawn,      and your healing will quickly appear;      then your righteousness will go before you,      and the glory of the LORD will be your rear guard.      Then you will call, and the LORD will answer;      you will cry for help, and he will say: Here am I.      If you do away with the yoke of oppression,      with the pointing finger and malicious talk,      and if you spend yourselves in behalf of the hungry      and satisfy the needs of the oppressed,      then your light will rise in the darkness,      and your night will become like the noonday. (Isaiah 58:8-10) ~ Jen Hatmaker,
785:Is not this the fast that I choose:          j to loose the bonds of wickedness,         to undo the straps  k of the yoke,     to let the oppressed [2] go free,         and to break every yoke? 7    Is it not  l to share your bread with the hungry         and bring the homeless poor into your house;     when you see the naked, to cover him,          m and not to hide yourself from your own flesh? 8     n Then shall your light break forth like the dawn,          o and your healing shall spring up speedily;      p your righteousness shall go before you;          q the glory of the LORD shall be your rear guard. ~ Anonymous,
786:The Trumpet
Rise up, rise up,
And, as the trumpet blowing
Chases the dreams of men,
As the dawn glowing
The stars that left unlit
The land and water,
Rise up and scatter
The dew that covers
The print of last night's lovers Scatter it, scatter it!
While you are listening
To the clear horn,
Forget, men, everything
On this earth newborn,
Except that it is lovelier
Than any mysteries.
Open your eyes to the air
That has washed the eyes of the stars
Through all the dewy night:
Up with the light,
To the old wars;
Arise, arise!
~ Edward Thomas,
787:At the dawn of my days, when still a little child, I had an older brother who died in his youth, before my eyes, being only seventeen years old. And later, making my way through life, I gradually came to see that this brother was, as it were, a pointer and a destination from above in my fate, for if he had not appeared in my life, if he had not been at all, then never, perhaps, as I think, would I have entered monastic orders and set out upon this precious path. That first appearance was still in my childhood, and now, on the decline of my path, a repetition of him, as it were, appeared before my eyes. ~ Fyodor Dostoyevsky,
788:The Fear of the Lord, that is the beginning of wisdom, and therefore belongs to the beginnings, and is felt in the first cold hours before the dawn of civilisation; the power that comes out of the wilderness and rides on the whirlwind and breaks the gods of stone; the power before which the eastern nations are prostrate like a pavement; the power before which the primitive prophets run naked and shouting, at once proclaiming and escaping from their god; the fear that is rightly rooted in the beginnings of every religion, true or false: the fear of the Lord, that is the beginning of wisdom; but not the end. ~ G K Chesterton,
789:Gerald’s sharp blue eyes noticed how efficiently his neighbors’ houses were run and with what ease the smooth-haired wives in rustling skirts managed their servants. He had no knowledge of the dawn-till-midnight activities of these women, chained to supervision of cooking, nursing, sewing and laundering. He only saw the outward results, and those results impressed him. The urgent need of a wife became clear to him one morning when he was dressing to ride to town for Court Day. Pork brought forth his favorite ruffled shirt, so inexpertly mended by the chambermaid as to be unwearable by anyone except his valet. ~ Margaret Mitchell,
790:I own the dawn! the cockerel claims. The light still loiters with intent to take the night. Wind steals through woods, the democratic dew gives equal weight to everything. A few blank seconds and he starts again. He yawns and voice possesses him. I own all dawns! I stand on dignity! he shouts out, shut in the dark kingdom of his one-room flat. More pained possessive crazed each time he crows he has to wrench his larynx, curl his claws to let that shout surge through him. Glancing out I notice nothing answers except light, whose answer makes the earth’s hairs stand on end and shadows fall full-length without a sound. ~ Alice Oswald,
791:An Oath
(An Oath wrtitten during the Dawn Meditation)
Aiwaz! Confirm my troth with thee ! my will inspire
With secret sperm of subtle, free, creating Fire!
Mould thou my very flesh as Thine, renew my birth
In childhood merry as divine, enchenated earth!
Dissolve my rapture in Thine own, a sacred slaugther
Whereby to capture and atone the soul of water!
Fill thou my mind with gleaming Thought intense and rare
To One refined, outflung to naught, the Word of Air!
Most, bridal bound, my quintessentil Form thus freeing
From self, be found one Selfhood blent in Spirit Being.
~ Aleister Crowley,
792:That in morals, as in all other branches of knowledge, the gravest errors are the dogmas of science; that, even in works of justice, to be mistaken is a privilege which ennobles man; and that whatever philosophical merit may attach to me is infinitely small. To name a thing is easy: the difficulty is to discern it before its appearance. In giving expression to the last stage of an idea, — an idea which permeates all minds, which to-morrow will be proclaimed by another if I fail to announce it to-day, — I can claim no merit save that of priority of utterance. Do we eulogize the man who first perceives the dawn? ~ Pierre Joseph Proudhon,
793:
(An Oath written during the Dawn Meditation)

Aiwaz! Confirm my troth with thee ! my will inspire
With secret sperm of subtle, free, creating Fire!
Mould thou my very flesh as Thine, renew my birth
In childhood merry as divine, enchanted earth!
Dissolve my rapture in Thine own, a sacred slaughter
Whereby to capture and atone the soul of water!
Fill thou my mind with gleaming Thought intense and rare
To One refined, outflung to naught, the Word of Air!
Most, bridal bound, my quintessential Form thus freeing
From self, be found one Selfhood blent in Spirit Being.

~ Aleister Crowley, An Oath
,
794:Sunlight was everywhere, glittering gold off the bright green leaves of the garden. A blackcap, concealed within the foliage of a nearby willow, sang a sweet fanfare and a pair of mallards fought over a particularly juicy snail. The orchestra was rehearsing a dance number and music skimmed across the surface of the lake. How lucky they were to get a day like this one! After weeks of agonizing, of their studying the dawn, of consulting Those Who Ought to Know, the sun had risen, burning off any lingering cloud, just as it should on Midsummer's Eve. The evening would be warm, the breeze light, the party as bewitching as ever. ~ Kate Morton,
795:I have challenged several theologians to provide evidence contradicting the premise that theology has made no contribution to knowledge in the past five hundred years at least, since the dawn of science. So far no one has provided a counterexample. The most I have ever gotten back was the query, ‘What do you mean by knowledge?’ From an epistemological perspective this may be a thorny issue, but I maintain that, if there were a better alternative, someone would have presented it. Had I presented that same challenge to biologists, or psychologists, or historians, or astronomers, none of them would have been so flummoxed. ~ Lawrence M Krauss,
796:What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked? ...I began to rub my eyes and pinch myself to see if I were awake. It all seemed like a horrible nightmare to me, and I expected that I should suddenly awake, and find myself at home, with the dawn struggling in through the windows, as I had now and again felt in the morning after a day of overwork. But my flesh answered the pinching test, and my eyes were not to be deceived. I was indeed awake and among the Carpathians. All I could do now was to be patient, and to wait the coming of the morning. ~ Elizabeth Kostova,
797:Every living thing is, from the cosmic perspective, incredibly lucky simply to be alive. Most, 90 percent and more, of all the organisms that have ever lived have died without viable offspring, but not a single one of your ancestors, going back to the dawn of life on Earth, suffered that normal misfortune. You spring from an unbroken line of winners going back millions of generations, and those winners were, in every generation, the luckiest of the lucky, one out of a thousand or even a million. So however unlucky you may be on some occasion today, your presence on the planet testifies to the role luck has played in your past. ~ Daniel C Dennett,
798:They made their mistakes, those who planted Fisk and Howard and Atlanta before the smoke of battle had lifted; they made their mistakes, but those mistakes were not the things at which we lately laughed somewhat uproariously. They were right when they sought to found a new educational system upon the University: where, forsooth, shall we ground knowledge save on the broadest and deepest knowledge? The roots of the tree, rather than the leaves, are the sources of its life; and from the dawn of history, from Academus to Cambridge, the culture of the University has been the broad foundation-stone on which is built the kindergarten's A B C. ~ Anonymous,
799:THE fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart. There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road-metal. My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt.

~ William Butler Yeats, The Fascination Of Whats Difficult
,
800:Her evil cannot reach us here. Let us burn the ancient tree-mace trees and close off the ancient ways. Tear down the tower, the crown of our barrow, and let us hide ourselves from evil. Let no one leave the mound, and if evil grows, we shall flee farther.

No! Let evil hear the pounding of our feet! Let evil hear our drumming and our chanting songs of war. Let evil fear us! Let evil flee! In any world, may dark things know our names and fear. May their vile skins creep and shiver at every mention of the faeren. Let the night flee before the dawn and darkness crowd into the shadows. We march to war!"

- Nudd, the Chestnut King ~ N D Wilson,
801:I began, as most young people do, by reading the books I enjoyed. But I found that narrowed my pleasure, in time, until I spent most of my hours searching for such books. Then I devised a plan of study for myself, tracing obscure sciences, one after another, from the dawn of knowledge to the present. Eventually I exhausted even that, and beginning at the great ebony case that stands in the center of the room we of the library have maintained for three hundred years against the return of the Autarch Sulpicius (and into which, in consequence, no one ever comes) I read outward for a period of fifteen years, often finishing two books in one day. ~ Gene Wolfe,
802:It is perfectly serendipitous,' said the boy, descending the steps to the street. 'Fancy that—us meeting a second time! Of course I have wished for it, very much—but they were vain wishes; the kind one makes in twilight states, you know, idly. I remember just what you said, as we rounded the heads of the harbor—in the dawn light. "I should like to see him in a storm," you said. I have thought of it many times, since; it was the most delightfully original of speeches.'

Anna blushed at this: not only had she never heard herself described as an original before, she had certainly never supposed that her utterances qualified as 'speeches. ~ Eleanor Catton,
803:they’ve come here to dance, drawn sideways from their route home by the music and by bravado, and now they are hesitating, unsure of how to begin, unfamiliar with the steps, embarrassed.............they dance, and he smiles and nods and thinks of his wife sleeping at home, and thinks of when they were young and might still have done something like this………… but here, as the dawn sneaks up on the last day of summer, and as a man with tired hands watches a young couple dance in the carpark of his restaurant, there are only these: sparkling eyes, smudged lipstick, fading starlight, the crunching of feet on gravel, laughter, and a slow walk home…… ~ Jon McGregor,
804:6 ‡ “Is not this the kind of fasting† I have chosen: to loose the chains of injustice† and untie the cords of the yoke, to set the oppressed† free and break every yoke?† 7 ‡ Is it not to share your food with the hungry† and to provide the poor wanderer with shelter†— when you see the naked, to clothe† them, and not to turn away from your own flesh and blood?† 8 ‡ Then your light will break forth like the dawn,† and your healing† will quickly appear; then your righteousness[112]† will go before you, and the glory of the LORD will be your rear guard.† 9 ‡ Then you will call,† and the LORD will answer;† you will cry for help, and he will say: Here am I. ~ Anonymous,
805:And yet. When I read the Dawn on line and then looked around me to the pristine surroundings of campus life, I knew that every other city in the world only showed me its surface, but when I looked at Karachi I saw the blood running through and out of its veins; I knew that I understood the unspoken as much as the articulated among its inhabitants; I knew that there were so many reasons to fail to love it, to cease to love it, to be unable to love it, that it made love a fierce and unfathomable thing; I knew I couldn’t think of Karachi and find any easy answers, and I didn’t know how to decide if that was reason to go back or reason to stay away. ~ Kamila Shamsie,
806:Rhodanthe
Weeping and wakeful all the night I lie,
And with the dawn the grace of sleep is near,
But swallows flit about me with their cry,
And banish drowsihead and bring the tear.
Mine eyes must still be weeping, for the dear
Thought of Rhodanthe stirs in memory;
Ye chattering foes have done! it was not I
Who silenced Philomel: go, seek the sheer
Clefts of the hills, and wail for Itylus
Or clamour from the hoopoe's craggy nest,
But let sweet sleep an hour abide with us,
Perchance a dream may come, and we be blest,
A dream may make Rhodanthe piteous,
And bring us to that haven of her breast.
~ Agathias,
807:Helen,
You ask if I regret our engagement.
No. I regret every minute that you're out of my sight. I regret every step that doesn't bring me closer to you.
My last thought each night is that you should be in my arms. There is no peace or pleasure in my empty bed, where I sleep with you only in dreams and wake to curse the dawn.
If I had the right, I would forbid you to go anywhere without me. Not out of selfishness, but because being apart from you is like trying to live without breathing.
Think on that. You've stolen my very breath, cariad. And now I'm left to count the days until I take it back from you, kiss by kiss.
Winterborne ~ Lisa Kleypas,
808:Helen,
You ask if I regret our engagement.
No. I regret every minute that you’re out of my sight. I regret every step that doesn’t bring me closer to you.
My last thought each night is that you should be in my arms. There is no peace or pleasure in my empty bed, where I sleep with you only in dreams and wake to curse the dawn.
If I had the right, I would forbid you to go anywhere without me. Not out of selfishness, but because being apart from you is like trying to live without breathing.
Think on that. You’ve stolen my very breath, cariad. And now I’m left to count the days until I take it back from you, kiss by kiss.
Winterborne ~ Lisa Kleypas,
809:I Often Passed The Village
51
I often passed the village
When going home from school—
And wondered what they did there—
And why it was so still—
I did not know the year then—
In which my call would come—
Earlier, by the Dial,
Than the rest have gone.
It's stiller than the sundown.
It's cooler than the dawn—
The Daisies dare to come here—
And birds can flutter down—
So when you are tired—
Or perplexed—or cold—
Trust the loving promise
Underneath the mould,
Cry "it's I," "take Dollie,"
And I will enfold!
~ Emily Dickinson,
810:Out of the night forth flamed a star -mine own!
Now seventy light-years nearer as I urge
Constant my heart through the abyss unknown,
Its glory my sole guide while space surge
About me. Seventy light-years! As I near
That gate of light that men call death, its cold
Pale gleam begins to pulse, a throbbing sphere,
Systole and diastole of eager gold,
New life immortal, warmth of passion bleed
Till night's black velvet burn to crimson. Hark!
It is thy voice, Thy word, the secret seed
Of rapture that admonishes the dark.
Swift! By necessity most righteous drawn,
Hermes, authentic augur of the dawn!
~ Aleister Crowley, Logos
,
811:Last night in the garden I offered you my youth's foaming wine. You
lifted the cup to your lips, you shut your eyes and smiled while
I raised your veil, unbound your tresses, drawing down upon my
breast your face sweet with its silence, last night when the moon's
dream overflowed the world of slumber.
  To-day in the dew-cooled calm of the dawn you are walking to
God's temple, bathed and robed in white, with a basketful of
flowers in your hand. I stand aside in the shade under the tree,
with my head bent, in the calm of the dawn by the lonely road to
the temple.

~ Rabindranath Tagore, Lovers Gifts XIII - Last Night In The Garden
,
812:SATAN, n. One of the Creator's lamentable mistakes, repented in sashcloth and axes. Being instated as an archangel, Satan made himself multifariously objectionable and was finally expelled from Heaven. Halfway in his descent he paused, bent his head in thought a moment and at last went back. "There is one favor that I should like to ask," said he. "Name it." "Man, I understand, is about to be created. He will need laws." "What, wretch! you his appointed adversary, charged from the dawn of eternity with hatred of his soul—you ask for the right to make his laws?" "Pardon; what I have to ask is that he be permitted to make them himself." It was so ordered. ~ Ambrose Bierce,
813:The fading dawn colors revive momentarily, and the sky shines with lilac and daffodil, layering colors in clouds like quilts stacked on a bed. More birds chime into the morning air: a nuthatch’s nasal onk joins the crow’s croak and a black-throated green warbler’s murmur from the branches above the mandala. As the colors finally fade under the fierce gaze of their mother, the sun, a wood thrush caps the dawn chorus with his astounding song. The song seems to pierce through from another world, carrying with it clarity and ease, purifying me for a few moments with its grace. Then the song is gone, the veil closes, and I am left with embers of memory. ~ David George Haskell,
814:Strain

IT is late
And the clock is striking thin hours,
But sleep has become a terror to me,
Lest I wake in the night
Bewildered,
And stretching out my arms to comfort myself with you,
Clasp instead the cold body of the darkness.
All night it will hunger over me,
And push and undulate against me,
Breathing into my mouth
And passing long fingers through my drifting hair.
Only the dawn can loose me from it,
And the gray streaks of morning melt it from my side.
Bring many candles,
Though they stab my tired brain
And hurt it.
For I am afraid of the twining of the darkness
And dare not sleep. ~ Amy Lowell,
815:The Unattainable
I yearn for the Unattainable;
For a glimpse of a brighter day,
When hatred and strife,
With their legions rife,
Shall forever have passed away;
When pain shall cease,
And the dawn of peace
Come down from heaven above,
And man can meet his fellow-man
In the spirit of Christian Love.
I yearn for the Unattainable;
For a Voice that may long be still,
To compel the mind,
As heaven designed,
To work the Eternal Will;
When the brute that sleeps
In the heart's still deeps
Will be changed to Pity's dove,
And man can meet his fellow-man
In the spirit of Perfect Love.
~ Charles Sangster,
816:Logos
Out of the night forth flamed a star -mine own!
Now seventy light-years nearer as I urge
Constant my heart through the abyss unknown,
Its glory my sole guide while space surge
About me. Seventy light-yaers! As I near
That gate of light that men call death, its cold
Pale gleam begins to pulse, a throbbing sphere,
Systole and diastole of eager gold,
New life immortal, wartmth of passion bleed
Till night's black velvet burn to crimson. Hark!
It is thy voice, Thy word, the secret seed
Of rapture that admonishes the dark.
Swift! By necessity most righteous drawn,
Hermes, authentic augur of the dawn!
~ Aleister Crowley,
817:The resurrection of Jesus is not just a happy ending to the gospel story; it is the dawn of a new creation. No one captures this idea better than G. K. Chesterton in the close of part one of his classic work, The Everlasting Man. On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realised the new wonder; but even they hardly realised that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but the dawn. ~ Brian Zahnd,
818:Sonnet-Xx
I sat within the temple of her heart,
And watched the living Soul as it passed through,
Arrayed in pearly vestments, white and pure.
The calm, immortal Presence made me start.
It searched through all the chambers of her mind
With one mild glance of love, and smiled to view
The fastnesses of feeling, strong - secure,
And safe from all surprise. It sits enshrined
And offers incense in her heart, as on
An altar sacred unto God. The dawn
Of an imperishable love passed through
The lattice of my senses, and I, too,
Did offer incense in that solemn place A woman's heart made pure and sanctified by Grace.
~ Charles Sangster,
819:Sonnet
I sat within the temple of her heart,
And watched the living Soul as it passed through,
Arrayed in pearly vestments, white and pure.
The calm, immortal presence made me start.
It searched through all the chambers of her mind
With one mild glance of love, and smiled to view
The fastnesses of feeling, strong, secure,
And safe from all surprise. It sits enshrined
And offers incense in her heart, as on
An altar sacred unto God. The dawn
Of an imperishable love passed through
The lattice of my senses, and I, too,
Did offer incense in that solemn place–
A woman's heart made pure and sanctified by grace.
~ Charles Sangster,
820:If you shirk the responsibility of confronting the unexpected, even when it appears in manageable doses, reality itself will become unsustainably disorganized and chaotic. Then it will grow bigger and swallow all order, all sense, and all predictability. Ignored reality transforms itself (reverts back) into the great Goddess of Chaos, the great reptilian Monster of the Unknown—the great predatory beast against which mankind has struggled since the dawn of time. If the gap between pretence and reality goes unmentioned, it will widen, you will fall into it, and the consequences will not be good. Ignored reality manifests itself in an abyss of confusion and suffering. ~ Jordan Peterson,
821:I love the prairie! So often I have seen the dawn come and the light flood over the land and everything turn radiant at once, that word "good" so profoundly affirmed in my soul that I am amazed I should be allowed to witness such a thing. There may have been a more wonderful first moment "when the morning stars sang together and all the sons of God shouted for joy," but for all I know to the contrary, they still do sing and shout, and they certainly might well. Here on the prairie there is nothing to distract attention from the evening and the morning, nothing on the horizon to abbreviate or to delay. Mountains would seem an impertinence from that point of view. ~ Marilynne Robinson,
822:I should say that ever since the dawn of history—all through the great civilizations, that is to say—we have been living like lice. Once every thousand years or so a man arises who is not a louse—and then there is even more hell to pay. When a MAN appears he seems to get a stranglehold on the world which it takes centuries to break. The sane people are cunning enough to find these men “psychopathic.” These sane ones seem to be more interested in the technique of the stranglehold than in applying it. That’s a curious phenomenon, one that puzzles me, to be frank. It’s like learning the art of wrestling in order to have the pleasure of letting someone pin you to the mat. ~ Henry Miller,
823:If you shirk the responsibility of confronting the unexpected, even when it appears in manageable doses, reality itself will become unsustainably disorganized and chaotic. Then it will grow bigger and swallow all order, all sense, and all predictability. Ignored reality transforms itself (reverts back) into the great Goddess of Chaos, the great reptilian Monster of the Unknown—the great predatory beast against which mankind has struggled since the dawn of time. If the gap between pretence and reality goes unmentioned, it will widen, you will fall into it, and the consequences will not be good. Ignored reality manifests itself in an abyss of confusion and suffering. ~ Jordan B Peterson,
824:In Memoriam A. H. H.: 67. When On My Bed The
Moonlight Fall
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o'er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
~ Alfred Lord Tennyson,
825:La Paloma In London
About Soho we went before the light;
We went, unresting six, craving new fun,
New scenes, new raptures, for the fevered night
Of rollicking laughter, drink and song, was done.
The vault was void, but for the dawn's great star
That shed upon our path its silver flame,
When La Paloma on a low guitar
Abruptly from a darkened casement came-Harlem! All else shut out, I saw the hall,
And you in your red shoulder sash come dancing
With Val against me languid by the wall,
Your burning coffee-colored eyes keen glancing
Aslant at mine, proud in your golden glory!
I loved you, Cuban girl, fond sweet Diory.
~ Claude McKay,
826:By the dawn of the twentieth century, eugenics had begun taking root in the United States, and there it flowered into darker blooms. American eugenicists wanted to prevent people with bad traits from having children. Some argued for institutionalizing the feebleminded to stop them from having sex. Some called for sterilization. In 1900, an American physician named W. D. McKim went so far as to call for “a gentle painless death.” He envisioned the construction of gas chambers to kill “the very weak and the very vicious.” It would be pointless to try to improve these people through experience, because, McKim declared, “heredity is the fundamental cause of human wretchedness. ~ Carl Zimmer,
827:If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it. ~ Caitlin Moran,
828:I slay dragons at night while you sleep.
I see by the way your face contorts how they exist in your dreams.
Willing a magic sword, I plunge into your deepest nightmares and swing at the beasts with all my might, dodging flames exhaled by monsters that would eat me alive to go on torturing the fair one I love. I see your face relax, eyes still drowsily closed, when the mighty dragon is slain.
It may be that my fingers rub soft circles on your forehead as I imagine my brave fight as a knight reclaiming your dreams. You smile under the spell of my touch, and I am rewarded. And so, my love, as I await the dawn, I stand ready to slay dragons while you sleep. ~ Richelle E Goodrich,
829:Most often, our water is shut off because of some reconstruction project, either in our village or in the next one over. A hole is dug, a pipe is replaced, and within a few hours things are back to normal. The mystery is that it's so perfectly timed to my schedule. That is to say that the tap dries up at the exact moment I roll out of bed, which is usually between 10:00 and 10:30. For me this is early, but for Hugh and most of our neighbors it's something closer to midday. What they do at 6:00 a.m. is anyone's guess. I only know that they're incredibly self-righteous about it and talk about the dawn as if it's a personal reward, bestowed on account of their great virtue. ~ David Sedaris,
830:Settling
I was welcomed here—clear gold
of late summer, of opening autumn,
the dawn eagle sunning himself on the highest tree,
the mountain revealing herself unclouded, her snow
tinted apricot as she looked west,
Tolerant, in her steadfastness, of the restless sun
forever rising and setting.
Now I am given
a taste of the grey foretold by all and sundry,
a grey both heavy and chill. I've boasted I would not care,
I'm London-born. And I won't. I'll dig in,
into my days, having come here to live, not to visit.
Grey is the price
of neighboring with eagles, of knowing
a mountain's vast presence, seen or unseen.
~ Denise Levertov,
831:There! There it is again! What language is that?"

From the bed, Roarke shifted. "I believe it's known as rooster."

With the weapon at her side, she stared at him, slack-jawed. "Are you fucking kidding me?"

"Not a bit. It's morning, more or less, and that's a cock signaling the dawn."

"A cock?"

"I'd say. I don't think Sindead and her man want you to stun their rooster, but I have to say, Lieutenant, you make a fascinating picture."

She heaved out a breath, set her weapon down. "Jesus Christ, we may as well be on another planet." She slid back into bed. "And if your cock gets any ideas about signaling the day, remember I've got a weapon. ~ J D Robb,
832:There,' said Wednesday, 'is one who "does not have the faith and will not have the fun". Chesterton. Pagan indeed. So. Shall we go out onto the street, Easter my dear, and repeat the exercise? Find out how many passers-by know that their Easter festival takes its name from Eostre of the Dawn? Let's see - I have it. We shall ask a hundred people. For every one that knows the truth, you may cut off one of my fingers, and when I run out of them, toes; for every twenty who don't know you spend a night making love to me. And the odds are certainly in your favour here - this is San Francisco, after all. There are heathens and pagans and Wiccans aplenty on these precipitous streets. ~ Neil Gaiman,
833:Dawn In New York
The Dawn! The Dawn! The crimson-tinted, comes
Out of the low still skies, over the hills,
Manhattan's roofs and spires and cheerless domes!
The Dawn! My spirit to its spirit thrills.
Almost the mighty city is asleep,
No pushing crowd, no tramping, tramping feet.
But here and there a few cars groaning creep
Along, above, and underneath the street,
Bearing their strangely-ghostly burdens by,
The women and the men of garish nights,
Their eyes wine-weakened and their clothes awry,
Grotesques beneath the strong electric lights.
The shadows wane. The Dawn comes to New York.
And I go darkly-rebel to my work.
~ Claude McKay,
834:The Sage
Foreguarded and unfevered and serene,
Back to the perilous gates of Truth he went—
Back to fierce wisdom and the Orient,
To the Dawn that is, that shall be, and has been:
Previsioned of the madness and the mean,
He stood where Asia, crowned with ravishment,
The curtain of Love’s inner shrine had rent,
And after had gone scarred by the Unseen.
There at his touch there was a treasure chest,
And in it was a gleam, but not of gold;
And on it, like a flame, these words were scrolled:
“I keep the mintage of Eternity.
Who comes to take one coin may take the rest,
And all may come—but not without the key.”
~ Edwin Arlington Robinson,
835:What drives us to despair is not the immensity of our unsatisfied desires, but the moment when our fledgling passion discovers its own emptiness. Insatiable desire for passionate knowledge of one pretty girl after another stems from anxiety and from fear of love, so afraid are we of never encountering anything but objects. The dawn when lovers leave each other's arms is the same dawn that breaks on the execution of revolutionaries without a revolution. Isolation a deux cannot prevail over the isolation of all. Pleasure is broken off prematurely and lovers find themselves naked in the world, their actions suddenly ridiculous and feeble. No love is possible in an unhappy world. ~ Raoul Vaneigem,
836:People had no sense of history, they learned about chemistry and biology and astronomy and thought that these matters had always been the proper meat of science, that they had never been mysterious. The stars had once been mysteries. Lord Kelvin had once called the nature of life and biology - the response of muscles to human will and the generation of trees from seeds - a mystery "infinitely beyond" the reach of science. (Not just a little beyond, mind you, but infinitely beyond. Lord Kelvin certainly had felt a huge emotional charge from not knowing something.) Every mystery ever solved had been a puzzle from the dawn of the human species right up until someone solved it. ~ Eliezer Yudkowsky,
837:The experience of that night, coming so overwhelmingly to a man so dead, almost rent me in pieces. It was the same feeling that artists know when we, rarely, achieve truth in our work; the feeling of union with some great force, of purpose and security, of being glad that we have lived. For the first time I felt the pull of race and blood and kindred, and felt beating within me things that had not begun with me. It was as if the earth under my feet had grasped and rooted me, and were pouring its essence into me. I sat there until the dawn of morning, and all night long my life seemed to be pouring out of me and running into the ground. -- from the short story The Namesake ~ Willa Cather,
838:The living flame
THEY pass before me, these Eyes full of light,
Eyes made magnetic by some angel wise;
The holy brothers pass before my sight,
And cast their diamond fires in my dim eyes.
They keep me from all sin and error grave,
They set me in the path whence Beauty came;
They are my servants, and I am their slave,
And all my soul obeys the living flame.
Beautiful Eyes that gleam with mystic light
As candles lighted at full noon; the sun
Dims not your flame phantastical and bright.
You sing the dawn; they celebrate life done;
Marching you chaunt my soul's awakening hymn,
Stars that no sun has ever made grow dim!
~ Charles Baudelaire,
839:Villeggiature
My window, framed in pear-tree bloom,
White-curtained shone, and softly lighted:
So, by the pear-tree, to my room
Your ghost last night climbed uninvited.
Your solid self, long leagues away,
Deep in dull books, had hardly missed me;
And yet you found this Romeo's way,
And through the blossom climbed and kissed me.
I watched the still and dewy lawn,
The pear-tree boughs hung white above you;
I listened to you till the dawn,
And half forgot I did not love you.
Od, dear! what pretty things you said,
What pearls of song you threaded for me!
I did not-till your ghost had fledRemember how you always bore me!
~ Edith Nesbit,
840:I am counting on the LORD;    yes, I am counting on him.    I have put my hope in his word. 5 Yo cuento con el SEÑOR;    sí, cuento con él;    en su palabra he puesto mi esperanza. 6 I long for the Lord    more than sentries long for the dawn,    yes, more than sentries long for the dawn. 6 Anhelo al Señor    más que los centinelas el amanecer,    sí, más de lo que los centinelas anhelan el amanecer. 7 O Israel, hope in the LORD;    for with the LORD there is unfailing love.    His redemption overflows. 7 Oh Israel, espera en el SEÑOR;    porque en el SEÑOR hay amor inagotable;    su redención sobreabunda. 8 He himself will redeem Israel    from every kind of sin. 8 Él mismo redimirá ~ Anonymous,
841:A flush came into the sky, the wan moon, half-way down the west, sank into insignificance. On the shadowy land things began to take life, plants with great leaves became distinct. They came through a pass in the big, cold sandhills on to the beach. The long waste of foreshore lay moaning under the dawn and the sea; the ocean was a flat dark strip with a white edge. Over the gloomy sea the sky grew red. Quickly the fire spread among the clouds and scattered them. Crimson burned to orange, orange to dull gold, and in a golden glitter the sun came up, dribbling fierily over the waves in little splashes, as if someone had gone along and the light had spilled from her pail as she walked. ~ D H Lawrence,
842:HUNTING-SONG OF THE SEEONEE PACK As the dawn was breaking the Sambhur belled Once, twice, and again! And a doe leaped up—and a doe leaped up From the pond in the wood where the wild deer sup. This I, scouting alone, beheld, Once, twice, and again! As the dawn was breaking the Sambhur belled Once, twice, and again! And a wolf stole back—and a wolf stole back To carry the word to the waiting Pack; And we sought and we found and we bayed on his track Once, twice, and again! As the dawn was breaking the Wolf pack yelled Once, twice, and again! Feet in the jungle that leave no mark! Eyes that can see in the dark—the dark! Tongue—give tongue to it! Hark! O Hark! Once, twice, and again! ~ Rudyard Kipling,
843:It's wonderful the way cats bound about,
it's wonderful how men are not found out
so far.
It's miserable how many miserable are
over the spread world at this tick of time.
These mysteries that I'm

rehearsing in the dark did brighter minds
much bother through them ages, whom who
finds
guilty for failure?
Up all we rose with the dawn, springy for pride,
trying all morning. Dazzled, I subside
at noon, noon be my gaoler

and afternoon the deepening of the task
poor Henry set himself long since to ask:
Why? Who? When?
--I don't know, Mr Bones. You asks too much
of such as you & me & we & such
fast cats, worse men. ~ John Berryman,
844:The Pangs That Guard The Gates Of Joy
THE PANGS that guard the gates of joy,
the naked sword that will be kist,
how distant seem’d they to the boy,
white flashes in the rosy mist!
Ah, not where tender play was screen’d
in the light heart of leafy mirth
of that obdurate might we ween’d
that shakes the sure repose of earth.
And sudden, ’twixt a sun and sun,
the veil of dreaming is withdrawn:
lo, our disrupt dominion
and mountains solemn in the dawn;
hard paths that chase the dayspring’s white,
and glooms that hold the nether heat:
oh, strange the world upheaved from night,
oh, dread the life before our feet!
~ Christopher John Brennan,
845:Rise free from care before the dawn, and seek adventures. Let the noon find thee by other lakes, and the night overtake thee everywhere at home. There are no larger fields than these, no worthier games than may here be played. Grow wild according to thy nature, like these sedges and brakes, which will never become English bay. Let the thunder rumble; what if it threaten ruin to farmers' crops? That is not its errand to thee. Take shelter under the cloud, while they flee to carts and sheds. Let not to get a living be thy trade, but thy sport. Enjoy the land, but own it not. Through want of enterprise and faith men are where they are, buying and selling, and spending their lives like serfs. ~ Anonymous,
846:I Sat Within The Temple Of Her Heart
I sat within the temple of her heart,
And watched the living Soul as it passed through,
Arrayed in pearly vestments, white and pure.
The calm, immortal Presence made me start.
It searched through all the chambers of her mind
With one mild glance of love, and smiled to view
The fastnesses of feeling, strong-secure,
And safe from all surprise. It sits enshrined
And offers incense in her heart, as on
An altar sacred unto God. The dawn
Of an imperishable love passed through
The lattice of my senses, and I, too,
Did offer incense in that solemn placeA woman's heart made pure and sanctified by Grace.
~ Charles Sangster,
847:...many neat holes dug in the dawn hours, seeds dropped in, and water brought....And, the thing that he wanted was Mars grown green and tall with trees and foliage, producing air, more air, growing larger with each season; trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound. ~ Ray Bradbury,
848:Rabi-’ah’s achievement built on a tradition of female literacy, scholarship and intellectual creativity reaching back to the dawn of thought. Countless ancient myths ascribe the birth of language to women or goddesses, in a ritual formulation of the primeval truth that the first words any human being hears are the mother’s. In Indian mythology the Vedic goddess Vac means “language”; she personifies the birth of speech, and is represented as a maternal mouth-cavity open to give birth to the living word. The Hindu prayer to Devaki, mother of Krishna, begins, “Goddess of the Logos, Mother of the Gods, One with Creation, thou art Intelligence, the Mother of Science, the Mother of Courage . . . ~ Rosalind Miles,
849:The Living Torch
Those lit eyes go before me, in full view,
(Some cunning angel magnetised their light) Heavenly twins, yet my own brothers too,
Shaking their diamond blaze into my sight.
My steps from every trap or sin to save,
In the strait road of Beauty they conduct me,
They are my servants, and I am their slave,
Obedient in whatever they instruct me.
Delightful eyes, you burn with mystic rays
Like candles in broad day; red suns may blaze,
But cannot quench their still, fantastic light.
Those candles burn for death, but you for waking :
You sing the dawn that in my soul is breaking,
Stars which no sun could ever put to flight!
~ Charles Baudelaire,
850:The most important idea he gleaned from the swift, learned talk was that religion and knowledge could exist side by side, enriching each other. Greece and Rome, before the dawn of Christianity, had built gloriously in the arts, humanities, sciences, philosophy. Then for a thousand years all such wisdom and beauty had been crushed, declared anathema, buried in darkness. Now this little group of men, the sensual Poliziano, the lined Landino, the tiny Ficino, the golden-haired Pico della Mirandola, these few fragile men, led and aided by Lorenzo de' Medici, were attempting to create a new intellect under the banner of a word Michelangelo had never heard before:
Humanism.
What did it mean? ~ Irving Stone,
851:We have to touch such men, not with a bargepole, but with a benediction,” he said. “We have to say the word that will save them from hell. We alone are left to deliver them from despair when your human charity deserts them. Go on your own primrose path pardoning all your favourite vices and being generous to your fashionable crimes; and leave us in the darkness, vampires of the night, to console those who really need consolation; who do things really indefensible, things that neither the world nor they themselves can defend; and none but a priest will pardon. Leave us with the men who commit the mean and revolting and real crimes; mean as St. Peter when the cock crew, and yet the dawn came. ~ G K Chesterton,
852:A Dream Of England
I had a dream of England. Wild and weird,
The billows ravened round her, and the wrack,
Darkening and dwindling, blotted out the track,
Then flashed on her a bolt that scorched and seared.
She, writhing in her ruin, rolled, and reared,
Then headlonged unto doom, that drove her back
To welter on the waters, blind and black,
A homeless hulk, a derelict unsteered.
Wailing I woke, and through the dawn descried,
Throned on the waves that threatened to o'erwhelm,
The England of my dream resplendent ride,
And armoured Wisdom, sovran at the helm,
Through foaming furrows of the future guide
To wider empire a majestic Realm.
~ Alfred Austin,
853:him?     Will you call this a fast,         and a day acceptable to the LORD?     6 “Is not this the fast that I choose:          j to loose the bonds of wickedness,         to undo the straps  k of the yoke,     to let the oppressed [2] go free,         and to break every yoke? 7    Is it not  l to share your bread with the hungry         and bring the homeless poor into your house;     when you see the naked, to cover him,          m and not to hide yourself from your own flesh? 8     n Then shall your light break forth like the dawn,          o and your healing shall spring up speedily;      p your righteousness shall go before you;          q the glory of the LORD shall be your rear guard. 9    Then ~ Anonymous,
854:God’s New Morning Message The LORD raises up those who are bowed down; the LORD loves the righteous. PSALM 146:8 Do you know what God’s fresh, new morning message is to us? Whether the sun is shining brightly or whether it’s pouring down rain? Whether the morning is bright or whether it’s gray and overcast? His promise is the dawn itself. . . . Every morning the Lord comes through with His encouraging message, “We’re still on speaking terms, you know! I’m here. I haven’t moved. Let’s go together today.” . . . Trust God to remember you. He won’t forget your name. He won’t forget your circumstances, He certainly won’t forget your prayers. . . . Trust Him, He remembers you. The Mystery of God’s Will ~ Charles R Swindoll,
855:Jasmines
Your scent is in the room.
Swiftly it overwhelms and conquers me!
Jasmines, night jasmines, perfect of perfume,
Heavy with dew before the dawn of day!
Your face was in the mirror. I could see
You smile and vanish suddenly away,
Leaving behind the vestige of a tear.
Sad suffering face, from parting grown so dear!
Night jasmines cannot bloom in this cold place;
Without the street is wet and weird with snow;
The cold nude trees are tossing to and fro;
Too stormy is the night for your fond face;
For your low voice too loud the wind's mad roar.
But, oh, your scent is here--jasmines that grow
Luxuriant, clustered round your cottage door!
~ Claude McKay,
856:Le coeur se sature d'amour comme d'un sel divin qui le conserve; de la l'incorruptible adherence de ceux qui se sont aimes des l'aube de la vie, et la fraicheur des vielles amours prolonges. Il existe un embaumement d'amour. C'est de Daphnis et Chloe que sont faits Philemon et Baucis. Cette vieillesse la, ressemblance du soir avec l'aurore.

The heart is saturated with love as if with a divine salt which preserves it; that is what makes possible the incorruptible attachment of those who have loved each other from the dawn of life, and the freshness of old loves which have lasted a long time. Love embalms. Philemon and Baucis come from Daphnis and Chloe. That sort of aging connects evening with dawn. ~ Victor Hugo,
857:Fragment I
I round the threshold wandering here,
Vainly the tempest and the rain invoke,
That they may keep my lady prisoner.
And yet the wind was howling in the woods,
The roving thunder bellowing in the clouds,
Before the dawn had risen in the sky.
O ye dear clouds! O heaven! O earth! O trees!
My lady goes! Have mercy, if on earth
Unhappy lovers ever mercy find!
Awake, ye whirlwinds! storm-charged clouds, awake,
O'erwhelm me with your floods, until the sun
To other lands brings back the light of day!
Heaven opens; the wind falls; the grass, the leaves
Are motionless, around; the dazzling sun
In my tear-laden eyes remorseless shines.
~ Count Giacomo Leopardi,
858:The heron-billed pale cattle-birds
That feed on some foul parasite
Of the Moroccan flocks and herds
Cross the narrow Straits to light
In the rich midnight of the garden trees
Till the dawn break upon those mingled seas.

Often at evening when a boy
Would I carry to a friend -
Hoping more substantial joy
Did an older mind commend -
Not such as are in Newton's metaphor,
But actual shells of Rosses' level shore.

Greater glory in the Sun,
An evening chill upon the air,
Bid imagination run
Much on the Great Questioner;
What He can question, what if questioned I
Can with a fitting confidence reply.

~ William Butler Yeats, At Algeciras - A Meditaton Upon Death
,
859:[W]omen were those most likely to be victimized because they were the most 'disempowered' by these changes, especially older women, who often rebelled against their impoverishment and social exclusion and who consituted the bulk of the accused. In other words, women were charged with witchcraft because the restructuring of rural Europe at the dawn of capitalism destroyed their means of livelihood and the basis of their social poer, leaving them with no resort but dependence on the charity of the better-off at a time when communal bonds were disintegrating and a new morality was taking hold that criminalized begging and looked down upon charity, the reputed path to eternal salvation in the medieval world. ~ Silvia Federici,
860:A Myth
A FLOATING, a floating
Across the sleeping sea,
All night I heard a singing bird
Upon the topmast tree.
“Oh, came you from the isles of Greece
Or from the banks of Seine;
Or off some tree in forests free,
Which fringe the western main?”
“I came not off the old world
Nor yet from off the new—
But I am one of the birds of God
Which sing the whole night through.”
“Oh, sing and wake the dawning—
Oh, whistle for the wind;
The night is long, the current strong,
My boat it lags behind.”
“The current sweeps the old world,
The current sweeps the new;
The wind will blow, the dawn will glow,
Ere thou hast sail’d them through.”
~ Charles Kingsley,
861:Certainly, we have to see with our physical eye. Certainly, we must face facts. But we can and we must be selective about what we fix our faith upon. We must decide if we are going to look upon the dark places of life,  the sickness, the poverty, the hardships, the chaos  or whether we are going to look upon that which is good  the light and life, the pleasant and constructive. It is an inescapable truth that whatever we look upon will draw us toward it. Of course, there are times when we come face to face with a crisis of health, lack, or inharmony. But in these moments we must lift up our eyes to see the fields already white with harvest. This is the dawn of faith, the faith that can truly remove mountains. ~ Anonymous,
862:Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire. ~ Peter Watts,
863:From childhood’s hour I have not been As others were; I have not seen As others saw; I could not bring My passions from a common spring. From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone. Then — in my childhood, in the dawn Of a most stormy life — was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.   ~ Edgar Allan Poe,
864:Sonnet Lxxv.
WHERE the wild woods and pathless forests frown,
The darkling Pilgrim seeks his unknown way,
Till on the grass he throws him weary down,
To wait in broken sleep the dawn of day:
Through boughs just waving in the silent air,
With pale capricious light the summer moon
Chequers his humid couch; while Fancy there,
That loves to wanton in the night's deep noon,
Calls from the mossy roots and fountain edge
Fair visionary Nymphs that haunt the shade,
Or Naiads rising from the whispering sedge:
And, 'mid the beauteous group, his dear loved maid
Seems beckoning him with smiles to join the train:
Then, starting from his dream, he feels his woes again!
~ Charlotte Smith,
865:Where would the shout of love begin, if not from the summit of sacrifice? Oh my brothers, this is the junction between those who think and those who suffer; this barricade is made neither of paving stones, nor of timbers, nor of iron; it is made of two mounds, a mound of ideas and a mound of sorrows. Here misery encounters the ideal. Here day embraces night, and says: I will die with you and you will be born again with me. From the heavy embrace of all desolations springs faith. Sufferings bring their agony here, and ideas their immortality. This agony and immortality will mingle and make up our death.
Brothers, whoever dies here dies in the radiance of the future, and we are entering a grave illuminated by the dawn. ~ Victor Hugo,
866:I walked far down a dirt side road and into a farmer's field - some sort of cereal that was chest high and corn green and rustled as its blades inflicted small paper burns on my skin as I walked through them. And in that field, when the appointed hour, minute, and second of the darkness came, I lay myself down on the ground, surrounded by the tall pithy grain stalks and the faint sound of insects, and held my breath, there experiencing a mood that I have never really been able to shake completely - a mood of darkness and inevitability and facination - a mood that surely must have been held by most young people since the dawn of time as they have crooked their necks, stared at the heavens, and watched their sky go out. ~ Douglas Coupland,
867:If women do not find a male attractive, he is simply not offering them enough genetic value; his behavior is unattractive, and he can only become attractive by improving his behavior to become more masculine and thus in fact more valuable to women.However, women not only want a male they are attracted to, but they also prefer a man who is attracted to them, so the process of seduction boils down to demonstrating that attraction too. What women want is supposed to be some sort of unsolved mystery that has haunted males, and even females, since the dawn of civilization.Well, no more! Women want men who treat them like women, males who are masculine and who make females feel feminine-men with confidence, charm, and responsibility ~ Anonymous,
868:If women do not find a male attractive, he is simply not offering them enough genetic value; his behavior is unattractive, and he can only become attractive by improving his behavior to become more masculine and thus in fact more valuable to women.However, women not only want a male they are attracted to, but they also prefer a man who is attracted to them, so the process of seduction boils down to demonstrating that attraction too. What women want is supposed to be some sort of unsolved mystery that has haunted males, and even females, since the dawn of civilization.Well, no more! Women want men who treat them like women, males who are masculine and who make females feel feminine-men with confidence, charm, and responsibility. ~ Anonymous,
869:We were almost out of water, and we were wise not to eat much of the flour left. An image of the man I had killed assaulted me. On his forehead, a red flower grew and grew until it became enormous. The petals parted, and from the centre a stem sprouted suddenly. Like a pointed finger, it approached slowly, ready to suck me into the dead man’s skull. I screamed, and I must have screamed aloud because a hand shook me. ‘Hey, there, ship’s boy. Shut up.’ Toine’s face loomed over me. Although his voice sounded gruff, compassion shone in his eyes. The dawn was as black as muddy dirt. The stars had fled but the night seemed to last forever. A silence as heavy as the heat hung in the air. The crew must have been wallowing in rum. ~ Jeff VanderMeer,
870:The Whistling Girl
Back of my back, they talk of me,
Gabble and honk and hiss;
Let them batten, and let them beMe, I can sing them this:
"Better to shiver beneath the stars,
Head on a faithless breast,
Than peer at the night through rusted bars,
And share an irksome rest.
"Better to see the dawn come up,
Along of a trifling one,
Than set a steady man's cloth and cup
And pray the day be done.
"Better be left by twenty dears
Than lie in a loveless bed;
Better a loaf that's wet with tears
Than cold, unsalted bread."
Back of my back, they wag their chins,
Whinny and bleat and sigh;
But better a heart a-bloom with sins
Than hearts gone yellow and dry!
~ Dorothy Parker,
871:The cry: Audacity! is a Fiat lux. It is necessary, for the sake of the forward march of the human race, that there should be proud lessons of courage permanently on the heights. Daring deeds dazzle history and are one of man’s great sources of light. The dawn dares when it rises. To attempt, to brave, to persist, to persevere, to be faithful to one’s self, to grasp fate bodily, to astound catastrophe by the small amount of fear that it occasions us, now to affront unjust power, again to insult drunken victory, to hold one’s position, to stand one’s ground; that is the example which nations need, that is the light which electrifies them. The same formidable lightning proceeds from the torch of Prometheus to Cambronne’s short pipe. ~ Victor Hugo,
872: Moon of Two Hemispheres
A gold moon-raft floats and swings slowly
And it casts a fire of pale holy blue light
On the dragon tail aglow of the faint night
That glimmers far, - swimming,
The illumined shoals of stars skimming,
Overspreading earth and drowning the heart in sight
With the ocean depths and breadths of the Infinite.

A gold moon-ship sails or drifts ever
In our spirit's skies and halts never, blue-keeled,
And it throws its white-blue fire on this grey field,
Night's dragon loop, - speeding,
The illumined star-thought sloops leading
To the Dawn, their harbour home, to the Light unsealed,
To the sun-face Infinite, the Untimed revealed.
564
~ Sri Aurobindo, - Moon of Two Hemispheres
,
873:Symptom Recital

I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again. ~ Dorothy Parker,
874:How I hate this world. I would like to tear it apart with my own two hands if I could. I would like to dismantle the universe star by star, like a treeful of rotten fruit. Nor do I believe in progress. A vermin-eaten saint scratching his filth for heaven is better off than you damned in clean linen. Progress doubles our tenure in a vale of tears. Man is a mistake, to be corrected only by his abolition, which he gives promise of seeing to himself. Oh, let him pass, and leave the earth to the flowers that carpet the earth wherever he explodes his triumphs. Man is inconsolable, thanks to that eternal "Why?" when there is no Why, that question mark twisted like a fishhook in the human heart. "Let there be light," we cry, and only the dawn breaks. ~ Peter De Vries,
875:To my horror, one of her shadowy guards steps forward. The red rag around his face doesn’t hide the set of his broad shoulders or the ratty shirt I’ve seen a thousand times. But the steely look in his eyes, the determination of a man twice his age, is something I don’t recognize at all. Kilorn looks years away already. Scarlet Guard to the bone, willing to fight and die for the cause. He’s Red as the dawn. “No,” I whisper, drawing back from Farley. Now I can only see Kilorn running full speed toward his doom. “You know what happened to Shade. You can’t do this.” He pulls away the rag and reaches out to embrace me, but I step away. His touch feels like a betrayal. “Mare, you don’t have to keep trying to save me.” “I will as long as you won’t. ~ Victoria Aveyard,
876:Dawn
Here in the little room
You sleep the sleep of innocent tired youth,
While I, in very sooth,
Tired, and awake beside you in the gloom,
Watch for the dawn, and feel the morning make
A loneliness about me for your sake.
You are so young, so fair,
And such a child, and might have loved so well;
And now, I cannot tell,
But surely one might love you anywhere,
Come to you as a lover, and make bold
To beg for that which all may buy with gold.
Your sweet, scarce lost, estate
Of innocence, the candour of your eyes,
Your childlike pleased surprise,
Your patience: these afflict me with a weight
As of some heavy wrong that I must share
With God who made, and man who found you, fair.
~ Arthur Symons,
877:Symptom Recital
I do not like my state of mind;
I'm bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.
I dread the dawn's recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.
I find no peace in paint or type.
My world is but a lot of tripe.
I'm disillusioned, empty-breasted.
For what I think, I'd be arrested.
I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.
I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men....
I'm due to fall in love again.
~ Dorothy Parker,
878:Niren had not seen her properly before. She had very lovely eyes. He had not before seen such a beautiful expression in any one's eyes, except perhaps those of her brother Opu. They were big and sleepy. They had the same drowsy quality which was hidden in the deep fresh greenness of the mango and bokul trees that lined the paths in the village. The dawn that would quicken them had not yet come; and the heavy sleep that precedes waking still brooded over them. Yes, it was dawn they made him think of; dawn, when sleeping eyes first open, dawn when maidens walk down to the river's edge, and every window gives forth the odour of incense; dawn, that cool ambrosial hour when the waters of awakening flow cool and fresh through house after house. ~ Bibhutibhushan Bandyopadhyay,
879:The truth is that the greatest enemies to the doctrines of Jesus are those calling themselves the expositors of them, who have perverted them for the structure of a system of fancy absolutely incomprehensible, and without any foundation in his genuine words. And the day will come when the mystical generation of Jesus by the supreme being as his father in the womb of a virgin will be classed with the fable of the generation of Minerva in the brain of Jupiter, but we may hope that the dawn of reason and freedom of thought in these United States will do away with all this artificial scaffolding and restore to us the primitive and genuine doctrines of this, the most venerated reformer of human errors.

-Thomas Jefferson to John Adams (April 11, 1823) ~ Thomas Jefferson,
880:Trust in the Lord and do good; dwell in the land and enjoy safe pasture. Delight yourself in the Lord and he will give you the desires of your heart. Commit your way to the Lord; trust in him and he will do this: He will make your righteousness shine like the dawn, the justice of your cause like the noonday sun. Be still before the Lord and wait patiently for him; do not fret when men succeed in their ways, when they carry out their wicked schemes. Refrain from anger and turn from wrath; do not fret — it leads only to evil. For evil men will be cut off, but those who hope in the Lord will inherit the land. A little while, and the wicked will be no more; though you look for them, they will not be found. But the meek will inherit the land and enjoy great peace. ~ Bill Myers,
881:A question like “How big is Faerie?” does not admit of a simple answer.

Faerie, after all, is not one land, one principality or dominion. Maps of Faerie are unreliable, and may not be depended upon.

We talk of the kings and queens of Faerie as we would speak of the kings and queens of England. But Faerie is bigger than England, as it is bigger than the world (for, since the dawn of time, each land that has been forced off the map by explorers and the brave going out and proving it wasn’t there has taken refuge in Faerie; so it is now, by the time that we come to write of it, a most huge place indeed, containing every manner of landscape and terrain). Here, truly, there be Dragons.

Also gryphons, wyverns, hippogriffs, basilisks, and hydras. ~ Neil Gaiman,
882:Jeremy Carlisle
Passer-by, sin beyond any sin
Is the sin of blindness of souls to other souls.
And joy beyond any joy is the joy
Of having the good in you seen, and seeing the good
At the miraculous moment!
Here I confess to a lofty scorn,
And an acrid skepticism.
But do you remember the liquid that Penniwit
Poured on tintypes making them blue
With a mist like hickory smoke?
Then how the picture began to clear
Till the face came forth like life?
So you appeared to me, neglected ones,
And enemies too, as I went along
With my face growing clearer to you as yours
Grew clearer to me.
We were ready then to walk together
And sing in chorus and chant the dawn
Of life that is wholly life.
~ Edgar Lee Masters,
883:We can trace the communitarian fantasy that lies at the root of all humanism back to the model of a literary society, in which participation through reading the canon reveals a common love of inspiring messages. At the heart of humanism so understood we discover a cult or club fantasy: the dream of the portentous solidarity of those who have been chosen to be allowed to read. In the ancient world—indeed, until the dawn of the modern nation-states—the power of reading actually did mean something like membership of a secret elite; linguistic knowledge once counted in many places as the provenance of sorcery. In Middle English the word 'glamour' developed out of the word 'grammar'. The person who could read would be thought easily capable of other impossibilities. ~ Peter Sloterdijk,
884:He accelerates. The growing complexity of lights threatens him. He is being drawn into Philadelphia. He hates Philadelphia. Dirtiest city in the world, they live on poisoned water, you can taste the chemicals. He wants to go south, down, down the map into orange groves and smoking rivers and barefoot women. It seems simple enough, drive all night through the dawn through the morning through the noon park on a beach take off your shoes and fall asleep by the Gulf of Mexico. Wake up with the stars above perfectly spaced in perfect health. But he is going east, the worst direction, into unhealth, soot, and stink, a smothering hole where you can’t move without killing somebody. Yet the highway sucks him on, and a sign says POTTSTOWN 2. He almost brakes. But then he thinks. ~ John Updike,
885:I think you've seen Aslan," said Edmund.
"Aslan!" said Eustace. "I've heard that name mentioned several times since we joined the Dawn Treader. And I felt - I don't know what - I hated it. But I was hating everything then. And by the way, I'd like to apologise. I'm afraid I've been pretty beastly."
"That's all right," said Edmund. "Between ourselves, you haven't been as bad as I was on my first trip to Narnia. You were only an ass, but I was a traitor."
"Well, don't tell me about it, then," said Eustace. "But who is Aslan? Do you know him?"
"Well - he knows me," said Edmund. "He is the great Lion, the son of the Emperor-beyond-the-Sea, who saved me and saved Narnia. We've all seen him. Lucy sees him most often. And it may be Aslan's country we are sailing to. ~ C S Lewis,
886:The Pentagram
[Dedicated to George Raffalovich]
In the Years of the Primal Course, in the dawn of terrestrial birth,
Man mastered the mammoth and horse, and Man was the Lord of the Earth.
He made him an hollow skin from the heart of an holy tree,
He compassed the earth therien, and Man was the Lord of the Sea.
He controlled the vigour of steam, he harnessed the lightning for hire;
He drove the celestial team, and man was the Lord of the Fire.
Deep-mouthed from their thrones deep-seated, the choirs of the æeons declare
The last of the demons defeated, for Man is the Lord of the Air.
Arise, O Man, in thy strength! the kingdom is thine to inherit,
Till the high gods witness at lenght that Man is the Lord of his spirit.
~ Aleister Crowley,
887:From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
888:A Dream
I dreamt of autumn in the window's twilight,
And you, a tipsy jesters' throng amidst. '
And like a falcon, having stooped to slaughter,
My heart returned to settle on your wrist.
But time went on, grew old and deaf. Like thawing
Soft ice old silk decayed on easy chairs.
A bloated sunset from the garden painted
The glass with bloody red September tears.
But time grew old and deaf. And you, the loud one,
Quite suddenly were still. This broke a spell.
The dreaming ceased at once, as though in answer
To an abruptly silenced bell.
And I awakened. Dismal as the autumn
The dawn was dark. A stronger wind arose
To chase the racing birchtrees on the skyline,
As from a running cart the streams of straws.
~ Boris Pasternak,
889:The author of Nature … has made it impossible for us to have any communication from this earth with the other great bodies of the universe, in our present state; and it is highly possible that he has likewise cut off all communication betwixt the other planets, and betwixt the different systems.… We observe, in all of them, enough to raise our curiosity, but not to satisfy it … It does not appear to be suitable to the wisdom that shines throughout all nature, to suppose that we should see so far, and have our curiosity so much raised … only to be disappointed at the end … This, therefore, naturally leads us to consider our present state as only the dawn or beginning of our existence, and as a state of preparation or probation for farther advancement.… —Colin Maclaurin, 1748 ~ Carl Sagan,
890:Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life. ~ Philippe Claudel,
891:From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view. ~ Edgar Allan Poe,
892:Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth. Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star. But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many—perhaps most—of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-size heaven—or hell. ~ Arthur C Clarke,
893:Duet
1. Is it the wind of the dawn that I hear
in the pine overhead?
2. No; but the voice of the deep as it hollows
the cliffs of the land.
1. Is there a voice coming up with the
voice of the deep from the strand,
Once coming up with a Song in the
flush of the glimmering red?
2. Love that is born of the deep coming
up with the sun from the sea.
1. Love that can shape or can shatter a
life till the life shall have fled?
2. Nay, let us welcome him, Love that
can lift up a life from the dead.
1. Keep him away from the lone little isle.
Let us be, let us be.
2. Nay, let him make it his own, let him
reign in it - he, it is he,
Love that is born of the deep coming
up with the sun from the sea.
~ Alfred Lord Tennyson,
894:Alone"

From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
895:Pleasant Thought For The Morning
At four o'clock on a summer morning,
The Sleep of love still lasts.
Under the spinneys the dawn disperses scents
Of the festive night.
But down there in the huge workshop
Near the Hesperidean sun,
The carpenters in their shirtsleeves
are already astir.
Peaceful in the midst of their wilderness of foam,
They are preparing the costly canopies
Where the riches of the city
Will smile beneath painted skies.
Ah ! for these charming labourer's sakes
Subjects of a king of Babylon,
Venus ! leave Lovers for a little while,
Whose souls are wearing crowns.
O Queen of the Sheperds!
Take strong liquor to the workers,
So that their strength may be calmed
Until the sea-bathe at noon.
~ Arthur Rimbaud,
896:Memory is a landscape watched from the window of a moving train. We watch the dawn light break over the acacia trees, the birds pecking at the morning, as though at a fruit. Further off we see the serenity of a river, and the trees embracing its banks. We see the cattle slowly grazing, a couple running, holding hands, children dancing around a football, the ball shining in the sun (another sun). We see the calm lakes where there are ducks swimming, rivers heavy with water where elephants quench their thirst. These things happen right before our very eyes, we know them to be real, but they’re so far away we can’t touch them. Some are so far, so very far away, and the train moving so fast, that we can’t be sure any longer that they really did happen. Maybe we merely dreamed them? ~ Jos Eduardo Agualusa,
897:Nobody loves me, nobody cares,
Nobody picks me peaches and pears.
Nobody offers me candy and Cokes,
Nobody listens and laughs at me jokes.
Nobody helps when I get into a fight,
Nobody does all my homework at night.
Nobody misses me,
Nobody cries,
Nobody thinks I'm a wonderful guy.
So, if you ask me who's my best friend, in a whiz,
I'll stand up and tell you NOBODY is!
But yesterday night I got quite a scare
I woke up and Nobody just WASN'T there!
I called out and reached for Nobody's hand,
In the darkness where Nobody usually stands,
Then I poked through the house, in each cranny and nook,
But I found SOMEBODY each place that I looked.
I seached till I'm tired, and now with the dawn,
There's no doubt about it-
NOBODY'S GONE!! ~ Shel Silverstein,
898:Unlike most mathematical discoveries, however, no one was looking for a theory of groups or even a theory of symmetries when the concept was discovered. Quite the contrary; group theory appeared somewhat serendipitously, out of a millenia-long search for a solution to an algebraic equation. Befitting its description as a concept that crystallized simplicity out of chaos, group theory was itself born out of one of the most tumultuous stories in the history of mathematics. Almost four thousand years of intellectual curiosity and struggle, spiced with intrigue, misery, and persecution, culminated in the creation of the theory in the nineteenth century. This amazing story, chronicled in the next three chapters, began with the dawn of mathematics on the banks of the Nile and Euphrates rivers. ~ Mario Livio,
899:From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view— ~ Edgar Allan Poe,
900:Despair could never touch a morning like this.
The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green. ~ Kim Stanley Robinson,
901:Among Those Killed In The Dawn Raid Was A Man
Aged A Hundred
When the morning was waking over the war
He put on his clothes and stepped out and he died,
The locks yawned loose and a blast blew them wide,
He dropped where he loved on the burst pavement stone
And the funeral grains of the slaughtered floor.
Tell his street on its back he stopped a sun
And the craters of his eyes grew springshots and fire
When all the keys shot from the locks, and rang.
Dig no more for the chains of his grey-haired heart.
The heavenly ambulance drawn by a wound
Assembling waits for the spade's ring on the cage.
O keep his bones away from the common cart,
The morning is flying on the wings of his age
And a hundred storks perch on the sun's right hand.
~ Dylan Thomas,
902:Hymn To Lucifer
Ware, nor of good nor ill, what aim hath act?
Without its climax, death, what savour hath
Life? an impeccable machine, exact
He paces an inane and pointless path
To glut brute appetites, his sole content
How tedious were he fit to comprehend
Himself! More, this our noble element
Of fire in nature, love in spirit, unkenned
Life hath no spring, no axle, and no end.
His body a bloody-ruby radiant
With noble passion, sun-souled Lucifer
Swept through the dawn colossal, swift aslant
On Eden's imbecile perimeter.
He blessed nonentity with every curse
And spiced with sorrow the dull soul of sense,
Breathed life into the sterile universe,
With Love and Knowledge drove out innocence
The Key of Joy is disobedience.
~ Aleister Crowley,
903:The Pentagram
[Dedicated to George Raffalovich]
In the Years of the Primal Course, in the dawn of terrestrial
birth,
Man mastered the mammoth and horse, and Man was the
Lord of the Earth.
He made him an hollow skin from the heart of an holy tree,
He compassed the earth therien, and Man was the Lord of
the Sea.
He controlled the vigour of steam, he harnessed the lightning for hire;
He drove the celestial team, and man was the Lord of the
Fire.
Deep-mouthed from their thrones deep-seated, the choirs
of the æeons declare
The last of the demons defeated, for Man is the Lord of
the Air.
Arise, O Man, in thy strength! the kingdom is thine to
inherit,
Till the high gods witness at lenght that Man is the Lord
of his spirit.
~ Aleister Crowley,
904:Putting my hands on my hips, I sighed. “Okay, here’s what we’re going to do. We’re going to Unseelie territory, and you’re all going to protect me with whatever faerie mojo you have, because I’m pretty sure the Dark Queen will not be very excited to see me. And then I’m going to talk to them.”
“Talk to them?” the Light Queen asked.
“Yes,” I said, trying to compose a poem on her beauty comparing her to the light of the dawn, to the rays of sunlight piercing clouds after a thunderstorm, to . . . Evelyn. I shook my head, trying to clear it. “Gosh, can’t you at least try to turn it down? Anyway. We’re going to talk to them. If they’re anything like your court, a lot of them probably think their queen is a freaking idiot.”
The Light Queen’s side, white eyebrows rose like a question mark. ~ Kiersten White,
905:[Dedicated to George Raffalovich]
In the Years of the Primal Course, in the dawn of terrestrial
birth,
Man mastered the mammoth and horse, and Man was the
Lord of the Earth.

He made him an hollow skin from the heart of an holy tree,
He compassed the earth therein, and Man was the Lord of
the Sea.

He controlled the vigour of steam, he harnessed the light-
ning for hire;
He drove the celestial team, and man was the Lord of the
Fire.

Deep-mouthed from their thrones deep-seated, the choirs
of the eons declare
The last of the demons defeated, for Man is the Lord of
the Air.

Arise, O Man, in thy strength! the kingdom is thine to
inherit,
Till the high gods witness at length that Man is the Lord
of his spirit.

~ Aleister Crowley, The Pentagram
,
906:West was remote in the minds of most New Yorkers during the holiday season of 1948. But, despite the new wealth that was flooding into the city, and the self-confidence that victory naturally brought, there was a generalized sense of anxiety about the future. “The city, for the first time in its long history, is destructible,” the essayist E. B. White had observed that summer. “A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions.” White was writing at the dawn of the nuclear age, and the feeling of vulnerability was quite new. “In the mind of whatever perverted dreamer might loose the lightning,” he observed, “New York must hold a steady, irresistible charm. ~ Anonymous,
907:Alone
From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.
~ Edgar Allan Poe,
908:You Have A Face Of Carved Stone
You have a face of carved stone,
blood of hardened earth,
you came from the sea.
All is gathered and scrutinized
and rejected by you
like the sea. In your heart
there's silence and words
ingested. You're darkness.
For you, dawn is silence.
You're like the voices
of the earth—the splash
of a pail in a well,
the song of the fire,
the thud of an apple,
resigned words
and thumps on thresholds,
the cry of a boy—things
that never go away.
You're not mute. You're darkness.
You're the closed cellar,
of beaten earth,
where once entered
a barefoot boy
will always remember.
You're the dark room
he'll always remember,
like the antique courtyard
where the dawn revealed itself.
~ Cesare Pavese,
909:A Christmas Carol
TUNE--'God rest ye, merry gentleman.'
GOD rest ye, merry gentlemen; let nothing you dismay,
For Jesus Christ, our Saviour, was born on Christmas-day.
The dawn rose red o'er Bethlehem, the stars shone through the gray,
When Jesus Christ, our Saviour, was born on Christmas-day.
God rest ye, little children; let nothing you affright,
For Jesus Christ, your Saviour, was born this happy night;
Along the hills of Galilee the white flocks sleeping lay,
When Christ, the Child of Nazareth, was born on Christmas-day.
God rest ye, all good Christians; upon this blessed morn
The Lord of all good Christians was of a woman born:
Now all your sorrows He doth heal, your sins He takes away;
For Jesus Christ, our Saviour, was born on Christmas-day.
~ Dinah Maria Mulock Craik,
910:Yet among the multiple animal inventions at the dawn of the Cambrian were new forms of mobility. A number of critters began burrowing into these mats and braving the toxic soils beneath them. These digging, tunneling creatures are known as “bioturbators,” basically life that stirs up the ground. In fact, the fossils that officially define the beginning of the Cambrian in the geological record, Trichophycus pedum, are identified by the looping, burrowing patterns they left in the seafloor. Once this bioturbating disturbance of the Cambrian seafloor got started, it began changing the texture and chemistry of the dirt in ways that made it more inviting for other burrowing creatures. Oxygen began penetrating the loosened soil beneath the mats, neutralizing the lethal hydrogen sulfide. This started a positive feedback. ~ David Grinspoon,
911:The Bird of Time

O Bird of Time on your fruitful bough
What are the songs you sing? ...
Songs of the glory and gladness of life,
Of poignant sorrow and passionate strife,
And the lilting joy of the spring;
Of hope that sows for the years unborn,
And faith that dreams of a tarrying morn,
The fragrant peace of the twilight's breath,
And the mystic silence that men call death.

O Bird of Time, say where did you learn
The changing measures you sing? ...
In blowing forests and breaking tides,
In the happy laughter of new-made brides,
And the nests of the new-born spring;
In the dawn that thrills to a mother's prayer,
And the night that shelters a heart's despair,
In the sigh of pity, the sob of hate,
And the pride of a soul that has conquered fate. ~ Sarojini Naidu,
912:You hunt and catch your own food. Am I correct?"

"We are fierce predators of the night," DeChevue said proudly.

Edwin tried again, "You hunt and gather your own food?"

DeChevue still didn't get it. "Yes, M'sieur. We hunt, proudly."

"You know, there is a special name for people who have to catch and kill everything they eat."

"And that name has been the terror of the night from the dawn of man. Which name would you like? I can supply many. Nosferatu? Das Vampire?"

"Peasant," Edwin said. "A person who has to provide all his own food is a peasant. How is it that you have lived all this time and are still ignorant of the division of labor?"

DeChevue's mouth opened and closed several times. Each time he seemed on the verge of saying something, yet each time words failed him. ~ Patrick E McLean,
913:Bared your face in the starlight, curious the scene, cool blew the moderate night-wind, Long there and then in vigil I stood, dimly around me the battlefield spreading, Vigil wondrous and vigil sweet there in the fragrant silent night, But not a tear fell, not even a long-drawn sigh, long, long I gazed, Then on the earth partially reclining sat by your side leaning my chin in my hands, Passing sweet hours, immortal and mystic hours with you dearest comrade—not a tear, not a word, Vigil of silence, love and death, vigil for you my son and my soldier, As onward silently stars aloft, eastward new ones upward stole, Vigil final for you brave boy, (I could not save you, swift was your death, I faithfully loved you and cared for you living, I think we shall surely meet again,) Till at latest lingering of the night, indeed just as the dawn appear’d, ~ Walt Whitman,
914:Girls, be good to these spirits of music and poetry
that breast your threshold with their scented gifts.
Lift the lyre, clear and sweet, they leave with you.

As for me, this body is now so arthritic
I cannot play, hardly even hold the instrument.
Can you believe my white hair was once black?

And oh, the soul grows heavy with the body.
Complaining knee-joints creak at every move.
To think I danced as delicate as a deer!

Some gloomy poems came from these thoughts:
useless: we are all born to lose life,
and what is worse, girls, to lose youth.

The legend of the goddess of the dawn
I’m sure you know: how rosy Eos
madly in love with gorgeous young Tithonus

swept him like booty to her hiding-place
but then forgot he would grow old and grey
while she in despair pursued her immortal way. ~ Sappho,
915:XccMost people have had a period or periods in their lives when they have felt thus forsaken—when, having long hoped against hope, and still seen the day of fruition deferred, their hearts have truly sickened within them. This is a terrible hour, but it is often that darkest point which precedes the rise of day—that turn of the year when the icy January wind carries over the waste at once the dirge of departing winter and the prophecy of coming spring. The perishing birds, however, cannot thus understand the blast before which they shiver; and as little can the suffering soul recognize, in the climax of its affliction, the dawn of its deliverance. Yet, let whoever grieves still cling fast to love and faith in God. God will never deceive, never finally desert him. "Whom He loveth, He chasteneth." These words are true, and should not be forgotten. ~ Charlotte Bront,
916:But such people (Moderate Conservatives) aren't liberal. What they are is corporate. Their habits and opinions owe far more to the standards of courtesy and taste that prevail within the white-collar world than they do to Franklin Roosevelt and the United Mine Workers. We live in a time, after all, when hard-nosed bosses compose awestruck disquisitions on the nature of 'change,' punk rockers dispense leadership secrets, shallow profundities about authenticity sell luxury cars, tech billionaires build rock'n'roll musuems, management theorists ponder the nature of coolness, and a former lyricist fro the Grateful Dead hail the dawn of New Economy capitalism from the heights of Davos. Coversvatives may not understand why, but business culture had melded with counterculture for reasons having a great deal to do with business culture's usual priority - profit. ~ Thomas Frank,
917:On A Mountain Top
On this high altar, fringed with ferns
That darken against the sky,
The dawn in lonely beauty burns
And all our evils die.
The struggling sea that roared below
Is quieter than the dew,
Quieter than the clouds that flow
Across the stainless blue.
On this bare crest, the angels kneel
And breathe the sweets that rise
From flowers too little to reveal
Their beauty to our eyes.
I have seen Edens on the earth
With queenly blooms arrayed;
But here the fairest come to birth,
The smallest flowers He made.
O, high above the sounding pine,
And richer, sweeter far,
The wild thyme wakes. The celandine
Looks at the morning star.
They may not see the heavens unfold.
They breathe no out-worn prayer;
But, on a mountain, as of old,
His glory fills the air.
~ Alfred Noyes,
918:Special Pleading
THE world's a path all fresh and sweet,
A sky all fresh and fair,
With daisies underneath your feet
And roses for your hair;
Red roses for your pretty hair,
Green trees to shade your way,
And lavish blossoms everywhere,
Because the time is May.
How gold the sun shines through the green!
How soft the turf is spread!
How richly falls the shimmering sheen
About your darling head!
How in the dawn of Paradise
Should you foresee the night?
How, with the sunlight in your eyes,
See aught beyond the light?
The world's a path all rough and wild,
A sky all black with fears,
Among the ghosts, unhappy child,
You stumble, blind with tears;
The track is faint, and far the fold,
And very far the day:
Unless you have a hand to hold,
How will you find the way?
~ Edith Nesbit,
919:Sunrise On The Coast
Grey dawn on the sand-hills -- the night wind has drifted
All night from the rollers a scent of the sea;
With the dawn the grey fog his battalions has lifted,
At the call of the morning they scatter and flee.
Like mariners calling the roll of their number
The sea-fowl put out to the infinite deep.
And far overhead -- sinking softly to slumber -Worn out by their watching the stars fall asleep.
To eastward, where rests the broad dome of the skies on
The sea-line, stirs softly the curtain of night;
And far from behind the enshrouded horizon
Comes the voice of a God saying "Let there be light."
And lo, there is light! Evanescent and tender,
It glows ruby-red where 'twas now ashen-grey;
And purple and scarlet and gold in its splendour -Behold, 'tis that marvel, the birth of a day!
~ Banjo Paterson,
920:Medieval alchemy prepared the way for the greatest intervention in the divine world that man has ever attempted: alchemy was the dawn of the scientific age, when the daemon of the scientific spirit compelled the forces of nature to serve man to an extent that had never been known before. It was from the spirit of alchemy that Goethe wrought the figure of the "superman" Faust, and this superman led Nietzsche's Zarathustra to declare that God was dead and to proclaim the will to give birth to the superman, to "create a god for yourself out of your seven devils." Here we find the true roots, the preparatory processes deep in the psyche, which unleashed the forces at work in the world today. Science and technology have indeed conquered the world, but whether the psyche has gained anything is another matter. ~ Carl Jung, "Paracelsus as a Spiritual Phenomenon" (1942), CW 13, § 163.,
921:Somewhere in those weeks Tatiana’s innocence was lost. The innocence of honesty was gone forever, for she knew she would have to live in deceit, every day in verse and prose, in close quarters, in the same bed, every night when her foot touched Dasha’s, she would live in deceit. Because she felt for him. But what Tatiana felt for Alexander was true. What Tatiana felt for Alexander was impervious to the drumbeat of conscience. Oh, to be walking through Leningrad white night after white night, the dawn and the dusk all smelting together like platinum ore, Tatiana thought, turning away to the wall, again to the wall, to the wall, as ever. Alexander, my nights, my days, my every thought. You will fall away from me in just a while, won’t you, and I’ll be whole again, and I will go on and feel for someone else, the way everyone does. But my innocence is forever gone. ~ Paullina Simons,
922:Perpetual Winter Never Known
When the light falls on winter evenings
And the river makes no sound in its passing
Behind the house, is silent but for its cold
Flowing, its reeds frozen stiffer than glass
How can one anticipate the dawn, a sudden
Blazing of sunlight thawing the harshest sky?
How can one not remember summer evenings?
Must not the tired heart sink and must not fear
Bite, like an acid, wrinkles in its stone?
Behind drawn curtains, gazing at the fire,
Think how the earth spins dumb and bound
By iron chains of frost through death-still air;
And how in every street the sealed windows
And orange cubes of firelight, how in houses
Cuckoo-clocks imitate the spring, candles are
Suns. Perpetual winter never known,
Families warm their hands and wait, nor
Ever doubt the season's transience.
~ David Gascoyne,
923:When the windows like the jackal’s eye and desire pierce the dawn, silken windlasses lift me up to suburban footbridges. I summon a girl who is dreaming in the little gilded house; she meets me on the piles of black moss and offers me her lips which are stones in the rapid river depths. Veiled forebodings descend the buildings’ steps. The best thing is to flee from the great feather cylinders when the hunters limp into the sodden lands. If you take a bath in the watery patterns of the streets, childhood returns to the country like a greyhound. Man seeks his prey in the breezes and the fruits are drying on the screens of pink paper, in the shadow of the names overgrown by forgetfulness. Joys and sorrows spread in the town. Gold and eucalyptus, similarly scented, attack dreams. Among the bridles and the dark edelweiss subterranean forms are resting like perfumers’ corks. ~ Andr Breton,
924:Contemplate the cosmic standard of time and creation. When Brahma the creator wakes up at the dawn of each cosmic day, this entire universe and all creatures in it are instantly manifested, only to be dissolved back into the unmanifested (formless) at Brahma’s cosmic nightfall. But each cosmic day and night of Brahma lasts thousands of yugas, and each yuga lasts 10,000 to 400,000 years; the time is all but incomprehensible to humans. In succeeding days and nights of Brahma, the same multitude of beings helplessly come to birth and death again and again as the physical universe continues its expanding and contracting.
“This eternal cosmic play is the same in the microcosm of the individual soul as it is in the cosmos.
When an individual goes to sleep, the entire world his or her mind experiences as ‘real’ withdraws, only to ‘come alive’ again at waking. ~ Krishna Dwaipayana Vyasa,
925:There is going to come a time when we have to accept who we are without the assistance of religion. That will be the dawn of true faith. We leave the big decisions to invisible consultants and pray we get the answers we are looking for. The late great George Carlin once said he gave up praying to God and started praying to Joe Pesci because his prayers to Joe Pesci were answered with as much accuracy and frequency as those to God. [...] If we as people are still looking for answers, we should turn our eyes away from the heavens and look to each other. I know we do not play well together - hell, some of us do not even like being in the same room with each other - but the divine lies in all of us. We are miracles. We are "god." If we shared a little more, we would not be left feeling less. We hold the keys to our own destinies. It is time we started looking for the locks. ~ Corey Taylor,
926:Lights Out
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn's first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends,
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter and leave alone
I know not how.
The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.
~ Edward Thomas,
927:Ars Poetica

To gaze at the river made of time and water
And recall that time itself is another river,
To know we cease to be, just like the river,
And that our faces pass away, just like the water.

To feel that waking is another sleep
That dreams it does not sleep and that death,
Which our flesh dreads, is that very death
Of every night, which we call sleep.

To see in the day or in the year a symbol
Of mankind's days and of his years,
To transform the outrage of the years
Into a music, a rumor and a symbol,

To see in death a sleep, and in the sunset
A sad gold, of such is Poetry
Immortal and a pauper. For Poetry
Returns like the dawn and the sunset.

At times in the afternoons a face
Looks at us from the depths of a mirror;
Art must be like that mirror
That reveals to us this face of ours. ~ Jorge Luis Borges,
928:Day by day I float my paper boats one by one down the running
stream.
  In big black letters I write my name on them and the name of
the village where I live.
  I hope that someone in some strange land will find them and
know who I am.
  I load my little boats with shiuli flower from our garden, and
hope that these blooms of the dawn will be carried safely to land
in the night.
  I launch my paper boats and look up into the sky and see the
little clouds setting thee white bulging sails.
  I know not what playmate of mine in the sky sends them down
the air to race with my boats!
  When night comes I bury my face in my arms and dream that my
paper boats float on and on under the midnight stars.
  The fairies of sleep are sailing in them, and the lading ins
their baskets full of dreams.

~ Rabindranath Tagore, Paper Boats
,
929:He found the vast Thought with seven heads that is born of the Truth; he created some fourth world and became universal. . . .
The Sons of Heaven, the Heroes of the Omnipotent, thinking the straight thought, giving voice to the Truth, founded the plane of illumination and conceived the first abode of the Sacrifice. . . . The Master of Wisdom cast down the stone defences and called to the Herds of Light, . . . the herds that stand in the secrecy on the bridge over the Falsehood between two worlds below and one above; desiring Light in the darkness, he brought upward the Ray-Herds and uncovered from the veil the three worlds; he shattered the city that lies hidden in ambush, and cut the three out of the Ocean, and discovered the Dawn and the Sun and the Light and the Word of Light. Rig Veda.2 ~ Sri Aurobindo, The Life Divine, Out of the Sevenfold Ignorance towards the Sevenfold Knowledge,
930:Water began to drip steadily through the dormer window. Outside, in the treacherous city, a thaw had come, giving the streets the unreliable consistency of wet cardboard. Slow masses of whiteness slid from sloping, grey-slate roofs. The footprints of delivery vans corrugated the slush. First light; and the dawn chorus began, chattering of road-drills, chirrup of burglar alarms, trumpeting of wheeled creatures clashing at corners, the deep whirr of a large olive-green garbage eater, screaming radio-voices from a wooden painter's cradle clinging to the upper storey of a Free House, roar of the great wakening juggernauts rushing awesomely down this long but narrow pathway. From beneath the earth came tremors denoting the passage of huge subterranean worms that devoured and regurgitated human beings, and from the skies the thrum of choppers and the screech of higher, gleaming birds. ~ Salman Rushdie,
931:Garden Shadows
When the dawn winds whisper
To the standing corn,
And the rose of morning
From the dark is born,
All my shadowy garden
Seems to grow aware
Of a fragrant presence,
Half expected there.
In the golden shimmer
Of the burning noon,
When the birds are silent
And the poppies swoon,
Once more I behold her
Smile and turn her face,
With its infinite regard,
Its immortal grace.
When the twilight silvers
Every nodding flower,
When the new moon hallows
The first evening hour,
Is it not her footfall
Down the garden walks,
Where the drowsy blossoms
Slumber on their stalks?
In the starry quiet,
When the soul is free,
And a vernal message
Stirs the lilac tree,
Surely I have felt her
Pass and brush my cheek,
With the eloquence of love
That does not need to speak!
~ Bliss William Carman,
932:Behind A Wall
I own a solace shut within my heart,
A garden full of many a quaint delight
And warm with drowsy, poppied sunshine; bright,
Flaming with lilies out of whose cups dart
Shining things
With powdered wings.
Here terrace sinks to terrace, arbors close
The ends of dreaming paths; a wanton wind
Jostles the half-ripe pears, and then, unkind,
Tumbles a-slumber in a pillar rose,
With content
Grown indolent.
By night my garden is o'erhung with gems
Fixed in an onyx setting. Fireflies
Flicker their lanterns in my dazzled eyes.
In serried rows I guess the straight, stiff stems
Of hollyhocks
Against the rocks.
So far and still it is that, listening,
I hear the flowers talking in the dawn;
And where a sunken basin cuts the lawn,
Cinctured with iris, pale and glistening,
The sudden swish
Of a waking fish.
~ Amy Lowell,
933:Beneath the paperback is a hardback, in its jacket, of a book that, in her dream, she has always wanted to read: Mary Poppins Brings in the Dawn, which P. L. Travers had never written while alive.

She picks it up and opens it to the middle, and reads the story waiting for her. Jane and Michael go with Mary Poppins on her day off, to Heaven, and they meet the boy Jesus, who is still slightly scared of Mary Poppins because she was once his nanny, and the Holy Ghost, who complains that he has not been able to get his sheet properly white since Mary Poppins left, and God the Father, who says, “There’s no making her do anything. Not her. She’s Mary Poppins.” “But you’re God,” said Jane. “You created every body and everything. They have to do what you say.”

“Not her,” said God the Father once again, and he scratched his golden beard flecked with white. “I didn’t create her. She’s Mary Poppins. ~ Neil Gaiman,
934:FRIDAY Luke 21:25–36 REFLECTION This Jesus taught as a second Jeremiah. “The world’s a scary place, but don’t let your hearts be troubled. I have overcome the world. So wait in the midst of it all, just before the dawn, for in the midst of the night there are strange and redeeming events afoot.” And with this the church begins a new year, asked to begin afresh, not just on a calendar, but in individual hearts, in relationships, in congregations, and in our yearning for a promise worth living for. Hearers of this passage are bidden to live lives of faithful, active waiting in the meantime because they hear again the name of the One who holds them in the ending time. WESLEY D. AVRAM RESPONSE What fresh thing is waiting to be born in your life or the life of the congregation of which you are a part? PRAYER Redeeming God, I wait with fresh eyes and ears for the new things you will do in my life. Amen. ~ Kathleen Long Bostrom,
935:Does that change things?” asked the old man. “Maybe
Anansi’s just some guy from a story, made up back in Africa in
the dawn days of the world by some boy with blackfly on his leg,
pushing his crutch in the dirt, making up some goofy story
about a man made of tar. Does that change anything? People respond
to the stories. They tell them themselves. The stories
spread, and as people tell them, the stories change the tellers.
Because now the folk who never had any thought in their head
but how to run from lions and keep far enough away from rivers
that the crocodiles don’t get an easy meal, now they’re starting to
dream about a whole new place to live. The world may be the
same, but the wallpaper’s changed. Yes? People still have the
same story, the one where they get born and they do stuff and
they die, but now the story means something different to what it
meant before. ~ Neil Gaiman,
936:The leaves did not stir on the trees, cicadas twanged, and the monotonous muffled sound of the sea that rose from below spoke of the peace, the eternal sleep awaiting us. So it rumbled below when there was no Yalta, no Oreanda here; so it rumbles now, and it will rumble as indifferently and as hollowly when we are no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies, perhaps a pledge of our eternal salvation, of the unceasing advance of life upon earth, of unceasing movement towards perfection. Sitting beside a young woman who in the dawn seemed so lovely, Gurov, soothed and spellbound by these magical surroundings - the sea, the mountains, the clouds, the wide sky - thought how everything is really beautiful in this world when one reflects: everything except what we think or do ourselves when we forget the higher aims of life and our own human dignity. ~ Anton Chekhov,
937:To get a sense of the scale of Earth history, imagine walking back in time, a hundred years per step—every pace equal to more than three human generations. A mile takes you 175,000 years into the past. The twenty miles of Chesapeake cliffs, a hard day’s walk to be sure, correspond to more than 3 million years. But to make even a small dent in Earth history, you would have to keep walking at that rate for many weeks. Twenty days of effort at twenty miles a day and a hundred years per step would take you back 70 million years, to just before the mass death of the dinosaurs. Five months of twenty-mile walks would correspond to more than 530 million years, the time of the Cambrian “explosion”—the near-simultaneous emergence of myriad hard-shelled animals. But at a hundred years per footstep, you’d have to walk for almost three years to reach the dawn of life, and almost four years to arrive at Earth’s beginnings. ~ Robert M Hazen,
938:He beheld in swift succession the incidents in the brief tale of his experience. His wretched home, his still more wretched school-days, the years of vicious life he had led since then, one act of selfish dishonour leading to another; it was all clear and pitiless now, all its squalid folly, in the cold light of the dawn. He came to the hut, to the fight with the Porroh man, to the retreat down the river to Sulyma, to the Mendi assassin and his red parcel, to his frantic endeavours to destroy the head, to the growth of his hallucination. It was a hallucination! He knew it was. A hallucination merely. For a moment he snatched at hope. He looked away from the glass, and on the bracket, the inverted head grinned and grimaced at him... With the stiff fingers of his bandaged hand he felt at his neck for the throb of his arteries. The morning was very cold, the steel blade felt like ice.

("Pollock And The Porrah Man") ~ H G Wells,
939:O Moon that rid'st the night to wake
Before the dawn is pale,
The hamadryad in the brake,
The Satyr in the vale,
Caught in thy net of shadows
What dreams hast thou to show?
Who treads the silent meadows
To worship thee below?
The patter of the rain is hushed,
The wind's wild dance is done,
Cloud-mountains ruby-red were flushed
About the setting sun:
And now beneath thy argent beam
The wildwood standeth still,
Some spirit of an ancient dream
Breathes from the silent hill.

Witch-Goddess Moon, thy spell invokes
The Ancient Ones of night,
Once more the old stone altar smokes,
The fire is glimmering bright.
Scattered and few thy children be,
Yet gather we unknown
To dance the old round merrily
About the time-worn stone.
We ask no Heaven, we fear no Hell,
Nor mourn our outcast lot,
Treading the mazes of a spell
By priests and men forgot. ~ Gerald B Gardner,
940:During the wars of the Empire while husbands and brothers were in Germany, anxious mothers gave birth to an ardent, pale, and neurotic generation,” wrote Alfred de Musset in 1836. “Behind them a past destroyed, still writhing on its ruins with the remnants of centuries of absolutism, before them the dawn of an immense horizon, the first gleams of the future, and between these two worlds—like the ocean separating the Old World from the New—something vague and floating, a troubled sea filled with wreckage, traversed from time to time by some distant sail or ship trailing thick clouds of smoke: the present … only the present remained, the spirit of the time, angel of the dawn that’s neither night nor day.” All that was left for the Lost Generations of Musset and other Romantics, the forebears of modernist revival rebels, was the bottle, the hookah, and the whorehouse, followed by the sanatorium, the madhouse, and the morgue. ~ David Downie,
941:Inexorable Deities
Deities!
Inexorable revealers,
Give me strength to endure
The gifts of the Muses,
Daughters of Memory.
When the sky is blue as Minerva's eyes
Let me stand unshaken;
When the sea sings to the rising sun
Let me be unafraid;
When the meadow lark falls like a meteor
Through the light of afternoon,
An unloosened fountain of rapture,
Keep my heart from spilling
Its vital power;
When at the dawn
The dim souls of crocuses hear the calls
Of waking birds,
Give me to live but master the loveliness.
Keep my eyes unharmed from splendors
Unveiled by you,
And my ears at peace
Filled no less with the music
Of Passion and Pain, growth and change.
But O ye sacred and terrible powers,
Reckless of my mortality,
Strengthen me to behold a face,
To know the spirit of a beloved one
Yet to endure, yet to dare!
~ Edgar Lee Masters,
942:A Red Flower
Your lips are like a southern lily red,
Wet with the soft rain-kisses of the night,
In which the brown bee buries deep its head,
When still the dawn's a silver sea of light.
Your lips betray the secret of your soul,
The dark delicious essence that is you,
A mystery of life, the flaming goal
I seek through mazy pathways strange and new.
Your lips are the red symbol of a dream,
What visions of warm lilies they impart,
That line the green bank of a fair blue stream,
With butterflies and bees close to each heart!
Brown bees that murmur sounds of music rare,
That softly fall upon the langourous breeze,
Wafting them gently on the quiet air
Among untended avenues of trees.
O were I hovering, a bee, to probe
Deep down within your scented heart, fair flower,
Enfolded by your soft vermilion robe,
Amorous of sweets, for but one perfect hour!
~ Claude McKay,
943:THE island dreams under the dawn
And great boughs drop tranquillity;
The peahens dance on a smooth lawn,
A parrot sways upon a tree,
Raging at his own image in the enamelled sea.
Here we will moor our lonely ship
And wander ever with woven hands,
Murmuring softly lip to lip,
Along the grass, along the sands,
Murmuring how far away are the unquiet lands:
How we alone of mortals are
Hid under quiet boughs apart,
While our love grows an Indian star,
A meteor of the burning heart,
One with the tide that gleams, the wings that gleam
and dart,
The heavy boughs, the burnished dove
That moans and sighs a hundred days:
How when we die our shades will rove,
When eve has hushed the feathered ways,
With vapoury footsole by the water's drowsy blaze.
First published as 'An Indian Song,' in the Dublin University Review, December 1886.
\
~ William Butler Yeats, The Indian To His Love
,
944:Before the Dawn

In the darkest night the sun may seem like an extinguished match or an ember drowned by rain.

A light forever lost.

The cold world grows steadily colder and shrinks like the abused, closing in on all sides. Laughter, smiles, the glimmer of dancing eyes, and all else indicative of human brightness is gone. Colors leeched from everything leave shadows and emotion dull-gray in their absence.
Time is a void. A moment feels eternal.
Hope does not blossom in the darkness but withers fast, starving for what only the sun can offer. As its petals turn to dust, fear blows in and sweeps the remnants away. The soul succumbs by degrees to nightmares emboldened by the dead of night.

All is lost! All is lost! The wretched sun, repulsed by our nothingness, has abandoned the lives in its care!

And then the eyes open wide, seeing mountains take shape on the horizon. ~ Richelle E Goodrich,
945:My lady,” says Aladdin, extending an arm toward the sun, “I give you gold as a token of my love.”
“All I want is you,” I reply. I turn and kiss him, pulling him against me, feeling the warmth of the dawn in my hair. Then I rest my head on his shoulder, simply feeling his arms around me, his heart beating against me.
“Are you cold?” asks Aladdin. “You’re shivering.”
“A little.”
“I’ll go get a blanket. And breakfast. If I can find the kitchen.”
“Galley, love. It’s called a galley.”
“Right. Galley. Got it. I’ll ask the captain. What was his name?”
“Sinbad, I think?”
“I’ll be right back.”
But I catch his hand. “I’m all right. Don’t go yet.”
He stays with me, and together we watch the sun stain the sea and sky a thousand and one shades of gold. My thumb rubs the ring on my finger, its dents and contours as familiar to me now as my hand.
So this is what it feels like to have all your wishes come true. ~ Jessica Khoury,
946:the idea of demonic transmigration. There were the expected Catholic texts from the Rituale Romanum, containing the rites and guidelines for major exorcisms, but also a host of more arcane materials whose origins ranged from India to Egypt. She found passages copied from the Zohar, the Jewish mystical text of Kabbalistic teachings, describing the ways in which a demon could secretly slip into a victim’s soul, and how it could only be dislodged by a minyan reciting Psalm 91 three times; if the rabbi then blew a certain melody on the shofar, or ram’s horn, the sound would in effect “shatter the body” and shake the evil spirit loose. Even the Muslims had their methods for disposing of wandering demons. The prophet Muhammad instructed his followers to read the last three suras from the Koran—the Surat al-Ikhlas (the Fidelity), the Surat al-Falaq (the Dawn), and the Surat an-Nas (Mankind)—and drink water from the holy well of Zamzam. ~ Robert Masello,
947:This Is A Poem I Wrote At Night, Before The Dawn
This is a poem I wrote before I died and was reborn:
- After the years of the apples ripening and the eagles
soaring,
After the festival here the small flowers gleamed like the
first stars,
And the horses cantered and romped away like the
experience of skill; mastered and serene
Power, grasped and governed by reins, lightly held by
knowing hands.
The horses had cantered away, far enough away
So that I saw the horses' heads farther and farther away
And saw that they had reached the black horizon on the
dusk of day
And were or seemed black thunderheads, massy and
ominous waves in the doomed sky:
And it was then, for the first time, then that I said as I
must always say
All through living death of night:
It is always darkness before delight!
The long night is always the beginning of the vivid blossom of day.
~ Delmore Schwartz,
948:Apology
If men should ask, Despoina, why I tell
Of nothing glad nor noble in my verse
To lighten hearts beneath this present curse
And build a heaven of dreams in real hell,
Go you to them and speak among them thus:
“There were no greater grief than to recall,
Down in the rotting grave where the lithe worms crawl,
Green fields above that smiled so sweet to us.”
Is it good to tell old tales of Troynovant
Or praises of dead heroes, tried and sage,
Or sing the queens of unforgotten age,
Brynhild and Maeve and virgin Bradamant?
How should I sing of them? Can it be good
To think of glory now, when all is done,
And all our labour underneath the sun
Has brought us this-and not the thing we would?
All these were rosy visions of the night,
The loveliness and wisdom feigned of old.
But now we wake. The East is pale and cold,
No hope is in the dawn, and no delight.
~ Clive Staples Lewis,
949:God causes grains and seeds to split and sprout, for He brings life from death and death from life.  That’s how God is to you, so how is it that you’re so deceived (about His nature)?”  [95]        He splits the dawn (from the night) and made the night for rejuvenation and rest, while the sun and the moon are for counting the passage of time. That’s how He’s arranged (for your world to work, for He’s) the Powerful and the Knowing.  [96]        He’s the One Who made the stars (as reference points) to guide you on your way through the unknown regions of land and sea, and this is how We explain Our signs for people who know.  [97]       He’s the One Who produced you all from a single soul.  (So understand that this world that you inhabit) is a place to linger, and it’s also a point of departure.  This is how We explain Our verses for people who understand.   He’s the One Who sends down water from the sky and uses it to produce plants of every kind.  ~ Anonymous,
950:The moonlight was still floating on the waters, when men, looking from numberless decks towards the east, were able to hail the dawn. There was a summer breeze blowing fair from the land. At a quarter before five a gun from the Britannia gave the signal to weigh. The air was obscured by the busy smoke of the engines, and it was hard to see how and whence due order would come; but presently the Agamemnon moved through, and with signals at all her masts – for Lyons was on board her, and was governing and ordering the convoy. The French steamers of war went out with their transports in tow, and their great vessels formed the line. The French went out more quickly than the English, and in better order. Many of their transports were vessels of very small size; and of necessity they were a swarm. Our transports went out in five columns of only thirty each. Then – guard over all – the English war-fleet, in single column, moved slowly out of the bay.50 ~ Orlando Figes,
951:Her own awareness had risen like the dawn on her back.Like a leaden sunrise veiled in a swirl of storm clouds. It was no longer enough to have answers for Shiva's sake. Indeed, it had ceased to be about mere vengeance the moment Khalid's lips touched hers in the alley by the souk. She had wanted there to be a reason for this madness, needed there to be a reason, so that she could be with him. So that she could be by his side, make him smile as she laughed, weave tales by lamplight, and share secrets in the dark.So that she could fall asleep in his arms and awaken to a brilliant tomorrow.
But it was too late. He was the Mehrdad of her nightmares. She had opened the door. She had seen the bodies hanging from the walls, without explanation. Without justification.
And without one, Shahrzad knew what must be done. Khalid had to answer for such vile deeds. Such rampant death.
Even if he was her air.
Even if she loved him beyond words. ~ Ren e Ahdieh,
952:/Farsi David was an open vessel, the light Poured into him. God's words took flight In him and through him God said: 'To all humankind, who are wed To hubris and sin, I say: "If heaven and hell Did not exist to catch you and break you, Would you, though a speck of dust, tell Truth from falsehood, would your eye find true Centre in my words? If there was nothing but dark Would you think of me, still less mark Your place with the leaf of prayer? Yet You are bound to my will, your soul is set In the direction of my breath, with hope And fear which cracks the dawn of your heart, So you will worship me with all your mind Words and inclination. Make a start: Burn to ashes all that is not I, bind The ashes to the fidelity of the wind, Extract the ore of your being, Then you shall start seeing."' [1490.jpg] -- from The Conference of the Birds: The Selected Sufi Poetry of Farid ud-Din Attar, Translated by Raficq Abdulla

~ Farid ud-Din Attar, God Speaks to David
,
953:Recuerdo
We were very tired, we were very merry -We had gone back and forth all night upon the ferry.
It was bare and bright, and smelled like a stable -But we looked into a fire, we leaned across a table,
We lay on the hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.
We were very tired, we were very merry -We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and the pears,
And we gave her all our money but our subway fares.
~ Edna St. Vincent Millay,
954:Standish O’Grady in his “Early Bardic History of Ireland” says: “I must confess that the blaze of Bardic light which illuminates those centuries at first dazzles the eye and disturbs the judgment . . . (but) that the Irish kings and heroes should succeed one another, surrounded by a blaze of Bardic light, in which both themselves and all those who were contemporaneous with them are seen clearly and distinctly, was natural in a country where in each little realm or sub-kingdom the ard-ollam was equal in dignity to the King, as is proved by the equivalence of their eric. The dawn of English history is in the seventh century — a late dawn, dark and sombre, without a ray of cheerful sunshine; that of Ireland dates reliably from a point before the commencing of the Christian Era — illumined with that light which never was on sea or land — thronging with heroic forms of men and women — terrible with the presence of the supernatural and its over-reaching power. ~ Seumas MacManus,
955:Recuerdo

We were very tired, we were very merry—
We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable—
But we looked into a fire, we leaned across a table,
We lay on a hill-top underneath the moon;
And the whistles kept blowing, and the dawn came soon.

We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed “Good morrow, mother!” to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, “God bless you!” for the apples and pears,
And we gave her all our money but our subway fares. ~ Edna St Vincent Millay,
956:The Cats Will Know
Again the rain will fall
on the sweet pavements,
a light rain
like a breath or a footstep.
Again the breeze and the dawn
will blossom lightly
beneath your footstep
as you reenter.
Among flowers and sills
the cats will know it.
There will be other days.
There will be other voices.
You will smile alone.
The cats will know it.
You will hear antique words,
tired and empty words
like the disused costumes
from yesterday's festivals.
You too will make gestures.
You will respond with words—
face of Spring,
you too will make gestures.
The cats will know it,
face of Spring;
and the light rain,
the hyacinth-color dawn,
that tears the heart of one
who no longer longs for you,
they are the sad smile
you smile alone.
There will be other days,
other voices and awakenings.
We will suffer at dawn,
face of Spring.
13
~ Cesare Pavese,
957:Processions that lack high stilts have nothing that catches the eye.
What if my great-granddad had a pair that were twenty foot high,
And mine were but fifteen foot, no modern stalks upon higher,
Some rogue of the world stole them to patch up a fence or a fire.
Because piebald ponies, led bears, caged lions, make but poor shows,
Because children demand Daddy-long-legs upon his timber toes,
Because women in the upper storeys demand a face at the pane,
That patching old heels they may shriek, I take to chisel and plane.

Malachi Stilt-Jack am I, whatever I learned has run wild,
From collar to collar, from stilt to stilt, from father to child.
All metaphor, Malachi, stilts and all. A barnacle goose
Far up in the stretches of night; night splits and the dawn breaks loose;
I, through the terrible novelty of light, stalk on, stalk on;
Those great sea-horses bare their teeth and laugh at the dawn.

~ William Butler Yeats, High Talk
,
958:The Genesis Of Butterflies

The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies ~ Victor Hugo,
959:India . . . was like an ancient palimpsest on which layer upon layer of thought and reverie had been inscribed, and yet no succeeding layer had completely hidden or erased what had been written previously. . . . Though outwardly there was diversity and infinite variety among our people, everywhere there was that tremendous impress of oneness, which had held all of us together for ages . . . [India] was a world in itself, a culture and a civilization which gave shape to all things. Foreign influences poured in . . . and were absorbed. Disruptive tendencies gave rise immediately to an attempt to find a synthesis. Some kind of a dream of unity has occupied the mind of India since the dawn of civilization. That unity was not conceived as something imposed from outside, a standardization of externals or even of beliefs. It was something deeper and, within its fold, the widest tolerance of belief and custom was practiced and every variety acknowledged and even encouraged. ~ Shashi Tharoor,
960:At the very moment that humans discovered the scale of the universe and found that their most unconstrained fancies were in fact dwarfed by the true dimensions of even the Milky Way Galaxy, they took steps that ensured that their descendants would be unable to see the stars at all. For a million years humans had grown up with a personal daily knowledge of the vault of heaven. In the last few thousand years they began building and emigrating to the cities. In the last few decades, a major fraction of the human population has abandoned a rustic way of life. As technology developed and the cities were polluted, the nights became starless. New generations grew to maturity wholly ignorant of the sky that had transfixed their ancestors and that had stimulated the modern age of science and technology. Without even noticing, just as astronomy entered a golden age most people cut themselves off from the sky, a cosmic isolationism that ended only with the dawn of space exploration. ~ Carl Sagan,
961:MATTHEW 28  m Now after the Sabbath, toward the dawn of the first day of the week, Mary Magdalene and  n the other Mary went to see the tomb. 2And behold, there was a great earthquake, for  o an angel of the Lord descended from heaven and came and rolled back the stone and sat on it. 3 p His appearance was like lightning, and  q his clothing white as snow. 4And for fear of him the guards trembled and  r became like dead men. 5But the angel said to the women, “Do not be afraid, for I know that you seek Jesus who was crucified. 6He is not here, for he has risen,  s as he said. Come, see the place where he [1] lay. 7Then go quickly and tell his disciples that he has risen from the dead, and behold,  t he is going before you to Galilee; there you will see him. See, I have told you.” 8So they departed quickly from the tomb  u with fear and great joy, and ran to tell his disciples. 9And behold, Jesus  v met them and said, “Greetings!” And they came up and  w took hold of his feet and ~ Anonymous,
962:Flanders
Flanders, the name of a place, a country of people,
Spells itself with letters, is written in books.
"Where is Flanders?" was asked one time,
Flanders known only to those who lived there
And milked cows and made cheese and spoke the home language.
"Where is Flanders?" was asked.
And the slang adepts shot the reply: Search me.
A few thousand people milking cows, raising radishes,
On a land of salt grass and dunes, sand-swept with a sea-breath on it:
This was Flanders, the unknown, the quiet,
The place where cows hunted lush cuds of green on lowlands,
And the raw-boned plowmen took horses with long shanks
Out in the dawn to the sea-breath.
Flanders sat slow-spoken amid slow-swung windmills,
Slow-circling windmill arms turning north or west,
Turning to talk to the swaggering winds, the childish winds,
So Flanders sat with the heart of a kitchen girl
Washing wooden bowls in the winter sun by a window.
~ Carl Sandburg,
963:The end of the twentieth century and the dawn of the new millennium had seen something of a renaissance in the public awareness of the paranormal. Psychics, haunts, vampires—you name it. People still didn’t take them seriously, but all the things Science had promised us hadn’t come to pass. Disease was still a problem. Starvation was still a problem. Violence and crime and war were still problems. In spite of the advance of technology, things just hadn’t changed the way everyone had hoped and thought they would. Science, the largest religion of the twentieth century, had become somewhat tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who had allowed the television to raise their children. People were looking for something—I think they just didn’t know what. And even though they were once again starting to open their eyes to the world of magic and the arcane that had been with them all the while, they still thought I must be some kind of joke. ~ Jim Butcher,
964:Songs In Sleep
If I could frame for you in cunning words
The songs my heart in sleep is often singing,
You'd fancy, love, an orquestra of birds
Upon their quivering throats the dawn were bringing.
Now in some wild, weird flush of melody
I'd feign the skylark, with his music sifting
The final films of nightshade from the lea,
And all the waking world to heaven uplifting.
Then, ere the lengthening liquid solo went-In skylark fashion--out of hearing o'er us,
I'd mock with skill, as sweet as my intent,
Thrustle and blackbird coming in for chorus.
There's not a strain of joy the birds could sing,
I could not set to words that I've been dreaming;
But when I wake, alas! they all take wing,
And leave of music but the empty seeming.
Believe me, love, I sing to you, in sleep,
Songs that if voiced would waken you to pleasure;
Would you could hear them in your dreams, and keep
Their inner meaning, though you missed the measure.
~ Anonymous Americas,
965:The Diamond Hitch
When camp is moved, at break of day,
Then comes old Packer Bill--a king
Who rules, with most despotic sway,
The while he loads the pack-mule string;
'Now, stand off, fellers, give him room!
Now, let the critter buck and pitch;
That load will stay till crack o' doom
'Cause Bill has slung the diamond hitch.'
The helpers stand in trembling awe
And watch the ropes weave round the pack;
The artist's lightest word is law
While strong and deft hands show their knack;
A false move condemnation brings-'This noose must go jest thus and sich;
No tenderfoot must bobble things
When Old Bill slings the diamond hitch.'
Old Bill is gone--and o'er the ways
His caravans trailed, in the past,
The engine thunders through the haze
That hangs above the prairie vast;
But ere the dawn of life is fanned,
Disclosing land of fence and ditch,
I seem to seek the pack-mules stand
While old Bill slings the diamond hitch.
~ Arthur Chapman,
966:Since the dawn of education, the student considered as normal has been the student who puts up the least resistance to teaching, the one who doesn't call our knowledge into question or put our competency to the test, a student who already knows a lot, who is gifted with instant comprehension, who spares us searching for the access roads to his grey matter, a student with a natural urge to learn, who can stop being a kid in turmoil or a teenager with problems during our lessons, a student convinced from the cradle that he has to curb his appetites and emotions by exercising his reason if he doesn't want to live in a jungle filled with predators, a student confident that the intellectual life is a source of infinite pleasures that can be refined to the extreme when most other pleasures are doomed to monotonous repetition - in short, a student who has understod that knowledge is the only answer: the answer to the slavery in which ignorance wants to keep us, the sole consolation for our ontological loneliness. ~ Daniel Pennac,
967:While the Reconstruction Era was fraught with corruption and arguably doomed by the lack of land reform, the sweeping economic and political developments in that period did appear, at least for a time, to have the potential to seriously undermine, if not completely eradicate, the racial caste system in the South. With the protection of federal troops, African Americans began to vote in large numbers and seize control, in some areas, of the local political apparatus. Literacy rates climbed, and educated blacks began to populate legislatures, open schools, and initiate successful businesses. In 1867, at the dawn of the Reconstruction Era, no black men held political office in the South, yet three years later, at least 15 percent of all Southern elected officials were black. This is particularly extraordinary in light of the fact that fifteen years after the passage of the Voting Rights Act of 1965 - the high water mark of the Civil Rights Movement - fewer than 8 percent of all Southern elected officials were black. ~ Michelle Alexander,
968:The Industrial Revolution created a transformative critical juncture for the whole world during the nineteenth century and beyond: those societies that allowed and incentivized their citizens to invest in new technologies could grow rapidly. But many around the world failed to do so—or explicitly chose not to do so. Nations under the grip of extractive political and economic institutions did not generate such incentives. Spain and Ethiopia provide examples where the absolutist control of political institutions and the implied extractive economic institutions choked economic incentives long before the dawn of the nineteenth century. The outcome was similar in other absolutist regimes—for example, in Austria-Hungary, Russia, the Ottoman Empire, and China, though in these cases the rulers, because of fear of creative destruction, not only neglected to encourage economic progress but also took explicit steps to block the spread of industry and the introduction of new technologies that would bring industrialization. Absolutism ~ Daron Acemo lu,
969:Ancient Egypt, like that of the Olmecs (Bolivia), emerged all at once and fully formed. Indeed, the period of transition from primitive to advanced society appears to have been so short that it makes no kind of historical sense. Technological skills that should have taken hundreds or even thousands of years to evolve were brought into use almost overnight-- and with no apparent antecedents whatever. For example, remains from the pre-dynastic period around 3500 BC show no trace of writing. Soon after that date, quite suddenly and inexplicably, the hieroglyphs familiar from so many of the ruins of Ancient Egypt begin to appear in a complete and perfect state. Far from being mere pictures of objects or actions, this written language was complex and structured at the outset, with signs that represented sounds only and a detailed system of numerical symbols. Even the very earliest hieroglyphs were stylized and conventionalized; and it is clear that an advanced cursive script was it common usage by the dawn of the First Dynasty. ~ Graham Hancock,
970:Ballade Of The Dream
Swift as sound of music fled
When no more the organ sighs,
Sped as all old days are sped,
So your lips, love, and your eyes,
So your gentle-voiced replies
Mine one hour in sleep that seem,
Rise and flit when slumber flies,
Following darkness like a dream!
Like the scent from roses red,
Like the dawn from golden skies,
Like the semblance of the dead
From the living love that hies,
Like the shifting shade that lies
On the moonlight-silvered stream,
So you rise when dreams arise,
Following darkness like a dream!
Could some spell, or sung or said,
Could some kindly witch and wise,
Lull for aye this dreaming head
In a mist of memories,
I would lie like him who lies
Where the lights on Latmos gleam, Wake not, find not Paradise
Following darkness like a dream!
ENVOY.
Sleep, that giv'st what Life denies,
Shadowy bounties and supreme,
Bring the dearest face that flies
Following darkness like a dream!
~ Andrew Lang,
971:BECAUSE we love bare hills and stunted trees
And were the last to choose the settled ground,
Its boredom of the desk or of the spade, because
So many years companioned by a hound,
Our voices carry; and though slumber-bound,
Some few half wake and half renew their choice,
Give tongue, proclaim their hidden name "Hound Voice."

The women that I picked spoke sweet and low
And yet gave tongue. "Hound Voices' were they all.
We picked each other from afar and knew
What hour of terror comes to test the soul,
And in that terror's name obeyed the call,
And understood, what none have understood,
Those images that waken in the blood.
Some day we shall get up before the dawn
And find our ancient hounds before the door,
And wide awake know that the hunt is on;
Stumbling upon the blood-dark track once more,
Then stumbling to the kill beside the shore;
Then cleaning out and bandaging of wounds,
And chantS of victory amid the encircling hounds.

~ William Butler Yeats, Hound Voice
,
972:The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon. ~ H Rider Haggard,
973:It would take another twenty-seven years before the first government-authorized lifesaving stations were erected on Cape Cod. In all, nine stations were built from Race Point in Provincetown to Monomoy Island in Chatham. These two-story wooden structures were put up in the sunbaked dunes away from the high-water mark, thus protecting them from floods. They were painted a deep red and carried sixty-foot flags to make them easily recognizable from the ocean. The stations were manned by up to seven surfmen from August 1 to June 1 of the following year. The station’s keeper kept a watchful eye for the remaining two months. The keeper earned $200 per year for his duties while the surfmen were paid $65 a month. Each surfman, no matter how many years of service, was obligated to pass a strenuous physical examination at the dawn of each new season. Writer J. W. Dalton described the surfman’s weekly routine in his 1902 book, The Life Savers of Cape Cod: “On Monday the members of the crew are employed putting the station in order. ~ Michael J Tougias,
974:The Death King
I hired a carpenter
to build my coffin
and last night I lay in it,
braced by a pillow,
sniffing the wood,
letting the old king
breathe on me,
thinking of my poor murdered body,
murdered by time,
waiting to turn stiff as a field marshal,
letting the silence dishonor me,
remembering that I'll never cough again.
Death will be the end of fear
and the fear of dying,
fear like a dog stuffed in my mouth,
feal like dung stuffed up my nose,
fear where water turns into steel,
fear as my breast flies into the Disposall,
fear as flies tremble in my ear,
fear as the sun ignites in my lap,
fear as night can't be shut off,
and the dawn, my habitual dawn,
is locked up forever.
Fear and a coffin to lie in
like a dead potato.
Even then I will dance in my dire clothes,
a crematory flight,
blinding my hair and my fingers,
wounding God with his blue face,
his tyranny, his absolute kingdom,
with my aphrodisiac.
~ Anne Sexton,
975:The Dawn Of God's Sabbath
The dawn of God’s dear Sabbath
Breaks o’er the earth again,
As some sweet summer morning
After a night of pain;
It comes as cooling showers
To some exhausted land,
As shade of clustered palm trees
’Mid weary wastes of sand.
Lord, we would bring for offering
Though marred with earthly soil,
Our week of earnest labor,
Of useful daily toil;
Fair fruits of self denial,
Of strong, deep love to Thee,
Fostered by Thine own Spirit
In our humility.
And, we would bring our burden
Of sinful thought and deed,
In Thy pure presence kneeling,
From bondage to be freed;
Our heart’s most bitter sorrow
For all Thy work undone;
So many talents wasted!
So few bright laurels won!
And with that sorrow mingling,
A steadfast faith, and sure,
And love so deep and fervent,
That tries to make it pure;
In His dear presence finding
The pardon that we need;
And then the peace so lasting,
Celestial peace indeed!
~ Ada Cambridge,
976:Somewhere close I knew spear-nosed bats flew through the tree crowns in search of fruit, palm vipers coiled in ambush in the roots of orchids, jaguars walked the river's edge; around them eight hundred species of trees stood, more than are native to all of North America; and a thousand species of butterflies, 6 percent of the entire world fauna, waited for the dawn.About the orchids of that place we knew very little. About flies and beetles almost nothing, fungi nothing, most kinds of organisms nothing. Five thousand kinds of bacteria might be found in a pinch of soil, and about them we knew absolutely nothing. This was wilderness in the sixteenth-century sense, as it must have formed in the minds of the Portuguese explorers, its interior still largely unexplored and filled with strange, myth-engendering plants and animals. From such a place the pious naturalist would send long respectful letters to royal patrons about the wonders of the new world as testament to the glory of God. And I thought: there is still time to see this land in such a manner. ~ Edward O Wilson,
977:Calgary Of The Plains
Not of the seething cities with their swarming human hives,
Their fetid airs, their reeking streets, their dwarfed and poisoned lives,
Not of the buried yesterdays, but of the days to be,
The glory and the gateway of the yellow West is she.
The Northern Lights dance down her plains with soft and silvery feet,
The sunrise gilds her prairies when the dawn and daylight meet;
Along her level lands the fitful southern breezes sweep,
And beyond her western windows the sublime old mountains sleep.
The Redman haunts her portals, and the Paleface treads her streets,
The Indian's stealthy footstep with the course of commerce meets,
And hunters whisper vaguely of the half forgotten tales
Of phantom herds of bison lurking on her midnight trails.
Not hers the lore of olden lands, their laurels and their bays;
But what are these, compared to one of all her perfect days?
For naught can buy the jewel that upon her forehead lies-The cloudless sapphire Heaven of her territorial skies.
~ Emily Pauline Johnson,
978:1090
We'Re Dreamers All
Oh, man must dream of gladness wherever his pathways lead,
And a hint of something better is written in every creed;
And nobody wakes at morning but hopes ere the day is o'er
To have come to a richer pleasure than ever he's known before.
For man is a dreamer ever. He glimpses the hills afar
And plans for the joys off yonder where all his to-morrows are;
When trials and cares beset him, in the distance he still can see
A hint of a future splendid and the glory that is to be.
There's never a man among us but cherishes dreams of rest;
We toil for that something better than that which is now our best.
Oh, what if the cup be bitter and what if we're racked with pain?
There are wonderful days to follow when never we'll grieve again.
Back of the sound of the hammer, and back of the hissing steam,
And back of the hand at the throttle is ever a lofty dream;
All of us, great or humble, look over the present need
To the dawn of the glad to-morrow which is promised in every creed.
~ Edgar Albert Guest,
979:Pauline Barrett
Almost the shell of a woman after the surgeon's knife!
And almost a year to creep back into strength,
Till the dawn of our wedding decennial
Found me my seeming self again.
We walked the forest together,
By a path of soundless moss and turf.
But I could not look in your eyes,
And you could not look in my eyes,
For such sorrow was ours -- the beginning of gray in your hair,
And I but a shell of myself.
And what did we talk of? -- sky and water,
Anything, 'most, to hide our thoughts.
And then your gift of wild roses,
Set on the table to grace our dinner.
Poor heart, how bravely you struggled
To imagine and live a remembered rapture!
Then my spirit drooped as the night came on,
And you left me alone in my room for a while,
As you did when I was a bride, poor heart.
And I looked in the mirror and something said:
"One should be all dead when one is half-dead -Nor ever mock life, nor ever cheat love."
And I did it looking there in the mirror -Dear, have you ever understood?
~ Edgar Lee Masters,
980:The Temple of Artemis WHEN EOS ARRIVED AT HER usual spot in the sky Saturday morning, ready to bring forth the dawn, she looked up at Nyx and waved the notescroll her friend had given her. “Yes! I can come see your statue!” she shouted. Nyx flashed Eos a smile, already reeling in her cape. “Hooray!” she whooped. “I’m going home to sleep for a few hours and then Hades will give me a ride to the temple at Ephesus. He’s got four stallions to pull his chariot, which means his can go much faster than mine!” At the mention of Hades, Eos paled. A student at MOA, he was also godboy of the Underworld, where Nyx lived, and where mortals like Tithonus would go when they died. It was also where some unlucky immortals were imprisoned right now—those who had fought against Zeus in battle or defied him in some other way. As a matter of fact, her sad-mad-dad problem was all tied into the Underworld. Because one of those immortal prisoners was her dad, Hyperion, the god of light! “Hey! Eos! The dawn?” With a start, Eos realized Nyx had finished reeling in her entire cape and was ready to ride away. ~ Joan Holub,
981:This kind of war was full of fascinating thrills. It was not like the Great War. Nobody expected to be killed. Here and there in every regiment or battalion, half a dozen, a score, at the worst thirty or forty, would pay forfeit; but to the great mass of those who took part in the little wars of Britain in those vanished and light-hearted days, this was only a sporting element in a splendid game. Most of us were fated to se a war where the hazards were reversed, where death was the general expectation and severe wounds were counted as lucky escapes, where whole brigades were shorn away under the steel flail of artillery and machine-guns, where the survivors of one tornado knew that they would certainly be consumed in the next or the next after that.

Everything depends upon the scale of events. We young men who lay down to sleep that night within three miles of 60,000 well-armed fanatical Dervishes, expecting every moment their violent onset or inrush and sure of fighting at latest with the dawn – we may perhaps be pardoned if we thought we were at grips with real war. ~ Winston S Churchill,
982:1095
What Counts
It isn't the money you're making,
it isn't the clothes you wear,
And it isn't the skill of your good right hand which makes folks really care.
It's the smile on your face and
the light of your eye and the burdens that you bear.
Most any old man can tell you, most any old man at all,
Who has lived through all sorts of weather, winter and summer and fall,
That riches and fame are shadows that dance on the garden wall.
It's how do you live and neighbor, how do you work and play,
It's how do you say 'good morning' to the people along the way,
And it's how do you face your troubles whenever your skies are gray.
It's you, from the dawn to nighttime; you when the day is fair,
You when the storm is raging - how do you face despair?
It is you that the world discovers, whatever the clothes you wear.
You to the end of the journey,
kindly and brave and true,
The best and the worst of you gleaming in all that you say and do,
And the ting that counts isn't money,
or glory, or power, but YOU!
~ Edgar Albert Guest,
983:Poems Done On A Late Night Car
I. CHICKENS
I am The Great White Way of the city:
When you ask what is my desire, I answer:
"Girls fresh as country wild flowers,
With young faces tired of the cows and barns,
Eager in their eyes as the dawn to find my mysteries,
Slender supple girls with shapely legs,
Lure in the arch of their little shoulders
And wisdom from the prairies to cry only softly at
the ashes of my mysteries."
II. USED UP
Lines based on certain regrets that come with rumination
upon the painted faces of women on
North Clark Street, Chicago
Roses,
Red roses,
Crushed
In the rain and wind
Like mouths of women
Beaten by the fists of
Men using them.
O little roses
And broken leaves
And petal wisps:
You that so flung your crimson
To the sun
Only yesterday.
III. HOME
Here is a thing my heart wishes the world had more of:
I heard it in the air of one night when I listened
To a mother singing softly to a child restless and angry
in the darkness.
328
~ Carl Sandburg,
984:The Blossom Never Knows
The blossom never knows the fragrance sweet
That in its blossom’s mystery lies,
The deeps that mirror forth the Infinite
Question its secrets with their sighs.
For whom throng still the murmuring bees,
Restless amid the perfumed trees?
Whose memory thrills the impassioned breeze
And paints the magic skies?
Whose one lamps through the way-lost night
Glimmer in moon and starry light?
Whose glory in the dawn breaks bright?
For whom yearns all and cries?
For whose greatness down the ages long
Are the wide heavens a sapphire song?
For whom runs the stream with bablling tongue,
Repeats whose harmonies?
Whose breath perfumes trees, flower and grass,
Inspires the atoms’s dance in space?
Whose trailing robes in twilight pass,
A shadow in longing eyes?
Oh, if thou never wilt appear,
Why are thy masks of Beauty here?
Why sound thy anklets everywhere,
The spell that never dies?
My heart forgets that in my heart
Thy throne for ever lies.
[From: Among the Great 1950]
~ Dilip Kumar Roy,
985:Bronzes
The bronze General Grant riding a bronze horse in Lincoln Park
Shrivels in the sun by day when the motor cars whirr
by in long processions going somewhere to keep appointment for dinner and matineés and buying and
selling
Though in the dusk and nightfall when high waves are
piling
On the slabs of the promenade along the lake shore near
by
I have seen the general dare the combers come closer
And make to ride his bronze horse out into the hoofs
and guns of the storm.
II
I cross Lincoln Park on a winter night when the snow
is falling.
Lincoln in bronze stands among the white lines of snow,
his bronze forehead meeting soft echoes of the newsies crying forty thousand men are dead along the
Yser, his bronze ears listening to the mumbled roar
of the city at his bronze feet.
A lithe Indian on a bronze pony, Shakespeare seated with
long legs in bronze, Garibaldi in a bronze cape, they
hold places in the cold, lonely snow to-night on their
pedestals and so they will hold them past midnight
and into the dawn.
~ Carl Sandburg,
986:, Yiddish From word to word I roam, from dawn to dusk. Dream in, dream out -- I pass myself and towns, A human satellite. I wait, am hopeful, as one who waits at the rock For the spring to well forth and ever well on. I feel as bright as if I tented somewhere in the Milky Way. To urge the world to feel I walk through lonesome solitudes. All around me lightning explodes sparks from my glance To reveal all light, unveil faces everywhere. Godward, onward to the final weighing overcoming heavy weight with thirst. Constantly, the longings of all born call out, "Is anyone around?" I know each one is HE, but in my heart there writhes a tear; When of men and rocks and trees I hear; All plead "Feel us" All beg "See us" God! Lend me your eyes! I came to be, to sow the seed of sight in the world, To unmask the God who disguised Himself as world-- And yes, I wait to be the first to announce "The Dawn." - from "Human, God's Ineffable Name," by Rabbi Abraham Joshua Heschel, freely rendered by Rabbi Zalman M. Schachter-Shalomi. Available from the Reb Zalman Legacy Project

~ Rabbi Abraham Joshua Heschel, Intimate Hymn
,
987:It’s like those nights when I was a kid, lying awake thinking the darkness would go on forever. And I couldn’t go back to sleep because of the dream of the whatever it was in the cellar coming out of the corner. I’d lie in the hot, rumpled bed, hot burning hot, trying to shut myself away and know that there were three eternities before the dawn. Everything was the night world, the other world where everything but good could happen, the world of ghosts and robbers and horrors, of things harmless in the daytime coming to life, the wardrobe, the picture in the book, the story, coffins, corpses, vampires, and always squeezing, tormenting darkness, smoke thick. And I’d think of anything because if I didn’t go on thinking I’d remember whatever it was in the cellar down there, and my mind would go walking away from my body and go down three stories defenceless, down the dark stair past the tall, haunted clock, through the whining door, down the terrible steps to where the coffin ends were crushed in the walls of the cellar – and I’d be held helpless on the stone floor, trying to run back, run away, climb up---- ~ William Golding,
988:Failing and Flying"

Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph. ~ Jack Gilbert,
989:They Have Found Each Other
Mute they wander,
Meeting yonder,
In the wondrous Spring new-born,
That though old as Time's first morn,
Brings fresh youth to all the living,
Now held fast, now far retreating,
But through hearts in oneness beating
Ever fullest bloom is giving.
Mute they wander. E'en the eye
Speaks no thought. For from on high
To their souls sweet strains have spoken
From the wide world's harmony,
Born of light, the darkness broken,
In the dawn of things to be.
Power crownedEarth around
Like a sun-song rolled the sound.
Mute they wander. Sweet strains endingEye nor tongue dares yet the lending
Speech to thought.
But lo! quick blending,
All things speak! They sound and shimmer,
Bloom in fragrance, ring and glimmer,
Tint and tone combining, nearer,
Meet as one-with all their thinking
In one beauty, higher, clearer,Heaven itself to earth is sinking.
But in this great hour of trysting
Life is opened, its course brightened,
Growth eternal calls, enlisting
Every spirit-power heightened.
~ Bjornstjerne Bjornson,
990:I begin to think,' said Estella, in a musing way, after another moment of calm wonder, 'that I almost understand how this comes about. If you had brought up your adopted daughter wholly in the dark confinement of these rooms, and had never let her know that there was such a thing as the daylight by which she has never once seen your face―if you had done that, and then, for a purpose, had wanted her to understand the daylight and know all about it, you would have been disappointed and angry? . . .'
Or,' said Estella, '―which is a nearer case―if you had taught her, from the dawn of her intelligence, with your utmost energy and might, that there was such a thing as daylight, but that it was made to be her enemy and destroyer, and she must always turn against it, for it had blighted you and would else blight her―if you had done this, and then, for a purpose, had wanted her to take naturally to the daylight and she could not do it, you would have been disappointed and angry? . . .'
So,' said Estella, 'I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me. ~ Charles Dickens,
991:What kind of love do you want?" he asked gently.
"Once I might have said like Donald and Lady Pamela. But they're imaginary. I want you to adore me like Macrath adores Virginia. Like Logan adores Mairi. I want to make your life better for being in it."
He came to her, bent his head until his lips were against her temple. "You've changed me, Ellice. You've made me whole. I won't live my life without you."
He rested his forehead against hers.
" 'Life has no meaning without you in it. Without the glory of the dawn in the shine of your hair. Without the blue of the skies in your eyes.' "
"I wrote that," she said, pulling back. "I was a bit overblown there, wasn't I?"
He smiled down at her. "Not at all. Donald is a man in love. Men in love say things that sound a bit overblown to anyone else."
"Do they?"
He nodded again. "Things like your eyes are as soft as velvet sometimes. And sometimes as hard as stone. I can always gauge your mood by how your eyes sparkle or if they don't. If you're amused or sad or a dozen other emotions. The rest of your face can be perfectly still, but you can't hide your eyes. ~ Karen Ranney,
992:In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is!
In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects.
In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes. ~ Sei Sh nagon,
993:The Resurrection MATTHEW 28  m Now after the Sabbath, toward the dawn of the first day of the week, Mary Magdalene and  n the other Mary went to see the tomb. 2And behold, there was a great earthquake, for  o an angel of the Lord descended from heaven and came and rolled back the stone and sat on it. 3 p His appearance was like lightning, and  q his clothing white as snow. 4And for fear of him the guards trembled and  r became like dead men. 5But the angel said to the women, “Do not be afraid, for I know that you seek Jesus who was crucified. 6He is not here, for he has risen,  s as he said. Come, see the place where he [1] lay. 7Then go quickly and tell his disciples that he has risen from the dead, and behold,  t he is going before you to Galilee; there you will see him. See, I have told you.” 8So they departed quickly from the tomb  u with fear and great joy, and ran to tell his disciples. 9And behold, Jesus  v met them and said, “Greetings!” And they came up and  w took hold of his feet and  x worshiped him. 10Then Jesus said to them, “Do not be afraid;  y go and tell  z my brothers to go to Galilee, and there they will see me. ~ Anonymous,
994:Seeking For Happiness
Seeking for happiness we must go slowly;
The road leads not down avenues of haste;
But often gently winds through by ways lowly,
Whose hidden pleasures are serene and chaste.
Seeking for happiness we must take heed
Of simple joys that are not found in speed.
Eager for noon-time's large effulgent splendour,
Too oft we miss the beauty of the dawn,
Which tiptoes by us, evanescent, tender,
Its pure delights unrecognised till gone.
Seeking for happiness we needs must care
For all the little things that make life fair.
Dreaming of future pleasures and achievements
We must not let to-day starve at our door;
Nor wait till after losses and bereavements
Before we count the riches in our store.
Seeking for happiness we must prize thisNot what will be, or was, but that which is.
In simple pathways hand in hand with duty
(With faith and love, too, ever at her side),
May happiness be met in all her beauty
The while we search for her both far and wide.
Seeking for happiness we find the way
Doing the things we ought to do each day.
~ Ella Wheeler Wilcox,
995:And kid, you’ve got to love yourself. You’ve got wake up at four in the morning, brew black coffee, and stare at the birds drowning in the darkness of the dawn. You’ve got to sit next to the man at the train station who’s reading your favorite book and start a conversation. You’ve got to come home after a bad day and burn your skin from a shower. Then you’ve got to wash all your sheets until they smell of lemon detergent you bought for four dollars at the local grocery store. You’ve got to stop taking everything so goddam personally. You are not the moon kissing the black sky. You’ve got to compliment someones crooked brows at an art fair and tell them that their eyes remind you of green swimming pools in mid July. You’ve got to stop letting yourself get upset about things that won’t matter in two years. Sleep in on Saturday mornings and wake yourself up early on Sunday. You’ve got to stop worrying about what you’re going to tell her when she finds out. You’ve got to stop over thinking why he stopped caring about you over six months ago. You’ve got to stop asking everyone for their opinions. Fuck it. Love yourself, kiddo. You’ve got to love yourself. ~ Anonymous,
996:Ave Adonai
[Dedicated to G. M. Marston]
Pale as the night that pales
In the dawn's pearl-pure pavillion,
I wait for thee, with my dove's breast
Shuddering, a god its bitter guestHave I not gilded my nails
And painted my lips with vermillion ?
Am I not wholly stript
Of the deeds and thoughts that obscure thee?
I wait for thee, my soul distraught
With aching for some nameless naught
In its most arcane cryptAm I not fit to endure thee?
Girded about the paps
With a golden girdle of glory,
Dost thou wait me, thy slave who am,
As a wolf lurks for a strayed white lamb?
The chain of the stars snaps,
And the deep of night is hoary!
Thou whose mouth is a flame
With its seven-edged sword proceeding,
Come ! I am writhing with despair
Like a snake taken in a snare,
Moaning thy mystical name
Till my tongue is torn and bleeding!
Have I not gilded my nails
And painted my lips with vermillion?
Yea ! thou art I; the deed awakes,
Thy lightening strikes; thy thunder breaks
Wild as the bride that wails
In the bridegroom's plumed pavillion!
21
~ Aleister Crowley,
997:Travel Song
‘COME, before the summer passes
Let us seek the mountain land:’
So they called me, happy playmates,
And we left the dawn-lit strand:
Riding on till later sunbeams slanted
On dark hills and downward-plunging streams,
And the solemn forest softly chanted
Old, old dreams.
From the pass, we saw in glory
Wave on purple wave unrolled
To the cloud-encircled summit
Floating high, alone and cold:
Like that altar-stone, by men of Athens
Dedicated to the unknown God;
Waiting for some fire to touch his holy
White abode.
Then the mellow sunset dying
Passed in rosy fire away,
And the stars and planets journeyed
On their ancient unknown way.
Riders of the illimitable heaven!
Moving on so far beyond our ken,
Do ye scorn the toiling, heavy-hearted
Sons of men?
Ere we slept we heard the torrents
Rushing from that mighty hill
Join in deep melodious singing,
While the forest-land was still.
Music of forgotten wildernesses!
Would that I could hear that song again!
Song of primal Earth’s enchanted sweetness,
Joy and pain.
~ Anne Glenny Wilson,
998:At the first light of the dawn
the loner knight asked:
"Do you happen to know-
the abode of The Beloved?"

The skies went silent,
save their mournful clouds,
save their falling stars.

The pilgrim gave up his glowing twig-
to the gloom of the sands-
and replied:

“Don’t you see that poplar tree?
Well, right before the tree,
There is a lane that you’ll reckon, I deem.
For it is greener than a heavenly dream,
For it is generously shaded-
with the deep blue’s of love.

Well, if you See!

So walk down that lane,
You’ll arrive to the garden of sense;
Turn to the direction of the loner lake;
Listen to the genial hymn of leaves;
Watch the eternal fountain-
that flows from the spring of ancient myths-
till you fade away-
In a plain fear.

When a rigid noise-
Clatters into the fluid intimacy of the space,
you'll find a child-
on the top of a tree-
next to the nest of owls-
in hope of a golden egg.

Well, if you See.

You may be sure: The Child will show you the way.

Well,
If you just ask about-
The Abode of The Beloved. ~ Sohrab Sepehri,
999:It's worth remembering that [having a baby] is not of vital use to you as a woman. Yes, you could learn thousands of interesting things about love, strength, faith, fear, human relationships, genetic loyalty, and the effect of apricots on an immune digestive system. But I don't think there's a single lesson that motherhood has to offer that couldn't be learned elsewhere. If you want to know what's in motherhood for you, as a woman, then-in truth-it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whiskey with revolutionaries; learning to do close-hand magic; swimming in a river in the winter; growing foxgloves, peas, and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a minute that childless men have missed out on a vital aspect of their existence, and were the poorer and crippled by it. Da Vinci, Van Gogh, Newton, Faraday, Plato, Aquinas, Beethoven, Handel, Kant, Hume, Jesus. They all seem to have managed quite well. ~ Caitlin Moran,
1000:Lily sent your woman out. She says Juanita would never wish to have a child if she watched now." Juanita glared at Travis, although she swished her skirts and boldly walked up to confront him. "I shall never have children," she declared firmly. "Why go through such pain just to bring another man into the world?" Wiping his dusty brow with the back of his arm, Travis looked away from the old Indian on the porch and down at Juanita, grinning widely as he looked her up and down. Her brown skin glinted with golden highlights in the dawn, and the loose neck of her lacy blouse revealed more than was necessary of the narrow valley between her breasts. He had finally been treated to more than just a glimpse of that delight last night, before the raid, and even in his weariness he couldn't control his surge of lust. "Where would women be if they did not have men to cook for and to warm their beds and to fill their bellies with bonnie babes? And look what fun you'd miss." With one quick grab, Travis hauled Juanita into his arms before she could escape, and he assuaged some of his hunger with the feel of her ripe body pressed into his and her lips opening beneath his kiss. Several ~ Patricia Rice,
1001:Light Breaks Where No Sun Shines
Light breaks where no sun shines;
Where no sea runs, the waters of the heart
Push in their tides;
And, broken ghosts with glowworms in their heads,
The things of light
File through the flesh where no flesh decks the bones.
A candle in the thighs
Warms youth and seed and burns the seeds of age;
Where no seed stirs,
The fruit of man unwrinkles in the stars,
Bright as a fig;
Where no wax is, the candle shows its hairs.
Dawn breaks behind the eyes;
From poles of skull and toe the windy blood
Slides like a sea;
Nor fenced, nor staked, the gushers of the sky
Spout to the rod
Divining in a smile the oil of tears.
Night in the sockets rounds,
Like some pitch moon, the limit of the globes;
Day lights the bone;
Where no cold is, the skinning gales unpin
The winter's robes;
The film of spring is hanging from the lids.
Light breaks on secret lots,
On tips of thought where thoughts smell in the rain;
When logics die,
The secret of the soil grows through the eye,
And blood jumps in the sun;
Above the waste allotments the dawn halts.
~ Dylan Thomas,
1002:SWIFTLY walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,--
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear
Which make thee terrible and dear,--
Swift be thy flight!

Wrap thy form in a mantle grey,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out.
Then wander o'er city and sea and land,
Touching all with thine opiate wand--
Come, long-sought!

When I arose and saw the dawn,
I sigh'd for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turn'd to his rest,
Lingering like an unloved guest,
I sigh'd for thee.

Thy brother Death came, and cried,
'Wouldst thou me?'
Thy sweet child Sleep, the filmy-eyed,
Murmur'd like a noontide bee,
'Shall I nestle near thy side?
Wouldst thou me?'--And I replied,
'No, not thee!'

Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled.
Of neither would I ask the boon
I ask of thee, beloved Night--
Swift be thine approaching flight,
Come soon, soon! ~ Percy Bysshe Shelley,
1003:But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. ~ Donna Tartt,
1004:careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters ~ Dale Carnegie,
1005:Zorba Sings
Zorba is singing
He dances
He drinks wine
He sings again
Plays on the santoori
With his hand on the shoulder of the twilight hour
Zorba sings
He drinks wine
He sings again
Inhaling the scent
Of the night's breast
He drinks
Zorba is dancing
Smeared all over
With the fresh hue of the dawn
Zorba drinks
He frisks and pranks
With the different wines
Of the different isles
Zorba sings
Plays on the santoori
Athens is singing
Sparta is singing
Lesbos is singing
Delphi too is singing
All the islands
Are dancing
The Mediterranean
Is drinking wine
Climbing over the waves
The little breeze swims
Zorba is singing
No colour of virtue
No stain of sin
Zorba sings
51
Gone are the Turks
Gone are the Romans
Gone are the Persians
Gone are the Germans
Who will come next
Is not known
Whoever comes
We shall drive him out
We shall keep
To the path of truth
Crying so, possessed,
Zorba sings
When it grows dark
He plays on the santoori
He dances
He drinks wine
Zorba is singing
~ Ayyappa Paniker,
1006:And The Rains Descended And The Floods Came
NOW the far waves roll nearer and more near,
The wind's awake, the pitiless wind's awake,
It shrieks the menace that I dare not hear,
Soon at my feet the angry waves will break
In desolating wrath--and here I stand
Helpless my house is built upon the sand.
O you, whose house upon a rock is set,
Laugh, safe and sure, at threatening wave and wind.
You chose the better part and yet--and yet,
There was no other ground that I could find,
And I was weary and I longed to raise
A house to guard my shivering nights and days.
And it was pleasant in the house I made,
While still the floods and winds were held asleep.
I blessed it at the dawn, at night I prayed
As though its dear foundations had been deep
Sunk in the rock. I whispered in surmise,
'What if winds never wake, floods never rise?'
And now the waves are near and very near,
And here I wait and wonder which may be
The wave in which my house will disappear,
My little house that loved and sheltered me,
Where joy still sings, her garland in her hand,
Built on the sand, oh God, built on the sand!
~ Edith Nesbit,
1007:ALTHOUGH I can see him still.
The freckled man who goes
To a grey place on a hill
In grey Connemara clothes
At dawn to cast his flies,
It's long since I began
To call up to the eyes
This wise and simple man.
All day I'd looked in the face
What I had hoped 'twould be
To write for my own race
And the reality;
The living men that I hate,
The dead man that I loved,
The craven man in his seat,
The insolent unreproved,
And no knave brought to book
Who has won a drunken cheer,
The witty man and his joke
Aimed at the commonest ear,
The clever man who cries
The catch-cries of the clown,
The beating down of the wise
And great Art beaten down.
Maybe a twelvemonth since
Suddenly I began,
In scorn of this audience,
Imagining a man,
And his sun-freckled face,
And grey Connemara cloth,
Climbing up to a place
Where stone is dark under froth,
And the down-turn of his wrist
When the flies drop in the stream;
A man who does not exist,
A man who is but a dream;
And cried, "Before I am old
I shall have written him one
poem maybe as cold
And passionate as the dawn.'

~ William Butler Yeats, The Fisherman
,
1008:A Note From the Beach Hello. I am the beach. I am created by waves and currents. I am made of eroded rocks. I exist next to the sea. I have been around for millions of years. I was around at the dawn of life itself. And I have to tell you something. I don’t care about your body. I am a beach. I literally don’t give a fuck. I am entirely indifferent to your body mass index. I am not impressed that your abdominal muscles are visible to the naked eye. I am oblivious. You are one of 200,000 generations of human beings. I have seen them all. I will see all the generations that come after you, too. It won’t be as many. I’m sorry. I hear the whispers the sea tells me. (The sea hates you. The poisoners. That’s what it calls you. A bit melodramatic, I know. But that’s the sea for you. All drama.) And I have to tell you something else. Even the other people on the beach don’t care about your body. They don’t. They are staring at the sea, or they are obsessed with their own appearance. And if they are thinking about you, why do you care? Why do you humans worry so much about a stranger’s opinion? Why don’t you do what I do? Let it wash all over you. Allow yourself just to be as you are. Just be. Just beach. ~ Matt Haig,
1009:Oh days devoted to the useless burden
of putting out of mind the biography
of a minor poet of the Southem Hemisphere,
to whom the fates or perhaps the stars have given
a body which will leave behind no child,
and blindness, which is semi-darkness and jail,
and old age, which is the dawn of death,
and fame, which absolutely nobody deserves,
and the practice of weaving hendecasyllables,
and an old love of encyclopedias
and fine handmade maps and smooth ivory,
and an incurable nostalgia for the Latin,
and bits of memories of Edinburgh and Geneva
and the loss of memory of names and dates,
and the cult of the East, which the varied peoples
of the teeming East do not themselves share,
and evening trembling with hope or expectation,
and the disease of entomology,
and the iron of Anglo-Saxon syllables,
and the moon, that always catches us by surprise,
and that worse of all bad habits, Buenos Aires,
and the subtle flavor of water, the taste of grapes,
and chocolate, oh Mexican delicacy,
and a few coins and an old hourglass,
and that an evening, like so many others,
be given over to these lines of verse.

~ Jorge Luis Borges, That One
,
1010:I asked nothing, only stood at the
edge of the wood behind the tree.
  Languor was still upon the eyes
of the dawn, and the dew in the air.
  The lazy smell of the damp grass
hung in the thin mist above the earth.
  Under the banyan tree you were
milking the cow with your hands,
tender and fresh as butter.
  And I was standing still.
  I did not say a word. It was the
bird that sang unseen from the thicket.
  The mango tree was shedding its
flowers upon the village road, and the
bees came humming one by one.
  On the side of the pond the gate of
Shiva's temple was opened and the
worshipper had begun his chants.
  With the vessel on your lap you
were milking the cow.
  I stood with my empty can.
  I did not come near you.
  The sky woke with the sound of
the gong at the temple.
  The dust was raised in the road
from the hoofs of the driven cattle.
  With the gurgling pitchers at their
hips, women came from the river.
  Your bracelets were jingling, and
foam brimming over the jar.
  The morning wore on and I did not
come near you.

~ Rabindranath Tagore, The Gardener XIII - I Asked Nothing
,
1011:The Stockman
A bright sun and a loosened rein,
A whip whose pealing sound
Rings forth amid the forest trees
As merrily forth we bound
As merrily forth we bound, my boys,
And, by the dawn's pale light,
Speed fearless on our horses true
From morn till starry night.
"Oh! for a tame and quiet herd,"
I hear some crawler cry;
But give to me the mountain mob
With the flash of their tameless eye
With the flash of their tameless eye, my boys,
As down the rugged spur
Dash the wild children of the woods,
And the horse that mocks at fear.
There's mischief in you wide-horned steer,
There's danger in you cow;
Then mount, my merry horsemen all,
The wild mob's bolting now
The wild mob's bolting now, my boys,
But 'twas never in their hides
To show the way to the well-trained nags
That are rattling by their sides.
Oh! 'tis jolly to follow the roving herd
Through the long, long summer day,
And camp at night by some lonely creek
When dies the golden ray.
Where the jackass laughs in the old gum tree,
And our quart-pot tea we sip;
The saddle was our childhood's home,
Our heritage the whip.
~ Banjo Paterson,
1012:As to the contents of the unconscious, no generalization is possible. But one statement can be made; it always represents the whole man, with all his potentialities for darkness and light; it always contains the basis for the different answers which man is capable of giving to the question which existence poses...But man, in any culture, has the potentialities within himself; he is the archaic man, the beast of prey, the cannibal, the idolater, and he is the being with a capacity for reason, for love, for justice. The content of the unconsciousness, then, is neither the good nor the evil, the rational not the irrational; it is both; it is all that is human. The unconsciousness is the whole man minus that part of him that corresponds with society. Consciousness represents the social man, the accidental limitations set by the historical situation into which an individual is thrown. Unconsciousness represents universal man, the whole man, rooted in the cosmos; it represents the plant in him, the animal in him, the spirit in him; it represents his past, down to the dawn of human existence, and it represents his future up to the day when man will have become fully human, and when nature will be humanized as man will be naturalized ~ Erich Fromm,
1013:We look back through countless millions of years and see the great will to live struggling out of the intertidal slime, struggling from shape to shape and from power to power, crawling and then walking confidently upon the land, struggling generation after generation to master the air, creeping down the darkness of the deep; we see it turn upon itself in rage and hunger and reshape itself anew, we watch it draw nearer and more akin to us, expanding, elaborating itself, pursuing its relentless inconceivable purpose, until at last it reaches us and its being beats through our brains and arteries...It is possible to believe that all the past is but the beginning of a beginning, and that all that is and has been is but the twilight of the dawn. It is possible to believe that all that the human mind has accomplished is but the dream before the awakening; out of our lineage, minds will spring that will reach back to us in our littleness to know us better than we know ourselves. A day will come, one day in the unending succession of days, when beings, beings who are now latent in our thoughts and hidden in our loins, shall stand upon this earth as one stands upon a footstool, and shall laugh and reach out their hands amidst the stars. ~ H G Wells,
1014:Longing
The hills slope down to the valley, the streams run down to the sea,
And my heart, my heart, O far one! sets and strains towards thee.
But only the feet of the mountain are felt by the rim of the plain,
And the source and soul of the hurrying stream reach not the calling main.
The dawn is sick for the daylight, the morning yearns for the noon,
And the twilight sighs for the evening star and the rising of the moon.
But the dawn and the daylight never were seen in the self-same skies,
And the gloaming dies of its own desire when the moon and the stars arise.
The Springtime calls to the Summer, ``Oh, mingle your life with mine,''
And Summer to Autumn 'plaineth low, ``Must the harvest be only thine?''
But the nightingale goes when the swallow comes, ere the leaf is the blossom
fled;
And when Autumn sits on her golden sheaves, then the reign of the rose is dead.
And
And
And
And
hunger and thirst, and wail and want, are lost in the empty air,
the heavenly spirit vainly pines for the touch of the earthly fair.
the hills slope down to the valley, the streams run down to the sea,
my heart, my heart, O far one! sets and strains towards thee.
~ Alfred Austin,
1015:For, by the disaster of his charity, God plays out at last the Game that began with the dawn of history. In the Garden of Eden - in the paradise of pleasure - where God laid out his court and first served the hint of meaning to humankind - Adam strove with God over the tree of the knowledge of good and evil. But God does not accept thrown-down racquets. He refuses, at any cost, to take seriously, our declination of the game; if Adam will not have God's rules, God will play by Adam's. In another and darker garden he accepts the tree of our choosing, and with nails through his hands and feet he volleys back meaning for unmeaning. As the darkness descends, at the last foul drive of a desperate day, he turns to the thief on the right and brings off the dazzling backhand return that fetches history home in triumph: Today shalt thou be with me in Paradise.

God has Gardens to give away! He has cities to spare! He has history he hasn't even used! The last of all the mercies is that God is lighter than we are, that in the heart of the Passion lies the divine mirth, and that even in the cities of our exile he still calls to Adam only to catch the Glory, to offer the world, and return the service that shapes the City of God. ~ Robert Farrar Capon,
1016:Your father brought home a second wife," Lily stated flatly. "It is a wonder your mother didn't kill him." It wasn't amusing, but Cade chuckled at her tone. "I take it you will not appreciate it if I try to relieve your burdens by bringing home another woman, even when you are heavy with child." "I am certain your consideration will so overwhelm me that I will take a shotgun to your hide. Anytime you are even tempted to look at another woman, you'd better remember that Travis is right at hand, and what's good for the gander will do for the goose. We're building a marriage out of next to nothing. What we have in bed is our only bond. I won't share it with another." Cade wasn't laughing anymore. He caught the nape of Lily's neck and held her where he could see her face through the darkness. "I only need one woman. Don't turn me away and I will never have need to look elsewhere." Lily felt that command in the pit of her stomach. She was tied to this man for the rest of her life. This wasn't a game that would end with the dawn. No matter what he did or how angry he made her she would have to take this man into her bed or destroy everything. It was an intimidating thought, and she began to have some understanding of Cade's mother. "I ~ Patricia Rice,
1017:A Prayer
LADY, in thy proud eyes
There is a weary look,
As if the spirit we know through them
Were daunted with rebuke
To think that the heart of man henceforth
Is read like a read book.
Lady, in thy lifted face
The solitude is sore;
The true solitude follows the crowd.
Will it be less or more
When the words have been spoken to thee
Which my heart is seeking for?
Lady, canst thou not guess
The words which my thoughts seek?
Perhaps thou deem'st them well to spurn
And better not to speak.
Oh thou must know my love is strong,
Hearing my voice so weak.
Lady, ah go not thus:
Lady, give ear again:
Lady, oh learn from me that yet
There may one thing remain
Which stands not in the knowledge thou hast
And in thy lore of men.
Lady, the darkness lasteth long
Ere the dawn touch the skies;
Many are the leagues of wilderness
Till ye come where the green lies;
Nay often betwixt doubt and doubt
Death whispers and makes wise.
Lady, has not my thought
Dared much? For I would be
The ending of darkness and the dawn
Of a new day to thee,
And thine oasis, and thy place of rest,
And thy time of peace, lady.
~ Dante Gabriel Rossetti,
1018:What's the matter with her?" he asked, worriedly. "She's hungry." He stiffened. "Oh." Perry, riding just ahead, turned and lifted an amused brow. Sir Hugh grinned. Charlotte's wails grew piercing. Lord Gareth cleared his throat. "I, uh ... suppose you'd better attend to things, then. We can stop here, and maybe you can take her off behind a tree or something..." Sir Hugh was downright snickering now. "I think I can manage right here, Lord Gareth," said Juliet. "Here?" "Why, yes."  She pulled the loose folds of her cloak up and around Charlotte, tugged down her bodice, and, behind the discreet veil, put the baby to her breast. Immediately, Charlotte quieted. No one could see, but nevertheless the Den of Debauchery members urged their horses into a trot and all but fled ahead. "I ... er ... don't know about this," Lord Gareth mumbled, deeply embarrassed. "You'll have to get used to it if you wish to be a father, my lord." "Yes, but ... I mean —  that is...." "She can't just sit down to a pork pie and a mug of ale," Juliet chided gently. She twisted around to look up at him. His handsome face was as pink as the dawn, and it went downright crimson as Charlotte began making very loud sucking noises. "God help me," Lord Gareth muttered, looking away. God ~ Danelle Harmon,
1019:Lex poked Elysia. “The relationship is going well, it seems.”
Elysia’s face erupted with worry. “Oh, Lex, I’m so sorry. It just sort of . . . happened. We were in that hotel for so many days, just waiting around to hear word from Croak, waiting for Mort to figure out a way to rescue you guys. And Wicket and Lazlo not letting us leave, we just went a little stir-crazy and—omigod, I must seem like such a bad friend, and all while you were still stuck in that awful jail and poor Driggs and—”
“Lys,” Lex said, taking her by the shoulders before she could launch into a full-blown monsoon of tears. “It’s fine. I think we’ve all learned a thing or two about taking happiness where you can get it. Plus . . . you know. It’s about time.”
“About time? What do you mean?”
“I mean you two have been itching to get into each other’s pants since the dawn of earth.”
Elysia looked shocked for a moment, then sighed. “I don’t know what I’m thinking,” she said, staring back and forth between her mostly uneaten sandwich and Ferbus. “He’s gross. He’s mean. He’s ugly. He’s a lousy drunk, he’s the biggest nerd on the planet, he looks like a leprechaun, his hair is the color of Cheetos—”
“And you luuurve him.”
Elysia scowled and crossed her arms. “And I lurve him. ~ Gina Damico,
1020:HAMBRE (HUNGER)
Anhelo tu boca, tu voz, tu pelo.
En silencio y con hambre, rodando por las calles.
El pan no me alimenta, me rompe el alba.
Tengo hambre por tu sonrisa,
Tus manos el color de una cosecha salvaje,
Con hambre de las piedras pálidas que son tus uñas,
Quiero comer tu piel como una almendra entera.
Necesito el rayo de sol que quema de tu hermosa cuerpo,
Tu nariz soberana del elegante cara,
Quiero comer la sombra fugaz de tus pestañas,
Paseo con hambre, olfateando el crepúsculo,
Buscandote, por tu corazón caliente,
Como una puma en los páramos de las montañas…

********************************

I long for your mouth, your voice, your hair.
Silent and starving, rolling through the streets.
Bread does not nourish me, The dawn breaks me.
I have a hunger for your smile.
Your hands the color of a savage harvest,
I hunger for the pale stones are your nails,
I want to eat your skin like a whole almond.
I need the sunshine that burns from your beautiful body.
Your nose,sovereign on an elegant face,
I want to eat the fleeting shade of your lashes,
I move on, hungry, sniffing the twilight,
Looking for you, for your warm heart,
As a cougar in the wilds of the mountains ... ~ Jos N Harris,
1021:The Dawns Pause, Playing On The Santoori
The dawns pause, playing on the santoori:
Tell us your tale, O tragic bride of Greece!
The Sol that wakes up from the Aegean Sea
Climbs over the peaks of Mount Olympus.
Like an aeon has passed by the night
That blended long grief and entertainment.
Scoop out at once a cake of cheese from the moon
That has reached the hill-top and will soon fade away.
The tourist who comes tomorrow should see
The dark patch left by your scooping out.
The disciples of Pythagoras will come and weigh
And tell us the exact weights and measures.
What is of value to us is whatever is left
After the 'counting' of all that are countable.
What sights have we seen that fail to catch the eye?
What songs heard that the ear cannot catch?
What unmeasured distances have we traversed?
What sins gone through, not encountered in Eden?
What pains unknown before have we taken on?
We have conceded, let them be whatever they are.
Now that we have learned that life is not meant
To be spent on reflections over past sorrows,
Please, go on playing nonstop on the santoori,
Until the dawn arrives that brings joy,
Until Zorba sings on the shores of twilight..
~ Ayyappa Paniker,
1022:11.8 Christmas came and went. Parties; provincial exile; a return to London more relieved than joyous; more parties. On the 1st of January I found myself sitting, once more, beside my desk and blotter, looking through the window at the dawn. I always wake up early after drinking. It was a clear dawn, a good one to usher the new year in. The first phase of the Project would be going live this year. I looked at the pond, this site (since I’d rescued the girl there) of a minor resurrection, and thought of Vanuatans once again. On New Year’s Day, the men ride out on horses or just run about a stretch of pasture firing arrows up into the air: straight up, more or less vertically. The arrows, naturally, fall back down, with pretty much the same velocity as that with which they flew up in the first place. The men ride or run around until an arrow lands on one of them and kills him. Then they stop: the ritual demands that one man must be taken every year. Hungover, jaded, generally un-invigorated by the world, I found myself, in reverie, wishing—just as I had as a child when jumping from my sisters’ bed—that I could be one of these Vanuatan warriors, galloping about the fields, new-year’s wind biting at my cheeks, death whistling all around me, whistling me to life … ~ Tom McCarthy,
1023:Until The Dawn
WHEN head and hands and heart alike are weary;
When Hope with folded wings sinks out of sight;
When all thy striving fails to disentangle
From out wrong's skein the golden thread of right;
When all thy knowledge seems a marsh-light's glimmer,
That only shows the blackness of the night;
In the dark hour when victory seems hopeless,
Against thy lance when armies are arrayed,
When failure writes itself upon thy forehead,
By foes outnumbered and by friends betrayed;
Still stand thou fast, though faith be bruised and wounded,
Still face thy future, still be undismayed!
While one true man speaks out against injustice,
While through men's chorused 'Right!' clear rings his 'Wrong!'
Freedom still lives. One day she will reward him
Who trusted in her though she tarried long,
Who held her creed, was faithful till her coming,
Who, for her sake, strove, suffered, and was strong.
She will bring crowns for those who love and serve her;
If thou canst live for her, be satisfied;
If thou canst die for her, rejoice! Our brothers
At least shall crown our graves and say, 'These died
Believing in the sun when night was blackest,
And by our dawn their faith is justified!'
~ Edith Nesbit,
1024:Nothing ends. There is matter and there is energy, and some believe these two the only things in existence. But a third exists. It infuses both matter and energy, and yet also stands alone. Let us call it potential. Only in the realm of potential can we act, to effect changes upon all existence. Indeed, it is the realm in which we live, we living things, in our stubborn battle with success and failure.

Yet the truth remains. Of the two, success and failure, only one ends the game.

Now, poet, I see the shock writ deep upon your lined face, and yet it must be clear to you, even in this moment of despair, that love was at the heart of this tale, and now we must once more settle back and take breath, steadying ourselves for what is still to come.

The warriors wallow in what they will, in all that they make of the world, which is little more than destruction and suffering. Recall the child with the stone, on her knees in the grass, a boy’s crushed face beneath her? Such is the glory of the belligerent.

Revel in it, if you’re of the mind to.

What comes next, my friend, is entirely another kind of glory.

What is the secret of sorcery? It is potential. Now then, on the dawn of magic’s burgeoning, let us see what they make of it. ~ Steven Erikson,
1025:The boy himself was in the grip of his impulse, without knowing what was happening to him. He was not performing a dance he already knew, a dance he had practiced before. This was no familiar rite of celebrating sun and morning that he had long ago invented. Only later would he realize that his dance and his transported state in general were only partly caused by the mountain air, the sun, the dawn, his sense of freedom. They were also a response to the change awaiting him, the new chapter in his young life that had come in the friendly and awe-inspiring form of the Magister. In that morning hour many elements conspired in the soul of young Tito to shape his destiny and distinguish this hour above a thousand others as a high, a festive, a consecrated time. Without knowing what he was doing, asking no questions, he obeyed the command of this ecstatic moment, danced his worship, prayed to the sun, professed with devout movements and gestures his joy, his faith in life, his piety and reverence, both proudly and submissively offered up in the dance his devout soul as a sacrifice to the sun and the gods, and no less to the man he admired and feared, the sage and musician, the Master of the magic Game who had come to him from mysterious realms, his future teacher and friend. ~ Hermann Hesse,
1026:Where are the tidings of union? that I may arise-
Forth from the dust I will rise up to welcome thee!
My soul, like a homing bird, yearning for Paradise,
Shall arise and soar, from the snares of the world set free.
When the voice of thy love shall call me to be thy slave,
I shall rise to a greater far than the mastery
Of life and the living, time and the mortal span:
Pour down, oh Lord! from the clouds of thy guiding grace.
The rain of a mercy that quickeneth on my grave,
Before, like dust that the wind bears from place to place,
I arise and flee beyond the knowledge of man.
When to my grave thou turnest thy blessed feet,
Wine and the lute thou shalt bring in thine hand to me,
Thy voice shall ring through the folds of my winding-sheet,
And I will arise and dance to thy minstrelsy.
Though I be old, clasp me one night to thy breast,
And I, when the dawn shall come to awaken me,
With the flush of youth on my check from thy bosom will rise.
Rise up! let mine eyes delight in thy stately grace!
Thou art the goal to which all men's endeavour has pressed,
And thou the idol of Hafiz' worship; thy face
From the world and life shall bid him come forth and arise!

- Translated by: Gertrude Bell

~ Hafiz, Tidings Of Union
,
1027:Cynara
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.
~ Ernest Christopher Dowson,
1028:Imagine you are Siri Keeton:

You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae.

You'd scream if you had the breath.

Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire. ~ Peter Watts,
1029:I wanted you, nameless Woman of the South,
No wraith, but utterly—as still more alone
The Southern Cross takes night
And lifts her girdles from her, one by one—
High, cool,
wide from the slowly smoldering fire
Of lower heavens,—
vaporous scars!

Eve! Magdalene!
or Mary, you?

Whatever call—falls vainly on the wave.
O simian Venus, homeless Eve,
Unwedded, stumbling gardenless to grieve
Windswept guitars on lonely decks forever;
Finally to answer all within one grave!

And this long wake of phosphor,
iridescent
Furrow of all our travel—trailed derision!
Eyes crumble at its kiss. Its long-drawn spell
Incites a yell. Slid on that backward vision
The mind is churned to spittle, whispering hell.

I wanted you . . . The embers of the Cross
Climbed by aslant and huddling aromatically.
It is blood to remember; it is fire
To stammer back . . . It is
God—your namelessness. And the wash—

All night the water combed you with black
Insolence. You crept out simmering, accomplished.
Water rattled that stinging coil, your
Rehearsed hair—docile, alas, from many arms.
Yes, Eve—wraith of my unloved seed!

The Cross, a phantom, buckled—dropped below the dawn.
Light drowned the lithic trillions of your spawn. ~ Hart Crane,
1030:Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one. ~ Victor Hugo,
1031:Songs Of The Grass
On The Dunes
HERE all night on the dunes
In the rocking wind we sleep;
Watched by the sentry stars,
Lulled by the drone of the deep.
Till hark, in the chill of the dawn
A field lark wakes and cries,
And over the floor of the sea
We watch the round sun rise.
The world is washed once more
In a tide of purple and gold,
And the heart of the land is filled
With desires and dreams untold.
II
Lord Of Morning
Lord of morning, light of day,
Sacred color-kindling sun,
We salute thee in the way, —
Pilgrims robed in rose and dun.
For thou art a pilgrim too,
Overlord of all our band.
In thy fervor we renew
Quests we do not understand.
At thy summons we arise,
At thy touch put glory on,
And with glad unanxious eyes
Take the journey thou hast gone.
III
The Traveller
Before the night-blue fades
And the stars are quite gone,
I lift my head
At the noiseless tread
Of the angel of dawn.
I hear no word, yet my heart
Is beating apace;
Then in glory all still
On the eastern hill
140
I behold his face.
All day through the world he goes,
Making glad, setting free;
Then his day's work done,
On the galleon sun
He sinks in the sea.
~ Bliss William Carman,
1032:Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves. ~ Vladimir Nabokov,
1033:Non Sum Qualis Eram Bonae Sub Regno Cynarae
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.
~ Ernest Christopher Dowson,
1034:Perhaps I ought to remember that she is very young, a mere girl and make allowances. She is all interest, eagerness, vivacity, the world is to her a charm, a wonder, a mystery, a joy; she can’t speak for delight when she finds a new flower, she must pet it and caress it and smell it and talk to it, and pour out endearing names upon it. And she is color-mad: brown rocks, yellow sand, gray moss, green foliage, blue sky; the pearl of the dawn, the purple shadows on the mountains, the golden islands floating in crimson seas at sunset, the pallid moon sailing through the shredded cloud-rack, the star-jewels glittering in the wastes of space — none of them is of any practical value, so far as I can see, but because they have color and majesty, that is enough for her, and she loses her mind over them. If she could quiet down and keep still a couple of minutes at a time, it would be a reposeful spectacle. In that cases I think I could enjoy looking at her; indeed I am sure I could, for I am coming to realize that she is a quite remarkably comely creature — lithe, slender, trim, rounded, shapely, nimble, graceful; and once when she was standing marble-white and sun-drenched on a boulder, with her young head tilted back and her hand shading her eyes, watching the flight of a bird in the sky, I recognized that she was beautiful. ~ Mark Twain,
1035:The Dark Night

One dark night,
fired with love's urgent longings
- ah, the sheer grace! -
I went out unseen,
my house being now all stilled.

In darkness, and secure,
by the secret ladder, disguised,
- ah, the sheer grace! -
in darkness and concealment,
my house being now all stilled.

On that glad night
in secret, for no one saw me,
nor did I look at anything
with no other light or guide
than the One that burned in my heart.

This guided me
more surely than the light of noon
to where he was awaiting me
- him I knew so well -
there in a place where no one appeared.

O guiding night!
O night more lovely than the dawn!
O night that has united
the Lover with his beloved,
transforming the Beloved into his Lover.

Upon my flowering breast,
which I kept wholly for him alone,
there he lay sleeping,
and I caressing him
there in a breeze from the fanning cedars.

When the breeze blew from the turret,
as I parted his hair,
it wounded my neck
with its gentle hand,
suspending all my senses.

I abandoned and forgot myself,
laying my face on my Beloved;
all things ceased; I went out from myself,
leaving my cares
forgotten among the lilies. ~ Juan de la Cruz,
1036:Pan To Artemis
Uncharmable charmer
Of Bacchus and Mars
In the sounding rebounding
Abyss of the stars!
O virgin in armour,
Thine arrows unsling
In the brilliant resilient
First rays of the spring!
By the force of the fashion
Of love, when I broke
Through the shroud, through the cloud,
Through the storm, through the smoke,
To the mountain of passion
Volcanic that woke --By the rage of the mage
I invoke, I invoke!
By the midnight of madness: The lone-lying sea,
The swoon of the moon,
Your swoon into me,
The sentinel sadness
Of cliff-clinging pine,
That night of delight
You were mine, you were mine!
You were mine, O my saint,
My maiden, my mate,
By the might of the right
Of the night of our fate.
Though I fall, though I faint,
Though I char, though I choke,
By the hour of our power
I invoke, I invoke!
By the mystical union
Of fairy and faun,
Unspoken, unbroken -
51
The dust to the dawn! A secret communion
Unmeasured, unsung,
The listless, resistless,
Tumultuous tongue! O virgin in armour,
Thine arrows unsling,
In the brilliant resilient
First rays of the spring!
No Godhead could charm her,
But manhood awoke O fiery Valkyrie,
I invoke, I invoke!
~ Aleister Crowley,
1037:Life Returning
After War-time.
O LIFE, dear life, with sunbeam finger touching
This poor damp brow, or flying freshly by
On wings of mountain wind, or tenderly
In links of visionary embraces clutching
Me from the yawning grave-Can I believe thou yet hast power to save?
I see thee, O my life, like phantom giant
Stand on the hill-top, large against the dawn,
Upon the night-black clouds a picture drawn
Of aspect wonderful, with hope defiant,
And so majestic grown
I scarce discern the image as my own.
Those mists furl off, and through the vale resplendent
I see the pathway of my years prolong;
Not without labor, yet for labor strong;
Not without pain, but pain whose touch transcendent
By love's divinest laws
Heart unto heart, and all hearts upwards, draws.
O life, O love, your diverse tones bewildering
Make silence, like two meeting waves of sound;
I dream of wifely white arms, lisp of children-Never of ended wars,
Save kisses scaling honorable scars.
No more of battles! Save the combat glorious
To which all earth and heaven may witness stand;
The sword of the Spirit taking in my hand
I shall go forth, since in new fields victorious
The King yet grants that I
His servant live, or His good soldier die.
~ Dinah Maria Mulock Craik,
1038:My Mother
Reg wished me to go with him to the field,
I paused because I did not want to go;
But in her quiet way she made me yield
Reluctantly, for she was breathing low.
Her hand she slowly lifted from her lap
And, smiling sadly in the old sweet way,
She pointed to the nail where hung my cap.
Her eyes said: I shall last another day.
But scarcely had we reached the distant place,
When o'er the hills we heard a faint bell ringing;
A boy came running up with frightened face;
We knew the fatal news that he was bringing.
I heard him listlessly, without a moan,
Although the only one I loved was gone.
II
The dawn departs, the morning is begun,
The trades come whispering from off the seas,
The fields of corn are golden in the sun,
The dark-brown tassels fluttering in the breeze;
The bell is sounding and the children pass,
Frog-leaping, skipping, shouting, laughing shrill,
Down the red road, over the pasture-grass,
Up to the school-house crumbling on the hill.
The older folk are at their peaceful toil,
Some pulling up the weeds, some plucking corn,
And others breaking up the sun-baked soil.
Float, faintly-scented breeze, at early morn
Over the earth where mortals sow and reap-Beneath its breast my mother lies asleep.
~ Claude McKay,
1039:End Of Fantasy
This body won't start again. Touching his eye sockets
one feels a heap of earth is more alive,
that the earth, even at dawn, does not keep itself so quiet.
But a corpse is the remains of too many awakenings.
We only have this power: to start
each day of life—before the earth,
under a silent sky—waiting for an awakening.
One is amazed by so much drudgery at dawn;
through awakening within awakening a job is done.
But we live only to shudder
at the labor ahead and to awaken the earth one time.
It happens at times. Then it quiets down along with us.
If touching that face the hand would not shake—
if the live hand would feel alive touching it—
if it's true that that cold is only the cold
of the earth, frozen at dawn,
perhaps it'd be an awakening, and things that keep quiet
under the dawn, would speak up again. But my hand
trembles, and of all things resembles a hand
that doesn't move.
At other times waking up at dawn
was a dry pain, a tear of light,
even a deliverance. The stingy word
of the earth was cheerful, for a brief moment,
and to die was to go back there again. Now, the waiting body
is what remains of too many awakenings and doesn't return to the earth.
They don't even say it, the hardened lips.
~ Cesare Pavese,
1040:I.
Swiftly walk o'er the western wave, Spirit of Night!
Out of the misty eastern cave,
Where, all the long and lone daylight,
Thou wovest dreams of joy and fear,
Which make thee terrible and dear--
Swift be thy flight

II.
Wrap thy form in a mantle gray,
Star-inwrought!
Blind with thine hair the eyes of Day;
Kiss her until she be wearied out,
Then wander o'er city, and sea, and land,
Touching all with thy opiate wand--
Come, long-sought

III.
When I rose and saw the dawn,
I sighed for thee;
When light rode high, and the dew was gone,
And noon lay heavy on flower and tree,
And the weary Day turned to his rest,
Lingering like an unloved guest,
I sighed for thee.

IV.
Thy brother Death came, and cried,
"Wouldst thou me?"
Thy sweet child Sleep, the filmy-eyed,
Murmured like a noontide bee,
"Shall I nestle near thy side?
Wouldst thou me?" --And I replied,
"No, not thee!"

V.
Death will come when thou art dead,
Soon, too soon--
Sleep will come when thou art fled;
Of neither would I ask the boon
I asked of thee, beloved Night--
Swift be thy approaching flight,
Come soon, soon!
Published by Mrs. Shelley, Posthumous Poems, 1824. There is a transcript in the Harvard manuscript book
~ Percy Bysshe Shelley, To Night
,
1041:Beyond the horizon of the place we lived when we were young
In a world of magnets and miracles
Our thoughts strayed constantly and without boundary
The ringing of the division bell had begun

Along the Long Road and on down the Causeway
Do they still meet there by the Cut

There was a ragged band that followed in our footsteps
Running before times took our dreams away
Leaving the myriad small creatures trying to tie us to the ground
To a life consumed by slow decay

The grass was greener
The light was brighter
When friends surrounded
The nights of wonder

Looking beyond the embers of bridges glowing behind us
To a glimpse of how green it was on the other side
Steps taken forwards but sleepwalking back again
Dragged by the force of some sleeping tide
At a higher altitude with flag unfurled
We reached the dizzy heights of that dreamed of world

Encumbered forever by desire and ambition
There's a hunger still unsatisfied
Our weary eyes still stray to the horizon
Though down this road we've been so many times

The grass was greener
The light was brighter
The taste was sweeter
The nights of wonder
With friends surrounded
The dawn mist glowing
The water flowing
The endless river

Forever and ever ~ Pink Floyd,
1042:The sun had lit up the top row of leadlight windows, and the family home, polished to within an inch of its life, was sparkling like a bejeweled old dame dressed for her annual opera outing.
A great swelling wave of affection came suddenly upon Alice. For as long as she could remember, she'd been aware that the house and the gardens of Loeanneth lived and breathed for her in a way they didn't for her sisters. While London was a lure to Deborah, Alice was never happier, never quite as much herself, as she was here; sitting on the edge of the stream, toes dangling in the slow current; lying in bed before the dawn, listening to the busy family of swifts who'd built their nest above her window; winding her way around the lake, notebook always tucked beneath her arm.
She had been seven years old when she realized that one day she would grow up and that grown-ups didn't, in the usual order of things, continue to live in their parents' home. She'd felt a great chasm of existential dread open up inside her then, and had taken to engraving her name whenever and wherever she could- in the hard English oak of the morning-room window frames, in the filmy grouting between the gunroom tiles, on the Strawberry Thief wallpaper in the entrance hall- as if by such small acts she might somehow tie herself to the place in a tangible and enduring way. ~ Kate Morton,
1043:Another time we were at work in a trench. The dawn was grey around us; grey was the sky above; grey the snow in the pale light of dawn; grey the rags in which my fellow prisoners were clad, and grey ther faces. I was again conversing silently with my wife, or perhaps I was struggling to find the reason for my sufferings, my slow dying. In a last violent protest against the hopelessness of imminent death, I sensed my spirit piercing through the enveloping gloom. I felt it transcend that hopeless, meaningless world, and from somewhere I heard a victorious 'Yes' in answer to my question of the existence of an ultimate purpose. At that moment a light was lit in a distant farmhouse, which stood on the horizon as if painted there, in the midst of the miserable grey of dawning morning in Bavaria. 'Et lux in tenebris lucet' - and the light shineth in the darkness. For hours I stood hacking at the icy ground. The guard passed by, insulting me, and once again I communed with my beloved. More and more I felt that she was present, that she was with me; I had the feeling that I was able to touch her, able to stretch out my hand and grasp hers. The feeling was very strong: she was there. Then, at that very moment, a bird flew down silently and perched just in front of me, on the heap of soil which I had dug up from the ditch, and looked steadily at me. ~ Viktor E Frankl,
1044:Australian Scenery
The Mountains
A land of sombre, silent hills, where mountain cattle go
By twisted tracks, on sidelings deep, where giant gum trees grow
And the wind replies, in the river oaks, to the song of the stream below.
A land where the hills keep watch and ward, silent and wide awake
As those who sit by a dead campfire, and wait for the dawn to break,
Or those who watched by the Holy Cross for the dead Redeemer's sake.
A land where silence lies so deep that sound itself is dead
And a gaunt grey bird, like a homeless soul, drifts, noiseless, overhead
And the world's great story is left untold, and the message is left unsaid.
The Plains
A land as far as the eye can see, where the waving grasses grow
Or the plains are blackened and burnt and bare, where the false mirages go
Like shifting symbols of hope deferred -- land where you never know.
Land of plenty or land of want, where the grey Companions dance,
Feast or famine, or hope or fear, and in all things land of chance,
Where Nature pampers or Nature slays, in her ruthless, red, romance.
And we catch a sound of a fairy's song, as the wind goes whipping by,
Or a scent like incense drifts along from the herbage ripe and dry
-- Or the dust storms dance on their ballroom floor, where the bones of the cattle
lie.
~ Banjo Paterson,
1045:It was not until the dawn of the twentieth century of the Christian era that war began to enter into its kingdom as the potential destroyer of the human race. The organisation of mankind into great States and Empires, and the rise of nations to full collective consciousness, enabled enterprises of slaughter to be planned and executed upon a scale and with a perseverance never before imagined. All the noblest virtues of individuals were gathered to strengthen the destructive capacity of the mass. Good finances, the resources of world-wide credit and trade, the accumulation of large capital reserves, made it possible to divert for considerable periods the energies of whole peoples to the task of devastation. Democratic institutions gave expression to the will-power of millions. Education not only brought the course of the conflict within the comprehension of everyone, but rendered each person serviceable in a high degree for the purpose in hand. The Press afforded a means of unification and of mutual stimulation. Religion, having discreetly avoided conflict on the fundamental issues, offered its encouragements and consolations, through all its forms, impartially to all the combatants. Lastly, Science unfolded her treasures and her secrets to the desperate demands of men, and placed in their hands agencies and apparatus almost decisive in their character. ~ Winston S Churchill,
1046:(Songs of the soul delighted at having reached the high state of perfection, the union with God, by way of spiritual negation.) On a darkened night, Anxious, by love inflamed, -- O happy chance! -- Unnoticed, I took flight, My house at last at peace and quiet. Safe, disguised by the night, By the secret ladder I took flight, -- O happy chance! -- Cloaked by darkness, I scaled the height, My house at last at peace and quiet. On that blessed night, In secret, and seen by none, None in sight, I saw with no other guide or light, But the one burning in my heart bright. This guide, this light, Brighter than the midday sun, Led me to the waiting One I knew so well -- my delight! To a place with none in sight. O night! O guide! O night more loving than the dawn! O night that joined The lover with the Beloved; Transformed, the lover into the Beloved drawn! Upon my flowered breast, For him alone kept fair, There he slept, There I caressed, There the cedars gave us air. I drank the turret's cool air, Spreading playfully his hair. And his hand, so serene, Cut my throat. Drained Of senses, I dropped unaware. Lost to myself and yet remaining, Inclined so only the Beloved I spy. All has ceased, all rests, Even my cares, even I; Lost among the lilies, there I die. [2597.jpg] -- from Real Thirst: Poetry of the Spiritual Journey, by Ivan M. Granger

~ Saint John of the Cross, Dark Night
,
1047:A Kentish Garden
THERE is a grey-walled garden, far away
From noise and smoke of cities, where the hours
Pass with soft wings among the happy flowers,
And lovely leisure blossoms every day.
There, tall and white, the sceptral lily blows;
There grow the pansy, pink, and columbine,
Brave hollyhocks, and star-white jessamine,
And the red glory of the royal rose.
There greeny glow-worms gem the dusky lawn,
The lime-trees breathe their fragrance to the night,
Pink roses sleep, and dream that they are white,
Until they wake to colour with the dawn.
There, in the splendour of the sultry noon,
The sunshine sleeps upon the garden bed
Where the white poppy droops a drowsy head
And dreams of kisses from the white full moon.
And there, some days, all wild with wind and rain,
The tossed trees show the white side of their leaves,
While the great drops drip from the ivied eaves,
And birds are still--till the sun shines again.
And there, all days, my heart goes wandering,
Because there, first, my heart began to know
The glories of the summer and the snow,
The loveliness of harvest and of spring.
There may be fairer gardens; but I know
There is no other garden half so dear;
Because 'tis there, this many, many a year,
13
The sacred, sweet, white flowers of memory grow!
~ Edith Nesbit,
1048:Ned was always an admirer of sunrises. From his first days in the West when he was a runaway boy, he had been gladdened by the dawn over the prairie. He loved the beauty as the day began to break, the black sky softening into gray, the faint streak of yellow light, then flash following flash of violent color - rose and purple and magenta - as far as the eye could reach. He never failed to hold his breath as the sun slid over the horizon like a giant gold watch. If he rode late at night, he waited until sunrise to bed down. And when he stayed at The Chili Queen, he sometimes rose at dawn just to watch the day begin, going back to bed only when the color in the sky faded into blue, the pale shade of a shirt that had been washed again and again. Once, when the sunrise filled the heavens with streaks of pink and orange, Ned awakened Addie to see the wonder of it, but she muttered she had never seen a sunrise that was worth missing two minutes of sleep. She'd take a sunset any day. Not Ned. Sunset was the beginning of darkness; sunrise meant a whole new, glad day ahead, filled with the gift of surprise. From the first time Ned had seen the western sunrise, with the daylight washing over the prairie, turning the brown grasses to gold, he had felt his boy's heart lift and was filled with a sense of freedom he'd never even dreamed about at his father's farm on the Mississippi. ~ Sandra Dallas,
1049:The dawn! The dawn, I repeated. Henry thought it was the dawn itself which was a new experience. I could not explain what I felt. It was the first time I had not felt the compulsion to escape; it was the first time I had abandoned myself to fraternity, exchange, confessions, without feeling suddenly the need to take flight. All night I had stayed there, without experiencing that abrupt end to fusion, that sudden and painful consciousness of separation, of reaching ultimately and always the need of my own world, the inability to remain outside, estranged, at some moment or other, from everyone. This had not happened, this dawn had come as the first break in the compulsion and tyranny of inadaptation. (The way I once concealed from myself this drama of perpetual divorce was to blame the clock. It was time to go, in place of now I must go, because relationship is so difficult for me, so strained, so laborious, its continuance, its flow.) I never knew what happened. At a party, at a visit, at a play, a film, came a moment of anguish. I cannot sustain the role, the pretense that I am at one with others, synchronized. Where was the exit? Flight. The imperative need of flight. Was it the failure to remove the obstacles, the walls, the barriers, the effort? Dawn had come quietly, and found me sitting at ease with Henry and Fred, and it was the dawn of freedom from a nameless enemy. ~ Ana s Nin,
1050:The gospel commends itself to me because of its truth, because it does not just say, "Well now, let's forget our troubles and think of something beautiful." It says, "In the world you shall have tribulation..." (John 16:33). It says that in a world like this, dominated by Satan, there will be "wars and rumors of wars" (Matthew 24:6). It is psychology and not the gospel that just tries to ask us forget our troubles for the time being. The gospel of Jesus Christ always, therefore, of necessity annoys certain people, people who think that a place of worship is just a place where you listen to beautiful things, and therefore while you are sitting there, you forget your problems and the problems of the world. These people are certain to be annoyed.

The gospel confronts us with the facts. It is all based upon a person; it is based upon certain things that happened historically. It comes and tells me, "Let not your heart be troubled." But it comes in the light of Gethsemane and Jesus' trial and cruel death upon the cross, the broken body, the burial, the utter hopelessness, and despair. Then, and only then, it goes on to tell me of the Resurrection and the glory of the Ascension and the sending of the Holy Spirit that puts me in an entirely different position. It has taken me through the facts, through the tunnel of darkness to the dawn that lights the other end. ~ D Martyn Lloyd Jones,
1051:The Ass
I woke and rose and slipt away
To the heathery hills in the morning grey.
In a field where the dew lay cold and deep
I met an ass, new-roused from sleep.
I stroked his nose and I tickled his ears,
And spoke soft words to quiet his fears.
His eyes stared into the eyes of me
And he kissed my hands of his courtesy.
“O big, brown brother out of the waste,
How do thistles for breakfast taste?
“And do you rejoice in the dawn divine
With a heart that is glad no less than mine?
“For, brother, the depth of your gentle eyes
Is strange and mystic as the skies:
“What are the thoughts that grope behind,
Down in the mist of a donkey mind?
“Can it be true, as the wise men tell,
That you are a mask of God as well,
“And, as in us, so in you no less
Speaks the eternal Loveliness,
“And words of the lips that all things know
Among the thoughts of a donkey go?
“However it be, O four-foot brother,
Fair to-day is the earth, our mother.
“God send you peace and delight thereof,
And all green meat of the waste you love,
67
“And guard you well from violent men
Who’d put you back in the shafts again.”
But the ass had far too wise a head
To answer one of the things I said,
So he twitched his fair ears up and down
And turned to nuzzle his shoulder brown.
~ Clive Staples Lewis,
1052:Martha’s Vineyard had fossil deposits one million centuries old. The northern reach of Cape Cod, however, on which my house sat, the land I inhabited—that long curving spit of shrub and dune that curves in upon itself in a spiral at the tip of the Cape—had only been formed by wind and sea over the last ten thousand years. That cannot amount to more than a night of geological time. Perhaps this is why Provincetown is so beautiful. Conceived at night (for one would swear it was created in the course of one dark storm) its sand flats still glistened in the dawn with the moist primeval innocence of land exposing itself to the sun for the first time. Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit. One remembered then that the land was only ten thousand years old, and one’s ghosts had no roots. We did not have old Martha’s Vineyard’s fossil remains to subdue each spirit, no, there was nothing to domicile our specters who careened with the wind down the two long streets of our town which curved together around the bay like two spinsters on their promenade to church.   NORMAN MAILER, from Tough Guys Don’t Dance ~ Michael Cunningham,
1053:The Irish Peasant Girl
She lived beside the Anner,
At the foot of Slievna-man,
A gentle peasant girl,
With mild eyes like the dawn;
Her lips were dewy rosebuds;
her teeth of pearls rare;
And a snow-drift ’neath a beechen bough
Her neck and nut-brown hair.
How pleasant ’twas to meet her
On Sunday, when the bell
Was filling with its mellow tones
Lone wood and grassy dell
And when at eve young maidens
Strayed the river bank along,
The widow’s brown-haired daughter
Was loveliest of the throng.
O brave, brave Irish girls—
We well may call you brave!—
Sure the least of all your perils
Is the stormy ocean wave,
When you leave our quiet valleys,
And cross the Atlantic’s foam,
To hoard your hard-won earnings
For the helpless ones at home.
“Write word to my own dear mother—
Say, we’ll meet with God above;
And tell my little brothers
I send them all my love;
May the angels ever guard them,
Is their dying sister’s prayer”—
And folded in a letter
Was a braid of nut-brown hair.
Ah, cold and well-nigh callous,
This weary heart has grown
For thy helpless fate, dear Ireland,
11
And for sorrows of my own;
Yet a tear my eye will moister,
When by Anner side I stray,
For the lily of the mountain foot
That withered far away.
~ Charles Joseph Kickham,
1054:Just ahead of the Van Doren Quartet in the line is Trevor Hickey, aka ‘The Duke’, who with no visible means of making music is staring into space, mumbling a speech to himself: ‘… since the dawn of time… our oldest and most indefatigable foe…’

Geoff keeps catching snatches of this, and curiosity eventually reels him in. ‘Uh, Trevor, where’s your instrument?’

‘Shock and amaze – oh, I’m not giving a musical performance.’

‘Not musical…?’ Geoff repeats, and then the penny drops. ‘Here, you’re not going to do Diablos, are you?’

‘Mmm-hmm.’

Geoff gazes at him with a mixture of awe and concern. ‘It’s just,’ he says, after a moment, ‘you know, the Automator’s in there.’

‘Mmm-hmm.’ Trevor’s ceaseless shifting from foot to foot is only partly to do with nerves; he has eaten five cans of beans on either side of going to bed in order to build up a plentiful supply of trapped wind, or as he calls it, ‘The Power’.

‘I’m just wondering, you know, whether the Christmas concert might not be more of a family-type show?’

‘Your family don’t fart?’ Trevor turns on him.

‘Well, they mostly wouldn’t set them on fire –’

‘That’s the beauty of what I do, you see,’ Trevor interjects, eyes a-glimmer, already lost in his own myth. ‘Turning tedious bodily functions into a magical encounter with the elements – it’s what the whole world dreams of… ~ Paul Murray,
1055:And ever since then, even though I was growing up in a land that had been tormented since the dawn of time, I refused to consider the world as a battlefield. I could see that wars beget wars, that reprisals follow reprisals, but I forbade myself to give them any support of any kind. I didn’t believe in prophesies of discord, and I couldn’t bring myself to accept the notion that God could incite his subjects to take up arms against one another and reduce the exercise of faith to an absurd and frightening question of power relationships.
And ever since then, I’ve trusted anyone who required a little of my blood to purify my soul about as much as I would trust a scorpion. I have no desire to believe in valves of tears or valleys of shadows- there are other more charming and less irrational features of the landscape all around me. My father said, “Anyone who tells you that a greater symphony exists than the breath in your body is lying. He wants to undermine your most beautiful possession: the chance to profit from every moment of your life. If you start from the principle that your worst enemy is the very person who tries to sow hatred in your heart, your halfway to happiness. All you have to do is reach out your hand and take the rest. And remember this: there is nothing, absolutely nothing, more important than your life. And your life isn’t more important than other people’s lives ~ Yasmina Khadra,
1056:I know that these things will never come back. I may see the rocks again, and smell the flowers, and watch the dawn sunshine chase the shadows from the old sulphuric-colored walls, but the light that sprang from the heightened consciousness of wartime, the glory seen by the enraptured ingenious eyes of twenty-two, will be upon them no more. I am a girl no longer, and the world, for all its excitements of chosen work and individualistic play, has grown tame in comparison with Malta during those years of our anguish.

It is, I think, this glamour, this magic, this incomparable keying up of the spirit in a time of mortal conflict, which constitute the pacifist’s real problem — a problem still incompletely imagined, and still quite unresolved. The causes of war are always falsely represented; its honour is dishonest and its glory meretricious, but the challenge to spiritual endurance, the intense sharpening of all the senses, the vitalising consciousness of common peril for a common end, remain to allure those boys and girls who have just reached the age when love and friendship and adventure call more persistently than at any later time. The glamour may be the mere delirium of fever, which as soon as war is over dies out and shows itself for the will-o’-the-wisp that it is, but while it lasts no emotion known to man seems as yet to have quite the compelling power of this enlarged vitality. ~ Vera Brittain,
1057:Brumby's Run
It lies beyond the Western Pines
Towards the sinking sun,
And not a survey mark defines
The bounds of "Brumby's Run".
On odds and ends of mountain land,
On tracks of range and rock
Where no one else can make a stand,
Old Brumby rears his stock.
A wild, unhandled lot they are
Of every shape and breed.
They venture out 'neath moon and star
Along the flats to feed;
But when the dawn makes pink the sky
And steals along the plain,
The Brumby horses turn and fly
Towards the hills again.
The traveller by the mountain-track
May hear their hoof-beats pass,
And catch a glimpse of brown and black
Dim shadows on the grass.
The eager stockhorse pricks his ears
And lifts his head on high
In wild excitement when he hears
The Brumby mob go by.
Old Brumby asks no price or fee
O'er all his wide domains:
The man who yards his stock is free
To keep them for his pains.
So, off to scour the mountain-side
With eager eyes aglow,
To strongholds where the wild mobs hide
The gully-rakers go.
86
A rush of horses through the trees,
A red shirt making play;
A sound of stockwhips on the breeze,
They vanish far away!
Ah, me! before our day is done
We long with bitter pain
To ride once more on Brumby's Run
And yard his mob again.
A.B. (Banjo) Paterson
~ Banjo Paterson,
1058:Mrs Albion You'Ve Got A Lovely Daughter (For Allen
Ginsberg)
Albion's most lovely daughter sat on the banks of the Mersey dangling her
landing stage in the water.
The daughters of Albion
Arriving by underground at Central Station
Eating hot ecclescakes at the Pierhead
Writing 'Billy Blake is fab' on a wall in Mathew St
Taking off their navyblue schooldrawers and
Putting on nylon panties ready for the night
The daughters of Albion
See the moonlight beating down on them in Bebington
Throw away their chewinggum ready for the goodnight kiss
Sleep in the dinnertime sunlight with old men
Looking up their skirts in St Johns Gardens
Comb their darkblonde hair in suburban bedrooms
Powder their delicate little nipples/wondering if tonight will be the night
Their bodies pressed into dresses or sweaters
Lavender at the Cavern or pink at the Sink
The daughters of Albion wondering how to explain why they didn't go home
The daughters of Albion
Taking the dawn ferry to tomorrow
Worrying about what happened
Lacing up blue sneakers over brown ankles
Fastening up brown stockings to blue suspenderbelts
Beautiful boys with bright red guitars
In the spaces between the stars
Reelin' an' a-rockin'
Wishin' an' a-hopin'
Kissin' an' -prayin'
Lovin' an' a-layin'
Mrs Albion you've got a lovely daughter.
26
~ Adrian Henri,
1059:Emancipation Song
Let waiting throngs now lift their voices,
As Freedom's glorious day draws near,
While every gentle tongue rejoices,
And each bold heart is filled with cheer;
The slave has seen the Northern star,
He'll soon be free, hurrah, hurrah!
Though many still are writhing under
The cruel whips of 'chevaliers,'
Who mothers from their children sunder,
And scourge them for their helpless tearsTheir safe deliverance is not far!
The day draws nigh!-hurrah, hurrah!
Just ere the dawn the darkness deepest
Surrounds the earth as with a pall;
Dry up thy tears, O thou that weepest,
That on thy sight the rays may fall!
No doubt let now thy bosom mar;
Send up the shout-hurrah, hurrah!
Shall we distrust the God of Heaven?He every doubt and fear will quell;
By him the captive's chains are rivenSo let us loud the chorus swell!
Man shall be free from cruel law,Man shall be MAN!-hurrah, hurrah!
No more again shall it be granted
To southern overseers to ruleNo more will pilgrims' sons be taunted
With cringing low in slavery's school.
So clear the way for Freedom's carThe free shall rule!-hurrah, hurrah!
Send up the shout EmancipationFrom heaven let the echoes boundSoon will it bless this franchised nation,
Come raise again the stirring sound!
120
Emancipation near and farSwell up the shout-hurrah! hurrah!
~ Anonymous Americas,
1060:All in all, everything seems to be back to the way it was before, but with one important exception. You've changed. You're wary now. You walk into work as if entering a minefield. In every conversation, in every meeting, you're careful to watch your every word. Every casual encounter in the hallway becomes a potential confrontation. Every time you meet a co-worker's eyes, you wonder if they are well-disposed or a secret enemy seeking to destroy your job, your career, and your life. You walk on eggshells, and you learn to stop sharing your opinion with anyone about anything, unless it is about something safely innocuous, like sports. What you don't realize is that you've just survived your first SJW attack. And you're luckier than most. You still have your job, you still have your reputation, and you still have your friends and family. Tens of thousands of people are not so lucky. In the universities, in the churches, in the corporations, in the professional associations, in the editorial offices, in the game studios, and just about everywhere else you can imagine, free speech and free thought are under siege by a group of fanatics as self-righteous as Savonarola, as ruthless as Stalin, as ambitious as Napoleon, and as crazy as Caligula. They are the Social Justice Warriors, the SJWs, the self-appointed thought police who have been running amok throughout the West since the dawn of the politically correct era in the 1990s. ~ Vox Day,
1061:Vain Death
ALL the first night she might not weep
But watched till morning came,
And when she slept at dawn, she heard
The dead man call her name.
The second night she watched and wept
And called on death for grace,
And when she slept before the dawn
She saw the dead man’s face.
The third night through she laughed as one
That knows her way to bliss,
And in the instant ere she slept
She felt the dead man’s kiss.
She rose and faced the flickering fire
(And oh, but she was fair!),
Like a wild witch behind her danced
The shadow of her hair.
She took her penknife from its sheath,
The tender blade she kissed,
And by the firelight’s dying leap
She bared her little wrist.
And where the vein ran large and blue
She cut, once and again,
Yet ere she swooned from life, she knew
Her death had been in vain.
For while life thundered in her ears,
Ere yet her pulse might fail,
Far off across the kindless night
She heard the dead man’s wail,
And knew her doom was one with theirs
That kill the life God gave,
And that she might not leave this earth
Her soul alive to save,
13
But ay must dwell within that house
As in a living grave,
While he for whom she died might ne’er
Win to her in that place,
But must for ever make his moan
Ranging in agony alone
The trackless void of space
~ Archibald Thomas Strong,
1062:The stuff of life, in other words, arose in places and times somewhat more accessible to our telescopic investigations. Since most of us spend our lives confined to a narrow strip near Earth’s surface, we tend to think of the cosmos as a lofty, empyrean realm far beyond our reach and relevance. We forget that only a thin sliver of atmosphere separates us from the rest of the universe. But science continues to show just how intimately connected life on Earth is to extraterrestrial processes. In particular, several recent findings have further illuminated the cosmic origins of life’s key ingredients. Take the element phosphorus, for example. It is a critical constituent of DNA, as well as of our cells, teeth and bones. Astronomers have long struggled to trace its buildup through cosmic history, because the imprint of phosphorus is difficult to discern in old, cool stars in the outskirts of our galaxy. (Some of these stellar “time capsules” contain the ashes of their forebears, the very first generation of stars that formed near the dawn of time.) But in a paper published in December in The Astrophysical Journal Letters, a research team reported that it had measured the abundance of phosphorus in 13 such stars, using data taken with the Hubble Space Telescope. Their findings highlight the dominant role of so-called hypernovae, explosions even more energetic than supernovae that spell the demise of massive stars, in making the elements ~ Anonymous,
1063:In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men. ~ Lundy Bancroft,
1064:The Obscure Night Of The Soul
Upon an obscure night,
Fevered with love in love's anxiety,
(O hapless-happy plight!)
I went, none seeing me,
Forth from my house where all things quiet be.
By night, secure from sight,
And by the secret stair, disguisedly,
(O hapless-happy plight!)
By night, and privily,
Forth from my house where all things quiet be.
Blest night of wandering,
In secret, where by none might I be spied,
Nor I see anything;
Without a light or guide,
Save that which in my heart burnt in my side.
That light did lead me on,
More surely than the shining of noontide,
Where well I knew that one
Did for my coming bide;
Where he abode might none but he abide.
O night that didst lead thus,
O night more lovely than the dawn of light,
O night that broughtest us,
Lover to lover's sight,
Lover with loved in marriage of delight!
Upon my flowery breast,
Wholly for him, and save himself for none,
There did I give sweet rest
To my beloved one;
The fanning of the cedars breathed thereon.
When the first moving air
Blew from the tower, and waved his locks aside.
His hand, with gentle care,
115
Did wound me in the side,
And in my body all my senses died.
All things I then forgot,
My cheek on him who for my coming came;
All ceased, and I was not,
Leaving my cares and shame
Among the lilies, and forgetting them.
~ Arthur Symons,
1065:Remember the parable of the wheat and the tares (Matt. 13:24–30) they must grow together, Jesus said, until the harvest. We cannot remove the tares without destroying the wheat. Evil, like the tares, is part of the Ground of Being, the nature of reality, the meaning of God. My being is always light and darkness, love and hate, God and Satan, life and death, being and nonbeing—all in dynamic tension. I cannot split off part of who I am, confess it, be absolved of it, and seek to try again. I cannot pretend that I am made in God’s image until I own as part of my being the shadow side of my life, which reflects the shadow side of God. That is why evil is always present in the holy; that is why evil is perceived as relentless and inescapable; that is why Jesus and Judas have been symbolically bound together since the dawn of time. The Johannine myth was not wrong in suggesting that Jesus was the preexisting word of God who was enfleshed into human history. That is a very accurate conception of an ultimate truth. But it is not complete. Judas Iscariot was also mythically present in God at the dawn of creation, and he too was enfleshed in the drama played out in Judea in the first century. The mythical themes are woven together time after time. God and Satan, life and death, good and evil, sacrifice and freedom, light and darkness, Jesus and Judas—are all inextricably bound up with one another. I cannot finally step into the new being without bringing my own dark shadow with me. ~ John Shelby Spong,
1066:They still need to keep their bellies full, but now they’re trying to figure out how to do it without working—and that’s the point where people start using their heads. Some people think the first tools were weapons, but that’s all upside down. First of all, people figure out the tools. It’s the crutch before the club, every time. Because now people are telling Anansi stories, and they’re starting to think about how to get kissed, how to get something for nothing by being smarter or funnier. That’s when they start to make the world.” “It’s just a folk story,” she said. “People made up the stories in the first place.” “Does that change things?” asked the old man. “Maybe Anansi’s just some guy from a story, made up back in Africa in the dawn days of the world by some boy with blackfly on his leg, pushing his crutch in the dirt, making up some goofy story about a man made of tar. Does that change anything? People respond to the stories. They tell them themselves. The stories spread, and as people tell them, the stories change the tellers. Because now the folk who never had any thought in their head but how to run from lions and keep far enough away from rivers that the crocodiles don’t get an easy meal, now they’re starting to dream about a whole new place to live. The world may be the same, but the wallpaper’s changed. Yes? People still have the same story, the one where they get born and they do stuff and they die, but now the story means something different to what it meant before. ~ Neil Gaiman,
1067:Himself
Last night, when I was listenin’
Alone, to wind and rain,
He took the chair beside me,
Himself - come home again.
His kind blue eyes were smilin’
Beneath his thatch of grey,
He laid his hand on my hand,
The ould sweetheartin’ way.
I pressed my cheek upon it,
Remembering bitterly
The times he faced his daily toil
Without one smile from me.
And yet, his meals were always good,
His clothes well kept and clean,
The neighbours, sure, will tell you,
The splendid wife I’ve been.
But in Life’s stress and struggle,
We somehow, grew apart,
You know these Irish mothers,
'Tis “the childer” has their heart.
And he grew grim, and close-lipped,
And harder, day by day,
Poor man - too tired for laughter,
Too worried to be gay.
But - how his care enclosed us,
For all he was so grim,
The very rafters of our home
Were cut and laid by him.
And I, that might have cheered him,
The bitter words I said,
Oh! God, that we remember,
Only when they are dead.
21
But now - my arms were round him,
The room seemed full of flowers,
And Youth came back and sunshine,
That glorious time was ours.
The firelight flamed and flickered,
The embers fell apart,
I woke to empty silence,
With sorrow at my heart.
The wild winds brought the morning,
The dawn was red and chill,
And Himself was lyin’ sleepin’
In the graveyard on the hill!
~ Alice Guerin Crist,
1068:Death, like so many great movies, is sad. The young fancy themselves immune to death. And why shouldn’t they? At times life can seem endless, filled with belly laughs and butterflies, passion and joy, and good, cold beer. Of course, with age comes the solemn understanding that forever is but a word. Seasons change, love withers, the good die young. These are hard truths, painful truths—inescapable but, we are told, necessary. Winter begets spring, night ushers in the dawn, and loss sows the seeds of renewal. It is, of course, easy to say these things, just as it is easy to, say, watch a lot of television. But, easy or not, we rely on such sentiment. To do otherwise would be to jump without hope into a black and endless abyss, falling through an all-enveloping void for all eternity. Really, what’s to gain from saying that the night only grows darker and that hope lies crushed under the jackboots of the wicked? What answers do we have when we arrive at the irreducible realization that there is no salvation in life, that sooner or later, despite our best hopes and most ardent dreams, no matter how good our deeds and truest virtues, no matter how much we work toward our varied ideals of immortality, inevitably the seas will boil, evil will run roughshod over the earth, and the planet will be left a playground in ruins, fit only for cockroaches and vermin. There is a saying favored by clergymen and aging ballplayers: Pray for rain. But why pray for rain when it’s raining hot, poisoned blood? ~ Dave Eggers,
1069:The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began. ~ Andr Breton,
1070:How are you off for drink? We have got everything in the world on board here. Can you catch?’ and almost immediately a large bottle of champagne was thrown from the gunboat to the shore. It fell in the waters of the Nile, but happily where a gracious Providence decreed them to be shallow and the bottom soft. I nipped into the water up to my knees, and reaching down seized the precious gift which we bore in triumph back to our mess.

This kind of war was full of fascinating thrills. It was not like the Great War. Nobody expected to be killed. Here and there in every regiment or battalion, half a dozen, a score, at the worst thirty or fourty, would pay forfeit; but to the great mass of those who took part in the little wars of Britain in those vanished and light-hearted days, this was only a sporting element in a splendid game. Most of us were fated to se a war where the hazards were reversed, where death was the general expectation and severe wounds were counted as lucky escapes, where whole brigades were shorn away under the steel flail of artillery and machine-guns, where the survivors of one tornado knew that they would certainly be consumed in the next or the next after that.

Everything depends upon the scale of events. We young men who lay down to sleep that night within three miles of 60,000 well-armed fanatical Dervishes, expecting every moment their violent onset or inrush and sure of fighting at latest with the dawn – we may perhaps be pardoned if we thought we were at grips with real war. ~ Winston S Churchill,
1071:The Dream-Ship
When the world is fast asleep,
Along the midnight skies-As though it were a wandering cloud-The ghostly dream-ship flies.
An angel stands at the dream-ship's helm,
An angel stands at the prow,
And an angel stands at the dream-ship's side
With a rue-wreath on her brow.
The other angels, silver-crowned,
Pilot and helmsman are,
And the angel with the wreath of rue
Tosseth the dreams afar.
The dreams they fall on rich and poor;
They fall on young and old;
And some are dreams of poverty,
And some are dreams of gold.
And some are dreams that thrill with joy,
And some that melt to tears;
Some are dreams of the dawn of love,
And some of the old dead years.
On rich and poor alike they fall,
Alike on young and old,
Bringing to slumbering earth their joys
And sorrows manifold.
The friendless youth in them shall do
The deeds of mighty men,
And drooping age shall feel the grace
Of buoyant youth again.
The king shall be a beggarman-The pauper be a king-In that revenge or recompense
The dream-ship dreams do bring.
326
So ever downward float the dreams
That are for all and me,
And there is never mortal man
Can solve that mystery.
But ever onward in its course
Along the haunted skies-As though it were a cloud astray-The ghostly dream-ship flies.
Two angels with their silver crowns
Pilot and helmsman are,
And an angel with a wreath of rue
Tosseth the dreams afar.
~ Eugene Field,
1072:The Old Maid's Story
Ay, many and many a year's gone by,
Since the dawn of that day in spring,
When we met in the pine-woods, Harry and I,
And he gave me this golden ring.
I had lovers in plenty, of high degree,
Who wooed in my father's hall;
But none were so noble and brave as he,
Though he was the scorn'd of all.
On the soft, green grass, where the shadows lay,
All fleck'd with the sun and dew,
With a ring and a kiss did we seal, that day,
Our vow to be leal and true.
'Twas a life-long vow;—but they did not know—
And they thought not of love or pain;—
We met just once in the sleet and snow—
We were never to meet again!
He was sent away o'er the blank, wide sea,
And I, with my hopes and fears,
Had never a message to comfort me
For over a score of years.
They laugh'd at my heart, they paraded my hand,
But I answer'd them, cold and grim—
“If Harry ne'er comes to his native land,
They shall only belong to him.”
At last came a tale from the battle-field;—
And they were not scornful now.
The sentence of exile might be repealed—
They would honour our plighted vow!
They told how my Harry, like olden knights,
Had fought for his land and Queen;
Fought hard and well on the Alma heights,
Where the deadliest strife was seen.
They told how he fell in the fire and smoke,
And they gave me his things to keep;
They wonder'd why I never cried or spoke,—
But it was too late to weep.
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~ Ada Cambridge,
1073:Absence "

Then the birds stitching the dawn with their song
have patterned your name.

Then the green bowl of the garden filling with light
is your gaze.

Then the lawn lengthening and warming itself
is your skin.

Then a cloud disclosing itself overhead
is your opening hand.

Then the first seven bells from the church
pine on the air.

Then the sun's soft bite on my face
is your mouth.

Then a bee in a rose is your fingertip
touching me here.

Then the trees bending and meshing their leaves
are what we would do.

Then my steps to the river are text to a prayer
printing the ground.

Then the river searching its bank for your shape
is desire.

Then a fish nuzzling for the water's throat
has a lover's ease.

Then a shawl of sunlight dropped in the grass
is a garment discarded.

Then a sudden scatter of summer rain
is your tongue.

Then a butterfly paused on a trembling leaf
is your breath.

Then the gauzy mist relaxed on the ground
is your pose.

Then the fruit from the cherry tree falling on grass
is your kiss, your kiss.

Then the day's hours are theatres of air
where I watch you entranced.

Then the sun's light going down from the sky
is the length of your back.

Then the evening bells over the rooftops
are lovers' vows.

Then the river staring up, lovesick for the moon,
is my long night.

Then the stars between us are love
urging its light. ~ Carol Ann Duffy,
1074:The Little Orphan
The crowded street his playground is, a patch of blue his sky;
A puddle in a vacant lot his sea where ships pass by:
Poor little orphan boy of five, the city smoke and grime
Taint every cooling breeze he gets throughout the summer time;
And he is just as your boy is, a child who loves to play,
Except that he is drawn and white and cannot get away.
And he would like the open fields, for often in his dreams
The angels kind bear him off to where are pleasant streams,
Where he may sail a splendid boat, sometimes he flies a kite,
Or romps beside a shepherd dog and shouts with all his might;
But when the dawn of morning comes he wakes to find once more
That what he thought were sun-kissed hills are rags upon the floor.
Then through the hot and sultry day he plays at "make-pretend,"
The alley is a sandy beach where all the rich folks send
Their little boys and girls to play, a barrel is his boat,
But, oh, the air is tifling and the dust fills up his throat;
And though he tries so very hard to play, somehow it seems
He never gets such wondrous joys as angels bring in dreams.
Poor little orphan boy of five, except that he is pale,
With sunken cheeks and hollow eyes and very wan and frail,
Just like that little boy of yours, with same desire to play,
Fond of the open fields and skies, he's built the self-same way;
But kept by fate and circumstance away from shady streams,
His only joy comes when he sleeps and angels bring him dreams.
~ Edgar Albert Guest,
1075:The Little Orphan
The crowded street his playground is, a patch of blue his sky;
A puddle in a vacant lot his sea where ships pass by:
Poor little orphan boy of five, the city smoke and grime
Taint every cooling breeze he gets throughout the summer time;
And he is just as your boy is, a child who loves to play,
Except that he is drawn and white and cannot get away.
And he would like the open fields, for often in his dreams
The angels kind bear him off to where are pleasant streams,
Where he may sail a splendid boat, sometimes he flies a kite,
Or romps beside a shepherd dog and shouts with all his might;
But when the dawn of morning comes he wakes to find once more
That what he thought were sun-kissed hills are rags upon the floor.
Then through the hot and sultry day he plays at 'make-pretend,'
The alley is a sandy beach where all the rich folks send
Their little boys and girls to play, a barrel is his boat,
But, oh, the air is stifling and the dust fills up his throat;
And though he tries so very hard to play, somehow it seems
He never gets such wondrous joys as angels bring in dreams.
Poor little orphan boy of five, except that he is pale,
With sunken cheeks and hollow eyes and very wan and frail,
Just like that little boy of yours, with same desire to play,
Fond of the open fields and skies, he's built the self-same way;
But kept by fate and circumstance away from shady streams,
His only joy comes when he sleeps and angels bring him dreams.
~ Edgar Albert Guest,
1076:Anyone who manages to experience the history of humanity as a whole as his own history will feel in an enormously generalized way all the grief of an invalid who thinks of health, of an old man who thinks of the dream of his youth, of a lover deprived of his beloved, of the martyr whose ideal is perishing, of the hero on the evening after a battle that has decided nothing but brought him wounds and the loss of his friend. But if one endured, if one could endure this immense sum of grief of all kinds while yet being the hero who, as the second day of battle breaks, welcomes the dawn and his fortune, being a person whose horizon encompasses thousands of years, past and future, being the heir of all the nobility of all past spirit - an heir with a sense of obligation, the most aristocratic of old nobles and at the same time the first of a new nobility - the like of which no age has yet seen or dreamed of; if one could burden one’s soul with all of this - the oldest, the newest, losses, hopes, conquests, and the victories of humanity; if one could finally contain all this in one soul and crowd it into a single feeling - this would surely have to result in a happiness that humanity has not known so far: the happiness of a god full of power and love, full of tears and laughter, a happiness that, like the sun in the evening, continually bestows its inexhaustible riches, pouring them into the sea, feeling richest, as the sun does, only when even the poorest fishermen is still rowing with golden oars! This godlike feeling would then be called - humaneness. ~ Friedrich Nietzsche,
1077:A Dream Of Death
WHERE shall we sail to-day?'--Thus said, methought,
A voice that only could be heard in dreams:
And on we glided without mast or oar,
A wondrous boat upon a wondrous sea.
Sudden, the shore curved inward to a bay,
Broad, calm, with gorgeous sea-weeds waving slow
Beneath the water, like rich thoughts that stir
In the mysterious deep of poets' hearts.
So still, so fair, so rosy in the dawn
Lay that bright bay: yet something seemed to breath,
Or in the air, or from the whispering waves,
Or from that voice, as near as one's own soul,
'There was a wreck last night.' A wreck? then where
The ship, the crew?--The all-entombing sea
On which is writ nor name nor chronicle
Laid itself o'er them with smooth crystal smile.
'Yet was the wreck last night.'. And gazing down
Deep down below the surface, we were ware
Of ghastly faces with their open eyes
Uplooking to the dawn they could not see.
One moved with moving sea-weeds: one lay prone,
The tinted fishes gliding o'er his breast;
One, caught by floating hair, rocked quietly
Upon his reedy cradle, like a child.
'The wreck has been'--said the melodious voice,
'Yet all is peace. The dead, that, while we slept,
Struggled for life, now sleep and fear no storms:
O'er them let us not weep when heaven smiles.'
So we sailed on above the diamond sands,
Bright sea-flowers, and white faces stony calm,
Till the waves bore us to the open main,
And the great sun arose upon the world.
~ Dinah Maria Mulock Craik,
1078:Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth.

Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star.

But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell.

How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars.

Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?'

Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction.

The truth, as always, will be far stranger. ~ Arthur C Clarke,
1079:What have I earned for all that work,’ I said, ‘For all that I have done at my own charge? The daily spite of this unmannerly town, Where who has served the most is most defamed, The reputation of his lifetime lost Between the night and morning. I might have lived, And you know well how great the longing has been, Where every day my footfall should have lit In the green shadow of Ferrara wall; Or climbed among the images of the past – The unperturbed and courtly images – Evening and morning, the steep street of Urbino To where the Duchess and her people talked The stately midnight through until they stood In their great window looking at the dawn; I might have had no friend that could not mix Courtesy and passion into one like those That saw the wicks grow yellow in the dawn; I might have used the one substantial right My trade allows: chosen my company, And chosen what scenery had pleased me best.’ Thereon my phoenix answered in reproof, ‘The drunkards, pilferers of public funds, All the dishonest crowd I had driven away, When my luck changed and they dared meet my face, Crawled from obscurity, and set upon me Those I had served and some that I had fed; Yet never have I, now nor any time, Complained of the people.’ All I could reply Was: ‘You, that have not lived in thought but deed, Can have the purity of a natural force, But I, whose virtues are the definitions Of the analytic mind, can neither close The eye of the mind nor keep my tongue from speech.’ And yet, because my heart leaped at her words, I was abashed, and now they come to mind After nine years, I sink my head abashed. ~ W B Yeats,
1080:Eiffel Tower"
To Robert Delaunay

Eiffel Tower
Guitar of the sky

Your wireless telegraphy
Attracts words
As a rosebush the bees

During the night
The Seine no longer flows

Telescope or bugle

EIFFEL TOWER

And it's a hive of words
Or an inkwell of honey

At the bottom of dawn
A spider with barbed-wire legs
Was making its web of clouds

My little boy
To climb the Eiffel Tower
You climb on a song

Do
re
mi
fa
sol
la
ti
do

We are up on top

A bird sings
in the telegraph
antennae

It's the wind
Of Europe
The electric wind

Over there

The hats fly away
They have wings but they don't sing

Jacqueline
Daughter of France
What do you see up there

The Seine is asleep
Under the shadow of its bridges

I see the Earth turning
And I blow my bugle
Toward all the seas

On the path
Of your perfume
All the bees and the words go their way

On the four horizons
Who has not heard this song

I AM THE QUEEN OF THE DAWN OF THE POLES
I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES
EVERY FALL
AND ALL FULL OF SNOW
I DIE FROM THE DEATH OF THAT ROSE
IN MY HEAD A BIRD SINGS ALL YEAR LONG

That's the way the Tower spoke to me one day

Eiffel Tower
Aviary of the world
Sing Sing
Chimes of Paris

The giant hanging in the midst of the void
Is the poster of France

The day of Victory
You will tell it to the stars ~ Vicente Huidobro,
1081:Twilight Song
Through the shine, through the rain
We have shared the day’s load;
To the old march again
We have tramped the long road;
We have laughed, we have cried,
And we’ve tossed the King’s crown;
We have fought, we have died,
And we’ve trod the day down.
So it’s lift the old song
Ere the night flies again,
Where the road leads along
Through the shine, through the rain.
Long ago, far away,
Came a sign from the skies;
And we feared then to pray
For the new sun to rise:
With the King there at hand,
Not a child stepped or stirred—
Where the light filled the land
And the light brought the word;
For we knew then the gleam
Though we feared then the day,
And the dawn smote the dream
Long ago, far away.
But the road leads us all,
For the King now is dead;
And we know, stand or fall,
We have shared the day’s bread.
We may laugh down the dream,
For the dream breaks and flies;
And we trust now the gleam,
For the gleam never dies;—
So it’s off now the load,
For we know the night’s call,
And we know now the road
And the road leads us all.
383
Through the shine, through the rain,
We have wrought the day’s quest;
To the old march again
We have earned the day’s rest;
We have laughed, we have cried,
And we’ve heard the King’s groans;
We have fought, we have died,
And we’ve burned the King’s bones,
And we lift the old song
Ere the night flies again,
Where the road leads along
Through the shine, through the rain.
~ Edwin Arlington Robinson,
1082:So far as Louis XVI. was concerned, I said `no.' I did not think that I had the right to kill a man; but I felt it my duty to exterminate evil. I voted the end of the tyrant, that is to say, the end of prostitution for woman, the end of slavery for man, the end of night for the child. In voting for the Republic, I voted for that. I voted for fraternity, concord, the dawn. I have aided in the overthrow of prejudices and errors. The crumbling away of prejudices and errors causes light. We have caused the fall of the old world, and the old world, that vase of miseries, has become, through its upsetting upon the human race, an urn of joy."

"Mixed joy," said the Bishop.

"You may say troubled joy, and to-day, after that fatal return of the past, which is called 1814, joy which has disappeared! Alas! The work was incomplete, I admit: we demolished the ancient regime in deeds; we were not able to suppress it entirely in ideas. To destroy abuses is not sufficient; customs must be modified. The mill is there no longer; the wind is still there."

"You have demolished. It may be of use to demolish, but I distrust a demolition complicated with wrath."

"Right has its wrath, Bishop; and the wrath of right is an element of progress. In any case, and in spite of whatever may be said, the French Revolution is the most important step of the human race since the advent of Christ. Incomplete, it may be, but sublime. It set free all the unknown social quantities; it softened spirits, it calmed, appeased, enlightened; it caused the waves of civilization to flow over the earth. It was a good thing. The French Revolution is the consecration of humanity. ~ Victor Hugo,
1083:Statue Of A Couple
Your hand, my wonder, is now icy cold.
The purest light of the celestial dome
has burned me through. And now we are
as two still plams lying in darlmess,
as two black banks of a frozen stream
in the chasm of the world.
Our hair combed back is carved in wood,
the moon walks over our ebony shoulders.
A distant cockcrow, the night goes by, silent.
Rich is the rime of love, withered the dowry.
Where are you, living in what depths of time,
love, stepping down into what waters,
now, when the frost of our voiceless lips
does not fend off the divine fires?
In a forest of clouds, of fcam, and of silver
we live, caressing lands under our
And we are wielding the might of a dark scepter
to earn oblivion.
My love, your breast cut through by a clinel
knows nothing anymore of what it was.
Of clouds at dawn, of angers at daybreak,
of shallows in springtime it has no remembrance.
And you have led me, as once an angel led
Tobias, onto the rusty mashes of Lombardy.
But a day came when a sign frightened you,
a stinma of golden measure.
With a scream, with inunobile fear in your thin hands
you fell into a pit that ashes lie over,
where neither northern firs nor Italian yews
could protect our andent bed of lovers.
What was it. what is it, what will it be
we filled the world with our cry and calling.
81
The dawn is back, the red moon set,
do we know now? In a heavy ship
A helmman comes, throws a silken rope
and binds w tightly to eaah other,
then he pours on friends, once enemies,
a handful of snow.
~ Czeslaw Milosz,
1084:The Will-O'-The-Wisp
The Will-o'-the-Wisp is out on the marsh,
And all alone he goes;
There's not a sight of his glimmering light
From break of day to close;
But all night long, from dusk till dawn,
He drifts where the night wind blows.
The Will-o'-the-Wisp, he has no roof,
Yet he seeks not hut nor hall;
He will not wait for a friendly foot,
But starts if a shadow fall;
And never a voice can make him turn,
But the far off winds that call.
The twilight covers the dreaming hills,
The evening dews begin;
There's none to care that he wanders there,
There's none to call him in;
And all the night, with his lonely light,
He goes where the mists have been.
From firelit window and open doors,
The roads have golden bars;
And round and round the world is bound
By a girdle of radiant stars;
But I watch to-night for a fleeting light
That a moment makes or mars.
Flit, flit, with the hurrying hours,
In shadow and mist and dew
Will-o'-the-Wisp, O Will-o'-the-Wisp,
I would I could follow you,
With your elfin light for a lantern bright
The bogs and the marshes through!
O Will-o'-the-Wisp, in silver dusk
Who'd wish for golden dawn?
In purple night, with stars a-light,
Who'd dream of noontide gone?
Who would not stray by the glimmering way
Your wandering feet are drawn?
The dawn comes over the silent hills,
And calls to the winds of morn;
The stars grow pale, and the sun cries, 'Hail! '
To the shadowy fields forlorn;
And good-bye, good-bye, to the Will-o'-the-Wisp,
Who dies when the day is born!
~ Annie Campbell Huestis,
1085:Republic And Motherland
(Written after entering New York Harbor at Daybreak)
Up the vast harbor with the morning sun
The ship swept in from sea;
Gigantic towers arose, the night was done,
And--there stood Liberty.
Silent, the great torch lifted in one hand,
The dawn in her proud eyes,
Silent, for all the shouts that vex her land,
Silent, hailing the skies;
Hailing that mightier Kingdom of the Blest
Our seamen sought of old,
The dream that lured the nations through the West,
The city of sunset gold.
Saxon and Norman in one wedded soul
Shook out one flag like fire;
But westward, westward, moved the gleaming goal,
Westward, the vast desire.
Westward and ever westward ran the call,
They followed the pilgrim sun,
Seeking that land which should enfold them all,
And weld all hearts in one.
Here on this mightier continent apart,
Here on these rolling plains,
Swells the first throb of that immortal heart,
The pulse of those huge veins.
Still, at these towers, our Old-World cities jest,
And neither hear nor see
The brood of gods at that gigantic breast,
The conquering race to be.
Chosen from many--for no sluggard soul
Confronts that night of stars--
75
The trumpets of the last Republic roll
Far off, an end to wars;
An end, an end to that wild blood-red age,
That made and keeps us blind;
A mightier realm shall be her heritage,
The kingdom of mankind.
Chosen from many nations, and made one;
But first, O Mother, from thee,
When, following, following on that Pilgrim sun,
Thy Mayflower crossed the sea.
~ Alfred Noyes,
1086:The Last Quarter Of The Moon
How long shall I tarnish the mirror of life,
A spatter of rust on its polished steel!
The seasons reel
Like a goaded wheel.
Half-numb, half-maddened, my days are strife.
The night is sliding towards the dawn,
And upturned hills crouch at autumn's knees.
A torn moon flees
Through the hemlock trees,
The hours have gnawed it to feed their spawn.
Pursuing and jeering the misshapen thing
A rabble of clouds flares out of the east.
Like dogs unleashed
After a beast,
They stream on the sky, an outflung string.
A desolate wind, through the unpeopled dark,
Shakes the bushes and whistles through empty nests,
And the fierce unrests
I keep as guests
Crowd my brain with corpses, pallid and stark.
Leave me in peace, O Spectres, who haunt
My labouring mind, I have fought and failed.
I have not quailed,
I was all unmailed
And naked I strove, 'tis my only vaunt.
The moon drops into the silver day
As waking out of her swoon she comes.
I hear the drums
Of millenniums
Beating the mornings I still must stay.
The years I must watch go in and out,
While I build with water, and dig in air,
And the trumpets blare
370
Hollow despair,
The shuddering trumpets of utter rout.
An atom tossed in a chaos made
Of yeasting worlds, which bubble and foam.
Whence have I come?
What would be home?
I hear no answer. I am afraid!
I crave to be lost like a wind-blown flame.
Pushed into nothingness by a breath,
And quench in a wreath
Of engulfing death
This fight for a God, or this devil's game.
~ Amy Lowell,
1087:From 'The Hills Of Life'
ERE yet the dawn
Pushed rosy fingers up the arch of day
And smiled its promise to the voiceless prime,
Love sat and patterns wove at life's great loom.
He flung the suns into the soundless arch,
Appointed them their courses in the deep,
To keep His great time-harmonies, and blaze
As beacons in the ebon fields of night.
Love balanced them and held them firm and true,
Poised 'twixt attractive and repulsive drift
Amid the throngs of heaven. What though this power
Was ever known to us as gravity,
Its first and last celestial name is Love.
Love spake the word omnipotent, and lo!
Upon the distant and mid deep, the earth
Was flung, robed in blue skies and summer lands,
Green-garlanded with leaves and bright with flowers,
While songsters fluttered in the rosy skies.
But sometimes, moaning through the dark-leaved pines,
Or sobbing down the lonely shores of time,
Or wailing in the tempest-arch of night,
Love moved unresting and unsatisfied.
The faces of the hills in beauty smiled,
The night's deep vault blazed with configured stars,
Fair nature throbbed through all her frame of light,
And everywhere was Love's fine energy;
But fields and forests, flowers and firmaments
Had not attained to understand the throb
And thrill of life, so Love made human hearts
That mightily could feel and understand;
Made them his constant home, centre and sweep,
Channel and instrument of life and truth,
The word of God on earth, Love's other self,
The high ambassadors of truth and light;
And Love was free where Life was wholly true.
~ Albert Durrant Watson,
1088:But overprotection is just one part of a larger trend that we call problems of progress. This term refers to bad consequences produced by otherwise good social changes. It’s great that our economic system produces an abundance of food at low prices, but the flip side is an epidemic of obesity. It’s great that we can connect and communicate with people instantly and for free, but this hyperconnection may be damaging the mental health of young people. It’s great that we have refrigerators, antidepressants, air conditioning, hot and cold running water, and the ability to escape from most of the physical hardships that were woven into the daily lives of our ancestors back to the dawn of our species. Comfort and physical safety are boons to humanity, but they bring some costs, too. We adapt to our new and improved circumstances and then lower the bar for what we count as intolerable levels of discomfort and risk. By the standards of our great-grandparents, nearly all of us are coddled. Each generation tends to see the one after it as weak, whiny, and lacking in resilience. Those older generations may have a point, even though these generational changes reflect real and positive progress. To repeat, we are not saying that the problems facing students, and young people more generally, are minor or “all in their heads.” We are saying that what people choose to do in their heads will determine how those real problems affect them. Our argument is ultimately pragmatic, not moralistic: Whatever your identity, background, or political ideology, you will be happier, healthier, stronger, and more likely to succeed in pursuing your own goals if you do the opposite of what Misoponos advised. ~ Greg Lukianoff,
1089:Seventeen more days,” Jessi breathed wonderingly. “God, you must be climbing the . . . er, walls . . . or whatever’s in there, huh?”
“Aye.”
“So, just what is in there, anyway?” She tested the glass by shaking it gently, and deemed it secure enough. It shouldn’t slide now.
“Stone,” he said flatly.
“And what else?”
“Stone. Gray. Of varying sizes.” His voice dropped to a colorless monotone. “Fifty-two thousand nine hundred and eighty-seven stones. Twenty-seven
thousand two hundred and sixteen of them
are a slightly paler gray than the rest. Thirty-six thousand and four are more rectangular than square. There are nine hundred and eighteen that have a
vaguely hexagonal shape. Ninety-two of
them have a vein of bronze running through the face. Three are cracked. Two paces from the center is a stone that protrudes slightly above the rest, over which I tripped for the first few
centuries. Any other questions?”
Jessi flinched as his words impacted her, taking her breath away. Her chest and throat felt suddenly tight. Uh, yeah, like, how did you stay sane in
there? What kept you from going stark raving mad? How did you survive over a thousand years in such a hell?
She didn’t ask because it would have been like asking a mountain why it was still standing, as it had been since the dawn of time, perhaps reshaped in subtle ways, but there, always there. Barring cataclysmic planetary upheaval, forever there. The man was strong—not just physically, but mentally and
emotionally. A rock of a man, the kind
a woman could lean on through the worst of times and never have to worry that things might fall apart, because a man like him simply wouldn’t let them. ~ Karen Marie Moning,
1090:For an example of what the first step involves, look at Psalm 139, where the psalmist meditates on the infinite and unlimited nature of God’s presence, and knowledge, and power, in relation to people. We are always in God’s presence, he says. You can cut yourself off from your fellow human beings, but you cannot get away from your Creator. “You hem me in—behind and before. . . . Where can I go from your Spirit? Where can I flee from your presence? If I go up to the heavens [the sky], you are there; if I make my bed in the depths [the underworld], you are there. If I rise on the wings of the dawn, if I settle on the far side of the sea,” I still cannot escape from the presence of God: “even there your hand will guide me” (vv. 5-10). Nor can darkness, which hides me from human sight, shield me from God’s gaze (vv. 11-12). And just as there are no bounds to his presence with me, so there are no limits to his knowledge of me. Just as I am never left alone, so I never go unnoticed. “O LORD, you have searched me and you know me. You know when I sit and when I rise [all my actions and movements]; you perceive my thoughts [all that goes on in my mind] from afar. . . . You are familiar with all my ways [all my habits, plans, aims, desires, as well as all my life to date]. Before a word is on my tongue [spoken, or meditated] you know it completely, O LORD” (vv. 1-4). I can hide my heart, and my past, and my future plans, from those around me, but I cannot hide anything from God. I can talk in a way that deceives my fellow creatures as to what I really am, but nothing I say or do can deceive God. He sees through all my reserve and pretense; he knows me as I really am, better indeed than I know myself. ~ J I Packer,
1091:If the pursuit of learning is not defended by the educated citizen, it will not be defended at all. For there will always be those who scoff at intellectuals, who cry out against research, who seek to limit our educational system. Modern cynics and skeptics see no more reason for landing a man on the moon, which we shall do, than the cynics and skeptics of half a millennium ago saw for the discovery of this country. They see no harm in paying those to whom they entrust the minds of their children a smaller wage than is paid to those to whom they entrust the care of their plumbing.
But the educated citizen knows how much more there is to know. He knows that "knowledge is power," more so today than ever before. He knows that only an educated and informed people will be a free people, that the ignorance of one voter in a democracy impairs the security of all, and that if we can, as Jefferson put it, "enlighten the people generally ... tyranny and the oppressions of mind and body will vanish, like evil spirits at the dawn of day." And, therefore, the educated citizen has a special obligation to encourage the pursuit of learning, to promote exploration of the unknown, to preserve the freedom of inquiry, to support the advancement of research, and to assist at every level of government the improvement of education for all Americans, from grade school to graduate school.
Secondly, the educated citizen has an obligation to serve the public. He may be a precinct worker or President. He may give his talents at the courthouse, the State house, the White House. He may be a civil servant or a Senator, a candidate or a campaign worker, a winner or a loser. But he must be a participant and not a spectator. ~ John F Kennedy,
1092:On The Steamer
The stir of leaves, the chilly morning air
Were like delirium; half awake
Jaws clamped; the dawn beyond the Kama glared
Blue, as the plumage of a drake.
There was
A yawning
And in the
Within the
a clattering of crockery,
steward taking stock,
depth, as high as candlesticks,
river, glow-worms flocked.
They hung from streets along the waterfront,
A scintillating string; it chimed
Three times; the steward with a napkin tried
To scratch away some candle grime.
Like a grey rumour, crawling from the past,
A mighty epic of the reeds,
With ripples in the beads of street lamps, fast
Towards Perm the Kama ran upon a breeze.
Choking on waves, and almost drowning, but
Still swimming on beyond the boat
A star kept diving and resurfacing
An icon's shining light afloat.
A smell of paint mixed with the galley smells,
And on the Kama all along,
The twilight drifted, secrets gathering,
With not a splash it drifted on…
A glass in hand, your pupils narrowing
You watched the slips of tongue perform
A whirling play on words, at suppertime,
But were not drawn into their swarm.
You called your partner to old happenings,
To waves of days before your day,
To plunge in them, a final residue
Of the last drop, and fade away.
107
The stir of leaves in chilly morning air
Was like delirium; half awake
One yawned; the east beyond the Kama glared
Blue, as the plumage of a drake.
And, like a bloodbath now the morning came,
A flaming flood of oil - to drown
The steamer's gaslights in the stateroom and
The waning street lamps of the town.
~ Boris Pasternak,
1093:The Sumerians considered themselves destined to “clothe and feed” such gods, because they viewed themselves as the servants, in a sense, of what we would call instinctive forces, “elicited” by the “environment.” Such forces can be reasonably regarded as the Sumerians regarded them—as deities inhabiting a “supracelestial place,” extant prior to the dawn of humanity. Erotic attraction, for example—a powerful god—has a developmental history that predates the emergence of humanity, is associated with relatively “innate” releasing “stimuli” (those that characterize erotic beauty), is of terrible power, and has an existence “transcending” that of any individual who is currently “possessed.” Pan, the Greek god of nature, produced/represented fear (produced “panic”); Ares or the Roman Mars, warlike fury and aggression. We no longer personify such “instincts,” except for the purposes of literary embellishment, so we don't think of them “existing” in a “place” (like heaven, for example). But the idea that such instincts inhabit a space—and that wars occur in that space—is a metaphor of exceeding power and explanatory utility. Transpersonal motive forces do wage war with one another over vast spans of time; are each forced to come to terms with their powerful “opponents” in the intrapsychic hierarchy. The battles between the different “ways of life” (or different philosophies) that eternally characterize human societies can usefully be visualized as combat undertaken by different standards of value (and, therefore, by different hierarchies of motivation). The “forces” involved in such wars do not die, as they are “immortal”: the human beings acting as “pawns of the gods” during such times are not so fortunate. ~ Jordan Peterson,
1094:The Sumerians considered themselves destined to “clothe and feed” such gods, because they viewed themselves as the servants, in a sense, of what we would call instinctive forces, “elicited” by the “environment.” Such forces can be reasonably regarded as the Sumerians regarded them—as deities inhabiting a “supracelestial place,” extant prior to the dawn of humanity. Erotic attraction, for example—a powerful god—has a developmental history that predates the emergence of humanity, is associated with relatively “innate” releasing “stimuli” (those that characterize erotic beauty), is of terrible power, and has an existence “transcending” that of any individual who is currently “possessed.” Pan, the Greek god of nature, produced/represented fear (produced “panic”); Ares or the Roman Mars, warlike fury and aggression. We no longer personify such “instincts,” except for the purposes of literary embellishment, so we don't think of them “existing” in a “place” (like heaven, for example). But the idea that such instincts inhabit a space—and that wars occur in that space—is a metaphor of exceeding power and explanatory utility. Transpersonal motive forces do wage war with one another over vast spans of time; are each forced to come to terms with their powerful “opponents” in the intrapsychic hierarchy. The battles between the different “ways of life” (or different philosophies) that eternally characterize human societies can usefully be visualized as combat undertaken by different standards of value (and, therefore, by different hierarchies of motivation). The “forces” involved in such wars do not die, as they are “immortal”: the human beings acting as “pawns of the gods” during such times are not so fortunate. ~ Jordan B Peterson,
1095:Music is silenced, the dark descending slowly
Has stripped unending skies of all companions.
Weariness grips your limbs and within the locked horizons
Dumbly ring the bells of hugely gathering fears.
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
It's not melodious woodlands but the leaps and falls
Of an ocean's drowsy booming,
Not a grove bedecked with flowers but a tumult flecked with foam.
Where is the shore that stored your buds and leaves?
Where the nest and the branch's hold?
Still, O bird, my sightless bird,
Not yet, not yet the time to furl your wings.

Stretching in front of you the night's immensity
Hides the western hill where sleeps the distant sun;
Still with bated breath the world is counting time and swimming
Across the shoreless dark a crescent moon
Has thinly just appeared upon the dim horizon.
But O my bird, O sightless bird,
Not yet, not yet the time to furl your wings.
From upper skies the stars with pointing fingers
Intently watch your course and death's impatience
Lashes at you from the deeps in swirling waves;
And sad entreaties line the farthest shore
With hands outstretched and crooning 'Come, O come!'
Still, O bird, O sightless bird,
Not yet, not yet the time to furl your wings.
All that is past: your fears and loves and hopes;
All that is lost: your words and lamentation;
No longer yours a home nor a bed composed of flowers.
For wings are all you have, and the sky's broadening countryard,
And the dawn steeped in darkness, lacking all direction.
Dear bird, my sightless bird,
Not yet, not yet the time to furl your wings!

~ Rabindranath Tagore, Hard Times
,
1096:"WHAT have I earned for all that work,' I said,
'For all that I have done at my own charge?
The daily spite of this unmannerly town,
Where who has served the most is most defaned,
The reputation of his lifetime lost
Between the night and morning. I might have lived,
And you know well how great the longing has been,
Where every day my footfall Should have lit
In the green shadow of Ferrara wall;
Or climbed among the images of the past
The unperturbed and courtly images
Evening and morning, the steep street of Urbino
To where the Duchess and her people talked
The stately midnight through until they stood
In their great window looking at the dawn;
I might have had no friend that could not mix
Courtesy and passion into one like those
That saw the wicks grow yellow in the dawn;
I might have used the one substantial right
My trade allows: chosen my company,
And chosen what scenery had pleased me best.
Thereon my phoenix answered in reproof,
"The drunkards, pilferers of public funds,
All the dishonest crowd I had driven away,
When my luck changed and they dared meet my face,
Crawled from obscurity, and set upon me
Those I had served and some that I had fed;
Yet never have I, now nor any time,
Complained of the people.'
All I could reply
Was: "You, that have not lived in thought but deed,
Can have the purity of a natural force,
But I, whose virtues are the definitions
Of the analytic mind, can neither close
The eye of the mind nor keep my tongue from speech.'
And yet, because my heart leaped at her words,
I was abashed, and now they come to mind
After nine years, I sink my head abashed.

~ William Butler Yeats, The People
,
1097:The Hills Of Youth
Once, on the far blue hills,
Alone with the pine and the cloud, in those high still places;
Alone with a whisper of ferns and a chuckle of rills,
And the peat-brown pools that mirrored the angels’ faces,
Pools that mirrored the wood-pigeon’s grey-blue feather,
And all my thistledown dreams as they drifted along;
Once, oh, once, on the hills, thro’ the red-bloomed heather
I followed an elfin song.
Once, by the wellsprings of joy,
In the glens of the hart’s-tongue fern, where the brooks came leaping
Over the rocks, like a scrambling bare-foot boy
That never had heard of a world grown old with weeping;
Once, thro’ the golden gorse (do the echoes linger
In Paradise woods, where the foam of the may runs wild?)
I followed the flute of a light-foot elfin singer,
A god with the eyes of a child.
Once, he sang to me there,
From a crag on a thyme-clad height where the dew still glistened;
He sang like the spirit of Spring in that dawn-flushed air,
While the angels opened their doors and the whole sky listened:
He sang like the soul of a rainbow, if heaven could hear it,
Beating to heaven, on wings that were April’s own;
A song too happy and brave for the heart to bear it,
Had the heart of the hearer known.
Once, ah, once, no more,
The hush and the rapture of youth in those holy places,
The stainless height, the hearts that sing and adore
Till the sky breaks out into flower with the angels’ faces!
Once, in the dawn, they were mine; but the noon bereft me.
At midnight now, in an ebb of the loud world’s roar,
I catch but a broken stave of the songs that left me
On hills that are mine no more.
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~ Alfred Noyes,
1098:Day Dawn
All yesterday the thought of you was resting in my soul,
And when sleep wandered o'er the world that very thought she stole
To fill my dreams with splendour such as stars could not eclipse,
And in the morn I wakened with your name upon my lips.
Awakened, my beloved, to the morning of your eyes,
Your splendid eyes, so full of clouds, wherein a shadow tries
To overcome the flame that melts into the world of grey,
As coming suns dissolve the dark that veils the edge of day.
Cool drifts the air at dawn of day, cool lies the sleeping dew,
But all my heart is burning, for it woke from dreams of you;
And O! these longing eyes of mine look out and only see
A dying night, a waking day, and calm on all but me.
So gently creeps the morning through the heavy air,
The dawn grey-garbed and velvet-shod is wandering everywhere
To wake the slumber-laden hours that leave their dreamless rest,
With outspread, laggard wings to court the pillows of the west.
Up from the earth a moisture steals with odours fresh and soft,
A smell of moss and grasses warm with dew, and far aloft
The stars are growing colourless, while drooping in the west,
A late, wan moon is paling in a sky of amethyst.
The passing of the shadows, as they waft their pinions near,
Has stirred a tender wind within the night-hushed atmosphere,
That in its homeless wanderings sobs in an undertone
An echo to my heart that sobbing calls for you alone.
The night is gone, beloved, and another day set free,
Another day of hunger for the one I may not see.
What care I for the perfect dawn? the blue and empty skies?
The night is always mine without the morning of your eyes.
~ Emily Pauline Johnson,
1099:Beatrice
She came into the April air,
And passed across the silvery lawn;
Blithe was her voice, her brow was bare,
And rippled from her radiant hair
The glow and glory of the dawn.
Her footfall scared nor doe nor fawn,
No timid songster ceased to sing;
But, wheresoe'er she strayed or stood,
Her maiden coming seemed to bring
A wider wonder to the wood,
And more of magic to the Spring.
When June is throned, and round her blows
The rambling briar and lily tall,
I saw her watch the buds unclose,
Herself, herself the loveliest rose,
And stateliest lily of them all.
The blackbirds' fluting, cuckoo's call,
She scarcely heard, for trembled near,
And thrilled her wheresoe'er she strayed,
That note more deep, that voice more dear,
That lures to love the listening maid,
When half is fondness, half is fear.
Among the rows of ripened sheaves,
And orchard harvests golden-red,
The tapestry that Autumn weaves
From fallen fruit and fading leaves,
Pensive she paced with matron tread.
Low was her voice, but all she said
Seemed strangely true, and deeply wise;
And mute her offspring gathered round,
To gaze into her tranquil eyes,
And listen to the sacred sound
Of mellow words and meek replies.
Now by the wintry hearth she sits,
Grey guardian of the household fire,
Foretells the Future, as she knits,
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Then back her loving memory flits
To bygone days and dead desire.
Anon her fingers seem to tire,
And weary sense to droop its wing;
But, though her gaze hath feebler grown,
Nor knows she what the children sing,
She sees the Lamb before the Throne,
And hears the Angels canticling.
~ Alfred Austin,
1100:His Tuning Of The Night
All night he lies awake tuning the sky,
tuning the night with its fat crackle of static,
with its melancholy love songs crooning
across the rainy air above Verdun
& the autobahn's blue suicidal dawn.
Wherever he lives there is the same unwomaned bed,
the ashtrays overflowing their reproaches,
his stained fingers on the tuning bar, fishing
for her voice in a deep mirrorless pond,
for the tinsel & elusive fish
(brighter than pennies in water & more wished upon)the copper-colored daughter of the pond god.
He casts for her, the tuning bar his rod,
but only long-dead lovers with their griefs
haunt him in Piaf's voice(as if a voice could somehow only die
when it was sung out, utterly).
He finally lies down and drowns the light
but the taste of her rises, brackish,
from the long dark water of her illness
& his grief is terrible as drowning
when he reaches for the radio again.
In the daytime, you hardly know him;
he walks in a borrowed calm.
You cannot sense
his desperation in the dawn
when the abracadabras of the birds
conjure another phantom day.
He favors cities which blaze all night,
hazy mushrooms of light under the blue
& blinking eyes of jets.
But when the lamps across the way go under,
& the floorboards settle,
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& the pipes fret like old men garglinghe is alone with his mouthful of ghosts,
his tongue bitter with her unmourned death,
& the terrible drowning.
I watch from my blue window
knowing he does not trust me,
though I know him as I know my ghosts,
though I know his drowning,
though, since that night when all harmony broke for me,
I have been trying to tune the sky.
~ Erica Jong,
1101:How Does Love Speak?
In the faint flush upon the tell-tale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye The smile that proves the parent of a sigh:
Thus doth Love speak.
How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache
While new emotions, like strange barges, make
Along vein-channels their disturbing course,
Still as the dawn, and with the dawn's swift force:
Thus doth Love speak.
How does Love speak?
In the avoidance of that which we seek
The sudden silence and reserve when near;
The eye that glistens with an unshed tear;
The joy that seems the counterpart of fear,
As the alarmed heart leads in the breast,
And knows, and names, and greets its godlike guest:
Thus doth Love speak.
How does Love speak?
In the proud spirit suddenly grown meek,
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendour;
In the resemblance which the fond eyes trace
In all fair things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble:
Thus doth Love speak.
How does Love speak?
In wild words that uttered seem so weak
They shrink ashamed to silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm
In the deep, soulful stillness; in the warm,
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Impassioned tide that sweeps thro' throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in the convulsive rapture of a kiss:
Thus doth Love speak.
~ Ella Wheeler Wilcox,
1102:The Boys' And Girls' Thanksgiving Of 1892
Never since the race was started,
Had a boy in any clime,
Cause to be so thankful-hearted,
As the boys of present time.
Not a girl in old times livingLet the world talk as it mayFound such reasons for Thanksgiving,
As the girls who live to-day!
Grandmas, in their corners sitting,
Toiling till the day grew late,
What knew they with endless knitting,
Of the jolly roller-skate?
Grandpas sitting by the fender,
Reading by the faggots' blaze,
What knew they of modern splendor
Found in incandescent rays?
Where they toiled in bitter weather,
Braving rain and snow and sleet,
Gathering sticks of wood together,
We have radiators' heat.
But these fruits of modern science
They first planted seed by seed,
In their strength and self-reliance
We may find a noble creed.
With the dawn of great inventions,
Came the anti-warring days.
Men are sick of armed contentions,
God be thanked with heart-felt praise.
Once a boy was trained for fighting,
Now the world is better taught,
'Tis an age when wrongs are righting
By the force of common thought.
557
Once a girl was trained for sewing,
Spinning, knitting, nothing more.
She must never think of knowing
Aught of things outside her door.
If she soared above her spinning,
If she sought a life more broad,
She was looked upon as sinning
'Gainst the laws of man and God.
Now a girl is taught she's human,
Brain and body, soul and heartAll are needed by the woman
Who to-day would play her part.
Swift and sure the world advances,
Let the critic carp who may.
God be praised for all the chances
Boys and girls enjoy to-day.
~ Ella Wheeler Wilcox,
1103:Love's Language
How does Love speak?
In the faint flush upon the tell-tale cheek,
And in the pallor that succeeds it; by
The quivering lid of an averted eye –
The smile that proves the parent to a sigh –
Thus doth Love speak.
How does Love speak?
By the uneven heart-throbs, and the freak
Of bounding pulses that stand still and ache,
While new emotions, like strange barques, make
Along vein-channels their disturbing course;
Still as the dawn, and with the dawn’s swift force –
Thus doth Love speak.
How does Love speak?
In the avoidance of that which we seek –
The sudden silence and reserve when near –
The eye that glistens with an unshed tear –
The joy that seems the counterpart of fear,
As the alarmed heart leaps in the breast,
And knows, and names, the greets its god-like guest –
Thus doth Love speak.
How doth Love speak?
In the proud spirit suddenly grown meek –
The haughty heart grown humble; in the tender
And unnamed light that floods the world with splendour,
In the resemblance which the fond eyes trace
In all things to one beloved face;
In the shy touch of hands that thrill and tremble;
In looks and lips that can no more dissemble –
Thus doth Love speak.
How doth Love speak?
In the wild words that uttered seem so weak
They shrink ashamed to silence; in the fire
Glance strikes with glance, swift flashing high and higher,
Like lightnings that precede the mighty storm;
381
In the deep, soulful stillness; in the warm,
Impassioned tide that sweeps through throbbing veins,
Between the shores of keen delights and pains;
In the embrace where madness melts in bliss,
And in convulsive rapture of a kiss –
Thus doth Love speak.
~ Ella Wheeler Wilcox,
1104:He did have some small advantage, though. He knew the truth about surveillance. Ever since the dawn of GWOT the nations of the West – apart from the United States, where civil libertarians tended to carry rifles and use them on closed-circuit cameras as an expression of their freedoms – had put their faith in creating a paranoid state, one where every move of every citizen was recorded and logged and filmed and fuck you, if you’ve got nothing to hide you’ve got nothing to worry about.
Whether this had had any great influence in the course of GWOT was a moot point, but there was one thing not generally appreciated about the paranoid state. It was incredibly labour-intensive.
There were simply not enough people to monitor all the cameras. Every shop had one, every bus and train and theatre and public convenience, every street and road and alleyway. Computers with facial recognition and gait recognition and body language recognition could do some of the job, but they were relatively simple to fool, expensive, and times had been hard for decades. It was cheaper to get people to watch the screens. But no nation on Earth had a security service large enough, a police force big enough, to keep an eye on all those live feeds. So it was contracted out. To private security firms all trying to undercut each other. The big stores had their own security men, but they were only interested in people going in and out of the store, not someone just passing by. So instead of a single all-seeing eye London’s seemingly-impregnable surveillance map was actually a patchwork of little territories and jurisdictions, and while they all had, by law, to make their footage available to the forces of law and order, many of the control rooms were actually manned by bored, underpaid, undertrained and badly-motivated immigrants. ~ Dave Hutchinson,
1105:Veni Creator
LORD of the grass and hill,
Lord of the rain,
White Overlord of will,
Master of pain,
I who am dust and air
Blown through the halls of death,
Like a pale ghost of prayer,—
I am thy breath.
Lord of the blade and leaf,
Lord of the bloom,
Sheer Overlord of grief,
Master of doom,
Lonely as wind or snow,
Through the vague world and dim,
Vagrant and glad I go;
I am thy whim.
Lord of the storm and lull,
Lord of the sea,
I am thy broken gull,
Blown far alee.
Lord of the harvest dew,
Lord of the dawn,
Star of the paling blue
Darkling and gone,
Lost on the mountain height
Where the first winds are stirred,
Out of the wells of night
I am thy word.
Lord of the haunted hush,
Where raptures throng,
214
I am thy hermit thrush,
Ending no song.
Lord of the frost and cold,
Lord of the North,
When the red sun grows old
And day goes forth,
I shall put off this girth,—
Go glad and free,
Earth to my mother earth,
Spirit to thee.
II
Lord of my heart’s elation,
Spirit of things unseen,
Be thou my aspiration
Consuming and serene!
Bear up, bear out, bear onward
This mortal soul alone,
To selfhood or oblivion,
Incredibly thine own,—
As the foamheads are loosened
And blown along the sea,
Or sink and merge forever
In that which bids them be.
I, too, must climb in wonder,
Uplift at thy command,—
Be one with my frail fellows
Beneath the wind’s strong hand,
A fleet and shadowy column
Of dust or mountain rain,
To walk the earth a moment
And be dissolved again.
Be thou my exaltation
Or fortitude of mien,
215
Lord of the world’s elation
Thou breath of things unseen!
~ Bliss William Carman,
1106:The Kingdom Of Love
In the dawn of the day, when the sea and the earth
Reflected the sunrise above,
I set forth, with a heart full of courage and mirth,
To seek for the Kingdom of Love.
I asked of a Poet I met on the way,
Which cross-road would lead me aright,
And he said: "Follow me, and ere long you will see
Its glistening turrets of Light."
And soon in the distance a city shone fair;
"Look yonder," he said, "there it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the Kingdom of Dreams.
Then the next man I asked was a gay cavalier,
And he said: "Follow me, follow me."
And with laughter and song we went speeding along
By the shores of life's beautiful sea,
Till we came to a valley more tropical far
Than the wonderful Vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay cavalier,
And he said: "We have come to humanity's goal--Here love and delight are intense."
But alas! and alas! for the hope of my soul--It was only the Kingdom of Sense.
As I journeyed more slowly, I met on the road
A coach with retainers behind,
And they said: "Follow us, for our lady's abode
Belongs in the realm you would find."
'Twas a grand dame of fashion, a newly-wed bride;
I followed, encouraged and bold.
But my hope died away, like the last gleams of day,
For we came to the Kingdom of Gold.
At the door of a cottage I asked a fair maid.
"I have heard of that Realm," she replied,
"But my feet never roam from the Kingdom of Home,
612
So I know not the way," and she sighed.
I looked on the cottage, how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried,
"Why, home is the Kingdom of Love!"
~ Ella Wheeler Wilcox,
1107:Nothing At All In The Paper Today
Nothing at all in the paper today!
Only a murder somewhere or other;
A girl who has put her child away,
Not being a wife as well as a mother;
Or a drunken husband beating a wife,
With the neighbors lying awake to listen,
Scarce aware he has taken a life,
Till in at the window the dawn rays glisten.
But that is all in the regular way-There's nothing at all in the paper today.
Nothing at all in the paper today!
To be sure, there's a woman died of starvation,
Fell down in the street, as so many may
In this very prosperous Christian nation;
Or two young girls, with some inward grief
Maddened, have plunged into the inky waters;
Or father has learnt that his son's a thief,
Or mother been robbed of one of her daughters.
Things that occur in their regular way-There's nothing at all in the paper today.
There's nothing at all in the paper today,
Unless you care about things in the city-How great rich rogues for their crimes must pay
(Though all gentility cries out, 'Pity!')
Like the meanest shop-boy that robs a till.
There's a case today, if I'm not forgetting,
The lad only 'borrowed'--as such lads will-To pay some money he lost in betting;
But there's nothing in this that's out of the way-There's nothing at all in the paper today!
Nothing at all in the paper today
But the births and bankruptcies, deaths and marriages,
But life's events in the old survey
With Virtue begging, and Vice in carriages;
And kindly hearts under ermine gowns,
And wicked breasts under hodden gray;
207
For goodness belongs not only to clowns,
And o'er others than lords does sin bear sway.
But what do I read? 'Drowned! wrecked!' Did I say
There was nothing at all in the paper today?
~ Anonymous Americas,
1108:The fourth cure for heedlessness is the recitation of the Qur’an. Reciting it with tadabbur (reflection) awakens the heart. However, plain recitation is beneficial as well. Learned Muslims have recommended that a person recite one–thirtieth of the Qur’an (juz) every day. If this is difficult, then reciting Sura Yāsīn (36) after the dawn prayer, Sura al-Wāqiʿah (56) after the sunset prayer, and Sura al-Mulk (68) after the evening prayer greatly benefit the soul. (New Muslims should strive with their utmost to learn how to read the original Arabic text of the Qur’an. Meanwhile, one is advised to listen to the well-known Qur’an reciters on audio devices or read a good English translation until one is able to read the Arabic. It is important for one to be regularly engaged with the Book of God.) The actual sounds of the language of the Qur’an—the breathtaking rhythms and words—are a medicine. From the perspective of energy dynamics, every substance has a resonance at a specific wavelength. A medicine resonates in order to cure the disease. So, too, do the sounds of recitation of the Qur’an: “O humankind, there has come to you from your Lord counsel and healing for what is in the breasts, and a guidance and a mercy to the believers” (QUR’AN , 10:57). When one recites the Qur’an, one moves his or her tongue pronouncing revealed words of the Lord of the heavens and the earth. And these words have a powerful and unique sound. People are often amazed at the sound of the Qur’an when they hear it for the first time. The beauty of the Qur’an is in its meanings as well as the sound of its recitation. These are the four cures that Imam Mawlūd offers for heedlessness. God warns the Prophet from conforming to those whose hearts are in the state of heedlessness (QUR’AN , 18:28). God increases the heedlessness of people who turn away from the truth. ~ Hamza Yusuf,
1109:Kingdom Of Love
In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light."
And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams."
Then the next man I asked was a gay Cavalier,
And he said: "Follow me, follow me;"
And with laughter and song we went speeding along
By the shores of Life's beautiful sea.
Then we came to a valley more tropical far
Than the wonderful vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay Cavalier.
And he said: "We have come to humanity's goal:
Here love and delight are intense."
But alas and alas! for the hopes of my soul
It was only the "Kingdom of Sense."
As I journeyed more slowly I met on the road
A coach with retainers behind.
And they said: "Follow me, for our Lady's abode
Belongs in that realm, you will find."
'Twas a grand dame of fashion, a newly made bride,
I followed, encouraged and bold;
But my hopes died away like the last gleams of day,
For we came to the "Kingdom of Gold."
At the door of a cottage I asked a fair maid.
"I have heard of that realm," she replied;
"But my feet never roam from the "Kingdom of Home,"
350
So I know not the way," and she sighed.
I looked on the cottage; how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried:
"Why home is the 'Kingdom of Love!'"
~ Ella Wheeler Wilcox,
1110:Dawn In The Mountains
It is the morning star, arising slow
Out of yon hill’s dark bulk, as she were born
Of its desire for day; then glides she forth
And into the dim sky, there leaving still
A whiteness in her wake that whitens more
As she ascends, till all the gloomy woods
Are touched along their multiformous lines
By a faint gleaming azure, creeping on:
A few thin stripes of fleecy clouds lie long
And motionless above the eastern steeps,
Like threads of silver lace; till suddenly,
Out from the flushing centre to the ends
On either hand, their lustrous layers become
Dipt all in crimson streaked with pink and gold;
And then at last are edged as with a band
Of crystal all on fire. Meanwhile the stars,
Those golden children of eternity,
Have all withdrawn within the Invisible;
That skiey gleam and azure prevalence
Which first bespoke the dawn works out and down
Ev’n to the grassy ground; till all the trees,
Clearly defined to their minutest sprays,
Stand in unspeakable beauty. Long before
The sun himself is seen, off towards the west
A range of mighty summits more and more
Blaze each like a huge cresset in the keen
Clear atmosphere. As if the spirit of light
Advancing swiftly thence, and eastward still,
Kept kindling them in quick succession, till
The universal company of cones
And peaks pyramidal stand burning all
With rosy fires like a wide-ranging circ
Of mighty altars, where the spirit of man
Can feel the presence of that greater soul
Which makes all nature, and of which itself
Is but an effluence, however far
Projected, or detached by tract of time;
Even as a sunbeam’s fountain in the sun,
Whether it hit the earth or glance away
50
Into infinitude—shooting on for ever.
~ Charles Harpur,
1111:To One In Allienation
Last night I saw you decked to meet
The coming of those most reluctant feet:
The little bonnet that you wear
When you would fain, for his sake, be more fair;
The primrose ribbons that so grace
The perfect pallor of your face;
The dark gown folded back about the throat,
And folds of lacework that denote
All that beneath them, just beneath them, lies:
God, for his eyes!
So the man came and took you; and we lay
So near and yet so far away,
You in his arms, awake for joy, and I
Awake for very misery,
Cursing a sleepless brain that would but scrawl
Your image on the aching wall,
That would but pang me with the sense
Of that most sweet accursed violence
Of lovers' hands that weary to caress
(Those hands!) your unforbidden loveliness.
And with the dawn that vision came again
To an unrested and recurrent brain:
To think your body, warm and white,
Lay in his arms all night;
That it was given him to surprise,
With those unhallowed eyes,
The secrets of your beauty, hid from me,
That I may never (may I never?) see:
I who adore you, he who finds in you
(Poor child!) a half-forgotten point of view.
II
As I lay on the stranger's bed,
And clasped the stranger-woman I had hired,
Desiring only memory dead
Of all that I had once desired;
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It was then that I wholly knew
How dearly I had loved you, my lost friend;
While I am I, and you are you,
How I must love you to the end.
For I lay in her arms awake,
Awake and cursing the indifferent night,
That ebbed so slowly, for your sake,
My heart's desire, my soul's delight;
For I lay in her arms awake,
Awake in such a solitude of shame,
That when I kissed her, for your sake,
My lips were sobbing on your name.
~ Arthur Symons,
1112:The Children Of The Night
For those that never know the light,
The darkness is a sullen thing;
And they, the Children of the Night,
Seem lost in Fortune's winnowing.
But some are strong and some are weak, -And there's the story. House and home
Are shut from countless hearts that seek
World-refuge that will never come.
And if there be no other life,
And if there be no other chance
To weigh their sorrow and their strife
Than in the scales of circumstance,
'T were better, ere the sun go down
Upon the first day we embark,
In life's imbittered sea to drown,
Than sail forever in the dark.
But if there be a soul on earth
So blinded with its own misuse
Of man's revealed, incessant worth,
Or worn with anguish, that it views
No
No
No
No
light but for a mortal eye,
rest but of a mortal sleep,
God but in a prophet's lie,
faith for "honest doubt" to keep;
If there be nothing, good or bad,
But chaos for a soul to trust, -God counts it for a soul gone mad,
And if God be God, He is just.
And if God be God, He is Love;
And though the Dawn be still so dim,
It shows us we have played enough
With creeds that make a fiend of Him.
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There is one creed, and only one,
That glorifies God's excellence;
So cherish, that His will be done,
The common creed of common sense.
It is the crimson, not the gray,
That charms the twilight of all time;
It is the promise of the day
That makes the starry sky sublime;
It is the faith within the fear
That holds us to the life we curse; -So let us in ourselves revere
The Self which is the Universe!
Let us, the Children of the Night,
Put off the cloak that hides the scar!
Let us be Children of the Light,
And tell the ages what we are!
~ Edwin Arlington Robinson,
1113:Jacob Battles the Angel: Or, On the Idea of "You"

I.
That which is furthest from me,
is being closer to me,
is named “you.”

See how I came to wrestle with myself.
In me wrestled “you,”
“you,” eyelid, you wrestled,
you, hand,
you, leg, you wrestled
and though I was lying down, I ran
around and around my name.

Only to myself can I not say “you.”
Everything else, including my soul,
is “you.”
You, O soul.

II.
– You laughed.
I denied it and said:
– No, I didn’t.
For I was afraid.
But he said, Yes, you did.

And truly, the name,
leaning
like my body was
his oaken cane,
hurled itself against him,
the one without a name,
the one nothing but body,
against “you,”
the body of all names,
against “you,
the father of all names.

But he
when the dawn poured forth
stopped thinking of me.
He forgot.

III.
– Change your name, he said.
I responded: I am my name.

– Change your name, he said.
I responded:
– You want me to be someone else,
you want me to be no more,
you want me to die
and be no more.
How can I change my name?

IV.
He said:
– You were born on my lap.
I have know you since you were born.
Do not fear death,
remember how you were
before you were born.
For that is what you will be after you die.
Change your name.

V.
– You cried.
I denied it and said:
– No, I didn’t.
For I was afraid.
But he said, Yes, you did,
and stopped thinking of me.
He forgot.

VI.
I am only my name.
The rest is “you,” I told him.

He didn’t hear me, for his
mind was elsewhere.

Why else would he have said:
You wrestled the word itself
and won!

Was he the word itself?

Is name word?
… He who is only “you,”
you and you and you and you,
who surrounds my name? ~ Nichita St nescu,
1114:You are to make up your mind whether it is to be God or man. Whether you are to be free or a slave. Whether it is to be progress or stagnation.

As long as man loves a phantom in the sky more than he loves his fellow man, there will never be peace upon this earth; so long as man worships a Tyrant as the "Fatherhood of God," there will never be a "Brotherhood of Man."

You must make the choice, you must come to the decision. Is it to be God or Man? Churches or Homes—preparation for death or happiness for the living?

If ever man needed an example of the benefit of the one against the other, he need but read the pages of history for proof of how religion retarded progress and provoked hatred among the children of men.

When theology ruled the world, man was a slave. The people lived in huts and hovels. They were clad in rags and skins; they devoured crusts and gnawed bones; the priests wore garments of silk and satin; carried mitres of gold and precious stones, robbed the poor and lived upon the fat of the land!

Here and there a brave man appeared to question their authority. These martyrs to intellectual emancipation slowly and painfully broke the spell of superstition and ushered in the Age of Reason and the Dawn of Science.

Man became the only god that man can know.
He no longer fell upon his knees in fear.
He began to enjoy the fruits of his own labor.

He discovered a way to relieve himself from the drudgery of continuous toil; he began to enjoy a few comforts of life—and for the first time upon this earth he found a few moments for happiness. It is far more important to learn how to live than to learn how to pray.

A new day and a new era dawned for him. His labors produced enormous dividends. He looked at the sky for the first time and saw that it was blue! He searched the heavens and found no God. He no longer feared the manifestations of nature. ~ Joseph Lewis,
1115:But depression wasn't the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn't he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells await them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten from top to bottom. ~ Donna Tartt,
1116:What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian. ~ Giannina Braschi,
1117:When Dawn Comes To The City
The tired cars go grumbling by,
The moaning, groaning cars,
And the old milk carts go rumbling by
Under the same dull stars.
Out of the tenements, cold as stone,
Dark figures start for work;
I watch them sadly shuffle on,
'Tis dawn, dawn in New York.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing,
Out on the brown dew-silvered lawn,
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There would I be at dawn.
The tired cars go grumbling by,
The crazy, lazy cars,
And the same milk carts go rumbling by
Under the dying stars.
A lonely newsboy hurries by,
Humming a recent ditty;
Red streaks strike through the gray of the sky,
The dawn comes to the city.
But I would be on the island of the sea,
In the heart of the island of the sea,
Where the cocks are crowing, crowing, crowing,
And the hens are cackling in the rose-apple tree,
Where the old draft-horse is neighing, neighing, neighing
Out on the brown dew-silvered lawn,
83
And the tethered cow is lowing, lowing, lowing,
And dear old Ned is braying, braying, braying,
And the shaggy Nannie goat is calling, calling, calling,
From her little trampled corner of the long wide lea
That stretches to the waters of the hill-stream falling
Sheer upon the flat rocks joyously!
There, oh, there! on the island of the sea,
There I would be at dawn.
~ Claude McKay,
1118:The Village Saturday Night
The damsel from the field returns,
The sun is sinking in the west;
Her bundle on her head she sets,
And in her hand she bears
A bunch of roses and of violets.
To-morrow is a holiday,
And she, as usual, must them wear
Upon her bodice, in her hair.
The old crone sits among her mates,
Upon the stairs, and spins;
And, looking at the fading light,
Of good old-fashioned times she prates,
When she, too, dressed for holidays,
And with light heart, and limb as light,
Would dance at night
With the companions of her merry days.
The twilight shades around us close,
The sky to deepest blue is turned;
From hills and roofs the shadows fall,
And the new moon her face of silver shows.
And now the cheerful bell
Proclaims the coming festival.
By its familiar voice
How every heart is cheered!
The children all in troops,
Around the little square
Go, leaping here and there,
And make a joyful sound.
Meanwhile the ploughman, whistling, returns
Unto his humble nest,
And thinks with pleasure of his day of rest.
Then, when all other lights are out,
And all is silent round,
The hammer's stroke we hear,
We hear the saw of carpenter,
Who with closed doors his vigil keeps,
Toils o'er his lamp and strives so hard,
His work to finish ere the dawn appear.
110
The dearest day of all the week
Is this, of hope and joy so full;
To-morrow, sad and dull,
The hours will bring, for each must in his thought
His customary task-work seek.
Thou little, sportive boy,
This blooming age of thine
Is like to-day, so full of joy;
And is the day, indeed,
That must the sabbath of thy life precede.
Enjoy, it, then, my darling child,
Nor speed the flying hours!
I say to thee no more:
Alas, in this sad world of ours,
How far exceeds the holiday,
The day that goes before!
~ Count Giacomo Leopardi,
1119:Aubade with a Book and the Rattle from a String of Pearls"

The color of the moon bleached the tops of trees
and you left a book on the table, face down
with its spine reaching for air. I thought
the book might hate you for that. With my pre-dawn coffee
and mouth full of sleep syllables I whistled the title,
held the book in my arms like something would reach for it
and carry it to another galaxy.
I would go on preaching to windows
about how the screens needed replacing, or
how the dust motes settle the shelves. You were in agony
yet you would not speak about things such as age
and the body gestures that come to claim your mornings.
Neck-sure, arm-sure, I think about you and your book
coming to some agreement . . . some place of rest.
Though the mica glittered like stars . . . though you breathed
circles in the dark of your skin, you entered
a slow recessional. It was a kind of starvation,
knowing the dawn would come with its larks
and cars stuttering past your house. You in your bed
shut tight against the tide of sound refusing to believe
that the book held your world in such simple connotations.
A book is a book, you said.
I take that for granted sometimes. Perhaps
you were right to press its mouth to the table.
My imaginings sometimes take me
away from you. So morning breathes
in my ear like the mutterings of a book title
that I’ve forgotten . . . tip of the tongue.
Each room carried us from clock to clock. Each tick
an earful about ourselves. God knows,
the way night moves its shoes from side to side
or how day wrestles syllables from us in our sleep.
What am I trying to say? Dawn on the spine of the book
simply stood for you many years ago. I thought of the denim dress
you had saved for gardening. You had asked if I could
remove your necklace. I fumbled at the clasp
and touched one of the ridges of your spine
as the necklace broke and the days fell around us. ~ Oliver de la Paz,
1120:The Death Of The Old Year
Full knee-deep lies the winter snow,
And the winter winds are wearily sighing:
Toll ye the church bell sad and slow,
And tread softly and speak low,
For the old year lies a-dying.
Old year you must not die;
You came to us so readily,
You lived with us so steadily,
Old year you shall not die.
He lieth still: he doth not move:
He will not see the dawn of day.
He hath no other life above.
He gave me a friend and a true truelove
And the New-year will take 'em away.
Old year you must not go;
So long you have been with us,
Such joy as you have seen with us,
Old year, you shall not go.
He froth'd his bumpers to the brim;
A jollier year we shall not see.
But tho' his eyes are waxing dim,
And tho' his foes speak ill of him,
He was a friend to me.
Old year, you shall not die;
We did so laugh and cry with you,
I've half a mind to die with you,
Old year, if you must die.
He was full of joke and jest,
But all his merry quips are o'er.
To see him die across the waste
His son and heir doth ride post-haste,
But he'll be dead before.
Every one for his own.
The night is starry and cold, my friend,
And the New-year blithe and bold, my friend,
Comes up to take his own.
587
How hard he breathes! over the snow
I heard just now the crowing cock.
The shadows flicker to and fro:
The cricket chirps: the light burns low:
'Tis nearly twelve o'clock.
Shake hands, before you die.
Old year, we'll dearly rue for you:
What is it we can do for you?
Speak out before you die.
His face is growing sharp and thin.
Alack! our friend is gone,
Close up his eyes: tie up his chin:
Step from the corpse, and let him in
That standeth there alone,
And waiteth at the door.
There's a new foot on the floor, my friend,
And a new face at the door, my friend,
A new face at the door.
~ Alfred Lord Tennyson,
1121:The Philosopher
Who shall be our prophet then,
Chosen from all the sons of men
To lead his fellows on the way
Of hidden knowledge, delving deep
To nameless mysteries that keep
Their secret from the solar day!
Or who shall pierce with surer eye!
This shifting veil of bittersweet
And find the real things that lie
Beyond this turmoil, which we greet
With such a wasted wealth of tears?
Who shall cross over for us the bridge of fears
And pass in to the country where the ancient Mothers dwell?
Is it an elder, bent and hoar
Who, where the waste Atlantic swell
On lonely beaches makes its roar,
In his solitary tower
Through the long night hour by hour
Pores on old books with watery eye
When all his youth has passed him by,
And folly is schooled and love is dead
And frozen fancy laid abed,
While in his veins the gradual blood
Slackens to a marish flood?
For he rejoiceth not in the ocean's might,
Neither the sun giveth delight,
Nor the moon by night
Shall call his feet to wander in the haunted forest lawn.
He shall no more rise suddenly in the dawn
When mists are white and the dew lies pearly
Cold and cold on every meadow,
To take his joy of the season early,
The opening flower and the westward shadow,
And scarcely can he dream of laughter and love,
They lie so many leaden years behind.
Such eyes are dim and blind,
And the sad, aching head that nods above
His monstrous books can never know
The secret we would find.
77
But let our seer be young and kind
And fresh and beautiful of show,
And taken ere the lustyhead
And rapture of his youth be dead;
Ere the gnawing, peasant reason
School him over-deep in treason
To the ancient high estate
Of his fancy's principate,
That he may live a perfect whole,
A mask of the eternal soul,
And cross at last the shadowy bar
To where the ever-living are.
~ Clive Staples Lewis,
1122:I am nothing--nothing--nothing. She was clinging to that, she found, as to a sort of anchor, because it kept her from having to face the terrible possibility that God Himself was not, and the realization of God's nothingness would be the final horror that could not be borne. Yet as time passed she knew that that possibility, too, must be faced. She must let go of the very last thing left her, the knowledge of her own nothingness, and face it. And she let go, and looked around for God and did not find Him; and then there was nothing, except the dark night.
But there was the dark night. Very slowly she became conscious of it, and then she found that she was hugging it to her, wrapping herself in it as though it were a cloak to hide her in this hour of her humiliation. For a long while the night was all that she had, and then suddenly, like a sword stabbing the darkness, came a trill of music. It was a bird welcoming the dawn. That, too, was added. She drew back one of the curtains of her bed and saw a patch of grey light where the window was. That also. During the hours of the night she had been completely stripped, and now one by one a few things were being handed to her for the clothing of her naked, shivering, humiliated soul. For a few things one must have to make one decent if one was to step forth again upon the highway. For that, obviously, impossible though the task seemed to her at this moment, was what she had to do as soon as the full day came, because there wasn't anything else that she could do. She had to go on living and serving, with the living and serving stripped of all pleasure...But there would be something. There would be darkness and light, night and day, both sweet things, and music linking them together. The full glory of the dawn chorus seemed all about her...it was full day by the time she pulled back the muslin curtains that covered her window and flung it wide and leaned out, the scent of the spring earth rushing up to meet her. That also was given back...By whom? ~ Elizabeth Goudge,
1123:Double Ballade Of Primitive Man
He lived in a cave by the seas,
He lived upon oysters and foes,
But his list of forbidden degrees,
An extensive morality shows;
Geological evidence goes
To prove he had never a pan,
But he shaved with a shell when he chose, 'Twas the manner of Primitive Man.
He worshipp'd the rain and the breeze,
He worshipp'd the river that flows,
And the Dawn, and the Moon, and the trees,
And bogies, and serpents, and crows;
He buried his dead with their toes
Tucked-up, an original plan,
Till their knees came right under their nose, 'Twas the manner of Primitive Man.
His communal wives, at his ease,
He would curb with occasional blows;
Or his State had a queen, like the bees
(As another philosopher trows):
When he spoke, it was never in prose,
But he sang in a strain that would scan,
For (to doubt it, perchance, were morose)
'Twas the manner of Primitive Man!
On the coasts that incessantly freeze,
With his stones, and his bones, and his bows;
On luxuriant tropical leas,
Where the summer eternally glows,
He is found, and his habits disclose
(Let theology say what she can)
That he lived in the long, long agos,
'Twas the manner of Primitive Man!
From a status like that of the Crees,
Our society's fabric arose, Develop'd, evolved, if you please,
68
But deluded chronologists chose,
In a fancied accordance with Mos
es, 4000 B. C. for the span
When he rushed on the world and its woes, 'Twas the manner of Primitive Man!
But the mild anthropologist,--HE'S
Not RECENT inclined to suppose
Flints Palaeolithic like these,
Quaternary bones such as those!
In Rhinoceros, Mammoth and Co.'s,
First epoch, the Human began,
Theologians all to expose, 'Tis the MISSION of Primitive Man.
ENVOY.
MAX, proudly your Aryans pose,
But their rigs they undoubtedly ran,
For, as every Darwinian knows,
'Twas the manner of Primitive Man!
~ Andrew Lang,
1124:God spreads the heavens above us like great wings
And gives a little round of deeds and days,
And then come the wrecked angels and set snares,
And bait them with light hopes and heavy dreams,
Until the heart is puffed with pride and goes
Half shuddering and half joyous from God's peace;
And it was some wrecked angel, blind with tears,
Who flattered Edane's heart with merry words.

Come, faeries, take me out of this dull house!
Let me have all the freedom I have lost;
Work when I will and idle when I will!
Faeries, come take me out of this dull world,
For I would ride with you upon the wind,
Run on the top of the dishevelled tide,
And dance upon the mountains like a flame.

I would take the world
And break it into pieces in my hands
To see you smile watching it crumble away.

Once a fly dancing in a beam of the sun,
Or the light wind blowing out of the dawn,
Could fill your heart with dreams none other knew,
But now the indissoluble sacrament
Has mixed your heart that was most proud and cold
With my warm heart for ever; the sun and moon
Must fade and heaven be rolled up like a scroll
But your white spirit still walk by my spirit.

When winter sleep is abroad my hair grows thin,
My feet unsteady. When the leaves awaken
My mother carries me in her golden arms;
I'll soon put on my womanhood and marry
The spirits of wood and water, but who can tell
When I was born for the first time?

The wind blows out of the gates of the day,
The wind blows over the lonely of heart,
And the lonely of heart is withered away;
While the faeries dance in a place apart,
Shaking their milk-white feet in a ring,
Tossing their milk-white arms in the air;
For they hear the wind laugh and murmur and sing
Of a land where even the old are fair,
And even the wise are merry of tongue;
But I heard a reed of Coolaney say--
When the wind has laughed and murmured and sung,
The lonely of heart is withered away. ~ W B Yeats,
1125:In this desert everything begins to flower again. "The terrifying significance of an unpremeditated cry of
joy cannot be understood while the long night of faith and reason endures." This night is drawing to a
close, and a dawn will break which is not the dawn of revolution but of insurrection. Insurrection is, in
itself, an asceticism which rejects all forms of consolation. The insurgent will not be in agreement with
other men except in so far as, and as long as, their egotism coincides with his. His real life is led in
solitude where he will assuage, without restraint, his appetite for existing, which is his only reason for
existence.
In this respect individualism reaches a climax. It is the negation of everything that denies the individual
and the glorification of everything that exalts and ministers to the individual. What, according to Stirner,
is good? "Everything of which I can make use." What am I, legitimately, authorized to do? "Everything of
which I am capable." Once again, rebellion leads to the justification of crime. Stirner not only has
attempted to justify crime (in this respect the terrorist forms of anarchy are directly descended from him),
but is visibly intoxicated by the perspectives that he thus reveals. "To break with what is sacred, or rather
to destroy the sacred, could become universal. It is not a new revolution that is approaching—but is not a
powerful, proud, disrespectful, shameless, conscienceless crime swelling like a thundercloud on the
horizon, and can you not see that the sky, heavy with foreboding, is growing dark and silent?" Here we
can feel the somber joy of those who create an apocalypse in a garret. This bitter and imperious logic can
no longer be held in check, except by an I which is determined to defeat every form of abstraction and
which has itself become abstract and nameless through being isolated and cut off from its roots. There are
no more crimes and no more imperfections, and therefore no more sinners. We are all perfect. ~ Albert Camus,
1126:Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. Out of this vast number, the whole of our understanding of human prehistory is based on the remains, often exceedingly fragmentary, of perhaps five thousand individuals. You could fit it all into the back of a pickup truck if you didn't mind how much you jumbled everything up, Ian Tattersall, the bearded and friendly curator of anthropology at the American Museum of Natural History in New York, replied when I asked him the size of the total world archive of hominid and early human bones.
The shortage wouldn't be so bad if the bones were distributed evenly through time and space, but of course they are not. They appear randomly, often in the most tantalizing fashion. Homo erectus walked the Earth for well over a million years and inhabited territory from the Atlantic edge of Europe to the Pacific side of China, yet if you brought back to life every Homo erectus individual whose existence we can vouch for, they wouldn't fill a school bus. Homo habilis consists of even less: just two partial skeletons and a number of isolated limb bones. Something as short-lived as our own civilization would almost certainly not be known from the fossil record at all.
In Europe, Tattersall offers by way of illustration, you've got hominid skulls in Georgia dated to about 1.7 million years ago, but then you have a gap of almost a million years before the next remains turn up in Spain, right on the other side of the continent, and then you've got another 300,000-year gap before you get a Homo heidelbergensis in Germany and none of them looks terribly much like any of the others. He smiled. It's from these kinds of fragmentary pieces that you're trying to work out the histories of entire species. It's quite a tall order. We really have very little idea of the relationships between many ancient species which led to us and which were evolutionary dead ends. Some probably don't deserve to be regarded as separate species at all. ~ Bill Bryson,
1127:Citizens, the nineteenth century is great, but the twentieth century will be happy. Then, there will be nothing more like the history of old,
we shall no longer, as to-day, have to fear a conquest, an invasion, a usurpation, a rivalry of nations, arms in hand, an interruption of
civilization depending on a marriage of kings, on a birth in hereditary tyrannies, a partition of peoples by a congress, a dismemberment because
of the failure of a dynasty, a combat of two religions meeting face to face, like two bucks in the dark, on the bridge of the infinite; we
shall no longer have to fear famine, farming out, prostitution arising from distress, misery from the failure of work and the scaffold and the
sword, and battles and the ruffianism of chance in the forest of events. One might almost say: There will be no more events. We shall be happy.
The human race will accomplish its law, as the terrestrial globe accomplishes its law; harmony will be re-established between the soul
and the star; the soul will gravitate around the truth, as the planet around the light. Friends, the present hour in which I am addressing
you, is a gloomy hour; but these are terrible purchases of the future. A revolution is a toll. Oh! the human race will be delivered, raised up,
consoled! We affirm it on this barrier. Whence should proceed that cry of love, if not from the heights of sacrifice? Oh my brothers, this is
the point of junction, of those who think and of those who suffer; this barricade is not made of paving-stones, nor of joists, nor of bits of
iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here misery meets the ideal. The day embraces the night, and says to it: 'I
am about to die, and thou shalt be born again with me.' From the embrace of all desolations faith leaps forth. Sufferings bring hither their
agony and ideas their immortality. This agony and this immortality are about to join and constitute our death. Brothers, he who dies here dies
in the radiance of the future, and we are entering a tomb all flooded with the dawn. ~ Victor Hugo,
1128:The Prophecy

From the place where the sun rises, there will come to the People a great warrior who will stand tall above his brothers and see far into the great beyond with eyes like the midnight sky. This Comanche shall carry the sign of the wolf upon his shield, yet none shall call him chief. To his people shall come much sadness, and the rivers will run red with the blood of his nation. Mountains of white bones will mark where the mighty buffalo once grazed. In the sky, black smoke will carry away the death cries of helpless women and children. He will make big talk against the White-Eyes and fierce war, but the battles shall stretch before him with no horizon.
When his hatred for the White-Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land. Though her voice will have been silenced by great sorrow, her eyes shall speak into his of a morning with new beginnings. She will be golden like the new day, with skin as white as the night moon, hair like rippling honey, and eyes like the summer sky. The People will call her the Little Wise One.
The Comanche will raise his blade to slay her, but honor will stay his hand. She will divide his Comanche heart, so his hate that burns hot like the sun will make war with his hate that is cold like the winter snow, and the hate shall melt and flow out of him to some faraway place he cannot find. Just as the dawn streaks the night sky, he will chase the shadows form her heart and return her voice to her.
When this is done, the warrior and his maiden shall walk together to a high place on the night of the Comanche moon. He will stand on the land of the Comanche, she on the land of the tosi tivo. Between them will be a great canyon that runs high with blood. The warrior will reach across the canyon to his maiden, and she will take his hand. Together they will travel a great distance into the west lands, where they will give birth to a new tomorrow and a new nation where the Comanche and the tosi tivo will live as one forever. ~ Catherine Anderson,
1129:The Winds Message
There came a whisper down the Bland between the dawn and dark,
Above the tossing of the pines, above the river's flow;
It stirred the boughs of giant gums and stalwart iron-bark;
It drifted where the wild ducks played amid the swamps below;
It brought a breath of mountain air from off the hills of pine,
A scent of eucalyptus trees in honey-laden bloom;
And drifting, drifting far away along the Southern line
It caught from leaf and grass and fern a subtle strange perfume.
It reached the toiling city folk, but few there were that heard-The rattle of their busy life had choked the whisper down;
And some but caught a fresh-blown breeze with scent of pine that stirred
A thought of blue hills far away beyond the smoky town;
And others heard the whisper pass, but could not understand
The magic of the breeze's breath that set their hearts aglow,
Nor how the roving wind could bring across the Overland
A sound of voices silent now and songs of long ago.
But some that heard the whisper clear were filled with vague unrest;
The breeze had brought its message home, they could not fixed abide;
Their fancies wandered all the day towards the blue hills' breast,
Towards the sunny slopes that lie along the riverside,
The mighty rolling western plains are very fair to see,
Where waving to the passing breeze the silver myalls stand,
But fairer are the giant hills, all rugged though they be,
From which the two great rivers rise that run along the Bland.
Oh! rocky range and rugged spur and river running clear,
That swings around the sudden bends with swirl of snow-white foam,
Though we, your sons are far away, we sometimes seem to hear
The message that the breezes bring to call the wanderers home.
The mountain peaks are white with snow that feeds a thousand rills,
Along the rive banks the maize grows tall on virgin land,
And we shall live to see once more those sunny southern hills,
And strike once more the bridle track that leads along the Bland.
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~ Banjo Paterson,
1130:EDMUND (with alcoholic talkativeness): You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and singing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping lookout, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. The peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! ~ Eugene O Neill,
1131:Earth Voices
I heard the spring wind whisper
Above the brushwood fire,
'The world is made forever
Of transport and desire.
'I am the breath of being,
The primal urge of things;
I am the whirl of star dust,
I am the lift of wings.
'I am the splendid impulse
That comes before the thought,
The joy and exaltation
Wherein the life is caught.
'Across the sleeping furrows
I call the buried seed,
And blade and bud and blossom
Awaken at my need.
'Within the dying ashes
I blow the sacred spark,
And make the hearts of lovers
To leap against the dark.'II
I heard the spring light whisper
Above the dancing stream,
'The world is made forever
In likeness of a dream.
'I am the law of planets,
I am the guide of man;
The evening and the morning
Are fashioned to my plan.
'I tint the dawn with crimson,
I tinge the sea with blue;
My track is in the desert,
My trail is in the dew.
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'I paint the hills with color,
And in my magic dome
I light the star of evening
To steer the traveller home.
'Within the house of being,
I feed the lamp of truth
With tales of ancient wisdom
And prophecies of youth.'III
I heard the spring rain murmur
Above the roadside flower,
'The world is made forever
In melody and power.
'I keep the rhythmic measure
That marks the steps of time,
And all my toil is fashioned
To symmetry and rhyme.
'I plow the untilled upland,
I ripe the seeding grass,
And fill the leafy forest
With music as I pass.
'I hew the raw, rough granite
To loveliness of line,
And when my work is finished,
Behold, it is divine!
'I am the master-build
er
In whom the ages trust.
I lift the lost perfection
To blossom from the dust.'IV
Then Earth to them made answer,
As with a slow refrain
Born of the blended voices
Of wind and sun and rain,
'This is the law of being
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That links the threefold chain:
The life we give to beauty
Returns to us again.'
~ Bliss William Carman,
1132:Venus was rising, holding her own in the sky that was beginning to brighten. As I left the docks and warehouses behind, I came to a marshy shoreline, thick with water reeds. Though the sky above was clear, the water's surface swirled with little mists. I began to sing a song to Isis, made up on the spot, which caught the rhythm of the oars. A breeze sprang up and the reeds sang with me.

Then as the first rays of sun dimmed the stars, birds everywhere lifted their voices and rose in line after line into the sky. On the outskirts of the city, I came to what looked like it might have been an abandoned villa or farmstead. I decided to sit down and watch the lake changing colors with the light. That's when I heard it. Not the soft lapping of the water against the shore, but the sound of flowing water. I looked and in the glowing light, I saw a small stream, eally just a trickle washing down a pebbly incline towards the lake. Something prompted me to follow the stream inland.

I made my way though brambly thickets of brambling roses. The way seemed to open for me, the thorns all but retracting so as not to catch my cloak or scratch my arms and legs. At the source, I knelt down and parted the thicket, and there it was. The spring at the base of the hill so steep, it was almost a cliff. The water bubbled up from the darkness of earth, giving back the brightness of sky. Like all springs, a way between worlds.

I was no stranger to sacred springs and magic wells. I was raised to revere them. I had first glimpsed my beloved on the well of wisdom on Tir n mBan. But this spring. I closed my eyes to listen to its sound, and I knew I had heard it before.

The wind picked up, washing over me, scented with fish and roses. When it quieted again, I opened my eyes and gazed at the clear surface of the pool, and for an instant, I saw a tower, and the dawn sky, and the two people standing there. Then the image vanished, but I had seen all I needed to see.

Alright, I said to myself, my goddess, to Miriam's know it all angels, Magala is is.

And by the way, I added, my name is Maeve. ~ Elizabeth Cunningham,
1133:Darkness Always Ends No matter how your day goes, the sun always rises the next day. You get a fresh start. Likewise, I’ve learned every dark season in life comes to an end. If you hang in there long enough, you’ll reach the dawn. I believe God created that sunrise-sunset pattern as a reminder for us when life gets difficult. For official records, we measure time by the midnight hour. Our calendar days go from midnight to midnight. We begin and end our days in darkness. And when we consider our days, we split them into two parts: daytime first, followed by nighttime. Light first, then the darkness. But not everyone views the cycle that way. The biblical account of creation reverses our cycle: “And there was evening and there was morning, one day” (Genesis 1:5). The Jewish calendar follows suit with that original creation account. That calendar runs from sunset to sunset. The full hours of darkness come first, followed by the full hours of light. In other words, from God’s perspective, each day ends with light. Year after year, I’ve derived such encouragement from that picture. I believe this is why the psalmist David wrote, “Weeping may last for the night, but a shout of joy comes in the morning” (Psalm 30:5). You have every reason to believe for a miracle. You have every reason to believe God won’t abandon you. Nothing in this life lasts forever. Your dark season will come to an end. And chances are, it won’t take until your dying day. It won’t kill you. Things might look bleak at first, but they can improve. With night and day, God has given us a picture of hope. The sun always rises. Things will always get brighter. “The end of a matter is better than its beginning” (Ecclesiastes 7:8). Whether it’s a day or a season in your life, it doesn’t matter how things look in the midst of it. What matters is how it ends. Oftentimes, for the circumstances to improve, we must take particular steps along the way. A bright outcome might depend, in part, on how we choose to respond to what has occurred. Or preemptive steps might put us at an advantage down the road. God give us a role to perform. But the breakthrough is available. ~ John Herrick,
1134:The Gallery
Clora come view my Soul, and tell
Whether I have contriv'd it well.
Now all its several lodgings lye
Compos'd into one Gallery;
And the great Arras-hangings, made
Of various Faces, by are laid;
That, for all furniture, you'l find
Only your Picture in my Mind.
Here Thou art painted in the Dress
Of an Inhumane Murtheress;
Examining upon our Hearts
Thy fertile Shop of cruel Arts:
Engines more keen than ever yet
Adorned Tyrants Cabinet;
Of which the most tormenting are
Black Eyes, red Lips, and curled Hair.
But, on the other side, th' art drawn
Like to Aurora in the Dawn;
When in the East she slumb'ring lyes,
And stretches out her milky Thighs;
While all the morning Quire does sing,
And Mamma falls, and Roses spring;
And, at thy Feet, the wooing Doves
Sit perfecting their harmless Loves.
Like an Enchantress here thou show'st,
Vexing thy restless Lover's Ghost;
And, by a Light obscure, dost rave
Over his Entrails, in the Cave;
Divining thence, with horrid Care,
How long thou shalt continue fair;
And (when inform'd) them throw'st away,
To be the greedy Vultur's prey.
But, against that, thou sit'st a float
Like Venus in her pearly Boat.
The Halcyons, calming all that's nigh,
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Betwixt the Air and Water fly.
Or, if some rowling Wave appears,
A Mass of Ambergris it bears.
Nor blows more Wind than what may well
Convoy the Perfume to the Smell.
These Pictures and a thousand more,
Of Thee, my Gallery dost store;
In all the Forms thou can'st invent
Either to please me, or torment:
For thou alone to people me,
Art grown a num'rous Colony;
And a Collection choicer far
Then or White-hall's, or Mantua's were.
But, of these Pictures and the rest,
That at the Entrance likes me best:
Where the same Posture, and the Look
Remains, with which I first was took.
A tender Shepherdess, whose Hair
Hangs loosely playing in the Air,
Transplanting Flow'rs from the green Hill,
To crown her Head, and Bosome fill.
~ Andrew Marvell,
1135:The Song Of The Happy Shepherd

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers?—By the Rood,
Where are now the watring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass—
Seek, then, for this is also sooth,
No word of theirs—the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell.
And to its lips thy story tell,
And they thy comforters will be.
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth. ~ W B Yeats,
1136:In A Swedish Graveyard
After wearisome toil and much sorrow,
How quietly sleep they at last,
Neither dreading and fearing the morrow,
Nor vainly bemoaning the past!
Shall we give them our envy or pity?
Shall we shun or yearn after such rest,
So calm near the turbulent city,
With their heart stilled at length in their breast?
They all sleep with their heads lying westward,
Where all suns and all days have gone down.
Do they long for the dawn, looking eastward?
Do they dream of the strife and the crown?
Each one held a lit taper when dying:
Where hath vanished the fugitive flame?
With his love, and his joy, and his sighing,
Alas! and his youth and his name.
The living stands o'er him and dreameth,
And wonders what dreams came to him.
While the tender, brief twilight still gleameth,
With a light strangely mournful and dim.
And he wonders what lights and what shadows
Passed over these dead long ago,
When their feet now at rest trod these meadows,
And their hearts throbbed to pleasure or woe
What dreams came to them in their living?
The self-same that come now to thee.
If thou findest those dreams are deceiving,
Then these lives thou wilt know and wilt see:
The same visions of love and of glory,
The same vain regret for the past;
All the same poor and pitiful story,
Till the taper's extinguished at last.
All the treasures on earth that they cherished,
Now they care not to clasp nor to save;
And the poor little lights, how they perished,
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Slowly dying alone in the grave!
With a flickering faint on the features
Of age, or of youth in its bloom:
Lighting up for grim Death his weak creatures,
In the darkness and night of the tomb,—
With a radiance ghostly and mournful,
On the good, on the just and unjust;
For a space, till the monarch, so scornful,
Turned the light and the lighted to dust.
No taper of earth he desired
In his halls where they quietly rest;
For all those who have toiled and are tired,
Utter darkness and sleep may be best.
~ Emma Lazarus,
1137:Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat. ~ Banksy,
1138:THE woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? By the Rood,
Where are now the watring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass
Seek, then, for this is also sooth,
No word of theirs the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell.
And to its lips thy story tell,
And they thy comforters will be.
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth's dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

~ William Butler Yeats, The Song Of The Happy Shepherd
,
1139:From A Poem
I also loved, and the restless breaths
Of sleeplessness, fluttering through darkness,
Out of the park would downward drift
To the ravine, on to the archipelago
Of meadows, sinking from sight among
Wormwood, mint and quails beneath the wispy mist.
And the broad sweep of adoration's wing grew
Heavy and drunken, as though stung by shot,
Floundered into the air and, shuddering, fell short,
Scattering across the fields as dew.
And then the dawn was breaking. Till two
Rich jewels blinked in the incalculable sky,
But then the cocks began to feel afraid
Of darkness and strove to hide their fright,
But in their throats blank mines exploded,
As they strained, fear's putrid voice erupted.
As though by order, as the constellations faded,
A shepherd, goggle-eyed as though from snuffing candles,
Made his appearance where the forest ended.
I also loved and she, it well may be,
Is living yet. The time will pass on by
Till something large as autumn, one fine day,
(If not tomorrow, then perhaps some other time)
Will blaze out over life like sunset's glow, in pity
For the thicket. For the foolish puddle's tormenting,
Toadish thirst. For the clearings trembling timidly
As hares, their ears tight-muffled in the wrapping
Of last year's fallen leaves. For the noise, as though
False waves are pounding on the shores of long ago.
I also loved, and know: as damp mown fields
Are laid by the ages at each year's feet,
So the fevering newness of the worlds is laid
By love at the bed-head of every heart.
I also loved, and she is living still.
Cascading into that first earliness, as ever
Time stands still, vanishing away as it spills
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Over the moment's edge. Subtle as ever this boundary.
Still as before, how recent seems the long ago.
Time past streams from the faces of those who saw,
Playing still its crazy tricks, as if it did not know
It has no tenancy in our house any more.
Can it be so? Does love really not last,
This momentary tribute of bright wonderment,
But ever, all our life, recede into the past?
~ Boris Pasternak,
1140:The Beggars
It is the beggars who possess the earth.
Kings on their throne have but a narrow girth
Of some poor known dominion; these possess
All the unknown, and that vast happiness
Of the uncertainty of human things.
Wandering on eternal wanderings,
They know the world; and tasting but the bread
Of charity, know man; and, strangely led
By some vague, certain, and appointed hand,
Know fate; and being lonely, understand
Some little of the thing without a name
That sits by the roadside and talks with them,
When they are silent; for the soul is shy
If more than its own shadow loiter by.
They and the birds are old acquaintances,
Knowing the dawn together; theirs it is
To settle on the dusty land like crows,
The ragged vagabonds of the air; who knows
How they too shall be fed, day after day,
And surer than the birds, for are not they
The prodigal sons of God, our piteous
Aliens, outcast and accusing us?
Do they not ask of us their own, and wait,
Humbly, among the dogs about the gate,
While we are feasting? They will wait till night:
Who shall wait longer? Dim, shadowy, white,
The highway calls; they follow till it ends,
And all the way they walk among their friends,
Sun, wind, and rain, their tearful sister rain,
Their brother wind. Forest and hill and plain
Know them and are forgotten. Grey and old,
Their feet begin to linger, brown arms fold
The heavy peace of earth about their heart,
And soon, and without trouble, they depart
On the last journey. As the beggar lies,
With naked face, remembering the skies,
I think he only wonders: Shall I find
A good road still, a hayrick to my mind,
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A tavern now and then upon the road?
He has been earth's guest; he goes; the old abode
Drops to the old horizon, the old way
Of yesterday and every yesterday.
We, heavy laden, miserably proud
Because our hands ache and our backs are bowed
With dusty treasures, have so much to quit:
He, nothing, nor the memory of it.
O, the one happiness, when, out of breath,
Our feet slip, and we stumble upon death!
~ Arthur Symons,
1141:The Wood-Nymph
-After a picture by Burne JonesThe green leaves, ah, the green leaves cover me:
Would I might lose this unloved human life
And share the happy being of the leaves!
For lo, they live and grow and drink the sun
And sip the nectar of the heavenly showers
And have no sorrow with it; but they grow
Happily, and Pan at even blesses them.
While I, alas me hapless, I am joined
Part to their life, and all in longing to them;
Part to the gods, the bright gods whom I see
Flash through the woods at even or morn, and make
The beautiful familiar trees seem strange;
And part to mortals and their little life.
Green leaves that cover me, to you I mourn,
My sisters, my more happy sisters, ye
Rustle, rustle in the summer air,
With happy cries of birds among your boughs:
Be happy, though I am not happy. Nay,
I am not all unhappy, evermore.
One while a bird sings on the topmost bough
And my heart sings, forgetting life and death
And sorrow: so forgetting I were blest,
And bliss the gods deny me. When they walk
The forest before sundawn--Artemis,
Girt for the chase and followed by her hounds,
Queen Herê or another, ere the dawn,
Or Aphrodite with the rosy dawn-I may not speak my longings, but they pass,
Pass unregardful to their happy heaven.
They see me not--not me, akin to Gods!
These tears are vain.--When mortals pass at eve,
Treading a delicate path between the trees,
Pale mortal men and women, with their loves-It pains me that I see them, for I know
I am not as they are, and cannot share
The little love that fills their little life-Vain, vain; and they too pass and see me not.
Ah me, dear leaves, forsaken of gods and men,
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And sad because I cannot live their life,
Will you not love me whom none others love?
Will you not teach me how to live your life,
My sisters, my more happy sisters?--live
In peace and quietness and still content,
And freshen and fade and freshen and have no care
And have no longing, full of peace to live,
Forgetting thus for ever life and death
And Gods and men and sorrow and delight.
~ Arthur Symons,
1142:The Song Of The Boatwoman From The Lake Dar
I got these Crisp and fresh from
the Dal
Hay valay, come and buy! hay valay,
come and buy!
These are tiny eggplants, and these
are round gourds.
Hay valay, come and buy!
Hay valay, come and buy!
II
These are peppers, and these are
brinjals.
The brinjals are like pitchers of wine
banging their heads in this boat of
mine,
Hay valay, come and buy!
Hay valay, come and buy!
III
The crisp bundles of radishes
are glittering in the shade
of weeds, the red marsh turnip
is blushing like a blushing beauty,
as it the dawn has blossomed into
flowers.
Hay valay, come and buy!
hay valay, come and buy!
IV
May dust fall on you! Stop it!
You have taken enough now.
I know, dear lady, I cannot blame you,
tor the high prices are crushing us all
now.
Let me go!
Come on, lend me a hand with this
basket, I really must go now.
Hay valay, come and buy!
Hay valay, come and buy!
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V
What can I tell you, dear lady.
My child was born only last Thursday,
Though I didn't feel up to it, I dragged
myself out and left my little one behind.
It was paintul to leave him away
from me.
Hay valay, come and buy!
Hay valay, come and buy!
VI
My little one!
My little one is pale like a radish,
My little one is pale like a jasmine,
My little one is naked and nude
shivering and cold like a lump of ice.
My little one is crying and crying, the
tears roll down from his eyes like drops
rolling down from lotus leaves.
Hay valay, come and buy!
Hay valay, come and buy!
VII
My little one's nose is like a lotus seed,
just like his father's nose;
My little one's face is tiny, just like
his mother's face.
To us both he is like a lotus, sprung
from the mud of dalay hay
Hay valay, come and buy!
Hay valay, come and buy!
VIII
Lo! I seem to hear a baby cry;
Lo! I seem to feel a sensation in my
breast.
My heart doesn't seem to be here now.
Dear lady, I must really go now,
Hay valay, come and buy!
Hay valay, come and buy!
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~ Dina Nath Nadim,
1143:But depression wasn’t the word. This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Squirming babies and plodding, complacent, hormone-drugged moms. Oh, isn’t he cute? Awww. Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Most people seemed satisfied with the thin decorative glaze and the artful stage lighting that, sometimes, made the bedrock atrocity of the human predicament look somewhat more mysterious or less abhorrent. People gambled and golfed and planted gardens and traded stocks and had sex and bought new cars and practiced yoga and worked and prayed and redecorated their homes and got worked up over the news and fussed over their children and gossiped about their neighbors and pored over restaurant reviews and founded charitable organizations and supported political candidates and attended the U.S. Open and dined and travelled and distracted themselves with all kinds of gadgets and devices, flooding themselves incessantly with information and texts and communication and entertainment from every direction to try to make themselves forget it: where we were, what we were. But in a strong light there was no good spin you could put on it. It was rotten top to bottom. Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born—never to have wanted anything, never to have hoped for anything. ~ Donna Tartt,
1144:The Death Of Huss
In the streets of Constance was heard the shout,
``Masters! bring the arch-heretic out!''
The stake had been planted, the faggots spread,
And the tongues of the torches flickered red.
``Huss to the flames!'' they fiercely cried:
Then the gate of the Convent opened wide.
Into the sun from the dark he came,
His face as fixed as a face in a frame.
His arms were pinioned, but you could see,
By the smile round his mouth, that his soul was free;
And his eye with a strange bright glow was lit,
Like a star just before the dawn quencheth it.
To the pyre the crowd a pathway made,
And he walked along it with no man's aid;
Steadily on to the place he trod,
Commending aloud his soul to God.
Aloud he prayed, though they mocked his prayer:
He was the only thing tranquil there.
But, seeing the faggots, he quickened pace,
As we do when we see the loved one's face.
``Now, now, let the torch in the resin flare,
Till my books and body be ashes and air!
But the spirit of both shall return to men,
As dew that rises descends again.''
From the back of the crowd where the women wept,
And the children whispered, a peasant stepped.
A goodly faggot was on his back,
Brittle and sere, from last year's stack;
And he placed it carefully where the torch
Was sure to lick and the flame to scorch.
``Why bring you fresh fuel, friend? Here are sticks
To burn up a score of heretics.''
Answered the peasant, ``Because this year,
My hearth will be cold, for is firewood dear;
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And Heaven be witness I pay my toll,
And burn your body to save my soul.''
Huss gazed at the peasant, he gazed at the pile,
Then over his features there stole a smile.
``O Sancta Simplicitas! By God's troth,
This faggot of yours may save us both,
And He who judgeth perchance prefer
To the victim the executioner!''
Then unto the stake was he tightly tied,
And the torches were lowered and thrust inside.
You could hear the twigs crackle and sputter the flesh,
Then ``Sancta Simplicitas!'' moaned afresh.
'Twas the last men heard of the words he spoke,
Ere to Heaven his soul went up with the smoke.
~ Alfred Austin,
1145:Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in.

The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground.

Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again.

Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get.

This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here.

("New York Blues") ~ Cornell Woolrich,
1146:A Country Nosegay
Where have you been through the long sweet hours
That follow the fragrant feet of June?
By the dells and the dingles gathering flowers,
Ere the dew of the dawn be sipped by noon.
And sooth each wilding that buds and blows
You seem to have found and clustered here,
Round the rustic sprays of the child-like rose
That smiles in one's face till it stirs a tear.
The clambering vetch, and the meadow-sweet tall,
That nodded good-day as you sauntered past,
And the poppy flaunting atop of the wall,
Which, proud as glory, will fade as fast.
The campion bladders the children burst,
The bramble that clutches and won't take nay,
And the pensive delicate foxgloves nursed
In woods that curtain from glare of day.
The prosperous elder that always smells
Of homely joys and the cares that bless,
And the woodbine's waxen and honeyed cells,
A hive of the sweetest idleness.
And this wayside nosegay is all for me,
For me, the poet-the word sounds strong;Well, for him at least, whatever he be,
Who has loitered his morning away in song.
And though sweetest poems that ever were writ,
With the posy that up to my gaze you lift,
Seem void of music and poor of wit,
Yet I guess your meaning, and take your gift.
For 'tis true among fields and woods I sing,
Aloof from cities, and my poor strains
Were born, like the simple flowers you bring,
In English meadows and English lanes.
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If e'er in my verse lurks tender thought,
'Tis borrowed from cushat or blackbird's throat;
If sweetness any, 'tis culled or caught
From boughs that blossom and clouds that float.
No rare exotics nor forced are these;
They budded in darkness and throve in storm;
They drank their colour from rain and breeze,
And from sun and season they took their form.
They peeped through the drift of the winter snows;
They waxed and waned with the waning moon;
Their music they stole from the deep-hushed rose,
And all the year round to them is June.
So let us exchange, nor ask who gains,
What each has saved from the morning hours:
Take, such as they are, my wilding strains,
And I will accept your wilding flowers.
~ Alfred Austin,
1147:The Lost Garden
There was a fair green garden sloping
From the south-east side of the mountain-ledge;
And the earliest tint of the dawn came groping
Down through its paths, from the day's dim edge.
The bluest skies and the reddest roses
Arched and varied its velvet sod;
And the glad birds sang, as the soul supposes
The angels sing on the hills of God.
I wandered there when my veins seemed bursting
With life's rare rapture and keen delight,
And yet in my heart was a constant thirsting
For something over the mountain-height.
I wanted to stand in the blaze of glory
That turned to crimson the peaks of snow,
And the winds from the west all breathed a story
Of realms and regions I longed to know.
I saw on the garden's south side growing
The brightest blossoms that breathe of June;
I saw in the east how the sun was glowing,
And the gold air shook with a wild bird's tune;
I heard the drip of a silver fountain,
And the pulse of a young laugh throbbed with glee
But still I looked out over the mountain
Where unnamed wonders awaited me.
I came at last to the western gateway,
That led to the path I longed to climb;
But a shadow fell on my spirit straightway,
For close at my side stood gray-beard Time.
I paused, with feet that were fain to linger,
Hard by that garden's golden gate,
But Time spoke, pointing with one stern finger;
'Pass on,' he said, 'for the day groes late.'
And now on the chill giay cliffs I wander,
The heights recede which I thought to find,
And the light seems dim on the mountain yonder,
When I think of the garden I left behind.
Should I stand at last on its summit's splendor,
I know full well it would not repay
For the fair lost tints of the dawn so tender
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That crept up over the edge o' day.
I would go back, but the ways are winding,
If ways there are to that land, in sooth,
For what man succeeds in ever finding
A path to the garden of his lost youth?
But I think sometimes, when the June stars glisten,
That a rose scent dufts from far away,
And I know, when I lean from the cliffs and listen,
That a young laugh breaks on the air like spray.
~ Ella Wheeler Wilcox,
1148:An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea -"The old worn world is gone and the new bright world is free."
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay -I sigh for the good old days in the station whare again;
But the good new days are better -- I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking
in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
~ David McKee Wright,
1149:An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea
'The old worn world is gone and the new bright world is free.'
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay
I sigh for the good old days in the station whare again;
But the good new days are better
I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking in
bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
~ David McKee Wright,
1150:Twilight Calm
Oh, pleasant eventide!
Clouds on the western side
Grow grey and greyer, hiding the warm sun:
The bees and birds, their happy labours done,
Seek their close nests and bide.
Screened in the leafy wood
The stock-doves sit and brood:
The very squirrel leaps from bough to bough
But lazily; pauses; and settles now
Where once he stored his food.
One by one the flowers close,
Lily and dewy rose
Shutting their tender petals from the moon:
The grasshoppers are still; but not so soon
Are still the noisy crows.
The dormouse squats and eats
Choice little dainty bits
Beneath the spreading roots of a broad lime
Nibbling his fill he stops from time to time
And listens where he sits.
From far the lowings come
Of cattle driven home:
From farther still the wind brings fitfully
The vast continual murmur of the sea,
Now loud, now almost dumb.
The gnats whirl in the air,
The evening gnats; and there
The owl opes broad his eyes and wings to sail
For prey; the bat wakes; and the shell-less snail
417
Comes forth, clammy and bare.
Hark! that's the nightingale,
Telling the selfsame tale
Her song told when this ancient earth was young:
So echoes answered when her song was sung
In the first wooded vale.
We call it love and pain
The passion of her strain;
And yet we little understand or know:
Why should it not be rather joy that so
Throbs in each throbbing vein?
In separate herds the deer
Lie; here the bucks, and here
The does, and by its mother sleeps the fawn:
Through all the hours of night until the dawn
They sleep, forgetting fear.
The hare sleeps where it lies,
With wary half-closed eyes;
The cock has ceased to crow, the hen to cluck:
Only the fox is out, some heedless duck
Or chicken to surprise.
Remote, each single star
Comes out, till there they are
All shining brightly: how the dews fall damp!
While close at hand the glow-worm lights her lamp,
Or twinkles from afar.
But evening now is done
As much as if the sun
Day-giving had arisen in the East:
For night has come; and the great calm has ceased,
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The quiet sands have run.
~ Christina Georgina Rossetti,
1151:Agnostics and other relativists dispute the value of metaphysical certainty; in order to demonstrate the illusory character of the de jure certainty of truth, they set it in opposition to the de facto certitude of error, as if the psychological phenomenon of false certainties could prevent true certainties from being what they are and from having all their effectiveness, and as if the very existence of false certainties did not prove in its own way the existence of true ones. The fact that a lunatic feels certain he is something that he is not does not prevent us from being certain of what he is and what we ourselves are, and the fact that we are unable to prove to him that he is mistaken does not prevent us from being right; or again, the fact that an unbalanced person may possibly have misgivings about his condition does not oblige us to have them about our own, even if we find it impossible to prove to him that our certainty is well founded. It is absurd to demand absolute proofs of suprasensorial realities that one thinks one ought to question while refusing in the name of reason to consider metaphysical arguments that are sufficient in themselves; for outside of these arguments the only proof of hidden realities—as we have already said—is the realities themselves. One cannot ask the dawn to be the sun or a shadow to be the tree that casts it; the very existence of our intelligence proves the reality of the relationships of causality, relationships that allow us to acknowledge the Invisible and by the same token oblige us to do so; if the world did not prove God, human intelligence would be deprived of its sufficient reason. First and foremost—leaving aside any question of intellectual intuition—the very fact of our existence necessarily implies pure Being; instead of starting with the idea that “I think; therefore I am”, one should say, “I am; therefore Being is”: 'sum ergo est Esse' and not 'cogito ergo sum'. What counts in our eyes is most definitely not some more or less correct line of reasoning but intrinsic certainty itself; reasoning is able to convey this in its own way: it describes the certainty in order to show forth its self-evident nature on the plane of discursive thought, and in this way it provides a key that others might use in actualizing this same certainty. ~ Frithjof Schuon,
1152:To The Beloved
Beauty beloved, who hast my heart inspired,
Seen from afar, or with thy face concealed,
Save, when in visions of the night revealed,
Or seen in daydreams bright,
When all the fields are filled with light,
And Nature's smile is sweet,
Say, hast thou blessed
Some golden age of innocence,
And floatest, now, a shadow, o'er the earth?
Or hath Fate's envious doom
Reserved thee for some happier day to come?
To see thee e'er alive,
No hope remains to me;
Unless perchance, when from this body free,
My wandering spirit, lone,
O'er some new path, to some new world hath flown.
E'en here, at first, I, at the dawn
Of this, my day, so dreary and forlorn,
Sought thee, to guide me on my weary way:
But none on earth resembles thee. E'en if
One were in looks and acts and words thy peer,
Though like thee, she less lovely would appear.
Amidst the deepest grief
That fate hath e'er to human lot assigned,
Could one but love thee on this earth,
Alive, and such as my thought painteth thee,
He would be happy in his misery:
And I most clearly see, how, still,
As in my earliest days,
Thy love would make me cling to virtue's ways.
Unto _my_ grief heaven hath no comfort brought;
And yet with thee, this mortal life would seem
Like that in heaven, of which we fondly dream.
Along the valleys where is heard
The song of the laborious husbandman,
And where I sit and moan
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O'er youth's illusions gone;
Along the hills, where I recall with tears,
The vanished joys and hopes of earlier years,
At thought of thee, my heart revives again.
O could I still thy image dear retain,
In this dark age, and in this baleful air!
To loss of thee, O let me be resigned,
And in thy image still some comfort find!
If thou art one of those
Ideas eternal, which the Eternal Mind
Refused in earthly form to clothe,
Nor would subject unto the pain and strife
Of this, our frail and dreary life;
Or if thou hast a mansion fair,
Amid the boundless realms of space,
That lighted is by a more genial sun,
And breathest there a more benignant air;
From here, where brief and wretched are our days,
Receive thy humble lover's hymn of praise!
~ Count Giacomo Leopardi,
1153:Restlessness
At the open door of the room I stand and look at the night,
Hold my hand to catch the raindrops, that slant into sight,
Arriving grey from the darkness above suddenly into the light of the room.
I will escape from the hollow room, the box of light,
And be out in the bewildering darkness, which is always fecund, which might
Mate my hungry soul with a germ of its womb.
I will go out to the night, as a man goes down to the shore
To draw his net through the surf’s thin line, at the dawn before
The sun warms the sea, little, lonely and sad, sifting the sobbing tide.
I will sift the surf that edges the night, with my net, the four
Strands of my eyes and my lips and my hands and my feet, sifting the store
Of flotsam until my soul is tired or satisfied.
I will catch in my eyes’ quick net
The faces of all the women as they go past,
Bend over them with my soul, to cherish the wet
Cheeks and wet hair a moment, saying: “Is it you?”
Looking earnestly under the dark umbrellas, held fast
Against the wind; and if, where the lamplight blew
Its rainy swill about us, she answered me
With a laugh and a merry wildness that it was she
Who was seeking me, and had found me at last to free
Me now from the stunting bonds of my chastity,
How glad I should be!
Moving along in the mysterious ebb of the night
Pass the men whose eyes are shut like anemones in a dark pool;
Why don’t they open with vision and speak to me, what have they in sight?
Why do I wander aimless among them, desirous fool?
I can always linger over the huddled books on the stalls,
Always gladden my amorous fingers with the touch of their leaves,
Always kneel in courtship to the shelves in the doorways, where falls
The shadow, always offer myself to one mistress, who always receives.
But oh, it is not enough, it is all no good.
There is something I want to feel in my running blood,
Something I want to touch; I must hold my face to the rain,
I must hold my face to the wind, and let it explain
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Me its life as it hurries in secret.
I will trail my hands again through the drenched, cold leaves
Till my hands are full of the chillness and touch of leaves,
Till at length they induce me to sleep, and to forget.
~ David Herbert Lawrence,
1154:The Two Devines
It was shearing time at the Myall Lake,
And then rose the sound through the livelong day
Of the constant clash that the shear-blades make
When the fastest shearers are making play;
But there wasn't a man in the shearers' lines
That could shear a sheep with the two Devines.
They had rung the sheds of the east and west,
Had beaten the cracks of the Walgett side,
And the Cooma shearers had given them best -When they saw them shear, they were satisfied.
From the southern slopes to the western pines
They were noted men, were the two Devines.
'Twas a wether flock that had come to hand,
Great struggling brutes, that shearers shirk,
For the fleece was filled with the grass and sand,
And seventy sheep was a big day's work.
"At a pound a hundred it's dashed hard lines
To shear such sheep," said the two Devines.
But the shearers knew that they's make a cheque
When they came to deal with the station ewes;
They were bare of belly and bare of neck
With a fleece as light as a kangaroo's.
"We will show the boss how a shear-blade shines
When we reach those ewes," said the two Devines.
But it chanced next day, when the stunted pines
Were swayed and stirred by the dawn-wind's breath,
That a message came for the two Devines
That their father lay at the point of death.
So away at speed through the whispering pines
Down the bridle-track rode the two Devines.
It was fifty miles to their father's hut,
And the dawn was bright when they rode away;
At the fall of night, when the shed was shut
And the men had rest from the toilsome day,
To the shed once more through the darkening pines
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On their weary steeds came the two Devines.
"Well, you're back right sudden,"the super said;
"Is the old man dead and the funeral done?"
"Well, no sir, he ain't not exactly dead,
But as good as dead," said the eldest son -"And we couldn't bear such a chance to lose,
So we came straight back to tackle the ewes."
They are shearing ewes at the Myall Lake,
And the shed is merry the livelong day
With the clashing sound that the shear-blades make
When the fastest shearers are making play;
And a couple of "hundred and ninety-nines"
Are the tallies made by the two Devines.
~ Banjo Paterson,
1155:March has come to the bridge head,
Peach boughs and apricot boughs hang over a
     thousand gates,
At morning there are flowers to cut the heart,
And evening drives them on the eastward-flowing
     waters.
Petals are on the gone waters and on the going,
And on the back-swirling eddies,
But to-day's men are not the men of the old days,
Though they hang in the same way over the bridge-
     rail.

The sea's colour moves at the dawn
And the princes still stand in rows, about the throne,
And the moon falls over the portals of Sei-go-yo,
And clings to the walls and the gate-top.
With head gear glittering against the cloud and
     sun,
The lords go forth from the court, and into far
     borders.
They ride upon dragon-like horses,
Upon horses with head-trappings of yellow metal,
And the streets make way for their passage.
               Haughty their passing,
Haughty their steps as they go in to great banquets,
To high halls and curious food,
To the perfumed air and girls dancing,
To clear flutes and clear singing;
To the dance of the seventy couples;
To the mad chase through the gardens.
Night and day are given over to pleasure
And they think it will last a thousand autumns,
        Unwearying autumns.
For them the yellow dogs howl portents in vain,
And what are they compared to the Lady Riokushu,
        That was cause of hate!
Who among them is a man like Han-rei
        Who departed alone with his mistress,
With her hair unbound, and he his own skiffsman!
This poem is from CATHAY (London: Elkin Mathews, 1915), the volume of Chinese poems
  The book's widely-applauded publication prompted T.S. Eliot to remark that Pound had "reinvented Chinese poetry for our time."
   CATHAY is comprised of 18 translations of various early Chinese poems, eleven poems by T'ang Dynasty poet Li Po ("Rihaku"), and the Anglo-Saxon poem, "The Seafarer," which Pound included for timeline comparison of 8th-Century English poetry with 8th-Century Chinese poetry.
   CATHAY ranks among the most pivotal publications in the entire history of translation and of modern poetry in English.
by owner. provided at no charge for educational purposes

~ Li Bai, Poem by The Bridge at Ten-Shin
,
1156:The Mother's Prayer
This was my little son
Who leapt and laughed on my knee:
Body we made with love,
Soul made with love by Thee.
This was the mystery
In which I worshipped Thy grace;
This was the sign to me The unveiling of Thy face . . .
This, that lies under Thy skies
Naked as on that day
When the floor of heaven gave way
And the glory of God shone through,
When the world was made new
And Thy word was made flesh for me . . .
He lies there, bare to Thy skies,
O Lord God, see!
Body that was in mine
A secret, sacred spell,
Little hands I have kissed
Trampled by beasts in Hell . . .
Growing beauty and grace . . .
Oh, head that lay on my bosom . . .
Broken, battered, shattered . . .
Body that grew like a blossom!
All that was promised me
On my life's royal day.
Every promise broken Only a ghost, and clay!
O God, I kneel at Thy feet;
I lay my hands in Thine:
Thou gavest Thy Son for the world,
And shall I not give mine?
Only--O God, have pity!
All my defences are down:
God, I accept the Cross,
Let HIM have the Crown!
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By all that my love has borne,
By all that all mothers bear,
By the infinite patient anguish,
By the never-ceasing prayer,
By the thoughts that cut like a living knife,
By the tears that are never dry,
Take what he died to win You God, take Your victory!
We have watched on till the light burned low,
And watched the dawn awake;
We have lived hardly and hardly fared
For our sons' sake.
All that was good in Thy earth,
All that taught us of Heaven,
All that we had in the world
We have given.
We pray with empty hands
And hearts that are stiff with pain.
O God! O God! O God!
Let the sacrifice not be vain.
This is his blood, Lord, see!
His blood that was shed for Thee;
Thy banner is dyed in that red tide
Lord, take Thy victory!
God! give Thine angels power
To fight as he fought,
To scatter the hosts of evil,
To bring their boastings to naught Gabriel with trumpet of battle . . .
Michael, who wields Thy sword . . .
Breathe Thou Thy spirit upon them,
Put forth Thy strength, O Lord.
See, Lord, this is his body,
Broken for Thee, for Thee . . .
My son, my little son,
Who leapt and laughed on my knee.
~ Edith Nesbit,
1157:Arhan
When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.
In the wheel of heaven revolving, mysteries of death and
birth,
In the wonb of time dissolving, shape anew a heaven and
earth
Ever changing, ever growing, ever dwindling, ever dear,
Ever worth the passion glowing to distil a doubtful tear.
These are with me, these are of me, these approve me,
these obey,
Choose me, move me, fear me, love me, master of the
night and day.
These are real, these illusion : I am of them, false or frail,
True or lasting, all is fusion in the spirit’s shadow-veil,
Till the knowledge -Lotus flowering hides the world
beneath its stem;
Neither I, nor nor God life-showering, find a counterpart in
them.
As a spirit in a vision shows a countenance in fear,
Laughs the looker to derision, only comes to disappear,
Gods and mortals, mind and matter, in the glowing bud
dissever :
Vein from vein they rend and shatter, and are nothingness
for ever.
In the blessed, the enlightened, perfect eyes these visions
pass,
Pass and cease, poor shadows frightened,
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leave no stain
upon the glass.
One last stroke, O heart- free master, one last certain
calm of will,
And the maker of Disaster shall be strcken and grow
still.
Burn thou to the core of matter, to the spirit’s utmost
flame,
Consciousness and sense to shatter, ruin sight and form
and name!
Shatter, lake-reflected spectre; lake, rise up in mist to
sun;
Sun, dissolve in showers of nectar, and the Master’s
work is done.
Nectar perfume gently stealing, masterful and sweet and
strong,
Cleanse the world with light of healing in the ancient
House of Wrong !
Free a million mortals on the wheel og being
tossed !
Open wide the mystic portals, and be altogether lost!
At Akyab.
~ Aleister Crowley,
1158:The Oleomargarine Man
Once-in the county of Marin,
Where milk is sold to purchase gin
Renowned for butter and renowned
For fourteen ounces to the pound
A bull stood watching every turn
Of Mr. Wilson with a churn,
As that deigning worthy stalked
About him, eying as he walked,
El Toro's sleek and silken hide,
His neck, his flank and all beside;
Thinking with secret joy: 'I'll spread
That mammal on a slice of bread!'
Soon Mr. Wilson's keen concern
To get the creature in his churn
Unhorsed his caution-made him blind
To the fell vigor of bullkind,
Till, filled with valor to the teeth,
He drew his dasher from its sheath
And bravely brandished it; the while
He smiled a dark, portentous smile;
A deep, sepulchral smile; a wide
And open smile, which, at his side,
The churn to copy vainly tried;
A smile so like the dawn of doom
That all the field was palled in gloom,
And all the trees within a mile,
As tribute to that awful smile,
Made haste, with loyalty discreet,
To fling their shadows at his feet.
Then rose his battle-cry: 'I'll spread
That mammal on a slice of bread!'
To such a night the day had turned
That Taurus dimly was discerned.
He wore so meek and grave an air
It seemed as if, engaged in prayer
This thunderbolt incarnate had
No thought of anything that's bad:
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This concentrated earthquake stood
And gave his mind to being good.
Lightly and low he drew his breath
This magazine of sudden death!
All this the thrifty Wilson's glance
Took in, and, crying, 'Now's my chance!'
Upon the bull he sprang amain
To put him in his churn. Again
Rang out his battle-yell: 'I'll spread
That mammal on a slice of bread!'
Sing, Muse, that battle-royal-sing
The deeds that made the region ring,
The blows, the bellowing, the cries,
The dust that darkened all the skies,
The thunders of the contest, all
Nay, none of these things did befall.
A yell there was-a rush-no more:
El Toro, tranquil as before,
Still stood there basking in the sun,
Nor of his legs had shifted one
Stood there and conjured up his cud
And meekly munched it. Scenes of blood
Had little charm for him. His head
He merely nodded as he said:
'I've spread that butterman upon
A slice of Southern Oregon.'
~ Ambrose Bierce,
1159:December Matins
``Why, on this drear December morn,
Dost thou, lone Misselthrush, rehearse thy chanting?
The corals have been rifled from the thorn,
The pastures lie undenizened and lorn,
And everywhere around there seems a something wanting.''
Whereat, as tho' awondering at my wonder,
And brooded somewhere nigh a love-mate nesting,
He more loud and longer still
'Gan to tremble and to trill,
Height after height of sound robustly breasting;
As if o'erhead were Heaven of blue, and under,
Fresh green leafage, and he would
Cleave with shafts of hardihood
The mists asunder.
Only the singer it is foresees,
Only the Poet has the voice foretelling.
When the ways harden and the sedge-pools freeze,
He hears light-hearted Spring upon the breeze,
And feels the hawthorn buds mysteriously swelling.
Though to the eaves the icicles are clinging,
Or from the sunward gables dripping, dripping,
He with inward gaze beholds
Liberated flocks and folds,
The runnels leaping, and the young lambs skipping,
And dauntless daffodils anew upspringing,
So throughout the wintry days
Meditates prophetic lays,
And keeps on singing.
Not the full-volumed Springtime song,
Not April's note with rapture overflowing,
Melodious cadence, early, late, and long,
Now low and suing, now serenely strong,
But the heart's intimations musically showing
That Love and Verse are never out of season.
Though the winds bluster, and the branches splinter,
He, through cold and dire distress,
Companioned by cheerfulness,
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Descries young Mayday through the mask of Winter.
Doubt and despair to him were veilëd treason,
Fashioned never to despond,
By Foreseeing far beyond
The range of Reason.
Therefore, brave bird, sing on, for some to hear
If faintly, fitfully, and though to-morrow
Will be the shortest day of all the year,
Though fields be flowerless and fallows drear,
And earth seems cherishing some secret sorrow,
The dawn will come when it anew will glisten
With tears of gladness, glen and dingle waken,
Winter's tents be furled and routed,
April notes be sung and shouted,
Over the fleeing host and camp forsaken;
The nightingale ne'er cease, the cuckoo christen
Hedgerow posies with its call,
And unto glee and madrigal
The whole world listen.
~ Alfred Austin,
1160:44. Let The Mountain Give You Strength

This is something I couldn’t quite get my head round when I was younger. One of my heroes, Sir Edmund Hillary, used to say that he drew strength from the mountain, and I just couldn’t understand what he meant. Then one day I experienced it for myself.

Let me explain…

Mountains - and all the natural struggles and obstacles they present - are also arenas to find out what we are made of. Inside every challenge, high on every mountain, is the opportunity to find a strength within us to survive and thrive. It just takes us to be willing to dig deep and push on hard enough and long enough to find that strength.

But most people give up before they find it. This is why most people never reach the summit of their goals.

They quit when the winds pick up. They let their heads dip when it gets hard.

But I have learnt that on the mountains, the winds invariably pick up as you near the summit. (There is a scientific reason for this called the venturi effect, which means that as the wind hits the steep faces it gets squeezed, and when wind is compressed it speeds up. Hence windswept mountaintops.)

So don’t be daunted or downhearted when it gets tough, don’t shy away - step up to the plate, rise up to the challenge, and embrace the mountain. When we do this, the mountain will reward you, it will ‘give’ you the strength to overcome.

I don’t always know where this strength comes from but I have often felt it within me. The tougher it becomes, the more I have felt this strength welling up inside.

So embrace that push, don’t hide from the squeeze, but push on and allow the mountain to give you that strength.

Edmund Hillary found it, many explorers when really up against the ropes have found it, and I have found it. The key to its discovery is a willingness to push on and feed off the scale of the climb or the obstacle. Do this and the strength will come. Dig a little deeper, keep going a little longer, and somehow the summit will eventually come into view. It might not be until dawn, when the sun rises, but if you hang on in there long enough, it will inevitably come.

And so often the darkest hour is just before the dawn. You just have to hang on in there through those dark hours - don’t give up, let the mountain sustain you and empower you, and you will experience the mountain within you. ~ Bear Grylls,
1161:The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.

The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain.

And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will?

The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once.

The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible.

And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is. ~ Mark Helprin,
1162:Take back your coins, King's Councillor. I am of those women you
sent to the forest shrine to decoy the young ascetic who had never
seen a women. I failed in your bidding.
  Dimly day was breaking when the hermit boy came to bathe in
the stream, his tawny locks crowded on his shoulders, like a
cluster of morning clouds, and his limbs shining like a streak of
sunbeam. We laughed and sang as we rowed in our boat; we jumped
into the river in a mad frolic, and danced around him, when the sun
rose staring at us from the water's edge in a flush of divine
anger.
  Like a child-god, the boy opened his eyes and watched our
movements, the wonder deepening till his eyes shone like morning
stars. He lifted his clasped hands and chanted a hymn of praise in
his bird-like young voice, thrilling every leaf of the forest.
Never such words were sung to a mortal woman before; they were like
the silent hymn to the dawn which rises from the hushed hills. The
women hid their mouths with their hands, their bodies swaying with
laughter, and a spasm of doubt ran across his face. Quickly came
I to his side, sorely pained, and, bowing to his feet, I said,
"Lord, accept my service."
  I led him to the grassy bank, wiped his body with the end of
my silken mantle, and, kneeling on the ground, I dried his feet
with my trailing hair. When I raised my face and looked into his
eyes, I thought I felt the world's first kiss to the first woman,
-Blessed am I, blessed is God, who made me a woman. I heard him say
to me, "What God unknown are you? Your touch is the touch of the
Immortal, your eyes have the mystery of the midnight."
  Ah, no, not that smile, King's Councillor, -the dust of
worldly wisdom has covered your sight, old man. But this boy's
innocence pierced the mist and saw the shining truth, the woman
divine.
  The women clapped their hands, and laughed their obscene
laugh, and with veils dragged on the dust and hair hanging loose
they began to pelt him with flowers.
  Alas, my spotless sun, could not my shame weave fiery mist to
cover you in its folds? I fell at his feet and cried, "Forgive me.
" I fled like a stricken deer through shade and sun, and cried as
I fled, " Forgive me. " The women's foul laughter pressed me like
a cracking fire, but the words ever rang in my ears, " What God
unknown are you?"

~ Rabindranath Tagore, Lovers Gifts LXX - Take Back Your Coins
,
1163:Then And Now
A little time agone, a few brief years,
And there was peace within our beauteous borders;
Peace, and a prosperous people, and no fears
Of war and its disorders.
Pleasure was ruling goddess of our land; with her attendant Mirth
She led a jubilant, joy-seeking band about the riant earth.
Do you recall those laughing days, my Brothers,
And those long nights that trespassed on the dawn?
Those throngs of idle dancing maids and mothers
Who lilted on and onCard mad, wine flushed, bejewelled and half stripped,
Yet women whose sweet mouth had never sipped
From sin's black chalice-women good at heart
Who, in the winding maze of pleasure's mart,
Had lost the sun-kissed way to wholesome pleasures of an earlier day.
Oh! You remember them! You filled their glasses;
You 'cut in' at their games of bridge; you left
Your work to drop in on their dancing-classes
Before the day was cleft
In twain by noontide. When the night waxed late
You led your partner forth to demonstrate
The newest steps before a cheering throng,
And Time and Peace danced by your side along.
Peace is a lovely word, and we abhor that red word 'War';
But look ye, Brothers, what this war has done for daughters and for son,
For manhood and for womanhood, whose trend
Seemed year on year toward weakness to descend.
Upon this woof of darkness and of terror, woven by human error,
Behold the pattern of a new race-soul,
And it shall last while countless ages roll.
At the loud call of drums, out of the idler and the weakling comes
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The hero valiant with self-sacrifice, ready to pay the price
War asks of men, to help a suffering world.
And out of the arms of pleasure, where they whirled
In wild unreasoning mirth, behold the splendid women of the earth
Living new selfless lives-the toiling mothers, sister, daughters, wives
Of men gone forth as target for the foe.
Ah, now we know
Man is divine; we see the heavenly spark
Shining above the smoke and gloom and dark
Which was not visible in peaceful days.
God! wondrous are Thy ways,
For out of chaos comes construction; out of darkness and of doubt
And the black pit of death comes glorious faith;
From want and waste comes thrift, from weakness strength and power,
And to the summits men and women lift
Their souls from self-indulgence in this hour,
This crucial hour of life:
So shines the golden side of this black shield of strife.
~ Ella Wheeler Wilcox,
1164:The Romantic
'Silly girl, listen!'
But she doesn't listen
While the village roofs glisten,
Bright in the sun.
'Silly girl, what do you do there,
As if there were someone to view there,
A face to gaze on and greet there,
A live form warmly to meet there,
When there is no one, none, do you hear?'
But she doesn't hear.
Like a dead stone
She stands there alone,
Staring ahead of her, peering around
For something that has to be found
Till, suddenly spying it,
She touches it, clutches it,
Laughing and crying.
Is it you, my Johnny, my true love, my dear?
I knew you would never forget me,
Even in death! Come with me, let me
Show you the way now!
Hold your breath, though,
And tiptoe lest stepmother hear!
What can she hear? They have made him
A grave, two years ago laid him
Away with the dead.
Save me, Mother of God! I'm afraid.
But why? Why should I flee you now?
What do I dread?
Not Johnny! My Johnny won't hurt me.
It is my Johnny! I see you now,
Your eyes, your white shirt.
But it's pale as linen you are,
Cold as winter you are!
Let my lips take the cold from you,
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Kiss the chill o f the mould from you.
Dearest love, let me die with you,
In the deep earth lie with you,
For this world is dark and dreary,
I am lonely and weary!
Alone among the unkind ones
Who mock at my vision,
My tears their derision,
Seeing nothing, the blind ones!
Dear God! A cock is crowing,
Whitely glimmers the dawn.
Johnny! Where are you going?
Don't leave me! I am forlorn!
So, caressing, talking aloud to her
Lover, she stumbles and falls,
And her cry of anguish calls
A pitying crowd to her.
'Cross yourselves! It is, surely,
Her Johnny come back from the grave:
While he lived, he loved her entirely.
May God his soul now save!'
Hearing what they are saying,
I, too, start praying.
'The girl is out of her senses!'
Shouts a man with a learned air,
'My eye and my lenses
Know there's nothing there.
Ghosts are a myth
Of ale-wife and blacksmith.
Clodhoppers! This is treason
Against King Reason!'
'Yet the girl loves,' I reply diffidently,
'And the people believe reverently:
21
Faith and love are more discerning
Than lenses or learning.
You know the dead truths, not the living,
The world of things, not the world of loving.
Where does any miracle start?
Cold eye, look in your heart!'
~ Adam Mickiewicz,
1165:The Setting Of The Moon
As, in the lonely night,
Above the silvered fields and streams
Where zephyr gently blows,
And myriad objects vague,
Illusions, that deceive,
Their distant shadows weave
Amid the silent rills,
The trees, the hedges, villages, and hills;
Arrived at heaven's boundary,
Behind the Apennine or Alp,
Or into the deep bosom of the sea,
The moon descends, the world grows dim;
The shadows disappear, darkness profound
Falls on each hill and vale around,
And night is desolate,
And singing, with his plaintive lay,
The parting gleam of friendly light
The traveller greets, whose radiance bright,
Till now, hath guided him upon his way;
So vanishes, so desolate
Youth leaves our mortal state.
The shadows disappear,
And the illusions dear;
And in the distance fading all, are seen
The hopes on which our suffering natures lean.
Abandoned and forlorn
Our lives remain;
And the bewildered traveller, in vain,
As he its course surveys,
To find the end, or object tries,
Of the long path that still before him lies.
A hopeless darkness o'er him steals;
Himself an alien on the earth he feels.
Too happy, and too gay
Would our hard lot appear
To those who placed us here, if youth,
Whose every joy is born of pain,
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Through all our days were suffered to remain;
Too merciful the law,
That sentences each animal to death,
Did not the road that leads to it,
E'er half-completed, unto us appear
Than death itself more sad and drear.
Thou blest invention of the Gods,
And worthy of their intellects divine,
Old age, the last of all our ills,
When our desires still linger on,
Though every ray of hope is gone;
When pleasure's fountains all are dried,
Our pains increasing, every joy denied!
Ye hills, and vales, and fields,
Though in the west hath set the radiant orb
That shed its lustre on the veil of night,
Will not long time remain bereft,
In hopeless darkness left?
Ye soon will see the eastern sky
Grow white again, the dawn arise,
Precursor of the sun,
Who with the splendor of his rays
Will all the scene irradiate,
And with his floods of light
The fields of heaven and earth will inundate.
But mortal life,
When lovely youth has gone,
Is colored with no other light,
And knows no other dawn.
The rest is hopeless wretchedness and gloom;
The journey's end, the dark and silent tomb.
~ Count Giacomo Leopardi,
1166:In the 1890s, when Freud was in the dawn of his career, he was struck by how many of his female patients were revealing childhood incest victimization to him. Freud concluded that child sexual abuse was one of the major causes of emotional disturbances in adult women and wrote a brilliant and humane paper called “The Aetiology of Hysteria.” However, rather than receiving acclaim from his colleagues for his ground-breaking insights, Freud met with scorn. He was ridiculed for believing that men of excellent reputation (most of his patients came from upstanding homes) could be perpetrators of incest.
Within a few years, Freud buckled under this heavy pressure and recanted his conclusions. In their place he proposed the “Oedipus complex,” which became the foundation of modern psychology. According to this theory any young girl actually desires sexual contact with her father, because she wants to compete with her mother to be the most special person in his life. Freud used this construct to conclude that the episodes of incestuous abuse his clients had revealed to him had never taken place; they were simply fantasies of events the women had wished for when they were children and that the women had come to believe were real. This construct started a hundred-year history in the mental health field of blaming victims for the abuse perpetrated on them and outright discrediting of women’s and children’s reports of mistreatment by men.
Once abuse was denied in this way, the stage was set for some psychologists to take the view that any violent or sexually exploitative behaviors that couldn’t be denied—because they were simply too obvious—should be considered mutually caused. Psychological literature is thus full of descriptions of young children who “seduce” adults into sexual encounters and of women whose “provocative” behavior causes men to become violent or sexually assaultive toward them.
I wish I could say that these theories have long since lost their influence, but I can’t. A psychologist who is currently one of the most influential professionals nationally in the field of custody disputes writes that women provoke men’s violence by “resisting their control” or by “attempting to leave.” She promotes the Oedipus complex theory, including the claim that girls wish for sexual contact with their fathers. In her writing she makes the observation that young girls are often involved in “mutually seductive” relationships with their violent fathers, and it is on the basis of such “research” that some courts have set their protocols. The Freudian legacy thus remains strong. ~ Lundy Bancroft,
1167:When I look at this age with the eye of a distant future, I find nothing so remarkable in the man of the present day as his peculiar virtue and sickness called "the historical sense." It is a tendency to something quite new and foreign in history: if this embryo were given several centuries and more, there might finally evolve out of it a marvellous plant, with a smell equally marvellous, on account of which our old earth might be more pleasant to live in than it has been hitherto. We moderns are just beginning to form the chain of a very powerful, future sentiment, link by link, we hardly know what we are doing. It almost seems to us as if it were not the question of a new sentiment, but of the decline of all old sentiments: the historical sense is still something so poor and cold, and many are attacked by it as by a frost, and are made poorer and colder by it. To others it appears as the indication of stealthily approaching age, and our planet is regarded by them as a melancholy invalid, who, in order to forget his present condition, writes the history of his youth. In fact, this is one aspect of the new sentiment He who knows how to regard the history of man in its entirety as his own history, feels in the immense generalisation all the grief of the invalid who thinks of health, of the old man who thinks of the dream of his youth, of the lover who is robbed of his beloved, of the martyr whose ideal is destroyed, of the hero on the evening of the indecisive battle which has brought him wounds and the loss of a friend. But to bear this immense sum of grief of all kinds, to be able to bear it, and yet still be the hero who at the commencement of a second day of battle greets the dawn and his happiness, as one who has an horizon of centuries before and behind him, as the heir of all nobility, of all past intellect, and the obligatory heir (as the noblest) of all the old nobles; while at the same time the first of a new nobility, the equal of which has never been seen nor even dreamt of: to take all this upon his soul, the oldest, the newest, the losses, hopes, conquests, and victories of mankind: to have all this at last in one soul, and to comprise it in one feeling: this would necessarily furnish a happiness which man has not hitherto known, a God's happiness, full of power and love, full of tears and laughter, a happiness which, like the sun in the evening, continually gives of its inexhaustible riches and empties into the sea, and like the sun, too, feels itself richest when even the poorest fisherman rows with golden oars! This divine feeling might then be called humanity! ~ Friedrich Nietzsche,
1168:The Muse And The Poet
The Muse said, Let us sing a little song
Wherein no hint of wrong,
No echo of the great world need, or pain,
Shall mar the strain.
Lock fast the swinging portal of thy heart;
Keep sympathy apart.
Sing of the sunset, of the dawn, the sea;
Of any thing or nothing, so there be
No purpose to thy art.
Yea, let us make, art for Art's sake.
And sing no more unto the hearts of men,
But for the critic's pen.
With songs that are but words, sweet sounding words,
Like joyous jargon of the birds.
Tune now thy lyre, O Poet, and sing on.
Sing of
THE DAWN
The Virgin Night, all languorous with dreams
Of her belovèd Darkness, rose in fear,
Feeling the presence of another near.
Outside her curtained casement shone the gleams
Of burning orbs; and modestly she hid
Her brow and bosom with her dusky hair.
When lo! the bold intruder lurking there
Leaped through the fragile lattice, all unbid,
And half unveiled her. Then the swooning Night
Fell pale and dead, while yet her soul was white
Before that lawless Ravisher, the Light.
The Muse said, Poet, nay; thou hast not caught
My meaning. For there lurks a thought
Back of thy song.
In art, all thought is wrong.
Re-string thy lyre; and let the echoes bound
To nothing but sweet sound.
Strike now the chords
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And sing of
WORDS
One day sweet Ladye Language gave to me
A little golden key.
I sat me down beside her jewel box
And turned its locks.
And oh, the wealth that lay there in my sight.
Great solitaires of words, so bright, so bright;
Words that no use can commonize; like God,
And Truth, and Love; and words of sapphire blue;
And amber words; with sunshine dripping through;
And words of that strange hue
A pearl reveals upon a wanton's hand.
Again the Muse:
Thou dost not understand;
A thought within thy song is lingering yet.
Sing but of words; all else forget, forget.
Nor let thy words convey one thought to men.
Try once again.
Down through the dusk and dew there fell a word;
Down through the dew and dusk.
And all the garments of the air it stirred
Smelled sweet as musk;
And all the little waves of air it kissed
Turned gold and amethyst.
There in the dew and dusk a heart it found;
There in the dusk and dew
The sodden silence changed to fragrant sound;
And all the world seemed new.
Upon the path that little word had trod,
There shone the smile of God.
The Muse said, Drop thy lyre.
I tire, I tire.
~ Ella Wheeler Wilcox,
1169:In Memoriam A. H. H.: 95. By Night We Linger'D On
The Lawn
By night we linger'd on the lawn,
For underfoot the herb was dry;
And genial warmth; and o'er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr'd:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel'd or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal'd
From knoll to knoll, where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall'n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love's dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro' wordy snares to track
Suggestion to her inmost cell.
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So word by word, and line by line,
The dead man touch'd me from the past,
And all at once it seem'd at last
The living soul was flash'd on mine,
And mine in this was wound, and whirl'd
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time--the shocks of Chance-The blows of Death. At length my trance
Was cancell'd, stricken thro' with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev'n for intellect to reach
Thro' memory that which I became:
Till now the doubtful dusk reveal'd
The knolls once more where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field:
And suck'd from out the distant gloom
A breeze began to tremble o'er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock'd the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
"The dawn, the dawn," and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
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~ Alfred Lord Tennyson,
1170:The South
Night, and beneath star-blazoned summer skies
Behold the Spirit of the musky South,
A creole with still-burning, languid eyes,
Voluptuous limbs and incense-breathing mouth:
Swathed in spun gauze is she,
From fibres of her own anana tree.
Within these sumptuous woods she lies at ease,
By rich night-breezes, dewy cool, caressed:
'Twixt cypresses and slim palmetto trees,
Like to the golden oriole's hanging nest,
Her airy hammock swings,
And through the dark her mocking-bird yet sings.
How beautiful she is! A tulip-wreath
Twines round her shadowy, free-floating hair:
Young, weary, passionate, and sad as death,
Dark visions haunt for her the vacant air,
While movelessly she lies
With lithe, lax, folded hands and heavy eyes.
Full well knows she how wide and fair extend
Her groves bright-flowered, her tangled everglades,
Majestic streams that indolently wend
Through lush savanna or dense forest shades,
Where the brown buzzard flies
To broad bayou 'neath hazy-golden skies.
Hers is the savage splendor of the swamp,
With pomp of scarlet and of purple bloom,
Where blow warm, furtive breezes faint and damp,
Strange insects whir, and stalking bitterns boomWhere from stale waters dead
Oft looms the great-jawed alligator's head.
Her wealth, her beauty, and the blight on these,Of all she is aware: luxuriant woods,
Fresh, living, sunlit, in her dream she sees;
And ever midst those verdant solitudes
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The soldier's wooden cross,
O'ergrown by creeping tendrils and rank moss.
Was her a dream of empire? was it sin?
And is it well that all was borne in vain?
She knows no more than one who slow doth win,
After fierce fever, conscious life again,
Too tired, too weak, too sad,
By the new light to be stirred or glad.
From rich sea-islands fringing her green shore,
From broad plantations where swart freemen bend
Bronzed backs in willing labor, from her store
Of golden fruit, from stream, from town, ascend
Life-currents of pure health:
Her aims shall be subserved with boundless wealth.
Yet now how listless and how still she lies,
Like some half-savage, dusky Indian queen,
Rocked in her hammock 'neath her native skies,
With the pathetic, passive, broken mien
Of one who, sorely proved,
Great-souled, hath suffered much and much hath loved!
But look! along the wide-branched, dewy glade
Glimmers the dawn: the light palmetto-trees
And cypresses reissue from the shade,
And SHE hath wakened. Through clear air she sees
The pledge, the brightening ray,
And leaps from dreams to hail the coming day.
~ Emma Lazarus,
1171:When he had made all the necessary preparations the army began to embark at the approach of the dawn; while according to custom he offered sacrifice to the gods and to the river Hydaspes, as the prophets directed. When he had embarked he poured a libation into the river from the prow of the ship out of a golden goblet, invoking the Acesines as well as the Hydaspes, because he had ascertained that it is the largest of all the rivers which unite with the Hydaspes, and that their confluence was not far off. He also invoked the Indus, into which the Acesines flows after its junction with the Hydaspes. Moreover he poured out libations to his forefather Heracles, to Ammon, and the other gods to whom he was in the habit of sacrificing, and then he ordered the signal for starting seawards to be given with the trumpet. As soon as the signal was given they commenced the voyage in regular order; for directions had been given at what distance apart it was necessary for the baggage vessels to be arranged, as also for the vessels conveying the horses and for the ships of war; so that they might not fall foul of each other by sailing down the channel at random. He did not allow even the fast-sailing ships to get out of rank by outstripping the rest. The noise of the rowing was never equalled on any other occasion, inasmuch as it proceeded from so many ships rowed at the same time; also the shouting of the boatswains giving the time for beginning and stopping the stroke of the oars, and the clamour of the rowers, when keeping time all together with the dashing of the oars, made a noise like a battle-cry. The banks of the river also, being in many places higher than the ships, and collecting the sound into a narrow space, sent back to each other an echo which was very much increased by its very compression. In some parts too the groves of trees on each side of the river helped to swell the sound, both from the solitude and the reverberation of the noise. The horses which were visible on the decks of the transports struck the barbarians who saw them with such surprise that those of them who were present at the starting of the fleet accompanied it a long way from the place of embarkation. For horses had never before been seen on board ships in the country of India; and the natives did not call to mind that the expedition of Dionysus into India was a naval one. The shouting of the rowers and the noise of the rowing were heard by the Indians who had already submitted to Alexander, and these came running down to the river’s bank and accompanied him singing their native songs. For the Indians have been eminently fond of singing and dancing since the time of Dionysus and those who under his bacchic inspiration traversed the land of the Indians with him. ~ Arrian,
1172:The Weed’s Counsel
SAID a traveller by the way
Pausing, 'What hast thou to say,
Flower by the dusty road,
That would ease a mortal's load?'
Traveller, hearken unto me!
I will tell thee how to see
Beauties in the earth and sky
Hidden from the careless eye.
I will tell thee how to hear
Nature's music wild and clear,—
Songs of midday and of dark
Such as many never mark,
Lyrics of creation sung
Ever since the world was young.
And thereafter thou shalt know
Neither weariness nor woe.
Thou shalt see the dawn unfold
Artistries of rose and gold,
And the sunbeams on the sea
Dancing with the wind for glee.
The red lilies of the moors
Shall be torches on the floors,
Where the field-lark lifts his cry
To rejoice the passer-by,
In a wide world rimmed with blue
Lovely as when time was new.
And thereafter thou shalt fare
Light of foot and free from care.
I will teach thee how to find
Lost enchantments of the mind
All about thee, never guessed
By indifferent unrest.
Thy distracted thought shall learn
Patience from the roadside fern,
And a sweet philosophy
From the flowering locust tree, —
While thy heart shall not disdain
The consolation of the rain.
Not an acre but shall give
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Of its strength to help thee live.
With the many-wintered sun
Shall thy hardy course be run.
And the bright new moon shall be
A lamp to thy felicity.
When green-mantled spring shall come
Past thy door with flute and drum,
And when over wood and swamp
Autumn trails her scarlet pomp,
No misgiving shalt thou know,
Passing glad to rise and go.
So thy days shall be unrolled
Like a wondrous cloth of gold.
When gray twilight with her star
Makes a heaven that is not far,
Touched with shadows and with dreams,
Thou shalt hear the woodland streams
Singing through the starry night
Holy anthems of delight.
So the ecstasy of earth
Shall refresh thee as at birth,
And thou shalt arise each morn
Radiant with a soul reborn.
And this wisdom of a day
None shall ever take away.
What the secret, what the clew
The wayfarer must pursue?
Only one thing he must have
Who would share these transports brave.
Love within his heart must dwell
Like a bubbling roadside well,
For a spring to quicken thought,
Else my counsel comes to naught.
For without that quickening trust
We are less than roadside dust.
This, O traveller, is my creed, —
All the wisdom of the weed!
Then the traveller set his pack
Once more on his dusty back,
And trudged on for many a mile
Fronting fortune with a smile.
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~ Bliss William Carman,
1173:All Souls
A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
II
Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.
III
And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.
IV
And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
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Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.
Till they say, as they hear us - poor dead, poor dead! 'Just an hour of this, and our age-long bed Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'
VI
And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.
VII
And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .
~ Edith Wharton,
1174:Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of
everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment.

I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to
the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history?

By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb
my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself. ~ Henry Miller,
1175:[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa; ~ Michael Chabon,
1176:Fasting
'Tis morning now, yet silently I stand,
Uplift the curtain with a weary hand,
Look out while darkness overspreads the way,
And long for day.
Calm peace is frighted with my mood to-night,
Nor visits my dull chamber with her light,
To guide my senses into her sweet rest
And leave me blest.
Long hours since the city rocked and sung
Itself to slumber: only the stars swung
Aloft their torches in the midnight skies
With watchful eyes.
No sound awakes; I, even, breathe no sigh,
Nor hear a single footstep passing by;
Yet I am not alone, for now I feel
A presence steal
Within my chamber walls; I turn to see
The sweetest guest that courts humanity;
With subtle, slow enchantment draws she near,
And Sleep is here.
What care I for the olive branch of Peace?
Kind Sleep will bring a thrice-distilled release,
Nepenthes, that alone her mystic hand
Can understand.
And so she bends, this welcome sorceress,
To crown my fasting with her light caress.
Ah, sure my pain will vanish at the bliss
Of her warm kiss.
But still my duty lies in self-denial;
I must refuse sweet Sleep, although the trial
Will reawaken all my depth of pain.
So once again
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I lift the curtain with a weary hand,
With more than sorrow, silently I stand,
Look out while darkness overspreads the way,
And long for day.
"Go, Sleep," I say, "before the darkness die,
To one who needs you even more than I,
For I can bear my part alone, but he
Has need of thee.
"His poor tired eyes in vain have sought relief,
His heart more tired still, with all its grief;
His pain is deep, while mine is vague and dim,
Go thou to him.
"When thou hast fanned him with thy drowsy wings,
And laid thy lips upon the pulsing strings
That in his soul with fret and fever burn,
To me return."
She goes. The air within the quiet street
Reverberates to the passing of her feet;
I watch her take her passage through the gloom
To your dear home.
Beloved, would you knew how sweet to me
Is this denial, and how fervently
I pray that Sleep may lift you to her breast,
And give you rest-A privilege that she alone can claim.
Would that my heart could comfort you the same,
But in the censer Sleep is swinging high,
All sorrows die.
She comes not back, yet all my miseries
Wane at the thought of your calm sleeping eyes-Wane, as I hear the early matin bell
The dawn foretell.
And so, dear heart, still silently I stand,
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Uplift the curtain with a weary hand,
The long, long night has bitter been and lone,
But now 'tis gone.
Dawn lights her candles in the East once more,
And darkness flees her chariot before;
The Lenten morning breaks with holy ray,
And it is day!
~ Emily Pauline Johnson,
1177:The diversity of India is tremendous; it is obvious: it lies on the surface and anybody can see it. It concerns itself with physical appearances as well as with certain mental habits and traits. There is little in common, to outward seeming, between the Pathan of the Northwest and the Tamil in the far South. Their racial stocks are not the same, though there may be common strands running through them; they differ in face and figure, food and clothing, and, of course, language … The Pathan and Tamil are two extreme examples; the others lie somewhere in between. All of them have still more the distinguishing mark of India. It is fascinating to find how the Bengalis, the Marathas, the Gujaratis, the Tamils, the Andhras, the Oriyas, the Assamese, the Canarese, the Malayalis, the Sindhis, the Punjabis, the Pathans, the Kashmiris, the Rajputs, and the great central block comprising the Hindustani-speaking people, have retained their peculiar characteristics for hundreds of years, have still more or less the same virtues and failings of which old tradition or record tells us, and yet have been throughout these ages distinctively Indian, with the same national heritage and the same set of moral and mental qualities.    There was something living and dynamic about this heritage, which showed itself in ways of living and a philosophical attitude to life and its problems. Ancient India, like ancient China, was a world in itself, a culture and a civilization which gave shape to all things. Foreign influences poured in and often influenced that culture and were absorbed. Disruptive tendencies gave rise immediately to an attempt to find a synthesis. Some kind of a dream of unity has occupied the mind of India since the dawn of civilization. That unity was not conceived as something imposed from outside, a standardization of externals or even of beliefs. It was something deeper and, within its fold, the widest tolerance of beliefs and customs was practiced and every variety acknowledged and even encouraged.    In ancient and medieval times, the idea of the modern nation was non-existent, and feudal, religious, racial, and cultural bonds had more importance. Yet I think that at almost any time in recorded history an Indian would have felt more or less at home in any part of India, and would have felt as a stranger and alien in any other country. He would certainly have felt less of a stranger in countries which had partly adopted his culture or religion. Those, such as Christians, Jews, Parsees, or Moslems, who professed a religion of non-Indian origin or, coming to India, settled down there, became distinctively Indian in the course of a few generations. Indian converts to some of these religions never ceased to be Indians on account of a change of their faith. They were looked upon in other countries as Indians and foreigners, even though there might have been a community of faith between them.6 ~ Fali S Nariman,
1178:Loud Without The Wind Was Roaring
Loud without the wind was roaring
Through th' autumnal sky;
Drenching wet, the cold rain pouring,
Spoke of winter nigh.
All too like that dreary eve,
Did my exiled spirit grieve.
Grieved at first, but grieved not long,
Sweet—how softly sweet!—it came;
Wild words of an ancient song,
Undefined, without a name.
'It was spring, and the skylark was singing';
Those words they awakened a spell;
They unlocked a deep fountain, whose springing,
Nor absence, nor distance can quell.
In the gloom of a cloudy November
They uttered the music of May;
They kindled the perishing ember
Into fervour that could not decay.
Awaken, o'er all my dear moorland,
West-wind, in thy glory and pride!
Oh! call me from valley and lowland,
To walk by the hill-torrent's side!
It is swelled with the first snowy weather;
The rocks they are icy and hoar,
And sullenly waves the long heather,
And the fern leaves are sunny no more.
There are no yellow stars on the mountain
The bluebells have long died away
From the brink of the moss-bedded fountain—
From the side of the wintry brae.
But lovelier than corn-fields all waving
In emerald, and vermeil, and gold,
48
Are the heights where the north-wind is raving,
And the crags where I wandered of old.
It was morning: the bright sun was beaming;
How sweetly it brought back to me
The time when nor labour nor dreaming
Broke the sleep of the happy and free!
But blithely we rose as the dawn-heaven
Was melting to amber and blue,
And swift were the wings to our feet given,
As we traversed the meadows of dew.
For the moors! For the moors, where the short grass
Like velvet beneath us should lie!
For the moors! For the moors, where each high pass
Rose sunny against the clear sky!
For the moors, where the linnet was trilling
Its song on the old granite stone;
Where the lark, the wild sky-lark, was filling
Every breast with delight like its own!
What language can utter the feeling
Which rose, when in exile afar,
On the brow of a lonely hill kneeling,
I saw the brown heath growing there?
It was scattered and stunted, and told me
That soon even that would be gone:
It whispered, 'The grim walls enfold me,
I have bloomed in my last summer's sun.'
But not the loved music, whose waking
Makes the soul of the Swiss die away,
Has a spell more adored and heartbreaking
Than, for me, in that blighted heath lay.
The spirit which bent 'neath its power,
How it longed—how it burned to be free!
If I could have wept in that hour,
Those tears had been heaven to me.
49
Well—well; the sad minutes are moving,
Though loaded with trouble and pain;
And some time the loved and the loving
Shall meet on the mountains again!
~ Emily Jane Brontë,
1179:Come Into The Garden, Maud
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, 'There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play.'
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, 'The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine,' so I sware to the rose,
'For ever and ever, mine.'
And the soul of the rose went into my blood,
As the music clash'd in the hall;
60
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, 'She is near, she is near; '
And the white rose weeps, 'She is late; '
The larkspur listens, 'I hear, I hear; '
And the lily whispers, 'I wait.'
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
61
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
~ Alfred Lord Tennyson,
1180:more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures ~ Harper Lee,
1181:I.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
Up,--to thy wonted work! come, trace
The epitaph of glory fled,--
For now the Earth has changed its face,
A frown is on the Heavens brow.

II.
We wandered to the Pine Forest
That skirts the Oceans foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep,
The clouds were gone to play,
And on the bosom of the deep
The smile of Heaven lay;
It seemed as if the hour were one
Sent from beyond the skies,
Which scattered from above the sun
A light of Paradise.

III.
We paused amid the pines that stood
The giants of the waste,
Tortured by storms to shapes as rude
As serpents interlaced;
And, soothed by every azure breath,
That under Heaven is blown,
To harmonies and hues beneath,
As tender as its own,
Now all the tree-tops lay asleep,
Like green waves on the sea,
As still as in the silent deep
The ocean woods may be.

IV.
How calm it was!the silence there
By such a chain was bound
That even the busy woodpecker
Made stiller by her sound
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
There seemed from the remotest seat
Of the white mountain waste,
To the soft flower beneath our feet,
A magic circle traced,--
A spirit interfused around
A thrilling, silent life,--
To momentary peace it bound
Our mortal natures strife;
And still I felt the centre of
The magic circle there
Was one fair form that filled with love
The lifeless atmosphere.

V.
We paused beside the pools that lie
Under the forest bough,--
Each seemed as twere a little sky
Gulfed in a world below;
A firmament of purple light
Which in the dark earth lay,
More boundless than the depth of night,
And purer than the day--
In which the lovely forests grew,
As in the upper air,
More perfect both in shape and hue
Than any spreading there.
There lay the glade and neighbouring lawn,
And through the dark green wood
The white sun twinkling like the dawn
Out of a speckled cloud.
Sweet views which in our world above
Can never well be seen,
Were imaged by the waters love
Of that fair forest green.
And all was interfused beneath
With an Elysian glow,
An atmosphere without a breath,
A softer day below.
Like one beloved the scene had lent
To the dark waters breast,
Its every leaf and lineament
With more than truth expressed;
Until an envious wind crept by,
Like an unwelcome thought,
Which from the minds too faithful eye
Blots one dear image out.
Though thou art ever fair and kind,
The forests ever green,
Less oft is peace in Shelleys mind,
Than calm in waters, seen.

~ Percy Bysshe Shelley, To Jane - The Recollection
,
1182:Le Flambeau Vivant (The Living Torch)
Ils marchent devant moi, ces Yeux pleins de lumières,
Qu'un Ange très savant a sans doute aimantés
Ils marchent, ces divins frères qui sont mes frères,
Secouant dans mes yeux leurs feux diamantés.
Me sauvant de tout piège et de tout péché grave,
Ils conduisent mes pas dans la route du Beau
Ils sont mes serviteurs et je suis leur esclave
Tout mon être obéit à ce vivant flambeau.
Charmants Yeux, vous brillez de la clarté mystique
Qu'ont les cierges brûlant en plein jour; le soleil
Rougit, mais n'éteint pas leur flamme fantastique;
Ils célèbrent la Mort, vous chantez le Réveil
Vous marchez en chantant le réveil de mon âme,
Astres dont nul soleil ne peut flétrir la flamme!
The Living Torch
They walk in front of me, those eyes aglow with light
Which a learned Angel has rendered magnetic;
They walk, divine brothers who are my brothers too,
Casting into my eyes diamond scintillations.
They save me from all snares and from all grievous sin;
They guide my steps along the pathway of Beauty;
They are my servitors, I am their humble slave;
My whole being obeys this living torch.
Bewitching eyes, you shine like mystical candles
That burn in broad daylight; the sun
Reddens, but does not quench their eerie flame;
While they celebrate Death, you sing the Awakening;
You walk, singing the awakening of my soul,
Bright stars whose flame no sun can pale!
289
— Translated by William Aggeler
The Living Torch
Those lit eyes go before me, in full view,
(Some cunning angel magnetised their light) —
Heavenly twins, yet my own brothers too,
Shaking their diamond blaze into my sight.
My steps from every trap or sin to save,
In the strait road of Beauty they conduct me.
They are my servants, and I am their slave,
Obedient in whatever they instruct me.
Delightful eyes, you burn with mystic rays
Like candles in broad day; red suns may blaze,
But cannot quench their still, fantastic light.
Those candles burn for death, but you for waking:
You sing the dawn that in my soul is breaking,
Stars which no sun could ever put to flight!
— Translated by Roy Campbell
Le Flambeau vivant
they march before me, filled with light divine
— those eyes turned magnets by some angel wise;
they lead, my Heavenly Twins, good brothers mine,
whose jewelled fires hold my gazing eyes.
they guard from every sin and error grave,
they show my feet the path to Beauty's porch;
they are my servitors and I their slave,
wholly obedient to their heavenly torch.
enchanted eyes, ye have the mystic ray
of tapers lit at noon: the fire of day
reddens, but quenches not their eery glow: —
'tis Death they sing, while ye extol the Morn;
290
ye point the way and chant a soul reborn
— stars that no sun can pale nor overthrow!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
1183:EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!

TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.

EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people. ~ Eugene O Neill,
1184:The Swagless Swaggie
This happened many years ago
Before the bush was cleared,
When every man was six foot high
And wore a flowing beard.
One very hot and windy day,
Along the old coach road,
Towards Joe Murphy’s halfway house
A bearded bushman strode.
He was a huge and heavy man,
Well over six foot high,
An old slouch hat was on his head,
And murder in his eye.
No billy can was in his hand,
No heavy swag he bore,
But deep and awful were the oaths
That swagless swaggie swore.
At last he reached the shanty door,
Into the bar he burst,
He dumped his hat upon the floor,
And cursed and cursed and cursed.
A neighboring shed had just cut out;
The bar was nearly full
Of shearers and of bullockies
Who’d come to cart the wool.
They were a rough and ready lot,
The bushmen gathered there,
But every man was stricken dumb,
To hear the stranger swear.
He cursed the bush, he cursed mankind,
The whole wide universe.
It froze their very blood to hear
That swagless swaggie curse.
17
Joe Murphy seized an empty pot
And filled it brimming full.
The stranger raised it to his lips
And took a mighty pull.
This seemed to cool him down a bit;
He finished off the ale,
And to the crowd around the bar
He told his awful tale.
“I met the Ben Hall gang,” he said,
“The blankards stuck me up!
They pinched me billy, pinched me swag,
And pinched me flamin’ pup!
They turned me pockets inside out,
And took me only quid!
I never thought they’d pinch me pipe,
But swelp me gawd they did!
I spoke to ’em as man to man,
I said I’d fight ’em all;
I would have broke O’Mealleys neck,
And tanned the hide of Hall.
They only laughed, and said good-bye,
And rode away to brag
Of how they stuck a swaggie up
And robbed him of his swag.
“I never done ’em any harm,
I thought ’em decent chaps.
But now I wouldn’t raise a hand
To save ’em from the traps.
I’m finished with the bush for good,
I’m off to Wagga town
Where they won’t stick a swaggie up
Or take a swaggie down.
The bushmen were a decent lot,
18
As bushmen mostly are.
They filled the stranger up with beer;
The hat went round the bar.
The shearers threw some blankets in
To make another swag,
The rousers gave a billy can
And brand new tucker bag.
Joe Murphy gave a meerschaum pipe
He hadn’t smoked for years.
The stranger was too full of words,
His eyes were dim with tears.
The ringer shouted drinks all round
And then, to top it up,
The babbling brook, the shearers cook,
Gave him a kelpie pup.
Next day, an hour before the dawn,
The stranger took the track
Complete with pup and billy can,
His swag upon his back.
Along the most forsaken roads,
Intent on dodging graft,
He headed for the Great North West,
And laughed, and laughed and laughed.
~ Edward Harrington,
1185:Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:

But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.

And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.

I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.

And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.

I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...? ~ Mark Haddon,
1186:War Mothers
There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
As it was portioned us by Church and State,
Believing it our fate.
Our thoughts all chaste
Held yet a secret wish to love and mate
Ere youth and virtue should go quite to waste.
But men we criticised for lack of strength,
And kept them at arm's length.
Then the war came—
The world was all aflame!
The men we had thought dull and void of power
Were heroes in an hour.
He who had seemed a slave to petty greed
Showed masterful in that great time of need.
He who had plotted for his neighbour's pelf,
Now for his fellows offers up himself.
And we were only women, forced by war
To sacrifice the things worth living for.
Something within us broke,
Something within us woke,
The wild cave-woman spoke.
When we heard the sound of drumming,
As our soldiers went to camp,
Heard them tramp, tramp, tramp;
As we watched to see them coming,
And they looked at us and smiled
(Yes, looked back at us and smiled),
As they filed along by hillock and by hollow,
Then our hearts were so beguiled
882
That, for many and many a day,
We dreamed we heard them say,
'Oh, follow, follow, follow!'
And the distant, rolling drum
Called us 'Come, come, come!'
Till our virtue seemed a thing to give away.
War had swept ten thousand years away from earth.
We were primal once again.
There were males, not modern men;
We were females meant to bring their sons to birth.
And we could not wait for any formal rite,
We could hear them calling to us, 'Come to-night;
For to-morrow, at the dawn,
We move on!'
And the drum
Bellowed, 'Come, come, come!'
And the fife
Whistled, 'Life, life, life!'
So they moved on and fought and bled and died;
Honoured and mourned, they are the nation's pride.
We fought our battles, too, but with the tide
Of our red blood, we gave the world new lives.
Because we were not wives
We are dishonoured. Is it noble, then,
To break God's laws only by killing men
To save one's country from destruction?
We took no man's life but gave our chastity,
And sinned the ancient sin
To plant young trees and fill felled forests in.
Oh, clergy of the land,
Bible in hand,
All reverently you stand,
On holy thoughts intent
While barren wives receive the sacrament!
Had you the open visions you could see
Phantoms of infants murdered in the womb,
Who never knew a cradle or a tomb,
Hovering about these wives accusingly.
883
Bestow the sacrament! Their sins are not well known—
Ours to the four winds of the earth are blown.
~ Ella Wheeler Wilcox,
1187:After Reading Trollope's History Of Florence
My books are on their shelves again
And clouds lie low with mist and rain.
Afar the Arno murmurs low
The tale of fields of melting snow.
List to the bells of times agone
The while I wait me for the dawn.
Beneath great Giotto's Campanile
The gray ghosts throng; their whispers steal
From poets' bosoms long since dust;
They ask me now to go. I trust
Their fleeter footsteps where again
They come at night and live as men.
The rain falls on Ghiberti's gates;
The big drops hang on purple dates;
And yet beneath the ilex-shades-Dear trysting-place for boys and maids-There comes a form from days of old,
With Beatrice's hair of gold.
The breath of lands or lilied streams
Floats through the fabric of my dreams;
And yonder from the hills of song,
Where psalmists brood and prophets throng,
The lone, majestic Dante leads
His love across the blooming meads.
Along the almond walks I tread
And greet the figures of the dead.
Mirandula walks here with him
Who lived with gods and seraphim;
Yet where Colonna's fair feet go
There passes Michael Angelo.
In Rome or Florence, still with her
Stands lone and grand her worshipper.
In Leonardo's brain there move
Christ and the children of His love;
35
And Raphael is touching now,
For the last time, an angel's brow.
Angelico is praying yet
Where lives no pang of man's regret,
And, mixing tears and prayers within
His palette's wealth, absolved from sin,
He dips his brush in hues divine;
San Marco's angel faces shine.
Within Lorenzo's garden green,
Where olives hide their boughs between,
The lovers, as they read betimes
Their love within Petrarca's lines,
Stand near the marbles found at Rome,
Lost shades that search in vain for home.
They pace the paths along the stream,
Dark Vallombrosa in their dream.
They sing, amidst the rain-drenched pines,
Of Tuscan gold that ruddier shines
Behind a saint's auroral face
That shows e'en yet the master's trace.
But lo, within the walls of gray,
E're yet there falls a glint of day,
And far without, from hill to vale,
Where honey-hearted nightingale
Or meads of pale anemones
Make sweet the coming morning breeze-I hear a voice, of prophet tone,
A voice of doom, like his alone
That once in Gadara was heard;
The old walls trembled--lo, the bird
Has ceased to sing, and yonder waits
Lorenzo at his palace gates.
Some Romola in passing by
Turns toward the ruler, and his sigh
Wanders amidst the myrtle bowers
Or o'er the city's mantled towers,
36
For she is Florence! 'Wilt thou hear
San Marco's prophet? Doom is near.'
'Her liberties,' he cries, 'restore!
This much for Florence--yea, and more
To men and God!' The days are gone;
And in an hour of perfect dawn
I stand beneath the cypress trees
That shiver still with words like these.
~ Eugene Field,
1188:Bullets
As bullets come to us they're thin,
They're angular, or smooth and fat,
Some spiral are, and gimlet in,
And some are sharp, and others flat.
The slim one pink you clean and neat,
The flat ones bat a solid blow
Much as a camel throws his feet,
And leave you beastly incomplete.
If lucky you don't know it through.
The flitting bullets flow and flock;
They twitter as they pass;
They're picking at the solid rock,
They're rooting in the grass.
A tiny ballet swiftly throws
Its gossamer of rust,
Brown fairies on their little toes
A-dancing in the dust.
You cower down when first they come
With snaky whispers at your ear;
And when like swarming bees they hum
You know the tinkling chill of fear.
A whining thing will pluck your heel,
A whirring insect sting your shin;
You shrink to half your size, and feel
The ripples o'er your body seal'Tis terror walking in your skin!
The bullets pelt like winter hail,
The whistle and they sigh,
They shrill like cordage in a gale,
Like mewing kittens cry;
They hiss and spit, they purring come;
Or, silent all a span,
They rap, as on a slackened drum,
The dab that kills a man.
Rage takes you next. All hot your face
36
The bitter void, and curses leap
From pincered teeth. The wide, still space
Whence all these leaden devil's sweep
Is Tophet. Fiends by day and night
Are groping for your heart to sate
In blood their diabolic spite.
You shoot in idiot delight,
Each winging slug a hymn of hate.
The futile bullets scratch and go,
They chortle and the coo.
I laugh my scorn, for now I know
The thing they cannot do.
They flit like midges in the sun,
But howso thick they be
What matter, since there is not one
That God has marked for me!
An Eastern old philosophy
Come home at length and passion stillsThe thing will be that is to be,
And all must come as Heaven wills.
Where in the swelter and the flame
The new, hot, shining bullets drip;
One in the many has an aim,
Inwove a visage and a nameNo man may give his fate the slip!
The bullets thrill along the breeze,
They drum upon the bags,
They tweak your ear, your hair they tease,
And peck your sleeve to rags.
Their voices may no more annoyI chortle at the call:
The bullet that is mine, my boy,
I shall not hear at all!
The war's a flutter very like
The tickets that we took from Tatt.
Quite possibly I'll make a strike;
The odds are all opposed to that.
Behind the dawn the Furies sway
37
The mighty globe from which to get
Those bullets which throughout the day
Will winners be to break or slay.
I have not struck a starter yet
The busy bullets rise and flock;
They whistle as they pass;
They're chipping at the solid rock,
They're skipping in the grass.
Out there the tiny dancers throw
Their sober skirts of rust,
Brown flitting figures tipping toe
Along the golden dust.
~ Edward George Dyson,
1189:Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. ~ Dale Carnegie,
1190:Episode 38
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, -war-sick warrior, -- woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. -- Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. -- The blade of his lord
-- its edge was iron -- had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
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plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. -"For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave."
From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
"Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go."
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
~ Anonymous Olde English,
1191:The Army Mules
Oh the airman's game is a showman's game, for we all of us watch him go
With his roaring soaring aeroplane and his bombs for the blokes below,
Over the railways and over the dumps, over the Hun and the Turk,
You'll hear him mutter, "What ho, she bumps," when the Archies get to work.
But not of him is the song I sing, though he follow the eagle's flight,
And with shrapnel holes in his splintered wing comes home to his roost at night.
He may silver his wings on the shining stars, he may look from the throne on
high,
He may follow the flight of the wheeling kite in the blue Egyptian sky,
But he's only a hero built to plan, turned out by the Army schools,
And I sing of the rankless, thankless man who hustles the Army mules.
Now where he comes from and where he lives is a mystery dark and dim,
And it's rarely indeed that the General gives a D.S.O. to him.
The stolid infantry digs its way like a mole in a ruined wall;
The cavalry lends a tone, they say, to what were else but a brawl;
The Brigadier of the Mounted Fut like a cavalry Colonel swanks
When he goeth abroad like a gilded nut to receive the General's thanks;
The Ordnance man is a son of a gun and his lists are a standing joke;
You order, "Choke arti Jerusalem one" for Jerusalem artichoke.
The Medicals shine with a number nine, and the men of the great R.E.,
Their Colonels are Methodist, married or mad, and some of them all the three;
In all these units the road to fame is taught by the Army schools,
But a man has got to be born to the game when he tackles the Army mules.
For if you go where the depots are as the dawn is breaking grey,
By the waning light of the morning star as the dust cloud clears away,
You'll see a vision among the dust like a man and a mule combined -It's the kind of thing you must take on trust for its outlines aren't defined,
A thing that whirls like a spinning top and props like a three legged stool,
And you find its a long-legged Queensland boy convincing an Army mule.
And the rider sticks to the hybrid's hide like paper sticks to a wall,
For a "magnoon" Waler is next to ride with every chance of a fall,
It's a rough-house game and a thankless game, and it isn't a game for a fool,
For an army's fate and a nation's fame may turn on an Army mule.
And if you go to the front-line camp where the sleepless outposts lie,
At the dead of night you can hear the tramp of the mule train toiling by.
The rattle and clink of a leading-chain, the creak of the lurching load,
As the patient, plodding creatures strain at their task in the shell-torn road,
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Through the dark and the dust you may watch them go till the dawn is grey in
the sky,
And only the watchful pickets know when the "All-night Corps" goes by.
And far away as the silence falls when the last of the train has gone,
A weary voice through the darkness: "Get on there, men, get on!"
It isn't a hero, built to plan, turned out by the modern schools,
It's only the Army Service man a-driving his Army mules.
~ Banjo Paterson,
1192:Comfort Of The Fields
What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.
By hills and waters, farms and solitudes,
To wander by the day with wilful feet;
Through fielded valleys wide with yellowing wheat;
Along gray roads that run between deep woods,
Murmurous and cool; through hallowed slopes of pine,
Where the long daylight dreams, unpierced, unstirred,
And only the rich-throated thrush is heard;
By lonely forest brooks that froth and shine
In bouldered crannies buried in the hills;
By broken beeches tangled with wild vine,
And long-strewn rivers murmurous with mills.
In upland pastures, sown with gold, and sweet
With the keen perfume of the ripening grass,
Where wings of birds and filmy shadows pass,
Spread thick as stars with shining marguerite:
To haunt old fences overgrown with brier,
Muffled in vines, and hawthorns, and wild cherries,
Rank poisonous ivies, red-bunched elder-berries,
And pièd blossoms to the heart's desire,
Gray mullein towering into yellow bloom,
Pink-tasseled milkweed, breathing dense perfume,
And swarthy vervain, tipped with violet fire.
To hear at eve the bleating of far flocks,
The mud-hen's whistle from the marsh at morn;
To skirt with deafened ears and brain o'erborne
Some foam-filled rapid charging down its rocks
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With iron roar of waters; far away
Across wide-reeded meres, pensive with noon,
To hear the querulous outcry of the loon;
To lie among deep rocks, and watch all day
On liquid heights the snowy clouds melt by;
Or hear from wood-capped mountain-brows the jay
Pierce the bright morning with his jibing cry.
To feast on summer sounds; the jolted wains,
The thresher humming from the farm near by,
The prattling cricket's intermittent cry,
The locust's rattle from the sultry lanes;
Or in the shadow of some oaken spray,
To watch, as through a mist of light and dreams,
The far-off hayfields, where the dusty teams
Drive round and round the lessening squares of hay,
And hear upon the wind, now loud, now low,
With drowsy cadence half a summer's day,
The clatter of the reapers come and go.
Far violet hills, horizons filmed with showers,
The murmur of cool streams, the forest's gloom,
The voices of the breathing grass, the hum
Of ancient gardens overbanked with flowers:
Thus, with a smile as golden as the dawn,
And cool fair fingers radiantly divine,
The mighty mother brings us in her hand,
For all tired eyes and foreheads pinched and wan,
Her restful cup, her beaker of bright wine:
Drink, and be filled, and ye shall understand!
~ Archibald Lampman,
1193:FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. ~ Dale Carnegie,
1194:Father Forgets W. Livingston Learned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast, I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. 1 will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead ~ Dale Carnegie,
1195:Or, in your case, as wide. Wait. Did you just say Gandalf?”
“He is the founder of our order, and the first of the Five Warlocks. He comes from afar across the Western Ocean, from Easter Island, or perhaps from Japan.”
“No, I think he comes from the mind of a story writer. An old-fashioned Roman Catholic from the days just before First Space Age. Unless I am confusing him with the guy who wrote about Talking Animal Land? With the Cowardly Lion who gets killed by a Wicked White Witch? I never read the text, I watched the comic.”
“Oh, you err so! The Witches, we have preserved this lore since the time of the Fall of the Giants, whom we overthrew and destroyed. The tale is this: C. S. Lewis and Arthur C. Clarke were led by the Indian Maiden Sacagawea to the Pacific Ocean and back, stealing the land from the Red Man and selling them blankets impregnated with smallpox. It was called the Lewis and Clarke Expedition. When they reached the Pacific, they set out in the Dawn Treader to find the sea route to India, where the sacred river Alph runs through caverns measureless to man down to a sunless sea. They came to the Last Island, called Ramandu or Selidor, where the World Serpent guards the gateway to the Land of the Dead, and there they found Gandalf, returned alive from the underworld, and stripped of all his powers. He came again to mortal lands in North America to teach the Simon Families. The Chronicle is a symbolic retelling of their journey. It is one of our Holy Books.”
“Your Holy Books were written for children by Englishmen.”
“The gods wear many masks! If the Continuum chooses the lips of a White Man to be the lips through which the Continuum speaks, who are we to question? Tolkien was not Roman. He was of a race called the hobbits, Homo floresiensis, discovered on an isle in Indonesia, and he would have lived in happiness, had not the White Man killed him with DDT. So there were no Roman Catholics involved. May the Earth curse their memory forever! May they be forgotten forever!”
“Hm. Earth is big. Maybe it can do both. You know about Rome? It perished in the Ecpyrosis, somewhat before your time.”
“How could we not? The Pope in Rome created the Giants, whom the Witches rose up against and overthrew. Theirs was the masculine religion, aggressive, intolerant, and forbidding abortion. Ours is the feminine religion, peaceful and life-affirming and all-loving, and we offer the firstborn child to perish on our sacred fires. The First Coven was organized to destroy them like rats! When Rome was burned, we danced, and their one god was cast down and fled weeping on his pierced feet, and our many gods rose up. My ancestors hunted the Christians like stoats, and when we caught them, we burned them slowly, as they once did of us in Salem. What ill you do is returned to you tenfold!”
“Hm. Are you willing to work with a Giant? I saw one in the pit, and saw the jumbo-sized coffin they pried him out from. What if he is a baptized Christian? Most of them were, since they were created by my pet pope and raised by nuns.”
“All Christians must perish! Such is our code.”
“Your code is miscoded.”
“What of the Unforgettable Hate?”
“Forget about it. ~ John C Wright,
1196:The Forsaken
Once in the winter
Out on a lake
In the heart of the north-land,
Far from the Fort
And far from the hunters,
A Chippewa woman
With her sick baby,
Crouched in the last hours
Of a great storm.
Frozen and hungry,
She fished through the ice
With a line of the twisted
Bark of the cedar,
And a rabbit-bone hook
Polished and barbed;
Fished with the bare hook
All through the wild day,
Fished and caught nothing;
While the young chieftain
Tugged at her breasts,
Or slept in the lacings
Of the warm tikanagan.
All the lake-surface
Streamed with the hissing
Of millions of iceflakes
Hurled by the wind;
Behind her the round
Of a lonely island
Roared like a fire
With the voice of the storm
In the deeps of the cedars.
Valiant, unshaken,
She took of her own flesh,
Baited the fish-hook,
Drew in a gray-trout,
Drew in his fellows,
Heaped them beside her,
Dead in the snow.
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Valiant, unshaken,
She faced the long distance,
Wolf-haunted and lonely,
Sure of her goal
And the life of her dear one:
Tramped for two days,
On the third in the morning,
Saw the strong bulk
Of the Fort by the river,
Saw the wood-smoke
Hand soft in the spruces,
Heard the keen yelp
Of the ravenous huskies
Fighting for whitefish:
Then she had rest.
II
Years and years after,
When she was old and withered,
When her son was an old man
And his children filled with vigour,
They came in their northern tour on the verge of winter,
To an island in a lonely lake.
There one night they camped, and on the morrow
Gathered their kettles and birch-bark
Their rabbit-skin robes and their mink-traps,
Launched their canoes and slunk away through the islands,
Left her alone forever,
Without a word of farewell,
Because she was old and useless,
Like a paddle broken and warped,
Or a pole that was splintered.
Then, without a sigh,
Valiant, unshaken,
She smoothed her dark locks under her kerchief,
Composed her shawl in state,
Then folded her hands ridged with sinews and corded with veins,
Folded them across her breasts spent with the nourishment of children,
Gazed at the sky past the tops of the cedars,
Saw two spangled nights arise out of the twilight,
Saw two days go by filled with the tranquil sunshine,
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Saw, without pain, or dread, or even a moment of longing:
Then on the third great night there came thronging and thronging
Millions of snowflakes out of a windless cloud;
They covered her close with a beautiful crystal shroud,
Covered her deep and silent.
But in the frost of the dawn,
Up from the life below,
Rose a column of breath
Through a tiny cleft in the snow,
Fragile, delicately drawn,
Wavering with its own weakness,
In the wilderness a sign of the spirit,
Persisting still in the sight of the sun
Till day was done.
Then all light was gathered up by the hand of God and hid in His breast,
Then there was born a silence deeper than silence,
Then she had rest.
~ Duncan Campbell Scott,
1197:A Commuted Sentence
Boruck and Waterman upon their grills
In Hades lay, with many a sigh and groan,
Hotly disputing, for each swore his own
Were clearly keener than the other's ills.
And, truly, each had much to boast of-bone
And sinew, muscle, tallow, nerve and skin,
Blood in the vein and marrow in the shin,
Teeth, eyes and other organs (for the soul
Has all of these and even a wagging chin)
Blazing and coruscating like a coal!
For Lower Sacramento, you remember,
Has trying weather, even in mid-December.
Now this occurred in the far future. All
Mankind had been a million ages dead,
And each to her reward above had sped,
Each to his punishment below,-I call
That quite a just arrangement. As I said,
Boruck and Waterman in warmest pain
Crackled and sizzed with all their might and main.
For, when on earth, they'd freed a scurvy host
Of crooks from the State prison, who again
Had robbed and ravaged the Pacific Coast
And (such the felon's predatory nature)
Even got themselves into the Legislature.
So Waterman and Boruck lay and roared
In Hades. It is true all other males
Felt the like flames and uttered equal wails,
But did not suffer _them_; whereas _they_ bored
Each one the other. But indeed my tale's
Not getting on at all. They lay and browned
Till Boruck (who long since his teeth had ground
Away and spoke Gum Arabic and made
Stump speeches even in praying) looked around
And said to Bob's incinerated shade:
'Your Excellency, this is mighty hard on
The inventors of the unpardonable pardon.'
32
The other soul-his right hand all aflame,
For 'twas with that he'd chiefly sinned, although
His tongue, too, like a wick was working woe
To the reserve of tallow in his frameSaid, with a sputtering, uncertain flow,
And with a gesture like a shaken torch:
'Yes, but I'm sure we'll not much longer scorch.
Although this climate is not good for Hope,
Whose joyous wing 'twould singe, I think the porch
Of Hell we'll quit with a pacific slope.
Last century I signified repentance
And asked for commutation of our sentence.'
Even as he spoke, the form of Satan loomed
In sight, all crimson with reflections's fire,
Like some tall tower or cathedral spire
Touched by the dawn while all the earth is gloomed
In mists and shadows of the night time. 'Sire,'
Said Waterman, his agitable wick
Still sputtering, 'what calls you back so quick?
It scarcely was a century ago
You left us.' 'I have come to bring,' said Nick,
'St. Peter's answer (he is never slow
In correspondence) to your application
For pardon-pardon me!-for commutation.
'He says that he's instructed to reply
(And he has so instructed me) that sin
Like yours-and this poor gentleman's who's in
For bad advice to you-comes rather high;
But since, apparently, you both begin
To feel some pious promptings to the right,
And fain would turn your faces to the light,
Eternity seems all too long a term.
So 'tis commuted to one-half. I'm quite
Prepared, when that expires, to free the worm
And quench the fire.' And, civilly retreating,
He left them holding their protracted meeting.
~ Ambrose Bierce,
1198:There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.

Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.

Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.

There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.

On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.

The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.

In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.

No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves. ~ Rachel Carson,
1199:The Candle
O Candle! I am also an afflicted person in the world assembly
Constant complaint is my lot in the manner of the rue
Love gave the warmth of internal pathos to you
It made me the florist selling blood-mixed tears
Whether you be the candle of a celebrating assembly or one at the grave
In every condition associated with the tears of sorrow you remain
Your eye views all with equity like the Secret's Lovers
My eye is the pride of the tumult of discrimination
Your illumination is alike in the Ka'bah and the temple
I am entangled in the temple and the Haram's discrimination
Your black smoke contains the sigh's elegance
Is some heart hidden in the place of your manifestation?
You burn with pathos due to distance from Tajalli's Light
Your pathos the callous ones consider your light
Though you are burning you are unaware of it all
You see but do not encompass the internal pathos
I quiver like mercury with the excitement of vexation
As well I am aware of vexations of the restless heart
This was also the elegance of some Beloved
Which gave me perception of my own pathos
This cognition of mine keeps me restless
Innumerable fire temples are asleep in this spark
Discrimination between high and low is created by this alone!
Fragrance in flower, ecstasy in wine is created by this alone!
Garden, nightingale, flower, fragrance this Cognition is
41
Root of the struggle of ‘I and you' this Cognition is
At creation's dawn as Beauty became the abode of Love
The sound of "Kun" taught warmth to the spirit of Love
The command came Beauty of Kun's garden to witness
With one eye a thousand dreadful dreams to witness
Do not ask me of the nature of the veil of being
The eve of separation was the dawn of my being
Gone are the days when unaware of imprisonment I was
That my abode the adornment of the tree of Tur was
I am a prisoner but consider the cage to be a garden
This exile's hovel of sorrow I consider the homeland
Memories of the homeland a needless melancholy became
Now the desire for sight, now Longing for search became
O Candle! Look at the excessive illusion of thought
Look at the end of the one worshipped by celestial denizens
Theme of separation I am, the exalted one I am
Design of the Will of the Universe's Lord I am
He desired my display as He designed me
When at the head of Existence' Divan He wrote me
The pearl likes living in a handful of dust
Style may be dull the subject is excellent
Not seeing it rightly is the fault of shortsighted perception
The universe is the show of effulgence of taste for Cognizance
This network of time and space is the scaling ladder of the Universe
It is the necklace of the neck of Eternal BeautyI
have lost the way, Longing for the goal I am
O Candle! Captive of perception's illusion I am
I am the hunter as well as the circle of tyranny's net!
I am the Haram's roof as well as the bird on Haram's roofAm I the Beauty or
head to foot the melting love am I?
42
It is not clear whether the beloved or the Lover am I?
am afraid the old secret may come up to my lips again
Lest story of suffering on the Cross may come up again.
~ Allama Muhammad Iqbal,
1200:Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all. ~ Dale Carnegie,
1201:FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive ~ Dale Carnegie,
1202:War
By the Nile, the sacred river,
I can see the captive hordes,
Strain beneath the lash and quiver
At the long papyrus cords,
While in granite rapt and solemn,
Rising over roof and column,
Amen-hotep dreams, or Ramses,
Lord of Lords.
I can hear the trumpets waken
For a victory old and far–
Carchemish or Kadesh taken–
I can see the conqueror's car
Bearing down some Hittite valley,
Where the bowmen break and sally,
Sargina or Esarhaddon,
Grim with war!
From the mountain streams that sweeten
Indus, to the Spanish foam,
I can feel the broad earth beaten
By the serried tramp of Rome;
Through whatever foes environ
Onward with the might of iron–
Veni, vidi; veni vici–
Crashing home!
I can see the kings grow pallid
With astonished fear and hate,
As the hosts of Amr or Khaled
On their cities fall like fate;
Like the heat-wind from its prison
In the desert burst and risen–
La ilaha illah 'llahu–
God is great!
I can hear the iron rattle,
I can see the arrows sting
In some far-off northern battle,
260
Where the long swords sweep and swing;
I can hear the scalds declaiming,
I can see their eyeballs flaming,
Gathered in a frenzied circle
Round the king.
I can hear the horn of Uri
Roaring in the hills enorm;
Kindled at its brazen fury,
I can see the clansmen form;
In the dawn in misty masses,
Pouring from the silent passes
Over Granson or Morgarten
Like the storm.
On the lurid anvil ringing
To some slow fantastic plan,
I can hear the sword-smith singing
In the heart of old Japan–
Till the cunning blade grows tragic
With his malice and his magic–
Tenka tairan! Tenka tairan!
War to man!
Where a northern river charges
From the murky forest marges,
Round a broken palisade,
I can see the red men leaping,
See the sword of Daulac sweeping,
And the ghostly forms of heroes
Fall and fade.
I can feel the modern thunder
Of the cannon beat and blaze,
When the lines of men go under
On your proudest battle-days;
Through the roar I hear the lifting
Of the bloody chorus drifting
Round the burning mill at Valmy–
Marseillaise!
I can see the ocean rippled
261
With the driving shot like rain,
While the hulls are crushed and crippled,
And the guns are piled with slain;
O'er the blackened broad sea-meadow
Drifts a tall and titan shadow,
And the cannon of Trafalgar
Startle Spain.
Still the tides of fight are booming,
And the barren blood is spilt;
Still the banners are up-looming,
And the hands are on the hilt;
But the old world waxes wiser,
From behind the bolted visor
It descries at last the horror
And the guilt.
Yet the eyes are dim, nor wholly
Open to the golden gleam,
And the brute surrenders slowly
To the godhead and the dream.
From his cage of bar and girder,
Still at moments mad with murder,
Leaps the tiger, and his demon
Rules supreme.
One more war with fire and famine
Gathers–I can hear its cries–
And the years of might and Mammon
Perish in a world's demise;
When the strength of man is shattered,
And the powers of earth are scattered,
From beneath the ghastly ruin
Peace shall rise!
~ Archibald Lampman,
1203:After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully.
Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine.
Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path?
If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does. ~ Martin Prechtel,
1204:Neither a mother nor a daughter
Nor even a wife in an earthly home
O fair Urvashi
You are a denizen of heaven!
Drawing a golden veil
When evening descends on the meadows
You do not light up a lamp
In the corner of a home
In the middle of a silent night
With a tremulous heart and bashful eyes
In shy halting steps you do not go
To the chamber of a groom
For your first union.
Like the light of dawn
You wear no veil
You are never coy
And hesitation you have none.

Like a flower in full bloom
Growing without any stem
When did you blossom on your own!
With a cup of honey in your right hand
And a cup of poison in your left
In the primeval spring you sprang
Out of the churning oceans
Whose waves like charmed snakes
Laid at your feet their thousand hoods
And the king of gods
Paid homage to your naked form
Blemishlessly white as a white flower.

Like a bud yet to break
Were you never a small child
O you Urvashi forever young!
Where did you spend your childhood days
Under the seas unseen
Playing with pearls and gems
And sleeping on a coral bed
The moment you rose above
You appeared fully grown
And in full bloom.

From the time without a beginning
To the whole world
You have been an object of desire
O fair Urvashi without compare!

Sages have offered at your feet
All the fruits of their meditation
By your insinuating glance
The world stirs up in youthful vigor
The winds like messengers blind
Carry your intoxicating scent
All around
Like greedy bees
Intoxicated by honey
The poets hum rhapsodic songs
Restless like lightning
Jingling your anklets
You glide past them all.

In the heavenly hall
When you dance in wild ecstasy
O you fleet-footed Urvashi!
In waves the oceans dance
In her waving cornfields
The earth expresses her thrills
In the skies
Like gems of your necklace
Pendant on your breast
The stars fall
The horizons are exposed bare
When you are careless with your dress
And from your waist
It suddenly slips.

Like the dawn
That dawns on heaven's eastern mounts
You have kept the world ever spellbound!
Your slim beautiful body
Is washed by world's tears
And your feet its blood beautifies
O you naked one with hair flowing free!
The lust of this world is a lotus
On it your feet you have lightly placed
In the universal mind
You are the playful partner of its dreams.

For you all the world wails
Do you hear
O you Urvashi deaf and cruel!
Will the time when you first appeared
Ever return
And you will rise again
>From the depths of shoreless seas
On a fresh morning
We will see your fresh form
And all your limbs will cry
>From wounds
Made by lustful glances of our eyes
And in breaking waves
The oceans will sing a song in your praise?

No, no, such a time will never return
O Urvashi
Like the setting sun
You are forever gone
Even the happiest moments of spring
Are now mixed with sighs
Of someone's eternal separation
In the full moon
When everything smiles
A sad tune like a long forgotten memory
Saddens our mind.
Yet a forlorn hope remains
In our cries and cravings for one
Who defies all bonds.
Transcreation of the poem 'Urvashi' from the collection Chitra by Rabindranath. Transcreation by Kumud Biswas.
Translated by Kumud Biswas
~ Rabindranath Tagore, Urvashi
,
1205:FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bed-side in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. “To know all is to forgive all.” As Dr. Johnson said: “God himself, sir, does not propose to judge man until the end of his days. ” Why should you and I? ~ Dale Carnegie,
1206:Two Gardens In Linndale
Two brothers, Oakes and Oliver,
Two gentle men as ever were,
Would roam no longer, but abide
In Linndale, where their fathers died,
And each would be a gardener.
“Now first we fence the garden through,
With this for me and that for you,”
Said Oliver.—“Divine!” said Oakes,
“And I, while I raise artichokes,
Will do what I was born to do.”
“But this is not the soil, you know,”
Said Oliver, “to make them grow:
The parent of us, who is dead,
Compassionately shook his head
Once on a time and told me so.”
“I hear you, gentle Oliver,”
Said Oakes, “and in your character
I find as fair a thing indeed
As ever bloomed and ran to seed
Since Adam was a gardener.
“Still, whatsoever I find there,
Forgive me if I do not share
The knowing gloom that you take on
Of one who doubted and is done:
For chemistry meets every prayer.”
“Sometimes a rock will meet a plough,”
Said Oliver; “but anyhow
’Tis here we are, ’tis here we live,
With each to take and each to give:
There’s no room for a quarrel now.
“I leave you in all gentleness
To science and a ripe success.
Now God be with you, brother Oakes,
385
With you and with your artichokes:
You have the vision, more or less.”
“By fate, that gives to me no choice,
I have the vision and the voice:
Dear Oliver, believe in me,
And we shall see what we shall see;
Henceforward let us both rejoice.”
“But first, while we have joy to spare
We’ll plant a little here and there;
And if you be not in the wrong,
We’ll sing together such a song
As no man yet sings anywhere.”
They planted and with fruitful eyes
Attended each his enterprise.
“Now days will come and days will go,
And many a way be found, we know,”
Said Oakes, “and we shall sing, likewise.”
“The days will go, the years will go,
And many a song be sung, we know,”
Said Oliver; “and if there be
Good harvesting for you and me,
Who cares if we sing loud or low?”
They planted once, and twice, and thrice,
Like amateurs in paradise;
And every spring, fond, foiled, elate,
Said Oakes, “We are in tune with Fate:
One season longer will suffice.”
Year after year ’twas all the same:
With none to envy, none to blame,
They lived along in innocence,
Nor ever once forgot the fence,
Till on a day the Stranger came.
He came to greet them where they were,
And he too was a Gardener:
He stood between these gentle men,
386
He stayed a little while, and then
The land was all for Oliver.
’Tis Oliver who tills alone
Two gardens that are now his own;
’Tis Oliver who sows and reaps
And listens, while the other sleeps,
For songs undreamed of and unknown.
’Tis he, the gentle anchorite,
Who listens for them day and night;
But most he hears them in the dawn,
When from his trees across the lawn
Birds ring the chorus of the light.
He cannot sing without the voice,
But he may worship and rejoice
For patience in him to remain,
The chosen heir of age and pain,
Instead of Oakes—who had no choice.
’Tis Oliver who sits beside
The other’s grave at eventide,
And smokes, and wonders what new race
Will have two gardens, by God’s grace,
In Linndale, where their fathers died.
And often, while he sits and smokes,
He sees the ghost of gentle Oakes
Uprooting, with a restless hand,
Soft, shadowy flowers in a land
Of asphodels and artichokes.
~ Edwin Arlington Robinson,
1207:At Dawn
O Hesper-Phosphor, far away
Shining, the first, the last white star,
Hear’st thou the strange, the ghostly cry,
That moan of an ancient agony
From purple forest to golden sky
Shivering over the breathless bay?
It is not the wind that wakes with the day;
For see, the gulls that wheel and call,
Beyond the tumbling white-topped bar,
Catching the sun-dawn on their wings,
Like snow-flakes or like rose-leaves fall,
Flutter and fall in airy rings;
And drift, like lilies ruffling into blossom
Upon a golden lake’s unwrinkled bosom.
Are not the forest’s deep-lashed fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and we—
We that remember our lost Arcady,
Have we not known, we too,
The primal greenwood’s arch of blue,
The radiant clouds at sunrise curled
Around the brows of the golden world;
The marble temples, washed with dew,
To which with rosy limbs aflame
The violet-eyed Thalassian came,
Came pitiless, only to display
How soon the youthful splendour dies away;
Came, only to depart
Laughing across the gray-grown bitter sea?
For each man’s life is earth’s epitome,
And though the years bring more than aught they take,
Yet might his heart and hers well break
Remembering how one prayer must still be vain,
How one fair hope is dead,
One passion quenched, one glory fled,
With those first loves that never come again.
21
How many, how many generations,
Have heard that sigh in the dawn,
When the dark earth yearns to the unforgotten nations
And the old loves withdrawn,
Old loves, old lovers, wonderful and unnumbered
As waves on the wine-dark sea,
’Neath the tall white towers of Troy and the temples that slumbered;
In Thessaly?
From the beautiful palaces, from the miraculous portals,
The swift white feet are flown!
They were taintless of dust, the proud, the peerless Immortals
As they sped to their loftier throne!
Perchance they are there, earth dreams, on the shores of Hesper,
Her rosy-bosomed Hours,
Listening the wild fresh forest’s enchanted whisper,
Crowned with its new strange flowers;
Listening the great new ocean’s triumphant thunder
On the stainless unknown shore,
While that perilous queen of the world’s delight and wonder
Comes white from the foam once more.
When the mists divide with the dawn o’er those glittering waters,
Do they gaze over unoared seas—
Naiad and nymph and the woodland’s rose-crowned daughters
And the Oceanides?
Do they sing together, perchance, in that diamond splendour,
That world of dawn and dew,
With eyelids twitching to tears and with eyes grown tender,
The sweet old songs they knew,
The songs of Greece? Ah, with harp-strings mute do they falter
As the earth like a small star pales?
When the heroes launch their ship by the smoking altar
Does a memory lure their sails?
Far, far away, do their hearts resume the story
That never on earth was told,
When all those urgent oars on the waste of glory
Cast up its gold?
22
Are not the forest fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and though
She turned last night in disdain
Away from the sunset-embers,
From her soul she can never depart;
She can never depart from her pain.
Vainly she strives to forget;
Beautiful in her woe,
She awakes in the dawn and remembers.
~ Alfred Noyes,
1208:Flowers of France
Flowers of France in the Spring,
Your growth is a beautiful thing;
But give us your fragrance and bloom,
Yea, give us your lives in truth,
Give us your sweetness and grace
To brighten the resting-place
Of the flower of manhood and youth,
Gone into the dust of the tomb.
This is the vast stupendous hour of Time,
When nothing counts but sacrifice and faith,
Service and self-forgetfulness. Sublime
And awful are these moments charged with death
And red with slaughter. Yet God's purpose thrives
In all this holocaust of human lives.
I say God's purpose thrives. Just in the measure
That men have flung away their lust for gain,
Stopped in their mad pursuit of worldly pleasure,
And boldly faced unprecedented pain
And dangers, without thinking of the cost,
So thrives God's purpose in the holocaust.
Death is a little thing: all men must die;
But when ideals die, God grieves in Heaven.
Therefore I think it was the reason why
This Armageddon to the world was given.
The Soul of man, forgetful of its birth,
Was losing sight of everything but earth.
Up from these many million graves shall spring
A shining harvest for the coming race.
An Army of Invisibles shall bring
A glorified lost faith back to its place.
And men shall know there is a higher goal
Than earthly triumphs for the human soul.
250
They are not dead-they are not dead, I say,
These men whose mortal forms are in the sod.
A grand Advance-Guard marching on its way,
Their Souls move upwards to salute their God!
While to their comrades who are in the strife
They cry, 'Fight on! Death is the dawn of life.'
We had forgotten all the depth and beauty
And lofty purport of that old true word
Deplaced by pleasure-that old good word duty.
Now by its meaning is the whole world stirred.
These men died for it; for it, now, we give,
And sacrifice, and serve, and toil, and live.
From out our hearts had gone a high devotion
For anything. It took a mighty wrath
Against great evil to wake strong emotion,
And put us back upon the righteous path.
It took a mingled stream of tears and blood
To cut the channel through to Brotherhood.
That word meant nothing on our lips in peace:
We had despoiled it by our castes and classes.
But when this savage carnage finds surcease
A new ideal will unite the masses.
And there shall be True Brotherhood with menThe Christly Spirit stirring earth again.
For this our men have suffered, fought, and died.
And we who can but dimly see the end
Are guarded by their spirits glorified,
Who help us on our way, while they ascend.
They are not dead-they are not dead, I say,
These men whose graves we decorate to-day.
251
America and France walk hand in hand;
As one, their hearts beat through the coming years:
One is the aim and purpose of each land,
Baptised with holy water of their tears.
To-day they worship with one faith, and know
Grief's first Communion in God's House of Woe.
Great Liberty, the Goddess at our gates,
And great Jeanne d'Arc, are fused into one soul:
A host of Angels on that soul awaits
To lead it up to triumph at the goal.
Along the path of Victory they tread,
Moves the majestic cort?ge of our dead.
Flowers of France in the Spring,
Your growth is a beautiful thing;
But give us your fragrance and bloomYea, give us your lives in truth,
Give us your sweetness and grace
To brighten the resting-place
Of the flower of manhood and youth,
Gone into the dust of the tomb.
~ Ella Wheeler Wilcox,
1209:a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures whirled madly in her head—hours filled with Uncle Jack and Dill dancing to preposterous measures blacked out the coming of tomorrow with tomorrow’s troubles. Alexandra was talking to her: “I told you. It’s something your father brought home from a citizens’ council meeting.” “From a what?” “From the Maycomb County Citizens’ Council. Didn’t you know we have one?” “I did not.” “Well, your father’s on the board of directors and Henry’s one of the staunchest members.” Alexandra sighed. “Not that we really need one. Nothing’s happened here in Maycomb yet, but it’s always wise to be prepared. That’s where they are this minute.” “Citizens’ council? In Maycomb?” Jean Louise heard herself repeating fatuously. “Atticus?” Alexandra said, “Jean Louise, I don’t think you fully realize what’s been going on down here—” Jean Louise turned on her heel, walked to the front door, out of it, across the broad front yard, down the street toward town as fast as she could go, Alexandra’s “you aren’t going to town Like That” echoing behind her. She had forgotten that there was a car in good running condition in the garage, that its keys were on the hall table. She walked swiftly, keeping time to the absurd jingle running through her head. Here’s a how-de-do! If I marry you, When your time has come to perish Then the maiden whom you cherish Must be slaughtered, too! Here’s a how-de-do! What were Hank and Atticus up to? What was going on? She did not know, but before the sun went down she would find out. ~ Harper Lee,
1210:a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” ��Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures whirled madly in her head—hours filled with Uncle Jack and Dill dancing to preposterous measures blacked out the coming of tomorrow with tomorrow’s troubles. Alexandra was talking to her: “I told you. It’s something your father brought home from a citizens’ council meeting.” “From a what?” “From the Maycomb County Citizens’ Council. Didn’t you know we have one?” “I did not.” “Well, your father’s on the board of directors and Henry’s one of the staunchest members.” Alexandra sighed. “Not that we really need one. Nothing’s happened here in Maycomb yet, but it’s always wise to be prepared. That’s where they are this minute.” “Citizens’ council? In Maycomb?” Jean Louise heard herself repeating fatuously. “Atticus?” Alexandra said, “Jean Louise, I don’t think you fully realize what’s been going on down here—” Jean Louise turned on her heel, walked to the front door, out of it, across the broad front yard, down the street toward town as fast as she could go, Alexandra’s “you aren’t going to town Like That” echoing behind her. She had forgotten that there was a car in good running condition in the garage, that its keys were on the hall table. She walked swiftly, keeping time to the absurd jingle running through her head. Here’s a how-de-do! If I marry you, When your time has come to perish Then the maiden whom you cherish Must be slaughtered, too! Here’s a how-de-do! What were Hank and Atticus up to? What was going on? She did not know, but before the sun went down she would find out. ~ Harper Lee,
1211:AMANECER
En la honda noche universal
que apenas contradicen los macilentos faroles
una racha perdida
ha ofendido las calles taciturnas
como presentimiento tembloroso
del amanecer horrible que ronda
igual que una mentira
los arrabales desmantelados del mundo.
Curioso de la descansada tiniebla
y acobardado por la amenaza del alba
resent la tremenda conjetura
de Schopenhauer y de Berkeley
que declara que el mundo
es una actividad de la mente,
un sueo de las almas,
sin base ni propsito ni volumen.
Y ya que las ideas
no son eternas como el mrmol
sino inmortales como una selva o un ro,
la especulacin anterior
asumi otra forma en el alba
y la supersticin de esa hora
cuando la luz como una enredadera
va a implicar las paredes de la sombra,
dobleg mi razn
y traz el capricho siguiente:
Si estn ajenas de sustancia las cosas
y si esta numerosa Buenos Aires
equiparable en complicacin a un ejrcito,
no es ms que un sueo
que logran en compartida magia las almas,
hay un instante
en que peligra desaforadamente su ser
y es el instante estremecido del alba,
cuando son pocos los que suean el mundo
y slo algunos trasnochadores conservan
cenicienta y apenas bosquejada
la visin de las calles
que definirn despus con los otros.
Hora en que el sueo pertinaz de la vida
est en peligro de quebranto,
hora en que le sera fcil a Dios
matar del todo su obra!
Pero otra vez el mundo se ha salvado.
La luz discurre inventando sucios colores
y con algn remordimiento
de mi complicidad en la resurreccin cotidiana
solicito mi casa,
atnita y glacial en la luz blanca,
mientras un pjaro detiene el silencio
y la noche gastada
se ha quedado en los ojos de los ciegos.

DAYBREAK
In the deep universal night
scarcely dispelled by the flickering gaslamps
a gust of wind coming out of nowhere
stirs the silent streets
with a trembling presentiment
of the hideous dawn that haunts
like some he
the tumbledown outskirts of cities all over the world.
Under the spell of the refreshing darkness
and intimidated by the threat of dawn,
I felt again that tremendous conjecture
of Schopenhauer and Berkeley
which declares the world
an activity of the mind,
a dream of souls,
without foundation or purpose or volume.
And since ideas
are not like marble, everlasting,
but ever-renewing like a forest or a river,
the previous speculation
took another form in the dawn,
and the superstition of the hour,
when the light like a vine
begins twining itself to walls still in shadow,
dominated my reason
and projected the following whim:
If all things are devoid of matter
and if this populous Buenos Aires
comparable to an army in complexity
is no more than a dream
arrived at in magic by souls working together,
theres a moment
in which the citys existence is at the brink of danger
and disorder
and that is the trembling moment of dawn
when those who are dreaming the world are few
and only a handful of night owls preserve
ashen and sketchy
a vision of the streets
which they will afterward define for others.
The hour in which the persistent dream of life
is in danger of breaking down,
the hour in which God might easily
destroy all his work!

But once more the world comes to its own rescue.
The light streaks in inventing dirty colors
and with a tremor of remorse
for my complicity in the daily rebirth
I seek my house,
amazed and icelike in the white glare,
while a songbird holds the silence back
and the spent night
lives on in the eyes of the blind.
[Norman Thomas di Giovanni]

~ Jorge Luis Borges, Daybreak
,
1212:Dawendine
There's a spirit on the river, there's a ghost upon the shore,
They are chanting, they are singing through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.
You can hear them when the Northern candles light the Northern sky,
Those pale, uncertain candle flames, that shiver, dart and die,
Those dead men's icy finger tips,
Athwart the Northern sky.
You can hear the ringing war-cry of a long-forgotten brave
Echo through the midnight forest, echo o'er the midnight wave,
And the Northern lanterns tremble
At the war-cry of that brave.
And you hear a voice responding, but in soft and tender song;
It is Dawendine's spirit singing, singing all night long;
And the whisper of the night wind
Bears afar her Spirit song.
And the wailing pine trees murmur with their voice attuned to hers,
Murmur when they 'rouse from slumber as the night wind through them stirs;
And you listen to their legend,
And their voices blend with hers.
There was feud and there was bloodshed near the river by the hill;
And Dawendine listened, while her very heart stood still:
Would her kinsman or her lover
Be the victim by the hill?
Who would be the great unconquered? who come boasting how he dealt
Death? and show his rival's scalplock fresh and bleeding at his belt.
Who would say, "O Dawendine!
Look upon the death I dealt?"
And she listens, listens, listens--till a war-cry rends the night,
Cry of her victorious lover, monarch he of all the height;
And his triumph wakes the horrors,
Kills the silence of the night.
33
Heart of her! it throbs so madly, then lies freezing in her breast,
For the icy hand of death has chilled the brother she loved best;
And her lover dealt the death-blow;
And her heart dies in her breast.
And she hears her mother saying, "Take thy belt of wampum white;
Go unto yon evil savage while he glories on the height;
Sing and sue for peace between us:
At his feet lay wampum white.
"Lest thy kinsmen all may perish, all thy brothers and thy sire
Fall before his mighty hatred as the forest falls to fire;
Take thy wampum pale and peaceful,
Save thy brothers, save thy sire."
And the girl arises softly, softly slips toward the shore;
Loves she well the murdered brother, loves his hated foeman more,
Loves, and longs to give the wampum;
And she meets him on the shore.
"Peace," she sings, "O mighty victor, Peace! I bring thee wampum white.
Sheathe thy knife whose blade has tasted my young kinsman's blood to-night
Ere it drink to slake its thirsting,
I have brought thee wampum white."
Answers he, "O Dawendine! I will let thy kinsmen be,
I accept thy belt of wampum; but my hate demands for me
That they give their fairest treasure,
Ere I let thy kinsmen be.
"Dawendine, for thy singing, for thy suing, war shall cease;
For thy name, which speaks of dawning, Thou shalt be the dawn of peace;
For thine eyes whose purple shadows tell of dawn,
My hate shall cease.
"Dawendine, Child of Dawning, hateful are thy kin to me;
Red my fingers with their heart blood, but my heart is red for thee:
Dawendine, Child of Dawning,
Wilt thou fail or follow me?"
And her kinsmen still are waiting her returning from the night,
34
Waiting, waiting for her coming with her belt of wampum white;
But forgetting all, she follows,
Where he leads through day or night.
There's a spirit on the river, there's a ghost upon the shore,
And they sing of love and loving through the starlight evermore,
As they steal amid the silence,
And the shadows of the shore.
~ Emily Pauline Johnson,
1213:Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder

To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath

With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’

The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’

‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’

The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,

And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.

‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’

And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun

And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine

And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you

From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood

And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’

‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’

‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,

Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.

But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat

Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon

So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us

And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’

Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond

I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.

―Avas Didion Flicker
Where Ravens Perch ~ Steven Erikson,
1214:My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without.
Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable.
[…] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence. ~ Ren Girard,
1215:The Vampire
She
She
She
And
And
And
And
And
rose among us where we lay.
wept, we put our work away.
chilled our laughter, stilled our play;
spread a silence there.
darkness shot across the sky,
once, and twice, we heard her cry;
saw her lift white hands on high
toss her troubled hair.
What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.
We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;
And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.
Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
313
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.
And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.
And this we heard: 'Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body's flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame.'
And darkness fell. And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.
And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.
'Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth,' they said,
'And beautiful to kiss;
Her mouth is sinister and red
314
As blood in moonlight is.'
Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.
Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.
No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.
Until at dusk, from God knows where,
Beneath dark birds that filled the air,
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.
~ Conrad Potter Aiken,
1216:Genesis Bk Vi
(ll. 246-260) The Holy Lord, All-wielding God, with mighty hand
had wrought ten angel-orders in whom He trusted well, that they
would do Him service, and work His will. Therefore God gave them
reason, with His own hands shaped them, and established them in
bliss. But one He made so great and strong of heart, He let him
wield such power in heaven next unto God, so radiant-hued He
wrought him, so fair his form in heaven which God had given, that
he was like unto the shining stars. He should have sung his
Maker's praise, and prized his bliss in heaven. He should have
thanked his Lord for the great boon He showered on him in the
heavenly light, and let him long enjoy. But he turned him to a
worse thing, and strove to stir up strife against the Highest
Lord of heaven, who sitteth on the throne of glory.
(ll. 261-276) Dear was he to our Lord. Nor could it long be hid
from God that pride was growing in His angel's heart. He set
himself against his Leader, scoffed at God with boasting, and
would not serve Him. He said his form was beautiful and bright,
gleaming and fair of hue. Nor could he find it in his heart to
serve the Lord God, or be subject to Him. It seemed to him that
he had greater strength and larger following than Holy God might
have. Many words the angel spake in his presumption. By his own
power alone he thought to build a stronger throne and mightier in
heaven. He said his heart was urging him to toil, to build a
stately palace in the north and west. He said he doubted in his
heart if he would still be subject unto God:
(ll. 277-291) "Why should I slave?" quoth he. "I need not serve a
master. My hands are strong to work full many a wonder. Power
enough have I to rear a goodlier throne, a higher in the heavens.
Why should I fawn for His favour, or yield Him such submission?
I may be God as well as He! Brave comrades stand about me;
stout-hearted heroes who will not fail me in the fray. These
valiant souls have chosen me their lord. With such peers one may
ponder counsel, and gain a following. Devoted are these friends
and faithful-hearted; and I may be their lord and rule this
realm. It seemeth no wise right to me that I should cringe a
whit to God for any good. I will not serve Him longer."
19
(ll. 292-298) Now when God had heard all this, how His angel was
beginning to make presumptuous head against his Leader, speaking
rash words of insolence against his Lord, needs must he make
atonement for that deed, endure the woe of strife, and bear his
punishment, most grievous of all deaths. And so doth every man
who wickedly thinketh to strive with God, the Lord of might.
(ll. 299-319) Then Almighty God, High Lord of heaven, was filled
with wrath, and hurled him from his lofty throne. He had gained
his Master's hate, and lost His favour. God's heart was hardened
against him. Wherefore he needs must sink into the pit of
torment because he strove against the Lord of heaven. He
banished him from grace and cast him into hell, into the deep
abyss where he became a devil. The Fiend and all his followers
fell from heaven; three nights and days the angels fell from
heaven into hell. God changed them all to devils. Because they
heeded not His deed and word, therefore Almighty God hurled them
into darkness, deep under earth, crushed them and set them in the
mirk of hell. There through the never-ending watches of the
night the fiends endure an unremitting fire. Then at the dawn
cometh an east wind, and bitter frost, ever a blast of fire or
storm of frost. And each must have his share of suffering
wrought for his punishment. Their world was changed when God
filled full the pit of hell with His foes!
(ll. 320-322) But the angels who kept their faith with God dwelt
in the heights of heaven.
~ Caedmon,
1217:The House Of Dust: Part 01: 07: Midnight; Bells Toll,
And Along The Cloud-High Towers
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
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She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
220
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
~ Conrad Potter Aiken,
1218:A Goblin Christmas
The little Man, and tiny Maid,
Who love the Fairies in the glade,
Who see them in the tangled grass
The Gnomes and Brownies, as they pass,
Who hear the Sprites from Elf-land call
Go, frolic with these Brownies small,
And join these merry sporting Elves,
But ever be your own sweet selves.
The big bright Moon hung high and round,
In a densely darkened sky;
The tall pines swayed, and mocked, and groaned;
The mountains grew so high
That the Man-in-the-Moon came out and said,
'Ho! Spooks, for a merry dance.'
The winds blow hard, the caverns roar,
While o'er the earth they prance.
A Witch and a Goblin led the sprites;
Out from the sky they sprung;
And down the milky way they slid,
And over a chasm swung.
The streams around ran witches' broth,
The fumes were strong and rank.
These Elfin creatures all were wroth,
While of the stuff they drank.
The cunning Moon looked on and laughed
With a shrill and sneering jibe;
Her soul grew fat to see them chaffed,
This mad and elfish tribe.
The big black caldron boiled so high
With food for these queer mites,
That it lit the world throughout the sky,
And down came all the Sprites.
Their mad career upset a star,
As through the air they flew:
It cringed in fear, and shot afar,
And fell where no one knew.
Orion's sword was broke in bits,
Corona's crown was gone,
Capella seemed to lose her wits,
While all so longed for dawn.
Then from the night there came a sound
Of sleigh-bells ringing sweet;
Out of the chaos came a man—
Kris Kringle—for his Christmas treat.
'Ho! Kris!' they cried, 'We'll have some fun,
We'll bind the old man down,
We'll tie him up, and toss him o'er
Into our Goblin-town.'
They climbed the sleigh with shout and din,
To bind his hands and feet;
A hundred strong they clambered in
Our good old Kris to meet.
He sat quite still, with twinkling eyes,
Then seized his mystic wand,
He raised it up, and waved it round
Stilled was this chattering band.
Stiffly stark and still they stood,
Clad in elfish clothes;
Some were wax, and some were wood,
One had crushed his nose.
'Playthings rare,' he said and smiled,
'For children rich and poor;
Some I'll leave the crippled child,
And some at the orphan's door.'
He shook his reins, and called his steed
To bear him swiftly on.
Full well it knew its Master's need
To hurry e'er the dawn.
From house to house they scampered down,
Their sleigh-bells ringing clear,
Through chimneys in the sleepy town—
Good Kris and his reindeer.
The windows rattled, the moonbeams tattled
A tale so strange and queer.
They told how at night, in dire affright
The Moon had hid in fear.
That he'd called in sport his elfish court
Of spooks and witches gay,
Each Elfin child, by glee beguiled,
Brought scores of others, they say.
Then a man appeared, with flowing beard,
In a sled with a reindeer fleet;
They gathered about with din and shout,
To bind him hands and feet.
Then the Moon laughed loud at the gathering crowd,
While he held his sides in mirth,
To see old Kris in a plight like this,
Toiling o'er the earth.
But alas for the Moon, he had laughed like a loon,
For Kris is a hero of old,
Yes, Kris is a seer; with his small reindeer,
He captured the Goblins bold.
And he changed them, they say in a wonderful way,
To toys, for his Christmas cheer.
The big dolls stare with a goblin air,
While the moonbeams prattle, I hear a rattle
Of hoofs on the chimney side;
Then out on the snow I gaze below,
'Hurrah! it's Kris Kringle,' I cried.
Then, sly as a mouse, he entered the house,
And hung up his treasures so gay.
Then out with a dash, he sped like a flash,
Into the night, and away.
~ Anonymous Americas,
1219:You weren’t supposed to choose me,” he said.
Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it.
“The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.”
Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed.
“Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone.
“I was in the dory,” he whispered. Ira cocked his head.
“Say again?”
Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat.
“The dory?”
Oscar nodded again, eyebrows creased.
“I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.”
So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably.
“And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued.
Samuel and Ira glanced at each other with marked expressions of doubt and confusion.
“But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.”
Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him?
"Did he say anything?" she asked, anxious to know yet afraid to hear.
"It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces."
Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side.
"I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry."
She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool.
"No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me. ~ Angie Frazier,
1220:The Dying Man"

in memoriam W.B. Yeats

1. His words

I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.

“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.

“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.

2. What Now?

Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.

Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.

I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.

In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.

3. The Wall

A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.

Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.

The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.

4. The Exulting

Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.

Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.

Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.

All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.

5. They Sing, They Sing

All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.

Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.

I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.

The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things. ~ Theodore Roethke,
1221:Invocation
Goddess of Liberty! O thou
Whose tearless eyes behold the chain,
And look unmoved upon the slain,
Eternal peace upon thy brow,-
Before thy shrine the races press,
Thy perfect favor to imploreThe proudest tyrant asks no more,
The ironed anarchist no less.
Thine altar-coals that touch the lips
Of prophets kindle, too, the brand
By Discord flung with wanton hand
Among the houses and the ships.
Upon thy tranquil front the star
Burns bleak and passionless and white,
Its cold inclemency of light
More dreadful than the shadows are.
Thy name we do not here invoke
Our civic rites to sanctify:
Enthroned in thy remoter sky,
Thou heedest not our broken yoke.
Thou carest not for such as we:
Our millions die to serve the still
And secret purpose of thy will.
They perish-what is that to thee?
The light that fills the patriot's tomb
Is not of thee. The shining crown
Compassionately offered down
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To those who falter in the gloom,
And fall, and call upon thy name,
And die desiring-'tis the sign
Of a diviner love than thine,
Rewarding with a richer fame.
To him alone let freemen cry
Who hears alike the victor's shout,
The song of faith, the moan of doubt,
And bends him from his nearer sky.
God of my country and my race!
So greater than the gods of oldSo fairer than the prophets told
Who dimly saw and feared thy face,-
Who didst but half reveal thy will
And gracious ends to their desire,
Behind the dawn's advancing fire
Thy tender day-beam veiling still,-
To whom the unceasing suns belong,
And cause is one with consequence,To whose divine, inclusive sense
The moan is blended with the song,-
Whose laws, imperfect and unjust,
Thy just and perfect purpose serve:
The needle, howsoe'er it swerve,
Still warranting the sailor's trust,-
God, lift thy hand and make us free
To crown the work thou hast designed.
O, strike away the chains that bind
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Our souls to one idolatry!
The liberty thy love hath given
We thank thee for. We thank thee for
Our great dead fathers' holy war
Wherein our manacles were riven.
We thank thee for the stronger stroke
Ourselves delivered and incurred
When-thine incitement half unheardThe chains we riveted we broke.
We thank thee that beyond the sea
Thy people, growing ever wise,
Turn to the west their serious eyes
And dumbly strive to be as we.
As when the sun's returning flame
Upon the Nileside statue shone,
And struck from the enchanted stone
The music of a mighty fame,
Let Man salute the rising day
Of Liberty, but not adore.
'Tis Opportunity-no moreA useful, not a sacred, ray.
It bringeth good, it bringeth ill,
As he possessing shall elect.
He maketh it of none effect
Who walketh not within thy will.
Give thou more or less, as we
Shall serve the right or serve the wrong.
Confirm our freedom but so long
319
As we are worthy to be free.
But when (O, distant be the time!)
Majorities in passion draw
Insurgent swords to murder Law,
And all the land is red with crime;
Or-nearer menace!-when the band
Of feeble spirits cringe and plead
To the gigantic strength of Greed,
And fawn upon his iron hand;-
Nay, when the steps to state are worn
In hollows by the feet of thieves,
And Mammon sits among the sheaves
And chuckles while the reapers mourn:
Then stay thy miracle!-replace
The broken throne, repair the chain,
Restore the interrupted reign
And veil again thy patient face.
Lo! here upon the world's extreme
We stand with lifted arms and dare
By thine eternal name to swear
Our country, which so fair we deem-
Upon whose hills, a bannered throng,
The spirits of the sun display
Their flashing lances day by day
And hear the sea's pacific song-
Shall be so ruled in right and grace
That men shall say: 'O, drive afield
The lawless eagle from the shield,
320
And call an angel to the place!'
~ Ambrose Bierce,
1222:The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead-Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
274
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
275
We lighted our dark warm night-But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face-And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me-Hid all but the little hands and the hair,
And the face that I always see.
~ Edith Nesbit,
1223:Dearest, best and brightest,
Come away,
To the woods and to the fields!
Dearer than this fairest day
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle in the brake.
The eldest of the Hours of Spring,
Into the Winter wandering,
Looks upon the leafless wood,
And the banks all bare and rude;
Found, it seems, this halcyon Morn
In Februarys bosom born,
Bending from Heaven, in azure mirth,
Kissed the cold forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free;
And waked to music all the fountains,
And breathed upon the rigid mountains,
And made the wintry world appear
Like one on whom thou smilest, Dear.

Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains,
To the pools where winter rains
Image all the roof of leaves,
Where the pine its garland weaves
Sapless, gray, and ivy dun
Round stems that never kiss the sun--
To the sandhills of the sea,
Where the earliest violets be.

Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
And do thy wonted work and trace
The epitaph of glory fled;
For now the Earth has changed its face,
A frown is on the Heavens brow.

We wandered to the Pine Forest
That skirts the Ocean's foam,
The lightest wind was in its nest,
The tempest in its home.

The whispering waves were half asleep,
The clouds were gone to play,
And on the woods, and on the deep
The smile of Heaven lay.

It seemed as if the day were one
Sent from beyond the skies,
Which shed to earth above the sun
A light of Paradise.

We paused amid the pines that stood,
The giants of the waste,
Tortured by storms to shapes as rude
With stems like serpents interlaced.

How calm it was--the silence there
By such a chain was bound,
That even the busy woodpecker
Made stiller by her sound

The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.

It seemed that from the remotest seat
Of the white mountain's waste
To the bright flower beneath our feet,
A magic circle traced;--

A spirit interfused around,
A thinking, silent life;
To momentary peace it bound
Our mortal natures strife;--

And still, it seemed, the centre of
The magic circle there,
Was one whose being filled with love
The breathless atmosphere.

Were not the crocuses that grew
Under that ilex-tree
As beautiful in scent and hue
As ever fed the bee?

We stood beneath the pools that lie
Under the forest bough,
And each seemed like a sky
Gulfed in a world below;

A purple firmament of light
Which in the dark earth lay,
More boundless than the depth of night,
And clearer than the day

In which the massy forests grew
As in the upper air,
More perfect both in shape and hue
Than any waving there.

Like one beloved the scene had lent
To the dark water's breast
Its every leaf and lineament
With that clear truth expressed;

There lay far glades and neighbouring lawn,
And through the dark green crowd
The white sun twinkling like the dawn
Under a speckled cloud.

Sweet views, which in our world above
Can never well be seen,
Were imaged by the water's love
Of that fair forest green.

And all was interfused beneath
With an Elysian air,
An atmosphere without a breath,
A silence sleeping there.

Until a wandering wind crept by,
Like an unwelcome thought,
Which from my mind's too faithful eye
Blots thy bright image out.

For thou art good and dear and kind,
The forest ever green,
But less of peace in S---'s mind,
Than calm in waters, seen.
This, the first draft of To Jane: The Invitation, The Recollection, was published by Mrs. Shelley, Posthumous Poems, 1824, and reprinted, Poetical Works, 1839, 1st edition. See Editors Prefatory Note to The Invitation, above
~ Percy Bysshe Shelley, The Pine Forest Of The Cascine Near Pisa
,
1224:A Captive Throstle
Poor little mite with mottled breast,
Half-fledged, and fallen from the nest,
For whom this world hath just begun,
Who want to fly, yet scarce can run;
Why open wide your yellow beak?
Is it for hunger, or to speakTo tell me that you fain would be
Loosed from my hand to liberty?
Well, you yourself decide your fate,
But be not too precipitate.
Which will you have? If you agree
To quit the lanes, and lodge with me,
I promise you a bed more soft,
Even than that where you aloft
First opened wondering eyes, and found
A world of green leaves all around.
When you awake, you straight shall see
A fresh turf, green and velvety,
Well of clear water, sifted seed,
All things, in short, that bird can need;
And gentle beings, far more fair
Than build on bough, or skim through air,
When all without is wet and bleak,
Laying against your cage their cheek,
To make you pipe shall coax and coo,
And bud their pretty lips at you.
And when the clammy winter rain
Drips from the roof and clouds the pane,
When windows creak and chimneys roar,
And beggars wail outside the door,
And stretch out fingers lank and thin,
You shall be safely housed within,
And through the wood-fire's flickering glow
Watch drifting leaves or driving snow,
Till Marian pulls the shutters up,
And you go sleep, and I go sup.
But now suppose I let you go,
12
To rains that beat, to winds that blow,
To heedless chance and prowling foe?
Mayhap this very day, alas!
You will be drowned in tangled grass:
Or, that escaped, some slinking stoat
May seize and suck your speckled throat;
Or hawk slow wheeling in the sky
Your fluttering feeble wings descry,
And, straightway downward flashing thence,
Relish and rend your innocence.
Should you survive, and glad and strong
Make autumn spring-like with your song,
You will be lured, the very first,
Where netted berries bulge and burst,
And, by their guardian caught alive,
You may, before I can arrive
To bid him not be so unsparing,
Have paid the forfeit of your daring.
Time too will come, there will not be
Berry on bush, or pod on tree,
Stripped be the hawthorn, bare the holly,
And all the boughs drip melancholy;
And you will have to scrape for food
Amid a frosty solitude.
Which shall it be? Now quick decide!
Safety confined, or peril wide?
Then did the little bird reply:
``'Tis true, as yet I scarce can fly;
But oh! it is such joy to try!
Just as you came, I was beginning
To win my wings, exult in winning;
To feel the promptings of the pinion,
The dawn of a divine dominion
Over the empty air, and over
Fields of young wheat and breadths of clover:
Pledge of a power to scale, some day,
My native elm-tree's topmost spray,
And mid the leaves and branches warm
Sing far beyond the reach of harm.
And shall I barter gift like this
13
For doled-out joy and measured bliss?
For a trim couch and dainty fare
Forfeit the freedom of the air?
Shall I exchange for punctual food
April's sweet loves and summer's brood;
The dewy nest 'neath twinkling stars
For crushing roof and cramping bars?
No! Come what chance or foe that may,
Menace of death this very day,
The weasel's clutch, the falcon's swoopWhat if these kill? they do not coop.
Autumn's worst ambush, winter's rage,
Are sweeter than the safest cage.''
Off, little mite! I let you fly,
And do as I would be done by.
Nature within your heart hath sown
A wisdom wiser than my own,
And from your choice I learn to prize
The birth-right of unbounded skies,
Delightful danger of being free,
Sweet sense of insecurity;
The privilege to risk one's all
On being nor captive, caged, nor thrall,
The wish to range, the wing to soar
Past space behind, through space before,
The ecstasy of unknown flight,
The doubt, the danger, the delight,
To range and roam, unchained, unvext,
Nor know what worlds will open next;
And, since Death waits both caged and free
To die, at least, of liberty.
~ Alfred Austin,
1225:By The Camp Fire
Ah, 'twas but now I saw the sun flush pink on yonder placid tide;
The purple hill-tops, one by one, were strangely lit and glorified;
And yet how sweet the night has grown, with palest starlights dimly sown!
Those mountain ranges, far and near, enclasp me,— sharply pencilled there,
Like blackest sea-waves,—outlined here, like phantoms in the luminous air,
Between that cold and quiet sky, and the calm river running by.
The gum-trees whisper overhead, and, delicately dark and fine,
Their lovely shadow-patterns shed across the paths of white moonshine.
The golden wattles glimmer bright, scenting this cool, transparent night.
What spirits wake when earth is still? I hear wild wood-notes softly swell.
There's the strange clamour, hoarse and shrill, that drowns the bull-frogs' hollow
bell;
And there's the plaintive rise and fall of the lone mopoke's cuckoo-call.
And nearer, an opossum flits above the firelight, pauses, peers—
I see a round ball where he sits, with pendant tail and pointed ears;
And two are gruffly snarling now in hollows of yon upper bough.
Hark! that's the curlew's thrilling scream. What mountain echoes it has stirred!
The sound goes crying down the stream, the wildest bird-note ever heard.
And there's a crane, with legs updrawn, gone sailing out to meet the dawn.
It croaks its farewell, like a crow, beating the air with soft, wide wings.
On the white water down below its vague grey shadow-shape it flings,
And, dream-like, passes out of sight, a lonely vision of the night.
Ah me! how weird the undertones that thrill my wake-ful fancy through!
The river softly creeps and moans; the wind seems faintly crying too.
Such whisperings seem to come and pass across the orchis-flower'd grass.
The darkness gather'd all around is full of rustlings, strange and low,
The dead wood crackles on the ground, and shadowy shapes flit to and fro;
I think they are my own dim dreams, wandering amongst the woods and
streams.
The tangled trees seem full of eyes,—still eyes that watch me as I sit;
80
A flame begins to fall and rise, their glances come and go with it.
And on the torn bark, rough and brown, I hear soft scratchings up and down.
Sometimes I hear a sound of feet,—a slow step through the darkness steals;
And then I think of yours, my sweet, in spirit following at my heels;
For leagues before, around, behind, part me from all my human-kind.
Coo-ey!—the long vibration throbs in countless echoes through the hills.
The lonely forest wakes and sobs, and then no sound the silence fills,—
Only the night-frogs' bubbling shriek in every water-hole and creek;
Only a rush of wind in flight, as startled wild-ducks flutter past,
Quivering and twinkling in the light, skimming the shining water fast;
And ripples from a black swan's breast, darting from out its rushy nest.
How is't in England?—Sunday morn, and organ-music, love, with you.
That breath of memory, idly born, like a great storm-wind shakes me through.
Ah, darling! bend your head and pray,—it cannot touch you far away.
Why do I care? My house of God, beyond all thought, is grand and great!
My prayerful knees, upon the sod, its flowers and grasses consecrate.
And I can see Him in the stars, undimmed by walls and window-bars.
Great Nature spreads her wondrous book, and shows me all her pages fair;
To me the language, when I look, seems but a letter here and there—
The very stones beneath me teach a lore beyond my utmost reach.
For all my pain, and toil, and strife, I see so dimly what is true!
O Art! O Science! O great Life! I grasp thee by so faint a clue!
No more of ocean tides I dream than minnows in their shallow stream.
Sea without bottom, without shore, where is the plumb to fathom thee?
O mystery! as I learn thee more, the more thy deeps are dark to me!
But who am I, that I should scan the Divine Maker's mighty plan?
And yet, oh yet, if I could hear that organ-music once again,
My soul, methinks, would lose its fear; and on this troubled heart and brain
Some light of knowledge would be shed, and some few riddles would be read.
~ Ada Cambridge,
1226:Confiteor
The shore-boat lies in the morning light,
By the good ship ready for sailing ;
The skies are clear, and the dawn is bright,
Tho' the bar of the bay is fleck'd with white,
And the wind is fitfully wailing ;
Near the tiller stands the prit, and the knight
Leans over the quarter-railing.
'There is time while the vessel tarries still,
There is time while her shrouds are slack,
There is time ere her sails to the west-wind fill,
Ere her tall masts vanish from town and from hill,
Ere cleaves to her keel the track ;
There is time for confession to those who will,
To those who may never come back.'
'Sir priest, you can shrive these men of mine,
And, I pray you, shrive them fast,
And shrive those hardy sons of the brine,
Captain and mates of the Eglantine,
And sailors before the mast ;
Then pledge me a cup of the Cyprus wine,
For I fain would bury the past.'
'And hast thou naught to repent, my son ?
Dost thou scorn confession and shrift ?
Ere thy sands from the glass of time shall run
Is there naught undone that thou should'st have done,
Naught done that thou should'st have left ?
The guiltiest soul may from guilt be won,
And the stoniest heart may be cleft.'
'Have my ears been closed to the prayer of the poor,
Or deaf to the cry of distress ?
Have I given little, and taken more ?
Have I brought a curse to the widow's door ?
Have I wrong'd the fatherless ?
Have I steep'd my fingers in guiltless gore,
That I must perforce confess ?'
128
'Have thy steps been guided by purity
Through the paths with wickedness rife ?
Hast thou never smitten thine enemy ?
Hast thou yielded naught to the lust of the eye,
And naught to the pride of life ?
Hast thou pass'd all snares of pleasure by ?
Hast thou shunn'd all wrath and strife ?'
'Nay, certes ! a sinful life I've led,
Yet I've suffer'd, and lived in hope ;
I may suffer still, but my hope has fled,—
I've nothing now to hope or to dread,
And with fate I can fairly cope ;
Were the waters closing over my head,
I should scarcely catch at a rope.'
'Dost suffer ? thy pain may be fraught with grace,
Since never by works alone
We are saved ;—the penitent thief may trace
The wealth of love in the Saviour's face
To the Pharisee rarely shown ;
And the Magdalene's arms may yet embrace
The foot of the jasper throne.'
'Sir priest, a heavier doom I dree,
For I feel no quickening pain,
But a dull dumb weight, when I bow my knee,
And (not with the words of the Pharisee)
My hard eyes heavenward strain,
Where my dead darling prayeth for me !
Now, I wot, she prayeth in vain !
'Still I hear it over the battle's din,
And over the festive cheer,—
So she pray'd with clasp'd hands, white and thin,—
The prayer of a soul absolved from sin,
For a soul that is dark and drear,
For the light of repentance bursting in,
And the flood of the blinding tear.
'Say, priest ! when the saint must vainly plead,
129
Oh ! how shall the sinner fare ?
I hold your comfort a broken reed ;
Let the wither'd branch for itself take heed,
While the green shoots wait your care ;
I've striven, though feebly, to grasp your creed,
And I've grappled my own despair.'
'By the little within thee, good and brave,
Not wholly shattered, though shaken ;
By the soul that crieth beyond the grave,
The love that He once in His mercy gave,
In His mercy since retaken,
I conjure thee, oh sinner ! pardon crave !
I implore thee, oh sleeper, waken !'
'Go to ! shall I lay my black soul bare
To a vain, self-righteous man ?
In my sin, in my sorrow, you may not share,
And yet, could I meet with one who must bear
The load of an equal ban,
With him I might strive to blend one prayer,
The wail of the Publican.'
'My son, I too am a withered bough,
My place is to others given ;
Thou hast sinn'd, thou sayest ; I ask not how,
For I too have sinn'd, even as thou,
And I too have feebly striven,
And with thee I must bow, crying, 'Shrive us now !
Our Father which art in heaven !' '
~ Adam Lindsay Gordon,
1227:The Wood-Spring To The Poet
Dawn-cool, dew-cool
Gleams the surface of my pool
Bird haunted, fern enchanted,
Where but tempered spirits rule;
Stars do not trace their mystic lines
In my confines;
I take a double night within my breast
A night of darkened heavens, a night of leaves,
And in the two-fold dark I hear the owl
Puff at his velvet horn
And the wolves howl.
Even daylight comes with a touch of gold
Not overbold,
And shows dwarf-cornel and the twin-flowers,
Below the balsam bowers,
Their tints enamelled in my dew-drop shield.
Too small even for a thirsty fawn
To quench upon,
I hold my crystal at one level
There where you see the liquid bevel
Break in silver and go free
Singing to its destiny.
Give, Poet, give!
Thus only shalt thou live.
Give! for 'tis thy joyous doom
To charm, to comfort, to illume.
Speak to the maiden and the child
With accents deep and mild,
Tell them of the world so wide
In words of wonder and pure pride,
Touched with the rapture of surprise
That dwells in a child angel's eyes,
Awed with the strangeness of new-birth,
When the flaming seraph sent
To lead him into Paradise,
Calls his name with the mother's voice
He has just ceased to hear on earth.
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Give to the youth his heart's content,
But power with prudence blent,
Thicken his sinews with love,
With courage his heart prove,
Till over his spirit shall roll
The vast wave of control.
In the cages and dens of strife,
Where men draw breath
Thick with a curse at the dear thing called life,
Give them courage to bear,
Strength to aspire and dare;
Give them hopes rooted in stone,
That the loveliest flowers take on,
Bind on their brows with a gesture free
The palm green bays of liberty.
Give to the mothers of men
The knowledge of joy in pain,
Give them the sense of reward
That grew in the breast of the Lord
On the dawn of the seventh morn;
For 'tis they who re-create the world
Whenever a child is born.
Give, Poet, give!
Give them songs that charm and fill
The soul with an alluring pleasure,
Prelusive to a deeper thrill,
A richer tone, a fuller measure;
Like voices, veiled with hidden treasure,
Of angels on a windy morning,
That first far off, then all together,
Come with a glorious clarion calling;
And when they swoon beneath the spell
Recapture them to hear the echoes
Falling--falling--falling.
To those stoned for the truth
Give ruth;
Give manna for the mourner's mouth
Sovereign as air;
135
For his heart's drouth
A prayer.
Give to dead souls that mock at life
Aweary of their cankered hearts,
Weary of sleep and weary of strife,
Weary of markets and of arts,-Helve them a song of life,
Two-edged with joyous life,
Tempered trusty with life,
Proud pointed with wild life,
Plunge it as lightning plunges,
Stab them to life!
Give to those who grieve in secret,
Those who bear the sorrows of earth,
The deep unappeasable longings
Which beset them with throngings and throngings,
(As, on a windless night,
Through the fold of a dark mantle furled,
Gleams on our world, world after unknown world)
Give them peace,
Wide as the veil that hides God's face,
The pure plenitude of space,
In which our universe is but a glittering crease,-Give them such peace.
Give, Poet, give!
Thus only shalt thou live:
Give as we give who are hidden
In myriad dimples of rock and fern;
Give as we give unbidden
To tarn and rillet and burn,
Where the lake dreams,
Where the fall is hurled,
Striving to sweeten
The oceans of the world.
Should my song for a moment cease,
Silence fall in the woodland peace;
Should I wilfully check the flow
Bubbling and dancing up from below;
136
Say to my heart be still--be still,
Let the murmur die with the rill;
Then should the glittering, grey sea-things
Sigh as they wallow the under springs;
Where the deep brine-pools used to lie
Deserts vast would stare at the sky,
And even thy rich heart
(O Poet, Poet!)
Even thy rich heart run dry.
~ Duncan Campbell Scott,
1228:Are you a mere portrait
Drawn on a canvas?
Those distant galaxies
Which crowd the skies
And travel day and night
Through darkness with their candles
The planets, the sun and the stars
Arent you real like them
O you portrait
Are you a mere portrait?

Here everything moves
In its midst
Why do you stand still?
Join those who travel
Losing your way
Why day and night
Remaining among us
You are so far away standing apart
In a place where nothing ever moves?
This dust
Running everywhere with the winds
In the months of summer
Covers the earth in grey
With its grey layers like a scarf
When she is stripped of her ornaments like a widow
Doing some penance
But when the spring comes
Ushering the hour of love
It bedecks her with new sprouting leaves
And that dust
It is real too.
This grass
Trodden over by all
It is restless, it is real.
But you do not move, you are still,
So a mere portrait you are.
Along this way
You once walked with us
Your breast once heaved with living breath
Keeping rhythms with the living
Life in your limbs
Danced and sang
Weaving ever new rhymes of its own
It seems it is so long time ago!
In my eyes, in my world
You were so real!
With your brush
In the morning hours of my life
You had colored my eyes
To see and savor the beauties of this world
In that dawn to me
You were the embodied message of the universe.

We were walking side by side
But behind the pall of night
Suddenly you stalled.
Since then
Night and day
In darkness and light
In a wilderness
I have been moving ahead
In joys and sorrows
Drifting along the rising and falling tides;
Silently on either side of my way
Flowers are giving me company
Blossoming in myriad colors;
Along various channels
The stream of life is rushing
To its ultimate end.
Urged by an unknown siren
In sheer love of my way
I am going far yet far
Stepping aside
Where you stopped
There you are standing still.
Behind those dusts, those grasses,
Behind the sun and the moon and the stars
You are a portrait, a mere portrait.
But what nonsense the poet talks!
You are a portrait!
No, no, you are not a mere portrait at all.
Who says you remain enmeshed
Within the lines of that sketch
Silently crying?
Alas! Alas!
If this river lost its waving rhythms
If this cloud effaced its golden hues
All the joys would then come to an end
If the shadows of your lovely hair
Were lost from this world
The murmuring shadows of these spring flowers
Swaying in restless winds
Would then become a mere dream.
Have I ever forgotten you?
This blunder I often commit -
At the very root of my life
You have taken your seat
When walking our way in an absent mind
Dont we fail to notice a flower or a star?
Yet they sweeten our lives
Our forgotten moments
They fill with their songs
Failure to remember you at times
Cannot be my forgetfulness
Remaining hidden in my being
You are always quickening my blood.
You are no longer before my eyes
You have taken your place in them.
In my world
You are mingled with whatever I see
Be it the greenery of this earth
Or the blue of the sky.
In you my existence has found its harmony.
I am hardly aware
Nor others know
All my songs echo with your tunes;
In the heart of the poet
You are the poet
You are not a mere portrait at all.
I got you in the dawn of my life
But lost you one night
Now in the dark I get you unaware
Never a portrait, a mere portrait, you are.
Transcreation of one of the most famous and most untranslatable poems - number 6, also called Chhabi, from the collection Balaka by Rabindranath Tagore. Written in rhyming free verse it is a deeply moving tribute to Kadambaridevi, wife of his elder brother Jyotirindranath, whom he used to call his notunbouthan (new sister-in-law). This couple made the greatest contribution to the making of the phenomenon called Rabindranath. And this talented lady was the earliest and deepest inspiration in the literary life of the poet. When only 25 she committed suicide. At the time Tagore was 23 and a struggling poet. More than anyone else it was Kadambari who helped him in his chrysalis. Transcreation by Kumud Biswas.
Translated by Kumud Biswas
~ Rabindranath Tagore, The Portrait
,
1229:Love Motives
To You.
SO you have come at last!
And we nestle, each in each,
As leans the pliant sea in the clean-curved limbs of her lover the beach;
Merged in each other quite,
Clinging, as in the tresses of trees dallies the troubadour night;
Faint as a perfume, soft as wine,
Yielding as moonlight—mine, all mine—
So I have found you at last!
I dreamed; we dare not meet:
The time is yet too soon;
Swept with the tumult of perfect love, our souls from this life would swoon—
For the fusion of our lives
Is the sole great goal to which the vast creation vaguely drives;
And only when I kiss your face
Shall the last great trumpet shatter Space—
I dreamed; we dare not meet!
Yet somewhere, hungry-eyed,
You lie and listen with tears,
Clogged with the flesh, and dulled with the sodden heritage of the years.
And I am alien, lone,
Hedged with the palisades of self, shut in—a soul unknown.
You, fashioned for me from Time's first day,
I, moulded for you ere that dawn was grey,
Wait hidden, hungry-eyed!
I lie in the lonely night;
And you?—perhaps so near
That if I should whisper your sweet soul-name you would joyously leap and hear!
And yet perhaps so far,
Drowned in the cosmic mist beyond the swirl of the farthest star;
But over the universe yawning between,
With wistful eyes you listen and lean,
Alone in the lonely night!
Perhaps your thirsty arms
Some stranger youth entwine,
And you will yield him thin, faint kisses, thinking his lips are mine;
He thinking that unawares
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He has caught, as once in a dream he caught, that miracle-glance of hers.
The pathos of the thing that seems!
Each clasping memories, kissing dreams.
In passionate-thirsty arms!
So you will yearn through life,
Or maybe you did not wait:
You married him, and his neutral smile you learnt to sullenly hate;
Or you have lived a lie,
And drank the mockery of his lips, believing that he was I.
You dreamed, content that you loved him true,
But the soul of your soul was dead to you—
So I must yearn through life!
Or, starving and passionate still,
To your dreams you were bravely true;
You told the Night your secrets drear, and he laughed back at you;
And even when you dreamed
You heard his merciless laughter ring, and you sprang awake and screamed;
Till Age kissed you with a kiss that sears,
And you faded and withered with the years,
Starving and passionate still!
But, hush! I had almost heard:
Last night I dreamed your name;
Like the soft, white tread of a faint, cool cloud to my desolate sky it came;
Like a moth it drifted away,
And into the flame of the dawn it fluttered, dying into the day.
Yet the wind in the whispering leaves
The moan of your sobbing weaves—
Hush! I had almost heard.
Yet I should know your face!
As mine, all mine, I claim
That coil of hair that over your bosom smoulders— a yellow flame;
And the cool, dim-curtained eyes,
The crescent of your imperious chin, and the little moist mouth that cries.
I have heard through the din of the years
Your voice, with its tincture of tears—
Yes, I remember your face!
Once in the drifting crowd
I thought I had found a clue—
A pale face pealed like an organ-note, and yet— oh! my heart—not you!
She had your look, the same
47
Ineffable sorrow of glad young eyes; but all the rest was shame.
Perhaps she saw—for her eyes were wet—
In me the soul she had one time met
In eternity's drifting crowd!
Perhaps 't is the desert of years
That severs each from each,
And out of the cavernous centuries to each other we blindly reach.
You blossomed so long ago
That only the Dawn and the Spring remember, and little, so little, they know!
You wait on the hill of the first white morn,
Straining dead eyes to me, unborn,
Across the desert of years.
Or when I am dead at last,
And my sovereignty have won,
As merged in the dust of the gradual Past, unliving, I live on,
You will rise with some far-off Spring,
And back to the drear, dead days that were mine your piteous glance will fling.
But, hush! I shall come in the rain-kissed night
And whisper the words of our marriage-rite—
So I shall find you at last!
Yet if we met.…
I dreamed; we dare not meet.
~ Arthur Henry Adams,
1230:The Three Pilgrims
In days, when the fruit of men's labour was sparing,
And hearts were weary and nigh to break,
A sweet grave man with a beautiful bearing
Came to us once in the fields and spake.
He told us of Roma, the marvellous city,
And of One that came from the living God,
The Virgin's Son, who in heavenly pity,
Bore for his people the rood and rod,
And how at Roma the gods were broken,
The new was strong, and the old nigh dead,
And love was more than a bare word spoken,
For the sick were healed and the poor were fed;
And we sat mute at his feet, and hearkened:
The grave men came in an hour and went,
But a new light shone on a land long darkened;
The toil was weary, the fruit was spent:
So we came south, till we saw the city,
Speeding three of us, hand in hand,
Seeking peace and the bread of pity,
Journeying out of the Umbrian land;
Till we saw from the hills in a dazzled coma
Over the vines that the wind made shiver,
Tower on tower, the great city Roma,
Palace and temple, and winding river:
And we stood long in a dream and waited,
Watching and praying and purified,
And came at last to the walls belated,
Entering in at the eventide:
And many met us with song and dancing,
Mantled in skins and crowned with flowers,
Waving goblets and torches glancing,
Faces drunken, and grinned in ours:
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And one, that ran in the midst, came near us'Crown yourselves for the feast,' he said,
But we cried out, that the God might hear us,
'Where is Jesus, the living bread?'
And they took us each by the hand with laughter;
Their eyes were haggard and red with wine:
They haled us on, and we followed after,
'We will show you the new God's shrine.'
Ah, woe to out tongues, that, forever unsleeping,
Harp and uncover the old hot care,
The soothing ash from the embers sweeping,
Wherever the soles of our sad feet fare.
Ah, we were simple of mind, now knowing,
How dreadful the heart of a man might be;
But the knowledge of evil is mighty of growing;
Only the deaf and the blind are free.
We came to a garden of beauty and pleasureIt was not the way that our own feet chooseWhere a revel was whirling in many a measure,
And the myriad roar of a great crowd rose;
And the midmost round of the garden was reddened
With pillars of fire in a great high ringOne look-and our souls forever were deadened,
Though our feet yet move, and our dreams yet sting;
For we saw that each was a live man flaming,
Limbs that a human mother bore,
And a thing of horror was done, past naming,
And the crowd spun round, and we saw no more.
And he that ran in the midst, descrying,
Lifted his hand with a foul red sneer,
And smote us each and the other, crying,
'Thus we worship the new God here.
'The Caesar comes, and the peoples paeans
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Hail his name for the new made light,
Pitch and the flesh of the Galileans,
Torches fit for a Roman night;'
And we fell down to the earth, and sickened,
Moaning, three of us, head by head,
'Where is He, whom the good God quickened?
Where is Jesus, the living bread?'
Yet ever we heard, in the foul mirth turning,
Man and woman and child go by,
And ever the yells of the charred men burning,
Piercing heavenward, cry on cry:
And we lay there, till the frightful revel,
Died in the dawn with a few short moans,
Of some that knelt in the wan and level
Shadows, that fell from the blackened bones.
Numb with horror and sick with pity,
The heart of each as an iron weight,
We crept in the dawn from the awful city,
Journeying out of the seaward gate.
The great sun came from the sea before us;
A soft wind blew from the scented south;
But our eyes knew not of the steps that bore us
Down to the ships at the Timber's mouth;
And we prayed then, as we turned our faces
Over the sea to the living God,
That our ways might be in the fierce bare places,
Where never the foot of a live man trod:
And we set sail in the noon, not caring
Whether the prow of the dark ship came,
No more over the old ways faring;
For the sea was cold, but the land was flame:
And the keen ship sped, and a deadly coma
Blotted away from our eyes forever,
Tower on tower, the great city Roma,
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Palace and temple and yellow river.
~ Archibald Lampman,
1231: THE CHILD WITH THE MIRROR

Then Zarathustra returned again to the mountains
and to the solitude of his cave and withdrew from men,
waiting like a sower who has scattered his seed. But his
soul grew full of impatience and desire for those whom
he loved, because he still had much to give them. For
this is what is hardest: to close the open hand because
one loves, and to keep a sense of shame as a giver.
Thus months and years passed for the solitary; but
his wisdom grew and caused him pain with its fullness.
One morning, however, he woke even before the dawn,
reflected long, lying on his bed, and at last spoke to his
heart:
Why was I so startled in my dream that I awoke?
Did not a child step up to me, carrying a mirror? "0
Zarathustra," the child said to me, 'look at yourself in
the mirror." But when I looked into the mirror I cried
out, and my heart was shaken: for it was not myself I
saw, but a devil's grimace and scornful laughter. Verily,
all-too-well do I understand the sign and admonition of
the dream: my teaching is in danger; weeds pose as
wheat. My enemies have grown powerful and have distorted my teaching till those dearest to me must be
ashamed of the gifts I gave them. I have lost my friends;
the hour has come to seek my lost ones."
With these words Zarathustra leaped up, not like a
frightened man seeking air but rather as a seer and
singer who is moved by the spirit. Amazed, his eagle
and his serpent looked at him: for, like dawn, a coming
happiness lay reflected in his face.
What has happened to me, my animals? said Zarathustra. Have I not changed? Has not bliss come to me
as a storm? My happiness is foolish and will say foolish
things: it is still young, so be patient with it. I am
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wounded by my happiness: let all who suffer be my
physicians. I may go down again to my friends, and to
my enemies too. Zarathustra may speak again and give
and do what is dearest to those dear to him. My impatient love overflows in rivers, downward, toward sunrise
and sunset. From silent mountains and thunderstorms
of suffering my soul rushes into the valleys.
Too long have I longed and looked into the distance.
Too long have I belonged to loneliness; thus I have forgotten how to be silent. Mouth have I become through
and through, and the roaring of a stream from towering
cliffs: I want to plunge my speech down into the valleys. Let the river of my love plunge where there is no
wayl How could a river fail to find its way to the sea?
Indeed, a lake is within me, solitary and self-sufficient;
but the river of my love carries it along, down to the
sea.
New ways I go, a new speech comes to me; weary I
grow, like all creators, of the old tongues. My spirit no
longer wants to walk on worn soles.
Too slowly runs all speech for me: into your chariot I
leap, storm! And even you I want to whip with my
sarcasm. Like a cry and a shout of joy I want to sweep
over wide seas, till I find the blessed isles where my
friends are dwelling. And my enemies among them
How I now love all to whom I may speak! My enemies
too are part of my bliss.
And when I want to mount my wildest horse, it is always my spear that helps me up best, as the ever-ready
servant of my foot: the spear that I hurl against my
enemies. How grateful I am to my enemies that I may
finally hurl itl
The tension of my cloud was too great: between the
laughter of lightning bolts I want to throw showers of
hail into the depths. Violently my chest will expand,
85
violently will it blow its storm over the mountains and
thus find relief. Verily, like a storm come my happiness
and my freedom. But let my enemies believe that the
evil one rages over their heads.
Indeed, you too will be frightened, my friends, by my
wild wisdom; and perhaps you will flee from it, together
with my enemies. Would that I knew how to lure you
back with shepherds' flutes! Would that my lioness, wisdom, might learn how to roar tenderly And many
things have we already learned together.
My wild wisdom became pregnant on lonely mountains; on rough stones she gave birth to her young, her
youngest. Now she runs foolishly through the harsh
desert and seeks and seeks gentle turf-my old wild
wisdom. Upon your hearts' gentle turf, my friends, upon
your love she would bed her most dearly beloved.
Thus spoke Zarathustra.
~ Friedrich Nietzsche, THE CHILD WITH THE MIRROR
,
1232:Turkey-Cock
You ruffled black blossom,
You glossy dark wind.
Your sort of gorgeousness,
Dark and lustrous
And skinny repulsive
And poppy-glossy,
Is the gorgeousness that evokes my most puzzled admiration.
Your aboriginality
Deep, unexplained,
Like a Red Indian darkly unfinished and aloof,
Seems like the black and glossy seeds of countless centuries.
Your wattles are the colour of steel-slag which has been red-hot
And is going cold,
Cooling to a powdery, pale-oxydised sky-blue.
Why do you have wattles, and a naked, wattled head?
Why do you arch your naked-set eye with a more-than-comprehensible
arrogance?
The vulture is bald, so is the condor, obscenely,
But only you have thrown this amazing mantilla of oxydised sky-blue
And hot red over you.
This queer dross shawl of blue and vermilion,
Whereas the peacock has a diadem.
I wonder why.
Perhaps it is a sort of uncanny decoration, a veil of loose skin.
Perhaps it is your assertion, in all this ostentation, of raw contradictoriness.
Your wattles drip down like a shawl to your breast
And the point of your mantilla drops across your nose, unpleasantly.
Or perhaps it is something unfinished
A bit of slag still adhering, after your firing in the furnace of creation.
Or perhaps there is something in your wattles of a bull's dew-lap
177
Which slips down like a pendulum to balance the throbbing mass of a generous
breast,
The over-drip of a great passion hanging in the balance.
Only yours would be a raw, unsmelted passion, that will not quite fuse from the
dross.
You contract yourself,
You arch yourself as an archer's bow
Which quivers indrawn as you clench your spine
Until your veiled head almost touches backward
To the root-rising of your erected tail.
And one intense and backward-curving frisson
Seizes you as you clench yourself together
Like some fierce magnet bringing its poles together.
Burning, pale positive pole of your wattled head!
And from the darkness of that opposite one
The upstart of your round-barred, sun-round tail!
Whilst between the two, along the tense arch of your back
Blows the magnetic current in fierce blasts,
Ruffling black, shining feathers like lifted mail,
Shuddering storm wind, or a water rushing through.
Your brittle, super-sensual arrogance
Tosses the crape of red across your brow and down your breast
As you draw yourself upon yourself in insistence.
It is a declaration of such tension in will
As time has not dared to avouch, nor eternity been able to unbend
Do what it may.
A raw American will, that has never been tempered by life;
You brittle, will-tense bird with a foolish eye.
The peacock lifts his rods of bronze
And struts blue-brilliant out of the far East.
But watch a turkey prancing low on earth
Drumming his vaulted wings, as savages drum
Their rhythms on long-drawn, hollow, sinister drums.
The ponderous, sombre sound of the great drum of Huichilobos
In pyramid Mexico, during sacrifice.
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Drum, and the turkey onrush
Sudden, demonic dauntlessness, full abreast,
All the bronze gloss of all his myriad petals
Each one apart and instant.
Delicate frail crescent of the gentle outline of white
At each feather-tip
So delicate;
Yet the bronze wind-well suddenly clashing
And the eye over-weening into madness.
Turkey-cock, turkey-cock
Are you the bird of the next dawn?
Has the peacock had his day, does he call in vain, screecher, for the sun to rise?
The eagle, the dove, and the barnyard rooster, do they call in vain, trying to
wake the morrow?
And do you await us, wattled father, Westward?
Will your yell do it?
Take up the trail of the vanished American
Where it disappeared at the foot of the crucifix.
Take up the primordial Indian obstinacy,
The more than human, dense insistence of will,
And disdain, and blankness, and onrush, and prise open the new day with them?
The East a dead letter, and Europe moribund. . . . Is that so?
And those sombre, dead, feather-lustrous Aztecs, Amerindians,
In all the sinister splendour of their red blood sacrifices,
Do they stand under the dawn, half-godly, half-demon, awaiting the cry of the
turkey-cock?
Or must you go through the fire once more, till you're smelted pure,
Slag-wattled turkey-cock,
Dross-jabot?
Fiesole.
~ David Herbert Lawrence,
1233:An Ode To The Hills
AEons ago ye were,
Before the struggling changeful race of man
Wrought into being, ere the tragic stir
Of human toil and deep desire began:
So shall ye still remain,
Lords of an elder and immutable race,
When many a broad metropolis of the plain,
Or thronging port by some renowned shore,
Is sunk in nameless ruin, and its place
Recalled no more.
Empires have come and gone,
And glorious cities fallen in their prime;
Divine, far-echoing, names once writ in stone
Have vanished in the dust and void of time;
But ye, firm-set, secure,
Like Treasure in the hardness of God's palm,
Are yet the same for ever; ye endure
By virtue of an old slow-ripening word,
In your grey majesty and sovereign calm,
Untouched, unstirred.
Tempest and thunderstroke,
With whirlwinds dipped in midnight at the core,
Have torn strange furrows through your forest cloak,
And made your hollow gorges clash and roar,
And scarred your brows in vain.
Around your barren heads and granite steeps
Tempestuous grey battalions of the rain
Charge and recharge, across the plateaued floors,
Drenching the serried pines; and the hail sweeps
Your pitiless scaurs.
The long midsummer heat
Chars the thin leafage of your rocks in fire:
Autumn with windy robe and ruinous feet
On your wide forests wreaks his fell desire,
Heaping in barbarous wreck
The treasure of your sweet and prosperous days;
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And lastly the grim tyrant, at whose beck
Channels are turned to stone and tempests wheel,
On brow and breast and shining shoulder lays
His hand of steel.
And yet not harsh alone,
Nor wild, nor bitter are your destinies,
O fair and sweet, for all your heart of stone,
Who gather beauty round your Titan knees,
As the lens gathers light.
The dawn gleams rosy on your splendid brows,
The sun at noonday folds you in his might,
And swathes your forehead at his going down,
Last leaving, where he first in pride bestows,
His golden crown.
In unregarded glooms,
Where hardly shall a human footstep pass,
Myriads of ferns and soft maianthemums,
Or lily-breathing slender pyrolas
Distil their hearts for you.
Far in your pine-clad fastnesses ye keep
Coverts the lonely thrush shall wander through,
With echoes that seem ever to recede,
Touching from pine to pine, from steep to steep,
His ghostly reed.
The fierce things of the wild
Find food and shelter in your tenantless rocks,
The eagle on whose wings the dawn hath smiled,
The loon, the wild-cat, and the bright-eyed fox;
For far away indeed
Are all the ominous noises of mankind,
The slaughterer's malice and the trader's greed:
Your rugged haunts endure no slavery:
No treacherous hand is there to crush or bind,
But all are free.
Therefore out of the stir
Of cities and the ever-thickening press
The poet and the worn philosopher
To your bare peaks and radiant loneliness
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Escape, and breathe once more
The wind of the Eternal: that clear mood,
Which Nature and the elder ages bore,
Lends them new courage and a second prime,
At rest upon the cool infinitude
Of Space and Time.
The mists of troublous days,
The horror of fierce hands and fraudful lips,
The blindness gathered in Life's aimless ways
Fade from them, and the kind Earth-spirit strips
The bandage from their eyes,
Touches their hearts and bids them feel and see;
Beauty and Knowledge with that rare apprise
Pour over them from some divine abode,
Falling as in a flood of memory,
The bliss of God.
I too perchance some day,
When Love and Life have fallen far apart,
Shall slip the yoke and seek your upward way
And make my dwelling in your changeless heart;
And there in some quiet glade,
Some virgin plot of turf, some innermost dell,
Pure with cool water and inviolate shade,
I'll build a blameless altar to the dear
And kindly gods who guard your haunts so well
From hurt or fear.
There I will dream day-long,
And honour them in many sacred ways,
With hushed melody and uttered song,
And golden meditation and with praise.
I'll touch them with a prayer,
To clothe my spirit as your might is clad
With all things bountiful, divine, and fair,
Yet inwardly to make me hard and true,
Wide-seeing, passionless, immutably glad,
And strong like you.
~ Archibald Lampman,
1234:The Anarchist
THE dawn hangs heavy on the distant hill,
The darkness shudders slowly into light;
And from the weary bosom of the night
The pent winds sigh, then sink with horror still.
Naked and grey, the guillotine stands square
Upon the hill, while from its base the crowd
Surges out far, and waits, to silence cowed,
Impatient for the thing to happen there.
Listen! The bells within the tower toll
Five naked notes; and down within his cell
The prisoner hears and mutters, “It is well,”
Though like that other knife each cuts his soul.
His sick nerves from the probing echoes shrink,
“This is the end,” he says; “let me be strong;
Let me be brave till then—‘t is not for long:
I must not think of it—I must not think!”
See, through the courtyard, guarded, comes the slight
Thin figure of the anarchist. Amazed,
He sees the thousand faces swiftly raised—
The billows of the crowd break into white!
One narrow, alien glance below, and then
The scene fades dimly from his film-glazed eyes;
And shuddering he sees his past arise—
The cycle of his life begins again.
And as misshapen memories crowd fast
Upon him, jostling in a sudden strife,
Athwart the dull, drab level of his life
Stand sharply out the blood-stains of his past:
His youth, before he knew he had it, lost;
His father's body by an accident
'Neath the rich man's remorseless mill-wheels pent—
A corpse; and sister, mother, brother tossed
Out to the mercy of the merciless.
His mother stricken next; her humble niche
Was needed by the reckless and the rich,
And death was easier than life's loneliness.
His sister, she had fortune in her face,
And won it, too, till Vice's fingers tore
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The freshness from her figure, and no more
In idleness she flaunted her disgrace.
He lost her, stifled in the world's wide smother,
For years; till one night on the street they met.
She seized him—he can feel that hot thrill yet!—
She spoke him—knowing not he was her brother!
Wrong reeking of the rich incessantly!
Oppression and oppression o'er again!
Till from the smouldering hate within his brain
Mad fever fired the fuse of Anarchy.
Then plot and cunning, weak, futile and mean,
The maddened one against the many; thus
He strove to strangle Order's octopus—
And gained the goal at last—the guillotine!
It waits him grim and grey; he sees it not,
Nor hears the rising murmur ripple out
To the crowd's edge, and, turning, die in doubt.
The vague, uncertain future threatens—what?
So…shall he speak, fling out his last reply
Why waste the time in trivialities?
One throbbing thought now holds him; and there is
No room for sign or speech—he has to die.
Only a murmur wavers up and shakes
The sullen air, then hesitates and dies;
And the grim hush of horror stifled lies,
Suspended like a billow ere it breaks.
One bitter prayer, half-curse, he mutters when
The knife hangs high above, and the world waits.
But ere it swoops an age it hesitates:
The word is given, breaths are drawn, and then…
With eyes and soul close shut—be swift, relief!—
The prisoner waits the end that does not come.
For hark! that heavy, low, tumultuous hum
That surges, surges till it shouts “ Reprieve! ”
“ Reprieved and pardoned! ” All his senses swim
In a rose-mist! As Sleep's soft hand that soothes
The terse, strained limbs of fevered Day and smoothes
Life's knotted nerves—so comes relief to him.
And when he woke again his soul, set free,
Had wandered far, within a moment's space,
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And seen the sadness of God's silent face—
The mighty calm of immortality.
How like a triumph his home-coming! Then
The glorious news that met him, how that Right
Had routed Wrong, for ever faction's fight
Was finished, and the world was one again.
Then swiftly through his swimming, mist-dimmed eyes
He sees the good and great upright again;
And Reason rings the knell of grief and pain;
The gladdened new world lapped in sunlight lies.
Long life was his with honour. On Fame's breath
His name was borne, until in perfect peace—
Glad like a mellow fruit to fall and cease—
His long life ripened richly into death.
Yet none knew this but he . The crowd still waits;
Shoots swift the lightning of the knife, and loud
Roars the hoarse thunder from the sated crowd
And justice has been done. God compensates.
~ Arthur Henry Adams,
1235:Tout Entière (All Of Her)
Le Démon, dans ma chambre haute
Ce matin est venu me voir,
Et, tâchant à me prendre en faute
Me dit: «Je voudrais bien savoir
Parmi toutes les belles choses
Dont est fait son enchantement,
Parmi les objets noirs ou roses
Qui composent son corps charmant,
Quel est le plus doux.» — Ô mon âme!
Tu répondis à l'Abhorré:
«Puisqu'en Elle tout est dictame
Rien ne peut être préféré.
Lorsque tout me ravit, j'ignore
Si quelque chose me séduit.
Elle éblouit comme l'Aurore
Et console comme la Nuit;
Et l'harmonie est trop exquise,
Qui gouverne tout son beau corps,
Pour que l'impuissante analyse
En note les nombreux accords.
Ô métamorphose mystique
De tous mes sens fondus en un!
Son haleine fait la musique,
Comme sa voix fait le parfum!»
All of Her
The Devil into my high room
This morning came to pay a call,
And trying to find me in fault
Said: 'I should like to know,
Among all the beautiful things
Which make her an enchantress,
492
Among the objects black or rose
That compose her charming body,
Which is the sweetest.' — O my soul!
You answered the loathsome Creature:
'Since in Her all is dittany,
No single thing can be preferred.
When all delights me, I don't know
If some one thing entrances me.
She dazzles like the Dawn
And consoles like the Night;
And the harmony that governs
Her whole body is too lovely
For impotent analysis
To note its numerous accords.
O mystic metamorphosis
Of all my senses joined in one!
Her breath makes music,
And her voice makes perfume!'
— Translated by William Aggeler
All in One
The Demon called on me this morning,
In my high room. As is his way,
Thinking to catch me without warning,
He put this question: 'Tell me, pray,
Of all the beauties that compose,
The strange enchantment of her ways,
Amongst the wonders black or rose,
Which object most excites your praise,
And is the climax in her litany?'
My soul, you answered the Abhorred,
'Since she is fashioned, all, of dittany,
No part is most to be adored.
493
Since I am ravished, I ignore a
Degree of difference in delight.
She dazzles me like the aurora
And she consoles me like the night.
The harmony's so exquisite
That governs her, it is in vain
Analysis would try to split
The unity of such a strain.
O mystic fusion that, enwreathing
My senses, fuses each in each,
To hear the music of her breathing
And breathe the perfume of her speech.'
— Translated by Roy Campbell
All, All
The Devil up my attic stair
Came tiptoeing a while ago
And, trying to catch me unaware,
Said laughing, 'I should like to know,
'Of all her many charms, what springs
Most often to your mind? Of all
The rose-colored and shadowy things
Whereby her beauty may enthrall,
'Which is the sweetest?' — O my soul,
You answered the abhorrèd Guest:
'Her beauty is complete and whole.
No single part is loveliest.
'When she is near, I cannot say
What gives me such intense delight.
She dazzles like the break of day,
She comforts like the fall of night.
'My senses seem to merge in one;
494
The harmony that rules her being
Is all my knowledge — I have none
Of hearing, smelling, touching, seeing.
'No, no. I cannot make a choice
In this sublime bewilderment.
Perhaps the music of her scent!
Perhaps the perfume of her voice!'
— Translated by George Dillon
Tout entière
this morning, to my chamber bare
and high, the Devil came to call,
and fain to trap me in a snare,
inquired: 'I would know, of all
— of all the beauties that compose
her spell profound, her subtle sway,
— of all the bits of black or rose
that form her lovely body, say
which is the sweetest?' — o my soul,
thou didst reply to the Abhorred:
naught can be taken from the whole
for every part is a perfect chord.
when all to me is ravishing,
I know not which gives most delight.
like dawn she is a dazzling thing,
yet she consoles me like the night;
too exquisite the harmonies
that all her lovely flesh affords,
for my poor mind to analyse
and note its many rhythmic chords.
o mystic interchange, whereby
my senses all are blent in one!
her breath is like a lullaby
495
and through her voice rich perfumes run!
— Translated by Lewis Piaget Shanks
~ Charles Baudelaire,
1236:A CURSING rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago
Queen Maeve's nine Maines had been nursed,
A pair of lapwings, one old sheep,
And not a house to the plain's edge,
When close to his right hand a heap
Of grey stones and a rocky ledge
Reminded him that he could make.
If he but shifted a few stones,
A shelter till the daylight broke.
But while he fumbled with the stones
They toppled over; "Were it not
I have a lucky wooden shin
I had been hurt'; and toppling brought
Before his eyes, where stones had been,
A dark deep hollow in the rock.
He gave a gasp and thought to have fled,
Being certain it was no right rock
Because an ancient history said
Hell Mouth lay open near that place,
And yet stood still, because inside
A great lad with a beery face
Had tucked himself away beside
A ladle and a tub of beer,
And snored, no phantom by his look.
So with a laugh at his own fear
He crawled into that pleasant nook.
"Night grows uneasy near the dawn
Till even I sleep light; but who
Has tired of his own company?
What one of Maeve's nine brawling sons
Sick of his grave has wakened me?
But let him keep his grave for once
That I may find the sleep I have lost."
What care I if you sleep or wake?
But I'Il have no man call me ghost."
Say what you please, but from daybreak
I'll sleep another century."
And I will talk before I sleep
And drink before I talk.'
And he
Had dipped the wooden ladle deep
Into the sleeper's tub of beer
Had not the sleeper started up.
Before you have dipped it in the beer
I dragged from Goban's mountain-top
I'll have assurance that you are able
To value beer; no half-legged fool
Shall dip his nose into my ladle
Merely for stumbling on this hole
In the bad hour before the dawn."
Why beer is only beer.'
"But say
""I'll sleep until the winter's gone,
Or maybe to Midsummer Day,''
And drink and you will sleep that length.
"I'd like to sleep till winter's gone
Or till the sun is in his strength.
This blast has chilled me to the bone.'
"I had no better plan at first.
I thought to wait for that or this;
Maybe the weather was accursed
Or I had no woman there to kiss;
So slept for half a year or so;
But year by year I found that less
Gave me such pleasure I'd forgo
Even a half-hour's nothingness,
And when at one year's end I found
I had not waked a single minute,
I chose this burrow under ground.
I'll sleep away all time within it:
My sleep were now nine centuries
But for those mornings when I find
The lapwing at their foolish dies
And the sheep bleating at the wind
As when I also played the fool.'
The beggar in a rage began
Upon his hunkers in the hole,
"It's plain that you are no right man
To mock at everything I love
As if it were not worth, the doing.
I'd have a merry life enough
If a good Easter wind were blowing,
And though the winter wind is bad
I should not be too down in the mouth
For anything you did or said
If but this wind were in the south.'
"You cry aloud, O would 'twere spring
Or that the wind would shift a point,
And do not know that you would bring,
If time were suppler in the joint,
Neither the spring nor the south wind
But the hour when you shall pass away
And leave no smoking wick behind,
For all life longs for the Last Day
And there's no man but cocks his ear
To know when Michael's trumpet cries
"That flesh and bone may disappear,
And souls as if they were but sighs,
And there be nothing but God left;
But, I alone being blessed keep
Like some old rabbit to my cleft
And wait Him in a drunken sleep.'
He dipped his ladle in the tub
And drank and yawned and stretched him out,
The other shouted, "You would rob
My life of every pleasant thought
And every comfortable thing,
And so take that and that." Thereon
He gave him a great pummelling,
But might have pummelled at a stone
For all the sleeper knew or cared;
And after heaped up stone on stone,
And then, grown weary, prayed and cursed
And heaped up stone on stone again,
And prayed and cursed and cursed and bed
From Maeve and all that juggling plain,
Nor gave God thanks till overhead
The clouds were brightening with the dawn.

~ William Butler Yeats, The Hour Before Dawn
,
1237:The Avenue Of The Allies
This is the song of the wind as it came
Tossing the flags of the nations to flame:
_I am the breath of God. I am His laughter.
I am His Liberty. That is my name._
So it descended, at night, on the city.
So it went lavishing beauty and pity,
Lighting the lordliest street of the world
With half of the banners that earth has unfurled;
Over the lamps that are brighter than stars.
Laughing aloud on its way to the wars,
Proud as America, sweeping along
Death and destruction like notes in a song,
Leaping to battle as man to his mate,
Joyous as God when he moved to create,-Never was voice of a nation so glorious,
Glad of its cause and afire with its fate!
Never did eagle on mightier pinion
Tower to the height of a brighter dominion,
Kindling the hope of the prophets to flame,
Calling aloud on the deep as it came,
_Cleave me a way for an army with banners.
I am His Liberty. That is my name._
Know you the meaning of all they are doing?
Know you the light that their soul is pursuing?
Know you the might of the world they are making,
This nation of nations whose heart is awaking?
What is this mingling of peoples and races?
Look at the wonder and joy in their faces!
Look how the folds of the union are spreading!
Look, for the nations are come to their wedding.
How shall the folk of our tongue be afraid of it?
England was born of it. England was made of it,
Made of this welding of tribes into one,
This marriage of pilgrims that followed the sun!
Briton and Roman and Saxon were drawn
95
By winds of this Pentecost, out of the dawn,
Westward, to make her one people of many;
But here is a union more mighty than any.
Know you the soul of this deep exultation?
Know you the word that goes forth to this nation?
_I am the breath of God. I am His Liberty.
Let there be light over all His creation._
Over this Continent, wholly united,
They that were foemen in Europe are plighted.
Here, in a league that our blindness and pride
Doubted and flouted and mocked and denied,
Dawns the Republic, the laughing, gigantic
Europe, united, beyond the Atlantic.
That is America, speaking one tongue,
Acting her epics before they are sung,
Driving her rails from the palms to the snow,
Through States that are greater than Emperors know,
Forty-eight States that are empires in might,
But ruled by the will of one people tonight,
Nerved as one body, with net-works of steel,
Merging their strength in the one Commonweal,
Brooking no poverty, mocking at Mars,
Building their cities to talk with the stars.
Thriving, increasing by myriads again
Till even in numbers old Europe may wane.
How shall a son of the England they fought
Fail to declare the full pride of his thought,
Stand with the scoffers who, year after year,
Bring the Republic their half-hidden sneer?
Now, as in beauty she stands at our side,
Who shall withhold the full gift of his pride?
Not the great England who knows that her son,
Washington, fought her, and Liberty won.
England, whose names like the stars in their station,
Stand at the foot of that world's Declaration,-Washington, Livingston, Langdon, she claims them,
It is her right to be proud when she names them,
Proud of that voice in the night as it came,
Tossing the flags of the nations to flame:
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_I am the breath of God. I am His laughter.
I am His Liberty. That is my name._
Flags, in themselves, are but rags that are dyed.
Flags, in that wind, are like nations enskied.
See, how they grapple the night as it rolls
And trample it under like triumphing souls.
Over the city that never knew sleep,
Look at the riotous folds as they leap.
Thousands of tri-colors, laughing for France,
Ripple and whisper and thunder and dance;
Thousands of flags for Great Britain aflame
Answer their sisters in Liberty's name.
Belgium is burning in pride overhead.
Poland is near, and her sunrise is red.
Under and over, and fluttering between,
Italy burgeons in red, white, and green.
See, how they climb like adventurous flowers,
Over the tops of the terrible towers....
_There, in the darkness, the glories are mated.
There, in the darkness, a world is created.
There, in this Pentecost, streaming on high.
There, with a glory of stars in the sky.
There the broad flag of our union and liberty
Rides the proud night-wind and tyrannies die._
~ Alfred Noyes,
1238:The Ship Of Death
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
152
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
153
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
154
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death. Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
~ David Herbert Lawrence,
1239:Manuelzinho
[Brazil. A friend of the writer is speaking.]
Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes. You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum. And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby."
I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.
You steal my telephone wires,
or someone does. You starve
your horse and yourself
62
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him. He's cold.
They're burying him today.
But you know, I don't think he's dead."
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!
And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
63
and once more I provide
for a shot of penicillin
down at the pharmacy, or
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.
With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.
Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
64
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air...
Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat."
One was gold for a while,
but the gold wore off, like plate.
One was bright green. Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think. Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.
~ Elizabeth Bishop,
1240:First Love
Ah, well can I the day recall, when first
The conflict fierce of love I felt, and said:
If _this_ be love, how hard it is to bear!
With eyes still fixed intent upon the ground,
I saw but _her_, whose artless innocence,
Triumphant took possession of this heart.
Ah, Love, how badly hast thou governed me!
Why should affection so sincere and pure,
Bring with it such desire, such suffering?
Why not serene, and full, and free from guile
But sorrow-laden, and lamenting sore,
Should joy so great into my heart descend?
O tell me, tender heart, that sufferest so,
Why with that thought such anguish should be blent,
Compared with which, all other thoughts were naught?
That thought, that ever present in the day,
That in the night more vivid still appeared,
When all things round in sweet sleep seemed to rest:
Thou, restless, both with joy and misery
Didst with thy constant throbbings weary so
My breast, as panting in my bed I lay.
And when worn out with grief and weariness,
In sleep my eyes I closed, ah, no relief
It gave, so broken and so feverish!
How brightly from the depths of darkness, then,
The lovely image rose, and my closed eyes,
Beneath their lids, their gaze upon it fed!
O what delicious impulses, diffused,
My weary frame with sweet emotion filled!
What myriad thoughts, unstable and confused,
31
Were floating in my mind! As through the leaves
Of some old grove, the west wind, wandering,
A long, mysterious murmur leaves behind.
And as I, silent, to their influence yield,
What saidst thou, heart, when she departed, who
Had caused thee all thy throbs, and suffering?
No sooner had I felt within, the heat
Of love's first flame, than with it flew away
The gentle breeze, that fanned it into life.
Sleepless I lay, until the dawn of day;
The steeds, that were to leave me desolate,
Their hoofs were beating at my father's gate.
And I, in mute suspense, poor timid fool,
With eye that vainly would the darkness pierce,
And eager ear intent, lay, listening,
That voice to hear, if, for the last time, I
Might catch the accents from those lovely lips;
The voice alone; all else forever lost!
How many vulgar tones my doubtful ear
Would smite, with deep disgust inspiring me,
With doubt tormented, holding hard my breath!
And when, at last, that voice into my heart
Descended, passing sweet, and when the sound
Of horses and of wheels had died away;
In utter desolation, then, my head
I in my pillow buried, closed my eyes,
And pressed my hand against my heart, and sighed.
Then, listlessly, my trembling knees across
The silent chamber dragging, I exclaimed,
'Nothing on earth can interest me more!'
The bitter recollection cherishing
32
Within my breast, to every voice my heart,
To every face, insensible remained.
Long I remained in hopeless sorrow drowned;
As when the heavens far and wide their showers
Incessant pour upon the fields around.
Nor had I, Love, thy cruel power known,
A boy of eighteen summers flown, until
That day, when I thy bitter lesson learned;
When I each pleasure held in scorn, nor cared
The shining stars to see, or meadows green,
Or felt the charm of holy morning light;
The love of glory, too, no longer found
An echo in my irresponsive breast,
That, once, the love of beauty with it shared.
My favorite studies I neglected quite;
And those things vain appeared, compared with which,
I used to think all other pleasures vain.
Ah! how could I have changed so utterly?
How could one passion all the rest destroy?
Indeed, what helpless mortals are we all!
My heart my only comfort was, and with
That heart, in conference perpetual,
A constant watch upon my grief to keep.
My eye still sought the ground, or in itself
Absorbed, shrank from encountering the glance
Of lovely or unlovely countenance;
The stainless image fearing to disturb,
So faithfully reflected in my breast;
As winds disturb the mirror of the lake.
And that regret, that I could not enjoy
Such happiness, which weighs upon the mind,
And turns to poison pleasure that has passed,
33
Did still its thorn within my bosom lodge,
As I the past recalled; but shame, indeed,
Left not its cruel sting within this heart.
To heaven, to you, ye gentle souls, I swear,
No base desire intruded on my thought;
But with a pure and sacred flame I burned.
That flame still lives, and that affection pure;
Still in my thought that lovely image breathes,
From which, save heavenly, I no other joy,
Have ever known; my only comfort, now!
~ Count Giacomo Leopardi,
1241:Argemone
The terrible night-watch is over,
I turn where I lie,
To eastward my dim eyes discover
Faint streaks in the sky ;
Faint streaks on a faint light that dapples
And dawns like the ripening of apples,
Closes with darkness and grapples,
And darkness must die.
And the dawn finds us where the dusk found us—
The quick and the dead ;
Thou dawn-slaying darkness around us,
Oh ! slay me instead !
Thou pitiless earth that would sever
Twain souls, reuniting them never,
Oh, gape and engulf me for ever,
Oh, cover my head !
The toils that men strive with stout-hearted,
The fears that men fly,
I have known them, but they have departed,
And thou hast gone by.
Men toiling, and straining, and striving,
Are glad, peradventure, for living ;
I render for life no thanksgiving,
Glad only to die.
Too alike to me now are all changes,
Naught gladdens, naught grieves.
Alike, now, pale snow on the ranges,
Pale gold on the sheaves.
Alike now the hum of glad bees on
Green boughs, and the sigh of sad trees on
Sere uplands, the fall of the season,
The fall of the leaves.
Alike now each wind blows the breezes
That kiss where they roam,
The breath of the March wind that freezes
20
In the rime of the loam ;
The storm-blast that lashes and scourges,
And rends the white crests of the surges,
As it sweeps with the thunder of dirges
Across the sea foam.
Alike now all rainfall and down-fall,
Foul seasons and fair ;
Let the rose on my patch or the thorn fall,
I heed not, nor care ;
Nor for grey light of dawn, nor for dun light
Of dusk, nor for dazzle of sunlight
At noon ; shall I seek light, or shun light ?
Seek warmth or seek care ?
Nor for breaking of fast neither grateful,
Nor for quenching of thirst,
In the dawn of the eventide hateful,
In the noontide accurst,
In the watch of the night sleep-forsaken
Till that sleep comes, no watch shall re-waken,
Be the best things of life never taken,
Never feared be the worst.
Skies laugh, and buds bloom, and birds warble
At breaking of day ;
Without and within, on grey marble,
The light glimmers grey :
O pale, silent mouth, surely this is
The spot where death strikes and life misses :
Warm lips, pressing cold lips, waste kisses
Clay-cold as cold clay.
Through sunset, and twilight, and nightfall,
And night-watches bleak,
We have lain thus. Now broad rays of light fall,
And flicker, and streak ;
The death-chamber glancing and shining,
Where death and dead life lie reclining,
My hand with her hand intertwining,
My cheek to her cheek.
21
I adjure thee by days spent together,
(So sad and so few),
By the seasons of fair and foul weather,
By the rose and the rue ;
By the storms and the joys of past hours,
By the thorns of the earth and the flowers,
By the sun of the skies and the showers,
By the mist and the dew,
By the time that annihilates all things—
Our woes and our crimes ;
By the gath'ring of great things and small things
At the end of all times,
Let thy soul answer mine through the portal
Of the grave, if the soul be immortal
(As the wise men of all climes have taught all
The fools of all climes).
If these men speak truth I come quickly—
My life does thee wrong :
Dost thou languish in shades peopled thickly
With phantoms that throng ?
Have they known thee, my love ? Hast thou known one
To welcome the stranger and lone one ?
O loved one, O lost one, mine own one,
I tarry not long.
The flower that no more shall enwreath us
Turns sunward : the dove
Sails skyward : the grass is beneath us,
The birds are above.
Those skies, an illegible letter,
Seem fairer and farther, scarce better
Than earth to man, crushed by life's fetter
When lifeless is love.
And none can love twice, says the heathen,
And none can twice die :
More hopeful than these are, are we then,
With hopes past the sky,
Yon judge—will He swerve from just sentence
For tardy, fear-stricken repentance ?
22
Ask those who came hither and went hence,
But hope no reply.
And He who shall judge us in light :
How, then, shall I trust
In Him, having sinned in His sight ?
. . . Is jealous and just ;
So priests taught me once, in their learning
Perplexed, slower still in discerning :
Are ashes to ashes returning,
And dust seeking dust.
Can life thrive when life's love expires ?
Are life and love twain ?
Men say so. Nay, all men are liars,
Or all lives are vain.
Let our dead loves and lives be forgotten
With the ripening of fruits that are rotten ;
So we loving fools, dust-begotten,
Go dustward again.
~ Adam Lindsay Gordon,
1242:Victoria
The lark went up, the mower whet his scythe,
On golden meads kine ruminating lay,
And all the world felt young again and blithe,
Just as to-day.
The partridge shook her covey from her wings,
And limped along the grass; on leaf and lawn
Shimmered the dew, and every throat that sings
Chanted the dawn.
The doe was followed by her new-dropped fawn,
And, folding all her feathers on her breast,
The swan within the reedmace deep withdrawn
Dreamed on her nest.
In the green wheat the poppy burst aflame,
Wildrose and woodbine garlanded the glade,
And, twin with maiden Summer, forth there came
A summer Maid.
Her face was as the face of mid-June when
Blossoms the meadowsweet, the bindweed blows:
Pale as a lily first She blenched, and then
Blushed like a rose.
They placed a Crown upon her fair young brow,
They put a Sceptre in her girlish hand,
Saying, ``Behold! You are Sovereign Lady now
Of this great Land!''
Silent She gazed, as one who doth not know
The meaning of a message. When She broke
The hush of awe around her, 'twas as though
Her soul that spoke.
``With this dread summons, since 'tis Heaven's decree,
I would not palter, even if I could;
But, being a woman only, I can be
Not great, but good.
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``I cannot don the breastplate and the helm,
To my weak waist the sword I cannot gird,
Nor in the discords that distract a Realm
Be seen or heard.
``But in my People's wisdom will I share,
And in their valour play a helpful part,
Lending them still, in all they do or dare,
My woman's heart.
``And haply it may be that, by God's grace,
And unarmed Love's invulnerable might,
I may, though woman, lead a manly race
To higher height;
``If wise will curb disorderly desire,
The Present hold the parent Past in awe,
Religion hallowing with its sacred fire
Freedom and Law.
``Never be broken, long as I shall reign,
The solemn covenant 'twixt them and me,
To keep this Kingdom, moated by the main,
Loyal yet free.''
Thus with grave utterance and majestic mien
She with her eighteen summers filled the Throne
Where Alfred sate: a girl, withal a Queen,
Aloft, alone!
But Love that hath the power to force apart
The bolts and baulk the sentinels of Kings,
Came o'er the sea, and in her April heart
Folded his wings.
Thenceforth more dear than diadem She owned
A princely helpmate, sharer in her trust,
If not her Sceptre:-since, withal, enthroned
By Time the just.
Scorner of wrong, and lover of the right,
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Compounded all of nobleness he seemed,
And was indeed the perfect gentle Knight
The poet dreamed.
So when the storm of wrath arose that drave
Scared Rulers from their realms, Her Throne, deep laid
In liberty and trust, calm shelter gave
To Kings dismayed.
And stronger grew the bond of love and grace
Betwixt Her and her People, while that She
Reigned the glad Mother of a Royal race,
Rulers to be.
But Death that deepens love in darkening life
Turned to a pall the purple of her Throne.
Then, more than once the maid, the widowed wife
Reigned all alone!
``Leave me awhile to linger with the dead,''
Weeping, She sued. ``But doubt not that I still
Am nuptialled to my People, and have wed
Their deathless will.
``Their thoughts shall be my thoughts, their aim my aim,
Their free-lent loyalty my right divine;
Mine will I make their triumphs, mine their fame,
Their sorrows mine.
``And I will be the bond to link them all
In patriot purpose till my days be done,
So that, in mind and might, whate'er befall,
They still keep One.''
Then to the winds yet wider was unfurled
The Flag that tyrants never could enslave,
Till its strong wisdom governed half the world,
And all the wave!
And, panoplied alike for War or Peace,
Victoria's England furroweth still the foam
To harvest Empire, wiser than was Greece,
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Wider than Rome!
Therefore with glowing hearts and proud glad tears,
The children of her Island Realm to-day
Recall her sixty venerable years
Of virtuous sway.
Now too from where Saint-Lawrence winds, adown
'Twixt forests felled and plains that feel the plough,
And Ganges jewels the Imperial Crown
That girds her brow;
From Afric's Cape, where loyal watchdogs bark,
And Britain's Sceptre ne'er shall be withdrawn,
And that young Continent that greets the dark
When we the dawn;
From steel-capped promontories stern and strong,
And lone isles mounting guard upon the main,
Hither her subjects wend to hail her long
Resplendent Reign.
And ever when mid-June's musk-roses blow,
Our Race will celebrate Victoria's name,
And even England's greatness gain a glow
From Her pure fame.
~ Alfred Austin,
1243:The Lonely Life
The morning rain, when, from her coop released,
The hen, exulting, flaps her wings, when from
The balcony the husbandman looks forth,
And when the rising sun his trembling rays
Darts through the falling drops, against my roof
And windows gently beating, wakens me.
I rise, and grateful, bless the flying clouds,
The cheerful twitter of the early birds,
The smiling fields, and the refreshing air.
For I of you, unhappy city walls,
Enough have seen and known; where hatred still
Companion is to grief; and grieving still
I live, and so shall die, and that, how soon!
But here some pity Nature shows, though small,
Once in this spot to me so courteous!
Thou, too, O Nature, turn'st away thy gaze
From misery; thou, too, thy sympathy
Withholding from the suffering and the sad,
Dost homage pay to royal happiness.
No friend in heaven, on earth, the wretched hath,
No refuge, save his trusty dagger's edge.
Sometimes I sit in perfect solitude,
Upon a hill, that overlooks a lake,
That is encircled quite with silent trees.
There, when the sun his mid-day course hath reached,
His tranquil face he in a mirror sees:
Nor grass nor leaf is shaken by the wind;
There is no ripple on the wave, no chirp
Of cricket, rustling wing of bird in bush,
Nor hum of butterfly; no motion, voice,
Or far or near, is either seen or heard.
Its shores are locked in quiet most profound;
So that myself, the world I quite forget,
As motionless I sit; my limbs appear
To lie dissolved, of breath and sense deprived;
As if, in immemorial rest, they seemed
Confounded with the silent scene around.
O love, O love, long since, thou from this breast
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Hast flown, that was so warm, so ardent, once.
Misfortune in her cold and cruel grasp
Has held it fast, and it to ice has turned,
E'en in the flower of my youth. The time
I well recall, when thou this heart didst fill;
That sweet, irrevocable time it was,
When this unhappy scene of life unto
The ardent gaze of youth reveals itself,
Expands, and wears the smile of Paradise.
How throbs the heart within the boyish breast,
By virgin hope and fond desire impelled!
The wretched dupe for life's hard work prepares,
As if it were a dance, or merry game.
But when _I_ first, O love, thy presence felt,
Misfortune had already crushed my life,
And these poor eyes with constant tears were filled.
Yet if, at times, upon the sun-lit slopes,
At silent dawn, or when, in broad noonday,
The roofs and hills and fields are shining bright,
I of some lonely maiden meet the gaze;
Or when, in silence of the summer night,
My wandering steps arresting, I before
The houses of the village pause, to gaze
Upon the lonely scene, and hear the voice,
So clear and cheerful, of the maiden, who,
Her ditty chanting, in her quiet room,
Her daily task protracts into the night,
Ah, then this stony heart will throb once more;
But soon, alas, its lethargy returns,
For all things sweet are strangers to this breast!
Belovèd moon, beneath whose tranquil rays
The hares dance in the groves, and at the dawn
The huntsman, vexed at heart, beholds the tracks
Confused and intricate, that from their forms
His steps mislead; hail, thou benignant Queen
Of Night! How unpropitious fall thy rays,
Among the cliffs and thickets, or within
Deserted buildings, on the gleaming steel
Of robber pale, who with attentive ear
Unto the distant noise of horses and
Of wheels, is listening, or the tramp of feet
95
Upon the silent road; then, suddenly,
With sound of arms, and hoarse, harsh voice, and look
Of death, the traveller's heart doth chill,
Whom he half-dead, and naked, shortly leaves
Among the rocks. How unpropitious, too,
Is thy bright light along the city streets,
Unto the worthless paramour, who picks
His way, close to the walls, in anxious search
Of friendly shade, and halts, and dreads the sight
Of blazing lamps, and open balconies.
To evil spirits unpropitious still,
To _me_ thy face will ever seem benign,
Along these heights, where nought save smiling hills,
And spacious fields, thou offer'st to my view.
And yet it was my wayward custom once,
Though I was innocent, thy gracious ray
To chide, amid the haunts of men, whene'er
It would my face to them betray, and when
It would their faces unto me reveal.
Now will I, grateful, sing its constant praise,
When I behold thee, sailing through the clouds,
Or when, mild sovereign of the realms of air,
Thou lookest down on this, our vale of tears.
Me wilt thou oft behold, mute wanderer
Among the groves, along the verdant banks,
Or seated on the grass, content enough,
If heart and breath are left me, for a sigh!
~ Count Giacomo Leopardi,
1244:The Sick Stockrider
Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;
To southward lay "Katawa", with the sand peaks all ablaze,
And the flushed fields of Glen Lomond lay to north.
Now westward winds the bridle-path that leads to Lindisfarm,
And yonder looms the double-headed Bluff;
From the far side of the first hill, when the skies are clear and calm,
You can see Sylvester's woolshed fair enough.
Five miles we used to call it from our homestead to the place
Where the big tree spans the roadway like an arch;
'Twas here we ran the dingo down that gave us such a chase
Eight years ago -- or was it nine? -- last March.
'Twas merry in the glowing morn among the gleaming grass,
To wander as we've wandered many a mile,
And blow the cool tobacco cloud, and watch the white wreaths pass,
Sitting loosely in the saddle all the while.
'Twas merry 'mid the blackwoods, when we spied the station roofs,
To wheel the wild scrub cattle at the yard,
With a running fire of stock whips and a fiery run of hoofs;
Oh! the hardest day was never then too hard!
Aye! we had a glorious gallop after "Starlight" and his gang,
When they bolted from Sylvester's on the flat;
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang,
To the strokes of "Mountaineer" and "Acrobat".
Hard behind them in the timber, harder still across the heath,
Close beside them through the tea-tree scrub we dash'd;
And the golden-tinted fern leaves, how they rustled underneath;
And the honeysuckle osiers, how they crash'd!
We led the hunt throughout, Ned, on the chestnut and the grey,
And the troopers were three hundred yards behind,
While we emptied our six-shooters on the bushrangers at bay,
291
In the creek with stunted box-trees for a blind!
There you grappled with the leader, man to man, and horse to horse,
And you roll'd together when the chestnut rear'd;
He blazed away and missed you in that shallow water-course -A narrow shave -- his powder singed your beard!
In these hours when life is ebbing, how those days when life was young
Come back to us; how clearly I recall
Even the yarns Jack Hall invented, and the songs Jem Roper sung;
And where are now Jem Roper and Jack Hall?
Ay! nearly all our comrades of the old colonial school,
Our ancient boon companions, Ned, are gone;
Hard livers for the most part, somewhat reckless as a rule,
It seems that you and I are left alone.
There was Hughes, who got in trouble through that business with the cards,
It matters little what became of him;
But a steer ripp'd up Macpherson in the Cooraminta yards,
And Sullivan was drown'd at Sink-or-swim;
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck,
In the "horrors" at the Upper Wandinong,
And Carisbrooke, the rider, at the Horsefall broke his neck;
Faith! the wonder was he saved his neck so long!
Ah! those days and nights we squandered at the Logans' in the glen -The Logans, man and wife, have long been dead.
Elsie's tallest girl seems taller than your little Elsie then;
And Ethel is a woman grown and wed.
I've had my share of pastime, and I've done my share of toil,
And life is short -- the longest life a span;
I care not now to tarry for the corn or for the oil,
Or for wine that maketh glad the heart of man.
For good undone, and gifts misspent, and resolutions vain,
'Tis somewhat late to trouble. This I know -I should live the same life over, if I had to live again;
And the chances are I go where most men go.
The deep blue skies wax dusky, and the tall green trees grow dim,
The sward beneath me seems to heave and fall;
And sickly, smoky shadows through the sleepy sunlight swim,
And on the very sun's face weave their pall.
Let me slumber in the hollow where the wattle blossoms wave,
292
With never stone or rail to fence my bed;
Should the sturdy station children pull the bush-flowers on my grave,
I may chance to hear them romping overhead.
I don't suppose I shall though, for I feel like sleeping sound,
That sleep, they say, is doubtful. True; but yet
At least it makes no difference to the dead man underground
What the living men remember or forget.
Enigmas that perplex us in the world's unequal strife,
The future may ignore or may reveal;
Yet some, as weak as water, Ned, to make the best of life,
Have been to face the worst as true as steel.
~ Adam Lindsay Gordon,
1245:Poets with whom I learned my trade.
Companions of the Cheshire Cheese,
Here's an old story I've remade,
Imagining 'twould better please
Your cars than stories now in fashion,
Though you may think I waste my breath
Pretending that there can be passion
That has more life in it than death,
And though at bottling of your wine
Old wholesome Goban had no say;
The moral's yours because it's mine.

When cups went round at close of day
Is not that how good stories run?
The gods were sitting at the board
In their great house at Slievenamon.
They sang a drowsy song, Or snored,
For all were full of wine and meat.
The smoky torches made a glare
On metal Goban 'd hammered at,
On old deep silver rolling there
Or on some still unemptied cup
That he, when frenzy stirred his thews,
Had hammered out on mountain top
To hold the sacred stuff he brews
That only gods may buy of him.

Now from that juice that made them wise
All those had lifted up the dim
Imaginations of their eyes,
For one that was like woman made
Before their sleepy eyelids ran
And trembling with her passion said,
'Come out and dig for a dead man,
Who's burrowing Somewhere in the ground
And mock him to his face and then
Hollo him on with horse and hound,
For he is the worst of all dead men.'

We should be dazed and terror-struck,
If we but saw in dreams that room,
Those wine-drenched eyes, and curse our luck
That emptied all our days to come.
I knew a woman none could please,
Because she dreamed when but a child
Of men and women made like these;
And after, when her blood ran wild,
Had ravelled her own story out,
And said, 'In two or in three years
I needs must marry some poor lout,'
And having said it, burst in tears.

Since, tavern comrades, you have died,
Maybe your images have stood,
Mere bone and muscle thrown aside,
Before that roomful or as good.
You had to face your ends when young -
'Twas wine or women, or some curse -
But never made a poorer song
That you might have a heavier purse,
Nor gave loud service to a cause
That you might have a troop of friends,
You kept the Muses' sterner laws,
And unrepenting faced your ends,
And therefore earned the right - and yet
Dowson and Johnson most I praise -
To troop with those the world's forgot,
And copy their proud steady gaze.

'The Danish troop was driven out
Between the dawn and dusk,' she said;
'Although the event was long in doubt.
Although the King of Ireland's dead
And half the kings, before sundown
All was accomplished.

           'When this day
Murrough, the King of Ireland's son,
Foot after foot was giving way,
He and his best troops back to back
Had perished there, but the Danes ran,
Stricken with panic from the attack,
The shouting of an unseen man;
And being thankful Murrough found,
Led by a footsole dipped in blood
That had made prints upon the ground,
Where by old thorn-trees that man stood;
And though when he gazed here and there,
He had but gazed on thorn-trees, spoke,
"Who is the friend that seems but air
And yet could give so fine a stroke?"
Thereon a young man met his eye,
Who said, "Because she held me in
Her love, and would not have me die,
Rock-nurtured Aoife took a pin,
And pushing it into my shirt,
Promised that for a pin's sake
No man should see to do me hurt;
But there it's gone; I will not take
The fortune that had been my shame
Seeing, King's son, what wounds you have."
'Twas roundly spoke, but when night came
He had betrayed me to his grave,
For he and the King's son were dead.
I'd promised him two hundred years,
And when for all I'd done or said
And these immortal eyes shed tears
He claimed his country's need was most,
I'd saved his life, yet for the sake
Of a new friend he has turned a ghost.
What does he cate if my heart break?
I call for spade and horse and hound
That we may harry him.' Thereon
She cast herself upon the ground
And rent her clothes and made her moan:
'Why are they faithless when their might
Is from the holy shades that rove
The grey rock and the windy light?
Why should the faithfullest heart most love
The bitter sweetness of false faces?
Why must the lasting love what passes,
Why are the gods by men betrayed?'

But thereon every god stood up
With a slow smile and without sound,
And Stretching forth his arm and cup
To where she moaned upon the ground,
Suddenly drenched her to the skin;
And she with Goban's wine adrip,
No more remembering what had been.
Stared at the gods with laughing lip.

I have kept my faith, though faith was tried,
To that rock-born, rock-wandering foot,
And the world's altered since you died,
And I am in no good repute
With the loud host before the sea,
That think sword-strokes were better meant
Than lover's music let that be,
So that the wandering foot's content.

~ William Butler Yeats, The Grey Rock
,
1246:The Birth Of The Rail
DRAMATIS PERSONAE
LELAND, THE KID _a Road Agent_
COWBOY CHARLEY _Same Line of Business_
HAPPY HUNTY _Ditto in All Respects_
SOOTYMUG _a Devil_
_Scene_-the Dutch Flat Stage Road, at 12 P.M., on a Night
of 1864.
COWBOY CHARLEY:
My boss, I fear she is delayed to-night.
Already it is past the hour, and yet
My ears have reached no sound of wheels; no note
Melodious, of long, luxurious oaths
Betokens the traditional dispute
(Unsettled from the dawn of time) between
The driver and off wheeler; no clear chant
Nor carol of Wells Fargo's messenger
Unbosoming his soul upon the air
his prowess to the tender-foot,
And how at divers times in sundry ways
He strewed the roadside with our carcasses.
Clearly, the stage will not come by to-night.
LELAND, THE KID:
I now remember that but yesterday
I saw three ugly looking fellows start
From Colfax with a gun apiece, and they
Did seem on business of importance bent.
Furtively casting all their eyes about
And covering their tracks with all the care
That business men do use. I think perhaps
They were Directors of that rival line,
The great Pacific Mail. If so, they have
Indubitably taken in that coach,
444
And we are overreached. Three times before
This thing has happened, and if once again
These outside operators dare to cut
Our rates of profit I shall quit the road
And take my money out of this concern.
When robbery no longer pays expense
It loses then its chiefest charm for me,
And I prefer to cheat-you hear me shout!
HAPPY HUNTY:
My chief, you do but echo back my thoughts:
This competition is the death of trade.
'Tis plain (unless we wish to go to work)
Some other business we must early find.
What shall it be? The field of usefulness
Is yearly narrowing with the advance
Of wealth and population on this coast.
There's little left that any man can do
Without some other fellow stepping in
And doing it as well. If one essay
To pick a pocket he is sure to feel
(With what disgust I need not say to you)
Another hand inserted in the same.
You crack a crib at dead of night, and lo!
As you explore the dining-room for plate
You find, in session there, a graceless band
Stuffing their coats with spoons, their skins with wine.
And so it goes. Why even undertake
To salt a mine and you will find it rich
With noble specimens placed there before!
LELAND, THE KID:
And yet this line of immigration has
Advantages superior to aught
That elsewhere offers: all these passengers,
If punched with careCOWBOY CHARLEY:
Significant remark!
445
It opens up a prospect wide and fair,
Suggesting to the thoughtful mind-_my_ mindA scheme that is the boss lay-out. Instead
Of stopping passengers, let's carry them.
Instead of crying out: 'Throw up your hands!'
Let's say: 'Walk up and buy a ticket!' Why
Should we unwieldy goods and bullion take,
Watches and all such trifles, when we might
Far better charge their value three times o'er
For carrying them to market?
LELAND, THE KID:
Put it there,
Old son!
HAPPY HUNTY:
You take the cake, my dear. We'll build
A mighty railroad through this pass, and then
The stage folk will come up to us and squeal,
And say: 'It is bad medicine for both:
What will you give or take?' And then we'll sell.
COWBOY CHARLEY:
Enlarge your notions, little one; this is
No petty, slouching, opposition scheme,
To be bought off like honest men and fools;
Mine eye prophetic pierces through the mists
That cloud the future, and I seem to see
A well-devised and executed scheme
Of wholesale robbery within the law
(Made by ourselves)-great, permanent, sublime,
And strong to grapple with the public throatShaking the stuffing from the public purse,
The tears from bankrupt merchants' eyes, the blood
From widows' famished carcasses, the bread
From orphans' mouths!
HAPPY HUNTY:
446
Hooray!
LELAND, THE; KID:
Hooray!
ALL:
Hooray!
_(They tear the masks from their faces, and discharging their
shotguns, throw them into the chapparal. Then they join hands,
dance and sing the following song:)_
Ah! blessed to measure
The glittering treasure!
Ah! blessed to heap up the gold
Untold
That flows in a wide
And deepening tideRolled, rolled, rolled
From multifold sources,
Converging its courses
Upon ourLELAND, THE KID:
Just wait a bit, my pards, I thought I heard
A sneaking grizzly cracking the dry twigs.
Such an intrusion might deprive the State
Of all the good that we intend it. Ha!
_(Enter Sootymug. He saunters carelessly in and gracefully
leans his back against a redwood.)_
SOOTYMUG:
My boys, I thought I heard
Some careless revelry,
As if your minds were stirred
By some new devilry.
I too am in that line. Indeed, the mission
447
On which I comeHAPPY HUNTY:
Here's more damned competition!
_(Curtain.)_
~ Ambrose Bierce,
1247:Causerie
. . . party on the stage of the Earl Carroll Theatre on
Feb. 23. At this party Joyce Hawley, a chorus-girl,
bathed in the nude in a bathtub filled with alleged
wine. New York Times.
What are the springs of sleep? What is the motion
Of dust in the lane that has an end in falling?
Heroes, heroes, you auguries of passion,
Where are the heroes with sloops and telescopes
Who got out of bed at four to vex the dawn?
Men for their last quietus scanned the earth,
Alert on the utmost foothill of the mountains;
They were the men who climbed the topmost screen
Of the world, if sleep but lay beyond it,
Sworn to the portage of our confirmed sensations,
Seeking our image in the farthest hills.
Now bearing a useless testimony of strife
Gathered in a rumor of light, we know our end
A packet of worm-seed, a garden of spent tissues.
I’ve done no rape, arson, incest, no murder,
Yet cannot sleep. The petty crimes of silence
(Wary pander to whom the truth's chief whore)
I have omitted; no fool can say my tongue
Reversed its fetish and made a cult of conscience.
This innermost disturbance is a babble,
It is a sign moved to my face as well
Where every tide of heart surges to speech
Until in that loquacity of visage
One speaks a countenance fitter for death than hell.
Always your features lean to one direction
And by that charted distance know your doom.
For death is 'morality touched with emotion,'
The syllable and full measure of affirmation;
Give life the innocent crutch of quiet fools.
Where is your house, in which room stands your bed?
What window discovers these insupportable dreams?
In a lean house spawned on baked limestone
Blood history is the murmur of grasshoppers
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Eastward of the dawn. Have you a daughter,
Daughters are the seed of occupations,
Of asperities, such as wills, deeds, mortgages,
Duels, estates, statesmen, pioneers, embezzlers,
'Eminent Virginians,' reminiscences, bastards,
The bar-sinister hushed, effaced by the porcelain tub.
A daughter is the fruit of occupations;
Let her not read history lest knowledge
Of her fathers instruct her to be a petty bawd.
Vittoria was herself, the contemporary strumpet
A plain bitch.
For miracles are faint
And resurrection is our weakest clause of religion,
I have known men in my youth who foundered on
This point of doctrine: John Ransom, boasting hardy
Entelechies yet botched in the head, lacking grace;
Warren thirsty in Kentucky, his hair in the rain, asleep;
None so unbaptized as Edmund Wilson the unwearied,
That sly parody of the devil. They lacked doctrine;
They waited. I, who watched out the first crisis
With them, wait:
For the incredible image. Now
I am told that Purusha sits no more in our eyes.
Year after year the blood of Christ will sleep
In the holy tree, the branches sagged without bloom
Till the plant overflowing the stale vegetation
In May the creek swells with the anemone,
The Lord God wastes his substance towards the ocean.
In Christ we have lived, on the flood of Christ borne up,
Who now is a precipitate flood of silence,
We a drenched wreck off an imponderable shore:
A jagged cloud is our memory of shore
Whereon we figure hills below ultimate ranges.
You cannot plot the tendency of man,
Whither it leads is not mysterious
In the various grave; but whence the impulse
To lust for the apple of apples on Christ's tree,
To desire in the eye, to penetrate your sleep,
Perhaps to catch in unexpected leaves
The light incentive of your absolute suspicion?
Over the mountains, the last barrier, you'd spill
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These relics of your sires in a pool of sleep,
The sun being drained.
We have learned to require
In the infirm concessions of memory
The privilege never to hear too much.
What is this conversation, now secular,
A speech not mine yet speaking for me in
The heaving jelly of my tribal air?
It rises in the throat, it climbs the tongue;
It perches there for secret tutelage
And gets it, of inscrutable instructionWhich is a puzzle like crepuscular light
That has no visible source but fills the trees
With equal foliage, as if the upper leaf
No less than the under were only imminent shade.
Manhood like a lawyer with his formulas
Sesames his youth for innocent acquittal.
The essential wreckage of your age is different,
The accident the same; the Annabella
Of proper incest, no longer incestuous:
In an age of abstract experience, fornication
Is self-expression, adjunct to Christian euphoria,
And whores become delinquents; delinquents, patients;
Patients, wards of society. Whores, by that rule,
Are precious.
Was it for this that Lucius
Became the ass of Thessaly? For this did Kyd
Unlock the lion of passion on the stage?
To litter a race of politic pimps? To glut
The Capitol with the progeny of thievesWhere now the antique courtesy of your myths
Goes in to sleep under a still shadow?
~ Allen Tate,
1248:Two Voices
COUNTRY
'SWEET are the lanes and the hedges, the fields made red with the clover,
With tall field-sorrel, and daisies, and golden buttercups glowing;
Sweet is the way through the woods, where at sundown maiden and lover
Linger by stile or by bank where wild clematis is growing.
Fair is our world when the dew and the dawn thrill the half-wakened roses,
Fair when the corn-fields grow warm with poppies in noonlight gleaming,
Fair through the long afternoon, when hedges and hay-fields lie dreaming,
Fair as in lessening light the last convolvulus closes
'Scent of geranium and musk that in cottage windows run riot,
Breath from the grass that is down in the meadows each side the highway,
Slumberous hush of the churchyard where we one day may lie quiet,
Murmuring wind through the leaves bent over the meadow byway,
Deeps of cool shadow, and gleams of light on high elm-tops shining,
Such peace in the dim green brake as the town, save in dreams, knows never,
But in, through, under it all, the old pain follows us ever-Ever the old despair, the old unrest and repining.
'Dark is the City's face; but her children who know her find her
Mother to them who are brothers, mindful of brotherhood's duty;
To each of us, lonely, unhelped, the grave would be warmer, kinder,
Than the cold unloving face of our world of blossom and beauty.
Poverty deep and dark cowers under the thatch with the swallows,
Cruel disease lies hid in the changeful breast of the waters,
Drink sets snares for our sons, and shame digs graves for our daughters,
Want and care crush the flower of a youth that no life-fruit follows.
'What are the woodland sweets--the meadow's fair flowery treasure-When we are hungry and sad, and stupid with work and with sorrows?
Leisure for nothing but sleep, and with heart but for sleep in our leisure;
The work of to-day still the same as yesterday's work, and to-morrow's.
Ever the weary round--the treadmill of innocent lives-Hopeless and helpless, and bowing our backs like a hound's to the lashes;
What can seem fair to the eyes that are smarting and sore with the ashes
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Blown from the fires that consume the souls of our children and wives?
'Dreams sometimes we have had of an hour when we might speak plainly,
Raise the mantle and show how the iron eats into our bosom,
The rotting root of the Nation, the worm at the heart of its blossom,
Dreaming we said, 'We will speak, when the time for it comes, not vainly.'
Ah--but the time comes never--Life, we are used to bear it,
Starved are our brains and grow not, our hands are fit but for toiling,
If we stretched them out their touch to our masters' hand would be soiling;
Weak is our voice with disuse--too weak for our lords to hear it!'
CITY
'So has the spark died out that the torch of hope dropped among you?
So is the burden bound more fast to the shrinking shoulder?
Far too faint are your cries to be heard by the men who wrong you?
And if they heard they are high, and the air as men rise grows colder!
Yet you are men though so weak, and in mine and workshop your brothers,
Stronger in head, and in heart not less sad, for deliverance are striving;
These will stand fast, and will face the cruel unjust and ungiving,
And you in our ranks shall be 'listed, our hands fast clasped in each other's!
'For in the night of our sorrow cold lights are breaking and brightening
Out in the eastern sky; through the drifting clouds, wind-driven,
Over the earth new gleams and glories are laughing and lightening,
Clearer the air grows each moment, brighter the face of the heaven.
Turn we our face to the east--oh, wind of the dawn, blow to us
Freshness and strength and resolve! The star of old faith grows paler
Before the eyes of our Freedom, though still wrath's red mists veil her,
For this is our battle day; revenge, like our blood, runs through us.
'This is our vengeance day. Our masters, made fat with our fasting,
Shall fall before us like corn when the sickle for harvest is strong:
Old wrong shall give might to our arm--remembrance of wrong shall make lasting
The graves we will dig for the tyrants we bore with too much and too long.
The sobs of our starving children, the tears of our heart-sick mothers,
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The moan of your murdered manhood crushed out by their wanton pressure,
The wail of the life-long anguish that paid the price of their pleasure,
These will make funeral music to speed the lost souls of them, brothers!
'Shoulder to shoulder we march, and for those who go down mid the fighting
With rifles in hand and pikes, and the red flag over them flying,
Glad shall our hearts be for them--who die when our sun is lighting
The warm, wide heavens, and sheds its lovely light on their dying.
Fight, though we lose our dearest--fight, though the battle rages
Fiercer and hotter than ever was fight in the world before:
We must fight--how can men do less? If we die, what can men do more?
And the sun of Freedom shall shine across our graves to the ages!'
~ Edith Nesbit,
1249: ON IMMACULATE

PERCEPTION

When the moon rose yesterday I fancied that she
wanted to give birth to a sun: so broad and pregnant
she lay on the horizon. But she lied to me with her
pregnancy; and I should sooner believe in the man in
the moon than in the woman.
Indeed, he is not much of a man either, this shy
nocturnal enthusiast. Verily, with a bad conscience he
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passes over the roofs. For he is lecherous and jealous,
the monk in the moon, lecherous after the earth and all
the joys of lovers.
No, I do not like him, this tomcat on the roofs! I
loa the all that crawl about half-closed windows! Piously
and silently he passes over carpets of stars; but I do not
like softly treading men's feet, on which no spur
jingles. The step of everything honest speaks; but the
cat steals over the ground. Behold, like a cat the moon
comes along, dishonestly.
This parable I offer you, sentimental hypocrites, you
who are "pure perceivers." I call you-lechers.
You too love the earth and the earthly: I have seen
through you; but there is shame in your love and bad
conscience-you are like the moon. Your spirit has been
persuaded to despise the earthly; but your entrails have
not been persuaded, and they are what is strongest in
you. And now your spirit is ashamed at having given in
to your entrails, and, to hide from its shame, it sneaks
on furtive and lying paths.
"This would be the highest to my mind"-thus says
your lying spirit to itself-"to look at life without desire
and not, like a dog, with my tongue hanging out. To be
happy in looking, with a will that has died and without
the grasping and greed of selfishness, the whole body
cold and ashen, but with drunken moon eyes. This I
should like best"-thus the seduced seduces himself"to love the earth as the moon loves her, and to touch
her beauty only with my eyes. And this is what the immaculate perception of all things shall mean to me: that
I want nothing from them, except to be allowed to lie
prostrate before them like a mirror with a hundred
eyes.
o you sentimental hypocrites, you lechers! You lack
innocence in your desire and therefore you slander all
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desire. Verily, it is not as creators, procreators, and
those who have joy in becoming that you love the earth.
Where is innocence? Where there is a will to procreate.
And he who wants to create beyond himself has the
purest will.
Where is beauty? Where I must will with all my will;
where I want to love and perish that an image may not
remain a mere image. Loving and perishing: that has
rhymed for eternities. The will to love, that is to be
willing also to die. Thus I speak to you cowards
But now your emasculated leers wish to be called
contemplation." And that which permits itself to be
touched by cowardly glances you would baptize "beautiful." How you soil noble names!
But this shall be your curse, you who are immaculate,
you pure perceivers, that you shall never give birth,
even if you lie broad and pregnant on the horizon.
Verily, you fill your mouth with noble words; and are
we to believe that your heart is overflowing, you liars?
But my words are small, despised, crooked words:
gladly I pick up what falls under the table at your
meals. I can still use it to tell hypocrites the truth.
Indeed, my fishbones, clamshells, and thorny leaves
shall tickle the noses of hypocrites. Bad air always surrounds you and your meals: for your lecherous thoughts,
your lies and secrets, are in the air. Would that you
dared to believe yourselves-yourselves and your entrails. Whoever does not believe himself always lies.
Behind a god's mask you hide from yourselves, in
your "purity"; your revolting worm has crawled into a
god's mask. Verily, you deceive with your "contemplation." Zarathustra too was once fooled by your godlike
skins and did not realize that they were stuffed with
snakes' coils. I once fancied that I saw a god's soul at
play in your play, you pure perceivers. No better art I
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once fancied than your arts. Snakes' filth and bad odors
were concealed from me by the distance, and that the
cunning of a lizard was crawling around lecherously.
But I came close to you, and the day dawned on me,
and now it dawns on you too; the moon's love has come
to an end. Look there Caught and pale he stands there,
confronted by the dawn. For already she approaches,
glowing; her love for the earth approaches. All solar
love is innocence and creative longing.
Look there: how she approaches impatiently over the
sea. Do you not feel the thirst and the hot breath of
her love? She would suck at the sea and drink its depth
into her heights; and the sea's desire rises toward her
with a thousand breasts. It wants to be kissed and
sucked by the thirst of the sun; it wants to become air
and height and a footpath of light, and itself light.
Verily, like the sun I love life and all deep seas. And
this is what perceptive knowledge means to me: all that
is deep shall rise up to my heights.
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON IMMACULATE PERCEPTION
,
1250:Spring - The First Pastoral ; Or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
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Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
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Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
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Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
~ Alexander Pope,
1251:The Bread Of Angels
AT that lost hour disowned of day and night,
The after-birth of midnight, when life's face
Turns to the wall and the last lamp goes out
Before the incipient irony of dawn -In that obliterate interval of time
Between the oil's last flicker and the first
Reluctant shudder of averted day,
Threading the city's streets (like mine own ghost
Wakening the echoes of dispeopled dreams),
I smiled to see how the last light that fought
Extinction was the old familiar glare
Of supper tables under gas-lit ceilings,
The same old stale monotonous carouse
Of greed and surfeit nodding face to face
O'er the picked bones of pleasure . . .
So that the city seemed, at that waste hour,
Like some expiring planet from whose face
All nobler life had perished -- love and hate,
And labor and the ecstasy of thought -Leaving the eyeless creatures of the ooze,
Dull offspring of its first inchoate birth,
The last to cling to its exhausted breast.
And threading thus the aimless streets that strayed
Conjectural through a labyrinth of death,
Strangely I came upon two hooded nuns,
Hands in their sleeves, heads bent as if beneath
Some weight of benediction, gliding by
Punctual as shadows that perform their round
Upon the inveterate bidding of the sun
Again and yet again their ordered course
At the same hour crossed mine: obedient shades
Cast by some high-orbed pity on the waste
Of midnight evil! and my wondering thoughts
Tracked them from the hushed convent where there kin
Lay hived in sweetness of their prayer built cells.
What wind of fate had loosed them from the lee
Of that dear anchorage where their sisters slept?
On what emprise of heavenly piracy
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Did such frail craft put forth upon this world;
In what incalculable currents caught
And swept beyond the signal-lights of home
Did their white coifs set sail against the night?
At last, upon my wonder drawn, I followed
The secret wanderers till I saw them pause
Before the dying glare of those tall panes
Where greed and surfeit nodded face to face
O'er the picked bones of pleasure . . .
And the door opened and the nuns went in.
Again I met them, followed them again.
Straight as a thought of mercy to its goal
To the same door they sped. I stood alone.
And suddenly the silent city shook
With inarticulate clamor of gagged lips,
As in Jerusalem when the veil was rent
And the dead drove the living from the streets.
And all about me stalked the shrouded dead,
Dead hopes, dead efforts, loves and sorrows dead,
With empty orbits groping for their dead
In that blind mustering of murdered faiths . . .
And the door opened and the nuns came out.
I turned and followed. Once again we came
To such a threshold, such a door received them,
They vanished, and I waited. The grim round
Ceased only when the festal panes grew dark
And the last door had shot its tardy bolt.
'Too late!' I heard one murmur; and 'Too late!'
The other, in unholy antiphon.
And with dejected steps they turned away.
They turned, and still I tracked them, till they bent
Under the lee of a calm convent wall
Bounding a quiet street. I knew the street,
One of those village byways strangely trapped
In the city's meshes, where at loudest noon
The silence spreads like moss beneath the foot,
And all the tumult of the town becomes
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Idle as Ocean's fury in a shell.
Silent at noon -- but now, at this void hour,
When the blank sky hung over the blank streets
Clear as a mirror held above dead lips,
Came footfalls, and a thronging of dim shapes
About the convent door: a suppliant line
Of pallid figures, ghosts of happier folk,
Moving in some gray underworld of want
On which the sun of plenty never dawns.
And as the nuns approached I saw the throng
Pale emanation of that outcast hour,
Divide like vapor when the sun breaks through
And take the glory on its tattered edge.
For so a brightness ran from face to face,
Faint as a diver's light beneath the sea
And as a wave draws up the beach, the crowd
Drew to the nuns.
I waited. Then those two
Strange pilgrims of the sanctuaries of sin
Brought from beneath their large conniving cloaks
Two hidden baskets brimming with rich store
Of broken viands -- pasties, jellies, meats,
Crumbs of Belshazzar's table, evil waste
Of that interminable nightly feast
Of greed and surfeit, nodding face to face
O'er the picked bones of pleasure . . .
And piteous hands were stretched to take the bread
Of this strange sacrament -- this manna brought
Out of the antique wilderness of sin.
Each seized a portion, turning comforted
From this new breaking of the elements;
And while I watched the mystery of renewal
Whereby the dead bones of old sins become
The living body of the love of God,
It seemed to me that a like change transformed
The city's self . . . a little wandering air
Ruffled the ivy on the convent wall;
A bird piped doubtfully; the dawn replied;
And in that ancient gray necropolis
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Somewhere a child awoke and took the breast.
~ Edith Wharton,
1252:The Twilight Of Disquietude
Scant majesty of stars prevails
across the uncreated night,
and fate is in the wind that wails
or clamours on the lonely height.
The years that go to make me man
this day are told a score and six
that should have set me magian
o'er my half-souls that struggle and mix.
But wisdom still remains a star
just hung within my aching ken,
and common prudence dwells afar
among contented homes of men.
In wide revolt and ruin tost
against whatever is or seems
my futile heart still wanders lost
in the same vast and impotent dreams.
On either hand life hurries by
its common joy, its common mirth;
I reach vague hands of sympathy,
a ghost upon this common earth.
I said, And let horizons tempt
and windy gates of eastern flame,
henceforth my place is close and kempt
who know their mockery the same.
Tho' nearer to my humble garth
no star may win its law's release,
patience shall tend my modest hearth
and trim a golden flame of peace,
wherein, perchance, from near and far
shall mingle boons right glad to wed,
the mild ray of the distant star
and the mild oil earth's patience bred.
— No roof-tree join'd the unfinish'd walls;
no lamp might shine, nor hearth-fire burn:
only the wind — the wind that calls —
may sing me welcome..who return.
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The pangs that guard the gates of joy
the naked sword that will be kist,
how distant seem'd they to the boy,
white flashes in the rosy mist!
Ah, not where tender play was screen'd
in the light heart of leafy mirth
of that obdurate might we ween'd
that shakes the sure repose of earth.
And sudden, 'twixt a sun and sun,
the veil of dreaming is withdrawn:
lo, our disrupt dominion
and mountains solemn in the dawn;
hard paths that chase the dayspring's white,
and glooms that hold the nether heat:
oh, strange the world upheaved from night,
oh, dread the life before our feet!
My heart was wandering in the sands,
a restless thing, a scorn apart;
Love set his fire in my hands,
I clasped the flame unto my heart.
Surely, I said, my heart shall turn
one fierce delight of pointed flame;
and in that holocaust shall burn
its old unrest and scorn and shame:
surely my heart the heavens at last
shall storm with fiery orisons,
and know, enthroned in the vast,
the fervid peace of molten suns.
The flame that feeds upon my heart
fades or flares, by wild winds controll'd:
my heart still walks a thing apart,
my heart is restless as of old.
The banners of the king unfold
to tend me on my evening way:
my trumpets flood the air with gold;
my pride uplifts the vanquish'd day.
The riches of my heart are bled
to feed the passion of the west:
the limpid springs of life are shed,
and Beauty bares her secret breast.
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Hasten, O night with nuptial breath!
O hour remote from any face!
vain-glories fade to sweetest death
heart-whelm'd in her divine embrace.
What of the battles I would win?
alas! their glory is unheard:
the wind of song wakes not their din
wandering in shadowy glens unstirr'd.
— And the great sorrows that I dream'd?
not all unscathed I thought to rise
high in the dateless dawn, redeem'd,
and bare before eternal eyes.
— And is it then the end of dream?
O heart, that long'd for splendid woe,
our shame to endure this dire extreme
of joy we scorned so long ago!
Disaster drives the shatter'd night
before its coming thro' the deep:
the soul is swept with monstrous flight
of fears upstartled from their sleep.
Its silent heaven is rolled away,
and shaken stars flit to and fro:
the mother-face is livid grey
with dumb apocalypse of woe.
The heart that knows its naked doom
awaits the unspoken shock of fate:
perchance, beyond these powers that loom
its hidden god shall rise more great.
The mother-deep, wise, yearning, bound,
I feel it press beneath my heart,
the deep where I were free and crown'd
o'er mine own realm, alone, apart.
It haunts, a grey unlit abysm,
thro' solitary eyelet-slits
pierced in the mean inflicted schism
where day deludes my purblind wits.
But mighty hands have lock'd the keep
and flung the key, long ages past:
there lies no way into the deep
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that is myself, alone, aghast.
What do I know? myself alone,
a gulf of uncreated night,
wherein no star may e'er be shown
save I create it in my might.
What have I done? Oh foolish word,
and foolish deed your question craves!
think ye the sleeping depths are stirr'd
tho' tempest hound the madden'd waves?
What do I seek? I seek the word
that shall become the deed of might
whereby the sullen gulfs are stirr'd
and stars begotten on their night.
This is the sea where good and evil merge.
The night is black: we sail towards what sun
or lurid star may flare below the verge.
This is the night where good or bad is none.
O wandering soul upon this darkling surge,
does it not pain thee for the days now done,
the narrow days ere some dark god did urge
to seek some isle where life is whole and one!
~ Christopher John Brennan,
1253:The Resurrection
I thought I had forever lost,
Alas, though still so young,
The tender joys and sorrows all,
That unto youth belong;
The sufferings sweet, the impulses
Our inmost hearts that warm;
Whatever gives this life of ours
Its value and its charm.
What sore laments, what bitter tears
O'er my sad state I shed,
When first I felt from my cold heart
Its gentle pains had fled!
Its throbs I felt no more; my love
Within me seemed to die;
Nor from my frozen, senseless breast
Escaped a single sigh!
I wept o'er my sad, hapless lot;
The life of life seemed lost;
The earth an arid wilderness,
Locked in eternal frost;
The day how dreary, and the night
How dull, and dark, and lone!
The moon for me no brightness had,
No star in heaven shone.
And yet the old love was the cause
Of all the tears I shed;
Still in my inmost breast I felt
The heart was not yet dead.
My weary fancy still would crave
The images it loved,
And its capricious longings still
A source of sorrow proved.
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But e'en that lingering spark of grief
Was soon within me spent,
And I the strength no longer had
To utter a lament.
And there I lay, stunned, stupefied,
Nor asked for comfort more;
My heart to hopeless, blank despair
Itself had given o'er.
How changed, alas, was I from him
Who once with passion thrilled,
Whose ardent soul was ever, once,
With sweet illusions filled!
The swallow to my window, still,
Would come, to greet the dawn;
But his sweet song no echo found
In my poor heart, forlorn.
Nor pleased me more, in autumn gray,
Upon the hill-side lone,
The cheerful vesper-bell, or light
Of the departing sun.
In vain the evening star I saw
Above the silent vale,
And vainly warbled in the grove
The plaintive nightingale.
And you, ye furtive glances, bright,
From gentle eyes that rove,
The sweet, the gracious messages
Of first immortal Love;
The soft, white hand, that tenderly
My own hand seemed to woo;
All, all your magic spells were vain,
My torpor to subdue.
Of every pleasure quite bereft,
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Sad but of tranquil mien;
A state of perfect littleness,
Yet with a face serene;
Save for the lingering wish, indeed,
In death to sink to rest,
The force of all desire was spent
In my exhausted breast.
As some poor, feeble wanderer,
With age and sorrow bent,
The April of my years, alas,
Thus listlessly I spent;
Thus listlessly, thus wearily,
Didst thou consume, O heart,
Those golden days, ineffable,
So swiftly that depart.
_Who_, from this heavy, heedless rest
Awakens me again?
What new, what magic power is this,
I feel within me reign?
Ye motions sweet, ye images,
Ye throbs, illusions blest,
Ah, no,--ye are not then shut out
Forever from this breast?
The glorious light of golden days
Do ye again unfold?
The old affections that I lost,
Do I once more behold?
Now, as I gaze upon the sky,
Or on the verdant fields,
Each thing with sorrow me inspires,
And each a pleasure yields.
The mountain, forest, and the shore
Once more my heart rejoice;
The fountain speaks to me once more,
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The sea hath found a voice.
Who, after all this apathy,
Restores to me my tears?
Each moment, as I look around,
How changed the world appears!
Hath hope, perchance, O my poor heart,
Beguiled thee of thy pain?
Ah, no, the gracious smile of hope
I ne'er shall see again.
Nature bestowed these impulses,
And these illusions blest;
Their inborn influence, in me,
By suffering was suppressed;
But not annulled, not overcome
By cruel blows of Fate;
Nor by the inauspicious frown
Of Truth, importunate!
I know she has no sympathy
For fond imaginings;
I know that Nature, too, is deaf,
Nor heeds our sufferings;
That for our _good_ she nothing cares,
Our _being_, only heeds;
And with the sight of our distress
Her wild caprices feeds.
I know the poor man pleads in vain,
For others' sympathy;
That scornfully, or heedlessly,
All from his presence flee;
That both for genius and for worth,
This age has no respect;
That all who cherish lofty aims
Are left to cold neglect.
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And you, ye eyes so tremulous
With lustre all divine,
I know how false your splendors are,
Where no true love doth shine.
No love mysterious and profound
Illumes you with its glow;
Nor gleams one spark of genial fire
Beneath that breast of snow.
Nay, it is wont to laugh to scorn
Another's tender pain;
The fervent flame of heavenly love
To treat with cold disdain.
Yet I with thankfulness once more
The old illusions greet,
And feel, with shock of pleased surprise,
The heart within me beat.
To thee alone this force renewed,
This vital power I owe;
From thee alone, my faithful heart,
My only comforts flow.
I feel it is the destiny
Of every noble mind,
In Fate, in Fortune, Beauty, and the World,
An enemy to find:
But while thou liv'st, nor yield'st to Fate,
Contending without fear,
I will not tax with cruelty
The power that placed me here.
~ Count Giacomo Leopardi,
1254:The Ballad Of Dick Turpin
The daylight moon looked quietly down
Through the gathering dusk on London town
A smock-frocked yokel hobbled along
By Newgate, humming a country song.
Chewing a straw, he stood to stare
At the proclamation posted there:
“Three hundred guineas on Turpins head,
Trap him alive or shoot him dead;
And a hundred more for his mate, Tom King.”
He crouched like a tiger about to spring.
Then he looked up, and he looked down;
And chuckling low, like a country clown,
Dick Turpin painfully hobbled away
In quest of his inn – “The Load of Hay”...
Alone in her stall, his mare, Black Bess,
Lifted her head in mute distress;
For five strange men had entered the yard
And looked at her long, and looked at her hard.
They went out, muttering under their breath;
And then – the dusk grew still as death.
But the velvet ears of the listening mare
Lifted and twitched. They were there – still there;
Hidden and waiting; for whom? And why?
The clock struck four, a set drew nigh.
It was King! Dick Turpins’ mate.
The black mare whinnied. Too late! Too late!
They rose like shadows out of the ground
And grappled him there, without a sound.
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“Throttle him – quietly – choke him dead!
Or we lose this hawk for a jay, they said.”
They wrestled and heaved, five men to one;
And a yokel entered the yard, alone;
A smock-frocked yokel, hobbling slow;
But a fight is physic as all men know.
His age dropped off, he stood upright.
He leapt like a tiger into the fight.
Hand to hand, they fought in the dark;
For none could fire at a twisting mark.
Where he that shot at a foe might send
His pistol ball through the skull of a friend.
But “Shoot Dick, Shoot” gasped out Tom King
“Shoot! Or damn it we both shall swing!
Shoot and chance it!” Dick leapt back.
He drew. He fired. At the pistols crack
The wrestlers whirled. They scattered apart
And the bullet drilled through Tom Kings heart...
Dick Turpin dropped his smoking gun.
They had trapped him five men to one.
A gun in the hand of the crouching five.
They could take Dick Turpin now alive;
Take him and bind him and tell their tale
As a pot house boast, when they drank their ale.
He whistled, soft as a bird might call
And a head rope snapped in his birds dark stall.
He whistled, soft as a nightingale
He heard the swish of her swinging tail.
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There was no way out that the five could see
To heaven or hell, but the Tyburn tree;
No door but death; and yet once more
He whistled, as though at a sweethearts door.
The five men laughed at him, trapped alive;
And – the door crashed open behind the five!
Out of the stable, a wave of thunder,
Swept Black Bess, and the five went under.
He leapt to the saddle, a hoof turned stone,
Flashed blue fire, and their prize was gone.....
**
He rode for one impossible thing; that in the
morning light
The towers of York might waken himfrom London and last night.
He rode to prove himself another,
and leave himself behind.
And the hunted self was like a cloud;
but the hunter like the wind.
Neck and neck they rode together;
that, in the day’s first gleam,
each might prove that the other self
was but a mocking dream.
And the little sleeping villages, and the
breathless country side
Woke to the drum of the ghostly hooves,
but missed that ghostly ride.
The did not see, they did not hear as the ghostly
hooves drew nigh,
The dark magnificent thief in the night
that rode so subtly by.
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They woke, they rushed to the way-side door,
They saw what the midnight showed,A mare that came like a crested wave,
Along the Great North Road.
A flying spark in the formless dark,
a flash from the hoof-spurned stone,
And the lifted face of a man –
that took the starlight and was gone.
The heard the sound of a pounding chase
three hundred yards away
There were fourteen men in a stream of sweat
and a plaster of Midland clay.
The starlight struck their pistol-butts as they
passed in the clattering crowd
But the hunting wraith was away like the wind
at the heels of the hunted cloud.
He rode by the walls of Nottingham,
and over him as he went
Like ghosts across the Great North Road,
the boughs of Sherwood bent.
By Bawtry, all the chase but one has dropped
a league behind,
Yet, one rider haunted him, invisibly, as the wind.
And northward, like a blacker night, he saw the moors up-loom
And Don and Derwent sang to him, like memory in the gloom.
And northward, northward as he rode, and sweeter than a prayer
The voices of those hidden streams,
the Trent, the Ouse and the Aire;
Streams that could never slake his thirst.
He heard them as he flowed
But one dumb shadow haunted him along the
Great North Road.
Till now, at dawn, the towers of York rose on
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the reddening sky.
And Bess went down between his knees,
like a breaking wave to die.
He lay beside her in the ditch, he kissed her lovely head,
And a shadow passed him like the wind and left him with his dead.
He saw, but not that one as wakes, the city that he sought,
He had escaped from London town, but not from his own thought.
He strode up to the Mickle-gate, with none to say him nay.
And there he met his Other Self in the stranger light of day.
He strode up to the dreadful thing that in the gateway stood
And it stretched out a ghostly hand that the dawn had stained with blood.
It stood as in the gates of hell, with none to hear or see,
“Welcome,” it said, “Thou’st ridden well, and outstript all but me”.
~ Alfred Noyes,
1255:Hymne À La Beauté (Hymn To Beauty)
Viens-tu du ciel profond ou sors-tu de l'abîme,
O Beauté? ton regard, infernal et divin,
Verse confusément le bienfait et le crime,
Et l'on peut pour cela te comparer au vin.
Tu contiens dans ton oeil le couchant et l'aurore;
Tu répands des parfums comme un soir orageux;
Tes baisers sont un philtre et ta bouche une amphore
Qui font le héros lâche et l'enfant courageux.
Sors-tu du gouffre noir ou descends-tu des astres?
Le Destin charmé suit tes jupons comme un chien;
Tu sèmes au hasard la joie et les désastres,
Et tu gouvernes tout et ne réponds de rien.
Tu marches sur des morts, Beauté, dont tu te moques;
De tes bijoux l'Horreur n'est pas le moins charmant,
Et le Meurtre, parmi tes plus chères breloques,
Sur ton ventre orgueilleux danse amoureusement.
L'éphémère ébloui vole vers toi, chandelle,
Crépite, flambe et dit: Bénissons ce flambeau!
L'amoureux pantelant incliné sur sa belle
A l'air d'un moribond caressant son tombeau.
Que tu viennes du ciel ou de l'enfer, qu'importe,
Ô Beauté! monstre énorme, effrayant, ingénu!
Si ton oeil, ton souris, ton pied, m'ouvrent la porte
D'un Infini que j'aime et n'ai jamais connu?
De Satan ou de Dieu, qu'importe? Ange ou Sirène,
Qu'importe, si tu rends, — fée aux yeux de velours,
Rythme, parfum, lueur, ô mon unique reine! —
L'univers moins hideux et les instants moins lourds?
Hymn to Beauty
Do you come from Heaven or rise from the abyss,
Beauty? Your gaze, divine and infernal,
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Pours out confusedly benevolence and crime,
And one may for that, compare you to wine.
You contain in your eyes the sunset and the dawn;
You scatter perfumes like a stormy night;
Your kisses are a philtre, your mouth an amphora,
Which make the hero weak and the child courageous.
Do you come from the stars or rise from the black pit?
Destiny, bewitched, follows your skirts like a dog;
You sow at random joy and disaster,
And you govern all things but answer for nothing.
You walk upon corpses which you mock, O Beauty!
Of your jewels Horror is not the least charming,
And Murder, among your dearest trinkets,
Dances amorously upon your proud belly.
The dazzled moth flies toward you, O candle!
Crepitates, flames and says: 'Blessed be this flambeau!'
The panting lover bending o'er his fair one
Looks like a dying man caressing his own tomb,
Whether you come from heaven or from hell, who cares,
O Beauty! Huge, fearful, ingenuous monster!
If your regard, your smile, your foot, open for me
An Infinite I love but have not ever known?
From God or Satan, who cares? Angel or Siren,
Who cares, if you make, — fay with the velvet eyes,
Rhythm, perfume, glimmer; my one and only queen!
The world less hideous, the minutes less leaden?
— Translated by William Aggeler
Hymn to Beauty
Did you spring out of heaven or the abyss,
Beauty? Your gaze infernal, yet divine,
Spreads infamy and glory, grief and bliss,
And therefore you can be compared to wine.
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Your eyes contain both sunset and aurora:
You give off scents, like evenings storm-deflowered:
Your kisses are a philtre: an amphora
Your mouth, that cows the brave, and spurs the coward.
Climb you from gulfs, or from the stars descend?
Fate, like a fawning hound, to heel you've brought;
You scatter joy and ruin without end,
Ruling all things, yet answering for naught.
You trample men to death, and mock their clamour.
Amongst your gauds pale Horror gleams and glances,
And Murder, not the least of them in glamour,
On your proud belly amorously dances.
The dazzled insect seeks your candle-rays,
Crackles, and burns, and seems to bless his doom.
The groom bent o'er his bride as in a daze,
Seems, like a dying man, to stroke his tomb.
What matter if from hell or heaven born,
Tremendous monster, terrible to view?
Your eyes and smile reveal to me, like morn,
The Infinite I love but never knew.
From God or Fiend? Siren or Sylph ? Invidious
The answer — Fay with eyes of velvet, ray,
Rhythm, and perfume! — if you make less hideous
Our universe, less tedious leave our day.
— Translated by Roy Campbell
Hymn to Beauty
Did you fall from high heaven or surge from the abyss,
O Beauty? Your bright gaze, infernal and divine,
Confusedly pours out courage and cowardice,
Or love and crime. Therefore men liken you to wine.
Your eyes hold all the sunset and the dawn, you are
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As rich in fragrances as a tempestuous night,
Your kisses are a philtre and your mouth a jar
Filling the child with valor and the man with fright.
Did the stars mould you or the pit's obscurity?
You bring at random Paradise or Juggernaut.
Fate sniffs your skirts with a charmed dog's servility,
You govern all and yet are answerable for naught.
Beauty, you walk on corpses of dead men you mock.
Among your store of gems, Horror is not the least;
Murder, amid the dearest trinkets of your stock,
Dances on your proud belly like a ruttish beast.
Candle, the transient moth flies dazzled to your light,
Crackles and flames and says: 'Blessèd this fiery doom!'
The panting lover with his mistress in the night
Looks like a dying man caressing his own tomb.
Are you from heaven or hell, Beauty that we adore?
Who cares? A dreadful, huge, ingenuous monster, you!
So but your glance, your smile, your foot open a door
Upon an Infinite I love but never knew.
From Satan or from God? Who cares? Fierce or serene,
Who cares? Sister to sirens or to seraphim?
So but, dark fey, you shed your perfume, rhythm and sheen
To make the world less hideous and Time less grim.
— Translated by Jacques LeClercq
~ Charles Baudelaire,
1256:A Lyric Of The Dawn
Alone I list
In the leafy tryst;
Silent the woodlands in their starry sleep—
Silent the phantom wood in waters deep:
No footfall of a wind along the pass
Startles a harebell—stirs a blade of grass.
Yonder the wandering weeds,
Enchanted in the light,
Stand in the gusty hollows, still and white;
Yonder are plumy reeds,
Dusking the border of the clear lagoon;
Far off the silver clifts
Hang in ethereal light below the moon;
Far off the ocean lifts,
Tossing its billows in the misty beam,
And shore-lines whiten, silent as a dream:
I hark for the bird, and all the hushed hills harken:
This is the valley: here the branches darken
The silver-lighted stream.
Hark—
That rapture in the leafy dark!
Who is it shouts upon the bough aswing,
Waking the upland and the valley under?
What carols, like the blazon of a king,
Fill all the dawn with wonder?
Oh, hush,
It is the thrush,
In the deep and woody glen!
Ah, thus the gladness of the gods was sung,
When the old Earth was young;
That rapture rang,
When the first morning on the mountains sprang:
And now he shouts, and the world is young again!
Carol, my king,
On your bough aswing!
Thou art not of these evil days—
Thou art a voice of the world’s lost youth:
Oh, tell me what is duty—what is truth—
How to find God upon these hungry ways;
Tell of the golden prime,
When bird and beast could make a man their friend ;
When men beheld swift deities descend,
Before the race was left alone with Time,
Homesick on Earth, and homeless to the end;
Before great Pan was dead,
Before the naiads fled;
When maidens white with dark eyes shy and bold,
With peals of laughter on the peaks of gold,
Startled the still dawn—
Shone in upon the mountains and were gone,
Their voices fading silverly in depths of forests old.
Sing of the wonders of their woodland ways,
Before the weird earth-hunger of these days,
When there was rippling mirth,
When justice was on Earth,
And light and grandeur of the Golden Age;
When never a heart was sad,
When all from king to herdsman had
A penny for a wage.
Ah, that old time has faded to a dream—
The moon’s fair face is broken in the stream;
Yet shout and carol on, O bird, and let
The exiled race not utterly forget;
Publish thy revelation on the lawns—
Sing ever in the dark ethereal dawns;
Sometime, in some sweet year,
These stormy souls, these men of Earth may hear.
But hark again,
From the secret glen,
That voice of rapture and ethereal youth
Now laden with despair.
Forbear, O bird, forbear:
Is life not terrible enough forsooth?
Cease, cease the mystic song—
No more, no more, the passion and the pain:
It wakes my life to fret against the chain;
It makes me think of all the agéd wrong—
Of joy and the end of joy and the end of all—
Of souls on Earth, and souls beyond recall.
Ah, ah, that voice again!
It makes me think of all these restless men
Called into time—their progress and their goal;
And now, oh now, it sends into my soul
Dreams of a love that might have been for me—
That might have been—and now can never be.
Tell me no more of these—
Tell me of trancéd trees;
(The ghosts, the memories, in pity spare)
Show me the leafy home of the wild bees;
Show me the snowy summits dim in air;
Tell me of things afar
In valleys silent under moon and star:
Dim hollows hushed with night,
The lofty cedars misty in the light,
Wild clusters of the vine,
Wild odors of the pine,
The eagle’s eyrie lifted to the moon—
High places where on quiet afternoon
A shadow swiftens by, a thrilling scream
Startles the cliff, and dies across the woodland to a dream.
Ha, now
He springs from the bough,
It flickers—he is lost!
Out of the copse he sprang;
This is the floating briar where he tossed:
The leaves are yet atremble where he sang
Here a long vista opens—look!
This is the way he took,
Through the pale poplars by the pond:
Hark! he is shouting in the field beyond.
Ho, there he goes
Through the alder close!
He leaves me here behind him in his flight,
And yet my heart goes with him out of sight!
What whispered spell
Of Faëry calls me on from dell to dell?
I hear the voice—it wanders in a dream—
Now in the grove, now on the hill, now on
the fading stream.
Lead on—you know the way
Lead on to Arcady,
O’er fields asleep; by river bank abrim;
Down leafy ways, dewy and cool and dim;
By dripping rocks, dark dwellings of the gnome,
Where hurrying waters dash their crests to foam.
I follow where you lead,
Down winding paths, across the flowery mead,
Down silent hollows where the woodbine blows,
Up water-courses scented by the rose.
I follow the wandering voice—
I follow, I rejoice,
I fade away into the Age of Gold—
We two together lost in forest old.0 ferny and thymy paths, 0 fields of Aidenn,
Canyons and cliffs by mortal feet untrod!
O souls that are weary and are heavy laden,
Here is the peace of God !
Lo! now the clamoring hours are on the way:
Faintly the pine tops redden in the ray;
From vale to vale fleet-footed rumors run,
With sudden apprehension of the sun;
A light wind stirs
The filmy tops of delicate dim firs,
And on the river border blows,
Breaking the shy bud softly to a rose.
Sing out, O throstle, sing:
I follow on, my king:
Lead me forever through the crimson dawn—
Till the world ends, lead me on!
Ho there! he shouts again—he sways—and now,
Upspringing from the bough,
Flashing a glint of dew upon the ground,
Without a sound
He drops into a valley and is gone!
~ Edwin Markham,
1257:On Returning To England
There! once again I stand on home,
Though round me still there swirls the foam,
Leaping athwart the vessel's track
To bid a wanderer welcome back,
And though as yet through softening haze
White cliffs but vaguely greet my gaze.
For, England! yours the waves, the spray,
And, be one's foothold what it may,
Wherever billow wafts or wends,
Your soil is trodden, your shore extends.
How stern! how sweet! Though fresh from lands
Where soft seas heave on slumbering strands,
And zephyrs moistened by the south
Seem kisses from an infant's mouth,
My northern blood exults to face
The rapture of this rough embrace,
Glowing in every vein to feel
The cordial caress of steel
From spear-blue air and sword-blue sea,
The armour of your liberty.
Braced by the manly air, I reach
My soul out to the approaching beach,
And own, the instant I arrive,
The dignity of being alive!
And now with forward-faring feet
Eager I leap to land, and greet
The hearty grasp, the honest gaze,
The voice that means the thing it says,
The gait of men by birthright free,
Unceremonial courtesy.
None frown, none cringe, but, fearless-eyed,
Are kindly all; since, side by side,
Authority and Freedom reign
In twin equality, and drain
Their sanction from the self-same breast,
And Law is wise Will manifest.
Yes, this is England, frank and fair:
I tread its turf, I breathe its air,
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And catch from every stalwart lung
The music of my mother tongue.
And who are these that cluster round
With hastening feet and silvery sound,
And eyes as liquid as the dawn,
When laughs the dew on Kentish lawn?
These England's daughters, frank yet arch,
Supple as April, strong as March:
Like pink-white windflowers in the grove,
That came while east and west wind strove
For mastery, and Spring seemed late,
Hardy alike and delicate.
How well their faces fit the scene,
The copses gray, the hedgerows green,
The white-veiled blackthorn, gorse afire,
The cottage yew, the village spire;
The pastures flecked with frisking lambs
Around their gravely grazing dams;
The children loitering home from school,
Their hands and pinafores all full
Of cuckoo-pint and bluebell spike,
Gathered in dingle, dell, and dyke;
The comely homes one just can see
Through flowering belts of bush and tree,
That all combine, all, all conspire,
To more than satisfy desire,
To make one love this lovely earth,
And bless Heaven for one's British birth.
Bewitching climes! where late I sought
In change of scene a change of thought,
Refreshment from familiar ground,
And, what I sought for, more than found,
Where old enchantment haunteth still
Ligurian coast and Tuscan hill,
Climes I have ventured oft and long
To celebrate in faltering song,
Where fearless almond, faery larch,
Smiling, disarm the frown of March,
Snow hath no terrors, frost no sting,
And playful Winter mimics Spring,
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Deem me not thankless, nor deny
Fresh welcome from your shore and sky,
Repose from thought so oft implored,
And ne'er refused, if, now restored
By you to health, by you to home,
Glad I return, late glad to roam.
For dear to me though wayside shrine
By silent gorge or murmuring brine;
Dear though the barefoot peasant folk
Who lop the vine and steer the yoke
Of soft-eyed, sleek-skinned, creamy beeves,
Up narrow ways to broad slant eaves;
The stony mule-tracks twisting slow
Up slopes where cherry-blossoms blow
'Mid olive gray and ilex brown,
On to some sun-bronzed mountain town;
The hush and cool of marble domes,
Where, wed to reverie, one roams
Through transept, chancel, cloister, cell,
Where still with far-off faces dwell
Sages and saints devoutly limned
By hands long dust and eyes long dimmed;
Dear though all these, and ne'er forgot,
No southern shore, no sunniest spot,
Not Roccabruna's hamlet crest,
Not Eza's brow, not Taggia's breast,
Not Bellosguardo's sunset hour,
Not Dante's seat nor Giotto's Tower,
Nor even Spiaggiascura's foam,
Moisten and melt my heart like home.
For here the cuckoo seems more glad,
The nightingale more sweetly sad,
Primroses more akin in gaze
To childlike wonder, childlike ways;
And all things that one sees and hears,
Since rooted in the bygone years,
And blending with their warm caress
A touch of homely tenderness,
Bid the quick instinct in one's blood
Pay tribute unto motherhood.
How should strange lands, it boots not where,
Divorce one from one's native air,
365
Or in a loyal breast dethrone
Unreasoning reverence for one's own?
Yet love and reason surely blend
To stir this passion and commend?
And who will blame if, though one seeks
In gentler tides, and sterner peaks
That tower above a wider plain,
Contrast to northern hill and main,
I cherish still and hold apart
The fondest feeling in my heart
For where, beneath one's parent sky,
Our dear ones live, our dead ones lie?
And you, dear friend, who linger still
Beside the iris-crested rill
That silvers through your olives gray
From convent-capped Fiesole,
Think not that I forget, forswear,
The scenes we lately vowed so fair.
To these your wandering footsteps bring
The freshness of an English Spring;
And even Florence sunnier glows,
When Phyllis prattles and Ivor crows.
And, though among them still you stray,
Sweet-lengthening-out a Tuscan May,
You too will here return before
Our Northern roses blow once more,
To prove to all of kindred birth,
For winsome grace and sterling worth,
Nothing can match, where'er we roam,
An English wife in English home.
~ Alfred Austin,
1258:The Highwayman
PART ONE
THE wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door.
II
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.
III
Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
IV
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say—
118
'One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way.'
VI
He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt, and galloped away to the West.
PART TWO
He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—
King George's men came matching, up to the old inn-door.
II
They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
III
They had tied her up to attention, with many a sniggering jest;
119
They had bound a musket beside her, with the barrel beneath her breast!
'Now, keep good watch!' and they kissed her.
She heard the dead man say—
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!
IV
She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like
years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain .
VI
Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!
VII
Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
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Shattered her breast in the moonlight and warned him—with her death.
VIII
He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.
IX
Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.
And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding—
Riding—riding—
A highwayman comes riding, up to the old inn-door.
XI
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
~ Alfred Noyes,
1259:I.
Once, early in the morning, Beelzebub arose,
With care his sweet person adorning,
He put on his Sunday clothes.

II.
He drew on a boot to hide his hoof,
He drew on a glove to hide his claw,
His horns were concealed by a Bras Chapeau,
And the Devil went forth as natty a Beau
As Bond-street ever saw.

III.
He sate him down, in London town,
Before earth's morning ray;
With a favourite imp he began to chat,
On religion, and scandal, this and that,
Until the dawn of day.

IV.
And then to St. James's Court he went,
And St. Pauls Church he took on his way;
He was mighty thick with every Saint,
Though they were formal and he was gay.

V.
The Devil was an agriculturist,
And as bad weeds quickly grow,
In looking over his farm, I wist,
He wouldn't find cause for woe.

VI.
He peeped in each hole, to each chamber stole,
His promising live-stock to view;
Grinning applause, he just showed them his claws,
And they shrunk with affright from his ugly sight,
Whose work they delighted to do.

VII.
Satan poked his red nose into crannies so small
One would think that the innocents fair,
Poor lambkins! were just doing nothing at all
But settling some dress or arranging some ball,
But the Devil saw deeper there.

VIII.
A Priest, at whose elbow the Devil during prayer
Sate familiarly, side by side,
Declared that, if the Tempter were there,
His presence he would not abide.
Ah! ah! thought Old Nick, that's a very stale trick,
For without the Devil, O favourite of Evil,
In your carriage you would not ride.

IX.
Satan next saw a brainless King,
Whose house was as hot as his own;
Many Imps in attendance were there on the wing,
They flapped the pennon and twisted the sting,
Close by the very Throne.

X.
Ah! ah! thought Satan, the pasture is good,
My Cattle will here thrive better than others;
They dine on news of human blood,
They sup on the groans of the dying and dead,
And supperless never will go to bed;
Which will make them fat as their brothers.

XI.
Fat as the Fiends that feed on blood,
Fresh and warm from the fields of Spain,
Where Ruin ploughs her gory way,
Where the shoots of earth are nipped in the bud,
Where Hell is the Victor's prey,
Its glory the meed of the slain.

XII.
Fat--as the Death-birds on Erin's shore,
That glutted themselves in her dearest gore,
And flitted round Castlereagh,
When they snatched the Patriot's heart, that HIS grasp
Had torn from its widow's maniac clasp,
--And fled at the dawn of day.

XIII.
Fat--as the Reptiles of the tomb,
That riot in corruption's spoil,
That fret their little hour in gloom,
And creep, and live the while.

XIV.
Fat as that Prince's maudlin brain,
Which, addled by some gilded toy,
Tired, gives his sweetmeat, and again
Cries for it, like a humoured boy.

XV.
For he is fat,--his waistcoat gay,
When strained upon a levee day,
Scarce meets across his princely paunch;
And pantaloons are like half-moons
Upon each brawny haunch.

XVI.
How vast his stock of calf! when plenty
Had filled his empty head and heart,
Enough to satiate foplings twenty,
Could make his pantaloon seams start.

XVII.
The Devil (who sometimes is called Nature),
For men of power provides thus well,
Whilst every change and every feature,
Their great original can tell.

XVIII.
Satan saw a lawyer a viper slay,
That crawled up the leg of his table,
It reminded him most marvellously
Of the story of Cain and Abel.

IXX.
The wealthy yeoman, as he wanders
His fertile fields among,
And on his thriving cattle ponders,
Counts his sure gains, and hums a song;
Thus did the Devil, through earth walking,
Hum low a hellish song.

XX.
For they thrive well whose garb of gore
Is Satans choicest livery,
And they thrive well who from the poor
Have snatched the bread of penury,
And heap the houseless wanderers store
On the rank pile of luxury.

XXI.
The Bishops thrive, though they are big;
The Lawyers thrive, though they are thin;
For every gown, and every wig,
Hides the safe thrift of Hell within.

XXII.
Thus pigs were never counted clean,
Although they dine on finest corn;
And cormorants are sin-like lean,
Although they eat from night to morn.

XXIII.
Oh! why is the Father of Hell in such glee,
As he grins from ear to ear?
Why does he doff his clothes joyfully,
As he skips, and prances, and flaps his wing,
As he sidles, leers, and twirls his sting,
And dares, as he is, to appear?

XXIV.
A statesman passed--alone to him,
The Devil dare his whole shape uncover,
To show each feature, every limb,
Secure of an unchanging lover.

XXV.
At this known sign, a welcome sight,
The watchful demons sought their King,
And every Fiend of the Stygian night,
Was in an instant on the wing.

XXVI.
Pale Loyalty, his guilt-steeled brow,
With wreaths of gory laurel crowned:
The hell-hounds, Murder, Want and Woe,
Forever hungering, flocked around;
From Spain had Satan sought their food,
'Twas human woe and human blood!

XXVII.
Hark! the earthquake's crash I hear,--
Kings turn pale, and Conquerors start,
Ruffians tremble in their fear,
For their Satan doth depart.

XXVIII.
This day Fiends give to revelry
To celebrate their King's return,
And with delight its Sire to see
Hell's adamantine limits burn.

XXIX.
But were the Devil's sight as keen
As Reason's penetrating eye,
His sulphurous Majesty I ween,
Would find but little cause for joy.

XXX.
For the sons of Reason see
That, ere fate consume the Pole,
The false Tyrant's cheek shall be
Bloodless as his coward soul.
Published as a broadside by Shelley, 1812
~ Percy Bysshe Shelley, The Devils Walk. A Ballad
,
1260:To what gods shall the sacrifice be offered? Who shall be invoked to manifest and protect in the human being this increasing godhead?

Agni first, for without him the sacrificial flame cannot burn on the altar of the soul. That flame of Agni is the seven-tongued power of the Will, a Force of God instinct with Knowledge. This conscious and forceful will is the immortal guest in our mortality, a pure priest and a divine worker, the mediator between earth and heaven. It carries what we offer to the higher Powers and brings back in return their force and light and joy into our humanity.

Indra, the Puissant next, who is the power of pure Existence self-manifested as the Divine Mind. As Agni is one pole of Force instinct with knowledge that sends its current upward from earth to heaven, so Indra is the other pole of Light instinct with force which descends from heaven to earth. He comes down into our world as the Hero with the shining horses and slays darkness and division with his lightnings, pours down the life-giving heavenly waters, finds in the trace of the hound, Intuition, the lost or hidden illuminations, makes the Sun of Truth mount high in the heaven of our mentality.

Surya, the Sun, is the master of that supreme Truth, - truth of being, truth of knowledge, truth of process and act and movement and functioning. He is therefore the creator or rather the manifester of all things - for creation is out-bringing, expression by the Truth and Will - and the father, fosterer, enlightener of our souls. The illuminations we seek are the herds of this Sun who comes to us in the track of the divine Dawn and releases and reveals in us night-hidden world after world up to the highest Beatitude.

Of that beatitude Soma is the representative deity. The wine of his ecstasy is concealed in the growths of earth, in the waters of existence; even here in our physical being are his immortalising juices and they have to be pressed out and offered to all the gods; for in that strength these shall increase and conquer.

Each of these primary deities has others associated with him who fulfil functions that arise from his own. For if the truth of Surya is to be established firmly in our mortal nature, there are previous conditions that are indispensable; a vast purity and clear wideness destructive of all sin and crooked falsehood, - and this is Varuna; a luminous power of love and comprehension leading and forming into harmony all our thoughts, acts and impulses, - this is Mitra; an immortal puissance of clear-discerning aspiration and endeavour, - this is Aryaman; a happy spontaneity of the right enjoyment of all things dispelling the evil dream of sin and error and suffering, - this is Bhaga. These four are powers of the Truth of Surya. For the whole bliss of Soma to be established perfectly in our nature a happy and enlightened and unmaimed condition of mind, vitality and body are necessary. This condition is given to us by the twin Ashwins; wedded to the daughter of Light, drinkers of honey, bringers of perfect satisfactions, healers of maim and malady they occupy our parts of knowledge and parts of action and prepare our mental, vital and physical being for an easy and victorious ascension.

Indra, the Divine Mind, as the shaper of mental forms has for his assistants, his artisans, the Ribhus, human powers who by the work of sacrifice and their brilliant ascension to the high dwelling-place of the Sun have attained to immortality and help mankind to repeat their achievement. They shape by the mind Indra's horses, the chariot of the Ashwins, the weapons of the Gods, all the means of the journey and the battle. But as giver of the Light of Truth and as Vritra-slayer Indra is aided by the Maruts, who are powers of will and nervous or vital Force that have attained to the light of thought and the voice of self-expression. They are behind all thought and speech as its impellers and they battle towards the Light, Truth and Bliss of the supreme Consciousness.

There are also female energies; for the Deva is both Male and Female and the gods also are either activising souls or passively executive and methodising energies. Aditi, infinite Mother of the Gods, comes first; and there are besides five powers of the Truthconsciousness, - Mahi or Bharati, the vast Word that brings us all things out of the divine source; Ila, the strong primal word of the Truth who gives us its active vision; Saraswati, its streaming current and the word of its inspiration; Sarama, the Intuition, hound of heaven who descends into the cavern of the subconscient and finds there the concealed illuminations; Dakshina, whose function is to discern rightly, dispose the action and the offering and distribute in the sacrifice to each godhead its portion. Each god, too, has his female energy.

All this action and struggle and ascension is supported by Heaven our Father and Earth our Mother Parents of the Gods, who sustain respectively the purely mental and psychic and the physical consciousness. Their large and free scope is the condition of our achievement. Vayu, master of life, links them together by the mid-air, the region of vital force. And there are other deities, - Parjanya, giver of the rain of heaven; Dadhikravan, the divine war-horse, a power of Agni; the mystic Dragon of the Foundations; Trita Aptya who on the third plane of existence consummates our triple being; and more besides.

The development of all these godheads is necessary to our perfection. And that perfection must be attained on all our levels, - in the wideness of earth, our physical being and consciousness; in the full force of vital speed and action and enjoyment and nervous vibration, typified as the Horse which must be brought forward to upbear our endeavour; in the perfect gladness of the heart of emotion and a brilliant heat and clarity of the mind throughout our intellectual and psychical being; in the coming of the supramental Light, the Dawn and the Sun and the shining Mother of the herds, to transform all our existence; for so comes to us the possession of the Truth, by the Truth the admirable surge of the Bliss, in the Bliss infinite Consciousness of absolute being. ~ Sri Aurobindo, Hymns to the Mystic Fire, The Doctrine of the Mystics,
1261:The Battle Of Lundy's Lane
Rufus Gale speaks--1852
Yes,--in the Lincoln Militia,--in the war of eighteen-twelve;
Many's the day I've had since then to dig and delve-But those are the years I remember as the brightest years of all,
When we left the plow in the furrow to follow the bugle's call.
Why, even our son Abner wanted to fight with the men!
'Don't you go, d'ye hear, sir!'--I was angry with him then.
'Stay with your mother!' I said, and he looked so old and grim-He was just sixteen that April--I couldn't believe it was him;
But I didn't think--I was off--and we met the foe again,
Five thousand strong and ready, at the hill by Lundy's Lane.
There as the night came on we fought them from six to nine,
Whenever they broke our line we broke their line,
They took our guns and we won them again, and around the levels
Where the hill sloped up--with the Eighty-ninth,--we fought like devils
Around the flag;--and on they came and we drove them back,
Until with its very fierceness the fight grew slack.
It was then about nine and dark as a miser's pocket,
When up came Hercules Scott's brigade swift as a rocket,
And charged,--and the flashes sprang in the dark like a lion's eyes;
The night was full of fire--groans, and cheers, and cries;
Then through the sound and the fury another sound broke in-The roar of a great old duck-gun shattered the rest of the din;
It took two minutes to charge it and another to set it free.
Every time I heard it an angel spoke to me;
Yes, the minute I heard it I felt the strangest tide
Flow in my veins like lightning, as if, there, by my side,
Was the very spirit of Valor. But 'twas dark--you couldn't see-And the one who was firing the duck-gun fell against me
And slid down to the clover, and lay there still;
Something went through me--piercing--with a strange, swift thrill;
The noise fell away into silence, and I heard as clear as thunder
The long, slow roar of Niagara: O the wonder
Of that deep sound. But again the battle broke
And the foe, driven before us desperately--stroke upon stroke,
Left the field to his master, and sullenly down the road
92
Sounded the boom of his guns, trailing the heavy load
Of his wounded men and his shattered flags, sullen and slow,
Setting fire in his rage to Bridgewater mills and the glow
Flared in the distant forest. We rested as we could,
And for a while I slept in the dark of a maple wood:
But when the clouds in the east were red all over,
I came back there to the place we made the stand in the clover;
For my heart was heavy then with a strange deep pain,
As I thought of the glorious fight, and again and again
I remembered the valiant spirit and the piercing thrill;
But I knew it all when I reached the top of the hill,-For there, there with the blood on his dear, brave head,
There on the hill in the clover lay our Abner--dead!-No--thank you--no, I don't need it; I'm solid as granite rock,
But every time that I tell it I feel the old, cold shock,
I'm eighty-one my next birthday--do you breed such fellows now?
There he lay with the dawn cooling his broad fair brow,
That was no dawn for him; and there was the old duck-gun
That many and many's the time,--just for the fun,
We together, alone, would take to the hickory rise,
And bring home more wild pigeons than ever you saw with your eyes.
Up with Hercules Scott's brigade, just as it came on night-He was the angel beside me in the thickest of the fight-Wrote a note to his mother--He said, 'I've got to go;
Mother what would home be under the heel of the foe!'
Oh! she never slept a wink, she would rise and walk the floor;
She'd say this over and over, 'I knew it all before!'
I'd try to speak of the glory to give her a little joy.
'What is the glory to me when I want my boy, my boy!'
She'd say, and she'd wring her hands; her hair grew white as snow-And I'd argue with her up and down, to and fro,
Of how she had mothered a hero, and his was a glorious fate,
Better than years of grubbing to gather an estate.
Sometimes I'd put it this way: 'If God was to say to me now
'Take him back as he once was helping you with the plow,'
I'd say, 'No, God, thank You kindly; 'twas You that he obeyed;
You told him to fight and he fought, and he wasn't afraid;
You wanted to prove him in battle, You sent him to Lundy's Lane,
'Tis well!' But she only would answer over and over again,
'Give me back my Abner--give me back my son!'
It was so all through the winter until the spring had begun,
And the crocus was up in the dooryard, and the drift by the fence
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was thinned,
And the sap drip-dropped from the branches wounded by the wind,
And the whole earth smelled like a flower,--then she came to me one
night-'Rufus!' she said, with a sob in her throat,--'Rufus, you're right.'
I hadn't cried till then, not a tear--but then I was torn in two-There, it's all right--my eyes don't see as they used to do!
But O the joy of that battle--it was worth the whole of life,
You felt immortal in action with the rapture of the strife,
There in the dark by the river, with the flashes of fire before,
Running and crashing along, there in the dark, and the roar
Of the guns, and the shrilling cheers, and the knowledge that filled
your heart
That there was a victory making and you must do your part,
But--there's his grave in the orchard where the headstone glimmers
white:
We could see it, we thought, from our window even on the darkest
night;
It is set there for a sign that what one lad could do
Would be done by a hundred hundred lads whose hearts were stout and
true.
And when in the time of trial you hear the recreant say,
Shooting his coward lips at us, 'You shall have had your day:
For all your state and glory shall pass like a cloudy wrack,
And here some other flag shall fly where flew the Union Jack,'-Why tell him a hundred thousand men would spring from these sleepy
farms,
To tie that flag in its ancient place with the sinews of their arms;
And if they doubt you and put you to scorn, why you can make it plain,
With the tale of the gallant Lincoln men and the fight at Lundy's Lane.
~ Duncan Campbell Scott,
1262:Spring On Mattagmi
Far in the east the rain-clouds sweep and harry,
Down the long haggard hills, formless and low,
Far in the west the shell-tints meet and marry,
Piled gray and tender blue and roseate snow;
East--like a fiend, the bolt-breasted, streaming
Storm strikes the world with lightning and with hail;
West--like the thought of a seraph that is dreaming,
Venus leads the young moon down the vale.
Through the lake furrow between the gloom and bright'ning
Firm runs our long canoe with a whistling rush,
While Potàn the wise and the cunning Silver Lightning
Break with their slender blades the long clear hush;
Soon shall I pitch my tent amid the birches,
Wise Potàn shall gather boughs of balsam fir,
While for bark and dry wood Silver Lightning searches;
Soon the smoke shall hang and lapse in the moist air.
Soon shall I sleep--if I may not remember
One who lives far away where the storm-cloud went;
May it part and starshine burn in many a quiet ember,
Over her towered city crowned with large content;
Dear God, let me sleep, here where deep peace is,
Let me own a dreamless sleep once for all the years,
Let me know a quiet mind and what heart ease is,
Lost to light and life and hope, to longing and to tears.
Here in the solitude less her memory presses,
Yet I see her lingering where the birches shine,
All the dark cedars are sleep-laden like her tresses,
The gold-moted wood-pools pellucid as her eyen;
Memories and ghost-forms of the days departed
People all the forest lone in the dead of night;
While Potàn and Silver Lightning sleep, the happy-hearted,
Troop they from their fastnesses upon my sight.
Once when the tide came straining from the Lido,
In a sea of flame our gondola flickered like a sword,
Venice lay abroad builded like beauty's credo,
86
Smouldering like a gorget on the breast of the Lord:
Did she mourn for fame foredoomed or passion shattered
That with a sudden impulse she gathered at my side?
But when I spoke the ancient fates were flattered,
Chill there crept between us the imperceptible tide.
Once I well remember in her twilight garden,
She pulled a half-blown rose, I thought it meant for me,
But poising in the act, and with half a sigh for pardon,
She hid it in her bosom where none may dare to see:
Had she a subtle meaning?--would to God I knew it,
Where'er I am I always feel the rose leaves nestling there,
If I might know her mind and the thought which then flashed through it,
My soul might look to heaven not commissioned to despair.
Though she denied at parting the gift that I besought her,
Just a bit of ribbon or a strand of her hair;
Though she would not keep the token that I brought her,
Proud she stood and calm and marvellously fair;
Yet I saw her spirit--truth cannot dissemble-Saw her pure as gold, staunch and keen and brave,
For she knows my worth and her heart was all atremble,
Lest her will should weaken and make her heart a slave.
If she could be here where all the world is eager
For dear love with the primal Eden sway,
Where the blood is fire and no pulse is thin or meagre,
All the heart of all the world beats one way!
There is the land of fraud and fame and fashion,
Joy is but a gaud and withers in an hour,
Here is the land of quintessential passion,
Where in a wild throb Spring wells up with power.
She would hear the partridge drumming in the distance,
Rolling out his mimic thunder in the sultry noons;
Hear beyond the silver reach in ringing wild persistence
Reel remote the ululating laughter of the loons;
See the shy moose fawn nestling by its mother,
In a cool marsh pool where the sedges meet;
Rest by a moss-mound where the twin-flowers smother
With a drowse of orient perfume drenched in light and heat:
87
She would see the dawn rise behind the smoky mountain,
In a jet of colour curving up to break,
While like spray from the iridescent fountain,
Opal fires weave over all the oval of the lake:
She would see like fireflies the stars alight and spangle
All the heaven meadows thick with growing dusk,
Feel the gipsy airs that gather up and tangle
The woodsy odours in a maze of myrrh and musk:
There in the forest all the birds are nesting,
Tells the hermit thrush the song he cannot tell,
While the white-throat sparrow never resting,
Even in the deepest night rings his crystal bell:
O, she would love me then with a wild elation,
Then she must love me and leave her lonely state,
Give me love yet keep her soul's imperial reservation,
Large as her deep nature and fathomless as fate:
Then, if she would lie beside me in the even,
On my deep couch heaped of balsam fir,
Fragrant with sleep as nothing under heaven,
Let the past and future mingle in one blur;
While all the stars were watchful and thereunder
Earth breathed not but took their silent light,
All life withdrew and wrapt in a wild wonder
Peace fell tranquil on the odorous night:
She would let me steal,--not consenting or denying-One strong arm beneath her dusky hair,
She would let me bare, not resisting or complying,
One sweet breast so sweet and firm and fair;
Then with the quick sob of passion's shy endeavour,
She would gather close and shudder and swoon away,
She would be mine for ever and for ever,
Mine for all time and beyond the judgment day.
Vain is the dream, and deep with all derision-Fate is stern and hard--fair and false and vain-But what would life be worth without the vision,
Dark with sordid passion, pale with wringing pain?
What I dream is mine, mine beyond all cavil,
Pure and fair and sweet, and mine for evermore,
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And when I will my life I may unravel,
And find my passion dream deep at the red core.
Venus sinks first lost in ruby splendour,
Stars like wood-daffodils grow golden in the night,
Far, far above, in a space entranced and tender,
Floats the growing moon pale with virgin light.
Vaster than the world or life or death my trust is
Based in the unseen and towering far above;
Hold me, O Law, that deeper lies than Justice,
Guide me, O Light, that stronger burns than Love.
~ Duncan Campbell Scott,
1263:The Forest Boy
THE trees have now hid at the edge of the hurst
The spot where the ruins decay
Of the cottage, where Will of the Woodland was nursed,
And lived so beloved, till the moment accursed
When he went from the woodland away.
Among all the lads of the plough or the fold;
Best esteem'd by the sober and good,
Was Will of the Woodlands; and often the old
Would tell of his frolics, for active and bold
Was William the boy of the wood.
Yet gentle was he, as the breath of the May,
And when sick and declining was laid
The woodman his father, young William away
Would go to the forest to labour all day,
And perform his hard task in his stead.
And when his poor father the forester died,
And his mother was sad, and alone,
He toil'd from the dawn, and at evening he hied
In storm or in snow, or whate'er might betide,
To supply all her wants from the town.
One neighbour they had on the heath to the west,
And no other the cottage was near,
But she would send Phoebe, the child she loved best,
To stay with the widow, thus sad and distress'd,
Her hours of dejection to cheer.
As the buds of wild roses, the cheeks of the maid
Were just tinted with youth's lovely hue,
Her form, like the aspen, wild graces display'd,
And the eyes, over which her luxuriant locks stray'd,
As the skies of the summer were blue.
Still labouring to live, yet reflecting the while,
Young William consider'd his lot;
'Twas hard, yet 'twas honest; and one tender smile
From Phoebe at night overpaid ev'ry toil,
And then all his fatigues were forgot.
By the brook where it glides through the copse of Arbeal,
When to eat his cold fare he reclined,
Then soft from her home his sweet Phoebe would steal,
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And bring him wood-strawberries to finish his meal,
And would sit by his side while he dined.
And though when employed in the deep forest glade,
His days have seem'd slowly to move,
Yet Phoebe going home, through the wood-walk has stray'd
To bid him good night!--and whatever she said
Was more sweet than the voice of the dove.
Fair Hope, that the lover so fondly believes,
Then repeated each soul-soothing speech,
And touch'd with illusion, that often deceives
The future with light; as the sun through the leaves
Illumines the boughs of the beech.
But once more the tempests of chill winter blow,
To depress and disfigure the earth;
And now ere the dawn, the young woodman must go
To his work in the forest, half buried in snow,
And at night bring home wood for the hearth.
The bridge on the heath by the flood was wash'd down,
And fast fell the sleet and the rain,
The stream to a wild rapid river was grown,
And long might the widow sit sighing alone
Ere sweet Phoebe could see her again.
At the town was a market--and now for supplies,
Such as needed her humble abode,
Young William went forth; and his mother with sighs
Watch'd long at the window, with tears in her eyes,
Till he turn'd through the fields to the road.
Then darkness came on; and she heard with affright
The wind every moment more high;
She look'd from the door; not a star lent its light,
But the tempest redoubled the gloom of the night,
And the rain pour'd in sheets from the sky.
The clock in her cottage now mournfully told
The hours that went heavily on;
'Twas midnight: her spirits sank hopeless and cold,
And it seem'd as each blast of wind fearfully told
That long, long would her William be gone.
Then heart-sick and cold to her sad bed she crept,
Yet first made up the fire in the room
To guide his dark steps; but she listen'd and wept,
Or if for a moment forgetful she slept,
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Soon she started!--and thought he was come.
'Twas morn; and the wind with a hoarse sullen moan
Now seem'd dying away in the wood,
When the poor wretched mother still drooping, alone,
Beheld on the threshold a figure unknown,
In gorgeous apparel who stood.
'Your son is a soldier,' abruptly cried he,
'And a place in our corps has obtain'd,
Nay, be not cast down; you perhaps may soon see
Your William a captain, he now sends by me
The purse he already has gain'd.'
So William entrapp'd 'twixt persuasion and force,
Is embark'd for the isles of the West,
But he seem'd to begin with ill omens his course,
And felt recollection, regret, and remorse
Continually weigh on his breast.
With useless repentance he eagerly eyed
The high coast as it faded from view,
And saw the green hills, on whose northernmost side
Was his own silvan home: and he falter'd, and cried,
'Adieu! ah! for ever adieu!
'Who now, my poor mother, thy life shall sustain,
Since thy son has thus left thee forlorn?
Ah! canst thou forgive me? And not in the pain
Of this cruel desertion, of William complain,
And lament that he ever was born?
'Sweet Phoebe!--if ever thy lover was dear,
Now forsake not the cottage of woe,
But comfort my mother; and quiet her fear,
And help her to dry up the vain fruitless tear,
That too long for my absence will flow.
'Yet what if my Phoebe another should wed,
And lament her lost William no more?'
The thought was too cruel; and anguish now sped
The dart of disease--With the brave numerous dead
He has fall'n on the plague-tainted shore.
In the lone village church-yard, the chancel-wall near,
High grass now waves over the spot,
Where the mother of William, unable to bear
His loss, who to her widow'd heart was so dear,
Has both him and her sorrows forgot.
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By the brook where it winds through the wood of Arbeal,
Or amid the deep forest, to moan,
The poor wandering Phoebe will silently steal;
The pain of her bosom no reason can heal,
And she loves to indulge it alone.
Her senses are injured; her eyes dim with tears;
She sits by the river and weaves
Reed garlands, against her dear William appears,
Then breathlessly listens, and fancies she hears
His step in the half wither'd leaves.
Ah! such are the miseries to which ye give birth,
Ye statesmen! ne'er dreading a scar;
Who from pictured saloon, or the bright sculptured hearth
Disperse desolation and death through the earth,
When ye let loose the demons of war.
~ Charlotte Smith,
1264:The Lark’s Nest
'TRUST only to thyself;' the maxim's sound;
For, tho' life's choicest blessing be a friend,
Friends do not very much abound;
Or, where they happen to be found,
And greatly thou on friendship shouldst depend,
Thou'lt find it will not bear
Much wear and tear;
Nay ! that even kindred, cousin, uncle, brother,
Has each perhaps to mind his own affair;
Attend to thine then; lean not on another.
Esop assures us that the maxim's wise;
And by a tale illustrates his advice:
When April's bright and fickle beams
Saw every feather'd pair
In the green woodlands, or by willowy streams,
Busied in matrimonial schemes;
A Lark, amid the dewy air,
Woo'd, and soon won a favourite fair;
And, in a spot by springing rye protected,
Her labour sometimes shared;
While she, with bents, and wither'd grass collected,
Their humble domicile prepared;
Then, by her duty fix'd, the tender mate
Unwearied prest
Their future progeny beneath her breast;
And little slept, and little ate,
While her gay lover, with a careless heart,
As is the custom of his sex,
Full little recks
The coming family; but like a dart,
From his low homested, with the morning springs;
And far above the floating vapour, sings
At such an height,
That even the shepherd-lad upon the hill,
Hearing his matin note so shrill,
With shaded eyes against the lustre bright,
Scarce sees him twinkling in a flood of light.
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But hunger, spite of all her perseverance,
Was one day urgent on his patient bride;
The truant made not his appearance,
That her fond care might be a while supplied,­
So, because hunger will not be denied,
She leaves her nest reluctant; and in haste
But just allows herself to taste,
A dew drop, and a few small seeds­
Ah ! how her fluttering bosom bleeds,
When the dear cradle she had fondly rear'd
All desolate appear'd !
And ranging wide about the field she saw
A setter huge, whose unrelenting jaw
Had crush'd her half-existing young;
Long o'er her ruin'd hopes the mother hung,
And vainly mourn'd,
Ere from the clouds her wanderer return'd:­
Tears justly shed by beauty, who can stand them ?
He heard her plaintive tale with unfeign'd sorrow,
But, as his motto was, 'Nil desperandum,'
Bade her hope better fortune for to-morrow;
Then from the fatal spot afar, they sought
A safer shelter, having bought
Experience, which is always rather dear;
And very near
A grassy headland, in a field of wheat,
They fix'd, with cautious care, their second seat­
But this took time; May was already past,
The white thorn had her silver blossoms cast,
And there the Nightingale, to lovely June,
Her last farewell had sung;
No longer reign'd July's intemperate noon,
And high in heaven the reaper's moon,
A little crescent hung,
Ere from their shells appear'd the plumeless young.
Oh ! then with how much tender care,
The busy pair,
Watch'd and provided for the panting brood !
For then, the vagrant of the air,
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Soar'd not to meet the morning star,
But, never from the nestlings far,
Explor'd each furrow, every sod for food;
While his more anxious partner tried
From hostile eyes, the helpless group to hide;
Attempting now, with labouring bill, to guide
The enwreathing bindweed round the nest;
Now joy'd to see the cornflower's azure crest
Above it waving, and the cockle grow,
Or poppies throw
Their scarlet curtains round;
While the more humble children of the ground,
Freak'd pansies, fumitory, pimpernel,
Circled with arras light, the secret cell:­
But who against all evils can provide ?
Hid, and overshadow'd thus, and fortified,
By teasel, and the scabious' thready disk,
Corn-marygold, and thistles; too much risk
The little household still were doom'd to run,
For the same ardent sun,
Whose beams had drawn up many an idle flower,
To fence the lonely bower,
Had by his powerful heat,
Matured the wheat;
And chang'd of hue, it hung its heavy head,
While every rustling gale that blew along
From neighbouring uplands, brought the rustic song
Of harvest merriment: then full of dread,
Lest, not yet fully fledg'd, her race
The reaper's foot might crush, or reaper's dog might trace,
Or village child, too young to reap or bind,
Loitering around, her hidden treasure find;
The mother bird was bent
To move them, e'er the sickle came more near;
And therefore, when for food abroad she went,
(For now her mate again was on the ramble)
She bade her young report what they should hear:
So the next hour they cried, 'They'll all assemble,
'The farmer's neighbours, with the dawn of light,
'Therefore, dear mother, let us move to night.'
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'Fear not, my loves,' said she, 'you need not tremble;
'Trust me, if only neighbours are in question,
'Eat what I bring, and spoil not your digestion
'Or sleep, for this.' Next day away she flew,
And that no neighbour came was very true;
But her returning wings the Larklings knew,
And quivering round her, told, their landlord said,
'Why, John ! the reaping must not be delay'd,
'By peep of day to-morrow we'll begin,
'Since now so many of our kin
'Have promis'd us their help to set about it.'
'Still,' quoth the bird, 'I doubt it;
'The corn will stand to-morrow.' So it prov'd;
The morning's dawn arriv'd­but never saw
Or uncle, cousin, brother, or brother-in-law;
And not a reap-hook mov'd !
Then to his son the angry farmer cried,
'Some folks are little known 'till they are tried;
'Who would have thought we had so few well-wishers !
'What ! neither neighbour Dawes, nor cousin Fishers,
'Nor uncle Betts, nor even my brother Delves,
'Will lend an hand, to help us get the corn in ?
'Well then, let you and me, to-morrow morning,
'E'en try what we can do with it ourselves.'
'Nay,' quoth the Lark, ''tis time then to be gone:
'What a man undertakes himself is done.'
Certes, she was a bird of observation;
For very true it is, that none,
Whatever be his station,
Lord of a province, tenant of a mead,
Whether he fill a cottage, or a throne,
Or guard a flock, or guide a nation,
Is very likely to succeed,
Who manages affairs by deputation.
~ Charlotte Smith,
1265:Look! What wonders the spring has wrought! The river bank is a paradise! Rose-embowered glades, Blossoming jasmine and hyacinth, And violets, the envy of the skies!. Rainbow colours transformed Into a chorus of rapturous sounds, And the harmony of flowers The hillside is carnation-red; In the languid haze, the air Seems drunk with the beauty of life! The brook, on the heights of the hill, Dances to its own music. The world is dizzy in a pageant of colour! My rosy-cheeked Cup-bearer! The voice of spring is the voice of life! But the spring lasts not for ever; So bring me the cup that tears all veils -- The wine that brightens life -- The wine that intoxicates the world -- The wine in which flows The music of everlasting life, The wine that reveals eternity's secret. Unveil the secrets, O Saqi. Look! The world has changed apace! New are the songs, and new is the music; The West's magic has dissolved; The West's magicians are bewildered; Old politics has lost its game; The world is tired of kings; Gone are the days of the rich; Gone is the jugglery of old; Awake is China's sleeping giant; The Himalayas' torrents are unleashed; Sinai is riven; Moses awaits the light divine. The Muslim says that God is One But his heart is Still a heathen: Culture, sufism, rites and rthetoric, All adore non- Arab idols; The truth was lost in trifles, And the nation was lost in conventions. The speaker's rhetoric is enchanting, But is devoid of passion; It is clothed in logic neat, But lost in a maze of words; The sufi, unique in the love of truth, Unique in the love of God, Was lost in un-Islamic thought; Was lost in the hierarchic quest; The fire of love is extinguished, And a Muslim is a heap of ashes, O Saqi! Give me the old wine again! Let the potent cup go round! Let me soar on the wings of love; Make my dust bright-pinioned; Make wisdom free; And make the young guide the old; Thou it is that nourishest. this nation; Thou it is that canst sustain it; Urge them to move, to stir; Give them Ali's heart; give them Siddiq's passion; Let the same old love pierce their hearts; Awaken in them a burning zeal; Let the stars throw down their spears, And let the earth's dwellers tremble Give the young a passion that consumes; Give them my vision, my love of God; Free my boat from the whirlpool's grip, And make it move forward-, Reveal to me the secrets of life, For thou knowest them all; The treasures of a fakir like me Are suffused, unsleeping eyes, And secret yearnings of the heart-, My anguished sighs at night, My solitude in the world of men, My hopes and my fears, My quest untiring, My nature an arena of thought A mirror of the world. My heart a battlefield of life, With armies of suspicion, And bastions of certitude; With these treasures I am More rich than the richest of all. Let the young join my throng, And let them find an anchor of hope. The sea of life has its ebb and flow-, In every atom's heart is the pulse of life; It manifests itself in the body, As a flame conceals a wave of smoke; Contact with the earth was harsh for it, But it liked the labour; It is in motion, and not in motion; Tired of the elements' shackles; A unity, imprisoned by plurality; But always unique, unequalled. It has made this dome of myriad glass; It has carved this pantheon. It does not repeat its craft For thou art not me, and I am not thou; It has created the world of men, And remains in solitude, Its brightness is seen in the stars, And in the lustre of pearls-, To it belong the wildernesses, The flowers and the thorns; Mountains sometimes are shaken by its might; It captures angels and nymphs; It makes the eagle pounce on a prey, And leave a blood-stained body. Every atom throbs with life; Rest is an illusion; Life's journey pauses not, For every moment is a new glory; Life, thou thinkest, is a mystery; Life is a delight in eternal flight; Life has seen many ups and downs; It loves a journey, not a goal. Movement is life's being; Movement is truth, pause is a mirage. Life's enjoyment is in perils, In facing ups and downs; In the world beyond Life stalked for death, But the impulse to procreate Peopled the world of man and beast. Flowers blossomed and dropped From this tree of life. Fools think life is ephemeral; Life renews itself for ever -- Moving fast as a flash, Moving to eternity in a breath; Time, a chain of days and nights, Is the ebb and flow of breath. This flow of breath is like a sword, Selfhood is its sharpness; Selfhood is the secret of life; It is the world's awakening, Selfhood is solitary, absorbed, An ocean enclosed in a drop; It shines in light and in darkness, Existent in, but away from, thee and me. The dawn of life behind it, eternity before, It has no frontiers before, no frontiers behind. Afloat on the river of time, Bearing the buffets of the waves, Changing the course of its quest, Shifting its glance from time to time; For it a hill is a grain of sand, Mountains are shattered by its blows; A journey is its beginning and end, And this is the secret of its being. It is the moon's beam, the spark in the flint, Colourless itself, though infused with colours, No concern has it with the calculus of space, With linear time's limits, with the finitude of life. It manifested itself in man's essence of dust, After an eternity of a strife to be born. It is in thy heart that Selfhood has an abode, As heaven has its abode in the cornea of thy eye. To one who guards his Selfhood, The living that demeans it, is poison; He accepts only a living, That keeps his self- esteem; Keep away from royal pomp, Keep thy Selfhood free; Thou shouldst bow in prayer, Not bow to a human being. This myriad-coloured world, Under the sentence of death, This world of sight and sound, I Where life means eating and drinking, Is Selfhood's initial stage; It is not thy abode, O traveller! This dust-bowl is not the source of thy fire; The world is for thee, not thou for the world. Demolish this illusion of' time and space; Selfhood is the Tiger of God, the world is its prey; The earth is its prey, the heavens are its prey; Other worlds there are, still awaiting birth, The earth-born are not the centre of all life; They all await thy assault, Thy cataclysmic thought and deed; Days and nights revolve, To reveal thy Selfhood to thee; Thou art the architect of the world. Words fail to convey the truth; Truth is the mirror, words its shade; Though the breath is a burning flame, The flame has limited bounds. 'If now I soar any farther, The vision will sear my wings.'

~ Allama Muhammad Iqbal, To the Saqi (from Baal-i-Jibreel)
,
1266:Life
NAY, lift me to thy lips, Life, and once more
Pour the wild music through me -I quivered in the reed-bed with my kind,
Rooted in Lethe-bank, when at the dawn
There came a groping shape of mystery
Moving among us, that with random stroke
Severed, and rapt me from my silent tribe,
Pierced, fashioned, lipped me, sounding for a voice,
Laughing on Lethe-bank -- and in my throat
I felt the wing-beat of the fledgeling notes,
The bubble of godlike laughter in my throat.
Such little songs she sang,
Pursing her lips to fit the tiny pipe,
They trickled from me like a slender spring
That strings frail wood-growths on its crystal thread,
Nor dreams of glassing cities, bearing ships.
She sang, and bore me through the April world
Matching the birds, doubling the insect-hum
In the meadows, under the low-moving airs,
And breathings of the scarce-articulate air
When it makes mouths of grasses -- but when the sky
Burst into storm, and took great trees for pipes,
She thrust me in her breast, and warm beneath
Her cloudy vesture, on her terrible heart,
I shook, and heard the battle.
But more oft,
Those early days, we moved in charmed woods,
Where once, at dusk, she piped against a faun,
And one warm dawn a tree became a nymph
Listening; and trembled; and Life laughed and passed.
And once we came to a great stream that bore
The stars upon its bosom like a sea,
And ships like stars; so to the sea we came.
One wild pang through me; then refrained her hand,
And whispered: 'Hear -- ' and into my frail flanks,
Into my bursting veins, the whole sea poured
Its spaces and its thunder; and I feared.
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We came to cities, and Life piped on me
Low calls to dreaming girls,
In counting-house windows, through the chink of gold,
Flung cries that fired the captive brain of youth,
And made the heavy merchant at his desk
Curse us for a cracked hurdy-gurdy; Life
Mimicked the hurdy-gurdy, and we passed.
We climbed the slopes of solitude, and there
Life met a god, who challenged her and said:
'Thy pipe against my lyre!' But 'Wait!' she laughed,
And in my live flank dug a finger-hole,
And wrung new music from it. Ah, the pain!
We climbed and climbed, and left the god behind.
We saw the earth spread vaster than the sea,
With infinite surge of mountains surfed with snow,
And a silence that was louder than the deep;
But on the utmost pinnacle Life again
Hid me, and I heard the terror in her hair.
Safe in new vales, I ached for the old pang,
And clamoured 'Play me against a god again!'
'Poor Marsyas-mortal -- he shall bleed thee yet,'
She breathed and kissed me, stilling the dim need.
But evermore it woke, and stabbed my flank
With yearnings for new music and new pain.
'Another note against another god!'
I clamoured; and she answered: 'Bide my time.
Of every heart-wound I will make a stop.
And drink thy life in music, pang by pang.
But first thou must yield the notes I stored in thee
At dawn beside the river. Take my lips.'
She kissed me like a lover, but I wept,
Remembering that high song against the god,
And the old songs slept in me, and I was dumb.
We came to cavernous foul places, blind
With harpy-wings, and sulphurous with the glare
Of sinful furnaces -- where hunger toiled,
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And pleasure gathered in a starveling prey,
And death fed delicately on young bones.
'Now sing!' cried Life, and set her lips to me.
'Here are gods also. Wilt thou pipe for Dis?'
My cry was drowned beneath the furnace roar,
Choked by the sulphur-fumes; and beast-lipped gods
Laughed down on me, and mouthed the flutes of hell.
'Now sing!' said Life, reissuing to the stars;
And wrung a new note from my wounded side.
So came we to clear spaces, and the sea.
And now I felt its volume in my heart,
And my heart waxed with it, and Life played on me
The song of the Infinite. 'Now the stars,' she said.
Then from the utmost pinnacle again
She poured me on the wild sidereal stream,
And I grew with her great breathings, till we swept
The interstellar spaces like new worlds
Loosed from the fiery ruin of a star.
Cold, cold we rested on black peaks again,
Under black skies, under a groping wind,
And life, grown old, hugged me to a numb breast,
Pressing numb lips against me. Suddenly
A blade of silver severed the black peaks
From the black sky, and earth was born again,
Breathing and various, under a god's feet.
A god! A god! I felt the heart of Life
Leap under me, and my cold flanks shook again.
He bore no lyre, he rang no challenge out,
But Life warmed to him, warming me with her,
And as he neared I felt beneath her hands
The stab of a new wound that sucked my soul
Forth in a new song from my throbbing throat.
'His name -- his name?' I whispered, but she poured
The music faster, and I grew with it,
Became a part of it, while Life and I
33
Clung lip to lip, and I from her wrung song
As she from me, one song, one ecstasy,
In indistinguishable union blent,
Till she became the flute and I the player.
And lo! the song I played on her was more
Than any she had drawn from me; it held
The stars, the peaks, the cities, and the sea,
The faun's catch, the nymph's tremor, and the heart
Of dreaming girls, of toilers at the desk,
Apollo's challenge on the sunrise slope,
And the hiss of the night-gods mouthing flutes of hell -All, to the dawn-wind's whisper in the reeds,
When Life first came, a shape of mystery,
Moving among us, and with random stroke
Severed, and rapt me from my silent tribe.
All this I wrung from her in that deep hour,
While Love stood murmuring: 'Play the god, poor grass!'
Now, by that hour, I am a mate to thee
Forever, Life, however spent and clogged,
And tossed back useless to my native mud!
Yea, groping for new reeds to fashion thee
New instruments of anguish and delight,
Thy hand shall leap to me, thy broken reed,
Thine ear remember me, thy bosom thrill
With the old subjection, then when Love and I
Held thee, and fashioned thee, and made thee dance
Like a slave-girl to her pipers -- yea, thou yet
Shalt hear my call, and dropping all thy toys
Thou'lt lift me to thy lips, Life, and once more
Pour the wild music through me –
~ Edith Wharton,
1267:First Communions
Truly, they’re stupid, these village churches
Where fifteen ugly chicks soiling the pillars
Listen, trilling out their divine responses,
To a black freak whose boots stink of cellars:
But the sun wakes now, through the branches,
The irregular stained-glass’s ancient colours.
The stone always smells of its earthly mother.
You’ll see masses of those earthy rocks
In the rutting country that solemnly quivers,
And bears, on ochrous paths, near heavy crops,
Those burnt shrubs where the sloe turns bluer,
Those black mulberries the hedge-roses top.
Once a century, they make the barns respectable
With a wash of curdled milk and blue water:
If grotesque mysteries are viewed as notable,
Near to the straw-stuffed Saint or Madonna,
Flies, that know every inn and every stable,
Gorge on wax there, dotting the sunlit floor.
The child’s duty above all’s to home and family,
Simple cares, honest toil that stupefies;
They go, forgetting how their skin crawls freely
Where the Priest of Christ’s powerful finger lies.
The Priest has a house shaded with hornbeam
So he can loose these tanned brows to the light.
The first black suit, the finest pastries, there,
Beneath the little Drummer or Napoleon
Some plate where Josephs and Marthas stare,
Sticking their tongues out with excess emotion,
Joined, on the day of truth, by maps, a pair,
Are the sole sweet mementoes of Devotion.
The girls always go to church, content forever
To hear themselves called bitches by the sons,
Who put on airs, after Mass or Sung Vespers,
Those who are destined to grace the garrisons,
49
In cafes taunt the important families, snicker,
Dressed in new jackets, yelling frightful songs.
Meanwhile the Curé for the children’s choosing
Pictures; in his garden, and, when Vespers done,
The air fills with the distant sound of dancing,
He feels, despite all celestial inhibition,
His calves beat time, his toes with joy wriggling;
– Night steps, dark pirate, onto skies all golden.
II
The Priest has noted among the catechists,
Gathering from the Faubourgs and the Quarters,
This little unknown girl, her eyes pale mist,
Her sallow brow. Her parents humble porters:
‘On the great Day, seeing her among the Catechists,
God will snow down blessings on this daughter.’
III
On the eve of the great Day, the child feels ill.
Better than in the tall Church’s dismal murmuring,
First a shudder comes – bed’s not uninteresting – still,
The supernatural shudder may return: ‘I’m dying…’
And, like a theft of love from her stupid sisters,
She sees, exhausted and hands on heart, there,
Angels, Jesus, a Holy Virgin that glimmers;
And calmly her whole soul swallows her conqueror.
Adonai! … – In their Latin endings dressed,
Skies shot with green bathe Brows of crimson,
And, stained by pure blood from heavenly breasts,
Across swirling suns, fall great snowy linens!
– For her present and future virginities
She bites on the freshness of your Remission,
But more so than sweetmeats or water-lilies,
Your forgiveness is like ice, O Queen of Zion!
50
IV
Then the Virgin’s no more than the virgin of the book.
Mystical impulses are often thwarted…
The hideous print and the old woodcut come,
Poverty of images, bronze-sheathed by boredom.
Startled, her dream of chaste blueness,
By vaguely indecent curiosities,
Surprises itself among celestial tunics,
Linen with which Christ veils his nudities.
She yearns, she yearns, still, soul in distress,
Brow on the pillow racked by muffled sounds,
To prolong the supreme flashes of tenderness,
And dribbles – Darkness over house and grounds.
And the child can bear it no longer, she stirs,
Arches her back, opens the blue bed-hangings,
To draw the coolness of the room towards her,
Beneath the sheet, to breasts’ and belly’s burning.
Waking – at midnight – the window-panes were
White. Past the blue sleep of moonlit hangings,
The vision of Sunday candours captured her;
She’d dreamed of red. Her nose was bleeding,
And, feeling quite chaste and full of weakness,
Savouring love’s return to a God once known,
She thirsted for night when the heart may guess
At soft skies where it worships and bows down;
For night, impalpable Virgin-Mother, that bathes
All youthful emotion in its shadowy silences;
Thirsted for deep night where the heart, blood-stained,
Pours out without cries rebellion without witnesses.
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And playing the Victim and the little bride,
Her star saw her, a candle between her fingers,
Descend to the courtyard where clothes dried,
White spectre raising the roofs’ black spectres.
VI
She passed her holy night in the latrine,
To the candle, from roof-holes, white air flowed,
And full of purplish blackness a wild vine,
Skirting the next-door yard hung down below.
The skylight made a heart of living brightness,
In the yard where the low sky, with its red-gold,
Plated the panes; cobbles, stinking with excess
Wet filth, sulphured the sleep-dark wall-shadows.
VII
Who’ll speak of that languor, those unclean pities,
And what hatred will fall on her, O you filthy
Lunatics, whose divine work still warps destinies,
When leprosy finally devours that sweet body?
VIII
And when, having swallowed all her hysterias,
She sees, in the melancholy born of happiness,
Her lover dreaming of the white million Marys
In the dawn of the night of love, her distress:
‘Do you know I killed you? Took your mouth,
Your heart, all that one has, all you possess;
And I, I am ill: Oh, I wish that I were drowned
With the Dead, drenched by nocturnal waters!
I was a child, and Christ has soiled my breath.
Filled me with loathing, through and through!
You kissed my hair thick as a fleece, and yes,
52
I allowed it….Oh, there, it’s all fine for you,
Men! Who don’t see that the most loving woman
Is, behind conscience full of ignoble terror,
The most prostituted and the most saddened,
That our every impulse towards You is error!
For my first Communion is long past.
I have no power ever to know your kisses:
And my heart and flesh, your flesh has clasped,
Seethe with the rotten kisses of Jesus!’
IX
Then, the desolate soul, and the soul that’s putrid,
Both will feel the stream of your maledictions.
– They’ll be at rest in your inviolate Hatred,
Freed, for death’s sake, from honest passions,
Christ! O Christ, the eternal thief of vigour,
God who, for two millennia, bowed to your pallor,
Nailed to the earth, in shame and mental horror,
Or overwhelmed, the brows of women of sorrow.
~ Arthur Rimbaud,
1268:Hymn To Death
What is it haunts the summer air?
A sense of something lately passed away;
Something pleasant, something fair,
That was with us yesterday,
And is no longer there.
Now from the pasture comes no baby bleat,
Nor the frisk of frolic feet
There is seen.
Blossom and bloom have spread their wings, and flown,
And the bosks and orchards green
The rosy flush of childhood have outgrown.
Lapwing and linnet and lark have fledged their brood;
Mavis and merle have gotten their desire;
The nightingale begins to tire;
Even the cuckoo's note hath fitful grown;
And in the closing leafage of the wood
The ringdove now is left to coo alone.
II
Then revel in your roses, reckless June!
Revel and ripen swift to your decay.
But your turn will follow soon,
And the rounding harvest-moon
Avenge the too brief innocence of May.
Yet once again there scents the morning air
The soul of something passed away;
Something precious, something fair,
That was breathing yesterday,
And is no longer there.
It is Autumn, dying, dying,
With her leaves around her lying,
And Winter, beggared heir, unprofitably sighing.
Let her die.
Unto us as unto her
Earth is but a sepulchre,
And the over-arching sky
Neither asks nor wonders why
Those who here are left behind
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Season sweet and spacious mind
Fain would save;
Yet with pale visages and streaming tears
Must watch the harvest of the ripened years
Locked in the bootless granary of the grave.
III
Why do you call me hence?
To purge what fault, to punish what offence?
Had I maligned my lot,
Or ever once the privilege forgot
Of being, though the spirit's inward sense,
Mirror and measure of all things that are,
Then it were right, were just,
That, like a falling leaf or failing star,
The winds of Heaven should blow about my dust.
Or had I used the years as waifs and strays,
To build myself a comfortable nest,
Groped life for golden garbage, like the rest,
And, as a lacquey, on the public ways
For private profit hired out my tongue,
Then against death 'twere vain to plead,
Then, then 'twere meet indeed
I should grow silenced, like a bell unrung.
But bear me witness, every Spring that came
Since first with trembling furtive frame
Out of my little crib I crept
While others slept,
Because to me the rising moon
Was more than sleep, or toy, or boon,
That never yet the thrush resumed to sing,
But straight my heart did build, my voice was on the wing;
Found the first primrose gazing frank
From its cradle in the bank,
Harked for the cuckoo days before he called,
Then halted, at his note enthralled.
IV
Why do you beckon to another sphere?
Here was I born,
Am deeply rooted here,
And would not be uptorn.
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I want no other fields than these,
No other skies,
No redder dawn to break on bluer seas,
No brighter stars to rise.
Neither do I crave to know
The origin of joy and woe.
I love the doubt, the dark, the fear,
That still surroundeth all things here.
I love the mystery, nor seek to solve;
Content to let the stars revolve,
Nor ask to have their meaning clear.
Enough for me, enough to feel;
To let the mystic shadows steal
Into a land whither I cannot follow;
To see the stealthy sunlight leave
Dewy dingle, dappled hollow;
To watch, when falls the hour of eve,
Quiet shadows on a quiet hill;
To watch, to wonder, and be still.
And can it be,
That there will break the day,
For me, for me,
When I no more shall hear the throstle flute;
Not because his voice is mute,
But that my soul sleeps stupefied in clay?
Never! what, never again!
Deep within some silent glen
To make a couch with peace, far from surmise of men?
Never, never more to stand,
Spell-bound in a leafy land,
Lie among the grasses tall,
Hear the yaffel call, and call,
And lazily watch the lazy clouds slow floating over all?
That time and life will be, but I shall ne'er
Find little feet upon the stair,
Feel little arms about my throat,
Hear little gleeful voices float
Upon the wavelets of the summer air.
That I again shall never share
The peace that lies upon an English lawn,
264
Watch the last lingering planet shining fair
Upon the unwrinkled forehead of the dawn?
Never, never, never more,
When fate or fancy bids me roam,
Lessen with loving thoughts the last long mile
That leads unto my home,
Descry the roses down the casement falling,
Hear the garden thrushes calling,
Behold my dear ones standing at the door,
Void of fear, void of guile,
And hail, as I so oft have hailed before,
The broadening salutation of their smile?
VI
Who will salute me There?
Who, who come forth to greet?
Will Virgil stand upon the golden stair?
Shall I see Spenser's face, and sit at Shakespeare's feet?
Will Galileo with unshrouded gaze
Guide me through the starry maze,
Upon wings that never tire,
Up to the Heaven of Heavens, and higher and ever higher?
If this be so,
Quick let me go!
But ah! pale spectre, paler still you grow.
You would but lure me to the other bank,
To find it blank!
Of all we loved, not one hath e'er come back
To beckon us along the track,
To point the way, to indicate the goal,
And stretch out steadying arms to help the tottering soul.
VII
But wilt thou make this compact with me, Death,
And keep thy bond?
That even if mine be but borrowed breath,
Lent here awhile, to be reclaimed beyond,
And its poor husk be dug into the ground;
Then, though the Future may not find my face,
Nor arms that love me round my neck be wound,
Fair lips that lisp not yet my name shall sound,
And hearts that beat not yet be my warm dwellingplace;
265
That under trees which have no rootlets now,
But will then be trunk and bough
And dome of sheltering leaves, sometimes
A tender tear shall fall upon my rhymes;
And hearts at secret war with life,
Or dreaming maid or disillusioned wife,
Shall my persuasive music bless,
Shall call me comforter in their distress,
And make me live again in sorrowing loveliness?
VIII
So unto Death I do commend my Spirit,
And Time which is in league with Death, that they
May hold in trust, and see my kin inherit,
All of me that is not clay;
Embalm my voice and keep it from decay.
Then I will not ask to stay;Nay, rather start at once upon the way:
Cheered by the faith that, at our mortal birth,
For some high reason beyond Reason's ken,
We are put out to nurse on this strange earth,
Until Death comes to take us home again.
~ Alfred Austin,
1269:From The Wreck
'Turn out, boys'—'What's up with our super. to-night ?
The man's mad—Two hours to daybreak I'd swear—
Stark mad—why, there isn't a glimmer of light.'
'Take Bolingbroke, Alec, give Jack the young mare ;
Look sharp. A large vessel lies jamm'd on the reef,
And many on board still, and some wash'd on shore.
Ride straight with the news—they may send some relief
From the township ; and we—we can do little more.
You, Alec, you know the near cuts ; you can cross
'The Sugarloaf' ford with a scramble, I think ;
Don't spare the blood filly, nor yet the black horse ;
Should the wind rise, God help them ! the ship will soon sink.
Old Peter's away down the paddock, to drive
The nags to the stockyard as fast as he can—
A life and death matter ; so, lads, look alive.'
Half-dressed, in the dark to the stockyard we ran.
There was bridling with hurry, and saddling with haste,
Confusion and cursing for lack of a moon ;
'Be quick with these buckles, we've no time to waste ;'
'Mind the mare, she can use her hind legs to some tune.'
'Make sure of the crossing-place ; strike the old track,
They've fenced off the new one ; look out for the holes
On the wombat hills.' 'Down with the slip rails ; stand back.'
'And ride, boys, the pair of you, ride for your souls.'
In the low branches heavily laden with dew,
In the long grasses spoiling with deadwood that day,
Where the blackwood, the box, and the bastard oak grew,
Between the tall gum-trees we gallop'd away—
We crashed through a brush fence, we splash'd through a swamp—
We steered for the north near 'The Eaglehawk's Nest'—
We bore to the left, just beyond 'The Red Camp',
And round the black tea-tree belt wheel'd to the west—
We cross'd a low range sickly scented with musk
From wattle-tree blossom—we skirted a marsh—
Then the dawn faintly dappled with orange the dusk,
168
And peal'd overhead the jay's laughter note harsh,
And shot the first sunstreak behind us, and soon
The dim dewy uplands were dreamy with light ;
And full on our left flash'd 'The Reedy Lagoon,'
And sharply 'The Sugarloaf' rear'd on our right.
A smother'd curse broke through the bushman's brown beard,
He turn'd in his saddle, his brick-colour'd cheek
Flush'd feebly with sundawn, said, 'Just what I fear'd ;
Last fortnight's late rainfall has flooded the creek.'
Black Bolingbroke snorted, and stood on the brink
One instant, then deep in the dark sluggish swirl
Plunged headlong. I saw the horse suddenly sink,
Till round the man's armpits the waves seemed to curl.
We follow'd,—one cold shock, and deeper we sank
Than they did, and twice tried the landing in vain ;
The third struggle won it ; straight up the steep bank
We stagger'd, then out on the skirts of the plain.
The stockrider, Alec, at starting had got
The lead, and had kept it throughout ; 'twas his boast
That through thickest of scrub he could steer like a shot,
And the black horse was counted the best on the coast.
The mare had been awkward enough in the dark,
She was eager and headstrong, and barely half broke ;
She had had me too close to a big stringy-bark,
And had made a near thing of a crooked sheoak.
But now on the open, lit up by the morn,
She flung the white foam-flakes from nostril to neck,
And chased him—I hatless, with shirt sleeves all torn
(For he may ride ragged who rides from a wreck)—
And faster and faster across the wide heath
We rode till we raced. Then I gave her her head,
And she—stretching out with the bit in her teeth—
She caught him, outpaced him, and passed him, and led.
We neared the new fence, we were wide of the track;
I look'd right and left—she had never been tried
At a stiff leap ; 'twas little he cared on the black.
'You're more than a mile from the gateway,' he cried.
I hung to her head, touched her flank with the spurs
(In the red streak of rail not the ghost of a gap) ;
169
She shortened her long stroke, she pricked her sharp ears,
She flung it behind her with hardly a rap—
I saw the post quiver where Bolingbroke struck,
And guessed that the pace we had come the last mile
Had blown him a bit (he could jump like a buck).
We galloped more steadily then for a while.
The heath was soon pass'd, in the dim distance lay
The mountain. The sun was just clearing the tips
Of the ranges to eastward. The mare—could she stay?
She was bred very nearly as clean as Eclipse ;
She led, and as oft as he came to her side,
She took the bit free and untiring as yet ;
Her neck was arched double, her nostrils were wide,
And the tips of her tapering ears nearly met—
'You're lighter than I am,' said Alec at last ;
'The horse is dead beat and the mare isn't blown.
She must be a good one—ride on and ride fast,
You know your way now.' So I rode on alone.
Still galloping forward we pass'd the two flocks
At M'Intyre's hut and M'Allister's hill—
She was galloping strong at the Warrigal Rocks—
On the Wallaby Range she was galloping still—
And over the wasteland and under the wood,
By down and by dale, and by fell and by flat,
She gallop'd, and here in the stirrups I stood
To ease her, and there in the saddle I sat
To steer her. We suddenly struck the red loam
Of the track near the troughs—then she reeled on the rise—
From her crest to her croup covered over with foam,
And blood-red her nostrils, and bloodshot her eyes,
A dip in the dell where the wattle fire bloomed—
A bend round a bank that had shut out the view—
Large framed in the mild light the mountain had loomed,
With a tall, purple peak bursting out from the blue.
I pull'd her together, I press'd her, and she
Shot down the decline to the Company's yard,
And on by the paddocks, yet under my knee
I could feel her heart thumping the saddle-flaps hard.
Yet a mile and another, and now we were near
170
The goal, and the fields and the farms flitted past ;
And ‘twixt the two fences I turned with a cheer,
For a green grass-fed mare 'twas a far thing and fast ;
And labourers, roused by her galloping hoofs,
Saw bare-headed rider and foam-sheeted steed;
And shone the white walls and the slate-coloured roofs
Of the township. I steadied her then—I had need—
Where stood the old chapel (where stands the new church—
Since chapels to churches have changed in that town).
A short, sidelong stagger, a long, forward lurch,
A slight, choking sob, and the mare had gone down.
I slipp'd off the bridle, I slacken'd the girth,
I ran on and left her and told them my news ;
I saw her soon afterwards. What was she worth ?
How much for her hide ? She had never worn shoes.
~ Adam Lindsay Gordon,
1270:I
WHAT shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

II
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.

Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.

Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.

And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.

Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.

And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:

Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -

O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.

Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.

As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.

Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.

Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;

Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.

As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.

I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.

Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath - .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
First published in the 'New Republic,' 29th June 1927
~ William Butler Yeats, The Tower
,
1271:Easter Eve
Hear me, Brother, gently met;
Just a little, turn, not yet,
Thou shalt laugh, and soon forget:
Now the midnight draweth near.
I have little more to tell;
Soon with hallow stroke and knell,
Thou shalt count the palace bell,
Calling that the hour is here.
Burdens black and strange to bear,
I must tell, and thou must share,
Listening with that stony stare,
Even as many a man before.
Years have lightly come and gone
In their jocund unison,
But the tides of life roll onThey remember now no more.
Once upon a night of glee,
In an hour of revelry,
As I wandered restlessly,
I beheld with burning eye,
How a pale procession rolled
Through a quarter quaint and old,
With its banners and its gold,
And the crucifix went by.
Well I knew that body brave
That was pierced and hung to save,
But my flesh was now a grave
For the soul that gnashed within.
He that they were bearing by,
With their banners white and high,
He was pure, and foul was I,
And his whiteness mocked my sin.
Ah, meseemed that even he,
Would not wait to look on me,
In my years and misery,
85
Things that he alone could heal.
In mine eyes I felt the flame
Of a rage that naught could tame,
And I cried and cursed his name,
Till my brain began to reel.
In a moment I was 'ware,
How that many watching there,
Fearfully with blanch and stare,
Crossed themselves and shrank away;
Then upon my reeling mind,
Like a sharp blow from behind,
Fell the truth, and left me blind,
Hopeless now and all astray.
O'er the city wandering wide,
Seeking but some place to hide,
Where the sounds of mirth had died,
Through the shaken night I stole;
From the ever-eddying stream
Of the crowds that did but seem
Like the processions in a dream
To my empty echoing soul.
Till I came at last alone
To a hidden street of stone,
Where the city's monotone
On the silence fell no more.
Then I saw how one in white
With a footstep mute and light,
Through the shadow of the night
Like a spirit paced before.
And a sudden stillness came
Through my spirit and my frame,
And a spell without a name
Held me in his mystic track.
Though his presence seemed so mild,
Yet he led me like a child,
With a yearning strange and wild,
That I dared not turn me back.
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Oh, I could not see his face,
Nor behold his utmost grace,
Yet I might not change my pace
Fastened by a strange belief;
For his steps were sad and slow,
And his hands hung straight below,
And his head was bowed, as though
Pressed by some immortal grief.
So I followed, yet not I
Held alone that company:
Every silent passer-by
Paled and turned and joined with me;
So we followed still and fleet,
While the city street by street,
Fell behind our rustling feet
Like a deadened memory.
Where the sound of sin and riot
Broke upon the night's dim quiet,
And the solemn bells hung nigh it
Echoed from their looming towers;
Where the mourners wept alway,
Watching for the morning grey;
Where the weary toiler lay,
Husbanding the niggard hours;
By the gates where all night long
Guests in many a joyous throng,
With the sound of dance and song,
Dreamed in golden palaces;
Still he passed, and door by door
Opened with a pale outpour,
And the revel rose no more
Hushed in deeper phantasies.
As we passed, the talk and stir
Of the quiet wayfarer
And the noisy banqueter
Died upon the midnight dim.
They that reeled in drunken glee
Shrank upon the trembling knee,
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And their jests died pallidly,
As they rose and followed him.
From the street and from the hall,
From the flare of festival
None that saw him stayed, but all
Followed where his wonder would:
And our feet at first so few
Gathered as those white feet drew
To a pallid multitude;
And the hushed and awful beat
Of our pale unnumbered feet
Made a murmur strange and sweet,
As we followed evermore.
Now the night was almost passed,
And the dawn was overcast,
When the stranger stayed at last
At a great cathedral door.
Never word the stranger said,
But he slowly raised his head,
And the vast door opened
By an unseen hand withdrawn;
And in silence wave on wave,
Like an army from the grave,
Up the aisles and up the nave,
All that spectral crowd rolled on.
As I followed close behind,
Knowledge like an awful wind
Seemed to blow my naked mind
Into darkness black and bare;
Yet with longing wild and dim,
And a terror vast and grim,
Nearer still I pressed to him,
Till I almost touched his hair.
From the gloom so strange and eery,
From the organ low and dreary,
Rose the wailing miserere,
By mysterious voices sung;
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And a dim light shone, none knew,
How it came, or whence it grew,
From the dusky roof and through
All the solemn spaces flung.
But the stranger still passed on,
Till he reached the alter stone,
And with body white and prone
Sunk his forehead to the floor;
And I saw in my despair,
Standing like a spirit there,
How his head was bruised and bare,
And his hand were clenched before,
How his hair was fouled and knit
With the blood that clotted it,
Where the prickled thorns had bit
In his crowned agony;
In his hands so wan and blue,
Leaning out, I saw the two
Marks of where the nails pierced through,
Once on gloomy Calvary.
Then with trembling throat I owned
All my dark sin unatoned,
Telling it with lips that moaned,
And methought an echo came
From the bended crowd below,
Each one breathing faint and low,
Sins that none but he might know:
'Master I did curse thy name.'
And I saw him slowly rise
With his sad unearthly eyes,
Meeting mine with meek surprise,
And a voice came solemnly:
'Never more on mortal ground
For they soul shall rest be found,
But when bells at midnight sound
Thou must rise and come with me.'
Then my forehead smote the floor,
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Swooning, and I knew no more,
Till I heard the chancel door
Open for the choristers:
But the stranger's form was gone,
And the church was dim and lone:
Through the silence, one by one
Stole the early worshippers.
I an ageing now I know;
That was many years ago,
Yet or I shall rest below
In the grave where none intrude,
Night by night I roam the street,
And that awful form I meet,
And I follow pale and fleet,
With a ghostly multitude.
Every night I see his face,
With its sad and burdened grace,
And the torn and bloody trace,
That in hands and feet he has.
Once my life was dark and bad;
Now its days are strange and sad,
And the people call me mad:
See, they whisper as they pass.
Even now the echoes roll
From the swinging bells that toll;
It is midnight, now my soul
Hasten, for he glideth by.
Stranger, 'tis no phantasie:
Look! my master waits for me
Mutely, but thou canst not see
With the mortal blinded eye.
~ Archibald Lampman,
1272:Pilate's Wife's Dream
I've quenched my lamp, I struck it in that start
Which every limb convulsed, I heard it fall­
The crash blent with my sleep, I saw depart
Its light, even as I woke, on yonder wall;
Over against my bed, there shone a gleam
Strange, faint, and mingling also with my dream.
It sunk, and I am wrapt in utter gloom;
How far is night advanced, and when will day
Retinge the dusk and livid air with bloom,
And fill this void with warm, creative ray ?
Would I could sleep again till, clear and red,
Morning shall on the mountain-tops be spread!
I'd call my women, but to break their sleep,
Because my own is broken, were unjust;
They've wrought all day, and well-earned slumbers steep
Their labours in forgetfulness, I trust;
Let me my feverish watch with patience bear,
Thankful that none with me its sufferings share.
Yet, Oh, for light ! one ray would tranquilise
My nerves, my pulses, more than effort can;
I'll draw my curtain and consult the skies:
These trembling stars at dead of night look wan,
Wild, restless, strange, yet cannot be more drear
Than this my couch, shared by a nameless fear.
All black­one great cloud, drawn from east to west,
Conceals the heavens, but there are lights below;
Torches burn in Jerusalem, and cast
On yonder stony mount a lurid glow.
I see men stationed there, and gleaming spears;
A sound, too, from afar, invades my ears.
Dull, measured, strokes of axe and hammer ring
From street to street, not loud, but through the night
Distinctly heard­and some strange spectral thing
45
Is now upreared­and, fixed against the light
Of the pale lamps; defined upon that sky,
It stands up like a column, straight and high.
I see it all­I know the dusky sign­
A cross on Calvary, which Jews uprear
While Romans watch; and when the dawn shall shine
Pilate, to judge the victim will appear,
Pass sentence­yield him up to crucify;
And on that cross the spotless Christ must die.
Dreams, then, are true­for thus my vision ran;
Surely some oracle has been with me,
The gods have chosen me to reveal their plan,
To warn an unjust judge of destiny:
I, slumbering, heard and saw; awake I know,
Christ's coming death, and Pilate's life of woe.
I do not weep for Pilate­who could prove
Regret for him whose cold and crushing sway
No prayer can soften, no appeal can move;
Who tramples hearts as others trample clay,
Yet with a faltering, an uncertain tread,
That might stir up reprisal in the dead.
Forced to sit by his side and see his deeds;
Forced to behold that visage, hour by hour,
In whose gaunt lines, the abhorrent gazer reads
A triple lust of gold, and blood, and power;
A soul whom motives, fierce, yet abject, urge
Rome's servile slave, and Judah's tyrant scourge.
How can I love, or mourn, or pity him ?
I, who so long my fettered hands have wrung;
I, who for grief have wept my eye-sight dim;
Because, while life for me was bright and young,
He robbed my youth­he quenched my life's fair ray­
He crushed my mind, and did my freedom slay.
46
And at this hour­although I be his wife­
He has no more of tenderness from me
Than any other wretch of guilty life;
Less, for I know his household privacy­
I see him as he is­without a screen;
And, by the gods, my soul abhors his mien !
Has he not sought my presence, dyed in blood­
Innocent, righteous blood, shed shamelessly ?
And have I not his red salute withstood ?
Aye,­when, as erst, he plunged all Galilee
In dark bereavement­in affliction sore,
Mingling their very offerings with their gore.
Then came he­in his eyes a serpent-smile,
Upon his lips some false, endearing word,
And, through the streets of Salem, clanged the while,
His slaughtering, hacking, sacrilegious sword­
And I, to see a man cause men such woe,
Trembled with ire­I did not fear to show.
And now, the envious Jewish priests have brought
Jesus­whom they in mockery call their king­
To have, by this grim power, their vengeance wrought;
By this mean reptile, innocence to sting.
Oh ! could I but the purposed doom avert,
And shield the blameless head from cruel hurt!
Accessible is Pilate's heart to fear,
Omens will shake his soul, like autumn leaf;
Could he this night's appalling vision hear,
This just man's bonds were loosed, his life were safe,
Unless that bitter priesthood should prevail,
And make even terror to their malice quail.
Yet if I tell the dream­but let me pause.
What dream ? Erewhile the characters were clear,
Graved on my brain­at once some unknown cause
Has dimmed and rased the thoughts, which now appear,
Like a vague remnant of some by-past scene;­
Not what will be, but what, long since, has been.
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I suffered many things, I heard foretold
A dreadful doom for Pilate,­lingering woes,
In far, barbarian climes, where mountains cold
Built up a solitude of trackless snows,
There, he and grisly wolves prowled side by side,
There he lived famished­there methought he died;
But not of hunger, nor by malady;
I saw the snow around him, stained with gore;
I said I had no tears for such as he,
And, lo ! my cheek is wet­mine eyes run o'er;
I weep for mortal suffering, mortal guilt,
I weep the impious deed­the blood self-spilt.
More I recall not, yet the vision spread
Into a world remote, an age to come­
And still the illumined name of Jesus shed
A light, a clearness, through the enfolding gloom­
And still I saw that sign, which now I see,
That cross on yonder brow of Calvary.
What is this Hebrew Christ ? To me unknown,
His lineage­doctrine­mission­yet how clear,
Is God-like goodness, in his actions shewn !
How straight and stainless is his life's career !
The ray of Deity that rests on him,
In my eyes makes Olympian glory dim.
The world advances, Greek, or Roman rite
Suffices not the inquiring mind to stay;
The searching soul demands a purer light
To guide it on its upward, onward way;
Ashamed of sculptured gods­Religion turns
To where the unseen Jehovah's altar burns.
Our faith is rotten­all our rites defiled,
Our temples sullied, and methinks, this man,
With his new ordinance, so wise and mild,
Is come, even as he says, the chaff to fan
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And sever from the wheat; but will his faith
Survive the terrors of to-morrow's death ?
*****
I feel a firmer trust­a higher hope
Rise in my soul­it dawns with dawning day;
Lo ! on the Temple's roof­on Moriah's slope
Appears at length that clear, and crimson ray,
Which I so wished for when shut in by night;
Oh, opening skies, I hail, I bless your light !
Part, clouds and shadows ! glorious Sun appear !
Part, mental gloom ! Come insight from on high !
Dusk dawn in heaven still strives with daylight clear,
The longing soul, doth still uncertain sigh.
Oh ! to behold the truth­that sun divine,
How doth my bosom pant, my spirit pine !
This day, time travails with a mighty birth,
This day, Truth stoops from heaven and visits earth,
Ere night descends, I shall more surely know
What guide to follow, in what path to go;
I wait in hope­I wait in solemn fear,
The oracle of God­the sole­true God­to hear.
~ Charlotte Brontë,
1273:Recollections
Ye dear stars of the Bear, I did not think
I should again be turning, as I used,
To see you over father's garden shine,
And from the windows talk with you again
Of this old house, where as a child I dwelt,
And where I saw the end of all my joys.
What charming images, what fables, once,
The sight of you created in my thought,
And of the lights that bear you company!
Silent upon the verdant clod I sat,
My evening thus consuming, as I gazed
Upon the heavens, and listened to the chant
Of frogs that in the distant marshes croaked;
While o'er the hedges, ditches, fire-flies roamed,
And the green avenues and cypresses
In yonder grove were murmuring to the wind;
While in the house were heard, at intervals,
The voices of the servants at their work.
What thoughts immense in me the sight inspired
Of that far sea, and of the mountains blue,
That yonder I behold, and which I thought
One day to cross, mysterious worlds and joys
Mysterious in the future fancying!
Of my hard fate unconscious, and how oft
This sorrowful and barren life of mine
I willingly would have for death exchanged!
Nor did my heart e'er tell me, I should be
Condemned the flower of my youth to spend
In this wild native region, and amongst
A wretched, clownish crew, to whom the names
Of wisdom, learning, are but empty sounds,
Or arguments of laughter and of scorn;
Who hate, avoid me; not from envy, no;
For they do not esteem me better than
Themselves, but fancy that I, in my heart,
That feeling cherish; though I strive, indeed,
No token of such feeling to display.
And here I pass my years, abandoned, lost,
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Of love deprived, of life; and rendered fierce,
'Mid such a crowd of evil-minded ones,
My pity and my courtesy I lose,
And I become a scorner of my race,
By such a herd surrounded; meanwhile, fly
The precious hours of youth, more precious far
Than fame, or laurel, or the light of day,
Or breath of life: thus uselessly, without
One joy, I lose thee, in this rough abode,
Whose only guests are care and suffering,
O thou, the only flower of barren life!
The wind now from the tower of the town
The deep sound of the bell is bringing. Oh,
What comfort was that sound to me, a child,
When in my dark and silent room I lay,
Besieged by terrors, longing for the dawn!
Whate'er I see or hear, recalls to mind
Some vivid image, recollection sweet;
Sweet in itself, but O how bitter made
By painful sense of present suffering,
By idle longing for the past, though sad,
And by the still recurring thought, '_I was_'!
Yon gallery that looks upon the west;
Those frescoed walls, these painted herds, the sun
Just rising o'er the solitary plain,
My idle hours with thousand pleasures filled,
While busy Fancy, at my side, still spread
Her bright illusions, wheresoe'er I went.
In these old halls, when gleamed the snow without,
And round these ample windows howled the wind,
My sports resounded, and my merry words,
In those bright days, when all the mysteries
And miseries of things an aspect wear,
So full of sweetness; when the ardent youth
Sees in his untried life a world of charms,
And, like an unexperienced lover, dotes
On heavenly beauty, creature of his dreams!
O hopes, illusions of my early days!-Of you I still must speak, to you return;
For neither flight of time, nor change of thoughts,
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Or feelings, can efface you from my mind.
Full well I know that honor and renown
Are phantoms; pleasures but an idle dream;
That life, a useless misery, has not
One solid fruit to show; and though my days
Are empty, wearisome, my mortal state
Obscure and desolate, I clearly see
That Fortune robs me but of little. Yet,
Alas! as often as I dwell on you,
Ye ancient hopes, and youthful fancy's dreams,
And then look at the blank reality,
A life of ennui and of wretchedness;
And think, that of so vast a fund of hope,
Death is, to-day, the only relic left,
I feel oppressed at heart, I feel myself
Of every comfort utterly bereft.
And when the death, that I have long invoked,
Shall be at hand, the end be reached of all
My sufferings; when this vale of tears shall be
To me a stranger, and the future fade,
Fade from sight forever; even then, shall I
Recall you; and your images will make
Me sigh; the thought of having lived in vain,
Will then intrude, with bitterness to taint
The sweetness of that day of destiny.
Nay, in the first tumultuous days of youth,
With all its joys, desires, and sufferings,
I often called on death, and long would sit
By yonder fountain, longing, in its waves
To put an end alike to hope and grief.
And afterwards, by lingering sickness brought
Unto the borders of the grave, I wept
O'er my lost youth, the flower of my days,
So prematurely fading; often, too,
At late hours sitting on my conscious bed,
Composing, by the dim light of the lamp,
I with the silence and the night would moan
O'er my departing soul, and to myself
In languid tones would sing my funeral-song.
Who can remember you without a sigh,
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First entrance into manhood, O ye days
Bewitching, inexpressible, when first
On the enchanted mortal smiles the maid,
And all things round in emulation smile;
And envy holds its peace, not yet awake,
Or else in a benignant mood; and when,
--O marvel rare!--the world a helping hand
To him extends, his faults excuses, greets
His entrance into life, with bows and smiles
Acknowledges his claims to its respect?
O fleeting days! How like the lightning's flash,
They vanish! And what mortal can escape
Unhappiness, who has already passed
That golden period, his own _good_ time,
That comes, alas, so soon to disappear?
And thou, Nerina, does not every spot
Thy memory recall? And couldst thou e'er
Be absent from my thought? Where art thou gone,
That here I find the memory alone,
Of thee, my sweet one? Thee thy native place
Beholds no more; that window, whence thou oft
Wouldst talk with me, which sadly now reflects
The light of yonder stars, is desolate.
Where art thou, that I can no longer hear
Thy gentle voice, as in those days of old,
When every faintest accent from thy lips
Was wont to turn me pale? Those days have gone.
They _have been_, my sweet love! And thou with them
Hast passed. To others now it is assigned
To journey to and fro upon the earth,
And others dwell amid these fragrant hills.
How quickly thou hast passed! Thy life was like
A dream. While dancing there, joy on thy brow
Resplendent shone, anticipations bright
Shone in thy eyes, the light of youth, when Fate
Extinguished them, and thou didst prostrate lie.
Nerina, in my heart the old love reigns.
If I at times still go unto some feast,
Or social gathering, unto myself
I say: 'Nerina, thou no more to feast
Dost go, nor for the ball thyself adorn.'
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If May returns, when lovers offerings
Of flowers and of songs to maidens bring,
I say: 'Nerina mine, to thee spring ne'er
Returns, and love no more its tribute brings.'
Each pleasant day, each flowery field that I
Behold, each pleasure that I taste, the thought
Suggest: 'Nerina pleasure knows no more,
The face of heaven and earth no more beholds.'
Ah, thou hast passed, for whom I ever sigh!
Hast passed; and still the memory of thee
Remains, and with each thought and fancy blends
Each varying emotion of the heart;
And _will_ remain, so bitter, yet so sweet!
~ Count Giacomo Leopardi,
1274:The Warrior's Return
Sir Walter returned from the far Holy Land,
And a blood-tinctured falchion he bore;
But such precious blood as now darkened his sword
Had never distained it before.
Fast fluttered his heart as his own castle towers
He saw on the mountain's green height;
"My wife, and my son!" he exclaimed, while his tears
Obscured for some moments his sight.
For terror now whispered, the wife he had left
Full fifteen long twelvemonths before,
The child he had clasp't in his farewell embrace,
Might both, then, alas! be no more.
Then, sighing, he thought of his Editha's tears
As his steed bore him far from her sight,
And her accents of love, while she fervently cried,
"Great God! guard his life in the fight!"
And then he remembered, in language half formed
How his child strove to bid him adieu;
While scarcely he now can believe, as a man,
That infant may soon meet his view.
But should he not live!....To escape from that fear,
He eagerly spurred his bold steed:
Nor stopped he again, till his own castle moat
Forbade on the way to proceed.
'T was day-break: yet still past the windows he saw
Busy forms lightly trip to and fro:
Blest sight! that she lives," he exclaimed with smile,
"Those symptoms of housewifery show:
"For, stranger to sloth, and on business intent,
The dawn calls her forth from her bed;
And see, through the castle, all busy appear,
By her to their duty still led."
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That instant the knight by the warder was seen,
For far flamed the cross on his breast;
And while loud blew the horn, now a smile, now a tear,
Sir Walter's mix't feelings expressed.
'Tis I, my loved vassals!" the warrior exclaimed,....
The voice reached his Editha's ears;
Who, breathless and speechless, soon rushed to his arms,
Her transport betraying by tears.
"And dost thou still love me?" he uttered, when first
A silence so rapturous he broke;
She tried to reply, but in vain....while her sobs
A volume of tenderness spoke.
Behold how I'm changed! how I'm scarred!" he exclaimed,
"Each charm that I boasted is o'er:"....
"Thou hast bled for THY GOD ," she replied, "and each scar
Endears thee, my warrior, the more."
"But where is my child?" he cried, pale with alarm,
"Thou namest not my Alfred....my boy!"........
"And comes he not with you?" she said;...."then some woe
Embitters our beverage of joy."
"What meanest thou, my love?"......."When to manhood he grew,
And heard of his father's great name,
'O let me', he cried, 'to the Holy Land go,
To share my sire's dangers, and fame.
"'Perchance my young arm, by the cause nerved with strength,
May lower the Pagan's proud crest:
And the brave Christian knights, in reward of my zeal,
May bind the red cross on my breast,'....
"'And think'st thou,' I said, 'with the son I can part,
Till the father be safe in my arms?
No....hope not I'll add to the fears of the wife
The mother's as poignant alarms.'
"I ceased....and his head on my bosom reclined,
68
While his golden hair shaded his cheek;
When, parting his ringlets, I saw the big tears
His heart's disappointment bespeak.
The sight overcame me: 'Most loved,' I exclaimed,
'Go, share in thy father's renown!
Thy mother will gladly, to dry up thy tears,
Endure an increase of her own .'
"He kissed me...he thanked me....I armed him myself,
And girt his pure sword on his side;
So lovely he looked, that the mother's fond fears
Were lost in the mother's fond pride."
"He went then?...How long has my warrior been gone?"
"A twelvemonth, my Walter, and more."
Indeed!....then he scarcely could reach the far land
Until the last battle was o'er."
"I told him, my Walter, what armour was yours,
And what the device on your shield,
In hopes of your meeting."...."Alas!" he returned:
"My armour I changed on the field!
"A friend whom I loved from the dawning of youth,
For conquest and courage renowned,
Fell, fighting beside me, and thus he exclaimed,
While life issued fast from the wound:
"'And must I then die ere the flag of the Cross
Waves proudly o'er Saracen towers?
But grant me, loved Walter, this dying request,
For victory must surely be ours:
"'My armour well tried, and my falchion, my shield,
In memory of me deign to wear!
'T would sooth me to know, when the victory comes on,
That something of mine will be there!'
"I granted his wish, and his arms I assumed,
While yet he the action could see,
And marked with delight that his last closing look
69
Was fix't with fond pleasure on me.
"Yet now, this remembrance so dear to my heart
Is clouded by anxious regret;
Since, but for this change on the field of the fight,
The father and son would have met!"
But if he has fought, and has fallen, my love!"....
"Suppress," cried the knight with a frown,
"A fear so ill-founded;....if Alfred had died,
He'd have fallen a child of renown ."
Yet vainly he strove by the father's proud hopes
To conquer the father's fond fears;
He feared for the life of his boy, though with smiles
He answered his Editha's tears.
And more and more forced grew the smile on his lip,
His brow more o'erclouded with thought;
At length he exclaimed, "From the field of renown
One mournful memorial I've brought.
"I grieve that I won it!....A Saracen chief
Fell bleeding before me in fight,
When lo! as I claimed him my prisoner and prize,
A warrior disputed my right.
"'I'm new to the battle,' he cried, 'and this prize
Will wreathe my young brow with renown,
Nor will I the conquest resign but with life:....
That chief by this arm was o'erthrown.'
"His daring enraged me,...for mine seemed the stroke
Which laid the proud Saracen low;....
Besides, from his bosom depended no cross,
His right to such daring to show."
"But surely, my Walter, the daring bespoke
A soul nobly eager for fame:
So many your laurels, that one you could spare,....
O tell me you granted his claim !"
70
"No, Editha, no!....martial pride steeled my heart,
The youth I to combat defied;
He fought like a hero! but vainly he fought,...
Beneath my strong falchion he died."
"O ill-fated youth! how I bleed for his fate!
Perhaps that his mother, like me
Had armed him, and blest him, and prays for his life,
As I pray, my Alfred, for thee!....
"But never again shall he gladden her eyes,
And haste her fond blessing to crave!
O Walter! I tremble lest you in return
Be doomed to the sorrow you gave!
"Say, did not the cross, when your victim he fell,
Lie heavy and cold on your breast;....
That symbol of him full of meekness and love,
Whose deeds mercy only expressed?"
Yes....pity, shame, penitence seized on my soul;
So sweet too his voice was in tone!
Methought as he lay, and in agony groaned,
His accents resembled thine own.
"His casque I unlaced, and I chafed his cold brow,
And fain every wound would have healed;
So young, and so lovely he seemed, that I wept
As by him I tenderly kneeled.
He saw my distress, and his last dying grasp
Forgiveness and kindness expressed;
And then, with a look I shall never forget,
He breathed his last sigh on my breast."
"But what's this memorial?" with cheek deadly pale
His Editha falteringly cried:...
"This scarf from his bosom!"....he uttered no more,
For Editha sunk by his side.
Ah then in her danger, her pale look of death,
He forgot all the laurels he'd won.
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O father accurst!" she exclaimed, "in that youth
You slaughtered your Alfred....your son!"
~ Amelia Opie,
1275:Songs
COME here fond youth, whoe'er thou be,
That boasts to love as well as me;
And if thy breast have felt so wide a wound,
Come hither and thy flame approve;
I'll teach thee what it is to love,
And by what marks true passion may be found.
It is to be all bath'd in tears;
To live upon a smile for years;
To lie whole ages at a beauty's feet:
To kneel, to languish and implore;
And still tho' she disdain, adore:
It is to do all this, and think thy sufferings sweet.
It is to gaze upon her eyes
With eager joy and fond surprise;
Yet temper'd with such chaste and awful fear
As wretches feel who wait their doom;
Nor must one ruder thought presume
Tho' but in whispers breath'd, to meet her ear.
It is to hope, tho' hope were loft;
Tho' heaven and earth thy passion crost;
Tho' she were bright as sainted queens above,
And thou the least and meanest swain
That folds his flock upon the plain,
Yet if thou dar'st not hope, thou dost not love.
It is to quench thy joy in tears:
To nurse strange doubts and groundless fears:
If pangs of jealousy thou hast not prov'd,
Tho' she were fonder and more true
Than any nymph old poets drew,
Oh never dream again that thou hast lov'd.
If when the darling maid is gone,
Thou dost not seek to be alone,
Wrapt in a pleasing trance of tender woe;
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And muse, and fold thy languid arms,
Feeding thy fancy on her charms,
Thou dost not love, for love is nourish'd so.
If any hopes thy bosom share
But those which love has planted there,
Or any cares but his thy breast enthrall,
Thou never yet his power hast known;
Love sits on a despotic throne,
And reigns a tyrant, if he reigns at all.
Now if thou art so lost a thing,
Here all thy tender sorrows bring,
And prove whose patience longest can endure:
We'll strive whose fancy shall be lost
In dreams of fondest passion most;
For if thou thus hast lov'd, oh! never hope a cure.
S O N G II
IF ever thou dist joy to bind
Two hearts in equal passion join'd,
O son of VENUS! hear me now,
And bid FLORELLA bless my vow.
If any bliss reserv'd for me
Thou in the leaves of fate should'st see;
If any white propitious hour,
Pregnant with hoarded joys in store;
Now, now the mighty treasure give,
In her for whom alone I live:
In sterling love pay all the sum,
And I'll absolve the fates to come.
In all the pride of full-blown charms
Yield her, relenting, to my arms:
Her bosom touch with soft desires,
And let her feel what she inspires.
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But, CUPID, if thine aid be vain
The dear reluctant maid to gain;
If still with cold averted eyes
She dash my hopes, and scorn my sighs;
O! grant ('tis all I ask of thee)
That I no more may change than she;
But still with duteous zeal love on,
When every gleam of hope is gone.
Leave me then alone to languish,
Think not time can heal my anguish;
Pity the woes which I endure;
But never, never grant a cure.
S O N G III
SYLVIA
Leave me, simple shepherd, leave me;
Drag no more a hopeless chain:
I cannot like, nor would deceive thee;
Love the maid that loves again.
CORIN
Tho' more gentle nymphs surround me,
Kindly pitying what I feel,
Only you have power to wound me;
SYLVIA, only you can heal.
SYLVIA
Corin, cease this idle teazing;
Love that's forc'd is harsh and sour:
If the lover be displeasing,
To persist disgusts the more.
CORIN
'Tis in vain, in vain to fly me,
Sylvia, I will still pursue;
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Twenty thousand times deny me,
I will kneel and weep anew.
SYLVIA
Cupid ne'er shall make me languish,
I was born averse to love;
Lovers' sighs, and tears, and anguish,
Mirth and pastime to me prove.
CORIN
Still I vow with patient duty
Thus to meet your proudest scorn;
You for unrelenting beauty,
I for constant love was born.
But the fates had not consented,
Since they both did fickle prove;
Of her scorn the maid repented,
And the shepherd of his love.
S O N G IV
WHEN gentle CELIA first I knew,
A breast so good, so kind, so true,
Reason and taste approv'd;
Pleas'd to indulge so pure a flame,
I call'd it by too soft a name,
And fondly thought I lov'd.
Till CHLORIS came, with sad surprise
I felt the light'ning of her eyes
Thro' all my senses run;
All glowing with resistless charms,
She fill'd my breast with new alarms,
I saw, and was undone.
O CELIA! dear unhappy maid,
Forbear the weakness to upbraid
Which ought your scorn to move;
I know this beauty false and vain,
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I know she triumphs in my pain,
Yet still I feel I love.
Thy gentle smiles no more can please,
Nor can thy softest friendship ease
The torments I endure;
Think what that wounded breast must feel
Which truth and kindness cannot heal,
Nor even thy pity cure.
Oft shall I curse my iron chain,
And wish again thy milder reign
With long and vain regret ;
All that I can, to thee I give,
And could I still to reason live
I were thy captain yet.
But passion's wild impetuous sea
Hurries me far from peace and thee ;
'Twere vain to struggle more:
Thus the poor sailor slumbering lies,
While swelling tides around him rise,
And push his bark from shore.
In vain he spreads his helpless arms,
His pitying friends with fond alarms
In vain deplore his state;
Still far and farther from the coast,
On the high surge his bark is tost,
And foundering yields to fate.
SONGV
AS near a weeping spring reclin'd
The beauteous ARAMINTA pin'd,
And mourn'd a false ungrateful youth;
While dying echoes caught the sound,
And spread the soft complaints around
Of broken vows and alter'd truth;
An aged shepherd heard her moan,
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And thus in pity's kindest tone
Address'd the lost despairing maid:
Cease, cease unhappy fair to grieve,
For sounds, tho' sweet, can ne'er relieve
A breaking heart by love betray'd.
Why shouldst thou waste such precious showers,
That fall like dew on wither'd flowers,
But dying passion ne'er restor'd?
In beauty's empire is no mean,
And woman, either slave or queen,
Is quickly scorn'd when not ador'd.
Those liquid pearls from either eye,
Which might an eastern empire buy,
Unvalued here and fruitless fall;
No art the season can renew
When love was young, and DAMON true;
No tears a wandering heart recall.
Cease, cease to grieve, thy tears are vain,
Should those fair orbs in drops of rain
Vie with a weeping southern sky:
For hearts o'ercome with love and grief
All nature yields but one relief;
Die, hapless ARAMINTA, die.
S O N G VI
WHEN first upon your tender cheek
I saw the morn of beauty break
With mild and chearing beam,
I bow'd before your infant shrine,
The earliest sighs you had were mine,
And you my darling heme.
I saw you in that opening morn
For beauty's boundless empire born,
And first confess'd your sway;
And e'er your thoughts, devoid of art,
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Could learn the value of a heart,
I gave my heart away.
I watch'd the dawn of every grace,
And gaz'd upon that angel face,
While yet 'twas safe to gaze;
And fondly blest each rising charm,
Nor thought such innocence could harm
The peace of future days.
But now despotic o'er the plains
The awful noon of beauty reigns,
And kneeling crowds adore;
These charms arise too fiercely bright,
Danger and death attend the fight,
And I must hope no more.
Thus to the rising God of day
Their early vows the Persians pay,
And bless the spreading fire;
Whose glowing chariot mounting soon
Pours on their heads the burning noon;
They sicken, and expire.
~ Anna Laetitia Barbauld,
1276:An Island
(SAINT HELENA, 1821)
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …

Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it. Voilà. Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
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Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
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So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—

Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally. Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
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But not for you, returning with your curled
And haggish lips. And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?

Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?

Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
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The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
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Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine...
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
~ Edwin Arlington Robinson,
1277:Look Seaward, Sentinel!
Look seaward, Sentinel, and tell the land
What you behold.
Sentinel
I see the deep-ploughed furrows of the main
Bristling with harvest; funnel, and keel, and shroud,
Heaving and hurrying hither through gale and cloud,
Winged by their burdens; argosies of grain,
Flocks of strange breed and herds of southern strain,
Fantastic stuffs and fruits of tropic bloom,
Antarctic fleece and equatorial spice,
Cargoes of cotton, and flax, and silk, and rice,
Food for the hearth and staples for the loom:
Huge vats of sugar, casks of wine and oil,
Summoned from every sea to one sole shore
By Empire's sceptre; the converging store
Of Trade's pacific universal spoil.
And heaving and hurrying hitherward to bring
Tribute from every zone, they lift their voices,
And, as a strong man revels and rejoices,
They loudly and lustily chant, and this the song they sing.
Chorus of Home-coming Ships
From the uttermost bound
Of the wind and the foam,
From creek and from sound,
We are hastening home.
We are laden with treasure
From ransacked seas,
To charm your leisure,
To grace your ease.
We have trodden the billows,
And tracked the ford,
To soften your pillows,
To heap your board.
The hills have been shattered,
The forests scattered,
Our white sails tattered,
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To swell your hoard.
Is it blossom, or fruit, or
Seed, you crave?
The land is your suitor,
The sea your slave.
We have raced with the swallows,
And threaded the floes
Where the walrus wallows
Mid melting snows;
Sought regions torrid,
And realms of sleet,
To gem your forehead,
To swathe your feet.
And behold, now we tender,
With pennons unfurled,
For your comfort and splendour,
The wealth of the world.
II
Look landward, Sentinel, and tell the sea
What you behold.
Sentinel
I see a land of liberty and peace,
Ancient in glory and strength, but young in mien,
Like immemorial forest Spring makes green,
And whose boughs broaden as the years increase:
Where ruminating hide and grazing fleece
Dapple lush meadows diapered with flowers,
Lambs bleat, birds carol, rosy children roam,
The glad hind whistles as he wendeth home,
And red roofs nestle under gray church-towers:
Whose sons have in their fearless eyes the light
Of centuries of fame and battles won
And Empire ranging roundward with the sun;
Whose fair frank daughters gleam upon the sight
Fresh as the dawn and florid as the Spring;
And, as from lowly porch and lordly dwelling
They sally forth and meet, with voices swelling
Harmoniously they chant, and this the song they sing.
Chorus of Islanders
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Blest be the cliffs and the crags that girdle
Our island home,
And blest, thrice blest, the tempests that scourge and curdle
The sea into foam.
For the nations over the wave eat, sleep, and labour,
In doubt and dread;
The spear is the child at their threshold, the naked sabre
The bride by their bed.
But we behind bulwarks of brine and rampart of breakers,
Year after year,
Drop the seed in the drill and the furrow, and harvest our acres,
And feel no fear.
While they wattle their flocks, and remember the past, and shudder,
And finger the sword,
Our lambs go safe to the ewes, our calves to the udder,
Our fruits to the board.
Welcome the sleet that blinds and the blasts that buffet,
And welcome the roar
Of the storms that swoop on the sea and rend and rough it
Around our shore.
For in safety the yearling fattens, the heifer browses,
The herds increase;
In safety we fondle our babes, in safety our spouses,
In safety, freedom, and peace.
III
Look again seaward, but beyond the sea,
And say what you behold.
Sentinel
I see weeping and wailing, and the bridegroom ruthlessly torn
From the clinging arms of the bride, and I see and I hear
Clanking of steel and clarions clamouring clear,
And suckling mothers, wedded but forlorn,
Cradling their babes amid the half-cut corn;
Whose fathers, as the homely days grew ripe
When fruits are plucked and mellow harvest stored,
Felt the soft curving sickle from their gripe
Timelessly wrenched, and in its place a sword.
And I see the nations, like to restless waves,
Surging against each other, withal afraid
To close and clash, lest blade prove strong as blade,
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And even the victor win but worthless graves.
And, wearying of the days and nights that bring
No respite nor reward, they moan and murmur
Under their breath, until with accents firmer
They sadly and surlily chant, and this the song they sing.
Chorus of Armed Nations
How long shall we, we only, bear the burden
And sweat beneath the strain
Of iron Peace, while others gain the guerdon,
And prosper on our pain?
Lo! in their fancied fortress girt with waters
That neither fall nor fail,
They hear of rapine and they read of slaughters,
As of some touching tale.
No more they care to subjugate the billow,
Or dominate the blast;
Supine they lie on the luxurious pillow
Of their resplendent Past.
Lulled into arrogant languor by the glories
Of their adventurous sires,
They tell each other old heroic stories
By comfortable fires.
Why should they pile up wealth who do not labour?
Why, sowing not, should reap?
Let us steal out, and with unslumbering sabre
Assassinate their sleep.
IV
Look again landward, Sentinel, and say
What there you now behold.
Sentinel
I see the sports deserted on the green,
And song and revel hushed within the hall;
And I hear strong voices to strong voices call
To muster round the shore in martial sheen.
And north of Trent and south of Thames are seen
Furnace and forge and factory vomiting fire,
While swarthy faces, labouring through the night,
On giant anvils giant hammers smite,
336
From molten metal moulding hoop and tire.
In port and arsenal rhythmic thunders ring,
And through their gateways laden tumbrils rattle;
And England's sinewy striplings, trim for battle,
In unison cheer and chant, and this the song they sing.
Chorus of Islanders
Sweet are the ways of peace, and sweet
The gales that fan the foam
That sports with silvery-twinkling feet
Around our island home.
But, should the winds of battle shrill,
And the billows crisp their mane,
Down to the shore, from vale, from hill,
From hamlet, town, and plain!
The ocean our forefathers trod
In many a forest keel,
Shall feel our feet once more, but shod
With ligaments of steel.
Ours is the Sea, to rule, to keep,
Our realm, and, if ye would
Challenge dominion of the deep,
Then make that challenge good.
But ware ye lest your vauntings proud
Be coffined in the surge,
Our breakers be for you a shroud,
Our battle-song your dirge.
Peaceful within our peaceful home
We ply the loom and share,
Peaceful above the peaceful foam
Our pennons float and fare;
Bearing, for other peaceful lands,
Through sunshine, storm, and snow,
The harvest of industrious hands
Peacefully to and fro.
But, so ye will it, then our sails
The blasts of war shall swell,
And hold and hulk, now choked with bales,
Be crammed with shot and shell.
The waves impregnably shall bear
Our bulwarks on their breast,
And eyes of steel unsleeping glare
337
Across each billowy crest;
Along the trenches of the deep
Unflinching faces shine,
And Britain's stalwart sailors keep
The bastions of the brine.
Ocean itself, from strand to strand,
Our citadel shall be,
And, though the world together band,
Not all the legions of the land
Shall ever wrest from England's hand
The Sceptre of the Sea.
~ Alfred Austin,
1278:The Vision At Shiloh
SHROUDED on Shiloh field in night and rain,
This body rested from the first’s day’s fight;
Fallen face down, both hands on rifle clutched,
A Shape of sprawling members, blank of thought
As was the April mud in which it lay.
Comrade, you deem that I shall surely lie
Torpid, forgetful, nevermore to march
After the flush of morning pales in day;
But I remember how I rose again
From Shiloh field to march three mighty years,
Until mine eyes beheld in Richmond streets
Our Father Abraham, homely conqueror,
So Son-of-Manlike, fashioned mild and meek,
Averse from triumph, close to common men,
Chief of a Nation mercifully strong.
In boyhood many a time I’d seen his face,
Knew well the accents of his voice serene,
Loved the kind twinkle of his sad-eyed smile,
Yet never once beheld him save with awe,
For that mysterious sense of unity
With the External Fortitude, which flowed
As from his gaze into my yearning heart.
The peace our Father’s four years’ Calvary wrought
Has bustled through his huge two-oceaned land
How busily since Shiloh’s blood-drenched field
Gave up from death this body men called me.—
Oh, paths of peace were, truly, pleasant ways!
The kindliest Nation earth has ever known
Gave to their veterans grateful preference
In every labor, mart, and council hall,
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Which nobleness shall a thousand fold be paid
By soldier hearts in every future Age.
Myself was one whom Fortune favored much,
Children and children’s children, troops of friends
Have cheered this firelit chamber silken hung
Where now I rest me easy at the last,
In confidence that Shiloh’s miracle
Of Vision and of Song did true forecast
Repose in bliss surpassing mortal dream.
The night outside is black as Shiloh’s night,
Save for electric-litten streaks of rain;
My dripping eaves declare November’s shower
Falling as fast as early April’s did
When first this time-worn body grew aware
Of Death’s reluctant yielding to the Soul.
Utter oblivion could not be from Sleep
While battle roared, and dreaded evening fell,
And sullen foemen kept the plain unsearched,
And rain tempestuous stormed to midnight’s gloom.
Oh, let me talk! I’ve seldom told the tale,
And I care nothing if my strength be strained.
Our generation ever held that Strength
Was given only that it might be tried.
What matters it if so my term of hours
Ere second resurrection be forestalled?
First did this body dimly sense its form
As something vaguely unified in Space;
Powerless, motionless, unaware of aught
Save merely numbness, while a smothering nose
And mumbling lips and tongue mechanical
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Strove for they knew not what, which was to breathe—
Strove as by instinct uncontrolled of Mind,
Which nowise ordered hands enormous-like
To fumble baffled till they slowly learned
The fast-clutched rifle which bewildered them
Was such a thing as fingers could let go.
Then, to restore the breath, the forearms come
Beneath the brow, and raised the face from mud;
Yet all was numbness, but for tiny blows
Patting behind the neck, and prankily
Creeping at random down the cheeks and hair.
I did not guess them pellets of cold rain
Until a stab came up as from the ground
Into my wounded breast. Then Mind awoke
To wetness, night, and all the agonies
That dogged resolution rose to bear.
Shocked Memory cried, That stroke one instant past
Was shrapnel shell! The reasoning power replied,
It laid the body dead on Shiloh field.
Then staunch the Soul, I live—and God is here.
Visions came lightning-quick, clear, unconfused,—
The City tumult in my childish ears,
Our tremulous Church at Sumter’s bulletin,
Me naked in the cold recruiting room
Stripped to the hurrying Doctor’s callous test;—
All the innumerable recollections flashed
On to that battle-moment when my chum
Charging beside me on red Shiloh field
Gasped out, “Oh, John,” clutched horribly his throat,
Frowned on his bloodied hands, stared wild at me
Who, in that moment, felt the stroke, and fell.
Was Harry nigh? I groped in puddled grass
Seeking his comrade corpse, and sought in vain.
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The wound might not have killed him! Could I turn,
And so gain ground to search a little more?
Yes—but the agony! Yet turn I did,
And, groping farther, felt a little bush.
It seemed more friendly to the finger hold
Than emptiness, or muddy earth, or grass;
So there I lay, face up, in absolute night
Whose stillness deepened with the lessening rain.
How long, O Lord, how long the darkness held!
Despite the feverish wound my body chilled,
And oft my desperate fingers strove to loose
The soaking blanket roll which trenched my back
As if it lay diagonal on a ridge.
It may be true that slight delirium touched
My brain that night, for when a little wind
Came rustling through the bushes of the plain,
And drizzling ceased, how clearly my closed eyes
Could see within the house where I was born!
There sister voices conned their lesson books,
And Mother’s dress was trailing on the stair
As she were coming up to comfort me,
While in my heart an expectation flowed
Of some inexplicable joy anear,
Angelic, shining-robed, austerely fair.
With that I opened wondering eyes—and Lo
The heavenly host of stars o’er Shiloh field!
And oh the glory of them, and the peace,
The promise, the ethereal hope renewed!
Up rose my soul, supreme past bodily grief,
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To rest enraptured as of Heaven assured.
In that blest trance my gaze became intent
On beams I deemed at first a rising moon,
Until mine eyes conceived the luminous space
Haloed a tall and human-seeming Form,
Of countenance uplifted unto God,
And palms breast-clasped as if entreating Him.
In vain my straining sight sought certainty
Whose was the sorrowing figure which I dreamed
To wear a visage as if Christ were come
In pity for the carnage of that plain.
It seemed that nigh that Presence rose a voice
Most heavenly pure of note, and manlike strong;
“When I can read my title clear,” it sang
Triumphantly, “To mansions in the skies,”
Lifting the hymn in exultation high
Till other voices took it—wounded men
Lying, like me, in pain and close to death;
Myself chimed in, while all about me rang
The soldier chanting of that prostrate host,
Northern and Southern, one united choir
Solemnly glad in Man’s supernal dream.*
Comrade, when that high service of great song
Died down, there was no semblance of a moon!
And if indeed one rode the April sky
That wonder-night, I never yet have learned.
But I do know most surely this strange thing,—
That when, in Richmond, Father Abraham,
After three years grassed newly Shiloh plain,
95
Beheld my veteran men relieve his guard,
I saw the triumph in my countenance
Did grieve afresh his sad and infinite eyes
Which gazed with gentle meaning into mine
The while his silent lips seemed fashioning
For me alone, “Remember Shiloh Choir.”
Then clear I knew his brooding tenderness
Bewailed our vanquished brethren, waked from years
Of dreadful dream he was their enemy;
The exultation vanished from my heart,
A choking pity took me in the throat,
And forth I rushed to join the ranks of Blue
Fighting, as saviours, flames in Richmond Town,
The while his kindly look seemed blessing me.
Now in the contemplation of his eyes
I lie content as stretched on Shiloh field,
Dreaming triumphant, waiting for the dawn.
There it broke fair, till shattering musketry
And cheers of charging Blue right onward swept
So far, it seemed that utter silence fell,
And I lay waiting very peacefully,
As now, for friendly hands to bear me home.
~ Edward William Thomson,
1279:Octaves
We thrill too strangely at the master’s touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel—
We dare not feel it yet—the splendid shame
Of uncreated failure; we forget,
The while we groan, that God’s accomplishment
Is always and unfailingly at hand.
II
Tumultously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters.
III
To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat.
IV
While we are drilled in error, we are lost
202
Alike to truth and usefulness. We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it:—
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive.
There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought’s impenetrable mail.
VI
When we shall hear no more the cradle-songs
Of ages—when the timeless hymns of Love
Defeat them and outsound them—we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him.
VII
The guerdon of new childhood is repose:—
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God’s parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
203
And makes a whirlwind of the Universe.
VIII
There is no loneliness:—no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets.
IX
When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized,—
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment.
Where does a dead man go?—The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
’T were better for us all to do away
With weeping, and be glad that he is gone.
XI
Still through the dusk of dead, blank-legended,
204
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars.
XII
With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame’s infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead.
XIII
I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself. ’T is then, perforce,
That man’s unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love’s revealed infinitude supplants
Of its own wealth and wisdom the old scorn.
XIV
Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent. Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
205
That flouts deformity and laughs at years.
XV
We lack the courage to be where we are:—
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard’s enmity.
XVI
Something as one with eyes that look below
The battle-smoke to glimpse the foeman’s charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel.
XVII
To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always. But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life—
In this life or in any life—repose.
XVIII
Like a white wall whereon forever breaks
206
Unsatisfied the tumult of green seas,
Man’s unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief. This mortal surge
That beats against us now is nothing else
Than plangent ignorance. Truth neither shakes
Nor wavers; but the world shakes, and we shriek.
XIX
Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music. Stronger notes
Than any that have ever touched the world
Must ring to tell it—ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God’s forge.
XX
The Prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill.
XXI
To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought,—
These are the fleshly clogs of human greed,
207
The fundamental blunders of mankind.
XXII
Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God’s highways gleaming, and he knows
That Love’s complete communion is the end
Of anguish to the liberated man.
XXIII
Here by the windy docks I stand alone,
But yet companioned. There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love’s earnest is of Life’s all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
~ Edwin Arlington Robinson,
1280:Parliament Of The Ages
OF all who’d thronged the Commons’ galleries
For early April evening’s main debate,
One student visionary sole remained.
Down on the floor the members argued yet,
Though midnight long had passed, and rosy dawn
Came streaming in through eastward glory-panes
To tint the lofty ashlared westward wall
With shining jewel-colored phantasies.
The Dreamer watched the brilliancies of morn
Descending on that opposite westward wall
From panelled ceiling down to pointed arch,
From arch to shadowy alcoves’ ruby panes,
Where luminous beamed the storied English Kings,
The Crown, the ramping Pards, the Unicorn,
With ancient mottoes of the Ancient Realm,
And new-made Arms of modern provinces
Emblazoned on the young Dominion’s shield.
Now in the watcher’s dream the sunrise merged
The Fish, the Maple Leaves, the Buffalo
With Rose and Thistle, Shamrock, Fleur-de-lys,
The Crown, the Kings, the emblem Viking-ships,
With some great banner, glorious, indistinct,
The Flag of mighty, English-speaking kin,
All beaming benison ineffable,
Such promise as no mortal ever saw
On Land or Sea, save o’er the mystic shores
And waters of a halcyon Future dreamed.
The desks, the Speaker’s Chair seemed rapt away,
No stony walls inclosed the Commons’ House,
But in the wonder-light a woodland spread
62
About one venerable northland Oak
Silent, except for distant-droning bees,
And one tall, blue-eyed, sworded, yellow-haired,
Hard-panting Viking, kirtled gray, who stood
Beneath the trysting-oak, and strove to quell
His gasps, deep-laboring from a lengthy run,
While, listening keen, he heard the bees in drone,
And watched to hail his second to the tryst
Of freemen signalled for a moot of War.
Then, far around, the forest sounded live
With crackling twigs and scores of emulous feet
From every quarter of the glooming shade,
And wonder-shouts, half vexed and half of praise,
Roared at the Champion who to tree of Moot
Had speeded foremost of the valorous band.
Hard-breathing all, they ranged about the Oak
Equal alike, save one they lifted high
On shield, and named him for their Council Earl.
Then there they fell to talk of march and plan,
Of meat and meal and beer and dragon-ships,
And Ways and Means,—contentious, passionate,
Yet one man only speaking up at once,
Heard silently, approved, or laughed to scorn,
Yet hearkened closely, since th’ elected Earl
Full briskly stopt each interrupting voice
By one clear word, quite mystic, quite unknown
Unto the Dreamer in the gallery,
For whom no more the banners of the morn
In wholly visionary colors flared,
Because imperious from the Speaker’s Chair
A voice called “Order” stoutly, in a tone
So like the ancient Viking Earl’s, the two
Seemed blent as one within the Dreamer’s brain.
63
Scarcely awake, the Student’s roaming thought—
Oblivious to the actual place, the dawn,
The visioned tryst of Father Odin’s men—
Pondered a Deity who shaped His world
In such a wise that they must most prevail
Who choose one Will to rule by Order’s call,
That every Manliness may freely tell
Its thought upon the public thing in hand,
And so the general common sense have sway,
Instead of Policy conceived alone
By any one hereditary Will,
Or, worse, take course tumultuous, scarce resolved
By gabblers chattering unamenable,
In whose Assemblages prehensile tails,
Inscrutable to eyesight, swing the Ape
In futile men through dizzy fooleries.
And still the talkers on the Commons’ floor
Contended voluble; while he who heard
Their drone, forgot once more, and dreamed a scene
More wondrous than the primal Viking moot.
For one came frowning in, with sword in hand
And blazoned armor, and an eye more stern
Than gleamed beneath the brow of England’s king:—
“I call,” he spoke, “The Realms to Parliament!
Present and Past, by mine, the Founder’s right,
Simon de Montfort, I, proclaim the call!”
It clanged as sounding through The Ages’ tombs
So loud that lofty-opening doors of Time
Revealed in earthly garb a Statesman throng
From every Parliament since Montfort breathed,
Majestic, turbulent, guileful, eloquent,
Profound, laborious, witty, whimsical,
64
Reverend in age, or beardless chinned as boys;
Knight, Admiral, Merchant, Lawyer, Pedagogue,
Yeoman, Adventurer, Soldier, Minister,
Poet, Philosopher, Roundhead, Cavalier,
Mechanic, Theologue, Philanthropist;
Exploring wights whose bones the jackals pawed
On Lybian arid sands, and they whose forms
Lie, white as marble, stiff nigh either Pole;
Spirits whose mortal vestures braved all fates
That daring hearts or martyr hopes conceived.
It seemed not strange to view the Shapes of Eld
In formal-friendly conference of talk
With some who perished as of yesterday,
With some who founded New World congresses,
With some who wielded outland Parliaments
Which strove so English-like for Liberty
That England reeled to win against their few,
With some whose mien and accents now control
The rising younger Nations of The Race;
It seemed not strange, so clear they all alike,
Musing the ordered methods of their rule,
Blessed dear the Mother of all Parliaments,
The Many-mansioned Mother of The Free.
There prudent Cecil leaned to Laurier
While John Macdonald held them both in talk,
His “brother,” Cartier, nodding to the tale;
There Richard Seddon’s burly honest ghost
With Wilberforce and Hampden close conferred;
There Edmund Burke warned Deakin cautiously
Of tempting Innovation’s bright mirage;
There Pitt, the younger, spoke with Cecil Rhodes
And stout Oom Paul, of Empire building themes,
While Grattan unto icy Parnell sighed
65
Of angry Ireland’s immemorial wrong;
There Chatham, eagle-faced, with Washington
And Franklin nigh, declared,—“I praise again
Your English-minded fight for Liberty—
America’s victory secured it firm
For all the outland broods of England’s swarm.”
There Strafford gloomed to Russell’s lofty gaze,
The Stuart circle round each stately neck;
There honest-meaning, muddle-headed Cade,
Who lingered nigh the portal as of right,
Because he called a shirtless Parliament,
Received a courteous nod of compliment
From mighty Gladstone’s comprehensive love;
There Peel, considerate still, eyed D’Israeli
As if in wonder that the Great Jew’s heart
Should yet be counted one of England’s pride;
There Canning, of the soul-revealing face,
And bull-dog Cobbett, passionately wroth,
And Palmerston and Bright and thousands more
All moved at home within the visioned space
Until, it seemed, a Puritan Statesman stern,
With Puritan Troopers ringed, eyed Harry Vane
With “Take away that bauble.” Then the Mace
Seemed borne afar incredibly, by force,
From that great Chamber of the freeman Race,
Old Englandish, New Englandish, Canadian,
Newfoundlandish, Australian, African,
Who hold, or held, the emblem sacrosanct.
With that great sacrilege the dream dissolved,
And clear again the radiancies high
Shone o’er the Ottawa floor of Parliament,
While, down below, a high-pitched Loyalist
Declared, convinced, with querulous energy,—
66
“The Empire’s tottering down! It can’t be saved
Unless we get the Preference all around.”
Touched sudden by the Sun’s imperial beams,
A gargoyle grinned upon the western wall
As if it heard the Preferentialist,
While gales of laughter echoed far below.
Whereat the dreamer, wide awake with glee,
Gazed on the golden, crown-surmounted Mace
Pillowed serene before the Speaker’s Chair;
Then marked in high-built panes, the Kings gleam clear
The Lion-shield, the mystic Unicorn,
The scrolls, the mottoes, “For my God and Right,”
And “Evil be to him who evil thinks,”
All seemed the racial Soul transfigured there,
Ages and Ages old, yet scarcely born,
So future-glorious, past all dreaming, looms
The Voluntary Empire of The Blood,
Monarchical, Republican, all’s one,
With Vikings rushing to the beacon’s flare
As long as winds shall blow and waters run.
~ Edward William Thomson,
1281:John Brown
Though for your sake I would not have you now
So near to me tonight as now you are,
God knows how much a stranger to my heart
Was any cold word that I may have written;
And you, poor woman that I made my wife,
You have had more of loneliness, I fear,
Than I—though I have been the most alone,
Even when the most attended. So it was
God set the mark of his inscrutable
Necessity on one that was to grope,
And serve, and suffer, and withal be glad
For what was his, and is, and is to be,
When his old bones, that are a burden now,
Are saying what the man who carried them
Had not the power to say. Bones in a grave,
Cover them as they will with choking earth,
May shout the truth to men who put them there,
More than all orators. And so, my dear,
Since you have cheated wisdom for the sake
Of sorrow, let your sorrow be for you,
This last of nights before the last of days,
The lying ghost of what there is of me
That is the most alive. There is no death
For me in what they do. Their death it is
They should heed most when the sun comes again
To make them solemn. There are some I know
Whose eyes will hardly see their occupation,
For tears in them—and all for one old man;
For some of them will pity this old man,
Who took upon himself the work of God
Because he pitied millions. That will be
For them, I fancy, their compassionate
Best way of saying what is best in them
To say; for they can say no more than that,
And they can do no more than what the dawn
Of one more day shall give them light enough
To do. But there are many days to be,
And there are many men to give their blood,
As I gave mine for them. May they come soon!
140
May they come soon, I say. And when they come,
May all that I have said unheard be heard,
Proving at last, or maybe not—no matter—
What sort of madness was the part of me
That made me strike, whether I found the mark
Or missed it. Meanwhile, I’ve a strange content,
A patience, and a vast indifference
To what men say of me and what men fear
To say. There was a work to be begun,
And when the Voice, that I have heard so long,
Announced as in a thousand silences
An end of preparation, I began
The coming work of death which is to be,
That life may be. There is no other way
Than the old way of war for a new land
That will not know itself and is tonight
A stranger to itself, and to the world
A more prodigious upstart among states
Than I was among men, and so shall be
Till they are told and told, and told again;
For men are children, waiting to be told,
And most of them are children all their lives.
The good God in his wisdom had them so,
That now and then a madman or a seer
May shake them out of their complacency
And shame them into deeds. The major file
See only what their fathers may have seen,
Or may have said they saw when they saw nothing.
I do not say it matters what they saw.
Now and again to some lone soul or other
God speaks, and there is hanging to be done,—
As once there was a burning of our bodies
Alive, albeit our souls were sorry fuel.
But now the fires are few, and we are poised
Accordingly, for the state’s benefit,
A few still minutes between heaven and earth.
The purpose is, when they have seen enough
Of what it is that they are not to see,
To pluck me as an unripe fruit of treason,
And then to fling me back to the same earth
Of which they are, as I suppose, the flower—
141
Not given to know the riper fruit that waits
For a more comprehensive harvesting.
Yes, may they come, and soon. Again I say,
May they come soon!—before too many of them
Shall be the bloody cost of our defection.
When hell waits on the dawn of a new state,
Better it were that hell should not wait long,—
Or so it is I see it who should see
As far or farther into time tonight
Than they who talk and tremble for me now,
Or wish me to those everlasting fires
That are for me no fear. Too many fires
Have sought me out and seared me to the bone—
Thereby, for all I know, to temper me
For what was mine to do. If I did ill
What I did well, let men say I was mad;
Or let my name for ever be a question
That will not sleep in history. What men say
I was will cool no cannon, dull no sword,
Invalidate no truth. Meanwhile, I was;
And the long train is lighted that shall burn,
Though floods of wrath may drench it, and hot feet
May stamp it for a slight time into smoke
That shall blaze up again with growing speed,
Until at last a fiery crash will come
To cleanse and shake a wounded hemisphere,
And heal it of a long malignity
That angry time discredits and disowns.
Tonight there are men saying many things;
And some who see life in the last of me
Will answer first the coming call to death;
For death is what is coming, and then life.
I do not say again for the dull sake
Of speech what you have heard me say before,
But rather for the sake of all I am,
And all God made of me. A man to die
As I do must have done some other work
Than man’s alone. I was not after glory,
But there was glory with me, like a friend,
Throughout those crippling years when friends were few,
142
And fearful to be known by their own names
When mine was vilified for their approval.
Yet friends they are, and they did what was given
Their will to do; they could have done no more.
I was the one man mad enough, it seems,
To do my work; and now my work is over.
And you, my dear, are not to mourn for me,
Or for your sons, more than a soul should mourn
In Paradise, done with evil and with earth.
There is not much of earth in what remains
For you; and what there may be left of it
For your endurance you shall have at last
In peace, without the twinge of any fear
For my condition; for I shall be done
With plans and actions that have heretofore
Made your days long and your nights ominous
With darkness and the many distances
That were between us. When the silence comes,
I shall in faith be nearer to you then
Than I am now in fact. What you see now
Is only the outside of an old man,
Older than years have made him. Let him die,
And let him be a thing for little grief.
There was a time for service and he served;
And there is no more time for anything
But a short gratefulness to those who gave
Their scared allegiance to an enterprise
That has the name of treason—which will serve
As well as any other for the present.
There are some deeds of men that have no names,
And mine may like as not be one of them.
I am not looking far for names tonight.
The King of Glory was without a name
Until men gave Him one; yet there He was,
Before we found Him and affronted Him
With numerous ingenuities of evil,
Of which one, with His aid, is to be swept
And washed out of the world with fire and blood.
Once I believed it might have come to pass
With a small cost of blood; but I was dreaming—
Dreaming that I believed. The Voice I heard
143
When I left you behind me in the north,—
To wait there and to wonder and grow old
Of loneliness,—told only what was best,
And with a saving vagueness, I should know
Till I knew more. And had I known even then—
After grim years of search and suffering,
So many of them to end as they began—
After my sickening doubts and estimations
Of plans abandoned and of new plans vain—
After a weary delving everywhere
For men with every virtue but the Vision—
Could I have known, I say, before I left you
That summer morning, all there was to know—
Even unto the last consuming word
That would have blasted every mortal answer
As lightning would annihilate a leaf,
I might have trembled on that summer morning;
I might have wavered; and I might have failed.
And there are many among men today
To say of me that I had best have wavered.
So has it been, so shall it always be,
For those of us who give ourselves to die
Before we are so parcelled and approved
As to be slaughtered by authority.
We do not make so much of what they say
As they of what our folly says of us;
They give us hardly time enough for that,
And thereby we gain much by losing little.
Few are alive to-day with less to lose.
Than I who tell you this, or more to gain;
And whether I speak as one to be destroyed
For no good end outside his own destruction,
Time shall have more to say than men shall hear
Between now and the coming of that harvest
Which is to come. Before it comes, I go—
By the short road that mystery makes long
For man’s endurance of accomplishment.
I shall have more to say when I am dead.
~ Edwin Arlington Robinson,
1282:The Kalevala - Rune Vi
WAINAMOINEN'S HAPLESS JOURNEY.
Wainamoinen, old and truthful,
Now arranges for a journey
To the village of the Northland,
To the land of cruel winters,
To the land of little sunshine,
To the land of worthy women;
Takes his light-foot, royal racer,
Then adjusts the golden bridle,
Lays upon his back the saddle,
Silver-buckled, copper-stirruped,
Seats himself upon his courser,
And begins his journey northward;
Plunges onward, onward, onward,
Galloping along the highway,
In his saddle, gaily fashioned,
On his dappled steed of magic,
Plunging through Wainola's meadows,
O'er the plains of Kalevala.
Fast and far he galloped onward,
Galloped far beyond Wainola,
Bounded o'er the waste of waters,
Till he reached the blue-sea's margin,
Wetting not the hoofs in running.
But the evil Youkahainen
Nursed a grudge within his bosom,
In his heart the worm of envy,
Envy of this Wainamoinen,
Of this wonderful enchanter.
He prepares a cruel cross-bow,
Made of steel and other metals,
Paints the bow in many colors,
Molds the top-piece out or copper,
Trims his bow with snowy silver,
Gold he uses too in trimming,
Then he hunts for strongest sinews,
Finds them in the stag of Hisi,
90
Interweaves the flax of Lempo.
Ready is the cruel cross-bow,
String, and shaft, and ends are finished,
Beautiful the bow and mighty,
Surely cost it not a trifle;
On the back a painted courser,
On each end a colt of beauty,
Near the curve a maiden sleeping
Near the notch a hare is bounding,
Wonderful the bow thus fashioned;
Cuts some arrows for his quiver,
Covers them with finest feathers,
From the oak the shafts be fashions,
Makes the tips of keenest metal.
As the rods and points are finished,
Then he feathers well his arrows
From the plumage of the swallow,
From the wing-quills of the sparrow;
Hardens well his feathered arrows,
And imparts to each new virtues,
Steeps them in the blood of serpents,
In the virus of the adder.
Ready now are all his arrows,
Ready strung, his cruel cross-bow.
Waiting for wise Wainamoinen.
Youkahainen, Lapland's minstrel,
Waits a long time, is not weary,
Hopes to spy the ancient singer;
Spies at day-dawn, spies at evening,
Spies he ceaselessly at noontide,
Lies in wait for the magician,
Waits, and watches, as in envy;
Sits he at the open window,
Stands behind the hedge, and watches
In the foot-path waits, and listens,
Spies along the balks of meadows;
On his back he hangs his quiver,
In his quiver, feathered arrows
Dipped in virus of the viper,
On his arm the mighty cross-bow,
Waits, and watches, and unwearied,
Listens from the boat-house window,
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Lingers at the end of Fog-point,
By the river flowing seaward,
Near the holy stream and whirlpool,
Near the sacred river's fire-fall.
Finally the Lapland minstrel,
Youkahainen of Pohyola,
At the breaking of the day-dawn,
At the early hour of morning,
Fixed his gaze upon the North-east,
Turned his eyes upon the sunrise,
Saw a black cloud on the ocean,
Something blue upon the waters,
And soliloquized as follows:
'Are those clouds on the horizon,
Or perchance the dawn of morning?
Neither clouds on the horizon,
Nor the dawning of the morning;
It is ancient Wainamoinen,
The renowned and wise enchanter,
Riding on his way to Northland;
On his steed, the royal racer,
Magic courser of Wainola.'
Quickly now young Youkahainen,
Lapland's vain and evil minstrel,
Filled with envy, grasps his cross-bow,
Makes his bow and arrows ready
For the death of Wainamoinen.
Quick his aged mother asked him,
Spake these words to Youkahainen:
'For whose slaughter is thy cross-bow,
For whose heart thy poisoned arrows?'
Youkahainen thus made answer:
'I have made this mighty cross-bow,
Fashioned bow and poisoned arrows
For the death of Wainamoinen,
Thus to slay the friend of waters;
I must shoot the old magician,
The eternal bard and hero,
Through the heart, and through the liver,
Through the head, and through the shoulders,
With this bow and feathered arrows
Thus destroy my rival minstrel.'
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Then the aged mother answered,
Thus reproving, thus forbidding.
Do not slay good Wainamoinen,
Ancient hero of the Northland,
From a noble tribe descended,
He, my sister's son, my nephew.
If thou slayest Wainamoinen,
Ancient son of Kalevala,
Then alas! all joy will vanish,
Perish all our wondrous singing;
Better on the earth the gladness,
Better here the magic music,
Than within the nether regions,
In the kingdom of Tuoni,
In the realm of the departed,
In the land of the hereafter.'
Then the youthful Youkahainen
Thought awhile and well considered,
Ere he made a final answer.
With one hand he raised the cross-bow
But the other seemed to weaken,
As he drew the cruel bow-string.
Finally these words he uttered
As his bosom swelled with envy:
'Let all joy forever vanish,
Let earth's pleasures quickly perish,
Disappear earth's sweetest music,
Happiness depart forever;
Shoot I will this rival minstrel,
Little heeding what the end is.'
Quickly now he bends his fire-bow,
On his left knee rests the weapon,
With his right foot firmly planted,
Thus he strings his bow of envy;
Takes three arrows from his quiver,
Choosing well the best among them,
Carefully adjusts the bow-string,
Sets with care the feathered arrow,
To the flaxen string he lays it,
Holds the cross-bow to his shoulder,
Aiming well along the margin,
At the heart of Wainamoinen,
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Waiting till he gallops nearer;
In the shadow of a thicket,
Speaks these words while he is waiting
'Be thou, flaxen string, elastic;
Swiftly fly, thou feathered ash-wood,
Swiftly speed, thou deadly missile,
Quick as light, thou poisoned arrow,
To the heart of Wainamoinen.
If my hand too low should hold thee,
May the gods direct thee higher;
If too high mine eye should aim thee,
May the gods direct thee lower.'
Steady now he pulls the trigger;
Like the lightning flies the arrow
O'er the head of Wainamoinen;
To the upper sky it darteth,
And the highest clouds it pierces,
Scatters all the flock of lamb-clouds,
On its rapid journey skyward.
Not discouraged, quick selecting,
Quick adjusting, Youkahainen,
Quickly aiming shoots a second.
Speeds the arrow swift as lightning;
Much too low he aimed the missile,
Into earth the arrow plunges,
Pierces to the lower regions,
Splits in two the old Sand Mountain.
Nothing daunted, Youkahainen,
Quick adjusting shoots a third one.
Swift as light it speeds its journey,
Strikes the steed of Wainamoinen,
Strikes the light-foot, ocean-swimmer,
Strikes him near his golden girdle,
Through the shoulder of the racer.
Thereupon wise Wainamoinen
Headlong fell upon the waters,
Plunged beneath the rolling billows,
From the saddle of the courser,
From his dappled steed of magic.
Then arose a mighty storm-wind,
Roaring wildly on the waters,
Bore away old Wainamoinen
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Far from land upon the billows,
On the high and rolling billows,
On the broad sea's great expanses.
Boasted then young Youkahainen,
Thinking Waino dead and buried,
These the boastful words be uttered:
'Nevermore, old Wainamoinen,
Nevermore in all thy life-time,
While the golden moonlight glistens,
Nevermore wilt fix thy vision
On the meadows of Wainola,
On the plains of Kalevala;
Full six years must swim the ocean,
Tread the waves for seven summers,
Eight years ride the foamy billows,
In the broad expanse of water;
Six long autumns as a fir-tree,
Seven winters as a pebble;
Eight long summers as an aspen.'
Thereupon the Lapland minstrel
Hastened to his room delighting,
When his mother thus addressed him
'Hast thou slain good Wainamoinen,
Slain the son of Kalevala?'
Youkahainen thus made answer:
'I have slain old Wainamoinen,
Slain the son of Kalevala,
That he now may plow the ocean,
That he now may sweep the waters,
On the billows rock and slumber.
In the salt-sea plunged he headlong,
In the deep sank the magician,
Sidewise turned he to the sea-shore
On his back to rock forever,
Thus the boundless sea to travel,
Thus to ride the rolling billows.'
This the answer of the mother:
'Woe to earth for this thine action,
Gone forever, joy and singing,
Vanished is the wit of ages!
Thou hast slain good Wainamoinen.
Slain the ancient wisdom-singer,
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Slain the pride of Suwantala,
Slain the hero of Wainola,
Slain the joy of Kalevala.'
~ Elias Lönnrot,
1283:Auld Maitland
There lived a king in southern land,
King Edward hight his name;
Unwordily he wore the crown,
Till fifty years were gane.
He had a sister's son o's ain,
Was large of blood and bane;
And afterward, when he came up,
Young Edward hight his name.
One day he came before the king,
And kneel'd low on his knee:
'A boon, a boon, my good uncle,
I crave to ask of thee!
'At our lang wars, in fair Scotland,
I fain ha'e wish'd to be,
If fifteen hundred waled wight men
You'll grant to ride with me.'
'Thou shall ha'e thae, thou shall ha'e mae;
I say it sickerlie;
And I myself, an auld gray man,
Array'd your host shall see.'
King Edward rade, King Edward ran-I wish him dool and pyne!
Till he had fifteen hundred men
Assembled on the Tyne.
And thrice as many at Berwicke
Were all for battle bound,
[Who, marching forth with false Dunbar,
A ready welcome found.]
They lighted on the banks of Tweed,
And blew their coals sae het,
And fired the Merse and Teviotdale,
All in an evening late.
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As they fared up o'er Lammermoor,
They burn'd baith up and down,
Until they came to a darksome house,
Some call it Leader-Town.
'Wha hauds this house?' young Edward cried,
'Or wha gi'est o'er to me?'
A gray-hair'd knight set up his head,
And crackit right crousely:
'Of Scotland's king I haud my house;
He pays me meat and fee;
And I will keep my gude auld house,
While my house will keep me.'
They laid their sowies to the wall,
With mony a heavy peal;
But he threw o'er to them agen
Baith pitch and tar barrel.
With springalds, stanes, and gads of airn,
Amang them fast he threw;
Till mony of the Englishmen
About the wall he slew.
Full fifteen days that braid host lay,
Sieging Auld Maitland keen;
Syne they ha'e left him, hail and feir,
Within his strength of stane.
Then fifteen barks, all gaily good,
Met them upon a day,
Which they did lade with as much spoil
As they you'd bear away.
'England's our ain by heritage;
And what can us withstand,
Now we ha'e conquer'd fair Scotland,
With buckler, bow, and brand?'
Then they are on to the land of France,
15
Where auld king Edward lay,
Burning baith castle, tower, and town,
That he met in his way.
Until he came unto that town,
Which some call Billop-Grace:
There were Auld Maitland's sons, all three,
Learning at school, alas!
The eldest to the youngest said,
'Oh, see ye what I see?
If all be true yon standard says,
We're fatherless all three.
'For Scotland's conquer'd up and down;
Landmen we'll never be!
Now, will you go, my brethren two,
And try some jeopardy?'
Then they ha'e saddled twa black horse,
Twa black horse and a gray;
And they are on to king Edward's host,
Before the dawn of day.
When they arrived before the host,
They hover'd on the lay:
'Wilt thou lend me our king's standard,
To bear a little way?'
'Where wast thou bred? where wast thou born?
Where, or in what countrie?'
'In north of England I was born;'
(It needed him to lee.)
'A knight me gat, a ladye bore,
I am a squire of high renown;
I well may bear't to any king
That ever yet wore crown.'
'He ne'er came of an Englishman,
Had sic an e'e or bree;
But thou art the likest Auld Maitland,
16
That ever I did see.
'But sic a gloom on ae browhead,
Grant I ne'er see again!
For mony of our men he slew,
And mony put to pain.'
When Maitland heard his father's name,
An angry man was he;
Then, lifting up a gilt dagger,
Hung low down by his knee,
He stabb'd the knight the standard bore,
He stabb'd him cruellie;
Then caught the standard by the neuk,
And fast away rode he.
'Now, is't na time, brothers,' he cried,
'Now, is't na time to flee?'
'Ay, by my sooth!' they baith replied,
'We'll bear you companye.'
The youngest turn'd him in a path,
And drew a burnish'd brand,
And fifteen of the foremost slew,
Till back the lave did stand.
He spurr'd the gray into the path,
Till baith his sides they bled:
'Gray! thou maun carry me away,
Or my life lies in wad!'
The captain lookit o'er the wall,
About the break of day;
There he beheld the three Scots lads
Pursued along the way.
'Pull up portcullize! down draw-brig!
My nephews are at hand;
And they shall lodge with me to-night,
In spite of all England.'
17
Whene'er they came within the yate,
They thrust their horse them frae,
And took three lang spears in their hands,
Saying--'Here shall come nae me!'
And they shot out, and they shot in,
Till it was fairly day;
When mony of the Englishmen
About the draw-brig lay.
Then they ha'e yoked the carts and wains,
To ca' their dead away,
And shot auld dykes abune the lave,
In gutters where they lay.
The king, at his pavilion door,
Was heard aloud to say:
'Last night, three of the lads of France
My standard stole away.
'With a fause tale, disguised they came,
And with a fauser trayne;
And to regain my gaye standard,
These men where all down slayne.'
'It ill befits,' the youngest said,
A crowned king to lee;
But, or that I taste meat and drink,
Reproved shall he be.'
He went before king Edward straight,
And kneel'd low on his knee:
'I wou'd ha'e leave, my lord,' he said,
'To speak a word with thee.'
The king he turn'd him round about,
And wistna what to say:
Quo' he, 'Man, thou's ha'e leave to speak,
Though thou should speak all day.'
'Ye said that three young lads of France
Your standard stole away,
18
With a fause tale and fauser trayne,
And mony men did slay;
'But we are nane the lads of France,
Nor e'er pretend to be:
We are three lads of fair Scotland,-Auld Maitland's sons are we.
'Nor is there men in all your host
Daur fight us three to three.'
'Now, by my sooth,' young Edward said,
'Weel fitted ye shall be!
'Piercy shall with the eldest fight,
And Ethert Lunn with thee;
William of Lancaster the third,
And bring your fourth to me!
'Remember, Piercy, aft the Scot
Has cower'd beneath thy hand;
For every drap of Maitland blood,
I'll gi'e a rig of land.'
He clanked Piercy o'er the head
A deep wound and a sair,
Till the best blood of his body
Came running down his hair.
'Now, I've slayne ane; slay ye the twa;
And that's gude companye;
And if the twa shou'd slay ye baith,
Ye'se get nae help frae me.'
But Ethert Lunn, a baited bear,
Had many battles seen;
He set the youngest wonder sair,
Till the eldest he grew keen.
'I am nae king, nor nae sic thing:
My word it shanna stand!
For Ethert shall a buffet bide,
Come he beneath my brand.'
19
He clankit Ethert o'er the head
A deep wound and a sair,
Till the best blood in his body
Came running o'er his hair.
'Now, I've slayne twa; slay ye the ane;
Isna that gude companye?
And though the ane shou'd slay ye baith.
Ye'se get nae help of me.'
The twa-some they ha'e slayne the ane,
They maul'd him cruellie;
Then hung him over the draw-brig,
That all the host might see.
They rade their horse, they ran their horse,
Then hover'd on the lee:
'We be three lads of fair Scotland,
That fain wou'd fighting see.'
This boasting when young Edward heard,
An angry man was he:
'I'll take yon lad, I'll bind yon lad,
And bring him bound to thee!
'Now, God forbid,' king Edward said,
'That ever thou shou'd try!
Three worthy leaders we ha'e lost,
And thou the forth wou'd lie.
'If thou shou'dst hang on yon draw-brig,
Blythe wou'd I never be.'
But, with the poll-axe in his hand,
Upon the brig sprang be.
The first stroke that young Edward ga'e,
He struck with might and main;
He clove the Maitland's helmet stout,
And bit right nigh the brain.
When Maitland saw his ain blood fall,
20
An angry man was he;
He let his weapon frae him fall,
And at his throat did flee.
And thrice about he did him swing,
Till on the ground he light,
Where he has halden young Edward,
Tho' he was great in might.
'Now let him up,' king Edward cried,
'And let him come to me;
And for the deed that thou hast done,
Thou shalt ha'e earldomes three!'
'It's ne'er be said in France, nor e'er
In Scotland, when I'm hame,
That Edward once lay under me,
And e'er gat up again!'
He pierced him through and through the heart,
He maul'd him cruellie;
Then hung him o'er the draw-brig,
Beside the other three.
'Now take frae me that feather-bed,
Make me a bed of strae!
I wish I hadna lived this day,
To make my heart sae wae.
'If I were ance at London Tow'r,
Where I was wont to be,
I never mair shou'd gang frae hame,
Till borne on a bier-tree.'
~ Andrew Lang,
1284:Phantasies
I. Evening.
Rest, beauty, stillness: not a waif of a cloud
From gray-blue east sheer to the yellow westNo film of mist the utmost slopes to shroud.
The earth lies grace, by quiet airs caressed,
And shepherdeth her shadows, but each stream,
Free to the sky, is by that glow possessed,
And traileth with the splendors of a dream
Athwart the dusky land. Uplift thine eyes!
Unbroken by a vapor or a gleam,
The vast clear reach of mild, wan twilight skies.
But look again, and lo, the evening star!
Against the pale tints black the slim elms rise,
The earth exhales sweet odors nigh and far,
And from the heavens fine influences fall.
Familiar things stand not for what they are:
What they suggest, foreshadow, or recall
The spirit is alert to apprehend,
Imparting somewhat of herself to all.
Labor and thought and care are at an end:
The soul is filled with gracious reveries,
And with her mood soft sounds and colors blend;
For simplest sounds ring forth like melodies
In this weird-lighted air-the monotone
Of some far bell, the distant farmyard cries,
A barking dog, the thin, persistent drone
Of crickets, and the lessening call of birds.
The apparition of yon star alone
Breaks on the sense like music. Beyond word
The peace that floods the soul, for night is here,
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And Beauty still is guide and harbinger.
II. Aspiration.
Dark lies the earth, and bright with worlds the sky:
That soft, large, lustrous star, that first outshone,
Still holds us spelled with potent sorcery.
Dilating, shrinking, lightening, it hath won
Our spirit with its strange strong influence,
And sways it as the tides beneath the moon.
What impulse this, o'ermastering heart and sense?
Exalted, thrilled, the freed soul fain would soar
Unto that point of shining prominence,
Craving new fields and some unheard-of shore,
Yea, all the heavens, for her activity,
To mount with daring flight, to hover o'er
Low hills of earth, flat meadows, level sea,
And earthly joy and trouble. In this hour
Of waning light and sound, of mystery,
Of shadowed love and beauty-veiled power,
She feels her wings: she yearns to grasp her own,
Knowing the utmost good to be her dower.
A dream! a dream! for at a touch 't is gone.
O mocking spirit! thy mere fools are we,
Unto the depths from heights celestial thrown.
From these blind gropings toward reality,
This thirst for truth, this most pathetic need
Of something to uplift, to justify,
To help and comfort while we faint and bleed,
May we not draw, wrung from the last despair,
Some argument of hope, some blessed creed,
That we can trust the faith which whispers prayer,
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The vanishings, the ecstasy, the gleam,
The nameless aspiration, and the dream?
III. Wherefore?
Deep languor overcometh mind and frame:
A listless, drowsy, utter weariness,
A trance wherein no thought finds speech or name,
The overstrained spirit doth possess.
She sinks with drooping wing-poor unfledged bird,
That fain had flown!-in fluttering breathlessness.
To what end those high hopes that wildly stirred
The beating heart with aspirations vain?
Why proffer prayers unanswered and unheard
To blank, deaf heavens that will not heed her pain?
Where lead these lofty, soaring tendencies,
That leap and fly and poise, to fall again,
Yet seem to link her with the utmost skies?
What mean these clinging loves that bind to earth,
And claim her with beseeching, wistful eyes?
This little resting-place 'twixt death and birth,
Why is it fretted with the ceaseless flow
Of flood and ebb, with overgrowth and dearth,
And vext with dreams, and clouded with strange woe?
Ah! she is tired of thought, she yearns for peace,
Seeing all things one equal end must know.
Wherefore this tangle of perplexities,
The trouble or the joy? the weary maze
Of narrow fears and hopes that may not cease?
A chill falls on her from the skyey ways,
Black with the night-tide, where is none to hear
The ancient cry, the Wherefore of our days.
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IV. Fancies.
The ceaseless whirr of crickets fills the ear
From underneath each hedge and bush and tree,
Deep in the dew-drenched grasses everywhere.
The simple sound dispels the fantasy
Of gloom and terror gathering round the mind.
It seems a pleasant thing to breathe, to be,
To hear the many-voiced, soft summer wind
Lisp through the dark thick leafage overheadTo see the rosy half-moon soar behind
The black slim-branching elms. Sad thoughts have fled,
Trouble and doubt, and now strange reveries
And odd caprices fill us in their stead.
From yonder broken disk the redness dies,
Like gold fruit through the leaves the half-sphere gleams,
Then over the hoar tree-tops climbs the skies,
Blanched ever more and more, until it beams
Whiter than crystal. Like a scroll unfurled,
And shadowy as a landscape seen in dreams,
Reveals itself the sleeping, quiet world,
Painted in tender grays and whites subduedThe speckled stream with flakes of light impearled,
The wide, soft meadow and the massive wood.
Naught is too wild for our credulity
In this weird hour: our finest dreams hold good.
Quaint elves and frolic flower-sprites we see,
And fairies weaving rings of gossamer,
And angels floating through the filmy air.
V. In the Night.
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Let us go in: the air is dank and chill
With dewy midnight, and the moon rides high
O'er ghostly fields, pale stream, and spectral hill.
This hour the dawn seems farthest from the sky
So weary long the space that lies between
That sacred joy and this dark mystery
Of earth and heaven: no glimmering is seen,
In the star-sprinkled east, of coming day,
Nor, westward, of the splendor that hath been.
Strange fears beset us, nameless terrors sway
The brooding soul, that hungers for her rest,
Out worn with changing moods, vain hopes' delay,
With conscious thought o'erburdened and oppressed.
The mystery and the shadow wax too deep;
She longs to merge both sense and thought in sleep.
VI. Faerie.
From the oped lattice glance once more abroad
While the ethereal moontide bathes with light
Hill, stream, and garden, and white-winding road.
All gracious myths born of the shadowy night
Recur, and hover in fantastic guise,
Airy and vague, before the drowsy sight.
On yonder soft gray hill Endymion lies
In rosy slumber, and the moonlit air
Breathes kisses on his cheeks and lips and eyes.
'Twixt bush and bush gleam flower-white limbs, left bare,
Of huntress-nymphs, and flying raiment thin,
Vanishing faces, and bright floating hair.
The quaint midsummer fairies and their kin,
Gnomes, elves, and trolls, on blossom, branch, and grass
Gambol and dance, and winding out and in
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Leave circles of spun dew where'er they pass.
Through the blue ether the freed Ariel flies;
Enchantment holds the air; a swarming mass
Of myriad dusky, gold-winged dreams arise,
Throng toward the gates of sense, and so possess
The soul, and lull it to forgetfulness.
VII. Confused Dreams.
O strange, dim other-world revealed to us,
Beginning there where ends reality,
Lying 'twixt life and death, and populous
With souls from either sphere! now enter we
Thy twisted paths. Barred is the silver gate,
But the wild-carven doors of ivory
Spring noiselessly apart: between them straight
Flies forth a cloud of nameless shadowy things,
With harpies, imps, and monsters, small and great,
Blurring the thick air with darkening wings.
All humors of the blood and brain take shape,
And fright us with our own imaginings.
A trouble weighs upon us: no escape
From this unnatural region can there be.
Fixed eyes stare on us, wide mouths grin and gape,
Familiar faces out of reach we see.
Fain would we scream, to shatter with a cry
The tangled woof of hideous fantasy,
When, lo! the air grows clear, a soft fair sky
Shines over head: sharp pain dissolves in peace;
Beneath the silver archway quietly
We float away: all troublous visions cease.
By a strange sense of joy we are possessed,
163
Body and spirit soothed in perfect rest.
VIII. The End of the Song.
What dainty note of long-drawn melody
Athwart our dreamless sleep rings sweet and clear,
Till all the fumes of slumber are brushed by,
And with awakened consciousness we hear
The pipe of birds? Look forth! The sane, white day
Blesses the hilltops, and the sun is near.
All misty phantoms slowly roll away
With the night's vapors toward the western sky.
The Real enchants us, the fresh breath of hay
Blows toward us; soft the meadow-grasses lie,
Bearded with dew; the air is a caress;
The sudden sun o'ertops the boundary
Of eastern hills, the morning joyousness
Thrills tingling through the frame; life's pulse beats strong;
Night's fancies melt like dew. So ends the song!
~ Emma Lazarus,
1285:The Stream's Secret
What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?
Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know-Murmuring with curls all dabbled in thy flow
And washed lips rosy red?
He told it to thee there
Where thy voice hath a louder tone;
But where it welters to this little moan
His will decrees that I should hear.
Now speak: for with the silence is no fear,
And I am all alone.
Shall Time not still endow
One hour with life, and I and she
Slake in one kiss the thirst of memory?
Say, streams, lest Love should disavow
Thy service, and the bird upon the bough
Sing first to tell it me.
What whisperest thou? Nay, why
Name the dead hours? I mind them well.
Their ghosts in many darkened doorways dwell
With desolate eyes to know them by.
That hour must still be born ere it can die
Of that I'd have thee tell.
But hear, before thou speak!
Withhold, I pray, the vain behest
That while the maze hath still its bower for quest
My burning heart should cease to seek.
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Be sure that Love ordained for souls more meek
His roadside dells of rest.
Stream, when this silver thread
In flood-time is a torrent brown,
May any bulwark bind thy foaming crown?
Shall not the waters surge and spread
And to the crannied boulders of their bed
Still shoot the dead drift down
Let no rebuke find place
In speech of thine: or it shall prove
That thou dost ill expound the words of Love.
Even as thine eddy's rippling race
Would blur the perfect image of his face
I will have none thereof.
O learn and understand
That 'gainst the wrongs himself did wreak
Love sought her aid; until her shadowy cheek
And eyes beseeching gave command;
And compassed in her close compassionate hand
My heart must burn and speak.
For then at last we spoke
What eyes so oft had told to eyes
Through that long-lingering silence whose half-sighs
Alone the buried secret broke,
Which with snatched hands and lips' reverberate stroke
Then from the heart did rise.
But she is far away
Now; nor the hours of night grown hoar
Bring yet to me, long gazing from the door,
The wind-stirred robe of roseate gray
And rose-crown of the hour that leads the day
When we shall meet once more.
Dark as thy blinded wave
When brimming midnight floods the glen,-Bright as the laughter of thy runnels when
The dawn yields all the light they crave;
474
Even so these hours to wound and that to save
Are sisters in Love's ken.
Oh sweet her bending grace
Then when I kneel beside her feet;
And sweet her eyes' o'erhanging heaven; and sweet
The gathering folds of her embrace;
And her fall'n hair at last shed round my face
When breaths and tears shall meet.
Beneath her sheltering hair,
In the warm silence near her breast,
Our kisses and our sobs shall sink to rest;
As in some still trance made aware
That day and night have wrought to fulness there
And Love has built our nest.
And as in the dim grove,
When the rains cease that hushed them long,
'Mid glistening boughs the song-birds wake to song,-So from our hearts deep-shrined in love,
While the leaves throb beneath, around, above,
The quivering notes shall throng.
Till tenderest words found vain
Draw back to wonder mute and deep,
And closed lips in closed arms a silence keep,
Subdued by memory's circling strain,-The wind-rapt sound that the wind brings again
While all the willows weep.
Then by her summoning art
Shall memory conjure back the sere
Autumnal Springs, from many a dying year
Born dead; and, bitter to the heart,
The very ways where now we walk apart
Who then shall cling so near.
And with each thought new-grown,
Some sweet caress or some sweet name
Low-breathed shall let me know her thought the same:
Making me rich with every tone
475
And touch of the dear heaven so long unknown
That filled my dreams with flame.
Pity and love shall burn
In her pressed cheek and cherishing hands;
And from the living spirit of love that stands
Between her lips to soothe and yearn,
Each separate breath shall clasp me round in turn
And loose my spirit's bands.
Oh passing sweet and dear,
Then when the worshipped form and face
Are felt at length in darkling close embrace;
Round which so oft the sun shone clear,
With mocking light and pitiless atmosphere,
In many an hour and place.
Ah me! with what proud growth
Shall that hour's thirsting race be run;
While, for each several sweetness still begun
Afresh, endures love's endless drouth;
Sweet hands, sweet hair, sweet cheeks, sweet eyes, sweet mouth,
Each singly wooed and won.
Yet most with the sweet soul
Shall love's espousals then be knit;
What time the governing cloud sheds peace from it
O'er tremulous wings that touch the goal,
And on the unmeasured height of Love's control
The lustral fires are lit.
Therefore, when breast and cheek
Now part, from long embraces free,-Each on the other gazing shall but see
A self that has no need to speak:
All things unsought, yet nothing more to seek,-One love in unity.
O water wandering past,-Albeit to thee I speak this thing,
O water, thou that wanderest whispering,
Thou keep'st thy counsel to the last.
476
What spell upon thy bosom should Love cast,
Its secret thence to wring?
Nay, must thou hear the tale
Of the past days,--the heavy debt
Of life that obdurate time withholds,--ere yet
To win thine ear these prayers prevail,
And by thy voice Love's self with high All-hail
Yield up the amulet?
How should all this be told?-All the sad sum of wayworn days,-Heart's anguish in the impenetrable maze;
And on the waste uncoloured wold
The visible burthen of the sun grown cold
And the moon's labouring gaze?
Alas! shall hope be nurs'd
On life's all-succouring breast in vain,
And made so perfect only to be slain?
Or shall not rather the sweet thirst
Even yet rejoice the heart with warmth dispers'd
And strength grown fair again?
Stands it not by the door!-Love's Hour--Till she and I shall meet
With bodiless form and unapparent feet
That cast no shadow yet before,
Though round its head the dawn begins to pour
The breath that makes day sweet?
Its eyes invisible
Watch till the dial's thin-thrown shade
Be born,--yea, till the journeying line be laid
Upon the point that wakes the spell,
And there in lovelier light than tongue can tell
Its presence stands array'd.
Its soul remembers yet
Those sunless hours that passed it by;
And still it hears the night's disconsolate cry,
And feels the branches wringing wet
477
Cast on its brow, that may not once forget,
Dumb tears from the blind sky.
But oh! when now her foot
Draws near, for whose sake night and day
Were long in weary longing sighed away,-The hour of Love, 'mid airs grown mute,
Shall sing beside the door, and Love's own lute
Thrill to the passionate lay.
Thou know'st, for Love has told
Within thine ear, O stream, how soon
That song shall lift its sweet appointed tune.
O tell me, for my lips are cold,
And in my veins the blood is waxing old
Even while I beg the boon.
So, in that hour of sighs
Assuaged, shall we beside this stone
Yield thanks for grace; while in thy mirror shown
The twofold image softly lies,
Until we kiss, and each in other's eyes
Is imaged all alone.
Still silent? Can no art
Of Love's then move thy pity? Nay,
To thee let nothing come that owns his sway:
Let happy lovers have no part
With thee; nor even so sad and poor a heart
As thou hast spurned to-day.
To-day? Lo! night is here.
The glen grows heavy with some veil
Risen from the earth or fall'n to make earth pale;
And all stands hushed to eye and ear,
Until the night-wind shake the shade like fear
And every covert quail.
Ah! by another wave
On other airs the hour must come
Which to thy heart, my love, shall call me home.
Between the lips of the low cave
478
Against that night the lapping waters lave,
And the dark lips are dumb.
But there Love's self doth stand,
And with Life's weary wings far flown,
And with Death's eyes that make the water moan,
Gathers the water in his hand:
And they that drink know nought of sky or land
But only love alone.
O soul-sequestered face
Far off,--O were that night but now!
So even beside that stream even I and thou
Through thirsting lips should draw Love's grace,
And in the zone of that supreme embrace
Bind aching breast and brow.
O water whispering
Still through the dark into mine ears,-As with mine eyes, is it not now with hers?-Mine eyes that add to thy cold spring,
Wan water, wandering water weltering,
This hidden tide of tears.
~ Dante Gabriel Rossetti,
1286:I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!

II

So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
Sucked by the dragon down below death's horizon.

III
I woke from this. I lay upon the lawn;
They had thrown roses on the moss
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.

IV

All day my lover deigned to murder me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?

V

Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped

My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
Sucked out my life
And stamped me with the shame, the monstrous word of
wife.

VI

I will not weep; nay, I will follow him
Perchance he is not far,
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.

VII

I rose to seek him. First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind. The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.

VIII

I wandered, crying on my Lord. I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!

XI

At last I came unto the well, my soul
In that still glass, I saw no sign
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.

X

For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.

IX

Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.

XII

So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?

XIII

It matters not. Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling whore.

XIV

Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.

XV

It detonated. Nature, God, mankind
Like sulphur, nitre, charcoal, once
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This."

XVI

Vain was the toil. So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.

XVII

Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish. Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.

XVIII

With that a goat came running from the cave
That lurked below the tall white cliff.
Thy name! cried I. The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!

XIX

So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!

XX

Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!

XXI

Yet all that Sea was swallowed up therein;
So they were not, and it was not.
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!

XXII

But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.

XXIII

So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.

XXIV

More; in this journey I had clean forgotten
The quest, my lover. But the tomb
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!

XXV

This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!

XXVI

Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.

XXVII

This thought I bred within my bowels, I am.
I am in him, as he in me;
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.

XXVIII

Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return. A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!

XXIX

So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!

XXX

Yet I that am the babe, the sire, the dam,
Am also none of these at all;
For now that cosmic chaos of I AM
Bursts like a bubble. Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.

XXXI

The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
Whores prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.

XXXII

This also I seal up. Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that alway seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme spher
Whose boundless farness makes it infinitely near.
~ Aleister Crowley, The Garden of Janus
,
1287:An Inventor
Not yet!
I thought this time 'twas done at last,
the workings perfected, the life in it;
and there's the flaw again, the petty flaw,
the fretting small impossibility
that has to be made possible.
To work!
so many more months lost on a wrong tack;
and months and months may so be lost again,
who knows? until they swell a tale of years
counted by failures. No time to sit down
with folded arms to moan for the spent toil,
for on, on, glide the envious treacherous hours
that bring at last the night when none can work;
and I'll not die with my work unfulfilled.
It must perform my thought, it must awake,
this soulless whirring thing of springs and wheels,
and be a power among us. Aye, but how?
There it stands facing me, compact, precise,
the nice presentment of my long design,
and what is it? an accurate mockery,
and not my creature. Where's my secret hid,
the little easy secret which, once found,
will shew so palpable that the pleased world
shall presently believe it always knew?
Where is my secret? Oh, my aching brain!
Good God, have all the anxious ponderings,
all the laborious strain of hand and head,
all the night watches, all the stolen days
from fruitfuller tasks, all I have borne and done,
brought me no nearer solving?
Stolen days;
yes, from the little ones and grave pale wife
who should have every hour of mine made coin
to buy them sunshine. Stolen; and they lack all
44
save the bare needs which only paupers lack:
stolen; and cheerlessly the mother sits
over her dismal blinding stitchery,
and no quick smile of welcome parts her lips,
seeing me come; and quiet at their play
the children crowd, cooped in the unlovely home,
and envy tattered urchins out of doors
their merry life and playground of the streets.
Oh, if it were but my one self to spend!
but to doom them too with me! Never a thought
dawns first into the world but is a curse
on the rash finder; part of heaven's fire
filched to bestow on men, and for your pay
the vulture at your heart.
What should one choose?
or is there choice? A madness comes on you,
whose name is revelation: who has power
to check the passion of it, who in the world?
A revelation, yes; 'tis but a name
for knowledge ... and there perishes free-will,
for every man is slave of what he knows;
it is the soul of him, could you quench that
you leave the mere mechanic animal-a sentient creature, true, and reasoning,
(because the clockwork in it's made for that),
but, like my creature there, its purport lacked,
so but its own abortive counterfeit.
We have our several purports; some to pace
the accustomed roads and foot down rampant weeds,
bearing mute custom smoothly on her course;
some difficultly to force readier paths,
or hew out passes through the wilderness;
and some belike to find the snuggest place,
and purr beside the fire. Each of his kind;
but can you change your kind? the lion caged
is still a lion, pipes us no lark's trills;
drive forth the useful brood hen from the yard,
she'll never learn the falcon's soar and swoop.
We must abye our natures; if they fit
too crossly to our hap the worse for us,
45
but who would pray (say such a prayer could serve)
"Let me become some other, not myself"?
And yet, and yet--Oh, why am I assigned
to this long maiming battle? Why to me
this blasting gift, this lightning of the gods
scorching the hand that wields it? why to me?
A lonely man, or dandled in the lap
of comfortable fortune, might with joy
hug the strange serpent blessing; to the one
it has no tooth, for gilded hands make gold
of all they touch, the other ...... is alone,
and has the right to suffer. Not for them
is doubt or dread; but I--Oh little ones
whose unsuspecting eyes pierce me with smiles!
Oh sad and brooding wife whose silent hopes
are all rebukes to mine!
Come, think it out;
traitor to them or traitor to the world;
is that the choice? Why then, they are my own,
given in my hand, looking to me for all,
and, for my destined present to the world,
being what it is, some one some fortunate day
will find it, or achieve it; if the world wait...
well, it has waited. Yet 'twere pitiful
that still and still, while to a thousand souls
life's irrecoverable swift to-day
becomes the futile yesterday, the world
go beggared of a birthright unaware,
and, (as if one should slake his thirst with blood
pricked from his own red veins, while at his hand
lies the huge hairy nut from whose rough bowl
he might quaff juicy milk and knows it not),
spend out so great a wealth of wasted strength
man upon man given to the imperious
unnecessary labour. How were that,
having made my honest bargain with the world
to serve its easier and accepted needs
for the due praise and pudding, keeping it,
like a wise servant, not to lose my place,
to note the enduring loss, and, adding up
46
its various mischiefs, score them as the price
of my reposeful fortunes? Why, do this,
and each starved blockhead dribbling out his life
on the continued toil would be my drudge,
and not one farthest comer of our earth
where hurrying traffic plies but would have voice
to reach my ears and twit me guilty to it.
But then, the wife and children: must they pine
in the bleak shade of frosty poverty,
because the man that should have cared for them
discerned a way to double wealth with wealth
and glut the maw of rank prosperity?
Traitor to them or traitor to the world:
a downright question that, and sounds well put,
and one that begs its answer, since we count
the nearer duty first to every man;
but there's another pungent clause to note...
that's traitor to myself. Has any man
the right of that? God puts a gift in you-to your own hurt, we'll say, but what of that?-He puts a gift in you, a seed to grow
to His fulfilment, germinant with your life,
and may you crush it out? And, say you do,
what is your remnant life? an empty husk,
or balked and blighted stem past hope of bloom.
Well, make the seed develope otherwise
and grow to your fulfilment wiselier planned:
but will that prosper? may the thistle say
"Let me blow smooth white lilies," or the wheat
"Let me be purple with enticing grapes"?
God says "Be that I bade, or else be nought,"
and what thing were the man to make that choice?
For me I dare not, were it for their sake,
and, for their sake, I dare not; could their good
grow out of my undoing? they with me,
and I with them, we are so interknit
that taint in me must canker into them
and my upholding holds them from the mire:
and so, as there are higher things than ease,
we must bear on together they and I.
47
And it may be to bear is all our part.
I have outpast the first fantastic hopes
that fluttered round my project at its birth,
outgrown them as the learning child outgrows
the picture A's and B's that lured him on;
I have forgotten honours, wealth, renown,
I see no bribe before me but that one,
my work's fruition. Yes, as we all, who feel
the dawn of a creative thought, discern
in the beginning that perfected end
which haply shall not be, I saw the end;
and my untried presumptuous eyes, befooled,
saw it at hand. How round each forward step
locked the delusive and decoying dreams!
and I seemed, while I sowed, still hurrying on
to touch the sudden fruit, the ripe choice fruit
to be garnered for my dear ones, mine for them:
but long since I have learned, in weariness,
in failures, and in toil, to put by dreams,
to put by hopes, and work, as the bird sings,
because God planned me for it. For I look
undazzled on the future, see the clouds,
and see the sunbeams, several, not one glow:
I know that I shall find my secret yet
and make my creature here another power
to change a world's whole life; but, that achieved,
whom will the world thank for it? Me perhaps;
perhaps some other, who, with after touch,
shall make the springs run easier: I have read
the lives of men like me who have so sought,
so found, then been forgotten, while there came
an apter man, maybe but luckier,
to add or alter, gave another shape,
made or displayed it feasible and sure,
and then the thing was his ... as the rare gem
is not called his who dug it from the mines,
but his who cut and set it in a ring.
It will be as it will be: I dare count
no better fortunes mine than from first days
the finders met with, men who, howsoe'er,
seekers and teachers, bring the world new gifts,
48
too new for any value. Well, so be it:
and now--No, I am over weary now,
and out of heart too: idleness to-night;
to-morrow all shall be begun again.
That lever, now, if-Am I out of heart?
to work at once then! I'll not go to rest
with the desponding cramp clutching my heart:
a new beginning blots the failure out,
and sets one's thoughts on what's to be achieved,
letting what's lost go by. Come, foolish toy,
that should have been so much, let's see at least
what help you have to give me. Bye and bye
we'll have another like you, with the soul.
~ Augusta Davies Webster,
1288:At The Gate Of The Convent
Beside the Convent Gate I stood,
Lingering to take farewell of those
To whom I owed the simple good
Of three days' peace, three nights' repose.
My sumpter-mule did blink and blink;
Was nothing more to munch or quaff;
Antonio, far too wise to think,
Leaned vacantly upon his staff.
It was the childhood of the year:
Bright was the morning, blithe the air;
And in the choir I plain could hear
The monks still chanting matin prayer.
The throstle and the blackbird shrilled,
Loudly as in an English copse,
Fountain-like note that, still refilled,
Rises and falls, but never stops.
As lush as in an English chase,
The hawthorn, guessed by its perfume,
With folds on folds of snowy lace
Blindfolded all its leaves with bloom.
Scarce seen, and only faintly heard,
A torrent, 'mid far snow-peaks born,
Sang kindred with the gurgling bird,
Flowed kindred with the foaming thorn.
The chanting ceased, and soon instead
Came shuffling sound of sandalled shoon;
Each to his cell and narrow bed
Withdrew, to pray and muse till noon.
Only the Prior-for such their RuleInto the morning sunshine came.
Antonio bared his locks; the mule
Kept blinking, blinking, just the same.
175
I thanked him with a faltering tongue;
I thanked him with a flowing heart.
``This for the poor.'' His hand I wrung,
And gave the signal to depart.
But still in his he held my hand,
As though averse that I should go.
His brow was grave, his look was bland,
His beard was white as Alpine snow.
And in his eye a light there shone,
A soft, subdued, but steadfast ray,
Like to those lamps that still burn on
In shrines where no one comes to pray.
And in his voice I seemed to hear
The hymns that novice-sisters sing,
When only anguished Christ is near,
And earth and life seem vanishing.
``Why do you leave us, dear my son?
Why from calm cloisters backward wend,
Where moil is much and peace is none,
And journeying hath nor bourne nor end?
``Read I your inmost soul aright,
Heaven hath to you been strangely kind;
Gave gentle cradle, boyhood bright,
A fostered soul, a tutored mind.
``Nor wealth did lure, nor penury cramp,
Your ripening soul; it lived and throve,
Nightly beside the lettered lamp,
Daily in field, and glade, and grove.
``And when the dawn of manhood brought
The hour to choose to be of those
Who serve for gold, or sway by thought,
You doubted not, and rightly chose.
``Loving your Land, you face the strife;
176
Loved by the Muse, you shun the throng;
And blend within your dual life
The patriot's pen, the poet's song.
``Hence now, in gaze mature and wise,
Dwells scorn of praise, dwells scorn of blame;
Calm consciousness of surer prize
Than dying noise of living fame.
``Have you not loved, been loved, as few
Love, or are loved, on loveless earth?
How often have you felt its dew?
Say, have you ever known its dearth?
``I speak of love divorced from pelf,
I speak of love unyoked and free,
Of love that deadens sense of self,
Of love that loveth utterly.
``And this along your life hath flowed
In full and never-failing stream,
Fresh from its source, unbought, unowed,
Beyond your boyhood's fondest dream.''
He paused. The cuckoo called. I thought
Of English voices, English trees.
The far-off fancy instant brought
The tears; and he, misled by these,
With hand upon my shoulder, said,
``You own 'tis true. The richest years
Bequeath the beggared heart, when fled,
Only this legacy of tears.
``Why is it that all raptures cloy?
Though men extol, though women bless,
Why are we still chagrined with joy,
Dissatisfied with happiness?
``Yes, the care-flouting cuckoo calls,
And yet your smile betokens grief,
Like meditative light that falls
177
Through branches fringed with autumn leaf.
``Whence comes this shadow? You are now
In the full summer of the soul.
The answer darkens on your brow:
`Winter the end, and death the goal.'
``Yes, vain the fires of pride and lust
Fierce in meridian pulses burn:
Remember, Man, that thou art dust,
And unto dust thou shalt return.
``Rude are our walls, our beds are rough,
But use is hardship's subtle friend.
He hath got all that hath enough;
And rough feels softest, in the end.
``While luxury hath this disease,
It ever craves and pushes on.
Pleasures, repeated, cease to please,
And rapture, once 'tis reaped, is gone.
``My flesh hath long since ceased to creep,
Although the hairshirt pricketh oft.
A plank my couch; withal, I sleep
Soundly as he that lieth soft.
``And meagre though may be the meal
That decks the simple board you see,
At least, my son, we never feel
The hunger of satiety.
``You have perhaps discreetly drunk:
O, then, discreetly, drink no more!
Which is the happier, worldling, monk,
When youth is past, and manhood o'er?
``Of life beyond I speak not yet.
'Tis solitude alone can e'er,
By hushing controversy, let
Man catch earth's undertone of prayer.
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``Your soul which Heaven at last must reap,
From too much noise hath barren grown;
Long fallow silence must it keep,
Ere faith revive, and grace be sown.
``Let guide and mule alone return.
For you I will prepare a cell,
In whose calm silence you will learn,
Living or dying, All is well!''
Again the cuckoo called; again
The merle and mavis shook their throats;
The torrent rambled down the glen,
The ringdove cooed in sylvan cotes.
The hawthorn moved not, but still kept
As fixedly white as far cascade;
The russet squirrel frisked and leapt
From breadth of sheen to breadth of shade.
I did not know the words had ceased,
I thought that he was speaking still,
Nor had distinguished sacred priest
From pagan thorn, from pagan rill.
Not that I had not harked and heard;
But all he bade me shun or do,
Seemed just as sweet as warbling bird,
But not more grave and not more true.
So deep yet indistinct my bliss,
That when his counsels ceased to sound,
That one sweet note I did not miss
From other sweet notes all around.
But he, misreading my delight,
Again with urging accents spoke.
Then I, like one that's touched at night,
From the deep swoon of sweetness woke.
And just as one that, waking, can
Recall the thing he dreamed, but knows
179
'Twas of the phantom world that man
Visits in languors of repose;
So, though I straight repictured plain
All he had said, it seemed to me,
Recalled from slumber, to retain
No kinship with reality.
``Father, forgive!'' I said; ``and look!
Who taught its carolling to the merle?
Who wed the music to the brook?
Who decked the thorn with flakes of pearl?
``'Twas He, you answer, that did make
Earth, sea, and sky: He maketh all;
The gleeful notes that flood the brake,
The sad notes wailed in Convent stall.
``And my poor voice He also made;
And like the brook, and like the bird,
And like your brethren mute and staid,
I too can but fulfil His word.
``Were I about my loins to tie
A girdle, and to hold in scorn
Beauty and Love, what then were I
But songless stream, but flowerless thorn?
``Why do our senses love to list
When distant cataracts murmur thus?
Why stealeth o'er your eyes a mist
When belfries toll the Angelus?
``It is that every tender sound
Art can evoke, or Nature yield,
Betokens something more profound,
Hinted, but never quite revealed.
``And though it be the self-same Hand
That doth the complex concert strike,
The notes, to those that understand,
Are individual, and unlike.
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``Allow my nature. All things are,
If true to instinct, well and wise.
The dewdrop hinders not the star;
The waves do not rebuke the skies.
``So leave me free, good Father dear,
While you on humbler, holier chord
Chant your secluded Vespers here,
To fling my matin notes abroad.
``While you with sacred sandals wend
To trim the lamp, to deck the shrine,
Let me my country's altar tend,
Nor deem such worship less divine.
``Mine earthly, yours celestial love:
Each hath its harvest; both are sweet.
You wait to reap your Heaven, above;
I reap the Heaven about my feet.
``And what if I-forgive your guest
Who feels, so frankly speaks, his qualmThough calm amid the world's unrest,
Should restless be amid your calm?
``But though we two be severed quite,
Your holy words will sound between
Our lives, like stream one hears at night,
Louder, because it is not seen.
``Father, farewell! Be not distressed;
And take my vow, ere I depart,
To found a Convent in my breast,
And keep a cloister in my heart.''
The mule from off his ribs a fly
Flicked, and then zigzagged down the road.
Antonio lit his pipe, and I
Behind them somewhat sadly strode.
Just ere the Convent dipped from view,
181
Backward I glanced: he was not there.
Within the chapel, well I knew,
His lips were now composed in prayer.
But I have kept my vow. And when
The cuckoo chuckleth o'er his theft,
When throstles sing, again, again,
And runnels gambol down the cleft,
With these I roam, I sing with those,
And should the world with smiles or jeers
Provoke or lure, my lids I close,
And draw a cowl about my ears.
~ Alfred Austin,
1289:Phi Beta Kappa Poem
Harvard, 1914
SIR, friends, and scholars, we are here to serve
A high occasion. Our New England wears
All her unrivalled beauty as of old;
And June, with scent of bayberry and rose
And song of orioles— as she only comes
By Massachusetts Bay —is here once more,
Companioning our fête of fellowship.
The open trails, South, West, and North, lead back
From populous cities or from lonely plains,
Ranch, pulpit, office, factory, desk, or mill,
To this fair tribunal of ambitious youth,
The shadowy town beside the placid Charles,
Where Harvard waits us through the passing years,
Conserving and administering still
Her savor for the gladdening of the race.
Yearly, of all the sons she has sent forth,
And men her admiration would adopt,
She summons whom she will back to her side
As if to ask, 'How fares my cause of truth
In the great world beyond these studious walls?'
Here, from their store of life experience,
They must make answer as grace is given them,
And their plain creed, in verity, declare.
Among the many, there is sometimes called
One who, like Arnold's scholar gypsy poor,
Is but a seeker on the dusky way,
'Still waiting for the spark from heaven to fall.'
He must bethink him first of other days,
And that old scholar of the seraphic smile,
As we recall him in this very place
With all the sweetest culture of his age,
His gentle courtesy and friendliness,
A chivalry of soul now strangely rare,
And that ironic wit which made him, too,
The unflinching critic and most dreaded foe
Of all things mean, unlovely, and untrue.
What Mr. Norton said, with that slow smile,
Has put the fear of God in many a heart,
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Even while his hand encouraged eager youth.
From such enheartening who would not dare speak—
Seeing no truth can be too small to serve,
And no word worthless that is born of love?
Within the noisy workshop of the world,
Where still the strife is upward out of gloom,
Men doubt the value of high teaching —cry,
'What use is learning? Man must have his will!
The élan of life alone is paramount!
Away with old traditions! We are free!'
So folly mocks at truth in Freedom's name.
Pale Anarchy leads on, with furious shriek,
Her envious horde of reckless malcontents
And mad destroyers of the Commonwealth,
While Privilege with indifference grows corrupt,
Till the Republic stands in jeopardy
From following false idols and ideals,
Though sane men cry for honesty once more,
Order and duty and self-sacrifice.
Our world and all it holds of good for us
Our fathers and unselfish mothers made,
With noble passion and enduring toil,
Strenuous, frugal, reverent, and elate,
Caring above all else to guard and save
The ampler life of the intelligence
And the fine honor of a scrupulous code —
Ideals of manhood touched with the divine.
For this they founded these great schools we serve,
Harvard, Columbia, Princeton, Dartmouth, Yale,
Amherst and Williams, trusting to our hands
The heritage of all they held most high,
Possessions of the spirit and the mind,
Investments in the provinces of joy.
Vast provinces are these! And fortunate they
Who at their will may go adventuring there,
Exploring all the boundaries of Truth,
Learning the roads that run through Beauty's realm,
Sighting the pinnacles where Good meets God,
Encompassed by the eternal unknown sea!
Even for a little to o'erlook those lands,
The kingdoms of Religion, Science, Art,
Is to be made forever happier
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With blameless memories that shall bring content
And inspiration for all after days.
And fortunate they whom destiny allows
To rest within those provinces and serve
The dominion of ideals all their lives.
For whoso will, putting dull greed aside,
And holding fond allegiance to the best,
May dwell there and find fortitude and joy.
In the free fellowship of kindred minds,
One band of scholar gypsies I have known,
Whose purpose all unworldly was to find
An answer to the riddle of the Earth —
A key that should unlock the book of life
And secrets of its sorceries reveal.
This, they discovered, had long since been found
And laid aside forgotten and unused.
Our dark young poet who from Dartmouth came
Was told the secret by his gypsy bride,
Who had it from a master over seas,
And he it was first hinted to the band
The magic of that universal lore,
Before the great Mysteriarch summoned him.
It was the doctrine of the threefold life,
The beginning of the end of all their doubt.
In that Victorian age it has become
So much the fashion now to half despise,
Within the shadow of Cathedral walls
They had been schooled, and heard the mellow chimes
For Lenten litanies and daily prayers,
With a mild, eloquent, beloved voice
Exhorting to all virtue and that peace
Surpassing understanding —casting there
That 'last enchantment of the Middle Age,'
The spell of Oxford and her ritual.
So duteous youth was trained, until there grew
Restive outreaching in men's thought to find
Some certitude beyond the dusk of faith.
They cried on mysticism to be gone,
Mazed in the shadowy princedom of the soul.
Then as old creeds fell round them into dust,
They reached through science to belief in law,
Made reason paramount in man, and guessed
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At reigning mind within the universe.
Piecing the fragments of a fair design
With reverent patience and courageous skill,
They saw the world from chaos step by step,
Under far-seeing guidance and restraint,
Emerge to order and to symmetry,
As logical and sure as music's own.
With Spencer, Darwin, Tyndall, and the rest,
Our band saw roads of knowledge open wide
Through the uncharted province of the truth,
As on they fared through that unfolding world.
Yet there they found no rest-house for the heart,
No wells sufficient for the spirit's thirst,
No shade nor glory for the senses starved. . . .
Turning— they fled by moonlit trails to seek
The magic principality of Art,
Where loveliness, not learning, rules supreme.
They stood intoxicated with delight before
The poised unanxious splendor of the Greek;
They mused upon the Gothic minsters gray,
Where mystic spirit took on mighty form,
Until their prayers to lovely churches turned —
(Like a remembrance of the Middle Age
They rose where Ralph or Bertram dreamed in stone);
Entranced they trod a painters' paradise,
Where color wasted by the Scituate shore
Between the changing marshes and the sea;
They heard the golden voice of poesie
Lulling the senses with its last caress
In Tennysonion accents pure and fine;
And all their laurels were for Beauty's brow,
Though toiling Reason went ungarlanded.
Then poisonous weeds of artifice sprang up,
Defiling Nature at her sacred source;
And there the questing World-soul could not stay,
Onward must journey with the changing time,
To come to this uncouth rebellious age,
Where not an ancient creed nor courtesy
Is underided, and each demagogue
Cries some new nostrum for the cure of ills.
To-day the unreasoning iconoclast
Would scoff at science and abolish art,
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To let untutored impulse rule the world.
Let learning perish, and the race returns
To that first anarchy from which we came,
When spirit moved upon the deep and laid
The primal chaos under cosmic law.
And even now, in all our wilful might,
The satiated being cannot bide,
But to that austere country turns again,
The little province of the saints of God,
Where lofty peaks rise upward to the stars
From the gray twilight of Gethsemane,
And spirit dares to climb with wounded feet
Where justice, peace, and loving kindness are.
What says the lore of human power we hold
Through all these striving and tumultuous days?
'Why not accept each several bloom of good,
Without discarding good already gained,
As one might weed a garden overgrown —
Save the new shoots, yet not destroy the old?
Only the fool would root up his whole patch
Of fragrant flowers, to plant the newer seed.'
Ah, softly, brothers! Have we not the key,
Whose first fine luminous use Plotinus gave,
Teaching that ecstasy must lead the man?
Three things, we see, men in this life require,
(As they are needed in the universe):
First of all spirit, energy, or love,
The soul and mainspring of created things;
Next wisdom, knowledge, culture, discipline,
To guide impetuous spirit to its goal;
And lastly strength, the sound apt instrument,
Adjusted and controlled to lawful needs.
The next world-teacher must be one whose word
Shall reaffirm the primacy of soul,
Hold scholarship in her high guiding place,
And recognize the body's equal right
To culture such as it has never known,
In power and beauty serving soul and mind.
Inheritors of this divine ideal,
With courage to be fine as well as strong,
Shall know what common manhood may become,
Regain the gladness of the sons of morn,
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The radiance of immortality.
Out of heroic wanderings of the past,
And all the wayward gropings of our time,
Unswerved by doubt, unconquered by despair,
The messengers of such a hope must go;
As one who hears far off before the dawn,
On some lone trail among the darkling hills,
The hermit thrushes in the paling dusk,
And at the omen lifts his eyes to see
Above him, with its silent shafts of light,
The sunrise kindling all the peaks with fire.
~ Bliss William Carman,
1290:KING EOCHAID came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noise;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words he paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And carve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees
For hope would give his limbs the power and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified his voice
Had half awakened some old memory
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighed,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my arms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.

~ William Butler Yeats, The Two Kings
,
1291:Prairie
I WAS born on the prairie and the milk of its wheat, the red of its clover, the
eyes of its women, gave me a song and a
slogan.
Here the water went down, the icebergs slid with gravel, the gaps and the valleys
hissed, and the black loam came, and the
yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now
a morning star fixes a fire sign over the timber
claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their
wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky
moon of fire doubled to a river moon of water.
The prairie sings to me in the forenoon and I know in the night I rest easy in the
prairie arms, on the prairie heart.. .
After the sunburn of the day
handling a pitchfork at a hayrack,
after the eggs and biscuit and coffee,
the pearl-gray haystacks
in the gloaming
are cool prayers
to the harvest hands.
In the city among the walls the overland passenger train is choked and the
pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil
between them muffle the pistons and cheer the
wheels.. . .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.
The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
340
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from
Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.
I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and
Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.
Have you seen a red sunset drip over one of my cornfields, the shore of night
stars, the wave lines of dawn up a wheat
valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the
running wheat of the wagonboards, my
cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds,
horizons?. . .
Rivers cut a path on flat lands.
The mountains stand up.
The salt oceans press in
And push on the coast lines.
The sun, the wind, bring rain
And I know what the rainbow writes across the east or west in a half-circle:
A love-letter pledge to come again.. . .
Towns on the Soo Line,
Towns on the Big Muddy,
Laugh at each other for cubs
And tease as children.
Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together,
throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters
throwing slang, growing up.. . .
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Out of prairie-brown grass crossed with a streamer of wigwam smoke—out of a
smoke pillar, a blue promise—out of
wild ducks woven in greens and purples—
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I
know what I want.
Out of log houses and stumps—canoes stripped from tree-sides—flatboats
coaxed with an ax from the timber
claims—in the years when the red and the white men met—the houses and
streets rose.
A thousand red men cried and went away to new places for corn and women: a
million white men came and put up skyscrapers,
threw out rails and wires, feelers to the salt sea: now the smokestacks bite the
skyline with stub teeth.
In an early year the call of a wild duck woven in greens and purples: now the
riveter's chatter, the police patrol, the
song-whistle of the steamboat.
To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years
is short.. . .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river—
The hunched shoulders of the grain elevators—
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
what brothers these
in the dark
of a thousand years?. . .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing
Wisconsin.
In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.
The fireman waves his hand to a country school teacher on a bobsled.
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A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork
chop sandwich and a V of gooseberry pie.
The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats.. . .
Keep your hogs on changing corn and mashes of grain,
O farmerman.
Cram their insides till they waddle on short legs
Under the drums of bellies, hams of fat.
Kill your hogs with a knife slit under the ear.
Hack them with cleavers.
Hang them with hooks in the hind legs.. . .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple balls.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the
county fair.. . .
On the left-and right-hand side of the road,
Marching corn—
I saw it knee high weeks ago—now it is head high—tassels of red silk creep at
the ends of the ears.. . .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers
to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to
a lawyer read the Declaration of
Independence, watching the pinwheels and Roman candles at night, the young
men and women two by two hunting the bypaths and
kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying
good-morning to the horses hauling wagons
of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire.. . .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.
Falltime and winter apples take on the smolder of the five-o'clock November
sunset: falltime, leaves, bonfires, stubble,
the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the
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angleworms, among the toads and woodroaches—among
gravestone writings rubbed out by the rain—they keep old things that never grow
old.
The frost loosens corn husks.
The Sun, the rain, the wind
loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
in a smoke-red dust.. . .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile
crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats,
barking at a coon in a treetop at midnight, chewing
a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a fortyacre field in spring, hitched to a harrow in
summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a
farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe
in his teeth one night in Kansas with a hot
wind on the alfalfa.. . .
Look at six eggs
In a mockingbird's nest.
Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.
Look at songs
Hidden in eggs.. . .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen
pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the
last shower, sing to the bush at the
backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great
breath, sing for the outside hills: The Ole
Sheep Done Know the Road, the Young Lambs Must Find the Way.. . .
Spring slips back with a girl face calling always: "Any new songs for me?
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Any new songs?"
O prairie girl, be lonely, singing, dreaming, waiting—your lover comes—your child
comes—the years creep with
toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever
puts a good-by kiss on your lips and never
comes back—
There is a song deep as the falltime redhaws, long as the layer of black loam we
go to, the shine of the morning star over
the corn belt, the wave line of dawn up a wheat valley.. . .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky
moon of fire doubled to a river moon of water..
. .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
a sun dropped in the west.
I tell you there is nothing in the world
only an ocean of to-morrows,
a sky of to-morrows.
I am a brother of the cornhuskers who say
at sundown:
To-morrow is a day.
~ Carl Sandburg,
1292:Marjory
Spring Stornelli.
THE RIVULET.
OH clear smooth rivulet, creeping through our bridge
With backward waves that cling around the shore,
And is thy world beyond the dim blue ridge
More dear than this, or does it need thee more?
Oh lingering stream, upon thy ceaseless way
Glide to to-morrow; yet 'tis fair to-day:
Beyond the hills and haze to-morrows hide;
To-day is fair; glide lingering, ceaseless tide.
SPRING AND SUMMER.
And summer time is good; but at its heat
The fair poor blossoms wither for the fruit,
And song-birds go that made our valley sweet
With useless ecstasies, and the boughs are mute.
And I would keep the blossoms and the song,
And I would have it spring the whole year long:
And I would have my life a year-long spring
To never pass from hopes and blossoming.
THE PRIMROSE.
Dear welcome, sweet pale stars of hope and spring,
Young primroses, blithe with the April air;
My darlings, waiting for my gathering,
Sit in my bosom, nestle in my hair.
But, oh! the fairest laughs behind the brook,
I cannot have it, I can only look:
Oh happy primrose on the further beach,
One can but look on thee, one cannot reach.
LINNET AND LARK.
Oh buoyant linnet in the flakes of thorn,
Sing thy loud lay; for joy and song are one.
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Oh skylark floating upwards into morn,
Pour out thy carolling music of the sun.
Sing, sing; be voices of the life-ful air,
Glad things that never knew the cage nor snare:
Be voices of the air, and fill the sky,
Glad things that have no heed of by-and-by.
Summer Stornelli.
THE BEES IN THE LIME.
AMID the thousand blossoms of the lime,
The gossip bees go humming to and fro:
And oh the busy joy of working time!
And oh the fragrance when the lime trees blow!
Take the sweet honeys deftly, happy bees,
And store them for the later days than these:
Store, happy bees, these honeys for the frost,
That sweetness of the blossom be not lost.
THE CORNFLOWER.
A field-plant in my sheltered garden bed,
And I have set it there to love it dear;
It makes blue flowers to match skies overhead,
Blue flowers for all the while the summer's here.
Sky-blooms that woke and budded with the wheat,
Ye last and make the livelong summer sweet:
Spread while the green wheat passes into gold,
Sky-blooms I planted in the garden-mould.
THE FLOWING TIDE.
The slow green wave comes curling from the bay
And leaps in spray along the sunny marge,
And steals a little more and more away,
And drowns the dulse, and lifts the stranded barge.
Leave me, strong tide, my smooth and yellow shore;
But the clear waters deepen more and more:
Leave me my pathway of the sands, strong tide;
Yet are the waves more fair than all they hide.
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THE WHISPER.
Some one has said a whispered word to me;
The whisper whispers on within my ear.
Oh little word, hush, hush, and let me be;
Hush, little word, too vexing sweet to hear.
And, if it will not hush, what must I do?
The word was 'Love'; perchance the word was true:
And, if it will not hush, must I repine?
I am his love; perchance then he is mine.
THE HEART THAT LACKS ROOM.
I love him, and I love him, and I love:
Oh heart, my love goes welling o'er the brim.
He makes my light more than the sun above,
And what am I save what I am to him?
All will, all hope I have, to him belong;
Oh heart, thou art too small for love so strong:
Oh heart, grow large, grow deeper for his sake;
Oh love him better, heart, or thou wilt break!
THE LOVERS.
And we are lovers, lovers he and I:
Oh sweet dear name that angels envy us;
Lovers for now, lovers for by and by,
And God to hear us call each other thus.
Flow softly, river of our life, and fair;
We float together to the otherwhere:
Storm, river of our life, if storm must be,
We brunt thy tide together to that sea.
THE NIGHTINGALE.
From the dusk elm rings out a changing lay;
The human-hearted nightingale sings there.
Why not, like little minstrels of the day,
Sweet voice, fling only raptures on the air?
'Tis that she's kin to us and has our woe,
Something that's lost or something yet to know:
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'Tis that she's kin to us and sings our bliss,
Loving, to know love is yet more than this.
THE STORM.
Storm in the dimness of the purpled sky,
And the sharp flash leaps out from cloud to cloud:
But the blue, lifted, corner spreads more high,
Brightness, and brightness, bursts the gathered shroud.
Aye, pass, black storm, thou hadst thy threatening hour;
freed beams make rainbows of the shower:
Now the freed sunbeams break into the air;
Pass, and the sky forgets thee and is fair.
BABY EYES.
Blue baby eyes, they are so sweetest sweet,
And yet they have not learned love's dear replies;
They beg not smiles, nor call for me, nor greet,
But clear, unshrinking, note me with surprise.
But, eyes that have your father's curve of lid,
You'll learn the look that he keeps somewhere hid:
You'll smile, grave baby eyes, and I shall see
The look your father keeps for only me.
THE BINDWEED.
In all fair hues from white to mingled rose,
Along the hedge the clasping bindweed flowers;
And when one chalice shuts a new one blows,
There's blooming for all minutes of the hours.
Along the hedge beside the trodden lane
Where day by day we pass and pass again:
Rosy and white along the busy mile,
A flower for every step and all the while.
Autumn Stornelli.
THE HEATHER.
THE leagues of heather lie on moor and hill,
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And make soft purple dimness and red glow;
No butterfly may call the blithe wind chill
That brings the ruddy heather-bells a-blow.
The song-birds half forget the world is fair,
And pipe no lays because the heather's there:
Oh foolish birds that have no joyous lay,
With hill and moor a garden ground to-day!
LATE ROSES.
The swallows went last week, but 'twas too soon;
For, look, the sunbeams streaming on their eaves;
And, look, my rose, a very child of June,
Spreading its crimson coronet of leaves.
Was it too late, my rose, to bud and blow?
For when the summer wanes her roses go:
Bloom, rose, there are more roses yet to wake,
With hearts of sweetness for the summer's sake.
THE BRAMBLES.
So tall along the dusty highway row,
So wide on the free heath the brambles spread;
Here's the pink bud, and here the full white blow,
And here the black ripe berry, here the red.
Bud, flower, and fruit, among the mingling thorns;
And dews to feed them in the autumn morns:
Fruit, flower, and bud, together, thou rich tree!
And oh but life's a happy time for me!
WE TWO.
The road slopes on that leads us to the last,
And we two tread it softly, side by side;
'Tis a blithe count the milestones we have passed,
Step fitting step, and each of us for guide.
My love, and I thy love, our road is fair,
And fairest most because the other's there:
Our road is fair, adown the harvest hill,
But fairest that we two are we two still.
WE TWO.
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We two, we two! the children's smiles are dear—
Thank God how dear the bonny children's smiles!—
But 'tis we two among our own ones here,
We two along life's way through all the whiles.
To think if we had passed each other by;
And he not he apart, and I not I!
And oh to think if we had never known;
And I not I and he not he alone!
THE APPLE ORCHARD.
The apple branches bend with ripening weight,
The apple branches rosy as with flowers;
You'd think red giant fuchsias blooming late
Within this sunny orchard ground of ours.
Give us your shade, fair fountain trees of fruits;
We rest upon the mosses at your roots:
Fair fountain trees of fruits, drop windfalls here;
Lo, ripening store for all the coming year.
Winter Stornelli.
THE SNOWS.
THE green and happy world is hidden away;
Cold, cold, the ghostly snows lie on its breast;
The white miles reach the shadows wan and grey
'Neath wan grey skies unchanged from east to west.
Sleep on beneath the snows, chilled, barren, earth;
There are no blossoms for thy winter dearth:
Break not nor melt, fall still from heaven, wan snows;
Hide the spoiled earth, and numb her to repose.
THE HOLLY.
'Tis a brave tree. While round its boughs in vain
The warring wind of January bites and girds,
It holds the clusters of its crimson grain,
A winter pasture for the shivering birds.
Oh patient holly, that the children love,
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No need for thee of smooth blue skies above:
Oh green strong holly, shine amid the frost;
Thou dost not lose one leaf for sunshine lost.
THE GRAVEYARD.
They sleep here well who have forgotten to-day,
They weep not while we weep, nor wake each morn
To bitter new surprise, as mourners may
That knew not in their rest they were forlorn.
Calm graveyard, 'tis more pleasant to sit here
Than where loud life pretends its eager cheer:
Calm graveyard, where he waits and I shall be,
Thou hast the spot of earth most dear to me.
THE FROZEN RIVER.
Dead stream beneath the icy silent blocks
That motionless stand soddening into grime,
Thy fretted falls hang numb, frost pens the locks;
Dead river, when shall be thy waking time?
'Not dead;' the river spoke and answered me,
'My burdened current, hidden, finds the sea'
'Not dead, not dead;' my heart replied at length,
'The frozen river holds a hidden strength.'
THE DAUGHTER.
Go forth, my darling, in the wreath and veil;
My hand shall place them for thee; so goodbye.
Thou hast Love's rose, and tend it without fail;
It withers, dear, if lovers let it lie.
Go, my own singing bird, and be his now;
And I am more than half as glad as thou.
Ah me! the singing birds that were our own
Fly forth and mate: and 'tis long life alone.
WE TWO.
We two that could not part are parted long;
He in the far-off Heaven, and I to wait.
A fair world once, all blossom-time and song;
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But to be lonely tires, and I live late.
To think we two have not a word to change:
And one without the other here is strange!
To think we two have nothing now to share:
I wondering here, and he without me there!
WE TWO.
We two, we two! we still are linked and nigh:
He could not have forgotten in any bliss;
Surely he feels my being yet; and I,
I have no thought but seems some part of his.
Oh love gone out of reach of yearning eyes,
Our hearts can meet to gather-in replies:
Oh love past touch of lip and clasp of hand,
Thou canst not be too far to understand.
THE FLOWERS TO COME.
The drift is in the hollows of the hill,
Yet primrose leaves uncurl beneath the hedge;
Frosts pierce the dawn, and the north wind blows chill,
Yet snowdrop spikelets rim the garden edge.
Dear plants that will make bud in coming spring,
Ye were not for one only blossoming:
More than one blossoming for all fair flowers;
And God keeps mine till spring is somewhere ours.
~ Augusta Davies Webster,
1293:HOW wonderful is Death,
   Death, and his brother Sleep!
  One, pale as yonder waning moon
   With lips of lurid blue;
   The other, rosy as the morn
  When throned on ocean's wave
     It blushes o'er the world;
  Yet both so passing wonderful!

   Hath then the gloomy Power
Whose reign is in the tainted sepulchres
   Seized on her sinless soul?
   Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
  That lovely outline which is fair
   As breathing marble, perish?
   Must putrefaction's breath
  Leave nothing of this heavenly sight
   But loathsomeness and ruin?
  Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
   Or is it only a sweet slumber
   Stealing o'er sensation,
  Which the breath of roseate morning
     Chaseth into darkness?
     Will Ianthe wake again,
   And give that faithful bosom joy
  Whose sleepless spirit waits to catch
  Light, life and rapture, from her smile?

     Yes! she will wake again,
Although her glowing limbs are motionless,
     And silent those sweet lips,
     Once breathing eloquence
  That might have soothed a tiger's rage
Or thawed the cold heart of a conqueror.
     Her dewy eyes are closed,
  And on their lids, whose texture fine
  Scarce hides the dark blue orbs beneath,
     The baby Sleep is pillowed;
     Her golden tresses shade
     The bosom's stainless pride,
   Curling like tendrils of the parasite
     Around a marble column.

   Hark! whence that rushing sound?
     'T is like the wondrous strain
   That round a lonely ruin swells,
   Which, wandering on the echoing shore,
     The enthusiast hears at evening;
   'T is softer than the west wind's sigh;
   'T is wilder than the unmeasured notes
   Of that strange lyre whose strings
   The genii of the breezes sweep;
     Those lines of rainbow light
   Are like the moonbeams when they fall
Through some cathedral window, but the tints
     Are such as may not find
     Comparison on earth.

Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air;
Their filmy pennons at her word they furl,
And stop obedient to the reins of light;
  These the Queen of Spells drew in;
  She spread a charm around the spot,
And, leaning graceful from the ethereal car,
  Long did she gaze, and silently,
     Upon the slumbering maid.

Oh! not the visioned poet in his dreams,
When silvery clouds float through the wildered brain,
When every sight of lovely, wild and grand
  Astonishes, enraptures, elevates,
   When fancy at a glance combines
   The wondrous and the beautiful,--
  So bright, so fair, so wild a shape
     Hath ever yet beheld,
As that which reined the coursers of the air
  And poured the magic of her gaze
     Upon the maiden's sleep.

   The broad and yellow moon
   Shone dimly through her form--
  That form of faultless symmetry;
  The pearly and pellucid car
   Moved not the moonlight's line.
   'T was not an earthly pageant.
  Those, who had looked upon the sight
   Passing all human glory,
   Saw not the yellow moon,
   Saw not the mortal scene,
   Heard not the night-wind's rush,
   Heard not an earthly sound,
   Saw but the fairy pageant,
   Heard but the heavenly strains
   That filled the lonely dwelling.

The Fairy's frame was slight--yon fibrous cloud,
That catches but the palest tinge of even,
And which the straining eye can hardly seize
When melting into eastern twilight's shadow,
Were scarce so thin, so slight; but the fair star
That gems the glittering coronet of morn,
Sheds not a light so mild, so powerful,
As that which, bursting from the Fairy's form,
Spread a purpureal halo round the scene,
   Yet with an undulating motion,
   Swayed to her outline gracefully.

   From her celestial car
   The Fairy Queen descended,
   And thrice she waved her wand
  Circled with wreaths of amaranth;
   Her thin and misty form
   Moved with the moving air,
   And the clear silver tones,
   As thus she spoke, were such
  As are unheard by all but gifted ear.

FAIRY
  'Stars! your balmiest influence shed!
  Elements! your wrath suspend!
  Sleep, Ocean, in the rocky bounds
   That circle thy domain!
  Let not a breath be seen to stir
  Around yon grass-grown ruin's height!
   Let even the restless gossamer
   Sleep on the moveless air!
   Soul of Ianthe! thou,
Judged alone worthy of the envied boon
That waits the good and the sincere; that waits
Those who have struggled, and with resolute will
Vanquished earth's pride and meanness, burst the chains,
The icy chains of custom, and have shone
The day-stars of their age;--Soul of
    Ianthe!
     Awake! arise!'

     Sudden arose
   Ianthe's Soul; it stood
  All beautiful in naked purity,
The perfect semblance of its bodily frame;
Instinct with inexpressible beauty and grace--
    Each stain of earthliness
   Had passed away--it reassumed
   Its native dignity and stood
    Immortal amid ruin.

   Upon the couch the body lay,
   Wrapt in the depth of slumber;
Its features were fixed and meaningless,
   Yet animal life was there,
   And every organ yet performed
   Its natural functions; 'twas a sight
Of wonder to behold the body and the soul.
   The self-same lineaments, the same
   Marks of identity were there;
Yet, oh, how different! One aspires to Heaven,
Pants for its sempiternal heritage,
And, ever changing, ever rising still,
   Wantons in endless being:
The other, for a time the unwilling sport
Of circumstance and passion, struggles on;
Fleets through its sad duration rapidly;
Then like an useless and worn-out machine,
   Rots, perishes, and passes.

FAIRY
   'Spirit! who hast dived so deep;
   Spirit! who hast soared so high;
   Thou the fearless, thou the mild,
  Accept the boon thy worth hath earned,
   Ascend the car with me!'

SPIRIT
   'Do I dream? Is this new feeling
   But a visioned ghost of slumber?
     If indeed I am a soul,
   A free, a disembodied soul,
     Speak again to me.'

FAIRY
  'I am the Fairy MAB: to me 'tis given
  The wonders of the human world to keep;
  The secrets of the immeasurable past,
  In the unfailing consciences of men,
  Those stern, unflattering chroniclers, I find;
  The future, from the causes which arise
  In each event, I gather; not the sting
  Which retributive memory implants
  In the hard bosom of the selfish man,
  Nor that ecstatic and exulting throb
  Which virtue's votary feels when he sums up
  The thoughts and actions of a well-spent day,
  Are unforeseen, unregistered by me;
  And it is yet permitted me to rend
  The veil of mortal frailty, that the spirit,
  Clothed in its changeless purity, may know
  How soonest to accomplish the great end
  For which it hath its being, and may taste
  That peace which in the end all life will share.
  This is the meed of virtue; happy Soul,
    Ascend the car with me!'

  The chains of earth's immurement
   Fell from Ianthe's spirit;
They shrank and brake like bandages of straw
  Beneath a wakened giant's strength.
   She knew her glorious change,
  And felt in apprehension uncontrolled
   New raptures opening round;
  Each day-dream of her mortal life,
  Each frenzied vision of the slumbers
   That closed each well-spent day,
   Seemed now to meet reality.
  The Fairy and the Soul proceeded;
   The silver clouds disparted;
  And as the car of magic they ascended,
   Again the speechless music swelled,
   Again the coursers of the air
Unfurled their azure pennons, and the Queen,
   Shaking the beamy reins,
   Bade them pursue their way.

   The magic car moved on.
  The night was fair, and countless stars
  Studded heaven's dark blue vault;
   Just o'er the eastern wave
  Peeped the first faint smile of morn.
   The magic car moved on
   From the celestial hoofs
  The atmosphere in flaming sparkles flew,
   And where the burning wheels
  Eddied above the mountain's loftiest peak,
   Was traced a line of lightning.
   Now it flew far above a rock,
   The utmost verge of earth,
  The rival of the Andes, whose dark brow
   Lowered o'er the silver sea.

   Far, far below the chariot's path,
    Calm as a slumbering babe,
    Tremendous Ocean lay.
   The mirror of its stillness showed
    The pale and waning stars,
    The chariot's fiery track,
    And the gray light of morn
    Tinging those fleecy clouds
    That canopied the dawn.

  Seemed it that the chariot's way
Lay through the midst of an immense concave
Radiant with million constellations, tinged
   With shades of infinite color,
   And semicircled with a belt
   Flashing incessant meteors.

   The magic car moved on.
   As they approached their goal,
  The coursers seemed to gather speed;
The sea no longer was distinguished; earth
  Appeared a vast and shadowy sphere;
   The sun's unclouded orb
   Rolled through the black concave;
   Its rays of rapid light
Parted around the chariot's swifter course,
  And fell, like ocean's feathery spray
   Dashed from the boiling surge
   Before a vessel's prow.

   The magic car moved on.
   Earth's distant orb appeared
The smallest light that twinkles in the heaven;
   Whilst round the chariot's way
   Innumerable systems rolled
   And countless spheres diffused
   An ever-varying glory.
  It was a sight of wonder: some
  Were hornd like the crescent moon;
  Some shed a mild and silver beam
  Like Hesperus o'er the western sea;
  Some dashed athwart with trains of flame,
  Like worlds to death and ruin driven;
Some shone like suns, and as the chariot passed,
   Eclipsed all other light.

     Spirit of Nature! here
   In this interminable wilderness
   Of worlds, at whose immensity
     Even soaring fancy staggers,
     Here is thy fitting temple!
      Yet not the lightest leaf
    That quivers to the passing breeze
     Is less instinct with thee;
     Yet not the meanest worm
  That lurks in graves and fattens on the dead,
   Less shares thy eternal breath!
    Spirit of Nature! thou,
   Imperishable as this scene--
    Here is thy fitting temple!
    

  
~ Percy Bysshe Shelley, Queen Mab - Part I.
,
1294:To E. Fitzgerald: Tiresias
OLD FITZ, who from your suburb grange,
Where once I tarried for a while,
Glance at the wheeling orb of change,
And greet it with a kindly smile;
Whom yet I see as there you sit
Beneath your sheltering garden-tree,
And watch your doves about you flit,
And plant on shoulder, hand, and knee,
Or on your head their rosy feet,
As if they knew your diet spares
Whatever moved in that full sheet
Let down to Peter at his prayers;
Who live on milk and meal and grass;
And once for ten long weeks I tried
Your table of Pythagoras,
- And seem'd at first "a thing enskied,"
As Shakespeare has it, airy-light
To float above the ways of men,
Then fell from that half-spiritual height
Chill'd, till I tasted flesh again
One night when earth was winter-b]ack,
And all the heavens flash'd in frost;
And on me, half-asleep, came back
That wholesome heat the blood had lost,
And set me climbing icy capes
And glaciers, over which there roll'd
To meet me long-arm'd vines with grapes
Of Eshcol hugeness- for the cold
Without, and warmth within me, wrought
To mould the dream; but none can say
That Lenten fare makes Lenten thought
Who reads your golden Eastern lay,
Than which I know no version done
In English more divinely well;
A planet equal to the sun
Which cast it, that large infidel
Your Omar, and your Omar drew
Full-handed plaudits from our best
In modern letters, and from two,
857
Old friends outvaluing all the rest,
Two voices heard on earth no more;
But we old friends are still alive,
And I am nearing seventy-four,
While you have touch'd at seventy-five,
And so I send a birthday line
Of greeting; and my son, who dipt
In some forgotten book of mine
With sallow scraps of manuscript,
And dating many a year ago,
Has hit on this, which you will take,
My Fitz, and welcome, as I know,
Less for its own than for the sake
Of one recalling gracious times,
When, in our younger London days,
You found some merit in my rhymes,
And I more pleasure in your praise.
TIRESIAS
I WISH I were as in the years of old
While yet the blessed daylight made itself
Ruddy thro' both the roofs of sight, and woke
These eyes, now dull, but then so keen to seek
The meanings ambush'd under all they saw,
The flight of birds, the flame of sacrifice,
What omens may foreshadow fate to man
And woman, and the secret of the Gods.
My son, the Gods, despite of human prayer,
Are slower to forgive than human kings.
The great God Ares burns in anger still
Against the guiltless heirs of him from Tyre
Our Cadmus, out of whom thou art, who found
Beside the springs of Dirce, smote, and still'd
Thro' all its folds the multitudinous beast
The dragon, which our trembling fathers call'd
The God's own son.
A tale, that told to me,
When but thine age, by age as winter-white
As mine is now, amazed, but made me yearn
For larger glimpses of that more than man
858
Which rolls the heavens, and lifts and lays the deep,
Yet loves and hates with mortal hates and loves,
And moves unseen among the ways of men.
Then, in my wanderings all the lands that lie
Subjected to the Heliconian ridge
Have heard this footstep fall, altho' my wont
Was more to scale the highest of the heights
With some strange hope to see the nearer God.
One naked peak‹the sister of the Sun
Would climb from out the dark, and linger there
To silver all the valleys with her shafts‹
There once, but long ago, five-fold thy term
Of years, I lay; the winds were dead for heatThe noonday crag made the hand burn; and sick
For shadow‹not one bush was near‹I rose
Following a torrent till its myriad falls
Found silence in the hollows underneath.
There in a secret olive-glade I saw
Pallas Athene climbing from the bath
In anger; yet one glittering foot disturb'd
The lucid well; one snowy knee was prest
Against the margin flowers; a dreadful light
Came from her golden hair, her golden helm
And all her golden armor on the grass,
And from her virgin breast, and virgin eyes
Remaining fixt on mine, till mine grew dark
For ever, and I heard a voice that said
"Henceforth be blind, for thou hast seen too much,
And speak the truth that no man may believe."
Son, in the hidden world of sight that lives
Behind this darkness, I behold her still
Beyond all work of those who carve the stone
Beyond all dreams of Godlike womanhood,
Ineffable beauty, out of whom, at a glance
And as it were, perforce, upon me flash'd
The power of prophesying‹but to me
No power so chain'd and coupled with the curse
Of blindness and their unbelief who heard
And heard not, when I spake of famine, plague
Shrine-shattering earthquake, fire, flood, thunderbolt,
859
And angers of the Gods for evil done
And expiation lack'd‹no power on Fate
Theirs, or mine own! for when the crowd would roar
For blood, for war, whose issue was their doom,
To cast wise words among the multitude
Was fiinging fruit to lions; nor, in hours
Of civil outbreak, when I knew the twain
Would each waste each, and bring on both the yoke
Of stronger states, was mine the voice to curb
The madness of our cities and their kings.
Who ever turn'd upon his heel to hear
My warning that the tyranny of one
Was prelude to the tyranny of all?
My counsel that the tyranny of all
Led backward to the tyranny of one?
This power hath work'd no good to aught that lives
And these blind hands were useless in their wars.
O. therefore, that the unfulfill'd desire,
The grief for ever born from griefs to be
The boundless yearning of the prophet's heart‹
Could that stand forth, and like a statue, rear'd
To some great citizen, wim all praise from all
Who past it, saying, "That was he!"
In vain!
Virtue must shape itself im deed, and those
Whom weakness or necessity have cramp'd
Withm themselves, immerging, each, his urn
In his own well, draws solace as he may.
Menceceus, thou hast eyes, and I can hear
Too plainly what full tides of onset sap
Our seven high gates, and what a weight of war
Rides on those ringing axlesl jingle of bits,
Shouts, arrows, tramp of the horn-footed horse
That grind the glebe to powder! Stony showers
Of that ear-stunning hail of Ares crash
Along the sounding walls. Above, below
Shock after shock, the song-built towers and gates
Reel, bruised and butted with the shuddering
War-thunder of iron rams; and from within
The city comes a murmur void of joy,
Lest she be taken captive‹maidens, wives,
And mothers with their babblers of the dawn,
860
And oldest age in shadow from the night,
Falling about their shrines before their Gods,
And wailing, "Save us."
And they wail to thee!
These eyeless eyes, that cannot see thine own,
See this, that only in thy virtue lies
The saving of our Thebes; for, yesternight,
To me, the great God Ares, whose one bliss
Is war and human sacrifice‹himself
Blood-red from battle, spear and helmet tipt
With stormy light as on a mast at sea,
Stood out before a darkness, crying, "Thebes,
Thy Thebes shall fall and perish, for I loathe
The seed of Cadmus‹yet if one of these
By his own hand‹if one of these‹"
My son, No sound is breathed so potent to coerce,
And to conciliate, as their names who dare
For that sweet mother land which gave them birth
Nobly to do, nobly to die. Their names,
Graven on memorial columns, are a song
Heard in the future; few, but more than wall
And rampart, their examples reach a hand
Far thro' all years, and everywhere they meet
And kindle generous purpose, and the strength
To mould it into action pure as theirs.
Fairer thy fate than mine, if life's best end
Be to end well! and thou refusing this,
Unvenerable will thy memory be
While men shall move the lips; but if thou dare‹
Thou, one of these, the race of Cadmus‹then
No stone is fitted in yon marble girth
Whose echo shall not tongue thy glorious doom,
Nor in this pavement but shall ring thy name
To every hoof that clangs it, and the springs
Of Dirce laving yonder battle-plain,
Heard from the roofs by night, will murmur thee
To thine own Thebes, while Thebes thro' thee shall stand
Firm-based with all her Gods.
The Dragon's cave
Half hid, they tell me, now in flowing vines‹
Where once he dwelt and whence he roll'd himself
861
At dead of night‹thou knowest, and that smooth rock
Before it, altar-fashion'd, where of late
The woman-breasted Sphinx, with wings drawn back
Folded her lion paws, and look'd to Thebes.
There blanch the bones of whom she slew, and these
Mixt with her own, because the fierce beast found
A wiser than herself, and dash'd herself
Dead in her rage; but thou art wise enough
Tho' young, to love thy wiser, blunt the curse
Of Pallas, bear, and tho' I speak the truth
Believe I speak it, let thine own hand strike
Thy youthful pulses into rest and quench
The red God's anger, fearing not to plunge
Thy torch of life in darkness, rather thou
Rejoicing that the sun, the moon, the stars
Send no such light upon the ways of men
As one great deed.
Thither, my son, and there
Thou, that hast never known the embrace of love
Offer thy maiden life.
This useless hand!
I felt one warm tear fall upon it. Gone!
He will achieve his greatness.
But for me I would that I were gather'd to my rest,
And mingled with the famous kings of old
On whom about their ocean-islets flash
The faces of the Gods‹the wise man's word
Here trampled by the populace underfoot
There crown'd with worship and these eyes will find
The men I knew, and watch the chariot whirl
About the goal again, and hunters race
The shadowy lion, and the warrior-kings
In height and prowess more than human, strive
Again for glory, while the golden lyre
Is ever sounding in heroic ears
Heroic hymns, and every way the vales
Wind, clouded with the grateful incense-fume
Of those who mix all odor to the Gods
On one far height in one far-shining fire.
-------------------------
862

"One height and one far-shining fire!"

And while I fancied that my friend

For this brief idyll would require

A less diffuse and opulent end,

And would defend his judgment well,

If I should deem it over nice‹

The tolling of his funeral bell
Broke on my Pagan Paradise,
And mixt the dream of classic times,
And all the phantoms of the dream,
With present grief, and made the rhymes,
That miss'd his living welcome, seem
Like would-be guests an hour too late,
Who down the highway moving on
With easy laughter find the gate
Is bolted, and the master gone.
Gone onto darkness, that full light
Of friendship! past, in sleep, away
By night, into the deeper night!
The deeper night? A clearer day
Than our poor twilight dawn on earth‹
If night, what barren toil to be!
What life, so maim'd by night, were worth
Our living out? Not mine to me
Remembering all the golden hours
Now silent, and so many dead,
And him the last; and laying flowers,
This wreath, above his honor'd head,
And praying that, when I from hence
Shall fade with him into the unknown,
My close of earth's experience
May prove as peaceful as his own.
~ Alfred Lord Tennyson,
1295:Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

         I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

               A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred. We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones. Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep: the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge: with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Aed touch the mournful strings of gold.'

'Is he so dreadful?'
          'Be not over-bold,
But fly while still you may.'
               And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like. For a sign
I burst the chain: still earless, nerveless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, nerveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content: we held our way
And stood within: clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him: he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

               We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed: I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

            Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear. I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And thrust the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty. When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little runnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there: far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn. He slowly turned:
A demon's leisure: eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking. We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

         Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics murder song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever: ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S. Patrick.    Be still: the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The Fenian horses; atmour torn asunder;
Laughter and cries. The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing Fenian horn!

We feasted for three days. On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue: an endless feast,
An endless war.

       The hundred years had ceased;
I stood upon the stair: the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

       And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

            'And which of these
Is the Island of Content?'

             'None know,' she said;
And on my bosom laid her weeping head.

~ William Butler Yeats, The Wanderings Of Oisin - Book II
,
1296:Œnone
. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
514
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.
'O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.
'Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own Œnone,
Beautiful-brow'd Œnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
'For the most fair,' would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'
'Dear mother Ida, harken ere I die.
515
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'
'Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.
'O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
516
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'
'O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom-from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'
'Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.
'`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'
517
'Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.
'Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
518
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.
'Yet, mother Ida, harken ere I die.
Fairest-why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!
'O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet-from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone Œnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.
'O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
519
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.
'O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.
'O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!-a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!
'O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
520
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire.'
~ Alfred Lord Tennyson,
1297:Scene.--Before the Cavern of the Indian Enchantress.

The Enchantress comes forth.

Enchantress.
He came like a dream in the dawn of life,
He fled like a shadow before its noon;
He is gone, and my peace is turned to strife,
And I wander and wane like the weary moon.
  O, sweet Echo, wake,
  And for my sake
Make answer the while my heart shall break!

But my heart has a music which Echo's lips,
Though tender and true, yet can answer not,
And the shadow that moves in the soul's eclipse
Can return not the kiss by his now forgot;
  Sweet lips! he who hath
  On my desolate path
Cast the darkness of absence, worse than death!

The Enchantress makes her spell: she is answered by a Spirit.

Spirit.
Within the silent centre of the earth
My mansion is; where I have lived insphered
From the beginning, and around my sleep
Have woven all the wondrous imagery
Of this dim spot, which mortals call the world;
Infinite depths of unknown elements
Massed into one impenetrable mask;
Sheets of immeasurable fire, and veins
Of gold and stone, and adamantine iron.
And as a veil in which I walk through Heaven
I have wrought mountains, seas, and waves, and clouds,
And lastly light, whose interfusion dawns
In the dark space of interstellar air.
ANOTHER SCENE
Indian Youth and Lady.

Indian.
And, if my grief should still be dearer to me
Than all the pleasures in the world beside,
Why would you lighten it?

Lady.
               I offer only
That which I seek, some human sympathy
In this mysterious island.

Indian.
              Oh! my friend,
My sister, my beloved!What do I say?
My brain is dizzy, and I scarce know whether
I speak to thee or her.

Lady.
            Peace, perturbed heart!
I am to thee only as thou to mine,
The passing wind which heals the brow at noon,
And may strike cold into the breast at night,
Yet cannot linger where it soothes the most,
Or long soothe could it linger.

Indian.
                 But you said
You also loved?

Lady.
        Loved! Oh, I love. Methinks
This word of love is fit for all the world,
And that for gentle hearts another name
Would speak of gentler thoughts than the world owns.
I have loved.

Indian.
       And thou lovest not? if so,
Young as thou art thou canst afford to weep.

Lady.
Oh! would that I could claim exemption
From all the bitterness of that sweet name.
I loved, I love, and when I love no more
Let joys and grief perish, and leave despair
To ring the knell of youth. He stood beside me,
The embodied vision of the brightest dream,
Which like a dawn heralds the day of life;
The shadow of his presence made my world
A Paradise. All familiar things he touched,
All common words he spoke, became to me
Like forms and sounds of a diviner world.
He was as is the sun in his fierce youth,
As terrible and lovely as a tempest;
He came, and went, and left me what I am.
Alas! Why must I think how oft we two
Have sate together near the river springs,
Under the green pavilion which the willow
Spreads on the floor of the unbroken fountain,
Strewn, by the nurslings that linger there,
Over that islet paved with flowers and moss,
While the musk-rose leaves, like flakes of crimson snow,
Showered on us, and the dove mourned in the pine,
Sad prophetess of sorrows not her own?
The crane returned to her unfrozen haunt,
And the false cuckoo bade the spray good morn;
And on a wintry bough the widowed bird,
Hid in the deepest night of ivy-leaves,
Renewed the vigils of a sleepless sorrow.
I, left like her, and leaving one like her,
Alike abandoned and abandoning
(Oh! unlike her in this!) the gentlest youth,
Whose love had made my sorrows dear to him,
Even as my sorrow made his love to me!

Indian.
One curse of Nature stamps in the same mould
The features of the wretched; and they are
As like as violet to violet,
When memory, the ghost, their odours keeps
Mid the cold relics of abandoned joy.
Proceed.

Lady.
    He was a simple innocent boy.
I loved him well, but not as he desired;
Yet even thus he was content to be:
A short content, for I was

Indian
[aside].
               God of Heaven!
From such an islet, such a river-spring!
I dare not ask her if there stood upon it
A pleasure-dome surmounted by a crescent,
With steps to the blue water. [Aloud.]
It may be
That Nature masks in life several copies
Of the same lot, so that the sufferers
May feel another's sorrow as their own,
And find in friendship what they lost in love.
That cannot be: yet it is strange that we,
From the same scene, by the same path to this
Realm of abandonment -- But speak! your breath
Your breath is like soft music, your words are
The echoes of a voice which on my heart
Sleeps like a melody of early days.
But as you said--

Lady.
         He was so awful, yet
So beautiful in mystery and terror,
Calming me as the loveliness of heaven
Soothes the unquiet sea:and yet not so,
For he seemed stormy, and would often seem
A quenchless sun masked in portentous clouds;
For such his thoughts, and even his actions were;
But he was not of them, nor they of him,
But as they hid his splendour from the earth.
Some said he was a man of blood and peril,
And steeped in bitter infamy to the lips.
More need was there I should be innocent,
More need that I should be most true and kind,
And much more need that there should be found one
To share remorse and scorn and solitude,
And all the ills that wait on those who do
The tasks of ruin in the world of life.
He fled, and I have followed him.

Indian.
                  Such a one
Is he who was the winter of my peace.
But, fairest stranger, when didst thou depart
From the far hills where rise the springs of India?
How didst thou pass the intervening sea?

Lady.
If I be sure I am not dreaming now,
I should not doubt to say it was a dream.
Methought a star came down from heaven,
And rested mid the plants of India,
Which I had given a shelter from the frost
Within my chamber. There the meteor lay,
Panting forth light among the leaves and flowers,
As if it lived, and was outworn with speed;
Or that it loved, and passion made the pulse
Of its bright life throb like an anxious heart,
Till it diffused itself, and all the chamber
And walls seemed melted into emerald fire
That burned not; in the midst of which appeared
A spirit like a child, and laughed aloud
A thrilling peal of such sweet merriment
As made the blood tingle in my warm feet:
Then bent over a vase, and murmuring
Low, unintelligible melodies,
Placed something in the mould like melon-seeds,
And slowly faded, and in place of it
A soft hand issued from the veil of fire,
Holding a cup like a magnolia flower,
And poured upon the earth within the vase
The element with which it overflowed,
Brighter than morning light, and purer than
The water of the springs of Himalah.

Indian.
You waked not?

Lady.
       Not until my dream became
Like a child's legend on the tideless sand,
Which the first foam erases half, and half
Leaves legible. At length I rose, and went,
Visiting my flowers from pot to pot, and thought
To set new cuttings in the empty urns,
And when I came to that beside the lattice,
I saw two little dark-green leaves
Lifting the light mould at their birth, and then
I half-remembered my forgotten dream.
And day by day, green as a gourd in June,
The plant grew fresh and thick, yet no one knew
What plant it was; its stem and tendrils seemed
Like emerald snakes, mottled and diamonded
With azure mail and streaks of woven silver;
And all the sheaths that folded the dark buds
Rose like the crest of cobra-di-capel,
Until the golden eye of the bright flower,
Through the dark lashes of those veind lids,
....disencumbered of their silent sleep,
Gazed like a star into the morning light.
Its leaves were delicate, you almost saw
The pulses
With which the purple velvet flower was fed
To overflow, and like a poet's heart
Changing bright fancy to sweet sentiment,
Changed half the light to fragrance. It soon fell,
And to a green and dewy embryo-fruit
Left all its treasured beauty. Day by day
I nursed the plant, and on the double flute
Played to it on the sunny winter days
Soft melodies, as sweet as April rain
On silent leaves, and sang those words in which
Passion makes Echo taunt the sleeping strings;
And I would send tales of forgotten love
Late into the lone night, and sing wild songs
Of maids deserted in the olden time,
And weep like a soft cloud in April's bosom
Upon the sleeping eyelids of the plant,
So that perhaps it dreamed that Spring was come,
And crept abroad into the moonlight air,
And loosened all its limbs, as, noon by noon,
The sun averted less his oblique beam.

Indian.
And the plant died not in the frost?

Lady.
                    It grew;
And went out of the lattice which I left
Half open for it, trailing its quaint spires
Along the garden and across the lawn,
And down the slope of moss and through the tufts
Of wild-flower roots, and stumps of trees o'ergrown
With simple lichens, and old hoary stones,
On to the margin of the glassy pool,
Even to a nook of unblown violets
And lilies-of-the-valley yet unborn,
Under a pine with ivy overgrown.
And there its fruit lay like a sleeping lizard
Under the shadows; but when Spring indeed
Came to unswathe her infants, and the lilies
Peeped from their bright green masks to wonder at
This shape of autumn couched in their recess,
Then it dilated, and it grew until
One half lay floating on the fountain wave,
Whose pulse, elapsed in unlike sympathies,
Kept time
Among the snowy water-lily buds.
Its shape was such as summer melody
Of the south wind in spicy vales might give
To some light cloud bound from the golden dawn
To fairy isles of evening, and it seemed
In hue and form that it had been a mirror
Of all the hues and forms around it and
Upon it pictured by the sunny beams
Which, from the bright vibrations of the pool,
Were thrown upon the rafters and the roof
Of boughs and leaves, and on the pillared stems
Of the dark sylvan temple, and reflections
Of every infant flower and star of moss
And veined leaf in the azure odorous air.
And thus it lay in the Elysian calm
Of its own beauty, floating on the line
Which, like a film in purest space, divided
The heaven beneath the water from the heaven
Above the clouds; and every day I went
Watching its growth and wondering;
And as the day grew hot, methought I saw
A glassy vapour dancing on the pool,
And on it little quaint and filmy shapes,
With dizzy motion, wheel and rise and fall,
Like clouds of gnats with perfect lineaments...
O friend, sleep was a veil uplift from Heaven--
As if Heaven dawned upon the world of dream--
When darkness rose on the extinguished day
Out of the eastern wilderness.

Indian.
                I too
Have found a moment's paradise in sleep
Half compensate a hell of waking sorrow.
Written at Pisa during the late winter or early spring of 1822.

Note from Mrs. Shelley: 'The following fragments are part of a Drama undertaken for the amusement of the individuals who composed our intimate society, but left unfinished. I have preserved a sketch of the story as far as it had been shadowed in the poet's mind.
An Enchantress, living in one of the islands of the Indian Archipelago, saves the life of a Pirate, a man of savage but noble nature. She becomes enamoured of him; and he, inconstant to his mortal love, for a while returns her passion; but at length, recalling the memory of her whom he left, and who laments his loss, he escapes from the Enchanted Island, and returns to his lady. His mode of life makes him again go to sea, and the Enchantress seizes the opportunity to bring him, by a spirit-brewed tempest, back to her Island.'~1839.
~ Percy Bysshe Shelley, Fragments Of An Unfinished Drama
,
1298:The Bounty
[for Alix Walcott]
Between the vision of the Tourist Board and the true
Paradise lies the desert where Isaiah's elations
force a rose from the sand. The thirty-third canto
cores the dawn clouds with concentric radiance,
the breadfruit opens its palms in praise of the bounty,
bois-pain, tree of bread, slave food, the bliss of John Clare,
torn, wandering Tom, stoat-stroker in his county
of reeds and stalk-crickets, fiddling the dank air,
lacing his boots with vines, steering glazed beetles
with the tenderest prods, knight of the cockchafer,
wrapped in the mists of shires, their snail-horned steeples
palms opening to the cupped pool—but his soul safer
than ours, though iron streams fetter his ankles.
Frost whitening his stubble, he stands in the ford
of a brook like the Baptist lifting his branches to bless
cathedrals and snails, the breaking of this new day,
and the shadows of the beach road near which my mother lies,
with the traffic of insects going to work anyway.
The lizard on the white wall fixed on the hieroglyph
of its stone shadow, the palms' rustling archery,
the souls and sails of circling gulls rhyme with:
"In la sua volont è nostra pace,"
In His will is our peace. Peace in white harbours,
in marinas whose masts agree, in crescent melons
left all night in the fridge, in the Egyptian labours
of ants moving boulders of sugar, words in this sentence,
shadow and light, who live next door like neighbours,
57
and in sardines with pepper sauce. My mother lies
near the white beach stones, John Clare near the sea-almonds,
yet the bounty returns each daybreak, to my surprise,
to my surprise and betrayal, yes, both at once.
I am moved like you, mad Tom, by a line of ants;
I behold their industry and they are giants.
ii
There on the beach, in the desert, lies the dark well
where the rose of my life was lowered, near the shaken plants,
near a pool of fresh tears, tolled by the golden bell
of allamanda, thorns of the bougainvillea, and that is
their bounty! They shine with defiance from weed and flower,
even those that flourish elsewhere, vetch, ivy, clematis,
on whom the sun now rises with all its power,
not for the Tourist Board or for Dante Alighieri,
but because there is no other path for its wheel to take
except to make the ruts of the beach road an allegory
of this poem's career, of yours, that she died for the sake
of a crowning wreath of false laurel; so, John Clare, forgive me,
for this morning's sake, forgive me, coffee, and pardon me,
milk with two packets of artificial sugar,
as I watch these lines grow and the art of poetry harden me
into sorrow as measured as this, to draw the veiled figure
of Mamma entering the standard elegiac.
No, there is grief, there will always be, but it must not madden,
like Clare, who wept for a beetle's loss, for the weight
of the world in a bead of dew on clematis or vetch,
and the fire in these tinder-dry lines of this poem I hate
as much as I love her, poor rain-beaten wretch,
redeemer of mice, earl of the doomed protectorate
of cavalry under your cloak; come on now, enough!
58
iii
Bounty!
In the bells of tree-frogs with their steady clamour
in the indigo dark before dawn, the fading morse
of fireflies and crickets, then light on the beetle's armour,
and the toad's too-late presages, nettles of remorse
that shall spring from her grave from the spade's heartbreak.
And yet not to have loved her enough is to love more,
if I confess it, and I confess it. The trickle of underground
springs, the babble of swollen gulches under drenched ferns,
loosening the grip of their roots, till their hairy clods
like unclenching fists swirl wherever the gulch turns
them, and the shuddering aftermath bends the rods
of wild cane. Bounty in the ant's waking fury,
in the snail's chapel stirring under wild yams,
praise in decay and process, awe in the ordinary
in wind that reads the lines of the breadfruit's palms
in the sun contained in a globe of the crystal dew,
bounty in the ants' continuing a line of raw flour,
mercy on the mongoose scuttling past my door,
in the light's parallelogram laid on the kitchen floor,
for Thine is the Kingdom, the Glory, and the Power,
the bells of Saint Clement's in the marigolds on the altar,
in the bougainvillea's thorns, in the imperial lilac
and the feathery palms that nodded at the entry
into Jerusalem, the weight of the world on the back
of an ass; dismounting, He left His cross there for sentry
and sneering centurion; then I believed in His Word,
in a widow's immaculate husband, in pews of brown wood,
when the cattle-bell of the chapel summoned our herd
59
into the varnished stalls, in whose rustling hymnals I heard
the fresh Jacobean springs, the murmur Clare heard
of bounty abiding, the clear language she taught us,
"as the hart panteth," at this, her keen ears pronged
while her three fawns nibbled the soul-freshening waters,
"as the hart panteth for the water-brooks" that belonged
to the language in which I mourn her now, or when
I showed her my first elegy, her husband's, and then her own.
iv
But can she or can she not read this? Can you read this,
Mamma, or hear it? If I took the pulpit, lay-preacher
like tender Clare, like poor Tom, so that look, Miss!
the ants come to you like children, their beloved teacher
Alix, but unlike the silent recitation of the infants,
the choir that Clare and Tom heard in their rainy county,
we have no solace but utterance, hence this wild cry.
Snails move into harbour, the breadfruit plants on the Bounty
will be heaved aboard, and the white God is Captain Bligh.
Across white feathery grave-grass the shadow of the soul
passes, the canvas cracks open on the cross-trees of the Bounty,
and the Trades lift the shrouds of the resurrected sail.
All move in their passage to the same mother-country,
the dirt-clawing weasel, the blank owl or sunning seal.
Faith grows mutinous. The ribbed body with its cargo
stalls in its doldrums, the God-captain is cast adrift
by a mutinous Christian, in the wake of the turning Argo
plants bob in the ocean's furrows, their shoots dip and lift,
and the soul's Australia is like the New Testament
after the Old World, the code of an eye for an eye;
the horizon spins slowly and Authority's argument
60
diminishes in power, in the longboat with Captain Bligh.
This was one of your earliest lessons, how the Christ-Son
questions the Father, to settle on another island, haunted by Him,
by the speck of a raging deity on the ruled horizon,
diminishing in meaning and distance, growing more dim:
all these predictable passages that we first disobey
before we become what we challenged; but you never altered
your voice, either sighing or sewing, you would pray
to your husband aloud, pedalling the hymns we all heard
in the varnished pew: "There Is a Green Hill Far Away,"
"Jerusalem the Golden." Your melody faltered
but never your faith in the bounty which is His Word.
All of these waves crepitate from the culture of Ovid,
its sibilants and consonants; a universal metre
piles up these signatures like inscriptions of seaweed
that dry in the pungent sun, lines ruled by mitre
and laurel, or spray swiftly garlanding the forehead
of an outcrop (and I hope this settles the matter
of presences). No soul was ever invented,
yet every presence is transparent; if I met her
(in her nightdress ankling barefoot, crooning to the shallows),
should I call her shadow that of a pattern invented
by Graeco-Roman design, columns of shadows
cast by the Forum, Augustan perspectives—
poplars, casuarina-colonnades, the in-and-out light of almonds
made from original Latin, no leaf but the olive's?
Questions of pitch. Faced with seraphic radiance
(don't interrupt!), mortals rub their skeptical eyes
that hell is a beach-fire at night where embers dance,
with temporal fireflies like thoughts of Paradise;
61
but there are inexplicable instincts that keep recurring
not from hope or fear only, that are real as stones,
the faces of the dead we wait for as ants are transferring
their cities, though we no longer believe in the shining ones.
I half-expect to see you no longer, then more than half,
almost never, or never then—there I have said it—
but felt something less than final at the edge of your grave,
some other something somewhere, equally dreaded,
since the fear of the infinite is the same as death,
unendurable brightness, the substantial dreading
its own substance, dissolving to gases and vapours,
like our dread of distance; we need a horizon,
a dividing line that turns the stars into neighbours
though infinity separates them, we can think of only one sun:
all I am saying is that the dread of death is in the faces
we love, the dread of our dying, or theirs;
therefore we see in the glint of immeasurable spaces
not stars or falling embers, not meteors, but tears.
vi
The mango trees serenely rust when they are in flower,
nobody knows the name for that voluble cedar
whose bell-flowers fall, the pomme-arac purples its floor.
The blue hills in late afternoon always look sadder.
The country night waiting to come in outside the door;
the firefly keeps striking matches, and the hillside fumes
with a bluish signal of charcoal, then the smoke burns
into a larger question, one that forms and unforms,
then loses itself in a cloud, till the question returns.
Buckets clatter under pipes, villages begin at corners.
A man and his trotting dog come back from their garden.
62
The sea blazes beyond the rust roofs, dark is on us
before we know it. The earth smells of what's done,
small yards brighten, day dies and its mourners
begin, the first wreath of gnats; this was when we sat down
on bright verandahs watching the hills die. Nothing is trite
once the beloved have vanished; empty clothes in a row,
but perhaps our sadness tires them who cherished delight;
not only are they relieved of our customary sorrow,
they are without hunger, without any appetite,
but are part of earth's vegetal fury; their veins grow
with the wild mammy-apple, the open-handed breadfruit,
their heart in the open pomegranate, in the sliced avocado;
ground-doves pick from their palms; ants carry the freight
of their sweetness, their absence in all that we eat,
their savour that sweetens all of our multiple juices,
their faith that we break and chew in a wedge of cassava,
and here at first is the astonishment: that earth rejoices
in the middle of our agony, earth that will have her
for good: wind shines white stones and the shallows' voices.
vii
In spring, after the bear's self-burial, the stuttering
crocuses open and choir, glaciers shelve and thaw,
frozen ponds crack into maps, green lances spring
from the melting fields, flags of rooks rise and tatter
the pierced light, the crumbling quiet avalanches
of an unsteady sky; the vole uncoils and the otter
worries his sleek head through the verge's branches;
crannies, culverts, and creeks roar with wrist-numbing water.
Deer vault invisible hurdles and sniff the sharp air,
squirrels spring up like questions, berries easily redden,
63
edges delight in their own shapes (whoever their shaper).
But here there is one season, our viridian Eden
is that of the primal garden that engendered decay,
from the seed of a beetle's shard or a dead hare
white and forgotten as winter with spring on its way.
There is no change now, no cycles of spring, autumn, winter,
nor an island's perpetual summer; she took time with her;
no climate, no calendar except for this bountiful day.
As poor Tom fed his last crust to trembling birds,
as by reeds and cold pools John Clare blest these thin musicians,
let the ants teach me again with the long lines of words,
my business and duty, the lesson you taught your sons,
to write of the light's bounty on familiar things
that stand on the verge of translating themselves into news:
the crab, the frigate that floats on cruciform wings,
and that nailed and thorn riddled tree that opens its pews
to the blackbird that hasn't forgotten her because it sings.
~ Derek Walcott,
1299:Custer: Book Third
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds),
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
II
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
III
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
IV
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
200
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot,
The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold!' the cry arose and ran
VI
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
VII
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
VIII
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
201
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring-hate.
IX
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
XI
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
XII
202
'Suns were his eyes, a speaking tear his voice,
Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
XIII
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
XIV
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
XV
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
203
XVI
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
XVII
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
XVIII
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
XIX
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
Keeps for the hapless victim in his path.
And if the last lone remnants of that race
204
Were by the white man swept from off the earth's fair face,
XX
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
XXI
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
XXII
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
XXIII
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
205
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
XXIV
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
XXV
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
XXVI
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
XXVII
So flawless was the union of each part
The mighty column (moved as by one heart)
206
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
XXVIII
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
XXIX
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
XXX
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
XXXI
207
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
XXXII
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth,'
Then shook his long locks in the face of death,
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
XXXIII
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,
1300:Xantippe
(A Fragment)>/i>
What, have I waked again? I never thought
To see the rosy dawn, or ev'n this grey,
Dull, solemn stillness, ere the dawn has come.
The lamp burns low; low burns the lamp of life:
The still morn stays expectant, and my soul,
All weighted with a passive wonderment,
Waiteth and watcheth, waiteth for the dawn.
Come hither, maids; too soundly have ye slept
That should have watched me; nay, I would not chide-Oft have I chidden, yet I would not chide
In this last hour;--now all should be at peace.
I have been dreaming in a troubled sleep
Of weary days I thought not to recall;
Of stormy days, whose storms are hushed long since;
Of gladsome days, of sunny days; alas!
In dreaming, all their sunshine seem'd so sad,
As though the current of the dark To-Be
Had flow'd, prophetic, through the happy hours.
And yet, full well, I know it was not thus;
I mind me sweetly of the summer days,
When, leaning from the lattice, I have caught
The fair, far glimpses of a shining sea;
And, nearer, of tall ships which thronged the bay,
And stood out blackly from a tender sky
All flecked with sulphur, azure, and bright gold;
And in the still, clear air have heard the hum
Of distant voices; and methinks there rose
No darker fount to mar or stain the joy
Which sprang ecstatic in my maiden breast
Than just those vague desires, those hopes and fears,
Those eager longings, strong, though undefined,
Whose very sadness makes them seem so sweet.
What cared I for the merry mockeries
Of other maidens sitting at the loom?
Or for sharp voices, bidding me return
To maiden labour? Were we not apart,--
97
I and my high thoughts, and my golden dreams,
My soul which yearned for knowledge, for a tongue
That should proclaim the stately mysteries
Of this fair world, and of the holy gods?
Then followed days of sadness, as I grew
To learn my woman-mind had gone astray,
And I was sinning in those very thoughts-For maidens, mark, such are not woman's thoughts-(And yet, 'tis strange, the gods who fashion us
Have given us such promptings). . . .
Fled the years,
Till seventeen had found me tall and strong,
And fairer, runs it, than Athenian maids
Are wont to seem ; I had not learnt it well-My lesson of dumb patience--and I stood
At Life's great threshold with a beating heart,
And soul resolved to conquer and attain. . . .
Once, walking 'thwart the crowded market place,
With other maidens, bearing in the twigs
White doves for Aphrodite's sacrifice,
I saw him, all ungainly and uncouth,
Yet many gathered round to hear his words,
Tall youths and stranger-maidens--Sokrates-I saw his face and marked it, half with awe,
Half with a quick repulsion at the shape. . . .
The richest gem lies hidden furthest down,
And is the dearer for the weary search;
We grasp the shining shells which strew the shore,
Yet swift we fling them from us; but the gem
We keep for aye and cherish. So a soul,
Found after weary searching in the flesh
Which half repelled our senses, is more dear,
For that same seeking, than the sunny mind
Which lavish Nature marks with thousand hints
Upon a brow of beauty. We are prone
To overweigh such subtle hints, then deem,
In after disappointment, we are fooled. . .
And when, at length, my father told me all,
That I should wed me with great Sokrates,
I, foolish, wept to see at once cast down
The maiden image of a future love,
Where perfect body matched the perfect soul.
98
But slowly, softly did I cease to weep;
Slowly I 'gan to mark the magic flash
Leap to the eyes, to watch the sudden smile
Break round the mouth, and linger in the eyes;
To listen for the voice's lightest tone-Great voice, whose cunning modulations seemed
Like to the notes of some sweet instrument.
So did I reach and strain, until at last
I caught the soul athwart the grosser flesh.
Again of thee, sweet Hope, my spirit dreamed!
I, guided by his wisdom and his love,
Led by his words, and counselled by his care,
Should lift the shrouding veil from things which be,
And at the flowing fountain of his soul
Refresh my thirsting spirit. . .
And indeed,
In those long days which followed that strange day
When rites and song, and sacrifice and flow'rs,
Proclaimed that we were wedded, did I learn,
In sooth, a-many lessons; bitter ones
Which sorrow taught me, and not love inspired,
Which deeper knowledge of my kind impressed
With dark insistence on reluctant brain;-But that great wisdom, deeper, which dispels
Narrowed conclusions of a half-grown mind,
And sees athwart the littleness of life
Nature's divineness and her harmony,
Was never poor Xantippe's. . .
I would pause
And would recall no more, no more of life,
Than just the incomplete, imperfect dream
Of early summers, with their light and shade,
Their blossom-hopes, whose fruit was never ripe;
But something strong within me, some sad chord
Which loudly echoes to the later life,
Me to unfold the after-misery
Urges with plaintive wailing in my heart.
Yet, maidens, mark ; I would not that ye thought
I blame my lord departed, for he meant
No evil, so I take it, to his wife.
'Twas only that the high philosopher,
Pregnant with noble theories and great thoughts,
99
Deigned not to stoop to touch so slight a thing
As the fine fabric of a woman's brain-So subtle as a passionate woman's soul.
I think, if he had stooped a little, and cared,
I might have risen nearer to his height,
And not lain shattered, neither fit for use
As goodly household vessel, nor for that
Far finer thing which I had hoped to be. . .
Death, holding high his retrospective lamp,
Shows me those first, far years of wedded life,
Ere I had learnt to grasp the barren shape
Of what the Fates had destined for my life.
Then, as all youthful spirits are, was I
Wholly incredulous that Nature meant
So little, who had promised me so much.
At first I fought my fate with gentle words,
With high endeavours after greater things;
Striving to win the soul of Sokrates,
Like some slight bird, who sings her burning love
To human master, till at length she finds
Her tender language wholly misconceived,
And that same hand whose kind caress she sought,
With fingers flippant flings the careless corn. . .
I do remember how, one summer's eve,
He, seated in an arbour's leafy shade,
Had bade me bring fresh wine-skins. . .
As I stood
Ling'ring upon the threshold, half concealed
By tender foliage, and my spirit light
With draughts of sunny weather, did I mark
An instant, the gay group before mine eyes.
Deepest in shade, and facing where I stood,
Sat Plato, with his calm face and low brows
Which met above the narrow Grecian eyes,
The pale, thin lips just parted to the smile,
Which dimpled that smooth olive of his cheek.
His head a little bent, sat Sokrates,
With one swart finger raised admonishing,
And on the air were borne his changing tones.
Low lounging at his feet, one fair arm thrown
Around his knee (the other, high in air
Brandish'd a brazen amphor, which yet rained
100
Bright drops of ruby on the golden locks
And temples with their fillets of the vine),
Lay Alkibiades the beautiful.
And thus, with solemn tone, spake Sokrates:
' This fair Aspasia, which our Perikles
Hath brought from realms afar, and set on high
In our Athenian city, hath a mind,
I doubt not, of a strength beyond her race;
And makes employ of it, beyond the way
Of women nobly gifted : woman's frail-Her body rarely stands the test of soul;
She grows intoxicate with knowledge; throws
The laws of custom, order, 'neath her feet,
Feasting at life's great banquet with wide throat.'
Then sudden, stepping from my leafy screen,
Holding the swelling wine-skin o'er my head,
With breast that heaved, and eyes and cheeks aflame,
Lit by a fury and a thought, I spake:
' By all great powers around us ! can it be
That we poor women are empirical?
That gods who fashioned us did strive to make
Beings too fine, too subtly delicate,
With sense that thrilled response to ev'ry touch
Of nature's and their task is not complete?
That they have sent their half-completed work
To bleed and quiver here upon the earth?
To bleed and quiver, and to weep and weep,
To beat its soul against the marble walls
Of men's cold hearts, and then at last to sin!'
I ceased, the first hot passion stayed and stemmed
And frighted by the silence: I could see,
Framed by the arbour foliage, which the sun
In setting softly gilded with rich gold,
Those upturned faces, and those placid limbs;
Saw Plato's narrow eyes and niggard mouth,
Which half did smile and half did criticise,
One hand held up, the shapely fingers framed
To gesture of entreaty--' Hush, I pray,
Do not disturb her; let us hear the rest;
Follow her mood, for here's another phase
Of your black-browed Xantippe. . .'
Then I saw
101
Young Alkibiades, with laughing lips
And half-shut eyes, contemptuous shrugging up
Soft, snowy shoulders, till he brought the gold
Of flowing ringlets round about his breasts.
But Sokrates, all slow and solemnly,
Raised, calm, his face to mine, and sudden spake:
' I thank thee for the wisdom which thy lips
Have thus let fall among us : prythee tell
From what high source, from what philosophies
Didst cull the sapient notion of thy words?'
Then stood I straight and silent for a breath,
Dumb, crushed with all that weight of cold contempt;
But swiftly in my bosom there uprose
A sudden flame, a merciful fury sent
To save me; with both angry hands I flung
The skin upon the marble, where it lay
Spouting red rills and fountains on the white;
Then, all unheeding faces, voices, eyes,
I fled across the threshold, hair unbound-White garment stained to redness--beating heart
Flooded with all the flowing tide of hopes
Which once had gushed out golden, now sent back
Swift to their sources, never more to rise. . .
I think I could have borne the weary life,
The narrow life within the narrow walls,
If he had loved me; but he kept his love
For this Athenian city and her sons;
And, haply, for some stranger-woman, bold
With freedom, thought, and glib philosophy. . .
Ah me ! the long, long weeping through the nights,
The weary watching for the pale-eyed dawn
Which only brought fresh grieving : then I grew
Fiercer, and cursed from out my inmost heart
The Fates which marked me an Athenian maid.
Then faded that vain fury ; hope died out;
A huge despair was stealing on my soul,
A sort of fierce acceptance of my fate,-He wished a household vessel--well! 'twas good,
For he should have it! He should have no more
The yearning treasure of a woman's love,
But just the baser treasure which he sought.
I called my maidens, ordered out the loom,
102
And spun unceasing from the morn till eve;
Watching all keenly over warp and woof,
Weighing the white wool with a jealous hand.
I spun until, methinks, I spun away
The soul from out my body, the high thoughts
From out my spirit; till at last I grew
As ye have known me,--eye exact to mark
The texture of the spinning; ear all keen
For aimless talking when the moon is up,
And ye should be a-sleeping; tongue to cut
With quick incision, 'thwart the merry words
Of idle maidens. . .
Only yesterday
My hands did cease from spinning; I have wrought
My dreary duties, patient till the last.
The gods reward me! Nay, I will not tell
The after years of sorrow; wretched strife
With grimmest foes--sad Want and Poverty;-Nor yet the time of horror, when they bore
My husband from the threshold; nay, nor when
The subtle weed had wrought its deadly work.
Alas! alas! I was not there to soothe
The last great moment; never any thought
Of her that loved him--save at least the charge,
All earthly, that her body should not starve. . .
You weep, you weep; I would not that ye wept;
Such tears are idle; with the young, such grief
Soon grows to gratulation, as, 'her love
Was withered by misfortune; mine shall grow
All nurtured by the loving,' or, 'her life
Was wrecked and shattered--mine shall smoothly sail.'
Enough, enough. In vain, in vain, in vain!
The gods forgive me! Sorely have I sinned
In all my life. A fairer fate befall
You all that stand there. . .
Ha! the dawn has come;
I see a rosy glimmer--nay ! it grows dark;
Why stand ye so in silence? throw it wide,
The casement, quick; why tarry?--give me air-O fling it wide, I say, and give me light!
103
~ Amy Levy,
1301:Rubáiyát Of Omar Khayyám
AWAKE! for Morning in the Bowl of Night
Has flung the Stone that puts the Stars to Flight:
And Lo! the Hunter of the East has caught
The Sultan's Turret in a Noose of Light.
II
Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake, my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."
III
And, as the Cock crew, those who stood before
The Tavern shouted--"Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."
IV
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the WHITE HAND OF MOSES on the Bough
Puts out, and Jesus from the Ground suspires.
Irám indeed is gone with all its Rose,
And Jamsh{'y}d's Sev'n-ring'd Cup where no one knows;
But still the Vine her ancient Ruby yields,
And still a Garden by the Water blows.
VI
And David's Lips are lock't; but in divine
High piping Pehleví, with "Wine! Wine! Wine!
Red Wine!"--the Nightingale cries to the Rose
That yellow Cheek of hers to' incarnadine.
55
VII
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly--and Lo! the Bird is on the Wing.
VIII
And look--a thousand Blossoms with the Day
Woke--and a thousand scatter'd into Clay:
And this first Summer Month that brings the Rose
Shall take Jamsh{'y}d and Kaikobád away.
IX
But come with old Khayyám, and leave the Lot
Of Kaikobád and Kaikhosrú forgot:
Let Rustum lay about him as he will,
Or Hátim Tai cry Supper--heed them not.
With me along some Strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultán scarce is known,
And pity Sultán Mahmúd on his Throne.
XI
Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse--and Thou
Beside me singing in the Wilderness-And Wilderness is Paradise enow.
XII
"How sweet is mortal Sovranty!"--think some:
Others--"How blest the Paradise to come!"
Ah, take the Cash in hand and wave the Rest;
Oh, the brave Music of a distant Drum!
56
XIII
Look to the Rose that blows about us--"Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."
XIV
The Worldly Hope men set their Hearts upon
Turns Ashes--or it prospers; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two--is gone.
XV
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.
XVI
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his Hour or two, and went his way.
XVII
They say the Lion and the Lizard keep
The Courts where Jamsh{'y}d gloried and drank deep:
And Bahrám, that great Hunter--the Wild Ass
Stamps o'er his Head, and he lies fast asleep.
XVIII
I sometimes think that never blows so red
The Rose as where some buried Cæsar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.
XIX
57
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean-Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!
XX
Ah, my Beloved, fill the Cup that clears
TO-DAY of past Regrets and future Fears-To-morrow?--Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.
XXI
Lo! some we lov'd, the loveliest and best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.
XXII
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch--for whom?
XXIII
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust, to lie,
Sans Wine, sans Song, sans Singer, and--sans End!
XXIV
Alike for those who for TO-DAY prepare,
And those that after a TO-MORROW stare,
A Muezzin from the Tower of Darkness cries
"Fools! your Reward is neither Here nor There!"
XXV
58
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly are thrust
Like foolish Prophets forth; their Words to Scorn
Are scatter'd, and their Mouths are stopt with Dust.
XXVI
Oh, come with old Khayyám, and leave the Wise
To talk; one thing is certain, that Life flies;
One thing is certain, and the Rest is Lies;
The Flower that once has blown for ever dies.
XXVII
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about: but evermore
Came out by the same Door as in I went.
XXVIII
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow:
And this was all the Harvest that I reap'd-"I came like Water, and like Wind I go."
XXIX
Into this Universe, and why not knowing,
Nor whence like Water willy-nilly flowing:
And out of it, as Wind along the Waste,
I know not whither willy-nilly blowing.
XXX
What, without asking, hither hurried whence?
59
And, without asking, whither hurried hence!
Another and another Cup to drown
The Memory of this Impertinence!
XXXI
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road;
But not the Knot of Human Death and Fate.
XXXII
There was a Door to which I found no Key:
There was a Veil past which I could not see:
Some little Talk awhile of ME and THEE
There seem'd--and then no more of THEE and ME.
XXXIII
Then to the rolling Heav'n itself I cried,
Asking, "What Lamp had Destiny to guide
Her little Children stumbling in the Dark?"
And--"A blind Understanding!" Heav'n replied.
XXXIV
Then to this earthen Bowl did I adjourn
My Lip the secret Well of Life to learn:
And Lip to Lip it murmur'd--"While you live
Drink!--for once dead you never shall return."
XXXV
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry-make; and the cold Lip I kiss'd
60
How many Kisses might it take--and give!
XXXVI
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay:
And with its all obliterated Tongue
It murmur'd--"Gently, Brother, gently, pray!"
XXXVII
Ah, fill the Cup:--what boots it to repeat
How Time is slipping underneath our Feet:
Unborn TO-MORROW, and dead YESTERDAY,
Why fret about them if TO-DAY be sweet!
XXXVIII
One Moment in Annihilation's Waste,
One Moment, of the Well of Life to taste-The Stars are setting and the Caravan
Starts for the Dawn of Nothing--Oh, make haste!
XXXIX
How long, how long, in infinite Pursuit
Of This and That endeavour and dispute?
Better be merry with the fruitful Grape
Than sadden after none, or bitter, Fruit.
XL
You know, my Friends, how long since in my House
For a new Marriage I did make Carouse:
Divorc'd old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.
61
XLI
For "Is" and "IS-NOT" though with Rule and Line,
And "UP-AND-DOWN" without I could define,
I yet in all I only cared to know,
Was never deep in anything but--Wine.
XLII
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas--the Grape!
XLIII
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The subtle Alchemist that in a Trice
Life's leaden Metal into Gold transmute:
XLIV
The mighty Mahmúd, the victorious Lord,
That all the misbelieving and black Horde
Of Fears and Sorrows that infest the Soul
Scatters and slays with his enchanted Sword.
XLV
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be:
And, in some corner of the Hubbub coucht,
Make Game of that which makes as much of Thee.
XLVI
62
For in and out, above, about, below,
'Tis nothing but a Magic Shadow-show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.
XLVII
And if the Wine you drink, the Lip you press,
End in the Nothing all Things end in--Yes-Then fancy while Thou art, Thou art but what
Thou shalt be--Nothing--Thou shalt not be less.
XLVIII
While the Rose blows along the River Brink,
With old Khayyám the Ruby Vintage drink:
And when the Angel with his darker Draught
Draws up to Thee--take that, and do not shrink.
XLIX
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays:
Hither and thither moves, and mates, and slays,
And one by one back in the Closet lays.
The Ball no Question makes of Ayes and Noes,
But Right or Left as strikes the Player goes;
And He that toss'd Thee down into the Field,
He knows about it all--HE knows--HE knows!
LI
The Moving Finger writes; and, having writ,
63
Moves on: nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all thy Tears wash out a Word of it.
LII
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to It for help--for It
Rolls impotently on as Thou or I.
LIII
With Earth's first Clay They did the Last Man's knead,
And then of the Last Harvest sow'd the Seed:
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.
LIV
I tell Thee this--When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwín and Mushtara they flung,
In my predestin'd Plot of Dust and Soul
LV
The Vine had struck a Fibre; which about
If clings my Being--let the Súfi flout;
Of my Base Metal may be fil'd a Key
That shall unlock the Door he howls without.
LVI
And this I know: whether the one True Light
Kindle to Love, or Wrath consume me quite,
One Glimpse of It within the Tavern caught
64
Better than in the Temple lost outright.
LVII
Oh Thou, who didst with Pitfall and with Gin
Beset the Road I was to wander in,
Thou wilt not with Predestination round
Enmesh me, and impute my Fall to Sin?
LVIII
Oh, Thou, who Man of baser Earth didst make,
And who with Eden didst devise the Snake;
For all the Sin wherewith the Face of Man
Is blacken'd, Man's Forgiveness give--and take!
KÚZA-NÁMALIX
Listen again. One Evening at the Close
Of Ramazán, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.
LX
And, strange to tell, among that Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried-"Who is the Potter, pray, and who the Pot?"
LXI
Then said another--"Surely not in vain
My Substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."
LXII
65
Another said--"Why, ne'er a peevish Boy
Would break the Bowl from which he drank in Joy;
Shall He that made the Vessel in pure Love
And Fancy, in an after Rage destroy!"
LXIII
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"
LXIV
Said one--"Folks of a surly Tapster tell,
And daub his Visage with the Smoke of Hell;
They talk of some strict Testing of us--Pish!
He's a Good Fellow, and 'twill all be well."
LXV
Then said another with a long-drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-bye!"
LXVI
So while the Vessels one by one were speaking,
One spied the little Crescent all were seeking:
And then they jogg'd each other, "Brother! Brother!
Hark to the Porter's Shoulder-knot a-creaking!"
LXVII
66
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt,
So bury me by some sweet Garden-side.
LXVIII
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.
LXIX
Indeed the Idols I have lov'd so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.
LXX
Indeed, indeed, Repentance oft before
I swore--but was I sober when I swore?
And then and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.
LXXI
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honour--well
I often wonder what the Vintners buy
One half so precious as the Goods they sell.
LXXII
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
67
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!
LXXIII
Ah Love! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits--and then
Re-mould it nearer to the Heart's Desire!
LXXIV
Ah, Moon of my Delight who know'st no wane,
The Moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me in vain!
LXXV
And when Thyself with shining Foot shall pass
Among the Guests Star-scatter'd on the Grass
And in thy joyous Errand reach the Spot
Where I made one--turn down an empty Glass!TAMÁM SHUD
~ Edward Fitzgerald,
1302:Jenny
Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Whose head upon my knee to-night
Rests for a while, as if grown light
With all our dances and the sound
To which the wild tunes spun you round:
Fair Jenny mine, the thoughtless queen
Of kisses which the blush between
Could hardly make much daintier;
Whose eyes are as blue skies, whose hair
Is countless gold incomparable:
Fresh flower, scarce touched with signs that tell
Of Love's exuberant hotbed:—Nay,
Poor flower left torn since yesterday
Until to-morrow leave you bare;
Poor handful of bright spring-water
Flung in the whirlpool's shrieking face;
Poor shameful Jenny, full of grace
Thus with your head upon my knee;—
Whose person or whose purse may be
The lodestar of your reverie?
This room of yours, my Jenny, looks
A change from mine so full of books,
Whose serried ranks hold fast, forsooth,
So many captive hours of youth,—
The hours they thieve from day and night
To make one's cherished work come right,
And leave it wrong for all their theft,
Even as to-night my work was left:
Until I vowed that since my brain
And eyes of dancing seemed so fain,
My feet should have some dancing too:—
And thus it was I met with you.
Well, I suppose 'twas hard to part,
For here I am. And now, sweetheart,
You seem too tired to get to bed.
It was a careless life I led
When rooms like this were scarce so strange
Not long ago. What breeds the change,—
133
The many aims or the few years?
Because to-night it all appears
Something I do not know again.
The cloud's not danced out of my brain—
The cloud that made it turn and swim
While hour by hour the books grew dim.
Why, Jenny, as I watch you there,—
For all your wealth of loosened hair,
Your silk ungirdled and unlac'd
And warm sweets open to the waist,
All golden in the lamplight's gleam,—
You know not what a book you seem,
Half-read by lightning in a dream!
How should you know, my Jenny? Nay,
And I should be ashamed to say:—
Poor beauty, so well worth a kiss!
But while my thought runs on like this
With wasteful whims more than enough,
I wonder what you're thinking of.
If of myself you think at all,
What is the thought?—conjectural
On sorry matters best unsolved?—
Or inly is each grace revolved
To fit me with a lure?—or (sad
To think!) perhaps you're merely glad
That I'm not drunk or ruffianly
And let you rest upon my knee.
For sometimes, were the truth confess'd,
You're thankful for a little rest,—
Glad from the crush to rest within,
From the heart-sickness and the din
Where envy's voice at virtue's pitch
Mocks you because your gown is rich;
And from the pale girl's dumb rebuke,
Whose ill-clad grace and toil-worn look
Proclaim the strength that keeps her weak,
And other nights than yours bespeak;
And from the wise unchildish elf,
To schoolmate lesser than himself
Pointing you out, what thing you are:—
Yes, from the daily jeer and jar,
From shame and shame's outbraving too,
134
Is rest not sometimes sweet to you?—
But most from the hatefulness of man,
Who spares not to end what he began,
Whose acts are ill and his speech ill,
Who, having used you at his will,
Thrusts you aside, as when I dine
I serve the dishes and the wine.
Well, handsome Jenny mine, sit up:
I've filled our glasses, let us sup,
And do not let me think of you,
Lest shame of yours suffice for two.
What, still so tired? Well, well then, keep
Your head there, so you do not sleep;
But that the weariness may pass
And leave you merry, take this glass.
Ah! lazy lily hand, more bless'd
If ne'er in rings it had been dress'd
Nor ever by a glove conceal'd!
Behold the lilies of the field,
They toil not neither do they spin;
(So doth the ancient text begin,—
Not of such rest as one of these
Can share.) Another rest and ease
Along each summer-sated path
From its new lord the garden hath,
Than that whose spring in blessings ran
Which praised the bounteous husbandman,
Ere yet, in days of hankering breath,
The lilies sickened unto death.
What, Jenny, are your lilies dead?
Aye, and the snow-white leaves are spread
Like winter on the garden-bed.
But you had roses left in May,—
They were not gone too. Jenny, nay,
But must your roses die, and those
Their purfled buds that should unclose?
Even so; the leaves are curled apart,
Still red as from the broken heart,
And here's the naked stem of thorns.
Nay, nay, mere words. Here nothing warns
As yet of winter. Sickness here
Or want alone could waken fear,—
135
Nothing but passion wrings a tear.
Except when there may rise unsought
Haply at times a passing thought
Of the old days which seem to be
Much older than any history
That is written in any book;
When she would lie in fields and look
Along the ground through the blown grass
And wonder where the city was,
Far out of sight, whose broil and bale
They told her then for a child's tale.
Jenny, you know the city now.
A child can tell the tale there, how
Some things which are not yet enroll'd
In market-lists are bought and sold
Even till the early Sunday light,
When Saturday night is market-night
Everywhere, be it dry or wet,
And market-night in the Haymarket.
Our learned London children know,
Poor Jenny, all your pride and woe;
Have seen your lifted silken skirt
Advertise dainties through the dirt;
Have seen your coach-wheels splash rebuke
On virtue; and have learned your look
When, wealth and health slipped past, you stare
Along the streets alone, and there,
Round the long park, across the bridge,
The cold lamps at the pavement's edge
Wind on together and apart,
A fiery serpent for your heart.
Let the thoughts pass, an empty cloud!
Suppose I were to think aloud,—
What if to her all this were said?
Why, as a volume seldom read
Being opened halfway shuts again,
So might the pages of her brain
Be parted at such words, and thence
Close back upon the dusty sense.
For is there hue or shape defin'd
In Jenny's desecrated mind,
Where all contagious currents meet,
136
A Lethe of the middle street?
Nay, it reflects not any face,
Nor sound is in its sluggish pace,
But as they coil those eddies clot,
And night and day remember not.
Why, Jenny, you're asleep at last!—
Asleep, poor Jenny, hard and fast,—
So young and soft and tired; so fair,
With chin thus nestled in your hair,
Mouth quiet, eyelids almost blue
As if some sky of dreams shone through!
Just as another woman sleeps!
Enough to throw one's thoughts in heaps
Of doubt and horror,—what to say
Or think,—this awful secret sway,
The potter's power over the clay!
Of the same lump (it has been said)
For honour and dishonour made,
Two sister vessels. Here is one.
My cousin Nell is fond of fun,
And fond of dress, and change, and praise,
So mere a woman in her ways:
And if her sweet eyes rich in youth
Are like her lips that tell the truth,
My cousin Nell is fond of love.
And she's the girl I'm proudest of.
Who does not prize her, guard her well?
The love of change, in cousin Nell,
Shall find the best and hold it dear:
The unconquered mirth turn quieter
Not through her own, through others' woe:
The conscious pride of beauty glow
Beside another's pride in her,
One little part of all they share.
For Love himself shall ripen these
In a kind soil to just increase
Through years of fertilizing peace.
Of the same lump (as it is said)
For honour and dishonour made,
Two sister vessels. Here is one.
It makes a goblin of the sun.
So pure,—so fall'n! How dare to think
137
Of the first common kindred link?
Yet, Jenny, till the world shall burn
It seems that all things take their turn;
And who shall say but this fair tree
May need, in changes that may be,
Your children's children's charity?
Scorned then, no doubt, as you are scorn'd!
Shall no man hold his pride forewarn'd
Till in the end, the Day of Days,
At Judgment, one of his own race,
As frail and lost as you, shall rise,—
His daughter, with his mother's eyes?
How Jenny's clock ticks on the shelf!
Might not the dial scorn itself
That has such hours to register?
Yet as to me, even so to her
Are golden sun and silver moon,
In daily largesse of earth's boon,
Counted for life-coins to one tune.
And if, as blindfold fates are toss'd,
Through some one man this life be lost,
Shall soul not somehow pay for soul?
Fair shines the gilded aureole
In which our highest painters place
Some living woman's simple face.
And the stilled features thus descried
As Jenny's long throat droops aside,—
The shadows where the cheeks are thin,
And pure wide curve from ear to chin,—
With Raffael's, Leonardo's hand
To show them to men's souls, might stand,
Whole ages long, the whole world through,
For preachings of what God can do.
What has man done here? How atone,
Great God, for this which man has done?
And for the body and soul which by
Man's pitiless doom must now comply
With lifelong hell, what lullaby
Of sweet forgetful second birth
Remains? All dark. No sign on earth
What measure of God's rest endows
The many mansions of his house.
138
If but a woman's heart might see
Such erring heart unerringly
For once! But that can never be.
Like a rose shut in a book
In which pure women may not look,
For its base pages claim control
To crush the flower within the soul;
Where through each dead rose-leaf that clings,
Pale as transparent Psyche-wings,
To the vile text, are traced such things
As might make lady's cheek indeed
More than a living rose to read;
So nought save foolish foulness may
Watch with hard eyes the sure decay;
And so the life-blood of this rose,
Puddled with shameful knowledge, flows
Through leaves no chaste hand may unclose:
Yet still it keeps such faded show
Of when 'twas gathered long ago,
That the crushed petals' lovely grain,
The sweetness of the sanguine stain,
Seen of a woman's eyes, must make
Her pitiful heart, so prone to ache,
Love roses better for its sake:—
Only that this can never be:—
Even so unto her sex is she.
Yet, Jenny, looking long at you,
The woman almost fades from view.
A cipher of man's changeless sum
Of lust, past, present, and to come,
Is left. A riddle that one shrinks
To challenge from the scornful sphinx.
Like a toad within a stone
Seated while Time crumbles on;
Which sits there since the earth was curs'd
For Man's transgression at the first;
Which, living through all centuries,
Not once has seen the sun arise;
Whose life, to its cold circle charmed,
The earth's whole summers have not warmed;
Which always—whitherso the stone
Be flung—sits there, deaf, blind, alone;—
139
Aye, and shall not be driven out
Till that which shuts him round about
Break at the very Master's stroke,
And the dust thereof vanish as smoke,
And the seed of Man vanish as dust:—
Even so within this world is Lust.
Come, come, what use in thoughts like this?
Poor little Jenny, good to kiss,—
You'd not believe by what strange roads
Thought travels, when your beauty goads
A man to-night to think of toads!
Jenny, wake up…. Why, there's the dawn!
And there's an early waggon drawn
To market, and some sheep that jog
Bleating before a barking dog;
And the old streets come peering through
Another night that London knew;
And all as ghostlike as the lamps.
So on the wings of day decamps
My last night's frolic. Glooms begin
To shiver off as lights creep in
Past the gauze curtains half drawn-to,
And the lamp's doubled shade grows blue,—
Your lamp, my Jenny, kept alight,
Like a wise virgin's, all one night!
And in the alcove coolly spread
Glimmers with dawn your empty bed;
And yonder your fair face I see
Reflected lying on my knee,
Where teems with first foreshadowings
Your pier-glass scrawled with diamond rings:
And on your bosom all night worn
Yesterday's rose now droops forlorn,
But dies not yet this summer morn.
And now without, as if some word
Had called upon them that they heard,
The London sparrows far and nigh
Clamour together suddenly;
And Jenny's cage-bird grown awake
Here in their song his part must take,
Because here too the day doth break.
And somehow in myself the dawn
140
Among stirred clouds and veils withdrawn
Strikes greyly on her. Let her sleep.
But will it wake her if I heap
These cushions thus beneath her head
Where my knee was? No,—there's your bed,
My Jenny, while you dream. And there
I lay among your golden hair,
Perhaps the subject of your dreams,
These golden coins.
For still one deems
That Jenny's flattering sleep confers
New magic on the magic purse,—
Grim web, how clogged with shrivelled flies!
Between the threads fine fumes arise
And shape their pictures in the brain.
There roll no streets in glare and rain,
Nor flagrant man-swine whets his tusk;
But delicately sighs in musk
The homage of the dim boudoir;
Or like a palpitating star
Thrilled into song, the opera-night
Breathes faint in the quick pulse of light;
Or at the carriage-window shine
Rich wares for choice; or, free to dine,
Whirls through its hour of health (divine
For her) the concourse of the Park.
And though in the discounted dark
Her functions there and here are one,
Beneath the lamps and in the sun
There reigns at least the acknowledged belle
Apparelled beyond parallel.
Ah Jenny, yes, we know your dreams.
For even the Paphian Venus seems
A goddess o'er the realms of love,
When silver-shrined in shadowy grove:
Aye, or let offerings nicely plac'd
But hide Priapus to the waist,
And whoso looks on him shall see
An eligible deity.
Why, Jenny, waking here alone
May help you to remember one,
Though all the memory's long outworn
141
Of many a double-pillowed morn.
I think I see you when you wake,
And rub your eyes for me, and shake
My gold, in rising, from your hair,
A Danaë for a moment there.
Jenny, my love rang true! for still
Love at first sight is vague, until
That tinkling makes him audible.
And must I mock you to the last,
Ashamed of my own shame,—aghast
Because some thoughts not born amiss
Rose at a poor fair face like this?
Well, of such thoughts so much I know:
In my life, as in hers, they show,
By a far gleam which I may near,
A dark path I can strive to clear.
Only one kiss. Good-bye, my dear.
~ Dante Gabriel Rossetti,
1303:Tekel
WHEN on the West broke light from out the East,
Then from the splendour and the shame of Rome-Renouncing wealth and pleasure, game and feast,
And all the joys of his polluted home,
Desiring not the gifts his world could give,
If haply he might save his soul and live-Into the desert's heart a man had come.
His God had died for love of him, and he
For love of God would die to all of these
Sweet sins he had not known for sins, and be
Estranged for evermore from rest and ease;
His days in penance spent might half atone
For the iniquity of days bygone,
And in the desert might his soul find peace.
Crossing wide seas, he reached an alien land:
By mighty harbours and broad streams he passed
Into an arid, trackless waste of sand,
And journeying ever faster and more fast,
Left men behind, and onward still did press
To a ruined city in the wilderness,
And there he stayed his restless feet at last.
There stood long lines of columns richly wrought,
Colossal statues of forgotten kings,
Vast shadowy temples, court within dim court,
Great shapes of man-faced beasts with wide firm wings;
And in and out each broken colonnade
The bright-eyed, swift, green-gleaming lizards played,
In that still place the only living things.
But when the moon unveiled her still, white face,
And over sand and stone her glory shed-Another life awoke within the place,
241
And great beasts stalked, with silent heavy tread,
Through pillared vista, over marble floor,
And the stern menace of the lion's roar
Made horrible the city of the dead.
Like a great bird soft sinking on its nest,
Too lightly to disturb its tender brood,
The night, with dark spread wings and cloudy breast,
Sank on the desert city's solitude
As he drew near. The shadows grew more dense,
The silence stronger; weariness intense
Fell on him then, and only rest seemed good.
He passed between tall pillars' sculptured gloom,
And entered a deserted, lightless fane,
And knew not if it temple were, or tomb,
But slept and slept, till over all the plain
The level sunbeams spread, and earth was bright
With morning's radiant resurrection-light;
Then he awoke, refreshed and strong again.
Through empty courts he passed, and lo! a wall
Whereon was imaged all the languid grace
Of fairest women, and among them all
Shone like a star one lovely Eastern face:
Undimmed by centuries the colours were,
Bright as when first the painter found her fair,
And set her there to glorify the place.
All he had fled from suddenly drew near,
And from her eyes a challenge seemed down-thrown;
'Ah, fool!' she seemed to say, 'what dost thou here?
How canst thou bear this stern, sad life alone,
When I--not just this face that copies me,
But I myself--stretch arms and lips to thee,
From that same world whose joys thou hast foregone?'
242
His heart leaped up like flame--she was so fair;
Then with a start he hid his eyes and fled
Into the hotness of the outer air.
His pulse beat quickly. 'Oh, my God!' he said,
'These be the heart made pure, and cleansèd brain!
I vow to Thee to never look again
On women, real or painted, quick or dead!'
So lest within the city he should find,
To tempt his soul, still some accursèd thing,
He left the palaces and courts behind,
Found a green spot, with date-palms and a spring
And built himself a rough stone shelter there
And saw no more the face, so strange and fair
That had begot such vain imagining.
He tilled the patch of land, and planted seeds
Which from his own far country he had brought;
And, caring little for his body's needs,
Strove still by blind belief to strangle thought,
By ceaseless penance to deny desire,
To quench in prayer and fast all human fire,
And wrest from Heaven the blessings that he sought.
And there peace found him, and he dwelt alone,
And gladly gave his life to God. Behind
Lay the long dim arcades of graven stone;
Before him lay the desert, burning blind
Sometimes with the dread dance of its own sand,
That wildly whirled in shadowy columns, fanned
By the hot breath of the fierce desert wind.
Each day passed by as had passed other days,
And days gone by were as the days to come,
Save that on some days he was wild with praise,
And weak with vigil and with fast on some;
And no man saw he for long months and years,
But ever did he penance with hot tears,
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And but for prayer and praise his lips were dumb.
Sometimes at first, when spent with watch and prayer,
He saw again the Imperial City's towers,
Where, in a mist of music and sweet air,
Thais and Phryne crowned his cup with flowers-He saw the easeful day, the festal night,
The life that was one dream of long delight,
One rose-red glow of rapture and fair hours.
He heard old well-remembered voices cry,
'Come back to us! Think of the joys you miss;
Each moment floats some foregone rapture by,
A cup, a crown, a song, a laugh, a kiss!
Cast down that crown of thorns, return, and be
Once more flower-crowned, love-thrilled, wine-warmed, and see
The old sweet life--how good a thing it is!'
But his soul answered, 'Nay, I am content;
Ye call in vain; the desert shuts me in.
Your flowers are sere, your wine with gall is blent,
Your sweets have all the sickening taste of sin;
Such sin I expiate with ceaseless pain,
And world and flesh and devil strive in vain
Back from its sanctuary my soul to win.
'Fair are the Imperial City's towers to see?
I seek the City with the streets of gold.
Beside the lilies God has grown for me
Faint are the roses that your fingers hold.
Ear hath not heard the music I shall hear,
Eye hath not seen the joys that shall appear,
Nor heart conceived the things I shall behold.'
After long days a stranger halted there,
For some far distant monastery bound.
The hermit fed and lodged, nor could forbear
244
To tell his guest what rest his soul had found
How with the world he long ago had done,
How the hard battle had been fought and won,
And he found peace, pure, perfect and profound.
The stranger answered, 'Thou hast watched an hour,
But many hours go to make up our day,
And some of these are dark with fateful power,
And Satan watches for our souls alway;
The spirit may be willing, but indeed
The flesh is weak, and so much more the need
To pray and watch, my brother, watch and pray.'
The Roman bowed his head in mute assent,
And, having served the stranger with his best,
Bade him God-speed, and down the way he went-Gazed sadly after, but within his breast
A pale fire of resentment sprang to flame
Was he not holy now, and void of blame,
And certain of himself, and pure, and blest?
That night a new-born desolation grew
Within his heart as he made fast the stone
Against the doorway of his hut, and knew
How more than ever he was now alone.
He was in darkness, but the moon without
Made a new tender daylight round about
The hut, the palms, the plot with millet sown.
Hark!--what was that?--For many months and years
He had not heard that faint uncertain noise,
Broken, and weak, and indistinct with tears-A voice--a human voice--a woman's voice.
'Oh, let me in,' it wailed, 'before I die!
Oh, let me in, for Holy Charity!
For see--my life or death is at thy choice!'
245
Unthinking, swift he rolled the stone away:
There stood a woman, trembling, shrinking, thin;
Her pale hair by the moon's white light looked grey,
And grey her hands and grey her withered skin.
'Oh, save me--lest I die among the beasts
Who roam, and roar, and hold their fearful feasts!
Oh, save me,' she besought him, 'let me in!'
Troubled, he answered, 'Nay, I have a vow
Never again a woman's face to see!'
'But, ah,' she cried, 'thy vow is broken now,
For at this moment thou beholdest me.
I cannot journey farther. Help!' she said,
'Or I before the dawning shall be dead,
And thou repent to all eternity!'
His soul was gentle and compassionate.
'Thou shalt not perish--enter here,' he said;
'My vow is broken, and thy need is great.'
She staggered forward to the dry leaf bed,
And sank upon it, cold and still and white.
'Perhaps she may not live until the light,'
He thought, and lifted up her drooping head,
And gave her wine from out a little store
Which he had kept untouched since first he came;
He rolled the stone again before his door
To keep the night air from her wasted frame;
And, though his vow was broken, somehow knew
That he was doing what was right to do,
Yet felt a weight of unacknowledged blame.
And many a day he tended her and fed;
But ever after that first night's surprise
With earnest vigilance he held his head
Averted, and downcast he kept his eyes.
His vow, though broken once, was still his law;
He looked upon her face no more, nor saw
246
Her whom he cared for in such kindly wise.
She never spoke to him, nor he to her-That she was sick and sad was all he knew;
He never asked her what her past days were,
Nor of the future, what she meant to do.
So dwelt they, till the full moon's yellow light
Flooded the world once more. Then came the night
Which all his life had been a prelude to.
The stone was moved a little from the door,
And near it he was kneeling rapt in prayer
Upon the cold uneven earthen floor;
The moonbeams passed him by, and rested where
The woman slept--her breathing soft and slow,
With rhythmic cadence even, restful, low,
Stirring the stillness of the cool night air
His prayer being ended, as he turned to rest,
He chanced to let his eyes fall carelessly
Upon the figure that the moon caressed,
The woman that his care had not let die.
And now no more he turned his face aside,
But gazed, and gazed, and still unsatisfied
His eager look fed on her, hungrily.
On her? On whom? The suppliant he had saved,
Thin, hollow-cheeked and sunken-eyed had been,
With shrunken brow whereon care-lines were graved,
With withered arms, dull hair, and fingers lean.
'Has my blind care transformed her so?' he said;
For she was gone, and there lay in her stead
The loveliest woman he had ever seen.
The rags she wore but made her seem more sweet,
Since in despite of them she was so fair;
The rough brown leaves quite covered up her feet,
247
But left one ivory arm and shoulder bare,
The other lay beneath the little head,
And over all the moonlit couch was spread
The sunlight-coloured wonder of her hair.
He could not move, nor turn away his gaze:
How long he stood and looked he could not guess.
At last she faintly sighed, and in her face
Trembled the dawn of coming consciousness;
The eyelids quivered, and the red lips stirred,
As if they tried to find some sweet lost wo
And then her eyelids lifted, and he met
Full in his dazzled eyes the glorious light
Of eyes that he had struggled to forget
Since he had broken from their spells of might-The Eastern eyes that from the painted wall
Had lightened down upon him, to enthral
Senses and soul with fetters of delight.
He knew her now, his love without a name,
Who in his dreams had looked on him and smiled,
And almost back to his old world of shame
His unconsenting manhood had beguiled!
There was no world now any more. At last
He knew that all--his future, present, past-In her sole self was fused and reconciled.
The moments fled as in a dream divine:
Fire filled his veins--there beat within his brain
The madness that is born of love or wine;
And her eyes gleamed--softened and gleamed again,
And in those stormy seas he gazed, until
Her beauty seemed the whole vast night to fill,
And all, save her, seemed valueless and vain.
Then, with her eyes still deep in his, she rose
248
And moved towards him, and a wave of bliss
Flooded his sense with the wild joy that goes
Before a longed-for, almost granted kiss,
And slowly she drew nearer to his side-Then, with a smile like mid-June's dawn, she sighed,
And turned to him, and laid her hand on his.
And at the touch, all he had deemed effaced-All the heart-searing passions of his past-Surged up, and their destroying wave laid waste
The ordered garden of his soul. At last
The spell of silence broke, and suddenly
The man's whole heart found voice in one low cry,
As round her perfect head his arms he cast--
And did not clasp her, for his foiled arms crossed
Only upon his own tumultuous breast!
His wrecked heart, tempest driven, passion tossed,
Beat fierce against his own hand on it pressed.
As on June fields might fall December frost,
In one cold breath he knew that she was lost-Eternally foregone and unpossessed.
For even as he clasped she had seemed to melt,
And fade into the misty moonlit air;
His arms were empty, yet his hand still felt
The touch of her hand that had rested there:
But she was gone, with all her maddening grace-The solitude and silence, in her place,
Like a chill searching wind crept everywhere.
Silence--at first. Then suddenly outbroke
A little laugh. And then, above, around,
A hideous peal of laughter, shout on shout,
Re-echoing from sky, and air, and ground;
And in his devastated soul had birth
A horrid echo of that demon mirth,
And with his human voice he swelled its sound.
249
'Tricked, fooled!' he laughed. 'We laugh, the fiends and I,
They for their triumph, I to feel my fall!
From snares like these is no security,
In desert wild or close-built city wall:
And since I must be tempted, let me go
And brave the old temptations that I know;
Not these, that are but phantoms after all--
'Phantoms, not living women, warm and real,
As the fair Roman women were. And yet
The phantom only is my soul's ideal,
Longed for through all the years and never met
Till now; and only now to make hell worse-To fan my fires of infinite remorse
With the cold wind of infinite regret.
'Back to the world, the world of love and sin!
For since my soul is lost, I claim its price!
Prayers are not heard. The God I trusted in
Has failed me once--He shall not fail me twice!
No more of that wild striving and intense
For irrecoverable innocence-No more of useless, vain self-sacrifice!
'Life is too potent and too passionate,
Against whose force I all these years have striven
In vain, in vain! Our own lives make our Fate;
And by our Fate our lives are blindly driven!
There is no refuge in the hermit's cell
From memories enough to make a hell-Of chances lost that might have made a heaven!'
Back to his world he went, and plunged anew
Into the old foul life's polluted tide;
But ever in his sweetest feast he knew
A longing never to be satisfied:
250
This strange wild wickedness, that new mad sin,
Might be the frame to find her picture in;
And if that failed, some other must be tried.
And in the search, soul, body, heart, and brain
Were blasted and destroyed, and still his prize,
Ever untouched, seemed always just to gain,
And just beyond his reach shone Paradise.
So followed he, too faithfully, too well,
Through death, into the very gate of hell,
The love-light of those unforgotten eyes!
~ Edith Nesbit,
1304: THE

(on:

THE SEVEN SEALS

YES AND AMEN SONG)

1

If I am a soothsayer and full of that soothsaying spirit
which wanders on a high ridge between two seas, wandering like a heavy cloud between past and future, an
enemy of all sultry plains and all that is weary and can
neither die nor live-in its dark bosom prepared for
lightning and the redemptive flash, pregnant with lightning bolts that say Yes and laugh Yes, soothsaying
lightning bolts-blessed is he who is thus pregnant!
And verily, long must he hang on the mountains like a
dark cloud who shall one day kindle the light of the
future: Oh, how should I not lust after eternity and
after the nuptial ring of rings, the ring of recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity!
2

If ever my wrath burst tombs, moved boundary
stones, and rolled old tablets, broken, into steep depths;
if ever my mockery blew moldy words into the wind,
and I came as a broom to the cross-marked spiders and
as a sweeping gust to old musty tomb chambers; if ever
I sat jubilating where old gods lie buried, world-blessing, world-loving, beside the monuments of old worldslanders-for I love even churches and tombs of gods,
once the sky gazes through their broken roofs with its
229
pure eyes, and like grass and red poppies, I love to sit
on broken churches: Oh, how should I not lust after
eternity and after the nuptial ring of rings, the ring of
recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity!
3

If ever one breath came to me of the creative breath
and of that heavenly need that constrains even accidents
to dance star-dances; if I ever laughed the laughter of
creative lightning which is followed obediently but
grumblingly by the long thunder of the deed; if I ever
played dice with gods at the gods' table, the earth, till
the earth quaked and burst and snorted up floods of
fire-for the earth is a table for gods and trembles with
creative new words and gods' throws: Oh, how should
I not lust after eternity and after the nuptial ring of
rings, the ring of recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity!
4

If ever I drank full drafts from that foaming spice and blend-mug in which all things are well blended; if
my hand ever poured the farthest to the nearest, and
fire to spirit, and joy to pain, and the most wicked to
the most gracious; if I myself am a grain of that redeeming salt which makes all things blend well in the
blend-mug-for there is a salt that unites good with
evil; and even the greatest evil is worthy of being used
230
as spice for the last foaming over: Oh, how should I
not lust after eternity and after the nuptial ring of rings,
the ring or recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity!
5

If I am fond of the sea and of all that is of the sea's
kind, and fondest when it angrily contradicts me; if that
delight in searching which drives the sails toward the
undiscovered is in me, if a seafarer's delight is in my
delight; if ever my jubilation cried, "The coast has
vanished, now the last chain has fallen from me; the
boundless roars around me, far out glisten space and
time; be of good cheer, old heart!" Oh, how should I
not lust after eternity and after the nuptial ring of rings,
the ring of recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity!
6
If my virtue is a dancer's virtue and I have often
jumped with both feet into golden-emerald delight; if
my sarcasm is a laughing sarcasm, at home under rose
slopes and hedges of lilies-for in laughter all that is
evil comes together, but is pronounced -holy and absolved by its own bliss; and if this is my alpha and
omega, that all that is heavy and grave should become
light; all that is body, dancer; all that is spirit, bird and verily, that is my alpha and omega: Oh, how should
231
I not lust after eternity and after the nuptial ring of
rings, the fing of recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity
7
If ever I spread tranquil skies over myself and soared
on my own wings into my own skies; if I swam playfully in the deep light-distances, and the bird-wisdom
of my freedom came-but bird-wisdom speaks thus:
"Behold, there is no above, no below Throw yourself
around, out, back, you who are lightly Sing! Speak no
morel Are not all words made for the grave and heavy?
Are not all words lies to those who are light? Single
Speak no morel" Oh, how should I not lust after eternity and after the nuptial ring of rings, the ring of recurrence?
Never yet have I found the woman from whom I
wanted children, unless it be this woman whom I love:
for I love you, 0 eternity.
For I love you, 0 eternity

Thus Spoke Zarathustra:
Fourth and Last Part
Alas, where in the world has there been more
folly than among the pitying? And what in the
world has caused more suffering than the folly of
the pitying? Woe to all who love without having
a height that is above their pityl
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Thus spoke the devil to me once: "God too has
his hell: that is his love of man." And most recently I heard him say this: "God is dead; God
died of his pity for man." (Zarathustra, II, p. go)
TRANSLATOR'S NOTES

Part Four was originally intended as an intermezzo, not
as the end of the book. The very appearance of a collection
of sayings is abandoned: Part Four forms a whole, and
as such represents a new stylistic experiment-as well as
a number of widely different stylistic experiments, held
together by a unity of plot and a pervasive sense of
humor.
1.

The Honey Sacrifice: Prologue. The "queer fish" are not

long in coming: the first of them appears in the next chapter.
2. The Cry of Distress: Beginning of the story that continues to the end of the book. The soothsayer of Part Two
reappears, and Zarathustra leaves in search of the higher
man. Now that he has overcome his nausea, his final
trial is: pity.
3. Conversation with the Kings: The first of seven encounters in each of which Zarathustra meets men who have
accepted some part of his teaching without, however,
embodying the type he envisages. Their revolting and tiresome flatteries might be charged to their general inadequacy. But Zarathustra's own personality, as it emerges
in chapter after chapter, poses a more serious problem. At
least in part, this is clearly due to the author's deliberate
malice: he does not want to be a "new idol": "I do not
want to be a saint, rather even a buffoon. Perhaps I am a
buffoon. And nevertheless, or rather not nevertheless-for
there has never been anybody more mendacious than
saints-truth speaks out of me" (Ecce Homo). Earlier in
the same work he says of Shakespeare: "What must a
man have suffered to have found it that necessary to be
a buffoon!" In these pages Nietzsche would resemble the
233
dramatist rather than the hagiographer, and a Shakespearean fool rather than the founder of a new cult.
4. The Leech: Encounter with "the conscientious in spirit."
5. The Magician: In the magician some of Nietzsche's
own features blend with some of Wagner's as conceived
by Nietzsche. The poem appears again in a manuscript of
a888, which bears the title "Dionysus Dithyrambs" and
the motto: "These are the songs of Zarathustra which he
sang to himself to endure his ultimate loneliness." In this
later context, the poem is entitled "Ariadne's Lament,"
and a new conclusion has been added by Nietzsche:
(Lightning.
beauty.)

Dionysus becomes

DIONYSUS:

visible in emerald

Be clever, Ariadnel

You have small ears, you have my ears:
Put a clever word into them
Must one not first hate each other
if one is to love each other?
I am your labyrinth.
The song is not reducible to a single level of meaning. The
outcry is (1) Nietzsche's own; and the unnamable, terrible
thought near the beginning is surely that of the eternal
recurrence; it is (2) projected onto Wagner, who is here
imagined as feeling desperately forsaken after Nietzsche
left him (note especially the penultimate stanza); it is
(3) wishfully projected onto Cosima Wagner-Nietzsche's
Ariadne (see my Nietzsche, i, 11)-who is here imagined as desiring and possessed by Nietzsche-Dionysus.
Part Four is all but made up of similar projections. All the
characters are caricatures of Nietzsche. And like the magician, he too would lie if he said: "'I did all this only as a
game.' There was seriousness in it too."
6. Retired: Encounter with the last pope. Reflections on
the death and inadequacies of God.
7. The Ugliest Man: The murderer of God. The sentence
beginning "Has not all success . . ." reads in German:
234
War nicht aller Erfolg fisher bei den Gut-Verfolgten? Und
wer gut verfolgt, lernt leicht folgen:-ist er doch einmalhinterherl
8. The Voluntary Beggar: A sermon on a mount-about
cows.
9. The Shadow: An allusion to Nietzsche's earlier work,
The Wanderer and His Shadow (188o).
10. At Noon: A charming intermezzo.
:i. The Welcome: Zarathustra rejects his guests, though
together they form a kind of higher man compared to their
contemporaries. He repudiates these men of great longing
and nausea as well as all those who enjoy his diatribes and
denunciations and desire recognition and consideration
for being out of tune with their time. What Nietzsche
envisages is the creator for whom all negation is merely
incidental to his great affirmation: joyous spirits, "laughing
lions."
12. The Last Supper: One of the persistent themes of Part
Four reaches its culmination in this chapter: Nietzsche not
only satirizes the Gospels, and all hagiography generally,
but he also makes fun of and laughs at himself.
13. On the Higher Man: A summary comparable to "On
Old and New Tablets" in Part Three. Section 5 epitomizes
Nietzsche's praise of "evir"-too briefly to be clear apart
from the rest of his work-and the conclusion should be
noted. The opening paragraph of section 7 takes up the
same theme: Nietzsche opposes sublimation to both license
and what he elsewhere calls "castratism." A fine epigram
is mounted in the center of section 9. The mellow moderation of the last lines of section 15 is not usually associated
with Nietzsche. And the chapter ends with a praise of
laughter.
14. The Song of Melancholy: In the 3888 manuscript of
the "Dionysus Dithyrambs" this is the first poem and it
bears the title "Only Fooll Only Poetl" The two introductory sections of this chapter help to dissociate Nietzsche
from the poem, while the subsquent references to this song
show that he considered it far more depressing than it
235
appears in its context. Though his solitude sometimes
flattered him, "On every parable you ride to every truth"
("The Return Home"), he also knew moments when he
said to himself, "I am ashamed that I must still be a poet"
("On Old and New Tablets"). Although Zarathustra's
buffooneries are certainly intended as such by the author,
the thought that he might be "only" a fool, "only" a poet
"climbing around on mendacious word bridges," made
Nietzsche feel more than despondent. Soon it led him to
abandon further attempts to ride on parables in favor of
some of the most supple prose in German literature.
15. On Science: Only the origin of science is considered.
The attempt to account for it in terms of fear goes back to
the period of The Dawn (188i), in which Nietzsche tried
to see how far he could reduce different phenomena to
fear and power. Zarathustra suggests that courage is crucial
-that is, the will to power over fear.
i6. Among Daughters of the Wilderness: Zarathustra, about
to slip out of his cave for the second time because he cannot stand the bad smell of the "higher men," is called
back by his shadow, who has nowhere among men smelled
better air-except once. In the following song Nietzsche's
buffoonery reaches its climax. But though it can and should
be read as thoroughly delightful nonsense, it is not entirely
void of personal significance. Wilste means "desert" or
"wilderness," and wdist can also mean wild and dissolute;
and the "flimsy little fan-, flutter-, and tinsel-skirts" seem
to have been suggested by the brothel to which a porter
in Cologne once took the young Nietzsche, who had asked
to be shown to a hotel. (He ran away, shocked; cf. my
Nietzsche, 3, I.) Certainly the poem is full of sexual
fantasies. But the double meaning of "date" is not present
in the original.
17. The Awakening: The titles of this and the following
chapter might well be reversed; for it is this chapter that
culminates in the ass festival, Nietzsche's version of the
Black Mass. But "the awakening' here does not refer to the
moment when an angry Moses holds his people accountable
236
for their worship of the golden calf, but to the moment
when "they have learned to laugh at themselves." In this
art, incidentally, none of the great philosophers excelled
the author of Part Four of Zarathustra.
i8. The Ass Festival: Five of the participants try to justify
themselves. The pope satirizes Catholicism (Luther was
last made fun of at the end of the song in Chapter i6),
while the conscientious in spirit develops a new theology
-and suggests that Zarathustra himself is pretty close to
being an ass.
19. The Drunken Song: Nietzsche's great hymn to joy invites comparison with Schiller's-minus Beethoven's music.
That they use different German words is the smallest difference. Schiller writes:
Suffer bravely, myriadsl
Suffer for the better world
Up above the firmament
A great God will give rewards.
Nietzsche wants the eternity of this life with all its agonies
-and seeing that it flees, its eternal recurrence. As it is expressed in sections 9, io, and 3i, the conception of the
eternal recurrence is certainly meaningful; but its formulation as a doctrine depended on Nietzsche's mistaken belief
that science compels us to accept the hypothesis of the
eternal recurrence of the same events at gigantic intervals.
(See "On the Vision and the Riddle" and "The Convalescent," both in Part Three, and, for a detailed discussion,
my Nietzsche, 11, II.)
20. The Sign: In "The Welcome," Zarathustra repudiated
the "higher men" in favor of "laughing lions." Now a lion
turns up and laughs, literally. And in place of the single
dove in the New Testament, traditionally understood as a
symbol of the Holy Ghost, we are presented with a whole
flock. Both the lion and the doves were mentioned before
("On Old and New Tablets," section 3) as the signs for
which Zarathustra must wait, and now afford Nietzsche an
237
opportunity to preserve his curious blend of myth, irony,
and hymn to the very end.
~ Friedrich Nietzsche, THE SEVEN SEALS OR THE YES AND AMEN SONG
,
1305:A JOURNAL.
DEDICATED TO MY FELLOW-TRAVELLERS IN AUGUST, 1858.
Wise and polite,--and if I drew
Their several portraits, you would own
Chaucer had no such worthy crew,
Nor Boccace in Decameron.

We crossed Champlain to Keeseville with our friends,
Thence, in strong country carts, rode up the forks
Of the Ausable stream, intent to reach
The Adirondac lakes. At Martin's Beach
We chose our boats; each man a boat and guide,--
Ten men, ten guides, our company all told.

Next morn, we swept with oars the Saranac,
With skies of benediction, to Round Lake,
Where all the sacred mountains drew around us,
Tahawus, Seaward, MacIntyre, Baldhead,
And other Titans without muse or name.
Pleased with these grand companions, we glide on,
Instead of flowers, crowned with a wreath of hills,
And made our distance wider, boat from boat,
As each would hear the oracle alone.
By the bright morn the gay flotilla slid
Through files of flags that gleamed like bayonets,
Through gold-moth-haunted beds of pickerel-flower,
Through scented banks of lilies white and gold,
Where the deer feeds at night, the teal by day,
On through the Upper Saranac, and up
Pere Raquette stream, to a small tortuous pass
Winding through grassy shallows in and out,
Two creeping miles of rushes, pads, and sponge,
To Follansbee Water, and the Lake of Loons.

Northward the length of Follansbee we rowed,
Under low mountains, whose unbroken ridge
Ponderous with beechen forest sloped the shore.
A pause and council: then, where near the head
On the east a bay makes inward to the land
Between two rocky arms, we climb the bank,
And in the twilight of the forest noon
Wield the first axe these echoes ever heard.
We cut young trees to make our poles and thwarts,
Barked the white spruce to weatherfend the roof,
Then struck a light, and kindled the camp-fire.

The wood was sovran with centennial trees,--
Oak, cedar, maple, poplar, beech and fir,
Linden and spruce. In strict society
Three conifers, white, pitch, and Norway pine,
Five-leaved, three-leaved, and two-leaved, grew thereby.
Our patron pine was fifteen feet in girth,
The maple eight, beneath its shapely tower.

'Welcome!' the wood god murmured through the leaves,--
'Welcome, though late, unknowing, yet known to me.'
Evening drew on; stars peeped through maple-boughs,
Which o'erhung, like a cloud, our camping fire.
Decayed millennial trunks, like moonlight flecks,
Lit with phosphoric crumbs the forest floor.

Ten scholars, wonted to lie warm and soft
In well-hung chambers daintily bestowed,
Lie here on hemlock-boughs, like Sacs and Sioux,
And greet unanimous the joyful change.
So fast will Nature acclimate her sons,
Though late returning to her pristine ways.
Off soundings, seamen do not suffer cold;
And, in the forest, delicate clerks, unbrowned,
Sleep on the fragrant brush, as on down-beds.
Up with the dawn, they fancied the light air
That circled freshly in their forest dress
Made them to boys again. Happier that they
Slipped off their pack of duties, leagues behind,
At the first mounting of the giant stairs.
No placard on these rocks warned to the polls,
No door-bell heralded a visitor,
No courier waits, no letter came or went,
Nothing was ploughed, or reaped, or bought, or sold;
The frost might glitter, it would blight no crop,
The falling rain will spoil no holiday.
We were made freemen of the forest laws,
All dressed, like Nature, fit for her own ends,
Essaying nothing she cannot perform.

In Adirondac lakes,
At morn or noon, the guide rows bareheaded:
Shoes, flannel shirt, and kersey trousers make
His brief toilette: at night, or in the rain,
He dons a surcoat which he doffs at morn:
A paddle in the right hand, or an oar,
And in the left, a gun, his needful arms.
By turns we praised the stature of our guides,
Their rival strength and suppleness, their skill
To row, to swim, to shoot, to build a camp,
To climb a lofty stem, clean without boughs
Full fifty feet, and bring the eaglet down:
Temper to face wolf, bear, or catamount,
And wit to track or take him in his lair.
Sound, ruddy men, frolic and innocent,
In winter, lumberers; in summer, guides;
Their sinewy arms pull at the oar untired
Three times ten thousand strokes, from morn to eve.

Look to yourselves, ye polished gentlemen!
No city airs or arts pass current here.
Your rank is all reversed: let men of cloth
Bow to the stalwart churls in overalls:
They are the doctors of the wilderness,
And we the low-prized laymen.
In sooth, red flannel is a saucy test
Which few can put on with impunity.
What make you, master, fumbling at the oar?
Will you catch crabs? Truth tries pretension here.
The sallow knows the basket-maker's thumb;
The oar, the guide's. Dare you accept the tasks
He shall impose, to find a spring, trap foxes,
Tell the sun's time, determine the true north,
Or stumbling on through vast self-similar woods
To thread by night the nearest way to camp?

Ask you, how went the hours?
All day we swept the lake, searched every cove,
North from Camp Maple, south to Osprey Bay,
Watching when the loud dogs should drive in deer,
Or whipping its rough surface for a trout;
Or bathers, diving from the rock at noon;
Challenging Echo by our guns and cries;
Or listening to the laughter of the loon;
Or, in the evening twilight's latest red,
Beholding the procession of the pines;
Or, later yet, beneath a lighted jack,
In the boat's bows, a silent night-hunter
Stealing with paddle to the feeding-grounds
Of the red deer, to aim at a square mist.
Hark to that muffled roar! a tree in the woods
Is fallen: but hush! it has not scared the buck
Who stands astonished at the meteor light,
Then turns to bound away,--is it too late?

Sometimes we tried our rifles at a mark,
Six rods, sixteen, twenty, or forty-five;
Sometimes our wits at sally and retort,
With laughter sudden as the crack of rifle;
Or parties scaled the near acclivities
Competing seekers of a rumoured lake,
Whose unauthenticated waves we named
Lake Probability,--our carbuncle,
Long sought, not found.

Two Doctors in the camp
Dissected the slain deer, weighed the trout's brain,
Captured the lizard, salamander, shrew,
Crab, mice, snail, dragon-fly, minnow, and moth;
Insatiate skill in water or in air
Waved the scoop-net, and nothing came amiss;
The while, one leaden pot of alcohol
Gave an impartial tomb to all the kinds.
Not less the ambitious botanist sought plants,
Orchis and gentian, fern, and long whip-scirpus,
Rosy polygonum, lake-margin's pride,
Hypnum and hydnum, mushroom, sponge, and moss,
Or harebell nodding in the gorge of falls.
Above, the eagle flew, the osprey screamed,
The raven croaked, owls hooted, the woodpecker
Loud hammered, and the heron rose in the swamp.
As water poured through the hollows of the hills
To feed this wealth of lakes and rivulets,
So Nature shed all beauty lavishly
From her redundant horn.

Lords of this realm,
Bounded by dawn and sunset, and the day
Rounded by hours where each outdid the last
In miracles of pomp, we must be proud,
As if associates of the sylvan gods.
We seemed the dwellers of the zodiac,
So pure the Alpine element we breathed,
So light, so lofty pictures came and went.
We trode on air, contemned the distant town,
Its timorous ways, big trifles, and we planned
That we should build, hard-by, a spacious lodge,
And how we should come hither with our sons,
Hereafter,--willing they, and more adroit.

Hard fare, hard bed, and comic misery,--
The midge, the blue-fly, and the mosquito
Painted our necks, hands, ankles, with red bands:
But, on the second day, we heed them not,
Nay, we saluted them Auxiliaries,
Whom earlier we had chid with spiteful names.
For who defends our leafy tabernacle
From bold intrusion of the travelling crowd,--
Who but the midge, mosquito, and the fly,
Which past endurance sting the tender cit,
But which we learn to scatter with a smudge,
Or baffle by a veil, or slight by scorn?

Our foaming ale we drunk from hunters' pans,
Ale, and a sup of wine. Our steward gave
Venison and trout, potatoes, beans, wheat-bread;
All ate like abbots, and, if any missed
Their wonted convenance, cheerly hid the loss
With hunters' appetite and peals of mirth.
And Stillman, our guides' guide, and Commodore,
Crusoe, Crusader, Pius AEneas, said aloud,
"Chronic dyspepsia never came from eating
Food indigestible":--then murmured some,
Others applauded him who spoke the truth.

Nor doubt but visitings of graver thought
Checked in these souls the turbulent heyday
'Mid all the hints and glories of the home.
For who can tell what sudden privacies
Were sought and found, amid the hue and cry
Of scholars furloughed from their tasks, and let
Into this Oreads' fended Paradise,
As chapels in the city's thoroughfares,
Whither gaunt Labour slips to wipe his brow,
And meditate a moment on Heaven's rest.
Judge with what sweet surprises Nature spoke
To each apart, lifting her lovely shows
To spiritual lessons pointed home.
And as through dreams in watches of the night,
So through all creatures in their form and ways
Some mystic hint accosts the vigilant,
Not clearly voiced, but waking a new sense
Inviting to new knowledge, one with old.
Hark to that petulant chirp! what ails the warbler?
Mark his capricious ways to draw the eye.
Now soar again. What wilt thou, restless bird,
Seeking in that chaste blue a bluer light,
Thirsting in that pure for a purer sky?

And presently the sky is changed; O world!
What pictures and what harmonies are thine!
The clouds are rich and dark, the air serene,
So like the soul of me, what if't were me?
A melancholy better than all mirth.
Comes the sweet sadness at the retrospect,
Or at the foresight of obscurer years?
Like yon slow-sailing cloudy promontory,
Whereon the purple iris dwells in beauty
Superior to all its gaudy skirts.
And, that no day of life may lack romance,
The spiritual stars rise nightly, shedding down
A private beam into each several heart.
Daily the bending skies solicit man,
The seasons chariot him from this exile,
The rainbow hours bedeck his glowing chair,
The storm-winds urge the heavy weeks along,
Suns haste to set, that so remoter lights
Beckon the wanderer to his vaster home.

With a vermilion pencil mark the day
When of our little fleet three cruising skiffs
Entering Big Tupper, bound for the foaming Falls
Of loud Bog River, suddenly confront
Two of our mates returning with swift oars.
One held a printed journal waving high
Caught from a late-arriving traveller,
Big with great news, and shouted the report
For which the world had waited, now firm fact,
Of the wire-cable laid beneath the sea,
And landed on our coast, and pulsating
With ductile fire. Loud, exulting cries
From boat to boat, and to the echoes round,
Greet the glad miracle. Thought's new-found path
Shall supplement henceforth all trodden ways,
Match God's equator with a zone of art,
And lift man's public action to a height
Worthy the enormous clouds of witnesses,
When linked hemispheres attest his deed.
We have few moments in the longest life
Of such delight and wonder as there grew,--
Nor yet unsuited to that solitude:
A burst of joy, as if we told the fact
To ears intelligent; as if gray rock
And cedar grove and cliff and lake should know
This feat of wit, this triumph of mankind;
As if we men were talking in a vein
Of sympathy so large, that ours was theirs,
And a prime end of the most subtle element
Were fairly reached at last. Wake, echoing caves!
Bend nearer, faint day-moon! Yon thundertops,
Let them hear well! 't is theirs as much as ours.

A spasm throbbing through the pedestals
Of Alp and Andes, isle and continent,
Urging astonished Chaos with a thrill
To be a brain, or serve the brain of man.
The lightning has run masterless too long;
He must to school, and learn his verb and noun,
And teach his nimbleness to earn his wage,
Spelling with guided tongue man's messages
Shot through the weltering pit of the salt sea.
And yet I marked, even in the manly joy
Of our great-hearted Doctor in his boat,
(Perchance I erred,) a shade of discontent;
Or was it for mankind a generous shame,
As of a luck not quite legitimate,
Since fortune snatched from wit the lion's part?
Was it a college pique of town and gown,
As one within whose memory it burned
That not academicians, but some lout,
Found ten years since the Californian gold?
And now, again, a hungry company
Of traders, led by corporate sons of trade,
Perversely borrowing from the shop the tools
Of science, not from the philosophers,
Had won the brightest laurel of all time.
'Twas always thus, and will be; hand and head
Are ever rivals: but, though this be swift,
The other slow,--this the Prometheus,
And that the Jove,--yet, howsoever hid,
It was from Jove the other stole his fire,
And, without Jove, the good had never been.
It is not Iroquois or cannibals,
But ever the free race with front sublime,
And these instructed by their wisest too,
Who do the feat, and lift humanity.
Let not him mourn who best entitled was,
Nay, mourn not one: let him exult,
Yea, plant the tree that bears best apples, plant,
And water it with wine, nor watch askance
Whether thy sons or strangers eat the fruit:
Enough that mankind eat, and are refreshed.

We flee away from cities, but we bring
The best of cities with us, these learned classifiers,
Men knowing what they seek, armed eyes of experts.
We praise the guide, we praise the forest life;
But will we sacrifice our dear-bought lore
Of books and arts and trained experiment,
Or count the Sioux a match for Agassiz?
O no, not we! Witness the shout that shook
Wild Tupper Lake; witness the mute all-hail
The joyful traveller gives, when on the verge
Of craggy Indian wilderness he hears
From a log-cabin stream Beethoven's notes
On the piano, played with master's hand.
'Well done!' he cries; 'the bear is kept at bay,
The lynx, the rattlesnake, the flood, the fire;
All the fierce enemies, ague, hunger, cold,
This thin spruce roof, this clayed log-wall,
This wild plantation will suffice to chase.
Now speed the gay celerities of art,
What in the desert was impossible
Within four walls is possible again,--
Culture and libraries, mysteries of skill,
Traditioned fame of masters, eager strife
Of keen competing youths, joined or alone
To outdo each other, and extort applause.
Mind wakes a new-born giant from her sleep.
Twirl the old wheels? Time takes fresh start again
On for a thousand years of genius more.'

The holidays were fruitful, but must end;
One August evening had a cooler breath;
Into each mind intruding duties crept;
Under the cinders burned the fires of home;
Nay, letters found us in our paradise;
So in the gladness of the new event
We struck our camp, and left the happy hills.
The fortunate star that rose on us sank not;
The prodigal sunshine rested on the land,
The rivers gambolled onward to the sea,
And Nature, the inscrutable and mute,
Permitted on her infinite repose
Almost a smile to steal to cheer her sons,
As if one riddle of the Sphinx were guessed.
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, The Adirondacs
,
1306:SCENE I. AURANTHE'S Apartment.
AURANTHE and CONRAD discovered.
Conrad. Well, well, I know what ugly jeopardy
We are cag'd in; you need not pester that
Into my ears. Prythee, let me be spared
A foolish tongue, that I may bethink me
Of remedies with some deliberation.
You cannot doubt but 'tis in Albert's power
To crush or save us?
Auranthe. No, I cannot doubt.
He has, assure yourself, by some strange means,
My secret ; which I ever hid from him,
Knowing his mawkish honesty.
Conrad. Curs'd slave!
Auranthe. Ay, I could almost curse him now myself.
Wretched impediment! Evil genius!
A glue upon my wings, that cannot spread,
When they should span the provinces! A snake,
A scorpion, sprawling on the first gold step,
Conducting to the throne, high canopied.
Conrad. You would not hear my council, when his life
Might have been trodden out, all sure and hush'd;
Now the dull animal forsooth must be
Intreated, managed! When can you contrive
The interview he demands?
Auranthe. As speedily
It must be done as my brib'd woman can
Unseen conduct him to me; but I fear
Twill be impossible, while the broad day
Comes through the panes with persecuting glare.
Methinks, if 't now were night I could intrigue
With darkness, bring the stars to second me,
And settle all this trouble.
Conrad. Nonsense! Child!
See him immediately; why not now?
Auranthe. Do you forget that even the senseless door-posts
Are on the watch and gape through all the house?
How many whispers there are about,
Hungry for evidence to ruin me ;
Men I have spurn 'd, and women I have taunted?
Besides, the foolish prince sends, minute whiles,
His pages so they tell me to enquire
After my health, entreating, if I please,
To see me.
Conrad. Well, suppose this Albert here;
What is your power with him?
Auranthe. He should be
My echo, my taught parrot! but I fear
He will be cur enough to bark at me ;
Have his own say ; read me some silly creed
'Bout shame and pity.
Conrad. What will you do then?
Auranthe. What I shall do, I know not: what L would
Cannot be done; for see, this chain her-floor
Will not yield to the pick-axe and the spade,
Here is no quiet depth of hollow ground.
Conrad. Sister, you have grown sensible and wise,
Seconding, ere I speak it, what is now,
I hope, resolv'd between us.
Auranthe. Say, what is 't?
Conrad. You need not be his sexton too: a man
May carry that with him shall make him die
Elsewhere, give that to him; pretend the while
You will to-morrow succumb to his wishes,
Be what they may, and send him from the Castle
On some fool's errand; let his latest groan
Frighten the wolves!
Auranthe. Alas! he must not die!
Conrad. Would you were both hears'd up in stifling lead!
Detested
Auranthe. Conrad, hold! I would not bear
The little thunder of your fretful tongue,
Tho; I alone were taken in these toils,
And you could free me; but remember, sir,
You live alone in my security:
So keep your wits at work, for your own sake,
Not mine, and be more mannerly.
Conrad. Thou wasp!
If my domains were emptied of these folk,
And I had thee to starve
Auranthe. O, marvellous!
But Conrad, now be gone; the Host is look'd for;
Cringe to the Emperor, entertain the Lords,
And, do ye mind, above all things, proclaim
My sickness, with a brother's sadden'd eye,
Condoling with Prince Ludolph. In fit time
Return to me.
Conrad. I leave you to your thoughts. [Exit.
Auranthe (sola) Down, down, proud temper! down,
Auranthe's pride!
Why do I anger him when I should kneel?
Conrad! Albert! help! help! What can I do?
wretched woman! lost, wreck'd, swallow'd up,
Accursed, blasted ! O, thou golden Crown,
Orbing along the serene firmament
Of a wide empire, like a glowing moon;
And thou, bright sceptre! lustrous in my eyes,
There as the fabled fair Hesperian tree,
Bearing a fruit more precious! graceful thing.
Delicate, godlike, magic! must I leave
Thee to melt in the visionary air,
Ere, by one grasp, this common hand is made
Imperial? I do not know the time
When I have wept for sorrow; but methinks
I could now sit upon the ground, and shed
Tears, tears of misery. O, the heavy day!
How shall I bear my life till Albert comes?
Ludolph! Erminia! Proofs! O heavy day!
Bring me some mourning weeds, that I may 'tire
Myself, as fits one wailing her own death:
Cut off these curls, and brand this lilly hand,
And throw these jewels from my loathing sight,
Fetch me a missal, and a string of beads,
A cup of bitter'd water, and a crust,
I will confess, O holy Abbot How!
What is this? Auranthe! thou fool, dolt,
Whimpering idiot! up! up! act and quell!
I am safe! Coward! why am I in fear?
Albert! he cannot stickle, chew the cud
In such a fine extreme, impossible!
Who knocks? [Goes to the Door, listens, and opens it.
Enter ALBERT.
Albert, I have been waiting for you here
With such an aching heart, such swooning throbs
On my poor brain, such cruel cruel sorrow,
That I should claim your pity! Art not well?
Albert. Yes, lady, well.
Auranthe. You look not so, alas!
But pale, as if you brought some heavy news.
Albert. You know full well what makes me look so pale.
Auranthe. No! Do I? Surely I am still to learn
Some horror; all I know, this present, is
I am near hustled to a dangerous gulph,
Which you can save me from, and therefore safe,
So trusting in thy love; that should not make
Thee pale, my Albert.
Albert. It doth make me freeze.
Auranthe. Why should it, love?
Albert. You should not ask me that,
But make your own heart monitor, and save
Me the great pain of telling. You must know.
Auranthe. Something has vexed you, Albert. There are times
When simplest things put on a sombre cast;
A melancholy mood will haunt a man,
Until most easy matters take the shape
Of unachievable tasks; small rivulets
Then seem impassable.
Albert. Do not cheat yourself
With hope that gloss of words, or suppliant action,
Or tears, or ravings, or self-threaten 'd death,
Can alter my resolve.
Auranthe. You make me tremble;

Not so much at your threats, as at your voice.
Untun'd. and harsh, and barren of all love.
Albert. You suffocate me! Stop this devil's parley,
And listen to me; know me once for all.
Auranthe. I thought I did. Alas! I am deceiv'd.
Albert. No, you are not deceiv'd. You took me for
A man detesting all inhuman crime;
And therefore kept from me your demon's plot
Against Erminia. Silent? Be so still;
For ever! Speak no more; but hear my words,
Thy fate. Your safety I have bought to-day
By blazoning a lie, which in the dawn
I expiate with truth.
Auranthe. O cruel traitor!
Albert. For I would not set eyes upon thy shame;
I would not see thee dragg'd to death by the hair,
Penanc'd, and taunted on a scaffolding!
To-night, upon the skirts of the blind wood
That blackens northward of these horrid towers,
I wait for you with horses. Choose your fate.
Farewell.
Auranthe. Albert, you jest; I'm sure you must.
You, an ambitious Soldier! I, a Queen,
One who could say, Here, rule these Provinces!
Take tribute from those cities for thyself!
Empty these armouries, these treasuries,
Muster thy warlike thousands at a nod !
Go! conquer Italy!
Albert. Auranthe, you have made
The whole world chaff to me. Your doom is fix'd.
Auranthe. Out, villain! dastard!
Albert. Look there to the door!
Who is it?
Auranthe. Conrad, traitor!
Albert. Let him in.
Enter CONRAD.
Do not affect amazement, hypocrite,
At seeing me in this chamber.
Conrad. Auranthe?
Albert. Talk not with eyes, but speak your curses out
Against me, who would sooner crush and grind
A brace of toads, than league with them to oppress
An innocent lady, gull an Emperor,
More generous to me than autumn's sun
To ripening harvests.
Auranthe. No more insult, sir!
Albert. Aye, clutch your scabbard; but, for prudence sake,
Draw not the sword; 'twould make an uproar, Duke,
You would not hear the end of. At nightfall
Your lady sister, if I guess aright,
Will leave this busy castle. You had best
Take farewell too of worldly vanities.
Conrad. Vassal!
Albert. To-morrow, when the Emperor sends
For loving Conrad, see you fawn on him.
Good even !
Auranthe. You'll be seen!
Albert. See the coast clear then.
Auranthe (as he goes). Remorseless Albert! Cruel,
cruel wretch!
[She lets him out.
Conrad. So, we must lick the dust?
Auranthe. I follow him.
Conrad. How? Where? The plan of your escape?
Auranthe. He waits
For me with horses by the forest-side,

Northward.
Conrad. Good, good! he dies. You go, say you?
Auranthe. Perforce.
Conrad. Be speedy, darkness! Till that comes,
Fiends keep you company! [Exit.
Auranthe. And you! And you!
And all men! Vanish!
[Retires to an inner Apartment.

SCENE II. An Apartment in the Castle.
Enter LUDOLPH and Page.
Page. Still very sick, my Lord; but now I went
Knowing my duty to so good a Prince;
And there her women in a mournful throng
Stood in the passage whispering: if any
Mov'd 'twas with careful steps and hush'd as death;
They bid me stop.
Ludolph. Good fellow, once again
Make soft enquiry; prythee be not stay'd
By any hindrance, but with gentlest force
Break through her weeping servants, till thou com'st
E'en to her chamber door, and there, fair boy,
If with thy mother's milk thou hast suck'd in
Any diviner eloquence ; woo her ears
With plaints for me more tender than the voice
Of dying Echo, echoed.
Page. Kindest master!
To know thee sad thus, will unloose my tongue
In mournful syllables. Let but my words reach
Her ears and she shall take them coupled with
Moans from my heart and sighs not counterfeit.
May I speed better! [Exit Page.
Ludolph. Auranthe! My Life!
Long have I lov'd thee, yet till now not lov'd:
Remembering, as I do, hard-hearted times
When I had heard even of thy death perhaps,
And thoughtless, suffered to pass alone
Into Elysium! now I follow thee
A substance or a shadow, wheresoe'er
Thou leadest me, whether thy white feet press,
With pleasant weight, the amorous-aching earth,
Or thro' the air thou pioneerest me,
A shade! Yet sadly I predestinate!
O unbenignest Love, why wilt thou let
Darkness steal out upon the sleepy world
So wearily; as if night's chariot wheels
Were clog'd in some thick cloud. O, changeful Love,
Let not her steeds with drowsy-footed pace
Pass the high stars, before sweet embassage
Comes from the pillow 'd beauty of that fair
Completion of all delicate nature's wit.
Pout her faint lips anew with rubious health
And with thine infant fingers lift the fringe
Of her sick eyelids ; that those eyes may glow
With wooing light upon me, ere the Morn
Peers with disrelish, grey, barren, and cold.
Enter GERSA and Courtiers.
Otho calls me his Lion should I blush
To be so tam'd, so
Gersa. Do me the courtesy
Gentlemen to pass on.
Courtier. We are your servants.
[Exeunt Courtiers.
Ludolph. It seems then, Sir, you have found out the man
You would confer with; me?
Gersa. If I break not
Too much upon your thoughtful mood, I will
Claim a brief while your patience.
Ludolph. For what cause
Soe'er I shall be honour 'd.
Gersa. I not less.
Ludolph. What may it be? No trifle can take place
Of such deliberate prologue, serious 'haviour.
But be it what it may I cannot fail
To listen with no common interest
For though so new your presence is to me,
I have a soldier's friendship for your fame
Please you explain.
Gersa. As thus for, pardon me,
I cannot in plain terms grossly assault
A noble nature ; and would faintly sketch
What your quick apprehension will fill up
So finely I esteem you.
Ludolph. I attend
Gersa. Your generous Father, most illustrious Otho,
Sits in the Banquet room among his chiefs
His wine is bitter, for you are not there
His eyes are fix'd still on the open doors,
And every passer in he frowns upon
Seeing no Ludolph comes.
Ludolph. I do neglect
Gersa. And for your absence, may I guess the cause?
Ludolph. Stay there! no guess? more princely you must be
Than to make guesses at me. Tis enough,
I'm sorry I can hear no more.
Gersa. And I
As griev'd to force it on you so abrupt;
Yet one day you must know a grief whose sting
Will sharpen more the longer 'tis concealed.
Ludolph. Say it at once, sir, dead, dead, is she dead?
Gersa. Mine is a cruel task : she is not dead
And would for your sake she were innocent
Ludolph. Thou liest! thou amazest me beyond
All scope of thought; convulsest my heart's blood
To deadly churning Gersa you are young
As I am ; let me observe you face to face ;
Not grey-brow'd like the poisonous Ethelbert,
No rheumed eyes, no furrowing of age,
No wrinkles where all vices nestle in
Like crannied vermin no, but fresh and young
And hopeful featured. Ha! by heaven you weep
Tears, human tears Do you repent you then
Of a curs'd torturer's office! Why shouldst join
Tell me, the league of Devils? Confess confess
The Lie.
Gersa. Lie!- but begone all ceremonious points
Of honour battailous. I could not turn
My wrath against thee for the orbed world.
Ludolph. Your wrath, weak boy? Tremble at mine unless
Retraction follow close upon the heels
Of that late stounding insult: why has my sword
Not done already a sheer judgment on thee?
Despair, or eat thy words. Why, thou wast nigh
Whimpering away my reason: hark ye, Sir,
It is no secret; that Erminia,
Erminia, Sir, was hidden in your tent;
O bless 'd asylum! comfortable home!
Begone, I pity thee, thou art a Gull
Erminia's last new puppet
Gersa. Furious fire!
Thou mak'st me boil as hot as thou canst flame!
And in thy teeth I give thee back the lie!
Thou liest! Thou, Auranthe's fool, a wittol
Ludolph. Look! look at this bright sword;
There is no part of it to the very hilt
But shall indulge itself about thine heart
Draw but remember thou must cower thy plumes,
As yesterday the Arab made thee stoop
Gersa. Patience! not here, I would not spill thy blood
Here underneath this roof where Otho breathes,
Thy father almost mine
Ludolph. O faltering coward
Re-enter PAGE.
Stay, stay, here is one I have half a word with
Well What ails thee child?
Page. My lord,
Ludolph. Good fellow
Page. They are fled!
Ludolph. They who?
Page. When anxiously
I hasten 'd back, your grieving messenger,
I found the stairs all dark, the lamps extinct,
And not a foot or whisper to be heard.
I thought her dead, and on the lowest step
Sat listening; when presently came by
Two muffled up, one sighing heavily,
The other cursing low, whose voice I knew
For the Duke Conrad's. Close I follow'd them
Thro' the dark ways they chose to the open air;
And, as I follow'd, heard my lady speak.
Ludolph. Thy life answers the truth!
Page. The chamber's empty!
Ludolph. As I will be of mercy! So, at last,
This nail is in my temples!
Gersa. Be calm in this.
Ludolph. I am.
Gersa. And Albert too has disappeared;
Ere I met you, I sought him everywhere ;
You would not hearken.
Ludolph. Which way went they, boy?
Gersa. I'll hunt with you.
Ludolph. No, no, no. My senses are
Still whole. I have surviv'd. My arm is strong
My appetite sharp for revenge! I'll no sharer
In my feast; my injury is all my own,
And so is my revenge, my lawful chattels!
Terrier, ferret them out! Burn burn the witch!
Trace me their footsteps! Away!
[Exeunt.
by owner. provided at no charge for educational purposes

~ John Keats, Otho The Great - Act IV
,
1307:The Kalevala - Rune Xlix
RESTORATION OF THE SUN AND MOON.
Thus has Fire returned to Northland
But the gold Moon is not shining,
Neither gleams the silver sunlight
In the chambers of Wainola,
On the plains of Kalevala.
On the crops the white-frost settled,
And the cattle died of hunger,
Even birds grew sick and perished.
Men and maidens, faint and famished,
Perished in the cold and darkness,
From the absence of the sunshine,
From the absence of the moonlight.
Knew the pike his holes and hollows,
And the eagle knew his highway,
Knew the winds the times for sailing;
But the wise men of the Northland
Could not know the dawn of morning,
On the fog-point in the ocean,
On the islands forest-covered.
Young and aged talked and wondered,
Well reflected, long debated,
How to live without the moonlight,
Live without the silver sunshine,
In the cold and cheerless Northland,
In the homes of Kalevala.
Long conjectured all the maidens,
Orphans asked the wise for counsel.
Spake a maid to Ilmarinen,
Running to the blacksmith's furnace:
'Rise, O artist, from thy slumbers,
Hasten from thy couch unworthy;
Forge from gold the Moon for Northland,
Forge anew the Sun from silver
Cannot live without the moonlight,
Nor without the silver sunshine!'
From his couch arose the artist,
223
From his couch of stone, the blacksmith,
And began his work of forging,
Forging Sun and Moon for Northland.
Came the ancient Wainamoinen,
In the doorway sat and lingered,
Spake, these Words to Ilmarinen:
'Blacksmith, my beloved brother,
Thou the only metal-worker,
Tell me why thy magic hammer
Falls so heavy on thine anvil?'
Spake the youthful Ilmarinen:
'Moon of gold and Sun of silver,
I am forging for Wainola;
I shall swing them into ether,
Plant them in the starry heavens.'
Spake the wise, old Wainamoinen:
'Senseless blacksmith of the ages,
Vainly dost thou swing thy hammer,
Vainly rings thy mighty anvil;
Silver will not gleam as sunshine,
Not of gold is born the moonlight!'
Ilmarinen, little heeding,
Ceases not to ply his hammer,
Sun and Moon the artist forges,
Wings the Moon of Magic upward,
Hurls it to the pine-tree branches;
Does not shine without her master.
Then the silver Sun he stations
In an elm-tree on the mountain.
From his forehead drip the sweat-drops,
Perspiration from his fingers,
Through his labors at the anvil
While the Sun and Moon were forging;
But the Sun shone not at morning
From his station in the elm-tree;
And the Moon shone not at evening
From the pine-tree's topmost branches.
Spake the ancient Wainamoinen:
'Let the Fates be now consulted,
And the oracles examined;
Only thus may we discover
Where the Sun and Moon lie hidden.'
224
Thereupon old Wainamoinen,
Only wise and true magician,
Cut three chips from trunks of alder,
Laid the chips in magic order,
Touched and turned them with his fingers,
Spake these words of master-magic:
'Of my Maker seek I knowledge,
Ask in hope and faith the answer
From the great magician, Ukko:
Tongue of alder, tell me truly,
Symbol of the great Creator,
Where the Sun and Moon are sleeping;
For the Moon shines not in season,
Nor appears the Sun at midday,
From their stations in the sky-vault.
Speak the truth, O magic alder,
Speak not words of man, nor hero,
Hither bring but truthful measures.
Let us form a sacred compact:
If thou speakest me a falsehood,
I will hurl thee to Manala,
Let the nether fires consume thee,
That thine evil signs may perish.'
Thereupon the alder answered,
Spake these words of truthful import:
'Verily the Sun lies hidden
And the golden Moon is sleeping
In the stone-berg of Pohyola,
In the copper-bearing mountain.'
These the words of Wainamoinen:
'I shall go at once to Northland,
To the cold and dark Pohyola,
Bring the Sun and Moon to gladden
All Wainola's fields and forests.'
Forth he hastens on his journey,
To the dismal Sariola,
To the Northland cold and dreary;
Travels one day, then a second,
So the third from morn till evening,
When appear the gates of Pohya,
With her snow-clad hills and mountains.
Wainamoinen, the magician,
225
At the river of Pohyola,
Loudly calls the ferry-maiden:
Bring a boat, O Pohya-daughter,
Bring a strong and trusty vessel,
Row me o'er these chilling waters,
O'er this rough and rapid river! '
But the Ferry-maiden heard not,
Did not listen to his calling.
Thereupon old Wainamoinen,
Laid a pile of well-dried brush-wood,
Knots and needles of the fir-tree,
Made a fire beside the river,
Sent the black smoke into heaven
Curling to the home of Ukko.
Louhi, hostess of the Northland,
Hastened to her chamber window,
Looked upon the bay and river,
Spake these words to her attendants:
'Why the fire across the river
Where the current meets the deep-sea,
Smaller than the fires of foemen,
Larger than the flames of hunters?'
Thereupon a Pohyalander
Hastened from the court of Louhi
That the cause he might discover,'
Bring the sought-for information
To the hostess of Pohyola;
Saw upon the river-border
Some great hero from Wainola.
Wainamoinen saw the stranger,
Called again in tones of thunder:
'Bring a skiff; thou son of Northland,
For the minstrel, Wainamoinen!
Thus the Pohyalander answered:
'Here no skiffs are lying idle,
Row thyself across the waters,
Use thine arms, and feet, and fingers,
To propel thee o'er the river,
O'er the sacred stream of Pohya.'
Wainamoinen, long reflecting,
Bravely thus soliloquizes:
'I will change my form and features,
226
Will assume a second body,
Neither man, nor ancient minstrel,
Master of the Northland waters!'
Then the singer, Wainamoinen,
Leaped, a pike, upon the waters,
Quickly swam the rapid river,
Gained the frigid Pohya-border.
There his native form resuming,
Walked he as a mighty hero,
On the dismal isle of Louhi,
Spake the wicked sons of Northland:
Come thou to Pohyola's court-room.'
To Pohyola's, court he hastened.
Spake again the sons of evil:
Come thou to the halls of Louhi!'
To Pohyola's halls he hastened.
On the latch he laid his fingers,
Set his foot within the fore-hall,
Hastened to the inner chamber,
Underneath the painted rafters,
Where the Northland-heroes gather.
There he found the Pohya-masters
Girded with their swords of battle,
With their spears and battle-axes,
With their fatal bows and arrows,
For the death of Wainamoinen,
Ancient bard, Suwantolainen.
Thus they asked the hero-stranger.
'Magic swimmer of the Northland,
Son of evil, what the message
That thou bringest from thy people,
What thy mission to Pohyola?'
Wainamoinen, old and truthful,
Thus addressed the hosts of Louhi:
'For the Sun I come to Northland,
Come to seek the Moon in Pohya;
Tell me where the Sun lies hidden,
Where the golden Moon is sleeping.'
Spake the evil sons of Pohya:
'Both the Sun and Moon are hidden
In the rock of many colors,
In the copper-bearing mountain,
227
In a cavern iron-banded,
In the stone-berg of Pohyola,
Nevermore to gain their freedom,
Nevermore to shine in Northland!'
Spake the hero, Wainamoinen:
'If the Sun be not uncovered,
If the Moon leave not her dungeon,
I will challenge all Pohyola
To the test of spear or broadsword,
Let us now our weapons measure!'
Quick the hero of Wainola
Drew his mighty sword of magic;
On its border shone the moonlight,
On its hilt the Sun was shining,
On its back, a neighing stallion,
On its face a cat was mewing,
Beautiful his magic weapon.
Quick the hero-swords are tested,
And the blades are rightly measured
Wainamoinen's sword is longest
By a single grain of barley,
By a blade of straw, the widest.
To the court-yard rushed the heroes,
Hastened to the deadly combat,
On the plains of Sariola.
Wainamoinen, the magician,
Strikes one blow, and then a second,
Strikes a third time, cuts and conquers.
As the house-maids slice the turnips,
As they lop the heads of cabbage,
As the stalks of flax are broken,
So the heads of Louhi's heroes
Fall before the magic broadsword
Of the ancient Wainamoinen.
Then victor from Wainola,
Ancient bard and great magician,
Went to find the Sun in slumber,
And the golden Moon discover,
In, the copper-bearing Mountains,
In the cavern iron-banded,
In the stone-berg of Pohyola.
He had gone but little distance,
228
When he found a sea-green island;
On the island stood a birch-tree,
Near the birch-tree stood a pillar
Carved in stone of many colors;
In the pillar, nine large portals
Bolted in a hundred places;
In the rock he found a crevice
Sending forth a gleam of sunlight.
Quick he drew his mighty broadsword,
From the pillar struck three colors,
From the magic of his weapon;
And the pillar fell asunder,
Three the number of the fragments.
Wainamoinen, old and faithful,
Through the crevice looked and wondered.
In the center of the pillar,
From a scarlet-colored basin,
Noxious serpents beer were drinking,
And the adders eating spices.
Spake the ancient Wainamoinen:
'Therefore has Pohyola's hostess
Little drink to give to strangers,
Since her beer is drank by serpents,
And her spices given to adders.'
Quick he draws his magic fire-blade,
Cuts the vipers green in pieces,
Lops the heads off all the adders,
Speaks these words of master-magic:
Thus, hereafter, let the serpent
Drink the famous beer of barley,
Feed upon the Northland-spices!'
Wainamoinen, the magician,
The eternal wizard-singer,
Sought to open wide the portals
With the hands and words of magic;
But his hands had lost their cunning,
And his magic gone to others.
Thereupon the ancient minstrel
Quick returning, heavy-hearted,
To his native halls and hamlets,
Thus addressed his brother-heroes:
'Woman, he without his weapons,
229
With no implements, a weakling!
Sun and Moon have I discovered,
But I could not force the Portals
Leading to their rocky cavern
In the copper bearing mountain.
Spake the reckless Lemminkainen
'O thou ancient Wainamoinen,
Why was I not taken with thee
To become, thy war-companion?
Would have been of goodly service,
Would have drawn the bolts or broken,
All the portals to the cavern,
Where the Sun and Moon lie hidden
In the copper-bearing mountain!'
Wainamoinen, ancient minstrel,
Thus replied to Lemminkainen:
'Empty Words will break no portals,
Draw no bolts of any moment;
Locks and bolts are never broken.
With the words of little wisdom!
Greater means than thou commandest
Must be used to free the sunshine,
Free the moonlight from her dungeon.'
Wainamoinen, not discouraged,
Hastened to the, forge and smithy,
Spake these words to Ilmarinen:
'O thou famous metal-artist,
Forge for me a magic trident,
Forge from steel a dozen stout-rings,
Master-keys, a goodly number,
Iron bars and heavy hammers,
That the Sun we may uncover
In the copper-bearing mountain,
In the stone-berg of Pohyola.'
Then the blacksmith, Ilmarinen,
The eternal metal-worker,
Forged the needs of Wainamoinen,
Forged for him the magic trident,
Forged from steel a dozen stout-rings,
Master-keys a goodly number,
Iron bars and heavy hammers,
Not the largest, nor the smallest,
230
Forged them of the right dimensions.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Fastened wings upon her shoulders,
As an eagle, sailed the heavens,
Over field, and fen, and forest,
Over Pohya's many, waters,
To the hamlets of Wainola,
To the forge of Ilmarinen.
Quick the famous metal-worker
Went to see if winds were blowing;
Found the winds at peace and silent,
Found an eagle, sable-colored,
Perched upon his window-casement.
Spake the artist, Ilmarinen:
'Magic bird, whom art thou seeking,
Why art sitting at my window?'
This the answer of the eagle:
'Art thou blacksmith, Ilmarinen,
The eternal iron-forger,
Master of the magic metals,
Northland's wonder-working artist?'
Ilmarinen gave this answer:
'There is nothing here of wonder,
Since I forged the dome of heaven,
Forged the earth a concave cover!'
Spake again the magic eagle:
Why this ringing of thine anvil,
Why this knocking of thy hammer,
Tell me what thy hands are forging?'
This the answer of the blacksmith:
''Tis a collar I am forging
For the neck of wicked Louhi,
Toothless witch of Sariola,
Stealer of the silver sunshine,
Stealer of the golden moonlight;
With this collar I shall bind her
To the iron-rock of Ehstland!'
Louhi, hostess of Pohyola,
Saw misfortune fast approaching,
Saw destruction flying over,
Saw the signs of bad-luck lower;
231
Quickly winged her way through ether
To her native halls and chambers,
To the darksome Sariola,
There unlocked the massive portals
Where the Sun and Moon were hidden,
In the rock of many colors,
In the cavern iron-banded,
In the copper-bearing mountain.
Then again the wicked Louhi
Changed her withered form and features,
And became a dove of good-luck;
Straightway winged the starry heavens,
Over field, and fen, and forest,
To the meadows of Wainola,
To the plains of Kalevala,
To the forge of Ilmarinen.
This the question of the blacksmith
'Wherefore comest, dove of good-luck,
What the tidings that thou bringest?'
Thus the magic bird made answer:
'Wherefore come I to thy smithy?
Come to bring the joyful tidings
That the Sun has left his cavern,
Left the rock of many colors,
Left the stone-berg of Pohyola;
That the Moon no more is hidden
In the copper-bearing mountains,
In the caverns iron-banded.'
Straightway hastened Ilmarinen
To the threshold of his smithy,
Quickly scanned the far horizon,
Saw again the silver sunshine,
Saw once more the golden moonlight,
Bringing peace, and joy, and plenty,
To the homes of Kalevala.
Thereupon the blacksmith hastened
To his brother, Wainamoinen,
Spake these words to the magician:
'O thou ancient bard and minstrel,
The eternal wizard-singer
See, the Sun again is shining,
And the golden Moon is beaming
232
From their long-neglected places,
From their stations in the sky-vault!'
Wainamoinen, old and faithful,
Straightway hastened to the court-yard,
Looked upon the far horizon,
Saw once more the silver sunshine,
Saw again the golden moonlight,
Bringing peace, and joy, and plenty,
To the people of the Northland,
And the minstrel spake these measures:
'Greetings to thee, Sun of fortune,
Greetings to thee, Moon of good-luck,
Welcome sunshine, welcome moonlight,
Golden is the dawn of morning!
Free art thou, O Sun of silver,
Free again, O Moon beloved,
As the sacred cuckoo's singing,
As the ring-dove's liquid cooings.
'Rise, thou silver Sun, each Morning,
Source of light and life hereafter,
Bring us, daily, joyful greetings,
Fill our homes with peace and plenty,
That our sowing, fishing, hunting,
May be prospered by thy coming.
Travel on thy daily journey,
Let the Moon be ever with thee;
Glide along thy way rejoicing,
End thy journeyings in slumber;
Rest at evening in the ocean,
When the daily cares have ended,
To the good of all thy people,
To the pleasure Of Wainoloa,
To the joy of Kalevala!'
~ Elias Lönnrot,
1308:Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could fondle the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow: we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's bosom; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the Fenian lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blood in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of seamen or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened. When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke: the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his bosom deep
That once more moved in my bosom the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians. Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the rath,
And a small and a feeble populace stooping with mattock and spade,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S. Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S. Patrick. On the flaming stones, without refuge, the limbs of the Fenians are lost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-cock out on the flood, or a wolf sucked under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

~ William Butler Yeats, The Wanderings Of Oisin - Book III
,
1309:S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-moteds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

'Were there no better than my son
That you through all that foam should run?'

'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping valleys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S. Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'

'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes: 'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose: 'You stars,
Across your wandering ruby cars
Shake the loose reins: you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S. Patrick.   Tell on.

Oisin.         Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I turned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among the fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

~ William Butler Yeats, The Wanderings Of Oisin - Book I
,
1310:I
WHEN the pine tosses its cones
To the song of its waterfall tones,
Who speeds to the woodland walks?
To birds and trees who talks?
Csar of his leafy Rome,
There the poet is at home.
He goes to the river-side,
Not hook nor line hath he;
He stands in the meadows wide,
Nor gun nor scythe to see.
Sure some god his eye enchants:
What he knows nobody wants.
In the wood he travels glad,
Without better fortune had,
Melancholy without bad.
Knowledge this man prizes best
Seems fantastic to the rest:
Pondering shadows, colors, clouds,
Grass-buds and caterpillar-shrouds,
Boughs on which the wild bees settle,
Tints that spot the violet's petal,
Why Nature loves the number five,
And why the star-form she repeats:
Lover of all things alive,
Wonderer at all he meets,
Wonderer chiefly at himself,
Who can tell him what he is?
Or how meet in human elf
Coming and past eternities?

2
And such I knew, a forest seer,
A minstrel of the natural year,
Foreteller of the vernal ides,
Wise harbinger of spheres and tides,
A lover true, who knew by heart
Each joy the mountain dales impart;
It seemed that Nature could not raise
A plant in any secret place,
In quaking bog, on snowy hill,
Beneath the grass that shades the rill,
Under the snow, between the rocks,
In damp fields known to bird and fox.
But he would come in the very hour
It opened in its virgin bower,
As if a sunbeam showed the place,
And tell its long-descended race.
It seemed as if the breezes brought him,
It seemed as if the sparrows taught him;
As if by secret sight he knew
Where, in far fields, the orchis grew.
Many haps fall in the field
Seldom seen by wishful eyes,
But all her shows did Nature yield,
To please and win this pilgrim wise.
He saw the partridge drum in the woods;
He heard the woodcock's evening hymn;
He found the tawny thrushes' broods;
And the shy hawk did wait for him;
What others did at distance hear,
And guessed within the thicket's gloom,
Was shown to this philosopher,
And at his bidding seemed to come.

3
In unploughed Maine he sought the lumberers' gang
Where from a hundred lakes young rivers sprang;
He trod the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linna hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame'through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,
One crash, the death-hymn of the perfect tree,
Declares the close of its green century.

Low lies the plant to whose creation went
Sweet influence from every element;
Whose living towers the years conspired to build,
Whose giddy top the morning loved to gild.
Through these green tents, by eldest Nature dressed,
He roamed, content alike with man and beast.
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
Three moons his great heart him a hermit made,
So long he roved at will the boundless shade.
The timid it concerns to ask their way,
And fear what foe in caves and swamps can stray,
To make no step until the event is known,
And ills to come as evils past bemoan.
Not so the wise; no coward watch he keeps
To spy what danger on his pathway creeps;
Go where he will, the wise man is at home,
His hearth the earth,his hall the azure dome;
Where his clear spirit leads him, there's his road
By God's own light illumined and foreshowed.

4
'T was one of the charmd days
When the genius of God doth flow;
The wind may alter twenty ways,
A tempest cannot blow;
It may blow north, it still is warm;
Or south, it still is clear;
Or east, it smells like a clover-farm;
Or west, no thunder fear.
The musing peasant, lowly great,
Beside the forest water sate;
The rope-like pine-roots crosswise grown
Composed the network of his throne;
The wide lake, edged with sand and grass,
Was burnished to a floor of glass,
Painted with shadows green and proud
Of the tree and of the cloud.
He was the heart of all the scene;
On him the sun looked more serene;
To hill and cloud his face was known,
It seemed the likeness of their own;
They knew by secret sympathy
The public child of earth and sky.
'You ask,' he said,'what guide
Me through trackless thickets led,
Through thick-stemmed woodlands rough and wide.
I found the water's bed.
The watercourses were my guide;
I travelled grateful by their side,
Or through their channel dry;
They led me through the thicket damp,
Through brake and fern, the beavers' camp,
Through beds of granite cut my road,
And their resistless friendship showed.
The falling waters led me,
The foodful waters fed me,
And brought me to the lowest land

Unerring to the ocean sand.
The moss upon the forest bark
Was pole-star when the night was dark;
The purple berries in the wood
Supplied me necessary food;
For Nature ever faithful is
To such as trust her faithfulness.
When the forest shall mislead me,
When the night and morning lie,
When sea and land refuse to feed me,
'T will be time enough to die;
Then will yet my mother yield
A pillow in her greenest field,
Nor the June flowers scorn to cover
The clay of their departed lover.'

II
As sunbeams stream through liberal space
And nothing jostle or displace,
So waved the pine-tree through my thought
And fanned the dreams it never brought.
'Whether is better, the gift or the donor?
Come to me,'
Quoth the pine-tree,
'I am the giver of honor.

My garden is the cloven rock,
And my manure the snow;
And drifting sand-heaps feed my stock,
In summer's scorching glow.
He is great who can live by me:
The rough and bearded forester
Is better than the lord;
God fills the scrip and canister,
Sin piles the loaded board.
The lord is the peasant that was,
The peasant the lord that shall be;
The lord is hay, the peasant grass,
One dry, and one the living tree.
Who liveth by the ragged pine
Foundeth a heroic line;
Who liveth in the palace hall
Waneth fast and spendeth all.
He goes to my savage haunts,
With his chariot and his care;
My twilight realm he disenchants,
And finds his prison there.
'What prizes the town and the tower?
Only what the pine-tree yields;
Sinew that subdued the fields;
The wild-eyed boy, who in the woods
Chants his hymn to hills and floods,
Whom the city's poisoning spleen
Made not pale, or fat, or lean;
Whom the rain and the wind purgeth,
Whom the dawn and the day-star urgeth,
In whose cheek the rose-leaf blusheth,
In whose feet the lion rusheth,
Iron arms, and iron mould,
That know not fear, fatigue, or cold.
I give my rafters to his boat,
My billets to his boiler's throat,
And I will swim the ancient sea
To float my child to victory,
And grant to dwellers with the pine
Dominion o'er the palm and vine.
Who leaves the pine-tree, leaves his friend,
Unnerves his strength, invites his end.
Cut a bough from my parent stem,
And dip it in thy porcelain vase;
A little while each russet gem
Will swell and rise with wonted grace;
But when it seeks enlarged supplies,
The orphan of the forest dies.
Whoso walks in solitude
And inhabiteth the wood,
Choosing light, wave, rock and bird,
Before the money-loving herd,
Into that forester shall pass,
From these companions, power and grace.
Clean shall he be, without, within,
From the old adhering sin,
All ill dissolving in the light
Of his triumphant piercing sight:
Not vain, sour, nor frivolous;
Not mad, athirst, nor garrulous;
Grave, chaste, contented, though retired,
And of all other men desired.
On him the light of star and moon
Shall fall with purer radiance down;
All constellations of the sky
Shed their virtue through his eye.
Him Nature giveth for defence
His formidable innocence;
The mounting sap, the shells, the sea,
All spheres, all stones, his helpers be;
He shall meet the speeding year,
Without wailing, without fear;
He shall be happy in his love,
Like to like shall joyful prove;
He shall be happy whilst he wooes,
Muse-born, a daughter of the Muse.
But if with gold she bind her hair,
And deck her breast with diamond,
Take off thine eyes, thy heart forbear,
Though thou lie alone on the ground.
' Heed the old oracles,
Ponder my spells;
Song wakes in my pinnacles
When the wind swells.
Soundeth the prophetic wind,
The shadows shake on the rock behind,
And the countless leaves of the pine are strings
Tuned to the lay the wood-god sings.
Hearken! Hearken!
If thou wouldst know the mystic song
Chanted when the sphere was young.
Aloft, abroad, the pan swells;
O wise man! hear'st thou half it tells?
O wise man! hear'st thou the least part?
'T is the chronicle of art.
To the open ear it sings
Sweet the genesis of things,
Of tendency through endless ages,
Of star-dust, and star-pilgrimages,
Of rounded worlds, of space and time,
Of the old flood's subsiding slime,
Of chemic matter, force and form,
Of poles and powers, cold, wet, and warm:
The rushing metamorphosis
Dissolving all that fixture is,
Melts things that be to things that seem,
And solid nature to a dream.
O, listen to the undersong,
The ever old, the ever young;
And, far within those cadent pauses,
The chorus of the ancient Causes!
Delights the dreadful Destiny
To fling his voice into the tree,
And shock thy weak ear with a note
Breathed from the everlasting throat.
In music he repeats the pang
Whence the fair flock of Nature sprang.
O mortal! thy ears are stones;
These echoes are laden with tones
Which only the pure can hear;
Thou canst not catch what they recite
Of Fate and Will, of Want and Right,
Of man to come, of human life,
Of Death and Fortune, Growth and Strife.'
Once again the pine-tree sung:
' Speak not thy speech my boughs among:
Put off thy years, wash in the breeze;
My hours are peaceful centuries.
Talk no more with feeble tongue;
No more the fool of space and time,
Come weave with mine a nobler rhyme.
Only thy Americans
Can read thy line, can meet thy glance,
But the runes that I rehearse
Understands the universe;
The least breath my boughs which tossed
Brings again the Pentecost;
To every soul resounding clear
In a voice of solemn cheer,
"Am I not thine? Are not these thine?"
And they reply, "Forever mine!"
My branches speak Italian,
English, German, Basque, Castilian,
Mountain speech to Highlanders,
Ocean tongues to islanders,
To Fin and Lap and swart Malay,
To each his bosom-secret say.
'Come learn with me the fatal song
Which knits the world in music strong,
Come lift thine eyes to lofty rhymes,
Of things with things, of times with times,
Primal chimes of sun and shade,
Of sound and echo, man and maid,
The land reflected in the flood,
Body with shadow still pursued.
For Nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.
The wood is wiser far than thou;
The wood and wave each other know
Not unrelated, unaffied,
But to each thought and thing allied,
Is perfect Nature's every part,
Rooted in the mighty Heart.
But thou, poor child! unbound, unrhymed,
Whence camest thou, misplaced, mistimed,
Whence, O thou orphan and defrauded?
Is thy land peeled, thy realm marauded?
Who thee divorced, deceived and left?
Thee of thy faith who hath bereft,
And torn the ensigns from thy brow,
And sunk the immortal eye so low?
Thy cheek too white, thy form too slender,
Thy gait too slow, thy habits tender
For royal man;they thee confess
An exile from the wilderness,
The hills where health with health agrees,
And the wise soul expels disease.
Hark! in thy ear I will tell the sign
By which thy hurt thou may'st divine.
'When thou shalt climb the mountain cliff,
Or see the wide shore from thy skiff,
To thee the horizon shall express
But emptiness on emptiness;
There lives no man of Nature's worth
In the circle of the earth;
And to thine eye the vast skies fall,
Dire and satirical,
On clucking hens and prating fools,
On thieves, on drudges and on dolls.
And thou shalt say to the Most High,
"Godhead! all this astronomy,
And fate and practice and invention,
Strong art and beautiful pretension,
This radiant pomp of sun and star,
Throes that were, and worlds that are,
Behold! were in vain and in vain;
It cannot be,I will look again.
Surely now will the curtain rise,
And earth's fit tenant me surprise;
But the curtain doth not rise,
And Nature has miscarried wholly
Into failure, into folly."
'Alas! thine is the bankruptcy,
Blessed Nature so to see.
Come, lay thee in my soothing shade,
And heal the hurts which sin has made.
I see thee in the crowd alone;
I will be thy companion.
Quit thy friends as the dead in doom,
And build to them a final tomb;
Let the starred shade that nightly falls
Still celebrate their funerals,
And the bell of beetle and of bee
Knell their melodious memory.
Behind thee leave thy merchandise,
Thy churches and thy charities;
And leave thy peacock wit behind;
Enough for thee the primal mind
That flows in streams, that breathes in wind:
Leave all thy pedant lore apart;
God hid the whole world in thy heart.
Love shuns the sage, the child it crowns,
Gives all to them who all renounce.
The rain comes when the wind calls;
The river knows the way to the sea;
Without a pilot it runs and falls,
Blessing all lands with its charity;
The sea tosses and foams to find
Its way up to the cloud and wind;
The shadow sits close to the flying ball;
The date fails not on the palm-tree tall;
And thou,go burn thy wormy pages,
Shalt outsee seers, and outwit sages.
Oft didst thou thread the woods in vain
To find what bird had piped the strain:
Seek not, and the little eremite
Flies gayly forth and sings in sight.
'Hearken once more!
I will tell thee the mundane lore.
Older am I than thy numbers wot,
Change I may, but I pass not.
Hitherto all things fast abide,
And anchored in the tempest ride.
Trenchant time behoves to hurry
All to yean and all to bury:
All the forms are fugitive,
But the substances survive.
Ever fresh the broad creation,
A divine improvisation,
From the heart of God proceeds,
A single will, a million deeds.
Once slept the world an egg of stone,
And pulse, and sound, and light was none;
And God said, "Throb!" and there was motion
And the vast mass became vast ocean.
Onward and on, the eternal Pan,
Who layeth the world's incessant plan,
Halteth never in one shape,
But forever doth escape,
Like wave or flame, into new forms
Of gem, and air, of plants, and worms.
I, that to-day am a pine,
Yesterday was a bundle of grass.
He is free and libertine,
Pouring of his power the wine
To every age, to every race;.
Unto every race and age
He emptieth the beverage;
Unto each, and unto all,
Maker and original.
The world is the ring of his spells,
And the play of his miracles.
As he giveth to all to drink,
Thus or thus they are and think.
With one drop sheds form and feature;
With the next a special nature;
The third adds heat's indulgent spark;
The fourth gives light which eats the dark;
Into the fifth himself he flings,
And conscious Law is King of kings.
As the bee through the garden ranges,
From world to world the godhead changes;
As the sheep go feeding in the waste,
From form to form He maketh haste;
This vault which glows immense with light
Is the inn where he lodges for a night.
What reeks such Traveller if the bowers
Which bloom and fade like meadow flowers
A bunch of fragrant lilies be,
Or the stars of eternity?
Alike to him the better, the worse,
The glowing angel, the outcast corse.
Thou metest him by centuries,
And lo! he passes like the breeze;
Thou seek'st in globe and galaxy,
He hides in pure transparency;
Thou askest in fountains and in fires,
He is the essence that inquires.
He is the axis of the star;
He is the sparkle of the spar;
He is the heart of every creature;
He is the meaning of each feature;
And his mind is the sky.
Than all it holds more deep, more high.'
by owner. provided at no charge for educational purposes

~ Ralph Waldo Emerson, Woodnotes
,
1311:Hesperus: A Legend Of The Stars
PRELUDE.
The Stars are heaven's ministers;
Right royally they teach
God's glory and omnipotence,
In wondrous lowly speech.
All eloquent with music as
The tremblings of a lyre,
To him that hath an ear to hear
They speak in words of fire.
Not to learned sagas only
Their whisperings come down;
The monarch is not glorified
Because he wears a crown.
The humblest soldier in the camp
Can win the smile of Mars,
And 'tis the lowliest spirits hold
Communion with the stars.
Thoughts too refined for utterance,
Ethereal as the air,
Crowd through the brain's dim labyrinths,
And leave their impress there;
As far along the gleaming void
Man's tender glances roll,
Wonder usurps the throne of speech,
But vivifies the soul.
Oh, heaven-cradled mysteries,
What sacred paths ye've trodBright, jewelled scintillations from
The chariot-wheels of God!
When in the spirit He rode forth,
With vast creative aim,
These were His footprints left behind,
To magnify His name!
38
--We gazed on the Evening Star,
Mary and I,
As it shone
On its throne
Afar,
In the blue sky;
Shone like a ransomed soul
In the depths of that quiet heaven;
Like a pearly tear,
Trembling with fear
On the pallid cheek of Even.
And I thought of the myriad souls
Gazing with human eyes
On the light of that star,
Shining afar,
In the quiet evening skies;
Some with winged hope,
Clearing the cope
Of heaven as swift as light,
Others, with souls
Blind as the moles,
Sinking in rayless night.
Dreams such as dreamers dream
Flitted before our eyes;
Beautiful visions!Angelo's, Titian's,
Had never more gorgeous dyes:
We soared with the angels
Through vistas of glory,
We heard the evangels
Relate the glad story
Of the beautiful star,
Shining afar
In the quiet evening skies.
And we gazed and dreamed,
Till our spirits seemed
39
Absorbed in the stellar world;
Sorrow was swallowed up,
Drained was the bitter cup
Of earth to the very lees;
And we sailed over seas
Of white vapour that whirled
Through the skies afar,
Angels our charioteers,
Threading the endless spheres,
And to the chorus of angels
Rehearsed the evangels
The Birth of the Evening Star.
--I.
Far back in the infant ages,
Before the eras stamped their autographs
Upon the stony records of the earth;
Before the burning incense of the sun
Rolled up the interlucent space,
Brightening the blank abyss;
Ere the Recording Angel's tears
Were shed for man's transgressions:
A Seraph, with a face of light,
And hair like heaven's golden atmosphere,
Blue eyes serene in their beatitude,
Godlike in their tranquillity,
Features as perfect as God's dearest work,
And stature worthy of her race,
Lived high exalted in the sacred sphere
That floated in a sea of harmony
Translucent as pure crystal, or the light
That flowed, unceasing, from this higher world
Unto the spheres beneath it. Far below
The extremest regions underneath the Earth
The first spheres rose, of vari-coloured light,
In calm rotation through aerial deep,
Like seas of jasper, blue, and coralline,
Crystal and violet; layers of worlds-
40
The robes of ages that had passed away,
Left as memorials of their sojournings.
For nothing passes wholly. All is changed.
The Years but slumber in their sepulchres,
And speak prophetic meanings in their sleep.
FIRST ANGEL.
Oh, how our souls are gladdened,
When we think of that brave old age,
When God's light came down
From heaven, to crown
Each act of the virgin page!
Oh, how our souls are saddened,
At the deeds which were done since then,
By the angel race
In the holy place,
And on earth by the sons of men!
Lo, as the years are fleeting,
With their burden of toil and pain,
We know that the page
Of that primal age
Will be opened up once again.
II.
Progressing still, the bright-faced Seraph rose
From Goodness to Perfection, till she stood
The fairest and the best of all that waked
The tuneful echoes of that lofty world,
Where Lucifer, then the stateliest of the throng
Of Angels, walked majestical, arrayed
In robes of brightness worthy of his place.
And all the intermediate spheres were homes
Of the existences
Of spiritual life.
41
Love, the divine arcanum, was the bond
That linked them to each other-heart to heart,
And angel world to world, and soul to soul.
Thus the first ages passed,
Cycles of perfect bliss,
God the acknowledged sovereign of all.
Sphere spake with sphere, and love conversed with love,
From the far centre to sublimest height,
And down the deep, unfathomable space,
To the remotest homes of angel-life,
A viewless chain of being circling all,
And linking every spirit to its God.
ANGEL CHORUS.
Spirits that never falter,
Before God's altar
Rehearse their paeans of unceasing praise;
Their theme the boundless love
By which God rules above,
Mysteriously engrafted
On grace divine, and wafted
Into every soul of man that disobeys.
Not till the wondrous being
Of the All-Seeing
Is manifested to finite man,
Can ye understand the love
By which God rules above,
Evermore extending,
In circles never-ending,
To every atom in the universal plan.
SECOND ANGEL.
Oh, the love beyond computing
Of the high and holy place!
The unseen bond
Circling beyond
42
The limits of time and space.
Through earth and her world of beauty
The heavenly links extend,
Man feels its presence,
Imbibes its essence,
But cannot yet comprehend.
THIRD ANGEL.
But the days are fast approaching,
When the Father of Love will send
His interpreter
From the highest sphere,
That man fully may comprehend.
III.
Oh, truest Love, because the truest life!
Oh, blest existence, to exist with Love!
Oh, Love, without which all things else must die
The death that knows no waking unto life!
Oh, Jealousy that saps the heart of Love,
And robs it of its tenderness divine;
And Pride, that tramples with its iron hoof
Upon the flower of love, whose fragrant soul
Exhales itself in sweetness as it dies!
A lofty spirit surfeited with Bliss!
A Prince of Angels cancelling all love,
All due allegiance to his rightful Lord;
Doing dishonour to his high estate;
Turning the truth and wisdom which were his
For ages of supreme felicity,
To thirst for power, and hatred of his God,
Who raised him to such vast preeminence!
SECOND ANGEL CHORUS.
43
Woe, woe to the ransomed spirit,
Once freed from the stain of sin,
Whose pride increases
Till all love ceases
To nourish it from within!
Its doom is the darkened regions
Where the rebel angel legions
Live their long night of sorrow;
Where no expectant morrow,
No mercy-tempered ray
From the altar of to-day,
Comes down through the gloom to borrow
One dropp from their cup of sorrow,
Or lighten their cheerless way.
FIRST ANGEL.
But blest be the gentle spirit
Whose love is ever increased
From its own pure soul,
The illumined goal
Where Love holds perpetual feast!
IV.
Ingrate Angel, he,
To purchase Hell, and at so vast a price!
'Tis the old story of celestial strifeRebellion in the palace-halls of GodFalse angels joining the insurgent ranks,
Who suffered dire defeats, and fell at last
From bliss supreme to darkness and despair.
But they, the faithful dwellers in the spheres,
Who kept their souls inviolate, to whom
Heaven's love and truth were truly great rewards:
For these the stars were sown throughout all space,
As fit memorials of their faithfulness.
The wretched lost were banished to the depths
Beneath the lowest spheres. Earth barred the space
44
Between them and the Faithful. Then the hills
Rose bald and rugged o'er the wild abyss;
The waters found their places; and the sun,
The bright-haired warder of the golden morn,
Parting the curtains of reposing night,
Rung his first challenge to the dismal shades,
That shrunk back, awed, into Cimmerean gloom;
And the young moon glode through the startled void
With quiet beauty and majestic mien.
SECOND ANGEL.
Slowly rose the daedal Earth,
Through the purple-hued abysm
Glowing like a gorgeous prism,
Heaven exulting o'er its birth,
Still the mighty wonder came,
Through the jasper-coloured sphere,
Ether-winged, and crystal-clear,
Trembling to the loud acclaim,
In a haze of golden rain,
Up the heavens rolled the sun,
Danae-like the earth was won,
Else his love and light were vain.
So the heart and soul of man
Own the light and love of heaven,
Nothing yet in vain was given,
Nature's is a perfect plan.
V.
The glowing Seraph with the brow of light
Was first among the Faithful. When the war
Between heaven's rival armies fiercely waged,
She bore the Will Divine from rank to rank,
The chosen courier of Deity.
45
Her presence cheered the combatants for Truth,
And Victory stood up where'er she moved.
And now, in gleaming robe of woven pearl,
Emblazoned with devices of the stars,
And legends of their glory yet to come,
The type of Beauty Intellectual,
The representative of Love and Truth,
She moves first in the innumerable throng
Of angels congregating to behold
The crowning wonder of creative power.
THIRD ANGEL CHORUS,
Oh, joy, that no mortal can fathom,
To rejoice in the smile of God!
To be first in the light
Of His Holy sight,
And freed from His chastening rod.
Faithful, indeed, that soul, to be
The messenger of Deity!
FIRST ANGEL.
This, this is the chosen spirit,
Whose love is ever increased
From its own pare soul,
The illumined goal
Where Love holds perpetual feast.
VI.
With noiseless speed the angel charioteers
In dazzling splendour all triumphant rode;
Through seas of ether painfully serene,
That flashed a golden, phosphorescent spray,
As luminous as the sun's intensest beams,
46
Athwart the wide, interminable space.
Legion on legion of the sons of God;
Vast phalanxes of graceful cherubim;
Innumerable multitudes and ranks
Of all the hosts and hierarchs of heaven,
Moved by one universal impulse, urged
Their steeds of swiftness up the arch of light,
From sphere to sphere increasing as they came,
Till world on world was emptied of its race.
Upward, with unimaginable speed,
The myriads, congregating zenith-ward,
Reached the far confines of the utmost sphere,
The home of Truth, the dwelling-place of Love,
Striking celestial symphonies divine
From the resounding sea of melody,
That heaved in swells of soft, mellifluous sound,
To the blest crowds at whose triumphal tread
Its soul of sweetness waked in thrills sublime,
The sun stood poised upon the western verge;
The moon paused, waiting for the march of earth,
That stayed to watch the advent of the stars;
And ocean hushed its very deepest deeps
In grateful expectation.
SECOND ANGEL.
Still through the viewless regions
Of the habitable air,
Through the ether ocean,
In unceasing motion,
Pass the multitudinous legions
Of angels everywhere.
Bearing each new-born spirit
Through the interlucent void
To its starry dwelling,
Angel anthems telling
Every earthly deed of merit
To each flashing asteroid.
47
THIRD ANGEL.
Through the realms sidereal,
Clothed with the immaterial,
Far as the fields elysian
In starry bloom extend,
The stretch of angel vision
Can see and comprehend.
VII.
Innumerable as the ocean sands
The angel concourse in due order stood,
In meek anticipation waiting for
The new-created orbs,
Still hidden in the deep
And unseen laboratory, where
Not even angel eyes could penetrate:
A star for each of that angelic host,
Memorials of their faithfulness and love.
The Evening Star, God's bright eternal gift
To the pure Seraph with the brow of light,
And named for her, mild Hesperus,
Came twinkling down the unencumbered blue,
On viewless wings of sweet melodious sound,
Beauty and grace presiding at its birth.
Celestial plaudits sweeping through the skies
Waked resonant paeans, till the concave thrilled
Through its illimitable bounds.
With a sudden burst
Of light, that lit the universal space
As with a flame of crystal,
Rousing the Soul of Joy
That slumbered in the patient sea,
From every point of heaven the hurrying cars
Conveyed the constellations to their thronesThe throbbing planets, and the burning suns,
Erratic comets, and the various grades
48
And magnitudes of palpitating stars.
From the far arctic and antarctic zones,
Through all the vast, surrounding infinite,
A wilderness of intermingling orbs,
The gleaming wonders, pulsing earthward, came;
Each to its destined place,
Each in itself a world,
With all its coining myriad life,
Drawing us nearer the Omnipotent,
With hearts of wonder, and with souls of praise:
Astrea, Pallas, strange Aldebaran,
The Pleiads, Arcturus, the ruddy Mars,
Pale Saturn, Ceres and OrionAll as they circle still
Through the enraptured void.
For each young angel born to us from earth,
A new-made star is launched among its peers.
FULL ANGEL CHORUS.
Dreamer in the realms aerial,
Searcher for the true and good,
Hoper for the high, ethereal
Limit of Beatitude,
Lift thy heart to heaven, for there
Is embalmed thy spirit prayer:
Not in words is shrined thy prayer,
But thy Thought awaits thee there.
God loves the silent worshipper.
The grandest hymn
That nature chants-the litany
Of the rejoicing stars-is silent praise.
Their nightly anthems stir
The souls of lofty seraphim
In the remotest heaven. The melody
Descends in throbbings of celestial light
Into the heart of man, whose upward gaze,
And meditative aspect, tell
Of the heart's incense passing up the night.
Above the crystalline height
The theme of thoughtful praise ascends.
49
Not from the wildest swell
Of the vexed ocean soars the fullest psalm;
But in the evening calm,
And in the solemn midnight, silence blends
With silence, and to the ear
Attuned to harmony divine
Begets a strain
Whose trance-like stillness wakes delicious pain.
The silent tear
Holds keener anguish in its orb of brine,
Deeper and truer grief
Than the loud wail that brings relief,
As thunder clears the atmosphere.
But the deep, tearless Sorrow,-how profound!
Unspoken to the ear
Of sense, 'tis yet as eloquent a sound
As that which wakes the lyre
Of the rejoicing Day, when
Morn on the mountains lights his urn of fire.
The flowers of the glen
Rejoice in silence; huge pines stand apart
Upon the lofty hills, and sigh
Their woes to every breeze that passeth by;
The willow tells its mournful tale
So tenderly, that e'en the passing gale
Bears not a murmur on its wings
Of what the spirit sings
That breathes its trembling thoughts through all the
drooping strings.
He loves God most who worships most
In the obedient heart.
The thunder's noisome boast,
What is it to the violet lightning thought?
So with the burning passion of the starsCreation's diamond sands,
Strewn along the pearly strands,
And far-extending corridors
Of heaven's blooming shores;
No scintil of their jewelled flame
But wafts the exquisite essence
Of prayer to the Eternal Presence,
50
Of praise to the Eternal Name.
The silent prayer unbars
The gates of Paradise, while the too-intimate,
Self-righteous' boast, strikes rudely at the gate
Of heaven, unknowing why it does not open to
Their summons, as they see pale Silence passing through.
VIII.
In grateful admiration, till the Dawn
Withdrew the gleaming curtains of the night,
We watched the whirling systems, until each
Could recognize their own peculiar star;
When, with the swift celerity
Of Fancy-footed Thought,
The light-caparisoned, aerial steeds,
Shod with rare fleetness,
Revisited the farthest of the spheres
Ere the earth's sun had kissed the mountain tops,
Or shook the sea-pearls from his locks of gold.
--Still on the Evening Star
Gazed we with steadfast eyes,
As it shone
On its throne
Afar,
In the blue skies.
No longer the charioteers
Dashed through the gleaming spheres;
No more the evangels
Rehearsed the glad story;
But, in passing, the angels
Left footprints of glory:
For up the starry void
Bright-flashing asteroid,
Pale moon and starry choir,
Aided by Fancy's fire,
51
Rung from the glittering lyre
Changes of song and hymn,
Worthy of Seraphim.
Night's shepherdess sat, queenlike, on her throne,
Watching her starry flocks from zone to zone,
While we, like mortals turned to breathing stone,
Intently pondered on the Known Unknown.
~ Charles Sangster,
1312:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

  Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

  It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

  As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

  "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

  Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

  He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.

(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'

(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.

by owner. provided at no charge for educational purposes

~ John Keats, Hyperion. Book I
,
1313:The Kalevala - Rune Xxx
THE FROST-FIEND.
Lemminkainen, reckless minstrel,
Handsome hero, Kaukomieli,
Hastens as the dawn is breaking,
At the dawning of the morning,
To the resting-place of vessels,
To the harbor of the island,
Finds the vessels sorely weeping,
Hears the wailing of the rigging,
And the ships intone this chorus:
'Must we wretched lie forever
In the harbor of this island,
Here to dry and fall in pieces?
Ahti wars no more in Northland,
Wars no more for sixty summers,
Even should he thirst for silver,
Should he wish the gold of battle.'
Lemminkainen struck his vessels
With his gloves adorned with copper,
And addressed the ships as follows:
'Mourn no more, my ships of fir-wood,
Strong and hardy is your rigging,
To the wars ye soon may hasten,
Hasten to the seas of battle;
Warriors may swarm your cabins
Ere to-morrow's morn has risen.!''
Then the reckless Lemminkainen
Hastened to his aged mother,
Spake to her the words that follow:
'Weep no longer, faithful mother,
Do not sorrow for thy hero,
Should he leave for scenes of battle,
For the hostile fields of Pohya;
Sweet revenge has fired my spirit,
And my soul is well determined,
To avenge the shameful insult
That the warriors of Northland
487
Gave to thee, defenseless woman.'
To restrain him seeks his mother,
Warns her son again of danger:
'Do not go, my son beloved,
To the wars in Sariola;
There the jaws of Death await thee,
Fell destruction lies before thee!'
Lemminkainen, little heeding,
Still determined, speaks as follows:
'Where may I secure a swordsman,
Worthy of my race of heroes,
To assist me in the combat?
Often I have heard of Tiera,
Heard of Kura of the islands,
This one I will take to help me,
Magic hero of the broadsword;
He will aid me in the combat,
Will protect me from destruction.'
Then he wandered to the islands,
On the way to Tiera's hamlet,
These the words that Ahti utters
As he nears the ancient dwellings:
Dearest friend, my noble Tiera,
My, beloved hero-brother,
Dost thou other times remember,
When we fought and bled together,
On the battle-fields of Northland?
There was not an island-village
Where there were not seven mansions,
In each mansion seven heroes,
And not one of all these foemen
Whom we did not slay with broadswords,
Victims of our skill and valor.'
Near the window sat the father
Whittling out a javelin-handle;
Near the threshold sat the mother
Skimming cream and making butter;
Near the portal stood the brother
Working on a sledge of birch-wood
Near the bridge-pass were the sisters
Washing out their varied garments.
Spake the father from the window,
488
From the threshold spake the mother,
From the portals spake the brother,
And the sisters from the bridge-pass:
'Tiera has no time for combat,
And his broadsword cannot battle;
Tiera is but late a bridegroom,
Still unveiled his bride awaits him.'
Near the hearth was Tiera lying,
Lying by the fire was Kura,
Hastily one foot was shoeing,
While the other lay in waiting.
From the hook he takes his girdle,
Buckles it around his body,
Takes a javelin from its resting,
Not the largest, nor the smallest,
Buckles on his mighty scabbard,
Dons his heavy mail of copper;
On each javelin pranced a charger,
Wolves were howling from his helmet,
On the rings the bears were growling.
Tiera poised his mighty javelin,
Launched the spear upon its errand;
Hurled the shaft across the pasture,
To the border of the forest,
O'er the clay-fields of Pohyola,
O'er the green and fragrant meadows,
Through the distant bills of Northland.
Then great Tiera touched his javelin
To the mighty spear of Ahti,
Pledged his aid to Lemminkainen,
As his combatant and comrade.
Thereupon wild Kaukomieli
Pushed his boat upon the waters;
Like the serpent through the heather,
Like the creeping of the adder,
Sails the boat away to Pohya,
O'er the seas of Sariola.
Quick the wicked hostess, Louhi,
Sends the black-frost of the heavens
To the waters of Pohyola,
O'er the far-extending sea-plains,
Gave the black-frost these directions:
489
'Much-loved Frost, my son and hero,
Whom thy mother has instructed,
Hasten whither I may send thee,
Go wherever I command thee,
Freeze the vessel of this hero,
Lemminkainen's bark of magic,
On the broad back of the ocean,
On the far-extending waters;
Freeze the wizard in his vessel,
Freeze to ice the wicked Ahti,
That he never more may wander,
Never waken while thou livest,
Or at least till I shall free him,
Wake him from his icy slumber!'
Frost, the son of wicked parents,
Hero-son of evil manners,
Hastens off to freeze the ocean,
Goes to fasten down the flood-gates,
Goes to still the ocean-currents.
As he hastens on his journey,
Takes the leaves from all the forest,
Strips the meadows of their verdure,
Robs the flowers of their colors.
When his journey he had ended,
Gained the border of the ocean,
Gained the sea-shore curved and endless,
On the first night of his visit,
Freezes he the lakes and rivers,
Freezes too the shore of ocean,
Freezes not the ocean-billows,
Does not check the ocean-currents.
On the sea a finch is resting,
Bird of song upon the waters,
But his feet are not yet frozen,
Neither is his head endangered.
When the second night Frost lingered,
He began to grow important,
He became a fierce intruder,
Fearless grew in his invasions,
Freezes everything before him;
Sends the fiercest cold of Northland,
Turns to ice the boundless waters.
490
Ever thicker, thicker, thicker,
Grew the ice on sea and ocean,
Ever deeper, deeper, deeper,
Fell the snow on field and forest,
Froze the hero's ship of beauty,
Cold and lifeless bark of Ahti;
Sought to freeze wild Lemminkainen,
Freeze him lifeless as his vessel,
Asked the minstrel for his life-blood,
For his ears, and feet, and fingers.
Then the hero, Lemminkainen,
Angry grew and filled with magic,
Hurled the black-frost to the fire-god,
Threw him to the fiery furnace,
Held him in his forge of iron,
Then addressed the frost as follows:
'Frost, thou evil son of Northland,
Dire and only son of Winter,
Let my members not be stiffened,
Neither ears, nor feet, nor fingers,
Neither let my head be frozen.
Thou hast other things to feed on,
Many other beads to stiffen;
Leave in peace the flesh of heroes,
Let this minstrel pass in safety,
Freeze the swamps, and lakes, and rivers,
Fens and forests, bills and valleys;
Let the cold stones grow still colder,
Freeze the willows in the waters,
Let the aspens freeze and suffer,
Let the bark peel from the birch-trees,
Let the Pines burst on the mountains,
Let this hero pass in safety,
Do not let his locks be stiffened.
'If all these prove insufficient,
Feed on other worthy matters;
Lot the hot stones freeze asunder,
Let the flaming rocks be frozen,
Freeze the fiery blocks of iron,
Freeze to ice the iron mountains;
Stiffen well the mighty Wuoksi,
Let Imatra freeze to silence;
491
Freeze the sacred stream and whirlpoo4
Let their boiling billows stiffen,
Or thine origin I'll sing thee,
Tell thy lineage of evil.
Well I know thine evil nature,
Know thine origin and power,
Whence thou camest, where thou goest,
Know thine ancestry of evil.
Thou wert born upon the aspen,
Wert conceived upon the willows,
Near the borders of Pohyola,
In the courts of dismal Northland;
Sin-begotten was thy father,
And thy mother was Dishonor.
'While in infancy who fed thee
While thy mother could not nurse thee?
Surely thou wert fed by adders,
Nursed by foul and slimy serpents;
North-winds rocked thee into slumber,
Cradled thee in roughest weather,
In the worst of willow-marshes,
In the springs forever flowing,
Evil-born and evil-nurtured,
Grew to be an evil genius,
Evil was thy mind and spirit,
And the infant still was nameless,
Till the name of Frost was given
To the progeny of evil.
'Then the young lad lived in hedges,
Dwelt among the weeds and willows,
Lived in springs in days of summer,
On the borders of the marshes,
Tore the lindens in the winter,
Stormed among the glens and forests,
Raged among the sacred birch-trees,
Rattled in the alder-branches,
Froze the trees, the shoots, the grasses,
Evened all the plains and prairies,
Ate the leaves within the woodlands,
Made the stalks drop down their blossoms,
Peeled the bark on weeds and willows.
'Thou hast grown to large proportions,
492
Hast become too tall and mighty;
Dost thou labor to benumb me,
Dost thou wish mine ears and fingers,
Of my feet wouldst thou deprive me?
Do not strive to freeze this hero,
In his anguish and misfortune;
In my stockings I shall kindle
Fire to drive thee from my presence,
In my shoes lay flaming faggots,
Coals of fire in every garment,
Heated sandstones in my rigging;
Thus will hold thee at a distance.
Then thine evil form I'll banish
To the farthest Northland borders;
When thy journey is completed,
When thy home is reached in safety,
Freeze the caldrons in the castle,
Freeze the coal upon the hearthstone,
In the dough, the hands of women,
On its mother's lap, the infant,
Freeze the colt beside its mother.
'If thou shouldst not heed this order,
I shall banish thee still farther,
To the carbon-piles of Hisi,
To the chimney-hearth of Lempo,
Hurl thee to his fiery furnace,
Lay thee on the iron anvil,
That thy body may be hammered
With the sledges of the blacksmith,
May be pounded into atoms,
Twixt the anvil and the hammer.
'If thou shouldst not heed this order,
Shouldst not leave me to my freedom,
Know I still another kingdom,
Know another spot of resting;
I shall drive thee to the summer,
Lead thy tongue to warmer climates,
There a prisoner to suffer,
Never to obtain thy freedom
Till thy spirit I deliver,
Till I go myself and free thee.'
Wicked Frost, the son of Winter,
493
Saw the magic bird of evil
Hovering above his spirit,
Straightway prayed for Ahti's mercy,
These the words the Frost-fiend uttered:
'Let us now agree together,
Neither one to harm the other,
Never in the course of ages,
Never while the moonlight glimmers
On the snow-capped hills of Northland.
If thou hearest that I bring thee
Cold to freeze thy feet and fingers,
Hurl me to the fiery furnace,
Hammer me upon the anvil
Of the blacksmith, Ilmarinen;
Lead my tongue to warmer climates,
Banish me to lands of summer,
There a prisoner to suffer,
Nevermore to gain my freedom.'
Thereupon wild Lemminkainen
Left his vessel in the ocean,
Frozen in the ice of Northland,
Left his warlike boat forever,
Started on his cheerless journey
To the borders of Pohyola,
And the mighty Tiera followed
In the tracks of his companion.
On the ice they journeyed northward
Briskly walked upon the ice-plain,
Walked one day, and then a second,
Till the closing of the third day,
When the Hunger-land approached them,
When appeared Starvation-island.
Here the hardy Lemminkainen
Hastened forward to the castle,
This the hero's prayer and question;
'Is there food within this castle,
Fish or fowl within its larders,
To refresh us on our journey,
Mighty heroes, cold and weary?
When the hero, Lemminkainen,
Found no food within the castle,
Neither fish, nor fowl, nor bacon,
494
Thus he cursed it and departed:
'May the fire destroy these chambers,
May the waters flood this dwelling,
Wash it to the seas of Mana!'
Then they hastened onward, onward,
Hastened on through field and forest,
Over by-ways long untrodden,
Over unknown paths and snow-fields;
Here the hardy Lemminkainen,
Reckless hero, Kaukomieli,
Pulled the soft wool from the ledges,
Gathered lichens from the tree-trunks,
Wove them into magic stockings,
Wove them into shoes and mittens,
On the settles of the hoar-frost,
In the stinging cold of Northland.
Then he sought to find some pathway,
That would guide their wayward footsteps,
And the hero spake as follows:
'O thou Tiera, friend beloved,
Shall we reach our destination,
Wandering for days together,
Through these Northland fields and forests?
Kura thus replies to Ahti:
'We, alas! have come for vengeance,
Come for blood and retribution,
To the battle-fields of Northland,
To the dismal Sariola,
Here to leave our souls and bodies,
Here to starve, and freeze, and perish,
In the dreariest of places,
In this sun-forsaken country!
Never shall we gain the knowledge,
Never learn it, never tell it,
Which the pathway that can guide us
To the forest-beds to suffer,
To the Pohya-plains to perish,
In the home-land of the ravens,
Fitting food for crows and eagles.
Often do the Northland vultures
Hither come to feed their fledgelings;
Hither bring the birds of heaven
495
Bits of flesh and blood of heroes;
Often do the beaks of ravens
Tear the flesh of kindred corpses,
Often do the eagle's talons
Carry bones and trembling vitals,
Such as ours, to feed their nestlings,
In their rocky homes and ledges.
'Oh! my mother can but wonder,
Never can divine the answer,
Where her reckless son is roaming,
Where her hero's blood is flowing,
Whether in the swamps and lowlands
Whether in the heat of battle,
Or upon the waves of the ocean,
Or upon the hop-feld mountains,
Or along some forest by-way.
Nothing can her mind discover
Of the frailest of her heroes,
Only think that he has perished.
Thus the hoary-headed mother
Weeps and murmurs in her chambers:
'Where is now my son beloved,
In the kingdom of Manala?
Sow thy crops, thou dread Tuoni,
Harrow well the fields of Kalma!
Now the bow receives its respite
From the fingers of my Tiera;
Bow and arrow now are useless,
Now the merry birds can fatten
In the fields, and fens, and forests;
Bears may live in dens of freedom,
On the fields may sport the elk-herds.''
Spake the reckless Lemminkainen:
'Thus it is, mine aged mother,
Thou that gavest me existence!
Thou hast reared thy broods of chickens,
Hatched and reared thy flights of white-swans
All of them the winds have scattered,
Or the evil Lempo frightened;
One flew hither, and one thither,
And a third one, lost forever!
Think thou of our former pleasures,
496
Of our better days together,
When I wandered like the flowers,
Like the berry in the meadows.
Many saw my form majestic,
Many thought me well-proportioned.
Now is not as then with Ahti,
Into evil days have fallen,
Since I see but storms and darkness!
Then my eyes beheld but sunshine,
Then we did not weep and murmur,
Did not fill our hearts with sorrow,
When the maids in joy were singing,
When the virgins twined their tresses;
Then the women joined in joyance,
Whether brides were happy-wedded,
Whether bridegrooms choose discreetly,
Whether they were wise or unwise.
'But we must not grow disheartened,
Let the Island-maidens cheer us;
Here we are not yet enchanted,
Not bewitched by magic singing,
On the paths not left to perish,
Sink and perish on our journey.
Full of youth we should not suffer,
Strong, we should not die unworthy,
Whom the wizards have enchanted,
Have bewitched with songs of magic;
Sorcerers may charm and conquer,
Bury them within their dungeons,
Hide them spell-bound in their cabins.
Let the wizards charm each other,
And bewitch their magic offspring,
Bring their tribes to fell destruction.
Never did my gray-haired father
Bow submission to a wizard,
Offer worship to magicians.
These the words my father uttered,
These the thoughts his son advances:
'Guard us, thou O great Creator,
Shield us, thou O God of mercy,
With thine arms of grace protect us,
Help us with thy strength and wisdom,
497
Guide the minds of all thy heroes,
Keep aright the thoughts of women,
Keep the old from speaking evil,
Keep the young from sin and folly,
Be to us a help forever,
Be our Guardian and our Father,
That our children may not wander
From the ways of their Creator,
From the path that God has given!''
Then the hero Lemminkainen,
Made from cares the fleetest racers,
Sable racers from his sorrows,
Reins he made from days of evil,
From his sacred pains made saddles.
To the saddle, quickly springing,
Galloped he away from trouble,
To his dear and aged mother;
And his comrade, faithful Tiera,
Galloped to his Island-dwelling.
Now departs wild Lemminkainen,
Brave and reckless Kaukomieli,
From these ancient songs and legends;
Only guides his faithful Kura
To his waiting bride and kindred,
While these lays and incantations
Shall be turned to other heroes.
~ Elias Lönnrot,
1314:The Emigrants: Book I
Scene, on the Cliffs to the Eastward of the Town of
Brighthelmstone in Sussex. Time, a Morning in November, 1792.
Slow in the Wintry Morn, the struggling light
Throws a faint gleam upon the troubled waves;
Their foaming tops, as they approach the shore
And the broad surf that never ceasing breaks
On the innumerous pebbles, catch the beams
Of the pale Sun, that with reluctance gives
To this cold northern Isle, its shorten'd day.
Alas! how few the morning wakes to joy!
How many murmur at oblivious night
For leaving them so soon; for bearing thus
Their fancied bliss (the only bliss they taste!) ,
On her black wings away! - Changing the dreams
That sooth'd their sorrows, for calamities
(And every day brings its own sad proportion)
For doubts, diseases, abject dread of Death,
And faithless friends, and fame and fortune lost;
Fancied or real wants; and wounded pride,
That views the day star, but to curse his beams.
Yet He, whose Spirit into being call'd
This wond'rous World of Waters; He who bids
The wild wind lift them till they dash the clouds,
And speaks to them in thunder; or whose breath,
Low murmuring, o'er the gently heaving tides,
When the fair Moon, in summer night serene,
Irradiates with long trembling lines of light
Their undulating surface; that great Power,
Who, governing the Planets, also knows
If but a Sea-Mew falls, whose nest is hid
In these incumbent cliffs; He surely means
To us, his reasoning Creatures, whom He bids
Acknowledge and revere his awful hand,
Nothing but good: Yet Man, misguided Man,
Mars the fair work that he was bid enjoy,
And makes himself the evil he deplores.
How often, when my weary soul recoils
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From proud oppression, and from legal crimes
(For such are in this Land, where the vain boast
Of equal Law is mockery, while the cost
Of seeking for redress is sure to plunge
Th' already injur'd to more certain ruin
And the wretch starves, before his Counsel pleads)
How often do I half abjure Society,
And sigh for some lone Cottage, deep embower'd
In the green woods, that these steep chalky Hills
Guard from the strong South West; where round their base
The Beach wide flourishes, and the light Ash
With slender leaf half hides the thymy turf! There do I wish to hide me; well content
If on the short grass, strewn with fairy flowers,
I might repose thus shelter'd; or when Eve
In Orient crimson lingers in the west,
Gain the high mound, and mark these waves remote
(Lucid tho' distant) , blushing with the rays
Of the far-flaming Orb, that sinks beneath them;
For I have thought, that I should then behold
The beauteous works of God, unspoil'd by Man
And less affected then, by human woes
I witness'd not; might better learn to bear
Those that injustice, and duplicity
And faithlessness and folly, fix on me:
For never yet could I derive relief,
When my swol'n heart was bursting with its sorrows,
From the sad thought, that others like myself
Live but to swell affliction's countless tribes!
- Tranquil seclusion I have vainly sought;
Peace, who delights solitary shade,
No more will spread for me her downy wings,
But, like the fabled Danaïds- or the wretch,
Who ceaseless, up the steep acclivity,
Was doom'd to heave the still rebounding rock,
Onward I labour; as the baffled wave,
Which yon rough beach repulses, that returns
With the next breath of wind, to fail again.Ah! Mourner- cease these wailings: cease and learn,
That not the Cot sequester'd, where the briar
And wood-bine wild, embrace the mossy thatch,
(Scarce seen amid the forest gloom obscure!)
155
Or more substantial farm, well fenced and warm,
Where the full barn, and cattle fodder'd round
Speak rustic plenty; nor the statelier dome
By dark firs shaded, or the aspiring pine,
Close by the village Church (with care conceal'd
By verdant foliage, lest the poor man's grave
Should mar the smiling prospect of his Lord) ,
Where offices well rang'd, or dove-cote stock'd,
Declare manorial residence; not these
Or any of the buildings, new and trim
With windows circling towards the restless Sea,
Which ranged in rows, now terminate my walk,
Can shut out for an hour the spectre Care,
That from the dawn of reason, follows still
Unhappy Mortals, 'till the friendly grave
(Our sole secure asylum) 'ends the chace 1.'
Behold, in witness of this mournful truth,
A group approach me, whose dejected looks,
Sad Heralds of distress! proclaim them Men
Banish'd for ever and for conscience sake
From their distracted Country, whence the name
Of Freedom misapplied, and much abus'd
By lawless Anarchy, has driven them far
To wander; with the prejudice they learn'd
From Bigotry (the Tut'ress of the blind) ,
Thro' the wide World unshelter'd; their sole hope,
That German spoilers, thro' that pleasant land
May carry wide the desolating scourge
Of War and Vengeance; yet unhappy Men,
Whate'er your errors, I lament your fate:
And, as disconsolate and sad ye hang
Upon the barrier of the rock, and seem
To murmur your despondence, waiting long
Some fortunate reverse that never comes;
Methinks in each expressive face, I see
Discriminated anguish; there droops one,
Who in a moping cloister long consum'd
This life inactive, to obtain a better,
And thought that meagre abstinence, to wake
From his hard pallet with the midnight bell,
To live on eleemosynary bread,
And to renounce God's works, would please that God.
156
And now the poor pale wretch receives, amaz'd,
The pity, strangers give to his distress,
Because these Strangers are, by his dark creed,
Condemn'd as Heretics- and with sick heart
Regrets 2 his pious prison, and his beads.Another, of more haughty port, declines
The aid he needs not; while in mute despair
His high indignant thoughts go back to France,
Dwelling on all he lost- the Gothic dome,
That vied with splendid palaces 3; the beds
Of silk and down, the silver chalices,
Vestments with gold enwrought for blazing altars;
Where, amid clouds of incense, he held forth
To kneeling crowds the imaginary bones
Of Saints suppos'd, in pearl and gold enchas'd,
And still with more than living Monarchs' pomp
Surrounded; was believ'd by mumbling bigots
To hold the keys of Heaven, and to admit
Whom he thought good to share it- Now alas!
He, to whose daring soul and high ambition
The World seem'd circumscrib'd; who, wont to dream,
Of Fleuri, Richelieu, Alberoni, men
Who trod on Empire, and whose politics
Were not beyond the grasp of his vast mind,
Is, in a Land once hostile, still prophan'd
By disbelief, and rites un-orthodox,
The object of compassion- At his side,
Lighter of heart than these, but heavier far
Than he was wont, another victim comes,
An Abbé- who with less contracted brow
Still smiles and flatters, and still talks of Hope;
Which, sanguine as he is, he does not feel,
And so he cheats the sad and weighty pressure
Of evils present; - - Still, as Men misled
By early prejudice (so hard to break) ,
I mourn your sorrows; for I too have known
Involuntary exile; and while yet
England had charms for me, have felt how sad
It is to look across the dim cold sea,
That melancholy rolls its refluent tides
Between us and the dear regretted land
We call our own- as now ye pensive wait
157
On this bleak morning, gazing on the waves
That seem to leave your shore; from whence the wind
Is loaded to your ears, with the deep groans
Of martyr'd Saints and suffering Royalty,
While to your eyes the avenging power of Heaven
Appears in aweful anger to prepare
The storm of vengeance, fraught with plagues and death.
Even he of milder heart, who was indeed
The simple shepherd in a rustic scene,
And, 'mid the vine-clad hills of Languedoc,
Taught to the bare-foot peasant, whose hard hands
Produc'd 4 the nectar he could seldom taste,
Submission to the Lord for whom he toil'd;
He, or his brethren, who to Neustria's sons
Enforc'd religious patience, when, at times,
On their indignant hearts Power's iron hand
Too strongly struck; eliciting some sparks
Of the bold spirit of their native North;
Even these Parochial Priests, these humbled men;
Whose lowly undistinguish'd cottages
Witness'd a life of purest piety,
While the meek tenants were, perhaps, unknown
Each to the haughty Lord of his domain,
Who mark'd them not; the Noble scorning still
The poor and pious Priest, as with slow pace
He glided thro' the dim arch'd avenue
Which to the Castle led; hoping to cheer
The last sad hour of some laborious life
That hasten'd to its close- even such a Man
Becomes an exile; staying not to try
By temperate zeal to check his madd'ning flock,
Who, at the novel sound of Liberty
(Ah! most intoxicating sound to slaves!) ,
Start into licence- Lo! dejected now,
The wandering Pastor mourns, with bleeding heart,
His erring people, weeps and prays for them,
And trembles for the account that he must give
To Heaven for souls entrusted to his care.Where the cliff, hollow'd by the wintry storm,
Affords a seat with matted sea-weed strewn,
A softer form reclines; around her run,
On the rough shingles, or the chalky bourn,
158
Her gay unconscious children, soon amus'd;
Who pick the fretted stone, or glossy shell,
Or crimson plant marine: or they contrive
The fairy vessel, with its ribband sail
And gilded paper pennant: in the pool,
Left by the salt wave on the yielding sands,
They launch the mimic navy- Happy age!
Unmindful of the miseries of Man! Alas! too long a victim to distress,
Their Mother, lost in melancholy thought,
Lull'd for a moment by the murmurs low
Of sullen billows, wearied by the task
Of having here, with swol'n and aching eyes
Fix'd on the grey horizon, since the dawn
Solicitously watch'd the weekly sail
From her dear native land, now yields awhile
To kind forgetfulness, while Fancy brings,
In waking dreams, that native land again!
Versailles appears- its painted galleries,
And rooms of regal splendour, rich with gold,
Where, by long mirrors multiply'd, the crowd
Paid willing homage- and, united there,
Beauty gave charms to empire- Ah! too soon
From the gay visionary pageant rous'd,
See the sad mourner start! - and, drooping, look
With tearful eyes and heaving bosom round
On drear reality- where dark'ning waves,
Urg'd by the rising wind, unheeded foam
Near her cold rugged seat:- To call her thence
A fellow-sufferer comes: dejection deep
Checks, but conceals not quite, the martial air,
And that high consciousness of noble blood,
Which he has learn'd from infancy to think
Exalts him o'er the race of common men:
Nurs'd in the velvet lap of luxury,
And fed by adulation- could he learn,
That worth alone is true Nobility?
And that the peasant who, 'amid 5 the sons
'Of Reason, Valour, Liberty, and Virtue,
'Displays distinguish'd merit, is a Noble
'Of Nature's own creation! '- If even here,
If in this land of highly vaunted Freedom,
159
Even Britons controvert the unwelcome truth,
Can it be relish'd by the sons of France?
Men, who derive their boasted ancestry
From the fierce leaders of religious wars,
The first in Chivalry's emblazon'd page;
Who reckon Gueslin, Bayard, or De Foix,
Among their brave Progenitors? Their eyes,
Accustom'd to regard the splendid trophies
Of Heraldry (that with fantastic hand
Mingles, like images in feverish dreams,
'Gorgons and Hydras, and Chimeras dire,'
With painted puns, and visionary shapes ;) ,
See not the simple dignity of Virtue,
But hold all base, whom honours such as these
Exalt not from the crowd 6 - As one, who long
Has dwelt amid the artificial scenes
Of populous City, deems that splendid shows,
The Theatre, and pageant pomp of Courts,
Are only worth regard; forgets all taste
For Nature's genuine beauty; in the lapse
Of gushing waters hears no soothing sound,
Nor listens with delight to sighing winds,
That, on their fragrant pinions, waft the notes
Of birds rejoicing in the trangled copse;
Nor gazes pleas'd on Ocean's silver breast,
While lightly o'er it sails the summer clouds
Reflected in the wave, that, hardly heard,
Flows on the yellow sands: so to his mind,
That long has liv'd where Despotism hides
His features harsh, beneath the diadem
Of worldly grandeur, abject Slavery seems,
If by that power impos'd, slavery no more:
For luxury wreathes with silk the iron bonds,
And hides the ugly rivets with her flowers,
Till the degenerate triflers, while they love
The glitter of the chains, forget their weight.
But more the Men, whose ill acquir'd wealth
Was wrung from plunder'd myriads, by the means
Too often legaliz'd by power abus'd,
Feel all the horrors of the fatal change,
When their ephemeral greatness, marr'd at once
(As a vain toy that Fortune's childish hand
160
Equally joy'd to fashion or to crush) ,
Leaves them expos'd to universal scorn
For having nothing else; not even the claim
To honour, which respect for Heroes past
Allows to ancient titles; Men, like these,
Sink even beneath the level, whence base arts
Alone had rais'd them; - unlamented sink,
And know that they deserve the woes they feel.
Poor wand'ring wretches! whosoe'er ye are,
That hopeless, houseless, friendless, travel wide
O'er these bleak russet downs; where, dimly seen,
The solitary Shepherd shiv'ring tends
His dun discolour'd flock (Shepherd, unlike
Him, whom in song the Poet's fancy crowns
With garlands, and his crook with vi'lets binds):
Poor vagrant wretches! outcasts of the world!
Whom no abode receives, no parish owns;
Roving, like Nature's commoners, the land
That boasts such general plenty: if the sight
Of wide-extended misery softens yours
Awhile, suspend your murmurs! - here behold
The strange vicissitudes of fate- while thus
The exil'd Nobles, from their country driven,
Whose richest luxuries were their's, must feel
More poignant anguish, than the lowest poor,
Who, born to indigence, have learn'd to brave
Rigid Adversity's depressing breath! Ah! rather Fortune's worthless favourites!
Who feed on England's vitals- Pensioners
Of base corruption, who, in quick ascent
To opulence unmerited, become
Giddy with pride, and as ye rise, forgetting
The dust ye lately left, with scorn look down
On those beneath ye (tho' your equals once
In fortune, and in worth superior still,
They view the eminence, on which ye stand,
With wonder, not with envy; for they know
The means, by which ye reach'd it, have been such
As, in all honest eyes, degrade ye far
Beneath the poor dependent, whose sad heart
Reluctant pleads for what your pride denies):
Ye venal, worthless hirelings of a Court!
161
Ye pamper'd Parasites! whom Britons pay
For forging fetters for them; rather here
Study a lesson that concerns ye much;
And, trembling, learn, that if oppress'd too long,
The raging multitude, to madness stung,
Will turn on their oppressors; and, no more
By sounding titles and parading forms
Bound like tame victims, will redress themselves!
Then swept away by the resistless torrent,
Not only all your pomp may disappear,
But, in the tempest lost, fair Order sink
Her decent head, and lawless Anarchy
O'erturn celestial Freedom's radiant throne; As now in Gallia; where Confusion, born
Of party rage and selfish love of rule,
Sully the noblest cause that ever warm'd
The heart of Patriot Virtue 8 - There arise
The infernal passions; Vengeance, seeking blood,
And Avarice; and Envy's harpy fangs
Pollute the immortal shrine of Liberty,
Dismay her votaries, and disgrace her name.
Respect is due to principle; and they,
Who suffer for their conscience, have a claim,
Whate'er that principle may be, to praise.
These ill-starr'd Exiles then, who, bound by ties,
To them the bonds of honour; who resign'd
Their country to preserve them, and now seek
In England an asylum- well deserve
To find that (every prejudice forgot,
Which pride and ignorance teaches) , we for them
Feel as our brethren; and that English hearts,
Of just compassion ever own the sway,
As truly as our element, the deep,
Obeys the mild dominion of the MoonThis they have found; and may they find it still!
Thus may'st thou, Britain, triumph! - May thy foes,
By Reason's gen'rous potency subdued,
Learn, that the God thou worshippest, delights
In acts of pure humanity! - May thine
Be still such bloodless laurels! nobler far
Than those acquir'd at Cressy or Poictiers,
Or of more recent growth, those well bestow'd
162
On him who stood on Calpe's blazing height
Amid the thunder of a warring world,
Illustrious rather from the crowds he sav'd
From flood and fire, than from the ranks who fell
Beneath his valour! - Actions such as these,
Like incense rising to the Throne of Heaven,
Far better justify the pride, that swells
In British bosoms, than the deafening roar
Of Victory from a thousand brazen throats,
That tell with what success wide-wasting War
Has by our brave Compatriots thinned the world.
~ Charlotte Smith,
1315:The Monk
In Nino's chamber not a sound intrudes
Upon the midnight's tingling silentness,
Where Nino sits before his book and broods,
Thin and brow-burdened with some fine distress,
Some gloom that hangs about his mournful moods
His weary bearing and neglected dress:
So sad he sits, nor ever turns a leafSorrow's pale miser o'er his hoard of grief.
II
Young Nino and Leonora, they had met
Once at a revel by some lover's chance,
And they were young with hearts already set
To tender thoughts, attuned to romance;
Wherefore it seemed they never could forget
That winning touch, that one bewildering glance:
But found at last a shelter safe and sweet,
Where trembling hearts and longing hands might meet.
III
Ah, sweet their dreams, and sweet, the life they led
With that great love that was their bosoms' all,
Yet ever shadowed by some circling dread
It gloomed at moments deep and tragical,
And so for many a month they seemed to tread
With fluttering hearts, whatever might befall,
Half glad, half sad, their sweet and secret way
To the soft tune of some old lover's lay.
IV
But she is gone, alas he knows not where,
Or how his life that tender gift should lose:
Indeed his love was ever full of care,
The hasty joys and griefs of him who woos,
196
Where sweet success is neighbour to despair,
With stolen looks and dangerous interviews:
But one long week she came not, nor the next,
And so he wandered here and there perplext;
Nor evermore she came. Full many days
He sought her at their trysts, devised deep schemes
To lure her back, and fell on subtle ways
To win some word of her; but all his dreams
Vanished like smoke, and then in sore amaze
From town to town, as one that crazed seems,
He wandered, following in unhappy quest
Uncertain clues that ended like the rest.
VI
And now this midnight, as he sits forlorn,
The printed page for him no meaning bears;
With every word some torturing dream is born;
And every thought is like a step that scares
Old memories up to make him weep and mourn,
He cannot turn but from their latchless lairs,
The weary shadows of his lost delight.
Rise up like dusk birds through the lonely night.
VII
And still with questions vain he probes his grief,
Till thought is wearied out, and dreams grow dim.
What bitter chance, what woe beyond belief
Could keep his lady's heart so hid from him?
Or was her love indeed but light and brief,
A passing thought, a moment's dreamy whim?
Aye there it stings, the woe that never sleeps:
Poor Nino leans upon his book, and weeps.
VIII
Until at length the sudden grief that shook
His pierced bosom like a gust is past,
197
And laid full weary on the wide-spread book,
His eyes grow dim with slumber light and fast;
But scarcely have his dreams had time to look
On lands of kindlier promise, when aghast
He starts up softly, and in wondering wise
Listens atremble with wide open eyes.
IX
What sound was that? Who knocks like one in dread
With such swift hands upon his outer door?
Perhaps some beggar driven from his bed
By gnawing hunger he can bear no more,
Or questing traveller with confused tread,
Straying, bewildered in the midnight hoar.
Nino uprises, scared, he knows not how,
The dreams still pale about his burdened brow.
The heavy bolt he draws, and unawares
A stranger enters with slow steps, unsought,
A long robed monk, and in his hand he bears,
A jewelled goblet curiously wrought;
But of his face beneath the cowl he wears
For all his searching Nino seeth nought;
And slowly past him with long stride he hies,
While Nino follows with bewildered eyes.
XI
Straight on he goes with dusky rustling gown
His steps are soft, his hands are white and fine;
And still he bears the goblet on whose crown
A hundred jewels in the lamplight shine;
And ever from its edges dripping down
Falls with dark stain the rich and lustrous wine,
Wherefrom through all the chamber's shadowy deeps
A deadly perfume like a vapour creeps.
XII
198
And now he sets it down with careful hands
On the slim table's polished ebony;
And for a space as if in dreams he stands,
Close hidden in his sombre drapery.
'Oh lover, by thy lady's last commands,
I bid thee hearken, for I bear with me
A gift to give thee and a tale to tell
From her who loved thee, while she lived too well.'
XIII
The stranger's voice falls slow and solemnly.
Tis soft, and rich, and wondrous deep of tone;
And Nino's face grows white as ivory,
Listening fast-rooted like a shape of stone.
Ah, blessed saints, can such a dark thing be?
And was it death, and is Leonora gone?
Oh, love is harsh, and life is frail indeed,
That gives men joy, and then so makes them bleed.
XIV
'There is the gift I bring'; the stranger's head
Turns to the cup that glitters at his side;
'And now my tongue draws back for very dread,
Unhappy youth, from what it must not hide.
The saddest tale that ever lips have said;
Yet thou must know how sweet Lenora died,
A broken martyr for love's weary sake,
And left this gift for thee to leave or take.'
XV
Poor Nino listens with that marble face,
And eyes that move not, strangely wide and set.
The monk continues with his mournful grace:
'She told me, Nino, how you often met
In secret, and your plighted loves kept pace,
Together, tangled in the self-same net;
Your dream's dark danger and its dread you knew,
And still you met, and still your passion grew.
199
XVI
'And aye with that luxurious fire you fed
Your dangerous longing daily, crumb by crumb;
Nor ever cared that still above your head
The shadow grew; for that your lips were dumb.
You knew full keenly you could never wed:
'Twas all a dream: the end must surely come;
For not on thee her father's eyes were turned
To find a son, when mighty lords were spurned.
XVII
'Thou knowest that new-sprung prince, that proud up-start,
Pisa's new tyrant with his armed thralls,
Who bends of late to take the people's part,
Yet plays the king among his marble halls,
Whose gloomy palace in our city's heart,
Frowns like a fortress with its loop-holed walls.
'Twas him he sought for fair Leonora's hand,
That so his own declining house might stand.
XVIII
'The end came soon; 'twas never known to thee;
But, when your love was scarce a six months old,
She sat one day beside her father's knee,
And in her ears the dreadful thing was told.
Within one month her bridal hour should be
With Messer Gianni for his power and gold;
And as she sat with whitened lips the while,
The old man kissed her, with his crafty smile.
XIX
'Poor pallid lady, all the woe she felt
Thou, wretched Nino, thou alone canst know,
Down at his feet with many a moan she knelt,
And prayed that he would never wound her so.
Ah, tender saints! it was a sight to melt
The flintiest heart; but his could never glow.
He sat with clenched hands and straightened head,
200
And frowned, and glared, and turned from white to red.
XX
'And still with cries about his knees she clung,
Her tender bosom broken with her care.
His words were brief, with bitter fury flung:
'The father's will the child must meekly bear;
I am thy father, thou a girl and young.'
Then to her feet she rose in her despair,
And cried with tightened lips and eyes aglow,
One daring word, a straight and simple, 'No!'
XXI
'Her father left her with wild words, and sent
Rough men, who dragged her to a dungeon deep,
Where many a weary soul in darkness pent
For many a year had watched the slow days creep,
And there he left her for his dark intent,
Where madness breeds and sorrows never sleep.
Coarse robes he gave her, and her lips he fed
With bitter water and a crust of bread.
XXII
'And day by day still following out his plan,
He came to her, and with determined spite
Strove with soft words and then with curse and ban
To bend her heart so wearied to his might,
And aye she bode his bitter pleasure's span,
As one that hears, but hath not sense or sight.
Ah, Nino, still her breaking heart held true:
Poor lady sad, she had no thought but you.
XXIII
'The father tired at last and came no more,
But in his settled anger bade prepare
The marriage feast with all luxurious store,
With pomps and shows and splendors rich and rare;
And so in toil another fortnight wore,
201
Nor knew she aught what things were in the air,
Till came the old lord's message brief and coarse:
Within three days she should be wed by force.
XXIV
'And all that noon and weary night she lay,
Poor child, like death upon her prison stone,
And none that came to her but crept away,
Sickened at heart to see her lips so moan,
Her eyes so dim within their sockets grey,
Her tender cheeks so thin and ghastly grown;
But when the next morn's light began to stir,
She sent and prayed that I might be with her.
XXV
'This boon he gave: perchance he deemed that I,
The chaplain of his house, her childhood's friend,
With patient tones and holy words, might try
To soothe her purpose to his gainful end.
I bowed full low before his crafty eye,
But knew my heart had no base help to lend.
That night with many a silent prayer I came
To poor Leonora in her grief and shame.
XXVI
'But she was strange to me: I could not speak
For glad amazement, mixed with some dark fear;
I saw her stand no longer pale and weak,
But a proud maiden, queenly and most clear,
With flashing eyes and vermeil in her cheek:
And on the little table, set anear,
I marked two goblets of rare workmanship
With some strange liquor crowned to the lip.
XXVII
'And then she ran to me and caught my hand,
Tightly imprisoned in her meagre twain,
And like the ghost of sorrow she did stand,
202
And eyed me softly with a liquid pain:
'Oh father, grant, I pray thee, I command,
One boon to me, I'll never ask again,
One boon to me and to my love, to both;
Dear father, grant, and bind it with an oath.'
XXVIII
'This granted I, and then with many a wail
She told me all the story of your woe,
And when she finished, lightly but most pale,
To those two brimming goblets she did go,
And one she took within her fingers frail,
And looked down smiling in its crimson glow:
'And now thine oath I'll tell; God grant to thee
No rest in grave, if thou be false to me.
XXIX
''Alas, poor me! whom cruel hearts would wed
On the sad morrow to that wicked lord;
But I'll not go; nay, rather I'll be dead,
Safe from their frown and from their bitter word.
Without my Nino life indeed were sped;
And sith we two can never more accord
In this drear world, so weary and perplext,
We'll die, and win sweet pleasure in the next.
XXX
''Oh father, God will never give thee rest,
If thou be false to what thy lips have sworn,
And false to love, and false to me distressed,
A helpless maid, so broken and outworn.
This cup-she put it softly to her breastI pray thee carry, ere the morrow morn,
To Nino's hand, and tell him all my pain;
This other with mine own lips I will drain.'
XXXI
'Slowly she raised it to her lips, the while
203
I darted forward, madly fain to seize
Her dreadful hands, but with a sudden wile
She twisted and sprang from me with bent knees,
And rising turned upon me with a smile,
And drained her goblet to the very lees.
'Oh priest, remember, keep thine oath,' she cried,
And the spent goblet fell against her side.
XXXII
'And then she moaned and murmured like a bell:
'My Nino, my sweet Nino!' and no more
She said, but fluttered like a bird and fell
Lifeless as marble to the footworn floor;
And there she lies even now in lonely cell,
Poor lady, pale with all the grief she bore,
She could not live, and still be true to thee,
And so she's gone where no rude hands can be.'
XXXIII
The monk's voice pauses like some mournful flute,
Whose pondered closes for sheer sorrow fail,
And then with hand that seems as it would suit
A soft girl best, it is so light and frail,
He turns half round, and for a moment mute
Points to the goblet, and so ends his tale:
'Mine oath is kept, thy lady's last command;
'Tis but a short hour since it left her hand.'
XXXIV
So ends the stranger: surely no man's tongue
Was e'er so soft, or half so sweet, as his.
Oft as he listened, Nino's heart had sprung
With sudden start as from a spectre's kiss;
For deep in many a word he deemed had rung
The liquid fall of some loved emphasis;
And so it pierced his sorrow to the core,
The ghost of tones that he should hear no more.
XXXV
204
But now the tale is ended, and still keeps
The stranger hidden in dusky weed;
And Nino stands, wide-eyed, as one that sleeps,
And dimly wonders how his heart doth bleed.
Anon he bends, yet neither moans nor weeps,
But hangs atremble, like a broken reed;
'Ah! bitter fate, that lured and sold us so,
Poor lady mine; alas for all our woe!'
XXXVI
But even as he moans in such dark mood,
His wandering eyes upon the goblet fall.
Oh, dreaming heart! Oh, strange ingratitude!
So to forget his lady's lingering call,
Her parting gift, so rich, so crimson-hued,
The lover's draught, that shall be cure for all.
He lifts the goblet lightly from its place,
And smiles, and rears it with his courtly grace.
XXXVII
'Oh, lady sweet, I shall not long delay:
This gift of thine shall bring me to thine eyes.
Sure God will send on no unpardoned way
The faithful soul, that at such bidding dies.
When thou art gone, I cannot longer stay
To brave this world with all its wrath and lies,
Where hands of stone and tongues of dragon's breath
Have bruised mine angel to her piteous death.'
XXXVIII
And now the gleaming goblet hath scarce dyed
His lips' thin pallor with its deathly red,
When Nino starts in wonder, fearful-eyed,
For, lo! the stranger with outstretched head
Springs at his face one soft and sudden stride,
And from his hand the deadly cup hath sped,
Dashed to the ground, and all its seeded store
Runs out like blood upon the marble floor.
205
XXXIX
'Oh, Nino, my sweet Nino! speak to me,
Nor stand so strange, nor look so deathly pale.
'Twas all to prove thy heart's dear constancy
I brought that cup and told that piteous tale.
Ah! chains and cells and cruel treachery
Are weak indeed when women's hearts assail.
Art angry, Nino?' 'Tis no monk that cries,
But sweet Leonora with her love-lit eyes.
XL
She dashes from her brow the pented hood;
The dusky robe falls rustling to her feet;
And there she stands, as aye in dreams she stood.
Ah, Nino, see! Sure man did never meet
So warm a flower from such a sombre bud,
So trembling fair, so wan, so pallid sweet.
Aye, Nino, down like saint upon thy knee,
And soothe her hands with kisses warm and free.
XLI
And now with broken laughter on her lips,
And now with moans remembering of her care,
She weeps, and smiles, and like a child she slips
Her lily fingers through his curly hair,
The while her head with all it's sweet she dips,
Close to his ear, to soothe and murmur there;
'Oh, Nino, I was hid so long from thee,
That much I doubted what thy love might be.
XLII
'And though 'twas cruel hard of me to try
Thy faithful heart with such a fearful test,
Yet now thou canst be happy, sweet, as I
Am wondrous happy in thy truth confessed.
To haggard death indeed thou needst not fly
To find the softness of thy lady's breast;
206
For such a gift was never death's to give,
But thou shalt have me for thy love, and live.
XLIII
'Dost see these cheeks, my Nino? they're so thin,
Not round and soft, as when thou touched them last:
So long with bitter rage they pent me in,
Like some poor thief in lonely dungeons cast;
Only this night through every bolt and gin
By cunning stealth I wrought my way at last.
Straight to thine heart I fled, unfaltering,
Like homeward pigeon with uncaged wing.
XLIV
'Nay, Nino, kneel not; let me hear thee speak.
We must not tarry long; the dawn is nigh.'
So rises he, for very gladness weak;
But half in fear that yet the dream may fly,
He touches mutely mouth and brow and cheek;
Till in his ear she 'gins to plead and sigh:
'Dear love, forgive me for that cruel tale,
That stung thine heart and made thy lips so pale.'
XLV
And so he folds her softly with quick sighs,
And both with murmurs warm and musical
Talk and retalk, with dim or smiling eyes,
Of old delights and sweeter days to fall:
And yet not long, for, ere the starlit skies,
Grow pale above the city's eastern wall,
They rise, with lips and happy hands withdrawn,
And pass out softly into the dawn.
XLVI
For Nino knows the captain of a ship,
The friend of many journeys, who may be
This very morn will let his cables slip
For the warm coast of Sicily.
207
There in Palermo, at the harbour's lip,
A brother lives, of tried fidelity:
So to the quays by hidden ways they wend
In the pale morn, nor do they miss their friend.
XLVII
And ere the shadow off another night
Hath darkened Pisa, many a foe shall stray
Through Nino's home, with eyes malignly bright
In wolfish quest, but shall not find his prey:
The while those lovers in their white-winged flight
Shall see far out upon the twilight grey,
Behind, the glimmer of the sea, before,
The dusky outlines of a kindlier shore.
~ Archibald Lampman,
1316:A Poem On The Last Day - Book Ii
Now man awakes, and from his silent bed,
Where he has slept for ages, lifts his head;
Shakes off the slumber of ten thousand years,
And on the borders of new worlds appears.
Whate'er the bold, the rash adventure cost,
In wide Eternity I dare be lost.
The Muse is wont in narrow bounds to sing,
To teach the swain, or celebrate the king.
I grasp the whole, no more to parts confined,
I lift my voice, and sing to human kind:
I sing to men and angels; angels join,
While such the theme, their sacred songs with mine.
Again the trumpet's intermitted sound
Rolls the wide circuit of creation round,
An universal concourse to prepare
Of all that ever breathed the vital air;
In some wide field, which active whirlwinds sweep,
Drive cities, forests, mountains to the deep,
To smooth and lengthen out the' unbounded space,
And spread an area for all human race.
Now monuments prove faithful to their trust,
And render back their long committed dust.
Now charnels rattle; scatter'd limbs, and all
The various bones, obsequious to the call,
Self-moved, advance; the neck perhaps to meet
The distant head; the distant legs, the feet.
Dreadful to view, see through the dusky sky
Fragments of bodies in confusion fly,
To distant regions journeying, there to claim
Deserted members, and complete the frame.
When the world bow'd to Rome's almighty sword,
Rome bow'd to Pompey, and confess'd her lord.
Yet, one day lost, this deity below
Became the scorn and pity of his foe.
His blood a traitor's sacrifice was made,
14
And smoked indignant on a ruffian's blade.
No trumpet's sound, no gasping army's yell,
Bid, with due horror, his great soul farewell.
Obscure his fall: all weltering in his gore,
His trunk was cast to perish on the shore!
While Julius frown'd the bloody monster dead,
Who brought the world in his great rival's head.
This sever'd head and trunk shall join once more,
Though realms now rise between, and oceans roar.
The trumpet's sound each vagrant-mote shall hear,
Or fix'd in earth, or if afloat in air,
Obey the signal wafted in the wind,
And not one sleeping atom lag behind.
So swarming bees, that, on a summer's day,
In airy rings and wild meanders play,
Charm'd with the brasen sound, their wanderings end,
And, gently circling, on a bough descend.
The body thus renew'd, the conscious soul,
Which has perhaps been fluttering near the pole,
Or midst the burning planets wondering stray'd,
Or hover'd o'er where her pale corpse was laid;
Or rather coasted on her final state,
And fear'd or wish'd for her appointed fate:
This soul, returning with a constant flame,
Now weds for ever her immortal frame.
Life, which ran down before, so high is wound,
The springs maintain an everlasting round.
Thus a frail model of the work design'd
First takes a copy of the builder's mind,
Before the structure firm with lasting oak,
And marble bowels of the solid rock,
Turns the strong arch, and bids the columns rise,
And bear the lofty palace to the skies;
The wrongs of Time enabled to surpass,
With bars of adamant, and ribs of brass.
That ancient, sacred, and illustrious dome,
Where soon or late fair Albion's heroes come,
From camps and courts, though great, or wise, or just,
15
To feed the worm, and moulder into dust;
That solemn mansion of the royal dead,
Where passing slaves o'er sleeping monarchs tread,
Now populous o'erflows: a numerous race
Of rising kings fill all the' extended space.
A life well-spent, not the victorious sword,
Awards the crown, and styles the greater lord.
Nor monuments alone, and burial earth,
Labour with man to this his second birth;
But where gay palaces in pomp arise,
And gilded theatres invade the skies,
Nations shall wake, whose unrespected bones
Support the pride of their luxurious sons.
The most magnificent and costly dome
Is but an upper chamber to a tomb.
No spot on earth but has supplied a grave,
And human skulls the spacious ocean pave.
All's full of man; and at this dreadful turn,
The swarm shall issue, and the hive shall burn.
Not all at once, nor in like manner, rise:
Some lift with pain their slow unwilling eyes;
Shrink backward from the terror of the light,
And bless the grave, and call for lasting night.
Others, whose long-attempted virtue stood
Fix'd as a rock, and broke the rushing flood;
Whose firm resolve nor beauty could melt down,
Nor raging tyrants from their posture frown:Such, in this day of horrors, shall be seen
To face the thunders with a godlike mien:
The planets drop, their thoughts are fix'd above;
The centre shakes, their hearts disdain to move:
An earth dissolving, and a heaven thrown wide,
A yawning gulf, and fiends on every side,
Serene they view, impatient of delay,
And bless the dawn of everlasting day.
Here greatness prostrate falls; there strength gives place:
Here lazars smile; there beauty hides her face.
Christians, and Jews, and Turks, and Pagans stand,
A blended throng, one undistinguish'd band.
16
Some who, perhaps, by mutual wounds expired,
With zeal for their distinct persuasions fired,
In mutual friendship their long slumber break,
And hand in hand their Saviour's love partake.
But none are flush'd with brighter joy, or, warm
With juster confidence, enjoy the storm,
Than those whose pious bounties, unconfined,
Have made them public fathers of mankind.
In that illustrious rank, what shining light
With such distinguish'd glory fills my sight?
Bend down, my grateful Muse, that homage show
Which to such worthies thou art proud to owe.
Wykeham, Fox, Chicheley! hail, illustrious names,
Who to far-distant times dispense your beams!
Beneath your shades, and near your crystal springs,
I first presumed to touch the trembling strings.
All hail, thrice-honour'd! 'Twas your great renown
To bless a people, and oblige a crown.
And now you rise, eternally to shine,
Eternally to drink the rays Divine.
Indulgent God! O how shall mortal raise
His soul to due returns of grateful praise,
For bounty so profuse to human kind,
Thy wondrous gift of an eternal mind?
Shall I, who, some few years ago, was less
Than worm, or mite, or shadow can express,Was nothing; shall I live, when every fire
And every star shall languish and expire?
When earth's no more, shall I survive above,
And through the radiant files of angels move?
Or, as before the throne of God I stand,
See new worlds rolling from His spacious hand,
Where our adventures shall perhaps be taught,
As we now tell how Michael sung or fought?
All that has being in full concert join,
And celebrate the depths of Love Divine!
But O! before this blissful state, before
The' aspiring soul this wondrous height can soar,
17
The Judge, descending, thunders from afar,
And all mankind is summon'd to the bar.
This mighty scene I next presume to draw:
Attend, great Anna, with religious awe.
Expect not here the known successful arts
To win attention, and command our hearts:
Fiction, be far away; let no machine
Descending here, no fabled God, be seen:
Behold the God of gods indeed descend,
And worlds unnumber'd His approach attend!
Lo! the wide theatre, whose ample space
Must entertain the whole of human race,
At Heaven's all-powerful edict is prepared,
And fenced around with an immortal guard.
Tribes, provinces, dominions, worlds o'erflow
The mighty plain, and deluge all below:
And every age and nation pours along;
Nimrod and Bourbon mingle in the throng;
Adam salutes his youngest son; no sign
Of all those ages which their births disjoin.
How empty learning, and how vain is art,
But as it mends the life, and guides the heart!
What volumes have been swell'd, what time been spent,
To fix a hero's birth-day or descent!
What joy must it now yield, what rapture raise,
To see the glorious race of ancient days!
To greet those worthies who perhaps have stood
Illustrious on record before the flood!
Alas! a nearer care your soul demands,
Caesar unnoted in your presence stands.
How vast the concourse! not in number more
The waves that break on the resounding shore,
The leaves that tremble in the shady grove,
The lamps that gild the spangled vault above.
Those overwhelming armies, whose command
Said to one empire, ``Fall;'' another, ``Stand;''
Whose rear lay wrapp'd in night, while breaking dawn
Roused the broad front, and call'd the battle on:
18
Great Xerxes' world in arms, proud Cannae's field,
Where Carthage taught victorious Rome to yield;
(Another blow had broke the Fates' decree,
And earth had wanted her fourth monarchy
Immortal Blenheim, famed Ramillia's host:They all are here, and here they all are lost:
Their millions swell to be discern'd in vain,
Lost as a billow in the' unbounded main.
This echoing voice now rends the yielding air,
For judgment, judgment, sons of men, prepare!
Earth shakes anew; I hear her groans profound;
And hell through all her trembling realms resound.
Whoe'er thou art, thou greatest power of earth,
Bless'd with most equal planets at thy birth:
Whose valour drew the most successful sword,
Most realms united in one common lord;
Who, on the day of triumph, saidst, ``Be Thine
The skies, Jehovah: all this world is mine:''
Dare not to lift thine eye.-Alas! my Muse,
How art thou lost! what numbers canst thou choose?
A sudden blush inflames the waving sky,
And now the crimson curtains open fly;
Lo! far within, and far above all height,
Where heaven's great Sovereign reigns in worlds of light;
Whence Nature He informs, and, with one ray
Shot from His eye, does all her works survey,
Creates, supports, confounds! where time, and place,
Matter, and form, and fortune, life, and grace,
Wait humbly at the footstool of their God,
And move obedient at His awful nod;
Whence He beholds us vagrant emmets crawl
At random on this air-suspended ball:
(Speck of creation!) if He pour one breath,
The bubble breaks, and 'tis eternal death.
Thence issuing I behold, (but mortal sight
Sustains not such a rushing sea of light!)
I see, on an empyreal flying throne
Sublimely raised, Heaven's everlasting Son;
19
Crown'd with that majesty which form'd the world,
And the grand rebel flaming downward hurl'd
Virtue, Dominion, Praise, Omnipotence,
Support the train of their triumphant Prince.
A zone, beyond the thought of angels bright,
Around Him, like the zodiac, winds its light.
Night shades the solemn arches of His brows,
And in His cheek the purple morning glows.
Where'er serene He turns propitious eyes,
Or we expect, or find, a Paradise:
But if resentment reddens their mild beams,
The Eden kindles, and the world's in flames.
On one hand, Knowledge shines in purest light;
On one, the sword of Justice, fiercely bright.
Now bend the knee in sport, present the reed;
Now tell the scourged impostor He shall bleed!
Thus glorious through the courts of heaven the Source
Of life and death eternal bends His course;
Loud thunders round Him roll, and lightnings play;
The' angelic host is ranged in bright array:
Some touch the string, some strike the sounding shell,
And mingling voices in rich concert swell;
Voices seraphic! bless'd with such a strain,
Could Satan hear, he were a god again.
Triumphant King of Glory! Soul of Bliss!
What a stupendous turn of fate is this!
O whither art thou raised above the scorn
And indigence of Him in Bethlem born!
A needless, helpless, unaccounted guest,
And but a second to the fodder'd beast!
How changed from Him who, meekly prostrate laid,
Vouchsafed to wash the feet Himself had made!
From Him who was betray'd, forsook, denied,
Wept, languish'd, pray'd, bled, thirsted, groan'd, and died;
Hung pierced and bare, insulted by the foe,
All heaven in tears above, earth unconcern'd below!
And was't enough to bid the sun retire?
Why did not Nature at Thy groan expire?
I see, I hear, I feel, the pangs Divine;
20
The world is vanish'd,-I am wholly Thine.
Mistaken Caiaphas! Ah! which blasphemed,Thou, or thy Prisoner? which shall be condemn'd?
Well mightst thou rend thy garments, well exclaim;
Deep are the horrors of eternal flame!
But God is good! 'Tis wondrous all! E'en He
Thou gavest to death, shame, torture, died for thee.
Now the descending triumph stops its flight
From earth full twice a planetary height.
There all the clouds, condensed, two columns raise
Distinct with orient veins, and golden blaze:
One fix'd on earth, and one in sea, and round
Its ample foot the swelling billows sound.
These an immeasurable arch support,
The grand tribunal of this awful court.
Sheets of bright azure, from the purest sky,
Stream from the crystal arch, and round the columns fly.
Death, wrapp'd in chains, low at the basis lies,
And on the point of his own arrow dies.
Here high-enthroned the' eternal Judge is placed,
With all the grandeur of His Godhead graced;
Stars on His robes in beauteous order meet,
And the sun burns beneath His awful feet.
Now an archangel eminently bright,
From off his silver staff of wondrous height,
Unfurls the Christian flag, which waving flies,
And shuts and opens more than half the skies:
The cross so strong a red, it sheds a stain,
Where'er it floats, on earth, and air, and main;
Flushes the hill, and sets on fire the wood,
And turns the deep-dyed ocean into blood.
O formidable Glory! dreadful bright!
Refulgent torture to the guilty sight.
Ah, turn, unwary Muse, nor dare reveal
What horrid thoughts with the polluted dwell.
Say not, (to make the Sun shrink in his beam,)
Dare not affirm, they wish it all a dream;
21
Wish, or their souls may with their limbs decay,
Or God be spoil'd of His eternal sway.
But rather, if thou know'st the means, unfold
How they with transport might the scene behold.
Ah how, but by repentance, by a mind
Quick and severe its own offence to find;
By tears, and groans, and never-ceasing care,
And all the pious violence of prayer?
Thus then, with fervency till now unknown,
I cast my heart before the' eternal throne,
In this great temple, which the skies surround,
For homage to its Lord a narrow bound:``O Thou! whose balance does the mountains weigh,
Whose will the wild tumultuous seas obey,
Whose breath can turn those watery worlds to flame,
That flame to tempest, and that tempest tame;
Earth's meanest son, all trembling, prostrate falls,
And on the Boundless of Thy goodness calls.
``O give the winds all past offence to sweep,
To scatter wide, or bury in the deep!
Thy power, my weakness, may I ever see,
And wholly dedicate my soul to Thee.
Reign o'er my will; my passions ebb and flow
At Thy command, nor human motive know.
If anger boil, let anger be my praise,
And sin the graceful indignation raise.
My love be warm to succour the distress'd,
And lift the burden from the soul oppress'd.
O may my understanding ever read
This glorious volume, which Thy wisdom made!
Who decks the maiden Spring with flowery pride?
Who calls forth Summer, like a sparkling bride?
Who joys the mother Autumn's bed to crown,
And bids old Winter lay her honours down?
Not the great Ottoman, or greater Czar,
Not Europe's arbitress of peace and war.
May sea and land, and earth and heaven, be join'd,
To bring the' eternal Author to my mind!
When oceans roar, or awful thunders roll,
22
May thoughts of Thy dread vengeance shake my soul!
When earth's in bloom, or planets proudly shine,
Adore, my heart, the Majesty Divine!
``Through every scene of life, or peace or war,
Plenty or want, Thy glory be my care!
Shine we in arms? or sing beneath our vine?
Thine is the vintage, and the conquest Thine:
Thy pleasure points the shaft, and bends the bow;
The cluster blasts, or bids it brightly glow:
'Tis Thou that lead'st our powerful armies forth,
And giv'st great Anne Thy sceptre o'er the north.
``Grant I may ever, at the morning ray,
Open with prayer the consecrated day;
Tune Thy great praise, and bid my soul arise,
And with the mounting sun ascend the skies:
As that advances, let my zeal improve,
And glow with ardour of consummate love;
Nor cease at eve, but with the setting sun
My endless worship shall be still begun.
``And O! permit the gloom of solemn night
To sacred thought may forcibly invite.
When this world's shut, and awful planets rise,
Call on our minds, and raise them to the skies;
Compose our souls with a less dazzling sight,
And show all nature in a milder light;
How every boisterous thought in calms subsides!
How the smooth'd spirit into goodness glides!
O how Divine! to tread the Milky Way,
To the bright palace of the Lord of Day;
His court admire, or for His favour sue,
Or leagues of friendship with His saints renew;
Pleased to look down, and see the world asleep,
While I long vigils to its Founder keep!
``Canst Thou not shake the centre? O control,
Subdue by force, the rebel in my soul!
Thou, who canst still the raging of the flood,
Restrain the various tumults of my blood;
Teach me, with equal firmness, to sustain
23
Alluring pleasure, and assaulting pain.
O may I pant for Thee in each desire!
And with strong faith foment the holy fire!
Stretch out my soul in hope, and grasp the prize
Which in Eternity's deep bosom lies!
At the great day of recompence behold,
Devoid of fear, the fatal book unfold!
Then, wafted upward to the blissful seat,
From age to age my grateful song repeat;
My Light, my Life, my God, my Saviour see,
And rival angels in the praise of Thee!''
~ Edward Young,
1317:Mother And Daughter- Sonnet Sequence
Young laughters, and my music! Aye till now
The voice can reach no blending minors near;
'Tis the bird's trill because the spring is here
And spring means trilling on a blossomy bough;
'Tis the spring joy that has no why or how,
But sees the sun and hopes not nor can fear-Spring is so sweet and spring seems all the year.
Dear voice, the first-come birds but trill as thou.
Oh music of my heart, be thus for long:
Too soon the spring bird learns the later song;
Too soon a sadder sweetness slays content
Too soon! There comes new light on onward day,
There comes new perfume o'er a rosier way:
Comes not again the young spring joy that went.
ROME, November 1881.
II
That she is beautiful is not delight,
As some think mothers joy, by pride of her,
To witness questing eyes caught prisoner
And hear her praised the livelong dancing night;
But the glad impulse that makes painters sight
Bids me note her and grow the happier;
And love that finds me as her worshipper
Reveals me each best loveliness aright.
Oh goddess head! Oh innocent brave eyes!
Oh curved and parted lips where smiles are rare
And sweetness ever! Oh smooth shadowy hair
Gathered around the silence of her brow!
Child, I'd needs love thy beauty stranger-wise:
And oh the beauty of it, being thou!
III
I watch the sweet grave face in timorous thought
Lest I should see it dawn to some unrest
And read that in her heart is youth's ill guest,
117
The querulous young sadness, born of nought,
That wearies of the strife it has not fought,
And finds the life it has not had unblest,
And asks it knows not what that should be best,
And till Love come has never what it sought.
But she is still. A full and crystal lake
So gives it skies their passage to its deeps
In an unruffled morn where no winds wake,
And, strong and fretless, 'stirs not, nor yet sleeps.
My darling smiles and 'tis for gladness' sake;
She hears a woe, 'tis simple tears she weeps.
IV
'Tis but a child. The quiet Juno gaze
Breaks at a trifle into mirth and glow,
Changed as a folded bud bursts into blow,
And she springs, buoyant, on some busy craze,
Or, in the rhythm of her girlish plays,
Like light upon swift waves floats to and fro,
And, whatsoe'er's her mirth, needs me to know,
And keeps me young by her young innocent ways.
Just now she and her kitten raced and sprang
To catch the daisy ball she tossed about;
Then they grew grave, and found a shady tree,
And kitty tried to see the notes she sang:
Now she flies hitherward--'Mother! Quick! Come see!
Two hyacinths in my garden almost out!'
Last night the broad blue lightnings flamed the sky;
We watched, our breaths caught as each burst its way,
And through its fire out-leaped the sharp white ray,
And sudden dark re-closed when it went by:
But she, that where we are will needs be nigh,
Had tired with hunting orchids half the day.
Her father thought she called us; he and I,
Half anxious, reached the bedroom where she lay.
Oh lily face upon the whiteness blent!
118
How calm she lay in her unconscious grace!
A peal crashed on the silence ere we went;
She stirred in sleep, a little changed her place,
'Mother,' she breathed, a smile grew on her face:
'Mother,' my darling breathed, and slept content.
VI
Sometimes, as young things will, she vexes me,
Wayward, or too unheeding, or too blind.
Like aimless birds that, flying on a wind,
Strike slant against their own familiar tree;
Like venturous children pacing with the sea,
That turn but when the breaker spurts behind
Outreaching them with spray: she in such kind
Is borne against some fault, or does not flee.
And so, may be, I blame her for her wrong,
And she will frown and lightly plead her part,
And then I bid her go. But 'tis not long:
Then comes she lip to ear and heart to heart.
And thus forgiven her love seems newly strong,
And, oh my penitent, how dear thou art!
VII
Her father lessons me I at times am hard,
Chiding a moment's fault as too grave ill,
And let some little blot my vision fill,
Scanning her with a narrow near regard.
True. Love's unresting gaze is self-debarred
From all sweet ignorance, and learns a skill,
Not painless, of such signs as hurt love's will,
That would not have its prize one tittle marred.
Alas! Who rears and loves a dawning rose
Starts at a speck upon one petal's rim:
Who sees a dusk creep in the shrined pearl's glows,
Is ruined at once: 'My jewel growing dim!'
I watch one bud that on my bosom blows,
I watch one treasured pearl for me and him.
VIII
A little child she, half defiant came
119
Reasoning her case--'twas not so long ago-'I cannot mind your scolding, for I know
However bad I were you'd love the same.'
And I, what countering answer could I frame?
'Twas true, and true, and God's self told her so.
One does but ask one's child to smile and grow,
And each rebuke has love for its right name.
And yet, methinks, sad mothers who for years,
Watching the child pass forth that was their boast,
Have counted all the footsteps by new fears
Till even lost fears seem hopes whereof they're reft
And of all mother's good love sole is left-Is their Love, Love, or some remembered ghost?
IX
Oh weary hearts! Poor mothers that look back!
So outcasts from the vale where they were born
Turn on their road and, with a joy forlorn,
See the far roofs below their arid track:
So in chill buffets while the sea grows black
And windy skies, once blue, are tost and torn,
We are not yet forgetful of the morn,
And praise anew the sunshine that we lack.
Oh, sadder than pale sufferers by a tomb
That say 'My dead is happier, and is more'
Are they who dare no 'is' but tell what's o'er-Thus the frank childhood, those the lovable ways-Stirring the ashes of remembered days
For yet some sparks to warm the livelong gloom.
Love's Counterfeit.
Not Love, not Love, that worn and footsore thrall
Who, crowned with withered buds and leaves gone dry,
Plods in his chains to follow one passed by,
Guerdoned with only tears himself lets fall.
Love is asleep and smiling in his pall,
120
And this that wears his shape and will not die
Was once his comrade shadow, Memory-His shadow that now stands for him in all.
And there are those who, hurrying on past reach,
See the dim follower and laugh, content,
'Lo, Love pursues me, go where'er I will!'
Yet, longer gazing, some may half beseech,
'This must be Love that wears his features still:
Or else when was the moment that Love went?'
XI
Love's Mourner.
'Tis men who say that through all hurt and pain
The woman's love, wife's, mother's, still will hold,
And breathes the sweeter and will more unfold
For winds that tear it, and the sorrowful rain.
So in a thousand voices has the strain
Of this dear patient madness been retold,
That men call woman's love. Ah! they are bold,
Naming for love that grief which does remain.
Love faints that looks on baseness face to face:
Love pardons all; but by the pardonings dies,
With a fresh wound of each pierced through the breast.
And there stand pityingly in Love's void place
Kindness of household wont familiar-wise,
And faith to Love--faith to our dead at rest.
XII
She has made me wayside posies: here they stand,
Bringing fresh memories of where they grew.
As new-come travellers from a world we knew
Wake every while some image of their land,
So these whose buds our woodland breezes fanned
Bring to my room the meadow where they blew,
The brook-side cliff, the elms where wood-doves coo-And every flower is dearer for her hand.
121
Oh blossoms of the paths she loves to tread,
Some grace of her is in all thoughts you bear:
For in my memories of your homes that were
The old sweet loneliness they kept is fled,
And would I think it back I find instead
A presence of my darling mingling there.
XIII
My darling scarce thinks music sweet save mine:
'Tis that she does but love me more than hear.
She'll not believe my voice to stranger ear
Is merely measure to the note and line;
'Not so,' she says; 'Thou hast a secret thine:
The others' singing's only rich, or clear,
But something in thy tones brings music near;
As though thy song could search me and divine.'
Oh voice of mine that in some day not far
Time, the strong creditor, will call his debt,
Will dull--and even to her--will rasp and mar,
Sing Time asleep because of her regret,
Be twice thy life the thing her fancies are,
Thou echo to the self she knows not yet.
CASERTA, April, 1882.
XIV
To love her as to-day is so great bliss
I needs must think of morrows almost loth,
Morrows wherein the flower's unclosing growth
Shall make my darling other than she is.
The breathing rose excels the bud I wis,
Yet bud that will be rose is sweet for both;
And by-and-by seems like some later troth
Named in the moment of a lover's kiss.
Yes, I am jealous, as of one now strange
That shall instead of her possess my thought,
Of her own self made new by any change,
Of her to be by ripening morrows brought.
My rose of women under later skies!
Yet, ah! my child with the child's trustful eyes!
122
XV
That some day Death who has us all for jest
Shall hide me in the dark and voiceless mould,
And him whose living hand has mine in hold,
Where loving comes not nor the looks that rest,
Shall make us nought where we are known the best,
Forgotten things that leave their track untold
As in the August night the sky's dropped gold-This seems no strangeness, but Death's natural hest.
But looking on the dawn that is her face
To know she too is Death's seems mis-belief;
She should not find decay, but, as the sun
Moves mightier from the veil that hides his place,
Keep ceaseless radiance. Life is Death begun:
But Death and her! That's strangeness passing grief.
XVI
She will not have it that my day wanes low,
Poor of the fire its drooping sun denies,
That on my brow the thin lines write good-byes
Which soon may be read plain for all to know,
Telling that I have done with youth's brave show;
Alas! and done with youth in heart and eyes,
With wonder and with far expectancies,
Save but to say 'I knew such long ago.'
She will not have it. Loverlike to me,
She with her happy gaze finds all that's best,
She sees this fair and that unfretted still,
And her own sunshine over all the rest:
So she half keeps me as she'd have me be,
And I forget to age, through her sweet will.
XVII
And how could I grow old while she's so young?
Methinks her heart sets tune for mine to beat,
We are so near; her new thoughts, incomplete,
Find their shaped wording happen on my tongue;
Like bloom on last year's winterings newly sprung
My youth upflowers with hers, and must repeat
123
Old joyaunces in me nigh obsolete.
Could I grow older while my child's so young?
And there are tales how youthful blood instilled
Thawing frore Age's veins gave life new course,
And quavering limbs and eyes made indolent
Grew freshly eager with beginning force:
She so breathes impulse. Were my years twice spent,
Not burdening Age, with her, could make me chilled.
XVIII
'Tis hard that the full summer of our round
Is but the turn where winter's sign-post's writ;
That to have reached the best is leaving it;
That final loss bears date from having found.
So some proud vessel in a narrow sound
Sails at high water with the fair wind fit,
And lo! the ebb along the sandy spit,
Lower and lower till she jars, aground.
'Tis hard. We are young still but more content;
'Tis our ripe flush, the heyday of our prime;
We learn full breath, how rich of the air we are!
But suddenly we note a touch of time,
A little fleck that scarcely seems to mar;
And we know then that some time since youth went.
XIX
Life on the wane: yes, sudden that news breaks.
And yet I would 'twere suddenly and less soon;
Since no forewarning makes loss opportune.
And now I watch that slow advance Time makes:
Watch as, while silent flow spreads broad the lakes
Mid the land levels of a smooth lagoon,
One waiting, pitiful, on a tidal dune,
Aware too long before it overtakes.
Ah! there's so quick a joy in hues and sun,
And will my eyes see dim? Will vacant sense
Forget the lark, the surges on the beach?
Shall I step wearily and wish 'twere done?
Well, if it be love will not too go hence,
124
Love will have new glad secrets yet to teach.
XX
There's one I miss. A little questioning maid
That held my finger, trotting by my side,
And smiled out of her pleased eyes open wide,
Wondering and wiser at each word I said.
And I must help her frolics if she played,
And I must feel her trouble if she cried;
My lap was hers past right to be denied;
She did my bidding, but I more obeyed.
Dearer she is to-day, dearer and more;
Closer to me, since sister womanhoods meet;
Yet, like poor mothers some long while bereft,
I dwell on toward ways, quaint memories left,
I miss the approaching sound of pit-pat feet,
The eager baby voice outside my door.
XXI
Hardly in any common tender wise,
With petting talk, light lips on her dear cheek,
The love I mean my child will bear to speak,
Loth of its own less image for disguise;
But liefer will it floutingly devise,
Using a favourite jester's mimic pique,
Prompt, idle, by-names with their sense to seek,
And takes for language laughing ironies.
But she, as when some foreign tongue is heard,
Familiar on our lips and closely known,
We feel the every purport of each word
When ignorant ears reach empty sound alone,
So knows the core within each merry gird,
So gives back such a meaning in her own.
XXII
The brook leaps riotous with its life just found,
That freshets from the mountain rains have fed,
Beats at the boulders in its hindered bed,
And fills the valley with its triumphing sound.
The strong unthirsty tarn sunk in deep ground
125
Has never a sigh wherewith its wealth is said,
Has no more ripples than the May-flies tread:
Silence of waters is where they abound.
And love, whatever love, sure, makes small boast:
'Tis the new lovers tell, in wonder yet.
Oh happy need! Enriched stream's jubilant gush!
But who being spouses well have learned love's most,
Being child and mother learned not nor forget,
These in their joyfulness feel the tarn's strong hush.
XXIII
Birds sing 'I love you, love' the whole day through,
And not another song can they sing right;
But, singing done with, loving's done with quite,
The autumn sunders every twittering two.
And I'd not have love make too much ado
With sweet parades of fondness and delight,
Lest iterant wont should make caresses trite,
Love-names mere cuckoo ousters of the true.
Oh heart can hear heart's sense in senseless nought,
And heart that's sure of heart has little speech.
What shall it tell? The other knows its thought.
What shall one doubt or question or beseech
Who is assured and knows and, unbesought,
Possesses the dear trust that each gives each.
XXIV
'You scarcely are a mother, at that rate.
Only one child!' The blithe soul pitied loud.
And doubtless she, amid her household crowd,
When one brings care in another's fortunate;
When one fares forth another's at her gate.
Yea, were her first-born folded in his shroud,
Not with a whole despair would she be bowed,
She has more sons to make her heart elate.
Many to love her singly, mother theirs,
To give her the dear love of being their need,
To storm her lap by turns and claim their kiss,
To kneel around her at their bed-time prayers;
126
Many to grow her comrades! Some have this.
Yet I, I do not envy them indeed.
RAMSGATE, 1886.
XXV
You think that you love each as much as one,
Mothers with many nestlings 'neath your wings.
Nay, but you know not. Love's most priceless things
Have unity that cannot be undone.
You give the rays, I the englobed full sun;
I give the river, you the separate springs:
My motherhood's all my child's with all it brings-None takes the strong entireness from her: none.
You know not. You love yours with various stress;
This with a graver trust, this with more pride;
This maybe with more needed tenderness:
I by each uttermost passion of my soul
Am turned to mine; she is one, she has the whole:
How should you know who appraise love and divide?
XXVI
Of my one pearl so much more joy I gain
As he that to his sole desire is sworn,
Indifferent what women more were born,
And if she loved him not all love were vain,
Gains more, because of her--yea, through all pain,
All love and sorrows, were they two forlorn-Than whoso happiest in the lands of morn
Mingles his heart amid a wifely train.
Oh! Child and mother, darling! Mother and child!
And who but we? We, darling, paired alone?
Thou hast all thy mother; thou art all my own.
That passion of maternity which sweeps
Tideless 'neath where the heaven of thee hath smiled
Has but one channel, therefore infinite deeps.
XXVII
Since first my little one lay on my breast
I never needed such a second good,
Nor felt a void left in my motherhood
127
She filled not always to the utterest.
The summer linnet, by glad yearnings pressed,
Builds room enough to house a callow brood:
I prayed not for another child--nor could;
My solitary bird had my heart's nest.
But she is cause that any baby thing
If it but smile, is one of mine in truth,
And every child becomes my natural joy:
And, if my heart gives all youth fostering,
Her sister, brother, seems the girl or boy:
My darling makes me mother to their youth.
~ Augusta Davies Webster,
1318:The Legend Of Lady Gertrude
I.
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.
II.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.
III.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.
IV.
He was the proudest of an ancient race,
The fiercest of the robber chieftain's band,
That haughty Freiherr, with the iron face:
And she—his lady-sister, by God's grace—
The sweetest, gentlest maiden in the land.
V.
'Twas a rude nest for such a tender bird,
That lonely fortress, with its warrior-lord.
Aye drunken revels the night-stillness stirred;
From morn till eve the battle-cries were heard,
The sound of jingling spur and clanking sword.
VI.
And Lady Gertrude was both young and fair,
A mark for lawless hearts and roving eyes,—
209
With sweet, grave face, and amber-tinted hair,
And a low voice soft-thrilling through the air,
Filling it full of subtlest melodies.
VII.
But the great baron, proudest of his line,
Fetter'd, with jealous care, his white dove's wing;
Guarded his treasure in an inner shrine,
Till such a day as knightly hands should twine
Her slender fingers with the marriage-ring.
VIII.
From all her household rights was she debarred—
Her chair and place within the castle-hall,
Her palfrey's saddle in the castle-yard,
Her nursing ministries when blows fell hard
In border struggles—she was kept from all.
IX.
A stone-paved chamber, and the parapet
Opening above its winding turret-stair;
The castle-chapel, where few men were met,—
Round these the brother's boundaries were set.
The sweet child-sister was so very fair!
X.
She had her faithful nurse, her doves, her lute,
Her broidery and her distaff, and the hound—
Best prized of all—the grand, half-human brute,
Who aye watched near her, beautiful and mute,
With ears love-quicken'd, listening from the ground.
XI.
But the wild bird, so honourably caged,
Grew sick and sad in its captivity;
Longed—like those hills which time nor storm had aged,
And those deep glens where Danube waters raged—
In God's own wind and sunshine to be free.
XII.
And on a day, when she had seen them ride,
Baron and troopers, on some border raid,
210
Wooed by the glory of the summer tide,
The hound's soft-slouching footstep at her side,
Adown the valley Lady Gertrude stray'd.
XIII.
Adown the crag, whose shadow, still and black,
Lay like the death-sleep on a mountain pool;
Through rocky glen, by silvery torrent's track,
Through forest glade, 'neath wild vines, fluttering back
From softest zephyr kisses, green and cool.
XIV.
E'en till the woods and hamlets down below,
And summer meadows, were all broad and clear;
The river, moving statelily and slow,
A crimson ribbon in the sunset glow—
The dim, white, distant city strangely near.
XV.
She sat her down, a-weary, on the ground,
With tremulous long-drawn breath and wistful eyes;
Caress'd the velvet muzzle of the hound,
And listen'd vainly for some little sound
To come up from her world of mysteries.
XVI.
She had forgotten of the time and place,
When clank of warrior's harness smote her dream.
A growl, a spring, a shadow on her face,
And one strode up, with slow and stately pace,
And stood before her in the soft sun-gleam.
XVII.
An armèd knight, in noblest knightly guise,
From golden spur to golden dragon-crest;
Through open vizor gazing with surprise
Into the fair, flush'd face and startled eyes,
While horse and hound stood watchfully at rest.
XVIII.
The sun went down, and, with long, stealthy stride,
The shadows came, blurring the summer light;
211
And there was none the lady's step to guide
Up the lost pathway on the mountain-side—
None to protect her but this stranger knight!
XIX.
He placed her gently on his dappled grey,
Clothed in his mantle—for the air was chill;
He led her all the long and devious way,
Through glens, where starless night held royal sway,
And vine-tressed woodlands, where the leaves were still:
XX.
Through pathless ravines, where swift waters roll'd;
Up dark crag-ramparts, perilously steep,
Where eagles and a she-bear watch'd the fold;—
Facing the mountain breezes, clear and cold—
In shy, sweet silence, eloquent and deep.
XXI.
Holding his charger by the bridle-rein,
He led her through the robber-chieftain's lands;
Led her, unchallenged by the baron's train,
E'en to the low-brow'd castle-gate again,
And there he humbly knelt to kiss her hands.
XXII.
Brave lips, o'er tender palms bent down so low,
Silent and reverent, as it were to bless—
'Twas e'en a knightly love they did bestow,
Love true as steel and undefiled as snow;
No common courtesy, no light caress.
XXIII.
He rode away; and she to turret-lair
Sped, swift and trembling, like a hunted doe.
But wherefore, on the loopholed winding stair
Knelt she till morning, weeping, watching there?—
Because he was her brother's deadliest foe.
XXIV.
Because the golden dragon's blood had mixt
In all those mountain streams, had dyed the grass
212
Now trodden for her sake; because betwixt
Those two proud barons such a gulf was fixt
As never bridge of peace might overpass.
XXV.
A bitter, passionate feud, that was begun
In ages long forgotten, and bequeath'd
With those rich baronies by sire to son—
A sacred charge, a great work never done,
A sharp and fiery weapon never sheath'd.
XXVI.
Yet, e'er a month slipped by, as summer slips
On noiseless wings, another kiss was laid,
Not on white palms or rosy finger-tips,
But softly on shut eyes and quivering lips;
And vows were sealèd in the forest glade.
XXVII.
The robber baron, who had hedged about
That fairest blossom of the sacred plant,
Saw he the insolent mailèd hand stretch'd out
To break down all his barriers, strong and stout?
Knew he aught of that gracious covenant?
XXVIII.
His pride serenely slept. Nor did it wake
Till, in amaze, he saw his enemy stand
In his own castle, praying him to take
The pledge of peace for Lady Gertrude's sake—
Praying him humbly for the lady's hand.
XXIX.
Slowly the knitted brows grew fierce and black;
Slowly the eagle eyes began to shine.
“Sir knight,” he said, “I pray you get you back.
But one hour—and the Bears are on your track.
There's naught but fire and sword 'twixt mine and thine.”
XXX.
And then the doors were barred on every side
213
Upon the innocent traitor, who had done
Such doubly-shameful despite to his pride.
Mocking, “I'll satisfy your heart,” he cried,
“An' you will have a husband, pretty one!”
XXXI.
Yet did she send a message stealthily,
Spurred by the torture of this ominous threat.
“Thou wilt not suffer it?” she said. And he,
“Fear not. To-morrow will I come for thee,—
At eve to-morrow, when the sun has set.”
XXXII.
And on the morrow, when the autumn light
Of red and gold had faded into grey,
She heard his signal up the echoing height,
Like hoarse owl-whistle, quivering through the night;
And in the dark she softly slipped away.
XXXIII.
Her faithful nurse, with trembling hands, untwined
The new-forged fetters and drew back the bars.
The hound look'd up into her face, and whined,
And scratch'd the door; he would not stay behind.
And so she went—watch'd only by the stars.
XXXIV.
Adown the mountain passes, with wing'd feet
And bright, blank eyes—her hand fast clutch'd around
A ragged slip of myrtle, white and sweet;
The hound beside her, velvet-footed, fleet
And silent, with his muzzle to the ground.
XXXV.
The knight was waiting, with his dappled steed,
Hard by the black brink of the waveless pool.
In his strong, tender arms—now safe indeed—
She cross'd the valley, with the wild bird's speed,
Fanned by the whispering night-wind, clear and cool.
XXXVI.
Away—away—far from the trysting-place—
214
Over the blood-stain'd border-lands at last!
One wandering hind alone beheld the race;
A sudden rush—a shadow on his face—
A glint of golden scales—and she was past.
XXXVII.
She felt the shadow of a mighty wall,
And then the glow of torchlight, and again
The gloom of cloister'd stair and passage, fall
Upon her vacant eyes. She heard a call;
And, in the echoing mountains, its refrain.
XXXVIII.
Then all around her a great silence lay;
She knew not why, nor greatly seem'd to care,
Till, in low tones, she heard the baron say,
“Hast thou confess'd, my little one, to-day?”—
The while he weaved the myrtle in her hair.
XXXIX.
She glanced up suddenly, in blank amaze;
And then remember'd. 'Twas an altar, hung
With silk and rich embroidery, met her gaze;
'Twas perfumed, waxen altar-tapers' blaze
On her chill'd face and troubled spirit flung.
XL.
A holy father, with his open book,
Stood by the threshold of the chapel door.
Slowly, with bated breath and hands that shook,
Soft-clasped together—drawn with but a look—
She went, and knelt down humbly on the floor.
XLI.
The baron left her, lowly crouching there,
Her bright, starred tresses trailing on the stones;
And waited, kneeling on the altar-stair—
Holding his sword-hilt to his lips, in prayer—
The while she pleaded in her tremulous tones.
XLII.
A warning voice upon the still air dwelt,
215
A long, low cry of mingled hope and dread;—
A pause—a solemn silence—and she felt
The sweet absolving whisper as she knelt,
And hands of blessing covering her head.
XLIII.
The knight arose in silence, with a brow
Haughty and pale; and, softly drawing nigh,—
Love, life, and death in the new “I and thou”—
He gave and took each solemn marriage vow,
With all his arm'd retainers standing by.
XLIV.
The soft light fell upon their faces—still,
And calm, and full of rest. None now to part
The golden link between them!—naught to chill
The blest assurance that the father's will
Laid hand in hand, and gather'd heart to heart.
XLV.
And so 'twas done. Each finger now had worn
The rings that aye ring'd in the double life;
From each the pledge had been withdrawn in turn,
As one by one the hallow'd oaths were sworn;
And Lady Gertrude was the baron's wife.
XLVI.
He led her to her chamber, when the glow
Of dawn began to quicken earth and sky;
They watch'd the rosy wine-cup overflow
The pale, cool, silvery track upon the snow
Of Alpine crests, uplifted far and high.
XLVII.
They saw the mountain floodgates open'd wide,
The downward streaming of unfetter'd day;
In blessed stillness, standing side by side—
Stillness that told how they were satisfied,
Those hearts whereon the new-born glamour lay.
XLVIII.
And then, down cloister'd aisle and sculptured stair,
216
Through open courts, all bathed in shining mist,
They pass'd together, knight and lady fair;
She with the matron's coif upon her hair,
Her golden hair by lip and finger kiss'd.
XLIX.
He throned her proudly in his castle hall,
High on the daïs above the festive board,
'Neath shields and pennons drooping from the wall;
And they below the salt rose, one and all,
To greet the bride of their puissant lord.
L.
Loud were the shouts, and fair with smiling grace
The blue eyes of the lady baroness;
And bright and eager was the haughty face
Of her brave husband, towering in his place,
Yet aye low-stooping for a mute caress.
LI.
There came a sudden pause—a thunder-cloud,
Darkening the sunshine of the golden noon—
An ominous stillness in the armèd crowd,
While slowly stiffening lips, all stern and proud,
Shut in the kindly laughter—all too soon!
LII.
“To arms! To arms!” A passionate crimson flush
Rose, sank, and blanched the fair face of the bride.
“To arms!” The cry smote sharply on the hush,
And broke it;—all was one tumultuous rush—
“The Bears have cross'd the border-land!” they cried.
LIII.
But a few hours had Lady Gertrude dwelt
With her dear lord. Sad honours now were hers,
With white, hot hands she clasp'd his silver belt;
She held his dinted shield and sword; and knelt,
Like lowly squire, to don his golden spurs.
LIV.
“Thou wilt not fight with him?—thou wilt forbear
217
For my sake?” So she pleaded, while the sun
Shone on her falling tears—each tear a prayer.
He whisper'd gravely, as he kissed her hair,
“I know not if I can, my little one.”
LV.
She held his hands, with infinite mute desire
To hold him back; then watch'd him to the field
With hungry, feverish eyes that could not tire,
Till sunny space absorb'd the fitful fire
Of the bright dragons on his crest and shield.
LVI.
When he was gone—quite gone—she crept away,
Back to the castle chapel, still and dim;
And knelt where he had knelt but yesterday,
Low on the altar step, to watch and pray—
To pour her heart out for the love of him.
LVII.
Her bower-maidens sat alone and spun
The while she pray'd, the terror-stricken wife.
The long hours slowly wanèd, one by one,
And evening came, and, with the setting sun,
The sudden darkness that eclipsed her life.
LVIII.
She listen'd, and she heard the sound at last,—
The ominous pause, the heavy, clanging tread;
She saw the strange, long shadow weirdly cast
Upon the floor, the red blood streaming fast,
The dear face grey and stiffen'd;—he was dead!
LIX.
“Ay, dead, my lady baroness; and slain
By him you call your brother. Curses light
Upon his caitiff soul! Ah, 'tis in vain
To murmur thus,—he will not hear again—
He cannot heed your whisperings to-night.”
LX.
She lay down on her bridal couch—the stone
218
Whereon he lay in his eternal rest;
They, pitying, pass'd out, leaving her alone,
To kiss the rigid lips, and cry, and moan,
With her white face upon his bleeding breast.
LXI.
'Twas night—wakeful, restless, troubled night,
Both wild and soft—fair;
With clouds fast flying through the domheight,
And shrieking winds, and silvery shining light,
And clear bells piercing the transparent air.
LXII.
Down vale and fell a lonely figure stray'd,—
Now a dark shadow on the moonlit ground,
Now flickering white and ghostly in the shade
Of haunted glen and scented forest-glade—
A woman, watched and followed by a hound.
LXIII.
'Twas Lady Gertrude, widow'd and forlorn,
Returning to the wild birds' mountain nest;
Sent out with smiling insult and with scorn,
And creeping to the home where she was born,
To hide her sorrow, to lie down and rest.
LXIV.
She reach'd the gate and cross'd the castle-yard,
And stood upon the threshold, chill'd with fear.
The baron rose and faced her, breathing hard:
“Troopers,” he thunder'd, “let the doors be barred
And double-barred!—we'll have no traitors here.”
LXV.
Such was her welcome. As she turn'd away,
Groping with sightless eyes and hands outspread,
The hound, unnoticed, slowly made his way
Along the hall, as if in track of prey,
With glistening teeth and stealthy velvet tread.
219
LXVI.
There was no clarion cry, none heard the sound
Of knightly challenge, till the champion rose,
Avenging. Lo! they saw upon the ground
The baron struggling with the savage hound,
And grim death grimly waiting for the close!
LXVII.
'Twas done. He lay there unassoilzied, dead,
Ere scarcely fell'd by the relentless paws.
And the fierce hound, with painful, limping tread,
Was following still where Lady Gertrude led,
His own red life-blood dripping from his jaws.
LXVIII.
'Neath shadowy glades, with moonbeams interlaced,
Through valleys, at day—dawning, soft and dim,
Up mountain steeps at sunrise—uplands paced
By her dead lord in childhood—she retraced
The long miles stretching betwixt her and him.
LXIX.
She reach'd the castle, ere the torches' glare
Had wanèd in the brightness of the sky—
Another lord than hers was feasting there!
She shudder'd at the sounds that fill'd the air,
Of drunken laughter and loud revelry,
LXX.
And softly up the cloister'd stairs she crept,
Back to the lonely chapel, where all sound
Of human life in solemn silence slept.
With weary heart and noiseless feet she stept
Beneath the doorway into hallow'd ground.
LXXI.
Low at the altar, wrapped in slumber sweet
And still and deep, her murder'd lord lay here;
With waxen tapers at his head and feet—
Forcing reluctant darkness to retreat—
And cross-embroider'd pall upon his bier.
220
LXXII.
The blood-hound blindly stumbled, and fell prone
Across the threshold. Something came and prest
His huge head downward, stiffening him to stone.
And Lady Gertrude, passing up alone,
Spread her white arms above the baron's breast.
LXXIII.
The weapons which his lowly coffin bore—
His sword and spurs, his helm and shield and belt—
Like him, to rest from battle evermore,
Whose long-drawn shadows barred the chapel floor,—
She kiss'd them, for his dear sake, as she knelt.
LXXIV.
She laid her cheek upon the velvet pall,
With one long, quivering sigh; and tried to creep
Where the soft shadow of the rood would fall,
'Mid light of sunrise and of tapers tall,
Upon them both, and there she fell asleep.
LXXV.
She woke no more. But where her track had been,
On that last night, became a haunted ground.
And when the wild wind blows upon the sheen
Of summer moonlight, there may still be seen
The phantom of a lady and a hound.
~ Ada Cambridge,
1319: Book VII: The Book of the Woman

So to the voice of their best they were bowed and obeyed undebating;
Men whose hearts were burning yet with implacable passion
Felt Odysseus strength and rose up clay to his counsels.
King Agamemnon rose at his word, the wide-ruling monarch,
Rose at his word the Cretan and Locrian, Thebes and Epirus,
Nestor rose, the time-tired hoary chief of the Pylians.
Round Agamemnon the Atreid Europe surged in her chieftains
Forth from their tent on the shores of the Troad, splendid in armour,
Into the golden blaze of the sun and the race of the sea-winds.
Fierce and clear like a flame to the death-gods bright on its altar
Shone in their eyes the lust of blood and of earth and of pillage;
For in their hearts those fires replaced the passions of discord
Forging a brittle peace by a common hatred and yearning.
Joyous they were of mood; for their hopes were already in Troya
Sating with massacre, plunder and rape and the groans of their foemen
Death and Hell in our mortal bosoms seated and shrouded;
There they have altars and seats, in mankind, in this fair-builded temple,
Made for purer gods; but we turn from their luminous temptings;
Vainly the divine whispers seek us; the heights are rejected.
Man to his earth drawn always prefers his nethermost promptings,
Man, devouring, devoured who is slayer and slain through the ages
Since by the beast he soars held and exceeds not that pedestals measure.
They now followed close on the steps of the mighty Atrides
Glued like the forest pack to the war-scarred coat of its leader,
Glued as the pack when wolves follow their prey like Doom that can turn not.
Perfect forms and beautiful faces crowded the tent-door,
Brilliant eyes and fierce of souls that remembered the forest,
Wild-beasts touched by thought and savages lusting for beauty.
Dire and fierce and formidable chieftains followed Atrides,
Merciless kings of merciless men and the founders of Europe,
Sackers of Troy and sires of the Par thenon, Athens and Caesar.
Here they had come to destroy the ancient perishing cultures;
For, it is said, from the savage we rose and were born to a wild-beast.
So when the Eye supreme perceives that we rise up too swiftly,
Drawn towards height but fullness contemning, called by the azure,
Life when we fail in, poor in our base and forgetting our mother,
Back we are hurled to our roots; we recover our sap from the savage.
So were these sent by Zeus to destroy the old that was grandiose.
Such were those frames of old as the sons of Heaven might have chosen
Who in the dawn of eternity wedded the daughters of Nature,
Cultures touched by the morning star, vast, bold and poetic,
Titans works and joys, but thrust down from their puissance and pleasure
Fainting now fell from the paces of Time or were left by his ages.
So were these born from Zeus to found the new that should flower
Lucid and slender and perfectly little as fit for this mortal
Ever who sinks back fatigued from immortalitys stature;
Man, repelled by the gulfs within him and shrinking from vastness,
Form of the earth accepts and is glad of the lap of his mother.
Safe through the infinite seas could his soul self-piloted voyage,
Chasing the dawns and the wondrous horizons, eternitys secrets
Drawn from her luminous gulfs! But he journeys rudderless, helmless,
Driven and led by the breath of God who meets him with tempest,
Hurls at him Night. The earth is safer, warmer its sunbeams;
Death and limits are known; so he clings to them hating the summons.
So might one dwell who has come to take joy in a fair-lighted prison;
Amorous grown of its marble walls and its noble adornments,
Lost to mightier cares and the spaces boundlessly calling
Lust of the infinite skies he forgets and the kiss of the stormwind.
So might one live who inured to his days of the field and the farm-yard
Shrinks from the grandiose mountain-tops; shut up in lanes and in hedges
Only his furrows he leads and only orders his gardens,
Only his fleeces weaves and drinks of the yield of his vine-rows:
Lost to his ear is the song of the waterfall, wind in the forests.
Now to our earth we are bent and we study the skies for its image.
That was Greece and its shining, that now is France and its keenness,
That still is Europe though by the Christ-touch troubled and tortured,
Seized by the East but clasping her chains and resisting our freedom.
Then was all founded, on Phrygias coasts, round Ilions ramparts,
Then by the spear of Achilles, then in the Trojan death-cry;
Bearers mute of a future world were those armoured Achaians.
So they arrived from Zeus, an army led by the death-god.
So one can see them still who has sight from the gods in the trance-sleep
Out from the tent emerging on Phrygias coasts in their armour;
Those of the early seed Pelasgian slighter in stature,
Dark-haired, hyacinth-curled from the isles of the sea and the southron,
Soft-eyed men with pitiless hearts; bright-haired the Achaians,
Hordes of the Arctic Dawn who had fled from the ice and the death-blast;
Children of conquerors lured to the coasts and the breezes and olives,
Noons of Mediterranean suns and the kiss of the southwind
Mingled their brilliant force with the plastic warmth of the Hamite.
There they shall rule and their children long till Fate and the Dorian
Break down Hellene doors and trample stern through the passes.
Mixed in a glittering rout on the Ocean beaches one sees them,
Perfect and beautiful figures and fronts, not as now are we mortals
Marred and crushed by our burden long of thought and of labour;
Perfect were these as our race bright-imaged was first by the Thinker
Seen who in golden lustres shapes all the glories we tarnish,
Rich from the moulds of Gods and unmarred in their splendour and swiftness.
Many and mighty they came over the beaches loud of the Aegean,
Roots of an infant world and the morning stars of this Europe,
Great Agamemnons kingly port and the bright Menelaus,
Tall Idomeneus, Nestor, Odysseus Atlas-shouldered,
Helmeted Ajax, his chin of the beast and his eyes of the dreamer.
Over the sands they dispersed to their armies ranked by the Ocean.
But from the Argive front Acirrous loosed by Tydides
Parted as hastens a shaft from the string and he sped on intently
Swift where the beaches were bare or threading the gaps of the nations;
Crossing Thebes and Epirus he passed through the Lemnian archers,
Ancient Gnossus hosts and Meriones leaderless legions.
Heedless of cry and of laughter calling over the sea-sands
Swiftly he laboured, wind in his hair and the sea to him crying,
Straight he ran to the Myrmidon hosts and the tents of Achilles.
There he beheld at his tent-door the Phthian gleaming in armour,
Glittering-helmed with the sun that climbed now the cusp of Cronion,
Nobly tall, excelling humanity, planned like Apollo.
Proud at his side like a pillar upreared of snow or of marble,
Golden-haired, hard and white was the boy Neoptolemus, fire-eyed.
New were his feet to the Trojan sands from the ships and from Scyros:
Led to this latest of all his fathers fights in the Troad
He for his earliest battle waited, the son of Achilles.
So in her mood had Fate brought them together, the son and the father,
Even as our souls travelling different paths have met in the ages
Each for its work and they cling for an hour to the names of affection,
Then Times long waves bear them apart for new forms we shall know not,
So these two long severed had met in the shadow of parting.
Often he smote his hand on the thigh-piece for sound of the armour,
Bent his ear to the plains or restless moved like a war-horse
Curbed by his masters will, when he stands new-saddled for battle
Hearing the voice of the trumpets afar and pawing the meadows.
Over the sands Acirrous came to them running and toiling,
Known from far off, for he ran unhelmeted. High on the hero
Sunlike smiled the golden Achilles and into the tent-space
Seized by the hand and brought him and seated. War-shaft of Troezen,
Whence was thy speed, Acirrous? Comst thou, O friend, to my tent-side
Spurred by thy eager will or the trusted stern Diomedes?
Or from the Greeks like the voice still loved from a heart that is hollow?
What say the banded princes of Greece to the single Achilles?
Bringest thou flattery pale or an empty and futureless menace?
But to the strength of Pelides the hero Acirrous answered:
Response none make the Greeks to thy high-voiced message and challenge;
Only their shout at thy side will reply when thou leapst into Troya.
So have their chieftains willed and the wisdom calm of Odysseus.
But with a haughty scorn made answer the high-crested Hellene:
Wise is Odysseus, wise are the hearts of Achaias chieftains.
Ilions chiefs are enough for their strength and life is too brittle
Hurrying Fate to advance on the spear of the Phthian Achilles.
Not from the Greeks have I sped to thy tents, their friendship or quarrel
Urged not my feet; but Tiryns chieftain strong Diomedes
Sent me claiming a word long old that first by his war-car
Young Neoptolemus come from island Scyros should enter
Far-crashing into the fight that has lacked this shoot of Achilles,
Pressing in front with his fathers strength in the playground of Ares,
Shouting his fathers cry as he clashed to his earliest battle.
So let Achilles son twin-carred fight close by Tydides,
Seal of the ancient friendship new-sworn twixt your sires in their boyhood
Then when they learned the spear to guide and strove in the wrestle.
So he spoke recalling other times and regretted
And to the Argives word consented the strength of Pelides.
He on the shoulder white of his son with a gesture of parting
Laid his fateful hand and spoke from his prescient spirit:
Pyrrhus, go. No mightier guide couldst thou hope into battle
Opening the foemens ranks than the hero stern Diomedes.
Noble that rugged heart, thy fathers friend and his fathers.
Journey through all wide Greece, seek her prytanies, schools and palaestras,
Traverse Oceans rocks and the cities that dream on his margin,
Phocian dales, Aetolias cliffs and Arcadys pastures,
Never a second man wilt thou find, but alone Diomedes.
Pyrrhus, follow his counsels always losing thy father,
If in this battle I fall and Fate has denied to me Troya.
Pyrrhus, be like thy father in virtue, thou canst not excel him;
Noble be in peace, invincible, brave in the battle,
Stern and calm to thy foe, to the suppliant merciful. Mortal
Favour and wrath as thou walkst heed never, son of Achilles.
Always thy will and the right impose on thy friend and thy foeman.
Count not life nor death, defeat nor triumph, Pyrrhus.
Only thy soul regard and the gods in thy joy or thy labour.
Pyrrhus heard and erect with a stride that was rigid and stately
Forth with Acirrous went from his sire to the joy of the battle.
Little he heeded the word of death that the god in our bosom
Spoke from the lips of Achilles, but deemed at sunset returning,
Slaying Halamus, Paris or dangerous mighty Aeneas,
Proudly to lay at his fathers feet the spoils of the foeman.
But in his lair alone the godlike doomed Pelides
Turned to the door of his tent and was striding forth to the battle,
When from her inner chamber Briseis parting the curtain,
Long had she stood there spying and waiting her lonely occasion,
Came and caught and held his hand like a creeper detaining
Vainly a moment the deathward stride of the kings of the forest.
Tarry awhile, Achilles; not yet have the war-horns clamoured,
Nor have the scouts streamed yet from Xanthus fierily running.
Lose a moment for her who has only thee under heaven.
Nay, had war sounded, thou yet wouldst squander that moment, Achilles,
Hearkening a womans fears and the voice of a dream in the midnight.
Art thou not gentle even as terrible, lion of Hellas?
Others have whispered the deeds of thy wrath; we have heard, but not seen it;
Marvelling much at their pallor and awe we have listened and wondered.
Never with thrall or slavegirl or captive saw I thee angered,
Hero, nor any humble heart ever trembled to near thee.
Pardoning rather our many faults and our failures in service
Lightly thou layedst thy yoke on us kind as the clasp of a lover
Sparing the weak as thou breakest the mighty, O godlike Achilles.
Only thy equals have felt all the dread of the death-god within thee;
We have presumed and have played with the strength at which nations have trembled.
Lo, thou hast leaned thy mane to the clutch of the boys and the maidens.
But to Briseis white-armed made answer smiling Achilles:
Something sorely thou needst, for thou flatterest long, O Briseis.
Tell me, O woman, thy fear or thy dream that my touch may dispel it,
White-armed net of bliss slipped down from the gold Aphrodite.
And to Achilles answered the captive white Briseis:
Long have they vexed my soul in the tents of the Greeks, O Achilles,
Telling of Thetis thy mother who bore thee in caves of the Ocean
Clasped by a mortal and of her fear from the threats of the Ancients,
Weavers of doom who play with our hopes and smile at our passions
Painting Time with the red of our hearts on the web they have woven,
How on the Oceans bosom she hid thee in vine-tangled Scyros
Clothed like a girl among girls with the daughters of King Lycomedes,
Art thou not fairer than womans beauty, yet great as Apollo?
Fearing Paris shafts and the anger of Delian Phoebus.
Now in the night has a vision three times besieged me from heaven.
Over the sea in my dream an argent bow was extended;
Nearing I saw a terror august over moonlit waters,
Cloud and a fear and a face that was young and lovely and hostile.
Then three times I heard arise in the grandiose silence,
Still was the sky and still was the land and still were the waters,
Echoing a mighty voice, Take back, O King, what thou gavest;
Strength, take thy strong man, sea, take thy wave, till the warfare eternal
Need him again to thunder through Asias plains to the Ganges.
That fell silent, but nearer the beautiful Terror approached me,
Clang I heard of the argent bow and I gazed on Apollo.
Shrilly I cried; it was thee that the shaft of the heavens had yearned for,
Thee that it sought like a wild thing in anger straight at its quarry,
Quivering into thy heel. I awoke and found myself trembling,
Held thee safe in my arms, yet hardly believed that thou livest.
Lo, in the night came this dream; on the morn thou arisest for battle.
But to Briseis white-armed made answer the golden Achilles:
This was a dream indeed, O princess, daughter of Brises!
Will it restrain Achilles from fight, the lion from preying?
Come, thou hast heard of my prowess and knowest what man is Achilles.
Deemst thou so near my end? or does Polyxena vex thee,
Jealousy shaping thy dreams to frighten me back from her capture?
Passionate, vexed Briseis, smiting his arm with her fingers,
Yet with a smile half-pleased made answer to mighty Achilles.
Thinkst thou I fear thee at all? I am brave and will chide thee and threaten.
See that thou recklessly throw not, Achilles, thy life into battle
Hurting this body, my world, nor venture sole midst thy foemen,
Leaving thy shielders behind as oft thou art wont in thy war-rage
Lured by thy tempting gods who seek their advantage to slay thee,
Fighting divinely, careless of all but thy spear and thy foeman.
Cover thy limbs with thy shield, speed slowly restraining thy coursers.
Dost thou not know all the terrible void and cold desolation
Once again my life must become if I lose thee, Achilles?
Twice then thus wilt thou smite me, O hero, a desolate woman?
I will not stay behind on an earth that is empty and kingless.
Into the grave I will leap, through the fire I will burn, I will follow
Down into Hades depths or wherever thy footsteps go clanging,
Hunting thee always,didst thou not seize me here for thy pleasure?
Stronger there by my love as thou than I here, O Achilles.
Thou shalt not dally alone with Polyxena safe in the shadows.
But to Briseis answered the hero, mighty Pelides,
Holding her delicate hands like gathered flowers in his bosom,
Pressing her passionate mouth like a rose that trembles with beauty.
There then follow me even as I would have drawn thee, O woman,
Voice that chimes with my soul and hands that are eager for service,
Beautiful spoil beloved of my foemen, perfect Briseis
But for the dreams that come to us mortals sleeping or waking,
Shadows are these from our souls and who shall discern what they figure?
Fears from the heart speak voiced like Zeus, take shape as Apollo.
But were they truer than Delphis cavern voice or Dodonas
Moan that seems wind in his oaks immemorable, how should they alter
Fate that the stern gods have planned from the first when the earth was unfashioned,
Shapeless the gyre of the sun? For dream or for oracle adverse
Why should man swerve from the path of his feet? The gods have invented
Only one way for a man through the world, O my slavegirl Briseis,
Valiant to be and noble and truthful and just to the humble,
Only one way for a woman, to love and serve and be faithful.
This observe, thy task in thy destiny noble or fallen;
Time and result are the gods; with these things be not thou troubled.
So he spoke and kissed her lips and released her and parted.
Out from the tent he strode and into his chariot leaping
Seized the reins and shouted his cry and drove with a far-borne
Sound of wheels mid the clamour of hooves and the neigh of the war-steeds
Swift through the line of the tents and forth from the heart of the leaguer.
Over the causeway Troyward thundered the wheels of Achilles.
After him crashing loud with a fierce and resonant rumour
Chieftains impetuous prone to the mellay and swift at the war-cry
Came, who long held from the lust of the spear and the joy of the war-din
Rushed over earth like hawks released through the air; a shouting
Limitless rolled behind, for nations followed each war-cry.
Lords renowned of the northern hills and the plains and the coast-lands,
Many a Dorian, many a Phthian, many a Hellene,
Names now lost to the ear though then reputed immortal!
Night has swallowed them, Zeus has devoured the light of his children;
Drawn are they back to his bosom vast whence they came in their fierceness
Thinking to conquer the earth and dominate Time and his ages.
Nor on their left less thick came numerous even as the sea-sands
Forth from the line of the leaguer that skirted the far-sounding waters,
Ranked behind Tydeus son and the Spartan, bright Menelaus,
Ithacas chief and Epeus, Idomeneus lord of the Cretans,
Acamas, Nestor, Neleus son, and the brave Ephialtus,
Prothous, Meges, Leitus the bold and the king Prothonor,
Wise Alcestes son and the Lemnian, stern Philoctetes,
These and unnumbered warlike captains marching the Argives.
Last in his spacious car drove shaping the tread of his armies,
Even as a shepherd who follows his flock to the green of the pastures,
Atreus far-famed son, the monarch great Agamemnon.
They on the plain moved out and gazing far over the pastures
Saw behind Xanthus rolling with dust like a cloud full of thunder,
Ominous, steadily nearing, shouting their war-cry the Trojans.
***
~ Sri Aurobindo, 7 - The Book of the Woman
,
1320:A Veteran Cavalryman's Tale
LOW in the fertile vale by Tunstall’s Run
A rainy rifle skirmish closed the day.
Beyond the April-swollen, narrow stream,
Lee’s stubborn rearguard veteran raggedies
Lay prone amid last year’s tobacco stalks,
Shooting hot Enfields straight from red-mud pools,
While from their rear four angry howitzers,
High set on Armistead’s Plantation Hill,
Flamed shrieking shell o’erhead across the bridge
That Custer raged to seize before black night
Should close his daylong toil in mud and rain.
Thrice did we gallop vainly at the planks,
Then vainly strove on foot the pass to win,
Till through the drizzling dark but flashes showed
The points where sullen rifles opposite rang,
And back we straggled, stumbling up the slope
Where Union buglers shrilled the bivouac.
Ninety unanswering voices told our loss,
While silence ruled so deep we heard the rain’s
Small rataplan on ponchos and on hats,
Until the crackling rail-fence Company fires
Lighted the piney length of Custer’s Ridge.
That night John Woolston served as orderly,
The John who strokes to-day his white old beard
And sees himself, scarce downy of the lips,
Eyeing young long-haired Custer through the smoke
Across a flaming pyre, that steaming slaves
Of Tunstall fed afresh with Tunstall rails.
Down in the shrouded vale about the Run
Three score of boys John Woolston knew in life
Lay scattered round an old-hoed, red-mud field,
Peaceful with scores of veteran boys in gray,
Whose bodily particles were resurrect
As corn for bread, and leaf for smokers’ pipes,
Before the Americans of now were born
To share, through common-soldier sacrifice,
The comrade Union of the States to-day.
A rail-heap seated Custer with his aide,
Their drowsing bugler opposite leaned on John,
While overhead the swaying boughs of pine
Creaked in an upward-rushing draught of warmth,
And from our solitary surgeons’ tent
Came smothered ecstasies of mortal pain,
And in the outer darkness horses stamped
And bit and squealed and enviously eyed
The huddling regiments about the fires,
Pipes lit, hats slouched to fend the rain and glare.
As Woolston watched lean Custer’s martial face,
It seemed the hero heard not flame nor bough,
Nor marked the groans, nor knew at what he stared,
So deep intent his mind ranged o’er the Run
And up the opposite-sloping Arm’stead hill,
As questioning if the murderous howitzers
Would hold the bridge at dawn, or march by night,
And so, perchance, next eve, afar repeat
The dusky fight, and cost him ninety more
He would fain range about the field of fields
Where lion Lee, enringed, must stand at bay,
Choosing to greatly die, or greatlier yield.
At last he shook his aide. “Get up! Go bring
A prisoner here.” And when the head-hurt man
In butternut stood boldly to his eyes,
He asked one word alone: “Your general’s name?”
“My general’s name!” stared Butternut, then proud,
As ’t were a cubit added to his height,
He spoke,—“My general’s name is R. E. Lee!”
“I mean who fights Lee’s rearguard?” Custer said,
“Who held the bridge to-night? His name alone.”
And then the bitter man in butternut
Smiled ghastly grim, and smacked as tasting blood;
“It’s General Henry Tunstall, his own self,
And if you find our ‘Fighting Tunce’ alive
When daylight comes, there’ll be red hell to pay
For every plank that spans that trifling bridge.”
“Good man!” said Custer. “Spoke right soldierly!
Here—take this cloak—to save your wound from rain”:
And gave the brave the poncho that he wore.
Then up flamed Butternut: “Say, General,
You’re Yank, and yet, by God, you’re white clean through.
And so I kind of feel to tell you why
Them planks will cost you so almighty dear.
You’re camped to-night on ‘Fighting Tunce’s’ land;
Cross yonder, on the hill his guns defend,
Is where his lady lives, his promised wife,—
God bless her heart!—Miss Mary Armistead.
She’s there herself to-night—she’d never run.
Her widowed father fell at Fredericksburg,
Three brothers died in arms, one limps with Lee.
Herself has worked their darkies right along
Four years, to raise our army pork and pone,
And she herself not twenty-four to-day!
Will Tunstall fight for her? Say, General,
Your heart can guess what hell you’ll face at day.”
“You’re right, my man,” said Custer. “That will do.”
And off they marched the ponchoed prisoner.
“By heaven!” spoke Custer then, and faced his aide,
“I know why Tunstall’s gunners spared the bridge.
It’s ten to one he means to swarm across,
After his hungry Johnnies get some rest,
To strike us here and hard before the dawn.
His heart was forged in fire and enterprise!
His bully-boys will back his wildest dare!
Lieutenant—pick me out two first-rate men—
Morton for one, if ‘Praying Mort’ ’s alive—
Tell them I go myself to post vedettes.
Now—mind—I want a pair of wideawakes.—
You, Orderly, go saddle up my bay.”
“I want to go with Morton,” blurted John.
“You! Call yourself a wideawake, my lad?”
“Yes, sir,” said Woolston.—
“But you’re just a boy.”
“Well, General, Uncle Sam enlisted me
For man, all right.” Then Custer smiled, and mused.
“Farm boy?” he asked.—
“Exactly what I am.”
“All right,” he said. “If once I see he’s keen,
A likely farm boy’s just the man for me.
When back his aide returned the General spoke:
“It’s barely possible we march to-night.
You’ll see that every man about the fires
Splits torch stuff plenty from the pitchy rails.”
And with the words he reined toward Arm’stead’s Hill.
Down hill, beyond the flares, beyond the pines,
Beyond his foothill pickets, through the rain,
He led as if his eyes beheld the way;
Yet they, who followed close his bay’s fast walk
By sound alone, saw not their horses’ heads,
Saw not the hand held up to blotch the gloom.
No breath of wind. The ear heard only hoofs
Splashing and squattering in the puddle field,
Or heard the saddle-leathers scarcely creak,
Or little clanks of curbing bit and chain.
Scattered about whatever way they trod
Must be the clay that marched but yesterday,
And nervously John listened, lest some soul
Faint lingering in the dark immensity
Might call its longing not to die alone.
Sudden a crash, a plunge, a kicking horse,
Then “Praying Morton” whispering cautiously:
“A post-hole, General! My horse is done.
His off fore-leg is broke, as sure as faith!
Oh, what a dispensation of the Lord—”
“Hish-sh. Save the rest!” said Custer. “Broke is broke!
Get back to camp whatever way you can.”
“Me, General! What use to post the boy?
You, Woolston, you get back. I’ll take your horse.”
“Not much, you won’t,” said Woolston angrily.
And Custer chuckled crisply in the dark.
“Enough,” he ordered. “Morton, get you back!
Be cautious when you near my picket post,
Or else they’ll whang to hit your pious voice,
And I may lose a first-rate soldier man.”
Then Morton, prayerful, mild, and mollified:
“The merciful man would end a beast in pain—
One shot.”
“No, too much noise. You get right back!
Horses, like men, must bear the luck of war.”
III
Again the plashing hoofs through endless drip,
Until the solid footing of their beasts
Bespoke them trampling in a turnpike road,
And Custer reined with: “Hish-sh, my man—come here.
Now listen.” Then John’s ears became aware
Of small articulations in the dark,
Queer laughters, as of countless impish glee,
And one pervasive, low, incessant hum,
All strange till Custer spoke: “You hear the Run?
All right! Now, mind exactly what I say.
But no. First hold my horse. I’ll feel the bridge.
Maybe I’ll draw their fire; but stay right here.”
On foot he went, and came, so stealthily
John could not hear the steps ten feet away.
“All right!” He mounted. “Not one plank removed.”
Then, communing rather with himself than John:
“No picket there! It’s strange! But surely Tunce
Would smash the bridge unless he meant to cross
And rip right back at me in dark or dawn.
Now, private—mind exactly what I say;
You’ll listen here for trampers on the bridge,
And if you hear them reach the mud this side,
With others following on the planks behind,
You’ll get right back—stick to the turnpike, mind—
And tell my challenging road-guard picket post
They’re coming strong. That’s all you’ve got to do
Unless—” he paused—“unless some negro comes
Bringing the news they’re falling back on Lee;
Then—if he’s sure—you’ll fire four carbine shots
Right quick—and stay until you see me come.
You understand?”
“I do. I’m not to shoot
In case they’re coming on. But if they’re off,
I’ll fire four shots as fast as I can pull.”
“That’s right. Be sure you keep your wits awake.
Listen for prowlers—both your ears well skinned.”
John heard the spattering bay’s fast-walking hoofs
Fainter and fainter through the steady pour,
And then no sound, except the beating rain’s
Small pit-a-pat on poncho, and the Run
Drifting its babbling through the blinding mirk.
How long he sat, no guessing in the slow
Monotony of night, that never changed
Save when the burdened horse replaced his hoofs,
Or seemed to raise or droop his weary head,
Or when some shiver shook the weary boy,
Though sheltered dry from aching neck to spurs:
A shiver at the dream of dead men nigh,
Beaten with rain, and merging with the mud,
And staring up with open, sightless eyes
That served as little cups for tiny pools
That trickled in and out incessantly;
A shiver at the thought of home and bed,
And mother tucking in her boy at night,
And how she’d shiver could she see him there—
Longing more sore than John to wrap him warm;
A shiver from the tense expectancy
Of warning sounds, while yet no sound he heard
10
Save springtime water lapping on the pier,
Or tumbling often from the clayey banks
Lumps that splashed lifelike in the turbid flood.
His aching ears were strained for other sounds,
And still toward Arm’stead’s Hill they ached and strained,
While, in the evening fight of memory,
Again he saw the broad Plantation House
Whene’er a brassy howitzer spouted flame,
Suddenly lighting up its firing men,
Who vanished dim again in streaking rain;
And then, once more, the Enfields in the vale
Thrust cores of fire, until some lightning piece
Again lit all the Arm’stead buildings clear.
From visioning swift that wide Plantation House
John’s mind went peering through its fancied rooms.
And who were there? And did they sleep, or wake?
Until he found Miss Mary Armistead
And General Henry Tunstall in the dream.
It seemed those lovers could not, could not part,
But murmured low of parting in the dawn,
Since he must march and fight, and she must stay
To hold the home, whatever war might send—
And they might never, never meet again.
So good she looked, described by Butternut’s
“God bless her heart,” and he so soldier bold
In “fire and enterprise,” by Custer’s words,—
So true and sorrowful they talked in dream,
Of Love and Life that walk the ways of Death,—
The dreamer’s under lip went quivering.
Until the startled horse put up his head
And stood, John knew, stark stiff with listening
11
To that kalatta-klank beyond the Run,
As if some cowbell clattered far away
Once, twice, and thrice, to cease as suddenly.
Then John, once more keen Yankee soldier boy,
Gathered his rein, half threw his carbine breech,
Made sure again of cartridge ready there,
Felt for the flap of holster at his thigh,
Listened alert for that most dubious bell,—
Thinking of bushwhackers in campfire tales
Impressively related to recruits;
How, in deep night, some lone vedette might hear
An innocent-seeming klatta-klatta-klank,
And never dream but that some roaming cow
Ranged through the covering woodland nigh his post,—
Till—suddenly—a bullet laid him low!
Or, perhaps, guerillas crept before the bell,
Their footsteps deadened by its klatta-klank,
Till, rushing in, they clubbed the youngster down,
So “gobbling” him unheard, a prisoner,
Then, sneaking through the gap, on sleeping posts,
They killed, and killed, and killed—so horridly
That green recruities’ hairs would stand on end.
John, shrewdly discounting the veteran yarns,
Yet knew full well that klatta-klatta-klank,
Which came again, might mean the enemy
Intent on stratagem to search the dark,
Tempting some shot or challenge to reveal
If any Union picket held the bridge.
Or else the steady-coming, clanging knell
Might signify some party far advanced,
Creeping all noiselessly, and listening keen
For any sound of Custer, horse or man.
12
Even it might be that the ridgy road
Ten yards, or five, or three from where he sat,
Concealed some foeman hungry for a move
That might betray precisely where their rush
Should be, to seize his tightened bridle-rein,
Or grasp the poncho’s skirt to pull him down.
John half inclined to lift the neck-yoke off
And lay the armless cloak on saddle-bow,
Lest it encumber him in sudden fight,
Or give the foremost foe a strangling hold.
Yet sat he motionless, since such a sound
As slicking glaze might guide an enemy.
And still the klatta-klatta-klank came on.
It surely neared the bridge! Yet John sat still,
With Custer’s orders clearly in his brain,
Waiting to learn the meaning of the thing.
It trod the planks. It moved with solid hoofs,
Hoofs that declared to farm-bred Woolston’s ear
Most unmistakably an actual cow!
But then! Oh, mystery! For rolling wheels
Rumbled upon the planking of the Run!
As up went Woolston’s horse’s head asnort,
Upon the bridge the other beast stood still.
The clanking ceased. Again no mortal sound
Blent with the tittering tumult of the stream.
Until a clear young voice of lady tone
Inquired in startled accents,—“Who goes there?”
Yet John, in utter wonder, spoke no word.
“If there’s a Yankee cavalry picket there,”
The voice proclaimed, “I wish to pass the line.”
And still the Yankee knew not what to say,
Since Custer’s orders covered not the case,
13
And since, alas, the wondrous lady voice
Might possibly denote some stratagem.
And yet—suppose ’t was only just a girl!
John sickened with a sense of foolishness.
“Go on,” she cried, and seemed to slap her beast,
Which moved some doubtful steps, and stopped again.
Then calmly scornful came the lady tones:—
“Oh, Mister Yankee picket, have no fear
To speak right up. No dangerous man am I.
Only a woman. And she’s got no gun,
No pistol, bayonet, knife, or anything.
And all she asks is just to pass your line,
A prisoner if you like.” But there she broke,
Or choked, and wailed, “O God, it’s life or death!
Oh, soldier, soldier, let me pass the line.”
So John, half desperate, called, “Young lady, come.
I don’t care what the orders are. Come on.”
“Get up,” she slapped again. But then she called:—
“My cow won’t move! She sees you, I suppose,
All armed and threatening in the middle road.
Please go away. Or ride a bit aside;
Perhaps then she’ll come. Yes, now she moves along.
You’ll pass me through?—But are there surgeons there
Where, hours ago, I saw your campfires glow?
If not, I may as well turn back again.”
“No need,” said John. “We’ve got a surgeon there.
But what’s the trouble, Miss? Yourself been hurt?”
“The trouble is I’ve got a soldier here
With desperate wounds—if still alive he be.
Oh, help me save him.” And she broke again.
14
“Why, Miss,” said Woolston, melting at the heart,
“Was there no surgeon on the Arm’stead Hill
To help your wounded live?”
“No, none,” she said,
“No man remained. At eve the negroes fled,
Or followed close behind the wagon train
He urged, with every soldier, back toward Lee.
We two were left alone. I thought you’d come.
For hours and hours I waited, all in vain.
His life was flowing fast. One chance remained.
We women placed him in our best barouche,
The only vehicle our rearguard spared.
Alone I hitched this cow, the only beast
I kept from rations for our starving men.
I led her here. Oh, soldier, help me soon
To pass your lines, and reach a surgeon’s care.”
Then Custer’s orders flashed again to John;—
“Hold hard one moment, Miss, I’ve got to shoot.”
The carbine rang. “Thank God, that’s done,” said John.
“We’ll wait right here. A surgeon’s sure to come
With Custer’s march, for march I guess he will.
He’ll turn you round, I think, and see you home.
I s’pose your name’s Miss Mary Armistead?
I hope that’s not your General wounded there.”
She could but choke, or weep, and spoke no word.
It seemed long hours they waited silently,
Save once John heard the hidden carriage creak,
And guessed she rose beside the dying man
Beneath the drumlike pattering, sheltering hood.
At last, the bugles blared on Custer’s Ridge.
Then, far away, a lengthening stream of flare
Came round the distant, curtaining screen of pines,
And down the hill the torches, borne on high
15
By fifteen hundred horsemen, formed a slope
Of flame that moved behind the bugles’ call,
Till on the level road a fiery front
Tossing, yet solid-seeming, walked along.
And in the van rode Custer, beardless, tall,
His long hair dabbled in the streaming rain.
John rode to meet him. There he called the halt,
And came, with twenty torches, round the chaise.
Then first they saw Miss Mary Armistead,
Her honorable, fearless, lifted eyes
Gazing on Custer’s bare and bended head,
While General Henry Tunstall’s countenance,
Supported close within her sheltering arm,
Leaned unto hers in pallid soldier death.
“Madam,” said Custer, “would that I had known
The bravest of the brave lay needing aid.
Lady, the great heroic name he won
Held me from marching onward to your hill,
Held me expecting from him night attack,
Till now in vain we bring a surgeon’s help,—
And words are useless. Yet again I say—
Because a soldier’s heart compels the due—
He lived the bravest of the bravest brave
That ever faced the odds of mighty war.
May God sustain yourself for years and years
The living shrine of Tunstall’s memory.”
She bowed her noble head, but answered naught.
Then past the chariot streamed our wondering men
Behind tall Custer in the foremost front,
Trampling as thunder on the bridging planks,
Their torches gleaming on the swirling Run;
16
A tossing, swaying column o’er the flat,
A fiery slope of fours abreast the hill,
And on, unresting on, through night and rain,
Remorseless, urgent, yet most merciful,
Because the Nation’s life demanded war,
Relentless, hurrying swift to force an end,
And banish night, and bring a peaceful dawn.
But old John Woolston sees across the years,
Beneath the black, cavernous carriage hood,
Flaring in torchlight, Tunstall’s face of death
Beside a lovely, living, haloed face,
Heroic, calm, ineffably composed
With pride unconquerable in valiant deeds,
With trust in God our Lord unspeakable—
The sainted Woman of the Perished Cause,
The chastened soul of that Confederacy
Which marches on, no less than John Brown’s soul,
Inspiring, calling on the Nation’s heart,
Urging it dauntlessly to front stark death
For what ideals the Nation’s heart holds true.
Straight rain streaks downward through the torches’ flare,
And solemn through the ancient darkness sound
The small, bewildered, lingering, million tones
Of atoms streaming to the eternal sea.
~ Edward William Thomson,
1321: Book V: The Book of Achilles

Meanwhile grey from the Trojan gates Talthybius journeyed
Spurred by the secret thought of the Fates who change not nor falter.
Simois sighed round his wheels and Xanthus roared at his passing,
Troas god like a lion wroth and afraid; to meet him
Whistling the ocean breezes came and Ida regarded.
So with his haste in the wheels the herald oceanward driving
Came through the gold of the morn, oer the trampled green of the pastures
Back to the ships and the roar of the sea and the iron-hooped leaguer.
Wide to the left his circle he wrote where the tents of Achilles
Trooped like a flock of the sea-fowl pensive and still on the margin.
He past the outposts rapidly coursed to the fosse of the Argives.
In with a quavering cry to the encampment over the causeway
Bridging the moat of the ships Talthybius drove in his chariot
Out of the wide plains azure-roofed and the silence of Nature
Passing in to the murmur of men and the thick of the leaguer.
There to a thrall of the Hellene he cast his reins and with labour
Down from the high seat climbed of the war-car framed for the mighty.
Then betwixt tent-doors endless, vistaed streets of the canvas,
Slowly the old man toiled with his eager heart, and to meet him
Sauntering forth from his tent at the sound of the driving car-wheels
Strong Automedon came who was charioteer of Achilles.
Grey Talthybius, whence art thou coming? From Troya the ancient?
Or from a distant tent was thy speed and the King Agamemnon?
What in their armoured assembly counsel the kings of the Argives?
Not from the host but from Troy, Automedon, come I with tidings,
Nor have I mixed with the Greeks in their cohorts ranked by the Ocean,
Nor have I stood in their tents who are kings in sceptred Achaia,
But from Achilles sent to Achilles I bring back the message.
Tell me, then, what does Pelides, whether his strength he reposes
Soothed by the lyre or hearing the chanted deeds of the mighty
Or does he walk as he loves by the shore of the far-sounding waters?
And to the Argive herald grey Automedon answered:
Now from the meal he rests and Briseis lyres to him singing
One of the Ilian chants of old in the tongue of the Trojans.
Early, then, he has eaten, Automedon, early reposes?
Early the meat was broached on the spits, Talthybius, early
High on the sands or under the tents we have eaten and rested.
None knows the hour of the hunt, red, fierce, nor the prey he shall leap on,
All are like straining hounds; for Achilles shares not his counsels,
But on the ships, in the tents the talk has run like Peneus;
These upon Troy to be loosed and the hard-fighting wolf-brood of Priam,
These hope starkly with Argos embraced to have done with the Spartan,
Ending his brilliance in blood or to sport on the sands of the margent
Playing at bowls with the heads of the Cretan and crafty Odysseus.
Welcome were either or both; we shall move in the dances of Ares,
Quicken heart-beats dulled and limbs that are numb with reposing.
War we desire and no longer this ease by the drone of the waters.
So as they spoke, they beheld far-off the tent of Achilles
Splendid and spacious even as the hall of a high-crested chieftain,
Lofty, held by a hundred stakes to the Phrygian meadow.
Hung were its sides with memories bronze and trophies of armour,
Sword and spear and helmet and cuirass of fallen heroes
Slain by the hand of the mighty Achilles warring with Troya.
Teemed in its canvas rooms the plundered riches of Troas,
Craftsmans work and the wood well-carved and the ivory painted,
Work of bronze and work of gold and the dreams of the artist.
And in those tents of his pride, in the dreadful guard of the Hellene,
Noble boys and daughters of high-born Phrygians captive,
Borne from the joyless ruins that now were the sites of their childhood,
Served in the land of their sires the will of the Phthian Achilles.
There on a couch reclined in his beauty mighty and golden,
Loved by the Fates and doomed by them, spear of their will against Troya,
Peleus hero son by the foam-white child of the waters
Dreaming reposed and his death-giving hand hung lax oer the couch-side.
Near him dark-eyed Briseis, the fatal and beautiful captive,
Sang to the Grecian victor chants of the land of her fathers,
Sang the chant of Ilus, the tale of the glories of Troya.
Trojan boys and maidens sat near the singer and listened
Heart-delighted if with some tears; for easy are mortal
Hearts to be bent by Fate and soon we consent to our fortunes.
But in the doorway Automedon stood with the shadowy Argive
And at the ominous coming the voice of the singer faltered,
Faltering hushed like a thought melodious ceasing in heaven.
But from his couch the Peleid sprang and he cried to the herald.
Long hast thou lingered in Ilion, envoy, mute in the chambers
Golden of Priam old, while around thee darkened the counsels
Wavering blindly and fiercely of minds that revolt from compulsion,
Natures at war with the gods and their fortunes. Fain would I fathom
What were the thoughts of Deiphobus locked in that nature of iron
Now that he stands confronting his fate in the town of his fathers.
Peace dwells not in thy aspect. Sowst thou a seed then of ruin
Cast from the inflexible heart and the faltering tongue of Aeneas,
Or with the golden laugh of the tameless bright Alexander?
Grey Talthybius answered, Surely their doom has embraced them
Wrapping her locks round their ears and their eyes, lest they see and escape her,
Kissing their tongue with her fatal lips and dictating its answers.
Dire is the hope of their chiefs and fierce is the will of their commons.
Son of the Aeacids, spurned is thy offer. The pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen captive be dragged to the feet of her husband,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail on us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours;
Not of such sires were we born, but of kings and of gods. Larissan,
Not with her gold Troy purchases safety but with her spear-point.
Stand with thy oath in the war-front, Achilles, call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So they reply; they are true to their death, they are constant for ruin.
Humbler answer hope not, O hero, from Penthesilea;
Insolent, warlike, regal and swift as herself is her message.
Sea of renown and of valour that fillest the world with thy rumour,
Speed of the battle incarnate, mortal image of Ares!
Terror and tawny delight like a lion one hunts or is hunted!
Dread of the world and my target, swift-footed glorious hero!
Thus have I imaged thee, son of Peleus, dreaming in countries
Far from thy knowledge, in mountains that never have rung to thy war-cry.
O, I have longed for thee, warrior! Therefore today by thy message
So was I seized with delight that my heart was hurt with its rapture,
Knowing today I shall gaze with my eyes on that which I imaged
Only in air of the mind or met in the paths of my dreaming.
Thus have I praised thee first with my speech; with my spear I would answer.
Yet for thy haughty scorn who deeming of me as some Hellene
Or as a woman weak of these plains fit but for the distaff,
Promisest capture in war and fame as thy slavegirl in Phthia,
Surely I think that death today will reply to that promise,
Now I will give thee my answer and warn thee ere we encounter.
Know me queen of a race that never was conquered in battle!
Know me armed with a spear that never has missed in the combat!
There where my car-wheels run, good fruit gets the husbandman after.
This thou knowest. Ajax has told thee, thy friend, in his dying.
Has not Meriones spirit come in thy dreams then to warn thee?
Didst thou not number the Argives once ere I came to the battle?
Number them now and measure the warrior Penthesilea.
Such am I then whom thy dreams have seen meek-browed in Larissa,
And in the battle behind me thunder the heroes Eoan,
Ranks whose feeblest can match with the vaunted chiefs of the Argives.
Never yet from the shock have they fled; if they turn from the foeman,
Always tis to return like death recircling on mortals.
Yet being such, having such for my armies, this do I promise:
I on the left of the Trojans war with my bright-armed numbers,
Thou on the Argive right come forth, Achilles, and meet me!
If thou canst drive us with rout into Troy, I will own thee for master,
Do thy utmost will and make thee more glorious than gods are
Serving thy couch in Phthia and drawing the jar from thy rivers.
Nay, if thou hast that strength, then hunt me, O hunter, and seize me,
If tis thy hope indeed that the sun can turn back from the Orient,
But if thou canst not, death of myself or thyself thou shalt capture.
Musing heard and was silent awhile the strength of Achilles,
Musing of Fate and the wills of men and the purpose of Heaven,
Then from his thoughts he broke and turned in his soul towards battle.
Well did I know what reply would come winged from the princes of Troya.
Prone are the hearts of heroes to wrath and to God-given blindness
When from their will they are thrust and harried by Fate and disaster:
Fierceness then is the armour of strength against grief and its yieldings.
So have the gods made man for their purpose, cunningly fashioned.
Once had defiance waked from my depths a far-striding fury,
Flaming for justice and vengeance, nor had it, satisfied, rested,
Sunk to its lair, till the insulter died torn or was kneeling for pardon.
Fierce was my heart in my youth and exulted in triumph and slaughter.
Now as I grow in my spirit like to my kin the immortals,
Joy more I find in saving and cherishing than in the carnage.
Greater it seems to my mind to be king over men than their slayer,
Nobler to build and to govern than what the ages have laboured
Putting their godhead forth to create or the high gods have fashioned,
That to destroy in our wrath of a moment. Ripened, more widely
Opens my heart to the valour of man and the beauty of woman,
Works of the world and delight; the cup of my victory sweetens
Not with the joys of hate, but the human pride of the triumph.
Yet was the battle decreed for the means supreme of the mortal
Placed in a world where all things strive from the worm to the Titan.
So will I seize by the onset what peace from my soul would sequester,
So will I woo with the sword and with love the delight of my foeman,
Troy and Polyxena, beauty of Paris and glory of Priam.
This was the ancient wrestling, this was the spirit of warfare
Fit for the demigods. Soon in the city of gold and of marble,
There where Ilus sat and Tros, where Laomedon triumphed,
Peleus house shall reign, the Hellene sit where the Trojan
Thought himself deathless. Arise, Automedon! Out to the people!
Send forth the cry through the ships and the tents of the Myrmidon nation.
Let not a man be found then lingering when oer the causeway
Thunder my chariot-wheels, nor let any give back in the battle,
Good if he wills from me, till through the conquered gates of the foeman
Storming we herd in their remnants and press into Troy as with evening
Helios rushing sinks to the sea. But thou, Briseis,
Put by thy lyre, O girl; it shall gladden my heart in my triumph
Victor returned from Troy to listen pleased to thy singing,
Bearing a captive bound to my car-wheels Penthesilea,
Bearing my valours reward, Polyxena, daughter of Priam,
Won in despite of her city and brothers and spears of her kindred.
So by force it is best to take ones will and be mighty.
Joyful, Automedon ran through the drowsy camp of the Hellenes
Changing the hum of the tents as he raced into shoutings of battle;
For with the giant din of a nation triumphant arising
Hellas sprang from her irksome ease and mounted her war-car;
Donning her armour bright she rejoiced in the trumpets of battle.
But to the herald grey the Peleid turned and the old man
Shuddered under his gaze and shrank from the voice of the hero:
Thou to the tents of thy Kings, Talthybius, herald of Argos!
Stand in the Argive assembly, voice of the strength of Achilles.
Care not at all though the greatest and fiercest be wroth with thy message.
Deem not thyself, old man, as a body and flesh that is mortal,
Rather as living speech from the iron breast of the Hellene.
Thus shalt thou cry to the vanquished chiefs who fled from a woman,
Thus shalt thou speak my will to the brittle and fugitive legions:
Now Achilles turns towards Troya and fast-flowing Xanthus,
Now he leaps at the iron zone, the impregnable city.
Two were the forms of the Gods that oerhung the sails of Pelides
When with a doubtful word in his soul he came wind-helped from Hellas
Cleaving the Aegean deep towards the pine-crested vision of Ida.
Two are the Fates that stride with the hero counting his exploits.
Over all earthly things the soul that is fearless is master,
Only on death he can reckon not whether it comes in the midnight
Treading the couch of Kings in their pride or speeds in the spear-shaft.
Now will I weigh down that double beam of the Olympian balance
Claiming one of the equal Fates that stand robed for the fighter,
For to my last dire wrestle I go with the Archer of heaven,
And ere the morning gleam have awakened the eagles on Ida,
Troy shall lie prone or the earth shall be empty of Phthian Achilles.
But for whatever Fate I accept from the ageless Immortals,
Whether cold Hades dim or Indus waits for my coming
Pouring down vast to the sea with the noise of his numberless waters,
I with Zeus am enough. Your mortal aid I desire not,
Rushing to Troy like the eagle of Zeus when he flies towards the thunders,
Winged with might, the bird of the spaces, upbuoying his pinions.
Nor shall my spirit look back for the surge of your Danaan fighters,
Tramp of the Argive multitudes helping my lonely courage,
Neither the transient swell of the cry Achaian behind me
Seek, nor the far-speeding voice of Atrides guiding his legions.
Need has he none for a leader who himself is the soul of his action.
Zeus and his fate and his spear are enough for the Phthian Achilles.
Rest, O wearied hosts; my arm shall win for you Troya,
Quelled when the stern Eoans break and Penthesilea
Lies like a flower in the dust at my feet. Yet if Ares desire you,
Come then and meet him once more mid the cry and the trampling! Assemble
Round the accustomed chiefs, round the old victorious wrestlers
Wearied strengths Deiphobus leaves you or sternest Aeneas.
But when my arm and my Fate have vanquished their gods and Apollo,
Brilliant with blood when we stand amid Ilions marble splendours,
Then let none seat deaf flame on the glory of Phrygias marbles
Or with his barbarous rapine shatter the chambers of sweetness
Slaying the work of the gods and the beauty the ages have lived for.
For he shall moan in the night remote from the earth and her greenness,
Spurred like a steed to its goal by my spear dug deep in his bosom;
Fast he shall fleet to the waters of wailing, the pleasureless pastures.
Touch not the city Apollo built, where Poseidon has laboured.
Seized and dishelmed and disgirdled of Apollonian ramparts,
Empty of wide-rolling wheels and the tramp of a turbulent people
Troy with her marble domes shall live for our nations in beauty
Hushed mid the trees and the corn and the pictured halls of the ancients,
Watching her image of dreams in the gliding waves of Scamander,
Sacred and still, a city of memory spared by the Grecians.
So shalt thou warn the arrogant hearts of Achaias chieftains
Lest upon Greece an evil should fall and her princes should perish.
Herald, beware how thou soften my speech in the ears of thy nation
Sparing their pride and their hearts but dooming their lives to the death-stroke.
Even thy time-touched snows shall not shield thy days from my sword-edge.
Wroth the old mans heart, but he feared Achilles and slowly
Over the margin grey on the shore of the far-sounding ocean
Silent paced to the tents of the Greeks and the Argive assembly.
There on the sands while the scream of the tide as it dragged at the pebbles
Strove in vain with their droning roar, awaiting their chieftains
Each in his tribe and his people far down the margin Aegean
Argolis sons and Epirote spears and the isles and the southron,
Locris swarms and Messenes pikes and the strength of the Theban,
Hosts bright-armed, bright-eyed, bright-haired, time-hardened to Ares,
Stretched in harsh and brilliant lines with a glitter of spear-points
Far as the eye could toil. All Europe helmeted, armoured
Swarmed upon Asias coasts disgorged from her ships in their hundreds.
There in the wide-winged tent of the council that peered oer the margin,
High where the grass and the meadow-bloom failed on the sand-rifted sward-edge,
Pouring his argent voice Epeus spoke to the princes,
Rapid in battle and speech; and even as a boy in a courtyard
Tosses his ball in the air and changes his hands for the seizing
So he played with counsel and thought and rejoiced in his swiftness.
But now a nearing Fate he felt and his impulse was silenced.
Stilled were his thoughts by the message that speeds twixt our minds in their shadows
Dumb, unthought, unphrased, to us dark, but the caverns of Nature
Hear its cry when Gods moment changing our fate comes visored
Silently into our lives and the spirit too knows, for it watches.
Quiet he fell and all men turned to the face of the herald.
Mute and alone through the ranks of the seated and silent princes
Old Talthybius paced, nor paused till he stood at the midmost
Fronting that council of Kings and nearest to Locrian Ajax
And where Sthenelus sat and where sat the great Diomedes,
Chiefs of the South, but their love was small for the Kings of the Spartans.
There like one close to a refuge he lifted his high-chanting accents.
High was his voice like the winds when it whistles shrill oer a forest
Sole of all sounds at night, for the kite is at rest and the tiger
Sleeps from the hunt returned in the deepest hush of the jungle.
Hearken, O Kings of the world, to the lonely will of the Phthian!
One is the roar of the lion heard by the jungles hundreds,
One is the voice of the great and the many shall hear it inclining.
Lo, he has shaken his mane for the last great leap upon Troya
And when the eagles scream shall arise in the dawn over Ida,
Troy shall have fallen or earth shall be empty of Phthian Achilles.
But by whatever Fate he is claimed that waits for the mortal,
Whether the fast-closed hands above have kept for his morrows
Chill of the joyless shades or earth and her wooings of sunlight
Still shall detain his days with the doubtful meed of our virtues,
He and Zeus shall provide, not mortals. Chaff are mens armies
Threshed by the flails of Fate; tis the soul of the hero that conquers.
Not on the tramp of the multitudes, not on the cry of the legions
Founds the strong man his strength but the god that he carries within him.
Zeus and his Fate and his spear are enough for the Phthian Achilles.
Prudence of men shall curb no more his god-given impulse.
He has no need of thy voice, O Atrides, guiding the legions,
He is the leader, his is the soul of magnificent emprise.
Rest, O ye sons of the Greeks, the Phthian shall conquer for Hellas!
Rest! expose not your hearts to the war-cry of Penthesilea.
Yet if the strength in you thirsts for the war-din, if Ares is hungry,
Meet him stark in the mellay urging Deiphobus coursers,
Guiding Aeneas spear; recover the souls of your fathers.
Bronze must his heart be who looks in the eyes of the implacable war-god!
But when his Fate has conquered their gods and slaughtered their heroes,
And in this marble Ilion forced to the tread of her foemen
Watched by the ancient domes you stand, by the timeless turrets,
Then let no chieftain garbed for the sacrifice lift against Troya,
Counselled of Ate, torch of the burning, hand of the plunder
Groping for gold but finding death in her opulent chambers.
For he shall moan in the night regretting the earth and her greenness,
Spurred by the spear in his arrogant breast like a steed to the gorges:
Fast he shall fleet to the flowerless meadows, the sorrowful pastures.
Touch not the city Apollo built, where Poseidon has laboured,
Slay not the work of the gods and the glory the ages have lived for.
Mute of the voice of her children, void of the roll of her war-cars
Timeless Troy leave solitary dreaming by ancient Scamander
Sacred and still, a city of memory spared by the Phthian.
So Talthybius spoke and anger silenced the Argives.
Mute was the warlike assembly, silent Achaias princes.
Wrath and counsel strove in the hush for the voice of the speakers.
***
~ Sri Aurobindo, 5 - The Book of Achilles
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1322:Lohengrin
THE holy bell, untouched by human hands,
Clanged suddenly, and tolled with solemn knell.
Between the massive, blazoned temple-doors,
Thrown wide, to let the summer morning in,
Sir Lohengrin, the youngest of the knights,
Had paused to taste the sweetness of the air.
All sounds came up the mountain-side to him,
Softened to music,— noise of laboring men,
The cheerful cock-crow and the low of kine,
Bleating of sheep, and twittering of the birds,
Commingled into murmurous harmonies—
When harsh, and near, and clamorous tolled the bell.
He started, with his hand upon his sword;
His face, an instant since serene and fair,
And simple with the beauty of a boy,
Heroic, flushed, expectant all at once.
The lovely valley stretching out beneath
Was now a painted picture,— nothing more;
All music of the mountain or the vale
Rang meaningless to him who heard the bell.
'I stand upon the threshold, and am called,'
His clear, young voice shrilled gladly through the air,
And backward through the sounding corridors.
'And have ye heard the bell, my brother knights,
Untouched by human hands or winds of heaven?
It called me, yea, it called my very name!'
So, breathing still of morning, Lohengrin
Sprang 'midst the gathering circle of the knights,
Eager, exalted. 'Nay, it called us all:
It rang as it hath often rung before,—
Because the good cause, somewhere on the earth,
Requires a champion,' with a serious smile,
An older gravely answered. 'Where to go?
We know not, and we know not whom to serve.'
Then spake Sir Percivale, their holiest knight,
And father of the young Sir Lohengrin:
'All that to us seems old, familiar, stale,
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Unto the boy is vision, miracle.
Cross him not, brethren, in his first desire.
I will dare swear the summons rang to him,
Not sternly solemn, as it tolled to us,
But gracious, sweet, and gay as marriage-bells.'
His pious hands above the young man's head
Wandered in blessing, lightly touching it,
As fondly as a mother. 'Lohengrin,
My son, farewell,— God send thee faith and strength.'
' God send me patience and humility,'
Murmured the boyish knight, from contrite heart,
With head downcast for those anointing hands.
Then raising suddenly wide, innocent eyes,—
'Father, my faith is boundless as God's love.'
Complete in glittering silver armor clad,
With silver maiden-shield, blank of device,
Sir Lohengrin rode down the Montsalvatsch,
With Percivale and Tristram, Frimutelle
And Eliduc, to speed him on his quest.
They fared in silence, for the elder knights
Were filled with grave misgivings, solemn thoughts
Of fate and sorrow, and they heard the bell
Tolling incessant; while Sir Lohengrin,
Buoyant with hope, and dreaming like a girl,
With wild blood dancing in his veins, had made
The journey down the mount unconsciously,
Surprised to find that he had reached the vale.
Distinct and bowered in green the mountain loomed,
Topped with the wondrous temple, with its cross
Smitten to splendor by the eastern sun.
Around them lay the valley beautiful,
Imparadised with flowers and light of June;
And through the valley flowed a willowy stream,
Golden and gray, at this delicious hour,
With purity and sunshine. Here the knights,
Irresolute, gave pause — which path to choose?
'God lead me right!' said meek Sir Lohengrin;
And as he spoke afar upon the stream,
He saw a shining swan approaching them.
Full-breasted, with the current it sailed down,
Dazzling in sun and shadow, air and wave,
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With unseen movement, wings a little spread,
Their downy under-feathers fluttering,
Stirred by its stately progress; in its beak
It held a silver chain, and drew thereby
A dainty carven shallop after it,
Embossed with silver and with ivory.
'Lead ye my charger up the mount again,'
Cried Lohengrin, and leaped unto the ground,
'For I will trust my guidance to the swan.'
' Nay, hold, Sir Lohengrin,' said Eliduc,
' Thou hast not made provision for this quest.'
' God will provide,' the pious knight replied.
Then Percival: 'Be faithful to thy vows;
Bethink thee of thine oath when thou art asked
Thy mission in the temple, or thy race.
Farewell, farewell.' 'Farewell,' cried Lohengrin,
And sprang into the shallop as it passed,
And waved farewells unto his brother knights,
Until they saw the white and silver shine
Of boat and swan and armor less and less,
Till in the willowy distance they were lost.
Skirting the bases of the rolling hills,
He glided on the river hour by hour,
All through the endless summer day. At first
On either side the willows brushed his boat,
Then underneath their sweeping arch he passed,
Into a rich, enchanted wilderness,
Cool, full of mystic shadows and rare lights,
Wherein the very river changed its hue,
Reflecting tender shades of waving green,
And mossy undergrowth of grass and fern.
Here yellow lilies floated 'midst broad leaves,
Upon their reedy stalks, and far below,
Beneath the flags and rushes, coppery bream
Sedately sailed, and flickering perch, and dace
With silvery lustres caught the glancing rays
Of the June sun upon their mottled scales.
'Midst the close sedge the bright-eyed water-mouse
Nibbled its food, while overhead, its kin,
The squirrel, frisked among the trees. The air
Was full of life and sound of restless birds,
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Darting with gayer tints of red and blue
And speckled plumage 'mid gray willow leaves,
And sober alders, and light-foliaged birch.
Unnumbered insects fluttered o'er the banks,
Some dimpling the smooth river's slippery floor,
Leaping from point to point. Then passed the knight
'Twixt broad fields basking in excess of light,
And girt around by range on range of hills,
Green, umber, purple, waving limitless,
Unto the radiant crystal of the sky.
Through unfamiliar solitudes the swan
Still led him, and he saw no living thing
Save creatures of the wood, no human face,
Nor sign of human dwelling. But he sailed,
Holding high thoughts and vowing valorous vows,
Filled with vast wonder and keen happiness,
At the world's very beauty, and his life
Opened in spacious vistas measureless,
As lovely as the stream that bore him on.
So dazzled was the boyish Lohengrin
By all the vital beauty of the real,
And the yet wilder beauty of his dreams,
That he had lost all sense of passing time,
And woke as from a trance of centuries,
To find himself within the heart of hills,
The river widened to an ample lake,
And the swan faring towards a narrow gorge,
That seemed to lead him to the sunset clouds.
Suffused with color were the extremest heights;
The river rippled in a glassy flood,
Glorying in the glory of the sky.
O what a moment for a man to take
Down with him in his memory to the grave!
Life at that hour appeared as infinite
As expectation, sacred, wonderful,
A vision and a privilege. The stream
Lessened to force its way through rocky walls,
Then swerved and flowed, a purple brook, through woods
Dewy with evening, sunless, odorous.
There Lohengrin, with eyes upon the stream,
Now brighter than the earth, saw, deep and clear,
The delicate splendor of the earliest star.
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All night, too full of sweet expectancy,
Too reverent of the loveliness, for sleep,
He watched the rise and setting of the stars..
All things were new upon that magic day,
Suggesting nobler possibilities,
For a life passed in wise serenity,
Confided with sublimely simple faith
Unto the guidance of the higher will.
In the still heavens hung the large round moon,
White on the blue-black ripples glittering,
And rolled soft floods of slumberous, misty light
Over dim fields and colorless, huge hills.
But the pure swan still bore its burden on,
The ivory shallop and the silver knight,
Pale-faced in that white lustre, neither made
For any port, but seemed to float at will
Aimlessly in a strange, unpeopled land.
So passed the short fair night, and morning broke
Upon the river where it flowed through flats
Wide, fresh, and vague in gray, uncertain dawn,
With cool air sweet from leagues of dewy grass.
Then 'midst the flush and beauty of the east,
The risen sun made all the river flow,
Smitten with light, in gold and gray again.
Rightly he judged his voyage but begun,
When the swan loitered by low banks set thick
With cresses, and red berries, and sweet herbs,
That he might pluck and taste thereof; for these
Such wondrous vigor in his frame infused,
They seemed enchanted and ambrosial fruits.
Day waxed and waned and vanished many times,
And many suns still found him journeying;
But when the sixth night darkened hill and wold,
He seemed bewitched as by a wizard's spell,
By this slow, constant progress, and deep sleep
Possessed his spirit, and his head drooped low
On the hard pillow of his silver shield.
Unconscious he was borne through silent hours,
Nor wakened by the dawn of a new day,
But in his dreamless sleep he never lost
The sense of moving forward on a stream.
Now fared the swan through tilled and cultured lands,
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Dappled with sheep and kine on pastures soft,
Sprinkled with trim and pleasant cottages,
With men and women working noiselessly,
As in a picture; nearer then they drew,
And sounds of rural labor, spoken words,
Sir Lohengrin might hear, but still he slept,
Nor saw the shining turrets of a town,
Gardens and castles, domes and cross-topped spires
Fair in the distance, and the flowing stream,
Cleaving its liquid path 'midst many men,
And glittering galleries filled with courtly folk,
Ranged for a tourney-show in open air.
Ah! what a miracle it seemed to these,—
The white bird bearing on the river's breast
That curious, sparkling shallop, and within
The knight in silver armor, with bared head,
And crisp hair blown about his angel face,
Asleep upon his shield! They gazed on him
As on the incarnate spirit of pure faith,
And as the very ministrant of God.
But one great damsel throned beside a king,
With coroneted head and white, wan face,
Flushed suddenly, and clasped her hands in prayer,
And raised large, lucid eyes in thanks to Heaven.
Then, in his dreamless slumber, Lohengrin,
Feeling the steady motion of the boat
Suddenly cease, awoke. Refreshed, alert,
He knew at once that he had reached his port,
And saw that peerless maiden thanking Heaven
For his own advent, and his heart leaped up
Into his throat, and love o'ermastered him.
After the blare of flourished trumpets died,
A herald thus proclaimed the tournament:
'Greetings and glory to the majesty
Of the imperial Henry. By his grace,
This tourney has been granted to the knight,
Frederick of Telramund, who claims the hand
Of Lady Elsie, Duchess of Brabant,
His ward, and stands prepared to prove in arms
His rights against all champions in the lists,
Whom his unwilling mistress may select.
Sir Frederick, Lord of Telramund, is here:
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What champion will espouse the lady's cause?'
Sir Frederick, huge in stature and in bulk,
In gleaming armor terribly equipped,
Advanced defiant, as the herald ceased.
Then Lohengrin, with spear and shield in hand,
Sprang lightly, from his shallop, in the lists.
His beaver raised disclosed his ardent face,
His whole soul shining from inspired eyes.
With cast-back head, sun-smitten silver mail,
Quivering with spirit, light, and life, he stood,
And flung his gauntlet at Sir Frederick's feet,
Crying with shrill, clear voice that rang again,
'Sir Lohengrin adopts the lady's cause.'
Then these with shock of conflict couched their spears
In deadly combat; but their weapons clanged
Harmless against their mail impregnable,
Or else were nimbly foiled by dexterous shields.
Unequal and unjust it seemed at first,—
The slender boy matched with the warrior huge,
Who bore upon him with the skill and strength
Of a tried conqueror; but the stranger knight
Displayed such agile grace in parrying blows,
Such fiery valor dealing his own strokes,
That men looked on in wonder, and his foe
Was hardly put upon it for his life.
Thrice they gave praise, to breathe, and to prepare
For fiercer battle, and the galleries rang
With plaudits, and the names of both the knights.
And they, with spirits whetted by the strife,
Met for the fourth, last time, and fenced and struck,
And the keen lance of Lohengrin made way,
Between the meshes of Sir Frederick's mail,
Through cuirass and through jerkin, to the flesh,
With pain so sharp and sudden that he fell.
Then Henry threw his warder to the ground,
And cried the stranger knight had won the day;
And all the lesser voices, following his,
Called, ' Lohengrin—Sir Lohengrin hath won!'
He, flushed with victory, standing in the lists,
Deafened with clamor of his very name,
Reëchoed to the heavens, felt himself
Alone and alien, and would fain float back
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Unto the temple, had he not recalled
The fair, great damsel throned beside the king.
But lo! the swan had vanished, and the boat
He fancied he descried a tiny star,
Glimmering in the shining distances.
'His Majesty would greet Sir Lohengrin;
And Lady Elsie, Duchess of Brabant,
Would thank him for his prowess.' Thus proclaimed
The herald, while the unknown knight was led
To the imperial throne. Then Elsie spake:
'Thou hast redeemed my life from misery;
How may I worthily reward or thank?
Be thou the nearest to our ducal throne,
The highest knight of Limburg and Brabant,
The greatest gentleman,— unless thy rank,
In truth, be suited to thine own deserts,
And thou, a prince, art called to higher aims.'
'Madam, my thanks are rather due to Fate,
For having chosen so poor an instrument
For such a noble end. A knight am I,
The champion of the helpless and oppressed,
Bound by fast vows to own no other name
Than Lohengrin, the Stranger, in this land,
And to depart when asked my race or rank.
Trusting in God I came, and, trusting Him,
I must remain, for all my fate hath changed,
All my desires and hopes, since I am here.'
So ended that great joust, and in the days
Thereafter Elsie and Sir Lohengrin,
United by a circumstance so strange,
Loved and were wedded. A more courteous duke,
A braver chevalier, Brabant ne'er saw.
Such grace breathed from his person and his deeds,
Such simple innocence and faith looked forth
From eyes well-nigh too beautiful for man,
That whom he met, departed as his friend.
But Elsie, bound to him by every bond
Of love and honor and vast gratitude,
Being of lesser faith and confidence,
Tortured herself with envious jealousies,
Misdoubting her own beauty, and her power
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To win and to retain so great a heart.
Each year Sir Lohengrin proclaimed a joust
In memory of the tourney where he won
His lovely Duchess, and his lance prevailed
Against all lesser knights. When his twain sons,
Loyal and brave and gentle as their sire,
Had grown to stalwart men, and his one girl,
Eyed like himself and as his Duchess fair,
Floramie, grew to gracious maidenhood,
He gave a noble tourney, and o'erthrew
The terrible and potent Duke of Cleves.
'Ha!' sneered the Dame of Cleves, 'this Lohengrin
May be a knight adroit and valorous,
But who knows whence he sprang?' and lightly laughed,
Seeing the hot blood kindle Elsie's cheek.
That night Sir Lohengrin sought rest betimes,
By hours of crowded action quite forespent,
And found the Duchess Elsie on her couch,
Staining the silken broideries with her tears.
'Why dost thou weep?' he questioned tenderly,
Kissing her delicate hands, and parting back
Her heavy yellow hair from brow and face.
'The Duchess Anne of Cleves hath wounded me.'
'Sweet, am not I at hand to comfort thee?'
And he caressed her as an ailing child,
Until she smiled and slept. But the next night
He found her weeping, and he questioned her,
With the same answer, and again she slept;
Then the third night he asked her why she grieved
And she uprising, white, with eager eyes,
Cried, 'Lohengrin, my lord, my only love,
For our sons' sake, who know not whence they spring,
Our daughter who remains a virgin yet,
Let me not hear folk girding at thy race.
I know thy blood is royal, I have faith;
But tell me all, that I may publish it
Unto our dukedom.' Hurt and wondering,
He answered simply, 'I am Lohengrin,
Son to Sir Percivale, and ministrant
Within the holy temple of the Grail.
I would thy faith were greater, this is all.
Now must I bid farewell.' ' O Lohengrin,
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What have I done?' She clung about his neck,
And moistened all his beard with streaming tears;
But he with one long kiss relaxed her arms
Calmly from his embrace, and stood alone.
' Blame not thy nature now with vain reproofs.
This also is our fate: in all things else.
We have submitted,—let us yield in this,
With no less grace now that God tries our hearts,
Than when He sent us victory and love.'
' Yea, go, — you never loved me,' faltered she;
' I will not blame my nature, but your own.
Through all our wedded years I doubted you;
Your eyes have never brightened meeting mine
As I have seen them in religious zeal,
Or in exalted hours of victory.'
A look of perfect weariness, unmixed
With wrath or grief, o'erspread the knight's pale face;
But with the pity that a god might show
Towards one with ills impossible to him,
He drew anear, caressing her, and sighed:
' Through all our wedded years you doubted me?
Poor child, poor child! and it has come to this.
Thank Heaven, I gave no cause for your mistrust,
Desiring never an ideal more fair
Of womanhood than was my chosen wife.'
She, broken, sobbing, leaned her delicate head
On his great shoulder, and remorseful cried,
' O loyal, honest, simple Lohengrin,
Thy wife has been unworthy: this is why
Thou sayest farewell in accents cold and strange,
With alien eyes that even now behold
Things fairer, better, than her mournful face.'
But he with large allowance answered her:
'If this be truth, it is because I feel
That I belong no more unto myself,
Neither to thee, for God withdraws my soul
Beyond all earthly passions unto Him.
Now that we know our doom, with serious calm,
Beside thee I will sit, till break of day,
Thus holding thy chill hand and tell thee all.
This will resign thee, for I cannot think
How any human soul that hath beheld
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Life's compensations and its miracles,
Can fail to trust in what is yet to come.'
Then he began from that auroral hour
When he first heard the temple bell, and told
The wonder of the swan that came for him,
His journey down the stream, the tournament,
His strength unwonted, combating the knight
Who towered above him with superior force
Of flesh and sinew,— how he prayed through all,
Imploring God to let the just cause win,
Unconscious of the close-thronged galleries,
Feeling two eyes alone that burned his soul.
She knew the rest. Therewith he kissed her brow
And ended,—' Now the knights will take me back
Into the temple; all who keep their vows,
Are welcomed there again to peace and rest.
There will my years fall from me like a cloak,
And I will stand again at manhood's prime.
Then when all errors of the flesh are purged
From these I loved here, they may follow me,
Unto perpetual worship and to peace.'
She lay quite calm, and smiling heard his voice,
Already grown to her remote and changed,
And when he ceased, arose and gazed in awe
On his transfigured face and kissed his brow,
And understood, accepting all her fate.
Anon he called his children, and to these:
'Farewell, sweet Florance and dear Percivale;
Here is my horn, and here mine ancient sword,—
Guard them with care and win with them repute.
Here, Elsie, is the ring my mother gave,—
Part with it never; and thou, Floramie,
Take thou my love,—I have naught else to give;
Be of strong faith in him thou mean'st to wed.'
So these communed together, till the night
Died from the brightening skies, and in the east
The morning star hung in aerial rose,
And the blue deepened; while moist lawn and hedge
Breathed dewy freshness through the windows oped.
Then on the stream, that nigh the palace flowed,
A stainless swan approached them; in its beak
It held a silver chain, and drew thereby
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A dainty, carven shallop after it,
Embossed with silver and with ivory.
Followed by waved farewells and streaming eyes,
Sir Lohengrin embarked and floated forth
Unto perpetual worship and to peace.
~ Emma Lazarus,
1323:The Kalevala - Rune L
MARIATTA--WAINAMOINEN'S DEPARTURE.
Mariatta, child of beauty,
Grew to maidenhood in Northland,
In the cabin of her father,
In the chambers of her mother,
Golden ringlets, silver girdles,
Worn against the keys paternal,
Glittering upon her bosom;
Wore away the father's threshold
With the long robes of her garments;
Wore away the painted rafters
With her beauteous silken ribbons;
Wore away the gilded pillars
With the touching of her fingers;
Wore away the birchen flooring
With the tramping of her fur-shoes.
Mariatta, child of beauty,
Magic maid of little stature,
Guarded well her sacred virtue,
Her sincerity and honor,
Fed upon the dainty whiting,
On the inner bark of birch-wood,
On the tender flesh of lambkins.
When she hastened in the evening
To her milking in the hurdles,
Spake in innocence as follows:
'Never will the snow-white virgin
Milk the kine of one unworthy!'
When she journeyed over snow-fields,
On the seat beside her father,
Spake in purity as follows:
'Not behind a steed unworthy
Will I ever ride the snow-sledge!'
Mariatta, child of beauty,
Lived a virgin with her mother,
As a maiden highly honored,
Lived in innocence and beauty,
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Daily drove her flocks to pasture,
Walking with the gentle lambkins.
When the lambkins climbed the mountains,
When they gamboled on the hill-tops,
Stepped the virgin to the meadow,
Skipping through a grove of lindens,
At the calling of the cuckoo,
To the songster's golden measures.
Mariatta, child of beauty,
Looked about, intently listened,
Sat upon the berry-meadow
Sat awhile, and meditated
On a hillock by the forest,
And soliloquized as follows:
'Call to me, thou golden cuckoo,
Sing, thou sacred bird of Northland,
Sing, thou silver breasted songster,
Speak, thou strawberry of Ehstland,
Tell bow long must I unmarried,
As a shepherdess neglected,
Wander o'er these bills and mountains,
Through these flowery fens and fallows.
Tell me, cuckoo of the woodlands,
Sing to me how many summers
I must live without a husband,
As a shepherdess neglected!'
Mariatta, child of beauty,
Lived a shepherd-maid for ages,
As a virgin with her mother.
Wretched are the lives of shepherds,
Lives of maidens still more wretched,
Guarding flocks upon the mountains;
Serpents creep in bog and stubble,
On the greensward dart the lizards;
But it was no serpent singing,
Nor a sacred lizard calling,
It was but the mountain-berry
Calling to the lonely maiden:
'Come, O virgin, come and pluck me,
Come and take me to thy bosom,
Take me, tinsel-breasted virgin,
Take me, maiden, copper-belted,
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Ere the slimy snail devours me,
Ere the black-worm feeds upon me.
Hundreds pass my way unmindful,
Thousands come within my hearing,
Berry-maidens swarm about me,
Children come in countless numbers,
None of these has come to gather,
Come to pluck this ruddy berry.'
Mariatta, child of beauty,
Listened to its gentle pleading,
Ran to pick the berry, calling,
With her fair and dainty fingers,.
Saw it smiling near the meadow,
Like a cranberry in feature,
Like a strawberry in flavor;
But be Virgin, Mariatta,
Could not pluck the woodland-stranger,
Thereupon she cut a charm-stick,
Downward pressed upon the berry,
When it rose as if by magic,
Rose above her shoes of ermine,
Then above her copper girdle,
Darted upward to her bosom,
Leaped upon the maiden's shoulder,
On her dimpled chin it rested,
On her lips it perched a moment,
Hastened to her tongue expectant
To and fro it rocked and lingered,
Thence it hastened on its journey,
Settled in the maiden's bosom.
Mariatta, child of beauty,
Thus became a bride impregnate,
Wedded to the mountain-berry;
Lingered in her room at morning,
Sat at midday in the darkness,
Hastened to her couch at evening.
Thus the watchful mother wonders:
'What has happened to our Mary,
To our virgin, Mariatta,
That she throws aside her girdle,
Shyly slips through hall and chamber,
Lingers in her room at morning,
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Hastens to her couch at evening,
Sits at midday in the darkness?'
On the floor a babe was playing,
And the young child thus made answer:
'This has happened to our Mary,
To our virgin, Mariatta,
This misfortune to the maiden:
She has lingered by the meadows,
Played too long among the lambkins,
Tasted of the mountain-berry.'
Long the virgin watched and waited,
Anxiously the days she counted,
Waiting for the dawn of trouble.
Finally she asked her mother,
These the words of Mariatta:
'Faithful mother, fond and tender,
Mother whom I love and cherish,
Make for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the mother:
'Woe to thee, thou Hisi-maiden,
Since thou art a bride unworthy,
Wedded only to dishonor!'
Mariatta, child of beauty,
Thus replied in truthful measures:
'I am not a maid of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
As a shepherdess I wandered
With the lambkins to the glen-wood,
Wandered to the berry-mountain,
Where the strawberry had ripened;
Quick as thought I plucked the berry,
On my tongue I gently laid it,
To and fro it rocked and lingered,
Settled in my heaving bosom.
This the source of all my trouble,
Only cause of my dishonor!'
As the mother was relentless,
Asked the maiden of her father,
This the virgin-mother's pleading:
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O my father, full of pity,
Source of both my good and evil,
Build for me a place befitting,
Where my troubles may be lessened,
And my heavy burdens lightened.'
This the answer of the father,
Of the father unforgiving:
'Go, thou evil child of Hisi,
Go, thou child of sin and sorrow,
Wedded only to dishonor,
To the Great Bear's rocky chamber,
To the stone-cave of the growler,
There to lessen all thy troubles,
There to cast thy heavy burdens!'
Mariatta, child of beauty,
Thus made answer to her father:
'I am not a child of Hisi,
I am not a bride unworthy,
Am not wedded to dishonor;
I shall bear a noble hero,
I shall bear a son immortal,
Who will rule among the mighty,
Rule the ancient Wainamoinen.'
Thereupon the virgin-mother
Wandered hither, wandered thither,
Seeking for a place befitting,
Seeking for a worthy birth-place
For her unborn son and hero;
Finally these words she uttered
'Piltti, thou my youngest maiden,
Trustiest of all my servants,
Seek a place within the village,
Ask it of the brook of Sara,
For the troubled Mariatta,
Child of sorrow and misfortune.'
Thereupon the little maiden,
Piltti, spake these words in answer:
'Whom shall I entreat for succor,
Who will lend me his assistance?
These the words of Mariatta:
'Go and ask it of Ruotus,
Where the reed-brook pours her waters.'
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Thereupon the servant, Piltti,
Ever hopeful, ever willing,
Hastened to obey her mistress,
Needing not her exhortation;
Hastened like the rapid river,
Like the flying smoke of battle
To the cabin of Ruotus.
When she walked the hill-tops tottered,
When she ran the mountains trembled;
Shore-reeds danced upon the pasture,
Sandstones skipped about the heather
As the maiden, Piltti, hastened
To the dwelling of Ruotus.
At his table in his cabin
Sat Ruotus, eating, drinking,
In his simple coat of linen.
With his elbows on the table
Spake the wizard in amazement:
'Why hast thou, a maid of evil,
Come to see me in my cavern,
What the message thou art bringing?
Thereupon the servant, Piltti,
Gave this answer to the wizard:
'Seek I for a spot befitting,
Seek I for a worthy birth-place,
For an unborn child and hero;
Seek it near the Sara-streamlet,
Where the reed-brook pours her waters.
Came the wife of old Ruotus,
Walking with her arms akimbo,
Thus addressed the maiden, Piltti:
'Who is she that asks assistance,
Who the maiden thus dishonored,
What her name, and who her kindred?'
'I have come for Mariatta,
For the worthy virgin-mother.'
Spake the wife of old Ruotus,
Evil-minded, cruel-hearted:
'Occupied are all our chambers,
All our bath-rooms near the reed-brook;
in the mount of fire are couches,
is a stable in the forest,
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For the flaming horse of Hisi;
In the stable is a manger
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta!'
Thereupon the servant, Piltti,
Hastened to her anxious mistress,
Spake these measures, much regretting.
'There is not a place befitting,
on the silver brook of Sara.
Spake the wife of old Ruotus:
'Occupied are all the chambers,
All the bath-rooms near the reed-brook;
In the mount of fire are couches,
Is a stable, in the forest,
For the flaming horse of Hisi;
In the stable is a manger,
Fitting birth-place for the hero
From the wife of cold misfortune,
Worthy couch for Mariatta.''
Thereupon the hapless maiden,
Mariatta, virgin-mother,
Fell to bitter tears and murmurs,
Spake these words in depths of sorrow:
'I, alas! must go an outcast,
Wander as a wretched hireling,
Like a servant in dishonor,
Hasten to the burning mountain,
To the stable in the forest,
Make my bed within a manger,
Near the flaming steed of Hisi!'
Quick the hapless virgin-mother,
Outcast from her father's dwelling,
Gathered up her flowing raiment,
Grasped a broom of birchen branches,
Hastened forth in pain and sorrow
To the stable in the woodlands,
On the heights of Tapio's mountains,
Spake these words in supplication:
'Come, I pray thee, my Creator,
Only friend in times of trouble,
Come to me and bring protection
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To thy child, the virgin-mother,
To the maiden, Mariatta,
In this hour of sore affliction.
Come to me, benignant Ukko,
Come, thou only hope and refuge,
Lest thy guiltless child should perish,
Die the death of the unworthy!'
When the virgin, Mariatta,
Had arrived within the stable
Of the flaming horse of Hisi,
She addressed the steed as follows:
'Breathe, O sympathizing fire-horse,
Breathe on me, the virgin-mother,
Let thy heated breath give moisture,
Let thy pleasant warmth surround me,
Like the vapor of the morning;
Let this pure and helpless maiden
Find a refuge in thy manger!'
Thereupon the horse, in pity,
Breathed the moisture of his nostrils
On the body of the virgin,
Wrapped her in a cloud of vapor,
Gave her warmth and needed comforts,
Gave his aid to the afflicted,
To the virgin, Mariatta.
There the babe was born and cradled
Cradled in a woodland-manger,
Of the virgin, Mariatta,
Pure as pearly dews of morning,
Holy as the stars in heaven.
There the mother rocks her infant,
In his swaddling clothes she wraps him,
Lays him in her robes of linen;
Carefully the babe she nurtures,
Well she guards her much-beloved,
Guards her golden child of beauty,
Her beloved gem of silver.
But alas! the child has vanished,
Vanished while the mother slumbered.
Mariatta, lone and wretched,
Fell to weeping, broken-hearted,
Hastened off to seek her infant.
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Everywhere the mother sought him,
Sought her golden child of beauty,
Her beloved gem of silver;
Sought him underneath the millstone,
In the sledge she sought him vainly,
Underneath the sieve she sought him,
Underneath the willow-basket,
Touched the trees, the grass she parted,
Long she sought her golden infant,
Sought him on the fir-tree-mountain,
In the vale, and hill, and heather;
Looks within the clumps of flowers,
Well examines every thicket,
Lifts the juniper and willow,
Lifts the branches of the alder.
Lo! a star has come to meet her,
And the star she thus beseeches-.
'O, thou guiding-star of Northland,
Star of hope, by God created,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Thus the star of Northland answers:
'If I knew, I would not tell thee;
'Tis thy child that me created,
Set me here to watch at evening,
In the cold to shine forever,
Here to twinkle in the darkness.'
Comes the golden Moon to meet her,
And the Moon she thus beseeches:
'Golden Moon, by Ukko fashioned,
Hope and joy of Kalevala,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?
Speaks the golden Moon in answer:
'If I knew I would not tell thee;
'Tis thy child that me created,
Here to wander in the darkness,
All alone at eve to wander
On my cold and cheerless journey,
Sleeping only in the daylight,
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Shining for the good of others.'
Thereupon the virgin-mother
Falls again to bitter weeping,
Hastens on through fen and forest,
Seeking for her babe departed.
Comes the silver Sun to meet her,
And the Sun she thus addresses:
'Silver Sun by Ukko fashioned,
Source of light and life to Northland,
Dost thou know and wilt thou tell me
Where my darling child has wandered,
Where my holy babe lies hidden?'
Wisely does the Sun make answer:
'Well I know thy babe's dominions,
Where thy holy child is sleeping,
Where Wainola's light lies hidden;
'Tis thy child that me created,
Made me king of earth and ether,
Made the Moon and Stars attend me,
Set me here to shine at midday,
Makes me shine in silver raiment,
Lets me sleep and rest at evening;
Yonder is thy golden infant,
There thy holy babe lies sleeping,
Hidden to his belt in water,
Hidden in the reeds and rushes.'
Mariatta, child of beauty,
Virgin-mother of the Northland,
Straightway seeks her babe in Swamp-land,
Finds him in the reeds and rushes;
Takes the young child on her bosom
To the dwelling of her father.
There the infant grew in beauty,
Gathered strength, and light, and wisdom,
All of Suomi saw and wondered.
No one knew what name to give him;
When the mother named him, Flower,
Others named him, Son-of-Sorrow.
When the virgin, Mariatta,
Sought the priesthood to baptize him,
Came an old man, Wirokannas,
With a cup of holy water,
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Bringing to the babe his blessing;
And the gray-beard spake as follows:
'I shall not baptize a wizard,
Shall not bless a black-magician
With the drops of holy water;
Let the young child be examined,
Let us know that he is worthy,
Lest he prove the son of witchcraft.'
Thereupon old Wirokannas
Called the ancient Wainamoinen,
The eternal wisdom-singer,
To inspect the infant-wonder,
To report him good or evil.
Wainamoinen, old and faithful,
Carefully the child examined,
Gave this answer to his people:
'Since the child is but an outcast,
Born and cradled in a manger,
Since the berry is his father;
Let him lie upon the heather,
Let him sleep among the rushes,
Let him live upon the mountains;
Take the young child to the marshes,
Dash his head against the birch-tree.'
Then the child of Mariatta,
Only two weeks old, made answer:
'O, thou ancient Wainamoinen,
Son of Folly and Injustice,
Senseless hero of the Northland,
Falsely hast thou rendered judgment.
In thy years, for greater follies,
Greater sins and misdemeanors,
Thou wert not unjustly punished.
In thy former years of trouble,
When thou gavest thine own brother,
For thy selfish life a ransom,
Thus to save thee from destruction,
Then thou wert not sent to Swamp-land
To be murdered for thy follies.
In thy former years of sorrow,
When the beauteous Aino perished
In the deep and boundless blue-sea,
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To escape thy persecutions,
Then thou wert not evil-treated,
Wert not banished by thy people.'
Thereupon old Wirokannas,
Of the wilderness the ruler,
Touched the child with holy water,
Crave the wonder-babe his blessing,
Gave him rights of royal heirship,
Free to live and grow a hero,
To become a mighty ruler,
King and Master of Karyala.
As the years passed Wainamoinen
Recognized his waning powers,
Empty-handed, heavy-hearted,
Sang his farewell song to Northland,
To the people of Wainola;
Sang himself a boat of copper,
Beautiful his bark of magic;
At the helm sat the magician,
Sat the ancient wisdom-singer.
Westward, westward, sailed the hero
O'er the blue-back of the waters,
Singing as he left Wainola,
This his plaintive song and echo:
'Suns may rise and set in Suomi,
Rise and set for generations,
When the North will learn my teachings,
Will recall my wisdom-sayings,
Hungry for the true religion.
Then will Suomi need my coming,
Watch for me at dawn of morning,
That I may bring back the Sampo,
Bring anew the harp of joyance,
Bring again the golden moonlight,
Bring again the silver sunshine,
Peace and plenty to the Northland.'
Thus the ancient Wainamoinen,
In his copper-banded vessel,
Left his tribe in Kalevala,
Sailing o'er the rolling billows,
Sailing through the azure vapors,
Sailing through the dusk of evening,
79
Sailing to the fiery sunset,
To the higher-landed regions,
To the lower verge of heaven;
Quickly gained the far horizon,
Gained the purple-colored harbor.
There his bark be firmly anchored,
Rested in his boat of copper;
But be left his harp of magic,
Left his songs and wisdom-sayings,
To the lasting joy of Suomi.
EPILOGUE.
Now I end my measured singing,
Bid my weary tongue keep silence,
Leave my songs to other singers.
Horses have their times of resting
After many hours of labor;
Even sickles will grow weary
When they have been long at reaping;
Waters seek a quiet haven
After running long in rivers;
Fire subsides and sinks in slumber
At the dawning of the morning
Therefore I should end my singing,
As my song is growing weary,
For the pleasure of the evening,
For the joy of morn arising.
Often I have heard it chanted,
Often heard the words repeated:
'Worthy cataracts and rivers
Never empty all their waters.'
Thus the wise and worthy singer
Sings not all his garnered wisdom;
Better leave unsung some sayings
Than to sing them out of season.
Thus beginning, and thus ending,
Do I roll up all my legends,
Roll them in a ball for safety,
In my memory arrange them,
In their narrow place of resting,
Lest the songs escape unheeded,
While the lock is still unopened,
While the teeth remain unparted,
80
And the weary tongue is silent.
Why should I sing other legends,
Chant them in the glen and forest,
Sing them on the hill and heather?
Cold and still my golden mother
Lies beneath the meadow, sleeping,
Hears my ancient songs no longer,
Cannot listen to my singing;
Only will the forest listen,
Sacred birches, sighing pine-trees,
Junipers endowed with kindness,
Alder-trees that love to bear me,
With the aspens and the willows.
When my loving mother left me,
Young was I, and low of stature;
Like the cuckoo of the forest,
Like the thrush upon the heather,
Like the lark I learned to twitter,
Learned to sing my simple measures,
Guided by a second mother,
Stern and cold, without affection;
Drove me helpless from my chamber
To the wind-side of her dwelling,
To the north-side of her cottage,
Where the chilling winds in mercy
Carried off the unprotected.
As a lark I learned to wander,
Wander as a lonely song-bird,
Through the forests and the fenlands
Quietly o'er hill and heather;
Walked in pain about the marshes,
Learned the songs of winds and waters,
Learned the music of the ocean,
And the echoes of the woodlands.
Many men that live to murmur,
Many women live to censure,
Many speak with evil motives;
Many they with wretched voices
Curse me for my wretched singing,
Blame my tongue for speaking wisdom,
Call my ancient songs unworthy,
Blame the songs and curse the singer.
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Be not thus, my worthy people,
Blame me not for singing badly,
Unpretending as a minstrel.
I have never had the teaching,
Never lived with ancient heroes,
Never learned the tongues of strangers,
Never claimed to know much wisdom.
Others have had language-masters,
Nature was my only teacher,
Woods and waters my instructors.
Homeless, friendless, lone, and needy,
Save in childhood with my mother,
When beneath her painted rafters,
Where she twirled the flying spindle,
By the work-bench of my brother,
By the window of my sister,
In. the cabin of my father,
In my early days of childhood.
Be this as it may, my people,
This may point the way to others,
To the singers better gifted,
For the good of future ages,
For the coming generations,
For the rising folk of Suomi.
~ Elias Lönnrot,
1324:The Princess (Part 2)
At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.
There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet. She rose her height, and said:
'We give you welcome: not without redound
Of use and glory to yourselves ye come,
The first-fruits of the stranger: aftertime,
And that full voice which circles round the grave,
Will rank you nobly, mingled up with me.
What! are the ladies of your land so tall?'
'We of the court' said Cyril. 'From the court'
She answered, 'then ye know the Prince?' and he:
'The climax of his age! as though there were
One rose in all the world, your Highness that,
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He worships your ideal:' she replied:
'We scarcely thought in our own hall to hear
This barren verbiage, current among men,
Light coin, the tinsel clink of compliment.
Your flight from out your bookless wilds would seem
As arguing love of knowledge and of power;
Your language proves you still the child. Indeed,
We dream not of him: when we set our hand
To this great work, we purposed with ourself
Never to wed. You likewise will do well,
Ladies, in entering here, to cast and fling
The tricks, which make us toys of men, that so,
Some future time, if so indeed you will,
You may with those self-styled our lords ally
Your fortunes, justlier balanced, scale with scale.'
At those high words, we conscious of ourselves,
Perused the matting: then an officer
Rose up, and read the statutes, such as these:
Not for three years to correspond with home;
Not for three years to cross the liberties;
Not for three years to speak with any men;
And many more, which hastily subscribed,
We entered on the boards: and 'Now,' she cried,
'Ye are green wood, see ye warp not. Look, our hall!
Our statues!--not of those that men desire,
Sleek Odalisques, or oracles of mode,
Nor stunted squaws of West or East; but she
That taught the Sabine how to rule, and she
The foundress of the Babylonian wall,
The Carian Artemisia strong in war,
The Rhodope, that built the pyramid,
Clelia, Cornelia, with the Palmyrene
That fought Aurelian, and the Roman brows
Of Agrippina. Dwell with these, and lose
Convention, since to look on noble forms
Makes noble through the sensuous organism
That which is higher. O lift your natures up:
Embrace our aims: work out your freedom. Girls,
Knowledge is now no more a fountain sealed:
Drink deep, until the habits of the slave,
The sins of emptiness, gossip and spite
727
And slander, die. Better not be at all
Than not be noble. Leave us: you may go:
Today the Lady Psyche will harangue
The fresh arrivals of the week before;
For they press in from all the provinces,
And fill the hive.'
She spoke, and bowing waved
Dismissal: back again we crost the court
To Lady Psyche's: as we entered in,
There sat along the forms, like morning doves
That sun their milky bosoms on the thatch,
A patient range of pupils; she herself
Erect behind a desk of satin-wood,
A quick brunette, well-moulded, falcon-eyed,
And on the hither side, or so she looked,
Of twenty summers. At her left, a child,
In shining draperies, headed like a star,
Her maiden babe, a double April old,
Aglaïa slept. We sat: the Lady glanced:
Then Florian, but not livelier than the dame
That whispered 'Asses' ears', among the sedge,
'My sister.' 'Comely, too, by all that's fair,'
Said Cyril. 'Oh hush, hush!' and she began.
'This world was once a fluid haze of light,
Till toward the centre set the starry tides,
And eddied into suns, that wheeling cast
The planets: then the monster, then the man;
Tattooed or woaded, winter-clad in skins,
Raw from the prime, and crushing down his mate;
As yet we find in barbarous isles, and here
Among the lowest.'
Thereupon she took
A bird's-eye-view of all the ungracious past;
Glanced at the legendary Amazon
As emblematic of a nobler age;
Appraised the Lycian custom, spoke of those
That lay at wine with Lar and Lucumo;
Ran down the Persian, Grecian, Roman lines
Of empire, and the woman's state in each,
How far from just; till warming with her theme
She fulmined out her scorn of laws Salique
728
And little-footed China, touched on Mahomet
With much contempt, and came to chivalry:
When some respect, however slight, was paid
To woman, superstition all awry:
However then commenced the dawn: a beam
Had slanted forward, falling in a land
Of promise; fruit would follow. Deep, indeed,
Their debt of thanks to her who first had dared
To leap the rotten pales of prejudice,
Disyoke their necks from custom, and assert
None lordlier than themselves but that which made
Woman and man. She had founded; they must build.
Here might they learn whatever men were taught:
Let them not fear: some said their heads were less:
Some men's were small; not they the least of men;
For often fineness compensated size:
Besides the brain was like the hand, and grew
With using; thence the man's, if more was more;
He took advantage of his strength to be
First in the field: some ages had been lost;
But woman ripened earlier, and her life
Was longer; and albeit their glorious names
Were fewer, scattered stars, yet since in truth
The highest is the measure of the man,
And not the Kaffir, Hottentot, Malay,
Nor those horn-handed breakers of the glebe,
But Homer, Plato, Verulam; even so
With woman: and in arts of government
Elizabeth and others; arts of war
The peasant Joan and others; arts of grace
Sappho and others vied with any man:
And, last not least, she who had left her place,
And bowed her state to them, that they might grow
To use and power on this Oasis, lapt
In the arms of leisure, sacred from the blight
Of ancient influence and scorn.
At last
She rose upon a wind of prophecy
Dilating on the future; 'everywhere
Who heads in council, two beside the hearth,
Two in the tangled business of the world,
Two in the liberal offices of life,
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Two plummets dropt for one to sound the abyss
Of science, and the secrets of the mind:
Musician, painter, sculptor, critic, more:
And everywhere the broad and bounteous Earth
Should bear a double growth of those rare souls,
Poets, whose thoughts enrich the blood of the world.'
She ended here, and beckoned us: the rest
Parted; and, glowing full-faced welcome, she
Began to address us, and was moving on
In gratulation, till as when a boat
Tacks, and the slackened sail flaps, all her voice
Faltering and fluttering in her throat, she cried
'My brother!' 'Well, my sister.' 'O,' she said,
'What do you here? and in this dress? and these?
Why who are these? a wolf within the fold!
A pack of wolves! the Lord be gracious to me!
A plot, a plot, a plot to ruin all!'
'No plot, no plot,' he answered. 'Wretched boy,
How saw you not the inscription on the gate,
LET NO MAN ENTER IN ON PAIN OF DEATH?'
'And if I had,' he answered, 'who could think
The softer Adams of your Academe,
O sister, Sirens though they be, were such
As chanted on the blanching bones of men?'
'But you will find it otherwise' she said.
'You jest: ill jesting with edge-tools! my vow
Binds me to speak, and O that iron will,
That axelike edge unturnable, our Head,
The Princess.' 'Well then, Psyche, take my life,
And nail me like a weasel on a grange
For warning: bury me beside the gate,
And cut this epitaph above my bones;
~Here lies a brother by a sister slain,
All for the common good of womankind.~'
'Let me die too,' said Cyril, 'having seen
And heard the Lady Psyche.'
I struck in:
'Albeit so masked, Madam, I love the truth;
Receive it; and in me behold the Prince
Your countryman, affianced years ago
To the Lady Ida: here, for here she was,
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And thus (what other way was left) I came.'
'O Sir, O Prince, I have no country; none;
If any, this; but none. Whate'er I was
Disrooted, what I am is grafted here.
Affianced, Sir? love-whispers may not breathe
Within this vestal limit, and how should I,
Who am not mine, say, live: the thunderbolt
Hangs silent; but prepare: I speak; it falls.'
'Yet pause,' I said: 'for that inscription there,
I think no more of deadly lurks therein,
Than in a clapper clapping in a garth,
To scare the fowl from fruit: if more there be,
If more and acted on, what follows? war;
Your own work marred: for this your Academe,
Whichever side be Victor, in the halloo
Will topple to the trumpet down, and pass
With all fair theories only made to gild
A stormless summer.' 'Let the Princess judge
Of that' she said: 'farewell, Sir--and to you.
I shudder at the sequel, but I go.'
'Are you that Lady Psyche,' I rejoined,
'The fifth in line from that old Florian,
Yet hangs his portrait in my father's hall
(The gaunt old Baron with his beetle brow
Sun-shaded in the heat of dusty fights)
As he bestrode my Grandsire, when he fell,
And all else fled? we point to it, and we say,
The loyal warmth of Florian is not cold,
But branches current yet in kindred veins.'
'Are you that Psyche,' Florian added; 'she
With whom I sang about the morning hills,
Flung ball, flew kite, and raced the purple fly,
And snared the squirrel of the glen? are you
That Psyche, wont to bind my throbbing brow,
To smoothe my pillow, mix the foaming draught
Of fever, tell me pleasant tales, and read
My sickness down to happy dreams? are you
That brother-sister Psyche, both in one?
You were that Psyche, but what are you now?'
'You are that Psyche,' said Cyril, 'for whom
I would be that for ever which I seem,
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Woman, if I might sit beside your feet,
And glean your scattered sapience.'
Then once more,
'Are you that Lady Psyche,' I began,
'That on her bridal morn before she past
From all her old companions, when the kind
Kissed her pale cheek, declared that ancient ties
Would still be dear beyond the southern hills;
That were there any of our people there
In want or peril, there was one to hear
And help them? look! for such are these and I.'
'Are you that Psyche,' Florian asked, 'to whom,
In gentler days, your arrow-wounded fawn
Came flying while you sat beside the well?
The creature laid his muzzle on your lap,
And sobbed, and you sobbed with it, and the blood
Was sprinkled on your kirtle, and you wept.
That was fawn's blood, not brother's, yet you wept.
O by the bright head of my little niece,
You were that Psyche, and what are you now?'
'You are that Psyche,' Cyril said again,
'The mother of the sweetest little maid,
That ever crowed for kisses.'
'Out upon it!'
She answered, 'peace! and why should I not play
The Spartan Mother with emotion, be
The Lucius Junius Brutus of my kind?
Him you call great: he for the common weal,
The fading politics of mortal Rome,
As I might slay this child, if good need were,
Slew both his sons: and I, shall I, on whom
The secular emancipation turns
Of half this world, be swerved from right to save
A prince, a brother? a little will I yield.
Best so, perchance, for us, and well for you.
O hard, when love and duty clash! I fear
My conscience will not count me fleckless; yet-Hear my conditions: promise (otherwise
You perish) as you came, to slip away
Today, tomorrow, soon: it shall be said,
These women were too barbarous, would not learn;
They fled, who might have shamed us: promise, all.'
732
What could we else, we promised each; and she,
Like some wild creature newly-caged, commenced
A to-and-fro, so pacing till she paused
By Florian; holding out her lily arms
Took both his hands, and smiling faintly said:
'I knew you at the first: though you have grown
You scarce have altered: I am sad and glad
To see you, Florian. ~I~ give thee to death
My brother! it was duty spoke, not I.
My needful seeming harshness, pardon it.
Our mother, is she well?'
With that she kissed
His forehead, then, a moment after, clung
About him, and betwixt them blossomed up
From out a common vein of memory
Sweet household talk, and phrases of the hearth,
And far allusion, till the gracious dews
Began to glisten and to fall: and while
They stood, so rapt, we gazing, came a voice,
'I brought a message here from Lady Blanche.'
Back started she, and turning round we saw
The Lady Blanche's daughter where she stood,
Melissa, with her hand upon the lock,
A rosy blonde, and in a college gown,
That clad her like an April daffodilly
(Her mother's colour) with her lips apart,
And all her thoughts as fair within her eyes,
As bottom agates seen to wave and float
In crystal currents of clear morning seas.
So stood that same fair creature at the door.
Then Lady Psyche, 'Ah--Melissa--you!
You heard us?' and Melissa, 'O pardon me
I heard, I could not help it, did not wish:
But, dearest Lady, pray you fear me not,
Nor think I bear that heart within my breast,
To give three gallant gentlemen to death.'
'I trust you,' said the other, 'for we two
Were always friends, none closer, elm and vine:
But yet your mother's jealous temperament-Let not your prudence, dearest, drowse, or prove
733
The Danaïd of a leaky vase, for fear
This whole foundation ruin, and I lose
My honour, these their lives.' 'Ah, fear me not'
Replied Melissa; 'no--I would not tell,
No, not for all Aspasia's cleverness,
No, not to answer, Madam, all those hard things
That Sheba came to ask of Solomon.'
'Be it so' the other, 'that we still may lead
The new light up, and culminate in peace,
For Solomon may come to Sheba yet.'
Said Cyril, 'Madam, he the wisest man
Feasted the woman wisest then, in halls
Of Lebanonian cedar: nor should you
(Though, Madam, ~you~ should answer, ~we~ would ask)
Less welcome find among us, if you came
Among us, debtors for our lives to you,
Myself for something more.' He said not what,
But 'Thanks,' she answered 'Go: we have been too long
Together: keep your hoods about the face;
They do so that affect abstraction here.
Speak little; mix not with the rest; and hold
Your promise: all, I trust, may yet be well.'
We turned to go, but Cyril took the child,
And held her round the knees against his waist,
And blew the swollen cheek of a trumpeter,
While Psyche watched them, smiling, and the child
Pushed her flat hand against his face and laughed;
And thus our conference closed.
And then we strolled
For half the day through stately theatres
Benched crescent-wise. In each we sat, we heard
The grave Professor. On the lecture slate
The circle rounded under female hands
With flawless demonstration: followed then
A classic lecture, rich in sentiment,
With scraps of thunderous Epic lilted out
By violet-hooded Doctors, elegies
And quoted odes, and jewels five-words-long
That on the stretched forefinger of all Time
Sparkle for ever: then we dipt in all
That treats of whatsoever is, the state,
734
The total chronicles of man, the mind,
The morals, something of the frame, the rock,
The star, the bird, the fish, the shell, the flower,
Electric, chemic laws, and all the rest,
And whatsoever can be taught and known;
Till like three horses that have broken fence,
And glutted all night long breast-deep in corn,
We issued gorged with knowledge, and I spoke:
'Why, Sirs, they do all this as well as we.'
'They hunt old trails' said Cyril 'very well;
But when did woman ever yet invent?'
'Ungracious!' answered Florian; 'have you learnt
No more from Psyche's lecture, you that talked
The trash that made me sick, and almost sad?'
'O trash' he said, 'but with a kernel in it.
Should I not call her wise, who made me wise?
And learnt? I learnt more from her in a flash,
Than in my brainpan were an empty hull,
And every Muse tumbled a science in.
A thousand hearts lie fallow in these halls,
And round these halls a thousand baby loves
Fly twanging headless arrows at the hearts,
Whence follows many a vacant pang; but O
With me, Sir, entered in the bigger boy,
The Head of all the golden-shafted firm,
The long-limbed lad that had a Psyche too;
He cleft me through the stomacher; and now
What think you of it, Florian? do I chase
The substance or the shadow? will it hold?
I have no sorcerer's malison on me,
No ghostly hauntings like his Highness. I
Flatter myself that always everywhere
I know the substance when I see it. Well,
Are castles shadows? Three of them? Is she
The sweet proprietress a shadow? If not,
Shall those three castles patch my tattered coat?
For dear are those three castles to my wants,
And dear is sister Psyche to my heart,
And two dear things are one of double worth,
And much I might have said, but that my zone
Unmanned me: then the Doctors! O to hear
The Doctors! O to watch the thirsty plants
735
Imbibing! once or twice I thought to roar,
To break my chain, to shake my mane: but thou,
Modulate me, Soul of mincing mimicry!
Make liquid treble of that bassoon, my throat;
Abase those eyes that ever loved to meet
Star-sisters answering under crescent brows;
Abate the stride, which speaks of man, and loose
A flying charm of blushes o'er this cheek,
Where they like swallows coming out of time
Will wonder why they came: but hark the bell
For dinner, let us go!'
And in we streamed
Among the columns, pacing staid and still
By twos and threes, till all from end to end
With beauties every shade of brown and fair
In colours gayer than the morning mist,
The long hall glittered like a bed of flowers.
How might a man not wander from his wits
Pierced through with eyes, but that I kept mine own
Intent on her, who rapt in glorious dreams,
The second-sight of some Astræan age,
Sat compassed with professors: they, the while,
Discussed a doubt and tost it to and fro:
A clamour thickened, mixt with inmost terms
Of art and science: Lady Blanche alone
Of faded form and haughtiest lineaments,
With all her autumn tresses falsely brown,
Shot sidelong daggers at us, a tiger-cat
In act to spring.
At last a solemn grace
Concluded, and we sought the gardens: there
One walked reciting by herself, and one
In this hand held a volume as to read,
And smoothed a petted peacock down with that:
Some to a low song oared a shallop by,
Or under arches of the marble bridge
Hung, shadowed from the heat: some hid and sought
In the orange thickets: others tost a ball
Above the fountain-jets, and back again
With laughter: others lay about the lawns,
Of the older sort, and murmured that their May
Was passing: what was learning unto them?
736
They wished to marry; they could rule a house;
Men hated learned women: but we three
Sat muffled like the Fates; and often came
Melissa hitting all we saw with shafts
Of gentle satire, kin to charity,
That harmed not: then day droopt; the chapel bells
Called us: we left the walks; we mixt with those
Six hundred maidens clad in purest white,
Before two streams of light from wall to wall,
While the great organ almost burst his pipes,
Groaning for power, and rolling through the court
A long melodious thunder to the sound
Of solemn psalms, and silver litanies,
The work of Ida, to call down from Heaven
A blessing on her labours for the world.
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.
Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.
~ Alfred Lord Tennyson,
1325:The Passing Of Arthur
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
'I found Him in the shining of the stars,
I marked Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;-For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I leaned in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death;
Nay--God my Christ--I pass but shall not die.'
Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain killed
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, 'Hollow, hollow all delight!
Hail, King! tomorrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
706
And hollow, hollow, hollow all delight.'
And fainter onward, like wild birds that change
Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrilled; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sacked by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and called,
'Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?'
This heard the bold Sir Bedivere and spake:
'O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise-I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old.'
Then spake King Arthur to Sir Bedivere:
'Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him through the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Through this blind haze, which ever since I saw
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One lying in the dust at Almesbury,
Hath folded in the passes of the world.'
Then rose the King and moved his host by night,
And ever pushed Sir Modred, league by league,
Back to the sunset bound of Lyonnesse-A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burned at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and even on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shattered helms, and shrieks
After the Christ, of those who falling down
Looked up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insults, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.
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Last, as by some one deathbed after wail
Of suffering, silence follows, or through death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shivered brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.
Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:
'Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as though they had not died for me?-O Bedivere, for on my heart hath fallen
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead.'
Then spake the bold Sir Bedivere: 'My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
The heathen back among us, yonder stands,
Modred, unharmed, the traitor of thine house.'
Then spake the King: 'My house hath been my doom.
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But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, owned me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath failed,
That quick or dead thou holdest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass.' And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.
So all day long the noise of battle rolled
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fallen in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
'The sequel of today unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Though Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten through the helm
That without help I cannot last till morn.
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Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I rowed across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou se st, and lightly bring me word.'
To him replied the bold Sir Bedivere:
'It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten through the helm-A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word.'
So saying, from the ruined shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seemed
Better to leave Excalibur concealed
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
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Then spake King Arthur to Sir Bedivere:
'Hast thou performed my mission which I gave?
What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
'I heard the ripple washing in the reeds,
And the wild water lapping on the crag.'
To whom replied King Arthur, faint and pale:
'Thou hast betrayed thy nature and thy name,
Not rendering true answer, as beseemed
Thy f alty, nor like a noble knight:
For surer sign had followed, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word.'
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:
'And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
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Saying, "King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills."
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost.'
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
Then spoke King Arthur, breathing heavily:
'What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
'I heard the water lapping on the crag,
And the long ripple washing in the reeds.'
To whom replied King Arthur, much in wrath:
'Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widowed of the power in his eye
That bowed the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands.'
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush beds, and clutched the sword,
And strongly wheeled and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirled in an arch,
Shot like a streamer of the northern morn,
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Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flashed and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandished him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
'Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?'
And answer made the bold Sir Bedivere:
'Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not though I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I looked again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandished him
Three times, and drew him under in the mere.'
And answer made King Arthur, breathing hard:
'My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die.'
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded through his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him through the place of tombs.
But, as he walked, King Arthur panted hard,
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Like one that feels a nightmare on his bed
When all the house is mute. So sighed the King,
Muttering and murmuring at his ear, 'Quick, quick!
I fear it is too late, and I shall die.'
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walked,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clashed his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clanged round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armd heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shivered to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmured Arthur, 'Place me in the barge.'
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shattered casque, and chafed his hands,
And called him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the withered moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dashed with drops
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Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the das-throne--were parched with dust;
Or, clotted into points and hanging loose,
Mixed with the knightly growth that fringed his lips.
So like a shattered column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot through the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
'Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds.'
And slowly answered Arthur from the barge:
'The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
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But now farewell. I am going a long way
With these thou se st--if indeed I go
(For all my mind is clouded with a doubt)-To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadowed, happy, fair with orchard lawns
And bowery hollows crowned with summer sea,
Where I will heal me of my grievous wound.'
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Looked one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groaned, 'The King is gone.'
And therewithal came on him the weird rhyme,
'From the great deep to the great deep he goes.'
Whereat he slowly turned and slowly clomb
The last hard footstep of that iron crag;
Thence marked the black hull moving yet, and cried,
'He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more-O me, be yon dark Queens in yon black boat,
Who shrieked and wailed, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?'
Then from the dawn it seemed there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
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Thereat once more he moved about, and clomb
Even to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.
~ Alfred Lord Tennyson,
1326:The Kalevala - Rune Xxix
THE ISLE OF REFUGE.
Lemminkainen, full of joyance,
Handsome hero, Kaukomieli,
Took provisions in abundance,
Fish and butter, bread and bacon,
Hastened to the Isle of Refuge,
Sailed away across the oceans,
Spake these measures on departing:
'Fare thee well, mine Island-dwelling,
I must sail to other borders,
To an island more protective,
Till the second summer passes;
Let the serpents keep the island,
Lynxes rest within the glen-wood,
Let the blue-moose roam the mountains,
Let the wild-geese cat the barley.
Fare thee well, my helpful mother!
When the warriors of the Northland,
From the dismal Sariola,
Come with swords, and spears, and cross-bows,
Asking for my head in vengeance,
Say that I have long departed,
Left my mother's Island-dwelling,
When the barley had been garnered.'
Then he launched his boat of copper,
Threw the vessel to the waters,
From the iron-banded rollers,
From the cylinders of oak-wood,
On the masts the sails he hoisted,
Spread the magic sails of linen,
In the stern the hero settled
And prepared to sail his vessel,
One hand resting on the rudder.
Then the sailor spake as follows,
These the words of Lemminkainen:
'Blow, ye winds, and drive me onward,
Blow ye steady, winds of heaven,
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Toward the island in the ocean,
That my bark may fly in safety
To my father's place of refuge,
To the far and nameless island!'
Soon the winds arose as bidden,
Rocked the vessel o'er the billows,
O'er the blue-back of the waters,
O'er the vast expanse of ocean;
Blew two months and blew unceasing,
Blew a third month toward the island,
Toward his father's Isle of Refuge.
Sat some maidens on the seaside,
On the sandy beach of ocean,
Turned about in all directions,
Looking out upon the billows;
One was waiting for her brother,
And a second for her father,
And a third one, anxious, waited
For the, coming of her suitor;
There they spied young Lemminkainen,
There perceived the hero's vessel
Sailing o'er the bounding billows;
It was like a hanging cloudlet,
Hanging twixt the earth and heaven.
Thus the island-maidens wondered,
Thus they spake to one another:
'What this stranger on the ocean,
What is this upon the waters?
Art thou one of our sea-vessels?
Wert thou builded on this island?
Sail thou straightway to the harbor,
To the island-point of landing
That thy tribe may be discovered.'
Onward did the waves propel it,
Rocked his vessel o'er the billows,
Drove it to the magic island,
Safely landed Lemminkainen
On the sandy shore and harbor.
Spake he thus when he had landed,
These the words that Ahti uttered:
'Is there room upon this island,
Is there space within this harbor,
410
Where my bark may lie at anchor,
Where the sun may dry my vessel?'
This the answer of the virgins,
Dwellers on the Isle of Refuge:
'There is room within this harbor,
On this island, space abundant,
Where thy bark may lie at anchor,
Where the sun may dry thy vessel;
Lying ready are the rollers,
Cylinders adorned with copper;
If thou hadst a hundred vessels,
Shouldst thou come with boats a thousand,
We would give them room in welcome.'
Thereupon wild Lemminkainen
Rolled his vessel in the harbor,
On the cylinders of copper,
Spake these words when he had ended:
'Is there room upon this island,
Or a spot within these forests,
Where a hero may be hidden
From the coming din of battle,
From the play of spears and arrows?
Thus replied the Island-maidens:
'There are places on this island,
On these plains a spot befitting
Where to hide thyself in safety,
Hero-son of little valor.
Here are many, many castles,
Many courts upon this island;
Though there come a thousand heroes,
Though a thousand spearmen. follow,
Thou canst hide thyself in safety.'
Spake the hero, Lemminkainen:
'Is there room upon this island,
Where the birch-tree grows abundant,
Where this son may fell the forest,
And may cultivate the fallow? '
Answered thus the Island-maidens:
'There is not a spot befitting,
Not a place upon the island,
Where to rest thy wearied members,
Not the smallest patch of birch-wood,
411
Thou canst bring to cultivation.
All our fields have been divided,
All these woods have been apportioned,
Fields and forests have their owners.'
Lemminkainen asked this question,
These the words of Kaukomieli:
'Is there room upon this island,
Worthy spot in field or forest,
Where to Sing my songs of magic,
Chant my gathered store of wisdom,
Sing mine ancient songs and legends?'
Answered thus the Island-maidens:
'There is room upon this island,
Worthy place in these dominions,
Thou canst sing thy garnered wisdom,
Thou canst chant thine ancient legends,
Legends of the times primeval,
In the forest, in the castle,
On the island-plains and pastures.'
Then began the reckless minstrel
To intone his wizard-sayings;
Sang he alders to the waysides,
Sang the oaks upon the mountains,
On the oak-trees sang be branches,
On each branch he sang an acorn,
On the acorns, golden rollers,
On each roller, sang a cuckoo;
Then began the cuckoos, calling,
Gold from every throat came streaming,
Copper fell from every feather,
And each wing emitted silver,
Filled the isle with precious metals.
Sang again young Lemminkainen,
Conjured on, and sang, and chanted,
Sang to precious stones the sea-sands,
Sang the stones to pearls resplendent,
Robed the groves in iridescence,
Sang the island full of flowers,
Many-colored as the rainbow.
Sang again the magic minstrel,
In the court a well he conjured,
On the well a golden cover,
412
On the lid a silver dipper,
That the boys might drink the water,
That the maids might lave their eyelids.
On the plains he conjured lakelets,
Sang the duck upon the waters,
Golden-cheeked and silver-headed,
Sang the feet from shining copper;
And the Island-maidens wondered,
Stood entranced at Ahti's wisdom,
At the songs of Lemminkainen,
At the hero's magic power.
Spake the singer, Lemminkainen,
Handsome hero, Kaukomieli:
'I would sing a wondrous legend,
Sing in miracles of sweetness,
If within some hall or chamber,
I were seated at the table.
If I sing not in the castle,
In some spot by walls surrounded
Then I sing my songs to zephyrs,
Fling them to the fields and forests.'
Answered thus the Island-maidens:
'On this isle are castle-chambers,
Halls for use of magic singers,
Courts complete for chanting legends,
Where thy singing will be welcome,
Where thy songs will not be scattered
To the forests of the island,
Nor thy wisdom lost in ether.'
Straightway Lemminkainen journeyed
With the maidens to the castle;
There he sang and conjured pitchers
On the borders of the tables,
Sang and conjured golden goblets
Foaming with the beer of barley;
Sang he many well-filled vessels,
Bowls of honey-drink abundant,
Sweetest butter, toothsome biscuit,
Bacon, fish, and veal, and venison,
All the dainties of the Northland,
Wherewithal to still his hunger.
But the proud-heart, Lemminkainen,
413
Was not ready for the banquet,
Did not yet begin his feasting,
Waited for a knife of silver,
For a knife of golden handle;
Quick he sang the precious metals,
Sang a blade from purest silver,
To the blade a golden handle,
Straightway then began his feasting,
Quenched his thirst and stilled his hunger,
Charmed the maidens on the island.
Then the minstrel, Lemminkainen,
Roamed throughout the island-hamlets,
To the joy of all the virgins,
All the maids of braided tresses;
Wheresoe'er he turned his footsteps,
There appeared a maid to greet him;
When his hand was kindly offered,
There his band was kindly taken;
When he wandered out at evening,
Even in the darksome places,
There the maidens bade him welcome;
There was not an island-village
Where there were not seven castles,
In each castle seven daughters,
And the daughters stood in waiting,
Gave the hero joyful greetings,
Only one of all the maidens
Whom he did not greet with pleasure.
Thus the merry Lemminkainen
Spent three summers in the ocean,
Spent a merry time in refuge,
In the hamlets on the island,
To the pleasure of the maidens,
To the joy of all the daughters;
Only one was left neglected,
She a poor and graceless spinster,
On the isle's remotest border,
In the smallest of the hamlets.
'Then he thought about his journey
O'er the ocean to his mother,
To the cottage of his father.
There appeared the slighted spinster,
414
To the Northland son departing,
Spake these words to Lemminkainen:
'O, thou handsome Kaukomieli,
Wisdom-bard, and magic singer,
Since this maiden thou hast slighted,
May the winds destroy thy vessel,
Dash thy bark to countless fragments
On the ocean-rocks and ledges!'
Lemminkainen's thoughts were homeward,
Did not heed the maiden's murmurs,
Did not rise before the dawning
Of the morning on the island,
To the pleasure of the maiden
Of the much-neglected hamlet.
Finally at close of evening,
He resolved to leave the island,
He resolved to waken early,
Long before the dawn of morning;
Long before the time appointed,
He arose that he might wander
Through the hamlets of the island,
Bid adieu to all the maidens,
On the morn of his departure.
As he wandered hither, thither,
Walking through the village path-ways
To the last of all the hamlets;
Saw he none of all the castle-,
Where three dwellings were not standing;
Saw he none of all the dwellings
Where three heroes were not watching;
Saw he none of all the heroes,
Who was not engaged in grinding
Swords, and spears, and battle-axes,
For the death of Lemminkainen.
And these words the hero uttered:
'Now alas! the Sun arises
From his couch within the ocean,
On the frailest of the heroes,
On the saddest child of Northland;
On my neck the cloak of Lempo
Might protect me from all evil,
Though a hundred foes assail me,
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Though a thousand archers follow.'
Then he left the maids ungreeted,
Left his longing for the daughters
Of the nameless Isle of Refuge,
With his farewell-words unspoken,
Hastened toward the island-harbor,
Toward his magic bark at anchor;
But he found it burned to ashes,
Sweet revenge had fired his vessel,
Lighted by the slighted spinster.
Then he saw the dawn of evil,
Saw misfortune hanging over,
Saw destruction round about him.
Straightway he began rebuilding
Him a magic sailing-vessel,
New and wondrous, full of beauty;
But the hero needed timber,
Boards, and planks, and beams, and braces,
Found the smallest bit of lumber,
Found of boards but seven fragments,
Of a spool he found three pieces,
Found six pieces of the distaff;
With these fragments builds his vessel,
Builds a ship of magic virtue,
Builds the bark with secret knowledge,
Through the will of the magician;
Strikes one blow, and builds the first part,
Strikes a second, builds the centre,
Strikes a third with wondrous power,
And the vessel is completed.
Thereupon the ship he launches,
Sings the vessel to the ocean,
And these words the hero utters:
'Like a bubble swim these waters,
Like a flower ride the billows;
Loan me of thy magic feathers,
Three, O eagle, four, O raven,
For protection to my vessel,
Lest it flounder in the ocean!'
Now the sailor, Lemminkainen,
Seats himself upon the bottom
Of the vessel he has builded,
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Hastens on his journey homeward,
Head depressed and evil-humored,
Cap awry upon his forehead,
Mind dejected, heavy-hearted,
That he could not dwell forever
In the castles of the daughters
Of the nameless Isle of Refuge.
Spake the minstrel, Lemminkainen,
Handsome hero, Kaukomieli:
'Leave I must this merry island,
Leave her many joys and pleasures,
Leave her maids with braided tresses,
Leave her dances and her daughters,
To the joys of other heroes;
But I take this comfort with me:
All the maidens on the island,
Save the spinster who was slighted,
Will bemoan my loss for ages,
Will regret my quick departure;
They will miss me at the dances,
In the halls of mirth and joyance,
In the homes of merry maidens,
On my father's Isle of Refuge.'
Wept the maidens on the island,
Long lamenting, loudly calling
To the hero sailing homeward:
'Whither goest, Lemminkainen,
Why depart, thou best of heroes?
Dost thou leave from inattention,
Is there here a dearth of maidens,
Have our greetings been unworthy?'
Sang the magic Lemminkainen
To the maids as he was sailing,
This in answer to their calling:
'Leaving not for want of pleasure,
Do not go from dearth of women
Beautiful the island-maidens,
Countless as the sands their virtues.
This the reason of my going,
I am longing for my home-land,
Longing for my mother's cabins,
For the strawberries of Northland,
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For the raspberries of Kalew,
For the maidens of my childhood,
For the children of my mother.'
Then the merry Lemminkainen
Bade farewell to all the island;
Winds arose and drove his vessel
On the blue-back of the ocean,
O'er the far-extending waters,
Toward the island of his mother.
On the shore were grouped the daughters
Of the magic Isle of Refuge,
On the rocks sat the forsaken,
Weeping stood the island-maidens,
Golden daughters, loud-lamenting.
Weep the maidens of the island
While the sail-yards greet their vision,
While the copper-beltings glisten;
Do not weep to lose the sail-yards,
Nor to lose the copper-beltings;
Weep they for the loss of Ahti,
For the fleeing Kaukomieli
Guiding the departing vessel.
Also weeps young Lemminkainen,
Sorely weeps, and loud-lamenting,
Weeps while he can see the island,
While the island hill-tops glisten;
Does not mourn the island-mountains,
Weeps he only for the maidens,
Left upon the Isle of Refuge.
Thereupon sailed Kaukomieli
On the blue-back of the ocean;
Sailed one day, and then a second,
But, alas! upon the third day,
There arose a mighty storm-wind,
And the sky was black with fury.
Blew the black winds from the north-west,
From the south-east came the whirlwind,
Tore away the ship's forecastle,
Tore away the vessel's rudder,
Dashed the wooden hull to pieces.
Thereupon wild Lemminkainen
Headlong fell upon the waters;
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With his head he did the steering,
With his hands and feet, the rowing;
Swam whole days and nights unceasing,
Swam with hope and strength united,
Till at last appeared a cloudlet,
Growing cloudlet to the westward,
Changing to a promontory,
Into land within the ocean.
Swiftly to the shore swam Ahti,
Hastened to a magic castle,
Found therein a hostess baking,
And her daughters kneading barley,
And these words the hero uttered:
'O, thou hostess, filled with kindness,
Couldst thou know my pangs of hunger,
Couldst thou guess my name and station,
Thou wouldst hasten to the storehouse,
Bring me beer and foaming liquor,
Bring the best of thy provisions,
Bring me fish, and veal, and bacon,
Butter, bread, and honeyed biscuits,
Set for me a wholesome dinner,
Wherewithal to still my hunger,
Quench the thirst of Lemminkainen.
Days and nights have I been swimming,
Buffeting the waves of ocean,
Seemed as if the wind protected,
And the billows gave me shelter,'
Then the hostess, filled with kindness,
Hastened to the mountain storehouse,
Cut some butter, veal, and bacon,
Bread, and fish, and honeyed biscuit,
Brought the best of her provisions,
Brought the mead and beer of barley,
Set for him a toothsome dinner,
Wherewithal to still his hunger,
Quench the thirst of Lemminkainen.
When the hero's feast had ended,
Straightway was a magic vessel
Given by the kindly hostess
To the weary Kaukomieli,
Bark of beauty, new and hardy,
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Wherewithal to aid the stranger
In his journey to his home-land,
To the cottage of his mother.
Quickly sailed wild Lemminkainen
On the blue-back of the ocean;
Sailed he days and nights unceasing,
Till at last he reached the borders
Of his own loved home and country;
There beheld he scenes familiar,
Saw the islands, capes, and rivers,
Saw his former shipping-stations,
Saw he many ancient landmarks,
Saw the mountains with their fir-trees,
Saw the pine-trees on the hill-tops,
Saw the willows in the lowlands;
Did not see his father's cottage,
Nor the dwellings of his mother.
Where a mansion once had risen,
There the alder-trees were growing,
Shrubs were growing on the homestead,
Junipers within the court-yard.
Spake the reckless Lemminkainen:
'In this glen I played and wandered,
On these stones I rocked for ages,
On this lawn I rolled and tumbled,
Frolicked on these woodland-borders,
When a child of little stature.
Where then is my mother's dwelling,
Where the castles of my father?
Fire, I fear, has found the hamlet,
And the winds dispersed the ashes.'
Then he fell to bitter weeping,
Wept one day and then a second,
Wept the third day without ceasing;
Did not mourn the ancient homestead,
Nor the dwellings of his father;
Wept he for his darling mother,
Wept he for the dear departed,
For the loved ones of the island.
Then he saw the bird of heaven,
Saw an eagle flying near him,
And he asked the bird this question:
420
'Mighty eagle, bird majestic,
Grant to me the information,
Where my mother may have wandered,
Whither I may go and find her!'
But the eagle knew but little,
Only knew that Ahti's people
Long ago together perished;
And the raven also answered
That his people had been scattered
By the, swords, and spears, and arrows,
Of his enemies from Pohya.
Spake the hero, Lemminkainen:
'Faithful mother, dear departed,
Thou who nursed me in my childhood,
Art thou dead and turned to ashes,
Didst thou perish for my follies,
O'er thy head are willows weeping,
Junipers above thy body,
Alders watching o'er thy slumbers?
This my punishment for evil,
This the recompense of folly!
Fool was I, a son unworthy,
That I measured swords in Northland
With the landlord of Pohyola,
To my tribe came fell destruction,
And the death of my dear mother,
Through my crimes and misdemeanors.'
Then the ministrel [sic] looked about him,
Anxious, looked in all directions,
And beheld some gentle foot-prints,
Saw a pathway lightly trodden
Where the heather had been beaten.
Quick as thought the path he followed,
Through the meadows, through the brambles,
O'er the hills, and through the valleys,
To a forest, vast and cheerless;
Travelled far and travelled farther,
Still a greater distance travelled,
To a dense and hidden glenwood,
In the middle of the island;
Found therein a sheltered cabin,
Found a small and darksome dwelling
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Built between the rocky ledges,
In the midst of triple pine-trees;
And within he spied his mother,
Found his gray-haired mother weeping.
Lemminkainen loud rejoices,
Cries in tones of joyful greetings,
These the words that Ahti utters:
'Faithful mother, well-beloved,
Thou that gavest me existence,
Happy I, that thou art living,
That thou hast not yet departed
To the kingdom of Tuoni,
To the islands of the blessed,
I had thought that thou hadst perished,
Hadst been murdered by my foemen,
Hadst been slain with bows and arrows.
Heavy are mine eyes from weeping,
And my checks are white with sorrow,
Since I thought my mother slaughtered
For the sins I had committed!'
Lemminkainen's mother answered:
'Long, indeed, hast thou been absent,
Long, my son, hast thou been living
In thy father's Isle of Refuge,
Roaming on the secret island,
Living at the doors of strangers,
Living in a nameless country,
Refuge from the Northland foemen.'
Spake the, hero, Lemminkainen:
'Charming is that spot for living,
Beautiful the magic island,
Rainbow-colored was the forest,
Blue the glimmer of the meadows,
Silvered were, the pine-tree branches,
Golden were the heather-blossoms;
All the woodlands dripped with honey,
Eggs in every rock and crevice,
Honey flowed from birch and sorb-tree,
Milk in streams from fir and aspen,
Beer-foam dripping from the willows,
Charming there to live and linger,
All their edibles delicious.
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This their only source of trouble:
Great the fear for all the maidens,
All the heroes filled with envy,
Feared the coming of the stranger;
Thought that all the island-maidens,
Thought that all the wives and daughters,
All the good, and all the evil,
Gave thy son too much attention;
Thought the stranger, Lemminkainen,
Saw the Island-maids too often;
Yet the virgins I avoided,
Shunned the good and shunned the evil,
Shunned the host of charming daughters,
As the black-wolf shuns the sheep-fold,
As the hawk neglects the chickens.'
~ Elias Lönnrot,
1327:Idylls Of The King: The Passing Of Arthur (Excerpt)
That story which the bold Sir Bedivere,
First made and latest left of all the knights,
Told, when the man was no more than a voice
In the white winter of his age, to those
With whom he dwelt, new faces, other minds.
For on their march to westward, Bedivere,
Who slowly paced among the slumbering host,
Heard in his tent the moanings of the King:
"I found Him in the shining of the stars,
I mark'd Him in the flowering of His fields,
But in His ways with men I find Him not.
I waged His wars, and now I pass and die.
O me! for why is all around us here
As if some lesser god had made the world,
But had not force to shape it as he would,
Till the High God behold it from beyond,
And enter it, and make it beautiful?
Or else as if the world were wholly fair,
But that these eyes of men are dense and dim,
And have not power to see it as it is:
Perchance, because we see not to the close;-For I, being simple, thought to work His will,
And have but stricken with the sword in vain;
And all whereon I lean'd in wife and friend
Is traitor to my peace, and all my realm
Reels back into the beast, and is no more.
My God, thou hast forgotten me in my death:
Nay--God my Christ--I pass but shall not die."
Then, ere that last weird battle in the west,
There came on Arthur sleeping, Gawain kill'd
In Lancelot's war, the ghost of Gawain blown
Along a wandering wind, and past his ear
Went shrilling, "Hollow, hollow all delight!
Hail, King! to-morrow thou shalt pass away.
Farewell! there is an isle of rest for thee.
And I am blown along a wandering wind,
And hollow, hollow, hollow all delight."
And fainter onward, like wild birds that change
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Their season in the night and wail their way
From cloud to cloud, down the long wind the dream
Shrill'd; but in going mingled with dim cries
Far in the moonlit haze among the hills,
As of some lonely city sack'd by night,
When all is lost, and wife and child with wail
Pass to new lords; and Arthur woke and call'd,
"Who spake? A dream. O light upon the wind,
Thine, Gawain, was the voice--are these dim cries
Thine? or doth all that haunts the waste and wild
Mourn, knowing it will go along with me?"
This heard the bold Sir Bedivere and spake:
"O me, my King, let pass whatever will,
Elves, and the harmless glamour of the field;
But in their stead thy name and glory cling
To all high places like a golden cloud
For ever: but as yet thou shalt not pass.
Light was Gawain in life, and light in death
Is Gawain, for the ghost is as the man;
And care not thou for dreams from him, but rise-I hear the steps of Modred in the west,
And with him many of thy people, and knights
Once thine, whom thou hast loved, but grosser grown
Than heathen, spitting at their vows and thee.
Right well in heart they know thee for the King.
Arise, go forth and conquer as of old."
Then spake King Arthur to Sir Bedivere:
"Far other is this battle in the west
Whereto we move, than when we strove in youth,
And brake the petty kings, and fought with Rome,
Or thrust the heathen from the Roman wall,
And shook him thro' the north. Ill doom is mine
To war against my people and my knights.
The king who fights his people fights himself.
And they my knights, who loved me once, the stroke
That strikes them dead is as my death to me.
Yet let us hence, and find or feel a way
Thro' this blind haze, which ever since I saw
One lying in the dust at Almesbury,
Hath folded in the passes of the world."
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Then rose the King and moved his host by night,
And ever push'd Sir Modred, league by league,
Back to the sunset bound of Lyonnesse-A land of old upheaven from the abyss
By fire, to sink into the abyss again;
Where fragments of forgotten peoples dwelt,
And the long mountains ended in a coast
Of ever-shifting sand, and far away
The phantom circle of a moaning sea.
There the pursuer could pursue no more,
And he that fled no further fly the King;
And there, that day when the great light of heaven
Burn'd at his lowest in the rolling year,
On the waste sand by the waste sea they closed.
Nor ever yet had Arthur fought a fight
Like this last, dim, weird battle of the west.
A deathwhite mist slept over sand and sea:
Whereof the chill, to him who breathed it, drew
Down with his blood, till all his heart was cold
With formless fear; and ev'n on Arthur fell
Confusion, since he saw not whom he fought.
For friend and foe were shadows in the mist,
And friend slew friend not knowing whom he slew;
And some had visions out of golden youth,
And some beheld the faces of old ghosts
Look in upon the battle; and in the mist
Was many a noble deed, many a base,
And chance and craft and strength in single fights,
And ever and anon with host to host
Shocks, and the splintering spear, the hard mail hewn,
Shield-breakings, and the clash of brands, the crash
Of battleaxes on shatter'd helms, and shrieks
After the Christ, of those who falling down
Look'd up for heaven, and only saw the mist;
And shouts of heathen and the traitor knights,
Oaths, insult, filth, and monstrous blasphemies,
Sweat, writhings, anguish, labouring of the lungs
In that close mist, and cryings for the light,
Moans of the dying, and voices of the dead.
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Last, as by some one deathbed after wail
Of suffering, silence follows, or thro' death
Or deathlike swoon, thus over all that shore,
Save for some whisper of the seething seas,
A dead hush fell; but when the dolorous day
Grew drearier toward twilight falling, came
A bitter wind, clear from the North, and blew
The mist aside, and with that wind the tide
Rose, and the pale King glanced across the field
Of battle: but no man was moving there;
Nor any cry of Christian heard thereon,
Nor yet of heathen; only the wan wave
Brake in among dead faces, to and fro
Swaying the helpless hands, and up and down
Tumbling the hollow helmets of the fallen,
And shiver'd brands that once had fought with Rome,
And rolling far along the gloomy shores
The voice of days of old and days to be.
Then spake King Arthur to Sir Bedivere,
And whiter than the mist that all day long
Had held the field of battle was the King:
"Hearest thou this great voice that shakes the world,
And wastes the narrow realm whereon we move,
And beats upon the faces of the dead,
My dead, as tho' they had not died for me?-O Bedivere, for on my heart hath fall'n
Confusion, till I know not what I am,
Nor whence I am, nor whether I be King.
Behold, I seem but King among the dead."
Then spake the bold Sir Bedivere: "My King,
King everywhere! and so the dead have kings,
There also will I worship thee as King.
Yet still thy life is whole, and still I live
Who love thee; but who hates thee, he that brought
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The heathen back among us, yonder stands,
Modred, unharm'd, the traitor of thine house."
Then spake the King: "My house hath been my doom.
But call not thou this traitor of my house
Who hath but dwelt beneath one roof with me.
My house are rather they who sware my vows,
Yea, even while they brake them, own'd me King.
And well for thee, saying in my dark hour,
When all the purport of my throne hath fail'd,
That quick or dead thou hottest me for King.
King am I, whatsoever be their cry;
And one last act of kinghood shalt thou see
Yet, ere I pass." And uttering this the King
Made at the man: then Modred smote his liege
Hard on that helm which many a heathen sword
Had beaten thin; while Arthur at one blow,
Striking the last stroke with Excalibur,
Slew him, and all but slain himself, he fell.
So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's Table, man by man,
Had fall'n in Lyonnesse about their lord,
King Arthur. Then, because his wound was deep,
The bold Sir Bedivere uplifted him,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land:
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.
Then spake King Arthur to Sir Bedivere:
"The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep--the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
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Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,-Tho' Merlin sware that I should come again
To rule once more; but, let what will be, be,
I am so deeply smitten thro' the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword--and how I row'd across
And took it, and have worn it, like a king;
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word."
To him replied the bold Sir Bedivere:
"It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro' the helm-A little thing may harm a wounded man;
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word."
So saying, from the ruin'd shrine he stept,
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.
There drew he forth the brand Excalibur,
And o'er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
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For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth-work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem'd
Better to leave Excalibur conceal'd
There in the many-knotted waterflags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.
Then spake King Arthur to Sir Bedivere:
"Hast thou perform'd my mission which I gave?
What is it thou hast seen? or what hast heard?"
And answer made the bold Sir Bedivere:
"I heard the ripple washing in the reeds,
And the wild water lapping on the crag."
To whom replied King Arthur, faint and pale:
"Thou hast betray'd thy nature and thy name,
Not rendering true answer, as beseem'd
Thy fealty, nor like a noble knight:
For surer sign had follow'd, either hand
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again,
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word."
Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fix'd in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud:
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"And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost for ever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? Deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? But were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, 'King Arthur's sword, Excalibur,
Wrought by the lonely maiden of the Lake.
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.'
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost."
So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.
Then spoke King Arthur, breathing heavily:
"What is it thou hast seen? or what hast heard?'
And answer made the bold Sir Bedivere:
"I heard the water lapping on the crag,
And the long ripple washing in the reeds."
To whom replied King Arthur, much in wrath:
"Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
225
Laid widow'd of the power in his eye
That bow'd the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands."
Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges, lightly, plunged
Among the bulrush beds, and clutch'd the sword,
And strongly wheel'd and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl'd in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the Northern Sea.
So flash'd and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic wonderful,
And caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere.
And lightly went the other to the King.
Then spoke King Arthur, drawing thicker breath:
"Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?"
And answer made the bold Sir Bedivere:
"Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho' I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
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But when I look'd again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish'd him
Three times, and drew him under in the mere."
And answer made King Arthur, breathing hard:
"My end draws nigh; 'tis time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die."
So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro' his tears,
And would have spoken, but he found not words;
Then took with care, and kneeling on one knee,
O'er both his shoulders drew the languid hands,
And rising bore him thro' the place of tombs.
But, as he walk'd, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh'd the King,
Muttering and murmuring at his ear, "Quick, quick!
I fear it is too late, and I shall die."
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk'd,
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash'd his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang'd round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels-And on a sudden, lo! the level lake,
And the long glories of the winter moon.
227
Then saw they how there hove a dusky barge,
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms,
Black-stoled, black-hooded, like a dream--by these
Three Queens with crowns of gold: and from them rose
A cry that shiver'd to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.
Then murmur'd Arthur, "Place me in the barge."
So to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she, that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter'd casque, and chafed his hands,
And call'd him by his name, complaining loud,
And dropping bitter tears against a brow
Striped with dark blood: for all his face was white
And colourless, and like the wither'd moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash'd with drops
Of onset; and the light and lustrous curls-That made his forehead like a rising sun
High from the daïs-throne--were parch'd with dust
Or, clotted into points and hanging loose,
Mix'd with the knightly growth that fringed his lips.
So like a shatter'd column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro' the lists at Camelot, and charged
Before the eyes of ladies and of kings.
Then loudly cried the bold Sir Bedivere:
"Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
228
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world,
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds."
And slowly answer'd Arthur from the barge:
"The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst--if indeed I go
(For all my mind is clouded with a doubt)-To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow'd, happy, fair with orchard lawns
And bowery hollows crown'd with summer sea,
Where I will heal me of my grievous wound."
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
229
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look'd one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore,
The stillness of the dead world's winter dawn
Amazed him, and he groan'd, ``The King is gone.''
And therewithal came on him the weird rhyme,
"From the great deep to the great deep he goes."
Whereat he slowly turn'd and slowly clomb
The last hard footstep of that iron crag;
Thence mark'd the black hull moving yet, and cried,
"He passes to be King among the dead,
And after healing of his grievous wound
He comes again; but--if he come no more-O me, be yon dark Queens in yon black boat,
Who shriek'd and wail'd, the three whereat we gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?"
Then from the dawn it seem'd there came, but faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
Thereat once more he moved about, and clomb
Ev'n to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less and vanish into light.
And the new sun rose bringing the new year.
230
~ Alfred Lord Tennyson,
1328:Tamerton Church-Tower, Or, First Love
I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.
II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
43
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;
Fat underlids, that hold bright eyes
In laughing half-eclipse;
Alluring locks, done up with taste
Behind her dainty ears;
And manners full of wayward haste,
Tho' facile as the deer's.’
III.
‘You paint a leaflet, here and there;
And not the blossom: tell
What mysteries of good and fair
These blazon'd letters spell.’
IV.
‘Her mouth and teeth, by Cupid's bow!
Are letters spelling 'kiss;'
And, witchingly withdrawn below
Twin worlds of baby-bliss,
Her waist, so soft and small, may mean,
'O, when will some one come
To make me catch my breath between
His finger and his thumb!'’
V.
My life, 'twas like a land of dreams,
Where nothing noble throve:
Dull seem'd it as to maiden seems
The verse that's not of love.
44
‘See where,’ sigh'd I, ‘the water dim
Repeats, with leaden hue,
The fervid sun, the cloud's hot rim,
The gap of dazzling blue!’
Quoth Frank, ‘I do, and hence foresee
And all too plainly scan
Some sentimental homily
On Duty, Death, or Man.’
‘'Tis this;’ said I, ‘our senses mar,
Ev'n so, sweet Nature's face,
Unless by love revived they are,
Or lit by heavenly grace.
Below the hazel talks the rill;
My heart speaks not again;
The solemn cloud, the stately hill,
I look on each in vain.
Sure he for whom no Power shall strike
This darkness into day—’
‘Is damn'd,’ said Frank, who morall'd like
The Fool in an old Play.
‘That's true!’ cried I, ‘yet, as the worm
That sickens ere it change—’
‘Or as the pup that nears the term
At which pups have the mange—
Pooh! Come, Man, let us on,’ he said,
‘For now the storm is nigh!’
And whilst we rode quaint sense we read
Within the changing sky.
Above us bent a prophet wild,
Pointing to hidden harm;
Beyond, a magic woman smiled,
And wove some wondrous charm;
Past that, a censer jetted smoke:
Black convolutions roll'd
Sunwards, and caught the light, and broke
In crowns of shining gold.
VI.
The gaps of blue shrank fast in span;
The long-forgotten breeze,
45
By lazy starts and fits, began
To stir the higher trees.
At noon, we came to Tavistock;
And sunshine still was there,
But gloomy Dartmoor seem'd to mock
Its weak and yellow glare.
The swallows, in the wrathful light,
Were pitching up and down;
A string of rooks made rapid flight,
Due southward, o'er the town,
Where, baiting at the Tiger-Inn,
We talk'd by windows wide,
Of Blanche and all my unseen kin,
Who did our coming bide.
VII.
The heavy sign-board swung and shriek'd,
In dark air whirl'd the vane,
Blinds flapp'd, dust rose, and, straining, creak'd
The shaken window-pane;
And, just o'erhead, a huge cloud flung,
For earnest of its stores,
A few calm drops, that struck among
The light-leaved sycamores.
Hot to be gone, Frank rose and eyed
Dark cloud and swinging branch;
But less long'd he to greet his Bride
Than I to look on Blanche.
Her name, pair'd still with praise at home,
Would make my pulses start;
The hills between us were become
A weight upon my heart.
‘Behold,’ I cried, ‘the storm comes not;
The northern heavens grow fair.’
‘Look South,’ said Frank, ‘'tis one wide blot
Of thunder-threatening air.’
The string of rooks had travell'd on,
Against the southern shroud,
And, like some snaky skeleton,
Lay twisted in the cloud.
46
‘No storm to-day!’ said I, ‘for, see,
Yon black thing travels south.’
We follow'd soon; our spirits free,
Our bodies slaked from drouth.
I rode in silence; Frank, with tongue
Made lax by too much port,
Soliloquising, said or sung
After this tipsy sort:
‘Yea, nerves they are the Devil's mesh,
And pups begin quite blind,
And health is ofttimes in the flesh,
And measles in the mind!
‘Foolish and fair was Joan without;
Foolish and foul within;
High as a hunted pig his snout,
She carried a foolish chin.
‘The Boy beheld, and brisk rose he
At this badly painted fly:
That boys less wise than fish will be
Makes many a man to sigh.’
VIII.
On, on we toil'd, amidst the blaze
From Dartmoor's ridges bare;
Beneath the hush'd and scorching haze,
And through the twinkling air;
Along the endless mountain-side,
That seem'd with us to move;
Past dreary mine-mouths, far and wide;
Huge dross-heap, wheel, and groove;
Dark towns by disembowell'd hills,
Where swarthy tribes abode,
Who, in hard rocks with harder wills,
Pursued the crooked lode;
Up heights, that seem'd against us match'd;
Until, from table-land,
Before the teasing midge was hatch'd,
We hail'd the southern strand.
Then pleasantly, on level ground
And through the lighter air,
47
We paced along and breathed around,
A merry-minded pair.
A western night of even cloud
Suck'd in the sultry disk;
Bright racks look'd on, a fiery crowd,
To seamen boding risk;
The late crow wing'd his silent way
Across the shadowy East;
The gnat danced out his little day,
His ceaseless singing ceased;
Along the dim horizon round
Fled faint electric fires;
Blue glow-worms lit the fresher ground
By moisture-harbouring briers;
Far northward twinkled lonely lights,
The peopled vales among;
In front, between the gaping heights,
The mystic ocean hung.
IX.
Our weary spirits flagg'd beneath
The still and loaded air;
We left behind the freër heath,
A moody-minded pair.
With senses slack and sick of mirth,
Tho' near the happy goal,
I murmur'd, fearing nought on earth
Could quite content the soul:
‘Suppose your love prove such a light
As yonder glow-worm's lamp,
That gleams, at distance, strong and bright,
Approach'd, burns weak and damp.
Perchance, by much of bliss aroused,
Your heart will pant for more;
And then the worm of want lies housed
Within the sweet fruit's core!
Far worse, if, led by fancy blind,
But undeceiv'd by use—’
‘I dream,’ yawn'd Frank, ‘and wake to find
My Goddess a green goose!’
48
‘Vain, vain,’ said I, ‘is worldly weal:
We faint, within the heart,
For good which all we see and feel
Foreshadows but in part.’
Frank answer'd, ‘What you faint for, win!
Faint not, but forward press.
Heav'n proffers all: 'twere grievous sin
To live content in less.
The Sun rolls by us every day;
And it and all things speak
To the sinking heart of man, and say,
'Tis wicked to be weak.
We would not hear the hated sound;
But, by the Lord, we must:
If not, the heavy world goes round,
And grinds us into dust.’
With each a moral in his mouth,
We rein'd our sweating nags,
Where quiet Ocean, on the South,
Kiss'd Edgecumb's ruddy crags.
II
I.
So subtly love within me wrought,
So excellent she seem'd,
Daily of Blanche was all my thought,
Nightly of Blanche I dream'd;
And this was all my wish, and all
The work now left for life,
To make this Wonder mine, to call
This laughing Blanche my Wife.
II.
I courted her till hope grew bold;
Then sought her in her place,
And all my passion freely told,
Before her blushing face.
I kiss'd her twice, I kiss'd her thrice,
Thro' tresses and thro' tears;
I kiss'd her lips, I kiss'd her eyes,
49
And calm'd her joys and fears.
So woo'd I Blanche, and so I sped,
And so, with small delay,
I and the patient Frank were wed
Upon the self-same day.
And friends all round kiss'd either Bride,
I Frank's, Frank mine; and he
Laugh'd as for once we thus defied
Love's sweet monopoly.
And then we drove by garth and grove;
And soon forgot the place
Where all the world had look'd shy Love
So rudely in the face.
III
I.
The noon was hot and close and still,
When, steadying Blanche's hand,
I led her down the southern hill,
And row'd with her from land.
Ere summer's prime that year the wasp
Lay gorged within the peach;
The tide, as though the sea did gasp,
Fell lax upon the beach.
Quietly dipp'd the dripping scull,
And all beside was calm;
But o'er the strange and weary lull
No angel waved his palm.
The sun was rayless, pale the sky,
The distance thick with light:
We glided past the fort and by
The war-ship's sleeping might.
Her paddle stirr'd: without a breeze,
A mimic tempest boil'd:
The sailors on the silent seas
With storm-tuned voices toil'd.
I could not toil; I seldom pray'd:
What was to do or ask?
Love's purple glory round me play'd,
Unfed by prayer or task.
All perfect my contentment was,
50
For Blanche was all my care;
And heaven seem'd only heaven because
My goddess would be there.
No wafted breeze the ships did strike,
No wish unwon moved me;
The peace within my soul was like
The peace upon the sea.
At times, when action sleeps, unstirr'd
By any motive gale,
A mystic wind, with warning heard,
Ruffles life's idle sail.
The fancy, then, a fear divines,
And, borne on gloomy wings,
Sees threats and formidable signs
In simply natural things.
It smote my heart, how, yesternight,
The moon rose in eclipse,
And how her maim'd and shapeless light
O'erhung the senseless ships.
The passion pass'd, as, lightning-lit,
Red cloud-scenes shew and close;
And soon came wonder at the fit,
And smiles and full repose.
Again I turn'd me, all devote,
To my sweet Idol's shrine;
Again I gazed where, on the boat,
Her shadow mix'd with mine.
II.
Cried Frank, who, with his Wife, was there,
‘We dream! sing each a song.’
And he sang first an old, brave air,
And pull'd the boat along:
‘Sir Pelles woo'd, in scorn's despite;
He cherish'd love's sweet smart;
Ettarde proved light; then, like a Knight,
He turn'd her from his heart.
‘O, the remorse with which we pay
For duties done too well!
But conscience gay does grief allay;
As all true knights can tell.’
51
III.
‘Alas, poor Knight!’ cried Blanche, ‘Nay, hear,’
Said Frank, ‘the saddest half!’
And drearily he troll'd, while clear
Rose Blanche's puzzled laugh.
‘Sir Lob was drunk; the stars were bright.
Within an empty ditch,
Sir Lob all night lay right and tight
As a Saint within his niche.
‘Now, well, quoth he, goes life with me;
I've liquor and to spare;
I hate the herd that vulgar be;
And, O, the stars are fair!
‘The mill-dam burst: Sir Lob lay sunk
In that celestial swound:
The mill-stream found the knight dead drunk,
And the Jury found him drown'd.’
IV.
‘The tunes are good; the words,’ said I,
‘Are hard to understand.’
And soon I prefaced with a sigh
This pagan love-song grand:
‘When Love's bright Ichor fills the veins,
Love's Amaranth lights the brow,
The Past grows dark, the Future wanes,
Before the golden Now.
‘Marc Antony the war-flags furl'd,
For Egypt's Queen said, 'Stay:
He reck'd not of the worthless world,
Well lost by that delay.
‘Quoth Antony, Here set I up
My everlasting rest:
Leave me to drain Joy's magic cup,
To dream on Egypt's breast.’
V.
Frank smiled, and said my note was wrong;
52
'Twas neither Man's nor Boy's;
And Blanche sang next, some modern song,
Of ‘Flowers’ and ‘Fairy Joys.’
As bright disparted skies that break
To let a cherub through,
So seem'd her mouth: my sight did ache,
Glitt'ring with fiery dew;
And, in the laugh of her brown eye,
My heart, contented so,
Lay like the honey-thirsty fly
Drows'd in the cactus' glow.
Nor heeded I what sang my Saint,
Such magic had the sound.
The myrtle in her breath made faint
The air that hearken'd round.
VI.
‘Now, Wife,’ said Frank, ‘to shame our lays,
Try you in turn your power;
And sing your little song in praise
Of Love's selectest flower.’
Her hand felt his: thus sang she then,
Submitted to his rule,
Tho' shyer than the water-hen
On Tamar's shadiest pool.
‘The Myrtle sates with scent the air
That flows by Grecian hills;
Its fervid leaflets glisten fair
By warm Italian rills.
The North too has its Lover's-Flower,
The glad Forget-me-not;
Too bold thro' sunshine, wind, and shower,
Too blue to be forgot.’
VII.
Pointing far East, Frank said, ‘Do you see
Yon porpoise-droves at play?’
We gazed, and saw, with failing glee,
Bright lines of spotted spray.
Once more the boded terror shook
53
My heart, and made me dumb.
‘To land! to land!’ cried Frank, ‘for, look,
The storm, at last, is come!’
Above us, heated fields of mist
Precipitated cloud;
For shore we pull'd; the swift keel hiss'd;
Above us grew the shroud.
The pale gull flapp'd the stagnant air;
The thunder-drop fell straight;
The first wind lifted Blanche's hair;
Looking to me she sate.
Across the boundless mirror crept,
In dark'ning blasts, the squall;
And round our terror lightly leapt
Mad wavelets, many and small.
The oars cast by, convuls'd outflew
Our perilous hope the sail.
None spoke; all watch'd the waves, that grew
Under the splashing hail.
With urgent hearts and useless hands,
We sate and saw them rise,
Coursing to shore in gloomy bands,
Below the appalling skies.
The wrathful thunder scared the deeps,
And where, upon our wake,
The sea got up in ghastly heaps,
White lines of lightning strake.
On, on, with fainting hope we fled,
Hard-hunted by the grave;
Slow seem'd it, though like wind we sped
Over the shouldering wave;
In front swift rose the crags, where still
A storm of sunshine pour'd;
At last, beneath the southern hill,
The pitiless breakers roar'd.
O, bolt foreseen before it burst!
O, chastening hard to bear!
O, cup of sweetness quite revers'd,
And turn'd to void despair!
Blanche in fear swooning, I let go
The helm; we struck the ground;
The sea fell in from stern to prow,
54
And Blanche, my Bride, was drown'd.
What guilt was hers? But God is great,
And all that may be known
To each of any other's fate
Is, that it helps his own.
IV
I.
In a swift vortex go the years,
Each swifter than the last,
And seasons four their set careers
Pursued, and somehow pass'd.
The spirit of Spring, this year, was quench'd
With clouds and wind and rain;
All night the gust-blown torrent drench'd
The gloomy window-pane;
Against the pane the flapping blind
Flapp'd ever, dismally;
And ever, above the rain and wind,
Sounded the dismal sea.
The billows, like some guilty crew
Devour'd by vain remorse,
Dash'd up the beach, sighing withdrew,
And mix'd, with murmurs hoarse.
The morning was a cheerless sight,
Amongst the turbid skies;
But sweet was the relief of light
Within my restless eyes;
For then I rose to prayer and toil,
Forgat the ocean's moan,
Or faced the dizzy crash and coil
That drown'd its mournfuller tone.
But never, when the tide drew back,
Trod I the weltering strand;
For horribly my single track
Pursued me in the sand.
II.
One morn I watch'd the rain subside;
And then fared singly forth,
55
Below the clouds, till eve to ride
From Edgecumb to the North.
Once, only once, I paused upon
The sea-transcending height,
And turn'd to gaze: far breakers shone,
Slow gleams of silent light.
Into my horse I struck the spur;
Sad was the soul in me;
Sore were my lids with tears for her
Who slept beneath the sea.
But soon I sooth'd my startled horse,
And check'd that sudden grief,
And look'd abroad on crag and gorse
And Dartmoor's cloudy reef.
Far forth the air was dark and clear,
The crags acute and large,
The clouds uneven, black, and near,
And ragged at the marge.
The spider, in his rainy mesh,
Shook not, but, as I rode,
The opposing air, sweet, sharp, and fresh,
Against my hot lids flow'd.
Peat-cutters pass'd me, carrying tools;
Hawks glimmer'd on the wing;
The ground was glad with grassy pools,
And brooklets galloping;
And sparrows chirp'd, with feathers spread,
And dipp'd and drank their fill,
Where, down its sandy channel, fled
The lessening road-side rill.
III.
I cross'd the furze-grown table-land,
And near'd the northern vales,
That lay perspicuously plann'd
In lesser hills and dales.
Then rearward, in a slow review,
Fell Dartmoor's jagged lines;
Around were dross-heaps, red and blue,
Old shafts of gutted mines,
Impetuous currents copper-stain'd,
56
Wheels stream-urged with a roar,
Sluice-guiding grooves, strong works that strain'd
With freight of upheaved ore.
And then, the train, with shock on shock,
Swift rush and birth-scream dire,
Grew from the bosom of the rock,
And pass'd in noise and fire.
With brazen throb, with vital stroke,
It went, far heard, far seen,
Setting a track of shining smoke
Against the pastoral green.
Then, bright drops, lodged in budding trees,
Were loos'd in sudden showers,
Touch'd by the novel western breeze,
Friend of the backward flowers.
Then rose the Church at Tavistock,
The rain still falling there;
But sunny Dartmoor seem'd to mock
The gloom with cheerful glare.
About the West the gilt vane reel'd
And pois'd; and, with sweet art,
The sudden, jangling changes peal'd
Until, around my heart,
Conceits of brighter times, of times
The brighter for past storms,
Clung thick as bees, when brazen chimes
Call down the hiveless swarms.
IV.
I rested at the Tiger Inn,
There half-way on my ride,
And mused with joy of friends and kin
Who did my coming bide.
The Vicar, in his sombre wear
That shone about the knees,
Before me stood, his aspect fair
With godly memories.
I heard again his kind ‘Good-bye:
Christ speed and keep thee still
From frantic passions, for they die
And leave a frantic will.’
57
My fond, old Tutor, learn'd and meek!
A soul, in strangest truth,
As wide as Asia and as weak;
Not like his daughter Ruth.
A Girl of fullest heart she was;
Her spirit's lovely flame
Nor dazzled nor surprised, because
It always burn'd the same;
And in the maiden path she trod
Fair was the wife foreshown,
A Mary in the house of God,
A Martha in her own.
Charms for the sight she had; but these
Were tranquil, grave, and chaste,
And all too beautiful to please
A rash, untutor'd taste.
V.
In love with home, I rose and eyed
The rainy North; but there
The distant hill-top, in its pride,
Adorn'd the brilliant air:
And, as I pass'd from Tavistock,
The scatter'd dwellings white,
The Church, the golden weather-cock,
Were whelm'd in happy light;
The children 'gan the sun to greet,
With song and senseless shout;
The lambs to skip, their dams to bleat;
In Tavy leapt the trout;
Across a fleeting eastern cloud,
The splendid rainbow sprang,
And larks, invisible and loud,
Within its zenith sang.
VI.
So lay the Earth that saw the skies
Grow clear and bright above,
As the repentant spirit lies
In God's forgiving love.
58
The lark forsook the waning day,
And all loud songs did cease;
The Robin, from a wither'd spray,
Sang like a soul at peace.
Far to the South, in sunset glow'd
The peaks of Dartmoor ridge,
And Tamar, full and tranquil, flow'd
Beneath the Gresson Bridge.
There, conscious of the numerous noise
Of rain-awaken'd rills,
And gathering deep and sober joys
From the heart-enlarging hills,
I sat, until the first white star
Appear'd, with dewy rays,
And the fair moon began to bar
With shadows all the ways.
O, well is thee, whate'er thou art,
And happy shalt thou be,
If thou hast known, within thy heart,
The peace that came to me.
O, well is thee, if aught shall win
Thy spirit to confess,
God proffers all, 'twere grievous sin
To live content in less!
VII.
I mounted, now, my patient nag;
And scaled the easy steep;
And soon beheld the quiet flag
On Lanson's solemn Keep.
And now, whenas the waking lights
Bespake the valley'd Town,
A child o'ertook me, on the heights,
In cap and russet gown.
It was an alms-taught scholar trim,
Who, on her happy way,
Sang to herself the morrow's hymn;
For this was Saturday.
‘Saint Stephen, stoned, nor grieved nor groan'd:
'Twas all for his good gain;
59
For Christ him blest, till he confess'd
A sweet content in pain.
‘Then Christ His cross is no way loss,
But even a present boon:
Of His dear blood fair shines a flood
On heaven's eternal noon.’
VIII.
My sight, once more, was dim for her
Who slept beneath the sea,
As on I sped, without the spur,
By homestead, heath, and lea.
Beside my path the moon kept pace,
In meek and brilliant power,
And lit, ere long, the eastern face
Of Tamerton Church-tower.
~ Coventry Patmore,
1329:He gazed and gazed and gazed and gazed,
Amazed, amazed, amazed, amazed.

Like (7) 2
Saul
I.

Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.

II.

``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''

III.

                     Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness-the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.

IV.

He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,-so agonized Saul, drear and stark, blind and dumb.

V.

Then I tuned my harp,-took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide-those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,-so blue and so far!

VI.

-Then the tune, for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa amusing outside his sand house-
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.
VII.

Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world's life.-And then, the last song
When the dead man is praised on his journey-``Bear, bear him along
``With his few faults shut up like dead flowerets! Are balm-seeds not here
``To console us? The land has none left such as he on the bier.
``Oh, would we might keep thee, my brother!''-And then, the glad chaunt
Of the marriage,-first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.-And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?-Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.

VIII.

And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,-

IX.

     ``Oh, our manhood's prime vigour! No spirit feels waste,
``Not a muscle is stopped in its playing nor sinew unbraced.
``Oh, the wild joys of living! the leaping from rock up to rock,
``The strong rending of boughs from the fir-tree, the cool silver shock
``Of the plunge in a pool's living water, the hunt of the bear,
``And the sultriness showing the lion is couched in his lair.
``And the meal, the rich dates yellowed over with gold dust divine,
``And the locust-flesh steeped in the pitcher, the full draught of wine,
``And the sleep in the dried river-channel where bulrushes tell
``That the water was wont to go warbling so softly and well.
``How good is man's life, the mere living! how fit to employ
``All the heart and the soul and the senses for ever in joy!
``Hast thou loved the white locks of thy father, whose sword thou didst guard
``When he trusted thee forth with the armies, for glorious reward?
``Didst thou see the thin hands of thy mother, held up as men sung
``The low song of the nearly-departed, and bear her faint tongue
``Joining in while it could to the witness, `Let one more attest,
`` `I have lived, seen God's hand thro'a lifetime, and all was for best'?
``Then they sung thro' their tears in strong triumph, not much, but the rest.
``And thy brothers, the help and the contest, the working whence grew
``Such result as, from seething grape-bundles, the spirit strained true:
``And the friends of thy boyhood-that boyhood of wonder and hope,
``Present promise and wealth of the future beyond the eye's scope,-
``Till lo, thou art grown to a monarch; a people is thine;
``And all gifts, which the world offers singly, on one head combine!
``On one head, all the beauty and strength, love and rage (like the throe
``That, a-work in the rock, helps its labour and lets the gold go)
``High ambition and deeds which surpass it, fame crowning them,-all
``Brought to blaze on the head of one creature-King Saul!''

X.

And lo, with that leap of my spirit,-heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for-as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And up soareth the cherubim-chariot-``Saul!'' cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year's snow bound about for a breastplate,-leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold-
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest-all hail, there they are!
-Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse, 'twixt hope and despair;
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore,
At their sad level gaze o'er the ocean-a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely: so, arm folded arm
O'er the chest whose slow heavings subsided.

XI.

                     What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?-Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty: beyond, on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, ``It is good;'' still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.

XII.

                      Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence-above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the sky:
And I laughed-``Since my days are ordained to be passed with my flocks,
``Let me people at least, with my fancies, the plains and the rocks,
``Dream the life I am never to mix with, and image the show
``Of mankind as they live in those fashions I hardly shall know!
``Schemes of life, its best rules and right uses, the courage that gains,
``And the prudence that keeps what men strive for.'' And now these old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus-

XIII.

                        ``Yea, my King,''
I began-``thou dost well in rejecting mere comforts that spring
``From the mere mortal life held in common by man and by brute:
``In our flesh grows the branch of this life, in our soul it bears fruit.
``Thou hast marked the slow rise of the tree,-how its stem trembled first
``Till it passed the kid's lip, the stag's antler then safely outburst
``The fan-branches all round; and thou mindest when these too, in turn
``Broke a-bloom and the palm-tree seemed perfect: yet more was to learn,
``E'en the good that comes in with the palm-fruit. Our dates shall we slight,
``When their juice brings a cure for all sorrow? or care for the plight
``Of the palm's self whose slow growth produced them? Not so! stem and branch
``Shall decay, nor be known in their place, while the palm-wine shall staunch
``Every wound of man's spirit in winter. I pour thee such wine.
``Leave the flesh to the fate it was fit for! the spirit be thine!
``By the spirit, when age shall o'ercome thee, thou still shalt enjoy
``More indeed, than at first when inconscious, the life of a boy.
``Crush that life, and behold its wine running! Each deed thou hast done
``Dies, revives, goes to work in the world; until e'en as the sun
``Looking down on the earth, though clouds spoil him, though tempests efface,
``Can find nothing his own deed produced not, must everywhere trace
``The results of his past summer-prime'-so, each ray of thy will,
``Every flash of thy passion and prowess, long over, shall thrill
``Thy whole people, the countless, with ardour, till they too give forth
``A like cheer to their sons, who in turn, fill the South and the North
``With the radiance thy deed was the germ of. Carouse in the past!
``But the license of age has its limit; thou diest at last:
``As the lion when age dims his eyeball, the rose at her height
``So with man-so his power and his beauty for ever take flight.
``No! Again a long draught of my soul-wine! Look forth o'er the years!
``Thou hast done now with eyes for the actual; begin with the seer's!
``Is Saul dead? In the depth of the vale make his tomb-bid arise
``A grey mountain of marble heaped four-square, till, built to the skies,
``Let it mark where the great First King slumbers: whose fame would ye know?
``Up above see the rock's naked face, where the record shall go
``In great characters cut by the scribe,-Such was Saul, so he did;
``With the sages directing the work, by the populace chid,-
``For not half, they'll affirm, is comprised there! Which fault to amend,
``In the grove with his kind grows the cedar, whereon they shall spend
``(See, in tablets 'tis level before them) their praise, and record
``With the gold of the graver, Saul's story,-the statesman's great word
``Side by side with the poet's sweet comment. The river's a-wave
``With smooth paper-reeds grazing each other when prophet-winds rave:
``So the pen gives unborn generations their due and their part
``In thy being! Then, first of the mighty, thank God that thou art!''

XIV.

And behold while I sang but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,-my shield and my sword
In that act where my soul was thy servant, thy word was my word,-
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as ever
On the new stretch of heaven above me-till, mighty to save,
Just one lift of thy hand cleared that distance-God's throne from man's grave!
Let me tell out my tale to its ending-my voice to my heart
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the grey dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday's sunshine.

XV.

                   I say then,-my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him-he slowly resumed
His old motions and habitudes kingly. The right-hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see-the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,-ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,-one arm round the tent-prop, to raise
His bent head, and the other hung slack-till I touched on the praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: thro' my hair
The large fingers were pushed, and he bent back my bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine-
And oh, all my heart how it loved him! but where was the sign?
I yearned-``Could I help thee, my father, inventing a bliss,
``I would add, to that life of the past, both the future and this;
``I would give thee new life altogether, as good, ages hence,
``As this moment,-had love but the warrant, love's heart to dispense!''

XVI.

Then the truth came upon me. No harp more-no song more! outbroke-

XVII.

``I have gone the whole round of creation: I saw and I spoke:
``I, a work of God's hand for that purpose, received in my brain
``And pronounced on the rest of his hand-work-returned him again
``His creation's approval or censure: I spoke as I saw:
``I report, as a man may of God's work-all's love, yet all's law.
``Now I lay down the judgeship he lent me. Each faculty tasked
``To perceive him, has gained an abyss, where a dewdrop was asked.
``Have I knowledge? confounded it shrivels at Wisdom laid bare.
``Have I forethought? how purblind, how blank, to the Infinite Care!
``Do I task any faculty highest, to image success?
``I but open my eyes,-and perfection, no more and no less,
``In the kind I imagined, full-fronts me, and God is seen God
``In the star, in the stone, in the flesh, in the soul and the clod.
``And thus looking within and around me, I ever renew
``(With that stoop of the soul which in bending upraises it too)
``The submission of man's nothing-perfect to God's all-complete,
``As by each new obeisance in spirit, I climb to his feet.
``Yet with all this abounding experience, this deity known,
``I shall dare to discover some province, some gift of my own.
``There's a faculty pleasant to exercise, hard to hoodwink,
``I am fain to keep still in abeyance, (I laugh as I think)
``Lest, insisting to claim and parade in it, wot ye, I worst
``E'en the Giver in one gift.-Behold, I could love if I durst!
``But I sink the pretension as fearing a man may o'ertake
``God's own speed in the one way of love: I abstain for love's sake.
``-What, my soul? see thus far and no farther? when doors great and small,
``Nine-and-ninety flew ope at our touch, should the hundredth appal?
``In the least things have faith, yet distrust in the greatest of all?
``Do I find love so full in my nature, God's ultimate gift,
``That I doubt his own love can compete with it? Here, the parts shift?
``Here, the creature surpass the Creator,-the end, what Began?
``Would I fain in my impotent yearning do all for this man,
``And dare doubt he alone shall not help him, who yet alone can?
``Would it ever have entered my mind, the bare will, much less power,
``To bestow on this Saul what I sang of, the marvellous dower
``Of the life he was gifted and filled with? to make such a soul,
``Such a body, and then such an earth for insphering the whole?
``And doth it not enter my mind (as my warm tears attest)
``These good things being given, to go on, and give one more, the best?
``Ay, to save and redeem and restore him, maintain at the height
``This perfection,-succeed with life's day-spring, death's minute of night?
``Interpose at the difficult minute, snatch Saul the mistake,
``Saul the failure, the ruin he seems now,-and bid him awake
``From the dream, the probation, the prelude, to find himself set
``Clear and safe in new light and new life,-a new harmony yet
``To be run, and continued, and ended-who knows?-or endure!
``The man taught enough, by life's dream, of the rest to make sure;
``By the pain-throb, triumphantly winning intensified bliss,
``And the next world's reward and repose, by the struggles in this.

XVIII.

``I believe it! 'Tis thou, God, that givest, 'tis I who receive:
``In the first is the last, in thy will is my power to believe.
``All's one gift: thou canst grant it moreover, as prompt to my prayer
``As I breathe out this breath, as I open these arms to the air.
``From thy will, stream the worlds, life and nature, thy dread Sabaoth:
``I will?-the mere atoms despise me! Why am I not loth
``To look that, even that in the face too? Why is it I dare
``Think but lightly of such impuissance? What stops my despair?
``This;-'tis not what man Does which exalts him, but what man Would do!
``See the King-I would help him but cannot, the wishes fall through.
``Could I wrestle to raise him from sorrow, grow poor to enrich,
``To fill up his life, starve my own out, I would-knowing which,
``I know that my service is perfect. Oh, speak through me now!
``Would I suffer for him that I love? So wouldst thou-so wilt thou!
``So shall crown thee the topmost, ineffablest, uttermost crown-
``And thy love fill infinitude wholly, nor leave up nor down
``One spot for the creature to stand in! It is by no breath,
``Turn of eye, wave of hand, that salvation joins issue with death!
``As thy Love is discovered almighty, almighty be proved
``Thy power, that exists with and for it, of being Beloved!
``He who did most, shall bear most; the strongest shall stand the most weak.
``'Tis the weakness in strength, that I cry for! my flesh, that I seek
``In the Godhead! I seek and I find it. O Saul, it shall be
``A Face like my face that receives thee; a Man like to me,
``Thou shalt love and be loved by, for ever: a Hand like this hand
``Shall throw open the gates of new life to thee! See the Christ stand!''

XIX.

I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news-
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth-
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,-he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices-``E'en so, it is so!''
The jumping hare.

One of the three cities of Refuge.
*
A brook in Jerusalem.


~ Robert Browning, Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris'
,
1330:The Kalevala - Rune Iii
WAINAMOINEN AND YOUKAHAINEN.
Wainamoinen, ancient minstrel,
Passed his years in full contentment,
On the meadows of Wainola,
On the plains of Kalevala,
Singing ever wondrous legends,
Songs of ancient wit and wisdom,
Chanting one day, then a second,
Singing in the dusk of evening,
Singing till the dawn of morning,
Now the tales of old-time heroes,
Tales of ages long forgotten,
Now the legends of creation,
Once familiar to the children,
By our children sung no longer,
Sung in part by many heroes,
In these mournful days of evil,
Evil days our race befallen.
Far and wide the story travelled,
Far away men spread the knowledge
Of the chanting of the hero,
Of the song of Wainamoinen;
To the South were heard the echoes,
All of Northland heard the story.
Far away in dismal Northland,
Lived the singer, Youkahainen,
Lapland's young and reckless minstrel,
Once upon a time when feasting,
Dining with his friends and fellows,
Came upon his ears the story
That there lived a sweeter singer,
On the meadows of Wainola,
On the plains of Kalevala,
Better skilled in chanting legends,
Better skilled than Youkahainen,
Better than the one that taught him.
Straightway then the bard grew angry,
23
Envy rose within his bosom,
Envy of this Wainamoinen,
Famed to be a sweeter singer;
Hastes he angry to his mother,
To his mother, full of wisdom,
Vows that he will southward hasten,
Hie him southward and betake him
To the dwellings of Wainola,
To the cabins of the Northland,
There as bard to vie in battle,
With the famous Wainamoinen.
'Nay,' replies the anxious father,
'Do not go to Kalevala.'
'Nay,' replies the fearful mother,
'Go not hence to Wainamoinen,
There with him to offer battle;
He will charm thee with his singing
Will bewitch thee in his anger,
He will drive thee back dishonored,
Sink thee in the fatal snow-drift,
Turn to ice thy pliant fingers,
Turn to ice thy feet and ankles.'
These the words of Youkahainen:
Good the judgement of a father,
Better still, a mother's counsel,
Best of all one's own decision.
I will go and face the minstrel,
Challenge him to sing in contest,
Challenge him as bard to battle,
Sing to him my sweet-toned measures,
Chant to him my oldest legends,
Chant to him my garnered wisdom,
That this best of boasted singers,
That this famous bard of Suomi,
Shall be worsted in the contest,
Shall become a hapless minstrel;
By my songs shall I transform him,
That his feet shall be as flint-stone,
And as oak his nether raiment;
And this famous, best of singers,
Thus bewitched, shall carry ever,
In his heart a stony burden,
24
On his shoulder bow of marble,
On his hand a flint-stone gauntlet,
On his brow a stony visor.'
Then the wizard, Youkahainen,
Heeding not advice paternal,
Heeding not his mother's counsel,
Leads his courser from his stable,
Fire outstreaming from his nostrils,
From his hoofs, the sparks outshooting,
Hitches to his sledge, the fleet-foot,
To his golden sledge, the courser,
Mounts impetuous his snow-sledge,
Leaps upon the hindmost cross-bench,
Strikes his courser with his birch-whip,
With his birch-whip, pearl-enamelled.
Instantly the prancing racer
Springs away upon his journey;
On he, restless, plunges northward,
All day long be onward gallops,
All the next day, onward, onward,
So the third from morn till evening,
Till the third day twilight brings him
To the meadows of Wainola,
To the plains of Kalevala.
As it happened, Wainamoinen,
Wainamoinen, the magician,
Rode that sunset on the highway,
Silently for pleasure driving
Down Wainola's peaceful meadows,
O'er the plains of Kalevala.
Youkahainen, young and fiery,
Urging still his foaming courser,
Dashes down upon the singer,
Does not turn aside in meeting,
Meeting thus in full collision;
Shafts are driven tight together,
Hames and collars wedged and tangled,
Tangled are the reins and traces.
Thus perforce they make a stand-still,
Thus remain and well consider;
Water drips from hame and collar,
Vapors rise from both their horses.
25
Speaks the minstrel, Wainamoinen:
'Who art thou, and whence? Thou comest
Driving like a stupid stripling,
Wainamoinen and Youkahainen.
Careless, dashing down upon me.
Thou hast ruined shafts and traces;
And the collar of my racer
Thou hast shattered into ruin,
And my golden sleigh is broken,
Box and runners dashed to pieces.'
Youkahainen then make answer,
Spake at last the words that follow:
'I am youthful Youkahainen,
But make answer first, who thou art,
Whence thou comest, where thou goest,
From what lowly tribe descended?'
Wainamolinen, wise and ancient,
Answered thus the youthful minstrel:
'If thou art but Youkahainen,
Thou shouldst give me all the highway;
I am many years thy senior.'
Then the boastful Youkahainen
Spake again to Wainamoinen:
'Young or ancient, little matter,
Little consequence the age is;
He that higher stands in wisdom,
He whose knowledge is the greater,
He that is the sweeter singer,
He alone shall keep the highway,
And the other take the roadside.
Art thou ancient Wainamoinen,
Famous sorcerer and minstrel?
Let us then begin our singing,
Let us sing our ancient legends,
Let us chant our garnered wisdom,
That the one may hear the other,
That the one may judge the other,
In a war of wizard sayings.'
Wainamoinen, wise and ancient,
Thus replied in modest accents:
'What I know is very little,
Hardly is it worth the singing,
26
Neither is my singing wondrous:
All my days I have resided
In the cold and dreary Northland,
In a desert land enchanted,
In my cottage home for ayes;
All the songs that I have gathered,
Are the cuckoo's simple measures,
Some of these I may remember;
But since thou perforce demandest,
I accept thy boastful challenge.
Tell me now, my golden youngster,
What thou knowest more than others,
Open now thy store of wisdom.'
Thus made answer Youkahainen,
Lapland's young and fiery minstrel:
'Know I many bits of learning
This I know in perfect clearness:
Every roof must have a chimney,
Every fire-place have a hearth-stone;
Lives of seal are free and merry,
Merry is the life of walrus,
Feeding on incautious salmon,
Daily eating perch and whiting;
Whitings live in quiet shallows,
Salmon love the level bottoms;
Spawns the pike in coldest weather,
And defies the storms of winter.
Slowly perches swim in Autumn,
Wry-backed, hunting deeper water,
Spawn in shallows in the summer,
Bounding on the shore of ocean.
Should this wisdom seem too little,
I can tell thee other matters,
Sing thee other wizard sayings:
All the Northmen plow with reindeer,
Mother-horses plow the Southland,
Inner Lapland plows with oxen;
All the trees on Pisa-mountain,
Know I well in all their grandeur;
On the Horna-rock are fir-trees,
Fir-trees growing tall and slender;
Slender grow the trees on mountains.
27
Three, the water-falls in number,
Three in number, inland oceans,
Three in number, lofty mountains,
Shooting to the vault of heaven.
Hallapyora's near to Yaemen,
Katrakoski in Karyala;
Imatra, the falling water,
Tumbles, roaring, into Wuoksi.'
Then the ancient Wainimoinen:
'Women's tales and children's wisdom
Do not please a bearded hero,
Hero, old enough for wedlock;
Tell the story of creation,
Tell me of the world's beginning,
Tell me of the creatures in it,
And philosophize a little.'
Then the youthful Youkahainen
Thus replied to Wainamoinen:
'Know I well the titmouse-fountains,
Pretty birdling is the titmouse;
And the viper, green, a serpent;
Whitings live in brackish waters;
Perches swim in every river;
Iron rusts, and rusting weakens;
Bitter is the taste of umber;
Boiling water is malicious;
Fire is ever full of danger;
First physician, the Creator;
Remedy the oldest, water;
Magic is the child of sea-foam;
God the first and best adviser;
Waters gush from every mountain;
Fire descended first from heaven;
Iron from the rust was fashioned;
Copper from the rocks created;
Marshes are of lands the oldest;
First of all the trees, the willow;
Fir-trees were the first of houses;
Hollowed stones the first of kettles.'
Now the ancient Wainamoinen
Thus addresses Youkahainen:
'Canst thou give me now some wisdom,
28
Is this nonsense all thou knowest?'
Youkahainen thus made answer:
'I can tell thee still a trifle,
Tell thee of the times primeval,
When I plowed the salt-sea's bosom,
When I raked the sea-girt islands,
When I dug the salmon-grottoes,
Hollowed out the deepest caverns,
When I all the lakes created,
When I heaped the mountains round them,
When I piled the rocks about them.
I was present as a hero,
Sixth of wise and ancient heroes,
Seventh of all primeval heroes,
When the heavens were created,
When were formed the ether-spaces,
When the sky was crystal-pillared,
When was arched the beauteous rainbow,
When the Moon was placed in orbit,
When the silver Sun was planted,
When the Bear was firmly stationed,
And with stars the heavens were sprinkled.'
Spake the ancient Wainamoinen:
'Thou art surely prince of liars,
Lord of all the host of liars;
Never wert thou in existence,
Surely wert thou never present,
When was plowed the salt-sea's bosom,
When were raked the sea-girt islands,
When were dug the salmon-grottoes,
When were hollowed out the caverns,
When the lakes were all created,
When were heaped the mountains round them,
When the rocks were piled about them.
Thou wert never seen or heard of
When the earth was first created,
When were made the ether-spaces,
When the air was crystal-pillared,
When the Moon was placed in orbit,
When the silver Sun was planted,
When the Bear was firmly stationed,
When the skies with stars were sprinkled.'
29
Then in anger Youkahainen
Answered ancient Wainamoinen:
'Then, sir, since I fail in wisdom,
With the sword I offer battle;
Come thou, famous bard and minstrel,
Thou the ancient wonder-singer,
Let us try our strength with broadswords,
let our blades be fully tested.'
Spake the ancient Wainamoinen:
'Not thy sword and not thy wisdom,
Not thy prudence, nor thy cunning,
Do I fear a single moment.
Let who may accept thy challenge,
Not with thee, a puny braggart,
Not with one so vain and paltry,
Will I ever measure broadswords.'
Then the youthful Youkahainen,
Mouth awry and visage sneering,
Shook his golden locks and answered:
'Whoso fears his blade to measure,
Fears to test his strength at broadswords,
Into wild-boar of the forest,
Swine at heart and swine in visage,
Singing I will thus transform him;
I will hurl such hero-cowards,
This one hither, that one thither,
Stamp him in the mire and bedding,
In the rubbish of the stable.'
Angry then grew Wainamoinen,
Wrathful waxed, and fiercely frowning,
Self-composed he broke his silence,
And began his wondrous singing.
Sang he not the tales of childhood,
Children's nonsense, wit of women,
Sang he rather bearded heroes,
That the children never heard of,
That the boys and maidens knew not
Known but half by bride and bridegroom,
Known in part by many heroes,
In these mournful days of evil,
Evil times our race befallen.
Grandly sang wise Wainamoinen,
30
Till the copper-bearing mountains,
And the flinty rocks and ledges
Heard his magic tones and trembled;
Mountain cliffs were torn to pieces,
All the ocean heaved and tumbled;
And the distant hills re-echoed.
Lo! the boastful Youkahainen
Is transfixed in silent wonder,
And his sledge with golden trimmings
Floats like brushwood on the billows;
Sings his braces into reed-grass,
Sings his reins to twigs of willow,
And to shrubs his golden cross-bench.
Lo! his birch-whip, pearl-enameled,
Floats a reed upon the border;
Lo! his steed with golden forehead,
Stands a statue on the waters;
Hames and traces are as fir-boughs,
And his collar, straw and sea-grass.
Still the minstrel sings enchantment,
Sings his sword with golden handle,
Sings it into gleam of lightning,
Hangs it in the sky above him;
Sings his cross-bow, gaily painted,
To a rainbow o'er the ocean;
Sings his quick and feathered arrows
Into hawks and screaming eagles;
Sings his dog with bended muzzle,
Into block of stone beside him;
Sings his cap from off his forehead,
Sings it into wreaths of vapor;
From his hands he sings his gauntlets
Into rushes on the waters;
Sings his vesture, purple-colored,
Into white clouds in the heavens;
Sings his girdle, set with jewels,
Into twinkling stars around him;
And alas! for Youkahainen,
Sings him into deeps of quick-sand;
Ever deeper, deeper, deeper,
In his torture, sinks the wizard,
To his belt in mud and water.
31
Now it was that Youkahainen
Comprehended but too clearly
What his folly, what the end was,
Of the journey he had ventured,
Vainly he had undertaken
For the glory of a contest
With the grand, old Wainamoinen.
When at last young Youkahainen,
Pohyola's old and sorry stripling,
Strives his best to move his right foot,
But alas! the foot obeys not;
When he strives to move his left foot,
Lo! he finds it turned to flint-stone.
Thereupon sad Youkahainen,
In the deeps of desperation,
And in earnest supplication,
Thus addresses Wainamoinen:
'O thou wise and worthy minstrel,
Thou the only true, magician,
Cease I pray thee thine enchantment,.
Only turn away thy magic,
Let me leave this slough of horror,
Loose me from this stony prison,
Free me from this killing torment,
I will pay a golden ransom.'
Spake the ancient Wainamoinen:
'What the ransom thou wilt give me
If I cease from mine enchantment,
If I turn away my magic,
Lift thee from thy slough of horror,
Loose thee from thy stony prison,
Free thee from thy killing torment?'
Answered youthful Youkahainen:
'Have at home two magic cross-bows,
Pair of bows of wondrous power,
One so light a child can bend it,
Only strength can bend the other,
Take of these the one that pleases.'
Then the ancient Wainamoinen:
'Do not wish thy magic cross-bows,
Have a few of such already,
Thine to me are worse than useless
32
I have bows in great abundance,
Bows on every nail and rafter,
Bows that laugh at all the hunters,
Bows that go themselves a-hunting.'
Then the ancient Wainamoinen
Sang alas! poor Youkahainen
Deeper into mud and water,
Deeper in the slough of torment.
Youkahainen thus made answer:
'Have at home two magic shallops,
Beautiful the boats and wondrous;
One rides light upon the ocean,
One is made for heavy burdens;
Take of these the one that pleases.'
Spake the ancient Wainamoinen:
'Do not wish thy magic shallops,
Have enough of such already;
All my bays are full of shallops,
All my shores are lined with shallops,
Some before the winds are sailors,
Some were built to sail against them.'
Still the Wainola bard and minstrel
Sings again poor Youkahainen
Deeper, deeper into torment,
Into quicksand to his girdle,
Till the Lapland bard in anguish
Speaks again to Wainamoinen:
'Have at home two magic stallions,
One a racer, fleet as lightning,
One was born for heavy burdens;
Take of these the one that pleases.'
Spake the ancient Wainamoinen:
'Neither do I wish thy stallions,
Do not need thy hawk-limbed stallions,
Have enough of these already;
Magic stallions swarm my stables,
Eating corn at every manger,
Broad of back to hold the water,
Water on each croup in lakelets.'
Still the bard of Kalevala
Sings the hapless Lapland minstrel
Deeper, deeper into torment,
33
To his shoulders into water.
Spake again young Youkahainen:
'O thou ancient Wainamoinen,
Thou the only true magician,
Cease I pray thee thine enchantment,
Only turn away thy magic,
I will give thee gold abundant,
Countless stores of shining silver;
From the wars my father brought it,
Brought it from the hard-fought battles.'
Spake the wise, old Wainamoinen:
'For thy gold I have no longing,
Neither do I wish thy silver,
Have enough of each already;
Gold abundant fills my chambers,
On each nail hang bags of silver,
Gold that glitters in the sunshine,
Silver shining in the moonlight.'
Sank the braggart, Youkahainen,
Deeper in his slough of torment,
To his chin in mud and water,
Ever praying, thus beseeching:
'O thou ancient Wainamoinen,
Greatest of the old magicians,
Lift me from this pit of horror,
From this prison-house of torture;
I will give thee all my corn-fields,
Give thee all my corn in garners,
Thus my hapless life to ransom,
Thus to gain eternal freedom.'
Wainamoinen thus made answer:
'Take thy corn to other markets,
Give thy garners to the needy;
I have corn in great abundance,
Fields have I in every quarter,
Corn in all my fields is growing;
One's own fields are always richer,
One's own grain is much the sweeter.'
Lapland's young and reckless minstrel,
Sorrow-laden, thus enchanted,
Deeper sinks in mud and water,
Fear-enchained and full of anguish,
34
In the mire, his beard bedrabbled,
Mouth once boastful filled with sea-weed,
In the grass his teeth entangled,
Youkahainen thus beseeches:
'O thou ancient Wainamoinen,
Wisest of the wisdom-singers,
Cease at last thine incantations,
Only turn away thy magic,
And my former life restore me,
Lift me from this stifling torment,
Free mine eyes from sand and water,
I will give thee sister, Aino,
Fairest daughter of my mother,
Bride of thine to be forever,
Bride of thine to do thy pleasure,
Sweep the rooms within thy cottage,
Keep thy dwelling-place in order,
Rinse for thee the golden platters,
Spread thy couch with finest linens,
For thy bed, weave golden covers,
Bake for thee the honey-biscuit.'
Wainamoinen, old and truthful,
Finds at last the wished-for ransom,
Lapland's young and fairest daughter,
Sister dear of Youkahainen;
Happy he, that he has won him,
In his age a beauteous maiden,
Bride of his to be forever,
Pride and joy of Kalevala.
Now the happy Wainamoinen,
Sits upon the rock of gladness,
Joyful on the rock of music,
Sings a little, sings and ceases,
Sings again, and sings a third time,
Thus to break the spell of magic,
Thus to lessen the enchantment,
Thus the potent charm to banish.
As the magic spell is broken,
Youkahainen, sad, but wiser,
Drags his feet from out the quicksand,
Lifts his beard from out the water,
From the rocks leads forth his courser,
35
Brings his sledge back from the rushes,
Calls his whip back from the ocean,
Sets his golden sledge in order,
Throws himself upon the cross-bench,
Snaps his whip and hies him homeward,
Hastens homeward, heavy-hearted,
Sad indeed to meet his mother,
Aino's mother, gray and aged.
Careless thus be hastens homeward,
Nears his home with noise and bustle,
Reckless drives against the pent-house,
Breaks the shafts against the portals,
Breaks his handsome sledge in pieces.
Then his mother, quickly guessing,
Would have chided him for rashness,
But the father interrupted:
'Wherefore dost thou break thy snow-sledge,
Wherefore dash thy thills in fragments,
Wherefore comest home so strangely,
Why this rude and wild behavior?'
Now alas! poor Youkahainen,
Cap awry upon his forehead,
Falls to weeping, broken-hearted,
Head depressed and mind dejected,
Eyes and lips expressing sadness,
Answers not his anxious father.
Then the mother quickly asked him,
Sought to find his cause for sorrow:
'Tell me, first-born, why thou weepest,
Why thou weepest, heavy-hearted,
Why thy mind is so dejected,
Why thine eyes express such sadness.'
Youkahainen then made answer:
'Golden mother, ever faithful,
Cause there is to me sufficient,
Cause enough in what has happened,
Bitter cause for this my sorrow,
Cause for bitter tears and murmurs:
All my days will pass unhappy,
Since, O mother of my being,
I have promised beauteous Aino,
Aino, thy beloved daughter,
36
Aino, my devoted sister,
To decrepit Wainamoinen,
Bride to be to him forever,
Roof above him, prop beneath him,
Fair companion at his fire-side.'
Joyful then arose the mother,
Clapped her hands in glee together,
Thus addressing Youkahainen:
'Weep no more, my son beloved,
Thou hast naught to cause thy weeping,
Hast no reason for thy sorrow,
Often I this hope have cherished;
Many years have I been praying
That this mighty bard and hero,
Wise and valiant Wainamoinen,
Spouse should be to beauteous Aino,
Son-in-law to me, her mother.'
But the fair and lovely maiden,
Sister dear of Youkahainen,
Straightway fell to bitter weeping,
On the threshold wept and lingered,
Wept all day and all the night long,
Wept a second, then a third day,
Wept because a bitter sorrow
On her youthful heart had fallen.
Then the gray-haired mother asked her:
'Why this weeping, lovely Aino?
Thou hast found a noble suitor,
Thou wilt rule his spacious dwelling,
At his window sit and rest thee,
Rinse betimes his golden platters,
Walk a queen within his dwelling.'
Thus replied the tearful Aino:
'Mother dear, and all-forgiving,
Cause enough for this my sorrow,
Cause enough for bitter weeping:
I must loose my sunny tresses,
Tresses beautiful and golden,
Cannot deck my hair with jewels,
Cannot bind my head with ribbons,
All to be hereafter hidden
Underneath the linen bonnet
37
That the wife. must wear forever;
Weep at morning, weep at evening,
Weep alas! for waning beauty,
Childhood vanished, youth departed,
Silver sunshine, golden moonlight,
Hope and pleasure of my childhood,
Taken from me now forever,
And so soon to be forgotten
At the tool-bench of my brother,
At the window of my sister,
In the cottage of my father.'
Spake again the gray-haired mother
To her wailing daughter Aino:
'Cease thy sorrow, foolish maiden,
By thy tears thou art ungrateful,
Reason none for thy repining,
Not the slightest cause for weeping;
Everywhere the silver sunshine
Falls as bright on other households;
Not alone the moonlight glimmers
Through thy father's open windows,
On the work-bench of thy brother;
Flowers bloom in every meadow,
Berries grow on every mountain;
Thou canst go thyself and find them,
All the day long go and find them;
Not alone thy brother's meadows
Grow the beauteous vines and flowers;
Not alone thy father's mountains
Yield the ripe, nutritious berries;
Flowers bloom in other meadows,
Berries grow on other mountains,
There as here, my lovely Aino.'
~ Elias Lönnrot,
1331:The Drunken Boat
As I drifted on a river I could not control,
No longer guided by the bargemen's ropes.
They were captured by howling Indians
Who nailed them naked to coloured posts.
I cared no more for other boats or cargoes:
Flemish wheat or English cottons, all were gone
When my bargemen could no longer haul me
I forgot about everything and drifted on.
Amid the fury of the loudly chopping tides
Last winter, deaf as a child's dark night,
Ah, how I raced! And the drifting Peninsulas
Have never known such conquering delight.
Lighter than cork, I revolved upon waves
That roll the dead forever in the deep,
Ten days, beyond the blinking eyes of land!
Lulled by storms, I drifted seaward from sleep.
Sweeter than apples to a child its pungent edge;
The wash of green water on my shell of pine.
Anchor and rudder went drifting away,
Washed in vomit and stained with blue wine.
Now I drift through the poem of the sea;
This gruel of stars mirrors the milky sky,
Devours green azures; ecstatic flotsam,
Drowned men, pale and thoughtful, sometimes drift by.
Staining the sudden blueness, the slow sounds,
Deliriums that streak the glowing sky,
Stronger than drink and the songs we sing,
It is boiling, bitter, red; it is love!
I know how lightening split the sky apart,
I know the surf and waterspouts and evening's fall,
I've seen the dawn arisen like a flock of doves;
I've seen what men have only dreamed they saw!
166
I saw the sun with mystic horrors darken
And shimmer through a violet haze;
With a shiver of shutters the waves fell
Like actors in ancient, forgotten plays!
I dreamed of green nights and glittering snow,
Slow kisses rising in the eyes of the sea,
Unknown liquids flowing, the blue and yellow
Stirring of phosphorescent melody!
For months I watched the surge of the sea,
Hysterical herds attacking the reefs;
I never thought the bright feet of Mary
Could muzzle up the heavy-breathing waves!
I have jostled - you know? - unbelievable Floridas
And seen among the flowers the wild eyes
Of panthers in the skins of men! Rainbows
Birdling blind flocks beneath the horizons!
In stinking swamps I have seen great hulks:
A Leviathan that rotted in the reeds!
Water crumbling in the midst of calm
And distances that shatter into foam.
Glaciers, silver suns, waves of pearl, fiery skies,
Giant serpents stranded where lice consume
Them, falling in the depths of dark gulfs
From contorted trees, bathed in black perfume!
I wanted to show children these fishes shining
In the blue wave, the golden fish that sing A froth of flowers cradled my wandering
And delicate winds tossed me on their wings.
Sometimes, a martyr of poles and latitudes,
The sea rocked me softly in sighing air,
And brought me dark blooms with yellow stems I remained there like a woman on her knees.
Almost an island, I balanced on my boat's sides
167
Rapacious blond-eyed birds, their dung, their screams.
I drifted on through fragile tangled lines
Drowned men, still staring up, sank down to sleep.
Now I, a little lost boat, in swirling debris,
Tossed by the storm into the birdless upper air
- All the Hansa Merchants and Monitors
Could not fish up my body drunk with the sea;
Free, smoking, touched the violet haze above,
I, who the lurid heavens breached like some rare wall
Which boasts - confection that the poets love Lichens of sunlight, and snots of bright blue sky;
Lost branch spinning in a herd of hippocamps,
Covered over with electric animals,
An everlasting July battering
The glittering sky and its fiery funnels;
Shaking at the sound of monsters roaring,
Rutting Behemoths in thick whirlpools,
Eternal weaver of unmoving blues,
I thought of Europe and its ancient walls!
I have seen archipelagos in the stars,
Feverish skies where I was free to roam!
Are these bottomless nights your exiled nests,
Swarm of golden birds, O Strength to come?
True, I've cried too much; I am heartsick at dawn.
The moon is bitter and the sun is sour…
Love burns me; I am swollen and slow.
Let my keel break! Oh, let me sink in the sea!
If I long for a shore in Europe,
It's a small pond, dark, cold, remote,
The odour of evening, and a child full of sorrow
Who stoops to launch a crumpled paper boat.
Washed in your languors, sea, I cannot trace
The wake of tankers foaming through the cold,
Nor assault the pride of pennants and flags,
168
Nor endure the slave ship's stinking hold.
____________________________________________________
Translation by Rebecca Seiferle:
As I descended impassible Rivers,
I felt no longer steered by bargemen;
they were captured by howling Redskins,
nailed as targets, naked, to painted stakes.
What did I care for cargo or crews,
bearers of English cotton or Flemish grain—
having left behind the bargemen and racket,
the Rivers let me descend where I wished.
In the furious splashing of the waves,
I — that other winter, deafer than the minds
of children — ran! And the unanchored Peninsulas
never knew a more triumphant brouhaha.
The tempest blessed my sea awakening.
Lighter than cork, I danced the waves
scrolling out the eternal roll of the dead—
ten nights, without longing for the lantern's silly eye.
Sweeter than the flesh of tart apples to children,
the green water penetrated my pine hull
and purged me of vomit and the stain of blue wines—
my rudder and grappling hooks drifting away.
Since then, I have bathed in the Poem
of the Sea, a milky way, infused with stars,
devouring the azure greens where, flotsam-pale
and ravished, drowned and pensive men float by.
Where, suddenly staining the blues, delirious
and slow rhythms under the glowing red of day,
stronger than alcohol, vaster than our lyrics,
ferment the red bitters of love!
I know heavens pierced by lightning, the waterspouts
169
and undertows and currents: I know night,
Dawn rising like a nation of doves,
and I've seen, sometimes, what men only dreamed they saw!
I've seen the sun, low, a blot of mystic dread,
illuminating with far-reaching violet coagulations,
like actors in antique tragedies,
the waves rolling away in a shiver of shutters.
I've dreamed a green night to dazzling snows,
kisses slowly rising to the eyelids of the sea,
unknown saps flowing, and the yellow and blue
rising of phosphorescent songs.
For months, I've followed the swells assaulting
the reefs like hysterical herds, without ever thinking
that the luminous feet of some Mary
could muzzle the panting Deep.
I've touched, you know, incredible Floridas
where, inside flowers, the eyes of panthers mingle
with the skins of men! And rainbows bridle
glaucous flocks beneath the rim of the sea!
I've seen fermenting— enormous marshes, nets
where a whole Leviathan rots in the rushes!
Such a ruin of water in the midst of calm,
and the distant horizon worming into whirlpools!
Glaciers, silver suns, pearly tides, ember skies!
Hideous wrecks at the bottom of muddy gulfs
where giant serpents, devoured by lice,
drop with black perfume out of twisted trees!
I wanted to show children these dorados
of the blue wave, these golden, singing fish.
A froth of flowers has cradled my vagrancies,
and ineffable winds have winged me on.
Sometimes like a martyr, tired of poles and zones,
the sea has rolled me softly in her sigh
and held out to me the yellow cups of shadow flowers,
170
and I've remained there, like a woman, kneeling . . .
Almost an island, balancing the quarrels,
the dung, the cries of blond-eyed birds on the gunnels
of my boat, I sailed on, and through my frail lines,
drowned men, falling backwards, sank to sleep.
Now, I, a boat lost in the hair of the coves,
tossed by hurricane into the birdless air,
me, whom all the Monitors and Hansa sailing ships
could not salvage, my carcass drunk with sea;
free, rising like smoke, riding violet mists,
I who pierced the sky turning red like a wall,
who bore the exquisite jam of all good poets,
lichens of sun and snots of azure,
who, spotted with electric crescents, ran on,
a foolish plank escorted by black hippocamps,
when the Julys brought down with a single blow
the ultramarine sky with its burning funnels;
I who tremble, feeling the moan fifty leagues away
of the Behemoth rutting and the dull Maelstrom,
eternal weaver of the unmovable blue—
I grieve for Europe with its ancient breastworks!
I've seen thunderstruck archipelagos! and islands
that open delirious skies for wanderers:
Are these bottomless nights your nest of exile,
O millions of gold birds, O Force to come?
True, I've cried too much! Dawns are harrowing.
All moons are cruel and all suns, bitter:
acrid love puffs me up with drunken slowness.
Let my keel burst! Give me to the sea!
If I desire any of the waters of Europe, it's the pond
black and cold, in the odor of evening,
where a child full of sorrow gets down on his knees
to launch a paperboat as frail as a May butterfly.
171
Bathed in your languors, o waves, I can no longer
wash away the wake of ships bearing cotton,
nor penetrate the arrogance of pennants and flags,
nor swim past the dreadful eyes of slave ships.
______________________________________________________
As I was floating down impassive Rivers,
I no longer felt myself steered by the haulers:
gaudy Redskins had taken them for targets,
nailing them naked to coloured stakes.
I cared nothing for all my crews,
carrying Flemish wheat or English cotton.
When, along with my haulers, those uproars stopped,
the Rivers let me sail downstream where I pleased.
Into the ferocious tide-rips, last winter,
more absorbed than the minds of children, I ran!
And the unmoored Peninsulas never
endured more triumphant clamourings.
The storm made bliss of my sea-borne awakenings.
Lighter than a cork, I danced on the waves
which men call the eternal rollers of victims,
for ten nights, without once missing the foolish eye of the harbor lights!
Sweeter than the flesh of sour apples to children,
the green water penetrated my pinewood hull
and washed me clean of the bluish wine-stains
and the splashes of vomit, carrying away both rudder and anchor.
And from that time on I bathed in the Poem
of the Sea, star-infused and churned into milk,
devouring the green azures where, entranced
in pallid flotsam, a dreaming drowned man sometimes goes down;
where, suddenly dyeing the blueness,
deliriums and slow rhythms under the gleams of the daylight,
stronger than alcohol, vaster than music,
ferment the bitter rednesses of love!
172
I have come to know the skies splitting with lightning,
and the waterspouts, and the breakers and currents;
I know the evening, and dawn rising up like a flock of doves,
and sometimes I have seen what men have imagined they saw!
I have seen the low-hanging sun speckled with mystic horrors
lighting up long violet coagulations
like the performers in antique dramas;
waves rolling back into the distances their shiverings of venetian blinds!
I have dreamed of the green night of the dazzled snows,
the kiss rising slowly to the eyes of the seas,
the circulation of undreamed-of saps,
and the yellow-blue awakenings of singing phosphorus!
I have followed, for whole months on end,
the swells battering the reefs like hysterical herds of cows,
never dreaming that the luminous feet of the Marys
could muzzle by force the snorting Oceans!
I have struck, do you realize, incredible Floridas,
where mingle with flowers the eyes of panthers in human skins!
Rainbows stretched like bridles
under the sea's horizon to glaucous herds!
I have seen the enormous swamps seething,
traps where a whole leviathan rots in the reeds!
Downfalls of waters in the midst of the calm,
and distances cataracting down into abysses!
Glaciers, suns of silver, waves of pearl, skies of red-hot coals!
Hideous wrecks at the bottom of brown gulfs
where the giant snakes, devoured by vermin,
fall from the twisted trees with black odours!
I should have liked to show to children those dolphins
of the blue wave, those golden, those singing fish. -Foam of flowers rocked my driftings,
and at times ineffable winds would lend me wings.
Sometimes, a martyr weary of poles and zones,
the sea whose sobs sweetened my rollings
173
lifted my shadow-flowers with their yellow sucking disks toward me,
and I hung there like a kneeling woman...
Resembling an island, tossing on my sides the brawls
and droppings of pale-eyed, clamouring birds.
And I was scudding along when across my frayed ropes
drowned men sank backwards into sleep!...
But now I, a boat lost under the hair of coves,
hurled by the hurricane into the birdless ether;
I, whose wreck, dead-drunk and sodden with water,
neither Monitor nor Hanseatic ships would have fished up;
free, smoking, risen from violet fogs,
I who bored through the wall of the reddening sky which bears
a sweetmeat good poets find delicious:
lichens of sunlight mixed with azure snot;
who ran, speckled with tiny electric moons,
a crazy plank with black sea-horses for escort,
when Julys were crushing with cudgel blows
skies of ultramarine into burning funnels;
I who trembled to feel at fifty leagues off
the groans of Behemoths rutting, and the dense Maelstroms;
eternal spinner of blue immobilities,
I long for Europe with it's age-old parapets!
I have seen archipelagos of stars! and islands
whose delirious skies are open to sea wanderers: -Do you sleep, are you exiled in those bottomless nights,
O million golden birds, Life Force of the future?
But, truly, I have wept too much! Dawns are heartbreaking.
Every moon is atrocious and every sun bitter:
sharp love has swollen me up with intoxicating torpor.
O let my keel split! O let me sink to the bottom!
If there is one water in Europe I want, it is the black
cold pool where into the scented twilight
a child squatting full of sadness launches
a boat as fragile as a butterfly in May.
174
I can no more, bathed in your langours, O waves,
sail in the wake of the carriers of cottons;
nor undergo the pride of the flags and pennants;
nor pull past the horrible eyes of prison hulks.
_____________________________________________________
Translation by Wallace Fowlie:
As I was going down impassive rivers,
I no longer felt myself guided by haulers!
Yelping redskins had taken them as targets,
And had nailed them naked to colored stakes.
I was indifferent to all crews,
The bearer of Flemish wheat or English cottons,
When with my haulers this uproar stopped,
The Rivers let me go where I wanted.
Into the furious lashing of the tides,
More heedless than children's brains, the other winter
I ran! And loosened peninsulas
Have not undergone a more triumphant hubbub.
The storm blessed my sea vigils.
Lighter than a cork I danced on the waves
That are called eternal rollers of victims,
Ten nights, without missing the stupid eye of the lighthouses!
Sweeter than the flesh of hard apples is to children,
The green water penetrated my hull of fir
And washed me of spots of blue wine
And vomit, scattering rudder and grappling-hook.
And from then on I bathed in the Poem
Of the Sea, infused with stars and lactescent,
Devouring the green azure where, like a pale elated
Piece of flotsam, a pensive drowned figure sometimes sinks;
Where, suddenly dyeing the blueness, delirium
And slow rhythms under the streaking of daylight,
Stronger than alcohol, vaster than our lyres,
175
The bitter redness of love ferments!
I know the skies bursting with lighting, and the waterspouts
And the surf and the currents; I know the evening,
And dawn as exhalted as a flock of doves,
And at times I have seen what man thought he saw!
I have seen the low sun spotted with mystic horrors,
Lighting up, with long violet clots,
Resembling actors of very ancient dramas,
The waves rolling far off their quivering of shutters!
I have dreamed of the green night with dazzled snows,
A kiss slowly rising to the eyes of the sea,
The circulation of unknown saps,
And the yellow and blue awakening of singing phosphorous!
I followed during pregnant months the swell,
Like hysterical cows, in its assault on the reefs,
Without dreaming that the luminous feet of the Marys
Could restrain the snout of the wheezing Oceans!
I struck against, you know, unbelievable Floridas
Mingling with flowers panthers' eyes and human
Skin! Rainbows stretched like bridal reins
Under the horizon of the seas to greenish herds!
I have seen enormous swamps ferment, fish-traps
Where a whole Leviathan rots in the rushes!
Avalanches of water in the midst of a calm,
And the distances cataracting toward the abyss!
Glaciers, suns of silver, nacreous waves, skies of embers!
Hideous strands at the end of brown gulfs
Where giant serpents devoured by bedbugs
Fall down from gnarled tress with black scent!
I should have liked to show children those sunfish
Of the blue wave, the fish of gold, the singing fish.
--Foam of flowers rocked my drifting
And ineffable winds winged me at times.
176
At times a martyr weary of poles and zones,
The sea, whose sob created my gentle roll,
Brought up to me her dark flowers with yellow suckers
And I remained like a woman on her knees...
Resembling an island tossing on my sides the quarrels
And droppings of noisy birds with yellow eyes.
And I sailed on, when through my fragile ropes
Drowned men sank backward to sleep!
Now I, a boat lost in the foliage of caves,
Thrown by the storm into the birdless air,
I whose water-drunk carcass would not have been rescued
By the Monitors and the Hanseatic sailboats;
Free, smoking, topped with violet fog,
I who pierced the reddening sky like a wall
Bearing--delicious jam for good poets-Lichens of sunlight and mucus of azure;
Who ran, spotted with small electric moons,
A wild plank, escorted by black seahorses,
When Julys beat down with blows of cudgels
The ultramarine skies with burning funnels;
I, who trembled, hearing at fifty leagues off
The moaning of the Behemoths in heat and the thick Maelstroms,
I, eternal spinner of the blue immobility,
Miss Europe with its ancient parapets!
I have seen sidereal archipelagos! and islands
Whose delirious skies are open to the sea-wanderer:
--Is it in these bottomless nights that you sleep and exile yourself,
Million golden birds, O future Vigor?
But, in truth, I have wept too much! Dawns are heartbreaking.
Every moon is atrocious and every sun bitter.
Acrid love has swollen me with intoxicating torpor.
O let my keel burst! O let me go into the sea!
If I want a water of Europe, it is the black
Cold puddle where in the sweet-smelling twilight
177
A squatting child full of sadness releases
A boat as fragile as a May butterfly.
No longer can I, bathed in your languor, O waves,
Follow in the wake of the cotton boats,
Nor cross through the pride of flags and flames,
Nor swim under the terrible eyes of prison ships.
______________________________________________________
Translation by A. S. Kline
As I floated down impassive Rivers,
I felt myself no longer pulled by ropes:
The Redskins took my hauliers for targets,
And nailed them naked to their painted posts.
Carrying Flemish wheat or English cotton,
I was indifferent to all my crews.
The Rivers let me float down as I wished,
When the victims and the sounds were through.
Into the furious breakers of the sea,
Deafer than the ears of a child, last winter,
I ran! And the Peninsulas sliding by me
Never heard a more triumphant clamour.
The tempest blessed my sea-borne arousals.
Lighter than a cork I danced those waves
They call the eternal churners of victims,
Ten nights, without regret for the lighted bays!
Sweeter than sour apples to the children
The green ooze spurting through my hull’s pine,
Washed me of vomit and the blue of wine,
Carried away my rudder and my anchor.
Then I bathed in the Poem of the Sea,
Infused with stars, the milk-white spume blends,
Grazing green azures: where ravished, bleached
Flotsam, a drowned man in dream descends.
Where, staining the blue, sudden deliriums
178
And slow tremors under the gleams of fire,
Stronger than alcohol, vaster than our rhythms,
Ferment the bitter reds of our desire!
I knew the skies split apart by lightning,
Waterspouts, breakers, tides: I knew the night,
The Dawn exalted like a crowd of doves,
I saw what men think they’ve seen in the light!
I saw the low sun, stained with mystic terrors,
Illuminate long violet coagulations,
Like actors in a play, a play that’s ancient,
Waves rolling back their trembling of shutters!
I dreamt the green night of blinded snows,
A kiss lifted slow to the eyes of seas,
The circulation of unheard-of flows,
Sung phosphorus’s blue-yellow awakenings!
For months on end, I’ve followed the swell
That batters at the reefs like terrified cattle,
Not dreaming the Three Marys’ shining feet
Could muzzle with their force the Ocean’s hell!
I’ve struck Floridas, you know, beyond belief,
Where eyes of panthers in human skins,
Merge with the flowers! Rainbow bridles, beneath
the seas’ horizon, stretched out to shadowy fins!
I’ve seen the great swamps boil, and the hiss
Where a whole whale rots among the reeds!
Downfalls of water among tranquilities,
Distances showering into the abyss.
Nacrous waves, silver suns, glaciers, ember skies!
Gaunt wrecks deep in the brown vacuities
Where the giant eels riddled with parasites
Fall, with dark perfumes, from the twisted trees!
I would have liked to show children dolphins
Of the blue wave, the golden singing fish.
– Flowering foams rocked me in my drift,
179
At times unutterable winds gave me wings.
Sometimes, a martyr tired of poles and zones,
The sea whose sobs made my roilings sweet
Showed me its shadow flowers with yellow mouths
And I rested like a woman on her knees…
Almost an isle, blowing across my sands, quarrels
And droppings of pale-eyed clamorous gulls,
And I scudded on while, over my frayed lines,
Drowned men sank back in sleep beneath my hull!…
Now I, a boat lost in the hair of bays,
Hurled by the hurricane through bird-less ether,
I, whose carcass, sodden with salt-sea water,
No Monitor or Hanseatic vessel could recover:
Freed, in smoke, risen from the violet fog,
I, who pierced the red skies like a wall,
Bearing the sweets that delight true poets,
Lichens of sunlight, gobbets of azure:
Who ran, stained with electric moonlets,
A crazed plank, companied by black sea-horses,
When Julys were crushing with cudgel blows
Skies of ultramarine in burning funnels:
I, who trembled to hear those agonies
Of rutting Behemoths and dark Maelstroms,
Eternal spinner of blue immobilities,
I regret the ancient parapets of Europe!
I’ve seen archipelagos of stars! And isles
Whose maddened skies open for the sailor:
– Is it in depths of night you sleep, exiled,
Million birds of gold, O future Vigour? –
But, truly, I’ve wept too much! The Dawns
Are heartbreaking, each moon hell, each sun bitter:
Fierce love has swallowed me in drunken torpors.
O let my keel break! Tides draw me down!
180
If I want one pool in Europe, it’s the cold
Black pond where into the scented night
A child squatting filled with sadness launches
A boat as frail as a May butterfly.
Bathed in your languor, waves, I can no longer
Cut across the wakes of cotton ships,
Or sail against the pride of flags, ensigns,
Or swim the dreadful gaze of prison ships.
~ Arthur Rimbaud,
1332:My fancies are fireflies,
Specks of living light
twinkling in the dark.

he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.

In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.

Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.

Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.

My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.

Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.

The butterfly counts not months but moments,
and has time enough.

My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.

Let my love, like sunlight, surround you
and yet give you illumined freedom.

Days are coloured vbubbles
that float upon the surface of fathomless night.

My offerings are too timid to claim your remembrance,
and therefore you may remember them.

Leave out my name from the gift
if it be a burden,
but keep my song.

April, like a child,
writes hieroglyphs on dust with flowers,
wipes them away and forgets.

Memory, the priestess,
kills the present
and offers its heart to the shrine of the dead past.

From the solemn gloom of the temple
children run out to sit in the dust,
God watches them play
and forgets the priest.

My mind starts up at some flash
on the flow of its thoughts
like a brook at a sudden liquid note of its own
that is never repeated.

In the mountain, stillness surges up
to explore its own height;
in the lake, movement stands still
to contemplate its own depth.

The departing night's one kiss
on the closed eyes of morning
glows in the star of dawn.

Maiden, thy beauty is like a fruit
which is yet to mature,
tense with an unyielding secret.

Sorrow that has lost its memory
is like the dumb dark hours
that have no bird songs
but only the cricket's chirp.

Bigotry tries to keep turth safe in its hand
with a grip that kills it.
Wishing to hearten a timid lamp
great night lights all her stars.

Though he holds in his arms the earth-bride,
the sky is ever immensely away.

God seeks comrades and claims love,
the Devil seeks slaves and claims obedience.

The soil in return for her service
keeps the tree tied to her,
the sky asks nothing and leaves it free.

Jewel-like immortal
does not boast of its length of years
but of the scintillating point of its moment.

The child ever dwells in the mystery of ageless time,
unobscured by the dust of history.

Alight laughter in the steps of creation
carries it swiftly across time.

One who was distant came near to me in the morning,
and still nearer when taken away by night.

White and pink oleanders meet
and make merry in different dialects.

When peace is active swepping its dirt, it is storm.

The lake lies low by the hill,
a tearful entreaty of love
at the foot of the inflexible.

There smiles the Divine Child
among his playthings of unmeaning clouds
and ephemeral lights and shadows.

The breeze whispers to the lotus,
"What is thy secret?"
"It is myself," says the lotus,
"Steal it and I disappear!"

The freedom of the storm and the bondage of the stem
join hands in the dance of swaying branches.

The jasmine's lisping of love to the sun is her flowers.

The tyrant claims freedom to kill freedom
and yet to keep it for himself.

Gods, tired of their paradise, envy man.

Clouds are hills in vapour,
hills are clouds in stone,
a phantasy in time's dream.

While God waits for His temple to be built of love,
men bring stones.

I touch God in my song
as the hill touches the far-away sea
with its waterfall.

Light finds her treasure of colours
through the antagonism of clouds.

My heart to-day smiles at its past night of tears
like a wet tree glistening in the sun
after the rain is over.

I have thanked the trees that have made my life fruitflul,
but have failed to remember the grass
that has ever kept it green.

The one without second is emptiness,
the other one makes it true.

Life's errors cry for the merciful beauty
that can modulate their isolation
into a harmony with the whole.

They expect thanks for the banished nest
because their cage is shapely and secure.

In love I pay my endless debt to thee
for what thou art.

The pond sends up its lyrics from its dark in lilies,
and the sun says, they are good.

Your calumny against the great is impious,
it hurts yourself;
against the small it is mean,
for it hurts the victim.

The first flower that blossomed on this earth
was an invitation to the unborn song.

Dawnthe many-coloured flowerfades,
and then the simple light-fruit,
the sun appears.

The muscle that has a doubt if its wisdom
throttles the voice that would cry.

The wind tries to take the flame by storm
only to blow it out.

Life's play is swift,
Life's playthings fall behind one by one
and are forgotten.

My flower, seek not thy paradise
in a fool's buttonhole.

Thou hast risen late, my crescent moon,
but my night bird is still awake to greet thee.

Darkness is the veiled bride
silently waiting for the errant light
to return to her bosom.

Trees are the earth's endless effort to
speak to the listening heaven.

The burden of self is lightened
when I laugh at myself.

The weak can be terrible
because they try furiously to appear strong.

The wind of heaven blows,
The anchor desperately clutches the mud,
and my boat is beating its breast against the chain.

The spirit of death is one,
the spirit of life is many,
Whe God is dead religion becomes one.

The blue of the sky longs for the earth's green,
the wind between them sighs, "Alas."
Day's pain muffled by its own glare,
burns among stars in the night.

The stars crowd round the virgin night
in silent awe at her loneliness
that can never be touched.

The cloud gives all its gold
to the departing sun
and greets the rising moon
with only a pale smile.

He who does good comes to the temple gate,
he who loves reaches the shrine.

Flower, have pity for the worm,
it is not a bee,
its love is a blunder and a burden.

With the ruins of terror's triumph
children build their doll's house.

The lamp waits through the long day of neglect
for the flame's kiss in the night.

Feathers in the dust lying lazily content
have forgotten their sky.

The flowers which is single
need not envy the thorns
that are numerous.

The world suffers most from the disinterested tyranny
of its well-wisher.

We gain freedom whrn we have paid the full price
for our right to live.

Your careless gifts of a moment,
like the meteors of an autumn night,
catch fire in the depth of my being.

The faith waiting in the heart of a seed
promises a miracle of life
which it cannot prove at once.

Spring hesitates at winter's door,
but the mango blossom rashly runs our to him
before her time and meets her doom.

The world is the ever-changing foam
thet floats on the surface of a sea of silence.

The two separated shores mingle their voices
in a song of unfathomed tears.

As a river in the sea,
work finds its fulfilment
in the depth of leisure.

I lingered on my way till thy cherry tree lost ist bossom,
but the azalea brins to me, my love, thy forgiveness.

Thy shy little pomegranate bud,
blushing to-day behind her veil,
will burst into a passionate flower
to-morrow when I am away.

The clumsiness of power spoils the key,
and uses the pickaxe.

Birth is from the mystery of night
into the grerater mystery of day.

These paper boats of mine are meant to dance
on the ripples of hours,
and not to reach any destination.

Migratory songs wing from my heart
and seek their nests in your voice of love.

The sea of danger, doubt and denial
around man's little island of certainty
challenges him to dare the unknown.

Love punishes when it forgives,
and injured beauty by its awful silence.

You live alone and unrecompensed
because they are afraid of your great worth.

The same sun is newly born in new lands
in a ring of endless dawns.

God is world is ever renewed by death,
a Titan's ever crushed by its own existence.

The glow-worm while exploring the dust
never knows that stars are in the sky.

The tree is of to-day, the flower is old,
it brings with it the message
of the immemorial seed.

Each rose that comes brings me greetings
from the Rose of an eternal spring.
God honours me when I work,
He loves me when I sing.

My love of to-day finds no home
in the nest deserted by yesterday's love.

The fire of pain tracse for my soul
a luminous path across her sorrow.

The grass survives the hill
through its resurrections from countless deaths.

Thou hast vanished from my reach
leaving an impalpable touch in the blue of the sky,
an invisible image in the wind moving
among the shadows.

In pity for the desolate branch
spring leaves to it a kiss that fluttered in a lonely leaf.

The shy shadow in the farden
loves the sun in silence,
Flowers guess the secret, and mile,
while the leaves whisper.

I leave no trace of wings in the air,
but I am glad I have had my flight.

The fireflies, twinkling among leaves,
make the stars wonder.

The mountain remains unmoved
at its seeming defeat by the mist.

While the rose said to the sun,
"I shall ever remember thee,"
her petals fell to the dust.

Hills are the earth's gesture of despair
for the unreachable.

Though the thorn in thy flower pricked me,
O Beauty,
I am grateful.

The world knows that the few
are more than the many.

Let not my love be a burden on you, my friend,
know that it pays itself.

Dawn plays her lute before the gate of darkness,
and is content to vanish when the sun comes out.

Beauty is truth's smile
when she beholds her own face
in a perfect mirror.

The dew-drop knows the sun
only within its own tiny orb.

Forlorn thoughts from the forsaken hives of all ages,
swarming in the air, hum round my heart
and seek my voice.

The desert is imprisoned in the wall
of its unbounded barrenness.

In the thrill of little leaves
I see the air's invisible dance,
and in their glimmering
the secret heart-beats of the sky.

You are like a flowering tree,
amazed when I praise you for your gifts.

The earth's sacrifical fire
flames up in her trees,
scattering sparks in flowers.

Foretsts, the clouds of earth,
hold up to the sky their silence,
and clouds from above come down
in resonant showers.

The world speaks to me in pictures,
my soul answers in music.

The sky tells its beads all night
on the countless stars
in memory of the sun.

The darkness of night, like pain, is dumb,
the darkness of dawn, like peace, is silent.

Pride engraves his frowns in stones,
loe offers her surrender in flowers.

The obsequious brush curtails truth
in diference to the canvas which is narrow.

The hill in its longing for the far-away sky
wishes to be like the cloud
with its endless urge of seeking.

To justify their own spilling of ink
they spell the day as night.

Profit smiles on goodness
when the good is profitable.

In its swelling pride
the bubble doubts the turth of the sea,
and laughs and bursts into emptiness.

Love is an endless mystery,
for it has nothing else to explain its.

My clouds, sorrowing in the dark,
forget that they themselves
have hidden the sun.

Man discovers his own wealth
when God comes to ask gifts of him.

You leave your memory as a flame
to my lonely lamp of separation.

I came to offer thee a flower,
but thou must have all my garden,
It is thine.

The picturea memory of light
treasured by the shadow.

It is easy to make faces at the sun,
He is exposed by his own light in all
directions.

History slowly smothers its truth,
but hastily struggles to revive it
in the terrible penance of pain.

My work is rewarded in daily wages,
I wait for my final value in love.

Beauty knows to say, "Enough,"
barbarism clamours for still more.

God loves to see in me, not his servant,
but himself who serves all.

The darkness of night is in harmony with day,
the morning of mist is discordant.

In the bounteous time of roses love is wine,
it is food in the famished hour
when their petals are shed.

An unknown flower in a strange land
speaks to the poet:
"Are we not of the same soil, my lover?"

I am able to love my God
because He gives me freedom to deny Him.

My untuned strings beg for music
in their anguished cry of shame.

The worm thinks it strange and foolish
that man does not eat his books.

The clouded sky to-day bears the visior
of the shadow of a divine sadness
on the forehead of brooding eternity.

The shade of my tree is for passers-by,
its fruit for the one for whom I wait.

Flushed with the glow of sunset
earth seems like a ripe fruit
ready to be harvested by night.

Light accepts darkness for his spouse
for the sake of creation.

The reed waits for his master's breath,
the Master goes seeking for his reed.

To the blind pen the hand that writes is unreal,
its writing unmeaning.

The sea smites his own barren breast
because he has no flowers to offer to the moon.

The greed for fruit misses the flower.

God in His temple of stars
waits for man to bring him his lamp.

The fire restrained in the tree fashions flowers.
Released from bonds, the shameless flame
dies in barren ashes.

The sky sets no snare to capture the moon,
it is her own freedom which binds her.
The light that fills the sky
seeks its limit in a dew-drop on the grass.

Wealth is the burden of bigness,
Welfare the fulness of being.

The razor-blade is proud of its keenness
when it sneers at the sun.

The butterfly has leisure to love the lotus,
not the bee busily storing honey.

Child, thou bringest to my heart
the babble of the wind and the water,
the flower's speechless secrets, the clouds' dreams,
the mute gaze of wonder of the morning sky.

The rainbow among the clouds may be great
but the little butterfly among the bushes is greater.

The mist weaves her net round the morning,
captivates him, and makes him blind.

The Morning Star whispers to Dawn,
"Tell me that you are only for me."
"Yes," she answers,
"And also only for that nameless flower."

The sky remains infinitely vacant
for earth there to build its heaven with dreams.

Perhaps the crescent moon smiles in doubt
at being told that it is a fragment
awaiting perfection.

Let the evening forgive the mistakes of the day
and thus win peace for herself.

Beauty smiles in the confinement of the bud,
in the heart of a sweet incompleteness.

Your flitting love lightly brushed with its wings
my sun-flower
and never asked if it was ready to surrender its honey.

Leaves are silences
around flowers which are their words.

The tree bears its thousand years
as one large majestic moment.

My offerings are not for the temple at the end of the road,
but for the wayside shrines
that surprise me at every bend.

Hour smile, my love, like the smell of a strange flower,
is simple and inexplicable.

Death laughs when the merit of the dead is exaggerated
for it swells his store with more than he can claim.

The sigh of the shore follows in vain
the breeze that hastens the ship across the sea.

Truth loves its limits,
for there it meets the beautiful.

Between the shores of Me and Thee
there is the loud ocean, my own surging self,
which I long to cross.

The right to possess boasts foolishly
of its right to enjoy.

The rose is a great deal more
than a blushing apology for the thorn.

Day offers to the silence of stars
his golden lute to be tuned
for the endless life.

The wise know how to teach,
the fool how to smite.

The centre is still and silent in the heart
of an enternal dance of circles.

The judge thinks that he is just when he compares
The oil of another's lamp
with the light of his own.

The captive flower in the King's wreath
smiles bitterly when the meadow-flower envies her.

Its store of snow is the hill's own burden,
its outpouring if streams is borne by all the world.

Listen to the prayer of the forest
for its freedom in flowers.

Let your love see me
even through the barrier of nearness.

The spirit of work in creation is there
to carry and help the spirit of play.

To carry the burden of the insturment,
count the cost of its material,
and never to know that it is for music,
is the tragedy of deaf life.

Faith is the bird that feels the light
and sings when the dawn is still dark.

I bring to thee, night, my day's empty cup,
to be cleansed with thy cool darkness
for a new morning's festival.

The mountain fir, in its rustling,
modulates the memory of its fights with the storm
into a hymn of peace.

God honoured me with his fight
when I was rebellious,
He ignored me when I was languid.

The sectarina thinks
that he has the sea
ladled into his private pond.

In the shady depth of life
are the lonely nests of memories
that shrink from words.

Let my love find its strength
in the service of day,
its peace in the union of night.

Life sends up in blades of grass
its silent hymn of praise
to the unnamed Light.

The stars of night are to me
the memorials of my day's faded flowers.

Open thy door to that which must go,
for the loss becomes unseemly when obstructed.

True end is not in the reaching of the limit,
but in a completion which is limitless.

The shore whispers to the sea:
"Write to me what thy waves struggle to say."
The sea writes in foam again and again
and wipes off the lines in a boisterous despair.

Let the touch ofthy finger thrill my life's strings
and make the music thine and mine.

The inner world rounded in my life like a fruit,
matured in joy and sorrow,
will drop into the darkness of the orogonal soil
for some further course of creation.

Form is in Matter, rhythm in Force,
meaning in the Person.

There are seekers of wisdom and seekers of wealth,
I seek thy company so that I may sing.

As the tree its leaves, I shed my words on the earth,
let my thoughts unuttered flower in thy silence.

My faith in truth, my vision of the perfect,
help thee, Master, in thy creation.

All the delights that I have felt
in life's fruits and flowers
let me offer to thee at the end of the feast,
in a perfect union of love.

Some have thought deeply and explored the
meaning of thy truth,
and they are great;
I have listened to catch the music of thy play,
and I am glad.

The tree is a winged spirit
released from the bondage of seed,
pursuing its adventure of life
across the unknown.

The lotus offers its beauty to the heaven,
the grass its service to the earth.

The sun's kiss mellows into abandonment
the miserliness of the green fruit clinging to its stem.

The flame met the earthen lamp in me,
and what a great marvel of light!

Mistakes live in the neighbourhood of truth
and therefore delude us.

The cloud laughed at the rainbow
saying that is was an upstart
gaudy in its emptiness.
The rainbow calmly answered,
"I am as inevitably real as tha sun himself."

Let me not grope in vain in the dark
but keep my mind still in the faith
that the day will break
and truth will appear
in its simplicity.

Through the silent night
I hear the returning vagrant hopes of the morning
knock at my heart.

My new love comes
bringing to me the eternal wealth of the old.

The earth gazes at the moon and wonders
that she sould have all her music in her smile.

Day with its glare of curiosity
puts the stars to flight.

My mind has itstrue union with thee, O sky,
at the window which is mine own,
and not in the open
where thou hast thy sole kingdom.

Man claims God's flowers as his own
when he weaves them in a garland.

The buried city, laid bare to the sun of a new age,
is ashamed that is has lost all its song.

Like my heart's pain that has long missed its meaning,
the sun's rays robed in dark
hide themselves under the ground.
Like my heart'spain at love's sudden touch,
they change their veil at the spring's call
and come out in the carnival of colours,
in flowers and leaves.

My life's empty flute
waits for its final music
like the primal darkness
before the stars came out.

Emancipation from the bondage of the soil
is no freedom for the tree.

The tapestry of life's story is woven
with the threads of life's ties
ever joining and breaking.

Those thoughts of mine that are never captured by words
perch upon my song and dance.

My soul to-night loses itself
in the silent heart of a tree
standing alone among the whispers of immensity.

Pearl shells cast up by the sea
on death's barren beach,
a magnificent wastefulness of creative life.

The sunlight opens for me the word's gate,
love's light its terasure.

My life like the reed with ist stops,
has its play od colours
through the gaps in its hopes and gains.

Let not my thanks to thee
rob my silence of its fuller homage.

Life's aspirations come
in the guise of children.

The faded flower sighs
that the spring has vanished for ever.

In my life's garden
my wealth has been of the shadows and lights
that are never gathered and stored.

The fruit that I Have gained for ever
is thet which thou hast accepted.

The jasmine knows the sun to be her brother
in the heaven.

Light is young, the ancient light;
shadows are of the moment, they are born old.

I feel that the ferry of my songs at the day's end
will brong me across to the other shore
from where I shall see.

The butterfly flitting from flower to flower
ever remains mine,
I lose the one that is netted by me.

Your voice, free bird, reaches my sleeping nest,
and my drowsy wings dream
of a voyage to the light
above the clouds.

I miss the meaning of my own part
in the play of life
because I know not of the parts
that others play.

The flower sheds all its petals
and finds the fruit.

I leave my songs behind me
to the bloom of the ever-returning honeysuckles
and the joy of the wind from the south.

Dead leaves when they lose themselves in soil
take part in the life of the forest.

The mind ever seeks its words
from its sounds and silence
as the sky from its darkness and light.

The unseen dark plays on his flute
and the rhythm of light
eddies into stars and suns,
into thoughts and reams.

My songs are to sing
that I have loved Thy singing.

When the voice of the Silent touches my words
I know him and therefore I know myself.

My last salutations are to them
who knew me imperfect and loved me.

Love's gift cannot be given,
it waits to be accepted.

When death comes and whispers to me,
"Thy days are ended,"
let me say to him, "I have lived in love
and not in mere time."
He will ask, "Will thy songs remain?"
I shall say, "I know not, but this I know
that often when I sang I found my eternity."

"Let me light my lamp,"
say the star,
'and never debate
if it will help to remove the darkness."

Before the end of my journey
may I reach within myself
the one which is the all,
leaving the outer shell
to float away with the drifting multitude
upon the current of chance and change.
~ Rabindranath Tagore, Fireflies
,
1333:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.

VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.

IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.

X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.

XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.

XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.

XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"

XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,the murderous spite
Of pride and avarice,the dark pine roof
In the forest,and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.

XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.

XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."

XLI.
The Spirit mourn'd "Adieu!"dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;

XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd ushappy days, or else to die;
"But there is crimea brother's bloody knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife."What feverous hectic flame
"Burns in thee, child?What good can thee betide,
"That thou should'st smile again?"The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her veiling hair.

XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.

XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:O turn thee to the very tale,
And taste the music of that vision pale.

L.
With duller steel than the Persan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,dead indeed, but not dethroned.

LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:and still she comb'd, and kept
Sighing all dayand still she kiss'd, and wept.

LII.
Then in a silken scarf,sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.

LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.

LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.

LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to usO sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.

LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.

LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!
It may not bethose Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.

LVIII.
And, furthermore, her brethren wonder'd much
Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.

LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.

LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.Away they went,
With blood upon their heads, to banishment.

LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to usO sigh!
Spirits of grief, sing not your "Well-a-way!"
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.

LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: "For cruel 'tis," said she,
"To steal my Basil-pot away from me."

LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung"O cruelty,
"To steal my Basil-pot away from me!"
(stanza XXIV): Leigh Hunt cites the "exquisite metaphor" of lines 3 and 4 as an instance in which Keats "over-informs the occasion or the speaker." But I doubt whether it is fair to class this kind of "over-informing" as an error. If poeple of this kind are to be denied one element of poetry, they must be denied another; and it is scarcely more strange to find the vile brethren of Isabella talking in metaphor than to find them talking in rhyme and metre. For the rest, a common-place Italian, even a villainous Italian, feels so intensely the sunlight of his land, that we need not object to the metaphor even on dramatic grounds.

(stanza XXXIII): For Hinnom's Vale see Second Book of Chronicles of the Kings of Israel, Chapter XXVIII, verse 3: "Moreover he burnt incense in the valley of the son of Hinnom, and burnt his children in the fire, after the abominations of the heathen whom the Lord had cast out before the children of Israel."

(stanza XLVII): The sixth line has been a topic of censure; but I think wrongly. Taken in itself apart from the poem, it might be held to be an inopportune description; but in the context of this most tragic and pathetic story, it has to me a surpassing fitness -- a fitness astonishing in the work of a youth of Keats's age in 1818. The idea of maternity thus connected as it were by chance with the image of this widowed girl on the borders of insanity emphasizes in the most beautiful way the helpless misery of a life wrecked by the wickedness of others, and throws into ghastly contrast the joy of what should have been and the agony of what was.

(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."

(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.

(stanza LXII): Hunt says - "The passage about the tone of her voice, -- the poor lost-witted coaxing, -- the 'chuckle,' in which she asks after her Pilgrim and her Basil,-- is as true and touching an instance of the effect of a happy familiar word, as any in all poetry." It is difficult to imagine that these sentences of Hunt's were not somehow misprinted; but, as the review occurs only in the original issue of The Indicator, one has no means of testing this passage by comparison with later editions. It can hardly be supposed that Hunt really thought the Pilgrim meant Lorenzo; and it ought not to be necessary to explain that the poor lost girl called after any pilgrim whom chance sent her way, enquiring of him where her Basil was.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Isabella; Or, The Pot Of Basil - A Story From Boccaccio
,
1334:A Tale Of True Love
Not in the mist of legendary ages,
Which in sad moments men call long ago,
And people with bards, heroes, saints, and sages,
And virtues vanished, since we do not know,
But here to-day wherein we all grow old,
But only we, this Tale of True Love will be told.
For Earth to tender wisdom grows not older,
But to young hearts remains for ever young,
Spring no less winsome, Winter winds no colder,
Than when tales first were told, songs first were sung.
And all things always still remain the same,
That touch the human heart, and feed Love's vestal flame.
And, if you have ears to hear and eyes for seeing,
Maidens there be, as were there in your youth,
That round you breathe, and move, and have their being,
Fair as Greek Helen, pure as Hebrew Ruth;
With Heaven-appointed poets, quick to sing
Of blameless warrior brave, and wisdom-counselled king.
And, tho' in this our day, youth, love, and beauty,
Are far too often glorified as slave
Of every sense except the sense of Duty,
In fables that dishonour and deprave,
The old-world Creeds still linger, taught us by
The pious lips that mute now in the churchyard lie.
And this true simple tale in verse as simple
Will from its prelude to its close be told,
As free from artifice as is the dimple
In childhood's cheek, whereby is age consoled.
And haply it may soothe some sufferer's lot,
When noisier notes are husht, and newer ones forgot.
And think not, of your graciousness, I pray you,
Who tells the tale is one of those who deem
That love will beckon only to betray you,
Life an illusion, happiness a dream;
96
Only that noble grief is happier far
Than transitory lusts and feverish raptures are.
It was the season when aggressive Winter,
That had so long invested the sealed world,
With frosts that starve and hurricanes that splinter,
And rain, hail, blizzard, mercilessly hurled,
Made one forlorn last effort to assail
Ere Spring's relieving spears came riding on the gale.
For Amazonian March with breast uncovered
Blew loud her clarion, and the wintry host
Took courage fresh and lingeringly hovered
Round vale and hill, wherever needed most;
And ever and anon the raging weather
And wolfish winds re-formed, and onward swept together,
Loud-bellowing to the thunder-clouds to follow:
But all in vain, for here, there, everywhere,
Primrose battalions, seizing ridge and hollow,
Dingle, and covert, wind-flowers wild that dare
Beyond their seeming, bluebells without sound,
And scentless violets peeped, to spring up from the ground.
And, covering their advance, swift-scouring showers,
Gathering, dispersing, skirmished through the sky,
Till squadrons of innumerable flowers
Thronged through the land far as you could descry.
Then Winter, smitten with despair and dread,
Folded his fluttering tents, sounded retreat, and fled.
Whereat the land, so long beleaguered, seeing
The peril past, and Winter's iron ring
Broken, and all his cohorts norward fleeing,
Came forth to welcome and embrace the Spring,
Spring the Deliverer, and from sea and shore
Rose the rejoicing shout, ``See, April dawns once more!''
Radiant she came, attended by her zephyrs,
And forth from dusky stall and hurdled fold
Poured lowing kine and sleeky-coated heifers,
To roam at will through pastures green and gold,
97
Where unweaned lambs from morning until night
Raced round their nibbling dams, and frolicked with delight.
High up, on larch and cypress, merle and mavis
Vociferated love-lays sweet as strong,
And the bird dear to Homer and to Hafiz
Proclaimed the joy of sadness all night long;
Vowed each new Spring more Spring-like than the last,
And triumphed over Time, futile iconoclast.
Then imperceptibly and slowly rounded
Slim girlish April into maiden May,
Whereat still louder everywhere resounded
The cuckoo's call and throstle's roundelay.
It was as though in meadow, chase, and wood,
God made the world anew, and saw that it was good.
Then feudal Avoncourt, the stern and stately,
Whose dawn deep hidden in undated days,
Not like those palaces erected lately
Whose feet swift crumble, and whose face decays,
Defieth Time's insatiable tooth,
Relaxed grave gaze and wore the countenance of youth.
It had beheld kings and proud empires vanish,
Male sceptres shattered, princedoms pass away,
Norman, Plantagenet, Lombard, Swabian, Spanish,
Rise, rule, then totter, and topple from their sway;
York and Lancastrian Rose unfold and bloom,
Then canker and decay, and vanish in the tomb.
It faces the four winds with like demeanour
Norward as Southernward, as though to say,
``Blow from some other, stronger and still keener,
Wherefrom you will, and I will face that way.''
And round it as you roam, to gaze perplexed
Each side seems loveliest till you look upon the next.
Its present seeming unto ages Tudor
It owes, by unnamed, unknown hands designed,
Who planned and worked amid a folk deemed ruder,
But who with grace enduring strength combined.
98
Like sturdy oak with all its leaves still on,
When foliage from elm and sycamore have gone.
Upon its delicate, lofty-jutting portal
Imaginative minds and hands have wrought
Of dead artificers once deemed immortal,
From Southern climes by kings and magnates brought,
When architects and sculptors smiled in scorn
On plain defensive days and called the world reborn.
But time hath mellowed mullion, roof, and gable,
Stone-work without, and wainscotting within;
And nigh them oaken-timbered barn and stable,
Lowlier, withal of countenance akin,
Cluster, for in times olden, meek, and proud,
Being nearer much than now, their kinship was avowed.
From it slope woodlands and long alleys shaded,
Saving that all around it and more near
Stretches wild chase by ploughshare uninvaded,
Where roam rough cattle and unherded deer,
That look up as you pass from brackened sod,
Then flee with step as fleet as that whereon they trod.
Through vale below from many a source unfailing
A river flows where deft hands cast the line,
Well stocked with wary trout and bolder grayling.
Through smooth, fat pastures dotted o'er with kine
League after league the water winds away,
Oft turning as though loth from Avoncourt to stray.
It was in the sweet season that hath ravished
The virgin heart since ever love began,
A maiden, upon whom had Nature lavished
Each fair gift given to maiden or to man,
Roamed all alone through windings of its wood,
Seeking the way to where Avoncourt haply stood.
Onward in search of it she went, but slowly,
For who could hasten through so fresh a scene,
With violets paved, the lovelier because lowly,
And pallid primroses on ground of green;
99
While overhead each bird that hath a voice
Seemed in its own blithe notes to revel and rejoice.
And ever and anon she gazed around her,
Or knelt to gather some appealing flower,
And to dear God, the Father and the Founder
Of all things good, the all-protecting Power,
Breathed a brief prayer of thanks within her breast,
Feeling she roamed in Heaven on earth made manifest.
Sometimes she broke into spontaneous singing,
Such as fond nurse to fretful babe might sing,
Whose close as sudden is as its beginning.
Herself she seemed a portion of the Spring
Which, if she went, would lose the chiefest part
Of that which charms the gaze and captivates the heart.
At length she passed from out these paths embowered
To where meek does, young fawns, and shaggy beeves
Ranged amid bracken; but the House, that towered
Full nigh at hand, for intercepting leaves
She still descried not, so, advancing under
An arch of hornbeam, stood in husht, astonied wonder.
For there it rose as silent and abstracted
As though it nothing shared or had to say
With those that shadow-like have lived and acted
Upon the stage we call our later day;
From passing passions thoughtfully aloof,
Through age, not pride, without lamenting or reproof.
Then slowly timid, tentative explorer,
Longing to see yet dreading to be seen,
Asudden living figure rose before her
Of manly mould and meditative mien;
Modern, withal with air of ancient port,
As if the same blood flowed through him and Avoncourt.
``Forgive,'' she said, ``an overbold intruder!''
``I doubt if anywhere you would intrude;
But sooth none do on this survival Tudor,
Who visit its old age in reverent mood.''
100
``And that indeed I do. I never saw
Aught that I so admired, or felt for so much awe.''
``Will you, I round it willingly can guide you,
Unless-and, told, shall fully understand,Wander you rather would with none beside you
To mar the silence of the windless land,
Saving Spring's choristers, whose constant trills
One hears or doth not hear, according as one wills.''
``You know it well?'' she asked. ``I ought to know it.
Here was I born, here grew to boy's estate,
Pored o'er the page of storier and poet,
All that is big, magnanimous, and great,
Hardened my own, tried my dear Mother's nerves,
Robbed the home orchard, poached my Father's own preserves.''
``And are you now its occupant and possessor?''
``So called, alas! whose ancestors have paid
The final tax, by Death the stern assessor
On all poor mortals equitably laid.
I have a leasehold; no one can have more,
This side at least the vague, still-undiscovered shore.''
Thereat there fell a silence on their speaking,
And on they moved, he follower more than guide;
Oblivious she what 'twas that she was seeking,
Since conscious now of manhood at her side.
Withal, so much there was to lure her gaze,
That his on her could rest, nor stint its look of praise.
Then when they reached the Jacobean portal,
Back rolled its doors of iron brace and stay,
On grooves that seemed more cut for feet immortal
Than for a feeble transitory day,
And mounted oaken stair axe-hewn, unplaned,
With lion-headed piers unpolished and unstained.
From coffered ceiling hung down tattered banners,
And weapons warlike deadly deemed no more
Were parked on landing; grants of ancient manors,
With charts and parchments of black-letter lore,
101
Stacked spears and dinted armour; ebon presses
With jealous bolts stood locked in embrasured recesses.
Chamber on chamber wainscotted and spacious
Was lined with effigies of warriors wise,
Reticent rulers, dames revered and gracious,
Whose fingers wove the silken tapestries,
Time-toned but faded not, that draped the wall
Of gallery long and straight, and square-set banquet-hall.
About lay obsolete instruments, wheel and spindle,
When women read much less and knew much more,
Huge logs for early-rising maids to kindle
On deep-set hearths, mottoes of lasting lore
In ancient tongues, Norman, or Saxon stave,
Bidding man live and die, meek, pious, steadfast, brave.
And many a question asked she, always getting
The answer craved for, given prompt and plain.
``But look,'' she said, ``the sun will soon be setting,
And that old dial-hand that doth nor gain
Nor lose, I am sure, in its diurnal pace,
Reproves me I still lag in this enthralling place.''
``Then come again,'' he answered, ``at your leisure,''
And led her outward where the ancient pile
Looked as though dwelt within no special treasure,
And owned no spell nor charm save sunset's smile;
Like one of those large natures that betray
No sign that they are made of more than common clay.
``And may I ask, your homeward footsteps, whither?
What! there! it is on Avoncourt estate,
And I by shorter path can guide you thither
Than that you came by, fear you to be late.
You lodge with much-loved tenants, for the wife
My foster-parent was in rosy-dawning life.''
``She did not tell me that; but sooth our meeting
Was but two days back, though I quickly saw
That she for you would evermore be bleating
With voice of blent solicitude and awe.''
102
``'Tis so: on Sundays with a spirit meek
She worships God, then me the rest of all the week.''
Wending and winding under curved ways shaded,
Wider than heretofore, they farmward trod,
While twilight incense all the air pervaded
Round flower-decked altar at the shrine of God,
This sacred Earth, and for approaching night
One star kept watch, as yet Heaven's only lamp alight.
To her it seemed the Real and Ideal
At last were one, and every bird that sings
Joined prayerfully in chorus hymeneal,
Ere folding music underneath its wings.
How little did she guess that ambushed grief
Watched all her thoughts and lurked 'neath every dewy leaf!
``Are both your parents at the farmstead staying?''
``Alas!'' she said, ``like yours, they both abide
My coming further off, and in my praying
Alone survive; my guardian and my guide
My Mother's sister, whom we there shall find,
Most loving and most loved of living womankind.''
Where buttressed Church with crenellated Tower
Over the village still kept watch and ward;
``For these,'' he said, ``inherited have that power,
The pious citadels of peace that guard
The sin-beleaguered soul, and still repel
From humble homes and hearts the ravening hosts of hell.''
Within were monuments of home-delved marble,
Whereon lay figures of his race and name,
Crusaders whose dead deeds no time can garble,
Learning destroy, malignity defame:
Legs crossed, feet resting against faithful hound,
And, at their side, their dames and children kneeling round.
Then would they wend them valeward to the river,
And he cast line that neither curled nor sank.
Round ran the reel, then the lithe rod would quiver,
And May-fly trout lie gasping on the bank,
103
Or, like a flying shadow through the stream,
Startled, would pass to pool sheltered from noonday gleam.
Which pleased her most, for sooth she thought sport cruel,
Yet watched it for the sake of his rare skill,
But happiest when asudden wingèd jewel,
The king-fisher, disturbed near rustic mill,
Darted, and deep into its nest withdrew,
Shortly to issue forth, and, flickering, raid anew.
So passed the days unnoticed and uncounted,
As louder, longer, later, piped the merle,
And cuckoo oftener called, if harsher throated,
And hawthorn decked itself with loops of pearl.
It seemed a world reborn without its woes:
Woodbine was in the lanes, and everywhere the rose.
All things that are in that seductive season
In them struck root and with them got entwined;
Looking before or after had seemed treason
To the free heart and unconditioned mind,
As daily tightened beyond time's control
That strongest of all ties, the kinship of the soul.
And deeper into bliss they wandered blindly,
While woe and wet winds kept from them aloof,
As from screened homestead visitings unkindly,
Where old-world windows under gabled roof
Seem gazing at the present from the past,
And wondering how long such happiness will last.
Ah me! the days of Summer, not of Winter,
The shortest are and swiftest glide away,
And leaves of Autumn, sober mezzotinter,
Linger far longer than the blooms of May.
Time that, when fledged by joy, finds wings to fly,
With sorrow for its load limps slowly, wearily.
One evening, as they watched the sunset fading,
``To strangers Avoncourt must never pass,
For that would be dishonouring and degrading,''
Thinking aloud he said: ``withal, alas!
104
Sit by its hearth they must, and much I fear
That there they must abide for many a coming year.
``No fault of mine nor yet of those now sleeping
In tombs ancestral. Unrelenting time,
That hath the future in its unseen keeping,
Hath lowered the lofty, let the lowly climb,
And swept away the sustenance of my home.
What is there that endures? Go ask of Greece or Rome.
``Mullion from sill, transom from beam, is cracking,
Beauty and majesty their only stay;
And, save new wealth supply what now is lacking,
These too in turn will slowly pass away.
And I must save and strive in duteous ways,
So irksome felt by most in these luxurious days.''
``There is another way, some deem a duty,
None call unworthy,'' slowly she replied.
``Women there be, gifted with charm and beauty,
On whom hath Fortune lavished wealth beside.''
``I am not made like that,'' he firmly said;
``I but for love alone should ever woo or wed.''
And, as he said it, on her face he centred
Strong tender gaze, as though to search her soul,
Which straight so deep into her being entered,
She felt a current beyond will's control.
Crimsoning she turned aside, and thus confessed
The secret she had thought to hide within her breast.
Out of a cloud long gathering burst a flashing,
Followed by thunder's discontented sound;
And straight they heard slow big round raindrops plashing
On the green leaves o'erhead and emerald ground.
``Hark! I must hasten home,'' she said, ``before
The storm-wrack breaks.''-``And I will see you to your door.''
All through the morrow much he seemed to ponder,
And oft would halt and gaze upon the ground,
Or look out fixedly on something yonder,
Unseen by others, which at last he found,
105
And then strode quickly on, since he had solved
The doubt that would die out oftener the years revolved.
``Yes, for she hath that higher understanding
That routs Life's phantoms with a fearless face,
And knows, when spectral enemies throng banding,
The good from bad, the noble from the base.
To-morrow will I offer, ask for, all,
Love, Faith, and Hope can give, whatever else befall.''
But on the morrow came she not. More lonely,
Wandering, he felt than ever heretofore;
Nor on the morrow's morrow, and he only
Could wait her will, nor wend unto their door
Till wearily some doubtful days crept on,
And then the farmstead sought, to find its guests had gone!
Gone three days back, and none knew why or whither.
Then he with promptitude unleashed his mind,
In search for trace, now hither and now thither,
But trace or tidings nowhere could he find.
Still unremittingly he sought: in vain
Was search within our shore, was search beyond the main.
Slowly the glory from the Summer faded,
And ominously leaves began to fall;
And ever and anon harsh gusts invaded
Avoncourt, moaning through deserted hall,
And roaring woefully up chimney wide;
And mute the deerhound clung unto her master's side,
Or gazed at him with sad look sympathetic,
As though it too missed what its master missed.
``Ah, Lufra!'' said he in a voice prophetic,
``She is gone, and we shall never see her more.
Cling you to me, and I will take you where
Wander awhile I must, wherever I may fare.
``No more than you can I unmask the meaning
Of hapless things that baffle mortal vows.''
Then, sighing, saw he white-haired Winter gleaning,
Amid the crackling drift and fallen boughs
106
That lay on avenue, chase, and garden garth,
Fuel to feed faint flame upon her widowed hearth.
He was not one of those who love to wrangle
Before the populace for place and power,
Or fight for wealth with weapons that but strangle
The nobler passions, manhood's richest dower.
``I will return when wound shall less be felt,
And work among my folk, dwelling where once she dwelt.''
Farewell he took of wood-reeve, keeper, ranger,
And tenants grave with grief, and some in tears,
And order gave that Avoncourt to stranger
Be leased for maybe many coming years;
Then crossed the vigilant, unsleeping sea
That ranges round our Isle, to keep it great and free.
He lingered not in that vain-glorious city,
Whose Rulers pass the sceptre to the crowd,
But wended to the Land where amorous ditty
By swain at work to maid is sung aloud;
Where life is simple, and unchanging ways
Of tillage still recall loved Virgil's rustic lays:
Where on majestic pedestals the mighty
Marble imaginings of Art august,
Thought-wrinkled Zeus and dimpled Aphrodité,
Exact our homage and command our trust;
Immortal gods whose never-ending sway
Rebellion cannot shake nor scoffing sweep away.
And in that high companionship he slowly
Stifled his sighs and cicatrised his wound,
And, with the griefs the lofty and the lowly
Alike must feel, his share of pain attuned;
More willingly, it may be, since he knew
He unto love and loss would evermore keep true.
Ofttimes he stood by shrines where peasants kneeling
Told of their sorrows to the Mother-Maid,
Unto celestial sympathy appealing
From the world's pitiless splendour and parade;
107
And in that sight he resignation found,
With sun, and sea, and sky, and mountain-peaks around.
So that when nigh upon a year had vanished
Homeward his longing and his looks were cast,
Feeling 'twere base to longer stay self-banished,
Grafting his future on a fruitless past.
And soon his steadfast journeying came to close,
Where Avoncourt amid its unchanged woodlands rose.
It had meanwhile been leased to lately wedded
Tenants, unknown to Fame, but well endowed
With what could rescue it from fate so dreaded
Of slow decay and ruin-mantling shroud,
And who already had done much to win
Its walls from storm without, and worm and moth within.
So, as in duty bound, he promptly started
From home prepared for him on his estate,
With cheerful step if somewhat heavy-hearted,
To visit those who lived within his gate;
Ascending through the woodland's winding ways,
That wore more careful mien than in the bygone days.
It was the dawn of Autumn, very season
When he from further search for her forbore,
Whom to forget had seemed to him a treason,
Though well he knew he ne'er should see her more.
Sound, sight, scent, yellowing elm, and conecrowned fir,
Sunshine and shade alike, reminded him of her.
But, resolute to curb regret, he entered,
And, led through hall and corridor, he wound
To long ancestral gallery, and centred
His curious gaze on what he saw around.
It seemed to have lost no look of days gone by,
Withal to blend young smile with ancient majesty.
Still on the walls the effigies ancestral,
In armour or in ermine, hung unchanged,
With the device of wild boar, wolf, or kestrel,
That once in English forests freely ranged;
108
With later draperies that seemed to bring
Distance more near and shed a grace round everything.
While gazing out on well-remembered garden,
Where old yew hedges screened new-planted rose,
Against whose beauty none his heart could harden,
He heard a door soft open and then close.
And, turning, saw Egeria, with a face
Pale as a moon that moves alone through lonely space!
``Are you a guest,'' he said, ``in my poor dwelling?''
``I am,'' she answered, ``your-your tenant's wife.
Hear me in patience, dear, while I am telling
What tell I must, but tell this once for life.''
Whereat they towards each other drew more near:
One spoke, one listened, both without a sob or tear.
``I loved, I love you. Noble since I know you,
Here I confess that I shall love you still;
Since you will never show me nor I show you
More tenderness than now, for such God's will.
Knowing I should, love once avowed, rejoice,
Should not refuse your love, could not resist your voice,
``From you I fled, and steadfast left behind me
No word to weaken you, no sign, no trace,
Whereby your manliness could following find me.
For well I knew, that day your face my face
Scanned in strong silence, probing to my heart,
Love once confessed, no power could keep our lives apart.
``And well, too well I knew, for all things told me,
Men's tongues, the air, I thus should wreck your life,
And Avoncourt reproachfully behold me
A selfish bride and paralysing wife;
That duty had decreed a harder fate
For you, for me. If wrong, I know the right too late.
``In innocency's life there comes an hour
When stands revealed what it could never guess:
That there is magical and mystic power
To make love strong or leave it powerless;
109
If felt, if given without one selfish thought,
That Love is Wisdom's self, and all beside is nought.
``Ask me no more, I beg, than what I tell you:
I am your tenant, at another's will.
How, wherefore, when, on that which then befell, you,
Though I be mute, will understand me still.
Forgive, but ne'er forget me. Now depart,
Till to endurance Time shall mellowed have the smart.''
Her hand she stretched towards him, and, low bending,
On it his lips he reverently laid,
As on some sacred relic pilgrims wending
From far-off land with faith still undecayed.
Then he went forth, and she remained, alone,
Stern Duty unassailed upon its sovran throne.
But with the morrow's dawn there came the tidings
How that a crafty, freedom-loathing race,
Its schemes unmasked, had come from out its hidings,
And flung defiance in its Suzerain's face,
Then on his open territories burst,
Proclaiming these annexed unto its rule accursed.
Then England said, ``I must endure no longer
This long-conspiring, now presumptuous brood,
But must assert the Sceptre of the stronger
Against their vapourings vain and challenge rude,
Who have against me their false flag unfurled,
Urged to their ruin by an Empire-envying world.''
Nor England only, nor main-moated Britain,
But their brave offspring homed beyond the sea,
In righteous wrath arose, and, duty-smitten,
Vowed that their Afric brethren should be free
To think and speak the thing they would, and dwell
Equal and safe around Law's peaceful citadel.
Then said Sir Alured, ``Against such foemen
I too will ride and strike,'' and round him drew
All Avoncourt's hard-knit, well-mounted yeomen,
And to his lands ancestral bade adieu.
110
Beneath him seethed the waters no one barred,
Over the wave-wide track our steel-shod sentries guard.
And day by day Egeria scans and watches
The ebb and flow of fluctuating war,
And ofttimes sees his name in terse dispatches
Shine among those that most distinguished are.
Then pride and terror in her heart contend,
And low she prays anew, ``Dear God! his life befriend!''
And when she reads of some fresh deed of daring
That decorates his breast and crowns his brow,
Sparing of others, of himself unsparing,
She weeps apart where no one sees. But now
This Tale of True Love hath been truly told.
May it by some be read, and by it some consoled!
~ Alfred Austin,
1335:VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V---,
NOW IMPRISONED IN THE CONVENT OF ---

L'anima amante si slancia fuori del creato, e si crea nell' infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. ~Her own words.
My Song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.

EPIPSYCHIDION.

Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.

Poor captive bird! who, from thy narrow cage,
Pourest such music, that it might assuage
The ruggd hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale!
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.

High, spirit-wingd Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee.

Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse!
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die.

I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother!
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due,
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of thee.

Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style,
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a belovd light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe?I measure
The world of fancies, seeking one like thee,
And findalas! mine own infirmity.

She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope,
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June
Amid the splendour-wingd stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soultoo deep
For the brief fathom-line of thought or sense.
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence,
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,)
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt,
Beyond the sense, like fiery dews that melt
Into the bosom of a frozen bud.
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity;
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning;
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.

            Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.

Spouse! Sister! Angel! Pilot of the Fate
Whose course has been so starless! O too late
Belovd! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine;
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright
For thee, since in those tears thou hast delight.
Weare we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake
As trembling leaves in a continuous air?

Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.

True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.

Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.

There was a Being whom my spirit oft
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves
Of wonder-level dream, whose tremulous floor
Paved her light steps;on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of her to the enamoured air;
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance, -- in form,
Sound, colour -- in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom;
Her Spirit was the harmony of truth.--

Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame.
But She, whom prayers or tears then could not tame,
Passed, like a God throned on a wingd planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest.'
Then I'Where?'--the world's echo answered 'where?'
And in that silence, and in my despair,
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate;
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her:
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife,
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me.
There,One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers;
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,flame
Out of her looks into my vitals came,
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime
With ruins of unseasonable time.

In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fairbut beauty dies away:
Others were wisebut honeyed words betray:
And One was trueoh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain.
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had dreamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun;
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind,
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb,
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew,
And cried 'Away, he is not of our crew.'
I wept, and though it be a dream, I weep.

What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell
Into a death of ice, immovable;
And thenwhat earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:If not, each word would be
The key of staunchless tears. Weep not for me!

At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,all other sounds were penetrated
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun,
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years -- that it was Emily.

Twin Spheres of light who rule this passive Earth,
This world of love, this me; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-wingd showers;
And, as those married lights, which from the towers
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;
So ye, bright regents, with alternate sway
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity,
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion,
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild
Called Hope and Fearupon the heart are piled
Their offerings,of this sacrifice divine
A World shall be the altar.

               Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.

The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still;
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:the destined Star has risen
Which shall descend upon a vacant prison.
The walls are high, the gates are strong, thick set
The sentinelsbut true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath,
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free
The limbs in chains, the heart in agony,
The soul in dust and chaos.

               Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam, and tone,
With that deep music is in unison:
Which is a soul within the soulthey seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air.
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th'Eternal, whose own smile
Unfolds itself, and may be felt, not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learnd imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep.
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,
Possessing and possessed by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one:or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The wingd words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire
I pant, I sink, I tremble, I expire!

Weak Verses, go, kneel at your Sovereign's feet,
And say:'We are the masters of thy slave;
What wouldest thou with us and ours and thine?"
Then call your sisters from Oblivion's cave,
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave.'
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,for I am Love's.
Epipsychidion was composed at Pisa, Jan., Feb., 1821, and published without the author's name, in the following summer, by C. & J. Ollier, London. The poem was included by Mrs. Shelley in the Poetical Works, 1839, both edd.
~ Percy Bysshe Shelley, Epipsychidion
,
1336:Pelleas And Ettarre
King Arthur made new knights to fill the gap
Left by the Holy Quest; and as he sat
In hall at old Caerleon, the high doors
Were softly sundered, and through these a youth,
Pelleas, and the sweet smell of the fields
Past, and the sunshine came along with him.
`Make me thy knight, because I know, Sir King,
All that belongs to knighthood, and I love.'
Such was his cry: for having heard the King
Had let proclaim a tournament--the prize
A golden circlet and a knightly sword,
Full fain had Pelleas for his lady won
The golden circlet, for himself the sword:
And there were those who knew him near the King,
And promised for him: and Arthur made him knight.
And this new knight, Sir Pelleas of the isles-But lately come to his inheritance,
And lord of many a barren isle was he-Riding at noon, a day or twain before,
Across the forest called of Dean, to find
Caerleon and the King, had felt the sun
Beat like a strong knight on his helm, and reeled
Almost to falling from his horse; but saw
Near him a mound of even-sloping side,
Whereon a hundred stately beeches grew,
And here and there great hollies under them;
But for a mile all round was open space,
And fern and heath: and slowly Pelleas drew
To that dim day, then binding his good horse
To a tree, cast himself down; and as he lay
At random looking over the brown earth
Through that green-glooming twilight of the grove,
It seemed to Pelleas that the fern without
Burnt as a living fire of emeralds,
So that his eyes were dazzled looking at it.
Then o'er it crost the dimness of a cloud
Floating, and once the shadow of a bird
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Flying, and then a fawn; and his eyes closed.
And since he loved all maidens, but no maid
In special, half-awake he whispered, `Where?
O where? I love thee, though I know thee not.
For fair thou art and pure as Guinevere,
And I will make thee with my spear and sword
As famous--O my Queen, my Guinevere,
For I will be thine Arthur when we meet.'
Suddenly wakened with a sound of talk
And laughter at the limit of the wood,
And glancing through the hoary boles, he saw,
Strange as to some old prophet might have seemed
A vision hovering on a sea of fire,
Damsels in divers colours like the cloud
Of sunset and sunrise, and all of them
On horses, and the horses richly trapt
Breast-high in that bright line of bracken stood:
And all the damsels talked confusedly,
And one was pointing this way, and one that,
Because the way was lost.
And Pelleas rose,
And loosed his horse, and led him to the light.
There she that seemed the chief among them said,
`In happy time behold our pilot-star!
Youth, we are damsels-errant, and we ride,
Armed as ye see, to tilt against the knights
There at Caerleon, but have lost our way:
To right? to left? straight forward? back again?
Which? tell us quickly.'
Pelleas gazing thought,
`Is Guinevere herself so beautiful?'
For large her violet eyes looked, and her bloom
A rosy dawn kindled in stainless heavens,
And round her limbs, mature in womanhood;
And slender was her hand and small her shape;
And but for those large eyes, the haunts of scorn,
She might have seemed a toy to trifle with,
And pass and care no more. But while he gazed
The beauty of her flesh abashed the boy,
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As though it were the beauty of her soul:
For as the base man, judging of the good,
Puts his own baseness in him by default
Of will and nature, so did Pelleas lend
All the young beauty of his own soul to hers,
Believing her; and when she spake to him,
Stammered, and could not make her a reply.
For out of the waste islands had he come,
Where saving his own sisters he had known
Scarce any but the women of his isles,
Rough wives, that laughed and screamed against the gulls,
Makers of nets, and living from the sea.
Then with a slow smile turned the lady round
And looked upon her people; and as when
A stone is flung into some sleeping tarn,
The circle widens till it lip the marge,
Spread the slow smile through all her company.
Three knights were thereamong; and they too smiled,
Scorning him; for the lady was Ettarre,
And she was a great lady in her land.
Again she said, `O wild and of the woods,
Knowest thou not the fashion of our speech?
Or have the Heavens but given thee a fair face,
Lacking a tongue?'
`O damsel,' answered he,
`I woke from dreams; and coming out of gloom
Was dazzled by the sudden light, and crave
Pardon: but will ye to Caerleon? I
Go likewise: shall I lead you to the King?'
`Lead then,' she said; and through the woods they went.
And while they rode, the meaning in his eyes,
His tenderness of manner, and chaste awe,
His broken utterances and bashfulness,
Were all a burthen to her, and in her heart
She muttered, `I have lighted on a fool,
Raw, yet so stale!' But since her mind was bent
On hearing, after trumpet blown, her name
And title, `Queen of Beauty,' in the lists
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Cried--and beholding him so strong, she thought
That peradventure he will fight for me,
And win the circlet: therefore flattered him,
Being so gracious, that he wellnigh deemed
His wish by hers was echoed; and her knights
And all her damsels too were gracious to him,
For she was a great lady.
And when they reached
Caerleon, ere they past to lodging, she,
Taking his hand, `O the strong hand,' she said,
`See! look at mine! but wilt thou fight for me,
And win me this fine circlet, Pelleas,
That I may love thee?'
Then his helpless heart
Leapt, and he cried, `Ay! wilt thou if I win?'
`Ay, that will I,' she answered, and she laughed,
And straitly nipt the hand, and flung it from her;
Then glanced askew at those three knights of hers,
Till all her ladies laughed along with her.
`O happy world,' thought Pelleas, `all, meseems,
Are happy; I the happiest of them all.'
Nor slept that night for pleasure in his blood,
And green wood-ways, and eyes among the leaves;
Then being on the morrow knighted, sware
To love one only. And as he came away,
The men who met him rounded on their heels
And wondered after him, because his face
Shone like the countenance of a priest of old
Against the flame about a sacrifice
Kindled by fire from heaven: so glad was he.
Then Arthur made vast banquets, and strange knights
From the four winds came in: and each one sat,
Though served with choice from air, land, stream, and sea,
Oft in mid-banquet measuring with his eyes
His neighbour's make and might: and Pelleas looked
Noble among the noble, for he dreamed
His lady loved him, and he knew himself
Loved of the King: and him his new-made knight
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Worshipt, whose lightest whisper moved him more
Than all the rangd reasons of the world.
Then blushed and brake the morning of the jousts,
And this was called `The Tournament of Youth:'
For Arthur, loving his young knight, withheld
His older and his mightier from the lists,
That Pelleas might obtain his lady's love,
According to her promise, and remain
Lord of the tourney. And Arthur had the jousts
Down in the flat field by the shore of Usk
Holden: the gilded parapets were crowned
With faces, and the great tower filled with eyes
Up to the summit, and the trumpets blew.
There all day long Sir Pelleas kept the field
With honour: so by that strong hand of his
The sword and golden circlet were achieved.
Then rang the shout his lady loved: the heat
Of pride and glory fired her face; her eye
Sparkled; she caught the circlet from his lance,
And there before the people crowned herself:
So for the last time she was gracious to him.
Then at Caerleon for a space--her look
Bright for all others, cloudier on her knight-Lingered Ettarre: and seeing Pelleas droop,
Said Guinevere, `We marvel at thee much,
O damsel, wearing this unsunny face
To him who won thee glory!' And she said,
`Had ye not held your Lancelot in your bower,
My Queen, he had not won.' Whereat the Queen,
As one whose foot is bitten by an ant,
Glanced down upon her, turned and went her way.
But after, when her damsels, and herself,
And those three knights all set their faces home,
Sir Pelleas followed. She that saw him cried,
`Damsels--and yet I should be shamed to say it-I cannot bide Sir Baby. Keep him back
Among yourselves. Would rather that we had
Some rough old knight who knew the worldly way,
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Albeit grizzlier than a bear, to ride
And jest with: take him to you, keep him off,
And pamper him with papmeat, if ye will,
Old milky fables of the wolf and sheep,
Such as the wholesome mothers tell their boys.
Nay, should ye try him with a merry one
To find his mettle, good: and if he fly us,
Small matter! let him.' This her damsels heard,
And mindful of her small and cruel hand,
They, closing round him through the journey home,
Acted her hest, and always from her side
Restrained him with all manner of device,
So that he could not come to speech with her.
And when she gained her castle, upsprang the bridge,
Down rang the grate of iron through the groove,
And he was left alone in open field.
`These be the ways of ladies,' Pelleas thought,
`To those who love them, trials of our faith.
Yea, let her prove me to the uttermost,
For loyal to the uttermost am I.'
So made his moan; and darkness falling, sought
A priory not far off, there lodged, but rose
With morning every day, and, moist or dry,
Full-armed upon his charger all day long
Sat by the walls, and no one opened to him.
And this persistence turned her scorn to wrath.
Then calling her three knights, she charged them, `Out!
And drive him from the walls.' And out they came
But Pelleas overthrew them as they dashed
Against him one by one; and these returned,
But still he kept his watch beneath the wall.
Thereon her wrath became a hate; and once,
A week beyond, while walking on the walls
With her three knights, she pointed downward, `Look,
He haunts me--I cannot breathe--besieges me;
Down! strike him! put my hate into your strokes,
And drive him from my walls.' And down they went,
And Pelleas overthrew them one by one;
And from the tower above him cried Ettarre,
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`Bind him, and bring him in.'
He heard her voice;
Then let the strong hand, which had overthrown
Her minion-knights, by those he overthrew
Be bounden straight, and so they brought him in.
Then when he came before Ettarre, the sight
Of her rich beauty made him at one glance
More bondsman in his heart than in his bonds.
Yet with good cheer he spake, `Behold me, Lady,
A prisoner, and the vassal of thy will;
And if thou keep me in thy donjon here,
Content am I so that I see thy face
But once a day: for I have sworn my vows,
And thou hast given thy promise, and I know
That all these pains are trials of my faith,
And that thyself, when thou hast seen me strained
And sifted to the utmost, wilt at length
Yield me thy love and know me for thy knight.'
Then she began to rail so bitterly,
With all her damsels, he was stricken mute;
But when she mocked his vows and the great King,
Lighted on words: `For pity of thine own self,
Peace, Lady, peace: is he not thine and mine?'
`Thou fool,' she said, `I never heard his voice
But longed to break away. Unbind him now,
And thrust him out of doors; for save he be
Fool to the midmost marrow of his bones,
He will return no more.' And those, her three,
Laughed, and unbound, and thrust him from the gate.
And after this, a week beyond, again
She called them, saying, `There he watches yet,
There like a dog before his master's door!
Kicked, he returns: do ye not hate him, ye?
Ye know yourselves: how can ye bide at peace,
Affronted with his fulsome innocence?
Are ye but creatures of the board and bed,
No men to strike? Fall on him all at once,
And if ye slay him I reck not: if ye fail,
529
Give ye the slave mine order to be bound,
Bind him as heretofore, and bring him in:
It may be ye shall slay him in his bonds.'
She spake; and at her will they couched their spears,
Three against one: and Gawain passing by,
Bound upon solitary adventure, saw
Low down beneath the shadow of those towers
A villainy, three to one: and through his heart
The fire of honour and all noble deeds
Flashed, and he called, `I strike upon thy side-The caitiffs!' `Nay,' said Pelleas, `but forbear;
He needs no aid who doth his lady's will.'
So Gawain, looking at the villainy done,
Forbore, but in his heat and eagerness
Trembled and quivered, as the dog, withheld
A moment from the vermin that he sees
Before him, shivers, ere he springs and kills.
And Pelleas overthrew them, one to three;
And they rose up, and bound, and brought him in.
Then first her anger, leaving Pelleas, burned
Full on her knights in many an evil name
Of craven, weakling, and thrice-beaten hound:
`Yet, take him, ye that scarce are fit to touch,
Far less to bind, your victor, and thrust him out,
And let who will release him from his bonds.
And if he comes again'--there she brake short;
And Pelleas answered, `Lady, for indeed
I loved you and I deemed you beautiful,
I cannot brook to see your beauty marred
Through evil spite: and if ye love me not,
I cannot bear to dream you so forsworn:
I had liefer ye were worthy of my love,
Than to be loved again of you--farewell;
And though ye kill my hope, not yet my love,
Vex not yourself: ye will not see me more.'
While thus he spake, she gazed upon the man
Of princely bearing, though in bonds, and thought,
`Why have I pushed him from me? this man loves,
530
If love there be: yet him I loved not. Why?
I deemed him fool? yea, so? or that in him
A something--was it nobler than myself?
Seemed my reproach? He is not of my kind.
He could not love me, did he know me well.
Nay, let him go--and quickly.' And her knights
Laughed not, but thrust him bounden out of door.
Forth sprang Gawain, and loosed him from his bonds,
And flung them o'er the walls; and afterward,
Shaking his hands, as from a lazar's rag,
`Faith of my body,' he said, `and art thou not-Yea thou art he, whom late our Arthur made
Knight of his table; yea and he that won
The circlet? wherefore hast thou so defamed
Thy brotherhood in me and all the rest,
As let these caitiffs on thee work their will?'
And Pelleas answered, `O, their wills are hers
For whom I won the circlet; and mine, hers,
Thus to be bounden, so to see her face,
Marred though it be with spite and mockery now,
Other than when I found her in the woods;
And though she hath me bounden but in spite,
And all to flout me, when they bring me in,
Let me be bounden, I shall see her face;
Else must I die through mine unhappiness.'
And Gawain answered kindly though in scorn,
`Why, let my lady bind me if she will,
And let my lady beat me if she will:
But an she send her delegate to thrall
These fighting hands of mine--Christ kill me then
But I will slice him handless by the wrist,
And let my lady sear the stump for him,
Howl as he may. But hold me for your friend:
Come, ye know nothing: here I pledge my troth,
Yea, by the honour of the Table Round,
I will be leal to thee and work thy work,
And tame thy jailing princess to thine hand.
Lend me thine horse and arms, and I will say
That I have slain thee. She will let me in
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To hear the manner of thy fight and fall;
Then, when I come within her counsels, then
From prime to vespers will I chant thy praise
As prowest knight and truest lover, more
Than any have sung thee living, till she long
To have thee back in lusty life again,
Not to be bound, save by white bonds and warm,
Dearer than freedom. Wherefore now thy horse
And armour: let me go: be comforted:
Give me three days to melt her fancy, and hope
The third night hence will bring thee news of gold.'
Then Pelleas lent his horse and all his arms,
Saving the goodly sword, his prize, and took
Gawain's, and said, `Betray me not, but help-Art thou not he whom men call light-of-love?'
`Ay,' said Gawain, `for women be so light.'
Then bounded forward to the castle walls,
And raised a bugle hanging from his neck,
And winded it, and that so musically
That all the old echoes hidden in the wall
Rang out like hollow woods at hunting-tide.
Up ran a score of damsels to the tower;
`Avaunt,' they cried, `our lady loves thee not.'
But Gawain lifting up his vizor said,
`Gawain am I, Gawain of Arthur's court,
And I have slain this Pelleas whom ye hate:
Behold his horse and armour. Open gates,
And I will make you merry.'
And down they ran,
Her damsels, crying to their lady, `Lo!
Pelleas is dead--he told us--he that hath
His horse and armour: will ye let him in?
He slew him! Gawain, Gawain of the court,
Sir Gawain--there he waits below the wall,
Blowing his bugle as who should say him nay.'
And so, leave given, straight on through open door
Rode Gawain, whom she greeted courteously.
532
`Dead, is it so?' she asked. `Ay, ay,' said he,
`And oft in dying cried upon your name.'
`Pity on him,' she answered, `a good knight,
But never let me bide one hour at peace.'
`Ay,' thought Gawain, `and you be fair enow:
But I to your dead man have given my troth,
That whom ye loathe, him will I make you love.'
So those three days, aimless about the land,
Lost in a doubt, Pelleas wandering
Waited, until the third night brought a moon
With promise of large light on woods and ways.
Hot was the night and silent; but a sound
Of Gawain ever coming, and this lay-Which Pelleas had heard sung before the Queen,
And seen her sadden listening--vext his heart,
And marred his rest--`A worm within the rose.'
`A rose, but one, none other rose had I,
A rose, one rose, and this was wondrous fair,
One rose, a rose that gladdened earth and sky,
One rose, my rose, that sweetened all mine air-I cared not for the thorns; the thorns were there.
`One rose, a rose to gather by and by,
One rose, a rose, to gather and to wear,
No rose but one--what other rose had I?
One rose, my rose; a rose that will not die,-He dies who loves it,--if the worm be there.'
This tender rhyme, and evermore the doubt,
`Why lingers Gawain with his golden news?'
So shook him that he could not rest, but rode
Ere midnight to her walls, and bound his horse
Hard by the gates. Wide open were the gates,
And no watch kept; and in through these he past,
And heard but his own steps, and his own heart
Beating, for nothing moved but his own self,
And his own shadow. Then he crost the court,
And spied not any light in hall or bower,
But saw the postern portal also wide
533
Yawning; and up a slope of garden, all
Of roses white and red, and brambles mixt
And overgrowing them, went on, and found,
Here too, all hushed below the mellow moon,
Save that one rivulet from a tiny cave
Came lightening downward, and so spilt itself
Among the roses, and was lost again.
Then was he ware of three pavilions reared
Above the bushes, gilden-peakt: in one,
Red after revel, droned her lurdane knights
Slumbering, and their three squires across their feet:
In one, their malice on the placid lip
Frozen by sweet sleep, four of her damsels lay:
And in the third, the circlet of the jousts
Bound on her brow, were Gawain and Ettarre.
Back, as a hand that pushes through the leaf
To find a nest and feels a snake, he drew:
Back, as a coward slinks from what he fears
To cope with, or a traitor proven, or hound
Beaten, did Pelleas in an utter shame
Creep with his shadow through the court again,
Fingering at his sword-handle until he stood
There on the castle-bridge once more, and thought,
`I will go back, and slay them where they lie.'
And so went back, and seeing them yet in sleep
Said, `Ye, that so dishallow the holy sleep,
Your sleep is death,' and drew the sword, and thought,
`What! slay a sleeping knight? the King hath bound
And sworn me to this brotherhood;' again,
`Alas that ever a knight should be so false.'
Then turned, and so returned, and groaning laid
The naked sword athwart their naked throats,
There left it, and them sleeping; and she lay,
The circlet of her tourney round her brows,
And the sword of the tourney across her throat.
And forth he past, and mounting on his horse
Stared at her towers that, larger than themselves
In their own darkness, thronged into the moon.
534
Then crushed the saddle with his thighs, and clenched
His hands, and maddened with himself and moaned:
`Would they have risen against me in their blood
At the last day? I might have answered them
Even before high God. O towers so strong,
Huge, solid, would that even while I gaze
The crack of earthquake shivering to your base
Split you, and Hell burst up your harlot roofs
Bellowing, and charred you through and through within,
Black as the harlot's heart--hollow as a skull!
Let the fierce east scream through your eyelet-holes,
And whirl the dust of harlots round and round
In dung and nettles! hiss, snake--I saw him there-Let the fox bark, let the wolf yell. Who yells
Here in the still sweet summer night, but I-I, the poor Pelleas whom she called her fool?
Fool, beast--he, she, or I? myself most fool;
Beast too, as lacking human wit--disgraced,
Dishonoured all for trial of true love-Love?--we be all alike: only the King
Hath made us fools and liars. O noble vows!
O great and sane and simple race of brutes
That own no lust because they have no law!
For why should I have loved her to my shame?
I loathe her, as I loved her to my shame.
I never loved her, I but lusted for her-Away--'
He dashed the rowel into his horse,
And bounded forth and vanished through the night.
Then she, that felt the cold touch on her throat,
Awaking knew the sword, and turned herself
To Gawain: `Liar, for thou hast not slain
This Pelleas! here he stood, and might have slain
Me and thyself.' And he that tells the tale
Says that her ever-veering fancy turned
To Pelleas, as the one true knight on earth,
And only lover; and through her love her life
Wasted and pined, desiring him in vain.
But he by wild and way, for half the night,
535
And over hard and soft, striking the sod
From out the soft, the spark from off the hard,
Rode till the star above the wakening sun,
Beside that tower where Percivale was cowled,
Glanced from the rosy forehead of the dawn.
For so the words were flashed into his heart
He knew not whence or wherefore: `O sweet star,
Pure on the virgin forehead of the dawn!'
And there he would have wept, but felt his eyes
Harder and drier than a fountain bed
In summer: thither came the village girls
And lingered talking, and they come no more
Till the sweet heavens have filled it from the heights
Again with living waters in the change
Of seasons: hard his eyes; harder his heart
Seemed; but so weary were his limbs, that he,
Gasping, `Of Arthur's hall am I, but here,
Here let me rest and die,' cast himself down,
And gulfed his griefs in inmost sleep; so lay,
Till shaken by a dream, that Gawain fired
The hall of Merlin, and the morning star
Reeled in the smoke, brake into flame, and fell.
He woke, and being ware of some one nigh,
Sent hands upon him, as to tear him, crying,
`False! and I held thee pure as Guinevere.'
But Percivale stood near him and replied,
`Am I but false as Guinevere is pure?
Or art thou mazed with dreams? or being one
Of our free-spoken Table hast not heard
That Lancelot'--there he checked himself and paused.
Then fared it with Sir Pelleas as with one
Who gets a wound in battle, and the sword
That made it plunges through the wound again,
And pricks it deeper: and he shrank and wailed,
`Is the Queen false?' and Percivale was mute.
`Have any of our Round Table held their vows?'
And Percivale made answer not a word.
`Is the King true?' `The King!' said Percivale.
`Why then let men couple at once with wolves.
536
What! art thou mad?'
But Pelleas, leaping up,
Ran through the doors and vaulted on his horse
And fled: small pity upon his horse had he,
Or on himself, or any, and when he met
A cripple, one that held a hand for alms-Hunched as he was, and like an old dwarf-elm
That turns its back upon the salt blast, the boy
Paused not, but overrode him, shouting, `False,
And false with Gawain!' and so left him bruised
And battered, and fled on, and hill and wood
Went ever streaming by him till the gloom,
That follows on the turning of the world,
Darkened the common path: he twitched the reins,
And made his beast that better knew it, swerve
Now off it and now on; but when he saw
High up in heaven the hall that Merlin built,
Blackening against the dead-green stripes of even,
`Black nest of rats,' he groaned, `ye build too high.'
Not long thereafter from the city gates
Issued Sir Lancelot riding airily,
Warm with a gracious parting from the Queen,
Peace at his heart, and gazing at a star
And marvelling what it was: on whom the boy,
Across the silent seeded meadow-grass
Borne, clashed: and Lancelot, saying, `What name hast thou
That ridest here so blindly and so hard?'
`No name, no name,' he shouted, `a scourge am I
To lash the treasons of the Table Round.'
`Yea, but thy name?' `I have many names,' he cried:
`I am wrath and shame and hate and evil fame,
And like a poisonous wind I pass to blast
And blaze the crime of Lancelot and the Queen.'
`First over me,' said Lancelot, `shalt thou pass.'
`Fight therefore,' yelled the youth, and either knight
Drew back a space, and when they closed, at once
The weary steed of Pelleas floundering flung
His rider, who called out from the dark field,
`Thou art as false as Hell: slay me: I have no sword.'
Then Lancelot, `Yea, between thy lips--and sharp;
537
But here I will disedge it by thy death.'
`Slay then,' he shrieked, `my will is to be slain,'
And Lancelot, with his heel upon the fallen,
Rolling his eyes, a moment stood, then spake:
`Rise, weakling; I am Lancelot; say thy say.'
And Lancelot slowly rode his warhorse back
To Camelot, and Sir Pelleas in brief while
Caught his unbroken limbs from the dark field,
And followed to the city. It chanced that both
Brake into hall together, worn and pale.
There with her knights and dames was Guinevere.
Full wonderingly she gazed on Lancelot
So soon returned, and then on Pelleas, him
Who had not greeted her, but cast himself
Down on a bench, hard-breathing. `Have ye fought?'
She asked of Lancelot. `Ay, my Queen,' he said.
`And hast thou overthrown him?' `Ay, my Queen.'
Then she, turning to Pelleas, `O young knight,
Hath the great heart of knighthood in thee failed
So far thou canst not bide, unfrowardly,
A fall from HIM?' Then, for he answered not,
`Or hast thou other griefs? If I, the Queen,
May help them, loose thy tongue, and let me know.'
But Pelleas lifted up an eye so fierce
She quailed; and he, hissing `I have no sword,'
Sprang from the door into the dark. The Queen
Looked hard upon her lover, he on her;
And each foresaw the dolorous day to be:
And all talk died, as in a grove all song
Beneath the shadow of some bird of prey;
Then a long silence came upon the hall,
And Modred thought, `The time is hard at hand.'
~ Alfred Lord Tennyson,
1337:Swift as a spirit hastening to his task
Of glory & of good, the Sun sprang forth
Rejoicing in his splendour, & the mask
Of darkness fell from the awakened Earth.
The smokeless altars of the mountain snows
Flamed above crimson clouds, & at the birth
Of light, the Ocean's orison arose
To which the birds tempered their matin lay,
All flowers in field or forest which unclose
Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray
Burned slow & inconsumably, & sent
Their odorous sighs up to the smiling air,
And in succession due, did Continent,
Isle, Ocean, & all things that in them wear
The form & character of mortal mould
Rise as the Sun their father rose, to bear
Their portion of the toil which he of old
Took as his own & then imposed on them;
But I, whom thoughts which must remain untold
Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep,
Stretched my faint limbs beneath the hoary stem
Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the Deep
Was at my feet, & Heaven above my head
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread
Was so transparent that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew
That I had felt the freshness of that dawn,
Bathed in the same cold dew my brow & hair
And sate as thus upon that slope of lawn
Under the self same bough, & heard as there
The birds, the fountains & the Ocean hold
Sweet talk in music through the enamoured air.
And then a Vision on my brain was rolled.

As in that trance of wondrous thought I lay
This was the tenour of my waking dream.
Methought I sate beside a public way
Thick strewn with summer dust, & a great stream
Of people there was hurrying to & fro
Numerous as gnats upon the evening gleam,
All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, yet so
Was borne amid the crowd as through the sky
One of the million leaves of summer's bier.
Old age & youth, manhood & infancy,
Mixed in one mighty torrent did appear,
Some flying from the thing they feared & some
Seeking the object of another's fear,
And others as with steps towards the tomb
Pored on the trodden worms that crawled beneath,
And others mournfully within the gloom
Of their own shadow walked, and called it death
  And some fled from it as it were a ghost,
Half fainting in the affliction of vain breath.
But more with motions which each other crost
Pursued or shunned the shadows the clouds threw
Or birds within the noonday ether lost,
Upon that path where flowers never grew;
And weary with vain toil & faint for thirst
Heard not the fountains whose melodious dew
Out of their mossy cells forever burst
Nor felt the breeze which from the forest told
Of grassy paths, & wood lawns interspersed
With overarching elms & caverns cold,
And violet banks where sweet dreams brood, but they
Pursued their serious folly as of old.
And as I gazed methought that in the way
The throng grew wilder, as the woods of June
When the South wind shakes the extinguished day.
And a cold glare, intenser than the noon
But icy cold, obscured with [[blank]] light
The Sun as he the stars. Like the young moon
When on the sunlit limits of the night
Her white shell trembles amid crimson air
And whilst the sleeping tempest gathers might
Doth, as a herald of its coming, bear
The ghost of her dead Mother, whose dim form
Bends in dark ether from her infant's chair,
So came a chariot on the silent storm
Of its own rushing splendour, and a Shape
So sate within as one whom years deform
Beneath a dusky hood & double cape
Crouching within the shadow of a tomb,
And o'er what seemed the head, a cloud like crape,
Was bent a dun & faint etherial gloom
Tempering the light; upon the chariot's beam
A Janus-visaged Shadow did assume
The guidance of that wonder-winged team.
The Shapes which drew it in thick lightnings
Were lost: I heard alone on the air's soft stream
The music of their ever moving wings.
All the four faces of that charioteer
Had their eyes banded . . . little profit brings
Speed in the van & blindness in the rear,
Nor then avail the beams that quench the Sun
Or that his banded eyes could pierce the sphere
Of all that is, has been, or will be done.
So ill was the car guided, but it past
With solemn speed majestically on . . .
The crowd gave way, & I arose aghast,
Or seemed to rise, so mighty was the trance,
And saw like clouds upon the thunder blast
The million with fierce song and maniac dance
Raging around; such seemed the jubilee
As when to greet some conqueror's advance
Imperial Rome poured forth her living sea
From senatehouse & prison & theatre
When Freedom left those who upon the free
Had bound a yoke which soon they stooped to bear.
Nor wanted here the true similitude
Of a triumphal pageant, for where'er
The chariot rolled a captive multitude
Was driven; althose who had grown old in power
Or misery,all who have their age subdued,
By action or by suffering, and whose hour
Was drained to its last sand in weal or woe,
So that the trunk survived both fruit & flower;
All those whose fame or infamy must grow
Till the great winter lay the form & name
Of their own earth with them forever low,
All but the sacred few who could not tame
Their spirits to the Conqueror, but as soon
As they had touched the world with living flame
Fled back like eagles to their native noon,
Of those who put aside the diadem
Of earthly thrones or gems, till the last one
Were there;for they of Athens & Jerusalem
Were neither mid the mighty captives seen
Nor mid the ribald crowd that followed them
Or fled before . . Now swift, fierce & obscene
The wild dance maddens in the van, & those
Who lead it, fleet as shadows on the green,
Outspeed the chariot & without repose
Mix with each other in tempestuous measure
To savage music. Wilder as it grows,
They, tortured by the agonizing pleasure,
Convulsed & on the rapid whirlwinds spun
Of that fierce spirit, whose unholy leisure
Was soothed by mischief since the world begun,
Throw back their heads & loose their streaming hair,
And in their dance round her who dims the Sun
Maidens & youths fling their wild arms in air
As their feet twinkle; they recede, and now
Bending within each other's atmosphere
Kindle invisibly; and as they glow
Like moths by light attracted & repelled,
Oft to new bright destruction come & go.
Till like two clouds into one vale impelled
That shake the mountains when their lightnings mingle
And die in rain,the fiery band which held
Their natures, snaps . . . ere the shock cease to tingle
One falls and then another in the path
Senseless, nor is the desolation single,
Yet ere I can say where the chariot hath
Past over them; nor other trace I find
But as of foam after the Ocean's wrath
Is spent upon the desert shore.Behind,
Old men, and women foully disarrayed
Shake their grey hair in the insulting wind,
Limp in the dance & strain, with limbs decayed,
Seeking to reach the light which leaves them still
Farther behind & deeper in the shade.
But not the less with impotence of will
They wheel, though ghastly shadows interpose
Round them & round each other, and fulfill
Their work and to the dust whence they arose
Sink & corruption veils them as they lie
And frost in these performs what fire in those.
Struck to the heart by this sad pageantry,
Half to myself I said, "And what is this?
Whose shape is that within the car? & why"-
I would have added"is all here amiss?"
But a voice answered . . "Life" . . . I turned & knew
(O Heaven have mercy on such wretchedness!)
That what I thought was an old root which grew
To strange distortion out of the hill side
Was indeed one of that deluded crew,
And that the grass which methought hung so wide
And white, was but his thin discoloured hair,
And that the holes it vainly sought to hide
Were or had been eyes."lf thou canst forbear
To join the dance, which I had well forborne,"
Said the grim Feature, of my thought aware,
"I will now tell that which to this deep scorn
Led me & my companions, and relate
The progress of the pageant since the morn;
"If thirst of knowledge doth not thus abate,
Follow it even to the night, but I
Am weary" . . . Then like one who with the weight
Of his own words is staggered, wearily
He paused, and ere he could resume, I cried,
"First who art thou?" . . . "Before thy memory
"I feared, loved, hated, suffered, did, & died,
And if the spark with which Heaven lit my spirit
Earth had with purer nutriment supplied
"Corruption would not now thus much inherit
Of what was once Rousseaunor this disguise
Stained that within which still disdains to wear it.
"If I have been extinguished, yet there rise
A thousand beacons from the spark I bore."
"And who are those chained to the car?" "The Wise,
"The great, the unforgotten: they who wore
Mitres & helms & crowns, or wreathes of light,
Signs of thought's empire over thought; their lore
"Taught them not thisto know themselves; their might
Could not repress the mutiny within,
And for the morn of truth they feigned, deep night
"Caught them ere evening." "Who is he with chin
Upon his breast and hands crost on his chain?"
"The Child of a fierce hour; he sought to win
"The world, and lost all it did contain
Of greatness, in its hope destroyed; & more
Of fame & peace than Virtue's self can gain
"Without the opportunity which bore
Him on its eagle's pinion to the peak
From which a thousand climbers have before
"Fall'n as Napoleon fell."I felt my cheek
Alter to see the great form pass away
Whose grasp had left the giant world so weak
That every pigmy kicked it as it lay
And much I grieved to think how power & will
In opposition rule our mortal day
And why God made irreconcilable
Good & the means of good; and for despair
I half disdained mine eye's desire to fill
With the spent vision of the times that were
And scarce have ceased to be . . . "Dost thou behold,"
Said then my guide, "those spoilers spoiled, Voltaire,
"Frederic, & Kant, Catherine, & Leopold,
Chained hoary anarch, demagogue & sage
Whose name the fresh world thinks already old
"For in the battle Life & they did wage
She remained conquerorI was overcome
By my own heart alone, which neither age
"Nor tears nor infamy nor now the tomb
Could temper to its object.""Let them pass"
I cried"the world & its mysterious doom
"Is not so much more glorious than it was
That I desire to worship those who drew
New figures on its false & fragile glass
"As the old faded.""Figures ever new
Rise on the bubble, paint them how you may;
We have but thrown, as those before us threw,
"Our shadows on it as it past away.
But mark, how chained to the triumphal chair
The mighty phantoms of an elder day
"All that is mortal of great Plato there
Expiates the joy & woe his master knew not;
That star that ruled his doom was far too fair
"And Life, where long that flower of Heaven grew not,
Conquered the heart by love which gold or pain
Or age or sloth or slavery could subdue not
"And near [[blank]] walk the [[blank]] twain,
The tutor & his pupil, whom Dominion
Followed as tame as vulture in a chain.
"The world was darkened beneath either pinion
Of him whom from the flock of conquerors
Fame singled as her thunderbearing minion;
"The other long outlived both woes & wars,
Throned in new thoughts of men, and still had kept
The jealous keys of truth's eternal doors
"If Bacon's spirit [[blank]] had not leapt
Like lightning out of darkness; he compelled
The Proteus shape of Nature's as it slept
"To wake & to unbar the caves that held
The treasure of the secrets of its reign
See the great bards of old who inly quelled
"The passions which they sung, as by their strain
May well be known: their living melody
Tempers its own contagion to the vein
"Of those who are infected with itI
Have suffered what I wrote, or viler pain!
"And so my words were seeds of misery
Even as the deeds of others.""Not as theirs,"
I saidhe pointed to a company
In which I recognized amid the heirs
Of Caesar's crime from him to Constantine,
The Anarchs old whose force & murderous snares
Had founded many a sceptre bearing line
And spread the plague of blood & gold abroad,
And Gregory & John and men divine
Who rose like shadows between Man & god
Till that eclipse, still hanging under Heaven,
Was worshipped by the world o'er which they strode
For the true Sun it quenched."Their power was given
But to destroy," replied the leader"I
Am one of those who have created, even
"If it be but a world of agony."
"Whence camest thou & whither goest thou?
How did thy course begin," I said, "& why?
"Mine eyes are sick of this perpetual flow
Of people, & my heart of one sad thought.
Speak.""Whence I came, partly I seem to know,
"And how & by what paths I have been brought
To this dread pass, methinks even thou mayst guess;
Why this should be my mind can compass not;
"Whither the conqueror hurries me still less.
But follow thou, & from spectator turn
Actor or victim in this wretchedness,
"And what thou wouldst be taught I then may learn
From thee.Now listen . . . In the April prime
When all the forest tops began to burn
"With kindling green, touched by the azure clime
Of the young year, I found myself asleep
Under a mountain which from unknown time
"Had yawned into a cavern high & deep,
And from it came a gentle rivulet
Whose water like clear air in its calm sweep
"Bent the soft grass & kept for ever wet
The stems of the sweet flowers, and filled the grove
With sound which all who hear must needs forget
"All pleasure & all pain, all hate & love,
Which they had known before that hour of rest:
A sleeping mother then would dream not of
"The only child who died upon her breast
At eventide, a king would mourn no more
The crown of which his brow was dispossest
"When the sun lingered o'er the Ocean floor
To gild his rival's new prosperity.
Thou wouldst forget thus vainly to deplore
"Ills, which if ills, can find no cure from thee,
The thought of which no other sleep will quell
Nor other music blot from memory
"So sweet & deep is the oblivious spell.
Whether my life had been before that sleep
The Heaven which I imagine, or a Hell
"Like this harsh world in which I wake to weep,
I know not. I arose & for a space
The scene of woods & waters seemed to keep,
"Though it was now broad day, a gentle trace
Of light diviner than the common Sun
Sheds on the common Earth, but all the place
"Was filled with many sounds woven into one
Oblivious melody, confusing sense
Amid the gliding waves & shadows dun;
"And as I looked the bright omnipresence
Of morning through the orient cavern flowed,
And the Sun's image radiantly intense
"Burned on the waters of the well that glowed
Like gold, and threaded all the forest maze
With winding paths of emerald firethere stood
"Amid the sun, as he amid the blaze
Of his own glory, on the vibrating
Floor of the fountain, paved with flashing rays,
"A shape all light, which with one hand did fling
Dew on the earth, as if she were the Dawn
Whose invisible rain forever seemed to sing
"A silver music on the mossy lawn,
And still before her on the dusky grass
Iris her many coloured scarf had drawn.
"In her right hand she bore a crystal glass
Mantling with bright Nepenthe;the fierce splendour
Fell from her as she moved under the mass
"Of the deep cavern, & with palms so tender
Their tread broke not the mirror of its billow,
Glided along the river, and did bend her
"Head under the dark boughs, till like a willow
Her fair hair swept the bosom of the stream
That whispered with delight to be their pillow.
"As one enamoured is upborne in dream
O'er lily-paven lakes mid silver mist
To wondrous music, so this shape might seem
"Partly to tread the waves with feet which kist
The dancing foam, partly to glide along
The airs that roughened the moist amethyst,
"Or the slant morning beams that fell among
The trees, or the soft shadows of the trees;
And her feet ever to the ceaseless song
"Of leaves & winds & waves & birds & bees
And falling drops moved in a measure new
Yet sweet, as on the summer evening breeze
"Up from the lake a shape of golden dew
Between two rocks, athwart the rising moon,
Moves up the east, where eagle never flew.
"And still her feet, no less than the sweet tune
To which they moved, seemed as they moved, to blot
The thoughts of him who gazed on them, & soon
"All that was seemed as if it had been not,
As if the gazer's mind was strewn beneath
Her feet like embers, & she, thought by thought,
"Trampled its fires into the dust of death,
As Day upon the threshold of the east
Treads out the lamps of night, until the breath
"Of darkness reillumines even the least
Of heaven's living eyeslike day she came,
Making the night a dream; and ere she ceased
"To move, as one between desire and shame
Suspended, I said'If, as it doth seem,
Thou comest from the realm without a name,
" 'Into this valley of perpetual dream,
Shew whence I came, and where I am, and why
Pass not away upon the passing stream.'
" 'Arise and quench thy thirst,' was her reply,
And as a shut lily, stricken by the wand
Of dewy morning's vital alchemy,
"I rose; and, bending at her sweet command,
Touched with faint lips the cup she raised,
And suddenly my brain became as sand
"Where the first wave had more than half erased
The track of deer on desert Labrador,
Whilst the fierce wolf from which they fled amazed
"Leaves his stamp visibly upon the shore
Until the second burstsso on my sight
Burst a new Vision never seen before.
"And the fair shape waned in the coming light
As veil by veil the silent splendour drops
From Lucifer, amid the chrysolite
"Of sunrise ere it strike the mountain tops
And as the presence of that fairest planet
Although unseen is felt by one who hopes
"That his day's path may end as he began it
In that star's smile, whose light is like the scent
Of a jonquil when evening breezes fan it,
"Or the soft note in which his dear lament
The Brescian shepherd breathes, or the caress
That turned his weary slumber to content.
"So knew I in that light's severe excess
The presence of that shape which on the stream
Moved, as I moved along the wilderness,
"More dimly than a day appearing dream,
The ghost of a forgotten form of sleep
A light from Heaven whose half extinguished beam
"Through the sick day in which we wake to weep
Glimmers, forever sought, forever lost.
So did that shape its obscure tenour keep
"Beside my path, as silent as a ghost;
But the new Vision, and its cold bright car,
With savage music, stunning music, crost
"The forest, and as if from some dread war
Triumphantly returning, the loud million
Fiercely extolled the fortune of her star.
"A moving arch of victory the vermilion
And green & azure plumes of Iris had
Built high over her wind-winged pavilion,
"And underneath aetherial glory clad
The wilderness, and far before her flew
The tempest of the splendour which forbade
Shadow to fall from leaf or stone;the crew
Seemed in that light like atomies that dance
Within a sunbeam.Some upon the new
"Embroidery of flowers that did enhance
The grassy vesture of the desart, played,
Forgetful of the chariot's swift advance;
"Others stood gazing till within the shade
Of the great mountain its light left them dim.
Others outspeeded it, and others made
"Circles around it like the clouds that swim
Round the high moon in a bright sea of air,
And more did follow, with exulting hymn,
"The chariot & the captives fettered there,
But all like bubbles on an eddying flood
Fell into the same track at last & were
"Borne onward.I among the multitude
Was swept; me sweetest flowers delayed not long,
Me not the shadow nor the solitude,
"Me not the falling stream's Lethean song,
Me, not the phantom of that early form
Which moved upon its motion,but among
"The thickest billows of the living storm
I plunged, and bared my bosom to the clime
Of that cold light, whose airs too soon deform.
"Before the chariot had begun to climb
The opposing steep of that mysterious dell,
Behold a wonder worthy of the rhyme
"Of him whom from the lowest depths of Hell
Through every Paradise & through all glory
Love led serene, & who returned to tell
"In words of hate & awe the wondrous story
How all things are transfigured, except Love;
For deaf as is a sea which wrath makes hoary
"The world can hear not the sweet notes that move
The sphere whose light is melody to lovers-
A wonder worthy of his rhymethe grove
"Grew dense with shadows to its inmost covers,
The earth was grey with phantoms, & the air
Was peopled with dim forms, as when there hovers
"A flock of vampire-bats before the glare
Of the tropic sun, bring ere evening
Strange night upon some Indian isle,thus were
"Phantoms diffused around, & some did fling
Shadows of shadows, yet unlike themselves,
Behind them, some like eaglets on the wing
"Were lost in the white blaze, others like elves
Danced in a thousand unimagined shapes
Upon the sunny streams & grassy shelves;
"And others sate chattering like restless apes
On vulgar paws and voluble like fire.
Some made a cradle of the ermined capes
"Of kingly mantles, some upon the tiar
Of pontiffs sate like vultures, others played
Within the crown which girt with empire
"A baby's or an idiot's brow, & made
Their nests in it; the old anatomies
Sate hatching their bare brood under the shade
"Of demon wings, and laughed from their dead eyes
To reassume the delegated power
Arrayed in which these worms did monarchize
"Who make this earth their charnel.Others more
Humble, like falcons sate upon the fist
Of common men, and round their heads did soar,
"Or like small gnats & flies, as thick as mist
On evening marshes, thronged about the brow
Of lawyer, statesman, priest & theorist,
"And others like discoloured flakes of snow
On fairest bosoms & the sunniest hair
Fell, and were melted by the youthful glow
"Which they extinguished; for like tears, they were
A veil to those from whose faint lids they rained
In drops of sorrow.I became aware
"Of whence those forms proceeded which thus stained
The track in which we moved; after brief space
From every form the beauty slowly waned,
"From every firmest limb & fairest face
The strength & freshness fell like dust, & left
The action & the shape without the grace
"Of life; the marble brow of youth was cleft
With care, and in the eyes where once hope shone
Desire like a lioness bereft
"Of its last cub, glared ere it died; each one
Of that great crowd sent forth incessantly
These shadows, numerous as the dead leaves blown
"In Autumn evening from a popular tree
Each, like himself & like each other were,
At first, but soon distorted, seemed to be
"Obscure clouds moulded by the casual air;
And of this stuff the car's creative ray
Wrought all the busy phantoms that were there
"As the sun shapes the cloudsthus, on the way
Mask after mask fell from the countenance
And form of all, and long before the day
"Was old, the joy which waked like Heaven's glance
The sleepers in the oblivious valley, died,
And some grew weary of the ghastly dance
"And fell, as I have fallen by the way side,
Those soonest from whose forms most shadows past
And least of strength & beauty did abide."
"Then, what is Life?" I said . . . the cripple cast
His eye upon the car which now had rolled
Onward, as if that look must be the last,
And answered. "Happy those for whom the fold
Of
Composed at Lerici on the Gulf of Spezzia in the spring and early summer of 1822 -- the poem on which Shelley was engaged at the time of his death. Published by Mrs. Shelley in the Posthumous Poems of 1824, from a MS. (now in the Bodleian library), whose corrections, omitted words, passages of unrevised improvisation, difficult hand, and long inaccessibility have so far prevented much certainty in the establishment of a text.

Form: terza rima.

The reference to Dante's Divine Comedy in lines 471-76 and to Petrarch's Triumphs in the title (both of which, like The Triumph of Life, are written in terza
rima stanzas) suggests two probable models for the poem.

132-34.
Mary Shelley's text seems impossible, but no textual authority has been
adduced for amending it. Misreading or miswriting of some kind must be
responsible for that apparently parallel, but conflicting, pair, "were there" and
"were neither." W. M. Rossetti makes some sense out of the passage by amending
"or" in 132 to "for" and "were there" in 134 to "whether", and by placing a
semi-colon at the end of 131.

134.
Of Athens or Jerusalem. Commentators assume that the renouncing figures
of which Shelley is thinking are Socrates in Athens and Jesus in Jerusalem. But
the corruption of the text here makes any interpretation doubtful.

190.
Grim Feature: a reminiscence of Paradise Lost, X, 279, where it
represents Death and carries the Latin meaning of "factura" or "creature."

204.
Rousseau. Compare Byron's portrait of Rousseau in Childe Harold's
Pilgrimage, III, lxxvii-lxxxii.

236.
Frederick and Paul, Catherine and Leopold: Frederick the Great of Prussia,
Czar Paul and Catherine the Great of Russia, and Leopold II of the Holy Roman
Empire.

254.
Plato. In the lines which follow, Shelley refers to the legend that Plato in
his old age fell in love with a boy, whose name, Aster, is Greek for a star as
well as for a particular (and short-lived) flower.

261.
The tutor and his pupil: Aristotle and Alexander the Great.

283-84.
The heirs of Caesar's crime from him to Constantine. Julius Caesar's
crime was to undermine the Roman republic and prepare the way for the
Roman emperors ("anarch chiefs" in 286), a procession of which up to
Constantine Shelley now observes.

288.
Gregory and John. "Gregory the Great is appropriate, as the true founder
of the independent political power of the papacy. Which of many Johns is
involved, there is no way of telling" (H. Bloom).

414.
Lucifer: the Morning Star.

421-22.
The soft note in which his dear lament the Brescian shepherd breathes.
"The favourite song, 'Stanco di pascolar le peccorelle, [being weary of pasturing
the little sheep], is a Brescian national air" (Mrs. Shelley's note).

439.
Iris: classical goddess of the rainbow.

472.
Him: Dante in The Divine Comedy.

544.
Here the MS. breaks off.


~ Percy Bysshe Shelley, The Triumph Of Life
,
1338:

Book II: The Book of the Statesman



Now from his cycle sleepless and vast round the dance of the earth-globe
Gold Hyperion rose in the wake of the dawn like the eyeball
Flaming of God revealed by his uplifted luminous eyelid.
Troy he beheld and he viewed the transient labour of mortals.
All her marble beauty and pomp were laid bare to the heavens.
Sunlight streamed into Ilion waking the voice of her gardens,
Amorous seized on her ways, lived glad in her plains and her pastures,
Kissed her leaves into brightness of green. As a lover the last time
Yearns to the beauty desired that again shall not wake to his kisses,
So over Ilion doomed leaned the yearning immense of the sunrise.
She like a wordless marble memory dreaming for ever
Lifted the gaze of her perishable immortality sunwards.
All her human past aspired in the clearness eternal,
Temples of Phryx and Dardanus touched with the gold of the morning,
Columns triumphant of Ilus, domes of their greatness enamoured,
Stones that intended to live; and her citadel climbed up to heaven
White like the soul of the Titan Laomedon claiming his kingdoms,
Watched with alarm by the gods as he came. Her bosom maternal
Thrilled to the steps of her sons and a murmur began in her high-roads.
Life renewed its ways which death and sleep cannot alter,
Life that pursuing her boundless march to a goal which we know not,
Ever her own law obeys, not our hopes, who are slaves of her heart-beats.
Then as now men walked in the round which the gods have decreed them
Eagerly turning their eyes to the lure and the tool and the labour.
Chained is their gaze to the span in front, to the gulfs they are blinded
Meant for their steps. The seller opened his shop and the craftsman
Bent oer his instruments handling the work he never would finish,
Busy as if their lives were for ever, today in its evening
Sure of tomorrow. The hammers clanged and the voice of the markets
Waking desired its daily rumour. Nor only the craftsman,
Only the hopes of the earth, but the hearts of her votaries kneeling
Came to her marble shrines and upraised to our helpers eternal
Missioned the prayer and the hymn or silent, subtly adoring
Ventured upwards in incense. Loud too the clash of the cymbals
Filled all the temples of Troy with the cry of our souls to the azure.
Prayers breathed in vain and a cry that fell back with Fate for its answer!
Children laughed in her doorways; joyous they played, by their mothers
Smiled on still, but their tender bodies unknowing awaited
Grecian spearpoints sharpened by Fate for their unripe bosoms,
Tasks of the slave in Greece. Like bees round their honey-filled dwellings
Murmuring swarmed to the well-heads the large-eyed daughters of Troya,
Deep-bosomed, limbed like the gods,glad faces of old that were sentient
Rapturous flowers of the soul, bright bodies that lived under darkness
Nobly massed of their locks like day under night made resplendent,
Daughters divine of the earth in the ages when heaven was our father.
They round Troys well-heads flowerlike satisfied morn with their beauty
Or in the river baring their knees to the embrace of the coolness
Dipped their white feet in the clutch of his streams, in the haste of Scamander,
Lingering this last time with laughter and talk of the day and the morrow
Leaned to the hurrying flood. All his swiftnesses raced down to meet them,
Crowding his channel with dancing billows and turbulent murmurs.
Xanthus primaeval met these waves of our life in its passing
Even as of old he had played with Troys ancient fair generations
Mingling his deathless voice with the laughter and joy of their ages,
Laughter of dawns that are dead and a joy that the earth has rejected.
Still his whispering trees remembered their bygone voices.
Hast thou forgotten, O river of Troy? Still, still we can hear them
Now, if we listen long in our souls, the bygone voices.
Earth in her fibres remembers, the breezes are stored with our echoes.
Over the stone-hewn steps for their limpid orient waters
Joyous they leaned and they knew not yet of the wells of Mycenae,
Drew not yet from Eurotas the jar for an alien master,
Mixed not Peneus yet with their tears. From the clasp of the current
Now in their groups they arose and dispersed through the streets and the byways,
Turned from the freedom of earth to the works and the joy of the hearthside,
Lightly they rose and returned through the lanes of the wind-haunted city
Swaying with rhythmical steps while the anklets jangled and murmured.
Silent temples saw them passing; you too, O houses
Built with such hopes by mortal man for his transient lodging;
Fragrant the gardens strewed on dark tresses their white-smiling jasmines
Dropped like a silent boon of purity soft from the branches:
Flowers by the wayside were budding, cries flew winged round the tree-tops.
Bright was the glory of life in Ilion city of Priam.
Thrice to the city the doom-blast published its solemn alarum;
Blast of the trumpets that call to assembly clamoured through Troya
Thrice and were still. From garden and highway, from palace and temple
Turned like a steed to the trumpet, rejoicing in war and ambition,
Gathered alert to the call the democracy hated of heaven.
First in their ranks upbearing their age as Atlas his heavens,
Eagle-crested, with hoary hair like the snow upon Ida,
Ilions senators paced, Antenor and wide-browed Anchises,
Athamas famous for ships and the war of the waters, Tryas
Still whose name was remembered by Oxus the orient river,
Astyoches and Ucalegon, dateless Pallachus, Aetor,
Aspetus who of the secrets divine knew all and was silent,
Ascanus, Iliones, Alcesiphron, Orus, Aretes.
Next from the citadel came with the voice of the heralds before him
Priam and Priams sons, Aeneas leonine striding,
Followed by the heart of a nation adoring her Penthesilea.
All that was noble in Troy attended the regal procession
Marching in front and behind and the tramp of their feet was a rhythm
Tuned to the arrogant fortunes of Ilion ruled by incarnate
Demigods, Ilus and Phryx and Dardanus, Tros of the conquests,
Tros and far-ruling Laomedon who to his souls strong labour
Drew down the sons of the skies and was served by the ageless immortals.
Into the agora vast and aspirant besieged by its columns
Bathed and anointed they came like gods in their beauty and grandeur.
Last like the roar of the winds came trampling the surge of the people.
Clamorous led by a force obscure to its ultimate fatal
Session of wrath the violent mighty democracy hastened;
Thousands of ardent lives with the heart yet unslain in their bosoms
Lifted to heaven the voice of man and his far-spreading rumour.
Singing the young men with banners marched in their joyous processions,
Trod in martial measure or dancing with lyrical paces
Chanted the glory of Troy and the wonderful deeds of their fathers.
Into the columned assembly where Ilus had gathered his people,
Thousands on thousands the tramp and the murmur poured; in their armoured
Glittering tribes they were ranked, an untameable high-hearted nation
Waiting the voice of its chiefs. Some gazed on the greatness of Priam
Ancient, remote from their days, the last of the gods who were passing,
Left like a soul uncompanioned in worlds where his strength shall not conquer:
Sole like a column gigantic alone on a desolate hill-side
Older than mortals he seemed and mightier. Many in anger
Aimed their hostile looks where calm though by heaven abandoned,
Left to his soul and his lucid mind and its thoughts unavailing,
Leading the age-chilled few whom the might of their hearts had not blinded,
Famous Antenor was seated, the fallen unpopular statesman,
Wisest of speakers in Troy but rejected, stoned and dishonoured.
Silent, aloof from the people he sat, a heart full of ruins.
Low was the rumour that swelled like the hum of the bees in a meadow
When with the thirst of the honey they swarm on the thyme and the linden,
Hundreds humming and flitting till all that place is a murmur.
Then from his seat like a tower arising Priam the monarch
Slowly erect in his vast tranquillity silenced the people:
Lonely, august he stood like one whom death has forgotten,
Reared like a column of might and of silence over the assembly.
So Olympus rises alone with his snows into heaven.
Crowned were his heights by the locks that swept like the mass of the snow-swathe
Clothing his giant shoulders; his eyes of deep meditation,
Eyes that beheld now the end and accepted it like the beginning
Gazed on the throng of the people as on a pomp that is painted:
Slowly he spoke like one who is far from the scenes where he sojourns.
Leader of Ilion, hero Deiphobus, thou who hast summoned
Troy in her people, arise; say wherefore thou callest us. Evil
Speak thou or good, thou canst speak that only: Necessity fashions
All that the unseen eye has beheld. Speak then to the Trojans;
Say on this dawn of her making what issue of death or of triumph
Fate in her suddenness puts to the unseeing, what summons to perish
Send to this nation men who revolt and gods who are hostile.
Rising Deiphobus spoke, in stature less than his father,
Less in his build, yet the mightiest man and tallest whom coursers
Bore or his feet to the fight since Ajax fell by the Xanthus.
People of Ilion, long have you fought with the gods and the Argives
Slaying and slain, but the years persist and the struggle is endless.
Fainting your helpers cease from the battle, the nations forsake you.
Asia weary of strenuous greatness, ease-enamoured
Suffers the foot of the Greek to tread on the beaches of Troas.
Yet have we striven for Troy and for Asia, men who desert us.
Not for ourselves alone have we fought, for our life of a moment!
Once if the Greeks were triumphant, once if their nations were marshalled
Under some far-seeing chief, Odysseus, Peleus, Achilles,
Not on the banks of Scamander and skirts of the azure Aegean
Fainting would cease the audacious emprise, the Titanic endeavour;
Tigris would flee from their tread and Indus be drunk by their coursers.
Now in these days when each sun goes marvelling down that Troy stands yet
Suffering, smiting, alive, though doomed to all eyes that behold her,
Flinging back Death from her walls and bronze to the shock and the clamour,
Driven by a thought that has risen in the dawn from the tents on the beaches
Grey Talthybius chariot waits in the Ilian portals,
Voice of the Hellene demigod challenges timeless Troya.
Thus has he said to us: Know you not Doom when she walks in your heavens?
Feelst thou not then thy set, O sun who illuminedst Nature?
Stripped of helpers you stand alone against Doom and Achilles,
Left by the earth that served you, by heaven that helped you rejected:
Death insists at your gates and the flame and the sword are impatient.
None can escape the wheel of the gods and its vast revolutions!
Fate demands the joy and pride of the earth for the Argive,
Asias wealth for the lust of the young barbarian nations.
City divine, whose fame overroofed like heaven the nations,
Sink eclipsed in the circle vast of my radiance; Troya,
Joined to my northern realms deliver the East to the Hellene;
Ilion, to Hellas be yoked; wide Asia, fringe thou Peneus.
Lay down golden Helen, a sacrifice lovely and priceless
Cast by your weakness and fall on immense Necessitys altar;
Yield to my longing Polyxena, Hecubas deep-bosomed daughter,
Her whom my heart desires. She shall leave with you peace and her healing
Joy of mornings secure and death repulsed from your hearthsides.
Yield these and live, else I leap on you, Fate in front, Hades behind me.
Bound to the gods by an oath I return not again from the battle
Till from high Ida my shadow extends to the Mede and Euphrates.
Let not your victories deceive you, steps that defeat has imagined;
Hear not the voice of your heroes; their fame is a trumpet in Hades:
Only they conquer while yet my horses champ free in their stables.
Earth cannot long resist the man whom Heaven has chosen;
Gods with him walk; his chariot is led; his arm is assisted.
High rings the Hellene challenge, earth waits for the Ilian answer.
Always mans Fate hangs poised on the flitting breath of a moment;
Called by some word, by some gesture it leaps, then tis graven, tis granite.
Speak! by what gesture high shall the stern gods recognise Troya?
Sons of the ancients, race of the gods, inviolate city,
Firmer my spear shall I grasp or cast from my hand and for ever?
Search in your hearts if your fathers still dwell in them, children of Teucer.
So Deiphobus spoke and the nation heard him in silence,
Awed by the shadow vast of doom, indignant with Fortune.
Calm from his seat Antenor arose as a wrestler arises,
Tamer of beasts in the cage of the lions, eyeing the monsters
Brilliant, tawny of mane, and he knows if his courage waver,
Falter his eye or his nerve be surprised by the gods that are hostile,
Death will leap on him there in the crowded helpless arena.
Fearless Antenor arose, and a murmur swelled in the meeting
Cruel and threatening, hoarse like the voice of the sea upon boulders;
Hisses thrilled through the roar and one man cried to another,
Lo he will speak of peace who has swallowed the gold of Achaia!
Surely the people of Troy are eunuchs who suffer Antenor
Rising unharmed in the agora. Are there not stones in the city?
Surely the steel grows dear in the land when a traitor can flourish.
Calm like a god or a summit Antenor stood in the uproar.
But as he gazed on his soul came memory dimming the vision;
For he beheld his past and the agora crowded and cheering,
Passionate, full of delight while Antenor spoke to the people,
Troy that he loved and his fatherl and proud of her eloquent statesman.
Tears to his eyes came thick and he gripped at the staff he was holding.
Mounting his eyes met fully the tumult, mournful and thrilling,
Conquering mens hearts with a note of doom in its sorrowful sweetness.
People of Ilion, blood of my blood, O race of Antenor,
Once will I speak though you slay me; for who would shrink from destruction
Knowing that soon of his city and nation, his house and his dear ones
All that remains will be a couch of trampled ashes? Athene,
Slain today may I join the victorious souls of our fathers,
Not for the anguish be kept and the irremediable weeping.
Loud will I speak the word that the gods have breathed in my spirit,
Strive this last time to save the death-destined. Who are these clamour
Hear him not, gold of the Greeks bought his words and his throat is accursd?
Troy whom my counsels made great, hast thou heard this roar of their frenzy
Tearing thy ancient bosom? Is it thy voice, heaven-abandoned, my mother?
O my country, O my creatress, earth of my longings!
Earth where our fathers lie in their sacred ashes undying,
Memoried temples shelter the shrines of our gods and the altars
Pure where we worshipped, the beautiful children smile on us passing,
Women divine and the men of our nation! O land where our childhood
Played at a mothers feet mid the trees and the hills of our country,
Hoping our manhood toiled and our youth had its seekings for godhead,
Thou for our age keepst repose mid the love and the honour of kinsmen,
Silent our relics shall lie with the city guarding our ashes!
Earth who hast fostered our parents, earth who hast given us our offspring,
Soil that created our race where fed from the bosom of Nature
Happy our children shall dwell in the storied homes of their fathers,
Souls that our souls have stamped, sweet forms of ourselves when we perish!
Once even then have they seen thee in their hearts, or dreamed of thee ever
Who from thy spirit revolt and only thy name make an idol
Hating thy faithful sons and the cult of thy ancient ideal!
Wake, O my mother divine, remember thy gods and thy wisdom,
Silence the tongues that degrade thee, prophets profane of thy godhead.
Madmen, to think that a man who has offered his life for his country,
Served her with words and deeds and adored with victories and triumphs
Ever could think of enslaving her breast to the heel of a foeman!
Surely Antenors halls are empty, he begs from the stranger
Leading his sons and his childrens sons by the hand in the market
Showing his rags since his need is so bitter of gold from the Argives!
You who demand a reply when Laocoon lessens Antenor,
Hush then your feeble roar and your ear to the past and the distance
Turn. You fields that are famous for ever, reply for me calling,
Fields of the mighty mown by my swords edge, Chersonese conquered,
Thrace and her snows where we fought on the frozen streams and were victors
Then when they were unborn who are now your delight and your leaders.
Answer return, you columns of Ilus, here where my counsels
Made Troy mightier guiding her safe through the shocks of her foemen.
Gold! I have heaped it up high, I am rich with the spoils of your haters.
It was your fathers dead who gave me that wealth as my guerdon,
Now my reproach, your fathers who saw not the Greeks round their ramparts:
They were not cooped by an upstart race in the walls of Apollo,
Saw not Hector slain and Troilus dragged by his coursers.
Far over wrathful Jaxartes they rode; the shaken Achaian
Prostrate adored your strength who now shouts at your portals and conquers
Then when Antenor guided Troy, this old man, this traitor,
Not Laocoon, nay, not even Paris nor Hector.
But I have changed, I have grown a niggard of blood and of treasure,
Selfish, chilled as old men seem to the young and the headstrong,
Counselling safety and ease, not the ardour of noble decisions.
Come to my house and behold, my house that was filled once with voices.
Sons whom the high gods envied me crowded the halls that are silent.
Where are they now? They are dead, their voices are silent in Hades,
Fallen slaying the foe in a war between sin and the Furies.
Silent they went to the battle to die unmourned for their country,
Die as they knew in vain. Do I keep now the last ones remaining,
Sparing their blood that my house may endure? Is there any in Troya
Speeds to the front of the mellay outstripping the sons of Antenor?
Let him arise and speak and proclaim it and bid me be silent.
Heavy is this war that you love on my heart and I hold you as madmen
Doomed by the gods, abandoned by Pallas, by Hera afflicted.
Who would not hate to behold his work undone by the foolish?
Who would not weep if he saw Laocoon ruining Troya,
Paris doomed in his beauty, Aeneas slain by his valour?
Still you need to be taught that the high gods see and remember,
Dream that they care not if justice be done on the earth or oppression!
Happy to live, aspire while you violate man and the immortals!
Vainly the sands of Time have been strewn with the ruins of empires,
Signs that the gods had left, but in vain. For they look for a nation,
One that can conquer itself having conquered the world, but they find none.
None has been able to hold all the gods in his bosom unstaggered,
All have grown drunken with force and have gone down to Hell and to Ate.
All have been thrust from their heights, say the fools; we shall live and for ever.
We are the people at last, the children, the favourites; all things
Only to us are permitted. They too descend to the silence,
Death receives their hopes and the void their stirrings of action.
Eviller fate there is none than life too long among mortals.
I have conversed with the great who have gone, I have fought in their war-cars;
Tros I have seen, Laomedons hand has dwelt on my temples.
Now I behold Laocoon, now our greatest is Paris.
First when Phryx by the Hellespont reared to the cry of the ocean
Hewing her stones as vast as his thoughts his high-seated fortress,
Planned he a lair for a beast of prey, for a pantheress dire-souled
Crouched in the hills for her bound or self-gathered against the avenger?
Dardanus shepherded Asias coasts and her sapphire-girt islands.
Mild was his rule like the blessing of rain upon fields in the summer.
Gladly the harried coasts reposed confessing the Phrygian,
Caria, Lycias kings and the Paphlagon, strength of the Mysian;
Minos Crete recovered the sceptre of old Rhadamanthus.
Ilus and Tros had strength in the fight like a far-striding Titans:
Troy triumphant following the urge of their souls to the vastness,
Helmeted, crowned like a queen of the gods with the fates for her coursers
Rode through the driving sleet of the spears to Indus and Oxus.
Then twice over she conquered the vanquished, with peace as in battle;
There where discord had clashed, sweet Peace sat girded with plenty,
There where tyranny counted her blows, came the hands of a father.
Neither had Teucer a soul like your chiefs who refounded this nation.
Such was the antique and noble tradition of Troy in her founders,
Builders of power that endured; but it perishes lost to their offspring,
Trampled, scorned by an arrogant age, by a violent nation.
Strong Anchises trod it down trampling victorious onwards
Stern as his sword and hard as the silent bronze of his armour.
More than another I praise the man who is mighty and steadfast,
Even as Ida the mountain I praise, a refuge for lions;
But in the council I laud him not, he who a god for his kindred,
Lives for the rest without bowels of pity or fellowship, lone-souled,
Scorning the world that he rules, who untamed by the weight of an empire
Holds allies as subjects, subjects as slaves and drives to the battle
Careless more of their wills than the coursers yoked to his war-car.
Therefore they fought while they feared, but gladly abandon us falling.
Yet had they gathered to Teucer in the evil days of our nation.
Where are they now? Do they gather then to the dreaded Anchises?
Or has Aeneas helped with his counsels hateful to wisdom?
Hateful is this, abhorred of the gods, imagined by Ate
When against subjects murmuring discord and faction appointed
Scatter unblest gold, the heart of a people is poisoned,
Virtue pursued and baseness triumphs tongued like a harlot,
Brother against brother arrayed that the rule may endure of a stranger.
Yes, but it lasts! For its hour. The high gods watch in their silence,
Mute they endure for a while that the doom may be swifter and greater.
Hast thou then lasted, O Troy? Lo, the Greeks at thy gates and Achilles.
Dream, when Virtue departs, that Wisdom will linger, her sister!
Wisdom has turned from your hearts; shall Fortune dwell with the foolish?
Fatal oracles came to you great-tongued, vaunting of empires
Stretched from the risen sun to his rest in the occident waters,
Dreams of a city throned on the hills with her foot on the nations.
Meanwhile the sword was prepared for our breasts and the flame for our housetops.
Wake, awake, O my people! the fire-brand mounts up your doorsteps;
Gods who deceived to slay, press swords on your childrens bosoms.
See, O ye blind, ere death in pale countries open your eyelids!
Hear, O ye deaf, the sounds in your ears and the voices of evening!
Young men who vaunt in your strength! when the voice of this aged Antenor
Governed your fathers youth, all the Orient was joined to our banners.
Macedon leaned to the East and her princes yearned to the victor,
Scythians worshipped in Ilions shrines, the Phoenician trader
Bartered her tokens, Babylons wise men paused at our thresholds;
Fair-haired sons of the snows came rapt towards golden Troya
Drawn by the song and the glory. Strymon sang hymns unto Ida,
Hoarse Chalcidice, dim Chersonesus married their waters
Under the oerarching yoke of Troy twixt the term-posts of Ocean.
Meanwhile far through the world your fortunes led by my counsels
Followed their lure like women snared by a magical tempter:
High was their chant as they paced and it came from continents distant.
Turn now and hear! what voice approaches? what glitter of armies?
Loud upon Trojan beaches the tread and the murmur of Hellas!
Hark! tis the Achaians paean rings oer the Pergaman waters!
So wake the dreams of Aeneas; reaped is Laocoons harvest.
Artisans new of your destiny fashioned this far-spreading downfall,
Counsellors blind who scattered your strength to the hooves of the Scythian,
Barren victories, trophies of skin-clad Illyrian pastors.
Who but the fool and improvident, who but the dreamer and madman
Leaves for the far and ungrasped earths close and provident labour?
Children of earth, our mother gives tokens, she lays down her signposts,
Step by step to advance on her bosom, to grow by her seasons,
Order our works by her patience and limit our thought by her spaces.
But you had chiefs who were demigods, souls of an earth-scorning stature,
Minds that saw vaster than life and strengths that Gods hour could not limit!
These men seized upon Troy as the tool of their giant visions,
Dreaming of Africas suns and bright Hesperian orchards,
Carthage our mart and our feet on the sunset hills of the Latins.
Ilions hinds in the dream ploughed Libya, sowed Italys cornfields,
Troy stretched to Gades; even the gods and the Fates had grown Trojan.
So are the natures of men uplifted by Heaven in its satire.
Scorning the bit of the gods, despisers of justice and measure,
Zeus is denied and adored some shadow huge of their natures
Losing the shape of man in a dream that is splendid and monstrous.
Titans, vaunting they stride and the world resounds with their footsteps;
Titans, clanging they fall and the world is full of their ruin.
Children, you dreamed with them, heard the roar of the Atlantic breakers
Welcome your keels and the Isles of the Blest grew your wonderful gardens.
Lulled in the dream, you saw not the black-drifting march of the storm-rack,
Heard not the galloping wolves of the doom and the howl of their hunger.
Greece in her peril united her jarring clans; you suffered
Patient, preparing the north, the wisdom and silence of Peleus,
Atreus craft and the Argives gathered to King Agamemnon.
But there were prophecies, Pythian oracles, mutterings from Delphi.
How shall they prosper who haste after auguries, oracles, whispers,
Dreams that walk in the night and voices obscure of the silence?
Touches are these from the gods that bewilder the brain to its ruin.
One sole oracle helps, still armoured in courage and prudence
Patient and heedful to toil at the work that is near in the daylight.
Leave to the night its phantoms, leave to the future its curtain!
Only today Heaven gave to mortal man for his labour.
If thou hadst bowed not thy mane, O Troy, to the child and the dreamer,
Hadst thou been faithful to Wisdom the counsellor seated and ancient,
Then would the hour not have dawned when Paris lingered in Sparta
Led by the goddess fatal and beautiful, white Aphrodite.
Man, shun the impulses dire that spring armed from thy natures abysms!
Dread the dusk rose of the gods, flee the honey that tempts from its petals!
Therefore the black deed was done and the hearth that welcomed was sullied.
Sin-called the Fury uplifted her tresses of gloom oer the nations
Maddening the earth with the scream of her blood-thirst, bowelless, stone-eyed,
Claiming her victims from God and bestriding the hate and the clamour.
Yet midst the stroke and the wail when mens eyes were blind with the blood-mist,
Still had the high gods mercy recalling Teucer and Ilus.
Just was the heart of their anger. Discord flaming from Ida,
Hundred-voiced glared from the ships through the camp of the victor Achaians,
Love to that discord added her flowerlike lips of Briseis;
Faltering lids of Polyxena conquered the strength of Pelides.
Vainly the gods who pity open the gates of salvation!
Vainly the winds of their mercy brea the on our fevered existence!
Man his passions prefers to the voice that guides from the heavens.
These too were here whom Hera had chosen to ruin this nation:
Charioteers cracking the whips of their speed on the paths of destruction,
Demigods they! they have come down from Heaven glad to that labour,
Deaf is the world with the fame of their wheels as they race down to Hades.
O that alone they could reach it! O that pity could soften
Harsh Necessitys dealings, sparing our innocent children,
Saving the Trojan women and aged from bonds and the sword-edge!
These had not sinned whom you slay in your madness! Ruthless, O mortals,
Must you be then to yourselves when the gods even faltering with pity
Turn from the grief that must come and the agony vast and the weeping?
Say not the road of escape sinks too low for your arrogant treading.
Pride is not for our clay; the earth, not heaven was our mother
And we are even as the ant in our toil and the beast in our dying;
Only who cling to the hands of the gods can rise up from the earth-mire.
Children, lie prone to their scourge, that your hearts may revive in their sunshine.
This is our lot! when the anger of heaven has passed then the mortal
Raises his head; soon he heals his heart and forgets he has suffered.
Yet if resurgence from weakness and shame were withheld from the creature,
Every fall without morrow, who then would counsel submission?
But since the height of mortal fortune ascending must stumble,
Fallen, again ascend, since death like birth is our portion,
Ripening, mowed, to be sown again like corn by the farmer,
Let us be patient still with the gods accepting their purpose.
Deem not defeat I welcome. Think not to Hellas submitting
Death of proud hope I would seal. Not this have I counselled, O nation,
But to be even as your high-crested forefa thers, greatest of mortals.
Troya of old enringed by the hooves of Cimmerian armies
Flamed to the heavens from her plains and her smoke-blackened citadel sheltered
Mutely the joyless rest of her sons and the wreck of her greatness.
Courage and wisdom survived in that fall and a stern-eyed prudence
Helped her to live; disguised from her mightiness Troy crouched waiting.
Teucer descended whose genius worked at this kingdom and nation,
Patient, scrupulous, wise, like a craftsman carefully toiling
Over a helmet or over a breastplate, testing it always,
Toiled in the eye of the Masters of all and had heed of its labour.
So in the end they would not release him like souls that are common;
They out of Ida sent into Ilion Pallas Athene;
Secret she came and he went with her into the luminous silence.
Teucers children after their sire completed his labour.
Now too, O people, front adversity self-gathered, silent.
Veil thyself, leonine mighty Ilion, hiding thy greatness!
Be as thy father Teucer; be as a cavern for lions;
Be as a Fate that crouches! Wordless and stern for your vengeance
Self-gathered work in the night and secrecy shrouding your bosoms.
Let not the dire heavens know of it; let not the foe seize a whisper!
Ripen the hour of your stroke, while your words drip sweeter than honey.
Sure am I, friends, you will turn from death at my voice, you will hear me!
Some day yet I shall gaze on the ruins of haughty Mycenae.
Is this not better than Ilion cast to the sword of her haters,
Is this not happier than Troya captured and wretchedly burning,
Time to await in his stride when the southern and northern Achaians
Gazing with dull distaste now over their severing isthmus
Hate-filled shall move to the shock by the spur of the gods in them driven,
Pelops march upon Attica, Thebes descend on the Spartan?
Then shall the hour now kept in heaven for us ripen to dawning,
Then shall Victory cry to our banners over the Ocean
Calling our sons with her voice immortal. Children of Ilus,
Then shall Troy rise in her strength and stride over Greece up to Gades.
So Antenor spoke and the mind of the hostile assembly
Moved and swayed with his words like the waters ruled by Poseidon.
Even as the billows rebellious lashed by the whips of the tempest
Curvet and rear their crests like the hooded wrath of a serpent,
Green-eyed under their cowls sublime,unwilling they journey,
Foam-bannered, hoarse-voiced, shepherded, forced by the wind to the margin
Meant for their rest and can turn not at all, though they rage, on their driver,
Last with a sullen applause and consenting lapse into thunder,
Where they were led all the while they sink down huge and astonished,
So in their souls that withstood and obeyed and hated the yielding,
Lashed by his censure, indignant, the Trojans moved towards his purpose:
Sometimes a roar arose, then only, weakened, rarer,
Angry murmurs swelled between sullen stretches of silence;
Last, a reluctant applause broke dull from the throats of the commons.
Silent raged in their hearts Laocoons following daunted;
Troubled the faction of Paris turned to the face of their leader.
He as yet rose not; careless he sat in his beauty and smiling,
Gazing with brilliant eyes at the sculptured pillars of Ilus.
Doubtful, swayed by Antenor, waited in silence the nation.
***
~ Sri Aurobindo, 2 - The Book of the Statesman
,
1339:TO MARY
(ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST)

I.
How, my dear Mary, -- are you critic-bitten
(For vipers kill, though dead) by some review,
That you condemn these verses I have written,
Because they tell no story, false or true?
What, though no mice are caught by a young kitten,
May it not leap and play as grown cats do,
Till its claws come? Prithee, for this one time,
Content thee with a visionary rhyme.

II.
What hand would crush the silken-wingd fly,
The youngest of inconstant April's minions,
Because it cannot climb the purest sky,
Where the swan sings, amid the sun's dominions?
Not thine. Thou knowest 'tis its doom to die,
When Day shall hide within her twilight pinions
The lucent eyes, and the eternal smile,
Serene as thine, which lent it life awhile.

III.
To thy fair feet a wingd Vision came,
Whose date should have been longer than a day,
And o'er thy head did beat its wings for fame,
And in thy sight its fading plumes display;
The watery bow burned in the evening flame,
But the shower fell, the swift Sun went his way
And that is dead.O, let me not believe
That anything of mine is fit to live!

IV.
Wordsworth informs us he was nineteen years
Considering and retouching Peter Bell;
Watering his laurels with the killing tears
Of slow, dull care, so that their roots to Hell
Might pierce, and their wide branches blot the spheres
Of Heaven, with dewy leaves and flowers; this well
May be, for Heaven and Earth conspire to foil
The over-busy gardener's blundering toil.

V.
My Witch indeed is not so sweet a creature
As Ruth or Lucy, whom his graceful praise
Clothes for our grandsonsbut she matches Peter,
Though he took nineteen years, and she three days
In dressing. Light the vest of flowing metre
She wears; he, proud as dandy with his stays,
Has hung upon his wiry limbs a dress
Like King Lear's 'looped and windowed raggedness.'

VI.
If you strip Peter, you will see a fellow
Scorched by Hell's hyperequatorial climate
Into a kind of a sulphureous yellow:
A lean mark, hardly fit to fling a rhyme at;
In shape a Scaramouch, in hue Othello.
If you unveil my Witch, no priest nor primate
Can shrive you of that sin, -- if sin there be
In love, when it becomes idolatry.
THE WITCH OF ATLAS.

I.
Before those cruel Twins, whom at one birth
Incestuous Change bore to her father Time,
Error and Truth, had hunted from the Earth
All those bright natures which adorned its prime,
And left us nothing to believe in, worth
The pains of putting into learnd rhyme,
A lady-witch there lived on Atlas' mountain
Within a cavern, by a secret fountain.

II.
Her mother was one of the Atlantides:
The all-beholding Sun had ne'er beholden
In his wide voyage o'er continents and seas
So fair a creature, as she lay enfolden
In the warm shadow of her loveliness;--
He kissed her with his beams, and made all golden
The chamber of gray rock in which she lay--
She, in that dream of joy, dissolved away.

III.
'Tis said, she first was changed into a vapour,
And then into a cloud, such clouds as flit,
Like splendour-wingd moths about a taper,
Round the red west when the sun dies in it:
And then into a meteor, such as caper
On hill-tops when the moon is in a fit:
Then, into one of those mysterious stars
Which hide themselves between the Earth and Mars.

IV.
Ten times the Mother of the Months had bent
Her bow beside the folding-star, and bidden
With that bright sign the billows to indent
The sea-deserted sand -- like children chidden,
At her command they ever came and went--
Since in that cave a dewy splendour hidden
Took shape and motion: with the living form
Of this embodied Power, the cave grew warm.

V.
A lovely lady garmented in light
From her own beauty -- deep her eyes, as are
Two openings of unfathomable night
Seen through a Temple's cloven roof -- her hair
Darkthe dim brain whirls dizzy with delight,
Picturing her form; her soft smiles shone afar,
And her low voice was heard like love, and drew
All living things towards this wonder new.

VI.
And first the spotted cameleopard came,
And then the wise and fearless elephant;
Then the sly serpent, in the golden flame
Of his own volumes intervolved -- all gaunt
And sanguine beasts her gentle looks made tame.
They drank before her at her sacred fount;
And every beast of beating heart grew bold,
Such gentleness and power even to behold.

VII.
The brinded lioness led forth her young,
That she might teach them how they should forego
Their inborn thirst of death; the pard unstrung
His sinews at her feet, and sought to know
With looks whose motions spoke without a tongue
How he might be as gentle as the doe.
The magic circle of her voice and eyes
All savage natures did imparadise.

VIII.
And old Silenus, shaking a green stick
Of lilies, and the wood-gods in a crew
Came, blithe, as in the olive copses thick
Cicadae are, drunk with the noonday dew:
And Dryope and Faunus followed quick,
Teasing the God to sing them something new;
Till in this cave they found the lady lone,
Sitting upon a seat of emerald stone.

IX.
And universal Pan, 'tis said, was there,
And though none saw him,through the adamant
Of the deep mountains, through the trackless air,
And through those living spirits, like a want,
He passed out of his everlasting lair
Where the quick heart of the great world doth pant,
And felt that wondrous lady all alone,
And she felt him, upon her emerald throne.

X.
And every nymph of stream and spreading tree,
And every shepherdess of Ocean's flocks,
Who drives her white waves over the green sea,
And Ocean with the brine on his gray locks,
And quaint Priapus with his company,
All came, much wondering how the enwombd rocks
Could have brought forth so beautiful a birth;
Her love subdued their wonder and their mirth.

XI.
The herdsmen and the mountain maidens came,
And the rude kings of pastoral Garamant
Their spirits shook within them, as a flame
Stirred by the air under a cavern gaunt:
Pigmies, and Polyphemes, by many a name,
Centaurs, and Satyrs, and such shapes as haunt
Wet clefts,and lumps neither alive nor dead,
Dog-headed, bosom-eyed, and bird-footed.

XII.
For she was beautifulher beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade:
No thought of living spirit could abide,
Which to her looks had ever been betrayed,
On any object in the world so wide,
On any hope within the circling skies,
But on her form, and in her inmost eyes.

XIII.
Which when the lady knew, she took her spindle
And twined three threads of fleecy mist, and three
Long lines of light, such as the dawn may kindle
The clouds and waves and mountains with; and she
As many star-beams, ere their lamps could dwindle
In the belated moon, wound skilfully;
And with these threads a subtle veil she wove
A shadow for the splendour of her love.

XIV.
The deep recesses of her odorous dwelling
Were stored with magic treasuressounds of air,
Which had the power all spirits of compelling,
Folded in cells of crystal silence there;
Such as we hear in youth, and think the feeling
Will never dieyet ere we are aware,
The feeling and the sound are fled and gone,
And the regret they leave remains alone.

XV.
And there lay Visions swift, and sweet, and quaint,
Each in its thin sheath, like a chrysalis,
Some eager to burst forth, some weak and faint
With the soft burthen of intensest bliss
It was its work to bear to many a saint
Whose heart adores the shrine which holiest is,
Even Love's -- and others white, green, gray, and black,
And of all shapesand each was at her beck.

XVI.
And odours in a kind of aviary
Of ever-blooming Eden-trees she kept,
Clipped in a floating net, a love-sick Fairy
Had woven from dew-beams while the moon yet slept;
As bats at the wired window of a dairy.
They beat their vans; and each was an adept,
When loosed and missioned, making wings of winds,
To stir sweet thoughts or sad, in destined minds.

XVII.
And liquors clear and sweet, whose healthful might
Could medicine the sick soul to happy sleep,
And change eternal death into a night
Of glorious dreamsor if eyes needs must weep,
Could make their tears all wonder and delight,
She in her crystal vials did closely keep:
If men could drink of those clear vials, 'tis said
The living were not envied of the dead.

XVIII.
Her cave was stored with scrolls of strange device,
The works of some Saturnian Archimage,
Which taught the expiations at whose price
Men from the Gods might win that happy age
Too lightly lost, redeeming native vice;
And which might quench the Earth-consuming rage
Of gold and bloodtill men should live and move
Harmonious as the sacred stars above;

XIX.
And how all things that seem untameable,
Not to be checked and not to be confined,
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
And all their shapes -- and man's imperial will;
And other scrolls whose writings did unbind
The inmost lore of Lovelet the profane
Tremble to ask what secrets they contain.

XX.
And wondrous works of substances unknown,
To which the enchantment of her father's power
Had changed those ragged blocks of savage stone,
Were heaped in the recesses of her bower;
Carved lamps and chalices, and vials which shone
In their own golden beams -- each like a flower,
Out of whose depth a fire-fly shakes his light
Under a cypress in a starless night.

XXI.
At first she lived alone in this wild home,
And her own thoughts were each a minister,
Clothing themselves, or with the ocean foam,
Or with the wind, or with the speed of fire,
To work whatever purposes might come
Into her mind; such power her mighty Sire
Had girt them with, whether to fly or run,
Through all the regions which he shines upon.

XXII.
The Ocean-nymphs and Hamadryades,
Oreads and Naiads, with long weedy locks,
Offered to do her bidding through the seas,
Under the earth, and in the hollow rocks,
And far beneath the matted roots of trees,
And in the gnarld heart of stubborn oaks,
So they might live for ever in the light
Of her sweet presence -- each a satellite.

XXIII.
'This may not be,' the wizard maid replied;
'The fountains where the Naiades bedew
Their shining hair, at length are drained and dried;
The solid oaks forget their strength, and strew
Their latest leaf upon the mountains wide;
The boundless ocean like a drop of dew
Will be consumedthe stubborn centre must
Be scattered, like a cloud of summer dust.

XXIV.
'And ye with them will perish, one by one;
If I must sigh to think that this shall be,
If I must weep when the surviving Sun
Shall smile on your decay -- oh, ask not me
To love you till your little race is run;
I cannot die as ye must -- over me
Your leaves shall glance -- the streams in which ye dwell
Shall be my paths henceforth, and so -- farewell!'--

XXV.
She spoke and wept:the dark and azure well
Sparkled beneath the shower of her bright tears,
And every little circlet where they fell
Flung to the cavern-roof inconstant spheres
And intertangled lines of light:a knell
Of sobbing voices came upon her ears
From those departing Forms, o'er the serene
Of the white streams and of the forest green.

XXVI.
All day the wizard lady sate aloof,
Spelling out scrolls of dread antiquity,
Under the cavern's fountain-lighted roof;
Or broidering the pictured poesy
Of some high tale upon her growing woof,
Which the sweet splendour of her smiles could dye
In hues outshining heavenand ever she
Added some grace to the wrought poesy.

XXVII.
While on her hearth lay blazing many a piece
Of sandal wood, rare gums, and cinnamon;
Men scarcely know how beautiful fire is
Each flame of it is as a precious stone
Dissolved in ever-moving light, and this
Belongs to each and all who gaze upon.
The Witch beheld it not, for in her hand
She held a woof that dimmed the burning brand.

XXVIII.
This lady never slept, but lay in trance
All night within the fountain -- as in sleep.
Its emerald crags glowed in her beauty's glance;
Through the green splendour of the water deep
She saw the constellations reel and dance
Like fire-flies -- and withal did ever keep
The tenour of her contemplations calm,
With open eyes, closed feet, and folded palm.

XXIX.
And when the whirlwinds and the clouds descended
From the white pinnacles of that cold hill,
She passed at dewfall to a space extended,
Where in a lawn of flowering asphodel
Amid a wood of pines and cedars blended,
There yawned an inextinguishable well
Of crimson firefull even to the brim,
And overflowing all the margin trim.

XXX.
Within the which she lay when the fierce war
Of wintry winds shook that innocuous liquor
In many a mimic moon and bearded star
O'er woods and lawns -- the serpent heard it flicker
In sleep, and dreaming still, he crept afar--
And when the windless snow descended thicker
Than autumn leaves, she watched it as it came
Melt on the surface of the level flame.

XXXI.
She had a boat, which some say Vulcan wrought
For Venus, as the chariot of her star;
But it was found too feeble to be fraught
With all the ardours in that sphere which are,
And so she sold it, and Apollo bought
And gave it to this daughter: from a car
Changed to the fairest and the lightest boat
Which ever upon mortal stream did float.

XXXII.
And others say, that, when but three hours old,
The first-born Love out of his cradle lept,
And clove dun Chaos with his wings of gold,
And like an horticultural adept,
Stole a strange seed, and wrapped it up in mould,
And sowed it in his mother's star, and kept
Watering it all the summer with sweet dew,
And with his wings fanning it as it grew.

XXXIII.
The plant grew strong and green, the snowy flower
Fell, and the long and gourd-like fruit began
To turn the light and dew by inward power
To its own substance; woven tracery ran
Of light firm texture, ribbed and branching, o'er
The solid rind, like a leaf's veind fan--
Of which Love scooped this boat -- and with soft motion
Piloted it round the circumfluous ocean.

XXXIV.
This boat she moored upon her fount, and lit
A living spirit within all its frame,
Breathing the soul of swiftness into it.
Couched on the fountain like a panther tame,
One of the twain at Evan's feet that sit--
Or as on Vesta's sceptre a swift flame--
Or on blind Homer's heart a wingd thought,--
In joyous expectation lay the boat.

XXXV.
Then by strange art she kneaded fire and snow
Together, tempering the repugnant mass
With liquid love -- all things together grow
Through which the harmony of love can pass;
And a fair Shape out of her hands did flow--
A living Image, which did far surpass
In beauty that bright shape of vital stone
Which drew the heart out of Pygmalion.

XXXVI.
A sexless thing it was, and in its growth
It seemed to have developed no defect
Of either sex, yet all the grace of both,--
In gentleness and strength its limbs were decked;
The bosom swelled lightly with its full youth,
The countenance was such as might select
Some artist that his skill should never die,
Imaging forth such perfect purity.

XXXVII.
From its smooth shoulders hung two rapid wings,
Fit to have borne it to the seventh sphere,
Tipped with the speed of liquid lightenings,
Dyed in the ardours of the atmosphere:
She led her creature to the boiling springs
Where the light boat was moored, and said: 'Sit here!'
And pointed to the prow, and took her seat
Beside the rudder, with opposing feet.

XXXVIII.
And down the streams which clove those mountains vast,
Around their inland islets, and amid
The panther-peopled forests, whose shade cast
Darkness and odours, and a pleasure hid
In melancholy gloom, the pinnace passed;
By many a star-surrounded pyramid
Of icy crag cleaving the purple sky,
And caverns yawning round unfathomably.

XXXIX.
The silver noon into that winding dell,
With slanted gleam athwart the forest tops,
Tempered like golden evening, feebly fell;
A green and glowing light, like that which drops
From folded lilies in which glow-worms dwell,
When Earth over her face Night's mantle wraps;
Between the severed mountains lay on high,
Over the stream, a narrow rift of sky.

XL.
And ever as she went, the Image lay
With folded wings and unawakened eyes;
And o'er its gentle countenance did play
The busy dreams, as thick as summer flies,
Chasing the rapid smiles that would not stay,
And drinking the warm tears, and the sweet sighs
Inhaling, which, with busy murmur vain,
They had aroused from that full heart and brain.

XLI.
And ever down the prone vale, like a cloud
Upon a stream of wind, the pinnace went:
Now lingering on the pools, in which abode
The calm and darkness of the deep content
In which they paused; now o'er the shallow road
Of white and dancing waters, all besprent
With sand and polished pebbles:mortal boat
In such a shallow rapid could not float.

XLII.
And down the earthquaking cataracts which shiver
Their snow-like waters into golden air,
Or under chasms unfathomable ever
Sepulchre them, till in their rage they tear
A subterranean portal for the river,
It fledthe circling sunbows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way.

XLIII.
And when the wizard lady would ascend
The labyrinths of some many-winding vale,
Which to the inmost mountain upward tend
She called 'Hermaphroditus!'and the pale
And heavy hue which slumber could extend
Over its lips and eyes, as on the gale
A rapid shadow from a slope of grass,
Into the darkness of the stream did pass.

XLIV.
And it unfurled its heaven-coloured pinions,
With stars of fire spotting the stream below;
And from above into the Sun's dominions
Flinging a glory, like the golden glow
In which Spring clothes her emerald-wingd minions,
All interwoven with fine feathery snow
And moonlight splendour of intensest rime,
With which frost paints the pines in winter time.

XLV.
And then it winnowed the Elysian air
Which ever hung about that lady bright,
With its aethereal vansand speeding there,
Like a star up the torrent of the night,
Or a swift eagle in the morning glare
Breasting the whirlwind with impetuous flight,
The pinnace, oared by those enchanted wings,
Clove the fierce streams towards their upper springs.

XLVI.
The water flashed, like sunlight by the prow
Of a noon-wandering meteor flung to Heaven;
The still air seemed as if its waves did flow
In tempest down the mountains; loosely driven
The lady's radiant hair streamed to and fro:
Beneath, the billows having vainly striven
Indignant and impetuous, roared to feel
The swift and steady motion of the keel.

XLVII.
Or, when the weary moon was in the wane,
Or in the noon of interlunar night,
The lady-witch in visions could not chain
Her spirit; but sailed forth under the light
Of shooting stars, and bade extend amain
Its storm-outspeeding wings, the Hermaphrodite;
She to the Austral waters took her way,
Beyond the fabulous Thamondocana,

XLVIII.
Where, like a meadow which no scythe has shaven,
Which rain could never bend, or whirl-blast shake,
With the Antarctic constellations paven,
Canopus and his crew, lay the Austral lake
There she would build herself a windless haven
Out of the clouds whose moving turrets make
The bastions of the storm, when through the sky
The spirits of the tempest thundered by:

XLIX.
A haven beneath whose translucent floor
The tremulous stars sparkled unfathomably,
And around which the solid vapours hoar,
Based on the level waters, to the sky
Lifted their dreadful crags, and like a shore
Of wintry mountains, inaccessibly
Hemmed in with rifts and precipices gray,
And hanging crags, many a cove and bay.

L.
And whilst the outer lake beneath the lash
Of the wind's scourge, foamed like a wounded thing,
And the incessant hail with stony clash
Ploughed up the waters, and the flagging wing
Of the roused cormorant in the lightning flash
Looked like the wreck of some wind-wandering
Fragment of inky thunder-smoke -- this haven
Was as a gem to copy Heaven engraven,--

LI.
On which that lady played her many pranks,
Circling the image of a shooting star,
Even as a tiger on Hydaspes' banks
Outspeeds the antelopes which speediest are,
In her light boat; and many quips and cranks
She played upon the water, till the car
Of the late moon, like a sick matron wan,
To journey from the misty east began.

LII.
And then she called out of the hollow turrets
Of those high clouds, white, golden and vermilion,
The armies of her ministering spirits
In mighty legions, million after million,
They came, each troop emblazoning its merits
On meteor flags; and many a proud pavilion
Of the intertexture of the atmosphere
They pitched upon the plain of the calm mere.

LIII.
They framed the imperial tent of their great Queen
Of woven exhalations, underlaid
With lambent lightning-fire, as may be seen
A dome of thin and open ivory inlaid
With crimson silk -- cressets from the serene
Hung there, and on the water for her tread
A tapestry of fleece-like mist was strewn,
Dyed in the beams of the ascending moon.

LIV.
And on a throne o'erlaid with starlight, caught
Upon those wandering isles of ary dew,
Which highest shoals of mountain shipwreck not,
She sate, and heard all that had happened new
Between the earth and moon, since they had brought
The last intelligence -- and now she grew
Pale as that moon, lost in the watery night--
And now she wept, and now she laughed outright.

LV.
These were tame pleasures; she would often climb
The steepest ladder of the crudded rack
Up to some beakd cape of cloud sublime,
And like Arion on the dolphin's back
Ride singing through the shoreless air; -- oft-time
Following the serpent lightning's winding track,
She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.

LVI.
And sometimes to those streams of upper air
Which whirl the earth in its diurnal round,
She would ascend, and win the spirits there
To let her join their chorus. Mortals found
That on those days the sky was calm and fair,
And mystic snatches of harmonious sound
Wandered upon the earth where'er she passed,
And happy thoughts of hope, too sweet to last.

LVII.
But her choice sport was, in the hours of sleep,
To glide adown old Nilus, where he threads
Egypt and Aethiopia, from the steep
Of utmost Axum, until he spreads,
Like a calm flock of silver-fleecd sheep,
His waters on the plain: and crested heads
Of cities and proud temples gleam amid,
And many a vapour-belted pyramid.

LVIII.
By Moeris and the Mareotid lakes,
Strewn with faint blooms like bridal chamber floors,
Where naked boys bridling tame water-snakes,
Or charioteering ghastly alligators,
Had left on the sweet waters mighty wakes
Of those huge forms -- within the brazen doors
Of the great Labyrinth slept both boy and beast,
Tired with the pomp of their Osirian feast.

LIX.
And where within the surface of the river
The shadows of the massy temples lie,
And never are erased -- but tremble ever
Like things which every cloud can doom to die,
Through lotus-paven canals, and wheresoever
The works of man pierced that serenest sky
With tombs, and towers, and fanes, 'twas her delight
To wander in the shadow of the night.

LX.
With motion like the spirit of that wind
Whose soft step deepens slumber, her light feet
Passed through the peopled haunts of humankind,
Scattering sweet visions from her presence sweet,
Through fane, and palace-court, and labyrinth mined
With many a dark and subterranean street
Under the Nile, through chambers high and deep
She passed, observing mortals in their sleep.

LXI.
A pleasure sweet doubtless it was to see
Mortals subdued in all the shapes of sleep.
Here lay two sister twins in infancy;
There, a lone youth who in his dreams did weep;
Within, two lovers linkd innocently
In their loose locks which over both did creep
Like ivy from one stem;and there lay calm
Old age with snow-bright hair and folded palm.

LXII.
But other troubled forms of sleep she saw,
Not to be mirrored in a holy song--
Distortions foul of supernatural awe,
And pale imaginings of visioned wrong;
And all the code of Custom's lawless law
Written upon the brows of old and young:
'This,' said the wizard maiden, 'is the strife
Which stirs the liquid surface of man's life.'

LXIII.
And little did the sight disturb her soul.--
We, the weak mariners of that wide lake
Where'er its shores extend or billows roll,
Our course unpiloted and starless make
O'er its wild surface to an unknown goal:--
But she in the calm depths her way could take,
Where in bright bowers immortal forms abide
Beneath the weltering of the restless tide.

LXIV.
And she saw princes couched under the glow
Of sunlike gems; and round each temple-court
In dormitories ranged, row after row,
She saw the priests asleepall of one sort--
For all were educated to be so.
The peasants in their huts, and in the port
The sailors she saw cradled on the waves,
And the dead lulled within their dreamless graves.

LXV.
And all the forms in which those spirits lay
Were to her sight like the diaphanous
Veils, in which those sweet ladies oft array
Their delicate limbs, who would conceal from us
Only their scorn of all concealment: they
Move in the light of their own beauty thus.
But these and all now lay with sleep upon them,
And little thought a Witch was looking on them.

LXVI.
She, all those human figures breathing there,
Beheld as living spirits -- to her eyes
The naked beauty of the soul lay bare,
And often through a rude and worn disguise
She saw the inner form most bright and fair--
And then she had a charm of strange device,
Which, murmured on mute lips with tender tone,
Could make that spirit mingle with her own.

LXVII.
Alas! Aurora, what wouldst thou have given
For such a charm when Tithon became gray?
Or how much, Venus, of thy silver heaven
Wouldst thou have yielded, ere Proserpina
Had half (oh! why not all?) the debt forgiven
Which dear Adonis had been doomed to pay,
To any witch who would have taught you it?
The Heliad doth not know its value yet.

LXVIII.
'Tis said in after times her spirit free
Knew what love was, and felt itself alone--
But holy Dian could not chaster be
Before she stooped to kiss Endymion,
Than now this lady -- like a sexless bee
Tasting all blossoms, and confined to none,
Among those mortal forms, the wizard-maiden
Passed with an eye serene and heart unladen.

LXIX.
To those she saw most beautiful, she gave
Strange panacea in a crystal bowl:--
They drank in their deep sleep of that sweet wave,
And lived thenceforward as if some control,
Mightier than life, were in them; and the grave
Of such, when death oppressed the weary soul,
Was as a green and overarching bower
Lit by the gems of many a starry flower.

LXX.
For on the night when they were buried, she
Restored the embalmers' ruining, and shook
The light out of the funeral lamps, to be
A mimic day within that deathy nook;
And she unwound the woven imagery
Of second childhood's swaddling bands, and took
The coffin, its last cradle, from its niche,
And threw it with contempt into a ditch.

LXXI.
And there the body lay, age after age,
Mute, breathing, beating, warm, and undecaying,
Like one asleep in a green hermitage,
With gentle smiles about its eyelids playing,
And living in its dreams beyond the rage
Of death or life; while they were still arraying
In liveries ever new, the rapid, blind
And fleeting generations of mankind.

LXXII.
And she would write strange dreams upon the brain
Of those who were less beautiful, and make
All harsh and crooked purposes more vain
Than in the desert is the serpent's wake
Which the sand coversall his evil gain
The miser in such dreams would rise and shake
Into a beggar's lap;the lying scribe
Would his own lies betray without a bribe.

LXXIII.
The priests would write an explanation full,
Translating hieroglyphics into Greek,
How the God Apis really was a bull,
And nothing more; and bid the herald stick
The same against the temple doors, and pull
The old cant down; they licensed all to speak
What'er they thought of hawks, and cats, and geese,
By pastoral letters to each diocese.

LXXIV.
The king would dress an ape up in his crown
And robes, and seat him on his glorious seat,
And on the right hand of the sunlike throne
Would place a gaudy mock-bird to repeat
The chatterings of the monkey.Every one
Of the prone courtiers crawled to kiss the feet
Of their great Emperor, when the morning came,
And kissed -- alas, how many kiss the same!

LXXV.
The soldiers dreamed that they were blacksmiths, and
Walked out of quarters in somnambulism;
Round the red anvils you might see them stand
Like Cyclopses in Vulcan's sooty abysm,
Beating their swords to ploughshares; -- in a band
The gaolers sent those of the liberal schism
Free through the streets of Memphis, much, I wis,
To the annoyance of king Amasis.

LXXVI.
And timid lovers who had been so coy,
They hardly knew whether they loved or not,
Would rise out of their rest, and take sweet joy,
To the fulfilment of their inmost thought;
And when next day the maiden and the boy
Met one another, both, like sinners caught,
Blushed at the thing which each believed was done
Only in fancy -- till the tenth moon shone;

LXXVII.
And then the Witch would let them take no ill:
Of many thousand schemes which lovers find,
The Witch found one,and so they took their fill
Of happiness in marriage warm and kind.
Friends who, by practice of some envious skill,
Were torn apart -- a wide wound, mind from mind!--
She did unite again with visions clear
Of deep affection and of truth sincere.

LXXVIII.
These were the pranks she played among the cities
Of mortal men, and what she did to Sprites
And Gods, entangling them in her sweet ditties
To do her will, and show their subtle sleights,
I will declare another time; for it is
A tale more fit for the weird winter nights
Than for these garish summer days, when we
Scarcely believe much more than we can see.
Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, ed. Mrs. Shelley, 1824. The dedication To Mary first appeared in the Poetical Works, 1839, 1st ed.

Note by Mrs. Shelley: 'We spent the summer of 1820 at the Baths of San Giuliano, four miles from Pisa. These baths were of great use to Shelley in soothing his nervous irritability. We made several excursions in the neighbourhood. The country around is fertile, and diversified and rendered picturesque by ranges of near hills and more distant mountains. The peasantry are a handsome intelligent race; and there was a gladsome sunny heaven spread over us, that rendered home and every scene we visited cheerful and bright. During some of the hottest days of August, Shelley made a solitary journey on foot to the summit of Monte San Pellegrino -- a mountain of some height, on the top of which there is a chapel, the object, during certain days of the year, of many pilgrimages. The excursion delighted him while it lasted; though he exerted himself too much, and the effect was considerable lsasitude and weakness on his return. During the expedition he conceived the idea, and wrote, in the three days immediately succeeding to his return, the Witch of Atlas.
This poem is peculiarly characteristic of his tastes -- wildly fanciful, full of brilliant imagery, and discarding human interest and passion, to revel in the fantastic ideas that his imagination suggested.'
~ Percy Bysshe Shelley, The Witch Of Atlas
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1340:The Moat House
PART I
UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,
Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.
The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.
The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?
Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--
Of looks cast through the chapel grate,
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Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?
Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.
But love that lights is love that leads,
And lives upon the heart it feeds;
Soon grew she pale though not less fair,
And sighed his name instead of prayer,
And told her heart-throbs, not her beads.
How could she find the sunlight fair,
A sunlight that he did not share?
How could a rose smell sweet within
The cruel bars that shut her in,
And shut him out while she was there?
He vowed her fealty firm and fast,
Then to the winds her fears she cast;
They found a way to cheat the bars,
And in free air, beneath free stars,
Free, and with him, she stood at last.
'Now to some priest,' he said, 'that he
May give thee--blessing us--to me.'
'No priest,' she cried in doubt and fear,
'He would divide, not join us, dear.
I am mine--I give myself to thee.
'Since thou and I are mine and thine,
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What need to swear it at a shrine?
Would love last longer if we swore
That we would love for evermore?
God gives me thee--and thou art mine.'
'God weds us now,' he said, 'yet still
Some day shall we all forms fulfil.
Eternal truth affords to smile
At laws wherewith man marks his guile,
Yet law shall join us--when you will.
'So look your last, my love, on these
Forbidding walls and wooing trees.
Farewell to grief and gloom,' said he;
'Farewell to childhood's joy,' said she;
But neither said, 'Farewell to peace.'
Song.
My sweet, my sweet,
She is complete
From dainty head to darling feet;
So warm and white,
So brown and bright,
So made for love and love's delight.
God could but spare
One flower so fair,
There is none like her anywhere;
Beneath wide skies
The whole earth lies,
But not two other such brown eyes.
The world we're in,
If one might win?
Not worth that dimple in her chin
A heaven to know?
I'll let that go
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But once to see her lids droop low
Over her eyes,
By love made wise:
To see her bosom fall and rise
Is more than worth
The angels' mirth,
And all the heaven-joys of earth.
This is the hour
Which gives me power
To win and wear earth's whitest flower.
Oh, Love, give grace,
Through all life's ways
Keep pure this heart, her dwelling place.
II
The fields were reaped and the pastures bare,
And the nights grown windy and chill,
When the lovers passed through the beech woods fair,
And climbed the brow of the hill.
In the hill's spread arm the Moat House lies
With elm and willow tree;
'And is that your home at last?' she sighs.
'Our home at last,' laughs he.
Across the bridge and into the hall
Where the waiting housefolk were.
'This is my lady,' he said to them all,
And she looked so sweet and fair
That every maid and serving-boy
God-blessed them then and there,
And wished them luck, and gave them joy,
For a happy, handsome pair.
And only the old nurse shook her head:
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'Too young,' she said, 'too young.'
She noted that no prayers were read,
No marriage bells were rung;
No guests were called, no feast was spread,
As was meet for a marriage tide;
The young lord in the banquet hall broke bread
Alone with his little bride.
Yet her old heart warmed to the two, and blessed,
They were both so glad and gay,
By to-morrow and yesterday unoppressed,
Fulfilled of the joy of to-day;
Like two young birds in that dull old nest,
So careless of coming care,
So rapt in the other that each possessed,
The two young lovers were.
He was heir to a stern hard-natured race,
That had held the Moat House long,
But the gloom of his formal dwelling place
Dissolved at her voice and song;
So bright, so sweet, to the house she came,
So winning of way and word,
The household knew her by one pet name,
'My Lady Ladybird.'
First love so rarely gets leave to bring,
In our world where money is might,
Its tender buds to blossoming
With the sun of its own delight.
We love at rose or at vintage prime,
In the glare and heat of the day,
Forgetting the dawn and the violet time,
And the wild sweet scent of the may.
These loved like children, like children played,
The old house laughed with delight
At her song of a voice, at the radiance made
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By her dress's flashing flight.
Up the dark oak stair, through the gallery's gloom,
She ran like a fairy fleet,
And ever her lover from room to room
Fast followed her flying feet.
They gathered the buds of the late-lived rose
In the ordered garden ways,
They walked through the sombre yew-walled close
And threaded the pine woods maze,
They rode through woods where their horses came
Knee-deep through the rustling leaves,
Through fields forlorn of the poppies' flame
And bereft of their golden sheaves.
In the mellow hush of October noon
They rowed in the flat broad boat,
Through the lily leaves so thickly strewn
On the sunny side of the moat.
They were glad of the fire of the beech-crowned hill,
And glad of the pale deep sky,
And the shifting shade that the willows made
On the boat as she glided by.
They roamed each room of the Moat House through
And questioned the wraiths of the past,
What legends rare the old dresses knew,
And the swords, what had wet them last?
What faces had looked through the lozenge panes,
What shadows darkened the door,
What feet had walked in the jewelled stains
That the rich glass cast on the floor?
She dressed her beauty in old brocade
That breathed of loss and regret,
In laces that broken hearts had swayed,
In the days when the swords were wet;
And the rubies and pearls laughed out and said,
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'Though the lovers for whom we were set,
And the women who loved us, have long been dead,
Yet beauty and we live yet.'
When the wild white winter's spectral hand
Effaced the green and the red,
And crushed the fingers brown of the land
Till they grew death-white instead,
The two found cheer in their dark oak room,
And their dreams of a coming spring,
For a brighter sun shone through winter's gloom
Than ever a summer could bring.
They sat where the great fires blazed in the hall,
Where the wolf-skins lay outspread,
The pictured faces looked down from the wall
To hear his praise of the dead.
He told her ghostly tales of the past,
And legends rare of his house,
Till she held her breath at the shade fire-cast,
And the scamper-rush of the mouse,
Till she dared not turn her head to see
What shape might stand by her chair-Till she cried his name, and fled to his knee,
And safely nestled there.
Then they talked of their journey, the city's crowd,
Of the convent's faint joy and pain,
Till the ghosts of the past were laid in the shroud
Of commonplace things again.
So the winter died, and the baby spring,
With hardly voice for a cry,
And hands too weak the signs to bring
That all men might know her by,
Yet woke, and breathed through the soft wet air
The promise of all things dear,
And poets and lovers knew she was there,
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And sang to their hearts, 'She is here.'
Song.
Soft is the ground underfoot,
Soft are the skies overhead,
Green is the ivy round brown hedge root,
Green is the moss where we tread.
Purple the woods are, and brown;
The blackbird is glossy and sleek,
He knows that the worms are no more kept down
By frost out of reach of his beak.
Grey are the sheep in the fold,
Tired of their turnip and beet,
Dreaming of meadow and pasture and wold,
And turf the warm rain will make sweet.
Leaves sleep, no bud wakens yet,
But we know by the song of the sun,
And the happy way that the world smiles, wet,
That the spring--oh, be glad!--is begun.
What stirs the heart of the tree?
What stirs the seed the earth bears?
What is it stirring in you and in me
Longing for summer, like theirs?-Longing you cannot explain,
Yearning that baffles me still!
Ah! that each spring should bring longings again
No summer can ever fulfil!
III
When all the world had echoed the song
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That the poet and lover sang,
When 'Glory to spring,' sweet, soft, and strong,
From the ferny woods outrang,
In wet green meadow, in hollow green,
The primrose stars outshone,
And the bluebells balanced their drooping sheen
In copses lovely and lone.
The green earth laughed, full of leaf and flower,
The sky laughed too, full of sun;
Was this the hour for a parting hour,
With the heaven of spring just won?
The woods and fields were echoing
To a chorus of life and bliss.
Oh, hard to sting the face of the spring
With the smart of a parting kiss!
A kinsman ailing, a summons sent
To haste to his dying bed.
'Oh, cruel sentence of banishment!
For my heart says 'Go'!' he said.
'So now good-bye to my home, my dear,
To the spring we watched from its birth;
There is no spring, oh, my sweet, but here,
'Tis winter all over the earth.
'But I come again, oh, spring of my life,
You hold the cord in your hand
That will draw me back, oh, my sweetheart wife,
To the place where your dear feet stand;
But a few short days, and my arms shall be
Once more round your little head,
And you will be weeping glad tears with me
On the grave of our parting, dead!
'I leave you my heart for a short short while,
It will ache if 'tis wrapped in fears;
Keep it safe and warm in the sun of your smile,
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Not wet with the rain of your tears.
Be glad of the joy that shall soon be won,
Be glad to-day, though we part;
You shall weep for our parting when parting is done,
And drop your tears on my heart.'
Song.
Good-bye, my love, my only dear, I know your heart is true
And that it lingers here with me while mine fares forth with you.
We part? Our hearts are almost one, and are so closely tied
'Tis yours that stirs my bosom-lace, mine beats against your side.
So not at losing you I grieve, since heart and soul stay here,
But all the gladness of my life, I cry to lose it, dear;
Warmth of the sun, sweet of the rose, night's rest and light of day,
I mourn for these, for if you go, you take them all away.
You are sad too--not at leaving me, whose heart must with you go,
But at the heaven you leave behind--ah, yes--you told me so,
You said wherever you might go you could not ever find
A spring so sweet, love so complete, as these you leave behind.
No future joy will ever pay this moment's bitter ache,
Yet I am glad to be so sad, since it is for your sake.
You take so much, I do but wish that you could take the whole,
Could take me, since you take my rest, my light, my joy, my soul.
Song.
Oh, love, I leave
This springtide eve,
When woods in sunset shine blood-red;
The long road lies
Before my eyes,
My horse goes on with even tread.
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I dare not turn
These eyes that burn
Back to the terrace where you lean;
If I should see
Your tears for me,
I must turn back to dry them, O my queen!
Yet I must go,
Fate has it so,
Duty spoke once, and I obey;
Sadly I rise,
Leave paradise,
And turn my face the other way.
Nothing is dear
On earth but here,
There is no joy away from you;
What though there be
New things to see,
New friends, new faces, and adventures new?
Yet since I may
Not with you stay,
Hey for the outer world of life!
Brace limbs, shake rein,
And seek again
The hurry, jostle, jar and strife.
Hey for the new!
Yet, love, for you-I have loved you so--the last hand-kiss.
How vast a world
Lies here unfurled!
How small, if sweet, home's inner round of bliss!
The road bends right,
341
Leads out of sight,
Here I may turn, nor fear to see;
So far away,
One could not say
If you are weeping now for me.
Behind this eve
My love I leave,
The big bright world spreads out before;
Yet will I come,
To you and home,
Oh, love, and rest beneath your yoke once more.
IV
She stood upon the terrace, gazing still
Down the long road to watch him out of sight,
Dry-eyed at first, until the swelling hill
Hid him. Then turned she to the garden bright,
Whose ways held memories of lover's laughter,
And lover's sadness that had followed after,
Both born of passion's too intense delight.
The garden knew her secrets, and its bowers
Threw her her secrets back in mocking wise;
''Twas here he buried you in lilac flowers.
Here while he slept you covered up his eyes
With primroses. They died; and by that token
Love, like a flower whose stalk has once been broken,
Will live no more for all your tears and sighs.'
The sundial that had marked their happy hours
Cried out to her, 'I know that he is gone;
So many twos have wreathed me round with flowers,
And always one came afterwards alone,
And always wept--even as you are weeping.
The flowers while they lived were cold, shade keeping,
But always through the tears the sun still shone.'
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She left the garden; but the house still more
Whispered, 'You love him--he has gone away.'
Where fell her single footstep sighed the floor,
'Another foot than yours fell here to-day.'
The very hound she stroked looked round and past her,
Then in her face, and whined, 'Where is our master?'
The whole house had the same one thing to say.
Empty, without its soul, disconsolate,
The great house was: through all the rooms went she,
And every room was dark and desolate,
Nothing seemed good to do or good to see.
At last, upon the wolf-skins, worn with weeping,
The old nurse found her, like a tired child, sleeping
With face tear-stained, and sobbing brokenly.
Wearily went the days, all sad the same,
Yet each brought its own added heaviness.
Why was it that no letter from him came
To ease the burden of her loneliness?
Why did he send no message, word, or greeting,
To help her forward to their day of meeting,
No written love--no black and white caress?
At last there came a letter, sweet but brief,
'He was so busy--had no time for more.'
No time! She had had time enough for grief,
There never had been so much time before;
And yet the letter lay within her bosom,
Pressed closely to her breathing beauty's blossom,
Worn for a balm, because her heart was sore.
She knew not where he stayed, and so could send,
Of all the letters that she wrote, not one;
Hour after soft spring hour the child would spend
In pouring out her soul, for, once begun,
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The tale of all her love and grief flowed over
Upon the letters that she wrote her lover,
And that the fire read when the tale was done.
And yet she never doubted he would come,
If not before, yet when a baby's eyes
Should look for him, when his deserted home
Should waken to a baby's laughs and cries.
'He judges best--perhaps he comes to-morrow,
But come he will, and we shall laugh at sorrow
When in my arms our little baby lies.'
And in the August days a soft hush fell
Upon the house--the old nurse kept her place
Beside the little wife--and all was well;
After rapt anguish came a breathing space,
And she, mid tears and smiles, white-faced, glad-eyed,
Felt her wee baby move against her side,
Kissed its small hands, worshipped its tiny face.
Song.
Oh, baby, baby, baby dear,
We lie alone together here;
The snowy gown and cap and sheet
With lavender are fresh and sweet;
Through half-closed blinds the roses peer
To see and love you, baby dear.
We are so tired, we like to lie
Just doing nothing, you and I,
Within the darkened quiet room.
The sun sends dusk rays through the gloom,
Which is no gloom since you are here,
My little life, my baby dear.
Soft sleepy mouth so vaguely pressed
Against your new-made mother's breast,
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Soft little hands in mine I fold,
Soft little feet I kiss and hold,
Round soft smooth head and tiny ear,
All mine, my own, my baby dear.
And he we love is far away!
But he will come some happy day.
You need but me, and I can rest
At peace with you beside me pressed.
There are no questions, longings vain,
No murmuring, nor doubt, nor pain,
Only content and we are here,
My baby dear.
PART II
While winged Love his pinions folded in the Moat House by the hill,
In the city there was anger, doubt, distrust, and thoughts of ill;
For his kinsmen, hearing rumours of the life the lovers led,
Wept, and wrung their hands, and sorrowed--'Better that the lad were dead
Than to live thus--he, the son of proudest man and noblest earl-Thus in open sin with her, a nameless, shameless, foreign girl.'
(Ever when they thus lamented, 'twas the open sin they named,
Till one wondered whether sinning, if less frank, had been less blamed.)
''Tis our duty to reclaim him--mate him to a noble bride
Who shall fitly grace his station, and walk stately by his side-Gently loose him from the fetters of this siren fair and frail
(In such cases time and absence nearly always will prevail).
He shall meet the Duke's fair daughter--perfect, saintly Lady May-Beauty is the surest beacon to a young man gone astray!
Not at all precipitately, but with judgment sure and fine,
We will rescue and redeem him from his shameful husks and swine.
So--his uncle's long been ailing (gout and dropsy for his sins)-Let that serve for pretext; hither bring the youth--his cure begins.'
So they summoned him and welcomed, and their utmost efforts bent
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To snatch back a brand from burning and a soul from punishment-Sought to charm him with their feastings, each more sumptuous than the last,
From his yearning recollections of his very sinful past-Strove to wipe his wicked doings from his memory's blotted
By the chaster, purer interests of the ball-room and the stage.
And for Lady May--they hinted to the girl, child-innocent,
That her hand to save the sinner by her Saviour had been sent,
That her voice might bring his voice her Master's triumph choir to swell,
And might save a man from sorrow and a human soul from hell.
So she used her maiden graces, maiden glances, maiden smiles,
To protect the erring pilgrim from the devil's subtle wiles-Saw him daily, sent him letters, pious verses by the score,
Every angel's trap she baited with her sweet religious lore-Ventured all she knew, not knowing that her beauty and her youth
Were far better to bait traps with than her odds and ends of truth.
First he listened, vain and flattered that a girl as fair as she
Should be so distinctly anxious for his lost humanity,
Yet determined no attentions, even from the Lady May,
Should delay his home-returning one unnecessary day.
But as she--heart-wrung with pity for his erring soul--grew kind,
Fainter, fainter grew the image of his sweetheart left behind;
Till one day May spoke of sorrow--prayed him to reform--repent,
Urged the festival in heaven over every penitent;
Bold in ignorance, spoke vaguely and low-toned of sin and shame,
And at last her voice, half breathless, faltered, broke upon his name,
And two tears fell from her lashes on the roses at her breast,
Far more potent in their silence than her preaching at its best.
And his weak soul thrilled and trembled at her beauty, and he cried,
'Not for me those priceless tears: I am your slave--you shall decide.'
'Save your soul,' she sighed. 'Was ever man so tempted, tried, before?
It is yours!' and at the word his soul was lost for evermore.
Never woman pure and saintly did the devil's work so well!
Never soul ensnared for heaven took a surer road to hell!
Lady May had gained her convert, loved him, and was satisfied,
And before the last leaves yellowed she would kneel down as his bride.
She was happy, and he struggled to believe that perfidy
Was repentance--reformation was not one with cruelty,
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Yet through all congratulations, friends' smiles, lovers' flatteries,
Lived a gnawing recollection of the lost love harmonies.
In the day he crushed it fiercely, kept it covered out of sight,
But it held him by the heart-strings and came boldly out at night:
In the solemn truthful night his soul shrank shuddering from its lies,
And his base self knew its baseness, and looked full in its false eyes.
In the August nights, when all the sky was deep and toneless blue,
And the gold star-points seemed letting the remembered sunlight through,
When the world was hushed and peaceful in the moonlight's searching white,
He would toss and cast his arms out through the silence and the night
To those eyes that through the night and through the silence came again,
Haunting him with the persistence and the passion of their pain.
'Oh, my little love--my sweetheart--oh, our past--our sweet love-day-Oh, if I were only true--or you were only Lady May!'
But the sunshine scared the vision, and he rose once more love-warm
To the Lady May's perfections and his own proposed reform.
Coward that he was! he could not write and break that loving heart:
To the worn-out gouty kinsman was assigned that pleasing part.
'Say it kindly,' said her lover, 'always friends--I can't forget-We must meet no more--but give her tenderest thought and all regret;
Bid her go back to the convent--she and I can't meet as friends-Offer her a good allowance--any terms to make amends
For what nought could make amends for--for my baseness and my sin.
Oh, I know which side the scale this deed of mine will figure in!
Curse reform!--she may forget me--'tis on me the burdens fall,
For I love her only, solely--not the Lady May at all!'
'Patience,' said the uncle, 'patience, this is but the natural pain
When a young man turns from sinning to the paths of grace again.
Your wild oats are sown--you're plighted to the noble Lady May
(Whose estates adjoin your manor in a providential way).
Do your duty, sir, for surely pangs like these are such as win
Pardon and the heavenly blessing on the sinner weaned from sin.'
Song.
Day is fair, and so is she
Whom so soon I wed;
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But the night, when memory
Guards my sleepless bed,
And with cold hands brings once more
Thorns from rose-sweet days of yore-Night I curse and dread.
Day is sweet, as sweet as her
Girlish tenderness;
But the night, when near me stir
Rustlings of a dress,
Echoes of a loving tone
Now renounced, forsworn, foregone,
Night is bitterness.
Day can stir my blood like wine
Or her beauty's fire,
But at night I burn and pine,
Torture, turn and tire,
With a longing that is pain,
Just to kiss and clasp again
Love's one lost desire.
Day is glad and pure and bright,
Pure, glad, bright as she;
But the sad and guilty night
Outlives day--for me.
Oh, for days when day and night
Equal balance of delight
Were alike to me!
In the day I see my feet
Walk in steadfast wise,
Following my lady sweet
To her Paradise,
Like some stray-recovered lamb;
But I see the beast I am
When the night stars rise.
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Yet in wedding day there lies
Magic--so they say;
Ghosts will have no chance to rise
Near my Lady May.
Vain the hope! In good or ill
Those lost eyes will haunt me still
Till my dying day.
II
Quickly died the August roses, and the kin of Lady May
Dowered her richly, blessed her freely, and announced her wedding day;
And his yearnings and remorses fainter grew as days went on
'Neath the magic of the beauty of the woman he had won;
And less often and less strongly was his fancy caught and crossed
By remembrance of the dearness of the woman he had lost.
Long sweet mornings in the boudoir where the flowers stood about,
Whisperings in the balcony when stars and London lamps came out,
Concerts, flower shows, garden parties, balls and dinners, rides and drives,
All the time-killing distractions of these fashionable lives;
Dreary, joyless as a desert, pleasure's everlasting way,
But enchantment can make lovely even deserts, so they say,
Sandy waste, or waste of London season, where no green leaf grows,
Shone on but by love or passion, each will blossom like the rose!
Came no answer to the letter that announced his marriage day;
But his people wrote that Lady Ladybird had gone away.
So he sent to bid get ready to receive his noble wife.
Two such loving women granted to one man, and in one life!
Though he shuddered to remember with what ghosts the Moat House swarmed-Ghosts of lovely days and dreamings ere the time when he reformed-Yet he said, 'She cannot surely greatly care, or I had heard
Some impulsive, passionate pleading, had some sorrowing written word;
She has journeyed to her convent--will be glad as ere I came,
Through her beauty's dear enchantment, to a life of shameless shame;
And the memories of her dearness passion's flaming sword shall slay,
When the Moat House sees the bridal of myself and Lady May!'
III
349
Bright the mellow autumn sunshine glows upon the wedding day;
Lawns are swept from leaves, and doorways are wreathed round with garlands
gay,
Flowery arches span the carriage drive from grass again to grass,
Flowers are ready for the flinging when the wedded pair shall pass;
Bells are ringing, clanging, clamouring from the belfry 'mid the trees,
And the sound rings out o'er woodlands, parks and gardens, lawns and leas;
All the village gay with banners waits the signal, 'Here they come!'
To strew flowers, wave hats, drop curtseys, and hurra its 'Welcome home!'
At the gates the very griffins on the posts are wreathed with green.
In their ordered lines wait servants for the pair to pass between;
But among them there is missing more than one familiar face,
And new faces, blank expectant, fill up each vacated place,
And the other servants whisper, 'Nurse would wail to see this day,
It was well she left the service when 'my Lady' ran away.'
Louder, clearer ring the joy-bells through the shaken, shattered air,
Till the echoes of them waken in the hillside far and fair;
Level shine the golden sunbeams in the golden afternoon.
In the east the wan ghost rises of the silver harvest moon.
Hark! wheels was it? No, but fancy. Listen! No--yes--can you hear?
Yes, it is the coming carriage rolling nearer and more near!
Till the horse-hoofs strike the roadway, unmistakable and clear!
They are coming! shout your welcome to my lord and lady fair:
May God shower his choicest blessings on the happy wedded pair!
Here they are! the open carriage and surrounding dusty cloud,
Whence he smiles his proud acceptance of the homage of the crowd;
And my lady's sweet face! Bless her! there's a one will help the poor,
Eyes like those could never turn a beggar helpless from her door!
Welcome, welcome! scatter flowers: see, they smile--bow left and right,
Reach the lodge gates--God of heaven! what was that, the flash of white?
Shehas sprung out from the ambush of the smiling, cheering crowd:
'Fling your flowers--here's my welcome!' sharp the cry rings out and loud.
Sudden sight of wild white face, and haggard eyes, and outstretched hands-Just one heart-beat's space before the bridal pair that figure stands,
Then the horses, past controlling, forward bound, their hoofs down thrust-And the carriage wheels jolt over something bloody in the dust.
'Stop her! Stop her! Stop the horses!' cry the people all too late,
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For my lord and Lady May have had their welcome at their gate.
'Twas the old nurse who sprang to her, raised the brown-haired, dust-soiled
head,
Looked a moment, closed the eyelids--then turned to my lord and said,
Kneeling still upon the roadway, with her arm flung round the dead,
While the carriage waited near her, blood and dust upon its wheels
(Ask my lord within to tell you how a happy bridegroom feels):
'Now, my lord, you are contented; you have chosen for your bride
This same fine and dainty lady who is sitting by your side.
Did ye tell her ere this bridal of the girl who bore your shame,
Bore your love-vows--bore your baby--everything except your name?
When they strewed the flowers to greet you, and the banners were unfurled,
She has flung before your feet the sweetest flower in all the world!
Woe's the day I ever nursed you--loved your lisping baby word,
For you grew to name of manhood, and to title of my lord;
Woe's the day you ever saw her, brought her home to wreck her life,
Throwing by your human plaything, to seek out another wife.
God will judge, and I would rather be the lost child lying there,
With your babe's milk in her bosom, your horse-hoof marks on her hair,
Than be you when God shall thunder, when your days on earth are filled,
'Where is she I gave, who loved you, whom you ruined, left and killed?'
Murderer, liar, coward, traitor, look upon your work and say
That your heart is glad within you on your happy wedding day!
And for you, my noble lady, take my blessing on your head,
Though it is not like the blessing maidens look for when they wed.
Never bride had such a welcome, such a flower laid on her way,
As was given you when your carriage crushed her out of life to-day.
Take my blessing--see her body, see what you and he have done-And I wish you joy, my lady, of the bridegroom you have won.'
Like a beaten cur, that trembles at the whistling of the lash,
He stands listening, hands a-tremble, face as pale as white wood ash;
But the Lady May springs down, her soul shines glorious in her eyes,
Moving through the angry silence comes to where the other lies,
Gazes long upon her silent, but at last she turns her gaze
On the nurse, and lips a-tremble, hands outstretched, she slowly says,
'She is dead--but, but her baby--' all her woman's heart is wild
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With an infinite compassion for the little helpless child.
Then she turns to snatch the baby from the arms of one near by,
Holds it fast and looks towards him with a voiceless bitter cry,
As imploring him to loose her from some nightmare's deadly bands.
Dogged looks he down and past her, and she sees and understands,
Then she speaks--'I keep your baby--that's my right in sight of men,
But by God I vow I'll never see your dastard face again.'
So she turned with no word further towards the purple-clouded west,
And passed thither with his baby clasped against her maiden breast.
Little Ladybird was buried in the old ancestral tomb.
From that grave there streams a shadow that wraps up his life in gloom,
And he drags the withered life on, longs for death that will not come,
The interminable night hours riven by that 'Welcome home!'
And he dares not leave this earthly hell of sharp remorse behind,
Lest through death not rest but hotter fire of anguish he should find.
Coward to the last, he will not risk so little for so much,
So he burns, convicted traitor, in the hell self-made of such:
And at night he wakes and shivers with unvanquishable dread
At the ghosts that press each other for a place beside his bed,
And he shudders to remember all the dearness that is dead.
Song.
I had a soul,
Not strong, but following good if good but led.
I might have kept it clean and pure and whole,
And given it up at last, grown strong with days
Of steadfast striving in truth's stern sweet ways;
Instead, I soiled and smutched and smothered it
With poison-flowers it valued not one whit-Now it is dead.
I had a heart
Most true, most sweet, that on my loving fed.
I might have kept her all my life, a part
Of all my life--I let her starve and pine,
Ruined her life and desolated mine.
Sin brushed my lips--I yielded at a touch,
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Tempted so little, and I sinned so much,
And she is dead.
There was a life
That in my sin I took and chained and wed,
And made--perpetual remorse!--my wife.
In my sin's harvest she must reap her share,
That makes its sheaves less light for me to bear.
Oh, life I might have left to bloom and grow!
I struck its root of happiness one blow,
And it is dead.
Once joy I had,
Now I have only agony instead,
That maddens, yet will never send me mad.
The best that comes is numbed half-sick despair,
Remembering how sweet the dear dead were.
My whole life might have been one clear joy song!
Now--oh, my heart, how still life is, how long,
For joy is dead.
Yet there is this:
I chose the thorns not grapes, the stones not bread;
I had my chance, they say, to gain or miss.
And yet I feel it was predestinate
From the first hour, from the first dawn of fate,
That I, thus placed, when that hour should arise,
Must act thus, and could not act otherwise.
This is the worst of all that can be said;
For hope is dead.
~ Edith Nesbit,
1341:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
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Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
28
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,
1342:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.  
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.

By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.

His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.

Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.

The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.

Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.

While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.

Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'

The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.

The noonday sun  
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'

Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,  
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.

Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green  
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice  
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.

The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!  
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;  
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,        
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear    
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame    
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved  
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever  
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,  
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things    
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'

~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
,
1343: Ahana

Ahana
(Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
Vision delightful alone on the hills whom the silences cover,
Closer yet lean to mortality; human, stoop to thy lover.

Wonderful, gold like a moon in the square of the sun where thou strayest
Glimmers thy face amid crystal purities; mighty thou playest
Sole on the peaks of the world, unafraid of thy loneliness. Glances
Leap from thee down to us, dream-seas and light-falls and magical trances;
Sun-drops flake from thy eyes and the heart's caverns packed are with pleasure
Strange like a song without words or the dance of a measureless measure.

Tread through the edges of dawn, over twilight's grey-lidded margin;
Heal earth's unease with thy feet, O heaven-born delicate virgin.

Children of Time whose spirits came down from eternity, seizing
Joys that escape us, yoked by our hearts to a labour unceasing,
Earth-bound, torn with our longings, our life is a brief incompleteness.

Thou hast the stars to sport with, the winds run like bees to thy sweetness.

Art thou not heaven-bound even as I with the earth? Hast thou ended
All desirable things in a stillness lone and unfriended?
Only is calm so sweet? is our close tranquillity only?
Cold are the rivers of peace and their banks are leafless and lonely.

Heavy is godhead to bear with its mighty sun-burden of lustre.

Art thou not weary of only the stars in their solemn muster,
Sky-hung the chill bare plateaus and peaks where the eagle rejoices
In the inhuman height of his nesting, solitude's voices
Making the heart of the silence lonelier? strong and untiring,
Deaf with the cry of the waterfall, lonely the pine lives aspiring.

Two are the ends of existence, two are the dreams of the Mother:

478

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Heaven unchanging, earth with her time-beats yearn to each other, -
Earth-souls needing the touch of the heavens peace to recapture,
Heaven needing earth's passion to quiver its peace into rapture.

Marry, O lightning eternal, the passion of a moment-born fire!
Out of thy greatness draw close to the breast of our mortal desire!
Is he thy master, Rudra the mighty, Shiva ascetic?
Has he denied thee his world? In his dance that they tell of, ecstatic,
Slaying, creating, calm in the midst of the movement and madness,
Stole there no rhythm of an earthly joy and a mortal sadness?
Wast thou not made in the shape of a woman? Sweetness and beauty
Move like a song of the gods in thy limbs and to love is thy duty
Graved in thy heart as on tablets of fate; joy's delicate blossom
Sleeps in thy lids of delight; all Nature hides in thy bosom
Claiming her children unborn and the food of her love and her laughter.

Is he the first? was there none then before him? shall none come after?
He who denies and his blows beat down on our hearts like a hammer's,
He whose calm is the silent reply to our passion and clamours!
Is not there deity greater here new-born in a noble
Labour and sorrow and struggle than stilled into rapture immobile?
Earth has beatitudes warmer than heaven's that are bare and undying,
Marvels of Time on the crest of the moments to Infinity flying.

Earth has her godheads; the Tritons sway on the toss of the billows,
Emerald locks of the Nereids stream on their foam-crested pillows,
Dryads peer out from the branches, Naiads glance up from the waters;
High are her flame-points of joy and the gods are ensnared by her daughters.

Artemis calls as she flees through the glades and the breezes pursue her;
Cypris laughs in her isles where the ocean-winds linger to woo her.

Here thou shalt meet amid beauty forgotten the dance of the Graces;
Night shall be haunted for ever with strange and delicate faces.

Music is here of the fife and the flute and the lyre and the timbal,
Wind in the forests, bees in the grove, - spring's ardent cymbal
Thrilling, the cry of the cuckoo; the nightingale sings in the branches,
Human laughter is heard and the cattle low in the ranches.

Frankly and sweetly she gives to her children the bliss of her body,
Breath of her lips and the green of her garments, rain-pourings heady
Tossed from her cloud-carried beaker of tempest, oceans and streamlets,
Dawn and the mountain-air, corn-fields and vineyards, pastures and hamlets,

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Tangles of sunbeams asleep, mooned dream-depths, twilight's shadows,
Taste and scent and the fruits of her trees and the flowers of her meadows,
Life with her wine-cup of longing under the purple of her tenture,
Death as her gate of escape and rebirth and renewal of venture.

Still must they mutter that all here is vision and passing appearance,
Magic of Maya with falsehood and pain for its only inherence.

One is there only, apart in his greatness, the End and Beginning, -
He who has sent through his soul's wide spaces the universe spinning.

One eternal, Time an illusion, life a brief error!
One eternal, Master of heaven - and of hell and its terror!
Spirit of silence and purity rapt and aloof from creation, -
Dreaming through aeons unreal his splendid and empty formation!
Spirit all-wise in omnipotence shaping a world but to break it, -
Pushed by what mood of a moment, the breath of what fancy to make it?
None is there great but the eternal and lonely, the unique and unmated,
Bliss lives alone with the self-pure, the single, the forever-uncreated.

Truths? or thought's structures bridging the vacancy mute and unsounded
Facing the soul when it turns from the stress of the figures around it?
Solely we see here a world self-made by some indwelling Glory
Building with forms and events its strange and magnificent story.

Yet at the last has not all been solved and unwisdom demolished,
Myth cast out and all dreams of the soul, and all worship abolished?
All now is changed, the reverse of the coin has been shown to us; Reason
Waking, detecting the hoax of the spirit, at last has arisen,
Captured the Truth and built round her its bars that she may not skedaddle,
Gallop again with the bit in her teeth and with Fancy in the saddle.

Now have the wise men discovered that all is the craft of a superMagic of Chance and a movement of Void and inconscient Stupor.

Chance by a wonderful accident ever her ripples expanding
Out of a gaseous circle of Nothingness, implacably extending
Freak upon freak, repeating rigidly marvels on marvels,
Making a world out of Nothing, started on the arc of her travels.

Nothingness born into feeling and action dies back to Nothing.

Sea of a vague electricity, romping through space-curves and clothing
Strangely the Void with a semblance of Matter, painfully flowered
Into this giant phenomenon universe. Man who has towered
Out of the plasm and struggled by thought to Divinity's level,

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Man, this miniature second creator of good and of evil,
He too was only a compost of Matter made living, organic,
Forged as her thinking tool by an Energy blind and mechanic.

Once by an accident queer but quite natural, provable, simple,
Out of blind Space-Nought lashed into life, wearing Mind as its wimple,
Dupe of a figment of consciousness, doped with behaviour and feature,
Matter deluded claimed to be spirit and sentient creature.

All the high dreams man has dreamed and his hopes and his deeds, his soul's greatness
Are but a food-seeking animal's acts with the mind for their witness, -
Mind a machine for the flickers of thought, Matter's logic unpremissed, -
Are but a singular fireworks, chemistry lacking the chemist,
Matter's nervous display; the heart's passion, the sorrow and burning
Fire of delight and sweet ecstasy, love and its fathomless yearning,
Boundless spiritual impulses making us one with world-being,
Outbursts of vision opening doors to a limitless seeing,
Gases and glands and the genes and the nerves and the brain-cells have done it,
Brooded out drama and epic, structured the climb of the sonnet,
Studied the stars and discovered the brain and the laws of its thinking,
Sculptured the cave-temple, reared the cathedral, infinity drinking
Wrought manufacturing God and the soul for the uplift of Nature, -
Science, philosophy, head of his mystical chemical stature,
Music and painting revealing the godhead in sound and in colour,
Acts of the hero, thoughts of the thinker, search of the scholar,
All the magnificent planning, all the inquiry and wonder
Only a trick of the atom, its marvellous magical blunder.

Who can believe it? Something or someone, a Force or a Spirit
Conscious, creative, wonderful shaped out a world to inherit
Here for the beings born from its vast universal existence, -
Fields of surprise and adventure, vistas of light-haunted distance,
Play-routes of wisdom and vision and struggle and rapture and sorrow,
Sailing in Time through the straits of today to the sea of tomorrow.

Worlds and their wonders, suns and their flamings, earth and her nations,
Voyages endless of Mind through the surge of its fate-tossed creations,
Star upon star throbbing out in the silence of infinite spaces,
Species on species, bodies on bodies, faces on faces,

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Souls without number crossing through Time towards eternity, aeons
Crowding on aeons, loving and battle, dirges and paeans,
Thoughts ever leaping, hopes ever yearning, lives ever streaming,
Millions and millions on trek through the days with their doings and dreaming,
Herds of the Sun who move on at the cry of the radiant drover, -
Countless, surviving the death of the centuries, lost to recover,
Finished, but only to begin again, who is its tireless creator,
Cause or the force of its driving, its thinker or formless dictator?
Surely no senseless Vacancy made it, surely 'twas fashioned
By an almighty One million-ecstasied, thousand-passioned.

Self-made? then by what self from which thought could arise and emotion,
Waves that well up to the surface, born from what mysteried ocean?
Nature alone is the fountain. But what is she? Is she not only
Figure and name for what none understands, though all feel, or a lonely
Word in which all finds expression, spirit-heights, dumb work of Matter, -
Vague designation filling the gaps of our thought with its clatter?
Power without vision that blunders in man into thinking and sinning?
Rigid, too vast inexhaustible mystery void of a meaning?
Energy blindly devising, unconsciously ranging in order?
Chance in the march of a cosmic Insanity crossing the border
Out of the eternal silence to thought and its strangeness and splendour?
Consciousness born by an accident until an accident end her?
Nought else is she but the power of the Spirit who dwells in her ever,
Witness and cause of her workings, lord of her pauseless endeavour.

All things she knows, though she seems here unseeing; even in her slumber
Wondrous her works are, design and its magic and magic of number,
Plan of her mighty cosmic geometry, balance of forces,
Universe flung beyond universe, law of the stars and their courses,
Cosmos atomic stretched to the scale of the Infinite's measure.

Mute in the trance of the Eternal she sleeps with the stone and the azure.

Now she awakes; for life has just stirred in her, stretching first blindly
Outward for sense and its pleasure and pain and the gifts of the kindly
Mother of all, for her light and her air and the sap from her flowing,
Pleasure of bloom and inconscient beauty, pleasure of growing.

Then into mind she arises; heart's yearning awakes and reflection
Looks out on struggle and harmony, - conscious, her will of selection

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Studies her works and illumines the choice of her way; last, slowly
Inward she turns and stares at the Spirit within her. Holy
Silences brood in her heart and she feels in her ardent recesses
Passions too great for her frame, on her body immortal caresses.

Into the calm of the Greatness beyond her she enters, burning
Now with a light beyond thought's, towards Self and Infinity turning,
Turned to beatitude, turned to eternity, spiritual grandeur,
Power without limit, ecstasy imperishable, shadowless splendour.

Then to her mortals come, flashing, thoughts that are wisdom's fire-kernel;
Leaping her flame-sweeps of might and delight and of vision supernal
Kindle the word and the act, the Divine and humanity fusing,
Illuminations, trance-seeds of silence, flowers of musing, -
Light of our being that yet has to be, its glory and glimmer
Smiting with sunrise the soul of the sage and the heart of the dreamer.

Or is it all but a vain expectation and effort ungrounded,
Wings without body, sight without object, waters unsounded,
Hue of a shimmer that steals through some secret celestial portal,
Glory of a gleam or a dream in an animal brief-lived and mortal?
Are they not radiances native to heaven's more fortunate ether,
Won when we part from this body, this temporal house of a nether
Mystery of life lived in vain? Upon earth is the glory forbidden,
Nature for ever accursed, frustrated, grief-vexed, fate-ridden?
Half of the glory she dreamed of forgotten or lost in earth's darkness,
Half of it mangled and missed as the death-wheels whirl in their starkness,
Cast out from heaven a goddess rebellious with mind for her mirror,
Cursed with desire and self-will and doomed to self-torture and error,
Came she to birth then with God for her enemy? Were we created
He unwilling or sleeping? did someone transgress the fated
Limits he set, outwitting God? In the too hasty vision
Marred of some demiurge filmed there the blur of a fatal misprision,
Making a world that revolves on itself in a circuit of failure,
Aeons of striving, death for a recompense, Time for our tenure?
Out of him rather she came and for him are her cry and her labour;
Deep are her roots in him; topless she climbs, to his greatness a neighbour.

All is himself in her, brooding in darkness, mounting the sun-ways;
Air-flight to him is man's journey with heaven and earth for the runways.

He is the witness and doer, he is the loved and the lover,

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He the eternal Truth that we look in ourselves to discover.

All is his travel in Time; it is he who turns history's pages,
Act and event and result are the trail that he leaves through the ages;
Form and idea are his signs and number and sound are his symbols,
Music and singing, the word and its rhythm are Divinity's cymbals,
Thunder and surge are the drums of his marching. Through us, with urges
Self-ward, form-bound, mute, motionless, slowly inevitably emerges
Vast as the cosmos, minute as the atom, the Spirit eternal.

Often the gusts of his force illumining moments diurnal
Flame into speech and idea; transcendences splendid and subtle
Suddenly shoot through the weft of our lives from a magical shuttle;
Hid in our hearts is his glory; the Spirit works in our members.

Silence is he, with our voices he speaks, in our thoughts he remembers.

Deep in our being inhabits the voiceless invisible Teacher;
Powers of his godhead we live; the Creator dwells in the creature.

Out of his Void we arise to a mighty and shining existence,
Out of Inconscience, tearing the black Mask's giant resistance;
Waves of his consciousness well from him into these bodies in Nature,
Forms are put round him; his oneness, divided by mind's nomenclature,
High on the summits of being ponders immobile and single,
Penetrates atom and cell as the tide drenches sand-grain and shingle.

Oneness unknown to us dwells in these millions of figures and faces,
Wars with itself in our battles, loves in our clinging embraces,
Inly the self and the substance of things and their cause and their mover
Veiled in the depths which the foam of our thoughts and our life's billows cover,
Heaves like the sea in its waves; like heaven with its star-fires it gazes
Watching the world and its works. Interned in the finite's mazes,
Still shall he rise to his vast superconscience, we with him climbing;
Truth of man's thought with the truth of God's spirit faultlessly timing,
That which was mortal shall enter immortality's golden precincts,
Hushed breath of ecstasy, honey of lotus depths where the bee sinks,
Timeless expanses too still for the voice of the hours to inveigle,
Spaces of spirit too vast for the flight of the God-bearing eagle, -
Enter the Splendour that broods now unseen on us, deity invading,
Sight without error, light without shadow, beauty unfading,
Infinite largeness, rapture eternal, love none can sever,

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Life, not this death-play, but a power God-driven and blissful for ever.

"No," cry the wise, "for a circle was traced, there was pyloned a limit
Only we escape through dream's thin passages. None can disclaim it;
All things created are made by their borders, sketched out and coded;
Vain is the passion to divinise manhood, humanise godhead.

None can exceed himself; even to find oneself hard for our search is:
Only we see as in night by a lustre of flickering torches.

To be content with our measure, our space is the law of our living.

All of thyself to thy manhood and Nature and Circumstance giving,
Be what thou must be or be what thou canst be, one hour in an era.

Knowing the truth of thy days, shun the light of ideal and chimera:
Curb heart's impatience, bind thy desires down, pause from self-vexing."
Who is the nomad then? who is the seeker, the gambler risking
All for a dream in a dream, the old and the sure and the stable
Flung as a stake for a prize that was never yet laid on the table?
Always the world is expanding and growing from minute to minute;
Playing the march of the adventure of Time with our lives for her spinet
Maya or Nature, the wonderful Mother, strikes out surprising
Strains of the spirit disprisoned; creation heavenward rising
Wrestles with Time and Space and the Unknown to give form to the Formless.

Bliss is her goal, but her road is through whirlwind and death-blast and storm-race.

All is a wager and danger, all is a chase and a battle.

Vainly man, crouched in his corner of safety, shrinks from the fatal
Lure of the Infinite. Guided by Powers that surround and precede us
Fearful and faltering steps are our perishing efforts that lead us
On through the rooms of the finite till open the limitless spaces
And we can look into all-seeing eyes and imperishable faces.

But we must pass through the aeons; Space is a bar twixt our ankles,
Time is a weight that we drag and the scar of the centuries rankles:
Caught by the moments, held back from the spirit's timelessness, slowly
Wading in shallows we take not the sea-plunge vastly and wholly.

Hard is the way to the Eternal for the mind-born will of the mortal
Bound by the body and life to the gait of the house-burdened turtle.

Here in this world that knows not its morrow, this reason that stumbles
Onward from error to truth and from truth back to error while crumbles
All that it fashioned, after the passion and travail are ended,

Ahana

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After the sacrifice offered when the will and the strength are expended,
Nothing is done but to have laid down one stone of a road without issue,
Added our quota of evil and good to an ambiguous tissue.

Destiny's lasso, its slip-knot tied by delight and repining,
Draws us through tangles of failure and victory's inextricable twining.

In the hard reckoning made by the grey-robed accountant at even
Pain is the ransom we pay for the smallest foretaste of heaven.

Ignorance darkens, death and inconscience gape to absorb us;
Thick and persistent the Night confronts us, its hunger enormous
Swallowing our work and our lives. Our love and our knowledge squandered
Lie like a treasure refused and trod down on the ways where we wandered;
All we have done is effaced by the thousands behind us arriving.

Trapped in a round fixed for ever circles our thought and our living.

Fiercely the gods in their jealousy strike down the heads that have neighboured
Even for a moment their skies; in the sands our achievements are gravured.

Yet survives bliss in the rhythm of our heart-beats, yet is there wonder,
Beauty's immortal delight, and the seals of the mystery sunder.

Honied a thousand whispers come, in the birds, in the breezes,
Moonlight, the voices of streams; with a hundred marvellous faces
Always he lures us to love him, always he draws us to pleasure
Leaving remembrance and anguish behind for our only treasure.

Passionate we seek for him everywhere, yearn for some sign of him, calling,
Scanning the dust for his footprints, praying and stumbling and falling;
Nothing is found and no answer comes from the masks that are passing.

Memories linger, lines from the past like a half-faded tracing.

He has passed on into silence wearing his luminous mantle.

Out of the melodied distance a laugh rings pure-toned, infantile,
Sole reminder that he is, last signal recalling his presence.

There is a joy behind suffering; pain digs our road to his pleasance.

All things have bliss for their secret; only our consciousness falters
Fearing to offer itself as a victim on ecstasy's altars.

Is not the world his disguise? when that cloak is tossed back from his shoulders,
Beauty looks out like a sun on the hearts of the ravished beholders.

Mortals, your end is beatitude, rapture eternal his meaning:
Joy, which he most now denies, is his purpose: the hedges, the screening

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Were but the rules of his play; his denials came to lure farther.

These too were magic of Maya, smiles of the marvellous Mother.

Oh, but the cruelty! oh, but the empty pain we go rueing!
Edges of opposite sweetness, calls to a closer pursuing.

All that we meet is a symbol and gateway; cryptic intention
Lurks in a common appearance, smiles from a casual mention:
Opposites hide in each other; in the laughter of Nature is danger,
Glory and greatness their embryos form in the womb of her anger.

Why are we terrified? wherefore cry out and draw back from the smiting -
Blows from the hands of a lover to direr exactions exciting,
Fiery points of his play! Was he Rudra only the mighty?
Whose were the whispers of sweetness, whose were the murmurs of pity?
Something opposes our grasp on the light and the sweetness and power,
Something within us, something without us, trap-door or tower,
Nature's gap in our being - or hinge! That device could we vanquish,
Once could we clasp him and hold, his joy we could never relinquish.

Then we could not be denied, for our might would be single and flawless.

Sons of the Eternal, sovereigns of Nature absolute and lawless,
Termlessly our souls would possess as he now enjoys and possesses,
Termlessly probe the delight of his laughter's lurking recesses,
Chasing its trail to the apex of sweetness and secrecy. Treasured
Close to the beats of Eternity's heart in a greatness unmeasured,
Locked into a miracle and mystery of Light we would live in him, - seated
Deep in his core of beatitude ceaselessly by Nature repeated,
Careless of Time, with no fear of an end, with no need for endeavour
Caught by his ecstasy dwell in a rapture enduring for ever.

What was the garden he built when the stars were first set in their places,
Soul and Nature together mid streams and in cloudless spaces
Naked and innocent? Someone offered a fruit of derision,
Knowledge of good and of evil, cleaving in God a division.

Though He who made all said, "It is good; I have fashioned perfection,"
"No, there is evil," someone whispered, "'tis screened from detection."
Wisest he of the beasts of the field, one cunning and creeping;
"See it," he said, "be wise; you shall be as the gods are, unsleeping,
They who know all." And they ate. The roots of our being were shaken;
Hatred and weeping and wrath at once trampled a world overtaken,
Terror and fleeing and anguish and shame and desires unsated;

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Cruelty stalked like a lion; Revenge and her brood were created.

Out to the desert he drove the rebellious. Flaming behind them
Streamed out the sword of his wrath and it followed leaping to find them,
Stabbing at random. The pure and the evil, the strong and the tempted,
All are confounded in punishment; justly is no one exempted.

Virtuous? yes, there are many, but who is there innocent? Toiling
Therefore we seek, but find not that Eden. Planting and spoiling,
"This is the garden," we say, "lo, the trees and this is the river."
Vainly redeemers came, not one has availed to deliver.

Never can Nature go back to her careless and childlike beginning,
Laugh of the babe and the song of the wheel in its delicate spinning,
Smile of the sun upon flowers and earth's beauty, life without labour
Plucking the fruits of the soil and rejoicing in cottage and arbour.

Once we have chosen to be as the gods, we must follow that motion.

Knowledge must grow in us, might like a Titan's, bliss like an ocean,
Calmness and purity born of the spirit's gaze on the Real,
Rapture of his oneness embracing the soul in a clasp hymeneal.

Was it not he once in Brindavan? Woods divine to our yearning,
Memorable always! O flowers, O delight on the tree-tops burning,
Grasses his herds have grazed and crushed by his feet in the dancing,
Yamuna flowing with song, through the greenness always advancing,
You unforgotten remind; for his flute with its sweetness ensnaring
Sounds in our ears in the night and our souls of their teguments baring
Hales us out naked and absolute, out to his woodlands eternal,
Out to his moonlit dances, his dalliance sweet and supernal,
And we go stumbling, maddened and thrilled to his dreadful embraces,
Slaves of his rapture to Brindavan crowded with amorous faces,
Luminous kine in the green glades seated, soft-eyed gazing,
Flowers on the branches distressing us, moonbeams unearthly amazing,
Yamuna flowing before us, laughing low with her voices,
Brindavan arching o'er us where Shyama sports and rejoices.

Inly the miracle trembles repeated; mist-walls are broken
Hiding that country of God and we look on the wonderful token,
Clasp the beautiful body of the Eternal; his flute-call of yearning
Cries in our breast with its blissful anguish for ever returning;
Life flows past us with passionate voices, a heavenly river,
All our being goes back as a bride of his bliss to the Giver.
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Even an hour of the soul can unveil the Unborn, the Everlasting,
Gaze on its mighty Companion; the load of mortality casting,
Mind hushes stilled in eternity; waves of the Infinite wander
Thrilling body and soul and its endless felicity squander;
All world-sorrow is finished, the cry of the parting is over;
Ecstasy laughs in our veins, in our heart is the heart of the Lover.

As when a stream from a highl and plateau green mid the mountains
Draws through broad lakes of delight the gracious sweep of its fountains,
Life from its heaven of desire comes down to the toil of the earth-ways;
Streaming through mire it pours still the mystical joy of its birthplace,
Green of its banks and the green of its trees and the hues of the flower.

Something of child-heart beauty, something of greatness and power,
Dwell with it still in its early torrent laughter and brightness,
Call in the youth of its floods and the voice of the wideness and whiteness.

But in its course are set darkness and fall and the spirit's ordeal.

Hating its narrowness, forced by an ardour to see all and be all,
Dashed on the inconscient rocks and straining through mud, over gravel,
Flows, like an ardent prisoner bound to the scenes of his travail,
Life, the river of the Spirit, consenting to anguish and sorrow
If by her heart's toil a loan-light of joy from the heavens she can borrow.

Out of the sun-rays and moon-rays, the winds' wing-glimmer and revel,
Out of the star-fields of wonder, down to earth's danger and evil
Headlong cast with a stridulant thunder, the doom-ways descending,
Shuddering below into sunless depths, across chasms unending,
Baulked of the might of its waters, a thread in a mountainous vastness,
Parcelled and scanted it hurries as if storming a Titan fastness,
Carving the hills with a sullen and lonely gigantic labour.

Hurled into strangling ravines it escapes with a leap and a quaver,
Breaks from the channels of hiding it grooves out and chisels and twistens,
Angry, afraid, white, foaming. A stony and monstrous resistance
Meets it piling up stubborn limits. Afflicted the river
Treasures a scattered sunbeam, moans for a god to deliver,
Longing to lapse through the plain's green felicity, yearning to widen
Joined to the ocean's shoreless eternity far-off and hidden.

High on the cliffs the Great Ones are watching, the Mighty and Deathless,
Soaring and plunging the roadway of the Gods climbs uplifted and breathless;

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Ever we hear in the heart of the peril a flute go before us,
Luminous beckoning hands in the distance invite and implore us.

Ignorant, circled with death and the abyss, we have dreamed of a human
Paradise made from the mind of a man, from the heart of a woman,
Dreamed of the Isles of the Blest in a light of perpetual summer,
Dreamed of the joy of an earthly life with no pain for incomer.

Never, we said, can these waters from heaven be lost in the marshes,
Cease in the sands of the desert, die where the simoom parches;
Plains are beyond, there are hamlets and fields where the river rejoices
Pacing once more with a quiet step and with amical voices:
Bright amid woodlands red with the berries and cool with the breezes
Glimmer the leaves; all night long the heart of the nightingale eases
Sweetly its burden of pity and sorrow. There amid flowers
We shall take pleasure in arbours delightful, leng thening the hours,
Time for our servitor waiting our fancy through moments unhasting,
Under the cloudless blue of those skies of tranquillity resting,
Lying on beds of lilies, hearing the bells of the cattle
Tinkle, and drink red wine of life and go forth to the battle,
Fight and unwounded return to our beautiful home by the waters,
Fruit of our joy rear tall strong sons and radiant daughters.

Then shall the Virgins of Light come down to us clad in clear raiment
Woven from sunbeam and moonbeam and lightnings, limitless payment
Bring of our toil and our sorrow, carrying life-giving garlands
Plucked by the fountains of Paradise, bring from imperishable star-lands
Hymn-words of wisdom, visions of beauty, heaven-fruit ruddy,
Wine-cups of ecstasy sending the soul like a stream through the body.

Fate shall not know; if her spies come down to our beautiful valley,
They shall grow drunk with its grapes and wander in woodl and and alley.

There leaps the anger of Rudra? there will his lightnings immortal
Circle around with their red eye of cruelty stabbing the portal?
Fearless is there life's play; I shall sport with my dove from his highlands,
Drinking her laughter of bliss like a god in my Grecian islands.

Life in my limbs shall grow deathless, flesh with the God-glory tingle,
Lustre of Paradise, light of the earth-ways marry and mingle.

These are but dreams and the truth shall be greater. Heaven made woman!
Flower of beatitude! living shape of the bliss of the Brahman!
Art thou not she who shall bring into life and time the Eternal?

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Body of the summer of the Gods, a sweetness virginal, vernal,
Breathes from thy soul into Nature; Love sits dreaming in thy bosom,
Wisdom gazes from thy eyes, thy breasts of God-rapture are the blossom.

If but the joy of thy feet once could touch our spaces smiting
Earth with a ray from the Unknown, on the world's heart heaven's script writing,
All then would change into harmony and beauty, Time's doors shudder
Swinging wide on their hinges into Eternity, other
Voices than earth's would be fire in our speech and make deathless our thinking.

One who is hidden in Light would grow visible, multitudes linking,
Lyres of a single ecstasy, throbs of the one heart beating,
Wonderful bodies and souls in the spirit's identity meeting
Even as stars in sky-vastness know their kindred in grandeur.

Yet may it be that although in the hands of our destiny stands sure
Fixed to its hour the Decree of the Advent, still it is fated
Only when kindling earth's bodies a mightier Soul is created.

Far-off the gold and the greatness, the rapture too splendid and dire.

Are not the ages too young? too low in our hearts burns the fire.

Bringest thou only a gleam on the summits, a cry in the distance,
Seen by the eyes that are wakened, heard by a spirit that listens?
Form of the formless All-Beautiful, lodestar of Nature's aspirance,
Music of prelude giving a voice to the ineffable Silence,
First white dawn of the God-Light cast on these creatures that perish,
Word-key of a divine and eternal truth for mortals to cherish,
Come! let thy sweetness and force be a breath in the breast of the future
Making the god-ways alive, immortality's golden-red suture:
Deep in our lives there shall work out a honeyed celestial leaven,
Bliss shall grow native to being and earth be a kin-soil to heaven.

Open the barriers of Time, the world with thy beauty enamour.

Trailing behind thee the purple of thy soul and the dawn-moment's glamour,
Forcing the heart of the Midnight where slumber and secrecy linger,
Guardians of Mystery, touching her bosom with thy luminous finger,
Daughter of Heaven, break through to me moonlike, mystic and gleaming;
Tread through the margins of twilight, cross over borders of dreaming.

Vision delightful alone on the peaks whom the silences cover,
Vision of bliss, stoop down to mortality, lean to thy lover.
Ahana

491

AHANA
Voice of the sensuous mortal, heart of eternal longing,
Thou who hast lived as in walls, thy soul with thy senses wronging!
But I descend at last. Fickle and terrible, sweet and deceiving,
Poison and nectar one has dispensed to thee, luring thee, leaving.

We two together shall capture the flute and the player relentless.

Son of man, thou hast crowned thy life with the flowers that are scentless,
Chased the delights that wound. But I come and midnight shall sunder.

Lo, I come, and behind me Knowledge descends and with thunder
Filling the spaces Strength, the Angel, bears on his bosom
Joy to thy arms. Thou shalt look on her face like a child's or a blossom,
Innocent, free as in Eden of old, not afraid of her playing,
When thy desires I have seized and devoured like a lioness preying.

Thou shalt not suffer always nor cry to me lured and forsaken:
I have a snare for his footsteps, I have a chain for him taken.

Come then to Brindavan, soul of the joyous; faster and faster
Follow the dance I shall teach thee with Shyama for slave and for master.

Follow the notes of the flute with a soul aware and exulting;
Trample Delight that submits and crouch to a sweetness insulting.

Then shalt thou know what the dance meant, fathom the song and the singer,
Hear behind thunder its rhymes, touched by lightning thrill to his finger,
Brindavan's rustle shalt understand and Yamuna's laughter,
Take thy place in the Ras1 and thy share of the ecstasy after.
1 The dance-round of Krishna with the cowherdesses in the moonlit groves of Brindavan, type of the dance of Divine Delight with the souls of men liberated in the world of
Bliss secret within us.
Poems from Manuscripts
Circa 1912 - 1913
~ Sri Aurobindo, - Ahana
,
1344:A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.

First Sailor. Has he not led us into these waste seas
  For long enough?

Second Sailor.  Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
  These dozen weeks.

Second Sailor.  And I had thought to make
  A good round Sum upon this cruise, and turn
  For I am getting on in lifeto something
  That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
  I could give all my heart to that Red Moll
  That had but the one eye.

Second Sailor.    Can no bewitchment
  Transform these rascal billows into women
  That I may drown myself?

First Sailor.     Better steer home,
  Whether he will or no; and better still
  To take him while he sleeps and carry him
  And drop him from the gunnel.

Second Sailor.       I dare not do it.
  Weret not that there is magic in his harp,
  I would be of your mind; but when he plays it
  Strange creatures flutter up before ones eyes,
  Or cry about ones ears.

First Sailor.     Nothing to fear.

Second Sailor. Do you remember when we sank that
     galley
  At the full moon?

First Sailor.  He played all through the night.

Second Sailor. Until the moon had set; and when I looked
  Where the dead drifted, I could see a bird
  Like a grey gull upon the breast of each.
  While I was looking they rose hurriedly,
  And after circling with strange cries awhile
  Flew westward; and many a time since then
  Ive heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
  But when I had eaten and drunk myself asleep
  My courage came again.

Second Sailor.    But thats not all.
  The other night, while he was playing it,
  A beautiful young man and girl came up
  In a white breaking wave; they had the look
  Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was
     playing,
  And they were listening ther& beyond the sail.
  He could not see them, but I held out my hands
  To grasp the woman.

Second Sailor.  You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from
  me.

Second Sailor. But were you not afraid?

First Sailor.          Why should I fear?

Second Sailor. Twas Aengus and Edain, the wandering
     lovers,
  To whom all lovers pray.

First Sailor.     But what of that?
  A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
  Of the Ever-living half so dangerous
  As that wild Aengus. Long before her day
  He carried Edain off from a kings house,
  And hid her among fruits of jewel-stone
  And in a tower of glass, and from that day
  Has hated every man thats not in love,
  And has been dangerous to him.

First Sailor.          I have heard
  He does not hate seafarers as he hates
  Peaceable men that shut the wind away,
  And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
  And drags him through the sea,

First Sailor        Well, net or none,
  Id drown him while we have the chance to do it.

Second Sailor. Its certain Id sleep easier o nights
  If he were dead; but who will be our captain,
  Judge of the stars, and find a course for us?

First Sailor. Ive thought of that. We must have Aibric
     with us,
  For he can judge the stars as well as Forgael.

                 [Going towards Aibric.]

  Become our captain, Aibric. I am resolved
  To make an end of Forgael while he sleeps.
  Theres not a man but will be glad of it
  When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of
     living,
  Unless we drain more flagons in a year
  And kiss more lips than lasting peaceable men
  In their long lives? Will you be of our troop
  And take the captains share of everything
  And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
  And Forgael in the other scale! kill Forgael,
  And he my master from my childhood up!
  If you will draw that sword out of its scabbard
  Ill give my answer.

First Sailor.  You have awakened him.

                 [To Second Sailor.]

  Wed better go, for we have lost this chance.

                 [They go out.]

Forgael. Have the birds passed us? I could hear your
     voice,
  But there were others.

Aibric.        I have seen nothing pass.

Forgael. Youre certain of it? I never wake from sleep
  But that I am afraid they may have passed,
  For theyre my only pilots. If I lost them
  Straying too far into the north or south,
  Id never come upon the happiness
  That has been promised me. I have not seen them
  These many days; and yet there must be many
  Dying at every moment in the world,
  And flying towards their peace.

Aibric.          Put by these thoughts,
  And listen to me for a while. The sailors
  Are plotting for your death.

Forgael.          Have I not given
  More riches than they ever hoped to find?
  And now they will not follow, while I seek
  The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
  Where no ship sails, where nothing thats alive
  Has ever come but those man-headed birds,
  Knowing it for the worlds end?

Forgael.           Where the world ends
  The mind is made unchanging, for it finds
  Miracle, ecstasy, the impossible hope,
  The flagstone under all, the fire of fires,
  The roots of the world.

Aibric.        Shadows before now
  Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their
     plot?

Aibric. No, no, do not say that. You know right well
  That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
  Being as doubtful?

Aibric.     I have called you master
  Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
  Youve never known, Id lay a wager on it,
  A melancholy that a cup of wine,
  A lucky battle, or a womans kiss
  Could not amend.

Aibric.     I have good spirits enough.

Forgael. If you will give me all your mind awhile
  All, all, the very bottom of the bowl
  Ill show you that I am made differently,
  That nothing can amend it but these waters,
  Where I am rid of lifethe events of the world
  What do you call it?that old promise-breaker,
  The cozening fortune-teller that comes whispering,
  You will have all you have wished for when you have
     earned
  Land for your children or money in a pot.-
  And when we have it we are no happier,
  Because of that old draught under the door,
  Or creaky shoes. And at the end of all
  How are we better off than Seaghan the fool,
  That never did a hands turn? Aibric! Aibric!
  We have fallen in the dreams the Ever-living
  Breathe on the burnished mirror of the world
  And then smooth out with ivory hands and sigh,
  And find their laughter sweeter to the taste
  For that brief sighing.

Aibric.       If you had loved some woman

Forgael. You say that also? You have heard the voices,
  For that is what they sayall, all the shadows
  Aengus and Edain, those passionate wanderers,
  And all the others; but it must be love
  As they have known it. Now the secrets out;
  For it is love that I am seeking for,
  But of a beautiful, unheard-of kind
  That is not in the world.

Aibric.        And yet the world
  Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
  Loves in brief longing and deceiving hope
  And bodily tenderness, and finds that even
  The bed of love, that in the imagination
  Had seemed to be the giver of all peace,
  Is no more than a wine-cup in the tasting,
  And as soon finished.

Aibric.      All that ever loved
  Have loved that waythere is no other way.

Forgael. Yet never have two lovers kissed but they
  believed there was some other near at hand,
  And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
  They take a kiss for what a kiss is worth,
  And let the dream go by.

Forgael.          Its not a dream,
  But the reality that makes our passion
  As a lamp shadownono lamp, the sun.
  What the worlds million lips are thirsting for
  Must be substantial somewhere.

Aibric.          I have heard the Druids
  Mutter such things as they awake from trance.
  It may be that the Ever-living know it
  No mortal can.

Forgael.  Yes; if they give us help.

Aibric. They are besotting you as they besot
  The crazy herdsman that will tell his fellows
  That he has been all night upon the hills,
  Riding to hurley, or in the battle-host
  With the Ever-living.

Forgael.      What if he speak the truth,
  And for a dozen hours have been a part
  Of that more powerful life?

Aibric,          His wife knows better.
  Has she not seen him lying like a log,
  Or fumbling in a dream about the house?
  And if she hear him mutter of wild riders,
  She knows that it was but the cart-horse coughing
  That set him to the fancy.

Forgael.        All would be well
  Could we but give us wholly to the dreams,
  And get into their world that to the sense
  Is shadow, and not linger wretchedly
  Among substantial things; for it is dreams
  That lift us to the flowing, changing world
  That the heart longs for. What is love itself,
  Even though it be the lightest of light love,
  But dreams that hurry from beyond the world
  To make low laughter more than meat and drink,
  Though it but set us sighing? Fellow-wanderer,
  Could we but mix ourselves into a dream,
  Not in its image on the mirror!

Aibric.            While
  Were in the body thats impossible.

Forgael. And yet I cannot think theyre leading me
  To death; for they that promised to me love
  As those that can outlive the moon have known it,
  Had the worlds total life gathered up, it seemed,
  Into their shining limbsIve had great teachers.
  Aengus and Edain ran up out of the wave
  Youd never doubt that it was life they promised
  Had you looked on them face to face as I did,
  With so red lips, and running on such feet,
  And having such wide-open, shining eyes.

Aibric. Its certain they are leading you to death.
  None but the dead, or those that never lived,
  Can know that ecstasy. Forgael! Forgael!
  They have made you follow the man-headed birds,
  And you have told me that their journey lies
  Towards the country of the dead.

Forgael.            What matter
  If I am going to my death?for there,
  Or somewhere, I shall find the love they have
     promised.
  That much is certain. I shall find a woman.
  One of the Ever-living, as I think
  One of the Laughing Peopleand she and I
  Shall light upon a place in the worlds core,
  Where passion grows to be a changeless thing,
  Like charmed apples made of chrysoprase,
  Or chrysoberyl, or beryl, or chrysclite;
  And there, in juggleries of sight and sense,
  Become one movement, energy, delight,
  Until the overburthened moon is dead.

                 [A number of Sailors entcr hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
  And we are almost on her!

Second Sailor.     We had not known
  But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric]. The Ever-living have
  kept my bargain for me,
  And paid you on the nail.

Aibric.        Take up that rope
  To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
  And where there is one woman therell be others.
Aibric. Speak lower, or theyll hear.

First Sailor.            They cannot hear;
  They are too busy with each other. Look!
  He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men
     aboard
  She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
  Care more about the kegs of silver and gold
  And the high fame that come to them in marriage,
  Than a strong body and a ready hand.

Second Sailor. Theres nobody is natural but a robber,
  And that is why the world totters about
  Upon its bandy legs.

Aibric.        Run at them now,
  And overpower the crew while yet asleep!

                 [The Sailors go out.]

[Voices and thc clashing of swords are heard from the
  other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice.  Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am
     slain!

Forgael [who has remained at the tiller]. There! there they
  come! Gull, gannet, or diver,
  But with a mans head, or a fair womans,
  They hover over the masthead awhile
  To wait their Fiends; but when their friends have
     come
  Theyll fly upon that secret way of theirs.
  Oneand onea couplefive together;
  And I will hear them talking in a minute.
  Yes, voices! but I do not catch the words.
  Now I can hear. Theres one of them that says,
  How light we are, now we are changed to birds!
  Another answers, Maybe we shall find
  Our hearts desire now that we are so light.
  And then one asks another how he died,
  And says, A sword-blade pierced me in my sleep.-
  And now they all wheel suddenly and fly
  To the other side, and higher in the air.
  And now a laggard with a womans head
  Comes crying, I have run upon the sword.
  I have fled to my beloved in the air,
  In the waste of the high air, that we may wander
  Among the windy meadows of the dawn.
  But why are they still waiting? why are they
  Circling and circling over the masthead?
  What power that is more mighty than desire
  To hurry to their hidden happiness
  Withholds them now? Have the Ever-living Ones
  A meaning in that circling overhead?
  But whats the meaning? [He cries out.] Why do you
     linger there?
  Why linger? Run to your desire,
  Are you not happy winged bodies now?

                 [His voice sinks again.]

  Being too busy in the air and the high air,
  They cannot hear my voice; but whats the meaning?

        [The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
  with your eyes upon me?
  You are not the worlds core. O no, no, no!
  That cannot be the meaning of the birds.
  You are not its core. My teeth are in the world,
  But have not bitten yet.

Dectora.       I am a queen,
  And ask for satisfaction upon these
  Who have slain my husband and laid hands upon me.

     [Breaking loose from the Sailors who are holding her.]

  Let go my hands!

Forgael.     Why do you cast a shadow?
  Where do you come from? Who brought you to this
     place?
  They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
  And drowned the treasures of nine conquered nations,
  And blew me hither to my lasting sorrow,
  Had drowned me also. But, being yet alive,
  I ask a fitting punishment for all
  That raised their hands against him.

Forgael.               There are some
  That weigh and measure all in these waste seas
  They that have all the wisdom thats in life,
  And all that prophesying images
  Made of dim gold rave out in secret tombs;
  They have it that the plans of kings and queens
  But laughter and tearslaughter, laughter, and tears;
  That every man should carry his own soul
  Upon his shoulders.

Dectora.     Youve nothing but wild words,
  And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go
  When she knows that.

Dectora. What is it that you are muttering
  That youll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
  I almost long that it were possible;
  But if I were to put you on that ship,
  With sailors that were sworn to do your will,
  And you had spread a sail for home, a wind
  Would rise of a sudden, or a wave so huge
  It had washed among the stars and put them out,
  And beat the bulwark of your ship on mine,
  Until you stood before me on the deck
  As now.

Dectora.  Does wandering in these desolate seas
  And listening to the cry of wind and wave
  Bring madness?

Forgael.  Queen, I am not mad.

Dectora.              Yet say
  That unimaginable storms of wind and wave
  Would rise against me.

Forgael.       No, I am not mad
  If it be not that hearing messages
  From lasting watchers, that outlive the moon,
  At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
  captive?

Forgael.  Both you and I are taken in the net.
  It was their hands that plucked the winds awake
  And blew you hither; and their mouths have
     promised
  I shall have love in their immortal fashion;
  And for this end they gave me my old harp
  That is more mighty than the sun and moon,
  Or than the shivering casting-net of the stars,
  That none might take you from me.

Dectora [first trembling back from the mast where the harp is,
  and then laughing]. For a moment
  Your raving of a message and a harp
  More mighty than the stars half troubled me,
  But all thats raving. Who is there can compel
  The daughter and the granddaughter of kings
  To be his bedfellow?

Forgael.     Until your lips
  Have called me their beloved, Ill not kiss them.

Dectora. My husband and miy king died at my feet,
  And yet you talk of love.

Forgael.        The movement of time
  Is shaken in these seas, and what one does
  One moment has no might upon the moment
  That follows after.

Dectora.     I understand you now.
  You have a Druid craft of wicked sound
  Wrung from the cold women of the sea
  A magic that can call a demon up,
  Until my body give you kiss for kiss.

Forgael. Your soul shall give the kiss.

Dectora.            I am not afraid,
  While theres a rope to run into a noose
  Or wave to drown. But I have done with words,
  And I would have you look into my face
  And know that it is fearless.

Forgael.          Do what you will,
  For neither I nor you can break a mesh
  Of the great golden net that is about us.

Dectora. Theres nothing in the world thats worth a
  fear.

[She passes Forgael and stands for a moment looking into
his face.]

  I have good reason for that thought.

[She runs suddenly on to the raiscd part of the poop.]

  And now
  I can put fear away as a queen should.

[She mounts on to the hulwark and turns towards
Forgael.]

  Fool, fool! Although you have looked into my face
  You do not see my purpose. I shall have gone
  Before a hand can touch me.

Forgael [folding his arms].   My hands are still;
  The Ever-living hold us. Do what you will,
  You cannot leap out of the golden net.

First Sailor. No need to drown, for, if you will pardon
     us
  And measure out a course and bring us home,
  Well put this man to death.

Dectora.          I promise it.

First Sailor. There is none to take his side.

Aibric.          I am on his side,
  Ill strike a blow for him to give him time
  To cast his dreams away.

[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]

First Sailor.       No otherll do it.

[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]

Second Sailor. He has put a sudden darkness over the
  moon.

Dectora. Nine swords with handles of rhinoceros horn
  To him that strikes him first!

First Sailor.       I will strike him first.

[He goes close up to Forgael with his sword lifted.]

[Shrinking back.] He has caught the crescent moon out
  of the sky,
  And carries it between us.

Second Sailor.       Holy fire
  To burn us to the marrow if we strike.

Dectora. Ill give a golden galley full of fruit,
  That has the heady flavour of new wine,
  To him that wounds him to the death.

First Sailor.          Ill do it.
  For all his spells will vanish when he dies,
  Having their life in him.

Second Sailor.    Though it be the moon
  That he is holding up between us there,
  I will strike at him.

The Others.      And I! And I! And I!

               [Forgael plays the harp.]

First Sailor [falling into a dream suddenly. But you were
  saying there is somebody
  Upon that other ship we are to wake.
  You did not know what brought him to his end,
  But it was sudden.

Second Sailor.  You are in the right;
  I had forgotten that we must go wake him.

Dectora. He has flung a Druid spell upon the air,
  And set you dreaming.

Second Sailor.    How can we have a wake
  When we have neither brown nor yellow ale?

First Sailor. I saw a flagon of brown ale aboard her.

Third Sailor. How can we raise the keen that do not
     know
  What name to call him by?

First Sailor.      Come to his ship.
  His name will come into our thoughts in a minute.
  I know that he died a thousand years ago,
  And has not yet been waked.

Second Sailor [beginning to keen]. Ohone! O! O! O!
  The yew-bough has been broken into two,
  And all the birds are scattered.

All the Sailors. O! O! O! O!

               [They go out keening.]

Dectora. Protect me now, gods that my people swear by.

[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]

Aibric. Where is my sword that fell out of my hand
  When I first heard the news? Ah, there it is!

[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]

Aibric [sleepily]. Queen, give it me.

Dectora.          No, I have need of it.

Aibric. Why do you need a sword? But you may keep it.
  Now that hes dead I have no need of it,
  For everything is gone.

A Sailor [calling from the other ship]. Come hither, Aibric,
  And tell me who it is that we are waking.

Aibric [half to Dectora, half to himself]. What name had
  that dead king? Arthur of Britain?
  No, nonot Arthur. I remember now.
  It was golden-armed Iollan, and he died
  Broken-hearted, having lost his queen
  Through wicked spells. That is not all the tale,
  For he was killed. O! O! O! O! O! O!
  For golden-armed Iollan has been killed.

                      [He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]

Dectora. I will end all your magic on the instant.

[Her voice hecomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]

  This sword is to lie beside him in the grave.
  It was in all his battles. I will spread my hair,
  And wring my hands, and wail him bitterly,
  For I have heard that he was proud and laughing,
  Blue-eyed, and a quick runner on bare feet,
  And that he died a thousand years ago.
  O; O! O! O!

          [Forgael changes the tune.]

  But no, that is not it.
  They killed him at my feet. O! O! O! O!
  For golden-armed Iollan that I loved-
  But what is it that made me say I loved him?
  It was that harper put it in my thoughts,
  But it is true. Why did they run upon him,
  And beat the golden helmet with their swords?

Forgael. Do you not know me, lady? I am he
  That you are weeping for.

Dectora.       No, for he is dead.
  O! O! O! O! for golden-armed Iollan.

Forgael. It was so given out, but I will prove
  That the grave-diggers in a dreamy frenzy
  Have buried nothing but my golden arms.
  Listen to that low-laughing string of the moon
  And you will recollect my face and voice,
  For you have listened to me playing it
  These thousand years.

[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]

  What are the birds at there?
  Why are they all a-flutter of a sudden?
  What are you calling out above the mast?
  If railing and reproach and mockery
  Because I have awakened her to love
  By magic strings, Ill make this answer to it:
  Being driven on by voices and by dreams
  That were clear messages from the Ever-living,
  I have done right. What could I but obey?
  And yet you make a clamour of reproach.

Dcctora [laughing]. Why, its a wonder out of reckoning
  That I should keen him from the full of the moon
  To the horn, and he be hale and hearty.

Forgael. How have I wronged her now that she is merry?
  But no, no, no! your cry is not against me.
  You know the counsels of the Ever-living,
  And all that tossing of your wings is joy,
  And all that murmurings but a marriage-song;
  But if it be reproach, I answer this:
  There is not one among you that made love
  by any other means. You call it passion,
  Consideration, generosity;
  But it was all deceit, and flattery
  To win a woman in her own despite,
  For love is war, and there is hatred in it;
  And if you say that she came willingly

Dectora. Why do you turn away and hide your face,
  That I would look upon for ever?

Forgael.            My grief!

Dectora. Have I not loved you for a thousand years?

Forgael. I never have been golden-armed Iollan.

Vectora. I do not understand. I know your face
  Better than my own hands.

Forgael.          I have deceived you
  Out of all reckoning.

Tectora.          Is it not tme
  That you were born a thousand years ago,
  In islands where the children of Aengus wind
  In happy dances under a windy moon,
  And that youll bring me there?

Forgael.          I have deceived you;
  I have deceived you utterly.

Dectora.          How can that be?
  Is it that though your eyes are full of love
  Some other woman has a claim on you,
  And Ive but half!

Forgael.     O no!

Dectora.          And if there is,
  If there be half a hundred more, what matter?
  Ill never give another thought to it;
  No, no, nor half a thought; but do not speak.
  Women are hard and proud and stubborn-hearted,
  Their heads being turned with praise and flattery;
  And that is why their lovers are afraid
  To tell them a plain story.

Forgael.          Thats not the story;
  But I have done so great a wrong against you,
  There is no measure that it would not burst.
  I will confess it all.

Dectora.       What do I care,
  Now that my body has begun to dream,
  And you have grown to be a burning sod
  In the imagination and intellect?
  If something thats most fabulous were true
  If you had taken me by magic spells,
  And killed a lover or husband at my feet
  I would not let you speak, for I would know
  That it was yesterday and not to-day
  I loved him; I would cover up my ears,
  As I am doing now. [A pause.] Why do you weep?

Forgael. I weep because Ive nothing for your eyes
  But desolate waters and a battered ship.

Dectora. O why do you not lift your eyes to mine?

Forgael. I weepI weep because bare nights above,
  And not a roof of ivory and gold.

Dectora. I would grow jealous of the ivory roof,
  And strike the golden pillars with my hands.
  I would that there was nothing in the world
  But my belovedthat night and day had perished,
  And all that is and all that is to be,
  All that is not the meeting of our lips.

Forgael. You turn away. Why do you turn away?
  Am I to fear the waves, or is the moon
  My enemy?

Dectora.  I looked upon the moon,
  Longing to knead and pull it into shape
  That I might lay it on your head as a crown.
  But now it is your thoughts that wander away,
  For you are looking at the sea. Do you not know
  How great a wrong it is to let ones thought
  Wander a moment when one is in love?

[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]

  Why are you looking at the sea?

Forgael.            Look there!

Dectora. What is there but a troop of ash-grey birds
  That fly into the west?

Forgael.       But listen, listen!

Dectora. What is there but the crying of the birds?

Forgael. If youll but listen closely to that crying
  Youll hear them calling out to one another
  With human voices

Dectora.     O, I can hear them now.
  What are they? Unto what country do they fly?

Forgael. To unimaginable happiness.
  They have been circling over our heads in the air,
  But now that they have taken to the road
  We have to follow, for they are our pilots;
  And though theyre but the colour of grey ash,
  Theyre crying out, could you but hear their words,
  There is a country at the end of the world
  Where no childs born but to outlive the moon.

[The Sailors comc in with Aibric. They are in great
excitement.]

First Sailor. The hold is full of treasure.

Second Sailor.         Full to the hatches.

First Sailor. Treasure on treasure.

Third Sailor.          Boxes of precious spice.

First Sailor. Ivory images with amethyst eyes.

Third Sailor. Dragons with eyes of ruby.

First Sailor.            The whole ship
  Flashes as if it were a net of herrings.

Third Sailor. Lets home; Id give some rubies to a
  woman.

Second Sailor. Theres somebody Id give the amethyst
  eyes to.

Aibric [silencing thcm with agesture]. We would return to
  our own country, Forgael,
  For we have found a treasure thats so great
  Imagination cannot reckon it.
  And having lit upon this woman there,
  What more have you to look for on the seas?

Forgael. I cannotI am going on to the end.
  As for this woman, I think she is coming with me.

Aibric. The Ever-living have made you mad; but no,
  It was this woman in her womans vengeance
  That drove you to it, and I fool enough
  To fancy that shed bring you home again.
  Twas you that egged him to it, for you know
  That he is being driven to his death.

Dectora. That is not true, for he has promised me
  An unimaginable happiness.

Aibric. And if that happiness be more than dreams,
  More than the froth, the feather, the dust-whirl,
  The crazy nothing that I think it is,
  It shall be in the country of the dead,
  If there be such a country.

Dectora.            No, not there,
  But in some island where the life of the world
  Leaps upward, as if all the streams o the world
  Had run into one fountain.

Aibric.          Speak to him.
  He knows that he is taking you to death;
  Speakhe will not deny it.

Dectora.          Is that true?

Forgael. I do not know for certain, but I know.
  That I have the best of pilots.

Aibric.        Shadows, illusions,
  That the Shape-changers, the Ever-laughing Ones,
  The Immortal Mockers have cast into his mind,
  Or called before his eyes.

Dectora.          O carry me
  To some sure country, some familiar place.
  Have we not everything that life can give
  In having one another?

Forgael.       How could I rest
  If I refused the messengers and pilots
  With all those sights and all that crying out?

Dectora. But I will cover up your eyes and ear?,
  That you may never hear the cry of the birds,
  Or look upon them.

Forgael.     Were they but lowlier
  Id do your will, but they are too hightoo high.

Dectora. Being too high, their heady prophecies
  But harry us with hopes that come to nothing,
  Because we are not proud, imperishable,
  Alone and winged.

Forgael.     Our love shall be like theirs
  When we have put their changeless image on.

Dectora. I am a woman, I die at every breath.

Aibric. Let the birds scatter, for the tree is broken,
  And theres no help in words. [To the Sailors.]

  To the other ship,
  And I will follow you and cut the rope
  When I have said farewell to this man here,
  For neither I nor any living man
  Will look upon his face again.

                 [The Sailors go out.]

Forgael [to Dectora], Go with him,
  For he will shelter you and bring you home.

Aibric [taking Forgaels hand]. Ill do it for his sake.

Dectora. No. Take this sword
  And cut the rope, for I go on with Forgael.

Aibric [half falling into the keen]. The yew-bough has been
  broken into two,
  And all the birds are scatteredO! O! O!
  Farewell! farewell! [He goes out.]

Dectora. The sword is in the rope
  The ropes in twoit falls into the sea,
  It whirls into the foam. O ancient worm,
  Dragon that loved the world and held us to it,
  You are broken, you are broken. The world drifts
     away,
  And I am left alone with my beloved,
  Who cannot put me from his sight for ever.
  We are alone for ever, and I laugh,
  Forgael, because you cannot put me from you.
  The mist has covered the heavens, and you and I
  Shall be alone for ever. We twothis crown
  I half remember. It has been in my dreams.
  Bend lower, O king, that I may crown you with it.
  O flower of the branch, 0 bird among the leaves,
  O silver fish that my two hands have taken
  Out of the running stream, O morning star
  Trembling in the blue heavens like a white fawn
  Upon the misty border of the wood,
  Bend lower, that I may cover you with my hair,
  For we will gaze upon this world no longer.

Forgael [gathering Dectoras hair about him]. Beloved, hav-
  ing dragged the net about us,
  And knitted mesh to mesh, we grow immortal;
  And that old harp awakens of itself
  To cry aloud to the grey birds, and dreams,
  That have had dreams for father, live in us.
  
~ William Butler Yeats, The Shadowy Waters - The Shadowy Waters
,
1345:First Sailor. Has he not led us into these waste seas
  For long enough?

Second Sailor.  Aye, long and long enough.

First Sailor. We have not come upon a shore or ship
  These dozen weeks.

Second Sailor.  And I had thought to make
  A good round Sum upon this cruise, and turn -
  For I am getting on in life - to something
  That has less ups and downs than robbery.

First Sailor. I am so tired of being bachelor
  I could give all my heart to that Red Moll
  That had but the one eye.

Second Sailor.    Can no bewitchment
  Transform these rascal billows into women
  That I may drown myself?

First Sailor.     Better steer home,
  Whether he will or no; and better still
  To take him while he sleeps and carry him
  And drop him from the gunnel.

Second Sailor.       I dare not do it.
  Were't not that there is magic in his harp,
  I would be of your mind; but when he plays it
  Strange creatures flutter up before one's eyes,
  Or cry about one's ears.

First Sailor.     Nothing to fear.

Second Sailor. Do you remember when we sank that
     galley
  At the full moon?

First Sailor.  He played all through the night.

Second Sailor. Until the moon had set; and when I looked
  Where the dead drifted, I could see a bird
  Like a grey gull upon the breast of each.
  While I was looking they rose hurriedly,
  And after circling with strange cries awhile
  Flew westward; and many a time since then
  I've heard a rustling overhead in the wind.

First Sailor. I saw them on that night as well as you.
  But when I had eaten and drunk myself asleep
  My courage came again.

Second Sailor.    But that's not all.
  The other night, while he was playing it,
  A beautiful young man and girl came up
  In a white breaking wave; they had the look
  Of those that are alive for ever and ever.

First Sailor. I saw them, too, one night. Forgael was
     playing,
  And they were listening there& beyond the sail.
  He could not see them, but I held out my hands
  To grasp the woman.

Second Sailor.  You have dared to touch her?

First Sailor. O she was but a shadow, and slipped from
  me.

Second Sailor. But were you not afraid?

First Sailor.          Why should I fear?

Second Sailor. "Twas Aengus and Edain, the wandering
     lovers,
  To whom all lovers pray.

First Sailor.     But what of that?
  A shadow does not carry sword or spear.

Second Sailor. My mother told me that there is not one
  Of the Ever-living half so dangerous
  As that wild Aengus. Long before her day
  He carried Edain off from a king's house,
  And hid her among fruits of jewel-stone
  And in a tower of glass, and from that day
  Has hated every man that's not in love,
  And has been dangerous to him.

First Sailor.          I have heard
  He does not hate seafarers as he hates
  Peaceable men that shut the wind away,
  And keep to the one weary marriage-bed.

Second Sailor. I think that he has Forgael in his net,
  And drags him through the sea,

First Sailor        Well, net or none,
  I'd drown him while we have the chance to do it.

Second Sailor. It's certain I'd sleep easier o' nights
  If he were dead; but who will be our captain,
  Judge of the stars, and find a course for us?

First Sailor. I've thought of that. We must have Aibric
     with us,
  For he can judge the stars as well as Forgael.

                 [Going towards Aibric.]

  Become our captain, Aibric. I am resolved
  To make an end of Forgael while he sleeps.
  There's not a man but will be glad of it
  When it is over, nor one to grumble at us.

Aibric. You have taken pay and made your bargain for it.

First Sailor. What good is there in this hard way of
     living,
  Unless we drain more flagons in a year
  And kiss more lips than lasting peaceable men
  In their long lives? Will you be of our troop
  And take the captain's share of everything
  And bring us into populous seas again?

Aibric. Be of your troop! Aibric be one of you
  And Forgael in the other scale! kill Forgael,
  And he my master from my childhood up!
  If you will draw that sword out of its scabbard
  I'll give my answer.

First Sailor.  You have awakened him.

                 [To Second Sailor.]

  We'd better go, for we have lost this chance.

                 [They go out.]

Forgael. Have the birds passed us? I could hear your
     voice,
  But there were others.

Aibric.        I have seen nothing pass.

Forgael. You're certain of it? I never wake from sleep
  But that I am afraid they may have passed,
  For they're my only pilots. If I lost them
  Straying too far into the north or south,
  I'd never come upon the happiness
  That has been promised me. I have not seen them
  These many days; and yet there must be many
  Dying at every moment in the world,
  And flying towards their peace.

Aibric.          Put by these thoughts,
  And listen to me for a while. The sailors
  Are plotting for your death.

Forgael.          Have I not given
  More riches than they ever hoped to find?
  And now they will not follow, while I seek
  The only riches that have hit my fancy.

Aibric. What riches can you find in this waste sea
  Where no ship sails, where nothing that's alive
  Has ever come but those man-headed birds,
  Knowing it for the world's end?

Forgael.           Where the world ends
  The mind is made unchanging, for it finds
  Miracle, ecstasy, the impossible hope,
  The flagstone under all, the fire of fires,
  The roots of the world.

Aibric.        Shadows before now
  Have driven travellers mad for their own sport.

Forgael. Do you, too, doubt me? Have you joined their
     plot?

Aibric. No, no, do not say that. You know right well
  That I will never lift a hand against you.

Forgael. Why should you be more faithful than the rest,
  Being as doubtful?

Aibric.     I have called you master
  Too many years to lift a hand against you.

Forgael. Maybe it is but natural to doubt me.
  You've never known, I'd lay a wager on it,
  A melancholy that a cup of wine,
  A lucky battle, or a woman's kiss
  Could not amend.

Aibric.     I have good spirits enough.

Forgael. If you will give me all your mind awhile -
  All, all, the very bottom of the bowl -
  I'll show you that I am made differently,
  That nothing can amend it but these waters,
  Where I am rid of life - the events of the world -
  What do you call it? - that old promise-breaker,
  The cozening fortune-teller that comes whispering,
  "You will have all you have wished for when you have
     earned
  Land for your children or money in a pot.-
  And when we have it we are no happier,
  Because of that old draught under the door,
  Or creaky shoes. And at the end of all
  How are we better off than Seaghan the fool,
  That never did a hand's turn? Aibric! Aibric!
  We have fallen in the dreams the Ever-living
  Breathe on the burnished mirror of the world
  And then smooth out with ivory hands and sigh,
  And find their laughter sweeter to the taste
  For that brief sighing.

Aibric.       If you had loved some woman -

Forgael. You say that also? You have heard the voices,
  For that is what they say - all, all the shadows -
  Aengus and Edain, those passionate wanderers,
  And all the others; but it must be love
  As they have known it. Now the secret's out;
  For it is love that I am seeking for,
  But of a beautiful, unheard-of kind
  That is not in the world.

Aibric.        And yet the world
  Has beautiful women to please every man.

Forgael. But he that gets their love after the fashion
  "Loves in brief longing and deceiving hope
  And bodily tenderness, and finds that even
  The bed of love, that in the imagination
  Had seemed to be the giver of all peace,
  Is no more than a wine-cup in the tasting,
  And as soon finished.

Aibric.      All that ever loved
  Have loved that way - there is no other way.

Forgael. Yet never have two lovers kissed but they
  believed there was some other near at hand,
  And almost wept because they could not find it.

Aibric. When they have twenty years; in middle life
  They take a kiss for what a kiss is worth,
  And let the dream go by.

Forgael.          It's not a dream,
  But the reality that makes our passion
  As a lamp shadow - no - no lamp, the sun.
  What the world's million lips are thirsting for
  Must be substantial somewhere.

Aibric.          I have heard the Druids
  Mutter such things as they awake from trance.
  It may be that the Ever-living know it -
  No mortal can.

Forgael.  Yes; if they give us help.

Aibric. They are besotting you as they besot
  The crazy herdsman that will tell his fellows
  That he has been all night upon the hills,
  Riding to hurley, or in the battle-host
  With the Ever-living.

Forgael.      What if he speak the truth,
  And for a dozen hours have been a part
  Of that more powerful life?

Aibric,          His wife knows better.
  Has she not seen him lying like a log,
  Or fumbling in a dream about the house?
  And if she hear him mutter of wild riders,
  She knows that it was but the cart-horse coughing
  That set him to the fancy.

Forgael.        All would be well
  Could we but give us wholly to the dreams,
  And get into their world that to the sense
  Is shadow, and not linger wretchedly
  Among substantial things; for it is dreams
  That lift us to the flowing, changing world
  That the heart longs for. What is love itself,
  Even though it be the lightest of light love,
  But dreams that hurry from beyond the world
  To make low laughter more than meat and drink,
  Though it but set us sighing? Fellow-wanderer,
  Could we but mix ourselves into a dream,
  Not in its image on the mirror!

Aibric.            While
  We're in the body that's impossible.

Forgael. And yet I cannot think they're leading me
  To death; for they that promised to me love
  As those that can outlive the moon have known it, '
  Had the world's total life gathered up, it seemed,
  Into their shining limbs - I've had great teachers.
  Aengus and Edain ran up out of the wave -
  You'd never doubt that it was life they promised
  Had you looked on them face to face as I did,
  With so red lips, and running on such feet,
  And having such wide-open, shining eyes.

Aibric. It's certain they are leading you to death.
  None but the dead, or those that never lived,
  Can know that ecstasy. Forgael! Forgael!
  They have made you follow the man-headed birds,
  And you have told me that their journey lies
  Towards the country of the dead.

Forgael.            What matter
  If I am going to my death? - for there,
  Or somewhere, I shall find the love they have
     promised.
  That much is certain. I shall find a woman.
  One of the Ever-living, as I think -
  One of the Laughing People - and she and I
  Shall light upon a place in the world's core,
  Where passion grows to be a changeless thing,
  Like charmed apples made of chrysoprase,
  Or chrysoberyl, or beryl, or chrysclite;
  And there, in juggleries of sight and sense,
  Become one movement, energy, delight,
  Until the overburthened moon is dead.

                 [A number of Sailors enter hurriedly.]

First Sailor. Look there! there in the mist! a ship of spice!
  And we are almost on her!

Second Sailor.     We had not known
  But for the ambergris and sandalwood.

First Sailor. NO; but opoponax and cinnamon.

Forgael [taking the tiller from Aibric]. The Ever-living have
  kept my bargain for me,
  And paid you on the nail.

Aibric        Take up that rope
  To make her fast while we are plundering her.

First Sailor. There is a king and queen upon her deck,
  And where there is one woman there'll be others.
Aibric. Speak lower, or they'll hear.

First Sailor.            They cannot hear;
  They are too busy with each other. Look!
  He has stooped down and kissed her on the lips.

Second Sailor. When she finds out we have better men
     aboard
  She may not be too sorry in the end.

First Sailor. She will be like a wild cat; for these queens
  Care more about the kegs of silver and gold
  And the high fame that come to them in marriage,
  Than a strong body and a ready hand.

Second Sailor. There's nobody is natural but a robber,
  And that is why the world totters about
  Upon its bandy legs.

Aibric.        Run at them now,
  And overpower the crew while yet asleep!

                 [The Sailors go out.]

[Voices and the clashing of swords are heard from the
  other ship, which cannot be seen because of the sail.]

A Voice. Armed men have come upon us! O I am slain!

Another Voice. Wake all below!

Another Voice.  Why have you broken our sleep?

First Voice. Armed men have come upon us! O I am
     slain!

Forgael [who has remained at the tiller]. There! there they
  come! Gull, gannet, or diver,
  But with a man's head, or a fair woman's,
  They hover over the masthead awhile
  To wait their Fiends; but when their friends have
     come
  They'll fly upon that secret way of theirs.
  One - and one - a couple - five together;
  And I will hear them talking in a minute.
  Yes, voices! but I do not catch the words.
  Now I can hear. There's one of them that says,
  "How light we are, now we are changed to birds!'
  Another answers, "Maybe we shall find
  Our heart's desire now that we are so light.'
  And then one asks another how he died,
  And says, "A sword-blade pierced me in my sleep.-
  And now they all wheel suddenly and fly
  To the other side, and higher in the air.
  And now a laggard with a woman's head
  Comes crying, "I have run upon the sword.
  I have fled to my beloved in the air,
  In the waste of the high air, that we may wander
  Among the windy meadows of the dawn.'
  But why are they still waiting? why are they
  Circling and circling over the masthead?
  What power that is more mighty than desire
  To hurry to their hidden happiness
  Withholds them now? Have the Ever-living Ones
  A meaning in that circling overhead?
  But what's the meaning? [He cries out.] Why do you
     linger there?
  Why linger? Run to your desire,
  Are you not happy winged bodies now?

                 [His voice sinks again.]

  Being too busy in the air and the high air,
  They cannot hear my voice; but what's the meaning?

        [The Sailors have returned. Dectora is with them.]

Forgael [turning and seeing her]. Why are you standing
  with your eyes upon me?
  You are not the world's core. O no, no, no!
  That cannot be the meaning of the birds.
  You are not its core. My teeth are in the world,
  But have not bitten yet.

Dectora.       I am a queen,
  And ask for satisfaction upon these
  Who have slain my husband and laid hands upon me.

     [Breaking loose from the Sailors who are holding her.]

  Let go my hands!

Forgael.     Why do you cast a shadow?
  Where do you come from? Who brought you to this
     place?
  They would not send me one that casts a shadow.

Dectora. Would that the storm that overthrew my ships,
  And drowned the treasures of nine conquered nations,
  And blew me hither to my lasting sorrow,
  Had drowned me also. But, being yet alive,
  I ask a fitting punishment for all
  That raised their hands against him.

Forgael.               There are some
  That weigh and measure all in these waste seas -
  They that have all the wisdom that's in life,
  And all that prophesying images
  Made of dim gold rave out in secret tombs;
  They have it that the plans of kings and queens
  But laughter and tears - laughter, laughter, and tears;
  That every man should carry his own soul
  Upon his shoulders.

Dectora.     You've nothing but wild words,
  And I would know if you will give me vengeance.

Forgael. When she finds out I will not let her go -
  When she knows that.

Dectora. What is it that you are muttering -
  That you'll not let me go? I am a queen.

Forgael. Although you are more beautiful than any,
  I almost long that it were possible;
  But if I were to put you on that ship,
  With sailors that were sworn to do your will,
  And you had spread a sail for home, a wind
  Would rise of a sudden, or a wave so huge
  It had washed among the stars and put them out,
  And beat the bulwark of your ship on mine,
  Until you stood before me on the deck -
  As now.

Dectora.  Does wandering in these desolate seas
  And listening to the cry of wind and wave
  Bring madness?

Forgael.  Queen, I am not mad.

Dectora.              Yet say
  That unimaginable storms of wind and wave
  Would rise against me.

Forgael.       No, I am not mad -
  If it be not that hearing messages
  From lasting watchers, that outlive the moon,
  At the most quiet midnight is to be stricken.

Dectora. And did those watchers bid you take me
  captive?

Forgael.  Both you and I are taken in the net.
  It was their hands that plucked the winds awake
  And blew you hither; and their mouths have
     promised
  I shall have love in their immortal fashion;
  And for this end they gave me my old harp
  That is more mighty than the sun and moon,
  Or than the shivering casting-net of the stars,
  That none might take you from me.

Dectora [first trembling back from the mast where the harp is,
  and then laughing]. For a moment
  Your raving of a message and a harp
  More mighty than the stars half troubled me,
  But all that's raving. Who is there can compel
  The daughter and the granddaughter of kings
  To be his bedfellow?

Forgael.     Until your lips
  Have called me their beloved, I'll not kiss them.

Dectora. My husband and my king died at my feet,
  And yet you talk of love.

Forgael.        The movement of time
  Is shaken in these seas, and what one does
  One moment has no might upon the moment
  That follows after.

Dectora.     I understand you now.
  You have a Druid craft of wicked sound
  Wrung from the cold women of the sea -
  A magic that can call a demon up,
  Until my body give you kiss for kiss.

Forgael. Your soul shall give the kiss.

Dectora.            I am not afraid,
  While there's a rope to run into a noose
  Or wave to drown. But I have done with words,
  And I would have you look into my face
  And know that it is fearless.

Forgael.          Do what you will,
  For neither I nor you can break a mesh
  Of the great golden net that is about us.

Dectora. There's nothing in the world that's worth a
  fear.

[She passes Forgael and stands for a moment looking into
his face.]

  I have good reason for that thought.

[She runs suddenly on to the raised part of the poop.]

  And now
  I can put fear away as a queen should.

[She mounts on to the hulwark and turns towards
Forgael.]

  Fool, fool! Although you have looked into my face
  You do not see my purpose. I shall have gone
  Before a hand can touch me.

Forgael [folding his arms].   My hands are still;
  The Ever-living hold us. Do what you will,
  You cannot leap out of the golden net.

First Sailor. No need to drown, for, if you will pardon
     us
  And measure out a course and bring us home,
  We'll put this man to death.

Dectora.          I promise it.

First Sailor. There is none to take his side.

Aibric.          I am on his side,
  I'll strike a blow for him to give him time
  To cast his dreams away.

[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]

First Sailor.       No other'll do it.

[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]

Second Sailor. He has put a sudden darkness over the
  moon.

Dectora. Nine swords with handles of rhinoceros horn
  To him that strikes him first!

First Sailor.       I will strike him first.

[He goes close up to Forgael with his sword lifted.]

[Shrinking back.] He has caught the crescent moon out
  of the sky,
  And carries it between us.

Second Sailor.       Holy fire
  To burn us to the marrow if we strike.

Dectora. I'll give a golden galley full of fruit,
  That has the heady flavour of new wine,
  To him that wounds him to the death.

First Sailor.          I'll do it.
  For all his spells will vanish when he dies,
  Having their life in him.

Second Sailor.    Though it be the moon
  That he is holding up between us there,
  I will strike at him.

The Others.      And I! And I! And I!

               [Forgael plays the harp.]

First Sailor [falling into a dream suddenly. But you were
  saying there is somebody
  Upon that other ship we are to wake.
  You did not know what brought him to his end,
  But it was sudden.

Second Sailor.  You are in the right;
  I had forgotten that we must go wake him.

Dectora. He has flung a Druid spell upon the air,
  And set you dreaming.

Second Sailor.    How can we have a wake
  When we have neither brown nor yellow ale?

First Sailor. I saw a flagon of brown ale aboard her.

Third Sailor. How can we raise the keen that do not
     know
  What name to call him by?

First Sailor.      Come to his ship.
  His name will come into our thoughts in a minute.
  I know that he died a thousand years ago,
  And has not yet been waked.

Second Sailor[beginning to keen]. Ohone! O! O! O!
  The yew-bough has been broken into two,
  And all the birds are scattered.

All the Sailors. O! O! O! O!

               [They go out keening.]

Dectora. Protect me now, gods that my people swear by.

[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]

Aibric. Where is my sword that fell out of my hand
  When I first heard the news? Ah, there it is!

[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]

Aibric [sleepily]. Queen, give it me.

Dectora.         No, I have need of it.

Aibric. Why do you need a sword? But you may keep it.
  Now that he's dead I have no need of it,
  For everything is gone.

A Sailor [calling from the other ship]. Come hither, Aibric,
  And tell me who it is that we are waking.

Aibric [half to Dectora, half to himself]. What name had
  that dead king? Arthur of Britain?
  No, no - not Arthur. I remember now.
  It was golden-armed Iollan, and he died
  Broken-hearted, having lost his queen
  Through wicked spells. That is not all the tale,
  For he was killed. O! O! O! O! O! O!
  For golden-armed Iollan has been killed.

                      [He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]

Dectora. I will end all your magic on the instant.

[Her voice becomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]

  This sword is to lie beside him in the grave.
  It was in all his battles. I will spread my hair,
  And wring my hands, and wail him bitterly,
  For I have heard that he was proud and laughing,
  Blue-eyed, and a quick runner on bare feet,
  And that he died a thousand years ago.
  O; O! O! O!

          [Forgael changes the tune.]

  But no, that is not it.
  They killed him at my feet. O! O! O! O!
  For golden-armed Iollan that I loved-
  But what is it that made me say I loved him?
  It was that harper put it in my thoughts,
  But it is true. Why did they run upon him,
  And beat the golden helmet with their swords?

Forgael. Do you not know me, lady? I am he
  That you are weeping for.

Dectora.       No, for he is dead.
  O! O! O! O! for golden-armed Iollan.

Forgael. It was so given out, but I will prove
  That the grave-diggers in a dreamy frenzy
  Have buried nothing but my golden arms.
  Listen to that low-laughing string of the moon
  And you will recollect my face and voice,
  For you have listened to me playing it
  These thousand years.

[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]

  What are the birds at there?
  Why are they all a-flutter of a sudden?
  What are you calling out above the mast?
  If railing and reproach and mockery
  Because I have awakened her to love
  By magic strings, I'll make this answer to it:
  Being driven on by voices and by dreams
  That were clear messages from the Ever-living,
  I have done right. What could I but obey?
  And yet you make a clamour of reproach.

Dectora [laughing]. Why, it's a wonder out of reckoning
  That I should keen him from the full of the moon
  To the horn, and he be hale and hearty.

Forgael. How have I wronged her now that she is merry?
  But no, no, no! your cry is not against me.
  You know the counsels of the Ever-living,
  And all that tossing of your wings is joy,
  And all that murmuring's but a marriage-song;
  But if it be reproach, I answer this:
  There is not one among you that made love
  by any other means. You call it passion,
  Consideration, generosity;
  But it was all deceit, and flattery
  To win a woman in her own despite,
  For love is war, and there is hatred in it;
  And if you say that she came willingly -

Dectora. Why do you turn away and hide your face,
  That I would look upon for ever?

Forgael.            My grief!

Dectora. Have I not loved you for a thousand years?

Forgael. I never have been golden-armed Iollan.

Vectora. I do not understand. I know your face
  Better than my own hands.

Forgael.          I have deceived you
  Out of all reckoning.

Tectora.          Is it not time
  That you were born a thousand years ago,
  In islands where the children of Aengus wind
  In happy dances under a windy moon,
  And that you'll bring me there?

Forgael.          I have deceived you;
  I have deceived you utterly.

Dectora.          How can that be?
  Is it that though your eyes are full of love
  Some other woman has a claim on you,
  And I've but half!

Forgael.     O no!

Dectora.          And if there is,
  If there be half a hundred more, what matter?
  I'll never give another thought to it;
  No, no, nor half a thought; but do not speak.
  Women are hard and proud and stubborn-hearted,
  Their heads being turned with praise and flattery;
  And that is why their lovers are afraid
  To tell them a plain story.

Forgael.          That's not the story;
  But I have done so great a wrong against you,
  There is no measure that it would not burst.
  I will confess it all.

Dectora.       What do I care,
  Now that my body has begun to dream,
  And you have grown to be a burning sod
  In the imagination and intellect?
  If something that's most fabulous were true -
  If you had taken me by magic spells,
  And killed a lover or husband at my feet -
  I would not let you speak, for I would know
  That it was yesterday and not to-day
  I loved him; I would cover up my ears,
  As I am doing now. [A pause.] Why do you weep?

Forgael. I weep because I've nothing for your eyes
  But desolate waters and a battered ship.

Dectora. O why do you not lift your eyes to mine?

Forgael. I weep - I weep because bare night's above,
  And not a roof of ivory and gold.

Dectora. I would grow jealous of the ivory roof,
  And strike the golden pillars with my hands.
  I would that there was nothing in the world
  But my beloved - that night and day had perished,
  And all that is and all that is to be,
  All that is not the meeting of our lips.

Forgael. You turn away. Why do you turn away?
  Am I to fear the waves, or is the moon
  My enemy?

Dectora.  I looked upon the moon,
  Longing to knead and pull it into shape
  That I might lay it on your head as a crown.
  But now it is your thoughts that wander away,
  For you are looking at the sea. Do you not know
  How great a wrong it is to let one's thought
  Wander a moment when one is in love?

[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]

  Why are you looking at the sea?

Forgael.            Look there!

Dectora. What is there but a troop of ash-grey birds
  That fly into the west?

Forgael.       But listen, listen!

Dectora. What is there but the crying of the birds?

Forgael. If you'll but listen closely to that crying
  You'll hear them calling out to one another
  With human voices

Dectora.     O, I can hear them now.
  What are they? Unto what country do they fly?

Forgael. To unimaginable happiness.
  They have been circling over our heads in the air,
  But now that they have taken to the road
  We have to follow, for they are our pilots;
  And though they're but the colour of grey ash,
  They're crying out, could you but hear their words,
  "There is a country at the end of the world
  Where no child's born but to outlive the moon.'

[The Sailors come in with Aibric. They are in great
excitement.]

First Sailor. The hold is full of treasure.

Second Sailor.         Full to the hatches.

First Sailor. Treasure on treasure.

Third Sailor.          Boxes of precious spice.

First Sailor. Ivory images with amethyst eyes.

Third Sailor. Dragons with eyes of ruby.

First Sailor.            The whole ship
  Flashes as if it were a net of herrings.

Third Sailor. Let's home; I'd give some rubies to a
  woman.

Second Sailor. There's somebody I'd give the amethyst
  eyes to.

Aibric [silencing them with agesture]. We would return to
  our own country, Forgael,
  For we have found a treasure that's so great
  Imagination cannot reckon it.
  And having lit upon this woman there,
  What more have you to look for on the seas?

Forgael. I cannot - I am going on to the end.
  As for this woman, I think she is coming with me.

Aibric. The Ever-living have made you mad; but no,
  It was this woman in her woman's vengeance
  That drove you to it, and I fool enough
  To fancy that she'd bring you home again.
  'Twas you that egged him to it, for you know
  That he is being driven to his death.

Dectora. That is not true, for he has promised me
  An unimaginable happiness.

Aibric. And if that happiness be more than dreams,
  More than the froth, the feather, the dust-whirl,
  The crazy nothing that I think it is,
  It shall be in the country of the dead,
  If there be such a country.

Dectora.            No, not there,
  But in some island where the life of the world
  Leaps upward, as if all the streams o' the world
  Had run into one fountain.

Aibric.          Speak to him.
  He knows that he is taking you to death;
  Speak - he will not deny it.

Dectora.          Is that true?

Forgael. I do not know for certain, but I know.
  That I have the best of pilots.

Aibric.        Shadows, illusions,
  That the Shape-changers, the Ever-laughing Ones,
  The Immortal Mockers have cast into his mind,
  Or called before his eyes.

Dectora.          O carry me
  To some sure country, some familia'r place.
  Have we not everything that life can give
  In having one another?

Forgael.       How could I rest
  If I refused the messengers and pilots
  With all those sights and all that crying out?

Dectora. But I will cover up your eyes and ear?,
  That you may never hear the cry of the birds,
  Or look upon them.

Forgael.     Were they but lowlier
  I'd do your will, but they are too high - too high.

Dectora. Being too high, their heady prophecies
  But harry us with hopes that come to nothing,
  Because we are not proud, imperishable,
  Alone and winged.

Forgael.     Our love shall be like theirs
  When we have put their changeless image on.

Dectora. I am a woman, I die at every breath.

Aibric. Let the birds scatter, for the tree is broken,
  And there's no help in words. [To the Sailors.]

  To the other ship,
  And I will follow you and cut the rope
  When I have said farewell to this man here,
  For neither I nor any living man
  Will look upon his face again.

                 [The Sailors go out.]

Forgael [to Dectora], Go with him,
  For he will shelter you and bring you home.

Aibric [taking Forgael's hand]. I'll do it for his sake.

Dectora. No. Take this sword
  And cut the rope, for I go on with Forgael.

Aibric [half falling into the keen]. The yew-bough has been
  broken into two,
  And all the birds are scattered - O! O! O!
  Farewell! farewell! [He goes out.]

Dectora. The sword is in the rope -
  The rope's in two - it falls into the sea,
  It whirls into the foam. O ancient worm,
  Dragon that loved the world and held us to it,
  You are broken, you are broken. The world drifts
     away,
  And I am left alone with my beloved,
  Who cannot put me from his sight for ever.
  We are alone for ever, and I laugh,
  Forgael, because you cannot put me from you.
  The mist has covered the heavens, and you and I
  Shall be alone for ever. We two - this crown -
  I half remember. It has been in my dreams.
  Bend lower, O king, that I may crown you with it.
  O flower of the branch, 0 bird among the leaves,
  O silver fish that my two hands have taken
  Out of the running stream, O morning star
  Trembling in the blue heavens like a white fawn
  Upon the misty border of the wood,
  Bend lower, that I may cover you with my hair,
  For we will gaze upon this world no longer.

Forgael [gathering Dectora's hair about him]. Beloved, hav-
  ing dragged the net about us,
  And knitted mesh to mesh, we grow immortal;
  And that old harp awakens of itself
  To cry aloud to the grey birds, and dreams,
  That have had dreams for father, live in us.
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps behind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
~ William Butler Yeats, A Dramatic Poem
,
1346:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
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That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
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Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
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But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
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“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
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Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
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And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
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Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
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Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
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Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
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The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
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This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
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Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
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His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
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Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
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“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
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How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
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“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
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Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,
1347:Enoch Arden
Long lines of cliff breaking have left a chasm;
And in the chasm are foam and yellow sands;
Beyond, red roofs about a narrow wharf
In cluster; then a moulder'd church; and higher
A long street climbs to one tall-tower'd mill;
And high in heaven behind it a gray down
With Danish barrows; and a hazelwood,
By autumn nutters haunted, flourishes
Green in a cuplike hollow of the down.
Here on this beach a hundred years ago,
Three children of three houses, Annie Lee,
The prettiest little damsel in the port,
And Philip Ray the miller's only son,
And Enoch Arden, a rough sailor's lad
Made orphan by a winter shipwreck, play'd
Among the waste and lumber of the shore,
Hard coils of cordage, swarthy fishing-nets,
Anchors of rusty fluke, and boats updrawn,
And built their castles of dissolving sand
To watch them overflow'd, or following up
And flying the white breaker, daily left
The little footprint daily wash'd away.
A narrow cave ran in beneath the cliff:
In this the children play'd at keeping house.
Enoch was host one day, Philip the next,
While Annie still was mistress; but at times
Enoch would hold possession for a week:
`This is my house and this my little wife.'
`Mine too' said Philip `turn and turn about:'
When, if they quarrell'd, Enoch stronger-made
Was master: then would Philip, his blue eyes
All flooded with the helpless wrath of tears,
Shriek out `I hate you, Enoch,' and at this
The little wife would weep for company,
And pray them not to quarrel for her sake,
And say she would be little wife to both.
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But when the dawn of rosy childhood past,
And the new warmth of life's ascending sun
Was felt by either, either fixt his heart
On that one girl; and Enoch spoke his love,
But Philip loved in silence; and the girl
Seem'd kinder unto Philip than to him;
But she loved Enoch; tho' she knew it not,
And would if ask'd deny it. Enoch set
A purpose evermore before his eyes,
To hoard all savings to the uttermost,
To purchase his own boat, and make a home
For Annie: and so prosper'd that at last
A luckier or a bolder fisherman,
A carefuller in peril, did not breathe
For leagues along that breaker-beaten coast
Than Enoch. Likewise had he served a year
On board a merchantman, and made himself
Full sailor; and he thrice had pluck'd a life
From the dread sweep of the down-streaming seas:
And all me look'd upon him favorably:
And ere he touch'd his one-and-twentieth May
He purchased his own boat, and made a home
For Annie, neat and nestlike, halfway up
The narrow street that clamber'd toward the mill.
Then, on a golden autumn eventide,
The younger people making holiday,
With bag and sack and basket, great and small,
Went nutting to the hazels. Philip stay'd
(His father lying sick and needing him)
An hour behind; but as he climb'd the hill,
Just where the prone edge of the wood began
To feather toward the hollow, saw the pair,
Enoch and Annie, sitting hand-in-hand,
His large gray eyes and weather-beaten face
All-kindled by a still and sacred fire,
That burn'd as on an altar. Philip look'd,
And in their eyes and faces read his doom;
Then, as their faces drew together, groan'd,
And slipt aside, and like a wounded life
Crept down into the hollows of the wood;
There, while the rest were loud in merrymaking,
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Had his dark hour unseen, and rose and past
Bearing a lifelong hunger in his heart.
So these were wed, and merrily rang the bells,
And merrily ran the years, seven happy years,
Seven happy years of health and competence,
And mutual love and honorable toil;
With children; first a daughter. In him woke,
With his first babe's first cry, the noble wish
To save all earnings to the uttermost,
And give his child a better bringing-up
Than his had been, or hers; a wish renew'd,
When two years after came a boy to be
The rosy idol of her solitudes,
While Enoch was abroad on wrathful seas,
Or often journeying landward; for in truth
Enoch's white horse, and Enoch's ocean-spoil
In ocean-smelling osier, and his face,
Rough-redden'd with a thousand winter gales,
Not only to the market-cross were known,
But in the leafy lanes behind the down,
Far as the portal-warding lion-whelp,
And peacock-yewtree of the lonely Hall,
Whose Friday fare was Enoch's ministering.
Then came a change, as all things human change.
Ten miles to northward of the narrow port
Open'd a larger haven: thither used
Enoch at times to go by land or sea;
And once when there, and clambering on a mast
In harbor, by mischance he slipt and fell:
A limb was broken when they lifted him;
And while he lay recovering there, his wife
Bore him another son, a sickly one:
Another hand crept too across his trade
Taking her bread and theirs: and on him fell,
Altho' a grave and staid God-fearing man,
Yet lying thus inactive, doubt and gloom.
He seem'd, as in a nightmare of the night,
To see his children leading evermore
Low miserable lives of hand-to-mouth,
And her, he loved, a beggar: then he pray'd
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`Save them from this, whatever comes to me.'
And while he pray'd, the master of that ship
Enoch had served in, hearing his mischance,
Came, for he knew the man and valued him,
Reporting of his vessel China-bound,
And wanting yet a boatswain. Would he go?
There yet were many weeks before she sail'd,
Sail'd from this port. Would Enoch have the place?
And Enoch all at once assented to it,
Rejoicing at that answer to his prayer.
So now that the shadow of mischance appear'd
No graver than as when some little cloud
Cuts off the fiery highway of the sun,
And isles a light in the offing: yet the wife-When he was gone--the children--what to do?
Then Enoch lay long-pondering on his plans;
To sell the boat--and yet he loved her well-How many a rough sea had he weather'd in her!
He knew her, as a horseman knows his horse-And yet to sell her--then with what she brought
Buy goods and stores--set Annie forth in trade
With all that seamen needed or their wives-So might she keep the house while he was gone.
Should he not trade himself out yonder? go
This voyage more than once? yea twice or thrice-As oft as needed--last, returning rich,
Become the master of a larger craft,
With fuller profits lead an easier life,
Have all his pretty young ones educated,
And pass his days in peace among his own.
Thus Enoch in his heart determined all:
Then moving homeward came on Annie pale,
Nursing the sickly babe, her latest-born.
Forward she started with a happy cry,
And laid the feeble infant in his arms;
Whom Enoch took, and handled all his limbs,
Appraised his weight and fondled fatherlike,
But had no heart to break his purposes
To Annie, till the morrow, when he spoke.
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Then first since Enoch's golden ring had girt
Her finger, Annie fought against his will:
Yet not with brawling opposition she,
But manifold entreaties, many a tear,
Many a sad kiss by day and night renew'd
(Sure that all evil would come out of it)
Besought him, supplicating, if he cared
For here or his dear children, not to go.
He not for his own self caring but her,
Her and her children, let her plead in vain;
So grieving held his will, and bore it thro'.
For Enoch parted with his old sea-friend,
Bought Annie goods and stores, and set his hand
To fit their little streetward sitting-room
With shelf and corner for the goods and stores.
So all day long till Enoch's last at home,
Shaking their pretty cabin, hammer and axe,
Auger and saw, while Annie seem'd to hear
Her own death-scaffold raising, shrill'd and rang,
Till this was ended, and his careful hand,-The space was narrow,--having order'd all
Almost as neat and close as Nature packs
Her blossom or her seedling, paused; and he,
Who needs would work for Annie to the last,
Ascending tired, heavily slept till morn.
And Enoch faced this morning of farewell
Brightly and boldly. All his Annie's fears,
Save, as his Annie's, were a laughter to him.
Yet Enoch as a brave God-fearing man
Bow'd himself down, and in that mystery
Where God-in-man is one with man-in-God,
Pray'd for a blessing on his wife and babes
Whatever came to him: and then he said
`Annie, this voyage by the grace of God
Will bring fair weather yet to all of us.
Keep a clean hearth and a clear fire for me,
For I'll be back, my girl, before you know it.'
Then lightly rocking baby's cradle `and he,
This pretty, puny, weakly little one,-Nay--for I love him all the better for it--
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God bless him, he shall sit upon my knees
And I will tell him tales of foreign parts,
And make him merry, when I come home again.
Come Annie, come, cheer up before I go.'
Him running on thus hopefully she heard,
And almost hoped herself; but when he turn'd
The current of his talk to graver things
In sailor fashion roughly sermonizing
On providence and trust in Heaven, she heard,
Heard and not heard him; as the village girl,
Who sets her pitcher underneath the spring,
Musing on him that used to fill it for her,
Hears and not hears, and lets it overflow.
At length she spoke `O Enoch, you are wise;
And yet for all your wisdom well know I
That I shall look upon your face no more.'
`Well then,' said Enoch, `I shall look on yours.
Annie, the ship I sail in passes here
(He named the day) get you a seaman's glass,
Spy out my face, and laugh at all your fears.'
But when the last of those last moments came,
`Annie my girl, cheer up, be comforted,
Look to the babes, and till I come again,
Keep everything shipshape, for I must go.
And fear no more for me; or if you fear
Cast all your cares on God; that anchor holds.
Is He not yonder in those uttermost
Parts of the morning? if I flee to these
Can I go from Him? and the sea is His,
The sea is His: He made it.'
Enoch rose,
Cast his strong arms about his drooping wife,
And kiss'd his wonder-stricken little ones;
But for the third, sickly one, who slept
After a night of feverous wakefulness,
When Annie would have raised him Enoch said
`Wake him not; let him sleep; how should this child
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Remember this?' and kiss'ed him in his cot.
But Annie from her baby's forehead clipt
A tiny curl, and gave it: this he kept
Thro' all his future; but now hastily caught
His bundle, waved his hand, and went his way.
She when the day, that Enoch mention'd, came,
Borrow'd a glass, but all in vain: perhaps
She could not fix the glass to suit her eye;
Perhaps her eye was dim, hand tremulous;
She saw him not: and while he stood on deck
Waving, the moment and the vessel past.
Ev'n to the last dip of the vanishing sail
She watch'd it, and departed weeping for him;
Then, tho' she mourn'd his absence as his grave,
Set her sad will no less to chime with his,
But throve not in her trade, not being bred
To barter, nor compensating the want
By shrewdness, neither capable of lies,
Nor asking overmuch and taking less,
And still foreboding `what would Enoch say?'
For more than once, in days of difficulty
And pressure, had she sold her wares for less
Than what she gave in buying what she sold:
She fail'd and sadden'd knowing it; and thus,
Expectant of that news that never came,
Gain'd for here own a scanty sustenance,
And lived a life of silent melancholy.
Now the third child was sickly-born and grew
Yet sicklier, tho' the mother cared for it
With all a mother's care: nevertheless,
Whether her business often call'd her from it,
Or thro' the want of what it needed most,
Or means to pay the voice who best could tell
What most it needed--howsoe'er it was,
After a lingering,--ere she was aware,-Like the caged bird escaping suddenly,
The little innocent soul flitted away.
In that same week when Annie buried it,
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Philip's true heart, which hunger'd for her peace
(Since Enoch left he had not look'd upon her),
Smote him, as having kept aloof so long.
`Surely' said Philip `I may see her now,
May be some little comfort;' therefore went,
Past thro' the solitary room in front,
Paused for a moment at an inner door,
Then struck it thrice, and, no one opening,
Enter'd; but Annie, seated with her grief,
Fresh from the burial of her little one,
Cared not to look on any human face,
But turn'd her own toward the wall and wept.
Then Philip standing up said falteringly
`Annie, I came to ask a favor of you.'
He spoke; the passion in her moan'd reply
`Favor from one so sad and so forlorn
As I am!' half abash'd him; yet unask'd,
His bashfulness and tenderness at war,
He set himself beside her, saying to her:
`I came to speak to you of what he wish'd,
Enoch, your husband: I have ever said
You chose the best among us--a strong man:
For where he fixt his heart he set his hand
To do the thing he will'd, and bore it thro'.
And wherefore did he go this weary way,
And leave you lonely? not to see the world-For pleasure?--nay, but for the wherewithal
To give his babes a better bringing-up
Than his had been, or yours: that was his wish.
And if he come again, vext will he be
To find the precious morning hours were lost.
And it would vex him even in his grave,
If he could know his babes were running wild
Like colts about the waste. So Annie, now-Have we not known each other all our lives?
I do beseech you by the love you bear
Him and his children not to say me nay-For, if you will, when Enoch comes again
Why then he shall repay me--if you will,
Annie--for I am rich and well-to-do.
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Now let me put the boy and girl to school:
This is the favor that I came to ask.'
Then Annie with her brows against the wall
Answer'd `I cannot look you in the face;
I seem so foolish and so broken down.
When you came in my sorrow broke me down;
And now I think your kindness breaks me down;
But Enoch lives; that is borne in on me:
He will repay you: money can be repaid;
Not kindness such as yours.'
And Philip ask'd
`Then you will let me, Annie?'
There she turn'd,
She rose, and fixt her swimming eyes upon him,
And dwelt a moment on his kindly face,
Then calling down a blessing on his head
Caught at his hand and wrung it passionately,
And past into the little garth beyond.
So lifted up in spirit he moved away.
Then Philip put the boy and girl to school,
And bought them needful books, and everyway,
Like one who does his duty by his own,
Made himself theirs; and tho' for Annie's sake,
Fearing the lazy gossip of the port,
He oft denied his heart his dearest wish,
And seldom crost her threshold, yet he sent
Gifts by the children, garden-herbs and fruit,
The late and early roses from his wall,
Or conies from the down, and now and then,
With some pretext of fineness in the meal
To save the offence of charitable, flour
From his tall mill that whistled on the waste.
But Philip did not fathom Annie's mind:
Scarce could the woman when he came upon her,
Out of full heart and boundless gratitude
Light on a broken word to thank him with.
But Philip was her children's all-in-all;
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From distant corners of the street they ran
To greet his hearty welcome heartily;
Lords of his house and of his mill were they;
Worried his passive ear with petty wrongs
Or pleasures, hung upon him, play'd with him
And call'd him Father Philip. Philip gain'd
As Enoch lost; for Enoch seem'd to them
Uncertain as a vision or a dream,
Faint as a figure seen in early dawn
Down at the far end of an avenue,
Going we know not where: and so ten years,
Since Enoch left his hearth and native land,
Fled forward, and no news of Enoch came.
It chanced one evening Annie's children long'd
To go with others, nutting to the wood,
And Annie would go with them; then they begg'd
For Father Philip (as they call'd him) too:
Him, like the working bee in blossom-dust,
Blanch'd with his mill, they found; and saying to him
`Come with us Father Philip' he denied;
But when the children pluck'd at him to go,
He laugh'd, and yielding readily to their wish,
For was not Annie with them? and they went.
But after scaling half the weary down,
Just where the prone edge of the wood began
To feather toward the hollow, all her force
Fail'd her; and sighing `let me rest' she said.
So Philip rested with her well-content;
While all the younger ones with jubilant cries
Broke from their elders, and tumultuously
Down thro' the whitening hazels made a plunge
To the bottom, and dispersed, and beat or broke
The lithe reluctant boughs to tear away
Their tawny clusters, crying to each other
And calling, here and there, about the wood.
But Philip sitting at her side forgot
Her presence, and remember'd one dark hour
Here in this wood, when like a wounded life
He crept into the shadow: at last he said
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Lifting his honest forehead `Listen, Annie,
How merry they are down yonder in the wood.'
`Tired, Annie?' for she did not speak a word.
`Tired?' but her face had fall'n upon her hands;
At which, as with a kind anger in him,
`The ship was lost' he said `the ship was lost!
No more of that! why should you kill yourself
And make them orphans quite?' And Annie said
`I thought not of it: but--I known not why-Their voices make me feel so solitary.'
Then Philip coming somewhat closer spoke.
`Annie, there is a thing upon my mind,
And it has been upon my mind so long,
That tho' I know not when it first came there,
I know that it will out at last. O Annie,
It is beyond all hope, against all chance,
That he who left you ten long years ago
Should still be living; well then--let me speak:
I grieve to see you poor and wanting help:
I cannot help you as I wish to do
Unless--they say that women are so quick-Perhaps you know what I would have you know-I wish you for my wife. I fain would prove
A father to your children: I do think
They love me as a father: I am sure
That I love them as if they were mine own;
And I believe, if you were fast my wife,
That after all these sad uncertain years,
We might be still as happy as God grants
To any of His creatures. Think upon it:
For I am well-to-do--no kin, no care,
No burthen, save my care for you and yours:
And we have known each other all our lives,
And I have loved you longer than you know.'
Then answer'd Annie; tenderly she spoke:
`You have been as God's good angel in our house.
God bless you for it, God reward you for it,
Philip, with something happier than myself.
Can one live twice? can you be ever loved
As Enoch was? what is it that you ask?'
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`I am content' he answer'd `to be loved
A little after Enoch.' `O' she cried
Scared as it were `dear Philip, wait a while:
If Enoch comes--but Enoch will not come-Yet wait a year, a year is not so long:
Surely I shall be wiser in a year:
O wait a little!' Philip sadly said
`Annie, as I have waited all my life
I well may wait a little.' `Nay' she cried
`I am bound: you have my promise--in a year:
Will you not bide your year as I bide mine?'
And Philip answer'd `I will bide my year.'
Here both were mute, till Philip glancing up
Beheld the dead flame of the fallen day
Pass from the Danish barrow overhead;
Then fearing night and chill for Annie rose,
And sent his voice beneath him thro' the wood.
Up came the children laden with their spoil;
Then all descended to the port, and there
At Annie's door he paused and gave his hand,
Saying gently `Annie, when I spoke to you,
That was your hour of weakness. I was wrong.
I am always bound to you, but you are free.'
Then Annie weeping answer'd `I am bound.'
She spoke; and in one moment as it were,
While yet she went about her household ways,
Ev'n as she dwelt upon his latest words,
That he had loved her longer than she knew,
That autumn into autumn flash'd again,
And there he stood once more before her face,
Claiming her promise. `Is it a year?' she ask'd.
`Yes, if the nuts' he said `be ripe again:
Come out and see.' But she--she put him off-So much to look to--such a change--a month-Give her a month--she knew that she was bound-A month--no more. Then Philip with his eyes
Full of that lifelong hunger, and his voice
Shaking a little like a drunkard's hand,
`Take your own time, Annie, take your own time.'
And Annie could have wept for pity of him;
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And yet she held him on delayingly
With many a scarce-believable excuse,
Trying his truth and his long-sufferance,
Till half-another year had slipt away.
By this the lazy gossips of the port,
Abhorrent of a calculation crost,
Began to chafe as at a personal wrong.
Some thought that Philip did but trifle with her;
Some that she but held off to draw him on;
And others laugh'd at her and Philip too,
As simple folks that knew not their own minds;
And one, in whom all evil fancies clung
Like serpent eggs together, laughingly
Would hint a worse in either. Her own son
Was silent, tho' he often look'd his wish;
But evermore the daughter prest upon her
To wed the man so dear to all of them
And lift the household out of poverty;
And Philip's rosy face contracting grew
Careworn and wan; and all these things fell on her
Sharp as reproach.
At last one night it chanced
That Annie could not sleep, but earnestly
Pray'd for a sign `my Enoch is he gone?'
Then compass'd round by the blind wall of night
Brook'd not the expectant terror of her heart,
Started from bed, and struck herself a light,
Then desperately seized the holy Book,
Suddenly set it wide to find a sign,
Suddenly put her finger on the text,
`Under a palmtree.' That was nothing to her:
No meaning there: she closed the book and slept:
When lo! her Enoch sitting on a height,
Under a palmtree, over him the Sun:
`He is gone' she thought `he is happy, he is singing
Hosanna in the highest: yonder shines
The Sun of Righteousness, and these be palms
Whereof the happy people strowing cried
"Hosanna in the highest!"' Here she woke,
Resolved, sent for him and said wildly to him
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`There is no reason why we should not wed.'
`Then for God's sake,' he answer'd, `both our sakes,
So you will wed me, let it be at once.'
So these were wed and merrily rang the bells,
Merrily rang the bells and they were wed.
But never merrily beat Annie's heart.
A footstep seem'd to fall beside her path,
She knew not whence; a whisper in her ear,
She knew not what; nor loved she to be left
Alone at home, nor ventured out alone.
What ail'd her then, that ere she enter'd, often
Her hand dwelt lingeringly on the latch,
Fearing to enter: Philip thought he knew:
Such doubts and fears were common to her state,
Being with child: but when her child was born,
Then her new child was as herself renew'd,
Then the new mother came about her heart,
Then her good Philip was her all-in-all,
And that mysterious instinct wholly died.
And where was Enoch? prosperously sail'd
The ship `Good Fortune,' tho' at setting forth
The Biscay, roughly ridging eastward, shook
And almost overwhelm'd her, yet unvext
She slipt across the summer of the world,
Then after a long tumble about the Cape
And frequent interchange of foul and fair,
She passing thro' the summer world again,
The breath of heaven came continually
And sent her sweetly by the golden isles,
Till silent in her oriental haven.
There Enoch traded for himself, and bought
Quaint monsters for the market of those times,
A gilded dragon, also, for the babes.
Less lucky her home-voyage: at first indeed
Thro' many a fair sea-circle, day by day,
Scarce-rocking, her full-busted figure-head
Stared o'er the ripple feathering from her bows:
Then follow'd calms, and then winds variable,
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Then baffling, a long course of them; and last
Storm, such as drove her under moonless heavens
Till hard upon the cry of `breakers' came
The crash of ruin, and the loss of all
But Enoch and two others. Half the night,
Buoy'd upon floating tackle and broken spars,
These drifted, stranding on an isle at morn
Rich, but loneliest in a lonely sea.
No want was there of human sustenance,
Soft fruitage, mighty nuts, and nourishing roots;
Nor save for pity was it hard to take
The helpless life so wild that it was tame.
There in a seaward-gazing mountain-gorge
They built, and thatch'd with leaves of palm, a hut,
Half hut, half native cavern. So the three,
Set in this Eden of all plenteousness,
Dwelt with eternal summer, ill-content.
For one, the youngest, hardly more than boy,
Hurt in that night of sudden ruin and wreck,
Lay lingering out a three-years' death-in-life.
They could not leave him. After he was gone,
The two remaining found a fallen stem;
And Enoch's comrade, careless of himself,
Fire-hollowing this in Indian fashion, fell
Sun-stricken, and that other lived alone.
In those two deaths he read God's warning `wait.'
The mountain wooded to the peak, the lawns
And winding glades high up like ways to Heaven,
The slender coco's drooping crown of plumes,
The lightning flash of insect and of bird,
The lustre of the long convolvuluses
That coil'd around the stately stems, and ran
Ev'n to the limit of the land, the glows
And glories of the broad belt of the world,
All these he saw; but what he fain had seen
He could not see, the kindly human face,
Nor ever hear a kindly voice, but heard
The myriad shriek of wheeling ocean-fowl,
The league-long roller thundering on the reef,
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The moving whisper of huge trees that branch'd
And blossom'd in the zenith, or the sweep
Of some precipitous rivulet to the wave,
As down the shore he ranged, or all day long
Sat often in the seaward-gazing gorge,
A shipwreck'd sailor, waiting for a sail:
No sail from day to day, but every day
The sunrise broken into scarlet shafts
Among the palms and ferns and precipices;
The blaze upon the waters to the east;
The blaze upon his island overhead;
The blaze upon the waters to the west;
Then the great stars that globed themselves in Heaven,
The hollower-bellowing ocean, and again
The scarlet shafts of sunrise--but no sail.
There often as he watch'd or seem'd to watch,
So still, the golden lizard on him paused,
A phantom made of many phantoms moved
Before him haunting him, or he himself
Moved haunting people, things and places, known
Far in a darker isle beyond the line;
The babes, their babble, Annie, the small house,
The climbing street, the mill, the leafy lanes,
The peacock-yewtree and the lonely Hall,
The horse he drove, the boat he sold, the chill
November dawns and dewy-glooming downs,
The gentle shower, the smell of dying leaves,
And the low moan of leaden-color'd seas.
Once likewise, in the ringing of his ears,
Tho' faintly, merrily--far and far away-He heard the pealing of his parish bells;
Then, tho' he knew not wherefore, started up
Shuddering, and when the beauteous hateful isle
Return'd upon him, had not his poor heart
Spoken with That, which being everywhere
Lets none, who speaks with Him, seem all alone,
Surely the man had died of solitude.
Thus over Enoch's early-silvering head
The sunny and rainy seasons came and went
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Year after year. His hopes to see his own,
And pace the sacred old familiar fields,
Not yet had perish'd, when his lonely doom
Came suddenly to an end. Another ship
(She wanted water) blown by baffling winds,
Like the Good Fortune, from her destined course,
Stay'd by this isle, not knowing where she lay:
For since the mate had seen at early dawn
Across a break on the mist-wreathen isle
The silent water slipping from the hills,
They sent a crew that landing burst away
In search of stream or fount, and fill'd the shores
With clamor. Downward from his mountain gorge
Stept the long-hair'd long-bearded solitary,
Brown, looking hardly human, strangely clad,
Muttering and mumbling, idiotlike it seem'd,
With inarticulate rage, and making signs
They knew not what: and yet he led the way
To where the rivulets of sweet water ran;
And ever as he mingled with the crew,
And heard them talking, his long-bounden tongue
Was loosen'd, till he made them understand;
Whom, when their casks were fill'd they took aboard:
And there the tale he utter'd brokenly,
Scarce credited at first but more and more,
Amazed and melted all who listen'd to it:
And clothes they gave him and free passage home;
But oft he work'd among the rest and shook
His isolation from him. None of these
Came from his county, or could answer him,
If question'd, aught of what he cared to know.
And dull the voyage was with long delays,
The vessel scarce sea-worthy; but evermore
His fancy fled before the lazy wind
Returning, till beneath a clouded moon
He like a lover down thro' all his blood
Drew in the dewy meadowy morning-breath
Of England, blown across her ghostly wall:
And that same morning officers and men
Levied a kindly tax upon themselves,
Pitying the lonely man, and gave him it:
Then moving up the coast they landed him,
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Ev'n in that harbor whence he sail'd before.
There Enoch spoke no word to anyone,
But homeward--home--what home? had he a home?
His home, he walk'd. Bright was that afternoon,
Sunny but chill; till drawn thro' either chasm,
Where either haven open'd on the deeps,
Roll'd a sea-haze and whelm'd the world in gray;
Cut off the length of highway on before,
And left but narrow breadth to left and right
Of wither'd holt or tilth or pasturage.
On the nigh-naked tree the Robin piped
Disconsolate, and thro' the dripping haze
The dead weight of the dead leaf bore it down.
Thicker the drizzle grew, deeper the gloom;
Last, as it seem'd, a great mist-blotted light
Flared on him, and he came upon the place.
Then down the long street having slowly stolen,
His heart foreshadowing all calamity,
His eyes upon the stones, he reach'd the home
Where Annie lived and loved him, and his babes
In those far-off seven happy years were born;
But finding neither light nor murmur there
(A bill of sale gleam'd thro' the drizzle) crept
Still downward thinking `dead or dead to me!'
Down to the pool and narrow wharf he went,
Seeking a tavern which of old he knew,
A front of timber-crost antiquity,
So propt, worm-eaten, ruinously old,
He thought it must have gone; but he was gone
Who kept it; and his widow, Miriam Lane,
With daily-dwindling profits held the house;
A haunt of brawling seamen once, but now
Stiller, with yet a bed for wandering men.
There Enoch rested silently many days.
But Miriam Lane was good and garrulous,
Nor let him be, but often breaking in,
Told him, with other annals of the port,
Not knowing--Enoch was so brown, so bow'd,
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So broken--all the story of his house.
His baby's death, her growing poverty,
How Philip put her little ones to school,
And kept them in it, his long wooing her,
Her slow consent, and marriage, and the birth
Of Philip's child: and o'er his countenance
No shadow past, nor motion: anyone,
Regarding, well had deem'd he felt the tale
Less than the teller: only when she closed
`Enoch, poor man, was cast away and lost'
He, shaking his gray head pathetically,
Repeated muttering `cast away and lost;'
Again in deeper inward whispers `lost!'
But Enoch yearn'd to see her face again;
`If I might look on her sweet face gain
And know that she is happy.' So the thought
Haunted and harass'd him, and drove him forth,
At evening when the dull November day
Was growing duller twilight, to the hill.
There he sat down gazing on all below;
There did a thousand memories roll upon him,
Unspeakable for sadness. By and by
The ruddy square of comfortable light,
Far-blazing from the rear of Philip's house,
Allured him, as the beacon-blaze allures
The bird of passage, till he madly strikes
Against it, and beats out his weary life.
For Philip's dwelling fronted on the street,
The latest house to landward; but behind,
With one small gate that open'd on the waste,
Flourish'd a little garden square and wall'd:
And in it throve an ancient evergreen,
A yewtree, and all round it ran a walk
Of shingle, and a walk divided it:
But Enoch shunn'd the middle walk and stole
Up by the wall, behind the yew; and thence
That which he better might have shunn'd, if griefs
Like his have worse or better, Enoch saw.
For cups and silver on the burnish'd board
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Sparkled and shone; so genial was the hearth:
And on the right hand of the hearth he saw
Philip, the slighted suitor of old times,
Stout, rosy, with his babe across his knees;
And o'er her second father stoopt a girl,
A later but a loftier Annie Lee,
Fair-hair'd and tall, and from her lifted hand
Dangled a length of ribbon and a ring
To tempt the babe, who rear'd his creasy arms,
Caught at and ever miss'd it, and they laugh'd:
And on the left hand of the hearth he saw
The mother glancing often toward her babe,
But turning now and then to speak with him,
Her son, who stood beside her tall and strong,
And saying that which pleased him, for he smiled.
Now when the dead man come to life beheld
His wife his wife no more, and saw the babe
Hers, yet not his, upon the father's knee,
And all the warmth, the peace, the happiness,
And his own children tall and beautiful,
And him, that other, reigning in his place,
Lord of his rights and of his children's love,-Then he, tho' Miriam Lane had told him all,
Because things seen are mightier than things heard,
Stagger'd and shook, holding the branch, and fear'd
To send abroad a shrill and terrible cry,
Which in one moment, like the blast of doom,
Would shatter all the happiness of the hearth.
He therefore turning softly like a thief,
Lest the harsh shingle should grate underfoot,
And feeling all along the garden-wall,
Lest he should swoon and tumble and be found,
Crept to the gate, and open'd it, and closed,
As lightly as a sick man's chamber-door,
Behind him, and came out upon the waste.
And there he would have knelt, but that his knees
Were feeble, so that falling prone he dug
His fingers into the wet earth, and pray'd.
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`Too hard to bear! why did they take me hence?
O God Almighty, blessed Saviour, Thou
That didst uphold me on my lonely isle,
Uphold me, Father, in my loneliness
A little longer! aid me, give me strength
Not to tell her, never to let her know.
Help me no to break in upon her peace.
My children too! must I not speak to these?
They know me not. I should betray myself.
Never: not father's kiss for me--the girl
So like her mother, and the boy, my son.'
There speech and thought and nature fail'd a little,
And he lay tranced; but when he rose and paced
Back toward his solitary home again,
All down the long and narrow street he went
Beating it in upon his weary brain,
As tho' it were the burthen of a song,
`Not to tell her, never to let her know.'
He was not all unhappy. His resolve
Upbore him, and firm faith, and evermore
Prayer from a living source within the will,
And beating up thro' all the bitter world,
Like fountains of sweet water in the sea,
Kept him a living soul. `This miller's wife'
He said to Miriam `that you told me of,
Has she no fear that her first husband lives?'
`Ay ay, poor soul' said Miriam, `fear enow!
If you could tell her you had seen him dead,
Why, that would be her comfort;' and he thought
`After the Lord has call'd me she shall know,
I wait His time' and Enoch set himself,
Scorning an alms, to work whereby to live.
Almost to all things could he turn his hand.
Cooper he was and carpenter, and wrought
To make the boatmen fishing-nets, or help'd
At lading and unlading the tall barks,
That brought the stinted commerce of those days;
Thus earn'd a scanty living for himself:
Yet since he did but labor for himself,
Work without hope, there was not life in it
96
Whereby the man could live; and as the year
Roll'd itself round again to meet the day
When Enoch had return'd, a languor came
Upon him, gentle sickness, gradually
Weakening the man, till he could do no more,
But kept the house, his chair, and last his bed.
And Enoch bore his weakness cheerfully.
For sure no gladlier does the stranded wreck
See thro' the gray skirts of a lifting squall
The boat that bears the hope of life approach
To save the life despair'd of, than he saw
Death dawning on him, and the close of all.
For thro' that dawning gleam'd a kindlier hope
On Enoch thinking `after I am gone,
Then may she learn I loved her to the last.'
He call'd aloud for Miriam Lane and said
`Woman, I have a secret--only swear,
Before I tell you--swear upon the book
Not to reveal it, till you see me dead.'
`Dead' clamor'd the good woman `hear him talk!
I warrant, man, that we shall bring you round.'
`Swear' add Enoch sternly `on the book.'
And on the book, half-frighted, Miriam swore.
Then Enoch rolling his gray eyes upon her,
`Did you know Enoch Arden of this town?'
`Know him?' she said `I knew him far away.
Ay, ay, I mind him coming down the street;
Held his head high, and cared for no man, he.'
Slowly and sadly Enoch answer'd her;
`His head is low, and no man cares for him.
I think I have not three days more to live;
I am the man.' At which the woman gave
A half-incredulous, half-hysterical cry.
`You Arden, you! nay,--sure he was a foot
Higher than you be.' Enoch said again
`My God has bow'd me down to what I am;
My grief and solitude have broken me;
Nevertheless, know that I am he
Who married--but that name has twice been changed-I married her who married Philip Ray.
Sit, listen.' Then he told her of his voyage,
97
His wreck, his lonely life, his coming back,
His gazing in on Annie, his resolve,
And how he kept it. As the woman heard,
Fast flow'd the current of her easy tears,
While in her heart she yearn'd incessantly
To rush abroad all round the little haven,
Proclaiming Enoch Arden and his woes;
But awed and promise-bounded she forbore,
Saying only `See your bairns before you go!
Eh, let me fetch 'em, Arden,' and arose
Eager to bring them down, for Enoch hung
A moment on her words, but then replied.
`Woman, disturb me not now at the last,
But let me hold my purpose till I die.
Sit down again; mark me and understand,
While I have power to speak. I charge you now,
When you shall see her, tell her that I died
Blessing her, praying for her, loving her;
Save for the bar between us, loving her
As when she laid her head beside my own.
And tell my daughter Annie, whom I saw
So like her mother, that my latest breath
Was spent in blessing her and praying for her.
And tell my son that I died blessing him.
And say to Philip that I blest him too;
He never meant us any thing but good.
But if my children care to see me dead,
Who hardly saw me living, let them come,
I am their father; but she must not come,
For my dead face would vex her after-life.
And now there is but one of all my blood,
Who will embrace me in the world-to-be:
This hair is his: she cut it off and gave it,
And I have borne it with me all these years,
And thought to bear it with me to my grave;
But now my mind is changed, for I shall see him,
My babe in bliss: wherefore when I am gone,
Take, give her this, for it may comfort her:
It will moreover be a token to her,
That I am he.'
98
He ceased; and Miriam Lane
Made such a voluble answer promising all,
That once again he roll'd his eyes upon her
Repeating all he wish'd, and once again
She promised.
Then the third night after this,
While Enoch slumber'd motionless and pale,
And Miriam watch'd and dozed at intervals,
There came so loud a calling of the sea,
That all the houses in the haven rang.
He woke, he rose, he spread his arms abroad
Crying with a loud voice `a sail! a sail!
I am saved'; and so fell back and spoke no more.
So past the strong heroic soul away.
And when they buried him the little port
Had seldom seen a costlier funeral.
~ Alfred Lord Tennyson,
1348:Custer
BOOK FIRST.
I.
ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening seaGreece her Achilles claimed, immortal Custer, we.
II.
Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.
III.
And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shownDeath with the comrades dear, refusing flight alone.
IV.
He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
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So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,
V.
So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.
But one dark shadow marred his bounding joy;
And then the soldier vanished, and the boy,
The tender son, clung close, with sobbing breath,
To her from whom each parting was new death;
That mother who like goddesses of old,
Gave to the mighty Mars, three warriors brave and bold,
VI.
Yet who, unlike those martial dames of yore,
Grew pale and shuddered at the sight of gore.
A fragile being, born to grace the hearth,
Untroubled by the conflicts of the earth.
Some gentle dove who reared young eaglets, might,
In watching those bold birdlings take their flight,
Feel what that mother felt who saw her sons
Rush from her loving arms, to face death-dealing guns.
VII.
But ere thy lyre is strung to martial strains
Of wars which sent our hero o'er the plains,
To add the cypress to his laureled brow,
Be brave, my Muse, and darker truths avow.
Let Justice ask a preface to thy songs,
Before the Indian's crimes declare his wrongs;
Before effects, wherein all horrors blend,
Declare the shameful cause, precursor of the end.
VIII.
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When first this soil the great Columbus trod,
He was less like the image of his God
Than those ingenuous souls, unspoiled by art,
Who lived so near to Mother Nature's heart;
Those simple children of the wood and wave,
As frank as trusting, and as true as brave;
Savage they were, when on some hostile raid
(For where is he so high, whom war does not degrade?) .
IX.
But dark deceit and falsehood's shameless shame
They had not learned, until the white man came.
He taught them, too, the lurking devil's joy
In liquid lies, that lure but to destroy.
With wily words, as false as they were sweet,
He spread his snares for unsuspecting feet;
Paid truth with guile, and trampled in the dust
Their gentle childlike faith and unaffected trust.
X.
And for the sport of idle kings and knaves
Of Nature's greater noblemen, made slaves.
Alas, the hour, when the wronged Indian knows
His seeming benefactors are but foes.
His kinsmen kidnapped and his lands possessed,
The demon woke in that untutored breast.
Four hundred years have rolled upon their wayThe ruthless demon rules the red man to this day.
XI.
If, in the morning of success, that grand
Invincible discoverer of our land
Had made no lodge or wigwam desolate
To carry trophies to the proud and great;
If on our history's page there were no blot
Left by the cruel rapine of Cabot,
Of Verrazin, and Hudson, dare we claim
The Indian of the plains, to-day had been same?
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XII.
For in this brief existence, not alone
Do our lives gather what our hands have sown,
But we reap, too, what others long ago
Sowed, careless of the harvests that might grow.
Thus hour by hour the humblest human souls
Inscribe in cipher on unending scrolls,
The history of nations yet to be;
Incite fierce bloody wars, to rage from sea to sea,
XIII.
Or pave the way to peace. There is no past,
So deathless are events-results so vast.
And he who strives to make one act or hour
Stand separate and alone, needs first the power
To look upon the breaking wave and say,
'These drops were bosomed by a cloud to-day,
And those from far mid-ocean's crest were sent.'
So future, present, past, in one wide sea are blent.
BOOK SECOND.
I.
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II.
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
155
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III.
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV.
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
V.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI.
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
156
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII.
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on, ' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII.
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX.
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
X.
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But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe, ' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI.
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam) .
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die, ' quoth he, ' mine be the part
To fall upon the field, a bullet in my heart.'
XII.
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII.
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
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XIV.
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV.
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
XVI.
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII.
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
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A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII.
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here,
XIX.
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.
XX.
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
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XXI.
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII.
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII.
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV.
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
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Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV.
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI.
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII.
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
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XXVIII.
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX.
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX.
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI.
The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
163
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII.
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII.
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV.
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV.
164
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI.
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII.
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII.
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve,
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
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Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
XXXIX.
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL.
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI.
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII.
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With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII.
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV.
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV.
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
167
Who in one year have known a lifetime of despair.
XLVI.
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII.
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
A row of six asterisks is on the page at this point
XLVIII.
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX.
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The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
L.
Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI.
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII.
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
169
The gods alone create, gods only should destroy.
LIII.
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV.
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV.
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI.
At last she lifts her lazy head and heeds
170
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII.
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
LVIII.
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX.
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and, with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
171
Against the blue-clad troops, this patch of color lies.
LX.
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI.
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep.
BOOK THIRD.
There is an interval of eight years between Books Second and Third.
I.
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds) ,
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
172
II.
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
III.
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
IV.
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
V.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot.
173
The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold! ' the cry arose and ran
VI.
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
VII.
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
VIII.
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring- hate.
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IX.
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
X.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
XI.
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
XII.
'Suns were his eyes, a speaking tear his voice,
.Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
175
Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
XIII.
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
XIV.
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
XV.
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
176
XVI.
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
XVII.
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
XVIII.
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
XIX.
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
177
Keeps for the hapless victim in his path.
And if the last lone remnants of that race
Were by the white man swept from off the earth's fair face,
XX.
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
XXI.
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
XXII.
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
178
XXIII.
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
XXIV.
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
XXV.
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
XXVI.
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
179
Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
XXVII.
So flawless was the union of each part
The mighty column (moved as by one heart)
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
XXVIII.
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
XXIX.
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
180
XXX.
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
XXXI.
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
XXXII.
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth, '
Then shook his long locks in the face of death
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
XXXIII.
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
181
He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,
1349:

Book III: The Book of the Assembly



But as the nation beset betwixt doom and a shameful surrender
Waited mute for a voice that could lead and a heart to encourage,
Up in the silence deep Laocoon rose up, far-heard,
Heard by the gods in their calm and heard by men in their passion
Cloud-haired, clad in mystic red, flamboyant, sombre,
Priams son Laocoon, fate-darkened seer of Apollo.
As when the soul of the Ocean arises rapt in the dawning
And mid the rocks and the foam uplifting the voice of its musings
Opens the chant of its turbulent harmonies, so rose the far-borne
Voice of Laocoon soaring mid columns of Ilions glories,
Claiming the earth and the heavens for the field of its confident rumour.
Trojans, deny your hearts to the easeful flutings of Hades!
Live, O nation! he thundered forth and Troys streets and her pillars
Sent back their fierce response. Restored to her leonine spirits
Ilion rose in her agora filling the heavens with shoutings,
Bearing a name to the throne of Zeus in her mortal defiance.
As when a sullen calm of the heavens discourages living,
Nature and man feel the pain of the lightnings repressed in their bosoms,
Dangerous and dull is the air, then suddenly strong from the anguish
Zeus of the thunders starts into glories releasing his storm-voice,
Earth exults in the kiss of the rain and the life-giving laughters,
So from the silence broke forth the thunder of Troya arising;
Fiercely she turned from prudence and wisdom and turned back to greatness
Casting her voice to the heavens from the depths of her fathomless spirit.
Raised by those clamours, triumphant once more on this scene of his greatness,
Tool of the gods, but he deemed of his strength as a leader in Nature,
Took for his own a voice that was given and dreamed that he fashioned
Fate that fashions us all, Laocoon stood mid the shouting
Leaned on the calm of an ancient pillar. In eyes self-consuming
Kindled the flame of the prophet that blinds at once and illumines;
Quivering thought-besieged lips and shaken locks of the lion,
Lifted his gaze the storm-led enthusiast. Then as the shouting
Tired of itself at last disappeared in the bosom of silence,

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Once more he started erect and his voice oer the hearts of his hearers
Swept like Oceans impatient cry when it calls from its surges,
Ocean loud with a thought sublime in its measureless marching,
Each man felt his heart like foam in the rushing of waters.
Ilion is vanquished then! she abases her grandiose spirit
Mortal found in the end to the gods and the Greeks and Antenor,
And when a barbarous chieftains menace and insolent mercy
Bring here their pride to insult the columned spirit of Ilus,
Trojans have sat and feared! For a man has arisen and spoken,
One whom the gods in their anger have hired. Since the Argive prevailed not,
Armed with his strength and his numbers, in Troya they sought for her slayer,
Gathered their wiles in a voice and they chose a man famous and honoured,
Summoned Ate to aid and corrupted the heart of Antenor.
Flute of the breath of the Hell-witch, always he scatters among you
Doubt, affliction and weakness chilling the hearts of the fighters,
Always his voice with its cadenced and subtle possession for evil
Breaks the constant will and maims the impulse heroic.
Therefore while yet her heroes fight and her arms are unconquered,
Troy in your hearts is defeated! The souls of your Fathers have heard you
Dallying, shamefast, with vileness, lured by the call of dishonour.
Such is the power Zeus gave to the wingd words of a mortal!
Foiled in his will, disowned by the years that stride on for ever,
Yet in the frenzy cold of his greed and his fallen ambition
Doom from heaven he calls down on his countrymen, Trojan abuses
Troy, his country, extolling her enemies, blessing her slayers.
Such are the gods Antenor has made in his hearts own image
That if one evil man have not way for his greed and his longing
Cities are doomed and kings must be slain and a nation must perish!
But from the mind of the free and the brave I will answer thy bodings,
Gold-hungry raven of Troy who croakst from thy nest at her princes.
Only one doom irreparable treads down the soul of a nation,
Only one downfall endures; tis the ruin of greatness and virtue,
Mourning when Freedom departs from the life and the heart of a people,
Into her room comes creeping the mind of the slave and it poisons
Manhood and joy and the voice to lying is trained and subjection
Easy feels to the neck of man who is next to the godheads.
Not of the fire am I terrified, not of the sword and its slaying;
Vileness of men appals me, baseness I fear and its voices.
What can man suffer direr or worse than enslaved from a victor
Boons to accept, to take safety and ease from the foe and the stranger,
Fallen from the virtue stern that heaven permits to a mortal?
Death is not keener than this nor the slaughter of friends and our dear ones.
Out and alas! earths greatest are earth and they fail in the testing,
Conquered by sorrow and doubt, fates hammerers, fires of her furnace.
God in their souls they renounce and submit to their clay and its promptings.
Else could the heart of Troy have recoiled from the loom of the shadow
Cast by Achilles spear or shrunk at the sound of his car-wheels?
Now he has graven an oath austere in his spirit unpliant
Victor at last to constrain in his stride the walls of Apollo
Burning Troy ere he sleeps. Tis the vow of a high-crested nature;
Shall it break ramparted Troy? Yea, the soul of a man too is mighty
More than the stone and the mortar! Troy had a soul once, O Trojans,
Firm as her god-built ramparts. When by the spears overtaken,
Strong Sarpedon fell and Zeus averted his visage,
Xanthus red to the sea ran sobbing with bodies of Trojans,
When in the day of the silence of heaven the far-glancing helmet
Ceased from the ways of the fight, and panic slew with Achilles
Hosts who were left unshepherded pale at the fall of their greatest,
Godlike Troy lived on. Do we speak mid a citys ruins?
Lo! she confronts her heavens as when Tros and Laomedon ruled her.
All now is changed, these mutter and sigh to you, all now is ended;
Strength has renounced you, Fate has finished the thread of her spinning.
Hector is dead, he walks in the shadows; Troilus fights not;
Resting his curls on the asphodel he has forgotten his country:
Strong Sarpedon lies in Bellerophons city sleeping:
Memnon is slain and the blood of Rhesus has dried on the Troad:
All of the giant Asius sums in a handful of ashes.
Grievous are these things; our hearts still keep all the pain of them treasured,
Hard though they grow by use and iron caskets of sorrow.
Hear me yet, O fainters in wisdom snared by your pathos,
Know this iron world we live in where Hell casts its shadow.
Blood and grief are the ransom of men for the joys of their transience,
For we are mortals bound in our strength and beset in our labour.
This is our human destiny; every moment of living
Toil and loss have gained in the constant siege of our bodies.
Men must sow earth with their hearts and their tears that their country may prosper;
Earth who bore and devours us that life may be born from our remnants.
Then shall the Sacrifice gather its fruits when the war-shout is silent,
Nor shall the blood be in vain that our mother has felt on her bosom
Nor shall the seed of the mighty fail where Death is the sower.
Still from the loins of the mother eternal are heroes engendered,
Still Deiphobus shouts in the war-front trampling the Argives,
Strong Aeneas far-borne voice is heard from our ramparts,
Paris hands are swift and his feet in the chases of Ares.
Lo, when deserted we fight by Asias soon-wearied peoples,
Men ingrate who enjoyed the protection and loathed the protector,
Heaven has sent us replacing a continent Penthesilea!
Low has the heart of Achaia sunk since it shook at her war-cry.
Ajax has bit at the dust; it is all he shall have of the Troad;
Tall Meriones lies and measures his portion of booty.
Who is the fighter in Ilion thrills not rejoicing to hearken
Even her name on unwarlike lips, much more in the mellay
Shout of the daughter of battles, armipotent Penthesilea?
If there were none but these only, if hosts came not surging behind them,
Young men burning-eyed to outdare all the deeds of their elders,
Each in his beauty a Troilus, each in his valour a Hector,
Yet were the measures poised in the equal balance of Ares.
Who then compels you, O people unconquered, to sink down abjuring
All that was Troy? For O, if she yield, let her use not ever
One of her titles! shame not the shades of Teucer and Ilus,
Soil not Tros! Are you awed by the strength of the swift-foot Achilles?
Is it a sweeter lure in the cadenced voice of Antenor?
Or are you weary of Time and the endless roar of the battle?
Wearier still are the Greeks! their eyes look out oer the waters
Nor with the flight of their spears is the wing of their hopes towards Troya.
Dull are their hearts; they sink from the war-cry and turn from the spear-stroke
Sullenly dragging backwards, desiring the paths of the Ocean,
Dreaming of hearths that are far and the children growing to manhood
Who are small infant faces still in the thoughts of their fathers.
Therefore these call you to yield lest they wake and behold in the dawn-light
All Poseidon whitening lean to the west in his waters
Thick with the sails of the Greeks departing beaten to Hellas.
Who is it calls? Antenor the statesman, Antenor the patriot,
Thus who loves his country and worships the soil of his fathers!
Which of you loves like him Troya? which of the children of heroes
Yearns for the touch of a yoke on his neck and desires the aggressor?
If there be any so made by the gods in the nation of Ilus,
Leaving this city which freemen have founded, freemen have dwelt in,
Far on the beach let him make his couch in the tents of Achilles,
Not in this mighty Ilion, not with this lioness fighting,
Guarding the lair of her young and roaring back at her hunters.
We who are souls descended from Ilus and seeds of his making,
Other-hearted shall march from our gates to answer Achilles.
What! shall this ancient Ilion welcome the day of the conquered?
She who was head of the world, shall she live in the guard of the Hellene
Cherished as slavegirls are, who are taken in war, by their captors?
Europe shall walk in our streets with the pride and the gait of the victor?
Greeks shall enter our homes and prey on our mothers and daughters?
This Antenor desires and this Ucalegon favours.
Traitors! whether tis cowardice drives or the sceptic of virtue,
Cold-blooded age, or gold insatiably tempts from its coffers
Pleading for safety from foreign hands and the sack and the plunder.
Leave them, my brothers! spare the baffled hypocrites! Failure
Sharpest shall torture their hearts when they know that still you are Trojans.
Silence, O reason of man! for a voice from the gods has been uttered!
Dardanans, hearken the sound divine that comes to you mounting
Out of the solemn ravines from the mystic seat on the tripod!
Phoebus, the master of Truth, has promised the earth to our peoples.
Children of Zeus, rejoice! for the Olympian brows have nodded
Regal over the world. In earths rhythm of shadow and sunlight
Storm is the dance of the locks of the God assenting to greatness,
Zeus who with secret compulsion orders the ways of our nature;
Veiled in events he lives and working disguised in the mortal
Builds our strength by pain, and an empire is born out of ruins.
Then if the tempest be loud and the thunderbolt leaping incessant
Shatters the roof, if the lintels flame at last and each cornice
Shrieks with the pain of the blast, if the very pillars totter,
Keep yet your faith in Zeus, hold fast to the word of Apollo.
Not by a little pain and not by a temperate labour
Trained is the nation chosen by Zeus for a dateless dominion.
Long must it labour rolled in the foam of the fathomless surges,
Often neighbour with death and ere Ares grow firm to its banners
Feel on the pride of its Capitol tread of the triumphing victor,
Hear the barbarian knock at its gates or the neighbouring foeman
Glad of the transient smile of his fortune suffer insulting;
They, the nation eternal, brook their taunts who must perish!
Heaviest toils they must bear; they must wrestle with Fate and her Titans,
And when some leader returns from the battle sole of his thousands
Crushed by the hammers of God, yet never despair of their country.
Dread not the ruin, fear not the storm-blast, yield not, O Trojans.
Zeus shall rebuild. Death ends not our days, the fire shall not triumph.
Death? I have faced it. Fire? I have watched it climb in my vision
Over the timeless domes and over the rooftops of Priam;
But I have looked beyond and have seen the smile of Apollo.
After her glorious centuries, after her world-wide triumphs,
If near her ramparts outnumbered she fights, by the nations forsaken,
Lonely again on her hill, by her streams, and her meadows and beaches,
Once where she revelled, shake to the tramp of her countless invaders,
Testings are these from the god. For Fate severe like a mother
Teaches our wills by disaster and strikes down the props that would weaken,
Fate and the Thought on high that is wiser than yearnings of mortals.
Troy has arisen before, but from ashes, not shame, not surrender!
Souls that are true to themselves are immortal; the soulless for ever
Lingers helpless in Hades a shade among shades disappointed.
Now is the god in my bosom mighty compelling me, Trojans,
Now I release what my spirit has kept and it saw in its vision;
Nor will be silent for gibe of the cynic or sneer of the traitor.
Troy shall triumph! Hear, O ye peoples, the word of Apollo.
Hear it and tremble, O Greece, in thy youth and the dawn of thy future;
Rather forget while thou canst, but the gods in their hour shall remind thee.
Tremble, O nations of Asia, false to the greatness within you.
Troy shall surge back on your realms with the sword and the yoke of the victor.
Troy shall triumph! Though nations conspire and gods lead her foemen,
Fate that is born of the spirit is greater than they and will shield her.
Foemen shall help her with war; her defeats shall be victorys moulders.
Walls that restrain shall be rent; she shall rise out of sessions unsettled.
Oceans shall be her walls at the end and the desert her limit;
Indus shall send to her envoys; her eyes shall look northward from Thule.
She shall enring all the coasts with her strength like the kingly Poseidon,
She shall oervault all the lands with her rule like the limitless azure.
Ceasing from speech Laocoon, girt with the shouts of a nation,
Lapsed on his seat like one seized and abandoned and weakened; nor ended
Only in iron applause, but throughout with a stormy approval
Ares broke from the hearts of his people in ominous thunder.
Savage and dire was the sound like a wild beasts tracked out and hunted,
Wounded, yet trusting to tear out the entrails live of its hunters,
Savage and cruel and threatening doom to the foe and opponent.
Yet when the shouting sank at last, Ucalegon rose up
Trembling with age and with wrath and in accents hurried and piping
Faltered a senile fierceness forth on the maddened assembly.
Ah, it is even so far that you dare, O you children of Priam,
Favourites vile of a people sent mad by the gods, and thou risest,
Dark Laocoon, prating of heroes and spurning as cowards,
Smiting for traitors the aged and wise who were grey when they spawned thee!
Imp of destruction, mane of mischief! Ah, spur us with courage,
Thou who hast never prevailed against even the feeblest Achaian.
Rather twice hast thou raced in the rout to the ramparts for shelter,
Leading the panic, and shrieked as thou ranst to the foemen for mercy
Who were a mile behind thee, O matchless and wonderful racer.
Safely counsel to others the pride and the firmness of heroes.
Thou wilt not die in the battle! For even swiftest Achilles
Could not oertake thee, I ween, nor wind-footed Penthesilea.
Mask of a prophet, heart of a coward, tongue of a trickster,
Timeless Ilion thou alone ruinest, helped by the Furies.
I, Ucalegon, first will rend off the mask from thee, traitor.
For I believe thee suborned by the cynic wiles of Odysseus
And thou conspirest to sack this Troy with the greed of the Cretan.
Hasting unstayed he pursued like a brook that scolds amid pebbles,
Voicing angers shrill; for the people astonished were silent.
Long he pursued not; a shouting broke from that stupor of fury,
Men sprang pale to their feet and hurled out menaces lethal;
All that assembly swayed like a forest swept by the stormwind.
Obstinate, straining his age-dimmed eyes Ucalegon, trembling
Worse yet with anger, clamoured feebly back at the people,
Whelmed in their roar. Unheard was his voice like a swimmer in surges
Lost, yet he spoke. But the anger grew in the throats of the people
Lion-voiced, hurting the heart with sound and daunting the nature,
Till from some stalwart hand a javelin whistling and vibrant
Missing the silvered head of the senator rang disappointed
Out on the distant wall of a house by the side of the market.
Not even then would the old man hush or yield to the tempest.
Wagging his hoary beard and shifting his aged eyeballs,
Tossing his hands he stood; but Antenor seized him and Aetor,
Dragged him down on his seat though he strove, and chid him and silenced,
Cease, O friend, for the gods have won. It were easier piping
High with thy aged treble to alter the rage of the Ocean
Than to oerbear this people stirred by Laocoon. Leave now
Effort unhelpful, wrap thy days in a mantle of silence;
Give to the gods their will and dry-eyed wait for the ending.
So now the old men ceased from their strife with the gods and with Troya;
Cowed by the storm of the peoples wrath they desisted from hoping.
But though the roar long swelled, like the sea when the winds have subsided,
One man yet rose up unafraid and beckoned for silence,
Not of the aged, but ripe in his look and ruddy of visage,
Stalwart and bluff and short-limbed, Halamus son of Antenor.
Forward he stood from the press and the people fell silent and listened,
For he was ever first in the mellay and loved by the fighters.
He with a smile began: Come, friends, debate is soon ended
If there is right but of lungs and you argue with javelins. Wisdom
Rather pray for her aid in this dangerous hour of your fortunes.
Not to exalt Laocoon, too much praising his swiftness,
Trojans, I rise; for some are born brave with the spear in the war-car,
Others bold with the tongue, nor equal gifts unto all men
Zeus has decreed who guides his world in a round that is devious
Carried this way and that like a ship that is tossed on the waters.
Why should we rail then at one who is lame by the force of Cronion?
Not by his will is he lame; he would race, if he could, with the swiftest.
Yet is the halt man no runner, nor, friends, must you rise up and slay me,
If I should say of this priest, he is neither Sarpedon nor Hector.
Then, if my father whom once you honoured, ancient Antenor,
Hugs to him Argive gold which I see not, his son in his mansion,
Me too accusest thou, prophet Laocoon? Friends, you have watched me
Sometimes fight. Did you see with my houses allies how I gambolled,
Changed, when with sportive spear I was tickling the ribs of my Argives,
Nudges of friendly counsel inviting to entry in Troya?
Men, these are visions of lackbrains; men, these are myths of the market.
Let us have done with them, brothers and friends; hate only the Hellene.
Prophet, I bow to the oracles. Wise are the gods in their silence,
Wise when they speak; but their speech is other than ours and their wisdom
Hard for a mortal mind to hold and not madden or wander;
But for myself I see only the truth as a soldier who battles
Judging the strength of his foes and the chances of iron encounter.
Few are our armies, many the Greeks, and we waste in the combat
Bound to our numbers, they by the ocean hemmed from their kinsmen,
We by our fortunes, waves of the gods that are harder to master,
They like a rock that is chipped, but we like a mist that disperses.
Then if Achilles, bound by an oath, bring peace to us, healing,
Bring to us respite, help, though bought at a price, yet full-measured,
Strengths of the North at our side and safety assured from the Achaian,
For he is true though a Greek, will you shun this mighty advantage?
Peace at least we shall have, though gold we lose and much glory;
Peace we will use for our strength to brea the in, our wounds to recover,
Teaching Time to prepare for happier wars in the future.
Pause ere you fling from you life; you are mortals, not gods in your glory.
Not for submission to new ally or to ancient foeman
Peace these desire; for who would exchange wide death for subjection?
Who would submit to a yoke? Or who shall rule Trojans in Troya?
Swords are there still at our sides, there are warriors hearts in our bosoms.
Peace your senators welcome, not servitude, breathing they ask for.
But if for war you pronounce, if a noble death you have chosen,
That I approve. What fitter end for this warlike nation,
Knowing that empires at last must sink and perish all cities,
Than to preserve to the end posteritys praise and its greatness
Ceasing in clangour of arms and a citys flames for our death-pyre?
Choose then with open eyes what the dread gods offer to Troya.
Hope not now Hector is dead and Sarpedon, Asia inconstant,
We but a handful, Troy can prevail over Greece and Achilles.
Play not with dreams in this hour, but sternly, like men and not children,
Choose with a noble and serious greatness fates fit for Troya.
Stark we will fight till buried we fall under Ilions ruins,
Or, unappeased, we will curb our strength for the hope of the future.
Not without praise of his friends and assent of the thoughtfuller Trojans,
Halamus spoke and ceased. But now in the Ilian forum
Bright, of the sungod a ray, and even before he had spoken
Sending the joy of his brilliance into the hearts of his hearers,
Paris arose. Not applauded his rising, but each man towards him
Eagerly turned as if feeling that all before which was spoken
Were but a prelude and this was the note he has waited for always.
Sweet was his voice like a harps, when it chants of war, and its cadence
Softened with touches of music thoughts that were hard to be suffered,
Sweet like a string that is lightly struck, but it penetrates wholly.
Calm with the greatness you hold from your sires by the right of your nature
I too would have you decide before Heaven in the strength of your spirits,
Not to the past and its memories moored like the thoughts of Antenor
Hating the vivid march of the present, nor towards the future
Panting through dreams like my brother Laocoon vexed by Apollo.
Dead is the past; the void has possessed it; its drama is ended,
Finished its music. The future is dim and remote from our knowledge;
Silent it lies on the knees of the gods in their luminous stillness.
But to our gaze Gods light is a darkness, His plan is a chaos.
Who shall foretell the event of a battle, the fall of a footstep?
Oracles, visions and prophecies voice but the dreams of the mortal,
And tis our spirit within is the Pythoness tortured in Delphi.
Heavenly voices to us are a silence, those colours a whiteness.
Neither the thought of the statesman prevails nor the dream of the prophet,
Whether one cry, Thus devise and thy heart shall be given its wanting,
Vainly the other, The heavens have spoken; hear then their message.
Who can point out the way of the gods and the path of their travel,
Who shall impose on them bounds and an orbit? The winds have their treading,
They can be followed and seized, not the gods when they move towards their purpose.
They are not bound by our deeds and our thinkings. Sin exalted
Seizes secure on the thrones of the world for her glorious portion,
Down to the bottomless pit the good man is thrust in his virtue.
Leave to the gods their godhead and, mortal, turn to thy labour;
Take what thou canst from the hour that is thine and be fearless in spirit;
This is the greatness of man and the joy of his stay in the sunlight.
Now whether over the waste of Poseidon the ships of the Argives
Empty and sad shall return or sacred Ilion perish,
Priam be slain and for ever cease this imperial nation,
These things the gods are strong to conceal from the hopings of mortals.
Neither Antenor knows nor Laocoon. Only of one thing
Man can be sure, the will in his heart and his strength in his purpose:
This too is Fate and this too the gods, nor the meanest in Heaven.
Paris keeps what he seized from Time and from Fate while unconquered
Life speeds warm through his veins and his heart is assured of the sunlight.
After tis cold, none heeds, none hinders. Not for the dead man
Earth and her wars and her cares, her joys and her gracious concessions,
Whether for ever he sleeps in the chambers of Nature unmindful
Or into wideness wakes like a dreamer called from his visions.
Ilion in flames I choose, not fallen from the heights of her spirit.
Great and free has she lived since they raised her twixt billow and mountain,
Great let her end; let her offer her freedom to fire, not the Hellene.
She was not founded by mortals; gods erected her ramparts,
Lifted her piles to the sky, a seat not for slaves but the mighty.
All men marvelled at Troy; by her deeds and her spirit they knew her
Even from afar, as the lion is known by his roar and his preying.
Sole she lived royal and fell, erect in her leonine nature.
So, O her children, still let her live unquelled in her purpose
Either to stand with your feet on the world oppressing the nations
Or in your ashes to lie and your name be forgotten for ever.
Justly your voices approve me, armipotent children of Ilus;
Straight from Zeus is our race and the Thunderer lives in our nature.
Long I have suffered this taunt that Paris was Ilions ruin
Born on a night of the gods and of Ate, clothed in a body.
Scornful I strode on my path secure of the light in my bosom,
Turned from the muttering voices of envy, their hates who are fallen,
Voices of hate that cling round the wheels of the triumphing victor;
Now if I speak, tis the strength in me answers, not to belittle,
That excusing which most I rejoice in and glory for ever,
Tyndaris rape whom I seized by the will of divine Aphrodite.
Mortal this error that Greece would have slumbered apart in her mountains,
Sunk, by the trumpets of Fate unaroused and the morning within her,
Only were Paris unborn and the world had not gazed upon Helen.
Fools, who say that a spark was the cause of this giant destruction!
War would have stridden on Troy though Helen were still in her Sparta
Tending an Argive loom, not the glorious prize of the Trojans,
Greece would have banded her nations though Paris had drunk not Eurotas.
Coast against coast I set not, nor Ilion opposite Argos.
Phryx accuse who upreared Troys domes by the azure Aegean,
Curse Poseidon who fringed with Greece the blue of his waters:
Then was this war first decreed and then Agamemnon was fashioned;
Armed he strode forth in the secret Thought that is womb of the future.
Fate and Necessity guided those vessels, captained their armies.
When they stood mailed at her gates, when they cried in the might of their union,
Troy, renounce thy alliances, draw back humbly from Hellas,
Should she have hearkened persuading her strength to a shameful compliance,
Ilion queen of the world whose voice was the breath of the storm-gods?
Should she have drawn back her foot as it strode towards the hills of the Latins?
Thrace left bare to her foes, recoiled from Illyrian conquests?
If all this without battle were possible, people of Priam,
Blame then Paris, say then that Helen was cause of the struggle.
But I have sullied the hearth, I have trampled the gift and the guest-rite,
Heaven I have armed with my sin and unsealed the gaze of the Furies,
So was Troy doomed who righteous had triumphed, locked with the Argive.
Fools or hypocrites! Meanest falsehood is this among mortals,
Veils of purity weaving, names misplacing ideal
When our desires we disguise and paint the lusts of our nature.
Men, ye are men in your pride and your strength, be not sophists and tonguesters.
Lie not! prate not that nations live by righteousness, justice
Shields them, gods out of heaven look down wroth on the crimes of the mighty!
Known have men what thing has screened itself mouthing these semblances. Crouching
Dire like a beast in the green of the thickets, selfishness silent
Crunches the bones of its prey while the priest and the statesman are glozing.
So are the nations soothed and deceived by the clerics of virtue,
Taught to reconcile fear of the gods with their lusts and their passions;
So with a lie on their lips they march to the rapine and slaughter.
Truly the vanquished were guilty! Else would their cities have perished,
Shrieked their ravished virgins, their peasants been hewn in the vineyards?
Truly the victors were tools of the gods and their glorious servants!
Else would the war-cars have ground triumphant their bones whom they hated?
Servants of God are they verily, even as the ape and the tiger.
Does not the wild-beast too triumph enjoying the flesh of his captives?
Tell us then what was the sin of the antelope, wherefore they doomed her,
Wroth at her many crimes? Come, justify God to his creatures!
Not to her sins was she offered, not to the Furies or Justice,
But to the strength of the lion the high gods offered a victim,
Force that is God in the lions breast with the forest for altar.
What, in the cities stormed and sacked by Achilles in Troas
Was there no just man slain? Was Brises then a transgressor?
Hearts that were pierced in his walls, were they sinners tracked by the Furies?
No, they were pious and just and their altars burned for Apollo,
Reverent flamed up to Pallas who slew them aiding the Argives.
Or if the crime of Paris they shared and his doom has embraced them,
Whom had the island cities offended, stormed by the Locrian,
Wave-kissed homes of peace but given to the sack and the spoiler?
Was then King Atreus just and the house accursd of Pelops,
Tantalus race, whose deeds men shuddering hear and are silent?
Look! they endure, their pillars are firm, they are regnant and triumph.
Or are Thyestean banquets sweet to the gods in their savour?
Only a womans heart is pursued in their wrath by the Furies!
No, when the wrestlers meet and embrace in the mighty arena,
Not at their sins and their virtues the high gods look in that trial;
Which is the strongest, which is the subtlest, this they consider.
Nay, there is none in the world to befriend save ourselves and our courage;
Prowess alone in the battle is virtue, skill in the fighting
Only helps, the gods aid only the strong and the valiant.
Put forth your lives in the blow, you shall beat back the banded aggressors.
Neither believe that for justice denied your subjects have left you
Nor that for justice trampled Pallas and Hera abandon.
Two are the angels of God whom men worship, strength and enjoyment.
Into this life which the sunlight bounds and the greenness has cradled,
Armed with strength we have come; as our strength is, so is our joyance.
What but for joyance is birth and what but for joyance is living?
But on this earth that is narrow, this stage that is crowded, increasing
One on another we press. There is hunger for lands and for oxen,
Horses and armour and gold desired; possession allures us
Adding always as field to field some fortunate farmer.
Hearts too and minds are our prey; we seize on mens souls and their bodies,
Slaves to our works and desires that our hearts may bask golden in leisure.
One on another we prey and one by another are mighty.
This is the world and we have not made it; if it is evil,
Blame first the gods; but for us, we must live by its laws or we perish.
Power is divine; divinest of all is power over mortals.
Power then the conqueror seeks and power the imperial nation,
Even as luminous, passionless, wonderful, high over all things
Sit in their calmness the gods and oppressing our grief-tortured nations
Stamp their wills on the world. Nor less in our death-besieged natures
Gods are and altitudes. Earth resists, but my soul in me widens
Helped by the toil behind and the agelong effort of Nature.
Even in the worm is a god and it writhes for a form and an outlet.
Workings immortal obscurely struggling, hints of a godhead
Labour to form in this clay a divinity. Hera widens,
Pallas aspires in me, Phoebus in flames goes battling and singing,
Ares and Artemis chase through the fields of my soul in their hunting.
Last in some hour of the Fates a Birth stands released and triumphant;
Poured by its deeds over earth it rejoices fulfilled in its splendour.
Conscious dimly of births unfinished hid in our being
Rest we cannot; a world cries in us for space and for fullness.
Fighting we strive by the spur of the gods who are in us and oer us,
Stamping our image on men and events to be Zeus or be Ares.
Love and the need of mastery, joy and the longing for greatness
Rage like a fire unquenchable burning the world and creating,
Nor till humanity dies will they sink in the ashes of Nature.
All is injustice of love or all is injustice of battle.
Man over woman, woman oer man, over lover and foeman
Wrestling we strive to expand in our souls, to be wide, to be happy.
If thou wouldst only be just, then wherefore at all shouldst thou conquer?
Not to be just, but to rule, though with kindness and high-seated mercy,
Taking the world for our own and our will from our slaves and our subjects,
Smiting the proud and sparing the suppliant, Trojans, is conquest.
Justice was base of thy government? Vainly, O statesman, thou liest.
If thou wert just, thou wouldst free thy slaves and be equal with all men.
Such were a dream of some sage at night when he muses in fancy,
Imaging freely a flawless world where none were afflicted,
No man inferior, all could sublimely equal and brothers
Live in a peace divine like the gods in their luminous regions.
This, O Antenor, were justice known but in words to us mortals.
But for the justice thou vauntest enslaving men to thy purpose,
Setting an iron yoke, nor regarding their need and their nature,
Then to say I am just; I slay not, save by procedure,
Rob not save by law, is an outrage to Zeus and his creatures.
Terms are these feigned by the intellect making a pact with our yearnings,
Lures of the sophist within us draping our passions with virtue.
When thou art weak, thou art just, when thy subjects are strong and remember.
Therefore, O Trojans, be firm in your will and, though all men abandon,
Bow not your heads to reproach nor your hearts to the sin of repentance;
For you have done what the gods desired in your breasts and are blameless.
Proudly enjoy the earth that they gave you, enthroning their natures,
Fight with the Greeks and the world and trample down the rebellious,
What you have lost, recover, nor yield to the hurricane passing.
You cannot utterly die while the Power lives untired in your bosoms;
When tis withdrawn, not a moment of life can be added by virtue.
Faint not for helpers fled! Though your yoke had been mild as a fathers
They would have gone as swiftly. Strength men desire in their masters;
All men worship success and in failure and weakness abandon.
Not for his justice they clung to Teucer, but for their safety,
Seeing in Troy a head and by barbarous foemen afflicted.
Faint not, O Trojans, cease not from battle, persist in your labour!
Conquer the Greeks, your allies shall be yours and fresh nations your subjects.
One care only lodge in your hearts, how to fight, how to conquer.
Peace has smiled out of Phthia; a hand comes outstretched from the Hellene.
Who would not join with the godlike? who would not grasp at Achilles?
There is a price for his gifts; it is such as Achilles should ask for,
Never this nation concede. O Antenors golden phrases
Glorifying rest to the tired and confuting patience and courage,
Garbed with a subtlety lax and the hopes that palliate surrender!
Charmed men applaud the skilful purpose, the dexterous speaker;
This they forget that a Force decides, not the wiles of the statesman.
Now let us yield, do you say, we will rise when our masters are weakened?
Nay, then, our masters master shall find us an easy possession!
Easily nations bow to a yoke when their virtue relaxes;
Hard is the breaking fetters once worn, for the virtue has perished.
Hope you when custom has shaped men into the mould of a vileness,
Hugging their chains when the weak feel easier trampled than rising
Or though they groan, yet have heart nor strength for the anguish of effort,
Then to cast down whom, armed and strong, you were mastered opposing?
Easy is lapse into uttermost hell, not easy salvation.
Or have you dreamed that Achilles, this son of the gods and the ocean,
Aught else can be with the strong and the bold save pursuer or master?
Know you so little the mood of the mighty? Think you the lion
Only will lick his prey, that his jaws will refrain from the banquet?
Rest from thy bodings, Antenor! Not all the valour of Troya
Perished with Hector, nor with Polydamas vision has left her;
Troy is not eager to slay her soul on a pyre of dishonour.
Still she has children left who remember the mood of their mother.
Helen none shall take from me living, gold not a drachma
Travels from coffers of Priam to Greece. Let another and older
Pay down his wealth if he will and his daughters serve Menelaus.
Rather from Ilion I will go forth with my brothers and kinsmen;
Troy I will leave and her shame and live with my heart and my honour
Refuged with lions on Ida or build in the highlands a city
Or in an isle of the seas or by dark-driven Pontic waters.
Dear are the halls of our childhood, dear are the fields of our fathers,
Yet to the soul that is free no spot on the earth is an exile.
Rather wherever sunlight is bright, flowers bloom and the rivers
Flow in their lucid streams to the Ocean, there is our country.
So will I live in my souls wide freedom, never in Troya
Shorn of my will and disgraced in my strength and the mock of my rivals.
First had you yielded, shame at least had not stained your surrender.
Strength indulges the weak! But what Hector has fallen refusing,
Men! what through ten loud years we denied with the spear for our answer,
That what Trojan will ever renounce, though his city should perish?
Once having fought we will fight to the end nor that end shall be evil.
Clamour the Argive spears on our walls? Are the ladders erected?
Far on the plain is their flight, on the farther side of the Xanthus.
Where are the deities hostile? Vainly the eyes of the tremblers
See them stalking vast in the ranks of the Greeks and the shoutings
Dire of Poseidon they hear and are blind with the aegis of Pallas.
Who then sustained so long this Troy, if the gods are against her?
Even the hills could not stand save upheld by their concert immortal.
Now not with Tydeus son, not now with Odysseus and Ajax
Trample the gods in the sound of their chariot-wheels, victory leading:
Argos falls red in her heaps to their scythes; they shelter the Trojans;
Victory unleashed follows and fawns upon Penthesilea.
Ponder no more, O Ilion, city of ancient Priam!
Rise, O beloved of the gods, and go forth in thy strength to the battle.
Not by the dreams of Laocoon strung to the faith that is febrile,
Nor with the tremblings vain and the haunted thoughts of Antenor,
But with a noble and serious strength and an obstinate valour
Suffer the shock of your foes, O nation chosen by Heaven;
Proudly determine on victory, live by disaster unshaken.
Either Fate receive like men, nay, like gods, nay, like Trojans.
So like an army that streams and that marches, speeding and pausing,
Drawing in horn and wing or widened for scouting and forage,
Bridging the floods, avoiding the mountains, threading the valleys,
Fast with their flashing panoply clad in gold and in iron
Moved the array of his thoughts; and throughout delight and approval
Followed their march, in triumph led but like prisoners willing,
Glad and unbound to a land they desire. Triumphant he ended,
Lord of opinion, though by the aged frowned on and censured,
But to this voice of their thoughts the young men vibrated wholly.
Loud like a storm on the ocean mounted the roar of the people.
Cease from debate, men cried, arise, O thou warlike Aeneas!
Speak for this nation, launch like a spear at the tents of the Hellene
Ilions voice of war! Then up mid a limitless shouting
Stern and armed from his seat like a war-god helmd Aeneas
Rose by King Priam approved in this last of Ilions sessions,
Holding the staff of the senates authority. Silence, O commons,
Hear and assent or refuse as your right is, masters of Troya,
Ancient and sovereign people, act that your kings have determined
Sitting in council high, their reply to the strength of Achilles.
Son of the Aeacids, vain is thy offer; the pride of thy challenge
Rather we choose; it is nearer to Dardanus, King of the Hellenes.
Neither shall Helen be led back, the Tyndarid, weeping to Argos,
Nor down the paths of peace revisit her fathers Eurotas.
Death and the fire may prevail oer us, never our wills shall surrender
Lowering Priams heights and darkening Ilions splendours.
Not of such sires were we born, but of kings and of gods, O Larissan.
Not with her gold Troy traffics for safety, but with her spear-points.
Stand with thy oath in the war-front, Achilles; call on thy helpers
Armed to descend from the calm of Olympian heights to thy succour
Hedging thy fame from defeat; for we all desire thee in battle,
Mighty to end thee or tame at last by the floods of the Xanthus.
So Aeneas resonant spoke, stern, fronted like Ares,
And with a voice that conquered the earth and invaded the heavens
Loud they approved their doom and fulfilled their impulse immortal.
Last Deiphobus rose in their meeting, head of their mellay:
Proudly and well have you answered, O nation beloved of Apollo;
Fearless of death they must walk who would live and be mighty for ever.
Now, for the sun is hastening up the empyrean azure,
Hasten we also. Tasting of food round the call of your captains
Meet in your armd companies, chariots and hoplites and archers.
Strong be your hearts, let your courage be stern like the sun when it blazes;
Fierce will the shock be today ere he sink blood-red in the waters.
They with a voice as of Oceans meeting rose from their session,
Filling the streets with her tread Troy strode from her Ilian forum.
***

~ Sri Aurobindo, 3 - The Book of the Assembly
,
1350:The White Cliffs
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
74
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
In powder and breeches and bright gold braid;
And high above them on the wall
Hung other English faces-all
Part of the pattern of English life—
General Sir Charles, and his pretty wife,
Admirals, Lords-Lieutenant of Shires,
Men who were served by these footmen's sires
At their great parties-none of them knowing
How soon or late they would all be going
In plainer dress to a sterner strifeAnother pattern of English life.
I went up the stairs between them all,
Strange and frightened and shy and small,
And as I entered the ballroom door,
Saw something I had never seen before
Except in portraits— a stout old guest
With a broad blue ribbon across his breast—
That blue as deep as the southern sea,
Bluer than skies can ever be—
The Countess of Salisbury—Edward the Third—
No damn merit— the Duke— I heard
My own voice saying; 'Upon my word,
The garter!' and clapped my hands like a child.
Some one beside me turned and smiled,
And looking down at me said: 'I fancy,
You're Bertie's Australian cousin Nancy.
He toId me to tell you that he'd be late
At the Foreign Office and not to wait
Supper for him, but to go with me,
75
And try to behave as if I were he.'
I should have told him on the spot
That I had no cousin—that I was not
Australian Nancy—that my name
Was Susan Dunne, and that I came
From a small white town on a deep-cut bay
In the smallest state in the U.S.A.
I meant to tell him, but changed my mind—
I needed a friend, and he seemed kind;
So I put my gloved hand into his glove,
And we danced together— and fell in love.
IV
Young and in love-how magical the phrase!
How magical the fact! Who has not yearned
Over young lovers when to their amaze
They fall in love and find their love returned,
And the lights brighten, and their eyes are clear
To see God's image in their common clay.
Is it the music of the spheres they hear?
Is it the prelude to that noble play,
The drama of Joined Lives? Ah, they forget
They cannot write their parts; the bell has rung,
The curtain rises and the stage is set
For tragedy-they were in love and young.
We went to the Tower,
We went to the Zoo,
We saw every flower
In the gardens at Kew.
We saw King Charles a-prancing
On his long-tailed horse,
And thought him more entrancing
Than better kings, of course.
At a strange early hour,
In St. James's palace yard,
We watched in a shower
The changing of the guard.
And I said, what a pity,
To have just a week to spend,
When London is a city
76
Whose beauties never end!
VI
When the sun shines on England, it atones
For low-hung leaden skies, and rain and dim
Moist fogs that paint the verdure on her stones
And fill her gentle rivers to the brim.
When the sun shines on England, shafts of light
Fall on far towers and hills and dark old trees,
And hedge-bound meadows of a green as bright—
As bright as is the blue of tropic seas.
When the sun shines, it is as if the face
Of some proud man relaxed his haughty stare,
And smiled upon us with a sudden grace,
Flattering because its coming is so rare.
VII
The English are frosty
When you're no kith or kin
Of theirs, but how they alter
When once they take you in!
The kindest, the truest,
The best friends ever known,
It's hard to remember
How they froze you to a bone.
They showed me all London,
Johnnie and his friends;
They took me to the country
For long week-ends;
I never was so happy,
I never had such fun,
I stayed many weeks in England
Instead of just one.
VIII
John had one of those English faces
That always were and will always be
Found in the cream of English places
Till England herself sink into the sea—
A blond, bowed face with prominent eyes
A little bit bluer than English skies.
You see it in ruffs and suits of armour,
77
You see it in wigs of many styles,
Soldier and sailor, judge and farmer—
That face has governed the British Isles,
By the power, for good or ill bestowed,
Only on those who live by code.
Oh, that inflexible code of living,
That seems so easy and unconstrained,
The Englishman's code of taking and giving
Rights and privileges pre-ordained,
Based since English life began
On the prime importance of being a man.
IX
And what a voice he had-gentle, profound,
Clear masculine!—I melted at the sound.
Oh, English voices, are there any words
Those tones to tell, those cadences to teach!
As song of thrushes is to other birds,
So English voices are to other speech;
Those pure round 'o's '—those lovely liquid 'l's'
Ring in the ears like sound of Sabbath bells.
Yet I have loathed those voices when the sense
Of what they said seemed to me insolence,
As if the dominance of the whole nation
Lay in that clear correct enunciation.
Many years later, I remember when
One evening I overheard two men
In Claridge's— white waistcoats, coats I know
Were built in Bond Street or in Savile Row—
So calm, so confident, so finely bred—
Young gods in tails— and this is what they said:
'Not your first visit to the States?' 'Oh no,
I'd been to Canada two years ago.'
Good God, I thought, have they not heard that we
Were those queer colonists who would be free,
Who took our desperate chance, and fought and won
Under a colonist called Washington?
One does not lose one's birthright, it appears.
78
I had been English then for many years.
We went down to Cambridge,
Cambridge in the spring.
In a brick court at twilight
We heard the thrushes sing,
And we went to evening service
In the chapel of the King.
The library of Trinity,
The quadrangle of Clare,
John bought a pipe from Bacon,
And I acquired there
The Anecdotes of Painting
From a handcart in the square.
The Playing fields at sunset
Were vivid emerald green,
The elms were tall and mighty,
And many youths were seen,
Carefree young gentlemen
In the Spring of 'Fourteen.
XI
London, just before dawn-immense and dark—
Smell of wet earth and growth from the empty Park,
Pall Mall vacant-Whitehall deserted. Johnnie and I
Strolling together, averse to saying good-bye—
Strolling away from some party in silence profound,
Only far off in Mayfair, piercing, the sound
Of a footman's whistle—the rhythm of hoofs on wood,
Further and further away. . . . And now we stood
On a bridge, where a poet came to keep
Vigil while all the city lay asleep—
Westminster Bridge, and soon the sun would rise,
And I should see it with my very eyes!
Yes, now it came— a broad and awful glow
Out of the violet mists of dawn. 'Ah, no',
I said. 'Earth has not anything to show
More fair— changed though it is— than this.'
A curious background surely for a kiss—
Our first— Westminster Bridge at break of day—
79
Settings by Wordsworth, as John used to say.
XII
Why do we fall in love? I do believe
That virtue is the magnet, the small vein
Of ore, the spark, the torch that we receive
At birth, and that we render back again.
That drop of godhood, like a precious stone,
May shine the brightest in the tiniest flake.
Lavished on saints, to sinners not unknown;
In harlot, nun, philanthropist, and rake,
It shines for those who love; none else discern
Evil from good; Men's fall did not bestow
That threatened wisdom; blindly still we yearn
After a virtue that we do not know,
Until our thirst and longing rise above
The barriers of reason—and we love.
XIII
And still I did not see my life was changed,
Utterly different—by this love estranged
For ever and ever from my native land;
That I was now of that unhappy band
Who lose the old, and cannot gain the new
However loving and however true
To their new duties. I could never be
An English woman, there was that in me
Puritan, stubborn that would not agree
To English standards, though I did not see
The truth, because I thought them, good or ill,
So great a people—and I think so still.
But a day came when I was forced to face
Facts. I was taken down to see the place,
The family place in Devon— and John's mother.
'Of course, you understand,' he said, 'my brother
Will have the place.' He smiled; he was so sure
The world was better for primogeniture.
And yet he loved that place, as Englishmen
Do love their native countryside, and when
The day should be as it was sure to be—
When this was home no more to him— when he
80
Could go there only when his brother's wife
Should ask him—to a room not his— his life
Would shrink and lose its meaning. How unjust,
I thought. Why do they feel it must
Go to that idle, insolent eldest son?
Well, in the end it went to neither one.
XIV
A red brick manor-house in Devon,
In a beechwood of old grey trees,
Ivy climbing to the clustered chimneys,
Rustling in the wet south breeze.
Gardens trampled down by Cromwell's army,
Orchards of apple-trees and pears,
Casements that had looked for the Armada,
And a ghost on the stairs.
XV
Johnnie's mother, the Lady Jean,
Child of a penniless Scottish peer,
Was handsome, worn high-coloured, lean,
With eyes like Johnnie's—more blue and clear—
Like bubbles of glass in her fine tanned face.
Quiet, she was, and so at ease,
So perfectly sure of her rightful place
In the world that she felt no need to please.
I did not like her—she made me feel
Talkative, restless, unsure, as if
I were a cross between parrot and eel.
I thought her blank and cold and stiff.
XVI
And presently she said as they
Sooner or later always say:
'You're an American, Miss Dunne?
Really you do not speak like one.'
She seemed to think she'd said a thing
Both courteous and flattering.
I answered though my wrist were weak
With anger: 'Not at all, I speak—
At least I've always thought this true—
As educated people do
81
In any country-even mine.'
'Really?' I saw her head incline,
I saw her ready to assert
Americans are easily hurt.
XVII
Strange to look back to the days
So long ago
When a friend was almost a foe,
When you hurried to find a phrase
For your easy light dispraise
Of a spirit you did not know,
A nature you could not plumb
In the moment of meeting,
Not guessing a day would come
When your heart would ache to hear
Other men's tongues repeating
Those same light phrases that jest and jeer
At a friend now grown so dear— so dear.
Strange to remember long ago
When a friend was almost a foe.
XVIII
I saw the house with its oaken stair,
And the Tudor Rose on the newel post,
The panelled upper gallery where
They told me you heard the family ghost—
'A gentle unhappy ghost who sighs
Outside one's door on the night one dies.'
'Not,' Lady Jean explained, 'at all
Like the ghost at my father's place, St. Kitts,
That clanks and screams in the great West Hall
And frightens strangers out of their wits.'
I smiled politely, not thinking I
Would hear one midnight that long sad sigh.
I saw the gardens, after our tea
(Crumpets and marmalade, toast and cake)
And Drake's Walk, leading down to the sea;
Lady Jean was startled I'd heard of Drake,
For the English always find it a mystery
That Americans study English history.
82
I saw the picture of every son—
Percy, the eldest, and John; and Bill
In Chinese Customs, and the youngest one
Peter, the sailor, at Osborne still;
And the daughter, Enid, married, alas,
To a civil servant in far Madras.
A little thing happened, just before
We left— the evening papers came;
John, flicking them over to find a score,
Spoke for the first time a certain name—
The name of a town in a distant land
Etched on our hearts by a murderer's hand.
Mother and son exchanged a glance,
A curious glance of strength and dread.
I thought: what matter to them if Franz
Ferdinand dies? One of them said:
This might be serious.' 'Yes, you're right.'
The other answered, 'It really might.'
XIX
Dear John: I'm going home. I write to say
Goodbye. My boat-train leaves at break of day;
It will be gone when this is in your hands.
I've had enough of lovely foreign lands,
Sightseeing, strangers, holiday and play;
I'm going home to those who think the way
I think, and speak as I do. Will you try
To understand that this must be good-bye?
We both rooted deeply in the soil
Of our own countries. But I could not spoil
Our happy memories with the stress and strain
Of parting; if we never meet again
Be sure I shall remember till I die
Your love, your laugh, your kindness. But—goodbye.
Please do not hate me; give the devil his due,
This is an act of courage. Always, Sue.
XX
The boat-train rattling
83
Through the green country-side;
A girl within it battling
With her tears and pride.
The Southampton landing,
Porters, neat and quick,
And a young man standing,
Leaning on his stick.
'Oh, John, John, you shouldn't
Have come this long way. . .
'Did you really think I wouldn't
Be here to make you stay?'
I can't remember whether
There was much stress and strain,
But presently, together,
We were travelling back again.
XXI
The English love their country with a love
Steady, and simple, wordless, dignified;
I think it sets their patriotism above
All others. We Americans have pride—
We glory in our country's short romance.
We boast of it and love it. Frenchmen when
The ultimate menace comes, will die for France
Logically as they lived. But Englishmen
Will serve day after day, obey the law,
And do dull tasks that keep a nation strong.
Once I remember in London how I saw
Pale shabby people standing in a long
Line in the twilight and the misty rain
To pay their tax. I then saw England plain.
XXII
Johnnie and I were married. England then
Had been a week at war, and all the men
Wore uniform, as English people can,
Unconscious of it. Percy, the best man,
As thin as paper and as smart as paint,
Bade us good-by with admirable restraint,
Went from the church to catch his train to hell;
And died-saving his batman from a shell.
84
XXIII
We went down to Devon,
In a warm summer rain,
Knowing that our happiness
Might never come again;
I, not forgetting,
'Till death us do part,'
Was outrageously happy
With death in my heart.
Lovers in peacetime
With fifty years to live,
Have time to tease and quarrel
And question what to give;
But lovers in wartime
Better understand
The fullness of living,
With death close at hand.
XXIV
My father wrote me a letter—
My father, scholarly, indolent, strong,
Teaching Greek better
Than high-school students repay—
Teaching Greek in the winter, but all summer long
Sailing a yawl in Narragansett Bay;
Happier perhaps when I was away,
Free of an anxious daughter,
He could sail blue water
Day after day,
Beyond Brenton Reef Lightship, and Beavertail,
Past Cuttyhunk to catch a gale
Off the Cape, while he thought of Hellas and Troy,
Chanting with joy
Greek choruses— those lines that he said
Must be written some day on a stone at his head:
'But who can know
As the long years go
That to live is happy, has found his heaven.'
My father, so far away—
I thought of him, in Devon,
Anchoring in a blind fog in Booth Bay.
85
XXV
'So, Susan, my dear,' the letter began,
'You've fallen in love with an Englishman.
Well, they're a manly, attractive lot,
If you happen to like them, which I do not.
I am a Yankee through and through,
And I don't like them, or the things they do.
Whenever it's come to a knock-down fight
With us, they were wrong, and we right;
If you don't believe me, cast your mind
Back over history, what do you find?
They certainly had no justification
For that maddening plan to impose taxation
Without any form of representation.
Your man may be all that a man should be,
Only don't you bring him back to me
Saying he can't get decent tea—
He could have got his tea all right
In Boston Harbour a certain night,
When your great-great-grandmother— also a Sue—
Shook enough tea from her husband's shoe
To supply her house for a week or two.
The war of 1812 seems to me
About as just as a war could be.
How could we help but come to grips
With a nation that stopped and searched our ships,
And took off our seamen for no other reason
Except that they needed crews that season.
I can get angry still at the tale
Of their letting the Alabama sail,
And Palmerston being insolent
To Lincoln and Seward over the Trent.
All very long ago, you'll say,
But whenever I go up Boston-way,
I drive through Concord—that neck of the wood,
Where once the embattled farmers stood,
And I think of Revere, and the old South Steeple,
And I say, by heck, we're the only people
Who licked them not only once, but twice.
Never forget it-that's my advice.
They have their points—they're honest and brave,
Loyal and sure—as sure as the grave;
86
They make other nations seem pale and flighty,
But they do think England is god almighty,
And you must remind them now and then
That other countries breed other men.
From all of which you will think me rather
Unjust. I am. Your devoted Father.
XXVI
I read, and saw my home with sudden yearning—
The small white wooden house, the grass-green door,
My father's study with the fire burning,
And books piled on the floor.
I saw the moon-faced clock that told the hours,
The crimson Turkey carpet, worn and frayed,
The heavy dishes—gold with birds and flowers—
Fruits of the China trade.
I saw the jack o' lanterns, friendly, frightening,
Shine from our gateposts every Hallow-e'en;
I saw the oak tree, shattered once by lightning,
Twisted, stripped clean.
I saw the Dioscuri— two black kittens,
Stalking relentlessly an empty spool;
I saw a little girl in scarlet mittens
Trudging through snow to school.
XXVII
John read the letter with his lovely smile.
'Your father has a vigorous English style,
And what he says is true, upon my word;
But what's this war of which I never heard?
We didn't fight in 1812.' 'Yes, John,
That was the time when you burnt Washington.'
'We couldn't have, my dear. . .' 'I mean the city.'
'We burnt it?' 'Yes, you did.' 'What a pity!
No wonder people hate us. But, I say,
I'll make your father like me yet, some day.'
XXVIII
I settled down in Devon,
When Johnnie went to France.
Such a tame ending
87
To a great romance—
Two lonely women
With nothing much to do
But get to know each other;
She did and I did, too.
Mornings at the rectory
Learning how to roll
Bandages, and always
Saving light and coal.
Oh, that house was bitter
As winter closed in,
In spite of heavy stockings
And woollen next the skin.
I was cold and wretched,
And never unaware
Of John more cold and wretched
In a trench out there.
XXIX
All that long winter I wanted so much to complain,
But my mother-in-Iaw, as far as I could see,
Felt no such impulse, though she was always in pain,
An, as the winter fogs grew thick,
Took to walking with a stick,
Heavily.
Those bubble-like eyes grew black
Whenever she rose from a chair—
Rose and fell back,
Unable to bear
The sure agonizing
Torture of rising.
Her hands, those competent bony hands,
Grew gnarled and old,
But never ceased to obey the commands
Of her will— only finding new hold
Of bandage and needle and pen.
And not for the blinking
Of an eye did she ever stop thinking
Of the suffering of Englishmen
And her two sons in the trenches. Now and then
I could forget for an instant in a book or a letter,
But she never, never forgot— either one—
88
Percy and John—though I knew she loved one better—
Percy, the wastrel, the gambler, the eldest son.
I think I shall always remember
Until I die
Her face that day in December,
When in a hospital ward together, she and I
Were writing letters for wounded men and dying,
Writing and crying
Over their words, so silly and simple and loving,
Suddenly, looking up, I saw the old Vicar moving
Like fate down the hospital ward, until
He stood still
Beside her, where she sat at a bed.
'Dear friend, come home. I have tragic news,' he said
She looked straight at him without a spasm of fear,
Her face not stern or masked—
'Is it Percy or John?' she asked.
'Percy.' She dropped her eyes. 'I am needed here.
Surely you know
I cannot go
Until every letter is written. The dead
Must wait on the living,' she said.
'This is my work. I must stay.'
And she did— the whole long day.
XXX
Out of the dark, and dearth
Of happiness on earth,
Out of a world inured to death and pain;
On a fair spring mom
To me a son was born,
And hope was born-the future lived again.
To me a son was born,
The lonely hard forlorn
Travail was, as the Bible tells, forgot.
How old, how commonplace
To look upon the face
Of your first-born, and glory in your lot.
To look upon his face
And understand your place
Among the unknown dead in churchyards lying,
89
To see the reason why
You lived and why you die—
Even to find a certain grace in dying.
To know the reason why
Buds blow and blossoms die,
Why beauty fades, and genius is undone,
And how unjustified
Is any human pride
In all creation— save in this common one.
XXXI
Maternity is common, but not so
It seemed to me. Motherless, I did not know—
I was all unprepared to feel this glow,
Holy as a Madonna's, and as crude
As any animal's beatitude—
Crude as my own black cat's, who used to bring
Her newest litter to me every spring,
And say, with green eyes shining in the sun:
'Behold this miracle that I have done.'
And John came home on leave, and all was joy
And thankfulness to me, because my boy
Was not a baby only, but the heir—
Heir to the Devon acres and a name
As old as England. Somehow I became
Almost an English woman, almost at one
With all they ever did— all they had done.
XXXII
'I want him called John after you, or if not that I'd rather—'
'But the eldest son is always called Percy, dear.'
'I don't ask to call him Hiram, after my father—'
'But the eldest son is always called Percy, dear.'
'But I hate the name Percy. I like Richard or Ronald,
Or Peter like your brother, or Ian or Noel or Donald—'
'But the eldest is always called Percy, dear.'
So the Vicar christened him Percy; and Lady Jean
Gave to the child and me the empty place
In hr heart. Poor Lady, it was as if she had seen
The world destroyed— the extinction of her race,
Her country, her class, her name— and now she saw
90
Them live again. And I would hear her say:
'No. I admire Americans; my daughter-in-law
Was an American.' Thus she would well repay
The debt, and I was grateful— the English made
Life hard for those who did not come to her aid.
XXXIII
'They must come in in the spring.'
'Don't they care sixpence who's right?'
'What a ridiculous thing—
Saying they're too proud to fight.'
'Saying they're too proud to fight.'
'Wilson's pro-German, I'm told.'
'No, it's financial.' 'Oh, quite,
All that they care for is gold.'
'All that they care for is gold.'
'Seem to like writing a note.'
'Yes, as a penman, he's bold.'
'No. It's the Irish vote.'
'Oh, it's the Irish vote.'
'What if the Germans some night
Sink an American boat?'
'Darling, they're too proud to fight.'
XXXIV
What could I do, but ache and long
That my country, peaceful, rich, and strong,
Should come and do battle for England's sake.
What could I do, but long and ache.
And my father's letters I hid away
Lest some one should know the things he'd say.
'You ask me whether we're coming in—
We are. The English are clever as sin,
Silently, subtly they inspire
Most of youth with a holy fire
To shed their blood for the British Empire
We'll come in— we'll fight and die
Humbly to help them, and by and by,
England will do us in the eye.
They'll get colonies, gold and fame,
And we'll get nothing at all but blame.
91
Blame for not having come before,
Blame for not having sent them more
Money and men and war supplies,
Blame if we venture to criticise.
We're so damn simple— our skins so thin
We'll get nothing whatever, but we'll come in.'
XXXV
And at last—at last—like the dawn of a calm, fair day
After a night of terror and storm, they came—
My young light-hearted countrymen, tall and gay,
Looking the world over in search of fun and fame,
Marching through London to the beat of a boastful air,
Seeing for the first time Piccadilly and Leicester Square,
All the bands playing: 'Over There, Over There,
Send the word, send the word to beware—'
And as the American flag went fluttering by
Englishmen uncovered, and I began to cry.
XXXVI
'We're here to end it, by jingo.'
'We'll lick the Heinies okay.'
'I can't get on to the lingo.'
'Dumb-they don't get what we say.'
'Call that stuff coffee? You oughter
Know better. Gee, take it away.'
'Oh, for a drink of ice water! '
'They think nut-sundae's a day.'
'Say, is this chicken feed money?'
'Say, does it rain every day?'
'Say, Lady, isn't it funny
Every one drives the wrong way?'
XXXVII
How beautiful upon the mountains,
How beautiful upon the downs,
How beautiful in the village post-office,
On the pavements of towns—
How beautiful in the huge print of newspapers,
Beautiful while telegraph wires hum,
While telephone bells wildly jingle,
92
The news that peace has come—
That peace has come at last—that all wars cease.
How beautiful upon the mountains are the footsteps
Of the messengers of peace!
XXXVIII
In the depth of the night betwixt midnight and morning,
In the darkness and silence forerunning the dawn,
The throb of my heart was a drum-beat of warning,
My ears were a-strain and my breath was undrawn.
In the depth of the night, when the old house was sleeping,
I lying alone in a desolate bed,
Heard soft on the staircase a slow footstep creeping—
The ear of the living—the step of the dead.
In the depth of the night betwixt midnight and morning
A step drawing near on the old oaken floor—
On the stair— in the gallery— the ghost that gives warning
Of death, by that heartbreaking sigh at my door.
XXXIX
Bad news is not broken,
By kind tactful word;
The message is spoken
Ere the word can be heard.
The eye and the bearing,
The breath make it clear,
And the heart is despairing
Before the ears hear.
I do not remember
The words that they said:
'Killed—Douai—November—'
I knew John was dead.
All done and over—
That day long ago—
The while cliffs of Dover—
Little did I know.
XL
As I grow older, looking back, I see
Not those the longest planted in the heart
Are the most missed. Some unions seem to be
Too close for even death to tear apart.
93
Those who have lived together many years,
And deeply learnt to read each other's mind,
Vanities, tempers, virtues, hopes, and fears—
One cannot go—nor is one left behind.
Alas, with John and me this was not so;
I was defrauded even of the past.
Our days had been so pitifully few,
Fight as I would, I found the dead go fast.
I had lost all—had lost not love alone,
But the bright knowledge it had been my own.
XLI
Oh, sad people, buy not your past too dearly,
Live not in dreams of the past, for understand,
If you remember too much, too long, too clearly,
If you grasp memory with too heavy a hand,
You will destroy memory in all its glory
For the sake of the dreams of your head upon your bed.
You will be left with only the worn dead story
You told yourself of the dead.
XLII
Nanny brought up my son, as his father before him,
Austere on questions of habits, manners, and food.
Nobly yielding a mother's right to adore him,
Thinking that mothers never did sons much good.
A Scot from Lady Jean's own native passes,
With a head as smooth and round as a silver bowl,
A crooked nose, and eyes behind her glasses
Grey and bright and wise—a great soul !
Ready to lay down her life for her charge, and ready
To administer discipline without consulting me:
'Is that the way for you to answer my leddy?
I think you'll get no sweet tonight to your tea.'
Bringing him up better than I could do it,
Teaching him to be civil and manly and cool
In the face of danger. And then before I knew it
The time came for him to go off to school.
Off to school to be free of women's teaching,
Into a world of men— at seven years old;
94
Into a world where a mother's hands vainly reaching
Will never again caress and comfort and hold.
XLIII
My father came over now and then
To look at the boy and talk to me,
Never staying long,
For the urge was strong
To get back to his yawl and the summer sea.
He came like a nomad passing by,
Hands in his pockets, hat over one eye,
Teasing every one great and small
With a blank straight face and a Yankee drawl;
Teasing the Vicar on Apostolic Succession
And what the Thirty-Nine Articles really meant to convey,
Teasing Nanny, though he did not
Make much impression
On that imperturbable Scot.
Teasing our local grandee, a noble peer,
Who firmly believed the Ten Lost Tribes
Of Israel had settled here—
A theory my father had at his fingers' ends—
Only one person was always safe from his jibes—
My mother-in-law, for they were really friends.
XLIV
Oh, to come home to your country
After long years away,
To see the tall shining towers
Rise over the rim of the bay,
To feel the west wind steadily blowing
And the sunshine golden and hot,
To speak to each man as an equal,
Whether he is or not.
XLV
Was this America—this my home?
Prohibition and Teapot Dome—
Speakeasies, night-clubs, illicit stills,
Dark faces peering behind dark grills,
Hold-ups, kidnappings, hootch or booze—
Every one gambling—you just can't lose,
95
Was this my country? Even the bay
At home was altered, strange ships lay
At anchor, deserted day after day,
Old yachts in a rusty dim decay—
Like ladies going the primrose way—
At anchor, until when the moon was black,
They sailed, and often never came back.
Even my father's Puritan drawl
Told me shyly he'd sold his yawl
For a fabulous price to the constable's son—
My childhood's playmate, thought to be one
Of a criminal gang, rum-runners all,
Such clever fellows with so much money—
Even the constable found it funny,
Until one morning his son was found,
Floating dead in Long Island Sound.
Was this my country? It seemed like heaven
To get back, dull and secure, to Devon,
Loyally hiding from Lady Jean
And my English friends the horrors I'd seen.
XLVI
That year she died, my nearest, dearest friend;
Lady Jean died, heroic to the end.
The family stood about her grave, but none
Mourned her as I did. After, one by one,
They slipped away—Peter and Bill—my son
Went back to school. I hardly was aware
Of Percy's lovely widow, sitting there
In the old room, in Lady Jean's own chair.
An English beauty glacially fair
Was Percy's widow Rosamund, her hair
Was silver gilt, and smooth as silk, and fine,
Her eyes, sea-green, slanted away from mine,
From any one's, as if to meet the gaze
Of others was too intimate a phase
For one as cool and beautiful as she.
We were not friends or foes. She seemed to be
Always a little irked— fretted to find
That other women lived among mankind.
96
Now for the first time after years of meeting,
Never exchanging more than formal greeting,
She spoke to me— that sharp determined way
People will speak when they have things to say.
XLVII
ROSAMUND: Susan, go home with your offspring. Fly.
Live in America. SUSAN: Rosamund, why?
ROSAMUND: Why, my dear girl, haven't you seen
What English country life can mean
With too small an income to keep the place
Going? Already I think I trace
A change in you, you no longer care
So much how you look or what you wear.
That coat and skirt you have on, you know
You wouldn't have worn them ten years ago.
Those thick warm stockings— they make me sad,
Your ankles were ankles to drive men mad.
Look at your hair— you need a wave.
Get out— go home— be hard— be brave,
Or else, believe me, you'll be a slave.
There's something in you— dutiful— meek—
You'll be saving your pin-money every week
To mend the roof. Well, let it leak.
Why should you care? SUSAN: But I do care,
John loved this place and my boy's the heir.
ROSAMUND: The heir to what? To a tiresome life
Drinking tea with the vicar's wife,
Opening bazaars, and taking the chair
At meetings for causes that you don't care
Sixpence about and never will;
Breaking your heart over every bill.
I've been in the States, where everyone,
Even the poor, have a little fun.
Don't condemn your son to be
A penniless country squire. He
Would be happier driving a tram over there
Than mouldering his life away as heir.
SUSAN: Rosamund dear, this may all be true.
I'm an American through and through.
97
I don't see things as the English do,
But it's clearly my duty, it seems to me,
To bring up John's son, like him, to be
A country squire—poor alas,
But true to that English upper class
That does not change and does not pass.
ROSAMUND: Nonsense; it's come to an absolute stop.
Twenty years since we sat on top
Of the world, amusing ourselves and sneering
At other manners and customs, jeering
At other nations, living in clover—
Not any more. That's done and over.
No one nowadays cares a button
For the upper classes— they're dead as mutton.
Go home. SUSAN: I notice that you don't go.
ROSAMUND: My dear, that shows how little you know.
I'm escaping the fate of my peers,
Marrying one of the profiteers,
Who hasn't an 'aitch' where an 'aitch' should be,
But millions and millions to spend on me.
Not much fun— but there wasn't any
Other way out. I haven't a penny.
But with you it's different. You can go away,
And oh, what a fool you'd be to stay.
XLVIII
Rabbits in the park,
Scuttling as we pass,
Little white tails
Against the green grass.
'Next time, Mother,
I must really bring a gun,
I know you don't like shooting,
But—!' John's own son,
That blond bowed face,
Those clear steady eyes,
Hard to be certain
That the dead don't rise.
Jogging on his pony
Through the autumn day,
98
'Bad year for fruit, Mother,
But good salt hay.'
Bowling for the village
As his father had before;
Coming home at evening
To read the cricket score,
Back to the old house
Where all his race belong,
Tired and contented—
Rosamund was wrong.
XLIX
If some immortal strangers walked our land
And heard of death, how could they understand
That we—doomed creatures—draw our meted breath
Light-heartedly—all unconcerned with death.
So in these years between the wars did men
From happier continents look on us when
They brought us sympathy, and saw us stand
Like the proverbial ostrich-head in sand—
While youth passed resolutions not to fight,
And statesmen muttered everything was right—
Germany, a kindly, much ill-treated nation—
Russia was working out her own salvation
Within her borders. As for Spain, ah, Spain
Would buy from England when peace came again!
I listened and believed— believed through sheer
Terror. I could not look whither my fear
Pointed— that agony that I had known.
I closed my eyes, and was not alone.
Later than many, earlier than some,
I knew the die was cast— that war must come;
That war must come. Night after night I lay
Steeling a broken heart to face the day
When he, my son— would tread the very same
Path that his father trod. When the day came
I was not steeled— not ready. Foolish, wild
Words issued from my lips— 'My child, my child,
Why should you die for England too?' He smiled:
'Is she not worth it, if I must?' he said.
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John would have answered yes— but John was dead.
Is she worth dying for? My love, my one
And only love had died, and now his son
Asks me, his alien mother, to assay
The worth of England to mankind today—
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war;
This happy breed of men, this little world,
This precious stone set in the silver sea—
Ah, no, not that—not Shakespeare—I must be
A sterner critic. I must weigh the ill
Against the good, must strike the balance, till
I know the answer— true for me alone—
What is she worth— this country— not my own?
I thought of my father's deep traditional wrath
Against England— the redcoat bully— the ancient foe—
That second reaping of hate, that aftermath
Of a ruler's folly and ignorance long ago—
Long, long ago— yet who can honestly say
England is utterly changed— not I— not I.
Arrogance, ignorance, folly are here today,
And for these my son must die?
I thought of these years, these last dark terrible years
When the leaders of England bade the English believe
Lies at the price of peace, lies and fears,
Lies that corrupt, and fears that sap and deceive.
I though of the bars dividing man from man,
Invisible bars that the humble may not pass,
And how no pride is uglier, crueller than
The pride unchecked of class.
Oh, those invisible bars of manners and speech,
Ways that the proud man will not teach
The humble lest they too reach
Those splendid heights where a little band
Have always stood and will always stand
Ruling the fate of this small green land,
Rulers of England—for them must I
Send out my only son to die?
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LI
And then, and then,
I thought of Elizabeth stepping down
Over the stones of Plymouth town
To welcome her sailors, common men,
She herself, as she used to say,
Being' mere English' as much as they—
Seafaring men who sailed away
From rocky inlet and wooded bay,
Free men, undisciplined, uncontrolled,
Some of them pirates and all of them bold,
Feeling their fate was England's fate,
Coming to save it a little late,
Much too late for the easy way,
Much too late, and yet never quite
Too late to win in that last worst fight.
And I thought of Hampden and men like him,
St John and Eliot, Cromwell and Pym,
Standing firm through the dreadful years,
When the chasm was opening, widening,
Between the Commons and the King;
I thought of the Commons in tears— in tears,
When Black Rod knocked at Parliament's door,
And they saw Rebellion straight before—
Weeping, and yet as hard as stone,
Knowing what the English have always known
Since then— and perhaps have known alone—
Something that none can teach or tell—
The moment when God's voice says; 'Rebel.'
Not to rise up in sudden gust
Of passion— not, though the cause be just;
Not to submit so long that hate,
Lava torrents break out and spill
Over the land in a fiery spate;
Not to submit for ever, until
The will of the country is one man's will,
And every soul in the whole land shrinks
From thinking—except as his neighbour thinks.
Men who have governed England know
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That dreadful line that they may not pass
And live. Elizabeth long ago
Honoured and loved, and bold as brass,
Daring and subtle, arrogant, clever,
English, too, to her stiff backbone,
Somewhat a bully, like her own
Father— yet even Elizabeth never
Dared to oppose the sullen might
Of the English, standing upon a right.
LII
And were they not English, our forefathers, never more
English than when they shook the dust of her sod
From their feet for ever, angrily seeking a shore
Where in his own way a man might worship his God.
Never more English than when they dared to be
Rebels against her-that stern intractable sense
Of that which no man can stomach and still be free,
Writing: 'When in the course of human events. . .'
Writing it out so all the world could see
Whence come the powers of all just governments.
The tree of Liberty grew and changed and spread,
But the seed was English.
I am American bred,
I have seen much to hate here— much to forgive,
But in a world where England is finished and dead,
I do not wish to live.
~ Alice Duer Miller,
1351:Leszko The Bastard
``Why do I bid the rising gale
To waft me from your shore?
Why hail I, as the vultures hail,
The scent of far-off gore?
Why wear I with defiant pride
The Paynim's badge and gear,
Though I am vowed to Christ that died,
And fain would staunch the gaping side
That felt the sceptic spear?
And why doth one in whom there runs
The blood of Sclavic sires and sons,
In those but find a foe,
That onward march with sword and flame,
To vindicate the Sclavic name,
From the fringe of Arctic snows,
To the cradle of the rose,
Where the Sweet Waters flow?
Strange! But 'twere stranger yet if I,
When Turk and Tartar splinters fly,
Lagged far behind the van.
While the wind dallies with my sail,
Listen! and you shall hear my tale;
Then marvel, if you can!
``Nothing but snow! A white waste world,
Far as eye reached, or voice could call!
Motion within itself slept furled;
The earth was dead, and Heaven its pall!
Now nothing lived except the wind,
That, moaning round with restless mind,
Seemed like uncoffined ghost to flit
O'er vacant tracts, that it might find
Some kindred thing to speak with it.
Nothing to break the white expanse!
No far, no near, no high, no low!
Nothing to stop the wandering glance!
One smooth monotony of snow!
I lifted the latch, and I shivered in;
My mother stood by the larch-log blaze,
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My mother, stately, and tall, and thin,
With the shapely head and the soft white skin,
And the sweetly-sorrowing gaze.
She was younger than you, aye, you who stand
In matron prime by your household fire,
A happy wife in a happy land,
And with all your heart's desire.
But though bred, like you, from the proud and brave,
Her hair was blanched and her voice was grave.
If you knew what it is to be born a slave,
And to feel a despot's ire!
``She turned her round from the hearth like one
That hath waited long, and said,
`Come hither, and sit by me, my son!
For somehow to-night doth remembrance run
Back to the days that are dead.
And you are tall and stalwart now,
And coming manhood o'er your brow
Its shadow 'gins to shed.
Sit by me close!' and as I sate
Close, close as I could sit,
She took my hand and placed it flat
On hers, and fondled it.
Then with the same soft palm she brushed
My wind-tossed locks apart,
And, kissing my bared temples, hushed
The flow of love that else had gushed,
Love-loosened, from my heart.
```Listen! you often have questioned why
Here 'neath this pale Siberian sky,
You scarcely live, I slowly die.
That we dwell on, but exiles here,
In regions barren, sunless, drear,
And have no more the power to fly
To brighter lands and bluer sky,
Than some poor bird whom man's caprice
Hath tethered by a clanking chain,
And leaves upon its perch in pain
To pine for, ne'er to find release,This do you know, and still have known
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Since first I taught your mouth to frame
The syllables of Poland's name,
Even before my own.
But how could I to childhood's ears,
Or boyhood's, tell the tale of tears
That links me with the bygone years?Tale steeped in rapture, drenched with woe,
A tale of wrong, and loss, and love,
That opens in the heavens above,
And ends in worse than hell below?A tale I only could impart
To mind mature and full-grown heart;
A tale to fill your larger life
With hissing waters of distress
And overflowing bitterness,
And set you with yourself at strife?
But you must hear it now. The down
Of manhood fringes lip and cheek;
Your temples take a richer brown,
And on your forehead buds the crown
Of kingly thought that yet will speak.
Listen! and let no faintest word
Of all I utter fall unheard
Upon your ear or heart!
'Twill wring your youth, but nerve it too:And what have I now left to do,
But unveil tyranny to view,
And wing the avenging dart?
```So like to you! The same blue eye,
Same lavish locks, same forehead high,
But of a manlier majesty!
His limbs, like yours, were straight and strong,
Yet supple as the bough in bud;
For tyrants cannot tame the blood,
Or noble lineage lose, through wrong
Its heritage of hardihood.
And maybe since his years were more,
And partly that you needs must bear
In every filial vein and pore
With his pure strain the base alloy
Of that in you which is my share,
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Though you are tall and comely, boy!
Yet he was taller, comelier.
In days that now but live in song,
When Rurik's hinds felt Poland's heel,
And Poland's horsemen, cased in steel,
To Volo's plain were wont to throng,
A hundred thousand manes in strength,
And vowed, if Heaven let fall the sky,
To uphold it on their lance's length
As 'twere a silken canopy;
His sires were there in gallant trim,
Haught of mien and hard of limbVisors up and foreheads gashed,
Swords that poised, and swooped, and flashed,
Like the wings of the flaming Cherubim!
And when Imperial vultures tore
With banded beaks Sarmatia's breast,
And wallowed in Sarmatia's gore,
His fathers by their fathers swore
Ne'er to recede nor rest,
Till they had pushed the watchful points
Of vengeance in between the joints
Of armour dear to tyrants pricked
Of conscience never hushed nor tricked,
And made them feel what they inflict.
Vow sternly kept, but kept in vain!
For ninety hoping, hopeless years,
Poland hath known no couch save pain,
No mate except the dull cold chain,
Hath felt the lash, and fed on jeers,
While Heaven, it seems, no longer hears
The wail of prayers, the drip of tears,
Or the voices of the slain.
Thrice have her sons, despite their gyves,
Essayed to sell their worthless lives
At least against the price
Of ruin on their gaolers brought;
But each brave stroke hath come to nought,
And blood, and wounds, and death, have brought,
Only fresh bootless sacrifice.
No blow was struck they did not share,
No banner raised, but straight they flew
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For one more tussle with despair;
And ever as they fought, they fell,
Waxing still fewer and more few,
Till only one remained to tell
How they had passed away, and dare
With front erect and unquelled stare
Those earthly ministers of hell.
One only of that kindred bandLike some last column gazing lone
Across the bare and brackish sand,
In a depopulated land,
Telling of times and temples flown!
```He loved me. Love in every clime,
Through all vicissitudes of time,
Is life's climacteric and prime.
Matched against it, all boons that bless,
All joys we chase, all good we prize,
All that of tender and sublime
Expands the heart and fills the eyes,
Tastes pitiful and savourless.
It glorifies the common air,
It clothes with light the mountains bare,
And shows the heavens all shining there.
It lifts our feet from off the ground,
It lets us walk along the skies;
It makes the daily silence sound
With transcendental harmonies.
It rules the seasons. Linnets sing
As loud in winter as in spring,
When hearts are leal, and love is king.
Bathed in its light, the distance glows
With all the colours of the rose.
Its vivid gaze blends far and near
In one delicious atmosphere,
Projects the future from the past,
And hugs the faith, without a fear,
Since love is all, that all will last.
The peevish voice of doubt grows dumb;
The demons of dejection flee;
And even sordid cares become
But a divine anxiety.
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Hope sails no more in far-off skies,
But makes its nest upon the ground;
And happiness, coy wing that flies
Too oft when mortal yearning woos,
At love's sweet summons circling round,
Sits on the nearest bough, and coos.
```Yes! such is love in every land,
If blest or curst, enslaved or free.
But how can they whose chainless hand
May stretch towards all they dream or see,
Whose lungs exult, whose lives expand,
In air of bracing liberty,
Feel love's delirium like to those
Who, of all other bliss bereft,
And cooped from each hale wind that blows,
Fondle, amid a world of foes,
The solitary friend that's left?
Through whatso regions freemen roam,
They find a hearth, they make a home.
Their unfenced energies embrace
All realms of thought, all fields of space,
At each fresh step fresh prospects find,
Larger than any left behind,
And mount with still rewarded stress
From happiness to happiness.
E'en love itself for such can bring
To life's tuned lyre but one more string,
Or but with fingers subtly straying
Among the chords, and softly playing,
Make more harmonious everything.
But when to him whose hopes are bound
Within a dismal prison round,
Whose thoughts, suspected, must not soar
Beyond his straitened dungeon floor,
Who may not speak, nor groan, nor sigh,
Nor lend sharp agony a vent,
Lest those should hear him who are nigh,
And catch, perchance, in passing by,
Contagion from his discontent;
Who dwells an exile in his home,
And cannot rest and may not roam;
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Whom even hope doth not delude;
Who vainly lives, in vain would die,
And, hemmed in close, alike would fly,
Society and solitude;Oh! when to such as he love brings
Message of heaven upon its wings,
It fills his heart, it floods his brain,
Riots in every pulse and vein,
And turns to paradise his pain.
Body, and soul, and sense conspire
To feed the rising, rushing fire.
The passions which are wont to share
Love's empire o'er distracted man,
Denied their outlet, in him fan
The exclusive fury of desire.
As one who faints of thirst, he takes
Swiftly what should be slowly quaffed,
With ravenous lips his fever slakes,
Then dies, delirious, of the draught!
```He loved me. Do you ask if I
His love returned? Go, ask the sky
If it in vain pours sun and shower
On herb and leaf, on tree and flower.
Go, ask of echo if it wakes
When voice in lonely places calls;
Ask of the silence if it takes
The sound of plashing waterfalls:
Ask the parched plains if they refuse
The solace of descending dews;
Ask the unrippled lake that lies
Under faint fleecy clouds that flit,
If it reflects with tender eyes
The heavenly forms that gaze on it;
But ask not me if I returned
The love with which his being burned.
His passion such, in any heart
It straight had worked its counterpart,
Woke its own echo, roused a tone
In perfect concert with its own,
And made, the instant that it shone,
Mirror of what it gazed upon.
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```We loved, as few have loved before,
'Chance none; and lo! the hour drew nigh
To ratify the vows we swore
One night beneath the sky,
Before the solemn altar-rails
O'er which He hangs, pierced through with nails,
Who for our sins did die.
Oh! why is woman doomed to bear
The love, or lust, she cannot share;
And hear from alien lips the sighs
She fain herself would waken ne'er,
Save within kindred hearts and eyes?
Never by word, nor glance, nor e'en
That barren courtesy we give
Unto well nigh all things that live,
Did his detested rival glean
That I another's homage should
Not greet, as evil is by good.
But, had my heart been free as air,
Fickle as wind, as quick to take
Impression as some limpid lake
That every wanton breath can stir,
How had it ruffled been by one
Who wore the livery of the brood
By whom, with hands in blood imbrued,
Thrice had my country been undone?
But I, nor free, nor false, nor light,
Bound both to Poland, and to him
Who yearned for Poland's wrongs to fight,
Had rather torn been limb from limb,
Than share with such love's last delight!
I answered softly, not in scorn;
For in what guise soe'er it come,
Because of gentle longings born,
Love should leave indignation dumb.
But he was, like his shifty race,
Disloyal, cunning, vengeful, base,
And when he heard the lips of fate,
Love in him straightway turned to hate,
Even before my face!
He menaced me with vengeance dire.
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He knew my lover, brother, sire,
All rebels to the core.
And in the rush of lustful ire,
By his schismatic saints he swore,
That ruin, exile, death, should fall
With speedy stroke upon them all,
Unless I fed his foul desire.
I knew it was no idle boast;
He had the power to fetter, slay,
Abetted by a servile host,
Perjured, suborned by bribes to say
Whatever falsehood pleased him most.
Yet then I bridled not my scorn,
But poured upon his dastard head
All that by woman can be said,
When she confronts, before her eyes,
Creature created to despise,
And, since of manlier weapons shorn,
Can only wish him dead.
``Beware!'' he croaked, with passion hoarse,
``Within your patriot arms shall lie,
Repelled or welcomed, none but I;
And what you now to love deny,
You yet shall yield to fear or force.''
With scorn yet fiercer than at first
I flashed, and bade him work his worst.
``Before to-morrow's sun hath set,''
He answered, ``I shall pay the debt
Of vengeance, never baffled yet.
Think not to foil me or to fly!
I ever do the thing I would.''
Then laughing loud, he went; and I
Hated the ground where late he stood.
```The Night lay encamped in the summer sky,
And the burning stars kept watch;
All were asleep upon earth save I,
Who had waited the hour and lifted the latch,
And crept out noiselessly.
The air was as silent as love or death,
Except for the beat of my quickened breath,
And once the lonely belated wail
306
Of an answered nightingale.
I dared not quicken my steps, for fear
The silence should listening be, and hear.
Slowly, stealthily, foot by foot.
Girding my garments tightly round,
Lest they should touch and tell the ground,
I threaded the laurel-walk and passed
On to the latchet-gate, and put
My hand on the creaking key, aghast
Lest the first stage of flight should prove the last.
Through! and out in the meadows beyond,
With the cooling grass-dews round my feet,
Which would tell the tale of my journey fond,
But too late to hinder its purpose sweet;
Over the narrow and swaying planks
That span the neck of the marish pool
Where the tall spear-lilies close their ranks,
And the water-hens nestle safe and cool.
Then into the gloomy, darksome wood
Where the trunks seemed ghosts, and the big boughs stood
As though they would block my way.
Woman's love is stronger than woman's fright,
And though dogged by dread, yet I faced that night
What I ne'er had faced by day.
O the blessëd break, and the blank without,
From each grinning bole and each staring leaf!
I clutched my temples, and gave a shout;
It was mad, but it brought relief.
And then with a saner fear I stopped
To know if my foolish cry was heard.
But, like to a stream where a stone is dropped,
The silence was only a moment stirred,
And stillness closed over the hazard word.
```I was there! in the garden where first I lent
My ear to the trembling music of love,
And my soul succumbed to its blandishment.
I was there! I could smell the syringa's scent
And the lilac plumes that loomed dark above,
But, like to the heart that keeps alway
True to its friends, when friends betray,
Was lending the night that hid from view
307
Its delicate tufts and tender hue,
Odours sweeter than e'en by day.
The laburnum tassels brushed my cheek,
And the tangled clematis clutched my hair;
But I hurried along; though my limbs were weak,
I was strengthened by despair.
A moment more, and I should be
Hard by the window where he slept.
How should I wake him? how should flee,
If another o'erheard my voice? I crept
Softly, silently, over the sward.
The walls were dark, and the windows barred,
All saving-Yes, 'twas he! 'twas he!
Leaning out of his casement, lowly
Singing a love-song, sweetly, slowly,
That he first had sung to me.
He saw me not. He was gazing free
Across the dark, mysterious air,
At the shining stars, at the solemn sky,
At the unattainable far and fair,
The infinite something around, above,
With which, when alone, we identify
The finite thing we love.
I stood, and listened, and drank each note
Of love that came from the yearning throat,
As it rose, as it fell, as it floated and died;
And then with that courage that oft will spring,
When we have not time to think,
And impulse whispers the blessëd thing
From which resolve would shrink,
I with the song replied.
```One instant, and the echoed song,
The night, the dark, the heavens bare,
And all that was of far and fair,
And all that was of sweet and strong,
Seemed gathered into one embrace,
And showered their magic on my face.
His arms were round me, and his breath
As close to mine as life to death.
He murmured things I could not hear,
For I was deaf with bliss and fear.
308
Dumb, too; in vain I strove to speak;
I could but lean on breast and cheek,
And prove my passion wildly weak.
He drew me in. I still was dumb,
Panting for words that would not come,
But only tears instead, and sobs,
And broken syllables, and throbs,
With which hearts beat, whom rapture robs
Of all save love's delirium.
``Why hast thou come?'' I heard him say.
``There is no hour of night or day,
The coming of thy worshipped feet
Would not make richer or more sweet.
O come! come! come! Yes, come alway!
Nay, never come, love! rather, stay!
I must or miss you, or not meet;
Absence is long, and presence fleet.
And I am dead, when thou away!
But why to-night, and here?'' I saw
Love's brightness overcast by awe;
And terror in his face o'ercame
The terror in my weakened frame;
Till listening to his voice, I caught
Contagion from his steadier thought,
And found at length the words I sought.
With rapid lips I told him all,
What had befallen-might befallThe hateful lust, the lustful hate,
The threats of one who, well he knew,
If false in love, in wrath was true,
And our impending fate.
``'Twas this alone I came to tell,
And, Leszko! now 'tis told, farewell!''
I murmured with a faltering tongue.
Round me his arms he tightly flung,
And ``Never!'' cried. ``Thy faith shall foil
The base assassins of our soil.
By the harmonious orbs that shine,
To-night, within that dome divine,
What thou hast promised me, must be mine!
Before to-morrow's sun can sink,
May deeds be done I would not name,
309
And vengeance wreaked I dare not think.
If thus you went, 'twere vain you came!
To-night is ours, and, seized, will be
Ours, ours, through all eternity.
The dawn shall find us kneeling where
Passion is purified by prayer;
And hands of patriot priest shall bless
And bind our premature caress.
If we are parted then, we part,
One, one in body, breast, and heart.
Hate, lust, and tyranny, in vain
Will strive to snap the cherished chain
That we around ourselves have bound.
Vanda! my love! my wife! my more!
If more be in love's language found,
Let them not baulk the troth we swore!
Wed me with bonds not fiends can sever,
And be thou mine-if once-for ever!''
The winds of the morn began to stir,
And the stars began to pale;
We could feel the chill of the moving air,
And the lifting of the veil
That covers the face of the shrinking night,
Its dreams, its dangers, its delight.
We started up. We listened, heard
The pipe of an awaking bird;
Another-then another stillLouder and longer, and more shrill,
Till every copse began to fill
With music piercing bitter, fell,
The discord of our forced farewell.
We clung one moment, panted, kissed,
Then bravely rending us, he cried``Back through the curling morning mist,
Vanda! my love! my life! my bride!
A few brief hours, and side by side
Before Heaven's altar we shall stand,
As now in heart, then one in hand,
Then-be the future blest or curstLet Poland's tyrants wreak their worst!
One-one more kiss!''
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```We leaned, to give
The richest of all boons that live,
But paused, half given!. . .We each had heard
A sound that was no waking bird,
Nor stealthy footfall of the night,
Scudding the unseen tracks of flight.
The noise of human voices broke
Upon our ears; the words they spoke
Came nearer and more near.
We clung in silence; 'twas too late
To more than bide the feet of fate,
And face them without fear.
Loudest among them I could trace
The voice I hated most on earth;
Another moment, and his face,
Lit with vindictiveness and mirth,
Was gazing on our checked embrace.
His myrmidons were at his heel:
I did not shrink, I did not reel,
But closer clung, to make him feel
I loathed him and his alien race.
I know no more. Unarmed we stood.
I heard the clank of ordered steel,
Then suddenly a blinding hood
Over my head was flung, and I,
Powerless to struggle, see, or cry,
Felt myself wrenched from arms that fain
Had fenced my freedom, but in vain,
And, doubtful did he live or die,
Borne through the chilly morning air,
Bound, stifled, cooped with dumb despair!'
``She paused, and strove for breath, as though
The mere remembrance of that hour,
Though fled and faded long ago,
Retained the never-dying power
To choke and stifle her again,
And leave her dumb and dark, as then.
But mute no less I sate; and she
The horror in my stare could see,
The speechless, open-mouthed suspense,
That kept me gazing there, to know
311
If I had heard the worst from woe,
Or if I must prepare my sense
For outrage deeper, more intense,
And from extremity of wrong
Become invulnerably strong.
`O no!' she cried, for swift she guessed
The hell of anguish in my breast;
`O no! not that! My boy! thou art
The child of love and not of hate,
Memento of my only mate!
The birth of heart convulsed on heart
With rapture pure and passionate!
Though never more upon my breast
His breast did beat, his head did rest;
Though I no more beheld his eye
Beaming above me like the sky
When all is bright and all is high,
And by which gazed on, one is blest;
Though ne'er again his touch, his breath,
Was blent with mine, to make me feel
That something betwixt life and death,
When the converging senses reel,
And, through devotedness divine,
Joy knows not what it suffereth;No other hand has soiled the shrine;
And, Leszko lost! though lost, yet mine,
My senses, as my soul, kept thine!'
``She saw the shadow quit my brow;
But, as it crept away, the light
Seemed to desert her temples now.
The hand she had imprisoned tight
In hers, while travelling wildly back
To passion's bourne o'er sorrow's track,
She loosed, and half let go. `Hast heard,
Hast drunk, hast understood, each word,'
Slowly she asked, `my lips have said?
Ours was no sanctioned marriage-bed.
No priestly blessing, altar's rite,
Confirmed the nuptials of that night.
Leszko! thou art-'
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``'Twas not her tongue
That paused upon the bitter word,
But that before the name I heard
I shrink not from, my arms I flung
Around her sainted neck and showered
The love with which my soul was stirred.
I kissed her knees, her hands devoured,
I hushed her mouth, I sealed her eyes,
With kisses blent with broken cries,
Such as from baffled lips arise
When bursting hearts are overpowered
With sense of sublime sacrifice.
`Mother!' I cried, `I'd sooner be
The child of love, and him, and thee,
Than bear or boast the tightest ties
Altars can knit or priests devise!
If love, faith, country cannot bind
Two souls through love already blent,
Where among mortals shall we find
Solemnity or Sacrament?
And were aught wanting to complete
In face of God's just judgment-seat,
Thy snapped-off love and life,
The tyrant's outrage, years of wrong,
Have weaved thee wedlock doubly strong,
And made thee more than wife!'
``She smoothed my hair, caressed my brow;
Consoling tears coursed down her cheek,
Furrowed by sorrow's barren plough:
She stroked my hand, she strove to speak:
`Yes, Leszko! Holier bond was ne'er
Sanctioned by heaven or sealed by prayer.
Let others deem that formal vows
Breathed between kneeling spouse and spouse,
Can sanctify a link where each
Is but the slave of ordered speech;
Where vanity, ambition, greed,
Are the base instincts that precede
The purest of the passions, sent
Life's desolate low steps to lead
Up to the star-thronged firmament;
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Let others fancy, if they will,
That pomp, and compliment, and smile,
Are sacramental bonds, though guile
And calculating coldness fill
The hollows of the heart the while;
Let those, too, scorn me who have knelt
In fancied faithfulness, and sworn
The eternal troth they thought they felt,
But, soon as they were left to mourn
One to whose flesh their flesh they vowed
Not more in marriage-sheet than shroud,
After a few short trappings worn
To silence the censorious crowd,
Have let their facile feelings melt
Unto some second fancy, nursed
In the same lap where burned the first!
Let them!-Nor pomp nor pandars gave
Me unto him! 'Twas love alone
Anointed us; and not the grave,
Not life, not death, shall e'er deprave
The body that remains his own.
Not mine a fault for which to crave
By Heaven or mortal to be shriven.
If I a suppliant need to be
To any, 'tis, my boy, to thee!
And I by thee am all forgiven!
```Yet-yet-that night of shining joy
Its shadow flings athwart thy life;
I am not, I can ne'er be wife,
And thou art no one's son, our boy!
His name I gave thee, and despite
Their jugglery of wrong and right,
It shall thou bear, whate'er betide.
But who can give thee aught beside?
Bastard thou art! and thou canst claim,
It boots not what thy blood, thy fame,
Thy father's features, manly age,
Only a bastard's heritage.
But, Leszko! who would care to boast
All that the rightful covet most;
Who, who would wish to clutch and hold
Honour, or rank, or lands, or gold,
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When lands, and gold, and rank, but be
A brighter badge of slavery?
They who have nothing may excuse
Submission to the tyrant's beck;
Too bare and beggared to refuse
Unsavoury morsel from the hand
That plants the heel upon the neck
Of their assassinated land.
But they who yet have aught to lose,
Base must they be if they can use
What still is left to them, to deck
The mourning of their country's wreck.
Be sure thy sire doth not retain
What would but aggravate his pain.
Of me, of love, when dispossessed,
How would he care to keep the rest?
Robbed of my arms, his arms would find
But emptiness in all behind,
Vacuous air and moaning wind.
Who tore me from him, must have torn
With it long since the worldly dregs
Easy resigned by him who begs
That death at least to him be kind,
And bans the day that he was born!
```Nay, ask not if he lives. I know
Nothing, since that cold dawn of woe.
Once more I had to hear, and bear,
The vengeful menace, lustful prayer,
Of one who sued, but would not spare.
He threatened he would blazen wide
That which he dared to call my shame.
Guess how I answered! I defied,
Exulted, and with patriot pride
Told him that I myself to fame
Would trumpet forth the deed that I
Had done to foil the treachery
Already hatching, and by whom!
He cursed me. That was his reply.
But mine, alas! had sealed my doom.
```'Twas over, quick. I saw no more
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Familiar face, or roof, or floor,
Or anything I knew before.
My eyes were bandaged, limbs were bound,
As through rough distance on we wound,
Aware but of the unseen ground
We traversed ever, day and night.
At length they gave me back my sight;
And lo! there stretched before, around,
The desert steppe, inhuman, bare,
That answered me with stare for stare.
I gazed around me for some face,
Some answering look, some kindred guise,
Some woe that I might recognize
Even in this desert place.
But none of all I saw, I knew;
And never one among them threw
A pitying glance on me.
So desolate it seemed, I should
Have thankful been if there had stood
Before me even he
Who thuswise had my ruin wrought.
I vow to you, his face I sought,
Among the convoy, early, late.
No face, no fiend, my exiled fate
Could now or better make or worse:
And it to me relief had brought
Could I have seen him, but to hate,
And greeted, but to curse!
```A mute and melancholy band,
For days and weeks we journeyed on,
Across a bare and level land,
On which the fierce sun ever shone,
But whence all life and growth were gone,
Utterly, as from salt-steeped strand.
Dawn after dawn, the steppe stretched round:
It seemed to have no halt, no end,
Centre, circumference, nor bound,
No sight, no shade, no scent, no sound;
But ever we appeared to wend
Into eternal exile, doomed
To make the endless track we trod,
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Now over sand, now scanty sod,
Where nought save blight and canker bloomed.
Though on we gasped, no goal was gained;
Further we went, further remained,
As when thought struggles after God:
Save that, instead, we seemed to go
Towards infinity of woe.
Many we were, but each alone.
We durst not with each other speak,
And but exchanged a tear or groan.
The strong might not assist the weak,
And to be child or woman gave
No privilege or power, save
To suffer more and be more brave.
So wretched were we, we could bless
A lighter load of wretchedness;
And when at last the cruel sun
Began to pity us, and leave
In sleep our pain a short reprieve,
We almost felt our griefs were done.
We knew not they had scarce begun.
Into another land we passed,
Drearier and deader than the last,
That knows no future and no past,
But only one fixed present!-land
Where nothing waxeth more or less,
Nothing is born and nothing dies,
And where, 'neath never-changing skies,
E'en frozen time itself doth stand
Immutable and motionless!
A land of snow and snow-fed wind,
Which freeze the blood, congeal the mind,
And harden man against mankind:
Region of death that is not dead,
But ever on its icy bed
Lies dying, and must ever lie,
Forbid to live, forbid to die!
```And, as its doom, such too seemed mine,
The doom of deathlessness in death.
In vain I used to pray and pine
The greedy cold would suck my breath,
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And leave my empty husk to bleach
On the untrodden waste of white,
And draw the prowling jackal's screech,
Or give the wolf one foul delight.
```One night, as, prostrate in despair
At each unanswered tear and prayer,
I blasphemed God, and wildly sware
That if at least He would not give
Me death, I would no longer live,
But would myself the torture end,
That had nor change, nor hope, nor friend,
Sudden I started, gave a cry;
I seemed as changed to flesh from stone:
Oh! joy! I was no more alone.
And then for worlds I would not die!
'Twas thou! 'twas thou! my babe! my boy!
In joylessness my more than joy!
My more than heaven 'mid more than hell!
Weeping, upon my knees I fell,
And prayed forgiveness for my sin.
What now to me or cold or heat,
My shivering head, my burning feet,
Hunger or ache? I held within
The memory of that midnight sweet.
I had no thought for things without:
Sensation, suffering, struggle, doubt,
Each sense wherewith we feel, hear, see,
Was concentrated inwardly.
My aim was how to feed the root
That in the silence 'gan to shoot,
And pulsed with promise of the fruit.
Sometimes, in fresh access of woe,
Hope veered, and longed that thou and I
Lay underneath the snug, warm snow,
Together, and with none to know;
But swung back ever, true and high,
From desperation's gusty strife,Pointing from love and set towards life!
```You lived!'. . .`O mother!' here I cried,
`Tell me no more! I cannot bear
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The tale of love, and grief, and pride.
Is't not enough that now we share
Pride, love, and exile, side by side?
And, let what will of wrong betide,
No wrong my youth, at least, shall tear,
From your soft hand and silvery hair!'
```What, Leszko! Leszko's son!' she said,
Her voice was grave, her tears were fled:
`Think you I told this tale of woe,
To stir your love for me, I know,
Will hold you living, haunt you dead?
Not quit my side, luxurious boy!
Share anguish that is almost joy,
To shrink from pain without alloy!
By all my hopes of husband fled,
My interrupted marriage-bed,
I charge you, bid you, not to cling,
To me, to love, to anything!
Not leave me! What is this I hear?
The mawkish kiss, the vapid tear,
Not flashing eye and springing spear!'
She pushed me off. `It cannot be
His patriot seed and mine I see.
Thou art some changeling! Go, then, go!
And hunt the lynx across the snow,
And when the blue-eyed scyllas blow,
Gather thereof a dainty bunch,
To woo some daughter of the foe,
While jackals and hyenas crunch
Thy country's flesh and bones, and bloom
No flowers, of all Spring used to know,
Save such as mourn o'er Poland's tomb!
For Poland, I from him was torn,
For Poland, he from me! But thouThou, thou forsooth, must cling on now,
Like infant that, from threatened hurt
Flies whimpering, to thy mother's skirt,
Dead unto duty as to scorn!
Bastard, indeed, thou doubly wert,
And both are shamed that thou wast born!'
``I knelt me down; towards the ground
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I bowed my head in lowly guise.
I did not dare to raise my eyes,
But when at last my voice I found,
`Mother!' I cried, `I am not base,
Nor bastard, and his blood is mine;
But gazing on thy holy face,
I all forgot a woe, a wrong,
Sadder, more sacred, e'en than thine.
But now thy strength hath made me strong,
And in my features thou shalt trace,
And in my soul, that I belong
Unto a noble name and race.'
I stood up straight. There was no sign
Of melting in my voice or gaze.
`When shall I go?' I said, `The ways
Are not more ready stretched than I
To start at once, to run, to fly,
Whither thy sharp reproaches point.
Mother, farewell! In every joint
I feel the blood of Poland stir.
She is my mother! I for her
Can lonely live, will lonely die.'
```Kneel then once more!' she said. I knelt,
But this time with unbending brow.
Her face fawned towards me, and I felt
Her lips upon me, tender now.
She took the cross from off her breast,
Passed its cord softly o'er my head:
`I have no sword to give,' she said,
`But you will find one 'mong the dead
That now lie thick-though baffled, blestAmong the forests where, once more,
Poland renews the hopeless strife,
And liberates with lavish gore,
Awhile, the fever of its life.
Listen! There shortly start from hence
Two fresh battalions of the foe,
For Poland bound. They doubtless go
To aid their kindred's violence.
You must march with them o'er the snow.
Nay, start not! must their colours wear,
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Aye, boy! must false allegiance swear
To their detested Pontiff-Czar!
Such perjuries, I tell thee, are
Not heard at Heaven's just judgment-bar.
And if thy lips abhor the lie,
Poland absolves thee-so do I!'
``The hour had come, and face to face
We stood, my mother, there, and I.
We did not fondle nor embrace;
She did not weep, I did not sigh.
I wore the trappings of the race
That battens upon Poland's heart;
So, well I knew that uncaressed,
Unfolded to her craving breast,
I from her must depart.
`Have you the cross?' she asked. I laid
My hand where 'gainst my heart it lay,
But did not speak. `Both night and day,
Brood on it, as a constant maid
Broods on the face that cannot fade,
When he who loves her is away!
It was the one dumb thing on earth
That spoke to me; the only one,
Dead, that was eloquent of birth;
So have I given it thee, my son!
I have no gift of his, no toy,
No trinket, trifle, leaf, nor flower,
Naught to remind me of my joy.
But it was on my breast that hour,
That night, when it, and it alone,
Was 'twixt his bosom and my own.
Go, now! And I will nightly pray
The Queen of Poland, we may meet,
When bitter has been turned to sweet,
And earthly dark to heavenly day!'
I bent. She raised her hands to bless;
And then I went without caress,
And left her to her loneliness.
``Why tell the rest? Too well you know,
Ah! you, free child of Freedom's shore,
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That spurred our hopes, but lent no blow
In aid of all our wasted gore,
How Poland, maddened, rose once more,
And blindly struck at friend and foe.
Why should I tell-the tale, too long!Of the weak writhing 'gainst the strong,
Pricked by reiterated wrong?
The orphaned pillows, rifled roofs,
The sudden rush of trampling hoofs,
The reeking village, blazing town;
The perjured charge, the traitor's mesh,
The virgin's lacerated flesh;
The wail of childhood, helpless fair,
Frenzy itself had stopped to spare;
Priests at the altar stricken down,
Mingling their blood with that of Christ,
While sacrificing, sacrificed;
Chaste spouses of the cloister, weaned
From earth, and from Earth's passions screened,
Shrieking beneath the clutch of fiend,
And outraged, less from lust than hate,
In refuges inviolate.Enough! Had Hell broke loose, and sent
Its demons forth, on man to vent
The tortures God's maligners feign
Heaven vents on them, they would in vain
Have striven to paragon the pain
Poland's oppressors knew to wreak
Upon the sensitive and weak,
When we, the strong, their strength defied,
And Freedom, foiling despots, died.
``I was too late. 'Twas nearly o'er;
But straight I sloughed the garb I wore,
And joined one last determined band,
Who to the border forests clung
That sever from the Tartar's hand
That share of our partitioned land
Which owns a rule more just and bland,
Keeping at least its creed and tongue.
We did not think with fate to cope;
No! vengeance was our only hope,
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And vengeance to me came.
We were pursued by one who gave
No mercy or to faint or brave:
I heard, and knew his name.
'Twas he, whose lust had torn apart
For ever loving heart from heart,
As far as hatred can.
We lay in ambush; they were caught,
And could not fly, so mercy sought.
We slew them, to a man!
He fell to me! One thrust I made,
And at my feet I saw him laid:
I sucked the blood from off my blade:
Christ! it was sweet! aye, sweeter far
Than the smile of home, than the kiss of maid,
Or the glow of the evening star!
``It was the last blow struck. We fled
Across the frontier, each as best
A gap could gain, and left the dead
To stock the unclean raven's nest.
Exile once more, though all the earth
Henceforth lay open to my tread,
All save the one that gave me birth,
I saw no goal except the one
Where, sitting mute in deepest dearth,
The mother waited for the son.
But how? I donned the pedlar's pack,
And started on the trackless track,
Day after day, league after league,
Fatigue slow-linked with slow fatigue,
But ever getting nearer back
Unto the larch-log fire where she
Sat patiently, awaiting me.
And there was yet another sight
Behind, to spur my flagging tread:
The foe, the fiend, I felled in fight,
And gloated over, dead!
Could I have borne his hated head,
And laid it at my mother's feet!
The very thought fresh vigour gave,
And made my final footsteps fleet.
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I raved. You deem that still I rave.
What think you that they found? Her grave.
``Back, back across the cruel waste,
Her tomb behind, my life before;An ebbing wave that raced and raced,
But ne'er could hope to find a shore,
Not e'en a rock 'gainst which to break:
A vista of unending ache,
Trod and endured for no one's sake!
Rather than live without some end,
Such misery fresh woe will make,
And woo misfortune for a friend.
And I, since it was vain to hope
That I could find, where'er I ran,
Solace or happiness, began
For further wretchedness to grope.
Now other object had I none,
From rise of day to set of sun,
Except to seek my sire;
Though well I knew I should not find,
Or finding, curse the fate unkind
That baulked not my desire.
And fate was ruthless to the last.
Five years of bootless search had passed,
And still I sought. But when on fire,
Her roofs delirious Paris saw,
I found him stretched on sordid straw.
He had not fought for crowd or law:
Sooth, had he wished, he could not draw
A sword from scabbard now, nor lift
His body from its borrowed bed.
His brackish life was ebbing swift.
He who had eaten beggar's bread,
And known each sad and sordid shift
That just sustains the exile's tread,
Needed no more the stranger's gift.
I knelt me down beside his head,
And breathed her name into his ear.
There came no start, no word, no tear:
His brain was deaf; he did not know
The difference now 'twixt joy and woe,
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'Twixt love and hate, 'twixt friend and foe,
'Twixt me and any other! Vain
My years of search and sought-for pain.
Yet not quite vain. Upon his breast
A silver locket hung; and when
I stretched my hand to it, he pressed
'Gainst it his own, nor loosed again,
Until he passed away to rest.
I took it when his grasp grew cold,
And lo! it was my mother's face!
Not as I knew her, blanched and old,
But in the glow of youth and grace,
With eyes of heaven and hair of gold,
And all the passion of her race.
I wear it and its rusted chain.
I put her cross there in its place:
The iron cross; yes, cross indeed!
And iron, too! the fitting meed
Of those who for wronged Poland bleed,
And ever bleed in vain!
``Rise quick, ye winds! Race swift, ye waves!
And bear me where blue Danube rolls,
Past Orsova's loud-foaming caves,
On 'twixt armed hosts of rival slaves,
To scatter among Euxine shoals.
Now, do you ask why hence I fly
To join the Moslem camp, and hurl
My poor weak life, foredoomed to die,
On those who Freedom's flag unfurl
For Christian boor and Sclavic churl?Out on the sacrilegious lie!
Robbers, assassins, liars, slaves!
Whose feet are fresh from outraged graves!
Let those among you, dupes, or worse,
Sucklings of falsehood, or its nurse,
Believe that Russian arms can bear
To others aught except a share
In chains themselves consent to wear!
Let them! But I! Did Tartar swords
Storm hell, and Turkish steel defend,
I would the infernal Cause befriend
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Against the worse than demon hordes
Who to the damned would bring fresh curse,
And enter Hell, to make it worse!''
~ Alfred Austin,
1352:Geraint And Enid
O purblind race of miserable men,
How many among us at this very hour
Do forge a life-long trouble for ourselves,
By taking true for false, or false for true;
Here, through the feeble twilight of this world
Groping, how many, until we pass and reach
That other, where we see as we are seen!
So fared it with Geraint, who issuing forth
That morning, when they both had got to horse,
Perhaps because he loved her passionately,
And felt that tempest brooding round his heart,
Which, if he spoke at all, would break perforce
Upon a head so dear in thunder, said:
'Not at my side. I charge thee ride before,
Ever a good way on before; and this
I charge thee, on thy duty as a wife,
Whatever happens, not to speak to me,
No, not a word!' and Enid was aghast;
And forth they rode, but scarce three paces on,
When crying out, 'Effeminate as I am,
I will not fight my way with gilded arms,
All shall be iron;' he loosed a mighty purse,
Hung at his belt, and hurled it toward the squire.
So the last sight that Enid had of home
Was all the marble threshold flashing, strown
With gold and scattered coinage, and the squire
Chafing his shoulder: then he cried again,
'To the wilds!' and Enid leading down the tracks
Through which he bad her lead him on, they past
The marches, and by bandit-haunted holds,
Gray swamps and pools, waste places of the hern,
And wildernesses, perilous paths, they rode:
Round was their pace at first, but slackened soon:
A stranger meeting them had surely thought
They rode so slowly and they looked so pale,
That each had suffered some exceeding wrong.
For he was ever saying to himself,
'O I that wasted time to tend upon her,
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To compass her with sweet observances,
To dress her beautifully and keep her true'-And there he broke the sentence in his heart
Abruptly, as a man upon his tongue
May break it, when his passion masters him.
And she was ever praying the sweet heavens
To save her dear lord whole from any wound.
And ever in her mind she cast about
For that unnoticed failing in herself,
Which made him look so cloudy and so cold;
Till the great plover's human whistle amazed
Her heart, and glancing round the waste she feared
In ever wavering brake an ambuscade.
Then thought again, 'If there be such in me,
I might amend it by the grace of Heaven,
If he would only speak and tell me of it.'
But when the fourth part of the day was gone,
Then Enid was aware of three tall knights
On horseback, wholly armed, behind a rock
In shadow, waiting for them, caitiffs all;
And heard one crying to his fellow, 'Look,
Here comes a laggard hanging down his head,
Who seems no bolder than a beaten hound;
Come, we will slay him and will have his horse
And armour, and his damsel shall be ours.'
Then Enid pondered in her heart, and said:
'I will go back a little to my lord,
And I will tell him all their caitiff talk;
For, be he wroth even to slaying me,
Far liefer by his dear hand had I die,
Than that my lord should suffer loss or shame.'
Then she went back some paces of return,
Met his full frown timidly firm, and said;
'My lord, I saw three bandits by the rock
Waiting to fall on you, and heard them boast
That they would slay you, and possess your horse
And armour, and your damsel should be theirs.'
He made a wrathful answer: 'Did I wish
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Your warning or your silence? one command
I laid upon you, not to speak to me,
And thus ye keep it! Well then, look--for now,
Whether ye wish me victory or defeat,
Long for my life, or hunger for my death,
Yourself shall see my vigour is not lost.'
Then Enid waited pale and sorrowful,
And down upon him bare the bandit three.
And at the midmost charging, Prince Geraint
Drave the long spear a cubit through his breast
And out beyond; and then against his brace
Of comrades, each of whom had broken on him
A lance that splintered like an icicle,
Swung from his brand a windy buffet out
Once, twice, to right, to left, and stunned the twain
Or slew them, and dismounting like a man
That skins the wild beast after slaying him,
Stript from the three dead wolves of woman born
The three gay suits of armour which they wore,
And let the bodies lie, but bound the suits
Of armour on their horses, each on each,
And tied the bridle-reins of all the three
Together, and said to her, 'Drive them on
Before you;' and she drove them through the waste.
He followed nearer; ruth began to work
Against his anger in him, while he watched
The being he loved best in all the world,
With difficulty in mild obedience
Driving them on: he fain had spoken to her,
And loosed in words of sudden fire the wrath
And smouldered wrong that burnt him all within;
But evermore it seemed an easier thing
At once without remorse to strike her dead,
Than to cry 'Halt,' and to her own bright face
Accuse her of the least immodesty:
And thus tongue-tied, it made him wroth the more
That she COULD speak whom his own ear had heard
Call herself false: and suffering thus he made
Minutes an age: but in scarce longer time
Than at Caerleon the full-tided Usk,
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Before he turn to fall seaward again,
Pauses, did Enid, keeping watch, behold
In the first shallow shade of a deep wood,
Before a gloom of stubborn-shafted oaks,
Three other horsemen waiting, wholly armed,
Whereof one seemed far larger than her lord,
And shook her pulses, crying, 'Look, a prize!
Three horses and three goodly suits of arms,
And all in charge of whom? a girl: set on.'
'Nay,' said the second, 'yonder comes a knight.'
The third, 'A craven; how he hangs his head.'
The giant answered merrily, 'Yea, but one?
Wait here, and when he passes fall upon him.'
And Enid pondered in her heart and said,
'I will abide the coming of my lord,
And I will tell him all their villainy.
My lord is weary with the fight before,
And they will fall upon him unawares.
I needs must disobey him for his good;
How should I dare obey him to his harm?
Needs must I speak, and though he kill me for it,
I save a life dearer to me than mine.'
And she abode his coming, and said to him
With timid firmness, 'Have I leave to speak?'
He said, 'Ye take it, speaking,' and she spoke.
'There lurk three villains yonder in the wood,
And each of them is wholly armed, and one
Is larger-limbed than you are, and they say
That they will fall upon you while ye pass.'
To which he flung a wrathful answer back:
'And if there were an hundred in the wood,
And every man were larger-limbed than I,
And all at once should sally out upon me,
I swear it would not ruffle me so much
As you that not obey me. Stand aside,
And if I fall, cleave to the better man.'
And Enid stood aside to wait the event,
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Not dare to watch the combat, only breathe
Short fits of prayer, at every stroke a breath.
And he, she dreaded most, bare down upon him.
Aimed at the helm, his lance erred; but Geraint's,
A little in the late encounter strained,
Struck through the bulky bandit's corselet home,
And then brake short, and down his enemy rolled,
And there lay still; as he that tells the tale
Saw once a great piece of a promontory,
That had a sapling growing on it, slide
From the long shore-cliff's windy walls to the beach,
And there lie still, and yet the sapling grew:
So lay the man transfixt. His craven pair
Of comrades making slowlier at the Prince,
When now they saw their bulwark fallen, stood;
On whom the victor, to confound them more,
Spurred with his terrible war-cry; for as one,
That listens near a torrent mountain-brook,
All through the crash of the near cataract hears
The drumming thunder of the huger fall
At distance, were the soldiers wont to hear
His voice in battle, and be kindled by it,
And foemen scared, like that false pair who turned
Flying, but, overtaken, died the death
Themselves had wrought on many an innocent.
Thereon Geraint, dismounting, picked the lance
That pleased him best, and drew from those dead wolves
Their three gay suits of armour, each from each,
And bound them on their horses, each on each,
And tied the bridle-reins of all the three
Together, and said to her, 'Drive them on
Before you,' and she drove them through the wood.
He followed nearer still: the pain she had
To keep them in the wild ways of the wood,
Two sets of three laden with jingling arms,
Together, served a little to disedge
The sharpness of that pain about her heart:
And they themselves, like creatures gently born
But into bad hands fallen, and now so long
By bandits groomed, pricked their light ears, and felt
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Her low firm voice and tender government.
So through the green gloom of the wood they past,
And issuing under open heavens beheld
A little town with towers, upon a rock,
And close beneath, a meadow gemlike chased
In the brown wild, and mowers mowing in it:
And down a rocky pathway from the place
There came a fair-haired youth, that in his hand
Bare victual for the mowers: and Geraint
Had ruth again on Enid looking pale:
Then, moving downward to the meadow ground,
He, when the fair-haired youth came by him, said,
'Friend, let her eat; the damsel is so faint.'
'Yea, willingly,' replied the youth; 'and thou,
My lord, eat also, though the fare is coarse,
And only meet for mowers;' then set down
His basket, and dismounting on the sward
They let the horses graze, and ate themselves.
And Enid took a little delicately,
Less having stomach for it than desire
To close with her lord's pleasure; but Geraint
Ate all the mowers' victual unawares,
And when he found all empty, was amazed;
And 'Boy,' said he, 'I have eaten all, but take
A horse and arms for guerdon; choose the best.'
He, reddening in extremity of delight,
'My lord, you overpay me fifty-fold.'
'Ye will be all the wealthier,' cried the Prince.
'I take it as free gift, then,' said the boy,
'Not guerdon; for myself can easily,
While your good damsel rests, return, and fetch
Fresh victual for these mowers of our Earl;
For these are his, and all the field is his,
And I myself am his; and I will tell him
How great a man thou art: he loves to know
When men of mark are in his territory:
And he will have thee to his palace here,
And serve thee costlier than with mowers' fare.'
Then said Geraint, 'I wish no better fare:
I never ate with angrier appetite
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Than when I left your mowers dinnerless.
And into no Earl's palace will I go.
I know, God knows, too much of palaces!
And if he want me, let him come to me.
But hire us some fair chamber for the night,
And stalling for the horses, and return
With victual for these men, and let us know.'
'Yea, my kind lord,' said the glad youth, and went,
Held his head high, and thought himself a knight,
And up the rocky pathway disappeared,
Leading the horse, and they were left alone.
But when the Prince had brought his errant eyes
Home from the rock, sideways he let them glance
At Enid, where she droopt: his own false doom,
That shadow of mistrust should never cross
Betwixt them, came upon him, and he sighed;
Then with another humorous ruth remarked
The lusty mowers labouring dinnerless,
And watched the sun blaze on the turning scythe,
And after nodded sleepily in the heat.
But she, remembering her old ruined hall,
And all the windy clamour of the daws
About her hollow turret, plucked the grass
There growing longest by the meadow's edge,
And into many a listless annulet,
Now over, now beneath her marriage ring,
Wove and unwove it, till the boy returned
And told them of a chamber, and they went;
Where, after saying to her, 'If ye will,
Call for the woman of the house,' to which
She answered, 'Thanks, my lord;' the two remained
Apart by all the chamber's width, and mute
As two creatures voiceless through the fault of birth,
Or two wild men supporters of a shield,
Painted, who stare at open space, nor glance
The one at other, parted by the shield.
On a sudden, many a voice along the street,
And heel against the pavement echoing, burst
Their drowse; and either started while the door,
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Pushed from without, drave backward to the wall,
And midmost of a rout of roisterers,
Femininely fair and dissolutely pale,
Her suitor in old years before Geraint,
Entered, the wild lord of the place, Limours.
He moving up with pliant courtliness,
Greeted Geraint full face, but stealthily,
In the mid-warmth of welcome and graspt hand,
Found Enid with the corner of his eye,
And knew her sitting sad and solitary.
Then cried Geraint for wine and goodly cheer
To feed the sudden guest, and sumptuously
According to his fashion, bad the host
Call in what men soever were his friends,
And feast with these in honour of their Earl;
'And care not for the cost; the cost is mine.'
And wine and food were brought, and Earl Limours
Drank till he jested with all ease, and told
Free tales, and took the word and played upon it,
And made it of two colours; for his talk,
When wine and free companions kindled him,
Was wont to glance and sparkle like a gem
Of fifty facets; thus he moved the Prince
To laughter and his comrades to applause.
Then, when the Prince was merry, asked Limours,
'Your leave, my lord, to cross the room, and speak
To your good damsel there who sits apart,
And seems so lonely?' 'My free leave,' he said;
'Get her to speak: she doth not speak to me.'
Then rose Limours, and looking at his feet,
Like him who tries the bridge he fears may fail,
Crost and came near, lifted adoring eyes,
Bowed at her side and uttered whisperingly:
'Enid, the pilot star of my lone life,
Enid, my early and my only love,
Enid, the loss of whom hath turned me wild-What chance is this? how is it I see you here?
Ye are in my power at last, are in my power.
Yet fear me not: I call mine own self wild,
But keep a touch of sweet civility
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Here in the heart of waste and wilderness.
I thought, but that your father came between,
In former days you saw me favourably.
And if it were so do not keep it back:
Make me a little happier: let me know it:
Owe you me nothing for a life half-lost?
Yea, yea, the whole dear debt of all you are.
And, Enid, you and he, I see with joy,
Ye sit apart, you do not speak to him,
You come with no attendance, page or maid,
To serve you--doth he love you as of old?
For, call it lovers' quarrels, yet I know
Though men may bicker with the things they love,
They would not make them laughable in all eyes,
Not while they loved them; and your wretched dress,
A wretched insult on you, dumbly speaks
Your story, that this man loves you no more.
Your beauty is no beauty to him now:
A common chance--right well I know it--palled-For I know men: nor will ye win him back,
For the man's love once gone never returns.
But here is one who loves you as of old;
With more exceeding passion than of old:
Good, speak the word: my followers ring him round:
He sits unarmed; I hold a finger up;
They understand: nay; I do not mean blood:
Nor need ye look so scared at what I say:
My malice is no deeper than a moat,
No stronger than a wall: there is the keep;
He shall not cross us more; speak but the word:
Or speak it not; but then by Him that made me
The one true lover whom you ever owned,
I will make use of all the power I have.
O pardon me! the madness of that hour,
When first I parted from thee, moves me yet.'
At this the tender sound of his own voice
And sweet self-pity, or the fancy of it,
Made his eye moist; but Enid feared his eyes,
Moist as they were, wine-heated from the feast;
And answered with such craft as women use,
Guilty or guiltless, to stave off a chance
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That breaks upon them perilously, and said:
'Earl, if you love me as in former years,
And do not practise on me, come with morn,
And snatch me from him as by violence;
Leave me tonight: I am weary to the death.'
Low at leave-taking, with his brandished plume
Brushing his instep, bowed the all-amorous Earl,
And the stout Prince bad him a loud good-night.
He moving homeward babbled to his men,
How Enid never loved a man but him,
Nor cared a broken egg-shell for her lord.
But Enid left alone with Prince Geraint,
Debating his command of silence given,
And that she now perforce must violate it,
Held commune with herself, and while she held
He fell asleep, and Enid had no heart
To wake him, but hung o'er him, wholly pleased
To find him yet unwounded after fight,
And hear him breathing low and equally.
Anon she rose, and stepping lightly, heaped
The pieces of his armour in one place,
All to be there against a sudden need;
Then dozed awhile herself, but overtoiled
By that day's grief and travel, evermore
Seemed catching at a rootless thorn, and then
Went slipping down horrible precipices,
And strongly striking out her limbs awoke;
Then thought she heard the wild Earl at the door,
With all his rout of random followers,
Sound on a dreadful trumpet, summoning her;
Which was the red cock shouting to the light,
As the gray dawn stole o'er the dewy world,
And glimmered on his armour in the room.
And once again she rose to look at it,
But touched it unawares: jangling, the casque
Fell, and he started up and stared at her.
Then breaking his command of silence given,
She told him all that Earl Limours had said,
Except the passage that he loved her not;
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Nor left untold the craft herself had used;
But ended with apology so sweet,
Low-spoken, and of so few words, and seemed
So justified by that necessity,
That though he thought 'was it for him she wept
In Devon?' he but gave a wrathful groan,
Saying, 'Your sweet faces make good fellows fools
And traitors. Call the host and bid him bring
Charger and palfrey.' So she glided out
Among the heavy breathings of the house,
And like a household Spirit at the walls
Beat, till she woke the sleepers, and returned:
Then tending her rough lord, though all unasked,
In silence, did him service as a squire;
Till issuing armed he found the host and cried,
'Thy reckoning, friend?' and ere he learnt it, 'Take
Five horses and their armours;' and the host
Suddenly honest, answered in amaze,
'My lord, I scarce have spent the worth of one!'
'Ye will be all the wealthier,' said the Prince,
And then to Enid, 'Forward! and today
I charge you, Enid, more especially,
What thing soever ye may hear, or see,
Or fancy (though I count it of small use
To charge you) that ye speak not but obey.'
And Enid answered, 'Yea, my lord, I know
Your wish, and would obey; but riding first,
I hear the violent threats you do not hear,
I see the danger which you cannot see:
Then not to give you warning, that seems hard;
Almost beyond me: yet I would obey.'
'Yea so,' said he, 'do it: be not too wise;
Seeing that ye are wedded to a man,
Not all mismated with a yawning clown,
But one with arms to guard his head and yours,
With eyes to find you out however far,
And ears to hear you even in his dreams.'
With that he turned and looked as keenly at her
As careful robins eye the delver's toil;
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And that within her, which a wanton fool,
Or hasty judger would have called her guilt,
Made her cheek burn and either eyelid fall.
And Geraint looked and was not satisfied.
Then forward by a way which, beaten broad,
Led from the territory of false Limours
To the waste earldom of another earl,
Doorm, whom his shaking vassals called the Bull,
Went Enid with her sullen follower on.
Once she looked back, and when she saw him ride
More near by many a rood than yestermorn,
It wellnigh made her cheerful; till Geraint
Waving an angry hand as who should say
'Ye watch me,' saddened all her heart again.
But while the sun yet beat a dewy blade,
The sound of many a heavily-galloping hoof
Smote on her ear, and turning round she saw
Dust, and the points of lances bicker in it.
Then not to disobey her lord's behest,
And yet to give him warning, for he rode
As if he heard not, moving back she held
Her finger up, and pointed to the dust.
At which the warrior in his obstinacy,
Because she kept the letter of his word,
Was in a manner pleased, and turning, stood.
And in the moment after, wild Limours,
Borne on a black horse, like a thunder-cloud
Whose skirts are loosened by the breaking storm,
Half ridden off with by the thing he rode,
And all in passion uttering a dry shriek,
Dashed down on Geraint, who closed with him, and bore
Down by the length of lance and arm beyond
The crupper, and so left him stunned or dead,
And overthrew the next that followed him,
And blindly rushed on all the rout behind.
But at the flash and motion of the man
They vanished panic-stricken, like a shoal
Of darting fish, that on a summer morn
Adown the crystal dykes at Camelot
Come slipping o'er their shadows on the sand,
But if a man who stands upon the brink
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But lift a shining hand against the sun,
There is not left the twinkle of a fin
Betwixt the cressy islets white in flower;
So, scared but at the motion of the man,
Fled all the boon companions of the Earl,
And left him lying in the public way;
So vanish friendships only made in wine.
Then like a stormy sunlight smiled Geraint,
Who saw the chargers of the two that fell
Start from their fallen lords, and wildly fly,
Mixt with the flyers. 'Horse and man,' he said,
'All of one mind and all right-honest friends!
Not a hoof left: and I methinks till now
Was honest--paid with horses and with arms;
I cannot steal or plunder, no nor beg:
And so what say ye, shall we strip him there
Your lover? has your palfrey heart enough
To bear his armour? shall we fast, or dine?
No?--then do thou, being right honest, pray
That we may meet the horsemen of Earl Doorm,
I too would still be honest.' Thus he said:
And sadly gazing on her bridle-reins,
And answering not one word, she led the way.
But as a man to whom a dreadful loss
Falls in a far land and he knows it not,
But coming back he learns it, and the loss
So pains him that he sickens nigh to death;
So fared it with Geraint, who being pricked
In combat with the follower of Limours,
Bled underneath his armour secretly,
And so rode on, nor told his gentle wife
What ailed him, hardly knowing it himself,
Till his eye darkened and his helmet wagged;
And at a sudden swerving of the road,
Though happily down on a bank of grass,
The Prince, without a word, from his horse fell.
And Enid heard the clashing of his fall,
Suddenly came, and at his side all pale
Dismounting, loosed the fastenings of his arms,
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Nor let her true hand falter, nor blue eye
Moisten, till she had lighted on his wound,
And tearing off her veil of faded silk
Had bared her forehead to the blistering sun,
And swathed the hurt that drained her dear lord's life.
Then after all was done that hand could do,
She rested, and her desolation came
Upon her, and she wept beside the way.
And many past, but none regarded her,
For in that realm of lawless turbulence,
A woman weeping for her murdered mate
Was cared as much for as a summer shower:
One took him for a victim of Earl Doorm,
Nor dared to waste a perilous pity on him:
Another hurrying past, a man-at-arms,
Rode on a mission to the bandit Earl;
Half whistling and half singing a coarse song,
He drove the dust against her veilless eyes:
Another, flying from the wrath of Doorm
Before an ever-fancied arrow, made
The long way smoke beneath him in his fear;
At which her palfrey whinnying lifted heel,
And scoured into the coppices and was lost,
While the great charger stood, grieved like a man.
But at the point of noon the huge Earl Doorm,
Broad-faced with under-fringe of russet beard,
Bound on a foray, rolling eyes of prey,
Came riding with a hundred lances up;
But ere he came, like one that hails a ship,
Cried out with a big voice, 'What, is he dead?'
'No, no, not dead!' she answered in all haste.
'Would some of your people take him up,
And bear him hence out of this cruel sun?
Most sure am I, quite sure, he is not dead.'
Then said Earl Doorm: 'Well, if he be not dead,
Why wail ye for him thus? ye seem a child.
And be he dead, I count you for a fool;
Your wailing will not quicken him: dead or not,
Ye mar a comely face with idiot tears.
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Yet, since the face IS comely--some of you,
Here, take him up, and bear him to our hall:
An if he live, we will have him of our band;
And if he die, why earth has earth enough
To hide him. See ye take the charger too,
A noble one.'
He spake, and past away,
But left two brawny spearmen, who advanced,
Each growling like a dog, when his good bone
Seems to be plucked at by the village boys
Who love to vex him eating, and he fears
To lose his bone, and lays his foot upon it,
Gnawing and growling: so the ruffians growled,
Fearing to lose, and all for a dead man,
Their chance of booty from the morning's raid,
Yet raised and laid him on a litter-bier,
Such as they brought upon their forays out
For those that might be wounded; laid him on it
All in the hollow of his shield, and took
And bore him to the naked hall of Doorm,
(His gentle charger following him unled)
And cast him and the bier in which he lay
Down on an oaken settle in the hall,
And then departed, hot in haste to join
Their luckier mates, but growling as before,
And cursing their lost time, and the dead man,
And their own Earl, and their own souls, and her.
They might as well have blest her: she was deaf
To blessing or to cursing save from one.
So for long hours sat Enid by her lord,
There in the naked hall, propping his head,
And chafing his pale hands, and calling to him.
Till at the last he wakened from his swoon,
And found his own dear bride propping his head,
And chafing his faint hands, and calling to him;
And felt the warm tears falling on his face;
And said to his own heart, 'She weeps for me:'
And yet lay still, and feigned himself as dead,
That he might prove her to the uttermost,
And say to his own heart, 'She weeps for me.'
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But in the falling afternoon returned
The huge Earl Doorm with plunder to the hall.
His lusty spearmen followed him with noise:
Each hurling down a heap of things that rang
Against his pavement, cast his lance aside,
And doffed his helm: and then there fluttered in,
Half-bold, half-frighted, with dilated eyes,
A tribe of women, dressed in many hues,
And mingled with the spearmen: and Earl Doorm
Struck with a knife's haft hard against the board,
And called for flesh and wine to feed his spears.
And men brought in whole hogs and quarter beeves,
And all the hall was dim with steam of flesh:
And none spake word, but all sat down at once,
And ate with tumult in the naked hall,
Feeding like horses when you hear them feed;
Till Enid shrank far back into herself,
To shun the wild ways of the lawless tribe.
But when Earl Doorm had eaten all he would,
He rolled his eyes about the hall, and found
A damsel drooping in a corner of it.
Then he remembered her, and how she wept;
And out of her there came a power upon him;
And rising on the sudden he said, 'Eat!
I never yet beheld a thing so pale.
God's curse, it makes me mad to see you weep.
Eat! Look yourself. Good luck had your good man,
For were I dead who is it would weep for me?
Sweet lady, never since I first drew breath
Have I beheld a lily like yourself.
And so there lived some colour in your cheek,
There is not one among my gentlewomen
Were fit to wear your slipper for a glove.
But listen to me, and by me be ruled,
And I will do the thing I have not done,
For ye shall share my earldom with me, girl,
And we will live like two birds in one nest,
And I will fetch you forage from all fields,
For I compel all creatures to my will.'
He spoke: the brawny spearman let his cheek
Bulge with the unswallowed piece, and turning stared;
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While some, whose souls the old serpent long had drawn
Down, as the worm draws in the withered leaf
And makes it earth, hissed each at other's ear
What shall not be recorded--women they,
Women, or what had been those gracious things,
But now desired the humbling of their best,
Yea, would have helped him to it: and all at once
They hated her, who took no thought of them,
But answered in low voice, her meek head yet
Drooping, 'I pray you of your courtesy,
He being as he is, to let me be.'
She spake so low he hardly heard her speak,
But like a mighty patron, satisfied
With what himself had done so graciously,
Assumed that she had thanked him, adding, 'Yea,
Eat and be glad, for I account you mine.'
She answered meekly, 'How should I be glad
Henceforth in all the world at anything,
Until my lord arise and look upon me?'
Here the huge Earl cried out upon her talk,
As all but empty heart and weariness
And sickly nothing; suddenly seized on her,
And bare her by main violence to the board,
And thrust the dish before her, crying, 'Eat.'
'No, no,' said Enid, vext, 'I will not eat
Till yonder man upon the bier arise,
And eat with me.' 'Drink, then,' he answered. 'Here!'
(And filled a horn with wine and held it to her,)
'Lo! I, myself, when flushed with fight, or hot,
God's curse, with anger--often I myself,
Before I well have drunken, scarce can eat:
Drink therefore and the wine will change thy will.'
'Not so,' she cried, 'by Heaven, I will not drink
Till my dear lord arise and bid me do it,
And drink with me; and if he rise no more,
I will not look at wine until I die.'
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At this he turned all red and paced his hall,
Now gnawed his under, now his upper lip,
And coming up close to her, said at last:
'Girl, for I see ye scorn my courtesies,
Take warning: yonder man is surely dead;
And I compel all creatures to my will.
Not eat nor drink? And wherefore wail for one,
Who put your beauty to this flout and scorn
By dressing it in rags? Amazed am I,
Beholding how ye butt against my wish,
That I forbear you thus: cross me no more.
At least put off to please me this poor gown,
This silken rag, this beggar-woman's weed:
I love that beauty should go beautifully:
For see ye not my gentlewomen here,
How gay, how suited to the house of one
Who loves that beauty should go beautifully?
Rise therefore; robe yourself in this: obey.'
He spoke, and one among his gentlewomen
Displayed a splendid silk of foreign loom,
Where like a shoaling sea the lovely blue
Played into green, and thicker down the front
With jewels than the sward with drops of dew,
When all night long a cloud clings to the hill,
And with the dawn ascending lets the day
Strike where it clung: so thickly shone the gems.
But Enid answered, harder to be moved
Than hardest tyrants in their day of power,
With life-long injuries burning unavenged,
And now their hour has come; and Enid said:
'In this poor gown my dear lord found me first,
And loved me serving in my father's hall:
In this poor gown I rode with him to court,
And there the Queen arrayed me like the sun:
In this poor gown he bad me clothe myself,
When now we rode upon this fatal quest
Of honour, where no honour can be gained:
And this poor gown I will not cast aside
Until himself arise a living man,
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And bid me cast it. I have griefs enough:
Pray you be gentle, pray you let me be:
I never loved, can never love but him:
Yea, God, I pray you of your gentleness,
He being as he is, to let me be.'
Then strode the brute Earl up and down his hall,
And took his russet beard between his teeth;
Last, coming up quite close, and in his mood
Crying, 'I count it of no more avail,
Dame, to be gentle than ungentle with you;
Take my salute,' unknightly with flat hand,
However lightly, smote her on the cheek.
Then Enid, in her utter helplessness,
And since she thought, 'He had not dared to do it,
Except he surely knew my lord was dead,'
Sent forth a sudden sharp and bitter cry,
As of a wild thing taken in the trap,
Which sees the trapper coming through the wood.
This heard Geraint, and grasping at his sword,
(It lay beside him in the hollow shield),
Made but a single bound, and with a sweep of it
Shore through the swarthy neck, and like a ball
The russet-bearded head rolled on the floor.
So died Earl Doorm by him he counted dead.
And all the men and women in the hall
Rose when they saw the dead man rise, and fled
Yelling as from a spectre, and the two
Were left alone together, and he said:
'Enid, I have used you worse than that dead man;
Done you more wrong: we both have undergone
That trouble which has left me thrice your own:
Henceforward I will rather die than doubt.
And here I lay this penance on myself,
Not, though mine own ears heard you yestermorn-You thought me sleeping, but I heard you say,
I heard you say, that you were no true wife:
I swear I will not ask your meaning in it:
I do believe yourself against yourself,
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And will henceforward rather die than doubt.'
And Enid could not say one tender word,
She felt so blunt and stupid at the heart:
She only prayed him, 'Fly, they will return
And slay you; fly, your charger is without,
My palfrey lost.' 'Then, Enid, shall you ride
Behind me.' 'Yea,' said Enid, 'let us go.'
And moving out they found the stately horse,
Who now no more a vassal to the thief,
But free to stretch his limbs in lawful fight,
Neighed with all gladness as they came, and stooped
With a low whinny toward the pair: and she
Kissed the white star upon his noble front,
Glad also; then Geraint upon the horse
Mounted, and reached a hand, and on his foot
She set her own and climbed; he turned his face
And kissed her climbing, and she cast her arms
About him, and at once they rode away.
And never yet, since high in Paradise
O'er the four rivers the first roses blew,
Came purer pleasure unto mortal kind
Than lived through her, who in that perilous hour
Put hand to hand beneath her husband's heart,
And felt him hers again: she did not weep,
But o'er her meek eyes came a happy mist
Like that which kept the heart of Eden green
Before the useful trouble of the rain:
Yet not so misty were her meek blue eyes
As not to see before them on the path,
Right in the gateway of the bandit hold,
A knight of Arthur's court, who laid his lance
In rest, and made as if to fall upon him.
Then, fearing for his hurt and loss of blood,
She, with her mind all full of what had chanced,
Shrieked to the stranger 'Slay not a dead man!'
'The voice of Enid,' said the knight; but she,
Beholding it was Edyrn son of Nudd,
Was moved so much the more, and shrieked again,
'O cousin, slay not him who gave you life.'
And Edyrn moving frankly forward spake:
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'My lord Geraint, I greet you with all love;
I took you for a bandit knight of Doorm;
And fear not, Enid, I should fall upon him,
Who love you, Prince, with something of the love
Wherewith we love the Heaven that chastens us.
For once, when I was up so high in pride
That I was halfway down the slope to Hell,
By overthrowing me you threw me higher.
Now, made a knight of Arthur's Table Round,
And since I knew this Earl, when I myself
Was half a bandit in my lawless hour,
I come the mouthpiece of our King to Doorm
(The King is close behind me) bidding him
Disband himself, and scatter all his powers,
Submit, and hear the judgment of the King.'
'He hears the judgment of the King of kings,'
Cried the wan Prince; 'and lo, the powers of Doorm
Are scattered,' and he pointed to the field,
Where, huddled here and there on mound and knoll,
Were men and women staring and aghast,
While some yet fled; and then he plainlier told
How the huge Earl lay slain within his hall.
But when the knight besought him, 'Follow me,
Prince, to the camp, and in the King's own ear
Speak what has chanced; ye surely have endured
Strange chances here alone;' that other flushed,
And hung his head, and halted in reply,
Fearing the mild face of the blameless King,
And after madness acted question asked:
Till Edyrn crying, 'If ye will not go
To Arthur, then will Arthur come to you,'
'Enough,' he said, 'I follow,' and they went.
But Enid in their going had two fears,
One from the bandit scattered in the field,
And one from Edyrn. Every now and then,
When Edyrn reined his charger at her side,
She shrank a little. In a hollow land,
From which old fires have broken, men may fear
Fresh fire and ruin. He, perceiving, said:
'Fair and dear cousin, you that most had cause
165
To fear me, fear no longer, I am changed.
Yourself were first the blameless cause to make
My nature's prideful sparkle in the blood
Break into furious flame; being repulsed
By Yniol and yourself, I schemed and wrought
Until I overturned him; then set up
(With one main purpose ever at my heart)
My haughty jousts, and took a paramour;
Did her mock-honour as the fairest fair,
And, toppling over all antagonism,
So waxed in pride, that I believed myself
Unconquerable, for I was wellnigh mad:
And, but for my main purpose in these jousts,
I should have slain your father, seized yourself.
I lived in hope that sometime you would come
To these my lists with him whom best you loved;
And there, poor cousin, with your meek blue eyes
The truest eyes that ever answered Heaven,
Behold me overturn and trample on him.
Then, had you cried, or knelt, or prayed to me,
I should not less have killed him. And so you came,-But once you came,--and with your own true eyes
Beheld the man you loved (I speak as one
Speaks of a service done him) overthrow
My proud self, and my purpose three years old,
And set his foot upon me, and give me life.
There was I broken down; there was I saved:
Though thence I rode all-shamed, hating the life
He gave me, meaning to be rid of it.
And all the penance the Queen laid upon me
Was but to rest awhile within her court;
Where first as sullen as a beast new-caged,
And waiting to be treated like a wolf,
Because I knew my deeds were known, I found,
Instead of scornful pity or pure scorn,
Such fine reserve and noble reticence,
Manners so kind, yet stately, such a grace
Of tenderest courtesy, that I began
To glance behind me at my former life,
And find that it had been the wolf's indeed:
And oft I talked with Dubric, the high saint,
Who, with mild heat of holy oratory,
166
Subdued me somewhat to that gentleness,
Which, when it weds with manhood, makes a man.
And you were often there about the Queen,
But saw me not, or marked not if you saw;
Nor did I care or dare to speak with you,
But kept myself aloof till I was changed;
And fear not, cousin; I am changed indeed.'
He spoke, and Enid easily believed,
Like simple noble natures, credulous
Of what they long for, good in friend or foe,
There most in those who most have done them ill.
And when they reached the camp the King himself
Advanced to greet them, and beholding her
Though pale, yet happy, asked her not a word,
But went apart with Edyrn, whom he held
In converse for a little, and returned,
And, gravely smiling, lifted her from horse,
And kissed her with all pureness, brother-like,
And showed an empty tent allotted her,
And glancing for a minute, till he saw her
Pass into it, turned to the Prince, and said:
'Prince, when of late ye prayed me for my leave
To move to your own land, and there defend
Your marches, I was pricked with some reproof,
As one that let foul wrong stagnate and be,
By having looked too much through alien eyes,
And wrought too long with delegated hands,
Not used mine own: but now behold me come
To cleanse this common sewer of all my realm,
With Edyrn and with others: have ye looked
At Edyrn? have ye seen how nobly changed?
This work of his is great and wonderful.
His very face with change of heart is changed.
The world will not believe a man repents:
And this wise world of ours is mainly right.
Full seldom doth a man repent, or use
Both grace and will to pick the vicious quitch
Of blood and custom wholly out of him,
And make all clean, and plant himself afresh.
Edyrn has done it, weeding all his heart
167
As I will weed this land before I go.
I, therefore, made him of our Table Round,
Not rashly, but have proved him everyway
One of our noblest, our most valorous,
Sanest and most obedient: and indeed
This work of Edyrn wrought upon himself
After a life of violence, seems to me
A thousand-fold more great and wonderful
Than if some knight of mine, risking his life,
My subject with my subjects under him,
Should make an onslaught single on a realm
Of robbers, though he slew them one by one,
And were himself nigh wounded to the death.'
So spake the King; low bowed the Prince, and felt
His work was neither great nor wonderful,
And past to Enid's tent; and thither came
The King's own leech to look into his hurt;
And Enid tended on him there; and there
Her constant motion round him, and the breath
Of her sweet tendance hovering over him,
Filled all the genial courses of his blood
With deeper and with ever deeper love,
As the south-west that blowing Bala lake
Fills all the sacred Dee. So past the days.
But while Geraint lay healing of his hurt,
The blameless King went forth and cast his eyes
On each of all whom Uther left in charge
Long since, to guard the justice of the King:
He looked and found them wanting; and as now
Men weed the white horse on the Berkshire hills
To keep him bright and clean as heretofore,
He rooted out the slothful officer
Or guilty, which for bribe had winked at wrong,
And in their chairs set up a stronger race
With hearts and hands, and sent a thousand men
To till the wastes, and moving everywhere
Cleared the dark places and let in the law,
And broke the bandit holds and cleansed the land.
Then, when Geraint was whole again, they past
168
With Arthur to Caerleon upon Usk.
There the great Queen once more embraced her friend,
And clothed her in apparel like the day.
And though Geraint could never take again
That comfort from their converse which he took
Before the Queen's fair name was breathed upon,
He rested well content that all was well.
Thence after tarrying for a space they rode,
And fifty knights rode with them to the shores
Of Severn, and they past to their own land.
And there he kept the justice of the King
So vigorously yet mildly, that all hearts
Applauded, and the spiteful whisper died:
And being ever foremost in the chase,
And victor at the tilt and tournament,
They called him the great Prince and man of men.
But Enid, whom her ladies loved to call
Enid the Fair, a grateful people named
Enid the Good; and in their halls arose
The cry of children, Enids and Geraints
Of times to be; nor did he doubt her more,
But rested in her falty, till he crowned
A happy life with a fair death, and fell
Against the heathen of the Northern Sea
In battle, fighting for the blameless King.
~ Alfred Lord Tennyson,
1353:Avon's Harvest
Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.
So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.
So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
29
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;
And that would be for me as long a time
As I remembered Avon—who is yet
Not quite forgotten. On the other hand,
For saying nothing I might have with me always
An injured and recriminating ghost
Of a dead friend. The more I pondered it
The more I knew there was not much to lose,
Albeit for one whose delving hitherto
Had been a forage of his own affairs,
The quest, however golden the reward,
Was irksome—and as Avon suddenly
And soon was driven to let me see, was needless.
It seemed an age ago that we were there
One evening in the room that in the days
When they could laugh he called the Library.
“He calls it that, you understand,” she said,
“Because the dictionary always lives here.
He’s not a man of books, yet he can read,
And write. He learned it all at school.”—He smiled,
And answered with a fervor that rang then
Superfluous: “Had I learned a little more
At school, it might have been as well for me.”
And I remember now that he paused then,
Leaving a silence that one had to break.
But this was long ago, and there was now
No laughing in that house. We were alone
This time, and it was Avon’s time to talk.
I waited, and anon became aware
That I was looking less at Avon’s eyes
Than at the dictionary, like one asking
30
Already why we make so much of words
That have so little weight in the true balance.
“Your name is Resignation for an hour,”
He said; “and I’m a little sorry for you.
So be resigned. I shall not praise your work,
Or strive in any way to make you happy.
My purpose only is to make you know
How clearly I have known that you have known
There was a reason waited on your coming,
And, if it’s in me to see clear enough,
To fish the reason out of a black well
Where you see only a dim sort of glimmer
That has for you no light.”
“I see the well,”
I said, “but there’s a doubt about the glimmer—
Say nothing of the light. I’m at your service;
And though you say that I shall not be happy,
I shall be if in some way I may serve.
To tell you fairly now that I know nothing
Is nothing more than fair.”—“You know as much
As any man alive—save only one man,
If he’s alive. Whether he lives or not
Is rather for time to answer than for me;
And that’s a reason, or a part of one,
For your appearance here. You do not know him,
And even if you should pass him in the street
He might go by without your feeling him
Between you and the world. I cannot say
Whether he would, but I suppose he might.”
“And I suppose you might, if urged,” I said,
“Say in what water it is that we are fishing.
You that have reasons hidden in a well,
Not mentioning all your nameless friends that walk
The streets and are not either dead or living
For company, are surely, one would say
To be forgiven if you may seem distraught—
I mean distrait. I don’t know what I mean.
I only know that I am at your service,
Always, yet with a special reservation
That you may deem eccentric. All the same
31
Unless your living dead man comes to life,
Or is less indiscriminately dead,
I shall go home.”
“No, you will not go home,”
Said Avon; “or I beg that you will not.”
So saying, he went slowly to the door
And turned the key. “Forgive me and my manners,
But I would be alone with you this evening.
The key, as you observe, is in the lock;
And you may sit between me and the door,
Or where you will. You have my word of honor
That I would spare you the least injury
That might attend your presence here this evening.”
“I thank you for your soothing introduction,
Avon,” I said. “Go on. The Lord giveth,
The Lord taketh away. I trust myself
Always to you and to your courtesy.
Only remember that I cling somewhat
Affectionately to the old tradition.”—
“I understand you and your part,” said Avon;
“And I dare say it’s well enough, tonight,
We play around the circumstance a little.
I’ve read of men that half way to the stake
Would have their little joke. It’s well enough;
Rather a waste of time, but well enough.”
I listened as I waited, and heard steps
Outside of one who paused and then went on;
And, having heard, I might as well have seen
The fear in his wife’s eyes. He gazed away,
As I could see, in helpless thought of her,
And said to me: “Well, then, it was like this.
Some tales will have a deal of going back .
In them before they are begun. But this one
Begins in the beginning—when he came.
I was a boy at school, sixteen years old,
And on my way, in all appearances,
To mark an even-tempered average
Among the major mediocrities
Who serve and earn with no especial noise
32
Or vast reward. I saw myself, even then,
A light for no high shining; and I feared
No boy or man—having, in truth, no cause.
I was enough a leader to be free,
And not enough a hero to be jealous.
Having eyes and ears, I knew that I was envied,
And as a proper sort of compensation
Had envy of my own for two or three—
But never felt, and surely never gave,
The wound of any more malevolence
Than decent youth, defeated for a day,
May take to bed with him and kill with sleep.
So, and so far, my days were going well,
And would have gone so, but for the black tiger
That many of us fancy is in waiting,
But waits for most of us in fancy only.
For me there was no fancy in his coming,
Though God knows I had never summoned him,
Or thought of him. To this day I’m adrift
And in the dark, out of all reckoning,
To find a reason why he ever was,
Or what was ailing Fate when he was born
On this alleged God-ordered earth of ours.
Now and again there comes one of his kind—
By chance, we say. I leave all that to you.
Whether it was an evil chance alone,
Or some invidious juggling of the stars,
Or some accrued arrears of ancestors
Who throve on debts that I was here to pay,
Or sins within me that I knew not of,
Or just a foretaste of what waits in hell
For those of us who cannot love a worm,—
Whatever it was, or whence or why it was,
One day there came a stranger to the school.
And having had one mordacious glimpse of him
That filled my eyes and was to fill my life,
I have known Peace only as one more word
Among the many others we say over
That have an airy credit of no meaning.
One of these days, if I were seeing many
To live, I might erect a cenotaph
To Job’s wife. I assume that you remember;
33
If you forget, she’s extant in your Bible.”
Now this was not the language of a man
Whom I had known as Avon, and I winced
Hearing it—though I knew that in my heart
There was no visitation of surprise.
Unwelcome as it was, and off the key
Calamitously, it overlived a silence
That was itself a story and affirmed
A savage emphasis of honesty
That I would only gladly have attuned
If possible, to vinous innovation.
But his indifferent wassailing was always
Too far within the measure of excess
For that; and then there were those eyes of his.
Avon indeed had kept his word with me,
And there was not much yet to make me happy.
“So there we were,” he said, “we two together,
Breathing one air. And how shall I go on
To say by what machinery the slow net
Of my fantastic and increasing hate
Was ever woven as it was around us?
I cannot answer; and you need not ask
What undulating reptile he was like,
For such a worm as I discerned in him
Was never yet on earth or in the ocean,
Or anywhere else than in my sense of him.
Had all I made of him been tangible,
The Lord must have invented long ago
Some private and unspeakable new monster
Equipped for such a thing’s extermination;
Whereon the monster, seeing no other monster
Worth biting, would have died with his work done.
There’s a humiliation in it now,
As there was then, and worse than there was then;
For then there was the boy to shoulder it
Without the sickening weight of added years
Galling him to the grave. Beware of hate
That has no other boundary than the grave
Made for it, or for ourselves. Beware, I say;
And I’m a sorry one, I fear, to say it,
34
Though for the moment we may let that go
And while I’m interrupting my own story
I’ll ask of you the favor of a look
Into the street. I like it when it’s empty.
There’s only one man walking? Let him walk.
I wish to God that all men might walk always,
And so, being busy, love one another more.”
“Avon,” I said, now in my chair again,
“Although I may not be here to be happy,
If you are careless, I may have to laugh.
I have disliked a few men in my life,
But never to the scope of wishing them
To this particular pedestrian hell
Of your affection. I should not like that.
Forgive me, for this time it was your fault.”
He drummed with all his fingers on his chair,
And, after a made smile of acquiescence,
Took up again the theme of his aversion,
Which now had flown along with him alone
For twenty years, like Io’s evil insect,
To sting him when it would. The decencies
Forbade that I should look at him for ever,
Yet many a time I found myself ashamed
Of a long staring at him, and as often
Essayed the dictionary on the table,
Wondering if in its interior
There was an uncompanionable word
To say just what was creeping in my hair,
At which my scalp would shrink,—at which, again,
I would arouse myself with a vain scorn,
Remembering that all this was in New York—
As if that were somehow the banishing
For ever of all unseemly presences—
And listen to the story of my friend,
Who, as I feared, was not for me to save,
And, as I knew, knew also that I feared it.
“Humiliation,” he began again,
“May be or not the best of all bad names
I might employ; and if you scent remorse,
35
There may be growing such a flower as that
In the unsightly garden where I planted,
Not knowing the seed or what was coming of it.
I’ve done much wondering if I planted it;
But our poor wonder, when it comes too late,
Fights with a lath, and one that solid fact
Breaks while it yawns and looks another way
For a less negligible adversary.
Away with wonder, then; though I’m at odds
With conscience, even tonight, for good assurance
That it was I, or chance and I together,
Did all that sowing. If I seem to you
To be a little bitten by the question,
Without a miracle it might be true;
The miracle is to me that I’m not eaten
Long since to death of it, and that you sit
With nothing more agreeable than a ghost.
If you had thought a while of that, you might,
Unhappily, not have come; and your not coming
Would have been desolation—not for you,
God save the mark!—for I would have you here.
I shall not be alone with you to listen;
And I should be far less alone tonight
With you away, make what you will of that.
“I said that we were going back to school,
And we may say that we are there—with him.
This fellow had no friend, and, as for that,
No sign of an apparent need of one,
Save always and alone—myself. He fixed
His heart and eyes on me, insufferably,—
And in a sort of Nemesis-like way,
Invincibly. Others who might have given
A welcome even to him, or I’ll suppose so—
Adorning an unfortified assumption
With gold that might come off with afterthought—
Got never, if anything, more out of him
Than a word flung like refuse in their faces,
And rarely that. For God knows what good reason,
He lavished his whole altered arrogance
On me; and with an overweening skill,
Which had sometimes almost a cringing in it,
36
Found a few flaws in my tight mail of hate
And slowly pricked a poison into me
In which at first I failed at recognizing
An unfamiliar subtle sort of pity.
But so it was, and I believe he knew it;
Though even to dream it would have been absurd—
Until I knew it, and there was no need
Of dreaming. For the fellow’s indolence,
And his malignant oily swarthiness
Housing a reptile blood that I could see
Beneath it, like hereditary venom
Out of old human swamps, hardly revealed
Itself the proper spawning-ground of pity.
But so it was. Pity, or something like it,
Was in the poison of his proximity;
For nothing else that I have any name for
Could have invaded and so mastered me
With a slow tolerance that eventually
Assumed a blind ascendency of custom
That saw not even itself. When I came in,
Often I’d find him strewn along my couch
Like an amorphous lizard with its clothes on,
Reading a book and waiting for its dinner.
His clothes were always odiously in order,
Yet I should not have thought of him as clean—
Not even if he had washed himself to death
Proving it. There was nothing right about him.
Then he would search, never quite satisfied,
Though always in a measure confident,
My eyes to find a welcome waiting in them,
Unwilling, as I see him now, to know
That it would never be there. Looking back,
I am not sure that he would not have died
For me, if I were drowning or on fire,
Or that I would not rather have let myself
Die twice than owe the debt of my survival
To him, though he had lost not even his clothes.
No, there was nothing right about that fellow;
And after twenty years to think of him
I should be quite as helpless now to serve him
As I was then. I mean—without my story.
Be patient, and you’ll see just what I mean—
37
Which is to say, you won’t. But you can listen,
And that’s itself a large accomplishment
Uncrowned; and may be, at a time like this,
A mighty charity. It was in January
This evil genius came into our school,
And it was June when he went out of it—
If I may say that he was wholly out
Of any place that I was in thereafter.
But he was not yet gone. When we are told
By Fate to bear what we may never bear,
Fate waits a little while to see what happens;
And this time it was only for the season
Between the swift midwinter holidays
And the long progress into weeks and months
Of all the days that followed—with him there
To make them longer. I would have given an eye,
Before the summer came, to know for certain
That I should never be condemned again
To see him with the other; and all the while
There was a battle going on within me
Of hate that fought remorse—if you must have it—
Never to win,… never to win but once,
And having won, to lose disastrously,
And as it was to prove, interminably—
Or till an end of living may annul,
If so it be, the nameless obligation
That I have not the Christian revenue
In me to pay. A man who has no gold,
Or an equivalent, shall pay no gold
Until by chance or labor or contrivance
He makes it his to pay; and he that has
No kindlier commodity than hate,
Glossed with a pity that belies itself
In its negation and lacks alchemy
To fuse itself to—love, would you have me say?
I don’t believe it. No, there is no such word.
If I say tolerance, there’s no more to say.
And he who sickens even in saying that—
What coin of God has he to pay the toll
To peace on earth? Good will to men—oh, yes!
That’s easy; and it means no more than sap,
Until we boil the water out of it
38
Over the fire of sacrifice. I’ll do it;
And in a measurable way I’ve done it—
But not for him. What are you smiling at?
Well, so it went until a day in June.
We were together under an old elm,
Which now, I hope, is gone—though it’s a crime
In me that I should have to wish the death
Of such a tree as that. There were no trees
Like those that grew at school—until he came.
We stood together under it that day,
When he, by some ungovernable chance,
All foreign to the former crafty care
That he had used never to cross my favor,
Told of a lie that stained a friend of mine
With a false blot that a few days washed off.
A trifle now, but a boy’s honor then—
Which then was everything. There were some words
Between us, but I don’t remember them.
All I remember is a bursting flood
Of half a year’s accumulated hate,
And his incredulous eyes before I struck him.
He had gone once too far; and when he knew it,
He knew it was all over; and I struck him.
Pound for pound, he was the better brute;
But bulking in the way then of my fist
And all there was alive in me to drive it,
Three of him misbegotten into one
Would have gone down like him—and being larger,
Might have bled more, if that were necessary.
He came up soon; and if I live for ever,
The vengeance in his eyes, and a weird gleam
Of desolation—it I make you see it—
Will be before me as it is tonight.
I shall not ever know how long it was
I waited his attack that never came;
It might have been an instant or an hour
That I stood ready there, watching his eyes,
And the tears running out of them. They made
Me sick, those tears; for I knew, miserably,
They were not there for any pain he felt.
I do not think he felt the pain at all.
He felt the blow.… Oh, the whole thing was bad—
39
So bad that even the bleaching suns and rains
Of years that wash away to faded lines,
Or blot out wholly, the sharp wrongs and ills
Of youth, have had no cleansing agent in them
To dim the picture. I still see him going
Away from where I stood; and I shall see him
Longer, sometime, than I shall see the face
Of whosoever watches by the bed
On which I die—given I die that way.
I doubt if he could reason his advantage
In living any longer after that
Among the rest of us. The lad he slandered,
Or gave a negative immunity
No better than a stone he might have thrown
Behind him at his head, was of the few
I might have envied; and for that being known,
My fury became sudden history,
And I a sudden hero. But the crown
I wore was hot; and I would happily
Have hurled it, if I could, so far away
That over my last hissing glimpse of it
There might have closed an ocean. He went home
The next day, and the same unhappy chance
That first had fettered me and my aversion
To his unprofitable need of me
Brought us abruptly face to face again
Beside the carriage that had come for him.
We met, and for a moment we were still—
Together. But I was reading in his eyes
More than I read at college or at law
In years that followed. There was blankly nothing
For me to say, if not that I was sorry;
And that was more than hate would let me say—
Whatever the truth might be. At last he spoke,
And I could see the vengeance in his eyes,
And a cold sorrow—which, if I had seen
Much more of it, might yet have mastered me.
But I would see no more of it. ‘Well, then,’
He said, ‘have you thought yet of anything
Worth saying? If so, there’s time. If you are silent,
I shall know where you are until you die.’
I can still hear him saying those words to me
40
Again, without a loss or an addition;
I know, for I have heard them ever since.
And there was in me not an answer for them
Save a new roiling silence. Once again
I met his look, and on his face I saw
There was a twisting in the swarthiness
That I had often sworn to be the cast
Of his ophidian mind. He had no soul.
There was to be no more of him—not then.
The carriage rolled away with him inside,
Leaving the two of us alive together
In the same hemisphere to hate each other.
I don’t know now whether he’s here alive,
Or whether he’s here dead. But that, of course,
As you would say, is only a tired man’s fancy.
You know that I have driven the wheels too fast
Of late, and all for gold I do not need.
When are we mortals to be sensible,
Paying no more for life than life is worth?
Better for us, no doubt, we do not know
How much we pay or what it is we buy.”
He waited, gazing at me as if asking
The worth of what the universe had for sale
For one confessed remorse. Avon, I knew,
Had driven the wheels too fast, and not for gold.
“If you had given him then your hand,” I said,
“And spoken, though it strangled you, the truth,
I should not have the melancholy honor
Of sitting here alone with you this evening.
If only you had shaken hands with him,
And said the truth, he would have gone his way.
And you your way. He might have wished you dead,
But he would not have made you miserable.
At least,” I added, indefensibly,
“That’s what I hope is true.”
He pitied me,
But had the magnanimity not to say so.
“If only we had shaken hands,” he said,
“And I had said the truth, we might have been
In half a moment rolling on the gravel.
41
If I had said the truth, I should have said
That never at any moment on the clock
Above us in the tower since his arrival
Had I been in a more proficient mood
To throttle him. If you had seen his eyes
As I did, and if you had seen his face
At work as I did, you might understand.
I was ashamed of it, as I am now,
But that’s the prelude to another theme;
For now I’m saying only what had happened
If I had taken his hand and said the truth.
The wise have cautioned us that where there’s hate
There’s also fear. The wise are right sometimes.
There may be now, but there was no fear then.
There was just hatred, hauled up out of hell
For me to writhe in; and I writhed in it.”
I saw that he was writhing in it still;
But having a magnanimity myself,
I waited. There was nothing else to do
But wait, and to remember that his tale,
Though well along, as I divined it was,
Yet hovered among shadows and regrets
Of twenty years ago. When he began
Again to speak, I felt them coming nearer.
“Whenever your poet or your philosopher
Has nothing richer for us,” he resumed,
“He burrows among remnants, like a mouse
In a waste-basket, and with much dry noise
Comes up again, having found Time at the bottom
And filled himself with its futility.
‘Time is at once,’ he says, to startle us,
‘A poison for us, if we make it so,
And, if we make it so, an antidote
For the same poison that afflicted us.’
I’m witness to the poison, but the cure
Of my complaint is not, for me, in Time.
There may be doctors in eternity
To deal with it, but they are not here now.
There’s no specific for my three diseases
That I could swallow, even if I should find it,
42
And I shall never find it here on earth.”
“Mightn’t it be as well, my friend,” I said,
“For you to contemplate the uncompleted
With not such an infernal certainty?”
“And mightn’t it be as well for you, my friend,”
Said Avon, “to be quiet while I go on?
When I am done, then you may talk all night—
Like a physician who can do no good,
But knows how soon another would have his fee
Were he to tell the truth. Your fee for this
Is in my gratitude and my affection;
And I’m not eager to be calling in
Another to take yours away from you,
Whatever it’s worth. I like to think I know.
Well then, again. The carriage rolled away
With him inside; and so it might have gone
For ten years rolling on, with him still in it,
For all it was I saw of him. Sometimes
I heard of him, but only as one hears
Of leprosy in Boston or New York
And wishes it were somewhere else. He faded
Out of my scene—yet never quite out of it:
‘I shall know where you are until you die,’
Were his last words; and they are the same words
That I received thereafter once a year,
Infallibly on my birthday, with no name;
Only a card, and the words printed on it.
No, I was never rid of him—not quite;
Although on shipboard, on my way from here
To Hamburg, I believe that I forgot him.
But once ashore, I should have been half ready
To meet him there, risen up out of the ground,
With hoofs and horns and tail and everything.
Believe me, there was nothing right about him,
Though it was not in Hamburg that I found him.
Later, in Rome, it was we found each other,
For the first time since we had been at school.
There was the same slow vengeance in his eyes
When he saw mine, and there was a vicious twist
On his amphibious face that might have been
43
On anything else a smile—rather like one
We look for on the stage than in the street.
I must have been a yard away from him
Yet as we passed I felt the touch of him
Like that of something soft in a dark room.
There’s hardly need of saying that we said nothing,
Or that we gave each other an occasion
For more than our eyes uttered. He was gone
Before I knew it, like a solid phantom;
And his reality was for me some time
In its achievement—given that one’s to be
Convinced that such an incubus at large
Was ever quite real. The season was upon us
When there are fitter regions in the world—
Though God knows he would have been safe enough—
Than Rome for strayed Americans to live in,
And when the whips of their itineraries
Hurry them north again. I took my time,
Since I was paying for it, and leisurely
Went where I would—though never again to move
Without him at my elbow or behind me.
My shadow of him, wherever I found myself,
Might horribly as well have been the man—
Although I should have been afraid of him
No more than of a large worm in a salad.
I should omit the salad, certainly,
And wish the worm elsewhere. And so he was,
In fact; yet as I go on to grow older,
I question if there’s anywhere a fact
That isn’t the malevolent existence
Of one man who is dead, or is not dead,
Or what the devil it is that he may be.
There must be, I suppose, a fact somewhere,
But I don’t know it. I can only tell you
That later, when to all appearances
I stood outside a music-hall in London,
I felt him and then saw that he was there.
Yes, he was there, and had with him a woman
Who looked as if she didn’t know. I’m sorry
To this day for that woman—who, no doubt,
Is doing well. Yes, there he was again;
There were his eyes and the same vengeance in them
44
That I had seen in Rome and twice before—
Not mentioning all the time, or most of it,
Between the day I struck him and that evening.
That was the worst show that I ever saw,
But you had better see it for yourself
Before you say so too. I went away,
Though not for any fear that I could feel
Of him or of his worst manipulations,
But only to be out of the same air
That made him stay alive in the same world
With all the gentlemen that were in irons
For uncommendable extravagances
That I should reckon slight compared with his
Offence of being. Distance would have made him
A moving fly-speck on the map of life,—
But he would not be distant, though his flesh
And bone might have been climbing Fujiyama
Or Chimborazo—with me there in London,
Or sitting here. My doom it was to see him,
Be where I might. That was ten years ago;
And having waited season after season
His always imminent evil recrudescence,
And all for nothing, I was waiting still,
When the Titanic touched a piece of ice
And we were for a moment where we are,
With nature laughing at us. When the noise
Had spent itself to names, his was among them;
And I will not insult you or myself
With a vain perjury. I was far from cold.
It seemed as for the first time in my life
I knew the blessedness of being warm;
And I remember that I had a drink,
Having assuredly no need of it.
Pity a fool for his credulity,
If so you must. But when I found his name
Among the dead, I trusted once the news;
And after that there were no messages
In ambush waiting for me on my birthday.
There was no vestige yet of any fear,
You understand—if that’s why you are smiling.”
I said that I had not so much as whispered
45
The name aloud of any fear soever,
And that I smiled at his unwonted plunge
Into the perilous pool of Dionysus.
“Well, if you are so easily diverted
As that,” he said, drumming his chair again,
“You will be pleased, I think, with what is coming;
And though there be divisions and departures,
Imminent from now on, for your diversion
I’ll do the best I can. More to the point,
I know a man who if his friends were like him
Would live in the woods all summer and all winter,
Leaving the town and its iniquities
To die of their own dust. But having his wits,
Henceforth he may conceivably avoid
The adventure unattended. Last October
He took me with him into the Maine woods,
Where, by the shore of a primeval lake,
With woods all round it, and a voyage away
From anything wearing clothes, he had reared somehow
A lodge, or camp, with a stone chimney in it,
And a wide fireplace to make men forget
Their sins who sat before it in the evening,
Hearing the wind outside among the trees
And the black water washing on the shore.
I never knew the meaning of October
Until I went with Asher to that place,
Which I shall not investigate again
Till I be taken there by other forces
Than are innate in my economy.
‘You may not like it,’ Asher said, ‘but Asher
Knows what is good. So put your faith in Asher,
And come along with him. He’s an odd bird,
Yet I could wish for the world’s decency
There might be more of him. And so it was
I found myself, at first incredulous,
Down there with Asher in the wilderness,
Alive at last with a new liberty
And with no sore to fester. He perceived
In me an altered favor of God’s works,
And promptly took upon himself the credit,
Which, in a fashion, was as accurate
As one’s interpretation of another
46
Is like to be. So for a frosty fortnight
We had the sunlight with us on the lake,
And the moon with us when the sun was down.
‘God gave his adjutants a holiday,’
Asher assured me, ‘when He made this place’;
And I agreed with him that it was heaven,—
Till it was hell for me for then and after.
“There was a village miles away from us
Where now and then we paddled for the mail
And incidental small commodities
That perfect exile might require, and stayed
The night after the voyage with an antique
Survival of a broader world than ours
Whom Asher called The Admiral. This time,
A little out of sorts and out of tune
With paddling, I let Asher go alone,
Sure that his heart was happy. Then it was
That hell came. I sat gazing over there
Across the water, watching the sun’s last fire
Above those gloomy and indifferent trees
That might have been a wall around the world,
When suddenly, like faces over the lake,
Out of the silence of that other shore
I was aware of hidden presences
That soon, no matter how many of them there were,
Would all be one. I could not look behind me,
Where I could hear that one of them was breathing,
For, if I did, those others over there
Might all see that at last I was afraid;
And I might hear them without seeing them,
Seeing that other one. You were not there;
And it is well for you that you don’t know
What they are like when they should not be there.
And there were chilly doubts of whether or not
I should be seeing the rest that I should see
With eyes, or otherwise. I could not be sure;
And as for going over to find out,
All I may tell you now is that my fear
Was not the fear of dying, though I knew soon
That all the gold in all the sunken ships
That have gone down since Tyre would not have paid
47
For me the ferriage of myself alone
To that infernal shore. I was in hell,
Remember; and if you have never been there
You may as well not say how easy it is
To find the best way out. There may not be one.
Well, I was there; and I was there alone—
Alone for the first time since I was born;
And I was not alone. That’s what it is
To be in hell. I hope you will not go there.
All through that slow, long, desolating twilight
Of incoherent certainties, I waited;
Never alone—never to be alone;
And while the night grew down upon me there,
I thought of old Prometheus in the story
That I had read at school, and saw mankind
All huddled into clusters in the dark,
Calling to God for light. There was a light
Coming for them, but there was none for me
Until a shapeless remnant of a moon
Rose after midnight over the black trees
Behind me. I should hardly have confessed
The heritage then of my identity
To my own shadow; for I was powerless there,
As I am here. Say what you like to say
To silence, but say none of it to me
Tonight. To say it now would do no good,
And you are here to listen. Beware of hate,
And listen. Beware of hate, remorse, and fear,
And listen. You are staring at the damned,
But yet you are no more the one than he
To say that it was he alone who planted
The flower of death now growing in his garden.
Was it enough, I wonder, that I struck him?
I shall say nothing. I shall have to wait
Until I see what’s coming, if it comes,
When I’m a delver in another garden—
If such an one there be. If there be none,
All’s well—and over. Rather a vain expense,
One might affirm—yet there is nothing lost.
Science be praised that there is nothing lost.”
I’m glad the venom that was on his tongue
48
May not go down on paper; and I’m glad
No friend of mine alive, far as I know,
Has a tale waiting for me with an end
Like Avon’s. There was here an interruption,
Though not a long one—only while we heard,
As we had heard before, the ghost of steps
Faintly outside. We knew that she was there
Again; and though it was a kindly folly,
I wished that Avon’s wife would go to sleep.
“I was afraid, this time, but not of man—
Or man as you may figure him,” he said.
“It was not anything my eyes had seen
That I could feel around me in the night,
There by that lake. If I had been alone,
There would have been the joy of being free,
Which in imagination I had won
With unimaginable expiation—
But I was not alone. If you had seen me,
Waiting there for the dark and looking off
Over the gloom of that relentless water,
Which had the stillness of the end of things
That evening on it, I might well have made
For you the picture of the last man left
Where God, in his extinction of the rest,
Had overlooked him and forgotten him.
Yet I was not alone. Interminably
The minutes crawled along and over me,
Slow, cold, intangible, and invisible,
As if they had come up out of that water.
How long I sat there I shall never know,
For time was hidden out there in the black lake,
Which now I could see only as a glimpse
Of black light by the shore. There were no stars
To mention, and the moon was hours away
Behind me. There was nothing but myself,
And what was coming. On my breast I felt
The touch of death, and I should have died then.
I ruined good Asher’s autumn as it was,
For he will never again go there alone,
If ever he goes at all. Nature did ill
To darken such a faith in her as his,
49
Though he will have it that I had the worst
Of her defection, and will hear no more
Apologies. If it had to be for someone,
I think it well for me it was for Asher.
I dwell on him, meaning that you may know him
Before your last horn blows. He has a name
That’s like a tree, and therefore like himself—
By which I mean you find him where you leave him.
I saw him and The Admiral together
While I was in the dark, but they were far—
Far as around the world from where I was;
And they knew nothing of what I saw not
While I knew only I was not alone.
I made a fire to make the place alive,
And locked the door. But even the fire was dead,
And all the life there was was in the shadow
It made of me. My shadow was all of me;
The rest had had its day, and there was night
Remaining—only night, that’s made for shadows,
Shadows and sleep and dreams, or dreams without it.
The fire went slowly down, and now the moon,
Or that late wreck of it, was coming up;
And though it was a martyr’s work to move,
I must obey my shadow, and I did.
There were two beds built low against the wall,
And down on one of them, with all my clothes on,
Like a man getting into his own grave,
I lay—and waited. As the firelight sank,
The moonlight, which had partly been consumed
By the black trees, framed on the other wall
A glimmering window not far from the ground.
The coals were going, and only a few sparks
Were there to tell of them; and as they died
The window lightened, and I saw the trees.
They moved a little, but I could not move,
More than to turn my face the other way;
And then, if you must have it so, I slept.
We’ll call it so—if sleep is your best name
For a sort of conscious, frozen catalepsy
Wherein a man sees all there is around him
As if it were not real, and he were not
Alive. You may call it anything you please
50
That made me powerless to move hand or foot,
Or to make any other living motion
Than after a long horror, without hope,
To turn my face again the other way.
Some force that was not mine opened my eyes,
And, as I knew it must be,—it was there.”
Avon covered his eyes—whether to shut
The memory and the sight of it away,
Or to be sure that mine were for the moment
Not searching his with pity, is now no matter.
My glance at him was brief, turning itself
To the familiar pattern of his rug,
Wherein I may have sought a consolation—
As one may gaze in sorrow on a shell,
Or a small apple. So it had come, I thought;
And heard, no longer with a wonderment,
The faint recurring footsteps of his wife,
Who, knowing less than I knew, yet knew more.
Now I could read, I fancied, through the fear
That latterly was living in her eyes,
To the sure source of its authority.
But he went on, and I was there to listen:
“And though I saw it only as a blot
Between me and my life, it was enough
To make me know that he was watching there—
Waiting for me to move, or not to move,
Before he moved. Sick as I was with hate
Reborn, and chained with fear that was more than fear,
I would have gambled all there was to gain
Or lose in rising there from where I lay
And going out after it. ‘Before the dawn,’
I reasoned, ‘there will be a difference here.
Therefore it may as well be done outside.’
And then I found I was immovable,
As I had been before; and a dead sweat
Rolled out of me as I remembered him
When I had seen him leaving me at school.
‘I shall know where you are until you die,’
Were the last words that I had heard him say;
And there he was. Now I could see his face,
51
And all the sad, malignant desperation
That was drawn on it after I had struck him,
And on my memory since that afternoon.
But all there was left now for me to do
Was to lie there and see him while he squeezed
His unclean outlines into the dim room,
And half erect inside, like a still beast
With a face partly man’s, came slowly on
Along the floor to the bed where I lay,
And waited. There had been so much of waiting,
Through all those evil years before my respite—
Which now I knew and recognized at last
As only his more venomous preparation
For the vile end of a deceiving peace—
That I began to fancy there was on me
The stupor that explorers have alleged
As evidence of nature’s final mercy
When tigers have them down upon the earth
And wild hot breath is heavy on their faces.
I could not feel his breath, but I could hear it;
Though fear had made an anvil of my heart
Where demons, for the joy of doing it,
Were sledging death down on it. And I saw
His eyes now, as they were, for the first time—
Aflame as they had never been before
With all their gathered vengeance gleaming in them,
And always that unconscionable sorrow
That would not die behind it. Then I caught
The shadowy glimpse of an uplifted arm,
And a moon-flash of metal. That was all.…
“When I believed I was alive again
I was with Asher and The Admiral,
Whom Asher had brought with him for a day
With nature. They had found me when they came;
And there was not much left of me to find.
I had not moved or known that I was there
Since I had seen his eyes and felt his breath;
And it was not for some uncertain hours
After they came that either would say how long
That might have been. It should have been much longer.
All you may add will be your own invention,
52
For I have told you all there is to tell.
Tomorrow I shall have another birthday,
And with it there may come another message—
Although I cannot see the need of it,
Or much more need of drowning, if that’s all
Men drown for—when they drown. You know as much
As I know about that, though I’ve a right,
If not a reason, to be on my guard;
And only God knows what good that will do.
Now you may get some air. Good night!—and thank you.”
He smiled, but I would rather he had not.
I wished that Avon’s wife would go to sleep,
But whether she found sleep that night or not
I do not know. I was awake for hours,
Toiling in vain to let myself believe
That Avon’s apparition was a dream,
And that he might have added, for romance,
The part that I had taken home with me
For reasons not in Avon’s dictionary.
But each recurrent memory of his eyes,
And of the man himself that I had known
So long and well, made soon of all my toil
An evanescent and a vain evasion;
And it was half as in expectancy
That I obeyed the summons of his wife
A little before dawn, and was again
With Avon in the room where I had left him,
But not with the same Avon I had left.
The doctor, an august authority,
With eminence abroad as well as here,
Looked hard at me as if I were the doctor
And he the friend. “I have had eyes on Avon
For more than half a year,” he said to me,
“And I have wondered often what it was
That I could see that I was not to see.
Though he was in the chair where you are looking,
I told his wife—I had to tell her something—
It was a nightmare and an aneurism;
And so, or partly so, I’ll say it was.
The last without the first will be enough
For the newspapers and the undertaker;
53
Yet if we doctors were not all immune
From death, disease, and curiosity,
My diagnosis would be sorry for me.
He died, you know, because he was afraid—
And he had been afraid for a long time;
And we who knew him well would all agree
To fancy there was rather more than fear.
The door was locked inside—they broke it in
To find him—but she heard him when it came.
There are no signs of any visitors,
Or need of them. If I were not a child
Of science, I should say it was the devil.
I don’t believe it was another woman,
And surely it was not another man.”
~ Edwin Arlington Robinson,
1354:Is it the same Sordello in the dusk
As at the dawn?merely a perished husk
Now, that arose a power fit to build
Up Rome again? The proud conception chilled
So soon? Ay, watch that latest dream of thine
A Rome indebted to no Palatine
Drop arch by arch, Sordello! Art possessed
Of thy wish now, rewarded for thy quest
To-day among Ferrara's squalid sons?
Are this and this and this the shining ones
Meet for the Shining City? Sooth to say,
Your favoured tenantry pursue their way
After a fashion! This companion slips
On the smooth causey, t' other blinkard trips
At his mooned sandal. "Leave to lead the brawls
"Here i' the atria?" No, friend! He that sprawls
On aught but a stibadium . . . what his dues
Who puts the lustral vase to such an use?
Oh, huddle up the day's disasters! March,
Ye runagates, and drop thou, arch by arch,
Rome!
   Yet before they quite disbanda whim
Study mere shelter, now, for him, and him,
Nay, even the worst,just house them! Any cave
Suffices: throw out earth! A loophole? Brave!
They ask to feel the sun shine, see the grass
Grow, hear the larks sing? Dead art thou, alas,
And I am dead! But here's our son excels
At hurdle-weaving any Scythian, fells
Oak and devises rafters, dreams and shapes
His dream into a door-post, just escapes
The mystery of hinges. Lie we both
Perdue another age. The goodly growth
Of brick and stone! Our building-pelt was rough,
But that descendant's garb suits well enough
A portico-contriver. Speed the years
What 's time to us? At last, a city rears
Itself! nay, enterwhat's the grave to us?
Lo, our forlorn acquaintance carry thus
The head! Successively sewer, forum, cirque
Last age, an aqueduct was counted work,
But now they tire the artificer upon
Blank alabaster, black obsidion,
Careful, Jove's face be duly fulgurant,
And mother Venus' kiss-creased nipples pant
Back into pristine pulpiness, ere fixed
Above the baths. What difference betwixt
This Rome and oursresemblance what, between
That scurvy dumb-show and this pageant sheen
These Romans and our rabble? Use thy wit!
The work marched: step by step,a workman fit
Took each, nor too fit,to one task, one time,
No leaping o'er the petty to the prime,
When just the substituting osier lithe
For brittle bulrush, sound wood for soft withe,
To further loam-and-roughcast-work a stage,
Exacts an architect, exacts an age:
No tables of the Mauritanian tree
For men whose maple log 's their luxury!
That way was Rome built. "Better" (say you) "merge
"At once all workmen in the demiurge,
"All epochs in a lifetime, every task
"In one!" So should the sudden city bask
I' the daywhile those we 'd feast there, want the knack
Of keeping fresh-chalked gowns from speck and brack,
Distinguish not rare peacock from vile swan,
Nor Mareotic juice from Ccuban.
"Enough of Rome! 'T was happy to conceive
"Rome on a sudden, nor shall fate bereave
"Me of that credit: for the rest, her spite
"Is an old storyserves my folly right
"By adding yet another to the dull
"List of abortionsthings proved beautiful
"Could they be done, Sordello cannot do."
He sat upon the terrace, plucked and threw
The powdery aloe-cusps away, saw shift
Rome's walls, and drop arch after arch, and drift
Mist-like afar those pillars of all stripe,
Mounds of all majesty. "Thou archetype,
"Last of my dreams and loveliest, depart!"
And then a low voice wound into his heart:
"Sordello!" (low as some old Pythoness
Conceding to a Lydian King's distress
The cause of his long errorone mistake
Of her past oracle) "Sordello, wake!
"God has conceded two sights to a man
"One, of men's whole work, time's completed plan,
"The other, of the minute's work, man's first
"Step to the plan's completeness: what's dispersed
"Save hope of that supreme step which, descried
"Earliest, was meant still to remain untried
"Only to give you heart to take your own
"Step, and there stay, leaving the rest alone?
"Where is the vanity? Why count as one
"The first step, with the last step? What is gone
"Except Rome's ary magnificence,
"That last step you 'd take first?an evidence
"You were God: be man now! Let those glances fall!
"The basis, the beginning step of all,
"Which proves you just a manis that gone too?
"Pity to disconcert one versed as you
"In fate's ill-nature! but its full extent
"Eludes Sordello, even: the veil rent,
"Read the black writingthat collective man
"Outstrips the individual. Who began
"The acknowledged greatnesses? Ay, your own art
"Shall serve us: put the poet's mimes apart
"Close with the poet's self, and lo, a dim
"Yet too plain form divides itself from him!
"Alcamo's song enmeshes the lulled Isle,
"Woven into the echoes left erewhile
"By Nina, one soft web of song: no more
"Turning his name, then, flower-like o'er and o'er!
"An elder poet in the younger's place;
"Nina's the strength, but Alcamo's the grace:
"Each neutralizes each then! Search your fill;
"You get no whole and perfect Poetstill
"New Ninas, Alcamos, till time's mid-night
"Shrouds allor better say, the shutting light
"Of a forgotten yesterday. Dissect
"Every ideal workman(to reject
"In favour of your fearful ignorance
"The thousand phantasms eager to advance,
"And point you but to those within your reach)
"Were you the first who brought(in modern speech)
"The Multitude to be materialized?
"That loose eternal unrestwho devised
"An apparition i' the midst? The rout
"Was checked, a breathless ring was formed about
"That sudden flower: get round at any risk
"The gold-rough pointel, silver-blazing disk
"O' the lily! Swords across it! Reign thy reign
"And serve thy frolic service, Charlemagne!
"The very child of over-joyousness,
"Unfeeling thence, strong therefore: Strength by stress
"Of Strength comes of that forehead confident,
"Those widened eyes expecting heart's content,
"A calm as out of just-quelled noise; nor swerves
"For doubt, the ample cheek in gracious curves
"Abutting on the upthrust nether lip:
"He wills, how should he doubt then? Ages slip:
"Was it Sordello pried into the work
"So far accomplished, and discovered lurk
"A company amid the other clans,
"Only distinct in priests for castellans
"And popes for suzerains (their rule confessed
"Its rule, their interest its interest,
"Living for sake of livingthere an end,
"Wrapt in itself, no energy to spend
"In making adversaries or allies)
"Dived you into its capabilities
"And dared create, out of that sect, a soul
"Should turn a multitude, already whole,
"Into its body? Speak plainer! Is 't so sure
"God's church lives by a King's investiture?
"Look to last step! A staggeringa shock
"What 's mere sand is demolished, while the rock
"Endures: a column of black fiery dust
"Blots heaventhat help was prematurely thrust
"Aside, perchance!but air clears, nought 's erased
"Of the true outline. Thus much being firm based,
"The other was a scaffold. See him stand
"Buttressed upon his mattock, Hildebrand
"Of the huge brain-mask welded ply o'er ply
"As in a forge; it buries either eye
"White and extinct, that stupid brow; teeth clenched,
"The neck tight-corded, too, the chin deep-trenched,
"As if a cloud enveloped him while fought
"Under its shade, grim prizers, thought with thought
"At dead-lock, agonizing he, until
"The victor thought leap radiant up, and Will,
"The slave with folded arms and drooping lids
"They fought for, lean forth flame-like as it bids.
"Call him no flowera mandrake of the earth,
"Thwarted and dwarfed and blasted in its birth,
"Rather,a fruit of suffering's excess,
"Thence feeling, therefore stronger: still by stress
"Of Strength, work Knowledge! Full three hundred years
"Have men to wear away in smiles and tears
"Between the two that nearly seemed to touch,
"Observe you! quit one workman and you clutch
"Another, letting both their trains go by
"The actors-out of either's policy,
"Heinrich, on this hand, Otho, Barbaross,
"Carry the three Imperial crowns across,
"Aix' Iron, Milan's Silver, and Rome's Gold
"While Alexander, Innocent uphold
"On that, each Papal keybut, link on link,
"Why is it neither chain betrays a chink?
"How coalesce the small and great? Alack,
"For one thrust forward, fifty such fall back!
"Do the popes coupled there help Gregory
"Alone? Harkfrom the hermit Peter's cry
"At Claremont, down to the first serf that says
"Friedrich 's no liege of his while he delays
"Getting the Pope's curse off him! The Crusade
"Or trick of breeding Strength by other aid
"Than Strength, is safe. Harkfrom the wild harangue
"Of Vimmercato, to the carroch's clang
"Yonder! The Leagueor trick of turning Strength
"Against Pernicious Strength, is safe at length.
"Yet harkfrom Mantuan Albert making cease
"The fierce ones, to Saint Francis preaching peace
"Yonder! God's Truceor trick to supersede
"The very Use of Strength, is safe. Indeed
"We trench upon the future. Who is found
"To take next step, next agetrail o'er the ground
"Shall I say, gourd-like?not the flower's display
"Nor the root's prowess, but the plenteous way
"O' the plantproduced by joy and sorrow, whence
"Unfeeling and yet feeling, strongest thence?
"Knowledge by stress of merely Knowledge? No
"E'en were Sordello ready to forego
"His life for this, 't were overleaping work
"Some one has first to do, howe'er it irk,
"Nor stray a foot's breadth from the beaten road.
"Who means to help must still support the load
"Hildebrand lifted'why hast Thou,' he groaned,
"`Imposed on me a burthen, Paul had moaned,
"'And Moses dropped beneath?' Much doneand yet
"Doubtless that grandest task God ever set
"On man, left much to do: at his arm's wrench,
"Charlemagne's scaffold fell; but pillars blench
"Merely, start back againperchance have been
"Taken for buttresses: crash every screen,
"Hammer the tenons better, and engage
"A gang about your work, for the next age
"Or two, of Knowledge, part by Strength and part
"By Knowledge! Then, indeed, perchance may start
"Sordello on his racewould time divulge
"Such secrets! If one step's awry, one bulge
"Calls for correction by a step we thought
"Got over long since, why, till that is wrought,
"No progress! And the scaffold in its turn
"Becomes, its service o'er, a thing to spurn.
"Meanwhile, if your half-dozen years of life
"In store dispose you to forego the strife,
"Who takes exception? Only bear in mind
"Ferrara 's reached, Goito 's left behind:
"As you then were, as half yourself, desist!
"The warrior-part of you may, an it list,
"Finding real faulchions difficult to poise,
"Fling them afar and taste the cream of joys
"By wielding such in fancy,what is bard
"Of you may spurn the vehicle that marred
"Elys so much, and in free fancy glut
"His sense, yet write no versesyou have but
"To please yourself for law, and once could please
"What once appeared yourself, by dreaming these
"Rather than doing these, in days gone by.
"But all is changed the moment you descry
"Mankind as half yourself,then, fancy's trade
"Ends once and always: how may half evade
"The other half? men are found half of you.
"Out of a thousand helps, just one or two
"Can be accomplished presently: but flinch
"From these (as from the faulchion, raised an inch,
"Elys, described a couplet) and make proof
"Of fancy,then, while one half lolls aloof
"I' the vines, completing Rome to the tip-top
"See if, for that, your other half will stop
"A tear, begin a smile! The rabble's woes,
"Ludicrous in their patience as they chose
"To sit about their town and quietly
"Be slaughtered,the poor reckless soldiery,
"With their ignoble rhymes on Richard, how
"'Polt-foot,' sang they, 'was in a pitfall now,'
"Cheering each other from the engine-mounts,
"That crippled spawling idiot who recounts
"How, lopped of limbs, he lay, stupid as stone,
"Till the pains crept from out him one by one,
"And wriggles round the archers on his head
"To earn a morsel of their chestnut bread,
"And Cino, always in the self-same place
"Weeping; beside that other wretch's case,
"Eyepits to ear, one gangrene since he plied
"The engine in his coat of raw sheep's hide
"A double watch in the noon sun; and see
"Lucchino, beauty, with the favours free,
"Trim hacqueton, spruce beard and scented hair,
"Campaigning it for the first timecut there
"In two already, boy enough to crawl
"For latter orpine round the southern wall,
"Tom, where Richard 's kept, because that ****
"Marfisa, the fool never saw before,
"Sickened for flowers this wearisomest siege:
"And Tiso's wifemen liked their pretty liege,
"Cared for her least of whims once,Berta, wed
"A twelvemonth gone, and, now poor Tiso's dead,
"Delivering herself of his first child
"On that chance heap of wet filth, reconciled
"To fifty gazers!"(Here a wind below
Made moody music augural of woe
From the pine barrier)"What if, now the scene
"Draws to a close, yourself have really been
"You, plucking purples in Goito's moss
"Like edges of a trabea (not to cross
"Your consul-humour) or dry aloe-shafts
"For fasces, at Ferrarahe, fate wafts,
"This very age, her whole inheritance
`Of opportunities? Yet you advance
"Upon the last! Since talking is your trade,
"There 's Salinguerra left you to persuade:
"Fail! then"
       "Nonowhich latest chance secure!"
Leaped up and cried Sordello: "this made sure,
"The past were yet redeemable; its work
"Washelp the Guelfs, whom I, howe'er it irk,
"Thus help!" He shook the foolish aloe-haulm
Out of his doublet, paused, proceeded calm
To the appointed presence. The large head
Turned on its socket; "And your spokesman," said
The large voice, "is Elcorte's happy sprout?
"Few such"(so finishing a speech no doubt
Addressed to Palma, silent at his side)
"My sober councils have diversified.
"Elcorte's son! good: forward as you may,
"Our lady's minstrel with so much to say!"
The hesitating sunset floated back,
Rosily traversed in the wonted track
The chamber, from the lattice o'er the girth
Of pines, to the huge eagle blacked in earth
Opposite,outlined sudden, spur to crest,
That solid Salinguerra, and caressed
Palma's contour; 't was day looped back night's pall;
Sordello had a chance left spite of all.
And much he made of the convincing speech
Meant to compensate for the past and reach
Through his youth's daybreak of unprofit, quite
To his noon's labour, so proceed till night
Leisurely! The great argument to bind
Taurello with the Guelf Cause, body and mind,
Came the consummate rhetoric to that?
Yet most Sordello's argument dropped flat
Through his accustomed fault of breaking yoke,
Disjoining him who felt from him who spoke.
Was 't not a touching incidentso prompt
A rendering the world its just accompt,
Once proved its debtor? Who 'd suppose, before
This proof, that he, Goito's god of yore,
At duty's instance could demean himself
So memorably, dwindle to a Guelf?
Be sure, in such delicious flattery steeped,
His inmost self at the out-portion peeped,
Thus occupied; then stole a glance at those
Appealed to, curious if her colour rose
Or his lip moved, while he discreetly urged
The need of Lombardy becoming purged
At soonest of her barons; the poor part
Abandoned thus, missing the blood at heart
And spirit in brain, unseasonably off
Elsewhere! But, though his speech was worthy scoff,
Good-humoured Salinguerra, famed for tact
And tongue, who, careless of his phrase, ne'er lacked
The right phrase, and harangued Honorius dumb
At his accession,looked as all fell plumb
To purpose and himself found interest
In every point his new instructor pressed
Left playing with the rescript's white wax seal
To scrutinize Sordello head and heel.
He means to yield assent sure? No, alas!
All he replied was, "What, it comes to pass
"That poesy, sooner than politics,
"Makes fade young hair?" To think such speech could fix
Taurello!
     Then a flash of bitter truth:
So fantasies could break and fritter youth
That he had long ago lost earnestness,
Lost will to work, lost power to even express
The need of working! Earth was turned a grave:
No more occasions now, though he should crave
Just one, in right of superhuman toil,
To do what was undone, repair such spoil,
Alter the pastnothing would give the chance!
Not that he was to die; he saw askance
Protract the ignominious years beyond
To dream intime to hope and time despond,
Remember and forget, be sad, rejoice
As saved a trouble; he might, at his choice,
One way or other, idle life out, drop
No few smooth verses by the wayfor prop,
A thyrsus, these sad people, all the same,
Should pick up, and set store by,far from blame,
Plant o'er his hearse, convinced his better part
Survived him. "Rather tear men out the heart
"O' the truth!"Sordello muttered, and renewed
His propositions for the Multitude.
But Salinguerra, who at this attack
Had thrown great breast and ruffling corslet back
To hear the better, smilingly resumed
His task; beneath, the carroch's warning boomed;
He must decide with Tito; courteously
He turned then, even seeming to agree
With his admonisher"Assist the Pope,
"Extend Guelf domination, fill the scope
"O' the Church, thus based on All, by All, for All
"Change Secular to Evangelical"
Echoing his very sentence: all seemed lost,
When suddenly he looked up, laughingly almost,
To Palma: "This opinion of your friend's
"For instance, would it answer Palma's ends?
"Best, were it not, turn Guelf, submit our Strength"
(Here he drew out his baldric to its length)
"To the Pope's Knowledgelet our captive slip,
"Wide to the walls throw ope our gates, equip
"Azzo with . . . what I hold here! Who 'll subscribe
"To a trite censure of the minstrel tribe
"Henceforward? or pronounce, as Heinrich used,
"'Spear-heads for battle, burr-heads for the joust!'
"When Constance, for his couplets, would promote
"Alcamo, from a parti-coloured coat,
"To holding her lord's stirrup in the wars.
"Not that I see where couplet-making jars
"With common sense: at Mantua I had borne
"This chanted, better than their most forlorn
"Of bull-baits,that 's indisputable!"
                     Brave!
Whom vanity nigh slew, contempt shall save!
All 's at an end: a Troubadour suppose
Mankind will class him with their friends or foes?
A puny uncouth ailing vassal think
The world and him bound in some special link?
Abrupt the visionary tether burst.
What were rewarded here, or what amerced
If a poor drudge, solicitous to dream
Deservingly, got tangled by his theme
So far as to conceit the knack or gift
Or whatsoe'er it be, of verse, might lift
The globe, a lever like the hand and head
Of"Men of Action," as the Jongleurs said,
"The Great Men," in the people's dialect?
And not a moment did this scorn affect
Sordello: scorn the poet? They, for once,
Asking "what was," obtained a full response.
Bid Naddo think at Mantuahe had but
To look into his promptuary, put
Finger on a set thought in a set speech:
But was Sordello fitted thus for each
Conjecture? Nowise; since within his soul,
Perception brooded unexpressed and whole.
A healthy spirit like a healthy frame
Craves aliment in plentyall the same,
Changes, assimilates its aliment.
Perceived Sordello, on a truth intent?
Next day no formularies more you saw
Than figs or olives in a sated maw.
'T is Knowledge, whither such perceptions tend;
They lose themselves in that, means to an end,
The many old producing some one new,
A last unlike the first. If lies are true,
The Caliph's wheel-work man of brass receives
A meal, munched millet grains and lettuce leaves
Together in his stomach rattle loose;
You find them perfect next day to produce:
But ne'er expect the man, on strength of that,
Can roll an iron camel-collar flat
Like Haroun's self! I tell you, what was stored
Bit by bit through Sordello's life, outpoured
That eve, was, for that age, a novel thing:
And round those three the People formed a ring,
Of visionary judges whose award
He recognised in fullfaces that barred
Henceforth return to the old careless life,
In whose great presence, therefore, his first strife
For their sake must not be ignobly fought;
All these, for once, approved of him, he thought,
Suspended their own vengeance, chose await
The issue of this strife to reinstate
Them in the right of taking itin fact
He must be proved king ere they could exact
Vengeance for such king's defalcation. Last,
A reason why the phrases flowed so fast
Was in his quite forgetting for a time
Himself in his amazement that the rhyme
Disguised the royalty so much: he there
And Salinguerra yet all-unaware
Who was the lord, who liegeman!
                 "Thus I lay
"On thine my spirit and compel obey
"His lord,my liegeman,impotent to build
"Another Rome, but hardly so unskilled
"In what such builder should have been, as brook
"One shame beyond the charge that I forsook
"His function! Free me from that shame, I bend
"A brow before, suppose new years to spend,
"Allow each chance, nor fruitlessly, recur
"Measure thee with the Minstrel, then, demur
"At any crowd he claims! That I must cede
"Shamed now, my right to my especial meed
"Confess thee fitter help the world than I
"Ordained its champion from eternity,
"Is much: but to behold thee scorn the post
"I quit in thy behalfto hear thee boast
"What makes my own despair!" And while he rung
The changes on this theme, the roof up-sprung,
The sad walls of the presence-chamber died
Into the distance, or embowering vied
With far-away Goito's vine-frontier;
And crowds of faces(only keeping clear
The rose-light in the midst, his vantage-ground
To fight their battle from)deep clustered round
Sordello, with good wishes no mere breath,
Kind prayers for him no vapour, since, come death
Come life, he was fresh-sinewed every joint,
Each bone new-marrowed as whom gods anoint
Though mortal to their rescue. Now let sprawl
The snaky volumes hither! Is Typhon all
For Hercules to tramplegood report
From Salinguerra only to extort?
"So was I" (closed he his inculcating
A poet must be earth's essential king)
"So was I, royal so, and if I fail,
"'T is not the royalty, ye witness quail,
"But one deposed who, caring not exert
"Its proper essence, trifled malapert
"With accidents insteadgood things assigned
"As heralds of a better thing behind
"And, worthy through display of these, put forth
"Never the inmost all-surpassing worth
"That constitutes him king precisely since
"As yet no other spirit may evince
"Its like: the power he took most pride to test,
"Whereby all forms of life had been professed
"At pleasure, forms already on the earth,
"Was but a means to power beyond, whose birth
"Should, in its novelty, be kingship's proof.
"Now, whether he came near or kept aloof
"The several forms he longed to imitate,
"Not there the kingship lay, he sees too late.
"Those forms, unalterable first as last,
"Proved him her copier, not the protoplast
"Of nature: what would come of being free,
"By action to exhibit tree for tree,
"Bird, beast, for beast and bird, or prove earth bore
"One veritable man or woman more?
"Means to an end, such proofs are: what the end?
"Let essence, whatsoe'er it be, extend
"Never contract. Already you include
"The multitude; then let the multitude
"Include yourself; and the result were new:
"Themselves before, the multitude turn you.
"This were to live and move and have, in them,
"Your being, and secure a diadem
"You should transmit (because no cycle yearns
"Beyond itself, but on itself returns)
"When, the full sphere in wane, the world o'erlaid
"Long since with you, shall have in turn obeyed
"Some orb still prouder, some displayer, still
"More potent than the last, of human will,
"And some new king depose the old. Of such
"Am Iwhom pride of this elates too much?
"Safe, rather say, 'mid troops of peers again;
"I, with my words, hailed brother of the train
"Deeds once sufficed: for, let the world roll back,
"Who fails, through deeds howe'er diverse, retrack
"My purpose still, my task? A teeming crust
"Air, flame, earth, wave at conflict! Then, needs must
"Emerge some Calm embodied, these refer
"The brawl toyellow-bearded Jupiter?
"No! Saturn; some existence like a pact
"And protest against Chaos, some first fact
"I' the faint of time. My deep of life, I know
"Is unavailing e'en to poorly show" . . .
(For here the Chief immeasurably yawned)
. . . "Deeds in their due gradation till Song dawned
"The fullest effluence of the finest mind,
"All in degree, no way diverse in kind
"From minds about it, minds which, more or less,
"Lofty or low, move seeking to impress
"Themselves on somewhat; but one mind has climbed
"Step after step, by just ascent sublimed.
"Thought is the soul of act, and, stage by stage,
"Soul is from body still to disengage
"As tending to a freedom which rejects
"Such help and incorporeally affects
"The world, producing deeds but not by deeds,
"Swaying, in others, frames itself exceeds,
"Assigning them the simpler tasks it used
"To patiently perform till Song produced
"Acts, by thoughts only, for the mind: divest
"Mind of e'en Thought, and, lo, God's unexpressed
"Will draws above us! All then is to win
"Save that. How much for me, then? where begin
"My work? About me, faces! and they flock,
"The earnest faces. What shall I unlock
"By song? behold me prompt, whate'er it be,
"To minister: how much can mortals see
"Of Life? No more than so? I take the task
"And marshal you Life's elemental masque,
"Show Men, on evil or on good lay stress,
"This light, this shade make prominent, suppress
"All ordinary hues that softening blend
"Such natures with the level. Apprehend
"Which sinner is, which saint, if I allot
"Hell, Purgatory, Heaven, a blaze or blot,
"To those you doubt concerning! I enwomb
"Some wretched Friedrich with his red-hot tomb;
"Some dubious spirit, Lombard Agilulph
"With the black chastening river I engulph!
"Some unapproached Matilda I enshrine
"With languors of the planet of decline
"These, fail to recognize, to arbitrate
"Between henceforth, to rightly estimate
"Thus marshalled in the masque! Myself, the while,
"As one of you, am witness, shrink or smile
"At my own showing! Next agewhat 's to do?
"The men and women stationed hitherto
"Will I unstation, good and bad, conduct
"Each nature to its farthest, or obstruct
"At soonest, in the world: light, thwarted, breaks
"A limpid purity to rainbow flakes,
"Or shadow, massed, freezes to gloom: behold
"How such, with fit assistance to unfold,
"Or obstacles to crush them, disengage
"Their forms, love, hate, hope, fear, peace make, war wage,
"In presence of you all! Myself, implied
"Superior now, as, by the platform's side,
"I bade them do and suffer,would last content
"The world . . . nothat 's too far! I circumvent
"A few, my masque contented, and to these
"Offer unveil the last of mysteries
"Man's inmost life shall have yet freer play:
"Once more I cast external things away,
"And natures composite, so decompose
"That" . . . Why, he writes Sordello!
                    "How I rose,
"And how have you advanced! since evermore
"Yourselves effect what I was fain before
"Effect, what I supplied yourselves suggest,
"What I leave bare yourselves can now invest.
"How we attain to talk as brothers talk,
"In half-words, call things by half-names, no balk
"From discontinuing old aids. To-day
"Takes in account the work of Yesterday:
"Has not the world a Past now, its adept
"Consults ere he dispense with or accept
"New aids? a single touch more may enhance,
"A touch less turn to insignificance
"Those structures' symmetry the past has strewed
"The world with, once so bare. Leave the mere rude
"Explicit details! 't is but brother's speech
"We need, speech where an accent's change gives each
"The other's soulno speech to understand
"By former audience: need was then to expand,
"Expatiatehardly were we brothers! true
"Nor I lament my small remove from you,
"Nor reconstruct what stands already. Ends
"Accomplished turn to means: my art intends
"New structure from the ancient: as they changed
"The spoils of every clime at Venice, ranged
"The horned and snouted Libyan god, upright
"As in his desert, by some simple bright
"Clay cinerary pitcherThebes as Rome,
"Athens as Byzant rifled, till their Dome
"From earth's reputed consummations razed
"A seal, the all-transmuting Triad blazed
"Above. Ah, whose that fortune? Ne'ertheless
"E'en he must stoop contented to express
"No tithe of what 's to saythe vehicle
"Never sufficient: but his work is still
"For faces like the faces that select
"The single service I am bound effect,
"That bid me cast aside such fancies, bow
"Taurello to the Guelf cause, disallow
"The Kaiser's comingwhich with heart, soul, strength,
"I labour for, this eve, who feel at length
"My past career's outrageous vanity,
"And would, as its amends, die, even die
"Now I first estimate the boon of life,
"If death might win compliancesure, this strife
"Is right for oncethe People my support."
My poor Sordello! what may we extort
By this, I wonder? Palma's lighted eyes
Turned to Taurello who, long past surprise,
Began, "You love himwhat you 'd say at large
"Let me say briefly. First, your father's charge
"To me, his friend, peruse: I guessed indeed
"You were no stranger to the course decreed.
"He bids me leave his children to the saints:
"As for a certain project, he acquaints
"The Pope with that, and offers him the best
"Of your possessions to permit the rest
"Go peaceablyto Ecelin, a stripe
"Of soil the cursed Vicentines will gripe,
"To Alberic, a patch the Trevisan
"Clutches already; extricate, who can,
"Treville, Villarazzi, Puissolo,
"Loria and Cartiglione!all must go,
"And with them go my hopes. 'T is lost, then! Lost
"This eve, our crisis, and some pains it cost
"Procuring; thirty yearsas good I'd spent
"Like our admonisher! But each his bent
"Pursues: no question, one might live absurd
"Oneself this while, by deed as he by word
"Persisting to obtrude an influence where
"'T is made account of, much as . . . nay, you fare
"With twice the fortune, youngster!I submit,
"Happy to parallel my waste of wit
"With the renowned Sordello's: you decide
"A course for me. Romano may abide
"Romano,Bacchus! After all, what dearth
"Of Ecelins and Alberics on earth?
"Say there 's a prize in prospect, must disgrace
"Betide competitors, unless they style
"Themselves Romano? Were it worth my while
"To try my own luck! But an obscure place
"Suits methere wants a youth to bustle, stalk
"And attitudinizesome fight, more talk,
"Most flaunting badgeshow, I might make clear
"Since Friedrich's very purposes lie here
"Here, pity they are like to lie! For me,
"With station fixed unceremoniously
"Long since, small use contesting; I am but
"The liegemanyou are born the lieges: shut
"That gentle mouth now! or resume your kin
"In your sweet self; were Palma Ecelin
"For me to work with! Could that neck endure
"This bauble for a cumbrous garniture,
"She should . . . or might one bear it for her? Stay
"I have not been so flattered many a day
"As by your pale friendBacchus! The least help
"Would lick the hind's fawn to a lion's whelp:
"His neck is broad enougha ready tongue
"Beside: too writhledbut, the main thing, young
"I could . . . why, look ye!"
               And the badge was thrown
Across Sordello's neck: "This badge alone
"Makes you Romano's Headbecomes superb
"On your bare neck, which would, on mine, disturb
"The pauldron," said Taurello. A mad act,
Nor even dreamed about beforein fact,
Not when his sportive arm rose for the nonce
But he had dallied overmuch, this once,
With power: the thing was done, and he, aware
The thing was done, proceeded to declare
(So like a nature made to serve, excel
In serving, only feel by service well!)
That he would make Sordello that and more.
"As good a scheme as any. What 's to pore
"At in my face?" he asked"ponder instead
"This piece of news; you are Romano's Head!
"One cannot slacken pace so near the goal,
"Suffer my Azzo to escape heart-whole
"This time! For you there 's Palma to espouse
"For me, one crowning trouble ere I house
"Like my compeer."
         On which ensued a strange
And solemn visitation; there came change
O'er every one of them; each looked on each:
Up in the midst a truth grew, without speech.
And when the giddiness sank and the haze
Subsided, they were sitting, no amaze,
Sordello with the baldric on, his sire
Silent, though his proportions seemed aspire
Momently; and, interpreting the thrill,
Night at its ebb,Palma was found there still
Relating somewhat Adelaide confessed
A year ago, while dying on her breast,
Of a contrivance, that Vicenza night
When Ecelin had birth. "Their convoy's flight,
"Cut off a moment, coiled inside the flame
"That wallowed like a dragon at his game
"The toppling city throughSan Biagio rocks!
"And wounded lies in her delicious locks
"Retrude, the frail mother, on her face,
"None of her wasted, just in one embrace
"Covering her child: when, as they lifted her,
"Cleaving the tumult, mighty, mightier
"And mightiest Taurello's cry outbroke,
"Leapt like a tongue of fire that cleaves the smoke,
"Midmost to cheer his Mantuans onwarddrown
"His colleague Ecelin's clamour, up and down
"The disarray: failed Adelaide see then
"Who was the natural chief, the man of men?
"Outstripping time, her infant there burst swathe,
"Stood up with eyes haggard beyond the scathe
"From wandering after his heritage
"Lost once and lost for aye: and why that rage,
"That deprecating glance? A new shape leant
"On a familiar shapegloatingly bent
"O'er his discomfiture; 'mid wreaths it wore,
"Still one outflamed the resther child's before
"'T was Salinguerra's for his child: scorn, hate,
"Rage now might startle her when all too late!
"Then was the moment!rival's foot had spurned
"Never that House to earth else! Sense returned
"The act conceived, adventured and complete,
"They bore away to an obscure retreat
"Mother and childRetrude's self not slain"
(Nor even here Taurello moved) "though pain
"Was fled; and what assured them most 't was fled,
"All pain, was, if they raised the pale hushed head
"'T would turn this way and that, waver awhile,
"And only settle into its old smile
"(Graceful as the disquieted water-flag
"Steadying itself, remarked they, in the quag
"On either side their path)when suffered look
"Down on her child. They marched: no sign once shook
"The company's close litter of crossed spears
"Till, as they reached Goito, a few tears
"Slipped in the sunset from her long black lash,
"And she was gone. So far the action rash;
"No crime. They laid Retrude in the font,
"Taurello's very gift, her child was wont
"To sit beneathconstant as eve he came
"To sit by its attendant girls the same
"As one of them. For Palma, she would blend
"With this magnific spirit to the end,
"That ruled her first; but scarcely had she dared
"To disobey the Adelaide who scared
"Her into vowing never to disclose
"A secret to her husband, which so froze
"His blood at half-recital, she contrived
"To hide from him Taurello's infant lived,
"Lest, by revealing that, himself should mar
"Romano's fortunes. And, a crime so far,
"Palma received that action: she was told
"Of Salinguerra's nature, of his cold
"Calm acquiescence in his lot! But free
"To impart the secret to Romano, she
"Engaged to repossess Sordello of
"His heritage, and hers, and that way doff
"The mask, but after years, long years: while now,
"Was not Romano's sign-mark on that brow?"
Across Taurello's heart his arms were locked:
And when he did speak 't was as if he mocked
The minstrel, "who had not to move," he said,
"Nor stirshould fate defraud him of a shred
"Of his son's infancy? much less his youth!"
(Laughingly all this)"which to aid, in truth,
"Himself, reserved on purpose, had not grown
"Old, not too old't was best they kept alone
"Till now, and never idly met till now;"
Then, in the same breath, told Sordello how
All intimations of this eve's event
Were lies, for Friedrich must advance to Trent,
Thence to Verona, then to Rome, there stop,
Tumble the Church down, institute a-top
The Alps a Prefecture of Lombardy:
"That 's now!no prophesying what may be
"Anon, with a new monarch of the clime,
"Native of Gesi, passing his youth's prime
"At Naples. Tito bids my choice decide
"On whom . . ."
        "Embrace him, madman!" Palma cried,
Who through the laugh saw sweat-drops burst apace,
And his lips blanching: he did not embrace
Sordello, but he laid Sordello's hand
On his own eyes, mouth, forehead.
                 Understand,
This while Sordello was becoming flushed
Out of his whiteness; thoughts rushed, fancies rushed;
He pressed his hand upon his head and signed
Both should forbear him. "Nay, the best 's behind!"
Taurello laughednot quite with the same laugh:
"The truth is, thus we scatter, ay, like chaff
"These Guelfs, a despicable monk recoils
"From: nor expect a fickle Kaiser spoils
"Our triumph!Friedrich? Think you, I intend
"Friedrich shall reap the fruits of blood I spend
"And brain I waste? Think you, the people clap
"Their hands at my out-hewing this wild gap
"For any Friedrich to fill up? 'T is mine
"That 's yours: I tell you, towards some such design
"Have I worked blindly, yes, and idly, yes,
"And for another, yesbut worked no less
"With instinct at my heart; I else had swerved,
"While nowlook round! My cunning has preserved
"Samminiatothat 's a central place
"Secures us Florence, boy,in Pisa's case.
"By land as she by sea; with Pisa ours,
"And Florence, and Pistoia, one devours
"The land at leisure! Gloriously dispersed
"Brescia, observe, Milan, Piacenza first
"That flanked us (ah, you know not!) in the March;
"On these we pile, as keystone of our arch,
"Romagna and Bologna, whose first span
"Covered the Trentine and the Valsugan;
"Sofia's Egna by Bolgiano 's sure!" . . .
So he proceeded: half of all this, pure
Delusion, doubtless, nor the rest too true,
But what was undone he felt sure to do,
As ring by ring he wrung off, flung away
The pauldron-rings to give his sword-arm play
Need of the sword now! That would soon adjust
Aught wrong at present; to the sword intrust
Sordello's whiteness, undersize: 't was plain
He hardly rendered right to his own brain
Like a brave hound, men educate to pride
Himself on speed or scent nor aught beside,
As though he could not, gift by gift, match men!
Palma had listened patiently: but when
'T was time expostulate, attempt withdraw
Taurello from his child, she, without awe
Took off his iron arms from, one by one,
Sordello's shrinking shoulders, and, that done,
Made him avert his visage and relieve
Sordello (you might see his corslet heave
The while) who, loose, rosetried to speak, then sank:
They left him in the chamber. All was blank.
And even reeling down the narrow stair
Taurello kept up, as though unaware
Palma was by to guide him, the old device
Something of Milan"how we muster thrice
"The Torriani's strength there; all along
"Our own Visconti cowed them"thus the song
Continued even while she bade him stoop,
Thrid somehow, by some glimpse of arrow-loop,
The turnings to the gallery below,
Where he stopped short as Palma let him go.
When he had sat in silence long enough
Splintering the stone bench, braving a rebuff
She stopped the truncheon; only to commence
One of Sordello's poems, a pretence
For speaking, some poor rhyme of "Elys' hair
"And head that 's sharp and perfect like a pear,
"So smooth and close are laid the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer"from his worst
Performance, the Goito, as his first:
And that at end, conceiving from the brow
And open mouth no silence would serve now,
Went on to say the whole world loved that man
And, for that matter, thought his face, tho' wan,
Eclipsed the Count'she sucking in each phrase
As if an angel spoke. The foolish praise
Ended, he drew her on his mailed knees, made
Her face a framework with his hands, a shade,
A crown, an aureole: there must she remain
(Her little mouth compressed with smiling pain
As in his gloves she felt her tresses twitch)
To get the best look at, in fittest niche
Dispose his saint. That done, he kissed her brow,
"Lauded her father for his treason now,"
He told her, "only, how could one suspect
"The wit in him?whose clansman, recollect,
`Was ever Salinguerrashe, the same,
"Romano and his ladyso, might claim
"To know all, as she should"and thus begun
Schemes with a vengeance, schemes on schemes, "not one
"Fit to be told that foolish boy," he said,
"But only let Sordello Palma wed,
"Then!"
     'T was a dim long narrow place at best:
Midway a sole grate showed the fiery West,
As shows its corpse the world's end some split tomb
A gloom, a rift of fire, another gloom,
Faced Palmabut at length Taurello set
Her free; the grating held one ragged jet
Of fierce gold fire: he lifted her within
The hollow underneathhow else begin
Fate's second marvellous cycle, else renew
The ages than with Palma plain in view?
Then paced the passage, hands clenched, head erect,
Pursuing his discourse; a grand unchecked
Monotony made out from his quick talk
And the recurring noises of his walk;
Somewhat too much like the o'ercharged assent
Of two resolved friends in one danger blent,
Who hearten each the other against heart;
Boasting there 's nought to care for, when, apart
The boaster, all 's to care for. He, beside
Some shape not visible, in power and pride
Approached, out of the dark, ginglingly near,
Nearer, passed close in the broad light, his ear
Crimson, eyeballs suffused, temples full-fraught,
Just a snatch of the rapid speech you caught,
And on he strode into the opposite dark,
Till presently the harsh heel's turn, a spark
I' the stone, and whirl of some loose embossed throng
That crashed against the angle aye so long
After the last, punctual to an amount
Of mailed great paces you could not but count,
Prepared you for the pacing back again.
And by the snatches you might ascertain
That, Friedrich's Prefecture surmounted, left
By this alone in Italy, they cleft
Asunder, crushed together, at command
Of none, were free to break up Hildebrand,
Rebuild, he and Sordello, Charlemagne
But garnished, Strength with Knowledge, "if we deign
"Accept that compromise and stoop to give
"Rome law, the Csar's Representative."
Enough, that the illimitable flood
Of triumphs after triumphs, understood
In its faint reflux (you shall hear) sufficed
Young Ecelin for appanage, enticed
Him on till, these long quiet in their graves,
He found 't was looked for that a whole life's braves
Should somehow be made good; so, weak and worn,
Must stagger up at Milan, one grey morn
Of the to-come, and fight his latest fight.
But, Salinguerra's prophecy at height
He voluble with a raised arm and stiff,
A blaring voice, a blazing eye, as if
He had our very Italy to keep
Or cast away, or gather in a heap
To garrison the betteray, his word
Was, "run the cucumber into a gourd,
"Drive Trent upon Apulia"at their pitch
Who spied the continents and islands which
Grew mulberry leaves and sickles, in the map
(Strange that three such confessions so should hap
To Palma, Dante spoke with in the clear
Amorous silence of the Swooning-sphere,
Cunizza, as he called her! Never ask
Of Palma more! She sat, knowing her task
Was done, the labour of it,for, success
Concerned not Palma, passion's votaress.)
Triumph at neight, and thus Sordello crowned
Above the passage suddenly a sound
Stops speech, stops walk: back shrinks Taurello, bids
With large involuntary asking lids,
Palma interpret. "'T is his own foot-stamp
"Your hand! His summons! Nay, this idle damp
"Befits not!" Out they two reeled dizzily.
"Visconti 's strong at Milan," resumed he,
In the old, somewhat insignificant way
(Was Palma wont, years afterward, to say)
As though the spirit's flight, sustained thus far,
Dropped at that very instant.
               Gone they are
Palma, Taurello; Eglamor anon,
Ecelin,only Naddo 's never gone!
Labours, this moonrise, what the Master meant:
"Is Squarcialupo speckled?purulent,
"I 'd say, but when was Providence put out?
"He carries somehow handily about
"His spite nor fouls himself!" Goito's vines
Stand like a cheat detectedstark rough lines,
The moon breaks through, a grey mean scale against
The vault where, this eve's Maiden, thou remain'st
Like some fresh martyr, eyes fixedwho can tell?
As Heaven, now all 's at end, did not so well,
Spite of the faith and victory, to leave
Its virgin quite to death in the lone eve.
While the persisting hermit-bee . . . ha! wait
No longer: these in compass, forward fate!


~ Robert Browning, Sordello - Book the Fifth
,
1355: Ilion

Book I: The Book of the Herald



Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,
1356:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,ere their death, oer-taking
The surgy murmurs of the lonely sea.

And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.Ah, well-a-day,
Why should our young Endymion pine away!

Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

"O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinxdo thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

"O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly 'mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completionsbe quickly near,
By every wind that nods the mountain pine,
O forester divine!

"Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown
By all the echoes that about thee ring,
Hear us, O satyr king!

"O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledgesee,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereala new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknownbut no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgottenout of memory:
Fair creatures! whose young children's children bred
Thermopyl its heroesnot yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruitsthey danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'Mong shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o'er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar'd their famish'd scrips. Thus all out-told
Their fond imaginations,saving him
Whose eyelids curtain'd up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon'd off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden's sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept.
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.

Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath'd a sister's sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams,
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple's weight,
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer's silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.

So she was gently glad to see him laid
Under her favourite bower's quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann'd harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona's busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among seer leaves and twigs, might all be heard.

O magic sleep! O comfortable bird,
That broodest o'er the troubled sea of the mind
Till it is hush'd and smooth! O unconfin'd
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment!who, upfurl'd
Beneath thy drowsy wing a triple hour,
But renovates and lives?Thus, in the bower,
Endymion was calm'd to life again.
Opening his eyelids with a healthier brain,
He said: "I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes,the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I'll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I'll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course."

Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. 'Twas a lay
More subtle cadenced, more forest wild
Than Dryope's lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel's hand;
For still, with Delphic emphasis, she spann'd
The quick invisible strings, even though she saw
Endymion's spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possessionswung the lute aside,
And earnestly said: "Brother, 'tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn'd in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some deer-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!"

Endymion look'd at her, and press'd her hand,
And said, "Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss!
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: 'tis no prize,
That toiling years would put within my grasp,
That I have sigh'd for: with so deadly gasp
No man e'er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o'er the edge of the world,
Out-facing Lucifer, and then had hurl'd
My spear aloft, as signal for the chace
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.

"This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth lighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom'd suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph'd in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear'd to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh'd that I could not pursue,
And dropt my vision to the horizon's verge;
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver'd o'er
A shell for Neptune's goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais'd
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look'd, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O Where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Notthy soft hand, fair sister! let me shun
Such follying before theeyet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian'd up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?Ah! see her hovering feet,
More bluely vein'd, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.""Endymion, how strange!
Dream within dream!""She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press'd me by the hand: Ah! 'twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;
Felt too, I was not fearful, nor alone,
But lapp'd and lull'd along the dangerous sky.
Soon, as it seem'd, we left our journeying high,
And straightway into frightful eddies swoop'd;
Such as ay muster where grey time has scoop'd
Huge dens and caverns in a mountain's side:
There hollow sounds arous'd me, and I sigh'd
To faint once more by looking on my bliss
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but 'twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem'd
A second self, that each might be redeem'd
And plunder'd of its load of blessedness.
Ah, desperate mortal! I ev'n dar'd to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter'd around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep'd,an Oread as I guess'd.

"Why did I dream that sleep o'er-power'd me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothinginto stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands;for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster'd, and slept, and its wild self did teaze
With wayward melancholy; and r thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus!
Away I wander'dall the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem'd sooty, and o'er-spread with upturn'd gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr'd, and stirr'd
In little journeys, I beheld in it
A disguis'd demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock'd me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life."

         Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush'd away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: "Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully,how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said 'twas love: and yet 'twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe,
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas!Endymion!
Be rather in the trumpet's mouth,anon
Among the winds at largethat all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur'd in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o'er them, palaces
And towers of amethyst,would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider's shuttle,
Circled a million times within the space
Of a swallow's nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they're more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?" Hereat the youth
Look'd up: a conflicting of shame and ruth
Was in his plaited brow: yet his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem'd to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.

"Peona! ever have I long'd to slake
My thirst for the world's praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar'd
Though now 'tis tatter'd; leaving my bark bar'd
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz'd, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger's taperness,
And soothe thy lips: hist, when the airy stress
Of music's kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father's grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo's foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things?that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit's. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it,
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life's self is nourish'd by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister'd among cool and bunched leaves
She sings but to her love, nor e'er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although 'tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?

"Now, if this earthly love has power to make
Men's being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder'd; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I'm sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass'd in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder'd steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
'Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I'd bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o'er-head clouds melting the mirror through.
Upon a day, while thus I watch'd, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character'd, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth.It moved as if to flee
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer's tender haunches: late, and loth,
'Tis scar'd away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander'd from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter'd infant buds,
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh'd and smil'd,
Chatted with thee, and many days exil'd
All torment from my breast;'twas even then,
Straying about, yet, coop'd up in the den
Of helpless discontent,hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook,whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock,
'Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph's home.
"Ah! impious mortal, whither do I roam?"
Said I, low voic'd: "Ah whither! 'Tis the grot
Of Proserpine, when Hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or 'tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyinglysend honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable echo! hear, and sing
This ditty to her!tell her"so I stay'd
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp'd, and then these accents came:
Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair."
At that oppress'd I hurried in.Ah! where
Are those swift moments? Whither are they fled?
I'll smile no more, Peona; nor will wed
Sorrow the way to death, but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world's dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where'er I look: but yet, I'll say 'tis naught
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car."

This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona's hand:
They stept into the boat, and launch'd from land.
ENDYMION.
A Romance.

"The stretched metre of an antique song." ~
Shakspeare's Sonnets.
INSCRIBED,
With Every Feeling Of Pride and Regret
and With "A Bowed Mind,"
To the Memory of
The Most English of Poets Except Shakspeare,
THOMAS CHATTERON.
------------------------

(line 144): A lovely allusion to the story of Apollo's nine years' sojourn on earth as the herdsman of Admetus, when banished from Olympus for killing the Cyclops who had forged the thunder-bolts wherewith AEsculapius had been slain.

(line 232): It was the Hymn to Pan beginning here that the young poet when engaged in the composition of Endymion was induced to recite in the presence of Wordsworth, on the 28th of December 1817, at Haydon's house. Leigh Hunt records that the elder poet pronounced it "a very pretty piece of paganism."

(line 319): Doubtless meant to refer specially to the Elgin marbles.

(line 347): The reference here is to the passage from the second Book of the Argonautica of Apollonius Rhodius, beginning at verse 674 ... which Shelley had in mind when (Prose Works, Vol. 3, p. 56) he alluded to the Apollo "so finely described by Apollonius Rhodius when the dazzling radiance of his beautiful limbs suddenly shone over the dark Euxine."

__ note found before the Preface of Endymion, in the Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. ...,

'In Woodhouse's copy of Endymion there is a note against the passage "so I will begin" &c., line 39, Book I, to the effect that the poem was begun in the spring of 1817 and finished in the winter of 1817-18; and in the title-page he has inserted April before 1818. The statement corresponds with Keats's own record of May 1817, that he was busying himself at Margate with the commencement of Endymion.'

PREFACE.
Knowing within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.
What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year's castigation would do them any good; -- it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.
This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honor of English literature.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.
I hope I have not in too late a day touched the beautiful mythology of Greece, and dulled its brightness: for I wish to try once more, before I bid it farewell.
Teignmouth, April 10, 1818.
[footnote] Woodhouse notes -- "[for I wish to try once more,] This alluded to his then intention of writing a poem on the fall of Hyperion. He commenced this poem: but, thanks to the critics who fell foul of this work, he discontinued it. The fragment was published in 1820." by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book I
,
1357:class:Classics

BOOK THE FIFTH

The Story of Perseus continu'd

While Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
Chief in the riot Phineus first appear'd,
The rash ringleader of this boist'rous herd,
And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.

Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.
Who, springing nimbly up, return'd the dart,
And almost plung'd it in his rival's heart;
But he for safety to the altar ran,
Unfit protection for so vile a man;
Yet was the stroke not vain, as Rhaetus found,
Who in his brow receiv'd a mortal wound;
Headlong he tumbled, when his skull was broke,
From which his friends the fatal weapon took,
While he lay trembling, and his gushing blood
In crimson streams around the table flow'd.

But this provok'd th' unruly rabble worse,
They flung their darts, and some in loud discourse
To death young Perseus, and the monarch doom;
But Cepheus left before the guilty room,
With grief appealing to the Gods above,
Who laws of hospitality approve,
Who faith protect, and succour injur'd right,
That he was guiltless of this barb'rous fight.

Pallas her brother Perseus close attends,
And with her ample shield from harm defends,
Raising a sprightly courage in his heart:
But Indian Athis took the weaker part,
Born in the chrystal grottoes of the sea,
Limnate's son, a fenny nymph, and she
Daughter of Ganges; graceful was his mein,
His person lovely, and his age sixteen.
His habit made his native beauty more;
A purple mantle fring'd with gold he wore;
His neck well-turn'd with golden chains was grac'd,
His hair with myrrh perfum'd, was nicely dress'd.
Tho' with just aim he cou'd the javelin throw,
Yet with more skill he drew the bending bow;
And now was drawing it with artful hand,
When Perseus snatching up a flaming brand,
Whirl'd sudden at his face the burning wood,
Crush'd his eyes in, and quench'd the fire with blood;
Thro' the soft skin the splinter'd bones appear,
And spoil'd the face that lately was so fair.

When Lycabas his Athis thus beheld,
How was his heart with friendly horror fill'd!
A youth so noble, to his soul so dear,
To see his shapeless look, his dying groans to hear!
He snatch'd the bow the boy was us'd to bend,
And cry'd, With me, false traytor, dare contend;
Boast not a conquest o'er a child, but try
Thy strength with me, who all thy pow'rs defy;
Nor think so mean an act a victory.
While yet he spoke he flung the whizzing dart,
Which pierc'd the plaited robe, but miss'd his heart:
Perseus defy'd, upon him fiercely press'd
With sword, unsheath'd, and plung'd it in his breast;
His eyes o'erwhelm'd with night, he stumbling falls,
And with his latest breath on Athis calls;
Pleas'd that so near the lovely youth he lies,
He sinks his head upon his friend, and dies.

Next eager Phorbas, old Methion's son,
Came rushing forward with Amphimedon;
When the smooth pavement, slippery made with gore,
Trip'd up their feet, and flung 'em on the floor;
The sword of Perseus, who by chance was nigh,
Prevents their rise, and where they fall, they lye:
Full in his ribs Amphimedon he smote,
And then stuck fiery Phorbas in the throat.
Eurythus lifting up his ax, the blow
Was thus prevented by his nimble foe;
A golden cup he seizes, high embost,
And at his head the massy goblet tost:
It hits, and from his forehead bruis'd rebounds,
And blood, and brains he vomits from his wounds;
With his slain fellows on the floor he lies,
And death for ever shuts his swimming eyes.
Then Polydaemon fell, a Goddess-born;
Phlegias, and Elycen with locks unshorn
Next follow'd; next, the stroke of death he gave
To Clytus, Abanis, and Lycetus brave;
While o'er unnumber'd heaps of ghastly dead,
The Argive heroe's feet triumphant tread.

But Phineus stands aloof, and dreads to feel
His rival's force, and flies his pointed steel:
Yet threw a dart from far; by chance it lights
On Idas, who for neither party fights;
But wounded, sternly thus to Phineus said,
Since of a neuter thou a foe hast made,
This I return thee, drawing from his side
The dart; which, as he strove to fling, he dy'd.
Odites fell by Clymenus's sword,
The Cephen court had not a greater lord.
Hypseus his blade does in Protenor sheath,
But brave Lyncides soon reveng'd his death.
Here too was old Emathion, one that fear'd
The Gods, and in the cause of Heav'n appear'd,
Who only wishing the success of right,
And, by his age, exempted from the fight,
Both sides alike condemns: This impious war
Cease, cease, he cries; these bloody broils forbear.
This scarce the sage with high concern had said,
When Chromis at a blow struck off his head,
Which dropping, on the royal altar roul'd,
Still staring on the crowd with aspect bold;
And still it seem'd their horrid strife to blame,
In life and death, his pious zeal the same;
While clinging to the horns, the trunk expires,
The sever'd head consumes amidst the fires.

Then Phineus, who from far his javelin threw,
Broteas and Ammon, twins and brothers, slew;
For knotted gauntlets matchless in the field;
But gauntlets must to swords and javelins yield.
Ampycus next, with hallow'd fillets bound,
As Ceres' priest, and with a mitre crown'd,
His spear transfix'd, and struck him to the ground.

O Iapetides, with pain I tell
How you, sweet lyrist, in the riot fell;
What worse than brutal rage his breast could fill,
Who did thy blood, o bard celestial! spill?
Kindly you press'd amid the princely throng,
To crown the feast, and give the nuptial song:
Discord abhorr'd the musick of thy lyre,
Whose notes did gentle peace so well inspire;
Thee, when fierce Pettalus far off espy'd,
Defenceless with thy harp, he scoffing cry'd,
Go; to the ghosts thy soothing lessons play;
We loath thy lyre, and scorn thy peaceful lay:
And, as again he fiercely bid him go,
He pierc'd his temples with a mortal blow.
His harp he held, tho' sinking on the ground,
Whose strings in death his trembling fingers found
By chance, and tun'd by chance a dying sound.

With grief Lycormas saw him fall, from far,
And, wresting from the door a massy bar,
Full in his poll lays on a load of knocks,
Which stun him, and he falls like a devoted ox.
Another bar Pelates would have snach'd,
But Corynthus his motions slily watch'd;
He darts his weapon from a private stand,
And rivets to the post his veiny hand:
When strait a missive spear transfix'd his side,
By Abas thrown, and as he hung, he dy'd.

Melaneus on the prince's side was slain;
And Dorylas, who own'd a fertile plain,
Of Nasamonia's fields the wealthy lord,
Whose crowded barns, could scarce contain their board.
A whizzing spear obliquely gave a blow,
Stuck in his groin, and pierc'd the nerves below;
His foe behld his eyes convulsive roul,
His ebbing veins, and his departing soul;
Then taunting said, Of all thy spacious plain,
This spot thy only property remains.
He left him thus; but had no sooner left,
Than Perseus in revenge his nostrils cleft;
From his friend's breast the murd'ring dart he drew,
And the same weapon at the murderer threw;
His head in halves the darted javelin cut,
And on each side the brain came issuing out.

Fortune his friend, in deaths around he deals,
And this his lance, and that his faulchion feels:
Now Clytius dies; and by a diff'rent wound,
The twin, his brother Clanis, bites the ground.
In his rent jaw the bearded weapon sticks,
And the steel'd dart does Clytius' thigh transfix.
With these Mendesian Celadon he slew:
And Astreus next, whose mother was a Jew,
His sire uncertain: then by Perseus fell
Aethion, who cou'd things to come foretell;
But now he knows not whence the javelin flies
That wounds his breast, nor by whose arm he dies.

The squire to Phineus next his valour try'd,
And fierce Agyrtes stain'd with paricide.

As these are slain, fresh numbers still appear,
And wage with Perseus an unequal war;
To rob him of his right, the maid he won,
By honour, promise, and desert his own.
With him, the father of the beauteous bride,
The mother, and the frighted virgin side;
With shrieks, and doleful cries they rend the air:
Their shrieks confounded with the din of war,
With dashing arms, and groanings of the slain,
They grieve unpitied, and unheard complain.
The floor with ruddy streams Bellona stains,
And Phineus a new war with double rage maintains.

Perseus begirt, from all around they pour
Their lances on him, a tempestuous show'r,
Aim'd all at him; a cloud of darts, and spears,
Or blind his eyes, or whistle round his ears.
Their numbers to resist, against the wall
He guards his back secure, and dares them all.
Here from the left Molpeus renews the fight,
And bold Ethemon presses on the right:
As when a hungry tyger near him hears
Two lowing herds, a-while he both forbears;
Nor can his hopes of this, or that renounce,
So strong he lusts to prey on both at once;
Thus Perseus now with that, or this is loth
To war distinct:, but fain would fall on both.
And first Chaonian Molpeus felt his blow,
And fled, and never after fac'd his foe;
Then fierce Ethemon, as he turn'd his back,
Hurried with fury, aiming at his neck,
His brandish'd sword against the marble struck
With all his might; the brittle weapon broke,
And in his throat the point rebounding stuck.
Too slight the wound for life to issue thence,
And yet too great for battel, or defence;
His arms extended in this piteous state,
For mercy he wou'd sue, but sues too late;
Perseus has in his bosom plung'd the sword,
And, ere he speaks, the wound prevents the word.

The crowds encreasing, and his friends distress'd,
Himself by warring multitudes oppress'd:
Since thus unequally you fight, 'tis time,
He cry'd, to punish your presumptuous crime;
Beware, my friends; his friends were soon prepar'd,
Their sight averting, high the head he rear'd,
And Gorgon on his foes severely star'd.
Vain shift! says Thescelus, with aspect bold,
Thee, and thy bugbear monster, I behold
With scorn; he lifts his arm, but ere he threw
The dart, the heroe to a statue grew.
In the same posture still the marble stands,
And holds the warrior's weapons in its hands.
Amphyx, whom yet this wonder can't alarm,
Heaves at Lyncides' breast his impious arm;
But, while thus daringly he presses on,
His weapon and his arm are turn'd to stone.
Next Nileus, he who vainly said he ow'd
His origin to Nile's prolifick flood;
Who on his shield seven silver rivers bore,
His birth to witness by the arms he wore;
Full of his sev'n-fold father, thus express'd
His boast to Perseus, and his pride confess'd:
See whence we sprung; let this thy comfort be
In thy sure death, that thou didst die by me.
While yet he spoke, the dying accents hung
In sounds imperfect on his marble tongue;
Tho' chang'd to stone, his lips he seem'd to stretch,
And thro' th' insensate rock wou'd force a speech.

This Eryx saw, but seeing wou'd not own;
The mischief by your selves, he cries, is done,
'Tis your cold courage turns your hearts to stone.
Come, follow me; fall on the stripling boy,
Kill him, and you his magick arms destroy.
Then rushing on, his arm to strike he rear'd,
And marbled o'er his varied frame appear'd.

These for affronting Pallas were chastis'd,
And justly met the death they had despis'd.
But brave Aconteus, Perseus' friend, by chance
Look'd back, and met the Gorgon's fatal glance:
A statue now become, he ghastly stares,
And still the foe to mortal combat dares.
Astyages the living likeness knew,
On the dead stone with vengeful fury flew;
But impotent his rage, the jarring blade
No print upon the solid marble made:
Again, as with redoubled might he struck,
Himself astonish'd in the quarry stuck.

The vulgar deaths 'twere tedious to rehearse,
And fates below the dignity of verse;
Their safety in their flight two hundred found,
Two hundred, by Medusa's head were ston'd.
Fierce Phineus now repents the wrongful fight,
And views his varied friends, a dreadful sight;
He knows their faces, for their help he sues,
And thinks, not hearing him, that they refuse:
By name he begs their succour, one by one,
Then doubts their life, and feels the friendly stone.
Struck with remorse, and conscious of his pride,
Convict of sin, he turn'd his eyes aside;
With suppliant mein to Perseus thus he prays,
Hence with the head, as far as winds and seas
Can bear thee; hence, o quit the Cephen shore,
And never curse us with Medusa more,
That horrid head, which stiffens into stone
Those impious men who, daring death, look on.
I warr'd not with thee out of hate or strife,
My honest cause was to defend my wife,
First pledg'd to me; what crime cou'd I suppose,
To arm my friends, and vindicate my spouse?
But vain, too late I see, was our design;
Mine was the title, but the merit thine.
Contending made me guilty, I confess;
But penitence shou'd make that guilt the less:
'Twas thine to conquer by Minerva's pow'r;
Favour'd of Heav'n, thy mercy I implore;
For life I sue; the rest to thee I yield;
In pity, from my sight remove the shield.

He suing said; nor durst revert his eyes
On the grim head: and Perseus thus replies:
Coward, what is in me to grant, I will,
Nor blood, unworthy of my valour spill:
Fear not to perish by my vengeful sword,
From that secure; 'tis all the Fates afford.
Where I now see thee, thou shalt still be seen,
A lasting monument to please our queen;
There still shall thy betroth'd behold her spouse,
And find his image in her father's house.
This said; where Phineus turn'd to shun the shield
Full in his face the staring head he held;
As here and there he strove to turn aside,
The wonder wrought, the man was petrify'd:
All marble was his frame, his humid eyes
Drop'd tears, which hung upon the stone like ice.
In suppliant posture, with uplifted hands,
And fearful look, the guilty statue stands.

Hence Perseus to his native city hies,
Victorious, and rewarded with his prize.
Conquest, o'er Praetus the usurper, won,
He re-instates his grandsire in the throne.
Praetus, his brother dispossess'd by might,
His realm enjoy'd, and still detain'd his right:
But Perseus pull'd the haughty tyrant down,
And to the rightful king restor'd the throne.
Weak was th' usurper, as his cause was wrong;
Where Gorgon's head appears, what arms are strong?
When Perseus to his host the monster held,
They soon were statues, and their king expell'd.

Thence, to Seriphus with the head he sails,
Whose prince his story treats as idle tales:
Lord of a little isle, he scorns to seem
Too credulous, but laughs at that, and him.
Yet did he not so much suspect the truth,
As out of pride, or envy, hate the youth.
The Argive prince, at his contempt enrag'd,
To force his faith by fatal proof engag'd.
Friends, shut your eyes, he cries; his shield he takes,
And to the king expos'd Medusa's snakes.
The monarch felt the pow'r he wou'd not own,
And stood convict of folly in the stone.

Minerva's Interview with the Muses

Thus far Minerva was content to rove
With Perseus, offspring of her father Jove:
Now, hid in clouds, Seriphus she forsook;
And to the Theban tow'rs her journey took.
Cythnos and Gyaros lying to the right,
She pass'd unheeded in her eager flight;
And chusing first on Helicon to rest,
The virgin Muses in these words address'd:

Me, the strange tidings of a new-found spring,
Ye learned sisters, to this mountain bring.
If all be true that Fame's wide rumours tell,
'Twas Pegasus discover'd first your well;
Whose piercing hoof gave the soft earth a blow,
Which broke the surface where these waters flow.
I saw that horse by miracle obtain
Life, from the blood of dire Medusa slain;
And now, this equal prodigy to view,
From distant isles to fam'd Boeotia flew.

The Muse Urania said, Whatever cause
So great a Goddess to this mansion draws;
Our shades are happy with so bright a guest,
You, Queen, are welcome, and we Muses blest.
What Fame has publish'd of our spring is true,
Thanks for our spring to Pegasus are due.
Then, with becoming courtesy, she led
The curious stranger to their fountain's head;
Who long survey'd, with wonder, and delight,
Their sacred water, charming to the sight;
Their ancient groves, dark grottos, shady bow'rs,
And smiling plains adorn'd with various flow'rs.
O happy Muses! she with rapture cry'd,
Who, safe from cares, on this fair hill reside;
Blest in your seat, and free your selves to please
With joys of study, and with glorious ease.

The Fate of Pyreneus

Then one replies: O Goddess, fit to guide
Our humble works, and in our choir preside,
Who sure wou'd wisely to these fields repair,
To taste our pleasures, and our labours share,
Were not your virtue, and superior mind
To higher arts, and nobler deeds inclin'd;
Justly you praise our works, and pleasing seat,
Which all might envy in this soft retreat,
Were we secur'd from dangers, and from harms;
But maids are frighten'd with the least alarms,
And none are safe in this licentious time;
Still fierce Pyreneus, and his daring crime,
With lasting horror strikes my feeble sight,
Nor is my mind recover'd from the fright.
With Thracian arms this bold usurper gain'd
Daulis, and Phocis, where he proudly reign'd:
It happen'd once, as thro' his lands we went,
For the bright temple of Parnassus bent,
He met us there, and in his artful mind
Hiding the faithless action he design'd,
Confer'd on us (whom, oh! too well he knew)
All honours that to Goddesses are due.
Stop, stop, ye Muses, 'tis your friend who calls,
The tyrant said; behold the rain that falls
On ev'ry side, and that ill-boding sky,
Whose lowring face portends more storms are nigh.
Pray make my house your own, and void of fear,
While this bad weather lasts, take shelter here.
Gods have made meaner places their resort,
And, for a cottage, left their shining court.

Oblig'd to stop, by the united force
Of pouring rains, and complaisant discourse,
His courteous invitation we obey,
And in his hall resolve a-while to stay.
Soon it clear'd up; the clouds began to fly,
The driving north refin'd the show'ry sky;
Then to pursue our journey we began:
But the false traitor to his portal ran,
Stopt our escape, the door securely barr'd,
And to our honour, violence prepar'd.
But we, transform'd to birds, avoid his snare,
On pinions rising in the yielding air.

But he, by lust and indignation fir'd,
Up to his highest tow'r with speed retir'd,
And cries, In vain you from my arms withdrew,
The way you go your lover will pursue.
Then, in a flying posture wildly plac'd,
And daring from that height himself to cast,
The wretch fell headlong, and the ground bestrew'd
With broken bones, and stains of guilty blood.

The Story of the Pierides

The Muse yet spoke; when they began to hear
A noise of wings that flutter'd in the air;
And strait a voice, from some high-spreading bough,
Seem'd to salute the company below.
The Goddess wonder'd, and inquir'd from whence
That tongue was heard, that spoke so plainly sense
(It seem'd to her a human voice to be,
But prov'd a bird's; for in a shady tree
Nine magpies perch'd lament their alter'd state,
And, what they hear, are skilful to repeat).

The sister to the wondring Goddess said,
These, foil'd by us, by us were thus repaid.
These did Evippe of Paeonia bring
With nine hard labour-pangs to Pella's king.
The foolish virgins of their number proud,
And puff'd with praises of the senseless crowd,
Thro' all Achaia, and th' Aemonian plains
Defy'd us thus, to match their artless strains;
No more, ye Thespian girls, your notes repeat,
Nor with false harmony the vulgar cheat;
In voice or skill, if you with us will vye,
As many we, in voice or skill will try.
Surrender you to us, if we excell,
Fam'd Aganippe, and Medusa's well.
The conquest yours, your prize from us shall be
The Aemathian plains to snowy Paeone;
The nymphs our judges. To dispute the field,
We thought a shame; but greater shame to yield.
On seats of living stone the sisters sit,
And by the rivers swear to judge aright.

The Song of the Pierides

Then rises one of the presumptuous throng,
Steps rudely forth, and first begins the song;
With vain address describes the giants' wars,
And to the Gods their fabled acts prefers.
She sings, from Earth's dark womb how Typhon rose,
And struck with mortal fear his heav'nly foes.
How the Gods fled to Egypt's slimy soil,
And hid their heads beneath the banks of Nile:
How Typhon, from the conquer'd skies, pursu'd
Their routed godheads to the sev'n-mouth'd flood;
Forc'd every God, his fury to escape,
Some beastly form to take, or earthly shape.
Jove (so she sung) was chang'd into a ram,
From whence the horns of Libyan Ammon came.
Bacchus a goat, Apollo was a crow,
Phaebe a cat; die wife of Jove a cow,
Whose hue was whiter than the falling snow.
Mercury to a nasty Ibis turn'd,
The change obscene, afraid of Typhon, mourn'd;
While Venus from a fish protection craves,
And once more plunges in her native waves.

She sung, and to her harp her voice apply'd;
Then us again to match her they defy'd.
But our poor song, perhaps, for you to hear,
Nor leisure serves, nor is it worth your ear.
That causeless doubt remove, O Muse rehearse,
The Goddess cry'd, your ever-grateful verse.
Beneath a chequer'd shade she takes her seat,
And bids the sister her whole song repeat.
The sister thus: Calliope we chose
For the performance. The sweet virgin rose,
With ivy crown'd she tunes her golden strings,
And to her harp this composition sings.

The Song of the Muses

First Ceres taught the lab'ring hind to plow
The pregnant Earth, and quickning seed to sow.
She first for Man did wholsome food provide,
And with just laws the wicked world supply'd:
All good from her deriv'd, to her belong
The grateful tri butes of the Muse's song.
Her more than worthy of our verse we deem,
Oh! were our verse more worthy of the theme.

Jove on the giant fair Trinacria hurl'd,
And with one bolt reveng'd his starry world.
Beneath her burning hills Tiphaeus lies,
And, strugling always, strives in vain to rise.
Down does Pelorus his right hand suppress
Tow'rd Latium, on the left Pachyne weighs.
His legs are under Lilybaeum spread,
And Aetna presses hard his horrid head.
On his broad back he there extended lies,
And vomits clouds of ashes to the skies.
Oft lab'ring with his load, at last he tires,
And spews out in revenge a flood of fires.
Mountains he struggles to o'erwhelm, and towns;
Earth's inmost bowels quake, and Nature groans.
His terrors reach the direful king of Hell;
He fears his throws will to the day reveal
The realms of night, and fright his trembling ghosts.

This to prevent, he quits the Stygian coasts,
In his black carr, by sooty horses drawn,
Fair Sicily he seeks, and dreads the dawn.
Around her plains he casts his eager eyes,
And ev'ry mountain to the bottom tries.
But when, in all the careful search, he saw
No cause of fear, no ill-suspected flaw;
Secure from harm, and wand'ring on at will,
Venus beheld him from her flow'ry hill:
When strait the dame her little Cupid prest
With secret rapture to her snowy breast,
And in these words the flutt'ring boy addrest.

O thou, my arms, my glory, and my pow'r,
My son, whom men, and deathless Gods adore;
Bend thy sure bow, whose arrows never miss'd,
No longer let Hell's king thy sway resist;
Take him, while stragling from his dark abodes
He coasts the kingdoms of superior Gods.
If sovereign Jove, if Gods who rule the waves,
And Neptune, who rules them, have been thy slaves;
Shall Hell be free? The tyrant strike, my son,
Enlarge thy mother's empire, and thy own.
Let not our Heav'n be made the mock of Hell,
But Pluto to confess thy pow'r compel.
Our rule is slighted in our native skies,
See Pallas, see Diana too defies
Thy darts, which Ceres' daughter wou'd despise.
She too our empire treats with aukward scorn;
Such insolence no longer's to be born.
Revenge our slighted reign, and with thy dart
Transfix the virgin's to the uncle's heart.

She said; and from his quiver strait he drew
A dart that surely wou'd the business do.
She guides his hand, she makes her touch the test,
And of a thousand arrows chose the best:
No feather better pois'd, a sharper head
None had, and sooner none, and surer sped.
He bends his bow, he draws it to his ear,
Thro' Pluto's heart it drives, and fixes there.

The Rape of Proserpine

Near Enna's walls a spacious lake is spread,
Fam'd for the sweetly-singing swans it bred;
Pergusa is its name: and never more
Were heard, or sweeter on Cayster's shore.
Woods crown the lake; and Phoebus ne'er invades
The tufted fences, or offends the shades:
Fresh fragrant breezes fan the verdant bow'rs,
And the moist ground smiles with enamel'd flow'rs
The chearful birds their airy carols sing,
And the whole year is one eternal spring.

Here, while young Proserpine, among the maids,
Diverts herself in these delicious shades;
While like a child with busy speed and care
She gathers lillies here, and vi'lets there;
While first to fill her little lap she strives,
Hell's grizly monarch at the shade arrives;
Sees her thus sporting on the flow'ry green,
And loves the blooming maid, as soon as seen.
His urgent flame impatient of delay,
Swift as his thought he seiz'd the beauteous prey,
And bore her in his sooty carr away.
The frighted Goddess to her mother cries,
But all in vain, for now far off she flies;
Far she behind her leaves her virgin train;
To them too cries, and cries to them in vain,
And, while with passion she repeats her call,
The vi'lets from her lap, and lillies fall:
She misses 'em, poor heart! and makes new moan;
Her lillies, ah! are lost, her vi'lets gone.

O'er hills, the ravisher, and vallies speeds,
By name encouraging his foamy steeds;
He rattles o'er their necks the rusty reins,
And ruffles with the stroke their shaggy manes.
O'er lakes he whirls his flying wheels, and comes
To the Palici breathing sulph'rous fumes.
And thence to where the Bacchiads of renown
Between unequal havens built their town;
Where Arethusa, round th' imprison'd sea,
Extends her crooked coast to Cyane;
The nymph who gave the neighb'ring lake a name,
Of all Sicilian nymphs the first in fame,
She from the waves advanc'd her beauteous head,
The Goddess knew, and thus to Pluto said:
Farther thou shalt not with the virgin run;
Ceres unwilling, canst thou be her son?
The maid shou'd be by sweet perswasion won.
Force suits not with the softness of the fair;
For, if great things with small I may compare,
Me Anapis once lov'd; a milder course
He took, and won me by his words, not force.

Then, stretching out her arms, she stopt his way;
But he, impatient of the shortest stay,
Throws to his dreadful steeds the slacken'd rein,
And strikes his iron sceptre thro' the main;
The depths profound thro' yielding waves he cleaves,
And to Hell's center a free passage leaves;
Down sinks his chariot, and his realms of night
The God soon reaches with a rapid flight.

Cyane dissolves to a Fountain

But still does Cyane the rape bemoan,
And with the Goddess' wrongs laments her own;
For the stoln maid, and for her injur'd spring,
Time to her trouble no relief can bring.
In her sad heart a heavy load she bears,
'Till the dumb sorrow turns her all to tears.
Her mingling waters with that fountain pass,
Of which she late immortal Goddess was;
Her varied members to a fluid melt,
A pliant softness in her bones is felt;
Her wavy locks first drop away in dew,
And liquid next her slender fingers grew.
The body's change soon seizes its extreme,
Her legs dissolve, and feet flow off in stream.
Her arms, her back, her shoulders, and her side,
Her swelling breasts in little currents glide,
A silver liquor only now remains
Within the channel of her purple veins;
Nothing to fill love's grasp; her husb and chaste
Bathes in that bosom he before embrac'd.

A Boy transform'd to an Eft

Thus, while thro' all the Earth, and all the main,
Her daughter mournful Ceres sought in vain;
Aurora, when with dewy looks she rose,
Nor burnish'd Vesper found her in repose,
At Aetna's flaming mouth two pitchy pines
To light her in her search at length she tines.
Restless, with these, thro' frosty night she goes,
Nor fears the cutting winds, nor heeds the snows;
And, when the morning-star the day renews,
From east to west her absent child pursues.

Thirsty at last by long fatigue she grows,
But meets no spring, no riv'let near her flows.
Then looking round, a lowly cottage spies,
Smoaking among the trees, and thither hies.
The Goddess knocking at the little door,
'Twas open'd by a woman old and poor,
Who, when she begg'd for water, gave her ale
Brew'd long, but well preserv'd from being stale.
The Goddess drank; a chuffy lad was by,
Who saw the liquor with a grutching eye,
And grinning cries, She's greedy more than dry.

Ceres, offended at his foul grimace,
Flung what she had not drunk into his face,
The sprinklings speckle where they hit the skin,
And a long tail does from his body spin;
His arms are turn'd to legs, and lest his size
Shou'd make him mischievous, and he might rise
Against mankind, diminutives his frame,
Less than a lizzard, but in shape the same.
Amaz'd the dame the wondrous sight beheld,
And weeps, and fain wou'd touch her quondam child.
Yet her approach th' affrighted vermin shuns,
And fast into the greatest crevice runs.
A name they gave him, which the spots exprest,
That rose like stars, and varied all his breast.

What lands, what seas the Goddess wander'd o'er,
Were long to tell; for there remain'd no more.
Searching all round, her fruitless toil she mourns,
And with regret to Sicily returns.
At length, where Cyane now flows, she came,
Who cou'd have told her, were she still the same
As when she saw her daughter sink to Hell;
But what she knows she wants a tongue to tell.
Yet this plain signal manifestly gave,
The virgin's girdle floating on a wave,
As late she dropt it from her slender waste,
When with her uncle thro' the deep she past.
Ceres the token by her grief confest,
And tore her golden hair, and beat her breast.
She knows not on what land her curse shou'd fall,
But, as ingrate, alike upbraids them all,
Unworthy of her gifts; Trinacria most,
Where the last steps she found of what she lost.
The plough for this the vengeful Goddess broke,
And with one death the ox, and owner struck,
In vain the fallow fields the peasant tills,
The seed, corrupted ere 'tis sown, she kills.
The fruitful soil, that once such harvests bore,
Now mocks the farmer's care, and teems no more.
And the rich grain which fills the furrow'd glade,
Rots in the seed, or shrivels in the blade;
Or too much sun burns up, or too much rain
Drowns, or black blights destroy the blasted plain;
Or greedy birds the new-sown seed devour,
Or darnel, thistles, and a crop impure
Of knotted grass along the acres stand,
And spread their thriving roots thro' all the land.

Then from the waves soft Arethusa rears
Her head, and back she flings her dropping hairs.
O mother of the maid, whom thou so far
Hast sought, of whom thou canst no tidings hear;
O thou, she cry'd, who art to life a friend,
Cease here thy search, and let thy labour end.
Thy faithful Sicily's a guiltless clime,
And shou'd not suffer for another's crime;
She neither knew, nor cou'd prevent the deed;
Nor think that for my country thus I plead;
My country's Pisa, I'm an alien here,
Yet these abodes to Elis I prefer,
No clime to me so sweet, no place so dear.
These springs I Arethusa now possess,
And this my seat, o gracious Goddess, bless:
This island why I love, and why I crost
Such spacious seas to reach Ortygia's coast,
To you I shall impart, when, void of care,
Your heart's at ease, and you're more fit to hear;
When on your brow no pressing sorrow sits,
For gay content alone such tales admits.
When thro' Earth's caverns I a-while have roul'd
My waves, I rise, and here again behold
The long-lost stars; and, as I late did glide
Near Styx, Proserpina there I espy'd.
Fear still with grief might in her face be seen;
She still her rape laments; yet, made a queen,
Beneath those gloomy shades her sceptre sways,
And ev'n th' infernal king her will obeys.

This heard, the Goddess like a statue stood,
Stupid with grief; and in that musing mood
Continu'd long; new cares a-while supprest
The reigning of her immortal breast.
At last to Jove her daughter's sire she flies,
And with her chariot cuts the chrystal skies;
She comes in clouds, and with dishevel'd hair,
Standing before his throne, prefers her pray'r.

King of the Gods, defend my blood and thine,
And use it not the worse for being mine.
If I no more am gracious in thy sight,
Be just, o Jove, and do thy daughter right.
In vain I sought her the wide world around,
And, when I most despair'd to find her, found.
But how can I the fatal finding boast,
By which I know she is for ever lost?
Without her father's aid, what other Pow'r
Can to my arms the ravish'd maid restore?
Let him restore her, I'll the crime forgive;
My child, tho' ravish'd, I'd with joy receive.
Pity, your daughter with a thief shou'd wed,
Tho' mine, you think, deserves no better bed.

Jove thus replies: It equally belongs
To both, to guard our common pledge from wrongs.
But if to things we proper names apply,
This hardly can be call'd an injury.
The theft is love; nor need we blush to own
The thief, if I can judge, to be our son.
Had you of his desert no other proof,
To be Jove's brother is methinks enough.
Nor was my throne by worth superior got,
Heav'n fell to me, as Hell to him, by lot:
If you are still resolv'd her loss to mourn,
And nothing less will serve than her return;
Upon these terms she may again be yours
(Th' irrevocable terms of fate, not ours),
Of Stygian food if she did never taste,
Hell's bounds may then, and only then, be past.

The Transformation of Ascalaphus into an Owl

The Goddess now, resolving to succeed,
Down to the gloomy shades descends with speed;
But adverse fate had otherwise decreed.
For, long before, her giddy thoughtless child
Had broke her fast, and all her projects spoil'd.
As in the garden's shady walk she stray'd,
A fair pomegranate charm'd the simple maid,
Hung in her way, and tempting her to taste,
She pluck'd the fruit, and took a short repast.
Seven times, a seed at once, she eat the food;
The fact Ascalaphus had only view'd;
Whom Acheron begot in Stygian shades
On Orphne, fam'd among Avernal maids;
He saw what past, and by discov'ring all,
Detain'd the ravish'd nymph in cruel thrall.

But now a queen, she with resentment heard,
And chang'd the vile informer to a bird.
In Phlegeton's black stream her hand she dips,
Sprinkles his head, and wets his babling lips.
Soon on his face, bedropt with magick dew,
A change appear'd, and gawdy feathers grew.
A crooked beak the place of nose supplies,
Rounder his head, and larger are his eyes.
His arms and body waste, but are supply'd
With yellow pinions flagging on each side.
His nails grow crooked, and are turn'd to claws,
And lazily along his heavy wings he draws.
Ill-omen'd in his form, the unlucky fowl,
Abhorr'd by men, and call'd a scrieching owl.

The Daughters of Achelous transform'd to Sirens

Justly this punishment was due to him,
And less had been too little for his crime;
But, o ye nymphs that from the flood descend,
What fault of yours the Gods cou'd so offend,
With wings and claws your beauteous forms to spoil,
Yet save your maiden face, and winning smile?
Were you not with her in Pergusa's bow'rs,
When Proserpine went forth to gather flow'rs?
Since Pluto in his carr the Goddess caught,
Have you not for her in each climate sought?
And when on land you long had search'd in vain,
You wish'd for wings to cross the pathless main;
That Earth and Sea might witness to your care:
The Gods were easy, and return'd your pray'r;
With golden wing o'er foamy waves you fled,
And to the sun your plumy glories spread.
But, lest the soft enchantment of your songs,
And the sweet musick of your flat'ring tongues
Shou'd quite be lost (as courteous fates ordain),
Your voice and virgin beauty still remain.

Jove some amends for Ceres lost to make,
Yet willing Pluto shou'd the joy partake,
Gives 'em of Proserpine an equal share,
Who, claim'd by both, with both divides the year.
The Goddess now in either empire sways,
Six moons in Hell, and six with Ceres stays.
Her peevish temper's chang'd; that sullen mind,
Which made ev'n Hell uneasy, now is kind,
Her voice refines, her mein more sweet appears,
Her forehead free from frowns, her eyes from tears,
As when, with golden light, the conqu'ring day
Thro' dusky exhalations clears a way.
Ceres her daughter's rape no longer mourn'd,
But back to Arethusa's spring return'd;
And sitting on the margin, bid her tell
From whence she came, and why a sacred well.

The Story of Arethusa

Still were the purling waters, and the maid
From the smooth surface rais'd her beauteous head,
Wipes off the drops that from her tresses ran,
And thus to tell Alpheus' loves began.

In Elis first I breath'd the living air,
The chase was all my pleasure, all my care.
None lov'd like me the forest to explore,
To pitch the toils, and drive the bristled boar.
Of fair, tho' masculine, I had the name,
But gladly wou'd to that have quitted claim:
It less my pride than indignation rais'd,
To hear the beauty I neglected, prais'd;
Such compliments I loath'd, such charms as these
I scorn'd, and thought it infamy to please.

Once, I remember, in the summer's heat,
Tir'd with the chase, I sought a cool retreat;
And, walking on, a silent current found,
Which gently glided o'er the grav'ly ground.
The chrystal water was so smooth, so clear,
My eye distinguish'd ev'ry pebble there.
So soft its motion, that I scarce perceiv'd
The running stream, or what I saw believ'd.
The hoary willow, and the poplar, made
Along the shelving bank a grateful shade.
In the cool rivulet my feet I dipt,
Then waded to the knee, and then I stript;
My robe I careless on an osier threw,
That near the place commodiously grew;
Nor long upon the border naked stood,
But plung'd with speed into the silver flood.
My arms a thousand ways I mov'd, and try'd
To quicken, if I cou'd, the lazy tide;
Where, while I play'd my swimming gambols o'er,
I heard a murm'ring voice, and frighted sprung to shore.

Oh! whither, Arethusa, dost thou fly?
From the brook's bottom did Alpheus cry;
Again, I heard him, in a hollow tone,
Oh! whither, Arethusa, dost thou run?
Naked I flew, nor cou'd I stay to hide
My limbs, my robe was on the other side;
Alpheus follow'd fast, th' inflaming sight
Quicken'd his speed, and made his labour light;
He sees me ready for his eager arms,
And with a greedy glance devours my charms.
As trembling doves from pressing danger fly,
When the fierce hawk comes sousing from the sky;
And, as fierce hawks the trembling doves pursue,
From him I fled, and after me he flew.
First by Orchomenus I took my flight,
And soon had Psophis and Cyllene in sight;
Behind me then high Maenalus I lost,
And craggy Erimanthus scal'd with frost;
Elis was next; thus far the ground I trod
With nimble feet, before the distanc'd God.
But here I lagg'd, unable to sustain
The labour longer, and my flight maintain;
While he more strong, more patient of the toil,
And fir'd with hopes of beauty's speedy spoil,
Gain'd my lost ground, and by redoubled pace,
Now left between us but a narrow space.
Unweary'd I 'till now o'er hills, and plains,
O'er rocks, and rivers ran, and felt no pains:
The sun behind me, and the God I kept,
But, when I fastest shou'd have run, I stept.
Before my feet his shadow now appear'd;
As what I saw, or rather what I fear'd.
Yet there I could not be deceiv'd by fear,
Who felt his breath pant on my braided hair,
And heard his sounding tread, and knew him to be near.
Tir'd, and despairing, O celestial maid,
I'm caught, I cry'd, without thy heav'nly aid.
Help me, Diana, help a nymph forlorn,
Devoted to the woods, who long has worn
Thy livery, and long thy quiver born.
The Goddess heard; my pious pray'r prevail'd;
In muffling clouds my virgin head was veil'd,
The am'rous God, deluded of his hopes,
Searches the gloom, and thro' the darkness gropes;
Twice, where Diana did her servant hide
He came, and twice, O Arethusa! cry'd.
How shaken was my soul, how sunk my heart!
The terror seiz'd on ev'ry trembling part.
Thus when the wolf about the mountain prowls
For prey, the lambkin hears his horrid howls:
The tim'rous hare, the pack approaching nigh,
Thus hearkens to the hounds, and trembles at the cry;
Nor dares she stir, for fear her scented breath
Direct the dogs, and guide the threaten'd death.
Alpheus in the cloud no traces found
To mark my way, yet stays to guard the ground,
The God so near, a chilly sweat possest
My fainting limbs, at ev'ry pore exprest;
My strength distill'd in drops, my hair in dew,
My form was chang'd, and all my substance new.
Each motion was a stream, and my whole frame
Turn'd to a fount, which still preserves my name.
Resolv'd I shou'd not his embrace escape,
Again the God resumes his fluid shape;
To mix his streams with mine he fondly tries,
But still Diana his attempt denies.
She cleaves the ground; thro' caverns dark I run
A diff'rent current, while he keeps his own.
To dear Ortygia she conducts my way,
And here I first review the welcome day.

Here Arethusa stopt; then Ceres takes
Her golden carr, and yokes her fiery snakes;
With a just rein, along mid-heaven she flies
O'er Earth, and seas, and cuts the yielding skies.
She halts at Athens, dropping like a star,
And to Triptolemus resigns her carr.
Parent of seed, she gave him fruitful grain,
And bad him teach to till and plough the plain;
The seed to sow, as well in fallow fields,
As where the soil manur'd a richer harvest yields.

The Transformation of Lyncus

The youth o'er Europe and o'er Asia drives,
'Till at the court of Lyncus he arrives.
The tyrant Scythia's barb'rous empire sway'd;
And, when he saw Triptolemus, he said,
How cam'st thou, stranger, to our court, and why?
Thy country, and thy name? The youth did thus reply:
Triptolemus my name; my country's known
O'er all the world, Minerva's fav'rite town,
Athens, the first of cities in renown.
By land I neither walk'd, nor sail'd by sea,
But hither thro' the Aether made my way.
By me, the Goddess who the fields befriends,
These gifts, the greatest of all blessings, sends.
The grain she gives if in your soil you sow,
Thence wholsom food in golden crops shall grow.

Soon as the secret to the king was known,
He grudg'd the glory of the service done,
And wickedly resolv'd to make it all his own.
To hide his purpose, he invites his guest,
The friend of Ceres, to a royal feast,
And when sweet sleep his heavy eyes had seiz'd,
The tyrant with his steel attempts his breast.
Him strait a lynx's shape the Goddess gives,
And home the youth her sacred dragons drives.

The Pierides transform'd to Magpies

The chosen Muse here ends her sacred lays;
The nymphs unanimous decree the bays,
And give the Heliconian Goddesses the praise.
Then, far from vain that we shou'd thus prevail,
But much provok'd to hear the vanquish'd rail,
Calliope resumes: Too long we've born
Your daring taunts, and your affronting scorn;
Your challenge justly merited a curse,
And this unmanner'd railing makes it worse.
Since you refuse us calmly to enjoy
Our patience, next our passions we'll employ;
The dictates of a mind enrag'd pursue,
And, what our just resentment bids us, do.

The railers laugh, our threats and wrath despise,
And clap their hands, and make a scolding noise:
But in the fact they're seiz'd; beneath their nails
Feathers they feel, and on their faces scales;
Their horny beaks at once each other scare,
Their arms are plum'd, and on their backs they bear
Py'd wings, and flutter in the fleeting air.
Chatt'ring, the scandal of the woods they fly,
And there continue still their clam'rous cry:
The same their eloquence, as maids, or birds,
Now only noise, and nothing then but words.

----------------------------------------------------------------------
~ Ovid, BOOK THE FIFTH

,
1358: Love and Death

Love and Death
In woodlands of the bright and early world,
When love was to himself yet new and warm
And stainless, played like morning with a flower
Ruru with his young bride Priyumvada.

Fresh-cheeked and dew-eyed white Priyumvada
Opened her budded heart of crimson bloom
To love, to Ruru; Ruru, a happy flood
Of passion round a lotus dancing thrilled,
Blinded with his soul's waves Priyumvada.

To him the earth was a bed for this sole flower,
To her all the world was filled with his embrace.

Wet with new rains the morning earth, released
From her fierce centuries and burning suns,
Lavished her breath in greenness; poignant flowers
Thronged all her eager breast, and her young arms
Cradled a childlike bounding life that played
And would not cease, nor ever weary grew
Of her bright promise; for all was joy and breeze
And perfume, colour and bloom and ardent rays
Of living, and delight desired the world.

Then Earth was quick and pregnant tamelessly;
A free and unwalled race possessed her plains
Whose hearts uncramped by bonds, whose unspoiled thoughts
At once replied to light. Foisoned the fields;
Lonely and rich the forests and the swaying
Of those unnumbered tops affected men
With thoughts to their vast music kin. Undammed
The virgin rivers moved towards the sea,
And mountains yet unseen and peoples vague
Winged young imagination like an eagle
To strange beauty remote. And Ruru felt
The sweetness of the early earth as sap
All through him, and short life an aeon made
By boundless possibility, and love,

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Sweetest of all unfathomable love,
A glory untired. As a bright bird comes flying
From airy extravagance to his own home,
And breasts his mate, and feels her all his goal,
So from boon sunlight and the fresh chill wave
Which swirled and lapped between the slumbering fields,
From forest pools and wanderings mid leaves
Through emerald ever-new discoveries,
Mysterious hillsides ranged and buoyant-swift
Races with our wild brothers in the meads,
Came Ruru back to the white-bosomed girl,
Strong-winged to pleasure. She all fresh and new
Rose to him, and he plunged into her charm.

For neither to her honey and poignancy
Artlessly interchanged, nor any limit
To the sweet physical delight of her
He found. Her eyes like deep and infinite wells
Lured his attracted soul, and her touch thrilled
Not lightly, though so light; the joy prolonged
And sweetness of the lingering of her lips
Was every time a nectar of surprise
To her lover; her smooth-gleaming shoulder bared
In darkness of her hair showed jasmine-bright,
While her kissed bosom by rich tumults stirred
Was a moved sea that rocked beneath his heart.

Then when her lips had made him blind, soft siege
Of all her unseen body to his rule
Betrayed the ravishing realm of her white limbs,
An empire for the glory of a God.

He knew not whether he loved most her smile,
Her causeless tears or little angers swift,
Whether held wet against him from the bath
Among her kindred lotuses, her cheeks
Soft to his lips and dangerous happy breasts
That vanquished all his strength with their desire,
Meeting his absence with her sudden face,
Or when the leaf-hid bird at night complained

Love and Death
Near their wreathed arbour on the moonlit lake,
Sobbing delight out from her heart of bliss,
Or in his clasp of rapture laughing low
Of his close bosom bridal-glad and pleased
With passion and this fiery play of love,
Or breaking off like one who thinks of grief,
Wonderful melancholy in her eyes
Grown liquid and with wayward sorrow large.

Thus he in her found a warm world of sweets,
And lived of ecstasy secure, nor deemed
Any new hour could match that early bliss.

But Love has joys for spirits born divine
More bleeding-lovely than his thornless rose.

That day he had left, while yet the east was dark,
Rising, her bosom and into the river
Swam out, exulting in the sting and swift
Sharp-edged desire around his limbs, and sprang
Wet to the bank, and streamed into the wood.

As a young horse upon the pastures glad
Feels greensward and the wind along his mane
And arches as he goes his neck, so went
In an immense delight of youth the boy
And shook his locks, joy-crested. Boundlessly
He revelled in swift air of life, a creature
Of wide and vigorous morning. Far he strayed
Tempting for flower and fruit branches in heaven,
And plucked, and flung away, and brighter chose,
Seeking comparisons for her bloom; and followed
New streams, and touched new trees, and felt slow beauty
And leafy secret change; for the damp leaves,
Grey-green at first, grew pallid with the light
And warmed with consciousness of sunshine near;
Then the whole daylight wandered in, and made
Hard tracts of splendour, and enriched all hues.

But when a happy sheltered heat he felt
And heard contented voice of living things
Harmonious with the noon, he turned and swiftly

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Went homeward yearning to Priyumvada,
And near his home emerging from green leaves
He laughed towards the sun: "O father Sun,"
He cried, "how good it is to live, to love!
Surely our joy shall never end, nor we
Grow old, but like bright rivers or pure winds
Sweetly continue, or revive with flowers,
Or live at least as long as senseless trees."
He dreamed, and said with a soft smile: "Lo, she!
And she will turn from me with angry tears
Her delicate face more beautiful than storm
Or rainy moonlight. I will follow her,
And soo the her heart with sovereign flatteries;
Or rather all tyranny exhaust and taste
The beauty of her anger like a fruit,
Vexing her soul with helplessness; then soften
Easily with quiet undenied demand
Of heart insisting upon heart; or else
Will reinvest her beauty bright with flowers,
Or with my hands her little feet persuade.

Then will her face be like a sudden dawn,
And flower compelled into reluctant smiles."
He had not ceased when he beheld her. She,
Tearing a jasmine bloom with waiting hands,
Stood drooping, petulant, but heard at once
His footsteps and before she was aware,
A sudden smile of exquisite delight
Leaped to her mouth, and a great blush of joy
Surprised her cheeks. She for a moment stood
Beautiful with her love before she died;
And he laughed towards her. With a pitiful cry
She paled; moaning, her stricken limbs collapsed.

But petrified, in awful dumb surprise,
He gazed; then waking with a bound was by her,
All panic expectation. As he came,
He saw a brilliant flash of coils evade
The sunlight, and with hateful gorgeous hood

Love and Death
Darted into green safety, hissing, death.

Voiceless he sank beside her and stretched out
His arms and desperately touched her face,
As if to attract her soul to live, and sought
Beseeching with his hands her bosom. O, she
Was warm, and cruel hope pierced him; but pale
As jasmines fading on a girl's sweet breast
Her cheek was, and forgot its perfect rose.

Her eyes that clung to sunlight yet, with pain
Were large and feebly round his neck her arms
She lifted and, desiring his pale cheek
Against her bosom, sobbed out piteously,
"Ah, love!" and stopped heart-broken; then, "O Love!
Alas the green dear home that I must leave
So early! I was so glad of love and kisses,
And thought that centuries would not exhaust
The deep embrace. And I have had so little
Of joy and the wild day and throbbing night,
Laughter, and tenderness, and strife and tears.

I have not numbered half the brilliant birds
In one green forest, nor am familiar grown
With sunrise and the progress of the eves,
Nor have with plaintive cries of birds made friends,
Cuckoo and rainlark and love-speak-to-me.

I have not learned the names of half the flowers
Around me; so few trees know me by my name;
Nor have I seen the stars so very often
That I should die. I feel a dreadful hand
Drawing me from the touch of thy warm limbs
Into some cold vague mist, and all black night
Descends towards me. I no more am thine,
But go I know not where, and see pale shapes
And gloomy countries and that terrible stream.

O Love, O Love, they take me from thee far,
And whether we shall find each other ever
In the wide dreadful territory of death,
I know not. Or thou wilt forget me quite,

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And life compel thee into other arms.

Ah, come with me! I cannot bear to wander
In that cold cruel country all alone,
Helpless and terrified, or sob by streams
Denied sweet sunlight and by thee unloved."
Slower her voice came now, and over her cheek
Death paused; then, sobbing like a little child
Too early from her bounding pleasures called,
The lovely discontented spirit stole
From her warm body white. Over her leaned
Ruru, and waited for dead lips to move.

Still in the greenwood lay Priyumvada,
And Ruru rose not from her, but with eyes
Emptied of glory hung above his dead,
Only, without a word, without a tear.

Then the crowned wives of the great forest came,
They who had fed her from maternal breasts,
And grieved over the lovely body cold,
And bore it from him; nor did he entreat
One last look nor one kiss, nor yet denied
What he had loved so well. They the dead girl
Into some distant greenness bore away.

But Ruru, while the stillness of the place
Remembered her, sat without voice. He heard
Through the great silence that was now his soul,
The forest sounds, a squirrel's leap through leaves,
The cheeping of a bird just overhead,
A peacock with his melancholy cry
Complaining far away, and tossings dim
And slight unnoticeable stir of trees.

But all these were to him like distant things
And he alone in his heart's void. And yet
No thought he had of her so lately lost.

Rather far pictures, trivial incidents
Of that old life before her delicate face
Had lived for him, dumbly distinct like thoughts

Love and Death
Of men that die, kept with long pomps his mind
Excluding the dead girl. So still he was,
The birds flashed by him with their swift small wings,
Fanning him. Then he moved, then rigorous
Memory through all his body shuddering
Awoke, and he looked up and knew the place,
And recognised greenness immutable,
And saw old trees and the same flowers still bloom.

He felt the bright indifference of earth
And all the lonely uselessness of pain.

Then lifting up the beauty of his brow
He spoke, with sorrow pale: "O grim cold Death!
But I will not like ordinary men
Satiate thee with cries, and falsely woo thee,
And make my grief thy theatre, who lie
Prostrate beneath thy thunderbolts and make
Night witness of their moans, shuddering and crying
When sudden memories pierce them like swords,
And often starting up as at a thought
Intolerable, pace a little, then
Sink down exhausted by brief agony.

O secrecy terrific, darkness vast,
At which we shudder! Somewhere, I know not where,
Somehow, I know not how, I shall confront
Thy gloom, tremendous spirit, and seize with hands
And prove what thou art and what man." He said,
And slowly to the forest wandered. There
Long months he travelled between grief and grief,
Reliving thoughts of her with every pace,
Measuring vast pain in his immortal mind.

And his heart cried in him as when a fire
Roars through wide forests and the branches cry
Burning towards heaven in torture glorious.

So burned, immense, his grief within him; he raised
His young pure face all solemnised with pain,
Voiceless. Then Fate was shaken, and the Gods
Grieved for him, of his silence grown afraid.
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Therefore from peaks divine came flashing down
Immortal Agni and to the uswutth-tree
Cried in the Voice that slays the world: "O tree
That liftest thy enormous branches able
To shelter armies, more than armies now
Shelter, be famous, house a brilliant God.

For the grief grows in Ruru's breast up-piled,
As wrestles with its anguished barricades
In silence an impending flood, and Gods
Immortal grow afraid. For earth alarmed
Shudders to bear the curse lest her young life
Pale with eclipse and all-creating love
Be to mere pain condemned. Divert the wrath
Into thy boughs, Uswuttha - thou shalt be
My throne - glorious, though in eternal pangs,
Yet worth much pain to harbour divine fire."
So ended the young pure destroyer's voice,
And the dumb god consented silently.

In the same noon came Ruru; his mind had paused,
Lured for a moment by soft wandering gleams
Into forgetfulness of grief; for thoughts
Gentle and near-eyed whispering memories
So sweetly came, his blind heart dreamed she lived.

Slow the uswuttha-tree bent down its leaves,
And smote his cheek, and touched his heavy hair.

And Ruru turned illumined. For a moment,
One blissful moment he had felt 'twas she.

So had she often stolen up and touched
His curls with her enamoured fingers small,
Lingering, while the wind smote him with her hair
And her quick breath came to him like spring. Then he,
Turning, as one surprised with heaven, saw
Ready to his swift passionate grasp her bosom
And body sweet expecting his embrace.

Oh, now saw her not, but the guilty tree
Shrinking; then grief back with a double crown
Arose and stained his face with agony.
Love and Death
Nor silence he endured, but the dumb force
Ascetic and inherited, by sires
Fierce-musing earned, from the boy's bosom blazed.

"O uswutth-tree, wantonly who hast mocked
My anguish with the wind, but thou no more
Have joy of the cool wind nor green delight,
But live thy guilty leaves in fire, so long
As Aryan wheels by thy doomed shadow vast
Thunder to war, nor bless with cool wide waves
Lyric Saruswathi nations impure."
He spoke, and the vast tree groaned through its leaves,
Recognising its fate; then smouldered; lines
Of living fire rushed up the girth and hissed
Serpentine in the unconsuming leaves;
Last, all Hutashan in his chariot armed
Sprang on the boughs and blazed into the sky,
And wailing all the great tormented creature
Stood wide in agony; one half was green
And earthly, the other a weird brilliance
Filled with the speed and cry of endless flame.

But he, with the fierce rushing-out of power
Shaken and that strong grasp of anguish, flung
His hands out to the sun; "Priyumvada!"
He cried, and at that well-loved sound there dawned
With overwhelming sweetness miserable
Upon his mind the old delightful times
When he had called her by her liquid name,
Where the voice loved to linger. He remembered
The chompuc bushes where she turned away
Half-angered, and his speaking of her name
Masterfully as to a lovely slave
Rebellious who has erred; at that the slow
Yielding of her small head, and after a little
Her sliding towards him and beautiful
Propitiating body as she sank down
With timid graspings deprecatingly
In prostrate warm surrender, her flushed cheeks

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Upon his feet and little touches soft;
Or her long name uttered beseechingly,
And the swift leap of all her body to him,
And eyes of large repentance, and the weight
Of her wild bosom and lips unsatisfied;
Or hourly call for little trivial needs,
Or sweet unneeded wanton summoning,
Daily appeal that never staled nor lost
Its sudden music, and her lovely speed,
Sedulous occupation left, quick-breathing,
With great glad eyes and eager parted lips;
Or in deep quiet moments murmuring
That name like a religion in her ear,
And her calm look compelled to ecstasy;
Or to the river luring her, or breathed
Over her dainty slumber, or secret sweet
Bridal outpantings of her broken name.

All these as rush unintermitting waves
Upon a swimmer overborne, broke on him
Relentless, things too happy to be endured,
Till faint with the recalled felicity
Low he moaned out: "O pale Priyumvada!
O dead fair flower! yet living to my grief!
But I could only slay the innocent tree,
Powerless when power should have been. Not such
Was Bhrigu from whose sacred strength I spring,
Nor Bhrigu's son, my father, when he blazed
Out from Puloma's side, and burning, blind,
Fell like a tree the ravisher unjust.

But I degenerate from such sires. O Death
That showest not thy face beneath the stars,
But comest masked, and on our dear ones seizing
Fearest to wrestle equally with love!
Nor from thy gloomy house any come back
To tell thy way. But O, if any strength
In lover's constancy to torture dwell
Earthward to force a helping god and such

Love and Death
Ascetic force be born of lover's pain,
Let my dumb pangs be heard. Whoe'er thou art,
O thou bright enemy of Death, descend
And lead me to that portal dim. For I
Have burned in fires cruel as the fire
And lain upon a sharper couch than swords."
He ceased, and heaven thrilled, and the far blue
Quivered as with invisible downward wings.

But Ruru passioned on, and came with eve
To secret grass and a green opening moist
In a cool lustre. Leaned upon a tree
That bathed in faery air and saw the sky
Through branches, and a single parrot loud
Screamed from its top, there stood a golden boy,
Half-naked, with bright limbs all beautiful -
Delicate they were, in sweetness absolute:
For every gleam and every soft strong curve
Magically compelled the eye, and smote
The heart to weakness. In his hands he swung
A bow - not such as human archers use:
For the string moved and murmured like many bees,
And nameless fragrance made the casual air
A peril. He on Ruru that fair face
Turned, and his steps with lovely gesture chained.

"Who art thou here, in forests wandering,
And thy young exquisite face is solemnised
With pain? Luxuriously the Gods have tortured
Thy heart to see such dreadful glorious beauty
Agonise in thy lips and brilliant eyes:
As tyrants in the fierceness of others' pangs
Joy and feel strong, clothing with brilliant fire,
Tyrants in Titan lands. Needs must her mouth
Have been pure honey and her bosom a charm,
Whom thou desirest seeing not the green
And common lovely sounds hast quite forgot."
And Ruru, mastered by the God, replied:

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"I know thee by thy cruel beauty bright,
Kama, who makest many worlds one fire.

Ah, wherefore wilt thou ask of her to increase
The passion and regret? Thou knowest, great love!
Thy nymph her mother, if thou truly art he
And not a dream of my disastrous soul."
But with the thrilled eternal smile that makes
The spring, the lover of Rathi golden-limbed
Replied to Ruru, "Mortal, I am he;
I am that Madan who inform the stars
With lustre and on life's wide canvas fill
Pictures of light and shade, of joy and tears,
Make ordinary moments wonderful
And common speech a charm: knit life to life
With interfusions of opposing souls
And sudden meetings and slow sorceries:
Wing the boy bridegroom to that panting breast,
Smite Gods with mortal faces, dreadfully
Among great beautiful kings and watched by eyes
That burn, force on the virgin's fainting limbs
And drive her to the one face never seen,
The one breast meant eternally for her.

By me come wedded sweets, by me the wife's
Busy delight and passionate obedience,
And loving eager service never sated,
And happy lips, and worshipping soft eyes:
And mine the husband's hungry arms and use
Unwearying of old tender words and ways,
Joy of her hair, and silent pleasure felt
Of nearness to one dear familiar shape.

Nor only these, but many affections bright
And soft glad things cluster around my name.

I plant fraternal tender yearnings, make
The sister's sweet attractiveness and leap
Of heart towards imperious kindred blood,
And the young mother's passionate deep look,
Earth's high similitude of One not earth,

Love and Death
Teach filial heart-beats strong. These are my gifts
For which men praise me, these my glories calm:
But fiercer shafts I can, wild storms blown down
Shaking fixed minds and melting marble natures,
Tears and dumb bitterness and pain unpitied,
Racked thirsting jealousy and kind hearts made stone:
And in undisciplined huge souls I sow
Dire vengeance and impossible cruelties,
Cold lusts that linger and fierce fickleness,
The loves close kin to hate, brute violence
And mad insatiable longings pale,
And passion blind as death and deaf as swords.

O mortal, all deep-souled desires and all
Yearnings immense are mine, so much I can."
So as he spoke, his face grew wonderful
With vast suggestion, his human-seeming limbs
Brightened with a soft splendour: luminous hints
Of the concealed divinity transpired.

But soon with a slight discontented frown:
"So much I can, as even the great Gods learn.

Only with death I wrestle in vain, until
My passionate godhead all becomes a doubt.

Mortal, I am the light in stars, of flowers
The bloom, the nameless fragrance that pervades
Creation: but behind me, older than me,
He comes with night and cold tremendous shade.

Hard is the way to him, most hard to find,
Harder to tread, for perishable feet
Almost impossible. Yet, O fair youth,
If thou must needs go down, and thou art strong
In passion and in constancy, nor easy
The soul to slay that has survived such grief -
Steel then thyself to venture, armed by Love.

Yet listen first what heavy trade they drive
Who would win back their dead to human arms."
So much the God; but swift, with eager eyes
And panting bosom and glorious flushed face,

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The lover: "O great Love! O beautiful Love!
But if by strength is possible, of body
Or mind, battle of spirit or moving speech,
Sweet speech that makes even cruelty grow kind,
Or yearning melody - for I have heard
That when Saruswathi in heaven her harp
Has smitten, the cruel sweetness terrible
Coils taking no denial through the soul,
And tears burst from the hearts of Gods - then I,
Making great music, or with perfect words,
Will strive, or staying him with desperate hands
Match human strength 'gainst formidable Death.

But if with price, ah God! what easier! Tears
Dreadful, innumerable I will absolve,
Or pay with anguish through the centuries,
Soul's agony and torture physical,
So her small hands about my face at last
I feel, close real hair sting me with life,
And palpable breathing bosom on me press."
Then with a lenient smile the mighty God:
"O ignorant fond lover, not with tears
Shalt thou persuade immitigable Death.

He will not pity all thy pangs: nor know
His stony eyes with music to grow kind,
Nor lovely words accepts. And how wilt thou
Wrestle with that grim shadow, who canst not save
One bloom from fading? A sole thing the Gods
Demand from all men living, sacrifice:
Nor without this shall any crown be grasped.

Yet many sacrifices are there, oxen,
And prayers, and Soma wine, and pious flowers,
Blood and the fierce expense of mind, and pure
Incense of perfect actions, perfect thoughts,
Or liberality wide as the sun's,
Or ruthless labour or disastrous tears,
Exile or death or pain more hard than death,
Absence, a desert, from the faces loved;

Love and Death
Even sin may be a sumptuous sacrifice
Acceptable for unholy fruits. But none
Of these the inexorable shadow asks:
Alone of gods Death loves not gifts: he visits
The pure heart as the stained. Lo, the just man
Bowed helpless over his dead, nor all his virtues
Shall quicken that cold bosom: near him the wild
Marred face and passionate and will not leave
Kissing dead lips that shall not chide him more.

Life the pale ghost requires: with half thy life
Thou mayst protract the thread too early cut
Of that delightful spirit - half sweet life.

O Ruru, lo, thy frail precarious days,
And yet how sweet they are! simply to breathe
How warm and sweet! And ordinary things
How exquisite, thou then shalt learn when lost,
How luminous the daylight was, mere sleep
How soft and friendly clasping tired limbs,
And the deliciousness of common food.

And things indifferent thou then shalt want,
Regret rejected beauty, brightnesses
Bestowed in vain. Wilt thou yield up, O lover,
Half thy sweet portion of this light and gladness,
Thy little insufficient share, and vainly
Give to another? She is not thyself:
Thou dost not feel the gladness in her bosom,
Nor with the torture of thy body will she
Throb and cry out: at most with tender looks
And pitiful attempt to feel move near thee,
And weep how far she is from what she loves.

Men live like stars that see each other in heaven,
But one knows not the pleasure and the grief
The others feel: he lonely rapture has,
Or bears his incommunicable pain.

O Ruru, there are many beautiful faces,
But one thyself. Think then how thou shalt mourn
When thou hast shortened joy and feelst at last

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The shadow that thou hadst for such sweet store."
He ceased with a strange doubtful look. But swift
Came back the lover's voice, like passionate rain.

"O idle words! For what is mere sunlight?
Who would live on into extreme old age,
Burden the impatient world, a weary old man,
And look back on a selfish time ill-spent
Exacting out of prodigal great life
Small separate pleasures like an usurer,
And no rich sacrifice and no large act
Finding oneself in others, nor the sweet
Expense of Nature in her passionate gusts
Of love and giving, first of the soul's needs?
Who is so coldly wise, and does not feel
How wasted were our grandiose human days
In prudent personal unshared delights?
Why dost thou mock me, friend of all the stars?
How canst thou be love's god and know not this,
That love burns down the body's barriers cold
And laughs at difference - playing with it merely
To make joy sweeter? O too deeply I know,
The lover is not different from the loved,
Nor is their silence dumb to each other. He
Contains her heart and feels her body in his,
He flushes with her heat, chills with her cold.

And when she dies, oh! when she dies, oh me,
The emptiness, the maim! the life no life,
The sweet and passionate oneness lost! And if
By shortening of great grief won back, O price
Easy! O glad briefness, aeons may envy!
For we shall live not fearing death, nor feel
As others yearning over the loved at night
When the lamp flickers, sudden chills of dread
Terrible; nor at short absence agonise,
Wrestling with mad imagination. Us
Serenely when the darkening shadow comes,
One common sob shall end and soul clasp soul,

Love and Death
Leaving the body in a long dim kiss.

Then in the joys of heaven we shall consort,
Amid the gladness often touching hands
To make bliss sure; or in the ghastly stream
If we must anguish, yet it shall not part
Our passionate limbs inextricably locked
By one strong agony, but we shall feel
Hell's pain half joy through sweet companionship.

God Love, I weary of words. O wing me rather
To her, my eloquent princess of the spring,
In whatsoever wintry shores she roam."
He ceased with eager forward eyes; once more
A light of beauty immortal through the limbs
Gleaming of the boy-god and soft sweet face,
Glorifying him, flushed, and he replied:
"Go then, O thou dear youth, and bear this flower
In thy hand warily. For thou shalt come
To that high meeting of the Ganges pure
With vague and violent Ocean. There arise
And loudly appeal my brother, the wild sea."
He spoke and stretched out his immortal hand,
And Ruru's met it. All his young limbs yearned
With dreadful rapture shuddering through them. He
Felt in his fingers subtle uncertain bloom,
A quivering magnificence, half fire,
Whose petals changed like flame, and from them breathed
Dangerous attraction and alarmed delight,
As at a peril near. He raised his eyes,
But the green place was empty of the God.

Only the faery tree looked up at heaven
Through branches, and with recent pleasure shook.

Then over fading earth the night was lord.

But from Shatudru and Bipasha, streams
Once holy, and loved Iravathi and swift
Clear Chandrabhaga and Bitosta's toil
For man, went Ruru to bright sumptuous lands

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By Aryan fathers not yet paced, but wild,
But virgin to our fruitful human toil,
Where Nature lay reclined in dumb delight
Alone with woodlands and the voiceless hills.

He with the widening yellow Ganges came,
Amazed, to trackless countries where few tribes,
Kirath and Poundrian, warred, worshipping trees
And the great serpent. But robust wild earth,
But forests with their splendid life of beasts
Savage mastered those strong inhabitants.

Thither came Ruru. In a thin soft eve
Ganges spread far her multitudinous waves,
A glimmering restlessness with voices large,
And from the forests of that half-seen bank
A boat came heaving over it, white-winged,
With a sole silent helmsman marble-pale.

Then Ruru by his side stepped in; they went
Down the mysterious river and beheld
The great banks widen out of sight. The world
Was water and the skies to water plunged.

All night with a dim motion gliding down
He felt the dark against his eyelids; felt,
As in a dream more real than daylight,
The helmsman with his dumb and marble face
Near him and moving wideness all around,
And that continual gliding dimly on,
As one who on a shoreless water sails
For ever to a port he shall not win.

But when the darkness paled, he heard a moan
Of mightier waves and had the wide great sense
Of ocean and the depths below our feet.

But the boat stopped; the pilot lifted on him
His marble gaze coeval with the stars.

Then in the white-winged boat the boy arose
And saw around him the vast sea all grey
And heaving in the pallid dawning light.

Loud Ruru cried across the murmur: "Hear me,

Love and Death
O inarticulate grey Ocean, hear.

If any cadence in thy infinite
Rumour was caught from lover's moan, O Sea,
Open thy abysses to my mortal tread.

For I would travel to the despairing shades,
The spheres of suffering where entangled dwell
Souls unreleased and the untimely dead
Who weep remembering. Thither, O, guide me,
No despicable wayfarer, but Ruru,
But son of a great Rishi, from all men
On earth selected for peculiar pangs,
Special disaster. Lo, this petalled fire,
How freshly it blooms and lasts with my great pain!"
He held the flower out subtly glimmering.

And like a living thing the huge sea trembled,
Then rose, calling, and filled the sight with waves,
Converging all its giant crests; towards him
Innumerable waters loomed and heaven
Threatened. Horizon on horizon moved
Dreadfully swift; then with a prone wide sound
All Ocean hollowing drew him swiftly in,
Curving with monstrous menace over him.

He down the gulf where the loud waves collapsed
Descending, saw with floating hair arise
The daughters of the sea in pale green light,
A million mystic breasts suddenly bare,
And came beneath the flood and stunned beheld
A mute stupendous march of waters race
To reach some viewless pit beneath the world.

Ganges he saw, as men predestined rush
Upon a fearful doom foreseen, so run,
Alarmed, with anguished speed, the river vast.

Veiled to his eyes the triple goddess rose.

She with a sound of waters cried to him,
A thousand voices moaning with one pain:
"Lover, who fearedst not sunlight to leave,
With me thou mayst behold that helpless spirit

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Lost in the gloom, if still thy burning bosom
Have courage to endure great Nature's night
In the dire lands where I, a goddess, mourn
Hurting my heart with my own cruelty."
She darkened to the ominous descent,
Unwilling, and her once so human waves
Sent forth a cry not meant for living ears.

And Ruru chilled; but terrible strong love
Was like a fiery finger in his breast
Pointing him on; so he through horror went
Conducted by inexorable sound.

For monstrous voices to his ear were close,
And bodiless terrors with their dimness seized him
In an obscurity phantasmal. Thus
With agony of soul to the grey waste
He came, glad of the pain of passage over,
As men who through the storms of anguish strive
Into abiding tranquil dreariness
And draw sad breath assured; to the grey waste,
Hopeless Patala, the immutable
Country, where neither sun nor rain arrives,
Nor happy labour of the human plough
Fruitfully turns the soil, but in vague sands
And indeterminable strange rocks and caverns
That into silent blackness huge recede,
Dwell the great serpent and his hosts, writhed forms,
Sinuous, abhorred, through many horrible leagues
Coiling in a half darkness. Shapes he saw,
And heard the hiss and knew the lambent light
Loathsome, but passed compelling his strong soul.

At last through those six tired hopeless worlds,
Too hopeless far for grief, pale he arrived
Into a nether air by anguish moved,
And heard before him cries that pierced the heart,
Human, not to be borne, and issued shaken
By the great river accursed. Maddened it ran,
Anguished, importunate, and in its waves

Love and Death
The drifting ghosts their agony endured.

There Ruru saw pale faces float of kings
And grandiose victors and revered high priests
And famous women. Now rose from the wave
A golden shuddering arm and now a face.

Torn piteous sides were seen and breasts that quailed.

Over them moaned the penal waters on,
And had no joy of their fierce cruelty.

Then Ruru, his young cheeks with pity wan,
Half moaned: "O miserable race of men,
With violent and passionate souls you come
Foredoomed upon the earth and live brief days
In fear and anguish, catching at stray beams
Of sunlight, little fragrances of flowers;
Then from your spacious earth in a great horror
Descend into this night, and here too soon
Must expiate your few inadequate joys.

O bargain hard! Death helps us not. He leads
Alarmed, all shivering from his chill embrace,
The naked spirit here. O my sweet flower,
Art thou too whelmed in this fierce wailing flood?
Ah me! But I will haste and deeply plunge
Into its hopeless pools and either bring
Thy old warm beauty back beneath the stars,
Or find thee out and clasp thy tortured bosom
And kiss thy sweet wrung lips and hush thy cries.

Love shall draw half thy pain into my limbs;
Then we shall triumph glad of agony."
He ceased and one replied close by his ear:
"O thou who troublest with thy living eyes
Established death, pass on. She whom thou seekest
Rolls not in the accursed tide. For late
I saw her mid those pale inhabitants
Whom bodily anguish visits not, but thoughts
Sorrowful and dumb memories absolve,
And martyrdom of scourged hearts quivering."
He turned and saw astride the dolorous flood

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A mighty bridge paved with mosaic fire,
All restless, and a woman clothed in flame,
With hands calamitous that held a sword,
Stood of the quaking passage sentinel.

Magnificent and dire her burning face.

"Pass on," she said once more, "O Bhrigu's son;
The flower protects thee from my hands." She stretched
One arm towards him and with violence
Majestic over the horrid arch compelled.

Unhurt, though shaking from her touch, alone
He stood upon an inner bank with strange
Black dreary mosses covered and perceived
A dim and level plain without one flower.

Over it paced a multitude immense
With gentle faces occupied by pain;
Strong men were there and grieving mothers, girls
With early beauty in their limbs and young
Sad children of their childlike faces robbed.

Naked they paced with falling hair and gaze
Drooping upon their bosoms, weak as flowers
That die for want of rain unmurmuring.

Always a silence was upon the place.

But Ruru came among them. Suddenly
One felt him there and looked, and as a wind
Moves over a still field of patient corn,
And the ears stir and shudder and look up
And bend innumerably flowing, so
All those dumb spirits stirred and through them passed
One shuddering motion of raised faces; then
They streamed towards him without sound and caught
With desperate hands his robe or touched his hair
Or strove to feel upon them living breath.

Pale girls and quiet children came and knelt
And with large sorrowful eyes into his looked.

Yet with their silent passion the cold hush
Moved not; but Ruru's human heart half burst
With burden of so many sorrows; tears

Love and Death
Welled from him; he with anguish understood
That terrible and wordless sympathy
Of dead souls for the living. Then he turned
His eyes and scanned their lovely faces strange
For that one face and found it not. He paled,
And spoke vain words into the listless air:
"O spirits once joyous, miserable race,
Happier if the old gladness were forgot!
My soul yearns with your sorrow. Yet ah! reveal
If dwell my love in your sad nation lost.

Well may you know her, O wan beautiful spirits!
But she most beautiful of all that died,
By sweetness recognisable. Her name
The sunshine knew." Speaking his tears made way:
But they with dumb lips only looked at him,
A vague and empty mourning in their eyes.

He murmured low: "Ah, folly! were she here,
Would she not first have felt me, first have raised
Her lids and run to me, leaned back her face
Of silent sorrow on my breast and looked
With the old altered eyes into my own
And striven to make my anguish understand?
Oh joy, had she been here! for though her lips
Of their old excellent music quite were robbed,
Yet her dumb passion would have spoken to me;
We should have understood each other and walked
Silently hand in hand, almost content."
He said and passed through those untimely dead.

Speechless they followed him with clinging eyes.

Then to a solemn building weird he came
With grave colossal pillars round. One dome
Roofed the whole brooding edifice, like cloud,
And at the door strange shapes were pacing, armed.

Then from their fear the sweet and mournful dead
Drew back, returning to their wordless grief.

But Ruru to the perilous doorway strode,
And those disastrous shapes upon him raised

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Their bows and aimed; but he held out Love's flower,
And with stern faces checked they let him pass.

He entered and beheld a silent hall
Dim and unbounded; moving then like one
Who up a dismal stair seeks ever light,
Attained a dais brilliant doubtfully
With flaming pediment and round it coiled
Python and Naga monstrous, Joruthcaru,
Tuxuc and Vasuki himself, immense,
Magic Carcotaca all flecked with fire;
And many other prone destroying shapes
Coiled. On the wondrous dais rose a throne,
And he its pedestal whose lotus hood
With ominous beauty crowns his horrible
Sleek folds, great Mahapudma; high displayed
He bears the throne of Death. There sat supreme
With those compassionate and lethal eyes,
Who many names, who many natures holds;
Yama, the strong pure Hades sad and subtle,
Dharma, who keeps the laws of old untouched,
Critanta, who ends all things and at last
Himself shall end. On either side of him
The four-eyed dogs mysterious rested prone,
Watchful, with huge heads on their paws advanced;
And emanations of the godhead dim
Moved near him, shadowy or serpentine,
Vast Time and cold irreparable Death.

Then Ruru came and bowed before the throne;
And swaying all those figures stirred as shapes
Upon a tapestry moved by the wind,
And the sad voice was heard: "What breathing man
Bows at the throne of Hades? By what force,
Spiritual or communicated, troubles
His living beauty the dead grace of Hell?"
And one replied who seemed a neighbouring voice:
"He has the blood of Gods and Titans old.

An Apsara his mother liquid-orbed

Love and Death
Bore to the youthful Chyavan's strong embrace
This passionate face of earth with Eden touched.

Chyavan was Bhrigu's child, Puloma bore,
The Titaness, - Bhrigu, great Brahma's son.

Love gave the flower that helps by anguish; therefore
He chilled not with the breath of Hades, nor
The cry of the infernal stream made stone."
But at the name of Love all hell was moved.

Death's throne half faded into twilight; hissed
The phantoms serpentine as if in pain,
And the dogs raised their dreadful heads. Then spoke
Yama: "And what needs Love in this pale realm,
The warm great Love? All worlds his breath confounds,
Mars solemn order and old steadfastness.

But not in Hell his legates come and go;
His vernal jurisdiction to bare Hell
Extends not. This last world resists his power
Youthful, anarchic. Here will he enlarge
Tumult and wanton joys?" The voice replied:
"Menaca momentary on the earth,
Heaven's Apsara by the fleeting hours beguiled
Played in the happy hidden glens; there bowed
To yoke of swift terrestrial joys she bore,
Immortal, to that fair Gundhurva king
A mortal blossom of delight. That bloom
Young Ruru found and plucked, but her too soon
Thy fatal hooded snake on earth surprised,
And he through gloom now travels armed by Love."
But then all Hades swaying towards him cried:
"O mortal, O misled! But sacrifice
Is stronger, nor may law of Hell or Heaven
Its fierce effectual action supersede.

Thy dead I yield. Yet thou bethink thee, mortal,
Not as a tedious evil nor to be
Lightly rejected gave the gods old age,
But tranquil, but august, but making easy
The steep ascent to God. Therefore must Time

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Still batter down the glory and form of youth
And animal magnificent strong ease,
To warn the earthward man that he is spirit
Dallying with transience, nor by death he ends,
Nor to the dumb warm mother's arms is bound,
But called unborn into the unborn skies.

For body fades with the increasing soul
And wideness of its limit grown intolerant
Replaces life's impetuous joys by peace.

Youth, manhood, ripeness, age, four seasons
Twixt its return and pale departing life
Describes, O mortal, - youth that forward bends
Midst hopes, delights and dreamings; manhood deepens
To passions, toils and thoughts profound; but ripeness
For large reflective gathering-up of these,
As on a lonely slope whence men look back
Down towards the cities and the human fields
Where they too worked and laughed and loved; next age,
Wonderful age with those approaching skies.

That boon wilt thou renounce? Wherefore? To bring
For a few years - how miserably few! -
Her sunward who must after all return.

Ah, son of Rishis, cease. Lo, I remit
Hell's grasp, not oft relinquished, and send back
Thy beautiful life unborrowed to the stars.

Or thou must render to the immutable
Total all thy fruit-bearing years; then she
Reblossoms." But the Shadow antagonist:
"Let him be shown the glory he would renounce."
And over the flaming pediment there moved,
As on a frieze a march of sculptures, carved
By Phidias for the Virgin strong and pure,
Most perfect once of all things seen in earth
Or Heaven, in Athens on the Acropolis,
But now dismembered, now disrupt! or as
In Buddhist cavern or Orissan temple,
Large aspirations architectural,

Love and Death
Warrior and dancing-girl, adept and king,
And conquering pomps and daily peaceful groups
Dream delicately on, softening with beauty
Great Bhuvanayshwar, the Almighty's house,
With sculptural suggestion so were limned
Scenes future on a pediment of fire.

There Ruru saw himself divine with age,
A Rishi to whom infinity is close,
Rejoicing in some green song-haunted glade
Or boundless mountain-top where most we feel
Wideness, not by small happy things disturbed.

Around him, as around an ancient tree
Its seedlings, forms august or flame-like rose;
They grew beneath his hands and were his work;
Great kings were there whom time remembers, fertile
Deep minds and poets with their chanting lips
Whose words were seed of vast philosophies -
These worshipped; above this earth's half-day he saw
Amazed the dawn of that mysterious Face
And all the universe in beauty merge.

Mad the boy thrilled upwards, then spent ebbed back.

Over his mind, as birds across the sky
Sweep and are gone, the vision of those fields
And drooping faces came; almost he heard
The burdened river with human anguish wail.

Then with a sudden fury gathering
His soul he hurled out of it half its life,
And fell, like lightning, prone. Triumphant rose
The Shadow chill and deepened giant night.

Only the dais flickered in the gloom,
And those snake-eyes of cruel fire subdued.

But suddenly a bloom, a fragrance. Hell
Shuddered with bliss: resentful, overborne,
The world-besetting Terror faded back
Like one grown weak by desperate victory,
And a voice cried in Ruru's tired soul:
"Arise! the strife is over, easy now

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The horror that thou hast to face, the burden
Now shared." And with a sudden burst like spring
Life woke in the strong lover over-tried.

He rose and left dim Death. Twelve times he crossed
Boithorini, the river dolorous,
Twelve times resisted Hell and, hurried down
Into the ominous pit where plunges black
The vast stream thundering, saw, led puissantly
From night to unimaginable night, -
As men oppressed in dreams, who cannot wake,
But measure penal visions, - punishments
Whose sight pollutes, unheard-of tortures, pangs
Monstrous, intolerable mute agonies,
Twisted unmoving attitudes of pain,
Like thoughts inhuman in statuary. A fierce
And iron voicelessness had grasped those worlds.

No horror of cries expressed their endless woe,
No saving struggle, no breathings of the soul.

And in the last hell irremediable
Where Ganges clots into that fatal pool,
Appalled he saw her; pallid, listless, bare -
O other than that earthly warmth and grace
In which the happy roses deepened and dimmed
With come-and-go of swift enamoured blood!
Dumb drooped she; round her shapes of anger armed
Stood dark like thunder-clouds. But Ruru sprang
Upon them, burning with the admitted God.

They from his touch like ineffectual fears
Vanished; then sole with her, trembling he cried
The old glad name and crying bent to her
And touched, and at the touch the silent knots
Of Hell were broken and its sombre dream
Of dreadful stately pains at once dispersed.

Then as from one whom a surpassing joy
Has conquered, all the bright surrounding world
Streams swiftly into distance, and he feels
His daily senses slipping from his grasp,

Love and Death
So that unbearable enormous world
Went rolling mighty shades, like the wet mist
From men on mountain-tops; and sleep outstretched
Rising its soft arms towards him and his thoughts,
As on a bed, sank to ascending void.

But when he woke, he heard the kol insist
On sweetness and the voice of happy things
Content with sunlight. The warm sense was round him
Of old essential earth, known hues and custom
Familiar tranquillising body and mind,
As in its natural wave a lotus feels.

He looked and saw all grass and dense green trees,
And sunshine and a single grasshopper
Near him repeated fierily its note.

Thrilling he felt beneath his bosom her;
Oh, warm and breathing were those rescued limbs
Against the greenness, vivid, palpable, white,
With great black hair and real and her cheek's
Old softness and her mouth a dewy rose.

For many moments comforting his soul
With all her jasmine body sun-ensnared
He fed his longing eyes and, half in doubt,
With touches satisfied himself of her.

Hesitating he kissed her eyelids. Sighing
With a slight sob she woke and earthly large
Her eyes looked upward into his. She stretched
Her arms up, yearning, and their souls embraced;
Then twixt brief sobbing laughter and blissful tears,
Clinging with all her limbs to him, "O love,
The green green world! the warm sunlight!" and ceased,
Finding no words; but the earth breathed round them,
Glad of her children, and the kol's voice
Persisted in the morning of the world.
141

A NOTE ON LOVE AND DEATH
The story of Ruru and Pramadvura - I have substituted a name more manageable to the English tongue - her death in the forest by the snake and restoration at the price of half her husband's life is told in the Mahabharata. It is a companion legend to the story of Savitri but not being told with any poetic skill or beauty has remained generally unknown. I have attempted in this poem to bring it out of its obscurity. For full success, however, it should have had a more faithfully Hindu colouring, but it was written a score of years ago when I had not penetrated to the heart of the Indian idea and its traditions, and the shadow of the Greek underworld and Tartarus with the sentiment of life and love and death which hangs about them has got into the legendary framework of the Indian Patala and hells. The central idea of the narrative alone is in the Mahabharata; the meeting with
Kama and the descent into Hell were additions necessitated by the poverty of incident in the original story.

~ Sri Aurobindo, - Love and Death
,
1359:Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
207
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
With a long, shuddering sigh he glanced to earth,
Finding himself among the Horsel cliffs.
Gray, sullen, gaunt, they towered on either side;
Scant shrubs sucked meagre life between the rifts
Of their huge crags, and made small darker spots
Upon their wrinkled sides; the jaded horse
Stumbled upon loose, rattling, fallen stones,
Amidst the gathering dusk, and blindly fared
Through the weird, perilous pass. As darkness waxed,
And an oppressive mystery enwrapped
The roadstead and the rocks, Sir Tannhauser
Fancied he saw upon the mountain-side
The fluttering of white raiment. With a sense
Of wild joy and horror, he gave pause,
For his sagacious horse that reeked of sweat,
Trembling in every limb, confirmed his thought,
That nothing human scaled that haunted cliff.
The white thing seemed descending,-now a cloud
It looked, and now a rag of drifted mist,
Torn in the jagged gorge precipitous,
And now an apparition clad in white,
Shapely and real,-then he lost it quite,
Gazing on nothing with blank, foolish face.
As with wide eyes he stood, he was aware
Of a strange splendor at his very side,
A presence and a majesty so great,
That ere he saw, he felt it was divine.
He turned, and, leaping from his horse, fell prone,
In speechless adoration, on the earth,
Before the matchless goddess, who appeared
With no less freshness of immortal youth
208
Than when first risen from foam of Paphian seas.
He heard delicious strains of melody,
Such as his highest muse had ne'er attained,
Float in the air, while in the distance rang,
Harsh and discordant, jarring with those tones,
The gallop of his frightened horse's hoofs,
Clattering in sudden freedom down the pass.
A voice that made all music dissonance
Then thrilled through heart and flesh of that prone knight,
Triumphantly: 'The gods need but appear,
And their usurped thrones are theirs again!'
Then tenderly: 'Sweet knight, I pray thee, rise;
Worship me not, for I desire thy love.
Look on me, follow me, for I am fain
Of thy fair, human face.' He rose and looked,
Stirred by that heavenly flattery to the soul.
Her hair, unbraided and unfilleted,
Rained in a glittering shower to the ground,
And cast forth lustre. Round her zone was clasped
The scintillant cestus, stiff with flaming gold,
Thicker with restless gems than heaven with stars.
She might have flung the enchanted wonder forth;
Her eyes, her slightest gesture would suffice
To bind all men in blissful slavery.
She sprang upon the mountain's dangerous side,
With feet that left their print in flowers divine,Flushed amaryllis and blue hyacinth,
Impurpled amaranth and asphodel,
Dewy with nectar, and exhaling scents
Richer than all the roses of mid-June.
The knight sped after her, with wild eyes fixed
Upon her brightness, as she lightly leapt
From crag to crag, with flying auburn hair,
Like a gold cloud, that lured him ever on,
Higher and higher up the haunted cliff.
At last amidst a grove of pines she paused,
Until he reached her, breathing hard with haste,
Delight, and wonder. Then upon his hand
She placed her own, and all his blood at once
Tingled and hotly rushed to brow and cheek,
At the supreme caress; but the mere touch
Infused fresh life, and when she looked at him
209
With gracious tenderness, he felt himself
Strong suddenly to bear the blinding light
Of those great eyes. 'Dear knight,' she murmured low,
'For love of me, wilt thou accord this boon,To grace my weary home in banishment?'
His hungry eyes gave answer ere he spoke,
In tones abrupt that startled his own ears
With their strange harshness; but with thanks profuse
She guided him, still holding his cold hand
In her warm, dainty palm, unto a cave,
Whence a rare glory issued, and a smell
Of spice and roses, frankincense and balm.
They entering stood within a marble hall,
With straight, slim pillars, at whose farther end
The goddess led him to a spiral flight
Of stairs, descending always 'midst black gloom
Into the very bowels of the earth.
Down these, with fearful swiftness, they made way,
The knight's feet touching not the solid stair,
But sliding down as in a vexing dream,
Blind, feeling but that hand divine that still
Empowered him to walk on empty air.
Then he was dazzled by a sudden blaze,
In vast palace filled with reveling folk.
Cunningly pictured on the ivory walls
Were rolling hills, cool lakes, and boscage green,
And all the summer landscape's various pomp.
The precious canopy aloft was carved
In semblance of the pleached forest trees,
Enameled with the liveliest green, wherethrough
A light pierced, more resplendent than the day.
O'er the pale, polished jasper of the floor
Of burnished metal, fretted and embossed
With all the marvelous story of her birth
Painted in prodigal splendor of rich tincts,
And carved by heavenly artists,-crystal seas,
And long-haired Nereids in their pearly shells,
And all the wonder of her lucent limbs
Sphered in a vermeil mist. Upon the throne
She took her seat, the knight beside her still,
Singing on couches of fresh asphodel,
And the dance ceased, and the flushed revelers came
210
In glittering phalanx to adore their queen.
Beautiful girls, with shining delicate heads,
Crested with living jewels, fanned the air
With flickering wings from naked shoulders soft.
Then with preluding low, a thousand harps,
And citherns, and strange nameless instruments,
Sent through the fragrant air sweet symphonies,
And the winged dancers waved in mazy rounds,
With changing lustres like a summer sea.
Fair boys, with charming yellow hair crisp-curled,
And frail, effeminate beauty, the knight saw,
But of strong, stalwart men like him were none.
He gazed thereon bewitched, until the hand
Of Venus, erst withdrawn, now fell again
Upon his own, and roused him from his trance.
He looked on her, and as he looked, a cloud
Auroral, flaming as at sunrising,
Arose from nothing, floating over them
In luminous folds, like that vermilion mist
Penciled upon the throne, and as it waxed
In density and brightness, all the throng
Of festal dancers, less and less distinct,
Grew like pale spirits in a vague, dim dream,
And vanished altogether; and these twain,
Shut from the world in that ambrosial cloud,
Now with a glory inconceivable,
Vivid and conflagrant, looked each on each.
All hours came laden with their own delights
In that enchanted place, wherein Time
Knew no divisions harsh of night and day,
But light was always, and desire of sleep
Was satisfied at once with slumber soft,
Desire of food with magical repast,
By unseen hands on golden tables spread.
But these the knight accepted like a god,
All less was lost in that excess of joy,
The crowning marvel of her love for him,
Assuring him of his divinity.
Meanwhile remembrance of the earth appeared
Like the vague trouble of a transient dream,The doubt, the scruples, the remorse for thoughts
211
Beyond his own control, the constant thirst
For something fairer than his life, more real
Than airy revelations of his Muse.
Here was his soul's desire satisfied.
All nobler passions died; his lyre he flung
Recklessly forth, with vows to dedicate
His being to herself. She knew and seized
The moment of her mastery, and conveyed
The lyre beyond his sight and memory.
With blandishment divine she changed for him,
Each hour, her mood; a very woman now,
Fantastic, voluble, affectionate,
And jealous of the vague, unbodied air,
Exacting, penitent, and pacified,
All in a breath. And often she appeared
Majestic with celestial wrath, with eyes
That shot forth fire, and a heavy brow,
Portentous as the lowering front of heaven,
When the reverberant, sullen thunder rolls
Among the echoing clouds. Thus she denounced
Her ancient, fickle worshippers, who left
Her altars desecrate, her fires unfed,
Her name forgotten. 'But I reign, I reign!'
She would shrill forth, triumphant; 'yea, I reign.
Men name me not, but worship me unnamed,
Beauty and Love within their heart of hearts;
Not with bent knees and empty breath of words,
But with devoted sacrifice of lives.'
Then melting in a moment, she would weep
Ambrosial tears, pathetic, full of guile,
Accusing her own base ingratitude,
In craving worship, when she had his heart,
Her priceless knight, her peerless paladin,
Her Tannhauser; then, with an artful glance
Of lovely helplessness, entreated him
Not to desert her, like the faithless world,
For these unbeautiful and barbarous gods,
Or she would never cease her prayers to Jove,
Until he took from her the heavy curse
Of immortality. With closer vows,
The knight then sealed his worship and forswore
All other aims and deeds to serve her cause.
212
Thus passed unnoted seven barren years
Of reckless passion and voluptuous sloth,
Undignified by any lofty thought
In his degraded mind, that sometime was
Endowed with noble capability.
From revelry to revelry he passed,
Craving more pungent pleasure momently,
And new intoxications, and each hour
The siren goddess answered his desires.
Once when she left him with a weary sense
Of utter lassitude, he sat alone,
And, raising listless eyes, he saw himself
In a great burnished mirror, wrought about
With cunning imagery of twisted vines.
He scarcely knew those sunken, red-rimmed eyes,
For his who in the flush of manhood rode
Among the cliffs, and followed up the crags
The flying temptress; and there fell on him
A horror of her beauty, a disgust
For his degenerate and corrupted life,
With irresistible, intense desire,
To feel the breath of heaven on his face.
Then as Fate willed, who rules above the gods,
He saw, within the glass, behind him glide
The form of Venus. Certain of her power,
She had laid by, in fond security,
The enchanted cestus, and Sir Tannhauser,
With surfeited regard, beheld her now,
No fairer than the women of the earth,
Whom with serenity and health he left,
Duped by a lovely witch. Before he moved,
She knew her destiny; and when he turned,
He seemed to drop a mask, disclosing thus
An alien face, and eyes with vision true,
That for long time with glamour had been blind.
Hiding the hideous rage within her breast,
With girlish simpleness of folded hands,
Auroral blushes, and sweet, shamefast mien,
She spoke: 'Behold, my love, I have cast forth
All magic, blandishments and sorcery,
For I have dreamed a dream so terrible,
That I awoke to find my pillow stained
213
With tears as of real woe. I thought my belt,
By Vulcan wrought with matchless skill and power,
Was the sole bond between us; this being doffed,
I seemed to thee an old, unlovely crone,
Wrinkled by every year that I have seen.
Thou turnedst from me with a brutal sneer,
So that I woke with weeping. Then I rose,
And drew the glittering girdle from my zone,
Jealous thereof, yet full of fears, and said,
'If it be this he loves, then let him go!
I have no solace as a mortal hath,
No hope of change or death to comfort me
Through all eternity; yet he is free,
Though I could hold him fast with heavy chains,
Bound in perpetual imprisonment.'
Tell me my vision was a baseless dream;
See, I am kneeling, and kiss thy hands,In pity, look on me, before thy word
Condemns me to immortal misery!'
As she looked down, the infernal influence
Worked on his soul again; for she was fair
Beyond imagination, and her brow
Seemed luminous with high self-sacrifice.
He bent and kissed her head, warm, shining, soft,
With its close-curling gold, and love revived.
But ere he spoke, he heard the distant sound
Of one sweet, smitten lyre, and a gleam
Of violent anger flashed across the face
Upraised to his in feigned simplicity
And singleness of purpose. Then he sprang,
Well-nigh a god himself, with sudden strength
to vanquish and resist, beyond her reach,
Crying, 'My old Muse calls me, and I hear!
Thy fateful vision is no baseless dream;
I will be gone from this accursed hall!'
Then she, too, rose, dilating over him,
And sullen clouds veiled all her rosy limbs,
Unto her girdle, and her head appeared
Refulgent, and her voice rang wrathfully:
'Have I cajoled and flattered thee till now,
To lose thee thus! How wilt thou make escape?
214
ONCE BEING MINE THOU ART FOREVER MINE:
Yea, not my love, but my poor slave and fool.'
But he, with both hands pressed upon his eyes,
Against that blinding lustre, heeded not
Her thundered words, and cried in sharp despair,
'Help me, O Virgin Mary! and thereat,
The very bases of the hall gave way,
The roof was rived, the goddess disappeared,
And Tannhauser stood free upon the cliff,
Amidst the morning sunshine and fresh air.
Around him were the tumbled blocks and crags,
Huge ridges and sharp juts of flinty peaks,
Black caves, and masses of the grim, bald rock.
The ethereal, unfathomable sky,
Hung over him, the valley lay beneath,
Dotted with yellow hayricks, that exhaled
Sweet, healthy odors to the mountain-top.
He breathed intoxicate the infinite air,
And plucked the heather blossoms where they blew,
Reckless with light and dew, in crannies green,
And scarcely saw their darling bells for tears.
No sounds of labor reached him from the farms
And hamlets trim, nor from the furrowed glebe;
But a serene and sabbath stillness reigned,
Till broken by the faint, melodious chimes
Of the small village church that called to prayer.
He hurried down the rugged, scarped cliff,
And swung himself from shelving granite slopes
To narrow foot-holds, near wide-throated chasms,
Tearing against the sharp stones his bleeding hands,
With long hair flying from his dripping brow,
Uncovered head, and white, exalted face.
No memory had he of his smooth ascent,
No thought of fear upon those dreadful hills;
He only heard the bell, inviting him
To satisfy the craving of his heart,
For worship 'midst his fellow men. He reached
The beaten, dusty road, and passed thereon
The pious peasants faring towards the church,
And scarce refrained from greeting them like friends
Dearly beloved, after long absence met.
215
How more than fair the sunburnt wenches looked,
In their rough, homespun gowns and coifs demure,
After the beauty of bare, rosy limbs,
And odorous, loose hair! He noted not
Suspicious glances on his garb uncouth,
His air extravagant and face distraught,
With bursts of laughter from the red-cheeked boys,
And prudent crossings of the women's breasts.
He passed the flowering close about the church,
And trod the well worn-path, with throbbing heart,
The little heather-bell between his lips,
And his eyes fastened on the good green grass.
Thus entered he the sanctuary, lit
With frequent tapers, and with sunbeams stained
Through painted glass. How pure and innocent
The waiting congregation seemed to him,
Kneeling, or seated with calm brows upraised!
With faltering strength, he cowered down alone,
And held sincere communion with the Lord,
For one brief moment, in a sudden gush
Of blessed tears. The minister of God
Rose to invoke a blessing on his flock,
And then began the service,-not in words
To raise the lowly, and to heal the sick,
But an alien tongue, with phrases formed,
And meaningless observances. The knight,
Unmoved, yet thirsting for the simple word
That might have moved him, held his bitter thoughts,
But when in his own speech a new priest spake,
Looked up with hope revived, and heard the text:
'Go, preach the Gospel unto all the world.
He that believes and is baptized, is saved.
He that believeth not, is damned in hell!'
He sat with neck thrust forth and staring eyes;
The crowded congregation disappeared;
He felt alone in some black sea of hell,
While a great light smote one exalted face,
Vivid already with prophetic fire,
Whose fatal mouth now thundered forth his doom.
He longed in that void circle to cry out,
With one clear shriek, but sense and voice seemed bound,
And his parched tongue clave useless to his mouth.
216
As the last words resounded through the church,
And once again the pastor blessed his flock,
Who, serious and subdued, passed slowly down
The arrow aisle, none noted, near the wall,
A fallen man with face upon his knees,
A heap of huddled garments and loose hair,
Unconscious 'mid the rustling, murmurous stir,
'Midst light and rural smell of grass and flowers,
Let in athwart the doorway. One lone priest,
Darkening the altar lights, moved noiselessly,
Now with the yellow glow upon his face,
Now a black shadow gliding farther on,
Amidst the smooth, slim pillars of hewn ash.
But from the vacant aisles he heard at once
A hollow sigh, heaved from a depth profound.
Upholding his last light above his head,
And peering eagerly amidst the stalls,
He cried, 'Be blest who cometh in God's name.'
Then the gaunt form of Tannhauser arose.
'Father, I am a sinner, and I seek
Forgiveness and help, by whatso means
I can regain the joy of peace with God.'
'The Lord hath mercy on the penitent.
'Although thy sins be scarlet,' He hath said,
'Will I not make them white as wool?' Confess,
And I will shrive you.' Thus the good priest moved
Towards the remorseful knight and pressed his hand.
But shrinking down, he drew his fingers back
From the kind palm, and kissed the friar's feet.
'Thy pure hand is anointed, and can heal.
The cool, calm pressure brings back sanity,
And what serene, past joys! yet touch me not,
My contact is pollution,-hear, O hear,
While I disburden my charged soul.' He lay,
Casting about for words and strength to speak.
'O father, is there help for such a one,'
In tones of deep abasement he began,
'Who hath rebelled against the laws of God,
With pride no less presumptuous than his
Who lost thereby his rank in heaven?' 'My son,
There is atonement for all sins,-or slight
Or difficult, proportioned to the crime.
217
Though this may be the staining of thy hands
With blood of kinsmen or of fellow-men.'
'My hands are white,-my crime hath found no name,
This side of hell; yet though my heart-strings snap
To live it over, let me make the attempt.
I was a knight and bard, with such a gift
Of revelation that no hour of life
Lacked beauty and adornment, in myself
The seat and centre of all happiness.
What inspiration could my lofty Muse
Draw from those common and familiar themes,
Painted upon the windows and the walls
Of every church,-the mother and her child,
The miracle and mystery of the birth,
The death, the resurrection? Fool and blind!
That saw not symbols of eternal truth
In that grand tragedy and victory,
Significant and infinite as life.
What tortures did my skeptic soul endure,
At war against herself and all mankind!
The restless nights of feverish sleeplessness,
With balancing of reasons nicely weighed;
The dawn that brought no hope nor energy,
The blasphemous arraignment of the Lord,
Taxing His glorious divinity
With all the grief and folly of the world.
Then came relapses into abject fear,
And hollow prayer and praise from craven heart.
Before a sculptured Venus I would kneel,
Crown her with flowers, worship her, and cry,
'O large and noble type of our ideal,
At least my heart and prayer return to thee,
Amidst a faithless world of proselytes.
Madonna Mary, with her virgin lips,
And eyes that look perpetual reproach,
Insults and is a blasphemy on youth.
Is she to claim the worship of a man
Hot with the first rich flush of ripened life?'
Realities, like phantoms, glided by,
Unnoted 'midst the torment and delights
Of my conflicting spirit, and I doffed
the modest Christian weeds of charity
218
And fit humility, and steeled myself
In pagan panoply of stoicism
And self-sufficing pride. Yet constantly
I gained men's charmed attention and applause,
With the wild strains I smote from out my lyre,
To me the native language of my soul,
To them attractive and miraculous,
As all things whose solution and whose source
Remain a mystery. Then came suddenly
The summons to attend the gathering
Of minstrels at the Landgrave Hermann's court.
Resolved to publish there my pagan creed
In harmonies so high and beautiful
That all the world would share my zeal and faith,
I journeyed towards the haunted Horsel cliffs.
O God! how may I tell you how SHE came,
The temptress of a hundred centuries,
Yet fresh as April? She bewitched my sense,
Poisoned my judgment with sweet flatteries,
And for I may not guess how many years
Held me a captive in degrading bonds.
There is no sin of lust so lewd and foul,
Which I learned not in that alluring hell,
Until this morn, I snapped the ignoble tie,
By calling on the Mother of our Lord.
O for the power to stand again erect,
And look men in the eyes! What penitence,
What scourging of the flesh, what rigid fasts,
What terrible privations may suffice
To cleanse me in the sight of God and man?'
Ill-omened silence followed his appeal.
Patient and motionless he lay awhile,
Then sprang unto his feet with sudden force,
Confronting in his breathless vehemence,
With palpitating heart, the timid priest.
'Answer me, as you hope for a response,
One day, at the great judgment seat yourself.'
'I cannot answer,' said the timid priest,
'I have not understood.' 'Just God! is this
The curse Thou layest upon me? I outstrip
The sympathy and brotherhood of men,
So far removed is my experience
219
From their clean innocence. Inspire me,
Prompt me to words that bring me near to them!
Father,' in gentler accents he resumed,
'Thank Heaven at your every orison
That sin like mine you cannot apprehend.
More than the truth perchance I have confessed,
But I have sinned, and darkly,-this is true;
And I have suffered, and am suffering now.
Is there no help in your great Christian creed
Of liberal charity, for such a one?'
'My son,' the priest replied, 'your speech distraught
Hath quite bewildered me. I fain would hope
That Christ's large charity can reach your sin,
But I know naught. I cannot but believe
That the enchantress who first tempted you
Must be the Evil one,-your early doubt
Was the possession of your soul by him.
Travel across the mountain to the town,
The first cathedral town upon the road
That leads to Rome,-a sage and reverend priest,
The Bishop Adrian, bides there. Say you have come
From his leal servant, Friar Lodovick;
He hath vast lore and great authority,
And may absolve you freely of your sin.'
Over the rolling hills, through summer fields,
By noisy villages and lonely lanes,
Through glowing days, when all the landscape stretched
Shimmering in the heat, a pilgrim fared
Towards the cathedral town. Sir Tannhauser
Had donned the mournful sackcloth, girt his loins
With a coarse rope that ate into his flesh,
Muffled a cowl about his shaven head,
Hung a great leaden cross around his neck;
And bearing in his hands a knotty staff,
With swollen, sandaled feet he held his course.
He snatched scant rest at twilight or at dawn,
When his forced travel was least difficult.
But most he journeyed when the sky, o'ercast,
Uprolled its threatening clouds of dusky blue,
And angry thunder grumbled through the hills,
And earth grew dark at noonday, till the flash
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Of the thin lightning through the wide sky leapt.
And tumbling showers scoured along the plain.
Then folk who saw the pilgrim penitent,
Drenched, weird, and hastening as as to some strange doom,
Swore that the wandering Jew had crossed their land,
And the Lord Christ had sent the deadly bolt
Harmless upon his cursed, immortal head.
At length the hill-side city's spires and roofs,
With all its western windows smitten red
By a rich sunset, and with massive towers
Of its cathedral overtopping all,
greeted his sight. Some weary paces more,
And as the twilight deepened in the streets,
He stood within the minster. How serene,
In sculptured calm of centuries, it seemed!
How cool and spacious all the dim-lit aisles,
Still hazy with fumes of frankincense!
The vesper had been said, yet here and there
A wrinkled beldam, or mourner veiled,
Or burly burgher on the cold floor knelt,
And still the organist, with wandering hands,
Drew from the keys mysterious melodies,
And filled the church with flying waifs of song,
That with ethereal beauty moved the soul
To a more tender prayer and gentler faith
Than choral anthems and the solemn mass.
A thousand memories, sweet to bitterness,
Rushed on the knight and filled his eyes with tears;
Youth's blamelessness and faith forever lost,
The love of his neglected lyre, his art,
Revived by these aerial harmonies.
He was unworthy now to touch the strings,
Too base to stir men's soul to ecstasy
And high resolves, as in the days agone;
And yet, with all his spirit's earnestness,
He yearned to feel the lyre between his hands,
To utter all the trouble of his life
Unto the Muse who understands and helps.
Outworn with travel, soothed to drowsiness
By dying music and sweet-scented air,
His limbs relaxed, and sleep possessed his frame.
Auroral light the eastern oriels touched,
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When with delicious sense of rest he woke,
Amidst the cast and silent empty aisles.
'God's peace hath fallen upon me in this place;
This is my Bethel; here I feel again
A holy calm, if not of innocence,
Yet purest after that, the calm serene
Of expiation and forgiveness.'
He spake, and passed with staff and wallet forth
Through the tall portal to the open square,
And turning, paused to look upon the pile.
The northern front against the crystal sky
Loomed dark and heavy, full of sombre shade,
With each projecting buttress, carven cross,
Gable and mullion, tipped with laughing light
By the slant sunbeams of the risen morn.
The noisy swallows wheeled above their nests,
Builded in hidden nooks about the porch.
No human life was stirring in the square,
Save now and then a rumbling market-team,
Fresh from the fields and farms without the town.
He knelt upon the broad cathedral steps,
And kissed the moistened stone, while overhead
The circling swallows sang, and all around
The mighty city lay asleep and still.
To stranger's ears must yet again be made
The terrible confession; yet again
A deathly chill, with something worse than fear,
Seized the knight's heart, who knew his every word
Widened the gulf between his kind and him.
The Bishop sat with pomp of mitred head,
In pride of proven virtue, hearkening to all
With cold, official apathy, nor made
A sign of pity nor encouragement.
The friar understood the pilgrim's grief,
The language of his eyes; his speech alone
Was alien to these kind, untutored ears.
But this was truly to be misconstrued,
To tear each palpitating word alive
From out the depths of his remorseful soul,
And have it weighed with the precision cool
And the nice logic of a reasoning mind.
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This spiritual Father judged his crime
As the mad mischief of a reckless boy,
That call for strict, immediate punishment.
But Tannhauser, who felt himself a man,
Though base, yet fallen through passions and rare gifts
Of an exuberant nature rankly rich,
And knew his weary head was growing gray
With a life's terrible experience,
Found his old sense of proper worth revive;
But modestly he ended: 'Yet I felt,
O holy Father, in the church, this morn,
A strange security, a peace serene,
As though e'en yet the Lord regarded me
With merciful compassion; yea, as though
Even so vile a worm as I might work
Mine own salvation, through repentant prayers.'
'Presumptuous man, it is no easy task
To expiate such sin; a space of prayer
That deprecates the anger of the Lord,
A pilgrimage through pleasant summer lands,
May not atone for years of impious lust;
Thy heart hath lied to thee in offering hope.'
'Is there no hope on earth?' the pilgrim sighed.
'None through thy penance,' said the saintly man.
'Yet there may be through mediation, help.
There is a man who by a blameless life
Hath won the right to intercede with God.
No sins of his own flesh hath he to purge,The Cardinal Filippo,-he abides,
Within the Holy City. Seek him out;
This is my only counsel,-through thyself
Can be no help and no forgiveness.'
How different from the buoyant joy of morn
Was this discouraged sense of lassitude,
The Bishop's words were ringing in his ears,
Measured and pitiless, and blent with these,
The memory of the goddess' last wild cry,'ONCE BEING MINE, THOU ART FOREVER MINE.'
Was it the truth, despite his penitence,
And the dedication of his thought to God,
That still some portion of himself was hers,
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Some lust survived, some criminal regret,
For her corrupted love? He searched his heart:
All was remorse, religious and sincere,
And yet her dreadful curse still haunted him;
For all men shunned him, and denied him help,
Knowing at once in looking on his face,
Ploughed with deep lines and prematurely old,
That he had struggled with some deadly fiend,
And that he was no longer kin to them.
Just past the outskirts of the town, he stopped,
To strengthen will and courage to proceed.
The storm had broken o'er the sultry streets,
But now the lessening clouds were flying east,
And though the gentle shower still wet his face,
The west was cloudless while the sun went down,
And the bright seven-colored arch stood forth,
Against the opposite dull gray. There was
A beauty in the mingled storm and peace,
Beyond clear sunshine, as the vast, green fields
Basked in soft light, though glistening yet with rain.
The roar of all the town was now a buzz
Less than the insects' drowsy murmuring
That whirred their gauzy wings around his head.
The breeze that follows on the sunsetting
Was blowing whiffs of bruised and dripping grass
Into the heated city. But he stood,
Disconsolate with thoughts of fate and sin,
Still wrestling with his soul to win it back
From her who claimed it to eternity.
Then on the delicate air there came to him
The intonation of the minster bells,
Chiming the vespers, musical and faint.
He knew not what of dear and beautiful
There was in those familiar peals, that spake
Of his first boyhood and his innocence,
Leading him back, with gracious influence,
To pleasant thoughts and tender memories,
And last, recalling the fair hour of hope
He passed that morning in the church. Again,
The glad assurance of God's boundless love
Filled all his being, and he rose serene,
And journeyed forward with a calm content.
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Southward he wended, and the landscape took
A warmer tone, the sky a richer light.
The gardens of the graceful, festooned with hops,
With their slight tendrils binding pole to pole,
Gave place to orchards and the trellised grape,
The hedges were enwreathed with trailing vines,
With clustering, shapely bunches, 'midst the growth
Of tangled greenery. The elm and ash
Less frequent grew than cactus, cypresses,
And golden-fruited or large-blossomed trees.
The far hills took the hue of the dove's breast,
Veiled in gray mist of olive groves. No more
He passed dark, moated strongholds of grim knights,
But terraces with marble-paven steps,
With fountains leaping in the sunny air,
And hanging gardens full of sumptuous bloom.
Then cloisters guarded by their dead gray walls,
Where now and then a golden globe of fruit
Or full-flushed flower peered out upon the road,
Nodding against the stone, and where he heard
Sometimes the voices of the chanting monks,
Sometimes the laugh of children at their play,
Amidst the quaint, old gardens. But these sights
Were in the suburbs of the wealthy towns.
For many a day through wildernesses rank,
Or marshy, feverous meadow-lands he fared,
The fierce sun smiting his close-muffled head;
Or 'midst the Alpine gorges faced the storm,
That drave adown the gullies melted snow
And clattering boulders from the mountain-tops.
At times, between the mountains and the sea
Fair prospects opened, with the boundless stretch
Of restless, tideless water by his side,
And their long wash upon the yellow sand.
Beneath this generous sky the country-folk
Could lead a freer life,-the fat, green fields
Offered rich pasturage, athwart the air
Rang tinkling cow-bells and the shepherds' pipes.
The knight met many a strolling troubadour,
Bearing his cithern, flute, or dulcimer;
And oft beneath some castle's balcony,
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At night, he heard their mellow voices rise,
Blent with stringed instruments or tambourines,
Chanting some lay as natural as a bird's.
Then Nature stole with healthy influence
Into his thoughts; his love of beauty woke,
His Muse inspired dreams as in the past.
But after this came crueler remorse,
And he would tighten round his loins the rope,
And lie for hours beside some wayside cross,
And feel himself unworthy to enjoy
The splendid gift and privilege of life.
Then forth he hurried, spurred by his desire
To reach the City of the Seven Hills,
And gain his absolution. Some leagues more
Would bring him to the vast Campagna land,
When by a roadside well he paused to rest.
'T was noon, and reapers in the field hard by
Lay neath the trees upon the sun-scorched grass.
But from their midst one came towards the well,
Not trudging like a man forespent with toil,
But frisking like a child at holiday,
With light steps. The pilgrim watched him come,
And found him scarcely older than a child,
A large-mouthed earthen pitcher in his hand,
And a guitar upon his shoulder slung.
A wide straw hat threw all his face in shade,
But doffing this, to catch whatever breeze
Might stir among the branches, he disclosed
A charming head of rippled, auburn hair,
A frank, fair face, as lovely as a girls,
With great, soft eyes, as mild and grave as kine's.
Above his head he slipped the instrument,
And laid it with his hat upon the turf,
Lowered his pitcher down the well-head cool,
And drew it dripping upward, ere he saw
The watchful pilgrim, craving (as he thought)
The precious draught. 'Your pardon, holy sir,
Drink first,' he cried, 'before I take the jar
Unto my father in the reaping-field.'
Touched by the cordial kindness of the lad,
The pilgrim answered,-'Thanks, my thirst is quenched
From mine own palm.' The stranger deftly poised
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The brimming pitcher on his head, and turned
Back to the reaping-folk, while Tannhauser
Looked after him across the sunny fields,
Clasping each hand about his waist to bear
The balanced pitcher; then, down glancing, found
The lad's guitar near by, and fell at once
To striking its tuned string with wandering hands,
And pensive eyes filled full of tender dreams.
'Yea, holy sir, it is a worthless thing,
And yet I love it, for I make it speak.'
The boy again stood by him and dispelled
His train of fantasies half sweet, half sad.
'That was not in my thought,' the knight replied.
'Its worth is more than rubies; whoso hath
The art to make this speak is raised thereby
Above all loneliness or grief or fear.'
More to himself than to the lad he spake,
Who, understanding not, stood doubtfully
At a loss for answer; but the knight went on:
'How came it in your hands, and who hath tuned
your voice to follow it.' 'I am unskilled,
Good father, but my mother smote its strings
To music rare.' Diverted from one theme,
Pleased with the winsome candor of the boy,
The knight encouraged him to confidence;
Then his own gift of minstrelsy revealed,
And told bright tales of his first wanderings,
When in lords' castles and kings' palaces
Men still made place for him, for in his land
The gift was rare and valued at its worth,
And brought great victory and sounding fame.
Thus, in retracing all his pleasant youth,
His suffering passed as though it had not been.
Wide-eyed and open-mouthed the boy gave ear,
His fair face flushing with the sudden thoughts
That went and came,-then, as the pilgrim ceased,
Drew breath and spake: 'And where now is your lyre?'
The knight with both hands hid his changed, white face,
Crying aloud, 'Lost! lost! forever lost!'
Then, gathering strength, he bared his face again
Unto the frightened, wondering boy, and rose
With hasty fear. 'Ah, child, you bring me back
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Unwitting to remembrance of my grief,
For which I donned eternal garb of woe;
And yet I owe you thanks for one sweet hour
Of healthy human intercourse and peace.
'T is not for me to tarry by the way.
Farewell!' The impetuous, remorseful boy,
Seeing sharp pain on that kind countenance,
Fell at his feet and cried, 'Forgive my words,
Witless but innocent, and leave me not
Without a blessing.' Moved unutterably,
The pilgrim kissed with trembling lips his head,
And muttered, 'At this moment would to God
That I were worthy!' Then waved wasted hands
Over the youth in act of blessing him,
But faltered, 'Cleanse me through his innocence,
O heavenly Father!' and with quickening steps
Hastened away upon the road to Rome.
The noon was past, the reapers drew broad swaths
With scythes sun-smitten 'midst the ripened crop.
Thin shadows of the afternoon slept soft
On the green meadows as the knight passed forth.
He trudged amidst the sea of poisonous flowers
On the Campagna's undulating plain,
With Rome, the many-steepled, many-towered,
Before him regnant on her throne of hills.
A thick blue cloud of haze o'erhung the town,
But the fast-sinking sun struck fiery light
From shining crosses, roofs, and flashing domes.
Across his path an arching bridge of stone
Was raised above a shrunken yellow stream,
Hurrying with the light on every wave
Towards the great town and outward to the sea.
Upon the bridge's crest he paused, and leaned
Against the barrier, throwing back his cowl,
And gazed upon the dull, unlovely flood
That was the Tiber. Quaggy banks lay bare,
Muddy and miry, glittering in the sun,
And myriad insects hovered o'er the reeds,
Whose lithe, moist tips by listless airs were stirred.
When the low sun had dropped behind the hills,
He found himself within the streets of Rome,
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Walking as in a sleep, where naught seemed real.
The chattering hubbub of the market-place
Was over now; but voices smote his ear
Of garrulous citizens who jostled past.
Loud cries, gay laughter, snatches of sweet song,
The tinkling fountains set in gardens cool
About the pillared palaces, and blent
With trickling of the conduits in the squares,
The noisy teams within the narrow streets,All these the stranger heard and did not hear,
While ringing bells pealed out above the town,
And calm gray twilight skies stretched over it.
Wide open stood the doors of every church,
And through the porches pressed a streaming throng.
Vague wonderment perplexed him, at the sight
Of broken columns raised to Jupiter
Beside the cross, immense cathedrals reared
Upon a dead faith's ruins; all the whirl
And eager bustle of the living town
Filling the storied streets, whose very stones
Were solemn monuments, and spake of death.
Although he wrestled with himself, the thought
Of that poor, past religion smote his heart
With a huge pity and deep sympathy,
Beyond the fervor which the Church inspired.
Where was the noble race who ruled the world,
Moulded of purest elements, and stuffed
With sternest virtues, every man a king,
Wearing the purple native in his heart?
These lounging beggars, stealthy monks and priests,
And womanish patricians filled their place.
Thus Tannhauser, still half an infidel,
Pagan through mind and Christian through the heart,
Fared thoughtfully with wandering, aimless steps,
Till in the dying glimmer of the day
He raised his eyes and found himself alone
Amid the ruined arches, broken shafts,
And huge arena of the Coliseum.
He did not see it as it was, dim-lit
By something less than day and more than night,
With wan reflections of the rising moon
Rather divined than seen on ivied walls,
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And crumbled battlements, and topless columnsBut by the light of all the ancient days,
Ringed with keen eager faces, living eyes,
Fixed on the circus with a savage joy,
Where brandished swords flashed white, and human blood
Streamed o'er the thirsty dust, and Death was king.
He started, shuddering, and drew breath to see
The foul pit choked with weeds and tumbled stones,
The cross raised midmost, and the peaceful moon
Shining o'er all; and fell upon his knees,
Restored to faith in one wise, loving God.
Day followed day, and still he bode in Rome,
Waiting his audience with the Cardinal,
And from the gates, on pretext frivolous,
Passed daily forth,-his Eminency slept,Again, his Eminency was fatigued
By tedious sessions of the Papal court,
And thus the patient pilgrim was referred
Unto a later hour. At last the page
Bore him a missive with Filippo's seal,
That in his name commended Tannhauser
Unto the Pope. The worn, discouraged knight
Read the brief scroll, then sadly forth again,
Along the bosky alleys of the park,
Passed to the glare and noise of summer streets.
'Good God!' he muttered, 'Thou hast ears for all,
And sendest help and comfort; yet these men,
Thy saintly ministers, must deck themselves
With arrogance, and from their large delight
In all the beauty of the beauteous earth,
And peace of indolent, untempted souls,
Deny the hungry outcast a bare word.'
Yet even as he nourished bitter thoughts,
He felt a depth of clear serenity,
Unruffled in his heart beneath it all.
No outward object now had farther power
To wound him there, for the brooding o'er those deeps
Of vast contrition was boundless hope.
Yet not to leave a human chance untried,
He sought the absolution of the Pope.
In a great hall with airy galleries,
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Thronged with high dignitaries of the Church,
He took his seat amidst the humblest friars.
Through open windows came sweet garden smells,
Bright morning light, and twittered song of birds.
Around the hall flashed gold and sunlit gems,
And splendid wealth of color,-white-stoled priests,
And scarlet cardinals, and bishops clad
In violet vestments,-while beneath the shade
Of the high gallery huddled dusky shapes,
With faded, travel-tattered, sombre smocks,
And shaven heads, and girdles of coarse hemp;
Some, pilgrims penitent like Tannhauser;
Some, devotees to kiss the sacred feet.
The brassy blare of trumpets smote the air,
Shrill pipes and horns with swelling clamor came,
And through the doorway's wide-stretched tapestries
Passed the Pope's trumpeters and mace-bearers,
His vergers bearing slender silver wands,
Then mitred bishops, red-clad cardinals,
The stalwart Papal Guard with halberds raised,
And then, with white head crowned with gold ingemmed,
The vicar of the lowly Galilean,
Holding his pastoral rod of smooth-hewn wood,
With censer swung before and peacock fans
Waved constantly by pages, either side.
Attended thus, they bore him to his throne,
And priests and laymen fell upon their knees.
Then, after pause of brief and silent prayer,
The pilgrims singly through the hall defiled,
To kiss the borders of the papal skirts,
Smiting their foreheads on the paven stone;
Some silent, abject, some accusing them
Of venial sins in accents of remorse,
Craving his grace, and passing pardoned forth.
Sir Tannhauser came last, no need for him
To cry 'Peccavi,' and crook suppliant knees.
His gray head rather crushed than bowed, his face
Livid and wasted, his deep thoughtful eyes,
His tall gaunt form in those unseemly weeds,
Spake more than eloquence. His hollow voice
Brake silence, saying, 'I am Tannhauser.
For seven years I lived apart from men,
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Within the Venusberg.' A horror seized
The assembled folk; some turbulently rose;
Some clamored, 'From the presence cast him forth!'
But the knight never ceased his steady gaze
Upon the Pope. At last,-'I have not spoken
To be condemned,' he said, 'by such as these.
Thou, spiritual Father, answer me.
Look thou upon me with the eyes of Christ.
Can I through expiation gain my shrift,
And work mine own redemption?' 'Insolent man!'
Thundered the outraged Pope, 'is this the tone
Wherewith thou dost parade thy loathsome sin?
Down on thy knees, and wallow on the earth!
Nay, rather go! there is no ray of hope,
No gleam, through cycles of eternity,
For the redemption of a soul like thine.
Yea, sooner shall my pastoral rod branch forth
In leaf and blossom, and green shoots of spring,
Than Christ will pardon thee.' And as he spoke,
He struck the rod upon the floor with force
That gave it entrance 'twixt two loosened tiles,
So that it stood, fast-rooted and alone.
The knight saw naught, he only heard his judge
Ring forth his curses, and the court cry out
'Anathema!' and loud, and blent therewith,
Derisive laughter in the very hall,
And a wild voice that thrilled through flesh and heart:
'ONCE BEING MINE, THOU ART FOREVER MINE!'
Half-mad he clasped both hands upon his brow,
Amidst the storm of voices, till they died,
And all was silence, save the reckless song
Of a young bird upon a twig without.
Then a defiant, ghastly face he raised,
And shrieked, ''T is false! I am no longer thine!'
And through the windows open to the park,
Rushed forth, beyond the sight and sound of men.
By church nor palace paused he, till he passed
All squares and streets, and crossed the bridge of stone,
And stood alone amidst the broad expanse
Of the Campagna, twinkling in the heat.
He knelt upon a knoll of turf, and snapped
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The cord that held the cross about his neck,
And far from him the leaden burden flung.
'O God! I thank Thee, that my faith in Thee
Subsists at last, through all discouragements.
Between us must no type nor symbol stand,
No mediator, were he more divine
Than the incarnate Christ. All forms, all priests,
I part aside, and hold communion free
Beneath the empty sky of noon, with naught
Between my nothingness and thy high heavensSpirit with spirit. O, have mercy, God!
Cleanse me from lust and bitterness and pride,
Have mercy in accordance with my faith.'
Long time he lay upon the scorching grass,
With his face buried in the tangled weeds.
Ah! who can tell the struggles of his soul
Against its demons in that sacred hour,
The solitude, the anguish, the remorse?
When shadows long and thin lay on the ground,
Shivering with fever, helpless he arose,
But with a face divine, ineffable,
Such as we dream the face of Israel,
When the Lord's wrestling angel, at gray dawn,
Blessed him, and disappeared.
Upon the marsh,
All night, he wandered, striving to emerge
From the wild, pathless plain,-now limitless
And colorless beneath the risen moon;
Outstretching like a sea, with landmarks none,
Save broken aqueducts and parapets,
And ruined columns glinting 'neath the moon.
His dress was dank and clinging with the dew;
A thousand insects fluttered o'er his head,
With buzz and drone; unseen cicadas chirped
Among the long, rank grass, and far and near
The fire-flies flickered through the summer air.
Vague thoughts and gleams prophetic filled his brain.
'Ah, fool!' he mused, 'to look for help from men.
Had they the will to aid, they lack the power.
In mine own flesh and soul the sin had birth,
Through mine own anguish it must be atoned.
Our saviours are not saints and ministers,
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But tear-strung women, children soft of heart,
Or fellow-sufferers, who, by some chance word,
Some glance of comfort, save us from despair.
These I have found, thank heaven! to strengthen trust
In mine own kind, when all the world grew dark.
Make me not proud in spirit, O my God!
Yea, in thy sight I am one mass of sin,
One black and foul corruption, yet I know
My frailty is exceeded by thy love.
Neither is this the slender straw of hope,
Whereto I, drowning, cling, but firm belief,
That fills my inmost soul with vast content.
As surely as the hollow faiths of old
Shriveled to dust before one ray of Truth,
So will these modern temples pass away,
Piled upon rotten doctrines, baseless forms,
And man will look in his own breast for help,
Yea, search for comfort his own inward reins,
Revere himself, and find the God within.
Patience and patience!' Through the sleepless night
He held such thoughts; at times before his eyes
Flashed glimpses of the Church that was to be,
Sublimely simple in the light serene
Of future ages; then the vision changed
To the Pope's hall, thronged with high priests, who hurled
Their curses on him. Staggering, he awoke
Unto the truth, and found himself alone,
Beneath the awful stars. When dawn's first chill
Crept though the shivering grass and heavy leaves,
Giddy and overcome, he fell and slept
Upon the dripping weeds, nor dreamed nor stirred,
Until the wide plain basked in noon's broad light.
He dragged his weary frame some paces more,
Unto a solitary herdsman's hut,
Which, in the vagueness of the moonlit night,
Was touched with lines of beauty, till it grew
Fair as the ruined works of ancient art,
Now squat and hideous with its wattled roof,
Decaying timbers, and loose door wide oped,
Half-fallen from the hinge. A drowsy man,
Bearded and burnt, in shepherd habit lay,
Stretched on the floor, slow-munching, half asleep,
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His frugal fare; for thus, at blaze of noon,
The shepherds sought a shelter from the sun,
Leaving their vigilant dogs beside their flock.
The knight craved drink and bread, and with respect
For pilgrim weeds, the Roman herdsman stirred
His lazy length, and shared with him his meal.
Refreshed and calm, Sir Tannhauser passed forth,
Yearning with morbid fancy once again
To see the kind face of the minstrel boy
He met beside the well. At set of sun
He reached the place; the reaping-folk were gone,
The day's toil over, yet he took his seat.
A milking-girl with laden buckets full,
Came slowly from the pasture, paused and drank.
From a near cottage ran a ragged boy,
And filled his wooden pail, and to his home
Returned across the fields. A herdsman came,
And drank and gave his dog to drink, and passed,
Greeting the holy man who sat there still,
Awaiting. But his feeble pulse beat high
When he descried at last a youthful form,
Crossing the field, a pitcher on his head,
Advancing towards the well. Yea, this was he,
The same grave eyes, and open, girlish face.
But he saw not, amidst the landscape brown,
The knight's brown figure, who, to win his ear,
Asked the lad's name. 'My name is Salvator,
To serve you, sir,' he carelessly replied,
With eyes and hands intent upon his jar,
Brimming and bubbling. Then he cast one glance
Upon his questioner, and left the well,
Crying with keen and sudden sympathy,
'Good Father, pardon me, I knew you not.
Ah! you have travelled overmuch: your feet
Are grimed with mud and wet, your face is changed,
Your hands are dry with fever.' But the knight:
'Nay, as I look on thee, I think the Lord
Wills not that I should suffer any more.'
'Then you have suffered much,' sighed Salvator,
With wondering pity. 'You must come with me;
My father knows of you, I told him all.
A knight and minstrel who cast by his lyre,
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His health and fame, to give himself to God,Yours is a life indeed to be desired!
If you will lie with us this night, our home
Will verily be blessed.' By kindness crushed,
Wandering in sense and words, the broken knight
Resisted naught, and let himself be led
To the boy's home. The outcast and accursed
Was welcomed now by kindly human hands;
Once more his blighted spirit was revived
By contact with refreshing innocence.
There, when the morning broke upon the world,
The humble hosts no longer knew their guest.
His fleshly weeds of sin forever doffed,
Tannhauser lay and smiled, for in the night
The angel came who brings eternal peace.
__________
Far into Wartburg, through all Italy,
In every town the Pope sent messengers,
Riding in furious haste; among them, one
Who bore a branch of dry wood burst in bloom;
The pastoral rod had borne green shoots of spring,
And leaf and blossom. God is merciful.
~ Emma Lazarus,
1360:The Golden Age
Long ere the Muse the strenuous chords had swept,
And the first lay as yet in silence slept,
A Time there was which since has stirred the lyre
To notes of wail and accents warm with fire;
Moved the soft Mantuan to his silvery strain,
And him who sobbed in pentametric pain;
To which the World, waxed desolate and old,
Fondly reverts, and calls the Age of Gold.
Then, without toil, by vale and mountain side,
Men found their few and simple wants supplied;
Plenty, like dew, dropped subtle from the air,
And Earth's fair gifts rose prodigal as prayer.
Love, with no charms except its own to lure,
Was swiftly answered by a love as pure.
No need for wealth; each glittering fruit and flower,
Each star, each streamlet, made the maiden's dower.
Far in the future lurked maternal throes,
And children blossomed painless as the rose.
No harrowing question `why,' no torturing `how,'
Bent the lithe frame or knit the youthful brow.
The growing mind had naught to seek or shun;
Like the plump fig it ripened in the sun.
From dawn to dark Man's life was steeped in joy,
And the gray sire was happy as the boy.
Nature with Man yet waged no troublous strife,
And Death was almost easier than Life.
Safe on its native mountains throve the oak,
Nor ever groaned 'neath greed's relentless stroke.
No fear of loss, no restlessness for more,
Drove the poor mariner from shore to shore.
No distant mines, by penury divined,
Made him the sport of fickle wave or wind.
Rich for secure, he checked each wish to roam,
And hugged the safe felicity of home.
Those days are long gone by; but who shall say
Why, like a dream, passed Saturn's Reign away?
Over its rise, its ruin, hangs a veil,
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And naught remains except a Golden Tale.
Whether 'twas sin or hazard that dissolved
That happy scheme by kindly Gods evolved;
Whether Man fell by lucklessness or pride,Let jarring sects, and not the Muse, decide.
But when that cruel Fiat smote the earth,
Primeval Joy was poisoned at its birth.
In sorrow stole the infant from the womb,
The agëd crept in sorrow to the tomb.
The ground, so bounteous once, refused to bear
More than was wrung by sower, seed, and share.
Ofttimes would ruthless winds or torrents raze
The ripening fruit of toilsome nights and days.
Each one in turn grew jealous of his own,
And fenced his patch with ditch and churlish stone.
As greed uprose, and greed engendered strife,
Contention raged coincident with life.
Man against man, maid against maiden turned,
And the soft breast with envious passions burned.
The loss of one was hailed as others' gain,
And pleasure took unnatural birth from pain.
Goaded by woe, and through tradition's lore
Mindful of all the blissfulness of yore,
The Human Race, its sorrows to assuage,
Dreamed afar off a second Golden Age;
Not in the dim irrevocable Past,
But in a Future just as vague and vast.
The prophet's lips, the poet's flattering pen,
Revelled in forecasts of that golden Then.
The days should come when grief would be no more,
And Peace and Plenty rule from shore to shore;
All men alike enjoy what none did earn,
And even more than Saturn's Reign return.
As years rolled on, as centuries went by,
And still that Promised Time seemed no more nigh,
Mankind at length, outwearied with delays,
Gave up all hope of those seductive days.
Then other prophets, other scribes arose,
A nearer, surer Eden to disclose.
`O, long-befooled!' they said, `awake, and deem
The Past a tale, the Future but a dream.
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Here, in the living Present, act your part,
Straining its vulgar blessings to your heart.
Let hand with hand and brain with brain contend,
And each one labour to some selfish end.
In wealth and riot, luxury and power,
Baffle the mockery of the transient hour.
If thousands fall, if tens of thousands bleed,
Will not a hundred, or a score, succeed?
Let those who cannot yield to those who canFate has its piles of victims; why not Man?
Better a furious fight where some one wins,
Than sluggish life which ends as it begins.
Vain was the bard who, whilst the World was new,
'Twixt men and beasts the fond distinction drew,
That these confine their downward gaze to earth,
Whilst man looks up, enamoured of his birth.
Not in the skies, but deep beneath the soil,
There will you find your happiness and spoil.
Enough for brutes its simple face to know,
But godlike man must pierce and delve below.
Deep in its bowels seek the shining ore,
And at its touch shall Saturn reign once more.
For him whose thews are sound, whose vision clear,
Whose purpose firm, the Golden Age is here.'
Never from cave or tripod, mount or glade,
Issued a voice so welcomed, so obeyed.
From zone to zone the Golden Gospel flew,
And in its train mankind obedient drew.
See from their seats the ancient Gods dethroned,
Altars upset, and oracles disown'd.
The Muses, scared, conceal the smothered lyre;
No longer prized, the Graces swift retire;
Virtue, a butt for ribalds, seeks her shroud,
And even Venus veils herself in cloud.
Religion, Ethics, all men erst adored,
Hymned on the harp, or fought for with the sword,
All lofty scopes, all ends esteemed of old,
Dissolve like mist before the rage for gold.
The priest for gold makes traffic of his robe;
For gold the soldier desolates the globe;
The poet shapes for gold his venal lays;
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Through gold Vice stalks caparisoned with praise.
Tempted by gold, the virgin sells her charms,
Though no Immortal slips into her arms.
Saddled with gold, the adventurer can buy
Titles, precedence, place, and dignity.
High, middle, low, the young, the ripe, the old,
Man, woman, child, live, die, are damned for Gold.
Soon as the youthful mind begins to ope,
It searches Life's significance and scope;
And, fed by generous impulse year by year,
Dreams for itself some glorious career.
Its shall it be, instructed by the Muse,
Truth to abet, and beauty to diffuse;
With full-blown sail, and genius at the helm,
To steer men's thoughts to a serener realm.
Perhaps the ingenuous boy would fain recall
Tintoret's canvas, Memmi's fresco'd wall;
With godlike pencil purify the mart,
And life ennoble with the breath of Art.
Maybe he burns, by Plato's failure fired,
To scale the heights which every wing have tired,
Seize first each part, then comprehend the whole,
And solve the eternal problem of the Soul.
Be these his aims, or, nobler still, to train
His kind to mutiny till Virtue reign,
Soon doth he learn to count his lovely schemes
A host of bubbles in a world of dreams.
Experience whispers early, Have a care!
Who with the Muse would live must live on air.
The tempting maid is but a poet's lie,
`Who gave to song what gold could never buy.'
Confront the world, take counsel with the throng;
Their verdict what? `The thing's not worth a song.'
Are you content you now have learnt your price?
Come, sink the Muse, and don't be quite so nice.
Start a new Company, and float the shares,
Then lunch with Ministers and dine with Mayors.
Pimp for a Party, praise a Premier's heart,
Head a subscription, and then shine-a Bart.
Return your income fifty thousand clearThe devil's in it, or you'll die a peer.
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Success so great is never done by halves'Tis only virtue, when 'tis greatest, starves.
Perhaps his breast, untutored yet to serve,
Spurns the base counsel with a proud reserve;
For Youth is stubborn, and when Nature draws,
In vain a parent's warning, wisdom's saws.
Let cravens straight their impotence confess,
And sell their birthright for a filthy mess;
In flowers see, bee-like, nought but stuff for hives,
And for foul lucre prostitute their lives;
They have not failed who never once have tried,
Or, if they failed, they failed for want of pride.
He, he at least his soul will ne'er demean,
But 'mong the foul will keep his honour clean.
O touching sight, to witness day by day
His splendid generous day-dreams fade away!
His sire reproaches, and his brothers scoff,
His mother doubts, his sisters e'en fall off.
The neighbours pity, strangers deem him mad;
Girls, smiling, whisper, What a foolish lad!
Meanwhile his compeers, started in the race,
Are swiftly marching on to power and place.
One makes a coup, and weds a wife of rank;
Another's junior partner in a bank.
A third in sugar with unscriptural hand,
Traffics, and builds a lasting house on sand.
A fourth, for beer and piety renowned,
Owns all the publics in the country round;
Its drink adulterates with face demure,
But burns with zeal to keep opinion pure;
Cares not one jot for bodies drunk or sick,
But scans your soul like a new Dominick.
The fifth, the patron of a new balloon,
Projects a Company to reach the moon;
Baits his prospectus with a batch of peers,
And vows nought pays like money in the Spheres.
Shares in the moon advanced-advancing still.
Then comes a crash-stock guaranteed at nil.
But sure, the man is ruined? Not at all;
He scarce can tumble who has sense to crawl.
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Your modern Icarus is much too wise
On his own pinions to attempt the skiesOn others' soaring follies doth he rise.
Long ere the bubble burst his shares were sold;
Just at that moment he had need of gold.
Singed wings, you know, are but for simple folk;
He, with his peers, 'scapes safe from flame and smoke,
And buys a borough with the happy stroke.
Few are the souls who die for Cato's creed:
To fail seems base, when all around succeed.
Foiled in his purpose, both by foe and friend,
Through noble means to reach a noble end,
The baffled boy forswears his cherished dream,
And learns to swim, like others, with the stream.
Keen to recover precious moments lost,
And taught by bitter tasks what Virtue cost,
He midst the rush, whilst others rise and fall,
Swims on, the most unscrupulous of all.
Let others chouse with care, he cheats with pluck,
And millions stake their all upon his luck.
His daring overawes the small, the great,
And whilst he plunders they but peculate.
He lures the easy, makes the fat his spoil,
Pares the lean wage of proletarian toil;
Swindles the widow of her hoarded mite,
Drags the poor pensioner once more to fight;
Robs age of rest, and youth of prospects fair,
Plunges the sanguine bridegroom in despair;
Severs the ties made sacred long by home,
And sends the son from sire across the foam;
Dashes the faith of plighted swain and maid,
And helps alone the cynic sexton's spade:
Does all that well beseems a Fallen StarIt needs a Lucifer to fall so far!
Sometimes will Fortune on the traitor scowl,
And e'en with gold not pay a deed so foul.
He who was born a glittering child of light,
Trenchant as Raphael, as Ithuriel bright,
Yet sells his soul a vulgar prize to reap,
And for brute guerdons holds his honour cheap,
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Too often finds that he who, grovelling, flies
From unrewarded reverie in the skies,
And seeks in venal efforts to employ
The gifts God formed for beauty and for joy,
Makes but a barren barter of his birth,
And Heaven foregoes, without securing earth.
See how he sinks! The more he strains to clutch
Terrestrial spoil, unworthy of his touch,
It seems, for him, to take elusive shapes,
And like a shadow from his grasp escapes.
As baser wax his aims, more mean his scope,
More and still more he sprawls-the sport of Hope.
Still as he tries to suffocate his soul,
Farther beyond him seems the carnal goal.
In vain he turns to catch the favouring gale;
Becalmed he lies-he labours but to fail.
Poor and despised, he now would fain retrace
His erring steps to his first dwelling-place,
But finds, alas! baseness hath borne its fruit;
Wings long unused have withered at the root.
He who in vain has crawled in vain would fly,
And rots abandoned both by earth and sky.
Meaner his end than that poor tradesman's doom,
Who, asked what words of honour on his tomb
His friends should place, with cynic touch replied,
`Here lies who, born a man, a grocer died!'
Whom doth this foe of human virtue spare?
Look round! More sweet its victims, the more fair.
Its natural slaves, who, spawned from wealth, are born
To Traffic's tricks they lack the soul to scorn,
Whose lust for lucre is their proper lot,
It just as oft impoverishes as not.
'Tis those in whom the Unseen God inspires
The restless leaven of divine desires;
Who, from the moment that they lisp, betray
An alien spirit housed within their clay;
Whose fretful youth life's narrow limits chafe,
And yearns for worlds more spacious, if less safe;
Striving to reach, despite its fleshly thrall,
That larger Something which surrounds us all;These, these the souls-and not that baser band-
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To whom Gold loves to stretch a helping hand;
With early smiles their generous aims to bless,
And lead them, blind, to ruinous success.
When Lelius chanted first his fragrant lays,
Men praised, and he was amply paid with praise.
Not salons' sycophant, nor Fashion's bard,
No glittering heaps did his sweet notes reward.
He was content with audience fit, though few,
When to his side the cunning demon drew.
`Your pen's worth gold; you need but blunt its point;
Come, cut the Muse; the times are out of joint.
Fame's well enough, but comfort has its laws;
You'll make a damned poor supper off applause.
Sing, be select, and starve. Prose is the thingThe thing that pays. The Million now is King.
Write gossip, scandal, slander-what you will;
A well-filled purse awaits a ready quill.'
The curst insidious demon has his way,
And Grub-street swallows Lelius for aye.
Turn from the pen, and for a while survey
The wide domains which brush and canvas sway.
Enter those realms, and what do we behold?
Art, heavenly Art, the slave and pimp of gold!
Time was when its poor votaries were too proud
To sate the itch of a vain-glorious crowd,
Serve the mean aims of narrow personal pelf,
And swell the ignoble retinue of Self.
Only the State, which merges private ends,
Or sacred Church, which lifts them and extends,
Might then presume the artist's craft to claim,
And paid him, happy, with immortal Fame.
Here, Friendship's guest, where fairest Florence lies,
A dream in stone, stretched out before mine eyes,
I think of all the treasures there enshrined,
And what small dole nurtured each master mind;
Or led by memory o'er the classic chain
Which Umbrian slope divides from Tuscan plain,
I all the priceless unbought gems recall
That link with heaven Assisi's frescoed wall;
Then, borne on wings of weakness, I repair
To mine own land, and groan to think that there,
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Debased by Fashion to a venal trade,
Art counts its triumphs by its fortunes made;
Spurned by the State, and by the Church unsought,
Works but for wealth, and by the base is bought;
Stranger to altars, palaces, or domes,
Pampers the pomp of ostentatious homes.
How changed the days since Duccio's hand of old
On Saints and Virgins lavished costly gold;
But for himself asked but a few poor crowns,
Less than we give to harlequins and clowns.
Now do our mercenary tricksters grudge
Almost the very canvas that they smudge;
Yet scan with greedy eyes the glittering heap
That opulent folly holds, for once, so cheap.
See, too, how Genius, when its touch was true,
On humble walls its lasting fancies drew;
Whose modern apes, ridiculously bold,
Hang their ephemeral daubs in frames of gold.
In vain doth Heaven, while Gold thus rules the earth,
With generous instincts sow the soul at birth.
Swift in the genial soil the seed takes root,
Then seeks the sun with many a venturous shoot.
But, ah, how soon the cruel outer air
Checks the brave growth and nips its promise fair!
Warmed by the glow of Tasso's splendid lay,
Or borne by Dante to the gates of Day;
Softly seduced by Scott's romantic strain
To deem all ends, excepting honour, vain;
Or nobly trained by Shelley's burning song
To cherish an eternal feud with wrong,The simple girl constructs a future fair,
Rears a whole world of castles in the air,
And nowhere warned, or deaf to warning, deems
That life will clothe and justify her dreams.
As year by year the maiden grows apace,
And half the woman mantles in her face,
With sickening sense, sad eye, and sinking heart,
She sees her forecasts one by one depart.
Slowly, but, ah, too surely doth she find
That poets' tales no longer rule mankind;
That Peace is homeless as the hunted hare,
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And Love far less a shelter than a snare;
That godlike Valour meets a demon's doom,
Whilst Prudence prospers even from the tomb;
That Youth, save schooled in Mammon's miry ways,
Groans o'er the lapse of unrequited days;
That Beauty, Genius, all are vain and cold,
Till foully touched and fertilised by Gold.
Soon as the time so dear to mother's vows
Draws nigh, to find the maid some fitting spouse,
Then most of all she learns what leading part
Is played by Gold in dramas of the heart.
Chance to young Hylas, beautiful as Dawn,
And sweet as fair, she feels her fancy drawn.
Are you a nymph? one whispers. Let him pass.
He doth but gather daisies in the grass.
Where your cool wave, hidden from human eyes,
In which to lure and love him till he dies?
Bid him rejoin his Hercules, and seize
The golden apples of the Hesperides;
And then perchance, should none more rich than he
Engage your love, you may his Hera be.
Alas, poor Hylas! worse than Mysian fate
Doth his meandering flowery feet await.
If that a Solon, versed in every art
Of song and science, touch the maiden's heart,
The neighbours softly whisper, Have a care;
Can Erudition keep a chaise and pair?
Pundits, alas, like fools, must pay their bills,
And Knowledge figures sorrily in wills.
For single life learning is well enough,
But marriage should be made of sterner stuff.
Should Cato's fame her pious soul attract,
The whole world cries, The woman must be cracked.
What! wed with Virtue! Is the girl awake?
Sure, she confounds the altar with the stake.
Send for the doctor. Try a change of air.
Swear Cato drinks. In war and love all's fair.
Bring Croesus to the front. At four he's freeThere's no one left to swindle after three.
In one brief hour behold him curled and drest,
And borne on wings of fashion to the West!
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What though to regions fondly deemed refined,
He brings his City manners, City mind,
And cynics titter?-he laughs best who wins,A Greenwhich dinner covers many sins.
What! dine with Croesus? Surely. Is a feast
One jot the worse because the host's a beast?
He's worse than that-a snob-a cad. Agreed;
But then his goblets smack of Ganymede?
Do some strange freaks his conversation mar?
He stops your censure with a prime cigar.
A Norway stream, a shooting-lodge in Perth,
In practice look uncommonly like worth.
The Town to hear some new soprano flocks.
You long to go? Well, Croesus has a box.
How at this hour are tickets to be got
For the Regatta? Croesus has a yacht.
Goodwood is here. Your hopes begin to flag.
One chance awaits you: Croesus has a drag.
You doat on Flower-shows: Croesus has a bone.
Be friends with Croesus, and the World's your own.
Who could resist seductions such as these?
Or what could charm, if Croesus failed to please?
Blinded and bribed, the critical are cured,
And loud extol whom late they scarce endured.
Caressed and courted, Croesus grows the rage,
The type and glory of our Golden Age;
And Cato, Hylas, Solon, shoved aside,
Our heavenly maid is hailed as Croesus' bride.
Shade of Lucretius! if thy lyre waxed wild
With sacred rage for Clytemnestra's child,
And nought could hold thee as thy soul surveyed
The cursëd ills Religion can persuade,
How would thy verse impetuously shower
Sonorous scorn on Gold's atrocious power;
Embalm its victims with a touch divine,
And damn the monster in one sounding line!
Can honeyed forms or stereotyped applause
Alter the scope of Heaven's eternal laws?
What though with gifts should massive sideboards groan,
And every heart be glad except her own,
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And troops of blooming girls behold with pride,
Perchance with envy, this resplendent bride;
Though vieing voices hail her Fashion's queen,
And even a Bishop's blessing crown the scene,
No rites, no rings, no altars, can avail
To make a sacred contract of a sale,
Stir the far depths of the reluctant mind,
Or join the hearts which love hath failed to bind.
If soul stands passive whilst the flesh is sold,
Is there no foul aroma in the gold?
Is the base barter covered by the price,
And do huge figures make the nasty nice?
The nameless outcast, prowling for her prey,
Renews her filthy bargain day by day;
Let Croesus give her what he gave his wife,
She's virtuous too-at least, she's his for life.
Croesus-but hold! Let Charity presume
That Croesus' wife but dimly knew her doom.
The luckless maid, since knowledge comes too late,
In splendour seeks oblivion of her fate;
Of every tender pious aim bereft,
Hugs in despair the only idol left;
In alien worship seeks to be consoled,
And builds her hopes of happiness on Gold.
Gold rules her steps, determines her desiresMere puppet she, whilst Mammon jerks the wires.
Futile to ask if London suits her healthWould you consult her doctor, not her wealth?
You soon are answered: Whether ill or well,
A house in Town is indispensable.
Where shall it be? On gravel or on clay?
Wherever tenants have the most to pay.
Price is the thing, not soil. If Fashion's camp
Be pitched just here, what matter dry or damp?
But, health apart, 'tis known that Croesus' wife,
If left to choose, prefers a country life.
Well, she shall have it when the Parks are brown,
And Fashion, wearied, hath dispersed the Town.
But whilst the woods are leafy, and the lanes
With lush wild-flowers rob life of half its pains;
While sweetest scents and softest sounds combine
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To make existence, did they last, divine;
Not for the world must Croesus' wife be missed
From fetid streets, foul rooms, and Fashion's list;
And only thence to rural refuge flies
As, self-exhausted, pleasant Summer dies.
Say, shall we marvel, amid scenes like these,
With all to dazzle, but with nought to please,
If links of simple gold should fail to cleave,
And tempters prompt their webs not vainly weave?
See, Plutus, first in each ignoble strife,
Battered and bored, bethinks him of a wife.
The happy tidings, spreading through the West,
Fires each maternal mercenary breast.
The soaring dames parade their daughters' charms,
To lure the hug of Plutus' palsied arms;
And as brave Eld for one fair woman fought,
For one foul man our world to rage is wrought.
At last, opining he might chance do worse,
Plutus to proud Olympia flings his purse.
Olympia lifts it with triumphant smile,
Whilst round her crowds congratulating guile,
Escorts her to the altar, decks her brows
With orange-buds, then leaves her with her spouse,
Who, though his suit by golden showers throve,
Can grasp his Danaë with no thews of Jove.
O, who shall tell Olympia's tale aright,
Each splendid day, each miserable night;
Her thirst divine by human draughts but slaked,
Her smiling face whilst the heart sorely ached,
Or note the edge whence one we loved so well
To sweet, seductive, base perdition fell?
I cast no stone, but half by rage consoled,
I snatch the lyre and curse this fiendish Gold.
Though Beauty's fame oft spreads through all the land,
Splendour is far more curiously scanned;
And they who once upon Olympia threw
A passing glance, since she was fair to view,
Now gilded pomp and Ostentation's choir
Attend her path, of gazing never tire;
Suck up her speech, translate her silent eyes,
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Each movement, look, and posture scrutinise,
Stalk all her steps, as matron, friend, and wife,
And feed in greedy gossip on her life.
Not mine to follow to the noisome den
Where woman's frailty stands the gaze of men,
And well-coached menials, limed with gold, detail
The piteous scenes that pass behind the veil.
Enough to know that, thanks to wealth, once more
Plutus can woo, e'en richer than before.
The tottering cuckold leaves the court consoled;
Considerate juries tip his horns with Gold!
Sure some malicious demon in the brain
It needs must be, drives men reputed sane
To spurn the joys adjacent to their feet,
In the fond chase of this receding cheat?
Say, when the Stoic on his tranquil height,
And swinish crowd, sweating in miry fight,
In every age a like conclusion reach,
And sage and simple one same sermon preachThat whether Heaven hath made one serf or king,
Reason alone true happiness can bringCan we but stand astounded as we scan
This race untaught, unteachable, called Man?
Would you be truly rich, how small the heap
Your aims require, the price how passing cheap!
A modest house, from urban jars removed,
By thrist selected, yet by taste approved;
Whose walls are gay with every sweet that blows,
Whose windows scented by the blushing rose;
Whose chambers few to no fine airs pretend,
Yet never are too full to greet a friend;
A garden plot, whither unbidden come
Bird's idle pipe and bee's laborious hum;
Smooth-shaven lawn, whereon in pastime's hours
The mallet rings within a belt of flowers;
A leafy nook where to enjoy at will
Gibbon's rich prose or Shakespeare's wizard quill;
A neighbouring copse wherein the stock-doves coo,
And a wild stream unchecked sings all day through;
Two clean bright stalls, where midday, night, and morn,
Two good stout roadsters champ their well-earned corn;
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A few learned shelves from modern rubbish free,
Yet always, Mill, with just a place for Thee;
Head ne'er at dawn by clownish bouts obscured,
And limbs by temperate exercise inured;
A few firm friendships made in early life,
Yet doubly fastened by a pleasant wife;
A wholesome board, a draught of honest wine;This is true wealth; and this, thank Heaven, is mine!
And though you ransacked worlds from shore to shore,
From sea to sky, you could not give me more.
And if, all these beyond, I still should crave
Something impossible this side the grave,
Let humbler souls my soaring hopes forgiveAfter my life still in my verse to live.
Well would it be if Mammon's feverish rage
Did but the vulgar and the base engage;
If those alone whose undistinguished name,
Haply if fouled, would shed no slur on Fame,
Sought in this sordid, despicable strife,
To find the good and snatch the crown of life.
But in the mire of venal fight embroiled,
Have we not seen the noblest scutcheons soiled?
Not the proud thought that many a splendid fray,
When crowns obeyed the fortunes of the day,
To stalwart arms its pregnant issue owed,
Whose glorious blood in their own body flowed;
Not the remembrance that their sires did share
The toils that made this England great and fair;
Not their resplendent pedigree, nor all
The line of haught fierce faces on the wall,
That tells the tale of their ancestral hall,
Have yet availed, in days like these, to hold
Men, thus seduced, from the coarse race for Gold.
Have we not seen the generous beast, whose sires
Once bore their fathers into battle's fires,
By titled gamblers' mercenary taste
His once stout loins to nimble flanks debased,
Made for curst gold to sweat through all his pores,
The panting pet of blacklegs, lords, and whores?
On such a course what dismal woes await,
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Let the world learn by young Lucullus' fate.
Whilst yet the bloom of boyhood matched his cheek,
And all his duty was to master Greek.
Make a long score, bound o'er the running brook,
Cleave the clear wave, Lucullus had a book.
No glorious volume was't, whose subtle page
The wisdom breathed of many a studious age.
No wealth of wit, no Learning's garnered sheaves
Lay, like a treasure, lurking in its leaves.
But, in their place, crabbed Calculation scrawled
Symbols which shocked and figures that appalled.
Not for sweet Fancy, nor the simple stake
Of generous sports, did he his tasks forsake.
Ere sentiment could move, or sense control,
Adventurous Greed had swallowed up his soul.
If Gold Acrisius' Tower of Brass could flout,
How will the playground shut the monster out?
Thus by his own base instincts first betrayed,
The race of harpies lend their shameful aid,
With evil eye his smiling lands behold,
And smooth his path to infamy with gold.
At length behold him grown to man's estate,
Rich, noble, noted, lord of his own fate.
Here Duty beckons, Honour there incites,
And Love entices to its saving rites.
He heeds them not; he joins the madding crowd,
King of the base, the vulgar, and the loud;
Builds his most precious friendships on a bet,
And through the gutter trails his coronet.
Vain fool! inflamed by flattery and conceit,
He marks no pitfalls yawning at his feet;
But, winning, deems the cunning snare his luck,
And losing, pays, to plume him on his pluck;
Accepts each challenge, doubles every stake,
While tipsy plaudits follow in his wake.
But what avails, if Fortune quits his side?
Curse on the jade, he cries, she always lied!
Well, now's an end! . . . A comrade plucks his gown:
An end as yet, man! cut the timber down.
The luck will turn; you lost for want of skill;
Come, play again-you'll win. . . . By G-, I will!
501
Done soon as said. The swift sure axe resounds
Through the green stretch of his ancestral grounds.
The soaring elm, whose topmost boughs defied
The scaling valour of his boyish pride;
The umbrageous beech, beneath whose courtly shade
The loves that issued in his life were made;
The lordly oak, young when his line was young,
To which with pride inherited had clung
His sires and they from whom his sires were sprung;
Behold them now, around the naked hall,
One after one in fell succession fall.
Lo, the wide woods which centuries had seen
By frosts unmoved, mid thunder-fugues serene,
By thousand suns, by tens of thousand showers,
Fostered and fed, one greedy day devours.
And all in vain! Lured by the severed spoil,
The foul fierce harpies fasten on the soil.
`My lands on luck.' We take you. Clear the course;
Twenty to one upon Lucullus' horse!
One minute more, and poor Lucullus flies,
The beggared heir of all the centuries.
Then scoffed, and scourged, and stripped of all his wealth,
His last friends leave him-energy and health.
Anxiety and fierce Excitement's flame
Have scorched his blood and shrivelled up his frame.
`Plum to a pony!' hear the cripple call;
`Ere six months pass, the grave will end it all.'
Lucky at last, he wins his bootless bet,
And dies of drink, debauchery, and debt.
Gone are the times indeed when savage Might
Usurped the throne and claimed the wage of Right.
No longer now the tiller of the soil
Sees his fair fields the lusty robber's spoil;
No timid burgher now grows rich by stealth,
Lest some rude noble swoop upon his wealth;
The quiet citizen no longer fears
A raid upon his money or his ears,
That local turmoil or imperial strife
Will wreck his home or leave him bare for life.
But say, is Force the only fearful foe,
502
Or the keen Sword worst source of human woe?
Wielding base weapons Violence disdained,
Cunning prevails where once Compulsion reigned.
The tyrant's lance, Oppression's piercing shaft,
Torment no more, but abdicate to Craft.
Could feudal despot swooping on his prey,
Could bandit burning for the unequal fray,
Could fire, sword, famine, spread more wreck abroad,
Than marks the path of Greed allied with Fraud;
Or waits on life, where no rude signs portend
When the dread bolt of Ruin will descend?
See the poor father, who for years has toiled,
At one fell stroke of all his store despoiled.
His was the pious wish, by daily care
And safe degrees to make his hearth more fair;
His the ambition-far too meek to roamTo swell the simple luxuries of home;
By loving thrift to deck his comely spouse
With some poor gem, the summit of her vows;
To instruct his boys in every generous art
Which trains the man to act a shining part;
By culture's aid to see his daughters armed
With each fair grace that in their mother charmed;
Year after year, as strength and vigour waned,
To find his fondest forecasts all attained;
And then, since faithful to the final stage,
Doff the hard harness from the back of age.
But watchful Greed with jealous eye beheld
Day after day his little earnings swelled;
Studied the tender workings of his mind,
Marked the fond aims to which his heart inclined;
With specious lips his trusting senses stole,
And with false visions fired his prudent soul.
Poor wretch! but yesterday in modest state
He lived, secure from every bolt of Fate.
To-day, he wanders feverish and depressed,
As though whole Andes weighed upon his breast.
To-morrow, back unto his home he crawls,
A beggared man, and at the threshold falls.
Now will no more his trustful wife behold
The gladsome face returning as of old,
503
And read in sparkling eye and smiling cheek
The day's good tidings e'en before he speak;
Never again in hastening footsteps guess
Some pretty love-gift, token of success.
Their blooming boys, for whom parental hope
So oft had cast the fairest horoscope,
And seen with fond anticipating eyes
Each proud successive civic honour rise,
Torn from their noble studies, have to crave
From base pursuits the pittance of a slave,
Pour the soul's wine into the body's sieve,
And grand life lose in mean attempts to live.
Perchance, at home their humble wants denied,
Gaunt Hunger drives them from their mother's side;
Leaves her to weep alone o'er what hath been,
And places ocean, pitiless, between.
The tender girls, their father's pride and joy,
Whose dreams a fiend had scrupled to destroy;
From childhood's earliest days whose only care
Was to be gracious, virtuous, and fair,
And who from Heaven could nothing else implore
Save to be all their mother was before;
Who pictured as their perfect scheme of life
A clinging daughter and a helpful wife,At one rude flash behold the world enlarge,
And stand, pale victims, trembling on the marge.
Little, alas, now boots it where they roam,
Since they must leave the tranquil shores of home.
Whether, poor slaves, they crawl with aching feet
Hour after hour from dreary street to street,
Or, as in mockery of home, alas!
Beneath the stranger's icy portal pass,
And thankless task and miserable wage
Their exiled cheerless energies engage,
Their youth, their life, is blasted at the core,
And Hope's sweet sap will mount their veins no more.
Should every door their humble prayers repel,
Scorning to buy what Hunger kneels to sell,
And they, half thankful that the strangers spurn,
To their own roof be driven to return,
How strange the scene that meets their wearied gaze!
How changed the hearth, the home, of other days!
504
Contracting Care usurps the mother's face,
Whose smiles of old spread sunshine through the place.
Alone she weeps; but should she chance to hear
Her husband's steps, she hides the furtive tear;
Follows his movements with an anxious dread,
Studies his brow, and scans his restless tread;
Assails his woe with every female wile,
Prattles of hope, and simulates a smile.
He, broken man, wrapt in perpetual gloom,
Wanders anon from vacant room to room;
Then, creeping back, the image of despair,
With a deep sigh he sinks into his chair.
He seldom speaks; and when his voice is heard,
Peevish its tone, and querulous his word;
And vain laments and childish tears attest
The lamp of life is dying in his breast.
Perhaps his death some timely pittance frees,
Secured by prudence in their days of ease;
And, O the pity! posthumous relief
Stanches love's wounds, and blunts the edge of grief.
Unless, indeed-for this too hath been knownAll-grasping Greed hath made that mite its own,
Filched from the widow her last hopes of bread,
And whom it ruined living, plunders dead!
These are thy triumphs, Gold! thy trophies these,
To nurture fraud, and rob the world of ease,
Faith to befool, young genius to seduce,
And blight at once its beauty and its use.
Thine is the bait, as loveless hearths avouch,
Which drags fresh victims to the venal couch;
Thine the foul traps wherewith our ways are rife,
That lure them first, then close upon their life;
Thine, thine the springes, set in regions fair,
Whose unseen nooses strangle whom they snare;
The cynic glory thine to lie in wait
To make men little who had else been great,
Frustrate our plenty, aggravate our dearth,
And keep eternal feud 'twixt Heaven and Earth!
Lo, where huge London, huger day by day,
505
O'er six fair counties spreads its hideous sway,
A tract there lies by Fortune's favours blest,
And at Fame's font yclept the happy West.
There, as by wizard touch, for miles on miles,
Rise squares, streets, crescents of palatial piles.
In the brave days when England's trusty voice
Made grappling rivals tremble or rejoice;
When, foremost shield of Weakness or of Right,
She scorned to warn unless resolved to smite;
When, few but firm, her stalwart children bore
The terror of her Flag from shore to shore,
Purged Christ's dear tomb from sacrilege and shame,
And made the Moslem quake at Richard's name;
Taught the vain Gaul, though gallant, still to kneel,
And Spain's proud sons the weight of northern steel;Then were her best in no such splendour nursed
As now awaits her basest and her worst.
No kingly Harry glittering with renown,
No Edward radiant in a peaceful crown,
Was housed as now, at turn of Fortune's wrist,
Some lucky navvy turned capitalist,
Some convict's bastard who a-sudden shines
In the bright splendour of Australian mines,
Or subtle Greek, who, skilled in Eastern ways,
Exposes all Golconda to our gaze.
These, as to Pomp's pretentious peaks they rush,
Heed not the crowds their sordid conquests crush:
Secure in glaring opulence, they scan
With placid eyes the miseries of man;
Fat units, watch the leanness of the whole,
And gag remonstrance with a paltry dole:
Mid harrowing want, with conscience unafraid,
Die on the golden dirt-heaps they have made.
Here Plenty gorges gifts from every zone,
There thankful Hunger gnaws its meagre bone;
Profusion here melts more than pearls in wine,
There craves gaunt Penury some shucks from swine;
And whilst rich rogues quaff deep round roaring fires,
At Dives' portal Lazarus expires!
Betwixt these fierce extremes of wealth and woe,
A crowd of strugglers hustles to and fro,
506
Whose one sole aim and only hope in life
Are just to wrench subsistence from the strife.
To what base shifts these hideous straits compel
The straining wretches, let our records tell.
Victims of greedy Competition's craft,
We drain cheap poison in each sparkling draught,
Purchase a lie in every vaunted ware,
And swallow filth in the most frugal fare.
Building a refuge for our age, we find
The crumbling mortar lets in wet and wind;
Face the rude waves, by science freed from awe,
To sink, poor dupes, on life-belts made of straw!
Nor this the worst! When ripened Shame would hide
Fruits of that hour when Passion conquered Pride,
There are not wanting in this Christian land
The breast remorseless and the Thuggish hand,
To advertise the dens where Death is sold,
And quench the breath of baby-life for gold!
Nor man alone, case-hardened man, surveys
These shocking contrasts with a careless gaze.
Fair melting woman of the tender breast
Here finds no room for pity as her guest.
Unsexed, she strains to Ostentation's goal,
While Splendour's dreams demoralise her soul;
Drains, like a goddess, hecatombs of lives,
Nor heeds who lags, provided she arrives.
See Claribel, by every gift designed
Mid anguish keen to be an angel kind,
Once plunged in rival factions' golden fight,
Turned to a demon in her own despite.
Behold, to-morrow in the Royal smile
Will bask the birth and wealth of all the Isle.
She, long abroad, received the summons late.
What's to be done? Nor time nor tide will wait.
She turns her wardrobe over, racks her brain;
Nothing will do. She wants a dress and train.
Drive to the modiste's. Not a finger free.
There's only Clara. Clara let it be.
But Clara's sick and sorry. Give her gold;
Her aches will cease, her sorrows be consoled.
507
It must be done. Sure Lilian there will glow
In gorgeous newness decked from top to toe;
Shall it be said that Claribel did less?
To-morrow, then, in time the train and dress.
So Clara drags her weary limbs from bed,
O'er the brave finery hangs her throbbing head;
Still as her senses swim sews on and on,
Till day dies out and twilight pale is gone.
Then, by the taper's soft and silent light,
Like a pale flower that opens most by night,
Her pace she quickens, and the needle moves
Subtler and swifter through the gauzy grooves;
But as the dawn on guttering sockets gains,
Her tired lids drop, and sleep arrests her pains.
But sleep how short! She feels her shoulder clutched:
`Clara, awake! the train's not even touched!
Day strides apace. See, there's the morning sun,
And ere again he sinks, 't must all be done.'
Again, again, the shooting thread she plies,
In silent agony of smothered sighs.
She seems to breathe her breath into the gown,
To give it life the while she lays hers down.
Fast as the task advances set by pride,
So fast within her ebbs the vital tide.
The daylight goes, and softly comes the moon's,
And then poor Clara over the last stitch swoons.
Meanwhile, the panting Claribel awaits
The precious gown within her golden gates.
It comes-it comes. Now who shall shine her down?
Not Lilian, surely? No, not the entire Town.
She not for worlds had lost this courtly chance;
And Clara dies that Claribel may dance!
If private worth, thus languishing, expires,
Will public Virtue keep alive her fires?
The slaves of wealth, in Britain as in Rome,
Bring to the Forum vices formed at home.
First the community, and then the State,
Falls to their fangs, which naught can satiate.
Not born nor bred to rule, of culture void,
508
And by no wave of young ambition buoyed,
Anxious on heights conspicuous to flaunt
Nought but the tawdry trophies they can vaunt,
They woo the grasping crowd with golden guile,
And spread Corruption's canker through the Isle.
You want a seat? Then boldly sate your itch.
Be very radical, and very rich.
Sell your opinions first to please the pure,
Then buy the sordid, and your triumph's sure.
Do all, in brief, that honest men abhor,
And England hails another Senator.
See the vain Tribune who, in lust of power,
Bows to the base exactions of the hour,
And, fooled by sycophants, stands forth at last
A devotee turned sworn iconoclast!
Behind him sit dense rows of golden mutes,
Deaf to whate'er demonstrates or refutes,
Ready to vote, rescind, obey in all
The whip demands, as hounds the huntsman's call.
They neither know nor reck what helpful deeds
In this grave hour their perilled Country needs.
They want to see their daughters nobly wed,
Their wives at Court, their own names trumpeted,
Their private Bills advanced another stage,
Their schemes of plunder foisted on the age.
Leave them but these, the gamblers come to call,
Nor heed an Empire nodding to its fall!
When Power is built on props like these, how vain
The hope that Law the giddy will restrain!
Spoilt by twin sops, servility and gold,
The headstrong crowd is then but ill controlled.
In vain they now would sway who lately served,
And Riot cows Authority unnerved.
Better that such base compromise should end,
And the dread bolt of Anarchy descend!
Goths of the gutter, Vandals of the slum,
Thieves and Reformers, come! Barbarians, come!
Before your might let rails and rules be hurled,
And sweep Civilisation from the world!
509
Nor now, alas, do Commoners alone
To private ends the public weal postpone.
Those too, whom worth ancestral plants on seats
High above where all vulgar Clamour beats,
With paltry fear to their clipped ermine cling,
And shrink from right, lest right should ruin bring.
The Peers stand firm; the Commons disagree.
The Peers be-well, it now is close on three.
By five, a world of reasons will be found.
Throw Jonas over, or the ship's aground.
You know the fury of the hand that steers;
And what were Britain with no House of Peers?
Would Primogeniture its fall survive,
Or even Property be kept alive?
Let Herbert fume, or frantic Cecil chafe,
Better a deal to choose the side that's safe;
Bow to the will of Finlen and his hordes,
And still thank Heavën for a House of Lords!
Thus may the British breast exult to think.
That noble names can sell ignoble ink;
That ill-got gains, if deftly spent, unlock
Birth's choicest circles to the ambitious smock;
That Dives foul mounts fine Aristo's stairs,
If but Aristo Dives' plunder shares;
And half Debrett urbanely flocks to White's,
To back the boor who saves them from the kites.
His son succeeds him. `Make the son a Peer.
Why not? His income's eighty thousand clear.
New blood is wanted. Here's the very stuff.
Besides, he wields the county vote.' Enough.
But hold! there's Cato. `Cato! are you sane?
Why, Cato's means but one small hearth sustain.
Ennoble Cato, you'll have Peers for life,
Or else forbid the man to take a wife.
He can't maintain the necessary state,
And would you have a poor name legislate?
No, Dives' son's the very man we need.
What says the Crown?' The Crown! Of course, Agreed.
And the young fool, enriched by parent knaves,
From Ruin's jaws our Constitution saves!
Is there no path of honour for the great,
510
No sound and clean salvation for the State?
Must we for ever fly to shifts like this,
And trust to Gold to save us from the abyss?
Must honours old by new-got wealth be vamped,
And Valour's stock by plutocrats be swamped?
Back to your lands, base sons of splendid sires!
From spendthrift squares back to your native shires!
Back, back from Baden, and leave Homburg's shades
To dazzling Jews and mercenary jades.
Leave London's round of vulgar joys to those
Who seek in such from base pursuits repose.
Cease to contend with upstart Wealth's parade,
To wring your lands to vie with tricks of trade;
And, proudly spurning Glitter's transient lies,
At least be honest, if you can't be wise!
Worship your household gods, and spend at home
The solid earnings of the generous loam.
Delve, fence, and drain; the dripping waste reclaim;
With spreading woodlands multiply your fame.
Yours let it be to screen the reverent hind,
Who loves your presence, 'gainst the frost and wind;
Scorning to count the profit, raise his lot;
Lure the shy Graces to his lowly cot;
Be, one and all, acknowledged, far and wide,
Patriarchs and patterns of the country side.
And whether demagogues shall rise or fall,
A Cleon mount, or Boänerges bawl,
True to yourselves and native duty, thus
Save this poor England by being virtuous!
And you, Sir, hope of this once famous isle,
Round whom its halo plays, its favours smile,
Hark to the Muse, which, poised on Candour's wings,
Flouts the base crowd, but scorns to flatter kings.
Hark, while she tells you, nor her counsel spurn,
From giddy Pleasure's gilded toys to turn;
That not from minions opulent or coarse
Do Princes gain their lustre and their force;
That Reverence anchors not in deep carouse,
And that a Crown fits only kingly brows!
Fired by each bright example, shun the shade,
Where Scandal best can ply her noxious trade.
511
Learn from your pious Father how to share
With hands, too lonely now, a Kingdom's care.
Be by your fair loved Consort's pattern moved,
And like your virtuous Mother, stand approved;
Do for this England all the Sceptre can,
And be at least a stainless gentleman.
Be this too much, you well may live to find
That firmest Thrones can fail the weak and blind,
And, though no Samson, sharing half his fate,
Pull down the pillars of a mighty State!
Whilst our domestic fortunes thus obey
All-searching Gold's demoralising sway,
We hug the limits of our puny shore,
And Glory knows our once great name no more.
First are we still in every bloodless fray,
Where piles of gold adventurous prows repay;
But when flushed Honour sets the world on fire,
We furl our sails and to our coasts retire;
And, basely calm whilst outraged nations bleed,
Invent new doctrines to excuse our greed.
When gallant Denmark, now the spoiler's prey,
Flashed her bright blade, and faced the unequal fray,
And, all abandoned both by men and gods,
Fell, faint with wounds, before accursèd odds,Where, where was England's vindicating sword,
Her promised arm, to stay the invading horde;
Bid the rude German drop his half-clutched spoil,
And scare the robber from ancestral soil?
The fair young Dane, beloved by every Grace,
And all the Virtues shining in her face,
Who, more an angel than a princess deemed,
Withal was even sweeter than she seemed,
With noisy throats we summoned o'er the foam,
And with cheap cheers escorted to her home.
But when with streaming eye and throbbing breast
She, pious child, her loving fears confessed,
And, leagued with Honour's voice and Valour's ire,
Prayed us to save her country and her sire,
We turned away, and opulently cold,
Put back our swords of steel in sheaths of gold!
512
And yet what sandy base doth Gold afford,
Though crowned by Law, and fenced round by the Sword,
Learn from that Empire which, a scorn for aye,
Grew in a night and perished in a day!
Helped by a magic name and doubtful hour,
See the Adventurer scale the steeps of Power.
Upon him groups of desperate gamesters wait,
To snatch their profit from a sinking State.
Folly, and Fate which Folly still attends,
Conspire to shape and expedite their ends.
The Hour, the Man are here! No pulse? No breath?
Wake, Freedom, wake! In vain! She sleeps like Death.
The impious hands, emboldened by her swoon,
Choke in the night, and slay her in the noon!
Then, when vain crowds with dilatory glaive
Rush to avenge the life they would not save,
The prompt conspirators with lavish hand
Fling their last pieces to a pampered band,
Bribe cut-throat blades Vengeance' choked ways to hold,
And bar the avenues of rage with gold!
Then mark how soon, amid triumphant hymns,
The Imperial purple girds the blood-stained limbs.
The perjured hands a golden sceptre gain,
A crown of gold screens the seared brow of Cain,
And golden eagles, erst of simpler ore,
Assert the Caesar, and his rod restore.
See round his throne Pomp's servile tributes swell,
Not Nero knew, e'er Rome to ruin fell,
Far from his feet the lust of glitter spread,
And the vain herd on Splendour's follies fed!
Nor they alone, the shallow, base, and gay,
Bend to this Idol with the feet of clay:
Statesmen and soldiers kneel with flattering suit,
Kings are his guests, e'en queens his cheeks salute;
Senates extol him, supple priests caress,
And even thou, O Pius, stoop'st to bless!
And the World's verdict, ever blind as base,
Welcomes the `Second Saviour' of the race!
And yet how weak this Empire girt with gold
Did prove to save when Battle's torrents rolled,
513
Have we not seen in ruin, rout, and shame,
Burnt deep in Gaul's for ever broken fame?
What then availed her courts of pomp and pride,
What her bright camps with glittering shows allied?
What, in that hour, the luxury which passed
To soldiers' lips the sybarite repast?
Did all her gold suffice, when steel withstood
Her stride, to make her rash, vain challenge good?
Behold her Chief, in comfort longwhile slung,
By War's rough couch and random fare unstrung
His vaunted Leaders, who to Power had mown
Their path with swords that propped a venal Throne,
Brandishing rival blades, his brain confound,
While still, but sure, the solid foe press round.
See her soft sons, whom arms enervate lead,
Spurn the long marches which to victory speed,
And, fondly deeming Science served by Wealth
Will snatch the fight at distance and by stealth,
Smitten with fear at Valour's downright face,
And taught swift limbs in Flight's ignoble chase!
See one, see all, before the Victor fleet,
Then lay their swords, submissive, at his feet!
O hapless France! e'en then insurgent ire
Had your soiled scutcheon lifted from the mire,
Placed the bright helm on Honour's front once more,
And laurels reaped more lasting than of yore,
Had not rich ease your manhood's marrow stole,
And gold emollient softened all your soul.
O, what a sight-a sight these eyes beheldHer fair green woods by the invader felled;
Her fields and vineyards by the Teuton trod,
Those she once smote encamped upon her sod;
Her homes, in dread, abandoned to the foe,
Or saved from rapine by obsequience low;
Her cities ransomed, provinces o'erawed,
Her iron strongholds wrenched by force or fraud;
Her once proud Paris grovelling in the dust,
And-crowning irony, if lesson justThe grasping victor, loth to quit his hold,
Coaxed slowly homewards o'er a bridge of gold!
514
Is there no warning, England, here, for thee?
Or are Heaven's laws balked by a strip of sea?
Are thy foundations, Albion, so approved,
Thou canst behold such downfall all unmoved?
Have we not marked how this Briarean Gold
Doth all our life and energies enfold?
And as our practice, so our doctrines tooWe shape new ethics for our vices new;
Our sires forswear, our splendid Past defame,
And in high places glory in our shame!
Hear our loud-tinkling Tribunes all declare
Once lavish England hath no blood to spare,
No gold to spend; within her watery wall
She needs to roll and wallow in it all.
Doth towering Might some poor faint Cause oppress,
They bid her turn, impartial, from distress;
Indulge her tears, but hide her ire from sight,
Lest a like doom her angry front invite.
And when this craven caution fails to save
Her peaceful fortunes from the braggart glaive,
They bid her still be moral and be meek,
Hug tight her gold, and turn the other cheek.
Her very sons, sprung from her mighty loins,
We aliens make, to save some paltry coins;
With our own hands destroy our Empire old,
And stutter, `All is lost, except our gold!'
With languid limbs, by comfortable fire,
We see our glories, one by one, expire;
A Nelson's flag, a Churchill's flashing blade,
Debased to menials of rapacious Trade;
Lost by a Cardwell what a Wellesley won,
And by a Gladstone Chatham's world undone!
Pale, gibbering spectres fumbling at the helm,
Whilst dark winds howl, and billowy seas o'erwhelm.
Yet deem you, England, that you thus will save,
Even your wealth from rapine or the grave?
Will your one chain of safety always hold,
Or `silver streak' for ever guard your gold?
If through long slumbrous years the ignoble rust
Of selfish ease your erst bright steel encrust,
When Storm impends, you vainly will implore
The Gods of Ocean to protect your shore.
515
Bribed by the foe, behold Britannia stand
At Freedom's portals with a traitress hand,
Help the Barbarian to its sacred hold,
Then, like Tarpeia, sink oppressed with Gold!
Perish the thought! O, rather let me see
Conspiring myriads bristling on the sea,
Our tranquil coasts bewildered by alarms,
And Britain, singly, face a World in arms!
What if a treacherous Heaven befriend our foes?
Let us go down in glory, as we rose!
And if that doom-the best that could betideBe to our Fame by envious Fate denied,
Then come, primeval clouds and seasons frore,
And wrap in gloom our luckless land once more!
Come, every wind of Heaven that rudely blows,
Plunge back our Isle in never-ending snows!
Rage, Eurus, rage! fierce Boreas, descend!
With glacial mists lost Albion befriend!
E'en of its name be every trace destroyed,
And Dark sit brooding o'er the formless Void!
~ Alfred Austin,
1361:MANTIS EIM ESQLWN AGWNWN
--Oedip. Colon.

TO HIS EXCELLENCY PRINCE ALEXANDER MAVROCORDATO LATE SECRETARY FOR FOREIGN AFFAIRS TO THE HOSPODAR OF WALLACHIA THE DRAMA OF HELLAS IS INSCRIBED AS AN IMPERFECT TOKEN OF THE ADMIRATION, SYMPATHY, AND FRIENDSHIP OF THE AUTHOR.

PROLOGUE TO HELLAS
Herald of Eternity.
It is the day when all the sons of God
Wait in the roofless senate-house, whose floor
Is Chaos, and the immovable abyss
Frozen by His steadfast word to hyaline...
The shadow of God, and delegate
Of that before whose breath the universe
Is as a print of dew.

           Hierarchs and kings
Who from your thrones pinnacled on the past
Sway the reluctant present, ye who sit
Pavilioned on the radiance or the gloom
Of mortal thought, which like an exhalation
Steaming from earth, conceals the...of heaven
Which gave it birth,...assemble here
Before your Father's throne; the swift decree
Yet hovers, and the fiery incarnation
Is yet withheld, clothd in which it shall
...annul
The fairest of those wandering isles that gem
The sapphire space of interstellar air,
That green and azure sphere, that earth enwrapped
Less in the beauty of its tender light
Than in an atmosphere of living spirit
Which interpenetrating all the...
...it rolls from realm to realm
And age to age, and in its ebb and flow
Impels the generations
To their appointed place,
Whilst the high Arbiter
Beholds the strife, and at the appointed time
Sends His decrees veiled in eternal...

Within the circuit of this pendent orb
There lies an antique region, on which fell
The dews of thought in the world's golden dawn
Earliest and most benign, and from it sprung
Temples and cities and immortal forms
And harmonies of wisdom and of song,
And thoughts, and deeds worthy of thoughts so fair.
And when the sun of its dominion failed,
And when the winter of its glory came,
The winds that stripped it bare blew on and swept
That dew into the utmost wildernesses
In wandering clouds of sunny rain that thawed
The unmaternal bosom of the North.
Haste, sons of God,...for ye beheld,
Reluctant, or consenting, or astonished,
The stern decrees go forth, which heaped on Greece
Ruin and degradation and despair.
A fourth now waits: assemble, sons of God,
To speed or to prevent or to suspend,
If, as ye dream, such power be not withheld,
The unaccomplished destiny...

Chorus.

The curtain of the Universe
Is rent and shattered,
The splendour-wingd worlds disperse
Like wild doves scattered.

  Space is roofless and bare,
And in the midst a cloudy shrine,
Dark amid thrones of light.
In the blue glow of hyaline
Golden worlds revolve and shine.
In...flight
From every point of the Infinite,
Like a thousand dawns on a single night
The splendours rise and spread;
And through thunder and darkness dread
Light and music are radiated,
And in their pavilioned chariots led
By living wings high overhead
The giant Powers move,
Gloomy or bright as the thrones they fill...
A chaos of light and motion
Upon that glassy ocean...
The senate of the Gods is met,
Each in his rank and station set;
  There is silence in the spaces
Lo! Satan, Christ, and Mahomet
Start from their places!

Christ.

             Almighty Father!
Low-kneeling at the feet of Destiny. . .
There are two fountains in which spirits weep
When mortals err, Discord and Slavery named,
And with their bitter dew two Destinies
Filled each their irrevocable urns; the third,
Fiercest and mightiest, mingled both, and added
Chaos and Death, and slow Oblivion's lymph,
And hate and terror, and the poisoned rain. . .
The Aurora of the nations. By this brow
Whose pores wept tears of blood, by these wide wounds,
By this imperial crown of agony,
By infamy and solitude and death,
For this I underwent, and by the pain
Of pity for those who would...for me
The unremembered joy of a revenge,
For this I feltby Plato's sacred light,
Of which my spirit was a burning morrow
By Greece and all she cannot cease to be,
Her quenchless words, sparks of immortal truth,
Stars of all nighther harmonies and forms,
Echoes and shadows of what Love adores
In thee, I do compel thee, send forth Fate,
Thy irrevocable child: let her descend,
A seraph-wingd Victory [arrayed]
In tempest of the omnipotence of God
Which sweeps through all things.

From hollow leagues, from Tyranny which arms
Adverse miscreeds and emulous anarchies
To stamp, as on a wingd serpent's seed,
Upon the name of Freedom; from the storm
Of faction, which like earthquake shakes and sickens
The solid heart of enterprise; from all
By which the holiest dreams of highest spirits
Are stars beneath the dawn...

                 She shall arise
Victorious as the world arose from Chaos!
And as the Heavens and the Earth arrayed
Their presence in the beauty and the light
Of Thy first smile, O Father,as they gather
The spirit of Thy love which paves for them
Their path o'er the abyss, till every sphere
Shall be one living Spirit,-- so shall Greece--

Satan.
Be as all things beneath the empyrean,
Mine! Art thou eyeless like old Destiny,
Thou mockery-king, crowned with a wreath of thorns?
Whose sceptre is a reed, the broken reed
Which pierces thee! whose throne a chair of scorn;
For seest thou not beneath this crystal floor
The innumerable worlds of golden light
Which are my empire, and the least of them
...which thou wouldst redeem from me?
Know'st thou not them my portion?
Or wouldst rekindle the...strife
Which our great Father then did arbitrate
Which he assigned to his competing sons
Each his apportioned realm?

               Thou Destiny,
Thou who art mailed in the omnipotence
Of Him who sends thee forth, whate'er thy task,
Speed, spare not to accomplish, and be mine
Thy trophies, whether Greece again become
The fountain in the desert whence the earth
Shall drink of freedom, which shall give it strength
To suffer, or a gulf of hollow death
To swallow all delight, all life, all hope.
Go, thou Vicegerent of my will, no less
Than of the Father's; but lest thou shouldst faint,
The wingd hounds, Famine and Pestilence,
Shall wait on thee, the hundred-forkd snake
Insatiate Superstition still shall...
The earth behind thy steps, and War shall hover
Above, and Fraud shall gape below, and Change
Shall flit before thee on her dragon wings,
Convulsing and consuming, and I add
Three vials of the tears which daemons weep
When virtuous spirits through the gate of Death
Pass triumphing over the thorns of life,
Sceptres and crowns, mitres and swords and snares,
Trampling in scorn, like Him and Socrates.
The first is Anarchy; when Power and Pleasure,
Glory and science and security,
On Freedom hang like fruit on the green tree,
Then pour it forth, and men shall gather ashes.
The second Tyranny--

Christ.
           Obdurate spirit!
Thou seest but the Past in the To-come.
Pride is thy error and thy punishment.
Boast not thine empire, dream not that thy worlds
Are more than furnace-sparks or rainbow-drops
Before the Power that wields and kindles them.
True greatness asks not space, true excellence
Lives in the Spirit of all things that live,
Which lends it to the worlds thou callest thine...

Mahomet.
Haste thou and fill the waning crescent
With beams as keen as those which pierced the shadow
Of Christian night rolled back upon the West,
When the orient moon of Islam rode in triumph
From Tmolus to the Acroceraunian snow...
                       Wake, thou Word
Of God, and from the throne of Destiny
Even to the utmost limit of thy way
May Triumph...........
Be thou a curse on them whose creed
Divides and multiplies the most high God.

HELLAS

DRAMATIS PERSONAE
Mahmud.
Hassan.
Daood.
Ahasuerus, a Jew.
Chorus of Greek Captive Women.
The Phantom of Mahomet II.
Messengers, Slaves, and Attendants.

Scene, Constantinople. Time, Sunset.

Scene--A Terrace on the Seraglio. Mahmud sleeping, an Indian Slave sitting beside his Couch.
Chorus of Greek Captive Women.
We strew these opiate flowers
  On thy restless pillow,
They were stripped from Orient bowers,
  By the Indian billow.
   Be thy sleep
   Calm and deep,
Like theirs who fellnot ours who weep!
Indian.
Away, unlovely dreams!
  Away, false shapes of sleep!
Be his, as Heaven seems,
  Clear, and bright, and deep!
Soft as love, and calm as death,
Sweet as a summer night without a breath.
Chorus.
Sleep, sleep! our song is laden
  With the soul of slumber;
It was sung by a Samian maiden,
  Whose lover was of the number
   Who now keep
   That calm sleep
Whence none may wake, where none shall weep.
Indian.
I touch thy temples pale!
  I breathe my soul on thee!
And could my prayers avail,
  All my joy should be
Dead, and I would live to weep,
So thou mightst win one hour of quiet sleep.
Chorus.
  Breathe low, low
The spell of the mighty mistress now!
When Conscience lulls her sated snake,
And Tyrants sleep, let Freedom wake.
  Breathe lowlow
The words which, like secret fire, shall flow
Through the veins of the frozen earthlow, low!
Semichorus I.
Life may change, but it may fly not;
Hope may vanish, but can die not;
Truth be veiled, but still it burneth;
Love repulsed,but it returneth!
Semichorus II.
Yet were life a charnel where
Hope lay coffined with Despair;
Yet were truth a sacred lie,
Love were lust
Semichorus I.
         If Liberty
Lent not life its soul of light,
Hope its iris of delight,
Truth its prophet's robe to wear,
Love its power to give and bear.
Chorus.
In the great morning of the world,
The Spirit of God with might unfurled
The flag of Freedom over Chaos,
And all its banded anarchs fled,
Like vultures frighted from Imaus,
Before an earthquake's tread.
So from Time's tempestuous dawn
Freedom's splendour burst and shone:
Thermopylae and Marathon
Caught, like mountains beacon-lighted,
The springing Fire.The wingd glory
On Philippi half-alighted,
Like an eagle on a promontory.
Its unwearied wings could fan
The quenchless ashes of Milan.[1]
From age to age, from man to man,
It lived; and lit from land to land
Florence, Albion, Switzerland.
Then night fell; and, as from night,
Reassuming fiery flight,
From the West swift Freedom came,
Against the course of Heaven and doom,
A second sun arrayed in flame,
To burn, to kindle, to illume.
From far Atlantis its young beams
Chased the shadows and the dreams.
France, with all her sanguine steams,
Hid, but quenched it not; again
Through clouds its shafts of glory rain
From utmost Germany to Spain.
As an eagle fed with morning
Scorns the embattled tempest's warning,
When she seeks her aerie hanging
In the mountain-cedar's hair,
And her brood expect the clanging
Of her wings through the wild air,
Sick with famine:Freedom, so
To what of Greece remaineth now
Returns; her hoary ruins glow
Like Orient mountains lost in day;
Beneath the safety of her wings
Her renovated nurslings prey,
And in the naked lightenings
Of truth they purge their dazzled eyes.
Let Freedom leavewhere'er she flies,
A Desert, or a Paradise:
Let the beautiful and the brave
Share her glory, or a grave.
Semichorus I.
With the gifts of gladness
Greece did thy cradle strew;
Semichorus II.
With the tears of sadness
Greece did thy shroud bedew!
Semichorus I.
With an orphan's affection
She followed thy bier through Time;
Semichorus II.
And at thy resurrection
Reappeareth, like thou, sublime!
Semichorus I.
If Heaven should resume thee,
To Heaven shall her spirit ascend;
Semichorus II.
If Hell should entomb thee,
To Hell shall her high hearts bend.
Semichorus I.
If Annihilation
Semichorus II.
Dust let her glories be!
And a name and a nation
Be forgotten, Freedom, with thee!
Indian.
His brow grows darkerbreathe notmove not!
He startshe shuddersye that love not,
With your panting loud and fast,
Have awakened him at last.
Mahmud
(starting from his sleep).
Man the Seraglio-guard! make fast the gate!
What! from a cannonade of three short hours?
'Tis false! that breach towards the Bosphorus
Cannot be practicable yetwho stirs?
Stand to the match; that when the foe prevails
One spark may mix in reconciling ruin
The conqueror and the conquered! Heave the tower
Into the gapwrench off the roof!
(Enter Hassan.)
                  Ha! what!
The truth of day lightens upon my dream
And I am Mahmud still.
Hassan.
            Your Sublime Highness
Is strangely moved.
Mahmud.
          The times do cast strange shadows
On those who watch and who must rule their course,
Lest they, being first in peril as in glory,
Be whelmed in the fierce ebb:and these are of them.
Thrice has a gloomy vision hunted me
As thus from sleep into the troubled day;
It shakes me as the tempest shakes the sea,
Leaving no figure upon memory's glass.
Would thatno matter. Thou didst say thou knewest
A Jew, whose spirit is a chronicle
Of strange and secret and forgotten things.
I bade thee summon him:'tis said his tribe
Dream, and are wise interpreters of dreams.
Hassan.
The Jew of whom I spake is old,so old
He seems to have outlived a world's decay;
The hoary mountains and the wrinkled ocean
Seem younger still than he;his hair and beard
Are whiter than the tempest-sifted snow;
His cold pale limbs and pulseless arteries
Are like the fibres of a cloud instinct
With light, and to the soul that quickens them
Are as the atoms of the mountain-drift
To the winter wind:but from his eye looks forth
A life of unconsumd thought which pierces
The Present, and the Past, and the To-come.
Some say that this is he whom the great prophet
Jesus, the son of Joseph, for his mockery,
Mocked with the curse of immortality.
Some feign that he is Enoch: others dream
He was pre-adamite and has survived
Cycles of generation and of ruin.
The sage, in truth, by dreadful abstinence
And conquering penance of the mutinous flesh,
Deep contemplation, and unwearied study,
In years outstretched beyond the date of man,
May have attained to sovereignty and science
Over those strong and secret things and thoughts
Which others fear and know not.
Mahmud.
                 I would talk
With this old Jew.
Hassan.
          Thy will is even now
Made known to him, where he dwells in a sea-cavern
'Mid the Demonesi, less accessible
Than thou or God! He who would question him
Must sail alone at sunset, where the stream
Of Ocean sleeps around those foamless isles,
When the young moon is westering as now,
And evening airs wander upon the wave;
And when the pines of that bee-pasturing isle,
Green Erebinthus, quench the fiery shadow
Of his gilt prow within the sapphire water,
Then must the lonely helmsman cry aloud
'Ahasuerus!' and the caverns round
Will answer 'Ahasuerus!' If his prayer
Be granted, a faint meteor will arise
Lighting him over Marmora, and a wind
Will rush out of the sighing pine-forest,
And with the wind a storm of harmony
Unutterably sweet, and pilot him
Through the soft twilight to the Bosphorus:
Thence at the hour and place and circumstance
Fit for the matter of their conference
The Jew appears. Few dare, and few who dare
Win the desired communionbut that shout
Bodes
[A shout within.
Mahmud.
    Evil, doubtless; like all human sounds.
Let me converse with spirits.
Hassan.
                That shout again.
                Mahmud.
This Jew whom thou hast summoned
Hassan.
                  Will be here
                  Mahmud.
When the omnipotent hour to which are yoked
He, I, and all things shall compelenough!
Silence those mutineersthat drunken crew,
That crowd about the pilot in the storm.
Ay! strike the foremost shorter by a head!
They weary me, and I have need of rest.
Kings are like starsthey rise and set, they have
The worship of the world, but no repose.
[Exeunt severally.
Chorus[2].
Worlds on worlds are rolling ever
From creation to decay,
Like the bubbles on a river
Sparkling, bursting, borne away.
  But they are still immortal
  Who, through birth's orient portal
And death's dark chasm hurrying to and fro,
  Clothe their unceasing flight
  In the brief dust and light
Gathered around their chariots as they go;
  New shapes they still may weave,
  New gods, new laws receive,
Bright or dim are they as the robes they last
  On Death's bare ribs had cast.
   A power from the unknown God,
  A Promethean conqueror, came;
Like a triumphal path he trod
  The thorns of death and shame.
  A mortal shape to him
  Was like the vapour dim
Which the orient planet animates with light;
  Hell, Sin, and Slavery came,
  Like bloodhounds mild and tame,
Nor preyed, until their Lord had taken flight;
  The moon of Mahomet
  Arose, and it shall set:
While blazoned as on Heaven's immortal noon
The cross leads generations on.
  Swift as the radiant shapes of sleep
  From one whose dreams are Paradise
Fly, when the fond wretch wakes to weep,
  And Day peers forth with her blank eyes;
  So fleet, so faint, so fair,
  The Powers of earth and air
Fled from the folding-star of Bethlehem:
  Apollo, Pan, and Love,
  And even Olympian Jove
Grew weak, for killing Truth had glared on them;
  Our hills and seas and streams,
  Dispeopled of their dreams,
Their watrs turned to blood, their dew to tears,
  Wailed for the golden years.
  Enter Mahmud, Hassan, Daood, and others.
Mahmud.
More gold? our ancestors bought gold with victory,
And shall I sell it for defeat?
Daood.
                 The Janizars
Clamour for pay.
Mahmud.
         Go! bid them pay themselves
With Christian blood! Are there no Grecian virgins
Whose shrieks and spasms and tears they may enjoy?
No infidel children to impale on spears?
No hoary priests after that Patriarch[3]
Who bent the curse against his country's heart,
Which clove his own at last? Go! bid them kill,
Blood is the seed of gold.
Daood.
              It has been sown,
And yet the harvest to the sicklemen
Is as a grain to each.
Mahmud.
            Then, take this signet,
Unlock the seventh chamber in which lie
The treasures of victorious Solyman,
An empire's spoil stored for a day of ruin.
O spirit of my sires! is it not come?
The prey-birds and the wolves are gorged and sleep;
But these, who spread their feast on the red earth,
Hunger for gold, which fills not.See them fed;
Then, lead them to the rivers of fresh death. [Exit Daood.

O miserable dawn, after a night
More glorious than the day which it usurped!
O faith in God! O power on earth! O word
Of the great prophet, whose o'ershadowing wings
Darkened the thrones and idols of the West,
Now bright!For thy sake cursd be the hour,
Even as a father by an evil child,
When the orient moon of Islam rolled in triumph
From Caucasus to White Ceraunia!
Ruin above, and anarchy below;
Terror without, and treachery within;
The Chalice of destruction full, and all
Thirsting to drink; and who among us dares
To dash it from his lips? and where is Hope?
Hassan.
The lamp of our dominion still rides high;
One God is GodMahomet is His prophet.
Four hundred thousand Moslems, from the limits
Of utmost Asia, irresistibly
Throng, like full clouds at the Sirocco's cry;
But not like them to weep their strength in tears:
They bear destroying lightning, and their step
Wakes earthquake to consume and overwhelm,
And reign in ruin. Phrygian Olympus,
Tmolus, and Latmos, and Mycale, roughen
With horrent arms; and lofty ships even now,
Like vapours anchored to a mountain's edge,
Freighted with fire and whirlwind, wait at Scala
The convoy of the ever-veering wind.
Samos is drunk with blood;the Greek has paid
Brief victory with swift loss and long despair.
The false Moldavian serfs fled fast and far,
When the fierce shout of 'Allah-illa-Allah!'
Rose like the war-cry of the northern wind
Which kills the sluggish clouds, and leaves a flock
Of wild swans struggling with the naked storm.
So were the lost Greeks on the Danube's day!
If night is mute, yet the returning sun
Kindles the voices of the morning birds;
Nor at thy bidding less exultingly
Than birds rejoicing in the golden day,
The Anarchies of Africa unleash
Their tempest-wingd cities of the sea,
To speak in thunder to the rebel world.
Like sulphurous clouds, half-shattered by the storm,
They sweep the pale Aegean, while the Queen
Of Ocean, bound upon her island-throne,
Far in the West, sits mourning that her sons
Who frown on Freedom spare a smile for thee:
Russia still hovers, as an eagle might
Within a cloud, near which a kite and crane
Hang tangled in inextricable fight,
To stoop upon the victor;for she fears
The name of Freedom, even as she hates thine.
But recreant Austria loves thee as the Grave
Loves Pestilence, and her slow dogs of war
Fleshed with the chase, come up from Italy,
And howl upon their limits; for they see
The panther, Freedom, fled to her old cover,
Amid seas and mountains, and a mightier brood
Crouch round. What Anarch wears a crown or mitre,
Or bears the sword, or grasps the key of gold,
Whose friends are not thy friends, whose foes thy foes?
Our arsenals and our armouries are full;
Our forts defy assault; ten thousand cannon
Lie ranged upon the beach, and hour by hour
Their earth-convulsing wheels affright the city;
The galloping of fiery steeds makes pale
The Christian merchant; and the yellow Jew
Hides his hoard deeper in the faithless earth.
Like clouds, and like the shadows of the clouds,
Over the hills of Anatolia,
Swift in wide troops the Tartar chivalry
Sweep;the far flashing of their starry lances
Reverberates the dying light of day.
We have one God, one King, one Hope, one Law;
But many-headed Insurrection stands
Divided in itself, and soon must fall.
Mahmud.
Proud words, when deeds come short, are seasonable:
Look, Hassan, on yon crescent moon, emblazoned
Upon that shattered flag of fiery cloud
Which leads the rear of the departing day;
Wan emblem of an empire fading now!
See how it trembles in the blood-red air,
And like a mighty lamp whose oil is spent
Shrinks on the horizon's edge, while, from above,
One star with insolent and victorious light
Hovers above its fall, and with keen beams,
Like arrows through a fainting antelope,
Strikes its weak from to death.
Hassan.
                 Even as that moon
Renews itself
Mahmud.
        Shall we be not renewed!
Far other bark than ours were needed now
To stem the torrent of descending time:
The Spirit that lifts the slave before his lord
Stalks through the capitals of armd kings,
And spreads his ensign in the wilderness:
Exults in chains; and, when the rebel falls,
Cries like the blood of Abel from the dust;
And the inheritors of the earth, like beasts
When earthquake is unleashed, with idiot fear
Cower in their kingly densas I do now.
What were Defeat when Victory must appal?
Or Danger, when Security looks pale?
How said the messengerwho, from the fort
Islanded in the Danube, saw the battle
Of Bucharest?that
Hassan.
           Ibrahim's scimitar
Drew with its gleam swift victory from Heaven,
To burn before him in the night of battle
A light and a destruction.
Mahmud.
              Ay! the day
Was ours: but how?
Hassan.
           The light Wallachians,
The Arnaut, Servian, and Albanian allies
Fled from the glance of our artillery
Almost before the thunderstone alit.
One half the Grecian army made a bridge
Of safe and slow retreat, with Moslem dead;
The other
Mahmud.
      Speaktremble not.
      Hassan.
                 Islanded
By victor myriads, formed in hollow square
With rough and steadfast front, and thrice flung back
The deluge of our foaming cavalry;
Thrice their keen wedge of battle pierced our lines.
Our baffled army trembled like one man
Before a host, and gave them space; but soon,
From the surrounding hills, the batteries blazed,
Kneading them down with fire and iron rain:
Yet none approached; till, like a field of corn
Under the hook of the swart sickleman,
The band, intrenched in mounds of Turkish dead,
Grew weak and few.Then said the Pacha, 'Slaves,
Render yourselvesthey have abandoned you
What hope of refuge, or retreat, or aid?
We grant your lives.' 'Grant that which is thine own!'
Cried one, and fell upon his sword and died!
Another'God, and man, and hope abandon me;
But I to them, and to myself, remain
Constant:'he bowed his head, and his heart burst.
A third exclaimed, 'There is a refuge, tyrant,
Where thou darest not pursue, and canst not harm
Shouldst thou pursue; there we shall meet again.'
Then held his breath, and, after a brief spasm,
The indignant spirit cast its mortal garment
Among the slaindead earth upon the earth!
So these survivors, each by different ways,
Some strange, all sudden, none dishonourable,
Met in triumphant death; and when our army
Closed in, while yet wonder, and awe, and shame
Held back the base hyaenas of the battle
That feed upon the dead and fly the living,
One rose out of the chaos of the slain:
And if it were a corpse which some dread spirit
Of the old saviours of the land we rule
Had lifted in its anger, wandering by;
Or if there burned within the dying man
Unquenchable disdain of death, and faith
Creating what it feigned;I cannot tell
But he cried, 'Phantoms of the free, we come!
Armies of the Eternal, ye who strike
To dust the citadels of sanguine kings,
And shake the souls throned on their stony hearts,
And thaw their frostwork diadems like dew;
O ye who float around this clime, and weave
The garment of the glory which it wears,
Whose fame, though earth betray the dust it clasped,
Lies sepulchred in monumental thought;
Progenitors of all that yet is great,
Ascribe to your bright senate, O accept
In your high ministrations, us, your sons
Us first, and the more glorious yet to come!
And ye, weak conquerors! giants who look pale
When the crushed worm rebels beneath your tread,
The vultures and the dogs, your pensioners tame,
Are overgorged; but, like oppressors, still
They crave the relic of Destruction's feast.
The exhalations and the thirsty winds
Are sick with blood; the dew is foul with death;
Heaven's light is quenched in slaughter: thus, where'er
Upon your camps, cities, or towers, or fleets,
The obscene birds the reeking remnants cast
Of these dead limbs,upon your streams and mountains,
Upon your fields, your gardens, and your housetops,
Where'er the winds shall creep, or the clouds fly,
Or the dews fall, or the angry sun look down
With poisoned lightFamine, and Pestilence,
And Panic, shall wage war upon our side!
Nature from all her boundaries is moved
Against ye: Time has found ye light as foam.
The Earth rebels; and Good and Evil stake
Their empire o'er the unborn world of men
On this one cast;but ere the die be thrown,
The renovated genius of our race,
Proud umpire of the impious game, descends,
A seraph-wingd Victory, bestriding
The tempest of the Omnipotence of God,
Which sweeps all things to their appointed doom,
And you to oblivion!'More he would have said,
But
Mahmud.
   Diedas thou shouldst ere thy lips had painted
Their ruin in the hues of our success.
A rebel's crime, gilt with a rebel's tongue!
Your heart is Greek, Hassan.
Hassan.
               It may be so:
A spirit not my own wrenched me within,
And I have spoken words I fear and hate;
Yet would I die for
Mahmud.
           Live! oh live! outlive
Me and this sinking empire. But the fleet
Hassan.
Alas!
Mahmud.
    The fleet which, like a flock of clouds
Chased by the wind, flies the insurgent banner!
Our wingd castles from their merchant ships!
Our myriads before their weak pirate bands!
Our arms before their chains! our years of empire
Before their centuries of servile fear!
Death is awake! Repulse is on the waters!
They own no more the thunder-bearing banner
Of Mahmud; but, like hounds of a base breed,
Gorge from a stranger's hand, and rend their master.
Hassan.
Latmos, and Ampelos, and Phanae saw
The wreck
Mahmud.
      The caves of the Icarian isles
Told each to the other in loud mockery,
And with the tongue as of a thousand echoes,
First of the sea-convulsing fightand, then,
Thou darest to speaksenseless are the mountains:
Interpret thou their voice!
Hassan.
               My presence bore
A part in that day's shame. The Grecian fleet
Bore down at daybreak from the North, and hung
As multitudinous on the ocean line,
As cranes upon the cloudless Thracian wind.
Our squadron, convoying ten thousand men,
Was stretching towards Nauplia when the battle
Was kindled.
First through the hail of our artillery
The agile Hydriote barks with press of sail
Dashed:ship to ship, cannon to cannon, man
To man were grappled in the embrace of war,
Inextricable but by death or victory.
The tempest of the raging fight convulsed
To its crystlline depths that stainless sea,
And shook Heaven's roof of golden morning clouds,
Poised on an hundred azure mountain-isles.
In the brief trances of the artillery
One cry from the destroyed and the destroyer
Rose, and a cloud of desolation wrapped
The unforeseen event, till the north wind
Sprung from the sea, lifting the heavy veil
Of battle-smokethen victoryvictory!
For, as we thought, three frigates from Algiers
Bore down from Naxos to our aid, but soon
The abhorrd cross glimmered behind, before,
Among, around us; and that fatal sign
Dried with its beams the strength in Moslem hearts,
As the sun drinks the dew.What more? We fled!
Our noonday path over the sanguine foam
Was beaconed,and the glare struck the sun pale,
By our consuming transports: the fierce light
Made all the shadows of our sails blood-red,
And every countenance blank. Some ships lay feeding
The ravening fire, even to the water's level;
Some were blown up; some, settling heavily,
Sunk; and the shrieks of our companions died
Upon the wind, that bore us fast and far,
Even after they were dead. Nine thousand perished!
We met the vultures legioned in the air
Stemming the torrent of the tainted wind;
They, screaming from their cloudy mountain-peaks,
Stooped through the sulphurous battle-smoke and perched
Each on the weltering carcase that we loved,
Like its ill angel or its damnd soul,
Riding upon the bosom of the sea.
We saw the dog-fish hastening to their feast.
Joy waked the voiceless people of the sea,
And ravening Famine left his ocean cave
To dwell with War, with us, and with Despair.
We met night three hours to the west of Patmos,
And with night, tempest
Mahmud.
              Cease!
              Enter a Messenger.
Messenger.
                 Your Sublime Highness,
That Christian hound, the Muscovite Ambassador,
Has left the city.If the rebel fleet
Had anchored in the port, had victory
Crowned the Greek legions in the Hippodrome,
Panic were tamer.Obedience and Mutiny,
Like giants in contention planet-struck,
Stand gazing on each other.There is peace
In Stamboul.
Mahmud.
       Is the grave not calmer still?
Its ruins shall be mine.
Hassan.
             Fear not the Russian:
The tiger leagues not with the stag at bay
Against the hunter.Cunning, base, and cruel,
He crouches, watching till the spoil be won,
And must be paid for his reserve in blood.
After the war is fought, yield the sleek Russian
That which thou canst not keep, his deserved portion
Of blood, which shall not flow through streets and fields,
Rivers and seas, like that which we may win,
But stagnate in the veins of Christian slaves!
Enter second Messenger.
Second Messenger.
Nauplia, Tripolizza, Mothon, Athens,
Navarin, Artas, Monembasia,
Corinth, and Thebes are carried by assault,
And every Islamite who made his dogs
Fat with the flesh of Galilean slaves
Passed at the edge of the sword: the lust of blood,
Which made our warriors drunk, is quenched in death;
But like a fiery plague breaks out anew
In deeds which make the Christian cause look pale
In its own light. The garrison of Patras
Has store but for ten days, nor is there hope
But from the Briton: at once slave and tyrant,
His wishes still are weaker than his fears,
Or he would sell what faith may yet remain
From the oaths broke in Genoa and in Norway;
And if you buy him not, your treasury
Is empty even of promiseshis own coin.
The freedman of a western poet-chief[4]
Holds Attica with seven thousand rebels,
And has beat back the Pacha of Negropont:
The agd Ali sits in Yanina
A crownless metaphor of empire:
His name, that shadow of his withered might,
Holds our besieging army like a spell
In prey to famine, pest, and mutiny;
He, bastioned in his citadel, looks forth
Joyless upon the sapphire lake that mirrors
The ruins of the city where he reigned
Childless and sceptreless. The Greek has reaped
The costly harvest his own blood matured,
Not the sower, Aliwho has bought a truce
From Ypsilanti with ten camel-loads
Of Indian gold.
Enter a third Messenger.
Mahmud.
        What more?
        Third Messenger.
              The Christian tribes
Of Lebanon and the Syrian wilderness
Are in revolt;Damascus, Hems, Aleppo
Tremble;the Arab menaces Medina,
The Aethiop has intrenched himself in Sennaar,
And keeps the Egyptian rebel well employed,
Who denies homage, claims investiture
As price of tardy aid. Persia demands
The cities on the Tigris, and the Georgians
Refuse their living tribute. Crete and Cyprus,
Like mountain-twins that from each other's veins
Catch the volcano-fire and earthquake-spasm,
Shake in the general fever. Through the city,
Like birds before a storm, the Santons shriek,
And prophesyings horrible and new
Are heard among the crowd: that sea of men
Sleeps on the wrecks it made, breathless and still.
A Dervise, learnd in the Koran, preaches
That it is written how the sins of Islam
Must raise up a destroyer even now.
The Greeks expect a Saviour from the West[5],
Who shall not come, men say, in clouds and glory,
But in the omnipresence of that Spirit
In which all live and are. Ominous signs
Are blazoned broadly on the noonday sky:
One saw a red cross stamped upon the sun;
It has rained blood; and monstrous births declare
The secret wrath of Nature and her Lord.
The army encamped upon the Cydaris
Was roused last night by the alarm of battle,
And saw two hosts conflicting in the air,
The shadows doubtless of the unborn time
Cast on the mirror of the night. While yet
The fight hung balanced, there arose a storm
Which swept the phantoms from among the stars.
At the third watch the Spirit of the Plague
Was heard abroad flapping among the tents;
Those who relieved watch found the sentinels dead.
The last news from the camp is, that a thousand
Have sickened, and
Enter a fourth Messenger.
Mahmud.
           And thou, pale ghost, dim shadow
Of some untimely rumour, speak!
Fourth Messenger.
                 One comes
Fainting with toil, covered with foam and blood:
He stood, he says, on Chelonites'
Promontory, which o'erlooks the isles that groan
Under the Briton's frown, and all their waters
Then trembling in the splendour of the moon,
When as the wandering clouds unveiled or hid
Her boundless light, he saw two adverse fleets
Stalk through the night in the horizon's glimmer,
Mingling fierce thunders and sulphureous gleams,
And smoke which strangled every infant wind
That soothed the silver clouds through the deep air.
At length the battle slept, but the Sirocco
Awoke, and drove his flock of thunder-clouds
Over the sea-horizon, blotting out
All objectssave that in the faint moon-glimpse
He saw, or dreamed he saw, the Turkish admiral
And two the loftiest of our ships of war,
With the bright image of that Queen of Heaven,
Who hid, perhaps, her face for grief, reversed;
And the abhorrd cross
Enter an Attendant.
Attendant.
             Your Sublime Highness,
The Jew, who
Mahmud.
       Could not come more seasonably:
Bid him attend. I'll hear no more! too long
We gaze on danger through the mist of fear,
And multiply upon our shattered hopes
The images of ruin. Come what will!
To-morrow and to-morrow are as lamps
Set in our path to light us to the edge
Through rough and smooth, nor can we suffer aught
Which He inflicts not in whose hand we are.
[Exeunt.
Semichorus I.
Would I were the wingd cloud
Of a tempest swift and loud!
  I would scorn
  The smile of morn
And the wave where the moonrise is born!
  I would leave
  The spirits of eve
A shroud for the corpse of the day to weave
From other threads than mine!
Bask in the deep blue noon divine.
   Who would? Not I.
   Semichorus II.
Whither to fly?
Semichorus I.
Where the rocks that gird th'Aegean
Echo to the battle paean
  Of the free
  I would flee
A tempestuous herald of victory!
  My golden rain
  For the Grecian slain
Should mingle in tears with the bloody main,
And my solemn thunder-knell
Should ring to the world the passing-bell
  Of Tyranny!
  Semichorus II.
Ah king! wilt thou chain
The rack and the rain?
Wilt thou fetter the lightning and hurricane?
The storms are free,
  But we
  Chorus.
O Slavery! thou frost of the world's prime,
Killing its flowers and leaving its thorns bare!
Thy touch has stamped these limbs with crime,
These brows thy branding garland bear,
  But the free heart, the impassive soul
   Scorn thy control!
   Semichorus I.
Let there be light! said Liberty,
And like sunrise from the sea,
Athens arose!Around her born,
Shone like mountains in the morn
Glorious states;and are they now
Ashes, wrecks, oblivion?
Semichorus II.
             Go,
Where Thermae and Asopus swallowed
Persia, as the sand does foam;
Deluge upon deluge followed,
Discord, Macedon, and Rome:
And lastly thou!
Semichorus I.
         Temples and towers,
Citadels and marts, and they
Who live and die there, have been ours,
And may be thine, and must decay;
But Greece and her foundations are
Built below the tide of war,
Based on the crystlline sea
Of thought and its eternity;
Her citizens, imperial spirits,
Rule the present from the past,
On all this world of men inherits
Their seal is set.
Semichorus II.
           Hear ye the blast,
Whose Orphic thunder thrilling calls
From ruin her Titanian walls?
Whose spirit shakes the sapless bones
Of Slavery? Argos, Corinth, Crete
Hear, and from their mountain thrones
The daemons and the nymphs repeat
The harmony.
Semichorus I.
      I hear! I hear!
      Semichorus II.
The world's eyeless charioteer,
  Destiny, is hurrying by!
What faith is crushed, what empire bleeds
Beneath her earthquake-footed steeds?
What eagle-wingd victory sits
At her right hand? what shadow flits
Before? what splendour rolls behind?
  Ruin and renovation cry
'Who but We?'
Semichorus I.
       I hear! I hear!
The hiss as of a rushing wind,
The roar as of an ocean foaming,
The thunder as of earthquake coming.
  I hear! I hear!
The crash as of an empire falling,
The shrieks as of a people calling
'Mercy! mercy!'How they thrill!
Then a shout of 'kill! kill! kill!'
And then a small still voice, thus
Semichorus II.
                    For
Revenge and Wrong bring forth their kind,
The foul cubs like their parents are,
Their den is in the guilty mind,
And Conscience feeds them with despair.
Semichorus I.
In sacred Athens, near the fane
Of Wisdom, Pity's altar stood:
Serve not the unknown God in vain,
But pay that broken shrine again,
Love for hate and tears for blood.
Enter Mahmud and Ahasuerus.
Mahmud.
Thou art a man, thou sayest, even as we.
Ahasuerus.
No more!
Mahmud.
    But raised above thy fellow-men
By thought, as I by power.
Ahasuerus.
              Thou sayest so.
              Mahmud.
Thou art an adept in the difficult lore
Of Greek and Frank philosophy; thou numberest
The flowers, and thou measurest the stars;
Thou severest element from element;
Thy spirit is present in the Past, and sees
The birth of this old world through all its cycles
Of desolation and of loveliness,
And when man was not, and how man became
The monarch and the slave of this low sphere,
And all its narrow circlesit is much
I honour thee, and would be what thou art
Were I not what I am; but the unborn hour,
Cradled in fear and hope, conflicting storms,
Who shall unveil? Nor thou, nor I, nor any
Mighty or wise. I apprehended not
What thou hast taught me, but I now perceive
That thou art no interpreter of dreams;
Thou dost not own that art, device, or God,
Can make the Future presentlet it come!
Moreover thou disdainest us and ours;
Thou art as God, whom thou contemplatest.
Ahasuerus.
Disdain thee?not the worm beneath thy feet!
The Fathomless has care for meaner things
Than thou canst dream, and has made pride for those
Who would be what they may not, or would seem
That which they are not. Sultan! talk no more
Of thee and me, the Future and the Past;
But look on that which cannot changethe One,
The unborn and the undying. Earth and ocean,
Space, and the isles of life or light that gem
The sapphire floods of interstellar air,
This firmament pavilioned upon chaos,
With all its cressets of immortal fire,
Whose outwall, bastioned impregnably
Against the escape of boldest thoughts, repels them
As Calpe the Atlantic cloudsthis Whole
Of suns, and worlds, and men, and beasts, and flowers,
With all the silent or tempestuous workings
By which they have been, are, or cease to be,
Is but a vision;all that it inherits
Are motes of a sick eye, bubbles and dreams;
Thought is its cradle and its grave, nor less
The Future and the Past are idle shadows
Of thought's eternal flightthey have no being:
Nought is but that which feels itself to be.
Mahmud.
What meanest thou? Thy words stream like a tempest
Of dazzling mist within my brainthey shake
The earth on which I stand, and hang like night
On Heaven above me. What can they avail?
They cast on all things surest, brightest, best,
Doubt, insecurity, astonishment.
Ahasuerus.
Mistake me not! All is contained in each.
Dodona's forest to an acorn's cup
Is that which has been, or will be, to that
Which isthe absent to the present. Thought
Alone, and its quick elements, Will, Passion,
Reason, Imagination, cannot die;
They are, what that which they regard appears,
The stuff whence mutability can weave
All that it hath dominion o'er, worlds, worms,
Empires, and superstitions. What has thought
To do with time, or place, or circumstance?
Wouldst thou behold the Future?ask and have!
Knock and it shall be openedlook, and lo!
The coming age is shadowed on the Past
As on a glass.
Mahmud.
       Wild, wilder thoughts convulse
My spiritDid not Mahomet the Second
Win Stamboul?
Ahasuerus.
       Thou wouldst ask that giant spirit
The written fortunes of thy house and faith.
Thou wouldst cite one out of the grave to tell
How what was born in blood must die.
Mahmud.
                    Thy words
Have power on me! I see
Ahasuerus.
              What hearest thou?
              Mahmud.
A far whisper
Terrible silence.
Ahasuerus.
         What succeeds?
         Mahmud.
                 The sound
As of the assault of an imperial city[6],
The hiss of inextinguishable fire,
The roar of giant cannon; the earthquaking
Fall of vast bastions and precipitous towers,
The shock of crags shot from strange enginery,
The clash of wheels, and clang of armd hoofs,
And crash of brazen mail as of the wreck
Of adamantine mountainsthe mad blast
Of trumpets, and the neigh of raging steeds,
The shrieks of women whose thrill jars the blood,
And one sweet laugh, most horrible to hear,
As of a joyous infant waked and playing
With its dead mother's breast, and now more loud
The mingled battle-cry,ha! hear I not
'En toutwi nikh!' 'Allah-illa-Allah!'?
Ahasuerus.
The sulphurous mist is raisedthou seest
Mahmud.
                       A chasm,
As of two mountains, in the wall of Stamboul;
And in that ghastly breach the Islamites,
Like giants on the ruins of a world,
Stand in the light of sunrise. In the dust
Glimmers a kingless diadem, and one
Of regal port has cast himself beneath
The stream of war. Another proudly clad
In golden arms spurs a Tartarian barb
Into the gap, and with his iron mace
Directs the torrent of that tide of men,
And seemshe isMahomet!
Ahasuerus.
              What thou seest
Is but the ghost of thy forgotten dream.
A dream itself, yet less, perhaps, than that
Thou call'st reality. Thou mayst behold
How cities, on which Empire sleeps enthroned,
Bow their towered crests to mutability.
Poised by the flood, e'en on the height thou holdest,
Thou mayst now learn how the full tide of power
Ebbs to its depths.Inheritor of glory,
Conceived in darkness, born in blood, and nourished
With tears and toil, thou seest the mortal throes
Of that whose birth was but the same. The Past
Now stands before thee like an Incarnation
Of the To-come; yet wouldst thou commune with
That portion of thyself which was ere thou
Didst start for this brief race whose crown is death,
Dissolve with that strong faith and fervent passion
Which called it from the uncreated deep,
Yon cloud of war, with its tempestuous phantoms
Of raging death; and draw with mighty will
The imperial shade hither.
[Exit Ahasuerus. The Phantom of Mahomet the Second appears.
Mahmud.
              Approach!
              Phantom.
                   I come
Thence whither thou must go! The grave is fitter
To take the living than give up the dead;
Yet has thy faith prevailed, and I am here.
The heavy fragments of the power which fell
When I arose, like shapeless crags and clouds,
Hang round my throne on the abyss, and voices
Of strange lament soothe my supreme repose,
Wailing for glory never to return.
A later Empire nods in its decay:
The autumn of a greener faith is come,
And wolfish change, like winter, howls to strip
The foliage in which Fame, the eagle, built
Her aerie, while Dominion whelped below.
The storm is in its branches, and the frost
Is on its leaves, and the blank deep expects
Oblivion on oblivion, spoil on spoil,
Ruin on ruin:Thou art slow, my son;
The Anarchs of the world of darkness keep
A throne for thee, round which thine empire lies
Boundless and mute; and for thy subjects thou,
Like us, shalt rule the ghosts of murdered life,
The phantoms of the powers who rule thee now
Mutinous passions, and conflicting fears,
And hopes that sate themselves on dust, and die!
Stripped of their mortal strength, as thou of thine.
Islam must fall, but we will reign together
Over its ruins in the world of death:
And if the trunk be dry, yet shall the seed
Unfold itself even in the shape of that
Which gathers birth in its decay. Woe! woe!
To the weak people tangled in the grasp
Of its last spasms.
Mahmud.
          Spirit, woe to all!
Woe to the wronged and the avenger! Woe
To the destroyer, woe to the destroyed!
Woe to the dupe, and woe to the deceiver!
Woe to the oppressed, and woe to the oppressor!
Woe both to those that suffer and inflict;
Those who are born and those who die! but say,
Imperial shadow of the thing I am,
When, how, by whom, Destruction must accomplish
Her consummation!
Phantom.
         Ask the cold pale Hour,
Rich in reversion of impending death,
When he shall fall upon whose ripe gray hairs
Sit Care, and Sorrow, and Infirmity
The weight which Crime, whose wings are plumed with years,
Leaves in his flight from ravaged heart to heart
Over the heads of men, under which burthen
They bow themselves unto the grave: fond wretch!
He leans upon his crutch, and talks of years
To come, and how in hours of youth renewed
He will renew lost joys, and
Voice without.
                Victory! Victory!
                [The Phantom vanishes.
Mahmud.
What sound of the importunate earth has broken
My mighty trance?
Voice without.
         Victory! Victory!
         Mahmud.
Weak lightning before darkness! poor faint smile
Of dying Islam! Voice which art the response
Of hollow weakness! Do I wake and live?
Were there such things, or may the unquiet brain,
Vexed by the wise mad talk of the old Jew,
Have shaped itself these shadows of its fear?
It matters not!for nought we see or dream,
Possess, or lose, or grasp at, can be worth
More than it gives or teaches: Come what may,
The Future must become the Past, and I
As they were to whom once this present hour,
This gloomy crag of time to which I cling,
Seemed an Elysian isle of peace and joy
Never to be attained.I must rebuke
This drunkenness of triumph ere it die,
And dying, bring despair. Victory! poor slaves!
Exit Mahmud.
Voice without.
Shout in the jubilee of death! The Greeks
Are as a brood of lions in the net
Round which the kingly hunters of the earth
Stand smiling. Anarchs, ye whose daily food
Are curses, groans, and gold, the fruit of death,
From Thule to the girdle of the world,
Come, feast! the board groans with the flesh of men;
The cup is foaming with a nation's blood,
Famine and Thirst await! eat, drink, and die!
Semichorus I.
Victorious Wrong, with vulture scream,
Salutes the rising sun, pursues the flying day!
I saw her, ghastly as a tyrant's dream,
Perch on the trembling pyramid of night,
Beneath which earth and all her realms pavilioned lay
In visions of the dawning undelight.
  Who shall impede her flight?
  Who rob her of her prey?
  Voice without.
Victory! Victory! Russia's famished eagles
Dare not to prey beneath the crescent's light.
Impale the remnant of the Greeks! despoil!
Violate! make their flesh cheaper than dust!
Semichorus II.
Thou voice which art
The herald of the ill in splendour hid!
Thou echo of the hollow heart
Of monarchy, bear me to thine abode
When desolation flashes o'er a world destroyed:
Oh, bear me to those isles of jaggd cloud
Which float like mountains on the earthquake, mid
The momentary oceans of the lightning,
Or to some toppling promontory proud
Of solid tempest whose black pyramid,
Riven, overhangs the founts intensely bright'ning
Of those dawn-tinted deluges of fire
Before their waves expire,
When heaven and earth are light, and only light
  In the thunder-night!
  Voice without.
Victory! Victory! Austria, Russia, England,
And that tame serpent, that poor shadow, France,
Cry peace, and that means death when monarchs speak.
Ho, there! bring torches, sharpen those red stakes,
These chains are light, fitter for slaves and poisoners
Than Greeks. Kill! plunder! burn! let none remain.
Semichorus I.
   Alas! for Liberty!
If numbers, wealth, or unfulfilling years,
Or fate, can quell the free!
   Alas! for Virtue, when
Torments, or contumely, or the sneers
   Of erring judging men
  Can break the heart where it abides.
Alas! if Love, whose smile makes this obscure world splendid,
  Can change with its false times and tides,
   Like hope and terror,
    Alas for Love!
And Truth, who wanderest lone and unbefriended,
If thou canst veil thy lie-consuming mirror
Before the dazzled eyes of Error,
Alas for thee! Image of the Above.
Semichorus II.
  Repulse, with plumes from conquest torn,
Led the ten thousand from the limits of the morn
  Through many an hostile Anarchy!
At length they wept aloud, and cried, 'The Sea! the Sea!'
  Through exile, persecution, and despair,
   Rome was, and young Atlantis shall become
   The wonder, or the terror, or the tomb
Of all whose step wakes Power lulled in her savage lair:
But Greece was as a hermit-child,
  Whose fairest thoughts and limbs were built
To woman's growth, by dreams so mild,
  She knew not pain or guilt;
And now, O Victory, blush! and Empire, tremble
   When ye desert the free
   If Greece must be
A wreck, yet shall its fragments reassemble,
And build themselves again impregnably
   In a diviner clime,
To Amphionic music on some Cape sublime,
Which frowns above the idle foam of Time.
Semichorus I.
Let the tyrants rule the desert they have made;
Let the free possess the Paradise they claim;
Be the fortune of our fierce oppressors weighed
With our ruin, our resistance, and our name!
Semichorus II.
Our dead shall be the seed of their decay,
Our survivors be the shadow of their pride,
Our adversity a dream to pass away
Their dishonour a remembrance to abide!
Voice without.
Victory! Victory! The bought Briton sends
The keys of ocean to the Islamite.
Now shall the blazon of the cross be veiled,
And British skill directing Othman might,
Thunder-strike rebel victory. Oh, keep holy
This jubilee of unrevengd blood!
Kill! crush! despoil! Let not a Greek escape!
Semichorus I.
Darkness has dawned in the East
On the noon of time:
The death-birds descend to their feast
From the hungry clime.
Let Freedom and Peace flee far
To a sunnier strand,
And follow Love's folding-star
To the Evening land!
Semichorus II.
    The young moon has fed
     Her exhausted horn
      With the sunset's fire:
    The weak day is dead,
     But the night is not born;
And, like loveliness panting with wild desire
While it trembles with fear and delight,
Hesperus flies from awakening night,
And pants in its beauty and speed with light
Fast-flashing, soft, and bright.
Thou beacon of love! thou lamp of the free!
   Guide us far, far away,
To climes where now veiled by the ardour of day
    Thou art hidden
  From waves on which weary Noon
  Faints in her summer swoon,
  Between kingless continents sinless as Eden,
  Around mountains and islands inviolably
    Pranked on the sapphire sea.
    Semichorus I.
Through the sunset of hope,
Like the shapes of a dream,
What Paradise islands of glory gleam!
  Beneath Heaven's cope,
Their shadows more clear float by
The sound of their oceans, the light of their sky,
The music and fragrance their solitudes breathe
Burst, like morning on dream, or like Heaven on death,
  Through the walls of our prison;
And Greece, which was dead, is arisen!
Chorus[7].
The world's great age begins anew,
The golden years return,
The earth doth like a snake renew
Her winter weeds outworn:
Heaven smiles, and faiths and empires gleam,
Like wrecks of a dissolving dream.
A brighter Hellas rears its mountains
From waves serener far;
A new Peneus rolls his fountains
Against the morning star.
Where fairer Tempes bloom, there sleep
Young Cyclads on a sunnier deep.
A loftier Argo cleaves the main,
Fraught with a later prize;
Another Orpheus sings again,
And loves, and weeps, and dies.
A new Ulysses leaves once more
Calypso for his native shore.
Oh, write no more the tale of Troy,
If earth Death's scroll must be!
Nor mix with Laian rage the joy
Which dawns upon the free:
Although a subtler Sphinx renew
Riddles of death Thebes never knew.
Another Athens shall arise,
And to remoter time
Bequeath, like sunset to the skies,
The splendour of its prime;
And leave, if nought so bright may live,
All earth can take or Heaven can give.
Saturn and Love their long repose
Shall burst[8], more bright and good
Than all who fell, than One who rose,
Than many unsubdued:
Not gold, not blood, their altar dowers,
But votive tears and symbol flowers.
Oh, cease! must hate and death return?
Cease! must men kill and die?
Cease! drain not to its dregs the urn
Of bitter prophecy.
The world is weary of the past,
Oh, might it die or rest at last!
Hellas was composed at Pisa in the autumn of 1821, and dispatched to London, November 11. It was published, with the author's name, by C. & J. Ollier in the spring of 1822. A transcript of the poem by Edward Williams is in the Rowfant Library.

Note by Mrs. Shelley: 'Hellas was among the last of his compositions, and is among the most beautiful. The choruses are singularly imaginative, and melodious in their versification. There are some stanzas that beautifully exemplify Shelley's peculiar style; as, for instance, the assertion of the intellectual empire which must be for ever the inheritance of the country of Homer, Sophocles, and Plato:--
''But Greece and her foundations are
Built below the tide of war,
Based on the crystalline sea
Of thought and its eternity.'''
~ Percy Bysshe Shelley, Hellas - A Lyrical Drama
,
1362:1.

Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life.

This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.

At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable.

Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill.
2.

When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes.

All that is harsh and dissonant in my life melts into one sweet harmony - and my adoration spreads wings like a glad bird on its flight across the sea.

I know thou takest pleasure in my singing. I know that only as a singer I come before thy presence.

I touch by the edge of the far-spreading wing of my song thy feet which I could never aspire to reach.

Drunk with the joy of singing I forget myself and call thee friend who art my lord.
3.

I know not how thou singest, my master! I ever listen in silent amazement.

The light of thy music illumines the world. The life breath of thy music runs from sky to sky. The holy stream of thy music breaks through all stony obstacles and rushes on.

My heart longs to join in thy song, but vainly struggles for a voice. I would speak, but speech breaks not into song, and I cry out baffled. Ah, thou hast made my heart captive in the endless meshes of thy music, my master!
4.

Life of my life, I shall ever try to keep my body pure, knowing that thy living touch is upon all my limbs.

I shall ever try to keep all untruths out from my thoughts, knowing that thou art that truth which has kindled the light of reason in my mind.

I shall ever try to drive all evils away from my heart and keep my love in flower, knowing that thou hast thy seat in the inmost shrine of my heart.

And it shall be my endeavour to reveal thee in my actions, knowing it is thy power gives me strength to act.
5.

I ask for a moment's indulgence to sit by thy side. The works that I have in hand I will finish afterwards.

Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless sea of toil.

Today the summer has come at my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove.

Now it is time to sit quite, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.
6.

Pluck this little flower and take it, delay not! I fear lest it droop and drop into the dust.

I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by.

Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.

7.

My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.

My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
8.

The child who is decked with prince's robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step.

In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move.

Mother, it is no gain, thy bondage of finery, if it keeps one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.
9.

O Fool, try to carry thyself upon thy own shoulders! O beggar, to come beg at thy own door!

Leave all thy burdens on his hands who can bear all, and never look behind in regret.

Thy desire at once puts out the light from the lamp it touches with its breath. It is unholy - take not thy gifts through its unclean hands. Accept only what is offered by sacred love.
10.

Here is thy footstool and there rest thy feet where live the poorest, and lowliest, and lost.

When I try to bow to thee, my obeisance cannot reach down to the depth where thy feet rest among the poorest, and lowliest, and lost.

Pride can never approach to where thou walkest in the clothes of the humble among the poorest, and lowliest, and lost.

My heart can never find its way to where thou keepest company with the companionless among the poorest, the lowliest, and the lost.
11.

Leave this chanting and singing and telling of beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!

He is there where the tiller is tilling the hard ground and where the pathmaker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put of thy holy mantle and even like him come down on the dusty soil!

Deliverance? Where is this deliverance to be found? Our master himself has joyfully taken upon him the bonds of creation; he is bound with us all for ever.

Come out of thy meditations and leave aside thy flowers and incense! What harm is there if thy clothes become tattered and stained? Meet him and stand by him in toil and in sweat of thy brow.
12.

The time that my journey takes is long and the way of it long.

I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.

It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.

The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.

My eyes strayed far and wide before I shut them and said 'Here art thou!'

The question and the cry 'Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance 'I am!'
13.

The song that I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument.

The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.

The blossom has not opened; only the wind is sighing by. I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.

The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.

I live in the hope of meeting with him; but this meeting is not yet.
14.

My desires are many and my cry is pitiful, but ever didst thou save me by hard refusals; and this strong mercy has been wrought into my life through and through.

Day by day thou art making me worthy of the simple, great gifts that thou gavest to me unasked - this sky and the light, this body and the life and the mind - saving me from perils of overmuch desire.

There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.

Day by day thou art making me worthy of thy full acceptance by refusing me ever and anon, saving me from perils of weak, uncertain desire.
15.

I am here to sing thee songs. In this hall of thine I have a corner seat.

In thy world I have no work to do; my useless life can only break out in tunes without a purpose.

When the hour strikes for thy silent worship at the dark temple of midnight, command me, my master, to stand before thee to sing.

When in the morning air the golden harp is tuned, honour me, commanding my presence.
16.

I have had my invitation to this world's festival, and thus my life has been blessed. My eyes have seen and my ears have heard.

It was my part at this feast to play upon my instrument, and I have done all I could.

Now, I ask, has the time come at last when I may go in and see thy face and offer thee my silent salutation?
17.

I am only waiting for love to give myself up at last into his hands. That is why it is so late and why I have been guilty of such omissions.

They come with their laws and their codes to bind me fast; but I evade them ever, for I am only waiting for love to give myself up at last into his hands.

People blame me and call me heedless; I doubt not they are right in their blame.

The market day is over and work is all done for the busy. Those who came to call me in vain have gone back in anger. I am only waiting for love to give myself up at last into his hands.
18.

Clouds heap upon clouds and it darkens. Ah, love, why dost thou let me wait outside at the door all alone?

In the busy moments of the noontide work I am with the crowd, but on this dark lonely day it is only for thee that I hope.

If thou showest me not thy face, if thou leavest me wholly aside, I know not how I am to pass these long, rainy hours.

I keep gazing on the far-away gloom of the sky, and my heart wanders wailing with the restless wind.
19.

If thou speakest not I will fill my heart with thy silence and endure it. I will keep still and wait like the night with starry vigil and its head bent low with patience.

The morning will surely come, the darkness will vanish, and thy voice pour down in golden streams breaking through the sky.

Then thy words will take wing in songs from every one of my birds' nests, and thy melodies will break forth in flowers in all my forest groves.
20.

On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.

Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind.

That vague sweetness made my heart ache with longing and it seemed to me that is was the eager breath of the summer seeking for its completion.

I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.
21.

I must launch out my boat. The languid hours pass by on the shore - Alas for me!

The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger.

The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall.

What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?
22.

In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers.

Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky.

The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house - do not pass by like a dream.
23.

Art thou abroad on this stormy night on thy journey of love, my friend? The sky groans like one in despair.

I have no sleep tonight. Ever and again I open my door and look out on the darkness, my friend!

I can see nothing before me. I wonder where lies thy path!

By what dim shore of the ink-black river, by what far edge of the frowning forest, through what mazy depth of gloom art thou threading thy course to come to me, my friend?
24.

If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the drooping lotus at dusk.

From the traveller, whose sack of provisions is empty before the voyage is ended, whose garment is torn and dustladen, whose strength is exhausted, remove shame and poverty, and renew his life like a flower under the cover of thy kindly night.
25.

In the night of weariness let me give myself up to sleep without struggle, resting my trust upon thee.

Let me not force my flagging spirit into a poor preparation for thy worship.

It is thou who drawest the veil of night upon the tired eyes of the day to renew its sight in a fresher gladness of awakening.

26.

He came and sat by my side but I woke not. What a cursed sleep it was, O miserable me!

He came when the night was still; he had his harp in his hands, and my dreams became resonant with its melodies.

Alas, why are my nights all thus lost? Ah, why do I ever miss his sight whose breath touches my sleep?
27.

Light, oh where is the light? Kindle it with the burning fire of desire!

There is the lamp but never a flicker of a flame - is such thy fate, my heart? Ah, death were better by far for thee!

Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night.

The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me - I know not its meaning.

A moment's flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me.

Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
28.

Obstinate are the trammels, but my heart aches when I try to break them.

Freedom is all I want, but to hope for it I feel ashamed.

I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.

The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love.

My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
29.

He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow.

I take pride in this great wall, and I plaster it with dust and sand lest a least hole should be left in this name; and for all the care I take I lose sight of my true being.
30.

I came out alone on my way to my tryst. But who is this that follows me in the silent dark?

I move aside to avoid his presence but I escape him not.

He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter.

He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company.
31.

'Prisoner, tell me, who was it that bound you?'

'It was my master,' said the prisoner. 'I thought I could outdo everybody in the world in wealth and power, and I amassed in my own treasure-house the money due to my king. When sleep overcame me I lay upon the bad that was for my lord, and on waking up I found I was a prisoner in my own treasure-house.'

'Prisoner, tell me, who was it that wrought this unbreakable chain?'

'It was I,' said the prisoner, 'who forged this chain very carefully. I thought my invincible power would hold the world captive leaving me in a freedom undisturbed. Thus night and day I worked at the chain with huge fires and cruel hard strokes. When at last the work was done and the links were complete and unbreakable, I found that it held me in its grip.'
32.

By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thou keepest me free.

Lest I forget them they never venture to leave me alone. But day passes by after day and thou art not seen.

If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love.
33.

When it was day they came into my house and said, 'We shall only take the smallest room here.'

They said, 'We shall help you in the worship of your God and humbly accept only our own share in his grace'; and then they took their seat in a corner and they sat quiet and meek.

But in the darkness of night I find they break into my sacred shrine, strong and turbulent, and snatch with unholy greed the offerings from God's altar.
34.

Let only that little be left of me whereby I may name thee my all.

Let only that little be left of my will whereby I may feel thee on every side, and come to thee in everything, and offer to thee my love every moment.

Let only that little be left of me whereby I may never hide thee.

Let only that little of my fetters be left whereby I am bound with thy will, and thy purpose is carried out in my life - and that is the fetter of thy love.
35.

Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action- Into that heaven of freedom, my Father, let my country awake.
36.

This is my prayer to thee, my lord - strike, strike at the root of penury in my heart. Give me the strength lightly to bear my joys and sorrows. Give me the strength to make my love fruitful in service. Give me the strength never to disown the poor or bend my knees before insolent might. Give me the strength to raise my mind high above daily trifles. And give me the strength to surrender my strength to thy will with love.
37.

I thought that my voyage had come to its end at the last limit of my power, - that the path before me was closed, that provisions were exhausted and the time come to take shelter in a silent obscurity.

But I find that thy will knows no end in me. And when old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.
38.

That I want thee, only thee - let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core.

As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry - 'I want thee, only thee'.

As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is - 'I want thee, only thee'.
39.

When the heart is hard and parched up, come upon me with a shower of mercy.

When grace is lost from life, come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
40.

The rain has held back for days and days, my God, in my arid heart. The horizon is fiercely naked - not the thinnest cover of a soft cloud, not the vaguest hint of a distant cool shower.

Send thy angry storm, dark with death, if it is thy wish, and with lashes of lightning startle the sky from end to end.

But call back, my lord, call back this pervading silent heat, still and keen and cruel, burning the heart with dire despair.

Let the cloud of grace bend low from above like the tearful look of the mother on the day of the father's wrath.
41.

Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty.

The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not.

Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart.

I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming - all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze.

But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
42.

Early in the day it was whispered that we should sail in a boat, only thou and I, and never a soul in the world would know of this our pilgrimage to no country and to no end.

In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.

Is the time not come yet? Are there works still to do? Lo, the evening has come down upon the shore and in the fading light the seabirds come flying to their nests.

Who knows when the chains will be off, and the boat, like the last glimmer of sunset, vanish into the night?
43.

The day was when I did not keep myself in readiness for thee; and entering my heart unbidden even as one of the common crowd, unknown to me, my king, thou didst press the signet of eternity upon many a fleeting moment of my life.

And today when by chance I light upon them and see thy signature, I find they have lain scattered in the dust mixed with the memory of joys and sorrows of my trivial days forgotten.

Thou didst not turn in contempt from my childish play among dust, and the steps that I heard in my playroom are the same that are echoing from star to star.
44.

This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer.

Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet.

From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see.

In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
45.

Have you not heard his silent steps? He comes, comes, ever comes.

Every moment and every age, every day and every night he comes, comes, ever comes.

Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, 'He comes, comes, ever comes.'

In the fragrant days of sunny April through the forest path he comes, comes, ever comes.

In the rainy gloom of July nights on the thundering chariot of clouds he comes, comes, ever comes.

In sorrow after sorrow it is his steps that press upon my heart, and it is the golden touch of his feet that makes my joy to shine.

-

46.

I know not from what distant time thou art ever coming nearer to meet me. Thy sun and stars can never keep thee hidden from me for aye.

In many a morning and eve thy footsteps have been heard and thy messenger has come within my heart and called me in secret.

I know not only why today my life is all astir, and a feeling of tremulous joy is passing through my heart.

It is as if the time were come to wind up my work, and I feel in the air a faint smell of thy sweet presence.
47.

The night is nearly spent waiting for him in vain. I fear lest in the morning he suddenly come to my door when I have fallen asleep wearied out. Oh friends, leave the way open to him - forbid him not.

If the sounds of his steps does not wake me, do not try to rouse me, I pray. I wish not to be called from my sleep by the clamorous choir of birds, by the riot of wind at the festival of morning light. Let me sleep undisturbed even if my lord comes of a sudden to my door.

Ah, my sleep, precious sleep, which only waits for his touch to vanish. Ah, my closed eyes that would open their lids only to the light of his smile when he stands before me like a dream emerging from darkness of sleep.

Let him appear before my sight as the first of all lights and all forms. The first thrill of joy to my awakened soul let it come from his glance. And let my return to myself be immediate return to him.
48.

The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.

We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pave more and more as the time sped by.

The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.

My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation - in the shadow of a dim delight.

The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.

At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
49.

You came down from your throne and stood at my cottage door.

I was singing all alone in a corner, and the melody caught your ear. You came down and stood at my cottage door.

Masters are many in your hall, and songs are sung there at all hours. But the simple carol of this novice struck at your love. One plaintive little strain mingled with the great music of the world, and with a flower for a prize you came down and stopped at my cottage door.

50.

I had gone a-begging from door to door in the village path, when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all kings!

My hopes rose high and methought my evil days were at an end, and I stood waiting for alms to be given unasked and for wealth scattered on all sides in the dust.

The chariot stopped where I stood. Thy glance fell on me and thou camest down with a smile. I felt that the luck of my life had come at last. Then of a sudden thou didst hold out thy right hand and say 'What hast thou to give to me?'

Ah, what a kingly jest was it to open thy palm to a beggar to beg! I was confused and stood undecided, and then from my wallet I slowly took out the least little grain of corn and gave it to thee.

But how great my surprise when at the day's end I emptied my bag on the floor to find a least little gram of gold among the poor heap. I bitterly wept and wished that I had had the heart to give thee my all.
51.

The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said 'No, it cannot be!'

It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, 'It is the messenger!' We laughed and said 'No, it must be the wind!'

There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, 'No, it must be the rumbling of clouds!'

The night was still dark when the drum sounded. The voice came 'Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, 'Lo, there is the king's flag!' We stood up on our feet and cried 'There is no time for delay!'

The king has come - but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, 'Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'

Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
52.

I thought I should ask of thee - but I dared not - the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two.

Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, 'Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water - it is thy dreadful sword.

I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine.

From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world.

From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
53.

Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.

It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earty sense with one fierce flash.

Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.
54.

I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, 'Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings.

I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low - 'Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road.

I stood speecess with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.

55.

Languor is upon your heart and the slumber is still on your eyes.

Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!

At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!

What if the sky pants and trembles with the heat of the midday sun - what if the burning sand spreads its mantle of thirst -

Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain?
56.

Thus it is that thy joy in me is so full. Thus it is that thou hast come down to me. O thou lord of all heavens, where would be thy love if I were not?

Thou hast taken me as thy partner of all this wealth. In my heart is the endless play of thy delight. In my life thy will is ever taking shape.

And for this, thou who art the King of kings hast decked thyself in beauty to captivate my heart. And for this thy love loses itself in the love of thy lover, and there art thou seen in the perfect union of two.
57.

Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!

Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.

The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.

The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.

Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
58.

Let all the strains of joy mingle in my last song - the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.
59.

Yes, I know, this is nothing but thy love, O beloved of my heart - this golden light that dances upon the leaves, these idle clouds sailing across the sky, this passing breeze leaving its coolness upon my forehead.

The morning light has flooded my eyes - this is thy message to my heart. Thy face is bent from above, thy eyes look down on my eyes, and my heart has touched thy feet.
60.

On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.

They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.

They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. they seek not for hidden treasures, they know not how to cast nets.

The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach.

On the seashore of endless worlds children meet. Tempest roams in the patess sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
61.

The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes.

The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps.

The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs.
62.

When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints - when I give coloured toys to you, my child.

When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth - when I sing to make you dance.

When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice - when I bring sweet things to your greedy hands.

When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body - when I kiss you to make you smile.
63.

Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.

I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.

Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.

When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.
64.

On the slope of the desolate river among tall grasses I asked her, 'Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome - lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. 'I have come to the river,' she said, 'to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.

In the silence of gathering night I asked her, 'Maiden, your lights are all lit - then where do you go with your lamp? My house is all dark and lonesome - lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. 'I have come,' she said at last, 'to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void.

In the moonless gloom of midnight I ask her, 'Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome- - lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. 'I have brought my light,' she said, 'to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.
65.

What divine drink wouldst thou have, my God, from this overflowing cup of my life?

My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?

Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
66.

She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.

Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.

I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.

Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.

many a man knocked at my door and asked for her and turned away in despair.

There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
67.

Thou art the sky and thou art the nest as well.

O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
68.

Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made of my tears and sighs and songs.

With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues everchanging.

It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.
69.

The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.

It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.

I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
70.

Is it beyond thee to be glad with the gladness of this rhythm? to be tossed and lost and broken in the whirl of this fearful joy?

All things rush on, they stop not, they look not behind, no power can hold them back, they rush on.

Keeping steps with that restless, rapid music, seasons come dancing and pass away - colours, tunes, and perfumes pour in endless cascades in the abounding joy that scatters and gives up and dies every moment.
71.

That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance - such is thy maya.

Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.

The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.

This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.

The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me.
72.

He it is, the innermost one, who awakens my being with his deep hidden touches.

He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain.

He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself.

Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.
73.

Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.

Thou ever pourest for me the fresh draught of thy wine of various colours and fragrance, filling this earthen vessel to the brim.

My world will light its hundred different lamps with thy flame and place them before the altar of thy temple.

No, I will never shut the doors of my senses. The delights of sight and hearing and touch will bear thy delight.

Yes, all my illusions will burn into illumination of joy, and all my desires ripen into fruits of love.
74.

The day is no more, the shadow is upon the earth. It is time that I go to the stream to fill my pitcher.

The evening air is eager with the sad music of the water. Ah, it calls me out into the dusk. In the lonely lane there is no passer-by, the wind is up, the ripples are rampant in the river.

I know not if I shall come back home. I know not whom I shall chance to meet. There at the fording in the little boat the unknown man plays upon his lute.
75.

Thy gifts to us mortals fulfil all our needs and yet run back to thee undiminished.

The river has its everyday work to do and hastens through fields and hamlets; yet its incessant stream winds towards the washing of thy feet.

The flower sweetens the air with its perfume; yet its last service is to offer itself to thee.

Thy worship does not impoverish the world.

From the words of the poet men take what meanings please them; yet their last meaning points to thee.
76.

Day after day, O lord of my life, shall I stand before thee face to face. With folded hands, O lord of all worlds, shall I stand before thee face to face.

Under thy great sky in solitude and silence, with humble heart shall I stand before thee face to face.

In this laborious world of thine, tumultuous with toil and with struggle, among hurrying crowds shall I stand before thee face to face.

And when my work shall be done in this world, O King of kings, alone and speecess shall I stand before thee face to face.
77.

I know thee as my God and stand apart - I do not know thee as my own and come closer. I know thee as my father and bow before thy feet- I do not grasp thy hand as my friend's.

I stand not where thou comest down and ownest thyself as mine, there to clasp thee to my heart and take thee as my comrade.

Thou art the Brother amongst my brothers, but I heed them not, I divide not my earnings with them, thus sharing my all with thee.

In pleasure and in pain I stand not by the side of men, and thus stand by thee. I shrink to give up my life, and thus do not plunge into the great waters of life.
78.

When the creation was new and all the stars shone in their first splendour, the gods held their assembly in the sky and sang 'Oh, the picture of perfection! the joy unalloyed!'

But one cried of a sudden - 'It seems that somewhere there is a break in the chain of light and one of the stars has been lost.'

The golden string of their harp snapped, their song stopped, and they cried in dismay - 'Yes, that lost star was the best, she was the glory of all heavens!'

From that day the search is unceasing for her, and the cry goes on from one to the other that in her the world has lost its one joy!

Only in the deepest silence of night the stars smile and whisper among themselves - 'Vain is this seeking! unbroken perfection is over all!'
79.

If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me - let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.

When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
80.

I am like a remnant of a cloud of autumn uselessly roaming in the sky, O my sun ever-glorious! Thy touch has not yet melted my vapour, making me one with thy light, and thus I count months and years separated from thee.

If this be thy wish and if this be thy play, then take this fleeting emptiness of mine, paint it with colours, gild it with gold, float it on the wanton wind and spread it in varied wonders.

And again when it shall be thy wish to end this play at night, I shall melt and vanish away in the dark, or it may be in a smile of the white morning, in a coolness of purity transparent.
81.

On many an idle day have I grieved over lost time. But it is never lost, my lord. Thou hast taken every moment of my life in thine own hands.

Hidden in the heart of things thou art nourishing seeds into sprouts, buds into blossoms, and ripening flowers into fruitfulness.

I was tired and sleeping on my idle bed and imagined all work had ceased. In the morning I woke up and found my garden full with wonders of flowers.
82.

Time is endless in thy hands, my lord. There is none to count thy minutes.

Days and nights pass and ages bloom and fade like flowers. Thou knowest how to wait.

Thy centuries follow each other perfecting a small wild flower.

We have no time to lose, and having no time we must scramble for a chances. We are too poor to be late.

And thus it is that time goes by while I give it to every querulous man who claims it, and thine altar is empty of all offerings to the last.

At the end of the day I hasten in fear lest thy gate to be shut; but I find that yet there is time.
83.

Mother, I shall weave a chain of pearls for thy neck with my tears of sorrow.

The stars have wrought their anklets of light to deck thy feet, but mine will hang upon thy breast.

Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace.
84.

It is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky.

It is this sorrow of separation that gazes in silence all nights from star to star and becomes lyric among rustling leaves in rainy darkness of July.

It is this overspreading pain that deepens into loves and desires, into sufferings and joy in human homes; and this it is that ever melts and flows in songs through my poet's heart.
85.

When the warriors came out first from their master's hall, where had they hid their power? Where were their armour and their arms?

They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master's hall.

When the warriors marched back again to their master's hall where did they hide their power?

They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master's hall.
86.

Death, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home.

The night is dark and my heart is fearful - yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door.

I will worship him placing at his feet the treasure of my heart.

He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn self will remain as my last offering to thee.

87.

In desperate hope I go and search for her in all the corners of my room; I find her not.

My house is small and what once has gone from it can never be regained.

But infinite is thy mansion, my lord, and seeking her I have to come to thy door.

I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face.

I have come to the brink of eternity from which nothing can vanish - no hope, no happiness, no vision of a face seen through tears.

Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe.
88.

Deity of the ruined temple! The broken strings of Vina sing no more your praise. The bells in the evening proclaim not your time of worship. The air is still and silent about you.

In your desolate dwelling comes the vagrant spring breeze. It brings the tidings of flowers - the flowers that for your worship are offered no more.

Your worshipper of old wanders ever longing for favour still refused. In the eventide, when fires and shadows mingle with the gloom of dust, he wearily comes back to the ruined temple with hunger in his heart.

Many a festival day comes to you in silence, deity of the ruined temple. Many a night of worship goes away with lamp unlit.

Many new images are built by masters of cunning art and carried to the holy stream of oblivion when their time is come.

Only the deity of the ruined temple remains unworshipped in deatess neglect.

89.

No more noisy, loud words from me - such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song.

Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work.

Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum.

Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
90.

On the day when death will knock at thy door what wilt thou offer to him?

Oh, I will set before my guest the full vessel of my life - I will never let him go with empty hands.

All the sweet vintage of all my autumn days and summer nights, all the earnings and gleanings of my busy life will I place before him at the close of my days when death will knock at my door.
91.

O thou the last fulfilment of life, Death, my death, come and whisper to me!

Day after day I have kept watch for thee; for thee have I borne the joys and pangs of life.

All that I am, that I have, that I hope and all my love have ever flowed towards thee in depth of secrecy. One final glance from thine eyes and my life will be ever thine own.

The flowers have been woven and the garland is ready for the bridegroom. After the wedding the bride shall leave her home and meet her lord alone in the solitude of night.
92.

I know that the day will come when my sight of this earth shall be lost, and life will take its leave in silence, drawing the last curtain over my eyes.

Yet stars will watch at night, and morning rise as before, and hours heave like sea waves casting up pleasures and pains.

When I think of this end of my moments, the barrier of the moments breaks and I see by the light of death thy world with its careless treasures. Rare is its lowliest seat, rare is its meanest of lives.

Things that I longed for in vain and things that I got - let them pass. Let me but truly possess the things that I ever spurned and overlooked.
93.

I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.

Here I give back the keys of my door - and I give up all claims to my house. I only ask for last kind words from you.

We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
94.

At this time of my parting, wish me good luck, my friends! The sky is flushed with the dawn and my path lies beautiful.

Ask not what I have with me to take there. I start on my journey with empty hands and expectant heart.

I shall put on my wedding garland. Mine is not the red-brown dress of the traveller, and though there are dangers on the way I have no fear in mind.

The evening star will come out when my voyage is done and the plaintive notes of the twilight melodies be struck up from the King's gateway.

95.

I was not aware of the moment when I first crossed the threshold of this life.

What was the power that made me open out into this vast mystery like a bud in the forest at midnight!

When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother.

Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well.

The child cries out when from the right breast the mother takes it away, in the very next moment to find in the left one its consolation.
96.

When I go from hence let this be my parting word, that what I have seen is unsurpassable.

I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus am I blessed - let this be my parting word.

In this playhouse of infinite forms I have had my play and here have I caught sight of him that is formless.

My whole body and my limbs have thrilled with his touch who is beyond touch; and if the end comes here, let it come - let this be my parting word.
97.

When my play was with thee I never questioned who thou wert. I knew nor shyness nor fear, my life was boisterous.

In the early morning thou wouldst call me from my sleep like my own comrade and lead me running from glade to glade.

On those days I never cared to know the meaning of songs thou sangest to me. Only my voice took up the tunes, and my heart danced in their cadence.

Now, when the playtime is over, what is this sudden sight that is come upon me? The world with eyes bent upon thy feet stands in awe with all its silent stars.
98.

I will deck thee with trophies, garlands of my defeat. It is never in my power to escape unconquered.

I surely know my pride will go to the wall, my life will burst its bonds in exceeding pain, and my empty heart will sob out in music like a hollow reed, and the stone will melt in tears.

I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared.

From the blue sky an eye shall gaze upon me and summon me in silence. Nothing will be left for me, nothing whatever, and utter death shall I receive at thy feet.
99.

When I give up the helm I know that the time has come for thee to take it. What there is to do will be instantly done. Vain is this struggle.

Then take away your hands and silently put up with your defeat, my heart, and think it your good fortune to sit perfectly still where you are placed.

These my lamps are blown out at every little puff of wind, and trying to light them I forget all else again and again.

But I shall be wise this time and wait in the dark, spreading my mat on the floor; and whenever it is thy pleasure, my lord, come silently and take thy seat here.
100.

I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless.

No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves.

And now I am eager to die into the deatess.

Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life.

I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.
101.

Ever in my life have I sought thee with my songs. It was they who led me from door to door, and with them have I felt about me, searching and touching my world.

It was my songs that taught me all the lessons I ever learnt; they showed me secret paths, they brought before my sight many a star on the horizon of my heart.

They guided me all the day long to the mysteries of the country of pleasure and pain, and, at last, to what palace gate have the brought me in the evening at the end of my journey?
102.

I boasted among men that I had known you. They see your pictures in all works of mine. They come and ask me, 'Who is he?' I know not how to answer them. I say, 'Indeed, I cannot tell.' They blame me and they go away in scorn. And you sit there smiling.

I put my tales of you into lasting songs. The secret gushes out from my heart. They come and ask me, 'Tell me all your meanings.' I know not how to answer them. I say, 'Ah, who knows what they mean!' They smile and go away in utter scorn. And you sit there smiling.
103.

In one salutation to thee, my God, let all my senses spread out and touch this world at thy feet.

Like a rain-cloud of July hung low with its burden of unshed showers let all my mind bend down at thy door in one salutation to thee.

Let all my songs gather together their diverse strains into a single current and flow to a sea of silence in one salutation to thee.

Like a flock of homesick cranes flying night and day back to their mountain nests let all my life take its voyage to its eternal home in one salutation to thee.
In the introduction to Gitanjali, W.B Yeats says of Tagores poetry.

At every moment the heart of this poet flows outward to these without derogation or condescension, for it has known that they will understand; and it has filled itself with the circumstance of their lives.

An innocence, a simplicity that one does not find elsewhere in literature makes the birds and the leaves seem as near to him as they are near to children, and the changes of the seasons great events as before our thoughts had arisen between them and us.
~ Rabindranath Tagore, Gitanjali
,
1363:Gareth And Lynette
The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy-And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to-Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he-Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'
And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
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Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'
And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw
The splendour sparkling from aloft, and thought
"An I could climb and lay my hand upon it,
Then were I wealthier than a leash of kings."
But ever when he reached a hand to climb,
One, that had loved him from his childhood, caught
And stayed him, "Climb not lest thou break thy neck,
I charge thee by my love," and so the boy,
Sweet mother, neither clomb, nor brake his neck,
But brake his very heart in pining for it,
And past away.'
To whom the mother said,
'True love, sweet son, had risked himself and climbed,
And handed down the golden treasure to him.'
And Gareth answered her with kindling eyes,
'Gold?' said I gold?--ay then, why he, or she,
Or whosoe'er it was, or half the world
Had ventured--HAD the thing I spake of been
Mere gold--but this was all of that true steel,
Whereof they forged the brand Excalibur,
And lightnings played about it in the storm,
And all the little fowl were flurried at it,
And there were cries and clashings in the nest,
That sent him from his senses: let me go.'
Then Bellicent bemoaned herself and said,
'Hast thou no pity upon my loneliness?
Lo, where thy father Lot beside the hearth
Lies like a log, and all but smouldered out!
For ever since when traitor to the King
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He fought against him in the Barons' war,
And Arthur gave him back his territory,
His age hath slowly droopt, and now lies there
A yet-warm corpse, and yet unburiable,
No more; nor sees, nor hears, nor speaks, nor knows.
And both thy brethren are in Arthur's hall,
Albeit neither loved with that full love
I feel for thee, nor worthy such a love:
Stay therefore thou; red berries charm the bird,
And thee, mine innocent, the jousts, the wars,
Who never knewest finger-ache, nor pang
Of wrenched or broken limb--an often chance
In those brain-stunning shocks, and tourney-falls,
Frights to my heart; but stay: follow the deer
By these tall firs and our fast-falling burns;
So make thy manhood mightier day by day;
Sweet is the chase: and I will seek thee out
Some comfortable bride and fair, to grace
Thy climbing life, and cherish my prone year,
Till falling into Lot's forgetfulness
I know not thee, myself, nor anything.
Stay, my best son! ye are yet more boy than man.'
Then Gareth, 'An ye hold me yet for child,
Hear yet once more the story of the child.
For, mother, there was once a King, like ours.
The prince his heir, when tall and marriageable,
Asked for a bride; and thereupon the King
Set two before him. One was fair, strong, armed-But to be won by force--and many men
Desired her; one good lack, no man desired.
And these were the conditions of the King:
That save he won the first by force, he needs
Must wed that other, whom no man desired,
A red-faced bride who knew herself so vile,
That evermore she longed to hide herself,
Nor fronted man or woman, eye to eye-Yea--some she cleaved to, but they died of her.
And one--they called her Fame; and one,--O Mother,
How can ye keep me tethered to you--Shame.
Man am I grown, a man's work must I do.
Follow the deer? follow the Christ, the King,
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Live pure, speak true, right wrong, follow the King-Else, wherefore born?'
To whom the mother said
'Sweet son, for there be many who deem him not,
Or will not deem him, wholly proven King-Albeit in mine own heart I knew him King,
When I was frequent with him in my youth,
And heard him Kingly speak, and doubted him
No more than he, himself; but felt him mine,
Of closest kin to me: yet--wilt thou leave
Thine easeful biding here, and risk thine all,
Life, limbs, for one that is not proven King?
Stay, till the cloud that settles round his birth
Hath lifted but a little. Stay, sweet son.'
And Gareth answered quickly, 'Not an hour,
So that ye yield me--I will walk through fire,
Mother, to gain it--your full leave to go.
Not proven, who swept the dust of ruined Rome
From off the threshold of the realm, and crushed
The Idolaters, and made the people free?
Who should be King save him who makes us free?'
So when the Queen, who long had sought in vain
To break him from the intent to which he grew,
Found her son's will unwaveringly one,
She answered craftily, 'Will ye walk through fire?
Who walks through fire will hardly heed the smoke.
Ay, go then, an ye must: only one proof,
Before thou ask the King to make thee knight,
Of thine obedience and thy love to me,
Thy mother,--I demand.
And Gareth cried,
'A hard one, or a hundred, so I go.
Nay--quick! the proof to prove me to the quick!'
But slowly spake the mother looking at him,
'Prince, thou shalt go disguised to Arthur's hall,
And hire thyself to serve for meats and drinks
Among the scullions and the kitchen-knaves,
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And those that hand the dish across the bar.
Nor shalt thou tell thy name to anyone.
And thou shalt serve a twelvemonth and a day.'
For so the Queen believed that when her son
Beheld his only way to glory lead
Low down through villain kitchen-vassalage,
Her own true Gareth was too princely-proud
To pass thereby; so should he rest with her,
Closed in her castle from the sound of arms.
Silent awhile was Gareth, then replied,
'The thrall in person may be free in soul,
And I shall see the jousts. Thy son am I,
And since thou art my mother, must obey.
I therefore yield me freely to thy will;
For hence will I, disguised, and hire myself
To serve with scullions and with kitchen-knaves;
Nor tell my name to any--no, not the King.'
Gareth awhile lingered. The mother's eye
Full of the wistful fear that he would go,
And turning toward him wheresoe'er he turned,
Perplext his outward purpose, till an hour,
When wakened by the wind which with full voice
Swept bellowing through the darkness on to dawn,
He rose, and out of slumber calling two
That still had tended on him from his birth,
Before the wakeful mother heard him, went.
The three were clad like tillers of the soil.
Southward they set their faces. The birds made
Melody on branch, and melody in mid air.
The damp hill-slopes were quickened into green,
And the live green had kindled into flowers,
For it was past the time of Easterday.
So, when their feet were planted on the plain
That broadened toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
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At times the summit of the high city flashed;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that opened on the field below:
Anon, the whole fair city had disappeared.
Then those who went with Gareth were amazed,
One crying, 'Let us go no further, lord.
Here is a city of Enchanters, built
By fairy Kings.' The second echoed him,
'Lord, we have heard from our wise man at home
To Northward, that this King is not the King,
But only changeling out of Fairyland,
Who drave the heathen hence by sorcery
And Merlin's glamour.' Then the first again,
'Lord, there is no such city anywhere,
But all a vision.'
Gareth answered them
With laughter, swearing he had glamour enow
In his own blood, his princedom, youth and hopes,
To plunge old Merlin in the Arabian sea;
So pushed them all unwilling toward the gate.
And there was no gate like it under heaven.
For barefoot on the keystone, which was lined
And rippled like an ever-fleeting wave,
The Lady of the Lake stood: all her dress
Wept from her sides as water flowing away;
But like the cross her great and goodly arms
Stretched under the cornice and upheld:
And drops of water fell from either hand;
And down from one a sword was hung, from one
A censer, either worn with wind and storm;
And o'er her breast floated the sacred fish;
And in the space to left of her, and right,
Were Arthur's wars in weird devices done,
New things and old co-twisted, as if Time
Were nothing, so inveterately, that men
Were giddy gazing there; and over all
High on the top were those three Queens, the friends
Of Arthur, who should help him at his need.
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Then those with Gareth for so long a space
Stared at the figures, that at last it seemed
The dragon-boughts and elvish emblemings
Began to move, seethe, twine and curl: they called
To Gareth, 'Lord, the gateway is alive.'
And Gareth likewise on them fixt his eyes
So long, that even to him they seemed to move.
Out of the city a blast of music pealed.
Back from the gate started the three, to whom
From out thereunder came an ancient man,
Long-bearded, saying, 'Who be ye, my sons?'
Then Gareth, 'We be tillers of the soil,
Who leaving share in furrow come to see
The glories of our King: but these, my men,
(Your city moved so weirdly in the mist)
Doubt if the King be King at all, or come
From Fairyland; and whether this be built
By magic, and by fairy Kings and Queens;
Or whether there be any city at all,
Or all a vision: and this music now
Hath scared them both, but tell thou these the truth.'
Then that old Seer made answer playing on him
And saying, 'Son, I have seen the good ship sail
Keel upward, and mast downward, in the heavens,
And solid turrets topsy-turvy in air:
And here is truth; but an it please thee not,
Take thou the truth as thou hast told it me.
For truly as thou sayest, a Fairy King
And Fairy Queens have built the city, son;
They came from out a sacred mountain-cleft
Toward the sunrise, each with harp in hand,
And built it to the music of their harps.
And, as thou sayest, it is enchanted, son,
For there is nothing in it as it seems
Saving the King; though some there be that hold
The King a shadow, and the city real:
Yet take thou heed of him, for, so thou pass
Beneath this archway, then wilt thou become
A thrall to his enchantments, for the King
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Will bind thee by such vows, as is a shame
A man should not be bound by, yet the which
No man can keep; but, so thou dread to swear,
Pass not beneath this gateway, but abide
Without, among the cattle of the field.
For an ye heard a music, like enow
They are building still, seeing the city is built
To music, therefore never built at all,
And therefore built for ever.'
Gareth spake
Angered, 'Old master, reverence thine own beard
That looks as white as utter truth, and seems
Wellnigh as long as thou art statured tall!
Why mockest thou the stranger that hath been
To thee fair-spoken?'
But the Seer replied,
'Know ye not then the Riddling of the Bards?
"Confusion, and illusion, and relation,
Elusion, and occasion, and evasion"?
I mock thee not but as thou mockest me,
And all that see thee, for thou art not who
Thou seemest, but I know thee who thou art.
And now thou goest up to mock the King,
Who cannot brook the shadow of any lie.'
Unmockingly the mocker ending here
Turned to the right, and past along the plain;
Whom Gareth looking after said, 'My men,
Our one white lie sits like a little ghost
Here on the threshold of our enterprise.
Let love be blamed for it, not she, nor I:
Well, we will make amends.'
With all good cheer
He spake and laughed, then entered with his twain
Camelot, a city of shadowy palaces
And stately, rich in emblem and the work
Of ancient kings who did their days in stone;
Which Merlin's hand, the Mage at Arthur's court,
Knowing all arts, had touched, and everywhere
114
At Arthur's ordinance, tipt with lessening peak
And pinnacle, and had made it spire to heaven.
And ever and anon a knight would pass
Outward, or inward to the hall: his arms
Clashed; and the sound was good to Gareth's ear.
And out of bower and casement shyly glanced
Eyes of pure women, wholesome stars of love;
And all about a healthful people stept
As in the presence of a gracious king.
Then into hall Gareth ascending heard
A voice, the voice of Arthur, and beheld
Far over heads in that long-vaulted hall
The splendour of the presence of the King
Throned, and delivering doom--and looked no more-But felt his young heart hammering in his ears,
And thought, 'For this half-shadow of a lie
The truthful King will doom me when I speak.'
Yet pressing on, though all in fear to find
Sir Gawain or Sir Modred, saw nor one
Nor other, but in all the listening eyes
Of those tall knights, that ranged about the throne,
Clear honour shining like the dewy star
Of dawn, and faith in their great King, with pure
Affection, and the light of victory,
And glory gained, and evermore to gain.
Then came a widow crying to the King,
'A boon, Sir King! Thy father, Uther, reft
From my dead lord a field with violence:
For howsoe'er at first he proffered gold,
Yet, for the field was pleasant in our eyes,
We yielded not; and then he reft us of it
Perforce, and left us neither gold nor field.'
Said Arthur, 'Whether would ye? gold or field?'
To whom the woman weeping, 'Nay, my lord,
The field was pleasant in my husband's eye.'
And Arthur, 'Have thy pleasant field again,
And thrice the gold for Uther's use thereof,
According to the years. No boon is here,
But justice, so thy say be proven true.
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Accursed, who from the wrongs his father did
Would shape himself a right!'
And while she past,
Came yet another widow crying to him,
'A boon, Sir King! Thine enemy, King, am I.
With thine own hand thou slewest my dear lord,
A knight of Uther in the Barons' war,
When Lot and many another rose and fought
Against thee, saying thou wert basely born.
I held with these, and loathe to ask thee aught.
Yet lo! my husband's brother had my son
Thralled in his castle, and hath starved him dead;
And standeth seized of that inheritance
Which thou that slewest the sire hast left the son.
So though I scarce can ask it thee for hate,
Grant me some knight to do the battle for me,
Kill the foul thief, and wreak me for my son.'
Then strode a good knight forward, crying to him,
'A boon, Sir King! I am her kinsman, I.
Give me to right her wrong, and slay the man.'
Then came Sir Kay, the seneschal, and cried,
'A boon, Sir King! even that thou grant her none,
This railer, that hath mocked thee in full hall-None; or the wholesome boon of gyve and gag.'
But Arthur, 'We sit King, to help the wronged
Through all our realm. The woman loves her lord.
Peace to thee, woman, with thy loves and hates!
The kings of old had doomed thee to the flames,
Aurelius Emrys would have scourged thee dead,
And Uther slit thy tongue: but get thee hence-Lest that rough humour of the kings of old
Return upon me! Thou that art her kin,
Go likewise; lay him low and slay him not,
But bring him here, that I may judge the right,
According to the justice of the King:
Then, be he guilty, by that deathless King
Who lived and died for men, the man shall die.'
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Then came in hall the messenger of Mark,
A name of evil savour in the land,
The Cornish king. In either hand he bore
What dazzled all, and shone far-off as shines
A field of charlock in the sudden sun
Between two showers, a cloth of palest gold,
Which down he laid before the throne, and knelt,
Delivering, that his lord, the vassal king,
Was even upon his way to Camelot;
For having heard that Arthur of his grace
Had made his goodly cousin, Tristram, knight,
And, for himself was of the greater state,
Being a king, he trusted his liege-lord
Would yield him this large honour all the more;
So prayed him well to accept this cloth of gold,
In token of true heart and felty.
Then Arthur cried to rend the cloth, to rend
In pieces, and so cast it on the hearth.
An oak-tree smouldered there. 'The goodly knight!
What! shall the shield of Mark stand among these?'
For, midway down the side of that long hall
A stately pile,--whereof along the front,
Some blazoned, some but carven, and some blank,
There ran a treble range of stony shields,-Rose, and high-arching overbrowed the hearth.
And under every shield a knight was named:
For this was Arthur's custom in his hall;
When some good knight had done one noble deed,
His arms were carven only; but if twain
His arms were blazoned also; but if none,
The shield was blank and bare without a sign
Saving the name beneath; and Gareth saw
The shield of Gawain blazoned rich and bright,
And Modred's blank as death; and Arthur cried
To rend the cloth and cast it on the hearth.
'More like are we to reave him of his crown
Than make him knight because men call him king.
The kings we found, ye know we stayed their hands
From war among themselves, but left them kings;
Of whom were any bounteous, merciful,
117
Truth-speaking, brave, good livers, them we enrolled
Among us, and they sit within our hall.
But as Mark hath tarnished the great name of king,
As Mark would sully the low state of churl:
And, seeing he hath sent us cloth of gold,
Return, and meet, and hold him from our eyes,
Lest we should lap him up in cloth of lead,
Silenced for ever--craven--a man of plots,
Craft, poisonous counsels, wayside ambushings-No fault of thine: let Kay the seneschal
Look to thy wants, and send thee satisfied-Accursed, who strikes nor lets the hand be seen!'
And many another suppliant crying came
With noise of ravage wrought by beast and man,
And evermore a knight would ride away.
Last, Gareth leaning both hands heavily
Down on the shoulders of the twain, his men,
Approached between them toward the King, and asked,
'A boon, Sir King (his voice was all ashamed),
For see ye not how weak and hungerworn
I seem--leaning on these? grant me to serve
For meat and drink among thy kitchen-knaves
A twelvemonth and a day, nor seek my name.
Hereafter I will fight.'
To him the King,
'A goodly youth and worth a goodlier boon!
But so thou wilt no goodlier, then must Kay,
The master of the meats and drinks, be thine.'
He rose and past; then Kay, a man of mien
Wan-sallow as the plant that feels itself
Root-bitten by white lichen,
'Lo ye now!
This fellow hath broken from some Abbey, where,
God wot, he had not beef and brewis enow,
However that might chance! but an he work,
Like any pigeon will I cram his crop,
And sleeker shall he shine than any hog.'
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Then Lancelot standing near, 'Sir Seneschal,
Sleuth-hound thou knowest, and gray, and all the hounds;
A horse thou knowest, a man thou dost not know:
Broad brows and fair, a fluent hair and fine,
High nose, a nostril large and fine, and hands
Large, fair and fine!--Some young lad's mystery-But, or from sheepcot or king's hall, the boy
Is noble-natured. Treat him with all grace,
Lest he should come to shame thy judging of him.'
Then Kay, 'What murmurest thou of mystery?
Think ye this fellow will poison the King's dish?
Nay, for he spake too fool-like: mystery!
Tut, an the lad were noble, he had asked
For horse and armour: fair and fine, forsooth!
Sir Fine-face, Sir Fair-hands? but see thou to it
That thine own fineness, Lancelot, some fine day
Undo thee not--and leave my man to me.'
So Gareth all for glory underwent
The sooty yoke of kitchen-vassalage;
Ate with young lads his portion by the door,
And couched at night with grimy kitchen-knaves.
And Lancelot ever spake him pleasantly,
But Kay the seneschal, who loved him not,
Would hustle and harry him, and labour him
Beyond his comrade of the hearth, and set
To turn the broach, draw water, or hew wood,
Or grosser tasks; and Gareth bowed himself
With all obedience to the King, and wrought
All kind of service with a noble ease
That graced the lowliest act in doing it.
And when the thralls had talk among themselves,
And one would praise the love that linkt the King
And Lancelot--how the King had saved his life
In battle twice, and Lancelot once the King's-For Lancelot was the first in Tournament,
But Arthur mightiest on the battle-field-Gareth was glad. Or if some other told,
How once the wandering forester at dawn,
Far over the blue tarns and hazy seas,
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On Caer-Eryri's highest found the King,
A naked babe, of whom the Prophet spake,
'He passes to the Isle Avilion,
He passes and is healed and cannot die'-Gareth was glad. But if their talk were foul,
Then would he whistle rapid as any lark,
Or carol some old roundelay, and so loud
That first they mocked, but, after, reverenced him.
Or Gareth telling some prodigious tale
Of knights, who sliced a red life-bubbling way
Through twenty folds of twisted dragon, held
All in a gap-mouthed circle his good mates
Lying or sitting round him, idle hands,
Charmed; till Sir Kay, the seneschal, would come
Blustering upon them, like a sudden wind
Among dead leaves, and drive them all apart.
Or when the thralls had sport among themselves,
So there were any trial of mastery,
He, by two yards in casting bar or stone
Was counted best; and if there chanced a joust,
So that Sir Kay nodded him leave to go,
Would hurry thither, and when he saw the knights
Clash like the coming and retiring wave,
And the spear spring, and good horse reel, the boy
Was half beyond himself for ecstasy.
So for a month he wrought among the thralls;
But in the weeks that followed, the good Queen,
Repentant of the word she made him swear,
And saddening in her childless castle, sent,
Between the in-crescent and de-crescent moon,
Arms for her son, and loosed him from his vow.
This, Gareth hearing from a squire of Lot
With whom he used to play at tourney once,
When both were children, and in lonely haunts
Would scratch a ragged oval on the sand,
And each at either dash from either end-Shame never made girl redder than Gareth joy.
He laughed; he sprang. 'Out of the smoke, at once
I leap from Satan's foot to Peter's knee-These news be mine, none other's--nay, the King's--
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Descend into the city:' whereon he sought
The King alone, and found, and told him all.
'I have staggered thy strong Gawain in a tilt
For pastime; yea, he said it: joust can I.
Make me thy knight--in secret! let my name
Be hidden, and give me the first quest, I spring
Like flame from ashes.'
Here the King's calm eye
Fell on, and checked, and made him flush, and bow
Lowly, to kiss his hand, who answered him,
'Son, the good mother let me know thee here,
And sent her wish that I would yield thee thine.
Make thee my knight? my knights are sworn to vows
Of utter hardihood, utter gentleness,
And, loving, utter faithfulness in love,
And uttermost obedience to the King.'
Then Gareth, lightly springing from his knees,
'My King, for hardihood I can promise thee.
For uttermost obedience make demand
Of whom ye gave me to, the Seneschal,
No mellow master of the meats and drinks!
And as for love, God wot, I love not yet,
But love I shall, God willing.'
And the King
'Make thee my knight in secret? yea, but he,
Our noblest brother, and our truest man,
And one with me in all, he needs must know.'
'Let Lancelot know, my King, let Lancelot know,
Thy noblest and thy truest!'
And the King-'But wherefore would ye men should wonder at you?
Nay, rather for the sake of me, their King,
And the deed's sake my knighthood do the deed,
Than to be noised of.'
Merrily Gareth asked,
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'Have I not earned my cake in baking of it?
Let be my name until I make my name!
My deeds will speak: it is but for a day.'
So with a kindly hand on Gareth's arm
Smiled the great King, and half-unwillingly
Loving his lusty youthhood yielded to him.
Then, after summoning Lancelot privily,
'I have given him the first quest: he is not proven.
Look therefore when he calls for this in hall,
Thou get to horse and follow him far away.
Cover the lions on thy shield, and see
Far as thou mayest, he be nor ta'en nor slain.'
Then that same day there past into the hall
A damsel of high lineage, and a brow
May-blossom, and a cheek of apple-blossom,
Hawk-eyes; and lightly was her slender nose
Tip-tilted like the petal of a flower;
She into hall past with her page and cried,
'O King, for thou hast driven the foe without,
See to the foe within! bridge, ford, beset
By bandits, everyone that owns a tower
The Lord for half a league. Why sit ye there?
Rest would I not, Sir King, an I were king,
Till even the lonest hold were all as free
From cursd bloodshed, as thine altar-cloth
From that best blood it is a sin to spill.'
'Comfort thyself,' said Arthur. 'I nor mine
Rest: so my knighthood keep the vows they swore,
The wastest moorland of our realm shall be
Safe, damsel, as the centre of this hall.
What is thy name? thy need?'
'My name?' she said-'Lynette my name; noble; my need, a knight
To combat for my sister, Lyonors,
A lady of high lineage, of great lands,
And comely, yea, and comelier than myself.
She lives in Castle Perilous: a river
Runs in three loops about her living-place;
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And o'er it are three passings, and three knights
Defend the passings, brethren, and a fourth
And of that four the mightiest, holds her stayed
In her own castle, and so besieges her
To break her will, and make her wed with him:
And but delays his purport till thou send
To do the battle with him, thy chief man
Sir Lancelot whom he trusts to overthrow,
Then wed, with glory: but she will not wed
Save whom she loveth, or a holy life.
Now therefore have I come for Lancelot.'
Then Arthur mindful of Sir Gareth asked,
'Damsel, ye know this Order lives to crush
All wrongers of the Realm. But say, these four,
Who be they? What the fashion of the men?'
'They be of foolish fashion, O Sir King,
The fashion of that old knight-errantry
Who ride abroad, and do but what they will;
Courteous or bestial from the moment, such
As have nor law nor king; and three of these
Proud in their fantasy call themselves the Day,
Morning-Star, and Noon-Sun, and Evening-Star,
Being strong fools; and never a whit more wise
The fourth, who alway rideth armed in black,
A huge man-beast of boundless savagery.
He names himself the Night and oftener Death,
And wears a helmet mounted with a skull,
And bears a skeleton figured on his arms,
To show that who may slay or scape the three,
Slain by himself, shall enter endless night.
And all these four be fools, but mighty men,
And therefore am I come for Lancelot.'
Hereat Sir Gareth called from where he rose,
A head with kindling eyes above the throng,
'A boon, Sir King--this quest!' then--for he marked
Kay near him groaning like a wounded bull-'Yea, King, thou knowest thy kitchen-knave am I,
And mighty through thy meats and drinks am I,
And I can topple over a hundred such.
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Thy promise, King,' and Arthur glancing at him,
Brought down a momentary brow. 'Rough, sudden,
And pardonable, worthy to be knight-Go therefore,' and all hearers were amazed.
But on the damsel's forehead shame, pride, wrath
Slew the May-white: she lifted either arm,
'Fie on thee, King! I asked for thy chief knight,
And thou hast given me but a kitchen-knave.'
Then ere a man in hall could stay her, turned,
Fled down the lane of access to the King,
Took horse, descended the slope street, and past
The weird white gate, and paused without, beside
The field of tourney, murmuring 'kitchen-knave.'
Now two great entries opened from the hall,
At one end one, that gave upon a range
Of level pavement where the King would pace
At sunrise, gazing over plain and wood;
And down from this a lordly stairway sloped
Till lost in blowing trees and tops of towers;
And out by this main doorway past the King.
But one was counter to the hearth, and rose
High that the highest-crested helm could ride
Therethrough nor graze: and by this entry fled
The damsel in her wrath, and on to this
Sir Gareth strode, and saw without the door
King Arthur's gift, the worth of half a town,
A warhorse of the best, and near it stood
The two that out of north had followed him:
This bare a maiden shield, a casque; that held
The horse, the spear; whereat Sir Gareth loosed
A cloak that dropt from collar-bone to heel,
A cloth of roughest web, and cast it down,
And from it like a fuel-smothered fire,
That lookt half-dead, brake bright, and flashed as those
Dull-coated things, that making slide apart
Their dusk wing-cases, all beneath there burns
A jewelled harness, ere they pass and fly.
So Gareth ere he parted flashed in arms.
Then as he donned the helm, and took the shield
And mounted horse and graspt a spear, of grain
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Storm-strengthened on a windy site, and tipt
With trenchant steel, around him slowly prest
The people, while from out of kitchen came
The thralls in throng, and seeing who had worked
Lustier than any, and whom they could but love,
Mounted in arms, threw up their caps and cried,
'God bless the King, and all his fellowship!'
And on through lanes of shouting Gareth rode
Down the slope street, and past without the gate.
So Gareth past with joy; but as the cur
Pluckt from the cur he fights with, ere his cause
Be cooled by fighting, follows, being named,
His owner, but remembers all, and growls
Remembering, so Sir Kay beside the door
Muttered in scorn of Gareth whom he used
To harry and hustle.
'Bound upon a quest
With horse and arms--the King hath past his time-My scullion knave! Thralls to your work again,
For an your fire be low ye kindle mine!
Will there be dawn in West and eve in East?
Begone!--my knave!--belike and like enow
Some old head-blow not heeded in his youth
So shook his wits they wander in his prime-Crazed! How the villain lifted up his voice,
Nor shamed to bawl himself a kitchen-knave.
Tut: he was tame and meek enow with me,
Till peacocked up with Lancelot's noticing.
Well--I will after my loud knave, and learn
Whether he know me for his master yet.
Out of the smoke he came, and so my lance
Hold, by God's grace, he shall into the mire-Thence, if the King awaken from his craze,
Into the smoke again.'
But Lancelot said,
'Kay, wherefore wilt thou go against the King,
For that did never he whereon ye rail,
But ever meekly served the King in thee?
Abide: take counsel; for this lad is great
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And lusty, and knowing both of lance and sword.'
'Tut, tell not me,' said Kay, 'ye are overfine
To mar stout knaves with foolish courtesies:'
Then mounted, on through silent faces rode
Down the slope city, and out beyond the gate.
But by the field of tourney lingering yet
Muttered the damsel, 'Wherefore did the King
Scorn me? for, were Sir Lancelot lackt, at least
He might have yielded to me one of those
Who tilt for lady's love and glory here,
Rather than--O sweet heaven! O fie upon him-His kitchen-knave.'
To whom Sir Gareth drew
(And there were none but few goodlier than he)
Shining in arms, 'Damsel, the quest is mine.
Lead, and I follow.' She thereat, as one
That smells a foul-fleshed agaric in the holt,
And deems it carrion of some woodland thing,
Or shrew, or weasel, nipt her slender nose
With petulant thumb and finger, shrilling, 'Hence!
Avoid, thou smellest all of kitchen-grease.
And look who comes behind,' for there was Kay.
'Knowest thou not me? thy master? I am Kay.
We lack thee by the hearth.'
And Gareth to him,
'Master no more! too well I know thee, ay-The most ungentle knight in Arthur's hall.'
'Have at thee then,' said Kay: they shocked, and Kay
Fell shoulder-slipt, and Gareth cried again,
'Lead, and I follow,' and fast away she fled.
But after sod and shingle ceased to fly
Behind her, and the heart of her good horse
Was nigh to burst with violence of the beat,
Perforce she stayed, and overtaken spoke.
'What doest thou, scullion, in my fellowship?
Deem'st thou that I accept thee aught the more
Or love thee better, that by some device
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Full cowardly, or by mere unhappiness,
Thou hast overthrown and slain thy master--thou!-Dish-washer and broach-turner, loon!--to me
Thou smellest all of kitchen as before.'
'Damsel,' Sir Gareth answered gently, 'say
Whate'er ye will, but whatsoe'er ye say,
I leave not till I finish this fair quest,
Or die therefore.'
'Ay, wilt thou finish it?
Sweet lord, how like a noble knight he talks!
The listening rogue hath caught the manner of it.
But, knave, anon thou shalt be met with, knave,
And then by such a one that thou for all
The kitchen brewis that was ever supt
Shalt not once dare to look him in the face.'
'I shall assay,' said Gareth with a smile
That maddened her, and away she flashed again
Down the long avenues of a boundless wood,
And Gareth following was again beknaved.
'Sir Kitchen-knave, I have missed the only way
Where Arthur's men are set along the wood;
The wood is nigh as full of thieves as leaves:
If both be slain, I am rid of thee; but yet,
Sir Scullion, canst thou use that spit of thine?
Fight, an thou canst: I have missed the only way.'
So till the dusk that followed evensong
Rode on the two, reviler and reviled;
Then after one long slope was mounted, saw,
Bowl-shaped, through tops of many thousand pines
A gloomy-gladed hollow slowly sink
To westward--in the deeps whereof a mere,
Round as the red eye of an Eagle-owl,
Under the half-dead sunset glared; and shouts
Ascended, and there brake a servingman
Flying from out of the black wood, and crying,
'They have bound my lord to cast him in the mere.'
Then Gareth, 'Bound am I to right the wronged,
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But straitlier bound am I to bide with thee.'
And when the damsel spake contemptuously,
'Lead, and I follow,' Gareth cried again,
'Follow, I lead!' so down among the pines
He plunged; and there, blackshadowed nigh the mere,
And mid-thigh-deep in bulrushes and reed,
Saw six tall men haling a seventh along,
A stone about his neck to drown him in it.
Three with good blows he quieted, but three
Fled through the pines; and Gareth loosed the stone
From off his neck, then in the mere beside
Tumbled it; oilily bubbled up the mere.
Last, Gareth loosed his bonds and on free feet
Set him, a stalwart Baron, Arthur's friend.
'Well that ye came, or else these caitiff rogues
Had wreaked themselves on me; good cause is theirs
To hate me, for my wont hath ever been
To catch my thief, and then like vermin here
Drown him, and with a stone about his neck;
And under this wan water many of them
Lie rotting, but at night let go the stone,
And rise, and flickering in a grimly light
Dance on the mere. Good now, ye have saved a life
Worth somewhat as the cleanser of this wood.
And fain would I reward thee worshipfully.
What guerdon will ye?'
Gareth sharply spake,
'None! for the deed's sake have I done the deed,
In uttermost obedience to the King.
But wilt thou yield this damsel harbourage?'
Whereat the Baron saying, 'I well believe
You be of Arthur's Table,' a light laugh
Broke from Lynette, 'Ay, truly of a truth,
And in a sort, being Arthur's kitchen-knave!-But deem not I accept thee aught the more,
Scullion, for running sharply with thy spit
Down on a rout of craven foresters.
A thresher with his flail had scattered them.
Nay--for thou smellest of the kitchen still.
But an this lord will yield us harbourage,
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Well.'
So she spake. A league beyond the wood,
All in a full-fair manor and a rich,
His towers where that day a feast had been
Held in high hall, and many a viand left,
And many a costly cate, received the three.
And there they placed a peacock in his pride
Before the damsel, and the Baron set
Gareth beside her, but at once she rose.
'Meseems, that here is much discourtesy,
Setting this knave, Lord Baron, at my side.
Hear me--this morn I stood in Arthur's hall,
And prayed the King would grant me Lancelot
To fight the brotherhood of Day and Night-The last a monster unsubduable
Of any save of him for whom I called-Suddenly bawls this frontless kitchen-knave,
"The quest is mine; thy kitchen-knave am I,
And mighty through thy meats and drinks am I."
Then Arthur all at once gone mad replies,
"Go therefore," and so gives the quest to him-Him--here--a villain fitter to stick swine
Than ride abroad redressing women's wrong,
Or sit beside a noble gentlewoman.'
Then half-ashamed and part-amazed, the lord
Now looked at one and now at other, left
The damsel by the peacock in his pride,
And, seating Gareth at another board,
Sat down beside him, ate and then began.
'Friend, whether thou be kitchen-knave, or not,
Or whether it be the maiden's fantasy,
And whether she be mad, or else the King,
Or both or neither, or thyself be mad,
I ask not: but thou strikest a strong stroke,
For strong thou art and goodly therewithal,
And saver of my life; and therefore now,
For here be mighty men to joust with, weigh
Whether thou wilt not with thy damsel back
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To crave again Sir Lancelot of the King.
Thy pardon; I but speak for thine avail,
The saver of my life.'
And Gareth said,
'Full pardon, but I follow up the quest,
Despite of Day and Night and Death and Hell.'
So when, next morn, the lord whose life he saved
Had, some brief space, conveyed them on their way
And left them with God-speed, Sir Gareth spake,
'Lead, and I follow.' Haughtily she replied.
'I fly no more: I allow thee for an hour.
Lion and stout have isled together, knave,
In time of flood. Nay, furthermore, methinks
Some ruth is mine for thee. Back wilt thou, fool?
For hard by here is one will overthrow
And slay thee: then will I to court again,
And shame the King for only yielding me
My champion from the ashes of his hearth.'
To whom Sir Gareth answered courteously,
'Say thou thy say, and I will do my deed.
Allow me for mine hour, and thou wilt find
My fortunes all as fair as hers who lay
Among the ashes and wedded the King's son.'
Then to the shore of one of those long loops
Wherethrough the serpent river coiled, they came.
Rough-thicketed were the banks and steep; the stream
Full, narrow; this a bridge of single arc
Took at a leap; and on the further side
Arose a silk pavilion, gay with gold
In streaks and rays, and all Lent-lily in hue,
Save that the dome was purple, and above,
Crimson, a slender banneret fluttering.
And therebefore the lawless warrior paced
Unarmed, and calling, 'Damsel, is this he,
The champion thou hast brought from Arthur's hall?
For whom we let thee pass.' 'Nay, nay,' she said,
'Sir Morning-Star. The King in utter scorn
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Of thee and thy much folly hath sent thee here
His kitchen-knave: and look thou to thyself:
See that he fall not on thee suddenly,
And slay thee unarmed: he is not knight but knave.'
Then at his call, 'O daughters of the Dawn,
And servants of the Morning-Star, approach,
Arm me,' from out the silken curtain-folds
Bare-footed and bare-headed three fair girls
In gilt and rosy raiment came: their feet
In dewy grasses glistened; and the hair
All over glanced with dewdrop or with gem
Like sparkles in the stone Avanturine.
These armed him in blue arms, and gave a shield
Blue also, and thereon the morning star.
And Gareth silent gazed upon the knight,
Who stood a moment, ere his horse was brought,
Glorying; and in the stream beneath him, shone
Immingled with Heaven's azure waveringly,
The gay pavilion and the naked feet,
His arms, the rosy raiment, and the star.
Then she that watched him, 'Wherefore stare ye so?
Thou shakest in thy fear: there yet is time:
Flee down the valley before he get to horse.
Who will cry shame? Thou art not knight but knave.'
Said Gareth, 'Damsel, whether knave or knight,
Far liefer had I fight a score of times
Than hear thee so missay me and revile.
Fair words were best for him who fights for thee;
But truly foul are better, for they send
That strength of anger through mine arms, I know
That I shall overthrow him.'
And he that bore
The star, when mounted, cried from o'er the bridge,
'A kitchen-knave, and sent in scorn of me!
Such fight not I, but answer scorn with scorn.
For this were shame to do him further wrong
Than set him on his feet, and take his horse
And arms, and so return him to the King.
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Come, therefore, leave thy lady lightly, knave.
Avoid: for it beseemeth not a knave
To ride with such a lady.'
'Dog, thou liest.
I spring from loftier lineage than thine own.'
He spake; and all at fiery speed the two
Shocked on the central bridge, and either spear
Bent but not brake, and either knight at once,
Hurled as a stone from out of a catapult
Beyond his horse's crupper and the bridge,
Fell, as if dead; but quickly rose and drew,
And Gareth lashed so fiercely with his brand
He drave his enemy backward down the bridge,
The damsel crying, 'Well-stricken, kitchen-knave!'
Till Gareth's shield was cloven; but one stroke
Laid him that clove it grovelling on the ground.
Then cried the fallen, 'Take not my life: I yield.'
And Gareth, 'So this damsel ask it of me
Good--I accord it easily as a grace.'
She reddening, 'Insolent scullion: I of thee?
I bound to thee for any favour asked!'
'Then he shall die.' And Gareth there unlaced
His helmet as to slay him, but she shrieked,
'Be not so hardy, scullion, as to slay
One nobler than thyself.' 'Damsel, thy charge
Is an abounding pleasure to me. Knight,
Thy life is thine at her command. Arise
And quickly pass to Arthur's hall, and say
His kitchen-knave hath sent thee. See thou crave
His pardon for thy breaking of his laws.
Myself, when I return, will plead for thee.
Thy shield is mine--farewell; and, damsel, thou,
Lead, and I follow.'
And fast away she fled.
Then when he came upon her, spake, 'Methought,
Knave, when I watched thee striking on the bridge
The savour of thy kitchen came upon me
A little faintlier: but the wind hath changed:
I scent it twenty-fold.' And then she sang,
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'"O morning star" (not that tall felon there
Whom thou by sorcery or unhappiness
Or some device, hast foully overthrown),
"O morning star that smilest in the blue,
O star, my morning dream hath proven true,
Smile sweetly, thou! my love hath smiled on me."
'But thou begone, take counsel, and away,
For hard by here is one that guards a ford-The second brother in their fool's parable-Will pay thee all thy wages, and to boot.
Care not for shame: thou art not knight but knave.'
To whom Sir Gareth answered, laughingly,
'Parables? Hear a parable of the knave.
When I was kitchen-knave among the rest
Fierce was the hearth, and one of my co-mates
Owned a rough dog, to whom he cast his coat,
"Guard it," and there was none to meddle with it.
And such a coat art thou, and thee the King
Gave me to guard, and such a dog am I,
To worry, and not to flee--and--knight or knave-The knave that doth thee service as full knight
Is all as good, meseems, as any knight
Toward thy sister's freeing.'
'Ay, Sir Knave!
Ay, knave, because thou strikest as a knight,
Being but knave, I hate thee all the more.'
'Fair damsel, you should worship me the more,
That, being but knave, I throw thine enemies.'
'Ay, ay,' she said, 'but thou shalt meet thy match.'
So when they touched the second river-loop,
Huge on a huge red horse, and all in mail
Burnished to blinding, shone the Noonday Sun
Beyond a raging shallow. As if the flower,
That blows a globe of after arrowlets,
Ten thousand-fold had grown, flashed the fierce shield,
All sun; and Gareth's eyes had flying blots
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Before them when he turned from watching him.
He from beyond the roaring shallow roared,
'What doest thou, brother, in my marches here?'
And she athwart the shallow shrilled again,
'Here is a kitchen-knave from Arthur's hall
Hath overthrown thy brother, and hath his arms.'
'Ugh!' cried the Sun, and vizoring up a red
And cipher face of rounded foolishness,
Pushed horse across the foamings of the ford,
Whom Gareth met midstream: no room was there
For lance or tourney-skill: four strokes they struck
With sword, and these were mighty; the new knight
Had fear he might be shamed; but as the Sun
Heaved up a ponderous arm to strike the fifth,
The hoof of his horse slipt in the stream, the stream
Descended, and the Sun was washed away.
Then Gareth laid his lance athwart the ford;
So drew him home; but he that fought no more,
As being all bone-battered on the rock,
Yielded; and Gareth sent him to the King,
'Myself when I return will plead for thee.'
'Lead, and I follow.' Quietly she led.
'Hath not the good wind, damsel, changed again?'
'Nay, not a point: nor art thou victor here.
There lies a ridge of slate across the ford;
His horse thereon stumbled--ay, for I saw it.
'"O Sun" (not this strong fool whom thou, Sir Knave,
Hast overthrown through mere unhappiness),
"O Sun, that wakenest all to bliss or pain,
O moon, that layest all to sleep again,
Shine sweetly: twice my love hath smiled on me."
What knowest thou of lovesong or of love?
Nay, nay, God wot, so thou wert nobly born,
Thou hast a pleasant presence. Yea, perchance,-'"O dewy flowers that open to the sun,
O dewy flowers that close when day is done,
Blow sweetly: twice my love hath smiled on me."
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'What knowest thou of flowers, except, belike,
To garnish meats with? hath not our good King
Who lent me thee, the flower of kitchendom,
A foolish love for flowers? what stick ye round
The pasty? wherewithal deck the boar's head?
Flowers? nay, the boar hath rosemaries and bay.
'"O birds, that warble to the morning sky,
O birds that warble as the day goes by,
Sing sweetly: twice my love hath smiled on me."
'What knowest thou of birds, lark, mavis, merle,
Linnet? what dream ye when they utter forth
May-music growing with the growing light,
Their sweet sun-worship? these be for the snare
(So runs thy fancy) these be for the spit,
Larding and basting. See thou have not now
Larded thy last, except thou turn and fly.
There stands the third fool of their allegory.'
For there beyond a bridge of treble bow,
All in a rose-red from the west, and all
Naked it seemed, and glowing in the broad
Deep-dimpled current underneath, the knight,
That named himself the Star of Evening, stood.
And Gareth, 'Wherefore waits the madman there
Naked in open dayshine?' 'Nay,' she cried,
'Not naked, only wrapt in hardened skins
That fit him like his own; and so ye cleave
His armour off him, these will turn the blade.'
Then the third brother shouted o'er the bridge,
'O brother-star, why shine ye here so low?
Thy ward is higher up: but have ye slain
The damsel's champion?' and the damsel cried,
'No star of thine, but shot from Arthur's heaven
With all disaster unto thine and thee!
For both thy younger brethren have gone down
Before this youth; and so wilt thou, Sir Star;
Art thou not old?'
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'Old, damsel, old and hard,
Old, with the might and breath of twenty boys.'
Said Gareth, 'Old, and over-bold in brag!
But that same strength which threw the Morning Star
Can throw the Evening.'
Then that other blew
A hard and deadly note upon the horn.
'Approach and arm me!' With slow steps from out
An old storm-beaten, russet, many-stained
Pavilion, forth a grizzled damsel came,
And armed him in old arms, and brought a helm
With but a drying evergreen for crest,
And gave a shield whereon the Star of Even
Half-tarnished and half-bright, his emblem, shone.
But when it glittered o'er the saddle-bow,
They madly hurled together on the bridge;
And Gareth overthrew him, lighted, drew,
There met him drawn, and overthrew him again,
But up like fire he started: and as oft
As Gareth brought him grovelling on his knees,
So many a time he vaulted up again;
Till Gareth panted hard, and his great heart,
Foredooming all his trouble was in vain,
Laboured within him, for he seemed as one
That all in later, sadder age begins
To war against ill uses of a life,
But these from all his life arise, and cry,
'Thou hast made us lords, and canst not put us down!'
He half despairs; so Gareth seemed to strike
Vainly, the damsel clamouring all the while,
'Well done, knave-knight, well-stricken, O good knight-knave-O knave, as noble as any of all the knights-Shame me not, shame me not. I have prophesied-Strike, thou art worthy of the Table Round-His arms are old, he trusts the hardened skin-Strike--strike--the wind will never change again.'
And Gareth hearing ever stronglier smote,
And hewed great pieces of his armour off him,
But lashed in vain against the hardened skin,
And could not wholly bring him under, more
Than loud Southwesterns, rolling ridge on ridge,
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The buoy that rides at sea, and dips and springs
For ever; till at length Sir Gareth's brand
Clashed his, and brake it utterly to the hilt.
'I have thee now;' but forth that other sprang,
And, all unknightlike, writhed his wiry arms
Around him, till he felt, despite his mail,
Strangled, but straining even his uttermost
Cast, and so hurled him headlong o'er the bridge
Down to the river, sink or swim, and cried,
'Lead, and I follow.'
But the damsel said,
'I lead no longer; ride thou at my side;
Thou art the kingliest of all kitchen-knaves.
'"O trefoil, sparkling on the rainy plain,
O rainbow with three colours after rain,
Shine sweetly: thrice my love hath smiled on me."
'Sir,--and, good faith, I fain had added--Knight,
But that I heard thee call thyself a knave,-Shamed am I that I so rebuked, reviled,
Missaid thee; noble I am; and thought the King
Scorned me and mine; and now thy pardon, friend,
For thou hast ever answered courteously,
And wholly bold thou art, and meek withal
As any of Arthur's best, but, being knave,
Hast mazed my wit: I marvel what thou art.'
'Damsel,' he said, 'you be not all to blame,
Saving that you mistrusted our good King
Would handle scorn, or yield you, asking, one
Not fit to cope your quest. You said your say;
Mine answer was my deed. Good sooth! I hold
He scarce is knight, yea but half-man, nor meet
To fight for gentle damsel, he, who lets
His heart be stirred with any foolish heat
At any gentle damsel's waywardness.
Shamed? care not! thy foul sayings fought for me:
And seeing now thy words are fair, methinks
There rides no knight, not Lancelot, his great self,
Hath force to quell me.'
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Nigh upon that hour
When the lone hern forgets his melancholy,
Lets down his other leg, and stretching, dreams
Of goodly supper in the distant pool,
Then turned the noble damsel smiling at him,
And told him of a cavern hard at hand,
Where bread and baken meats and good red wine
Of Southland, which the Lady Lyonors
Had sent her coming champion, waited him.
Anon they past a narrow comb wherein
Where slabs of rock with figures, knights on horse
Sculptured, and deckt in slowly-waning hues.
'Sir Knave, my knight, a hermit once was here,
Whose holy hand hath fashioned on the rock
The war of Time against the soul of man.
And yon four fools have sucked their allegory
From these damp walls, and taken but the form.
Know ye not these?' and Gareth lookt and read-In letters like to those the vexillary
Hath left crag-carven o'er the streaming Gelt-'PHOSPHORUS,' then 'MERIDIES'--'HESPERUS'-'NOX'--'MORS,' beneath five figures, armd men,
Slab after slab, their faces forward all,
And running down the Soul, a Shape that fled
With broken wings, torn raiment and loose hair,
For help and shelter to the hermit's cave.
'Follow the faces, and we find it. Look,
Who comes behind?'
For one--delayed at first
Through helping back the dislocated Kay
To Camelot, then by what thereafter chanced,
The damsel's headlong error through the wood-Sir Lancelot, having swum the river-loops-His blue shield-lions covered--softly drew
Behind the twain, and when he saw the star
Gleam, on Sir Gareth's turning to him, cried,
'Stay, felon knight, I avenge me for my friend.'
And Gareth crying pricked against the cry;
But when they closed--in a moment--at one touch
Of that skilled spear, the wonder of the world--
138
Went sliding down so easily, and fell,
That when he found the grass within his hands
He laughed; the laughter jarred upon Lynette:
Harshly she asked him, 'Shamed and overthrown,
And tumbled back into the kitchen-knave,
Why laugh ye? that ye blew your boast in vain?'
'Nay, noble damsel, but that I, the son
Of old King Lot and good Queen Bellicent,
And victor of the bridges and the ford,
And knight of Arthur, here lie thrown by whom
I know not, all through mere unhappiness-Device and sorcery and unhappiness-Out, sword; we are thrown!' And Lancelot answered, 'Prince,
O Gareth--through the mere unhappiness
Of one who came to help thee, not to harm,
Lancelot, and all as glad to find thee whole,
As on the day when Arthur knighted him.'
Then Gareth, 'Thou--Lancelot!--thine the hand
That threw me? An some chance to mar the boast
Thy brethren of thee make--which could not chance-Had sent thee down before a lesser spear,
Shamed had I been, and sad--O Lancelot--thou!'
Whereat the maiden, petulant, 'Lancelot,
Why came ye not, when called? and wherefore now
Come ye, not called? I gloried in my knave,
Who being still rebuked, would answer still
Courteous as any knight--but now, if knight,
The marvel dies, and leaves me fooled and tricked,
And only wondering wherefore played upon:
And doubtful whether I and mine be scorned.
Where should be truth if not in Arthur's hall,
In Arthur's presence? Knight, knave, prince and fool,
I hate thee and for ever.'
And Lancelot said,
'Blessd be thou, Sir Gareth! knight art thou
To the King's best wish. O damsel, be you wise
To call him shamed, who is but overthrown?
Thrown have I been, nor once, but many a time.
Victor from vanquished issues at the last,
139
And overthrower from being overthrown.
With sword we have not striven; and thy good horse
And thou are weary; yet not less I felt
Thy manhood through that wearied lance of thine.
Well hast thou done; for all the stream is freed,
And thou hast wreaked his justice on his foes,
And when reviled, hast answered graciously,
And makest merry when overthrown. Prince, Knight
Hail, Knight and Prince, and of our Table Round!'
And then when turning to Lynette he told
The tale of Gareth, petulantly she said,
'Ay well--ay well--for worse than being fooled
Of others, is to fool one's self. A cave,
Sir Lancelot, is hard by, with meats and drinks
And forage for the horse, and flint for fire.
But all about it flies a honeysuckle.
Seek, till we find.' And when they sought and found,
Sir Gareth drank and ate, and all his life
Past into sleep; on whom the maiden gazed.
'Sound sleep be thine! sound cause to sleep hast thou.
Wake lusty! Seem I not as tender to him
As any mother? Ay, but such a one
As all day long hath rated at her child,
And vext his day, but blesses him asleep-Good lord, how sweetly smells the honeysuckle
In the hushed night, as if the world were one
Of utter peace, and love, and gentleness!
O Lancelot, Lancelot'--and she clapt her hands-'Full merry am I to find my goodly knave
Is knight and noble. See now, sworn have I,
Else yon black felon had not let me pass,
To bring thee back to do the battle with him.
Thus an thou goest, he will fight thee first;
Who doubts thee victor? so will my knight-knave
Miss the full flower of this accomplishment.'
Said Lancelot, 'Peradventure he, you name,
May know my shield. Let Gareth, an he will,
Change his for mine, and take my charger, fresh,
Not to be spurred, loving the battle as well
As he that rides him.' 'Lancelot-like,' she said,
140
'Courteous in this, Lord Lancelot, as in all.'
And Gareth, wakening, fiercely clutched the shield;
'Ramp ye lance-splintering lions, on whom all spears
Are rotten sticks! ye seem agape to roar!
Yea, ramp and roar at leaving of your lord!-Care not, good beasts, so well I care for you.
O noble Lancelot, from my hold on these
Streams virtue--fire--through one that will not shame
Even the shadow of Lancelot under shield.
Hence: let us go.'
Silent the silent field
They traversed. Arthur's harp though summer-wan,
In counter motion to the clouds, allured
The glance of Gareth dreaming on his liege.
A star shot: 'Lo,' said Gareth, 'the foe falls!'
An owl whoopt: 'Hark the victor pealing there!'
Suddenly she that rode upon his left
Clung to the shield that Lancelot lent him, crying,
'Yield, yield him this again: 'tis he must fight:
I curse the tongue that all through yesterday
Reviled thee, and hath wrought on Lancelot now
To lend thee horse and shield: wonders ye have done;
Miracles ye cannot: here is glory enow
In having flung the three: I see thee maimed,
Mangled: I swear thou canst not fling the fourth.'
'And wherefore, damsel? tell me all ye know.
You cannot scare me; nor rough face, or voice,
Brute bulk of limb, or boundless savagery
Appal me from the quest.'
'Nay, Prince,' she cried,
'God wot, I never looked upon the face,
Seeing he never rides abroad by day;
But watched him have I like a phantom pass
Chilling the night: nor have I heard the voice.
Always he made his mouthpiece of a page
Who came and went, and still reported him
As closing in himself the strength of ten,
And when his anger tare him, massacring
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Man, woman, lad and girl--yea, the soft babe!
Some hold that he hath swallowed infant flesh,
Monster! O Prince, I went for Lancelot first,
The quest is Lancelot's: give him back the shield.'
Said Gareth laughing, 'An he fight for this,
Belike he wins it as the better man:
Thus--and not else!'
But Lancelot on him urged
All the devisings of their chivalry
When one might meet a mightier than himself;
How best to manage horse, lance, sword and shield,
And so fill up the gap where force might fail
With skill and fineness. Instant were his words.
Then Gareth, 'Here be rules. I know but one-To dash against mine enemy and win.
Yet have I seen thee victor in the joust,
And seen thy way.' 'Heaven help thee,' sighed Lynette.
Then for a space, and under cloud that grew
To thunder-gloom palling all stars, they rode
In converse till she made her palfrey halt,
Lifted an arm, and softly whispered, 'There.'
And all the three were silent seeing, pitched
Beside the Castle Perilous on flat field,
A huge pavilion like a mountain peak
Sunder the glooming crimson on the marge,
Black, with black banner, and a long black horn
Beside it hanging; which Sir Gareth graspt,
And so, before the two could hinder him,
Sent all his heart and breath through all the horn.
Echoed the walls; a light twinkled; anon
Came lights and lights, and once again he blew;
Whereon were hollow tramplings up and down
And muffled voices heard, and shadows past;
Till high above him, circled with her maids,
The Lady Lyonors at a window stood,
Beautiful among lights, and waving to him
White hands, and courtesy; but when the Prince
Three times had blown--after long hush--at last--
142
The huge pavilion slowly yielded up,
Through those black foldings, that which housed therein.
High on a nightblack horse, in nightblack arms,
With white breast-bone, and barren ribs of Death,
And crowned with fleshless laughter--some ten steps-In the half-light--through the dim dawn--advanced
The monster, and then paused, and spake no word.
But Gareth spake and all indignantly,
'Fool, for thou hast, men say, the strength of ten,
Canst thou not trust the limbs thy God hath given,
But must, to make the terror of thee more,
Trick thyself out in ghastly imageries
Of that which Life hath done with, and the clod,
Less dull than thou, will hide with mantling flowers
As if for pity?' But he spake no word;
Which set the horror higher: a maiden swooned;
The Lady Lyonors wrung her hands and wept,
As doomed to be the bride of Night and Death;
Sir Gareth's head prickled beneath his helm;
And even Sir Lancelot through his warm blood felt
Ice strike, and all that marked him were aghast.
At once Sir Lancelot's charger fiercely neighed,
And Death's dark war-horse bounded forward with him.
Then those that did not blink the terror, saw
That Death was cast to ground, and slowly rose.
But with one stroke Sir Gareth split the skull.
Half fell to right and half to left and lay.
Then with a stronger buffet he clove the helm
As throughly as the skull; and out from this
Issued the bright face of a blooming boy
Fresh as a flower new-born, and crying, 'Knight,
Slay me not: my three brethren bad me do it,
To make a horror all about the house,
And stay the world from Lady Lyonors.
They never dreamed the passes would be past.'
Answered Sir Gareth graciously to one
Not many a moon his younger, 'My fair child,
What madness made thee challenge the chief knight
Of Arthur's hall?' 'Fair Sir, they bad me do it.
They hate the King, and Lancelot, the King's friend,
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They hoped to slay him somewhere on the stream,
They never dreamed the passes could be past.'
Then sprang the happier day from underground;
And Lady Lyonors and her house, with dance
And revel and song, made merry over Death,
As being after all their foolish fears
And horrors only proven a blooming boy.
So large mirth lived and Gareth won the quest.
And he that told the tale in older times
Says that Sir Gareth wedded Lyonors,
But he, that told it later, says Lynette.
~ Alfred Lord Tennyson,
1364:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
418
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
419
Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
420
The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
421
But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
422
And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
423
And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
424
Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
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XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
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XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
475
And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,
1365:The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
162
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
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III.
One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.
Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.
Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.
IV.
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
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Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And
And
And
And
And
there was one who turned from clamoring streets,
walked in lamplit gardens among black trees,
looked at the windy sky,
thought with terror how stones and roots would freeze
birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
V.
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
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One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We
We
We
We
We
flow to the east, to the white-lined shivering sea;
reach to the west, where the whirling sun went down;
close our eyes to music in bright cafees.
diverge from clamorous streets to streets that are silent.
loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
VI.
Over the darkened city, the city of towers,
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The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
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'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
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Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
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I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
VII.
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
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He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
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And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
VIII.
The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.
The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
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Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .
And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.
PART II.
I.
The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.
And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,
And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.
There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.
Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.
We descend our separate stairs toward the day,
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Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.
II. THE FULFILLED DREAM
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
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His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
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III. INTERLUDE
The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.
A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.
IV. NIGHTMARE
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
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My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.
'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.
'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.
'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'
The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;
And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .
The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
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You do not guess the adventure I have had! . . .
Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.
V. RETROSPECT
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
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And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
VI. ADELE AND DAVIS
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
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His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
VII. TWO LOVERS: OVERTONES
180
Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
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'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
VIII. THE BOX WITH SILVER HANDLES
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Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
183
With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.
IX. INTERLUDE
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
184
My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
X. SUDDEN DEATH
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
185
Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
186
'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
XI.
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
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Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And
And
And
And
one goes late in the streets, and thinks of murder;
one lies staring, and thinks of death.
one, who has suffered, clenches her hands despairing,
holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And
And
And
And
And
the new are born who desire to destroy the old;
fires are kindled and quenched; and dreams are broken,
walls flung down . . .
the slow night whirls in snow over towers of dreamers,
whiteness hushes the town.
PART III
188
As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
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II. THE SCREEN MAIDEN
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
190
The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
191
To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
192
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
III. HAUNTED CHAMBERS
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
193
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
IV. ILLICIT
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
194
A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
195
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.
So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
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Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
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Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
198
Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
VII. PORCELAIN
You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?
Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .
Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed the room in one tremendous leap.
Here,—as I coil the stems between two leaves,—
It is as if, dwindling to atomy size,
199
I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,—
Though with his eyes wide open,—
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals—
All of it darkly moving . . . as for me,
I need no hasheesh for it—it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.
Here, in a simple pattern of separate violets—
With scalloped edges gilded—here you have me
Thinking of something else. My wife, you know,—
There's something lacking—force, or will, or passion,
I don't know what it is—and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy—just like poplar trees
Ruffling their leaves—and I begin to think
Of poor Pauline, so many years ago,
And that delicious night. Where is she now?
I meant to write—but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more—I'm getting old and timid—
The years have gnawed my will. I've lost my nerve!
I never strike out boldly as I used to—
But sit here, painting violets, and remember
That thrilling night. Photographers, she said,
Asked her to pose for them; her eyes and forehead,—
Dark brown eyes, and a smooth and pallid forehead,—
Were thought so beautiful.—And so they were.
Pauline . . . These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .
200
Here, if you only knew it, is a story—
Here, in these leaves. I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . . I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,—just change, by growing,
Without an effort . . . And here are trivial things,—
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial? Well, no matter!
This is the sort of thing you'll see of me,
If you look hard enough. This, in its way,
Is a kind of fame. My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist—
You have my head before you . . . on a platter.
VIII. COFFINS: INTERLUDE
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
201
One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
202
IX. CABARET
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'
You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'
Well, you are right . . . No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
203
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go . . . In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . . They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
X. LETTER
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
204
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
205
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
~ Conrad Potter Aiken,
1366:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
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I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
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That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
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But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
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'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
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Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
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But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
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Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
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Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
80
Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
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By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
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The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
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When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
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Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
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See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
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And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
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To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
92
Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
93
Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
94
He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
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Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
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[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
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Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
100
Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
101
Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
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Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
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To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
109
Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
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Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
112
Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,
1367:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,
1368:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?

ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
                   They dare not.
                   Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
               How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
            No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
            And what art thou,
O, melancholy Voice?
The Earth.
           I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
             Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
          Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
  My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
  And through their lulling plumes arise,
A Shape, a throng of sounds;
  May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
  Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
  Clothed in dark purple, star-inwoven.
A sceptre of pale gold
  To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
       He speaks! O shelter me!
       Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
  All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
  One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
  O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
  To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
  Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
  In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
  Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
  And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
                They were thine.
                Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
         Let me but look into his eyes!
         Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
        Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
                Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
            Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
                 Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
                   Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
           Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
              I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
          O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
                  Prometheus!
                  Second Fury.
Immortal Titan!
Third Fury.
        Champion of Heaven's slaves!
        Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
               Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
           Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
     Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
     Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
  Fire is left for future burning:
It will burst in bloodier flashes
  When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
  Misery's yet unkindled fuel:
  Leave Hell's secrets half unchanted
   To the maniac dreamer; cruel
  More than ye can be with hate
    Is he with fear.
     Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
     Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
       It is torn.
       Chorus.
              The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
  One came forth of gentle worth
  Smiling on the sanguine earth;
  His words outlived him, like swift poison
   Withering up truth, peace, and pity.
  Look! where round the wide horizon
   Many a million-peopled city
  Vomits smoke in the bright air.
  Hark that outcry of despair!
  'Tis his mild and gentle ghost
   Wailing for the faith he kindled:
  Look again, the flames almost
   To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
    Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
              'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
  Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
           A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
     The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
   In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
                   Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
               There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
              And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
                  As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
  Are to us as soft winds be
  To shepherd boys, the prophecy
  Which begins and ends in thee.
  Ione.
Where are the Spirits fled?
Panthea.
               Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.

ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
               I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
              Lift up thine eyes,
And let me read thy dream.
Panthea.
              As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
         Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
                     Follow! Follow!
                     Panthea.
It is mine other dream.
Asia.
            It disappears.
            Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
          As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
               Follow, follow!
               Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
               It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
  Child of Ocean!
  Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
                  I hear.
                  Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)

O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
  Child of Ocean!
  Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
  Child of Ocean!
  Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
  Child of Ocean!
  Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
  Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
  Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
  And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
  Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
  And first there comes a gentle sound
  To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
                 'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
  Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
  Down, down!
   While the sound whirls around,
  Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
  Down, down!
   Through the gray, void abysm,
  Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
  Down, down!
   In the depth of the deep,
  Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
  Down, down!
   We have bound thee, we guide thee;
  Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
  By that alone.
  Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
           I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
         Ask what thou wouldst know.
         Asia.
What canst thou tell?
Demogorgon.
           All things thou dar'st demand.
           Asia.
Who made the living world?
Demogorgon.
              God.
              Asia.
                Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
             Merciful God.
             Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
                    He reigns.
                    Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
     I feel, I know it: who?
     Demogorgon.
                  He reigns.
                  Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
            I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
                 If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
                    Behold!
                    Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
       These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
          That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
           Thus I am answered: strange!
           Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
                Alas! it could not.
                Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
                Yes, I feel
                Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
            List! Spirits speak.
            Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.

ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
                And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
    Awful shape, what art thou? Speak!
    Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
           Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
                 Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
           Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
                 Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
                Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.

It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
                    Farewell.
                    Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
            Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
         Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.

For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
               I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
    It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
       This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
         It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
           Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
       What; as Asia loves Prometheus?
       Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
                 Listen; look!
                 [The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.

ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
  But where are ye?
  A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
         They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
  But where are ye?
   The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
  But where are ye?
  Ione.
What charioteers are these?
Panthea.
               Where are their chariots?
               Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
      In the deep?
      Semichorus II.
             Oh, below the deep.
             Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
          Worse than his visions were!
          Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
                    Unite!
                    Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
          Yet feel you no delight
From the past sweetness?
Panthea.
             As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
             Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
          Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
  Through me, through me!
  The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
  On mine, on mine!
   Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
  'Tis love, all love!
  The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
  Thy vales more deep.
  The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
  On mine, on mine!
  The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
  Full, oh, too full!
   Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
  Upon its snow
  The Earth.
  And the weak day weeps
   That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
               Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
                 Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.

Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,
1369:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
90
Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
91
aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
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To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
100
with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
101
dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
102
Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
103
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
104
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
105
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
106
A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
107
for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
108
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
109
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
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Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
114
His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
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From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
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so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,

IN CHAPTERS [263/263]



  116 Poetry
   55 Integral Yoga
   28 Mysticism
   28 Fiction
   19 Philosophy
   13 Christianity
   12 Occultism
   6 Baha i Faith
   5 Yoga
   4 Science
   4 Psychology
   4 Integral Theory
   3 Philsophy
   2 Mythology
   1 Theosophy
   1 Thelema
   1 Hinduism
   1 Alchemy


   49 Sri Aurobindo
   24 Nolini Kanta Gupta
   19 William Butler Yeats
   17 H P Lovecraft
   14 Percy Bysshe Shelley
   10 William Wordsworth
   10 Pierre Teilhard de Chardin
   9 Rabindranath Tagore
   7 Satprem
   7 Aleister Crowley
   6 Sri Ramakrishna
   6 Jorge Luis Borges
   6 Baha u llah
   5 The Mother
   5 John Keats
   5 Friedrich Nietzsche
   4 James George Frazer
   3 Ralph Waldo Emerson
   3 Lucretius
   3 George Van Vrekhem
   3 Edgar Allan Poe
   2 Walt Whitman
   2 Robert Browning
   2 Ken Wilber
   2 Jordan Peterson
   2 Johann Wolfgang von Goethe
   2 Henry David Thoreau
   2 Carl Jung
   2 Anonymous


   19 Yeats - Poems
   17 Lovecraft - Poems
   14 Shelley - Poems
   12 Collected Poems
   10 Wordsworth - Poems
   10 The Secret Of The Veda
   9 Tagore - Poems
   8 Collected Works of Nolini Kanta Gupta - Vol 02
   8 5.1.01 - Ilion
   6 Hymns to the Mystic Fire
   5 The Gospel of Sri Ramakrishna
   5 Keats - Poems
   4 Vedic and Philological Studies
   4 Thus Spoke Zarathustra
   4 The Secret Doctrine
   4 The Phenomenon of Man
   4 The Golden Bough
   4 Crowley - Poems
   4 Collected Works of Nolini Kanta Gupta - Vol 08
   4 Collected Works of Nolini Kanta Gupta - Vol 07
   4 Collected Works of Nolini Kanta Gupta - Vol 05
   3 The Life Divine
   3 The Book of Certitude
   3 The Bible
   3 Savitri
   3 Preparing for the Miraculous
   3 Of The Nature Of Things
   3 Letters On Yoga IV
   3 Labyrinths
   3 Emerson - Poems
   3 Borges - Poems
   2 Whitman - Poems
   2 Walden
   2 The Future of Man
   2 Sex Ecology Spirituality
   2 Poe - Poems
   2 On the Way to Supermanhood
   2 Maps of Meaning
   2 Magick Without Tears
   2 Letters On Poetry And Art
   2 Let Me Explain
   2 Hymn of the Universe
   2 Goethe - Poems
   2 Essays In Philosophy And Yoga
   2 Collected Works of Nolini Kanta Gupta - Vol 01
   2 Browning - Poems


00.02 - Mystic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   We can make a distinction here between two types of expression which we have put together indiscriminately, figures and symbols. Figures, we may say, are those that are constructed by the rational mind, the intellect; they are mere metaphors and similes and are not organically related to the thing experienced, but put round it as a robe that can be dropped or changed without affecting the experience itself. Thus, for example, when the Upanishad says, tmnam rathinam viddhi (Know that the soul is the master of the chariot who sits within it) or indriyi haynhu (The senses, they say, are the horses), we have here only a comparison or analogy that is common and natural to the poetic manner. The particular figure or simile used is not inevitable to the idea or experience that it seeks to express, its part and parcel. On the other hand, take this Upanishadic perception: hirayamayena patrea satyasyphitam mukham (The face of the Truth lies hidden under the golden orb). Here the symbol is not mere analogy or comparison, a figure; it is one with the very substance of the experience the two cannot be separated. Or when the Vedas speak of the kindling of the Fire, the rushing of the waters or the rise of the Dawn, the images though taken from the material world, are not used for the sake of mere comparison, but they are the embodiments, the living forms of truths experienced in another world.
   When a Mystic refers to the Solar Light or to the Fire the light, for example, that struck down Saul and transformed him into Saint Paul or the burning bush that visited Moses, it is not the physical or material object that he means and yet it is that in a way. It is the materialization of something that is fundamentally not material: some movement in an inner consciousness precipitates itself into the region of the senses and takes from out of the material the form commensurable with its nature that it finds there.

00.03 - Upanishadic Symbolism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Hantakr is the appearance, the manifestation of the Divinity that which makes the worshipper cry in delight, "Hail!" It is the coming of the Dawnahanwhen the night has been traversed and the lid rent open, the appearance of the Divine to a human vision for the human consciousness to seize, almost in a human form.
   Finally, once the Truth is reached, it is to be held fast, firmly established, embodied and fixed in its inherent nature here in life and the waking consciousness. This is Svadh.

0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
    Neglect not the Dawn-meditation!
    The first plovers' eggs fetch the highest prices; the
  --
    Neglect not the Dawn-meditation!
    early to bed and early to rise
  --
    Neglect not the Dawn-meditation!
                  [106]
  --
     most of all of every herald of the Dawn!
    O ye who dwell in the City of the Pyramids beneath

0.01f - FOREWARD, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  From the Dawn of his existence, man has been held up as a
  spectacle to himself. Indeed for tens of centuries he has looked at

0.07 - DARK NIGHT OF THE SOUL, #Dark Night of the Soul, #Saint John of the Cross, #Christianity
  5. Oh, night that guided me, Oh, night more lovely than the Dawn,
  Oh, night that joined Beloved with lover, Lover transformed in the Beloved!

01.01 - The New Humanity, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   That Power, that Spirit has been growing and gathering its strength during all the millenniums that humanity has lived through. On the momentous day when man appeared on earth, the Higher Man also took his birth. Since the hour the Spirit refused to be imprisoned in its animal sheath and came out as man, it approached by that very uplift a greater freedom and a vaster movement. It was the crest of that underground wave which peered over the surface from age to age, from clime to clime through the experiences of poets and prophets and sages the Head of the Sacrificial Horse galloping towards the Dawn.
   And now the days of captivity or rather of inner preparation are at an end. The voice in the wilderness was necessary, for it was a call and a communion in the silence of the soul. Today the silence seeks utterance. Today the shell is ripe enough to break and to bring out the mature and full-grown being. The king that was in hiding comes in glory and triumph, in his complete regalia.

01.03 - Mystic Poetry, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   To sum up and recapitulate. The evolution of the poetic expression in man has ever been an attempt at a return and a progressive approach to the spiritual source of poetic inspiration, which was also the original, though somewhat veiled, source from the very beginning. The movement has followed devious waysstrongly negative at timeseven like man's life and consciousness in general of which it is an organic member; but the ultimate end and drift seems to have been always that ideal and principle even when fallen on evil days and evil tongues. The poet's ideal in the Dawn of the world was, as the Vedic Rishi sang, to raise things of beauty in heaven by his poetic power,kavi kavitv divi rpam sajat. Even a Satanic poet, the inaugurator, in a way, of modernism and modernistic consciousness, Charles Baudelaire, thus admonishes his spirit:
   "Flyaway, far from these morbid miasmas, go and purify yourself in the higher air and drink, like a pure and divine liquor, the clear fire that fills the limpid spaces."18

01.03 - The Yoga of the King - The Yoga of the Souls Release, #Savitri, #Sri Aurobindo, #Integral Yoga
  There gleamed the Dawn of a spiritual day.
  \t:As so he grew into his larger self,

01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Yes, by the force of this secret knowledge he has discovered, this supreme skill in action, as it is termed in the Eastern lore, I that the poet at last comes out into the open, into the light and happiness of the Dawn and the Day:
   Whisper of running streams, and winter lightning.

0 1962-12-28, #Agenda Vol 03, #The Mother, #Integral Yoga
   This cleansing of the middle ground is the whole story of Sri Aurobindo and the Mother I had been dredging, dredging, dredging the mire of the subconscious. The supramental light was coming down before November,2 but afterwards all the mud arose and it stopped.3 Once again Sri Aurobindo verified, not individually this time but collectively, that if one pulls down too strong a light, the violated darkness below is made to moan. It is noteworthy that each time Sri Aurobindo and the Mother had some new experience marking a progress in the transformation, this progress automatically materialized in the consciousness of the disciples, without their even knowing anything about it, as a period of increased difficulties, sometimes even revolts or illnesses, as though everything were grating and grinding. But then, one begins to understand the mechanism. If a pygmy were abruptly subjected to the simple mental light of a cultivated man, we would probably see the poor fellow traumatized and driven mad by the subterranean revolutions within him. There is still too much jungle beneath the surface. The world is still full of jungle, thats the crux of the matter in a word; our mental colonization is a minuscule crust plastered over a barely dry quaternary. And the battle seems endless; one digs and digs, said the Rishis, and the deeper one digs, the more the bottom seems to recede: I have been digging, digging. Many autumns have I been toiling night and day, the Dawns aging me. Age is diminishing the glory of our bodies. Thus, thousands of years ago, lamented Lopamudra, wife of Rishi Agastya, who was also seeking transformation. But Agastya doesnt lose heart, and his reply is magnificently characteristic of the conquerors the Rishis were: Not in vain is the labor which the gods protect. Let us relish all the contesting forces, let us conquer indeed even here, let us run this battle race of a hundred leadings.
   (Rig-Veda I.179)

0 1963-12-07 - supramental ship, #Agenda Vol 04, #The Mother, #Integral Yoga
   Some still had quite blurred and cloudy spaces; with others, it was precise, there were even some very precise details. And clear, clear: there was a light the Dawning of a light.
   If this goes on, it will be fine. It will change a lot of things.

0 1964-01-29, #Agenda Vol 05, #The Mother, #Integral Yoga
   Doubt, discouragement, diminution or loss of faith, waning of the vital enthusiasm for the ideal, perplexity and a baffling of the hope for the future are the common features of the difficulty. In the world outside there are much worse symptoms such as the general increase of cynicism, a refusal to believe in anything at all, a decrease of honesty, an immense corruption, a preoccupation with food, money, comfort, pleasure, to the exclusion of higher things, and a general expectation of worse and worse things awaiting the world. All that, however acute, is a temporary phenomenon for which those who know anything about the workings of the world-energy and the workings of the Spirit were prepared. I myself foresaw that this worst would come, the darkness of night before the Dawn; therefore I am not discouraged. I know what is preparing behind the darkness and can see and feel the first signs of its coming. Those who seek for the Divine have to stand firm and persist in their seeking; after a time, the darkness will fade and begin to disappear and the Light will come.
   (XXVI.169-170, April 9, 1947)

0 1970-03-14, #Agenda Vol 11, #The Mother, #Integral Yoga
   I remembered the time when Sri Aurobindo was here. You see, the inner part of the being used to enter into a consciousness that felt and saw things according to the higher consciousness they were quite different; then, when Sri Aurobindo fell ill, in fact, when there were all those things, first that accident (he broke his leg2) then the body, the BODY used to say constantly, Those are dreams, those are dreams, its not for us; for us bodies, this is how it is. (gesture underground) It was frightful. Then all that left. It left completely after so many yearsall those years of effortit left: the body itself would feel the divine Presence, and its impression was that everything necessarily had to change. So then, these last few days, that formation which had left (a terrestrial formation, of all mankind, which means that those who have the vision or perception of, or even just the aspiration to, that higher Truth, when they come back into the [material] Fact, they are in front of this dreadfully painful thing, this perpetual negation by all circumstances), that formation, from which the body had completely freed itself, came back. It came back, but when it came back, when the body saw it, it saw it AS ONE SEES A FALSEHOOD. And I understood how much it had changed, because when it saw the formation, its impression it looked at it with a smile and the impression: ah, an old formation now devoid of truth. It was an extraordinary experience: that thing, its time is over. Its time is over. And this Pressure of the Consciousness is a pressure for things as they wereso miserable and so petty and so obscure and so apparently inescapable at the same timeall of it was (Mother gestures above her shoulder) behind, like an antiquated past. So then, I really sawsaw, understood that the work of this Consciousness (which is PITILESS, its not concerned whether its difficult or not, probably not even much concerned about apparent damage) is for the normal state to cease to be this thing which is so heavy, so obscure, so uglyso lowand for the Dawn to come you know, something dawning on the horizon: a new Consciousness. That something truer and more luminous.
   What Sri Aurobindo says here about diseases is just the point: the power of habit, of all constructions, of what appears inescapable and irrevocable in diseases. With all that, experiences seem to multiply in order to show in order for one to learn that its simply a question of attitude the attitude of going beyond beyond this mental prison humanity has locked itself in, and of breathing up above.

02.01 - The World War, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
   "Since the end of the Middle Ages, conquerors did harm perhaps to civilization, but they never claimed to bring it into question. They ascribed their excesses and crimes to motives of necessity, but never dreamed for a moment to hold them up as exemplary actions on which subject nations were called upon to fashion their morality, their code, their gospel.. . Since the Dawn of modern times the accidents of military history in Europe have never meant for her the end of her most precious spiritual and moral values and a sudden annulment of all the work done by the past generations in the direction of mutual respect, equity, goodwillor, to put all into a single word, in the direction of humanity."
   Modern thinkers do not speak of the Asura the Demon or the Titanalthough the religiously minded sometimes refer to the Anti-Christ; but the real, the inner significance of the terms, is lost to a mind nurtured in science and empiricism; they are considered as more or less imaginative symbols for certain undesirable qualities of nature and character. Yet some have perceived and expressed the external manifestation and activities of the Asura in a way sufficient to open men's eyes to the realities involved. Thus they have declared that the present war is a conflict between two ideals, to be sure, but also that the two ideals are so different that they do not belong to the same plane or order; they belong to different planes and different orders. On one side the whole endeavour is to bring man down from the level to which he has arisen in the course of evolution to something like his previous level and to keep him imprisoned there. That this is really their aim, the protagonists and partisans themselves have declared frankly and freely and loudly enough, without any hesitation or reservation. Hitler's 'Mein Kampf' has become the Scripture of the New Order; it has come with a more categorical imperative, a more supernal authority than the Veda, the Bible or the Koran.

02.11 - Hymn to Darkness, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   (III) The Goddess comes and veils her sister, the Dawn and glows through the blackness.
   (IV) She is now that to us wherein we shall rest even as birds do on a tree.

02.13 - Rabindranath and Sri Aurobindo, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   "Tagore has been a wayfarer towards the same goal as ours in his own way." Sri Aurobindo wrote these words in the thirties and their full significance can be grasped only when it is understood that the two master-souls were at one in the central purpose of their lives. Also there is a further bond of natural affinity between them centring round the fact that both were poets, in a deeper sense, seer poetsRabindranath the Poet of the Dawn, Sri Aurobindo the Poet and Prophet of the Eternal Day, a new Dawn and Day for the human race.
   And both had the vision of a greater Tomorrow for their Motherl and and that was why both regarded her freedom as the basic necessity for the recovery of her greatness. How the inspired songs and speeches of Rabindranath and the flaming utterances of Sri Aurobindo created a psychological revolution almost overnight in the mind and heart of the people during the Swadeshi days forms a glorious chapter in the history of India's freedom movement. Profoundly touched by Sri Aurobindo's soul-stirring lead to the country, Rabindranath wrote a memorable poem, addressing Sri Aurobindo, which is still enshrined in the hearts of his countrymen. Rabindranath himself called on Sri Aurobindo and read out to him his heart's homage. We remember with thrill the majestic opening lines:
  --
   Sri Aurobindo retired from the outer political world to devote himself more intensively to the discovery and conquestof a new consciousness and force, glimpses of which he was having at the time and which alone could save mankind and recreate it. From 1910 to 1914 he was, he said, silently developing this new power in seclusion and in 1914 he began to give to the world the result of his realisations through his monthly review Arya. In five major sequences published month after month through several years, he envisaged, in the main, the progressive march of man towards a divine life on earth, towards the unity of mankind and a perfect social order. One of these serials was called The Future Poetry in which he traced the growth and development that world poetry is undergoing towards its future form that would voice the Dawn of a New Age of the Spirit. Sri Aurobindo hailed those who feel and foresee this distant dawn behind the horizon as the Forerunners of the new Spirit, among whom he included Rabindranath, because he saw in Tagore's the first beginnings, "a glint of the greater era of man's living", something that "seems to be in promise." "The poetry of Tagore," Sri Aurobindo says, "owes its sudden and universal success to this advantage that he gives us more of this discovery and fusion for which the mind of our age is in quest than any other creative writer of the time. His work is a constant music of the overpassing of the borders, a chant-filled realm in which the subtle sounds and lights of the truth of the spirit give new meanings to the finer subtleties of life."
   Characterising Tagore's poetry, in reference to a particular poem, Sri Aurobindo once wrote: "But the poignant sweetness, passion and spiritual depth and mystery of a poem like this, the haunting cadences subtle with a subtlety which is not of technique but of the soul, and the honey-laden felicity of the expression, these are the essential Rabindranath and cannot be imitated because they are things of the spirit and one must have the same sweetness and depth of soul before one can hope to catch any of these desirable qualities." Furthermore: "One of the most remarkable peculiarities of Rabindra Babu's genius is the happiness and originality with which he has absorbed the whole spirit of Vaishnava poetry and turned it into something essentially the same and yet new and modern. He has given the old sweet spirit of emotional and passionate religion an expression of more delicate and complex richness voiceful of subtler and more penetratingly spiritual shades of feeling than the deep-hearted but simple early age of Bengal could know."
   Certain coincidences and correspondences in their lives may be noticed here. The year 1905 and those that immediately followed found them together on the crest wave of India's first nationalist resurgence. Again both saw in the year 1914 a momentous period marked by events of epochal importance, one of which was the First World War. For Tagore it was yuga-sandhi, the dying of the old age of Night to the Dawning of a new with its blood-red sunrise emerging through the travail of death, sorrow and pain". For Sri Aurobindo it was a cataclysm intended by Nature to effect a first break in the old order to usher in the new. The significant year 1914 was also the period when Rabindranath expressed in the magnificent series of poems of the Balaka his visions and experiences of the forces at work on earth, and Sri Aurobindo began revealing through the pages of the Arya the truths of the supramental infinities that were then pouring down into him and through him into the earth's atmosphere.
   So it was natural and almost inevitablewritten among the stars that both should meet once more on this physical earth. Sri Aurobindo had been in complete retirement seeing none except, of course, his attendants. He was coming out only four times in the year to give silent darshan to his devotees and a few others who sought for it. It was in the year 1928. Tagore was then on a tour to the South. He expressed to Sri Aurobindo by letter his desire for a personal meeting. Sri Aurobindo naturally agreed to receive him. Tagore reached Pondicherry by steamer, and I had the privilege to see him on board the ship and escort him to the Ashram. The Mother welcomed him at the door of Sri Aurobindo's apartments and led him to Sri Aurobindo. Tagore already knew the Mother, for both were together in Japan and stayed in the same house and she attended some of his lectures in that country. It may be interesting to mention here that Tagore requested the Mother to take charge of the Visva Bharati, for evidently he felt that the future of his dear institution would be in sure hands. But the Mother could not but decline since it was her destiny to be at another place and another work.

03.10 - The Mission of Buddhism, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   Yes, it was the age, almost a golden age, when man lived with his sense married to the Dawn, spontaneous in his reflexes, prime-sautier, intuitive and imaginative, full of a natural, unspoilt, unsophisticated happiness and hopefulness. But the Age of Reason had to come, and man's maturer nature, perhaps some "sicklied o'er with the pale cast of thought". Such an age of Reason and Ratiocination and pure brain power was ushered in by Buddha in India, and almost contemporaneously by Socrates in Greece and Confucius in China. The rational, that is to say, the scientific or analytical attitude to things appeared in the human consciousness for the first time in its fullness and almost exclusive sway. Neither the Vedas nor the Upanishads knew of logic as an instrumenta necessary instrument for knowledge and expression. The old-world method was, as I said, intuitive, experiential, empirical, dogmatic. Also the atmosphere of that world, the stress of the consciousness was theocratic; what the new world brought in was what is called humanistic.
   We say then that it was a necessity: it was a necessity that the rational, logical, ratiocinative, analytic mentality should be brought out and given its play and place. It is perhaps an inferior power of the mind or consciousness, but it is a strong power and has its use and utility. It is the power that gives the form and pattern for the display of consciousness and intelligence in outward expression and external living; it is a firm weapon that gives control over these inferior ranges of consciousness. The leap from the sense-consciousness or the elements of consciousness, from a mental growth just adequate and not too specialised, straight into the supra-sensuous and the transcendent had been an inevitable necessity, so that the human consciousness might get the first taste of its supreme status and value: a similar necessity brought to the fore this element of the mind, the mind's own powerof judgement and willso that there might be a greater and wider integration of human nature and also that the higher realities may be captured in our normal consciousness. Even for the withdrawal of the mind from the outer objects to the inner sources, the mind itself can be used with much effect. And Buddha showed it magnificently. And of course, Shankara too who followed in his footsteps.

04.08 - To the Heights VIII (Mahalakshmi), #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
   That trail the Dawn!
   Hasten to welcome her, O heart, hasten!

05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
  I witnessed the virgin bridals of the Dawn
  Behind the glowing curtains of the sky

05.06 - The Role of Evil, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Evil is evil, no doubt; it is not divine and it is not an illusion. It is a real blot on the fair face of creation. Its existence cannot be justified in the sense that it is the right thing and has to be welcomed and maintained, since it forms part of the universal symphony. Not even in the sense that it is a test and a trial set by the Divine for the righteous to prove their merit. It has not been put there with a set purpose, but that once given, it has been the occasion of a miracle, it offered the opportunity for the manifestation of something unique, great and grandiose, marvellous and beautiful. The presence of evil moved the DivineGiustizia masse il mio alto Fattorel1and Grace was born. He descended, the Aloof and the Transcendent, in all his love and compassion down into this vale of tears: he descended straight into our midst without halting anywhere in the infinite gradation that marks the distance between the highest and the lowest, he descended from the very highest into the very lowest, demanding nothing, asking for no condition whatsoever from the soul in Ignorance, from the earth under the grip of evil. Thus it was that Life lodged itself in the home of death, Light found its way into the far cavern of obscurity and inconscience, and Delight bloomed in the core of misery. Hope was lit, a flame rising from the nether gloom towards the Dawn. But for the spirit of denial we would not have seen this close and intimate figure of the gracious Mother.
   Justice moved my great maker

06.02 - The Way of Fate and the Problem of Pain, #Savitri, #Sri Aurobindo, #Integral Yoga
  Awaiting the tardy trumpets of the Dawn,
  In hunger and in plenty and in pain,

1.00e - DIVISION E - MOTION ON THE PHYSICAL AND ASTRAL PLANES, #A Treatise on Cosmic Fire, #Alice Bailey, #Occultism
  1. Inertia. This characterises every atom at the Dawn of manifestation, at the beginning of a solar cycle or mahamanvantara (or one hundred years of Brahma), at the commencement of a chain, of a globe, or of any spheroidal form whatsoever without exception. This statement, therefore, includes the totality of manifesting forms within the solar system.
  Let us keep clearly in our minds that we are simply considering the three qualities of matter itself and are not considering consciousness. Inertia is the result of lack of activity and the relative quiescence of the fires of matter. These fires, during obscuration or Pralaya, though latent, are free from the stimulation that comes from the aggregation of atoms into form, and the consequent interplay of the forms upon each other. Where form exists and the Laws of Repulsion and Attraction are coming into force, making radiation therefore possible, then comes stimulation, emanative effect, and a gradual speeding up which eventually, from within the atom itself, by its own rotary movement produces the next quality.

1.00 - Main, #The Book of Certitude, #Baha u llah, #Baha i
  Say: God hath made My hidden love the key to the Treasure; would that ye might perceive it! But for the key, the Treasure would to all eternity have remained concealed; would that ye might believe it! Say: This is the Source of Revelation, the Dawning-place of Splendour, Whose brightness hath illumined the horizons of the world. Would that ye might understand!
  This is, verily, that fixed Decree through which every irrevocable decree hath been established.
  --
  Say: This is that hidden knowledge which shall never change, since its beginning is with nine, the symbol that betokeneth the concealed and manifest, the inviolable and unapproachably exalted Name. As for what We have appropriated to the children, this is a bounty conferred on them by God, that they may render thanks unto their Lord, the Compassionate, the Merciful. These, verily, are the Laws of God; transgress them not at the prompting of your base and selfish desires. Observe ye the injunctions laid upon you by Him Who is the Dawning-place of Utterance. The sincere among His servants will regard the precepts set forth by God as the Water of Life to the followers of every faith, and the Lamp of wisdom and loving providence to all the denizens of earth and heaven.
  30
  --
  Endowments dedicated to charity revert to God, the Revealer of Signs. None hath the right to dispose of them without leave from Him Who is the Dawning-place of Revelation. After Him, this authority shall pass to the Aghsan, and after them to the House of Justice-should it be established in the world by then-that they may use these endowments for the benefit of the Places which have been exalted in this Cause, and for whatsoever hath been enjoined upon them by Him Who is the God of might and power. Otherwise, the endowments shall revert to the people of Baha who speak not except by His leave and judge not save in accordance with what God hath decreed in this Tablet-lo, they are the champions of victory betwixt heaven and earth-that they may use them in the manner that hath been laid down in the Book by God, the Mighty, the Bountiful.
  43
  --
  He Who is the Dawning-place of God's Cause hath no partner in the Most Great Infallibility. He it is Who, in the kingdom of creation, is the Manifestation of "He doeth whatsoever He willeth". God hath reserved this distinction unto His own Self, and ordained for none a share in so sublime and transcendent a station. This is the Decree of God, concealed ere now within the veil of impenetrable mystery. We have disclosed it in this Revelation, and have thereby rent asunder the veils of such as have failed to recognize that which the Book of God set forth and who were numbered with the heedless.
  48
  --
  If ye should hunt with beasts or birds of prey, invoke ye the Name of God when ye send them to pursue their quarry; for then whatever they catch shall be lawful unto you, even should ye find it to have died. He, verily, is the Omniscient, the All-Informed. Take heed, however, that ye hunt not to excess. Tread ye the path of justice and equity in all things. Thus biddeth you He Who is the Dawning-place of Revelation, would that ye might comprehend.
  61
  --
  Should resentment or antipathy arise between husb and and wife, he is not to divorce her but to bide in patience throughout the course of one whole year, that perchance the fragrance of affection may be renewed between them. If, upon the completion of this period, their love hath not returned, it is permissible for divorce to take place. God's wisdom, verily, hath encompassed all things. The Lord hath prohibited, in a Tablet inscribed by the Pen of His command, the practice to which ye formerly had recourse when thrice ye had divorced a woman. This He hath done as a favour on His part, that ye may be accounted among the thankful. He who hath divorced his wife may choose, upon the passing of each month, to remarry her when there is mutual affection and consent, so long as she hath not taken another husband. Should she have wed again, then, by this other union, the separation is confirmed and the matter is concluded unless, clearly, her circumstances change. Thus hath the decree been inscribed with majesty in this glorious Tablet by Him Who is the Dawning-place of Beauty.
  69
  --
  God hath decreed, in token of His mercy unto His creatures, that semen is not unclean. Yield thanks unto Him with joy and radiance, and follow not such as are remote from the Dawning-place of His nearness. Arise ye, under all conditions, to render service to the Cause, for God will assuredly assist you through the power of His sovereignty which overshadoweth the worlds. Cleave ye unto the cord of refinement with such tenacity as to allow no trace of dirt to be seen upon your garments. Such is the injunction of One Who is sanctified above all refinement. Whoso falleth short of this standard with good reason shall incur no blame. God, verily, is the Forgiving, the Merciful. Wash ye every soiled thing with water that hath undergone no alteration in any one of the three respects; take heed not to use water that hath been altered through exposure to the air or to some other agent. Be ye the very essence of cleanliness amongst mankind. This, truly, is what your Lord, the Incomparable, the All-Wise, desireth for you.
  75
  --
  Resort ye, in times of sickness, to competent physicians; We have not set aside the use of material means, rather have We confirmed it through this Pen, which God hath made to be the Dawning-place of His shining and glorious Cause.
  114
  --
  Assist ye, O My people, My chosen servants who have arisen to make mention of Me among My creatures and to exalt My Word throughout My realm. These, truly, are the stars of the heaven of My loving providence and the lamps of My guidance unto all mankind. But he whose words conflict with that which hath been sent down in My Holy Tablets is not of Me. Beware lest ye follow any impious pretender. These Tablets are embellished with the seal of Him Who causeth the Dawn to appear, Who lifteth up His voice between the heavens and the earth. Lay hold on this Sure Handle and on the Cord of My mighty and unassailable Cause.
  118
  --
  Recite ye the verses of God every morn and eventide. Whoso faileth to recite them hath not been faithful to the Covenant of God and His Testament, and whoso turneth away from these holy verses in this Day is of those who throughout eternity have turned away from God. Fear ye God, O My servants, one and all. Pride not yourselves on much reading of the verses or on a multitude of pious acts by night and day; for were a man to read a single verse with joy and radiance it would be better for him than to read with lassitude all the Holy Books of God, the Help in Peril, the Self-Subsisting. Read ye the sacred verses in such measure that ye be not overcome by languor and despondency. Lay not upon your souls that which will weary them and weigh them down, but rather what will lighten and uplift them, so that they may soar on the wings of the Divine verses towards the Dawning-place of His manifest signs; this will draw you nearer to God, did ye but comprehend.
  150
  --
  O concourse of divines! Beware lest ye be the cause of strife in the land, even as ye were the cause of the repudiation of the Faith in its early days. Gather the people around this Word that hath made the pebbles to cry out: "The Kingdom is God's, the Dawning-place of all signs!" Thus doth your Lord admonish you, as a bounty on His part; He, of a truth, is the Ever-Forgiving, the Most Generous.
  170
  --
  This is not a Cause which may be made a plaything for your idle fancies, nor is it a field for the foolish and faint of heart. By God, this is the arena of insight and detachment, of vision and upliftment, where none may spur on their chargers save the valiant horsemen of the Merciful, who have severed all attachment to the world of being. These, truly, are they that render God victorious on earth, and are the Dawning-places of His sovereign might amidst mankind.
  179
  --
  This is a Book which hath become the Lamp of the Eternal unto the world, and His straight, undeviating Path amidst the peoples of the earth. Say: This is the Dayspring of Divine knowledge, if ye be of them that understand, and the Dawning-place of God's commandments, if ye be of those who comprehend.
  187

1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  To anticipate, not the sunrise and the Dawn merely, but, if possible,
  Nature herself! How many mornings, summer and winter, before yet any neighbor was stirring about his business, have I been about mine! No doubt, many of my townsmen have met me returning from this enterprise, farmers starting for Boston in the twilight, or woodchoppers going to their work. It is true, I never assisted the sun materially in his rising, but, doubt not, it was of the last importance only to be present at it.

1.01 - Fundamental Considerations, #The Ever-Present Origin, #Jean Gebser, #Integral
  Scarcely five hundred years ago, during the Renaissance, an unmistakable reorganization of our consciousness occurred: the discovery of perspective which opened up the three-dimensionality of space. This discovery is so closely linked with the entire intellectual attitude of the modern epoch that we have felt obliged to call this age the age of perspectivity and characterize the age immediately preceding it as the unperspectival age. These definitions, by recognizing a fundamental characteristic of these eras, lead to the further appropriate definition of the age of the Dawning new consciousness as the aperspectival age, a definition supported not only by the results of modern physics, but also by developments in the visual arts and literature, where the incorporation of time as a fourth dimension into previously spatial conceptions has formed the initial basis for manifesting the new.Aperspectival is not to be thought of as merely the opposite or negation of perspectival; the antithesis of perspectival is unperspectival. The distinction in meaning suggested by the three terms unperspectival, perspectival, and aperspectival is analogous to that of the terms illogical, logical, and alogical or immoral, moral, and amoral. We have employed here the designation aperspectival to clearly emphasize the need of overcoming the mere antithesis of affirmation and negation. The so-called primal words (Urworte), for example, evidence two antithetic connotations: Latin altus meant high as well as low; sacer meant sacred as well as cursed. Such primal words as these formed an undifferentiated psychically-stressed unity whose bivalent nature was definitely familiar to the early Egyptians and Greeks. This is no longer the case with our present sense of language; consequently, we have required a term that transcends equally the ambivalence of the primal connotations and the dualism of antonyms or conceptual opposites.
  Hence we have used the Greek prefix a- in conjunction with our Latin-derived word perspectival in the sense of an alpha privativum and not as an alpha negativum, since the prefix has a liberating character (privativum, derived from Latin privare, i.e., to liberate). The designation aperspectival, in consequence, expresses a process of liberation from the exclusive validity of perspectival and unperspectival, as well as pre-perspectival limitations. Our designation, then, does not attempt to unite the inherently coexistent unperspectival and perspectival structures, nor does it attempt to reconcile or synthesize structures which, in their deficient modes, have become irreconcilable. If aperspectival were to represent only a synthesis it would imply no more than perspectival-rational and it would be limited and only momentarilyvalid, inasmuch as every union is threatened by further separation. Our concern is with integrality and ultimately with the whole; the word aperspectival conveys our attempt to deal with wholeness. It is a definition which differentiates a perception of reality that is neither perspectivally restricted to only one sector nor merely unperspectivally evocative of a vague sense of reality.

1.01 - MASTER AND DISCIPLE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Continuing, he said: "Longing is like the rosy dawn. After the Dawn out comes the sun.
  Longing is followed by the vision of God.

1.01 - Seeing, #Let Me Explain, #Pierre Teilhard de Chardin, #Christianity
  From the Dawn of his existence, man has been held up as a
  spectacle to himself. Indeed for tens of centuries he has looked

1.01 - the Call to Adventure, #The Hero with a Thousand Faces, #Joseph Campbell, #Mythology
  may mark the Dawn of religious illumination. As apprehended
  by the mystic, it marks what has been termed "the awakening of

1.01 - The Human Aspiration, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  0:She follows to the goal of those that are passing on beyond, she is the first in the eternal succession of the Dawns that are coming, - Usha widens bringing out that which lives, awakening someone who was dead. . . . What is her scope when she harmonises with the Dawns that shone out before and those that now must shine? She desires the ancient mornings and fulfils their light; projecting forwards her illumination she enters into communion with the rest that are to come. Kutsa Angirasa - Rig Veda.1
  0:Threefold are those supreme births of this divine force that is in the world, they are true, they are desirable; he moves there wide-overt within the Infinite and shines pure, luminous and fulfilling. . . . That which is immortal in mortals and possessed of the truth, is a god and established inwardly as an energy working out in our divine powers. . . . Become high-uplifted, O Strength, pierce all veils, manifest in us the things of the Godhead. Vamadeva - Rig Veda.2

1.02 - MAPS OF MEANING - THREE LEVELS OF ANALYSIS, #Maps of Meaning, #Jordan Peterson, #Psychology
  place, extant prior to the Dawn of humanity. Erotic attraction, for example a powerful god has a
  developmental history that predates the emergence of humanity, is associated with relatively innate
  --
  prior to the Dawn of experience. This general symbolic construction takes many particular forms, each of
  115
  --
  unknown lands continued, even in the West, down to the Dawn of modern times [and was reflected
  recently in the planting of the flag on the moon, by the American astronauts.] The Spanish and

1.02 - The Age of Individualism and Reason, #The Human Cycle, #Sri Aurobindo, #Integral Yoga
  The individualistic age of Europe was in its beginning a revolt of reason, in its culmination a triumphal progress of physical Science. Such an evolution was historically inevitable. the Dawn of individualism is always a questioning, a denial. The individual finds a religion imposed upon him which does not base its dogma and practice upon a living sense of ever verifiable spiritual Truth, but on the letter of an ancient book, the infallible dictum of a Pope, the tradition of a Church, the learned casuistry of schoolmen and Pundits, conclaves of ecclesiastics, heads of monastic orders, doctors of all sorts, all of them unquestionable tribunals whose sole function is to judge and pronounce, but none of whom seems to think it necessary or even allowable to search, test, prove, inquire, discover. He finds that, as is inevitable under such a regime, true science and knowledge are either banned, punished and persecuted or else rendered obsolete by the habit of blind reliance on fixed authorities; even what is true in old authorities is no longer of any value, because its words are learnedly or ignorantly repeated but its real sense is no longer lived except at most by a few. In politics he finds everywhere divine rights, established privileges, sanctified tyrannies which are evidently armed with an oppressive power and justify themselves by long prescription, but seem to have no real claim or title to exist. In the social order he finds an equally stereotyped reign of convention, fixed disabilities, fixed privileges, the self-regarding arrogance of the high, the blind prostration of the low, while the old functions which might have justified at one time such a distribution of status are either not performed at all or badly performed without any sense of obligation and merely as a part of caste pride. He has to rise in revolt; on every claim of authority he has to turn the eye of a resolute inquisition; when he is told that this is the sacred truth of things or the comm and of God or the immemorial order of human life, he has to reply, But is it really so? How shall I know that this is the truth of things and not superstition and falsehood? When did God comm and it, or how do I know that this was the sense of His comm and and not your error or invention, or that the book on which you found yourself is His word at all, or that He has ever spoken His will to mankind? This immemorial order of which you speak, is it really immemorial, really a law of Nature or an imperfect result of Time and at present a most false convention? And of all you say, still I must ask, does it agree with the facts of the world, with my sense of right, with my judgment of truth, with my experience of reality? And if it does not, the revolting individual flings off the yoke, declares the truth as he sees it and in doing so strikes inevitably at the root of the religious, the social, the political, momentarily perhaps even the moral order of the community as it stands, because it stands upon the authority he discredits and the convention he destroys and not upon a living truth which can be successfully opposed to his own. The champions of the old order may be right when they seek to suppress him as a destructive agency perilous to social security, political order or religious tradition; but he stands there and can no other, because to destroy is his mission, to destroy falsehood and lay bare a new foundation of truth.
  But by what individual faculty or standard shall the innovator find out his new foundation or establish his new measures? Evidently, it will depend upon the available enlightenment of the time and the possible forms of knowledge to which he has access. At first it was in religion a personal illumination supported in the West by a theological, in the East by a philosophical reasoning. In society and politics it started with a crude primitive perception of natural right and justice which took its origin from the exasperation of suffering or from an awakened sense of general oppression, wrong, injustice and the indefensibility of the existing order when brought to any other test than that of privilege and established convention. The religious motive led at first; the social and political, moderating itself after the swift suppression of its first crude and vehement movements, took advantage of the upheaval of religious reformation, followed behind it as a useful ally and waited its time to assume the lead when the spiritual momentum had been spent and, perhaps by the very force of the secular influences it called to its aid, had missed its way. The movement of religious freedom in Europe took its stand first on a limited, then on an absolute right of the individual experience and illumined reason to determine the true sense of inspired Scripture and the true Christian ritual and order of the Church. The vehemence of its claim was measured by the vehemence of its revolt from the usurpations, pretensions and brutalities of the ecclesiastical power which claimed to withhold the Scripture from general knowledge and impose by moral authority and physical violence its own arbitrary interpretation of Sacred Writ, if not indeed another and substituted doctrine, on the recalcitrant individual conscience. In its more tepid and moderate forms the revolt engendered such compromises as the Episcopalian Churches, at a higher degree of fervour Calvinistic Puritanism, at white heat a riot of individual religious judgment and imagination in such sects as the Anabaptist, Independent, Socinian and countless others. In the East such a movement divorced from all political or any strongly iconoclastic social significance would have produced simply a series of religious reformers, illumined saints, new bodies of belief with their appropriate cultural and social practice; in the West atheism and secularism were its inevitable and predestined goal. At first questioning the conventional forms of religion, the mediation of the priesthood between God and the soul and the substitution of Papal authority for the authority of the Scripture, it could not fail to go forward and question the Scripture itself and then all supernaturalism, religious belief or suprarational truth no less than outward creed and institute.

1.02 - The Doctrine of the Mystics, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  The development of all these godheads is necessary to our perfection. And that perfection must be attained on all our levels, - in the wideness of earth, our physical being and consciousness; in the full force of vital speed and action and enjoyment and nervous vibration, typified as the Horse which must be brought forward to upbear our endeavour; in the perfect gladness of the heart of emotion and a brilliant heat and clarity of the mind throughout our intellectual and psychical being; in the coming of the supramental Light, the Dawn and the Sun and the shining Mother of the herds, to transform all our existence; for so comes to us the possession of the Truth, by the Truth the admirable surge of the Bliss, in the Bliss infinite Consciousness of absolute being.
  Three great Gods, origin of the Puranic Trinity, largest puissances of the supreme Godhead, make possible this development and upward evolution; they support in its grand lines and fundamental energies all these complexities of the cosmos.
  --
  That ascension has already been effected by the Ancients, the human forefa thers, and the spirits of these great Ancestors still assist their offspring; for the new dawns repeat the old and lean forward in light to join the Dawns of the future. Kanwa, Kutsa, Atri, Kakshiwan, Gotama, Shunahshepa have become types of certain spiritual victories which tend to be constantly repeated in the experience of humanity. The seven sages, the Angirasas, are waiting still and always, ready to chant the word, to rend the cavern, to find the lost herds, to recover the hidden Sun. Thus the soul is a battlefield full of helpers and hurters, friends and enemies. All this lives, teems, is personal, is conscious, is active.
  We create for ourselves by the sacrifice and by the word shining seers, heroes to fight for us, children of our works. The Rishis and the Gods find for us our luminous herds; the Ribhus fashion by the mind the chariots of the gods and their horses and their shining weapons. Our life is a horse that neighing and galloping bears us onward and upward; its forces are swift-hoofed steeds, the liberated powers of the mind are wide-winging birds; this mental being or this soul is the upsoaring Swan or the Falcon that breaks out from a hundred iron walls and wrests from the jealous guardians of felicity the wine of the Soma. Every shining godward Thought that arises from the secret abysses of the heart is a priest and a creator and chants a divine hymn of luminous realisation and puissant fulfilment. We seek for the shining gold of the Truth; we lust after a heavenly treasure.

1.02 - The Eternal Law, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
  The first sign announcing a new being, probably, is the Dawning sense of a terrible lack of something, which neither his science nor his churches nor his garish pleasures can ever fulfill. Man cannot be dispossessed of his secrets with impunity. This, too, was a living testimonial India imparted to Sri Aurobindo, unless he knew it already in his own flesh.
  However, if we expect India, the land where ancient Mysteries survive, to give us the practical solution we are seeking, we may be disappointed. Sri Aurobindo, who soon learned to appreciate the freedom, spiritual breadth, and immense experimental knowledge India offers a seeker, did not subscribe to everything there, far from it;

1.02 - Where I Lived, and What I Lived For, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the Dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. If we refused, or rather used up, such paltry information as we get, the oracles would distinctly inform us how this might be done.
  I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have _somewhat hastily_ concluded that it is the chief end of man here to glorify God and enjoy him forever.

1.03 - Hymns of Gritsamada, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
    2. The Nights and the Dawns have lowed to thee as the milchcows low towards a calf in their lairs of rest. O Fire of many blessings, thou art the traveller of Heaven through the ages of man and thou shinest self-gathered through his nights.5
    3. The Gods have sent into the foundation of the middle world this great worker and pilgrim of earth and of heaven, whom we must know, like our chariot of white-flaming light, Fire whom we must voice with our lauds like a friend in the peoples.
  --
    7. O Fire, give us the vast possessions, the thousandfold riches; open to inspiration like gates the plenitude; make Earth and Heaven turned to the Beyond by the Word. the Dawns have broken into splendour as if there shone the brilliant world of the Sun.
      6 Or, like a thing of delight in his shining beauty,

1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
  revelation of the Dawning future superman.392 It is not the mere existence of various previously-separated
  presuppositions in a single psyche that constitutes the post-contact victory, however. This means that the
  --
  Myths of the paradise of childhood use the circumstances applying at the Dawn of each individual life
   prior to separation of mother and child as metaphor for the place of beginnings. The symbiotic
  --
  prevailing prior (?) to the Dawn of awareness as such, where there was no subject, no object, and no
  experience at all but where the possibility of such things somehow lay dormant.
  --
  universe as object. Myth equates the origin with the Dawning of light, with the emergence of consciousness:
  equates the universe with the world of experience; assumes that the real presupposes the subjective. This

1.05 - 2010 and 1956 - Doomsday?, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  the Iron Age, the Dawn of the Age of Aquarius, the mo-
  mentous change predicted by Edgar Cayce, and, accord-

1.05 - BOOK THE FIFTH, #Metamorphoses, #Ovid, #Poetry
  Fair Sicily he seeks, and dreads the Dawn.
  Around her plains he casts his eager eyes,

1.05 - Hymns of Bharadwaja, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
    2. He is wide in his light like a seer of the Day; he is the one we must know and founds an adorable joy. In him is universal life, he is the Immortal in mortals; he is the Waker in the Dawn, our Guest, the Godhead who knows all births that are.
      1 Or, the cry of him in his worship of sacrifice is like the voice of Heaven;
  --
  1. Thou must crown with the word the guest who wakes from sleep with the Dawn, Master of all these peoples. He is pure from his very birth and surely he comes to us from heaven in his time; long too, a child from the womb, he feeds on all that is unfallen.
  2. The Bhrigus set in the Tree the godhead of our aspiration with his high flame of light like a friend well-confirmed in his place. And now, O Wonderful, well-pleased in him who has cast to thee the offering, thou art magnified by wordings of thy power from day to day.

1.05 - Vishnu as Brahma creates the world, #Vishnu Purana, #Vyasa, #Hinduism
  Created beings, although they are destroyed (in their individual forms) at the periods of dissolution, yet, being affected by the good or evil acts of former existence, they are never exempted from their consequences; and when Brahmā creates the world anew, they are the progeny of his will, in the fourfold condition of gods, men, animals, or inanimate things. Brahmā then, being desirous of creating the four orders of beings, termed gods, demons, progenitors, and men, collected his mind into itself[14]. Whilst thus concentrated, the quality of darkness pervaded his body; and thence the demons (the Asuras) were first born, issuing from his thigh. Brahmā then abandoned that form which was, composed of the rudiment of darkness, and which, being deserted by him, became night. Continuing to create, but assuming a different. shape, he experienced pleasure; and thence from his mouth proceeded the gods, endowed with the quality of goodness. The form abandoned by him, became day, in which the good quality predominates; and hence by day the gods are most powerful, and by night the demons. He next adopted another person, in which the rudiment of goodness also prevailed; and thinking of himself, as the father of the world, the progenitors (the Pitris) were born from his side. The body, when he abandoned, it, became the Sandhyā (or evening twilight), the interval between day and night. Brahmā then assumed another person, pervaded by the quality of foulness; and from this, men, in whom foulness (or passion) predominates, were produced. Quickly abandoning that body, it became morning twilight, or the Dawn. At the appearance of this light of day, men feel most vigour; while the progenitors are most powerful in the evening season. In this manner, Maitreya, Jyotsnā (dawn), Rātri (night), Ahar (day), and Sandhyā (evening), are the four bodies of Brahmā invested by the three qualities[15].
  Next from Brahmā, in a form composed of the quality of foulness, was produced hunger, of whom anger was born: and the god put forth in darkness beings emaciate with hunger, of hideous aspects, and with long beards. Those beings hastened to the deity. Such of them as exclaimed, Oh preserve us! were thence called Rākṣasas[16]: others, who cried out, Let us eat, were denominated from that expression Yakṣas[17]. Beholding them so disgusting, the hairs of Brahmā were shrivelled up, and first falling from his head, were again renewed upon it: from their falling they became serpents, called Sarpa from their creeping, and Ahi because they had deserted the head[18]. The creator of the world, being incensed, then created fierce beings, who were denominated goblins, Bhūtas, malignant fiends and eaters of flesh. The Gandharvas were next born, imbibing melody: drinking of the goddess of speech, they were born, and thence their appellation[19]. The divine Brahmā, influenced by their material energies, having created these beings, made others of his own will. Birds he formed from his vital vigour; sheep from his breast; goats from his mouth; kine from his belly and sides; and horses, elephants, Sarabhas, Gayals, deer, camels, mules, antelopes, and other animals, from his feet: whilst from the hairs of his body sprang herbs, roots, and fruits.

1.06 - Hymns of Parashara, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  1. Blazing out brilliant as the lover of the Dawn, filling the
  two equal worlds11 like the Light of Heaven, thou art born

1.06 - Man in the Universe, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  2:That luminous Emergence is the Dawn which the Aryan forefa thers worshipped. Its fulfilled perfection is that highest step of the world-pervading Vishnu which they beheld as if an eye of vision extended in the purest heavens of the Mind. For it exists already as an all-revealing and all-guiding Truth of things which watches over the world and attracts mortal man, first without the knowledge of his conscious mind, by the general march of Nature, but at last consciously by a progressive awakening and self-enlargement, to his divine ascension. The ascent to the divine Life is the human journey, the Work of works, the acceptable Sacrifice. This alone is man's real business in the world and the justification of his existence, without which he would be only an insect crawling among other ephemeral insects on a speck of surface mud and water which has managed to form itself amid the appalling immensities of the physical universe.
  3:This Truth of things that has to emerge out of the phenomenal world's contradictions is declared to be an infinite Bliss and self-conscious Existence, the same everywhere, in all things, in all times and beyond Time, and aware of itself behind all these phenomena by whose intensest vibrations of activity or by whose largest totality it can never be entirely expressed or in any way limited; for it is self-existent and does not depend for its being upon its manifestations. They represent it, but do not exhaust it; point to it, but do not reveal it. It is revealed only to itself within their forms. The conscious existence involved in the form comes, as it evolves, to know itself by intuition, by self-vision, by self-experience. It becomes itself in the world by knowing itself; it knows itself by becoming itself. Thus possessed of itself inwardly, it imparts also to its forms and modes the conscious delight of Sachchidananda. This becoming of the infinite Bliss-Existence-Consciousness in mind and life and body, - for independent of them it exists eternally, - is the transfiguration intended and the utility of individual existence. Through the individual it manifests in relation even as of itself it exists in identity.

1.07 - Note on the word Go, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  The next passage to which I shall turn is the eighth verse of the eighth hymn, also to Indra, in which occurs the expression , a passage which when taken in the plain and ordinary sense of the epithets sheds a great light on the nature of Mahi. Sunrita means really true and is opposed to anrita, false for in the early Aryan speech su and s would equally signify, well, good, very; and the euphonic n is of a very ancient type of sandhioriginally, it was probably no more than a strong anuswartraces of which can still be found in Tamil; in the case of su this n euphonic seems to have been dropped after the movement of the literary Aryan tongue towards the modern principle of Sandhi,a movement the imperfect progress of which we see in the Vedas; but by that time the form an, composed of privative a and the euphonic n, had become a recognised alternative form to a and the omission of the n would have left the meaning of words very ambiguous; therefore n was preserved in the negative form, omitted from the affirmative where its omission caused no inconvenience,for to write gni instead of anagni would be confusing, but to write svagni instead of sunagni would create no confusion. In the pair sunrita and anrita it is probable that the usage had become so confirmed, so much of an almost technical phraseology, that confirmed habit prevailed over new rule. The second meaning of the word is auspicious, derived from the idea good or beneficent in its regular action. The Vedic scholars give a third sense, quick, active; but this is probably due to confusion with an originally distinct word derived from the root , to move on rapidly, to be strong, swift, active from which we have to dance, & strong and a number of other derivatives, for although ri means to go, it does not appear that rita was used in the sense of motion or swiftness. In any case our choice (apart from unnecessary ingenuities) lies here between auspicious and true. If we take Mahi in the sense of earth, the first is its simplest & most natural significance.We shall have then to translate the earth auspicious (or might it mean true in the sense observing the law of the seasons), wide-watered, full of cows becomes like a ripe branch to the giver. This gives a clear connected sense, although gross and pedestrian and open to the objection that it has no natural and inevitable connection with the preceding verses. My objection is that sunrita and gomati seem to me to have in the Veda a different and deeper sense and that the whole passage becomes not only ennobled in sense, but clearer & more connected in sense if we give them that deeper significance. Gomatir ushasah in Kutsas hymn to the Dawn is certainly the luminous dawns; Saraswati in the third hymn who as chodayitri sunritanam chetanti sumatinam shines pervading all the actions of the understanding, certainly does so because she is the impeller to high truths, the awakener to right thoughts, clear perceptions and not because she is the impeller of things auspiciousa phrase which would have no sense or appropriateness to the context. Mahi is one of the three goddesses Ila, Saraswati and Mahi who are described as tisro devir mayobhuvah, the three goddesses born of delight or Ananda, and her companions being goddesses of knowledge, children of Mahas, she also must be a goddess of knowledge, not the earth; the word mahi also bears the sense of knowledge, intellect, and Mahas undoubtedly refers in many passages to the vijnana or supra-rational level of consciousness, the fourth Vyahriti of the Taittiriya Upanishad. What then prevents us from taking Mahi, here as there, in the sense of the goddess of suprarational knowledge or, if taken objectively, the world of Mahat? Nothing, except a tradition born in classical times when mahi was the earth and the new Nature-worship theory. In this sense I shall take it. I translate the line For thus Mahi the true, manifest in action, luminous becomes like a ripe branch to the giveror, again in better English, For thus Mahi the perfect in truth, manifesting herself in action, full of illumination, becomes as a ripe branch to the giver. For the Yogin again the sense is clear. All things are contained in the Mahat, derived from the Mahat, depend on theMahat, but we here in the movement of the alpam, have not our desire, are blinded & confined, enjoy an imperfect, erroneous & usually baffled & futile activity. It is only when we regain the movement of the Mahat, the large & uncontracted consciousness that comes from rising to the infinite,it is only then that we escape from this limitation. She is perfect in truth, full of illumination; error and ignorance disappear; she manifests herself virapshi in a wide & various activity; our activities are enlarged, our desires are fulfilled. The connection with the preceding stanzas becomes clear. The Vritras, the great obstructors & upholders of limitation, are slain by the help of Indra, by the result of the yajnartham karma, by alliance with the armed gods in mighty internal battle; Indra, the god within our mental force, manifests himself as supreme and full of the nature of ideal truth from which his greatness weaponed with the vajra, vidyut or electric principle, derives (mahitwam astu vajrine). The mind, instinct with amrita, is then full of equality, samata; it drinks in the flood of activity of all kinds as the sea takes in the rivers. For the condition then results in which the ideal consciousness Mahi is like a ripe branch to the giver, when all powers & expansions of being at once (without obstacle as the Vritras are slain) become active in consciousness as masterful and effective knowledge or awareness (chit). This is the process prayed for by the poet. The whole hymn becomes a consecutive & intelligible whole, a single thought worked out logically & coherently and relating with perfect accuracy of ensemble & detail to one of the commonest experiences of Yogic fulfilment. In both these passages the faithful adherence to the intimations of language, Vedantic idea & Yogic experience have shed a flood of light, illuminating the obscurity of the Vedas, bringing coherence into the incoherence of the naturalistic explanation, close & strict logic, great depth of meaning with great simplicity of expression, and, as I shall show when I take up the final interpretation of the separate hymns, a rational meaning & reason of existence in that particular place for each word & phrase and a faultless & inevitable connection with what goes before & with what goes after. It is worth noticing that by the naturalistic interpretation one can indeed generally make out a meaning, often a clear or fluent sense for the separate verses of the Veda, but the ensemble of the hymn has almost always about it an air bizarre, artificial, incoherent, almost purposeless, frequently illogical and self-contradictoryas in Max Mullers translation of the 39th hymn, Kanwas to the Maruts,never straightforward, self-assured & easy. One would expect in these primitive writers,if they are primitive,crudeness of belief perhaps, but still plainness of expression and a simple development of thought. One finds instead everything tortuous, rugged, gnarled, obscure, great emptiness with great pretentiousness of mind, a labour of diction & development which seems to be striving towards great things & effecting a nullity. The Vedic singers, in the modern version, have nothing to say and do not know how to say it. I sacrifice, you drink, you are fine fellows, dont hurt me or let others hurt me, hurt my enemies, make me safe & comfortablethis is practically all that the ten Mandalas have to say to the gods & it is astonishing that they should be utterly at a loss how to say it intelligibly. A system which yields such results must have at its root some radical falsity, some cardinal error.
  I pass now to a third passage, also instructive, also full of that depth and fine knowledge of the movements of the higher consciousness which every Yogin must find in the Veda. It is in the 9th hymn of the Mandala and forms the seventh verse of that hymn. Sam gomad Indra vajavad asme prithu sravo brihat, visvayur dhehi akshitam. The only crucial question in this verse is the signification of sravas.With our modern ideas the sentence seems to us to demand that sravas should be translated here fame. Sravas is undoubtedly the same word as the Greek xo (originally xFo); it means a thing heard, rumour, report, & thence fame. If we take it in that sense, we shall have to translate Arrange for us, O universal life, a luminous and solid, wide & great fame unimpaired. I dismiss at once the idea that go & vaja can here signify cattle and food or wealth. A herded & fooded or wealthy fame to express a fame for wealth of cattle & food is a forceful turn of expression we might expect to find in Aeschylus or in Shakespeare; but I should hesitate, except in case of clear necessity, to admit it in the Veda or in any Sanscrit style of composition; for such expressions have always been alien to the Indian intellect. Our stylistic vagaries have been of another kind. But is luminous & solid fame much better? I shall suggest another meaning for sravas which will give as usual a deeper sense to the whole passage without our needing to depart by a hairs breadth from the etymological significance of the words. Sruti in Sanscrit is a technical term, originally, for the means by which Vedic knowledge is acquired, inspiration in the suprarational mind; srutam is the knowledge of Veda. Similarly, we have in Vedic Sanscrit the forms srut and sravas. I take srut to mean inspired knowledge in the act of reception, sravas the thing acquired by the reception, inspired knowledge. Gomad immediately assumes its usual meaning illuminated, full of illumination. Vaja I take throughout the Veda as a technical Vedic expression for that substantiality of being-consciousness which is the basis of all special manifestation of being & power, all utayah & vibhutayahit means by etymology extended being in force, va or v to exist or move in extension and the vocable j which always gives the idea of force or brilliance or decisiveness in action or manifestation or contact. I shall accept no meaning which is inconsistent with this fundamental significance. Moreover the tendency of the old commentators to make all possible words, vaja, ritam etc mean sacrifice or food, must be rejected,although a justification in etymology might always be made out for the effort. Vaja means substance in being, substance, plenty, strength, solidity, steadfastness. Here it obviously means full of substance, just as gomad full of luminousness,not in the sense arthavat, but with another & psychological connotation. I translate then, O Indra, life of all, order for us an inspired knowledge full of illumination & substance, wide & great and unimpaired. Anyone acquainted with Yoga will at once be struck by the peculiar & exact appropriateness of all these epithets; they will admit him at once by sympathy into the very heart of Madhuchchhandas experience & unite him in soul with that ancient son of Visvamitra. When Mahas, the supra-rational principle, begins with some clearness to work in Yoga, not on its own level, not swe dame, but in the mind, it works at first through the principle of Srutinot Smriti or Drishti, but this Sruti is feeble & limited in its range, it is not prithu; broken & scattered in its working even when the range is wide, not unlimited in continuity, not brihat; not pouring in a flood of light, not gomat, but coming as a flash in the darkness, often with a pale glimmer like the first feebleness of dawn; not supported by a strong steady force & foundation of being, Sat, in manifestation, not vajavad, but working without foundation, in a void, like secondh and glimpses of Sat in nothingness, in vacuum, in Asat; and, therefore, easily impaired, easily lost hold of, easily stolen by the Panis or the Vritras. All these defects Madhuchchhanda has noticed in his own experience; his prayer is for an inspired knowledge which shall be full & free & perfect, not marred even in a small degree by these deficiencies.

1.07 - THE GREAT EVENT FORESHADOWED - THE PLANETIZATION OF MANKIND, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  (viruses), we come to the first flush heralding the Dawn of Life.
  Later, after the cell, there is a definite radiation growing richer and
  --
  Tree of Life, causing it to disintegrate at the top. With the Dawn-
  ing of Reflection each conscious unit isolates itself and, one would

1.08 - SOME REFLECTIONS ON THE SPIRITUAL REPERCUSSIONS OF THE ATOM BOMB, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
  let and corn; and much later, at the Dawn of our industrial era,
  when he found that he could tame and harness not only wild steeds

1.08 - Sri Aurobindos Descent into Death, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  and the suffering, the black passages and the Dawns of
  light, something had to be done which is unknown of in

1.08 - The Change of Vision, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  Is this to say that nobody has ever touched this Truth? Of course it has been touched, but on the mental heights, in rare illuminations that left a trace here or there, on a Buddha's face in Indonesia, an Athena in the Par thenon, a smile in Rheims, in some marvelous Upanishads, a few words of grace that have survived as a golden and adorable anachronism, hardly real amidst our concrete structures and civilized savagery; it has been touched in the depths of the heart, stammered out by Saint Francis of Assisi or Sri Ramakrishna. But then the world goes on, and we all know that the last word belongs to the bomb and to the triumph of the latest democratic hero, who will soon join another one under the same layer of inanity. But it has never been touched in matter; it has never been touched there. And so long as it is not touched there, it will remain what it has always been, a brilliant dream over the chaos of the ages, and the world will go on whirling vainly, adding its discoveries that discover nothing and its pseudo-knowledge that always ends up stifling us. Indeed, we labor under a bizarre delusion: we right a wrong here only to cause another one to sprout there; we seal a crack here only to see the wound open wider somewhere else. And it is always the same wound; there is only one wound in the world, and so long as we do not want to be cured of that ill, our millions of drugs and parliaments and systems and laws millions of laws, on every street corner and right in our mailbox will never cure us or the world's illness. We philanthropize and altruize, we distribute and share and equalize; but our good deeds seem to go hand in hand with our misdeeds, and the misery, the great misery of the world, infiltrates everything and gnaws surreptitiously at our functional homes and empty hearts; our equalizations are the huge, gray uniformity that descends upon the earth, smothering equally the good and the less good, the rich and the poor, the crowds from here or there the great mechanized human crowd, disincarnate, manipulated by a thousand radios and newspapers that scream and rumble all the way up to Himalayan villages. And no news at all. Not a single bit of news in those billions of novelties! Not an iota of novelty under the stars: men suffer and die in cities teeming with mental disorders. But tomorrow will be better, we think, with more machines, more drugs, more red or blue or green crosses, more laws and still more laws to remedy the world's cancer. And we seem to hear, from far, far away in the past, six thousand years in the past, the moving little voice of Lopamudra, the wife of Rishi Agastya: Many autumns have I toiled night and day; the Dawns age me, age dims the glory of our bodies...,16 and that of Maitreya echoing her: What shall I do with that by which the nectar of Immortality is not attained?17
  Does this mean that we have not progressed? We certainly have not progressed as we imagine. We are not any more human than the Theban or the Athenian, no more advanced than they despite all our machines. As Sri Aurobindo put it, Machinery is necessary to modern humanity because of our incurable barbarism.18 We think we have mastered, but we have mastered nothing at all! Our machines are a testimony to our impotence, a huge prosthesis to correct our incapacity to see far, hear far, penetrate the heart of things and understand instantly and directly. We do not know any better now than ten thousand years ago how to modify matter through willpower (perhaps we even knew it better then), how to illuminate with consciousness and understand through vision. Under all our apparatus, we are less advanced than the animal with its sixth sense and the pygmy of Central Africa. Our machines see better than we, feel better than we, count better than we, and perhaps they will end up living better than we. Matter escapes us completely. It takes a simple power failure for us to revert to the caveman. For progress is not improving the existing world or discovering new procedures: it is a change of consciousness and vision.

1.08 - The Depths of the Divine, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  From the "Aquarian Conspiracy" to Teilhard's "final Omega-point," from the Dawn of a "New Age" to "Timewave Zero"-the millenarian End of History has been exuberantly announced. Such theorists as Terence McKenna and Jos Arguelles have even been good enough to calculate the actual date of this final omega point, and it is December 2012-"Timewave Zero."60
  Nor, of course, is this the first time we have seen such "End of History" notions, and in chapter 2 we saw why such notions actually make a certain amount of sense and have some degree of truth to them. To summarize that discussion:

1.08 - The Gods of the Veda - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  The indications from external sources are few and inconclusive, but they are by no means favourable to the theory of a materialistic worship of Nature-Powers. The Europeans start with their knowledge of the old Pagan worship, their idea of the crudity of early Greek & German myth & practice and their minds naturally expect to find & even insist on finding an even greater crudity in the Vedas. But it must not be forgotten that in no written record of Greek or Scandinavian do the old religions appear as mere materialistic ideas or the old gods as mere Nature forces; they have also a moral significance, and show a substratum of moral and an admixture even of psychological & philosophical ideas. If in their origin, they were material and barbarous, they had already been moralised & intellectualised. Already even in Homer Pallas Athene is not the Dawn or any natural phenomenon, but a great preterhuman power of wisdom, force & intelligence; Apollo is not the Sunwho is represented by another deity, Helios but a moral or moralised deity. In the Veda, even in the European rendering, Varuna has a similar moral character and represents ethical & religious ideas far in advance of any that we find in the Homeric cult & ethics. We cannot rule out of court the possibility that others of the gods shared this Vedic distinction or that, even perhaps in their oldest hymns, the Indians had gone at least as far as the Greeks in the moralising of their religion.
  Moreover, even their moralised gods were only the superficial & exterior aspect of the Greek religion. Its deeper life fed itself on the mystic rites of Orpheus, Bacchus, the Eleusinian mysteries which were deeply symbolic and remind us in some of their ideas & circumstances of certain aspects of Indian Yoga. The mysticism & symbolism were not an entirely modern development. Orpheus, Bacchus & Demeter are the centre of an antique and prehistoric, even preliterary mind-movement. The element may have been native to Greek religious sentiment; it may have been imported from the East through the Aryan races or cultures of Asia Minor; but it may also have been common to the ancient systems of Greece & India. An original community or a general diffusion is at least possible. The double aspect of exoteric practice and esoteric symbolism may have already been a fundamental characteristic of the Vedic religion. Is it entirely without significance that to the Vedic mind men were essentially manu, thinkers, the original father of the race was the first Thinker, and the Vedic poets in the idea of their contemporaries not merely priests or sacred singers or wise bards but much more characteristically manishis & rishis, thinkers & sages?We can conceive with difficulty such ideas as belonging to that undeveloped psychological condition of the semi-savage to which sacrifices of propitiation & Nature-Gods helpful only for material life, safety & comfort were all-sufficient. Certainly, also, the earliest Indian writings subsequent to Vedic times bear out these indications. To the writers of the Brahmanas the sacrificial ritual enshrined an elaborate symbolism. The seers of the Upanishad worshipped Surya & Agni as great spiritual & moral forces and believed the Vedic hymns to be effective only because they contained a deep knowledge & a potent spirituality. They may have been in errormay have been misled by a later tradition or themselves have read mystic refinements into a naturalistic text. But also & equally, they may have had access to an unbroken line of knowledge or they may have been in direct touch or in closer touch than the moderns with the mentality of the Vedic singers.

1.09 - Saraswati and Her Consorts, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
   bring to birth for man the Bliss, Mayas. I have already insisted on the constant relation, as conceived by the Vedic seers, between the Truth and the Bliss or Ananda. It is by the Dawning of the true or infinite consciousness in man that he arrives out of this evil dream of pain and suffering, this divided creation into the Bliss, the happy state variously described in Veda by the words bhadram, mayas (love and bliss), svasti (the good state of existence, right being) and by others less technically used such as varyam, rayih., rayah.. For the Vedic Rishi Truth is the passage and the antechamber, the Bliss of the divine existence is the goal, or else Truth is the foundation, Bliss the supreme result.
  Such, then, is the character of Saraswati as a psychological principle, her peculiar function and her relation to her most immediate connections among the gods. How far do these shed any light on her relations as the Vedic river to her six sister streams?

1.09 - The Worship of Trees, #The Golden Bough, #James George Frazer, #Occultism
  For at the Dawn of history Europe was covered with immense primaeval
  forests, in which the scattered clearings must have appeared like

1.10 - Theodicy - Nature Makes No Mistakes, #Preparing for the Miraculous, #George Van Vrekhem, #Integral Yoga
  son of the Dawn! How are you fallen to earth, conqueror of
  the nations! You said in your heart: I will ascend to heaven,

1.10 - The Secret of the Veda, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  But in spite of this great downfall the ancient tradition, the ancient sanctity survived. The people knew not what Veda might be; but the old idea remained fixed that Veda is always the fountain of Hinduism, the standard of orthodoxy, the repository of a sacred knowledge; not even the loftiest philosopher or the most ritualistic scholar could divest himself entirely of this deeply ingrained & instinctive conception. To complete the degradation of Veda, to consummate the paradox of its history, a new element had to appear, a new form of intelligence undominated by the ancient tradition & the mediaeval method to take possession of Vedic interpretation. European scholarship which regards human civilisation as a recent progression starting yesterday with the Fiji islander and ending today with Haeckel and Rockefeller, conceiving ancient culture as necessarily primitive culture and primitive culture as necessarily half-savage culture, has turned the light of its Comparative Philology & Comparative Mythology on the Veda. The result we all know. Not only all vestige of sanctity, but all pretension to any kind of spiritual knowledge or experience disappears from the Veda. The old Rishis are revealed to us as a race of ignorant and lusty barbarians who drank & enjoyed and fought, gathered riches & procreated children, sacrificed and praised the Powers of Nature as if they were powerful men & women, and had no higher hope or idea. The only idea they had of religion beyond an occasional sense of sin and a perpetual preoccupation with a ritual barbarously encumbered with a mass of meaningless ceremonial details, was a mythology composed of the phenomena of dawn, night, rain, sunshine and harvest and the facts of astronomy converted into a wildly confused & incoherent mass of allegorical images and personifications. Nor, with the European interpretation, can we be proud of our early forefa thers as poets and singers. The versification of the Vedic hymns is indeed noble and melodious,though the incorrect method of writing them established by the old Indian scholars, often conceals their harmonious construction,but no other praise can be given. The Nibelungenlied, the Icelandic Sagas, the Kalewala, the Homeric poems, were written in the Dawn of civilisation by semi-barbarous races, by poets not superior in culture to the Vedic Rishis; yet though their poetical value varies, the nations that possess them, need not be ashamed of their ancient heritage. The same cannot be said of the Vedic poems presented to us by European scholarship. Never surely was there even among savages such a mass of tawdry, glittering, confused & purposeless imagery; never such an inane & useless burden of epithets; never such slipshod & incompetent writing; never such a strange & almost insane incoherence of thought & style; never such a bald poverty of substance. The attempt of patriotic Indian scholars to make something respectable out of the Veda, is futile. If the modern interpretation stands, the Vedas are no doubt of high interest & value to the philologist, the anthropologist & the historian; but poetically and spiritually they are null and worthless. Its reputation for spiritual knowledge & deep religious wealth, is the most imposing & baseless hoax that has ever been worked upon the imagination of a whole people throughout many millenniums.
  Is this, then, the last word about the Veda? Or, and this is the idea I write to suggest, is it not rather the culmination of a long increasing & ever progressing error? The theory this book is written to enunciate & support is simply this, that our forefa thers of early Vedantic times understood the Veda, to which they were after all much nearer than ourselves, far better than Sayana, far better than Roth & Max Muller, that they were, to a great extent, in possession of the real truth about the Veda, that that truth was indeed a deep spiritual truth, karmakanda as well as jnanakanda of the Veda contains an ancient knowledge, a profound, complex & well-ordered psychology & philosophy, strange indeed to our modern conception, expressed indeed in language still stranger & remoter from our modern use of language, but not therefore either untrue or unintelligible, and that this knowledge is the real foundation of our later religious developments, & Veda, not only by historical continuity, but in real truth & substance is the parent & bedrock of all later Hinduism, of Vedanta, Sankhya, Nyaya, Yoga, of Vaishnavism & Shaivism&Shaktism, of Tantra&Purana, even, in a remoter fashion, of Buddhism & the later unorthodox religions. From this quarry all have hewn their materials or from this far-off source drawn unknowingly their waters; from some hidden seed in the Veda they have burgeoned into their wealth of branchings & foliage. The ritualism of Sayana is an error based on a false preconception popularised by the Buddhists & streng thened by the writers of the Darshanas,on the theory that the karma of the Veda was only an outward ritual & ceremony; the naturalism of the modern scholars is an error based on a false preconception encouraged by the previous misconceptions of Sayana,on the theory of the Vedas [as] not only an ancient but a primitive document, the production of semi-barbarians. The Vedantic writers of the Upanishads had alone the real key to the secret of the Vedas; not indeed that they possessed the full knowledge of a dialect even then too ancient to be well understood, but they had the knowledge of the Vedic Rishis, possessed their psychology, & many of their general ideas, even many of their particular terms & symbols. That key, less & less available to their successors owing to the difficulty of the knowledge itself & of the language in which it was couched and to the immense growth of outward ritualism, was finally lost to the schools in the great debacle of Vedism induced by the intellectual revolutions of the centuries which immediately preceded the Christian era.
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  The substance of modern philological discovery about the Vedas consists, first, in the picture of an Aryan civilisation introduced by northern invaders and, secondly, in the interpretation of the Vedic religion as a worship of Nature-powers & Vedic myths as allegorical legends of sun & moon & star & the visible phenomena of Nature. The latter generalisation rests partly on new philological renderings of Vedic words, partly on the Science of Comparative Mythology. The method of this Science can be judged from one or two examples. The Greek story of the demigod Heracles is supposed to be an evident sun myth. The two scientific proofs offered for this discovery are first that Hercules performed twelve labours and the solar year is divided into twelve months and, secondly, that Hercules burnt himself on a pyre on Mount Oeta and the sun also sets in a glory of flame behind the mountains. Such proofs seem hardly substantial enough for so strong a conclusion. By the same reasoning one could prove the emperor Napoleon a sun myth, because he was beaten & shorn of his glory by the forces of winter and because his brilliant career set in the western ocean and he passed there a long night of captivity. With the same light confidence the siege of Troy is turned by the scholars into a sun myth because the name of the Greek Helena, sister of the two Greek Aswins, Castor & Pollux, is philologically identical with the Vedic Sarama and that of her abductor Paris is not so very different from the Vedic Pani. It may be noted that in the Vedic story Sarama is not the sister of the Aswins and is not abducted by the Panis and that there is no other resemblance between the Vedic legend & the Greek tradition. So by more recent speculation even Yudhishthira and his brothers and the famous dog of theMahabharat are raised into the skies & vanish in a starry apotheosis,one knows not well upon what grounds except that sometimes the Dog Star rages in heaven. It is evident that these combinations are merely an ingenious play of fancy & prove absolutely nothing. Hercules may be the Sun but it is not proved. Helen & Paris may be Sarama & one of the Panis, but itis not proved. Yudhishthira & his brothers may be an astronomical myth, but it is not proved. For the rest, the unsubstantiality & rash presumption of the Sun myth theory has not failed to give rise in Europe to a hostile school of Comparative Mythologists who adopt other methods & seek the origins of early religious legend & tradition in a more careful and flexible study of the mentality, customs, traditions & symbolisms of primitive races. The theory of Vedic Nature-worship is better founded than these astronomical fancies. Agni is plainly the God of Fire, Surya of the Sun, Usha of the Dawn, Vayu of the Wind; Indra for Sayana is obviously the god of rain; Varuna seems to be the sky, the Greek Ouranos,et cetera. But when we have accepted these identities, the question of Vedic interpretation & the sense of Vedic worship is not settled. In the Greek religion Apollo was the god of the sun, but he was also the god of poetry & prophecy; Athene is identified with Ahana, a Vedic name of the Dawn, but for the Greeks she is the goddess of purity & wisdom; Artemis is the divinity of the moon, but also the goddess of free life & of chastity. It is therefore evident that in early Greek religion, previous to the historic or even the literary period, at an epoch therefore that might conceivably correspond with the Vedic period, many of the deities of the Greek heavens had a double character, the aspect of physical Nature-powers and the aspect of moral Nature-powers. The indications, therefore,for they are not proofs,even of Comparative Mythology would justify us in inquiring whether a similar double character did not attach to the Vedic gods in the Vedic hymns.
  The real basis of both the Aryan theory of Vedic civilisation and the astronomical theory of Aryan myth is the new interpretation given to a host of Vedic vocables by the comparative philologists. The Aryan theory rests on the ingenious assumption that anarya, dasyu or dasa in the Veda refer to the unfortunate indigenous races who by a familiar modern device were dubbed robbers & dacoits because they were guilty of defending their country against the invaders & Arya is a national term for the invaders who called themselves, according to Max Muller, the Ploughmen, and according to others, the Noble Race. The elaborate picture of an early culture & history that accompanies and supports this theory rests equally on new interpretations of Vedic words and riks in which with the progress of scholarship the authority of Sayana and Yaska has been more & more set at nought and discredited. My contention is that anarya, dasa and dasyu do not for a moment refer to the Dravidian races,I am, indeed, disposed to doubt whether there was ever any such entity in India as a separate Aryan or a separate Dravidian race,but always to Vritra, Vala & the Panis and other, primarily non-human, opponents of the gods and their worshippers. The new interpretations given to Vedic words & riks seem to me sometimes right & well grounded, often arbitrary & unfounded, but always conjectural. The whole European theory & European interpretation of the Vedas may be [not] unjustly described as a huge conjectural & uncertain generalisation built on an inadequate & shifting mass of conjectural particulars.

1.12 - The Herds of the Dawn, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  object:1.12 - The Herds of the Dawn
  author class:Sri Aurobindo
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  The Herds of the Dawn
  HE SEVEN Rivers of the Veda, the Waters, apah., are usually designated in the figured Vedic language as the seven
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  The image of the Cow is the most important of all the Vedic symbols. For the ritualist the word go means simply a physical cow and nothing else, just as its companion word, asva, means simply a physical horse and has no other sense, or as ghr.ta means only water or clarified butter, vra only a son or a retainer or servant. When the Rishi prays to the Dawn, gomad vravad dhehi ratnam us.o asvavat, the ritualistic commentator sees in the invocation only an entreaty for "pleasant wealth to which are attached cows, men (or sons) and horses". If on the other
  124
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  The image of the Cow is constantly associated in Veda with the Dawn and the Sun; it also recurs in the legend of the recovery of the lost cows from the cave of the Panis by Indra and Brihaspati with the aid of the hound Sarama and the Angiras Rishis.
  The conception of the Dawn and the legend of the Angirases are at the very heart of the Vedic cult and may almost be considered as the key to the secret of the significance of Veda. It is therefore these two that we must examine in order to find firm ground for our inquiry.
  Now even the most superficial examination of the Vedic hymns to the Dawn makes it perfectly clear that the cows of the
  Dawn, the cows of the Sun are a symbol for Light and cannot be anything else. Sayana himself is obliged in these hymns to interpret the word sometimes as cows, sometimes as rays, - careless as usual of consistency; sometimes he will even tell us that go like r.tam, the word for truth, means water. As a matter of fact it is evident that we are meant to take the word in a double sense, "light" as the true significance, "cow" as the concrete image and verbal figure.
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  The Herds of the Dawn
  125
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  In the hymns to the Dawn the symbolic sense of the cows of light is equally clear. Dawn is described always as gomat, which must mean, obviously, luminous or radiant; for it would be nonsense to use "cowful" in a literal sense as the fixed epithet of the Dawn. But the image of the cows is there in the epithet; for Usha is not only gomat, she is gomat asvavat; she has always with her her cows and her horses. She creates light for all the world and opens out the darkness as the pen of the Cow, where we have without any possibility of mistake the cow as the
  126
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  (VII.75) she is described as sharing in the action of the gods by which the strong places where the herds are concealed are broken open and they are given to men; "True with the gods who are true, great with the gods who are great, she breaks open the strong places and gives of the shining herds; the cows low towards the Dawn," - rujad dr.d.hani dadad usriyan.am, prati
  It cannot of course be disputed that go means light in the Veda e.g. when it is said that Vritra is slain gava, by light, there is no question of the cow; the question is of the use of the double sense and of the cow as a symbol.
  The Herds of the Dawn
  127
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  The objections are manifold and some of them overwhelming. If we assume that the Vedic hymns were composed in India and the Dawn is the Indian dawn and the night the brief Indian night of ten or twelve hours, we have to start with the concession that the Vedic Rishis were savages overpowered by a terror of the darkness which they peopled with goblins, ignorant of the natural law of the succession of night and day - which is yet beautifully hymned in many of the Suktas, - and believed that it was only by their prayers and sacrifices that the Sun rose in the heavens and the Dawn emerged from the embrace of her sister
  Night. Yet they speak of the undeviating rule of the action of the Gods, and of Dawn following always the path of the eternal
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  Rishis. And what are we to make of the constant assertion of the discovery of the Light by the Fathers; - "Our fathers found out the hidden light, by the truth in their thoughts they brought to birth the Dawn," gud.ham jyotih. pitaro anvavindan, satyamantra ajanayan us.asam (VII.76.4). If we found such a verse in any collection of poems in any literature, we would at once give it a psychological or a spiritual sense; there is no just reason for a different treatment of the Veda.
  If, however, we are to give a naturalistic explanation and no other to the Vedic hymns, it is quite clear that the Vedic
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  The Herds of the Dawn
  129
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  Angirases become at all intelligible. But though it is extremely probable that the memories of the Arctic home enter into the external sense of the Veda, the Arctic theory does not exclude an inner sense behind the ancient images drawn from Nature nor does it dispense with the necessity for a more coherent and straightforward explanation of the hymns to the Dawn.
  We have, for instance, the hymn of Praskanwa Kanwa to the Ashwins (I.46) in which there is the reference to the luminous impulsion that carries us through to the other shore of the darkness. This hymn is intimately connected with the Vedic idea of the Dawn and the Night. It contains references to many of the fixed Vedic images, to the path of the Truth, the crossing of the rivers, the rising of the Sun, the connection between the
  Dawn and the Ashwins, the mystic effect and oceanic essence of the Soma Wine.
  "Lo, the Dawn than which there is none higher, opens out full of delight in the Heavens; O Ashwins, the Vast of you I affirm, ye of whom the Ocean is the mother, accomplishers of the work who pass beyond through the mind to the felicities and, divine, find that substance by the thought. . . . O Lords of the Voyage, who mentalise the word, this is the dissolver of your thinkings, - drink ye of the Soma violently; give to us that impulsion, O Ashwins which, luminous, carries us through beyond the darkness. Travel for us in your ship to reach the other shore beyond the thoughts of the mind. Yoke, O Ashwins, your car, - your car that becomes the vast oared ship in Heaven, in the crossing of its rivers. By the thought the powers of Delight have been yoked. The Soma-powers of delight in heaven are that substance in the place of the Waters. But where shall you cast aside the veil you have made to conceal you? Nay, Light has been born for the joy of the Soma; - the Sun that was dark has shot out its tongue towards the Gold. The path of the Truth has come into being by which we shall travel to that other shore; seen is all the wide way through Heaven. The seeker grows in his being towards increasing manifestation after manifestation
  130
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  This is the straightforward and natural sense of the hymn and its intention is not difficult to follow if we remember the main ideas and images of the Vedic doctrine. The Night is clearly the image of an inner darkness; by the coming of the Dawn the
  Truths are won out of the Nights. This is the rising of the Sun which was lost in the obscurity - the familiar figure of the lost sun recovered by the Gods and the Angiras Rishis - the sun of Truth, and it now shoots out its tongue of fire towards the golden Light: - for hiran.ya, gold is the concrete symbol of the higher light, the gold of the Truth, and it is this treasure not golden coin for which the Vedic Rishis pray to the Gods. This great change from the inner obscuration to the illumination is effected by the Ashwins, lords of the joyous upward action of the mind and the vital powers, through the immortal wine of the Ananda poured into mind and body and there drunk by them. They mentalise the expressive Word, they lead us into the heaven of pure mind beyond this darkness and there by the

1.12 - The Sociology of Superman, #On the Way to Supermanhood, #Satprem, #Integral Yoga
  There are ten or twenty, perhaps fifty, here or there, in one latitude or another, who yearn to till a truer plot of land, a small patch of man to grow a truer being within themselves, perhaps create together a laboratory of the superman, lay the first stone of the City of Truth on earth. They do not know, they do not know anything, except that they need something else and that there exists a Law of Harmony, a marvelous something of the Future seeking to be incarnated. They want to find the conditions of that incarnation, to lend themselves to the trial, to offer their substance for that living experiment. They know nothing except that everything must be different: in hearts, in gestures, in matter and the handling of matter. They are not seeking to create a new civilization, but another man; not a supercity among the millions of buildings of the world, but a listening post for the forces of the future, a supreme yantra of Truth, a conduit, a channel to try to capture and inscribe in matter a first note of the great Harmony, a first tangible sign of the new world. They do not pose as the champions of anything; they do not defend any liberty or attack any ism. They simply try together. They are the champions of their own pure little note, which is unlike the next person's and yet is everyone's note. They are no longer from a country, a family, a religion or a party; they belong to their own party, which is no one else's and yet is the party of the world, because what becomes true at one point becomes true for the whole world and brings the whole world together. They are from a family to be invented, from a country yet to be born. They do not try to correct others or anybody, to pour self-glorifying charities over the world, to cure the poor and the lepers; they try to cure the great poverty of smallness in themselves, the gray elf of the inner misery, to reclaim one single parcel of truth from themselves, one single ray of harmony. For if that Disease is cured in our own heart or a few hearts, the world will be that much lighter, and, through our clarity, the Law of Truth will better penetrate matter and radiate all around spontaneously. What liberation, what relief can a man who suffers in his own heart bring to the world? They do not work for themselves, though they are the primary ground of the experience, but as an offering, pure and simple, to that which they do not really know, but which shimmers at the edge of the world like the Dawn of a new age. They are the prospectors of the new cycle. They have given themselves to the future, body and soul, the way one jumps into the fire, without a look back. They are the servants of the infinite in the finite, of the totality in the infinitesimal, of eternity in each second and each gesture. They create their heaven with each step and carve the new world out of the banality of the day. And they are not afraid of failure, for they have left behind the failures and success of the prison they live in the sole infallibility of a right little note.
  But these builders of the new world will have to be careful not to erect a new prison, be it an ideal and enlightened one. In fact, they will understand, and quickly that this City of Truth will not and cannot see the light of day until they themselves live totally in the Truth, and that that building site is first and foremost the site of their own transmutation. One does not deceive Truth.

1.13 - Dawn and the Truth, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  But the illumining dawn of the higher or undivided Consciousness is always the Dawn of the Truth; if Usha is that illumining dawn, then we are bound to find her advent frequently associated in the verses of the Rig Veda with the idea of the
  Truth, the Ritam. And such association we do repeatedly find.
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  Truth, but of the Sun. But the Veda describes rather the Sun as following the path of Usha and this would be the natural image suggested to an observer of the physical Dawn. Moreover, even if the phrase did not clearly in other passages mean the path of the Truth, the psychological significance would still intervene; for the sense would then be that the Dawn of illumination follows the path of the True or the Lord of the Truth, Surya
  Savitri.
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   dev devebhir (VII.75.7), "Dawn true in her being with the gods who are true, vast with the Gods who are vast." This "truth" of the Dawn is much insisted upon by Vamadeva in one of his hymns, IV.51; for there not only does he speak of the Dawns
  "encompassing the worlds immediately with horses yoked by the Truth," r.tayugbhir asvaih. (cf. VI.65.2) but he speaks of them as bhadra r.tajatasatyah., "happy, and true because born from the Truth"; and in another verse he describes them as "the goddesses who awake from the seat of the Truth."
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  In our psychological interpretation of the Veda we are met at every turn by the ancient conception of the Truth as the path to the Bliss. Usha, the Dawn of the illumination of the Truth, must necessarily bring also the joy and the beatitude. This idea of the
  Dawn as the bringer of delight we find constantly in the Veda and Vasishtha gives a very positive expression to it in VII.81.3, ya vahasi puru sparham ratnam na dasus.e mayah., "thou who bearest to the giver the beatitude as a manifold and desirable ecstasy."
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  "fronts and looks upon all the worlds, the eye of vision shines with an utter wideness; awakening all life for movement she discovers speech for all that thinks," visvasya vacam avidan manayoh. (I.92.9). We have here a Dawn that releases life and mind into their fullest wideness and we ignore the whole force of the words and phrases chosen by the Rishi if we limit the suggestion to a mere picture of the reawakening of earthly life in the physical dawning. And even if here the word used for the vision brought by the Dawn, caks.uh., is capable of indicating only physical sight, yet in other passages it is ketuh. which means perception, a perceptive vision in the mental consciousness, a faculty of knowledge. Usha is pracetah., she who has this perceptive knowledge. Mother of the radiances, she has created this perceptive vision of the mind; gavam janitr akr.ta pra ketum
  (I.124.5). She is herself that vision, - "Now perceptive vision has broken out into its wide dawn where nought was before," vi nunam ucchad asati pra ketuh. (I.124.11). She is by her perceptive power possessed of the happy truths, cikitvit-sunr.tavar
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  Nothing, it would seem, could be more matter-of-fact, earthy, material; these are indeed the blessings for which a race of lusty barbarians full of vigorous appetite, avid of earth's goods would pray to their primitive gods. But we have seen that hiran.ya is used in another sense than that of earthly gold. We have seen that the "cows" return constantly in connection with the Dawn as a figure for the Light and we have seen that this light is connected with mental vision and with the truth that brings the bliss. And asva, the horse, is always in these concrete images of psychological suggestions coupled with the symbolic figure of the cow: Dawn is gomat asvavat. Vasishtha has a verse
  (VII.77.3) in which the symbolic sense of the Vedic Horse comes out with great power and clearness, -
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  Dawn is described as gomat asvavat vravat; and since the epithets gomat and asvavat applied to her are symbolical and mean not "cowful and horsed", but radiant with illuminations of knowledge and accompanied by the swiftnesses of force, so vravat cannot mean "man-accompanied" or accompanied by heroes or servants or sons, but rather signifies that she is attended by conquering energies or at any rate is used in some kindred and symbolic sense. This becomes quite evident in I.113.18, ya gomatr us.asah. sarvavrah. . . . ta asvada asnavat somasutva. It does not mean " the Dawns that have cows and all men or all servants, those a man, having offered the Soma, enjoys as horsegivers." the Dawn is the inner dawn which brings to man all the varied fullnesses of his widest being, force, consciousness, joy; it is radiant with its illuminations, it is accompanied by all possible powers and energies, it gives man the full force of vitality so that he can enjoy the infinite delight of that vaster existence.
  We can no longer take gomad asvavad vravad radhah. in a physical sense; the very language of the Veda points us to quite another truth. Therefore the other circumstances of this god-given wealth must be taken equally in a spiritual significance; the offspring, gold, chariots are symbolical; sravas is not fame or food, but bears its psychological sense and means the higher knowledge which comes not to the senses or the intellect, but to the divine hearing and the divine vision of the Truth; radho drghasruttamam, rayim sravasyum is that rich state of being, that spiritually opulent felicity which turns towards the knowledge (sravasyu) and has a far-extended hearing for the vibrations of the Word that comes to us from the regions (disah.) of the Infinite. Thus the luminous figure of the Dawn liberates
  The symbolism of the horse is quite evident in the hymns of Dirghatamas to the

1.13 - The Kings of Rome and Alba, #The Golden Bough, #James George Frazer, #Occultism
  their remote predecessors in the dark ages which preceded the Dawn
  of legend.

1.14 - The Structure and Dynamics of the Self, #Aion, #Carl Jung, #Psychology
  367 With the Dawn of the second millennium the accent shifted
  23 In the gnosis of Justin. See Hippolytus, Elenchos, V, 26, 32 (Legge trans., I,

1.15 - On incorruptible purity and chastity to which the corruptible attain by toil and sweat., #The Ladder of Divine Ascent, #Saint John of Climacus, #unset
  sun; and they all have their home in heaven. But from the Dawn comes light, and in the light the sun rises. So too with what has been said, we can reflect and make discoveries.
  A fox pretends to be asleep, and the body and demons pretend to be chaste; the former in order to deceive a bird, and the latter in order to destroy a soul.

1.17 - On Teaching, #unset, #Arthur C Clarke, #Fiction
  No man can reveal to you aught but that which already lies half asleep in the Dawning of your knowledge.
  The teacher who walks in the shadow of the temple, among his followers, gives not of his wisdom but rather of his faith and his lovingness.

1.17 - The Seven-Headed Thought, Swar and the Dashagwas, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  HE LANGUAGE of the hymns establishes, then, a double aspect for the Angiras Rishis. One belongs to the external garb of the Veda; it weaves together its naturalistic imagery of the Sun, the Flame, the Dawn, the Cow, the Horse, the Wine, the sacrificial Hymn; the other extricates from that imagery the internal sense. The Angirases are sons of the Flame, lustres of the Dawn, givers and drinkers of the Wine, singers of the Hymn, eternal youths and heroes who wrest for us the
  Sun, the Cows, the Horses and all treasures from the grasp of the sons of darkness. But they are also seers of the Truth, finders and speakers of the word of the Truth and by the power of the Truth they win for us the wide world of Light and Immortality which is described in the Veda as the Vast, the True, the Right and as the own home of this Flame of which they are the children. This physical imagery and these psychological indications are closely interwoven and they cannot be separated from each other. Therefore we are obliged by ordinary common sense to conclude that the Flame of which the Right and the Truth is the own home is itself a Flame of that Right and
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  The Angiras Rishis are at once divine and human seers. This double character is not in itself an extraordinary feature or peculiar in the Veda to these sages. The Vedic gods also have a double action; divine and pre-existent in themselves, they are human in their working upon the mortal plane when they grow in man to the great ascension. This has been strikingly expressed in the allocution to Usha, the Dawn, "goddess human in mortals", devi martes.u manus.i. But in the imagery of the Angiras Rishis this double character is farther complicated by the tradition which makes them the human fathers, discoverers of the Light, the
  Path and the Goal. We must see how this complication affects our theory of the Vedic creed and the Vedic symbolism.
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  Dashagwas. Hymned by the Angiras Rishis Indra opens up the darkness by the Dawn and the Sun and the Cows, he spreads out the high plateau of the earthly hill into wideness and upholds the higher world of heaven. For the result of the opening up of the higher planes of consciousness is to increase the wideness of the physical, to raise the height of the mental. "This, indeed," says the Rishi Nodha, "is his mightiest work, the fairest achievement of the achiever," dasmasya carutamam asti damsah., "that the four upper rivers streaming honey nourish the two worlds of the crookedness," upahvare yad upara apinvan madhvarn.aso nadyas catasrah.. This is again the honey-streaming well pouring down its many streams together; the four higher rivers of the divine being, divine conscious force, divine delight, divine truth nourishing the two worlds of the mind and body into which they descend with their floods of sweetness. These two, the Rodasi, are normally worlds of crookedness, that is to say of the falsehood, - the r.tam or Truth being the straight, the anr.tam or Falsehood the crooked, - because they are exposed to the harms of the undivine powers, Vritras and Panis, sons of darkness and division. They now become forms of the truth, the knowledge, vayuna, agreeing with outer action and this is evidently Gritsamada's carato anyad anyad and his ya cakara vayuna brahman.aspatih.. The Rishi then proceeds to define the result of the work of Ayasya, which is to reveal the true eternal and unified form of earth and heaven. "In their twofold
  (divine and human?) Ayasya uncovered by his hymns the two, eternal and in one nest; perfectly achieving he upheld earth and
  --
  It is when enriched in light and force of thought by the Angirases that Indra completes his victorious journey and reaches the goal on the mountain; "In him our primal fathers, the seven seers, the Navagwas, increase their plenty, him victorious on his march and breaking through (to the goal), standing on the mountain, inviolate in speech, most luminous-forceful by his thinkings," naks.ad-dabham taturim parvates.t.ham, adroghavacam matibhih. savis.t.ham (VI.22.2). It is by singing the Rik, the hymn of illumination, that they find the solar illuminations in the cave of our being, arcanto7 ga avindan (I.62.2). It is by the stubh, the all-supporting rhythm of the hymn of the seven seers, by the vibrating voice of the Navagwas that Indra becomes full of the power of Swar, svaren.a svaryah. and by the cry of the Dashagwas that he rends Vala in pieces (I.62.4). For this cry is the voice of the higher heaven, the thunder that cries in the lightning-flash of Indra, and the advance of the Angirases on their path is the forward movement of this cry of the heavens, pra brahman.o angiraso naks.anta, pra krandanur nabhanyasya vetu (VII.42.1); for we are told that the voice of Brihaspati the Angirasa discovering the Sun and the Dawn and the Cow and the light of the Word is the thunder of Heaven, br.haspatir us.asam suryam gam, arkam viveda stanayann iva dyauh. (X.67.5). It is by the satya mantra, the true thought expressed in the rhythm of the truth, that the hidden light is found and the Dawn brought to birth, gud.ham jyotih. pitaro anvavindan, satyamantra ajanayann us.asam (VII.76.4). For these are the Angirases who speak aright, ittha vadadbhih. angirobhih. (VI.18.5), masters of the Rik who place perfectly their thought, svadhbhir r.kvabhih. (VI.32.2); they are the sons of heaven, heroes of the Mighty Lord who speak the truth and think the straightness and therefore they are able to hold the seat of illumined knowledge, to mentalise the supreme abode of the sacrifice, r.tam samsanta r.ju ddhyana, divas putraso asurasya vrah.; vipram padam angiraso dadhana, yajnasya dhama prathamam mananta (X.67.2).
  Arcati (r.c) in the Veda means to shine and to sing the Rik; arka means sun, light and the Vedic hymn.
  --
  It is impossible that such expressions should convey nothing more than the recovery of stolen cows from Dravidian cavedwellers by some Aryan seers led by a god and his dog or else the return of the Dawn after the darkness of the night.
  The wonders of the Arctic dawn themselves are insufficient to explain the association of images and the persistent stress on the idea of the Word, the Thought, the Truth, the journey and the conquest of the falsehood which meets us always in these hymns.

1.18 - M. AT DAKSHINESWAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  The temple garden was filled with the sweet music of the Dawn service; which mingled with the morning melody from the nahabat. Leaving his bed, Sri Ramakrishna chanted the names of God in sweet tones. Then he bowed before the pictures of the different deities in his room and went to the west porch to salute the Ganges.
  Some of the devotees who had spent the night at the temple garden came to the Master's room and bowed before him. Rkhl was staying with the Master, and Baburam had come the previous evening. M. had been staying there two weeks.

1.18 - The Human Fathers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  We have here a clue to the sense of this goddess Dakshina who seems in some passages to be a form or epithet of the Dawn and in others that which distributes the offerings in the sacrifice.
  Usha is the divine illumination and Dakshina is the discerning knowledge that comes with the Dawn and enables the Power in the mind, Indra, to know aright and separate the light from the darkness, the truth from the falsehood, the straight from the crooked, vr.n.ta vijanan. The right and left hand of Indra are his two powers of action in knowledge; for his two arms are called gabhasti, a word which means ordinarily a ray of the sun but also forearm, and they correspond to his two perceptive powers, his two bright horses, har, which are described as suneyed, suracaks.asa and as vision-powers of the Sun, suryasya ketu. Dakshina presides over the right-hand power, daks.in.a, and therefore we have the collocation daks.in.e daks.in.avan. It is this discernment which presides over the right action of the sacrifice and the right distribution of the offerings and it is this which enables Indra to hold the herded wealth of the Panis securely, in his right hand. And finally we are told what is this secret thing
  The Human Fathers
  --
  What were these dawns? They were those created by the actions of the Fathers, the ancient Angirases. "They indeed had the joy (of the Soma) along with the gods,5 the ancient seers who possessed the truth; the fathers found the hidden Light; they, having the true thought (satyamantrah., the true thought expressed in the inspired Word), brought into being the Dawn."
  And to what did the Dawn, the path, the divine journeying lead the Fathers? To the level wideness, samane urve, termed elsewhere the unobstructed vast, urau anibadhe, which is evidently the same as that wide being or world which, according to Kanwa, men create when they slay Vritra and pass beyond heaven and earth; it is the vast Truth and the infinite being of
  Aditi. "In the level wideness they meet together and unite their knowledge (or, know perfectly) and strive not together; they

1.19 - The Victory of the Fathers, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  Swar called also the great heaven, br.hat dyauh., is the plane of the Truth above the ordinary heaven and earth which can be no other than the ordinary mental and physical being; that the path of the great heaven, the path of the Truth created by the Angirases and followed by the hound Sarama is the path to the Immortality, amr.tatvaya gatum; that the vision (ketu) of the Dawn, the Day won by the Angirases, is the vision proper to the Truth-consciousness; that the luminous cows of the Sun and Dawn wrested from the Panis are the illuminations of this truth-consciousness which help to form the thought of the Truth, r.tasya dhtih., complete in the seven-headed thought of Ayasya; that the Night of the Veda is the obscured consciousness of the mortal being in which the Truth is subconscient, hidden in the cave of the hill; that the recovery of the lost sun lying in this darkness of Night is the recovery of the sun of Truth out of the darkened subconscient condition; and that the downflowing earthward of the seven rivers must be the outstreaming action of the sevenfold principle of our being as it is formulated in the
  Truth of the divine or immortal existence. Equally then must the
  --
  Truth went forward to it; the bright cows in their covering prison, the good milkers whose pen is in the rock they drove upward (to the Truth), the Dawns answered their call. They rent the hill asunder and made them bright; others all around them declared wide this (Truth) of theirs; drivers of the herds they sang the hymn to the doer of works (Agni), they found the light, they shone in their thoughts (or, they accomplished the work by their thoughts). They with the mind that seeks the light (the cows, gavyata manasa) rent the firm and compact hill that environed the luminous cows; the souls that desire opened by the divine word, vacasa daivyena, the firm pen full of the kine." These are the ordinary images of the Angiras legend, but in the next verse Vamadeva uses a still more mystic language.
  "They conceived in mind the first name of the fostering cows, they found the thrice seven supreme (seats) of the Mother; the
  --
   females of the herd knew that and they followed after it; the ruddy one was manifested by the victorious attainment (or, the splendour) of the cow of Light," te manvata prathamam nama dhenos, trih. sapta matuh. paraman.i vindan; taj janatr abhyanus.ata vra, avirbhuvad arun.r yasasa goh.. The Mother here is Aditi, the infinite consciousness, who is the Dhenu or fostering Cow with the seven rivers for her sevenfold streaming as well as Go the Cow of Light with the Dawns for her children; the Ruddy One is the divine Dawn and the herd or rays are her dawning illuminations. The first name of the Mother with her thrice seven supreme seats, that which the Dawns or mental illuminations know and move towards, must be the name or deity of the supreme Deva, who is infinite being and infinite consciousness and infinite bliss, and the seats are the three divine worlds, called earlier in the hymn the three supreme births of
  Agni, Satya, Tapas and Jana of the Puranas, which correspond to these three infinities of the Deva and each fulfils in its own way the sevenfold principle of our existence: thus we get the series of thrice seven seats of Aditi manifested in all her glory by the opening out of the Dawn of Truth.3 Thus we see that the achievement of the Light and Truth by the human fathers is also an ascent to the Immortality of the supreme and divine status, to the first name of the all-creating infinite Mother, to her thrice seven supreme degrees of this ascending existence, to the highest levels of the eternal hill (sanu, adri).
  This immortality is the beatitude enjoyed by the gods of which Vamadeva has already spoken as the thing which Agni has to accomplish by the sacrifice, the supreme bliss with its thrice seven ecstasies (I.20.7). For he proceeds; "Vanished the darkness, shaken in its foundation; Heaven shone out (rocata dyauh., implying the manifestation of the three luminous worlds of Swar, divo rocanani); upward rose the light of the divine Dawn; the

1.20 - The Hound of Heaven, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  HERE yet remain two constant features of the Angiras legend with regard to which we have to acquire a little farther light in order to master entirely this Vedic conception of the Truth and the discovery of the illuminations of the Dawn by the primeval Fathers; we have to fix the identity of Sarama and the exact function of the Panis, two problems of
  Vedic interpretation which are very closely related to each other.
  --
  Light and Darkness, Sarama who leads in the search for the radiant herds and discovers both the path and the secret hold in the mountain must be a forerunner of the Dawn of Truth in the human mind. And if we ask ourselves what power among the truth-finding faculties it is that thus discovers out of the darkness of the unknown in our being the truth that is hidden in it, we at once think of the intuition. For Sarama is not Saraswati, she is not the inspiration, even though the names are similar. Saraswati gives the full flood of the knowledge; she is or awakens the great stream, maho arn.ah., and illumines with plenitude all the thoughts, dhiyo visva vi rajati. Saraswati possesses and is the flood of the Truth; Sarama is the traveller and seeker on its path who does not herself possess but rather finds that which is lost.
  Neither is she the plenary word of the revelation, the Teacher of man like the goddess Ila; for even when what she seeks is found, she does not take possession but only gives the message to the seers and their divine helpers who have still to fight for the possession of the light that has been discovered.
  --
  (came forth) for the supreme birth of the Great Ones (the rivers or, less probably, the Dawns); the hill parted asunder, heaven was perfected (or, accomplished itself); they lodged (upon earth) and distributed the largeness." It is of Indra and the Angirases that the Rishi is speaking, as the rest of the hymn shows and
  The Hound of Heaven
  --
   as is indeed evident from the expressions used; for these are the usual formulas of the Angiras mythus and repeat the exact expressions that are constantly used in the hymns of the delivery of the Dawn, the Cows and the Sun. We know already what they mean. The hill of our already formed triple existence which rises into heaven at its summit is rent asunder by Indra and the hidden illuminations go abroad; Swar, the higher heaven of the superconscient, is manifested by the upward streaming of the brilliant herds. The sun of Truth diffuses all the strength and glory of its light, the inner Dawn comes from the luminous wideness instinct with knowledge, - janat gat, the same phrase that is used of her who leads to the house of the Dasyu in I.104.5; and of Sarama in
  III.31.6, - the rivers of the Truth, representing the outflow of its being and its movement (r.tasya pres.a), descend in their rushing streams and make a channel here for their waters; heaven, the mental being, is perfected and made firm like a well-shaped pillar to support the vast Truth of the higher or immortal life that is now made manifest and the largeness of that Truth is lodged here in all the physical being. The delivery of the pregnant contents of the hill, parvatasya garbhah., the illuminations constituting the seven-headed thought, r.tasya dhtih., which come forth in answer to the inspired word, leads to the supreme birth of the seven great rivers who constitute the substance of the Truth put into active movement, r.tasya pres.a.
  --
   that attack and divide, dves.amsi); let us go forward towards the Master of the sacrifice. Come, let us create the Thought, O friends, (obviously, the seven-headed Angiras-thought), which is the Mother (Aditi or the Dawn) and removes the screening pen of the Cow." The significance is clear enough; it is in such passages as these that the inner sense of the Veda half disengages itself from the veil of the symbol.
  Then the Rishi speaks of the great and ancient example which men are called upon to repeat, the example of the Angirases, the achievement of Sarama. "Here the stone was set in motion whereby the Navagwas chanted the hymn for the ten months, Sarama going to the Truth found the cows, the Angiras made all things true. When in the Dawning of this vast One (Usha representing the infinite Aditi, mata devanam aditer ankam) all the Angirases came together with the cows (or rather, perhaps by the illuminations represented in the symbol of the cows or Rays); there was the fountain of these (illuminations) in the supreme world; by the path of the Truth Sarama found the cows." Here we see that it is through the movement of Sarama going straight to the Truth by the path of the Truth, that the seven seers, representing the seven-headed or seven-rayed thought of Ayasya and Brihaspati, find all the concealed illuminations and by force of these illuminations they all come together, as we have been already told by Vasishtha, in the level wideness, samane urve, from which the Dawn has descended with the knowledge (urvad janat gat, v. 2) or, as it is here expressed, in the Dawning of this vast One, that is to say, in the infinite consciousness. There, as Vasishtha has said, they, united, agree in knowledge and do not strive together, sangatasah. sam janate na yatante mithas te, that is to say, the seven become as one, as is indicated in another hymn; they become the one seven-mouthed Angiras, an image corresponding to that of the seven-headed thought, and it is this single unified Angiras who makes all things true as the result of Sarama's discovery (verse 7). The harmonised, united, perfected Seer-Will corrects all falsehood and crookedness and turns all thought, life, action into terms of the Truth. In this hymn also the action of Sarama is precisely that of the Intuition
  The Hound of Heaven
  --
  Mind) by the sacrifices. The conquering (dawns) cleave to him in his struggle, they deliver by knowledge a great light out of the darkness; knowing the Dawns rise up to him, Indra has become the one lord of the luminous cows. The cows who were in the strong place (of the Panis) the thinkers clove out; by the mind the
  It is in this sense that we can easily understand many now obscure expressions of the
  --
  He has found the great, manifold and blissful Field (the wide field of the cows, Swar); and he has sent forth together all the moving herd for his friends. Indra shining out by the human souls (the Angirases) has brought into being, together, the Sun, the Dawn, the Path and the Flame."
  And in the remaining verses the same figures continue, with an intervention of the famous image of the rain which has been so much misunderstood. "The Ancient-born I make new that I may conquer. Do thou remove our many undivine hurters and set

1.22 - On Prayer, #unset, #Arthur C Clarke, #Fiction
  And if it is for your comfort to pour your darkness into space, it is also for your delight to pour forth the Dawning of your heart.
  And if you cannot but weep when your soul summons you to prayer, she should spur you again and yet again, though weeping, until you shall come laughing.

1.24 - On Beauty, #The Prophet, #Kahlil Gibran, #Poetry
  Beauty shall rise with the Dawn from the east.
  And at noontide the toilers and the wayfarers say, We have seen her leaning over the earth from the windows of the sunset.

1.25 - ADVICE TO PUNDIT SHASHADHAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "Sattvic bhakti is known to God alone. It makes no outward display. A man with such devotion loves privacy. Perhaps he meditates inside the mosquito net, where nobody sees him. When this kind of devotion is awakened, one hasn't long to wait for the vision of God. The appearance of the Dawn in the east shows that the sun will rise before long.
  "A man with rajasic bhakti feels like making a display of his devotion before others. He worships the Deity with 'sixteen ingredients', enters the temple wearing a silk cloth, and puts around his neck a string of rudrksha beads interspersed here and there with beads of gold and ruby.

1.29 - What is Certainty?, #Magick Without Tears, #Aleister Crowley, #Philosophy
  Not unaware am I that these conceptions are at first exceedingly difficult to formulate clearly. I wouldn't go so far as to say that one would have to be a Master of the Temple to understand them; but it is really very necessary to have grasped firmly the doctrine that "a thing is only true insofar as it contains its contradiction in itself." (A good way to realize this is by keeping up a merry dance of paradoxes, such as infest Logic and Mathematics. The repeated butting of the head against a brick wall is bound in the long run to shake up the little grey cells (as Poirot[57] might say), teach you to distrust any train of argument, however apparently impeccable the syllogisms, and to seek ever more eagerly the Dawn of that Neschamic consciousness where all these things are clearly understood, although impossible to express in rational language.)
  The prime function of intellect is differentiation; it deals with marks, with limits, with the relations of what is not identical; in Neschamah all this work has been carried out so perfectly that the "rough working" has passed clean out of mind; just so, you say "I" as if it were an indivisible Unity, unconscious of the inconceivably intricate machinery of anatomical, physiological, psychological construction which issues in this idea of "I."

1.45 - The Corn-Mother and the Corn-Maiden in Northern Europe, #The Golden Bough, #James George Frazer, #Occultism
  forefa thers long before the Dawn of history. Amongst the marks of a
  primitive ritual we may note the following:

1.58 - Human Scapegoats in Classical Antiquity, #The Golden Bough, #James George Frazer, #Occultism
  improbability in the supposition that at the Dawn of history a
  similar custom was observed by the semibarbarous Latins in the

1.68 - The God-Letters, #Magick Without Tears, #Aleister Crowley, #Philosophy
  Good! We'll call it D-Day and drop our paratroops. D is a sharp, sudden, forceful explosive sound, cut off smartly. Now then I can't tell whether you will connect this with ejaculation, with the idea of paternity. Whether or no, a vast number of people did so in the Dawn of speech. Even to-day children seem instinctively to say "Dad" for "Father," though no allowance can be made for cases of mistaken identity. And the most ancient Father-Gods of the oldest and simplest civilizations are thus named. In Sumer He was AD, or ADAD, whence the later Egyptian Hadit, and the Semitic Adonai. (There are also words like AVD, the creative Magick). So also the Greeks in Syria knew Adonis, and the Latin Deus is itself the general word for God. Again, Valhalla houses Odin, Woden; and there are others. When the dental is complicated to a sibilant, as we shall see later, another idea is introduced; while the lightening of the sound to T has yet another effect.
  Sanskrit also helps us with such roots as DETH, to show, DAM, to tame, DEVK, to lead, DHEIGH, to knead, mould, DHER, to support, DO, to give, DHE, to put and a while group of words like Deva, a divine being.

17.01 - Hymn to Dawn, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   even so Night opens her womb for the Dawn. [1]
   With her reddening child, the white Mother comes blushing

17.07 - Ode to Darkness, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   The Goddess comes and veils her sister, the Dawn, and glows through the blackness. [3]
   She is now that to us wherein we shall rest even as birds do on a tree. [4]

18.05 - Ashram Poets, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   the Dawn-world flashed, the Night tore open!
   And yet Doomsday clouds came down, one knows not from
  --
   India's Night is gone! the Dawn breaks, O Traveller!
   The rosy morn blows its conch!
  --
   Eyes ever turned to the Dawning East, never to the setting West.
   He hides behind a veil and moves on . . .

1914 08 24p, #Prayers And Meditations, #The Mother, #Integral Yoga
   It is only a beginning, it is not an accomplishment; but the road opens, visible and straight, there is nothing to do but to follow it; the veil is rent in answer to the humble but all-powerful effort of the dark days. Grant, O Lord, that the path may be thus lit up for all, and that after having seen clearly into ourselves there may not be any new difficulties for the knowledge to become conscious in others. Despite everything, a human being, no matter how great, is limited, at least for a long time, by the very fact that he is human and because, even when he is in contact with immensity, this immensity is translated in his outer consciousness from the angle of his own personality. It is very difficult for him not to have a perspective partially obliterated as it were by his own viewpoint. But these last obstacles must be overcome, definitively broken down, so that they may no longer be able to rise again. The road must be entirely free and the knowledge that has been glimpsed become firmly established. Thy grace is with us, Lord, and it never leaves us, even when appearances are dark; night is sometimes necessary to prepare more perfect dawns. But perhaps this time Thou hast placed us in the presence of the Dawn that does not pass away.
   Receive the offerings of our ardent gratitude and our integral surrender.

1.ac - An Oath, #Crowley - Poems, #Aleister Crowley, #Philosophy
  (An Oath written during the Dawn Meditation)
  Aiwaz! Confirm my troth with thee ! my will inspire

1.ac - Logos, #Crowley - Poems, #Aleister Crowley, #Philosophy
  Hermes, authentic augur of the Dawn!

1.ac - The Garden of Janus, #Crowley - Poems, #Aleister Crowley, #Philosophy
  With all their thorns; we came there at the Dawn,
  My lord and I; God sailed across

1.ac - The Pentagram, #Crowley - Poems, #Aleister Crowley, #Philosophy
  In the Years of the Primal Course, in the Dawn of terrestrial
  birth,

1.ami - To the Saqi (from Baal-i-Jibreel), #unset, #Arthur C Clarke, #Fiction
   English version by Naeem Siddiqui Original Language Urdu Look! What wonders the spring has wrought! The river bank is a paradise! Rose-embowered glades, Blossoming jasmine and hyacinth, And violets, the envy of the skies!. Rainbow colours transformed Into a chorus of rapturous sounds, And the harmony of flowers The hillside is carnation-red; In the languid haze, the air Seems drunk with the beauty of life! The brook, on the heights of the hill, Dances to its own music. The world is dizzy in a pageant of colour! My rosy-cheeked Cup-bearer! The voice of spring is the voice of life! But the spring lasts not for ever; So bring me the cup that tears all veils -- The wine that brightens life -- The wine that intoxicates the world -- The wine in which flows The music of everlasting life, The wine that reveals eternity's secret. Unveil the secrets, O Saqi. Look! The world has changed apace! New are the songs, and new is the music; The West's magic has dissolved; The West's magicians are bewildered; Old politics has lost its game; The world is tired of kings; Gone are the days of the rich; Gone is the jugglery of old; Awake is China's sleeping giant; The Himalayas' torrents are unleashed; Sinai is riven; Moses awaits the light divine. The Muslim says that God is One But his heart is Still a heathen: Culture, sufism, rites and rthetoric, All adore non- Arab idols; The truth was lost in trifles, And the nation was lost in conventions. The speaker's rhetoric is enchanting, But is devoid of passion; It is clothed in logic neat, But lost in a maze of words; The sufi, unique in the love of truth, Unique in the love of God, Was lost in un-Islamic thought; Was lost in the hierarchic quest; The fire of love is extinguished, And a Muslim is a heap of ashes, O Saqi! Give me the old wine again! Let the potent cup go round! Let me soar on the wings of love; Make my dust bright-pinioned; Make wisdom free; And make the young guide the old; Thou it is that nourishest. this nation; Thou it is that canst sustain it; Urge them to move, to stir; Give them Ali's heart; give them Siddiq's passion; Let the same old love pierce their hearts; Awaken in them a burning zeal; Let the stars throw down their spears, And let the earth's dwellers tremble Give the young a passion that consumes; Give them my vision, my love of God; Free my boat from the whirlpool's grip, And make it move forward-, Reveal to me the secrets of life, For thou knowest them all; The treasures of a fakir like me Are suffused, unsleeping eyes, And secret yearnings of the heart-, My anguished sighs at night, My solitude in the world of men, My hopes and my fears, My quest untiring, My nature an arena of thought A mirror of the world. My heart a battlefield of life, With armies of suspicion, And bastions of certitude; With these treasures I am More rich than the richest of all. Let the young join my throng, And let them find an anchor of hope. The sea of life has its ebb and flow-, In every atom's heart is the pulse of life; It manifests itself in the body, As a flame conceals a wave of smoke; Contact with the earth was harsh for it, But it liked the labour; It is in motion, and not in motion; Tired of the elements' shackles; A unity, imprisoned by plurality; But always unique, unequalled. It has made this dome of myriad glass; It has carved this pantheon. It does not repeat its craft For thou art not me, and I am not thou; It has created the world of men, And remains in solitude, Its brightness is seen in the stars, And in the lustre of pearls-, To it belong the wildernesses, The flowers and the thorns; Mountains sometimes are shaken by its might; It captures angels and nymphs; It makes the eagle pounce on a prey, And leave a blood-stained body. Every atom throbs with life; Rest is an illusion; Life's journey pauses not, For every moment is a new glory; Life, thou thinkest, is a mystery; Life is a delight in eternal flight; Life has seen many ups and downs; It loves a journey, not a goal. Movement is life's being; Movement is truth, pause is a mirage. Life's enjoyment is in perils, In facing ups and downs; In the world beyond Life stalked for death, But the impulse to procreate Peopled the world of man and beast. Flowers blossomed and dropped From this tree of life. Fools think life is ephemeral; Life renews itself for ever -- Moving fast as a flash, Moving to eternity in a breath; Time, a chain of days and nights, Is the ebb and flow of breath. This flow of breath is like a sword, Selfhood is its sharpness; Selfhood is the secret of life; It is the world's awakening, Selfhood is solitary, absorbed, An ocean enclosed in a drop; It shines in light and in darkness, Existent in, but away from, thee and me. the Dawn of life behind it, eternity before, It has no frontiers before, no frontiers behind. Afloat on the river of time, Bearing the buffets of the waves, Changing the course of its quest, Shifting its glance from time to time; For it a hill is a grain of sand, Mountains are shattered by its blows; A journey is its beginning and end, And this is the secret of its being. It is the moon's beam, the spark in the flint, Colourless itself, though infused with colours, No concern has it with the calculus of space, With linear time's limits, with the finitude of life. It manifested itself in man's essence of dust, After an eternity of a strife to be born. It is in thy heart that Selfhood has an abode, As heaven has its abode in the cornea of thy eye. To one who guards his Selfhood, The living that demeans it, is poison; He accepts only a living, That keeps his self- esteem; Keep away from royal pomp, Keep thy Selfhood free; Thou shouldst bow in prayer, Not bow to a human being. This myriad-coloured world, Under the sentence of death, This world of sight and sound, I Where life means eating and drinking, Is Selfhood's initial stage; It is not thy abode, O traveller! This dust-bowl is not the source of thy fire; The world is for thee, not thou for the world. Demolish this illusion of' time and space; Selfhood is the Tiger of God, the world is its prey; The earth is its prey, the heavens are its prey; Other worlds there are, still awaiting birth, The earth-born are not the centre of all life; They all await thy assault, Thy cataclysmic thought and deed; Days and nights revolve, To reveal thy Selfhood to thee; Thou art the architect of the world. Words fail to convey the truth; Truth is the mirror, words its shade; Though the breath is a burning flame, The flame has limited bounds. 'If now I soar any farther, The vision will sear my wings.' <
1f.lovecraft - Out of the Aeons, #Lovecraft - Poems, #unset, #Zen
   to find it. Only the healing greyness of the Dawn brought us back to
   sanity; a sanity which made of that glimpse of mine a closed

1f.lovecraft - Poetry and the Gods, #Lovecraft - Poems, #unset, #Zen
   at the bottom of a stream before the Dawn; hidden but to gleam
   effulgently at the birth of day.
  --
   Daughter, the Dawn is nigh, and it is well that thou shouldst return
   before the awaking of mortals to thy home. Weep not at the bleakness of

1f.lovecraft - The Challenge from Beyond, #Lovecraft - Poems, #unset, #Zen
   crystal cube out of the unmeasured past, perhaps from the Dawn of all
   history, that constituted a challenge that would not let him sleep.
  --
   his watch. Close to one oclock; three hours more before the Dawn. The
   beam fell and was focused upon the warm crystal cube. He held it there

1f.lovecraft - The Curse of Yig, #Lovecraft - Poems, #unset, #Zen
   fainting, and wondered what sort of relief the Dawn could bring, after
   all. Probably neighbours would passno doubt somebody would callwould

1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
   find him crouching there still, and the Dawn would not find him at all.
   But there was a way, and he saw it in due season. Only a very expert
  --
   so the ship lay to under the phosphorescent clouds to wait for the Dawn
   of a greyish day. When the light was ample and the howlings still the
  --
   before the Dawn. Trembling in waves that golden wisps of nebula made
   weirdly visible, there rose a timid hint of far-off melody, droning in

1f.lovecraft - The Dunwich Horror, #Lovecraft - Poems, #unset, #Zen
   time people began to speak specifically of the Dawning look of evil in
   his goatish face. He would sometimes mutter an unfamiliar jargon, and

1f.lovecraft - The Electric Executioner, #Lovecraft - Poems, #unset, #Zen
   But he, too, saw the Dawn, and began glaring wildly again. He knew the
   train was due in Mexico City at five, and would certainly force quick
  --
   increasingly frequent houses in the Dawnlight outside told of our
   approach to the capital at last.

1f.lovecraft - The Horror at Red Hook, #Lovecraft - Poems, #unset, #Zen
   suddenly charmed by the Dawning grace and urbanity of the former
   hermit. He had, he asserted, accomplished most of his allotted work;

1f.lovecraft - The Last Test, #Lovecraft - Poems, #unset, #Zen
   chapters lived and closed before the Dawn of our organic life and the
   geologic eras connected with it. Its an awful thoughtwhole forgotten
  --
   he thought the Dawn had come. But it was not the Dawn, and as he rubbed
   his heavy lids he saw that it was the glare of the burning clinic in

1f.lovecraft - The Nameless City, #Lovecraft - Poems, #unset, #Zen
   the Dawn.
   For hours I waited, till the east grew grey and the stars faded, and
  --
   aeon-dead antiquities, leagues below the Dawn-lit world of men, I heard
   the ghastly cursing and snarling of strange-tongued fiends. Turning, I

1f.lovecraft - The Slaying of the Monster, #Lovecraft - Poems, #unset, #Zen
   of the Dawn was heralded by gaudy clouds they wished themselves more
   than ever at home, dragon or no dragon. But as the sun rose they

1f.lovecraft - The Strange High House in the Mist, #Lovecraft - Poems, #unset, #Zen
   and fantastic against wild coruscations. And the mists of the Dawn are
   thicker, and sailors are not quite so sure that all the muffled seaward

1f.lovecraft - The White Ship, #Lovecraft - Poems, #unset, #Zen
   at the hour I sailed away. With the Dawn I descended the tower and
   looked for wreckage upon the rocks, but what I found was only this: a

1f.lovecraft - Under the Pyramids, #Lovecraft - Poems, #unset, #Zen
   dream, or the Dawn would never have found me breathing on the sands of
   Gizeh before the sardonic dawn-flushed face of the Great Sphinx.

1.fs - The Walk, #Schiller - Poems, #Friedrich Schiller, #Poetry
   And the vain phantoms of night yield to the Dawning of day.
   Man now breaks through his fetters, the happy one! Oh, let him never

1.fua - God Speaks to David, #unset, #Arthur C Clarke, #Fiction
   English version by Raficq Abdulla Original Language Persian/Farsi David was an open vessel, the light Poured into him. God's words took flight In him and through him God said: 'To all humankind, who are wed To hubris and sin, I say: "If heaven and hell Did not exist to catch you and break you, Would you, though a speck of dust, tell Truth from falsehood, would your eye find true Centre in my words? If there was nothing but dark Would you think of me, still less mark Your place with the leaf of prayer? Yet You are bound to my will, your soul is set In the direction of my breath, with hope And fear which cracks the Dawn of your heart, So you will worship me with all your mind Words and inclination. Make a start: Burn to ashes all that is not I, bind The ashes to the fidelity of the wind, Extract the ore of your being, Then you shall start seeing."' [1490.jpg] -- from The Conference of the Birds: The Selected Sufi Poetry of Farid ud-Din Attar, Translated by Raficq Abdulla <
1.hs - Tidings Of Union, #Hafiz - Poems, #unset, #Zen
  And I, when the Dawn shall come to awaken me,
  With the flush of youth on my check from thy bosom will rise.

1.jk - Endymion - Book I, #Keats - Poems, #John Keats, #Poetry
  And so the Dawned light in pomp receive.
  For 'twas the morn: Apollo's upward fire
  --
   Now while the silent workings of the Dawn
  Were busiest, into that self-same lawn

1.jk - Hyperion. Book I, #Keats - Poems, #John Keats, #Poetry
  Before the Dawn in season due should blush,
  He breath'd fierce breath against the sleepy portals,
  --
  Therefore the operations of the Dawn
  Stay'd in their birth, even as here 'tis told.

1.jk - Isabella; Or, The Pot Of Basil - A Story From Boccaccio, #Keats - Poems, #John Keats, #Poetry
  And in the Dawn she started up awake;
  XLII.

1.jk - Otho The Great - Act IV, #Keats - Poems, #John Keats, #Poetry
  By blazoning a lie, which in the Dawn
  I expiate with truth.

1.jk - The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished, #Keats - Poems, #John Keats, #Poetry
  I see the Dawning touch'd upon your face;
  Shall I put out the candles, please your Grace?"

1.jlb - Daybreak, #Borges - Poems, #Jorge Luis Borges, #Poetry
  took another form in the Dawn,
  and the superstition of the hour,

1.jlb - Limits, #Borges - Poems, #Jorge Luis Borges, #Poetry
  Through the Dawning window night withdraws
  And among the stacked books which throw

1.jlb - That One, #Borges - Poems, #Jorge Luis Borges, #Poetry
  and old age, which is the Dawn of death,
  and fame, which absolutely nobody deserves,

1.jwvg - Faithful Eckhart, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  The marvel it lasts till the Dawning of day;
  All people who hear of it doubtless will say:

1.jwvg - Wont And Done, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
  Yet the Dawning of light I now view.
  I have eaten; but ne'er have thus relish'd my food!

1.lb - Poem by The Bridge at Ten-Shin, #Li Bai - Poems, #Li Bai, #Poetry
  The sea's colour moves at the Dawn
  And the princes still stand in rows, about the throne,

1.lovecraft - Nemesis, #Lovecraft - Poems, #unset, #Zen
  I have whirled with the earth at the Dawning,                  
   When the sky was a vaporous flame;                      

1.lovecraft - Psychopompos- A Tale in Rhyme, #Lovecraft - Poems, #unset, #Zen
  When (quoth the crone) the Dawns bright radiance bathd
  Th eventful scene, so late in terror swathd,

1.lovecraft - The Bride Of The Sea, #Lovecraft - Poems, #unset, #Zen
  Grey broke the Dawn till the sad night was banish'd,
  Still ach'd my soul with its infinite pain.

1.mah - My One and Only, only You can make me, #unset, #Arthur C Clarke, #Fiction
   English version by Ivan M. Granger Original Language Arabic My One and Only, only You can make me one with You, For Your Oneness is neither reached by roads nor religion. Truth! I am Truth wrapped in Truth -- For Truth Is, indivisible from itself. Your Presence is the Dawn, brilliant, Lightning flashing forth in all directions! <
1.okym - 38 - One Moment in Annihilations Waste, #unset, #Arthur C Clarke, #Fiction
   English version by Edward FitzGerald Original Language Persian/Farsi One Moment in Annihilation's Waste, One Moment, of the Well of Life to taste -- The Stars are setting and the Caravan Starts for the Dawn of Nothing -- Oh, make haste! [bk1sm.gif] -- from The Rubaiyat of Omar Khayyam, by Omar Khayyam / Translated by Edward FitzGerald <
1.pbs - Alastor - or, the Spirit of Solitude, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Like some frail exhalation, which the Dawn
  Robes in its golden beams,ah! thou hast fled!

1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  I stood, and felt the Dawn of my long night
  Was penetrating me with living light:

1.pbs - Fragments Of An Unfinished Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  He came like a dream in the Dawn of life,
   He fled like a shadow before its noon;

1.pbs - Hellas - A Lyrical Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Are stars beneath the Dawn...
                   She shall arise
  --
  In visions of the Dawning undelight.
    Who shall impede her flight?

1.pbs - On Death, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
    Ere the Dawning of morn's undoubted light,
  Is the flame of life so fickle and wan

1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Runs down the slanted sunlight of the Dawn.
  Ione.
  --
  Went to their sleep again: and when the Dawn
  Came, wouldst thou think that toads, and snakes, and efts,
  --
   In the depths of the Dawn,
  Hastes, in meteor-eclipsing array, and they flee

1.pbs - Queen Mab - Part I., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
      That canopied the Dawn.
    Seemed it that the chariot's way

1.pbs - The Devils Walk. A Ballad, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Until the Dawn of day.
  IV.
  --
  --And fled at the Dawn of day.
  XIII.

1.pbs - The Pine Forest Of The Cascine Near Pisa, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The white sun twinkling like the Dawn
  Under a speckled cloud.

1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   'The darkness lingering o'er the Dawn of things,
    Was Evil's breath and life; this made him strong
  --
   the Dawn flowed forth, and from its purple fountains
    I drank those hopes which make the spirit quail,
  --
   the Dawn of mind, which upwards on a pinion
   Borne, swift as sunrise, far illumines space,
  --
   'I watched the Dawn of her first smiles, and soon
    When zenith-stars were trembling on the wave,
  --
    Until the Dawn, those hosts of many a nation
   Stood round that pile, as near one lover's tomb
  --
   Calm, radiant, like the phantom of the Dawn,
  A spirit from the caves of daylight wandering gone.

1.pbs - The Triumph Of Life, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
   Dew on the earth, as if she were the Dawn
   Whose invisible rain forever seemed to sing

1.pbs - The Witch Of Atlas, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Long lines of light, such as the Dawn may kindle
   The clouds and waves and mountains with; and she

1.pbs - To Jane - The Recollection, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The white sun twinkling like the Dawn
  Out of a speckled cloud.

1.pbs - To Night, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  When I rose and saw the Dawn,
  I sighed for thee;

1.poe - Alone, #Poe - Poems, #unset, #Zen
  Then- in my childhood, in the Dawn
  Of a most stormy life- was drawn

1.poe - Eureka - A Prose Poem, #Poe - Poems, #unset, #Zen
  Hitherto, the Universe of stars has always been considered as coincident with the Universe proper, as I have defined it in the commencement of this Discourse. It has been always either directly or indirectly assumed -at least since the Dawn of intelligible Astronomy -that, were it possible for us to attain any given point in space, we should still find, on all sides of us, an interminable succession of stars. This was the untenable idea of Pascal when making perhaps the most successful attempt ever made, at periphrasing the conception for which we struggle in the word "Universe." "It is a sphere," he says, "of which the centre is everywhere, the circumference, nowhere." But although this intended definition is, in fact, no definition of the Universe of stars, we may accept it, with some mental reservation, as a definition (rigorous enough for all practical purposes) of the Universe proper -that is to say, of the Universe of space. This latter, then, let us regard as "a sphere of which the centre is everywhere, the circumference nowhere." In fact, while we find it impossible to fancy an end to space, we have no difficulty in picturing to ourselves any one of an infinity of beginnings.
  As our starting point, then, let us adopt the Godhead. Of this Godhead, in itself, he alone is not imbecile -he alone is not impious who propounds -nothing. "Nous ne connaissons rien," says the Baron de Bielfeld -"Nous ne connaissons rien de la nature ou de l'essence de Dieu: -pour savoir ce qu'il est, il faut etre Dieu meme." -"We know absolutely nothing of the nature or essence of God: in order to comprehend what he is, we should have to be God ourselves."

1.rb - Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris', #Browning - Poems, #Robert Browning, #Poetry
  Anon at the Dawn, all that trouble had withered from earth-
  Not so much, but I saw it die out in the day's tender birth;

1.rb - Sordello - Book the Fifth, #Browning - Poems, #Robert Browning, #Poetry
  As at the Dawn?merely a perished husk
  Now, that arose a power fit to build

1.rmpsd - So I say- Mind, dont you sleep, #unset, #Arthur C Clarke, #Fiction
  Until you bring the Dawn around.
  If She won't save you in this Dark Age --.

1.rmr - Loneliness, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
  hours when the streets turn their faces to the Dawn,
  and when two bodies who have found nothing,

1.rt - Fireflies, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  and sings when the Dawn is still dark.
  I bring to thee, night, my day's empty cup,

1.rt - Gitanjali, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  I thought I should ask of thee - but I dared not - the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the Dawn only for a stray petal or two.
  Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, 'Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water - it is thy dreadful sword.
  --
  At this time of my parting, wish me good luck, my friends! The sky is flushed with the Dawn and my path lies beautiful.
  Ask not what I have with me to take there. I start on my journey with empty hands and expectant heart.

1.rt - Hard Times, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  And the Dawn steeped in darkness, lacking all direction.
  Dear bird, my sightless bird,

1.rt - Lovers Gifts LXX - Take Back Your Coins, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  the silent hymn to the Dawn which rises from the hushed hills. The
  women hid their mouths with their hands, their bodies swaying with

1.rt - Lovers Gifts XIII - Last Night In The Garden, #Tagore - Poems, #Rabindranath Tagore, #Poetry
    To-day in the dew-cooled calm of the Dawn you are walking to
  God's temple, bathed and robed in white, with a basketful of
  --
  with my head bent, in the calm of the Dawn by the lonely road to
  the temple.

1.rt - Paper Boats, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  hope that these blooms of the Dawn will be carried safely to land
  in the night.

1.rt - The Gardener XIII - I Asked Nothing, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  of the Dawn, and the dew in the air.
    The lazy smell of the damp grass

1.rt - The Portrait, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  I got you in the Dawn of my life
  But lost you one night

1.rt - Urvashi, #Tagore - Poems, #Rabindranath Tagore, #Poetry
  Like the Dawn
  That dawns on heaven's eastern mounts

1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  From Chaos to the Dawning morrow;
  Into all our human plight,

1.rwe - The Adirondacs, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Up with the Dawn, they fancied the light air
  That circled freshly in their forest dress

1.rwe - Woodnotes, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
  Whom the Dawn and the day-star urgeth,
  In whose cheek the rose-leaf blusheth,

1.shvb - O nobilissima viriditas, #unset, #Arthur C Clarke, #Fiction
   English version by Barbara Newman Original Language Latin Most noble evergreen with your roots in the sun: you shine in the cloudless sky of a sphere no earthly eminence can grasp, enfolded in the clasp of ministries divine. You blush like the Dawn, you burn like a flame of the sun. [1826.jpg] -- from Symphonia: A Critical Edition of the Symphonia armonie celstium revelationum, by Hildegard of Bingen / Translated by Barbara Newman <
1.sjc - Dark Night, #unset, #Arthur C Clarke, #Fiction
   English version by Ivan M. Granger Original Language Spanish (Songs of the soul delighted at having reached the high state of perfection, the union with God, by way of spiritual negation.) On a darkened night, Anxious, by love inflamed, -- O happy chance! -- Unnoticed, I took flight, My house at last at peace and quiet. Safe, disguised by the night, By the secret ladder I took flight, -- O happy chance! -- Cloaked by darkness, I scaled the height, My house at last at peace and quiet. On that blessed night, In secret, and seen by none, None in sight, I saw with no other guide or light, But the one burning in my heart bright. This guide, this light, Brighter than the midday sun, Led me to the waiting One I knew so well -- my delight! To a place with none in sight. O night! O guide! O night more loving than the Dawn! O night that joined The lover with the Beloved; Transformed, the lover into the Beloved drawn! Upon my flowered breast, For him alone kept fair, There he slept, There I caressed, There the cedars gave us air. I drank the turret's cool air, Spreading playfully his hair. And his hand, so serene, Cut my throat. Drained Of senses, I dropped unaware. Lost to myself and yet remaining, Inclined so only the Beloved I spy. All has ceased, all rests, Even my cares, even I; Lost among the lilies, there I die. [2597.jpg] -- from Real Thirst: Poetry of the Spiritual Journey, by Ivan M. Granger

1.wby - A Dramatic Poem, #Yeats - Poems, #William Butler Yeats, #Poetry
    Among the windy meadows of the Dawn.'
    But why are they still waiting? why are they

1.wby - At Algeciras - A Meditaton Upon Death, #Yeats - Poems, #William Butler Yeats, #Poetry
  Till the Dawn break upon those mingled seas.
  Often at evening when a boy

1.wby - Crazy Jane On God, #Yeats - Poems, #William Butler Yeats, #Poetry
  Went in the Dawning light
  Whether I would or no;

1.wby - High Talk, #Yeats - Poems, #William Butler Yeats, #Poetry
  Far up in the stretches of night; night splits and the Dawn breaks loose;
  I, through the terrible novelty of light, stalk on, stalk on;
  Those great sea-horses bare their teeth and laugh at the Dawn.

1.wby - Hound Voice, #Yeats - Poems, #William Butler Yeats, #Poetry
  Some day we shall get up before the Dawn
  And find our ancient hounds before the door,

1.wby - The Dawn, #Yeats - Poems, #William Butler Yeats, #Poetry
  object:1.wby - the Dawn
  author class:William Butler Yeats
  --
  I WOULD be ignorant as the Dawn
  That has looked down
  --
  I would be ignorant as the Dawn
  That merely stood, rocking the glittering coach
  --
  Ignorant and wanton as the Dawn.

1.wby - The Fascination Of Whats Difficult, #Yeats - Poems, #William Butler Yeats, #Poetry
  I swear before the Dawn comes round again
  I'll find the stable and pull out the bolt.

1.wby - The Fisherman, #Yeats - Poems, #William Butler Yeats, #Poetry
  And passionate as the Dawn.'

1.wby - The Grey Rock, #Yeats - Poems, #William Butler Yeats, #Poetry
  Between the Dawn and dusk,' she said;
  'Although the event was long in doubt.

1.wby - The Hour Before Dawn, #Yeats - Poems, #William Butler Yeats, #Poetry
  "Night grows uneasy near the Dawn
  Till even I sleep light; but who
  --
  In the bad hour before the Dawn."
  Why beer is only beer.'
  --
  The clouds were brightening with the Dawn.

1.wby - The Indian To His Love, #Yeats - Poems, #William Butler Yeats, #Poetry
  THE island dreams under the Dawn
  And great boughs drop tranquillity;

1.wby - The People, #Yeats - Poems, #William Butler Yeats, #Poetry
  In their great window looking at the Dawn;
  I might have had no friend that could not mix
  --
  That saw the wicks grow yellow in the Dawn;
  I might have used the one substantial right

1.wby - The Shadowy Waters - The Shadowy Waters, #Yeats - Poems, #William Butler Yeats, #Poetry
    Among the windy meadows of the Dawn.
    But why are they still waiting? why are they

1.wby - The Song Of The Happy Shepherd, #Yeats - Poems, #William Butler Yeats, #Poetry
  With mirthful songs before the Dawn.
  His shouting days with mirth were crowned;

1.wby - The Song Of The Old Mother, #Yeats - Poems, #William Butler Yeats, #Poetry
  I RISE in the Dawn, and I kneel and blow
  Till the seed of the fire flicker and glow;

1.wby - The Tower, #Yeats - Poems, #William Butler Yeats, #Poetry
  And drove him drunk or sober through the Dawn
  From somewhere in the neighbouring cottages.

1.wby - The Two Kings, #Yeats - Poems, #William Butler Yeats, #Poetry
  ""Were it not that when the Dawn has lit my bed
  And shown my husband sleeping there, I have sighed,

1.wby - The Wanderings Of Oisin - Book I, #Yeats - Poems, #William Butler Yeats, #Poetry
  And things that fear the Dawn of the morrow
  Or the grey wandering osprey Sorrow.'

1.wby - The Wanderings Of Oisin - Book III, #Yeats - Poems, #William Butler Yeats, #Poetry
  Coming out of the sea as the Dawn comes, a chaunt of love on my lips,
  Not coughing, my head on my knees, and praying, and wroth with the bells,

1.whitman - Apostroph, #Whitman - Poems, #unset, #Zen
  O arouse! the Dawn bird's throat sounds shrill! Do you not hear the
      cock crowing?

1.whitman - Vigil Strange I Kept on the Field one Night, #Whitman - Poems, #unset, #Zen
   Till at latest lingering of the night, indeed just as the Dawn appear'd,
   My comrade I wrapt in his blanket, envelop'd well his form,

1.ww - 6- The White Doe Of Rylstone, Or, The Fate Of The Nortons, #Wordsworth - Poems, #unset, #Zen
  Pursued;--and, at the Dawn of day,
  Attained a summit whence his eyes          

1.ww - Book Sixth [Cambridge and the Alps], #unset, #Arthur C Clarke, #Fiction
  Contented, from the moment that the Dawn
  (Ah! surely not without attendant gleams

1.ww - Book Thirteenth [Imagination And Taste, How Impaired And Restored Concluded], #unset, #Arthur C Clarke, #Fiction
  Benighted; but, the Dawn beginning now
  To re-appear, 'twas proved that not in vain

1.ww - Book Twelfth [Imagination And Taste, How Impaired And Restored ], #unset, #Arthur C Clarke, #Fiction
  Return upon me almost from the Dawn
  Of life: the hiding-places of man's power

1.ww - Guilt And Sorrow, Or, Incidents Upon Salisbury Plain, #Wordsworth - Poems, #unset, #Zen
  And saw the Dawn opening the silvery east
  With rays of promise, north and southward sent;

1.ww - Memorials Of A Tour In Scotland- 1814 I. Suggested By A Beautiful Ruin Upon One Of The Islands Of Lo, #Wordsworth - Poems, #unset, #Zen
  Of matter for the Dawning day!
              VIII

1.ww - Ode Composed On A May Morning, #Wordsworth - Poems, #unset, #Zen
    The star that led the Dawn,
  Blithe Flora from her couch upstarts,

1.ww - The Excursion- X- Book Ninth- Discourse of the Wanderer, and an Evening Visit to the Lake, #Wordsworth - Poems, #unset, #Zen
  Have been permitted to enjoy the Dawn;
  Whether regarded as a jocund time,

1.ww - The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816, #Wordsworth - Poems, #unset, #Zen
  That burns for Poets in the Dawning east;
  And oft my soul hath kindled at the same,

1.ww - Vaudracour And Julia, #Wordsworth - Poems, #unset, #Zen
  The portals of the Dawn; all paradise
  Could, by the simple opening of a door,

20.01 - Charyapada - Old Bengali Mystic Poems, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   In the company of Yoginis till the Dawn breaks.
   One who is attached to the outcaste woman

2.01 - Mandala One, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  (4) When the divine strength that thou hast been increasing in thee embraces firmly the God-mind for its expansion as the Sun embraces the Dawn, then he who dispels with his violent light-force the darkness drives vast the dust of battle as he cries aloud in his warring.
  (5) Thus he crosses the vital plane that now unmovingly supports the mental heavens and he stands widely exceeding it; rejoicing in the rapture, in the raining down on us of the world of Light, O God-Mind, thou slayest the Coverer, thou forcest out the flood of those waters.
  --
  (5) Hymned by the Angirases, O potent god, thou laidst open the darkness by the Dawn and the Sun and the herd of the rays. O Indra, thou madest wide the tops of earth and proppedst up the upper shining world of heaven.
  (6) This is the most worshipful and fairest work of the potent god that he increased in the crooked declivity the four rivers of the upper world whose streams are honey wine.
  --
  (2) Upward have soared the red-active lustres covering heaven; yoked are the ruddy Rays that set themselves perfectly to the work. the Dawns have made the manifestations of things even as before and their ruddinesses have entered into the reddening Light.
  (3) For as forces that work the bright Energies give their illumination by entering into all things with an equal self-yoking from the supreme realm and thence they bring energy to the right doer, the right giver (who perfectly effects his aims); yea, all things here they bring to the sacrificer who expresses the Soma bliss.
  --
  (18) Twin bounteous gods with your luminous movements who create the bliss, you may those steeds that are awakened by the Dawn bring to the drinking of the wine of Bliss.
  ***

2.01 - THE CHILD WITH THE MIRROR, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  One morning, however, he woke even before the Dawn,
  reflected long, lying on his bed, and at last spoke to his

2.02 - Atomic Motions, #Of The Nature Of Things, #Lucretius, #Poetry
  When first the Dawn is sprinkling with new light
  The lands, and all the breed of birds abroad

2.03 - Atomic Forms And Their Combinations, #Of The Nature Of Things, #Lucretius, #Poetry
  O'ertravelled backwards at the Dawn of spring.
  For each degree of hat, and each of cold,

2.03 - DEMETER, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  We must not lose sight of that line crimsoned by the Dawn.
  After thousands of years rising below the horizon, a flame bursts

2.03 - Indra and the Thought-Forces, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
  Usrah.. In the feminine the word is used as a synonym for the Vedic go, meaning at once Cow and ray of light. Usha, the Dawn, also, is gomat, girt with rays or accompanied by the herds of the Sun. There is in the text a significant assonance, usra vy-us.t.is.u, one of the common devices used by the Vedic Rishis to suggest a thought or a connection which they do not consider it essential to bring out expressly.
  Savas. There are a host of words in the Veda for strength, force, power and each of them carries with it its own peculiar shade of significance. Savas usually conveys the idea of light as well as force.
  --
   gradually, in the mornings of the human spirit, by the unbroken succession of the Dawns. For Dawn in the Veda is the goddess symbolic of new openings of divine illumination on man's physical consciousness. She alternates with her sister Night; but that darkness itself is a mother of light and always Dawn comes to reveal what the black-browed Mother has prepared. Here, however, the seer seems to speak of continuous dawns, not broken by these intervals of apparent rest and obscurity. By the brilliant force of that continuity of successive illuminations the mentality of man ascends swiftly into fullest light. But always the force which has governed and made possible the transformation, is the puissance of Indra. It is that supreme Intelligence which through the Dawns, through the Maruts, has been pouring itself into the human being. Indra is the Bull of the radiant herd, the Master of the thought-energies, the Lord of the luminous dawns.
  Now also let Indra use the Maruts as his instruments for the illumination. By them let him establish the supramental knowledge of the seer. By their energy his energy will be supported in the human nature and he will give that nature his divine firmness, his divine force, so that it may not stumble under the shock or fail to contain the vaster play of puissant activities too great for our ordinary capacity.

2.04 - ADVICE TO ISHAN, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  It was morning. the Dawn service in the temples was over and the theatrical performance was going on in the open hall in front of the shrine. M. was coming through the courtyard with Sri Ramakrishna. He wanted to take leave of the Master.
  MASTER: "Why should you go now?"

2.04 - Agni, the Illumined Will, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
   cosmic Falsehood in him evolves the progressive manifestation of the cosmic Truth. Alone of the brilliant Gods, he burns bright and has full vision in the darkness of Night no less than in the splendours of day. The other gods are us.arbudhah., wakers with the Dawn.
  Therefore is he the priest of the offering, strongest or most apt for sacrifice, he who, all-powerful, follows always the law of the Truth. We must remember that the oblation (havya) signifies always action (karma) and each action of mind or body is regarded as a giving of our plenty into the cosmic being and the cosmic intention. Agni, the divine Will, is that which stands behind the human will in its works. In the conscient offering, he comes in front; he is the priest set in front (puro-hita), guides the oblation and determines its effectiveness.

2.04 - The Living Church and Christ-Omega, #Let Me Explain, #Pierre Teilhard de Chardin, #Christianity
  ment (that is to say until the Dawn of the modern scientific-
  industrial phase) clearly the Incarnation could only find sym-

2.09 - SEVEN REASONS WHY A SCIENTIST BELIEVES IN GOD, #God Exists, #Swami Sivananda Saraswati, #Hinduism
  WE ARE STILL IN the Dawn of the scientific age, and every increase of light reveals more brightly the handiwork of an intelligent Creator. We have made stupendous discoveries; with a spirit of scientific humility and of faith grounded in knowledge we are approaching ever nearer to an awareness of God.
  For myself, I count seven reasons for my faith:

2.1.02 - Love and Death, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  Amazed the Dawn of that mysterious Face
  And all the universe in beauty merge.

2.13 - THE MASTER AT THE HOUSES OF BALARM AND GIRISH, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  As the first ray of the Dawning sun dispels the dark, So too, Lord, when Thy blessed light bursts forth within the heart,
  It scatters all our grief and pain with sweetest balm.

2.14 - The Unpacking of God, #Sex Ecology Spirituality, #Ken Wilber, #Philosophy
  The loveless, beaten, battered self will let go the torment and the torture of its self-embracing ways, tire of that marriage to a special misery that it had chosen over loneliness, to nurse it through the long brutality of a life that doesn't care, surrender the murderous love affair with its own perplexed reflection, which had itself pretended to the throne of the Divine, and find instead its soul in Grace and drenched throughout with a luminous God that is its own true Being-its always and only Original Face, smiling now from the radiant Abyss, unreasonably happy in the face of every sight, set helplessly afloat on the Sea of Intimacy, adrift in currents of Compassion and caressed in unrelenting Care, one with each and one with all in mutual Self-recognition, dancing in the Dawn that heralds now the Self of all that truly is, and the Community of all that well might be, and the State of all that is to come.
  And every I will sing of the Self, and every We will resonate with worship of the Divine, and every It will radiate the light of a Spirit happy to be seen, with dialogue the abode of the Gods and perception the home of Grace, and gone the lonely loveless self, the god of its own perception, and gone the Godless destiny of time and separation.
  --
  And I-I rise to taste the Dawn, and find that love alone will shine today. And the Shining says: to love it all, and love it madly, and always endlessly, and ever fiercely, to love without choice and thus enter the All, to love it mindlessly and thus be the All, embracing the only and radiant Divine: now as Emptiness, now as Form, together and forever, the Godless search undone, and love alone will shine today.
  THE ONE THAT WAS TO COME

2.15 - ON IMMACULATE PERCEPTION, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  confronted by the Dawn. For already she approaches,
  glowing; her love for the earth approaches. All solar

2.1.7.07 - On the Verse and Structure of the Poem, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
  This First Book is divided into sections and the larger sections into subsections; you might wait till one section is with you before you type. E.g. the first section is the last Dawn, i.e. the Dawn of the day of Satyavans death (but it must be remembered that everything is symbolic or significant in the poem, so this dawn also,) the next is the Issue both of these are short. Then comes a huge section of the Yoga of the Lord of the Horse (Aswapati, father of Savitri) relating how came about the birth of Savitri and its significancefinally the birth and childhood of Savitri.
  25 October 1936

2.1.7.08 - Comments on Specific Lines and Passages of the Poem, #Letters On Poetry And Art, #Sri Aurobindo, #Integral Yoga
  Now as to the double adjectiveswell, man alive, your proposed emendations are an admirable exposition of the art of bringing a line down the steps till my poor slow miraculous above-mind line meant to give or begin the concrete portrayal of an act of some hidden Godhead finally becomes a mere metaphor thrown out from its more facile mint by a brilliantly imaginative poetic intelligence. First of all, you shift my dimly out of the way and transfer it to something to which it does not inwardly belong, make it an epithet of the gesture or an adverb qualifying its epithet instead of something that qualifies the atmosphere in which the act of the godhead takes place. That is a preliminary havoc which destroys what is very important to the action, its atmosphere. I never intended the gesture to be dim, it is a luminous gesture, but forcing its way through the black quietude it comes dimly. Then again the bald phrase a gesture came without anything to psychicise it becomes simply something that happened, came being a poetic equivalent for happened instead of the expression of the slow coming of the gesture. The words slow and dimly assure this sense of motion and this concreteness to the words sense here. Remove one or both whether entirely or elsewhere and you ruin the vision and change altogether its character. That is at least what happens wholly in your penultimate version and as for the last the came gets another meaning and one feels that somebody very slowly decided to let out the gesture from himself and it was quite a miracle that it came out at all! Dimly miraculous means what precisely or what miraculously dimit was miraculous that it managed to be so dim or there was something vaguely miraculous about it after all? No doubt they try to mean something else but these interpretations lurk in their way and trip them over. The only thing that can stand is the first version which is no doubt fine poetry, but the trouble is that it does not give the effect I wanted to give, the effect which is necessary for the Dawns inner significance. Moreover what becomes of the slow lingering rhythm of my line which is absolutely indispensable?
  Do not forget that the Savitri is an experiment in mystic poetry, spiritual poetry cast into a symbolic figure. Done on this scale, it is really a new attempt and cannot be hampered by old ideas of technique except when they are assimilable. Least of all by standards proper to a mere intellectual and abstract poetry which makes reason and taste the supreme arbiters, aims at a harmonised poetic-intellectual balanced expression of the sense, elegance in language, a sober and subtle use of imaginative decoration, a restrained emotive element etc. The attempt at mystic spiritual poetry of the kind I am at demands above all a spiritual objectivity, an intense psycho-physical concreteness. I do not know what you mean exactly here by obvious and subtle. According to certain canons epithets should be used sparingly, free use of them is rhetorical, an obvious device, a crowding of images is bad taste, there should be a subtlety of art not displayed but severely concealedsumma ars est celare artem. Very good for a certain standard of poetry, not so good or not good at all for others. Shakespeare kicks over these traces at every step, Aeschylus freely and frequently, Milton whenever he chooses. Such lines as

2.19 - Out of the Sevenfold Ignorance towards the Sevenfold Knowledge, #The Life Divine, #Sri Aurobindo, #Integral Yoga
  The Sons of Heaven, the Heroes of the Omnipotent, thinking the straight thought, giving voice to the Truth, founded the plane of illumination and conceived the first abode of the Sacrifice. . . . The Master of Wisdom cast down the stone defences and called to the Herds of Light, . . . the herds that stand in the secrecy on the bridge over the Falsehood between two worlds below and one above; desiring Light in the darkness, he brought upward the Ray-Herds and uncovered from the veil the three worlds; he shattered the city that lies hidden in ambush, and cut the three out of the Ocean, and discovered the Dawn and the Sun and the Light and the Word of Light. Rig Veda.2
  The Master of Wisdom in his first coming to birth in the supreme ether of the great Light, - many his births, seven his mouths of the Word, seven his Rays, - scatters the darknesses with his cry. Rig Veda.3

27.03 - The Great Holocaust - Chhinnamasta, #Collected Works of Nolini Kanta Gupta - Vol 06, #Nolini Kanta Gupta, #Integral Yoga
   If you are in the older creation or at least are in love with it, attached to it, the destruction becomes painful even fearful and repulsive to you. But if you aspire for the new, are willing to participate in the Dawning future, already belong to it, you feel the necessity of this destruction and welcome it to hasten the work and even rejoice in it. You enjoy the joy of destruction - at least Shiva does, the Divine Force does, it seems.
   Something like that, in fact the same thing is happening now.

2 - Other Hymns to Agni, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
    7. To thee, O Fire, day by day, in the Dawn and in the dusk, we come bringing to thee by the thought our obeisance,
    8. To thee, who rulest the sacrifices of the Way, the shining Guardian of the Truth, growing in thy own home.
  --
    9. From the world of the lustre of the sun the seer, the priest of the offering bringeth the gods that wake to the Dawn.
    10. With all of them, O Agni, drink thou the sweetness of the Soma-wine, with Indra and Vayu and Mitra's lustres.
  --
    5. This is the guardian of the world and its peoples, the shepherd of all these herds; all that is born moves by his rays and is compelled by his flame, both the two-footed and the four-footed creatures. This is the rich and great thoughtawakening of the Dawn within.
    6. This is the priest who guides the march of the sacrifice, the first and ancient who calls to the gods and gives the offerings; his is the comm and and his the purification; from his birth he stands in front, the vicar of our sacrifice. He knows all the works of this divine priesthood, for he is the Thinker who increases in us.
  --
  looks upon the sun-world, heaven's ray of intuition, standing in the luminous planes, waking in the Dawn, Fire, head
  of heaven, whom no darkness can cover, him we desire with
  --
  1. The Fire is awake fronting the Dawns; one illumined, he
  becomes aware of the paths of the seers: kindled into a wide
  --
  of the Truth has shone out in the wide flaming of the Dawn.
  aDA?yE`nmAn;qFq; Ev#vpA\ gBo Em/ -t
  --
  wake of many outshinings of the Dawn28 when, O Fire, passionately burning29 in the woods, the gods set the waters30
  to their work for the rapturous priest of the call.
  --
  2. Thou in the Dawning of this dawn, thou when the Sun has
  arisen wake for us and be our protector. Take pleasure in
  --
  are the Dawns that are thy births, O Fire;48 by them win
  through sacrifice the protection of the gods, thou as the
  --
  1. O Fire, accept our offering, the frontal oblation in the Dawn
  pressing of the wine, O knower of the births, O rich in
  --
  most near in the Dawning of this dawn: rejoicing in us put
  away from us Varuna2 by the sacrifice; reach the bliss, be
  --
  pen within the hiding cave, calling to the Dawns.12
   mmjt ddvA\so aEd\ td
  --
  Cows and the Dawn.
  13 Literally, having the control over the animal or animals, or, the "instruments of
  --
  8. He who in the dusk, he who in the Dawn would give expression to thee, or bringing his offering makes thee a beloved
  friend, as the Horse with golden trappings in his own home
  --
  the Fire in the human peoples, the waker in the Dawn, like
  a tusk of flame, brilliant and fair of face, like a sharp axe.
  --
  1. The Fire facing the front of the Dawns as they shine out
  has revealed the founding of the ecstasy; the two riders are
  --
  born, fronting the Dawns as they gleam with the greatness of
  their lustres; wide-moving lords of the journey come moving
  --
  3. the Dawn bearing him has come with the Light, Dawn vast
  and rich in her lustres, knowing all by her rays; the divine
  --
  both in the shining out of the Dawn: for, here for you are
  the juices of the Wine for the drinking of the sweetness; O
  --
    1. Fire is awake by the kindling of the peoples, he fronts the Dawn that comes to him like a fostering milch-cow; like the mighty ones casting upward their branching his lustres spread towards heaven.
    2. The priest of the call is awake for sacrifice to the gods, Fire with his right thinking has stood up high ablaze in the Dawn. He is kindled, the red-glowing mass of him is seen: a great god has been delivered out of the darkness.
    3. When he has put out the long cord of his troop, Fire in his purity reveals all by the pure herds of his rays; the goddess of understanding grows in plenitude and is yoked to her works; she supine, he standing high, he has drunk from her breasts with his tongues of flame.
  --
  8. Thee in the Dawning of this night, O godhead, the ancients
  made their messenger and gave sacrifice with their oblations;
  --
  he faces towards the Dawn and wide is his lustre. Lo, she
  comes with all desirable things in her, turned to the Beyond,
  --
  5. Him in the dusk, him in the Dawn, the ever youthful Fire
  men groom like a horse whetting the strength of the guest
  --
  intuition of the Dawns and the days.
  (v
  --
  has made the Dawns wives of the Noble Ones; he the mighty
  Fire has put his restraint upon men and made the peoples
  --
  the Fire is born in front of the Dawns.
  aym; y s;mhA; av
  --
  1. He awoke from the lap of the Dawns, their lover, the rapturous priest of the call, the great seer, the purifying Fire; he
  founds the ray of intuition for both kinds of being born, the
  --
  he shines in front of the Dawns, a child of the waters he
  enters into his mothers.
  --
  2. It is as if the sun-world shone out from the day and the Dawns; they are forming the sacrifice as aspirants the Thought: Fire the godhead knowing the births runs wide to his goal, the Messenger, the Traveller to the godheads, strong to conquer.
  3. Our words are thoughts seeking for godhead. Come to the Fire asking for the Treasure, Fire the carrier of offerings, fair of front, perfect in vision, true in movement, the traveller of the ways for men.
  --
  like rays of the Dawns.
  kZA rjA\Es p(s;t, yAZ
  --
  1. High and vast the Fire stood in front of the Dawns; issuing
  out of the darkness he came with the Light: Fire, a perfect
  --
  power for the outbreak of the Dawn and is the life of all,
  Fire in whom our thinkings are cast as offerings, his chariot
  --
  as if Indra quivering at the Dawn-ray, him whom illumined
  sages voice with their thoughts, the knower of all things
  --
  luminous as he burns up in the front of the Dawns.
  Ev
  --
  like the white brilliances of the Dawns,32 like rays of the sun.
  5. Thy glories like lightnings from a storm cloud break into
  --
    32 Or, like the advents of the Dawns,
    33 Or, heapest food in thy mouth.
  --
  Dawn, the Dawn herself, the Day, the Sun, the vision of knowledge and man's path to
  immortality. This is the day said in the next hymn to be discovered or known by the
  --
  7. To thee, O Fire, day by day, in the Dawn and in the dusk,
  we come bringing to thee by the thought our obeisance,

30.14 - Rabindranath and Modernism, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Rabindranath too has done the same, but in a subtler, deeper and wider way. Firstly, at the Dawn of modernism, the two currents, foreign and indigenous, though side by side did not get quite fused. They stood somewhat apart though contiguous. There was a gulf between - a difference, even a conflict - as of oil and water. In Madhusudan these two discordances were distinct and quite marked. It was in the works of Bankim that a true synthesis commenced. Still, on the whole, the artistic creation of that age was something like putting on a dhoti with its play of creases and folds, and over it a streamlined coat and waistcoat and necktie. Both the fashions are beautiful and graceful in their own way. But there is no harmony and synthesis in, their combination. It was Tagore's genius that brought about a beautiful harmony between the two worlds. In the creation of the artistic taste of Bengal he has opened wide the doors of her consciousness so that the free air from abroad may have full play and all parochialism blown away. Yet she has not fallen a prey to foreign ways to become a mere imitation or a distant echo; it is the vast and the universal that has entered. True, Tagore's genius belonged intimately to Bengal, but not exclusively; for it has been claimed also by humanity at large as its own. The poet's consciousness has returned home after a world-tour, as it were. It has become the Bengali consciousness in a wider and deeper sense. So the poet sings:
   My own clime I find in every clime,

3.02 - THE DEPLOYMENT OF THE NOOSPHERE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  fact at the Dawn of the Neolithic age that man reached America
  (passing through an Alaska free of ice and perhaps by other ways)

3.09 - The Return of the Soul, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  garment. She is radiant as the moon, beautiful as the Dawn. Now the divine
  virginity of the tincturing life shines forth, and no spot or wrinkle nor any

3.0 - THE ETERNAL RECURRENCE, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
  consciousness and the first ray of the Dawn of your new life no time
  will elapse,--as a flash of lightning will the space go by, even though

31.01 - The Heart of Bengal, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   Bengalis as a race are worshippers of the feminine aspect of God. The religion and literature of Bengal abound in ceremonies of such worship. They do not generally worship God in his masculine aspect. They have not been able to make their own the self-poised calmness of samadhi.They have wanted manifestation of the divine sport. So Bengal is the seat of the Mother, Shakti. Bengal is the land of Delight. The immobile Brahmanis not the aim of Bengal. The power of Delight of the Divine is inherent in the heart of Bengal. We find Rammohan, the worshipper of Shakti, at the Dawn of modern Bengal. Ramakrishna and Vivekananda were also the worshippers of Shakti. Howsoever Vedanta may have influenced them, the worship of Shakti was very dear to their hearts. And in a different field, what Jagadish Chandra Bose has been demonstrating as a new aspect of Nature-worship also reflects nothing but the genius of Bengal.
   Bengalis have a bad reputation for being very fond of their homes. They take intense delight in their family life. They have drawn the picture of the household life prominently in their literature, verses and songs. The like of this is not to be seen elsewhere:

3.1.04 - Reminiscence, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  My soul leaned out into the Dawn to hear
  In the world's solitude its winged compeer

3.1.1 - The Transformation of the Physical, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  After receiving your account of your present condition which I understand perfectly well, my advice to you remains the same, to stick on and still stick on persistently until the Dawn comes, which it surely will if you resist the temptation to run away into some outer darkness which it would have much more difficulty in reaching. The details you give do not at all convince me that X was right in thinking that your sadhana was not at all in the line of my Yoga or that you are right in concluding that you are not meant for this line. On the contrary, these are things which come almost inevitably in one degree or another at a certain critical stage through which almost everyone has to pass and which usually lasts for an uncomfortably long time but which need not be at all conclusive or definitive. Usually, if one persists, it is the period of darkest night before the Dawn which comes to every or almost every spiritual aspirant. It is due to a plunge one has to take into the sheer physical consciousness unsupported by any true mental light or by any vital joy in life, for these usually withdraw behind the veil, though they are not, as they seem to be, permanently lost. It is a period when doubt, denial, dryness, greyness and all kindred things come up with a great force and often reign completely for a time. It is after this stage has been successfully crossed that the true light begins to come, the light which is not of the mind but of the spirit. The spiritual light no doubt comes to some to a certain extent, and to a few to a considerable extent, in the earlier stages, though that is not the case with all for some have to wait till they can clear out the obstructing stuff in the mind, vital and physical consciousness, and until then they get only a touch now and then. But even at the best this earlier spiritual light is never complete until the darkness of the physical consciousness has been faced and overcome. It is not by ones own fault that one falls into this state, it can come when one is trying ones best to advance. It does not really indicate any radical disability in the nature but certainly it is a hard ordeal and one has to stick very firmly to pass through it. It is difficult to explain these things because the psychological necessity is difficult for the ordinary human reason to understand or to accept. I will try to have a shot at it, but it may take some days.1 Meanwhile, as you have asked what is my advice I send you this brief answer.
  ***

3.16 - THE SEVEN SEALS OR THE YES AND AMEN SONG, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  the period of the Dawn (188i), in which Nietzsche tried
  to see how far he could reduce different phenomena to

3.2.02 - Vision, #unset, #Arthur C Clarke, #Fiction
  And the Dawn within.
  Take, O radiant fingers,

33.03 - Muraripukur - I, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   It was about this time that I hovered around the newly founded National College in Calcutta for a short while. My aims were a little "dubious". At the Gardens, there used to be discussions about the bomb, so an idea came to my head: could not the National College offer an opportunity to study the subject? I thought of reading Chemistry and by joining the Chemistry practicals learn the principles of explosives. At that time the Superintendent (or perhaps Principal) was Satish Chandra Mukherji, Founder-President of the Dawn Society. I had met him several years ago in the premises of the Society.
   Let me then narrate this earlier story in the present connection. I had just come to Calcutta and joined the First Year. Atul Gupta took me to a meeting of the Dawn Society. Benoy Sarkar was there, Radha Kumud Mukherji too was there, I think - not his younger brother Radha Kamal who became one of my class-fellows in the Third Year after he had passed the F .A. examination from Berhampore. Here is a sketch of one of the Society's meetings. Satish Mukherji took the chair. We were about twenty or thirty young men in all. He read out a verse from the Gita: 'yad yad vibhutimat sattvam, srimad-urjitam-eva va' and gave a short explanation in a few words. Then we formed ourselves into small groups of four or five. We were to discuss what is meant by "sriman" and "vibhutiman", where is the difference between the two, what do we understand by "urjita"? Each group was to discuss separately, each member was to say what he had to say, and finally all of us were to write out in the form of an essay our respective viewpoints. The essays would then be submitted to the chairman for his consideration and judgment. I sat absolutely dumb in that first session, an ignoramus among the learned, like a goose in the midst of swans. (I must have been about fourteen at that time). But I did not feel quite at ease in that atmosphere, I had an impression it was all fine talk and dry debate, purely academic, one would say. Satish Chandra had no doubt wanted to use this as a means of forming the character and not merely as an intellectual training, a way of moulding the life, something that had been missing in our college education. I do not know to what extent he succeeded in actual fact.
   This was about the middle of 1904. It was three years later, about the middle of 1907, that I met Satish Chandra again. He could not have remembered about me, nor did I remind him. He asked me, "You are a student of literature and philosophy. Why do you want to read Science?" - "I have read physics and chemistry for my F.A. (that is, Intermediate). I have a special attraction for those subjects, that is why." However, the matter did not proceed very far, for I was getting more and more engrossed in the life at the Gardens.

33.17 - Two Great Wars, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   As Hitler was threatening to cover, as with an ominous comet's tail, the whole of earth and sky, one of our sadhaks here sent up to Sri Aurobindo his wail, "What, O Guru, is this happening to the comforting words you gave? Don't you see that the earth is getting on to the verge of ruin? Where, O Saviour, are you?" Sri Aurobindo's reply was a quiet admonition, "Where is the worry? Hitler is not immortal." After a short while the castle that Hitler had built was blown to the winds like a pack of cards. It was as if an all-englobing fog had been puffed away by a breath, a frightful nightmare had got dissolved in the light of the Dawn.
   ***

3.3.1 - Agni, the Divine Will-Force, #The Secret Of The Veda, #Sri Aurobindo, #Integral Yoga
   in all its works. Whatever he does in his passion and power is guided by the light of the silent Truth within him. He is a truthconscious soul, a seer, a priest and a worker, - the immortal worker in man. His mission is to purify all that he works upon and to raise up the soul struggling in Nature from obscurity to the light, from the strife and the suffering to love and joy, from the heat and the labour to the peace and the bliss. He is, then, the Will, the Knowledge-Force of the Deva; secret inhabitant of Matter and its forms, visible and beloved guest of man, it is he that guards the law of the Truth of things in the apparent aberrations and confusions of the world. The other gods awake with the Dawn, but Agni wakes also in the Night; he keeps his divine vision even in the darkness where there is neither moon nor star; the flame of the divine will and knowledge is visible even in the densest obscurity of inconscient or half-conscient things. The infallible worker is there even when we see nowhere the conscious light of the guiding mind.
  No sacrifice is possible without Agni. He is at once the flame on the altar and the priest of the oblation. When man, awakened from his night, wills to offer his inner and outer activities to the gods of a truer and higher existence and so to arise out of mortality into the far-off immortality, his goal and his desire, it is this flame of upward aspiring Force and Will that he must kindle; into this fire he must cast the sacrifice. For it is this that offers to the gods and brings down in return all spiritual riches,
  --
   to the highest levels, - the white Steed that gallops in the front of the Dawns.
  Delivered from his smoke-enveloped activity he burns high in our skies, scales the ether of the pure mind and mounts upon the back of heaven. There on that rarer level its god Trita Aptya takes this high-flaming force and forges it into a weapon of sharpness that shall destroy all evil and ignorance. This SeerWill becomes the guardian of the illuminations of knowledge - herds of the Sun that graze in the pastures of life secure from the

3.4.02 - The Inconscient, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  We find the same idea of this inner control repeated in the Gita; for it is the Lord who sits in the hearts of all creatures and turns all creatures mounted on an engine by his Maya. At times the Upanishad seems to describe this Self as the mental being leader of the life and the body, which is really the subliminal mind of the psychical investigators; but this is only a relative description. The Vedantic psychology was aware of other depths that take us beyond this formula and in relation to which the mental being becomes in its turn as superficial as is our waking to our subliminal mind. And now once more in the revolutions of human thought these depths have to be sounded; modern psychology will be led perforce, by the compulsion of the truth that it is seeking, on to the path that was followed by the ancient. The new dawns, treading the eternal path of the Truth, follow it to the goal of the Dawns that have gone before,how many, who shall say?
  For this knowledge was not first discovered in the comparatively late antiquity that gave us the Upanishads which we now possess. It is already there in the dateless verses of the Rig Veda, and the Vedic sages speak of it as the discovery of yet more ancient seers besides whom they themselves were new and modern. Emerging from the periods of eclipse and the nights of ignorance which overtake humanity, we assume always that we are instituting a new knowledge. In reality, we are continually rediscovering the knowledge and repeating the achievement of the ages that have gone before us,receiving again out of the Inconscient the light that it had drawn back into its secrecies and now releases once more for a new day and another march of the great journey.

34.03 - Hymn To Dawn, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   Easily they rise up, the glowing rays; they yoke the luminous herds and yoke them perfectly. As of yore the Dawns give forms to the perception, the bright rays merge in. the blazing Sun.
   (3)
  --
   May the wakers in the Dawn bring here for drinking the soma-wine the twin-gods who create delight, who do the work and follow the golden path.
   ***

34.05 - Hymn to the Mental Being, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   That Mind of yours which has gone afar, to the Sun, to the Dawn
   We bring back to you; so may you dwell here in life.

34.09 - Hymn to the Pillar, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   He calls the Name by the Name in front of the Sun, in front of the Dawn when the Unborn first came into being; indeed he moved into self-empire than1 which no other supreme exists, none existent.
   (32)

3.4.2 - The Inconscient and the Integral Yoga, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  The extreme acuteness of your difficulties is due to the Yoga having come down against the bedrock of Inconscience which is the fundamental basis of all resistance in the individual and in the world to the victory of the Spirit and the Divine Work that is leading toward that victory. The difficulties themselves are general in the Asram as well as in the outside world. Doubt, discouragement, diminution or loss of faith, waning of the vital enthusiasm for the ideal, perplexity and a baffling of the hope for the future are the common features of the difficulty. In the world outside there are much worse symptoms such as the general increase of cynicism, a refusal to believe in anything at all, a decrease of honesty, an immense corruption, a preoccupation with food, money, comfort, pleasure to the exclusion of higher things and a general expectation of worse and worse things awaiting the world. All that, however acute, is a temporary phenomenon for which those who know anything about the workings of the world-energy and the workings of the Spirit were prepared. I myself foresaw that this worst would come, the darkness of night before the Dawn; therefore I am not discouraged. I know what is preparing behind the darkness and can see and feel the first signs of its coming. Those who seek for the Divine have to stand firm and persist in their seeking; after a time, the darkness will fade and begin to disappear and the Light will come.
    This letter was written in April 1944, the one that follows it in June 1944. The final letter in the group was written in April 1947.Ed.

3-5 Full Circle, #unset, #Arthur C Clarke, #Fiction
  In other words, might we be able to use the Dawning Seventies to initiate action which might be of even greater historic significance than the lunar landings earlier in the century?
  NOTES
  --
  In overcoming the dangerous medieval haziness of thinking--in carrying out the 18th century's response to that challenge, fatuously called the Enlightenment--these scientists created the twentieth century's far more dangerous challenge: our deep Ensombrement, which Lippmann calls The Eclipse of the Public Philosophy19 (Chapter VIII). This was not due to viciousness or stupidity, but to the structure of evolution, inherent in the Systems-hierarchy, which poets have called the darkness before the Dawn.32
  As late as the eighteenth century, men held what Lippmann calls the doctrine of natural law: the certainty that there is law "above the ruler and the sovereign people . . . above the whole community of mortals."33 But in the twentieth century's Ensombrement there is "a plurality of incompatible faiths"34 and multitudes of agnostic, existentialistic and nihilistic people. And far worse yet, there are millions of ideologists in the totalitarian countries and infiltrated throughout the egalitarian democratic states for whom strong Circles of Perfection had been closed prematurely, and incorrectly, back in the 19th century: namely, Marxists and fascists.

3.6.01 - Heraclitus, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  The mystical language has always this disadvantage that it readily becomes obscure, meaningless or even misleading to those who have not the secret and to posterity a riddle. Mr. Ranade tells us that it is impossible to make out what Heraclitus meant when he said, "The gods are mortals, men immortals." But is it quite impossible if we do not cut off this thinker from the earlier thought of the mystics? The Vedic Rishi also invokes the Dawn, "O goddess and human"; the gods in the Veda are constantly addressed as "men", the same words are traditionally applied to indicate men and immortals. The immanence of the immortal principle in man, the descent of the gods into the workings of mortality was almost the fundamental idea of the mystics. Heraclitus, likewise, seems to recognise the inextricable unity of the eternal and the transitory, that which is for ever and yet seems to exist only in this strife and change which is a continual dying. The gods manifest themselves as things that continually change and perish; man is in principle an eternal being. Heraclitus does not really deal in barren antitheses; his method is a statement of antinomies and an adumbrating of their reconciliation in the very terms of opposition. Thus when he says that the name of the bow (biós) is life (bíos), but its work is death, obviously he intends no mere barren play upon words; he speaks of that principle of war, father of all and king of all, which makes cosmic existence an apparent process of life, but an actual process of death. The Upanishads seized hold of the same truth when they declared life to be the dominion of King Death, described it as the opposite of immortality and even related that all life and existence here were first created by Death for his food.
  Unless we bear in mind this pregnant and symbolic character of Heraclitus' language we are likely to sterilise his thought by giving it a too literal sense. Heraclitus praises the "dry soul" as the wisest and best, but, he says, it is a pleasure and satisfaction to souls to become moist. This inclination of the soul to its natural delight in a sort of wine-drenched laxity must be discouraged; for Dionysus the wine-god and Hades, the Lord of Death, the Lord of the dark underworld, are one and the same deity. Professor Ranade takes this eulogy of the dry soul as praise of the dry light of reason; he finds in it a proof that Heraclitus was a rationalist and not a mystic: yet strangely enough he takes the parallel and opposite expressions about the moist soul and Dionysus in a quite different and material sense, as an ethical disapprobation of wine-drinking. Surely, it cannot be so; Heraclitus cannot mean by the dry soul the reason of a sober man and by a moist soul the non-reason or bewildered reason of the drunkard; nor when he says that Hades and Dionysus are the same, is he simply discouraging the drinking of wine as fatal to the health! Evidently he employs here, as always, a figurative and symbolic language because he has to convey a deeper thought for which he finds ordinary language too poor and superficial.

36.09 - THE SIT SUKTA, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   In the innermost recesses of consciousness, in the depth of the Night, in inert matter lie hidden the Light of knowledge. The divine mental being, in search of that kine of Light, delivers them by breaking down those firm, secret and dark recesses. It is he indeed who brings into the waking consciousness the Dawn of knowledge.
   What does actually happen when Indra reveals the Light of knowledge dissipating the darkness of ignorance? There echo in the occult hearing the concrete messages of the vast truth. And of what type are those divine messages? They are the divine existences, they follow the divine nature. They infuse the aspirant with a clear and pointed intellect which can discern the quintessence of truth.

3 - Commentaries and Annotated Translations, #Hymns to the Mystic Fire, #Sri Aurobindo, #Integral Yoga
  there comes the Dawn, the light and power from the supramental
  Truth. Moreover this Agni increases in his own home. We shall
  --
  clarity by the Dawn rises up heavenward and calls the gods to
  take their seat in the human soul that sacrifices to them.
  --
  the various perception of the Dawn, mighty art thou; O Agni,
  secure in thy friendship may we come to no harm.
  --
  the object that presents itself. In Usha, the Dawn of Knowledge,
  Being or Joy objects of experience present themselves and Agni
  --
  within in a strong pen; the Dawns drove them upward at the call.
  vv
  --
  the cows of plenteous milk, calling the Dawns who destroy the
  darkness." It is not clear why the Dawns should or how they
  could destroy the natural darkness in the bowels of the hills.
  --
  the red (herds of the Dawn).
  "AmA. The Padapatha reads "Am. It is more natural to take it
  --
  into the blissful dawn (the bliss, the Dawn), Heaven was revealed
  because Agni was born.
  --
  for us have the divine wives of the Immortal One, the Dawns,
  extended by the light of the Sun?
  --
  both cow and ray; the cows of the Dawn and the sun, Homer's
  boes Eelioio, are the rays of the Sungod, Lord of Revelation, even
  --
  comes the Dawn, - which too is brought by him aiding Indra
  and the Angirases. If the meaning of Agni is the inner flame, this
  --
  2. The Priest of the offering awoke for sacrifice to the gods, Agni stood up high in the Dawn and perfect-minded; the gathered force of him was seen reddening when he was entirely kindled; a great god has been released out of the darkness.
  3. When so he has put forth the tongue of his multitude, pure is the activity of Agni with the pure herd of his rays; then is the goddess discerning yoked to her works in a growing plenty; she upward-straining, he high-uplifted, he feeds on her with his flaming activities.
  --
  of the offering who stands up in the Dawn of the illumination to
  offer to the gods, to each great god his portion, to Indra a pure
  --
  in the Dawning illumination high uplifted in the pure mentality,
  urdhwa, with a perfected mind, sumanah. He purifies in his
  --
  hota that Agni awakes; in this illumination of the Dawn that
  comes with him to man, pratah, he stands up with the intellect

4.02 - Humanity in Progress, #Hymn of the Universe, #Pierre Teilhard de Chardin, #Christianity
  gaze, this line glowing crimson with the Dawn light.
  * "All things are for man's sake."

4.03 - The Meaning of Human Endeavor, #Hymn of the Universe, #Pierre Teilhard de Chardin, #Christianity
  are thinking simply in terms of* the Dawn as op-
  posed to the night which preceded it Thanks to

4.03 - THE ULTIMATE EARTH, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  if we arc thinking merely of the Dawn compared to the darkness
  that went before, up to a point we are justified. Something

4.1.3 - Imperfections and Periods of Arrest, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
  I write all this to show you that there is nothing peculiar to you in this untoward experience, nothing that would warrant you in thinking yourself less called and fit than others for the Yoga, nothing that would justify you in taking the hand from the plough, even though you find long bits of hard soil that resist and need much labour. The opening you had is sufficient proof that you are meant for the Path; for it is a sure sign of the Dawns that are to come hereafter.
    Sri Aurobindo sent the disciple a spiritual force which enabled him to write a very good poem.Ed.

5.1.01.1 - The Book of the Herald, #5.1.01 - Ilion, #unset, #Zen
  Earth in the Dawn-fire delivered from starry and shadowy vastness
  Woke to the wonder of life and its passion and sorrow and beauty,
  --
  Wearing light on her brow. In the Dawn-ray lofty and voiceless
  Ida climbed with her god-haunted peaks into diamond lustres,
  --
  Watching the Dawn in their giant companies, as since the ages
  First began they had watched her, upbearing Time on their summits.
  --
  Parleying stands at the portals of Troy in the grey of the Dawning.
  High and insistent the call. In the dimness and hush of his chamber
  --
  What in the Dawning bringst thou to Troya the mighty and dateless
  Now in the ending of Time when the gods are weary of struggle?
  --
  He in the Dawn disappeared into swiftness. Deiphobus slowly,
  Measuring Fate with his thoughts in the troubled vasts of his spirit,
  --
  Came, Anchises son; for the Dawn had not found him reposing,
  But in the night he had left his couch and the clasp of Cresa,
  --
  Dreamed in the light of the Dawn; above watched the citadel, sleepless
  Lonely and strong like a goddess white-limbed and bright on a hill-top,
  --
  Ever a child of the Dawn at play near a turn of the sun-roads,
  Facing destinys look with the careless laugh of a comrade,

5.1.01.2 - The Book of the Statesman, #5.1.01 - Ilion, #unset, #Zen
  Gold Hyperion rose in the wake of the Dawn like the eyeball
  Flaming of God revealed by his uplifted luminous eyelid.
  --
  Driven by a thought that has risen in the Dawn from the tents on the beaches
  Grey Talthybius chariot waits in the Ilian portals,

5.1.01.3 - The Book of the Assembly, #5.1.01 - Ilion, #unset, #Zen
  As when the soul of the Ocean arises rapt in the Dawning
  And mid the rocks and the foam uplifting the voice of its musings
  --
  Therefore these call you to yield lest they wake and behold in the Dawn-light
  All Poseidon whitening lean to the west in his waters
  --
  Hear it and tremble, O Greece, in thy youth and the Dawn of thy future;
  Rather forget while thou canst, but the gods in their hour shall remind thee.

5.1.01.4 - The Book of Partings, #5.1.01 - Ilion, #unset, #Zen
  Bright and immortal and sad like a star that grows near to the Dawning
  And on its pale companions looks who now fade from its vision:

5.1.01.5 - The Book of Achilles, #5.1.01 - Ilion, #unset, #Zen
  And when the eagles scream shall arise in the Dawn over Ida,
  Troy shall have fallen or earth shall be empty of Phthian Achilles.

5.1.01.6 - The Book of the Chieftains, #5.1.01 - Ilion, #unset, #Zen
  Helped by the gods and our cause through the Dawns and the blood-haunted evenings,
  Rising in armour with morn and outstaying the red of the sunset,

5.1.01.7 - The Book of the Woman, #5.1.01 - Ilion, #unset, #Zen
  Who in the Dawn of eternity wedded the daughters of Nature,
  Cultures touched by the morning star, vast, bold and poetic,
  --
  Chasing the Dawns and the wondrous horizons, eternitys secrets
  Drawn from her luminous gulfs! But he journeys rudderless, helmless,

5.1.01.8 - The Book of the Gods, #5.1.01 - Ilion, #unset, #Zen
  And for each birth its hour is set in the night or the Dawning.
  There is an hour for knowledge, an hour to forget and to labour.

5.1.02 - Ahana, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  (Ahana, the Dawn of God, descends on the world where amid the strife and trouble of mortality the Hunters of Joy, the
  Seekers after Knowledge, the Climbers in the quest of Power are toiling up the slopes or waiting in the valleys. As she stands on the mountains of the East, voices of the Hunters of Joy are the first to greet her.)
  --
  Trailing behind thee the purple of thy soul and the Dawn-moment's glamour,
  Forcing the heart of the Midnight where slumber and secrecy linger,

6.03 - Extraordinary And Paradoxical Telluric Phenomena, #Of The Nature Of Things, #Lucretius, #Poetry
  By rays of sun, and, with the Dawn, becomes
  Rarer in texture under his pulsing blaze;

7.2.05 - Moon of Two Hemispheres, #Collected Poems, #Sri Aurobindo, #Integral Yoga
  To the Dawn, their harbour home, to the Light unsealed,
  To the sun-face Infinite, the Untimed revealed.

Aeneid, #unset, #Arthur C Clarke, #Fiction
  to march on India and to hunt the Dawn
  and claim their standards back from Parthians
  --
  from conquering the peoples of the Dawn,
  from the red shores of the Erythraean Sea
  --
  Auro'ra goddess of the Dawn, mother of Memnon. i, 1046.
  Aurun'ca an old town in Campania, VH, 273.

A Secret Miracle, #Labyrinths, #Jorge Luis Borges, #Poetry
  He knew that it was rushing headlong toward the Dawn of the twenty-ninth.
  He reasoned aloud: "I am now in the night of the twenty-second; while this

Blazing P1 - Preconventional consciousness, #unset, #Arthur C Clarke, #Fiction
  level, the Dawning ability to coordinate independent points of view involves the capacity to
  take another persons independent purposes into account at the same time one is considering
  --
  have to submerge my personality.) Intrapsychically, the Dawning capacity to coordinate
  points of view within oneself leads to the experience of subjectivity, which during transition

Blazing P3 - Explore the Stages of Postconventional Consciousness, #unset, #Arthur C Clarke, #Fiction
  said, this conflict comes inside. the Dawn of the self as a self (the institutional self) creates
  Infancy to Enlightenment, Part III: Postconventional Consciousness

BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
  themselves," for it belongs, in truth, to the Dawn of human consciousness. The Crucified Titan is the
  personified symbol of the collective Logos, the "Host," and of the "Lords of Wisdom" or the
  --
  Thackeray; and what can be nearer to our souls than that which happens at the Dawns of our lives?
  Those lives are countless, but the soul or spirit that animates us throughout these myriads of existences

BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  flattering, and perhaps in many points an incorrect, portrait of our presumptive ancestors in the Dawn
  of humanity." ("Doctrine of Descent and Darwinism," p. 284.)
  --
  Secondary 15,000 ft., the Tertiary 5,000 ft., and the Quaternary some 500 ft. in thickness: -"Dividing into an hundred parts the time, whatever its actual length, that has passed since the Dawn of
  life on this earth (lower Laurentian strata), we shall be led to attri bute to the primordial age more than
  --
  there was AN AGE hitherto unknown to study "either at the Dawn of the actual epoch or, as I believe,
  at the beginning of the epoch which preceded it."
  --
  lived for thousands of years before the Dawn of the remotest historical traditions . . . . It
  is even possible that man was the contemporary of extinct mammalia of species yet
  --
  be cited as admirably illustrative of the opinions of the occultist, who awaits in patience the Dawn of
  the coming day: -"We are but beginning to understand the past; one hundred years ago the world knew nothing of

BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  long to wait, and many of us will witness the Dawn of the New Cycle, at the end of which not a few
  accounts will be settled and squared between the races. Volume II. of the Prophecies is nearly ready,
  --
  and Eternity in Pralaya, denotes the Dawn of differentiation. It is the Point in the Mundane Egg (see
  Part II., "The Mundane Egg"), the germ within the latter which will become the Universe, the ALL,
  --
  portion of the sentence to the Dawn of the Mahamanvantaric period, or the great re-evolution after one
  of the complete periodical dissolutions of every compound form in Nature (from planet to molecule)
  --
  receives them back into her bosom, to reform them at the Dawn (of the Day of Brahma, or
  Manvantara). . . . ."
  --
  awaken or reappear again, when the Dawn of the new Manvantara recalls it to what we call existence.
  (b) The "Breath" of the One Existence is used in its application only to the spiritual aspect of
  --
  last, Sloka 4 in this same Stanza, extend long ages; and there now gleams the Dawn and sunrise of
  another aeon. The drama enacted on our planet is at the beginning of its fourth act, but for a clearer
  --
  motion of the great Breath" only awakens Kosmos at the Dawn of every new Period, setting it into
  motion by means of the two contrary Forces,* and thus causing it to become objective on the plane of

BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  signed from the early Sandhya, the Dawn of the rebuilding and higher reformation of the System.
  http://www.theosociety.org/pasadena/sd/sd1-3-08.htm (1 von 12) [06.05.2003 03:33:29]
  --
  forms and bodies -- when pralaya sets in. Reverse the case, and imagine the Dawn of a new
  manvantara. The pure "silver" of the absorbed material will once more separate into SUBSTANCE,

Chapter II - WHICH TREATS OF THE FIRST SALLY THE INGENIOUS DON QUIXOTE MADE FROM HOME, #unset, #Arthur C Clarke, #Fiction
  intention to anyone, and without anybody seeing him, one morning before the Dawning of the day (which was
  one of the hottest of the month of July) he donned his suit of armour, mounted Rocinante with his patched-up

Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
   The angel of liberty was born before the Dawn of the first day, before
   even the awakening of intelligence, and God called him the morning
  --
   the Dawn ... Orpheus sees her, he trembles, he stammers, the hymn
   almost dies upon his lips, but she pales anew; then the Grand

Prayers and Meditations by Baha u llah text, #Prayers and Meditations by Baha u llah, #unset, #Zen
  Glorified art Thou, O Lord my God! I implore Thee by the onrushing winds of Thy grace, and by them Who are the Day-Springs of Thy purpose and the Dawning-Places of Thine inspiration, to send down upon me and upon all that have sought Thy face that which beseemeth Thy generosity and bountiful grace, and is worthy of Thy bestowals and favors. Poor and desolate I am, O my Lord! Immerse me in the ocean of Thy wealth; athirst, suffer me to drink from the living waters of Thy loving-kindness.
  I beseech Thee, by Thine own Self and by Him Whom Thou hast appointed as the Manifestation of Thine own Being and Thy discriminating Word unto all that are in heaven and on earth, to gather together Thy servants beneath the shade of the Tree of Thy gracious providence. Help them, then, to partake of its fruits, to incline their ears to the rustling of its leaves, and to the sweetness of the voice of the Bird that chanteth upon its branches. Thou art, verily, the Help in Peril, the Inaccessible, the Almighty, the Most Bountiful.
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  I implore Thee, O Thou Who causest the Dawn to appear, by Thy Lamp which Thou didst light with the fire of Thy love before all that are in heaven and on earth, and whose flame Thou feedest with the fuel of Thy wisdom in the kingdom of Thy creation, to make me to be of those who have soared in Thine atmosphere, and surrendered their will to Thy decree.
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  Blessed is he that hath set himself towards Thee, and hasted to attain the Day-Spring of the lights of Thy face. Blessed is he who with all his affections hath turned to the Dawning-Place of Thy Revelation and the Fountain-Head of Thine inspiration. Blessed is he that hath expended in Thy path what Thou didst bestow upon him through Thy bounty and favor. Blessed is he who, in his sore longing after Thee, hath cast away all else except Thyself. Blessed is he who hath enjoyed intimate communion with Thee, and rid himself of all attachment to any one save Thee.
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  Praised be Thou, O my God! I beseech Thee by them who have circled round the throne of Thy will, and soared in the atmosphere of Thy good-pleasure, and turned with all their affections towards the Horizon of Thy Revelation and the Day-Spring of Thine inspiration, and the Dawning-Place of Thy names, to aid Thy servants to observe what Thou hast commanded them in Thy days--commandments through which the sacredness of Thy Cause will be demonstrated unto Thy servants and the affairs of Thy creatures and of Thy realm will be set aright.
  I testify, O my God, that this is the Day whereon Thy testimony hath been fulfilled, and Thy clear tokens have been manifested, and Thine utterances have been revealed, and Thy signs have been demonstrated, and the radiance of Thy countenance hath been diffused, and Thy proof hath been perfected, and Thine ascendancy hath been established, and Thy mercy hath overflowed, and the Day-Star of Thy grace hath shone forth with such brilliance that Thou didst manifest Him Who is the Revealer of Thyself and the Treasury of Thy wisdom and the Dawning-Place of Thy majesty and power. Thou didst establish His covenant with every one who hath been created in the kingdoms of earth and heaven and in the realms of revelation and of creation. Thou didst raise Him up to such heights that the wrongs inflicted by the oppressors have been powerless to deter Him from revealing Thy sovereignty, and the ascendancy of the wayward hath failed to prevent Him from demonstrating Thy power and from exalting Thy Cause.
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  I pray Thee, O Thou Who causest the Dawn to appear, by Thy Name through Which Thou hast subjected the winds, and sent down Thy Tablets, that Thou wilt grant that we may draw near unto what Thou didst destine for us by Thy favor and bounty, and to be far removed from whatsoever may be repugnant unto Thee. Give us, then, to drink from the hands of Thy grace every day and every moment of our lives of the waters that are life indeed, O Thou Who art the Most Merciful! Make us, then, to be of them who helped Thee when fallen into the hands of those Thine enemies who are numbered with the rebellious among Thy creatures and the wicked amidst Thy people. Write down, then, for us the recompense ordained for him that hath attained Thy presence, and gazed on Thy beauty, and supply us with every good thing ordained in Thy Book for such of Thy creatures as enjoy near access to Thee.
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  I give praise to Thee, O Lord my God! I entreat Thee by Thy Name through which Thou didst cause the Dawn to appear, and the winds to blow, and the seas to surge, and the trees to bring forth their fruits, and the earth to be beautified with its rivers, that Thou wilt aid all them that are dear to Thee with both Thy visible and invisible hosts. Render them, moreover, victorious over all those who have so rebelled in Thy land, and dishonored Thy name, and disbelieved in Thy signs, and broken Thy Covenant, and cast behind their backs Thy laws, and have to such an extent risen up against Thee, that they carried into captivity Thy kindred, and flung the Manifestation of Thy Self into prison, and immured Him Who is the Day-Spring of Thine Essence in the most desolate of cities.
  Thou, O my Lord, art He whose strength is immense, Whose decree is terrible. Lay hold on Thine adversaries by the power of Thy sovereignty, and assemble Thy loved ones beneath the shadow of the tree of Thy oneness, that they may stand before Thy throne, and catch the accents of Thy voice, and gaze on Thy beauty, and discover the power of Thy might.
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  Glorified, immeasurably glorified be Thy name, O my God! How can I ever befittingly mention Thee or sufficiently praise Thee, that Thou hast manifested Him by the power of Thy might, and caused Him to shine above the horizon of Thy will, and made Him the Day-Spring of Thy signs, and the Dawning-Place of the revelation of Thy names and Thine attributes? How bewilderingly mysterious, moreover, O my God, is His nature and all that Thou hast infused into Him, through Thy strength and by the power of Thy might! At one time He appeareth as the water which is Life indeed, sent down out of the heaven of Thy grace, and poured forth from the clouds of Thy mercy, that Thy creatures may be endued with new life, and live as long as Thine own Kingdom endureth. Every drop of that water would suffice to quicken the dead, and to set their faces in the direction of Thy favors and Thy gifts, and to rid them of all attachment to aught else except Thee. At another time He revealeth Himself as the Fire which Thou didst kindle in the tree of Thy unity, whose heat melted the hearts of Thine ardent lovers when He Who is the Day-Star of the world shone forth above the horizon of Iráq. I testify, O my God, that through Him the veils of human fancy were burnt up, and the hearts of men were set towards the scene of Thy most resplendent glory.
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  I beseech Thee, O my Lord, by Thy Name which Thou hast made to be the Day-Spring of Thy Revelation and the Dawning-Place of Thine inspiration, to ordain for this wronged One and for them that are dear to Thee what becometh Thy loftiness. Thou, in very truth, art the All-Bountiful, the All-Powerful, the All-Knowing, the All-Wise.
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  Do Thou destine for me, O my God, what becometh the greatness of Thy majesty, and assist me, by Thy strengthening grace, so to teach Thy Cause that the dead may speed out of their sepulchers, and rush forth towards Thee, trusting wholly in Thee, and fixing their gaze upon the orient of Thy Cause, and the Dawning-place of Thy Revelation.
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  Thy unity is inscrutable, O my God, to all except them that have recognized Him Who is the Manifestation of Thy singleness and the Day-Spring of Thy oneness. Whoso assigneth a rival unto Him hath assigned a rival unto Thee, and whoso hath set up a peer for Him hath set up a peer for Thyself. No, no, none can withstand Thee in the whole of creation. Thou hast everlastingly been exalted far above all comparison and likeness. Thy oneness hath been demonstrated by the oneness of Him Who is the Dawning-Place of Thy Revelation. Whosoever denieth this, hath denied Thy unity, and disputed with Thee about Thy sovereignty, and contended with Thee in Thy realm, and repudiated Thy commandments.
  Assist Thou Thy servants, O my Lord, to recognize Thy unity and to declare Thy oneness, that all may gather together around what Thou didst desire in this Day whereon the sun of Thine essence hath shone forth above the horizon of Thy will, and the moon of Thine own being hath risen from the Day-Spring of Thy behest. Thou art He, O my Lord, from Whose knowledge nothing whatsoever escapeth, and Whom no one can frustrate. Thou doest Thy pleasure, by Thy sovereignty that overshadoweth the worlds.
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  Praised be Thou, O my God! Thou seest me shut up in this Prison, and art well aware that I have entered it solely for Thy sake and for the sake of the glorification of Thy word and the proclamation of Thy Cause. I cry out to Thee, this very moment, O Thou Who art the Lord of all worlds, beseeching Thee, by Thine undoubted Name, to attract the hearts of Thy servants unto the Day-Spring of Thy most excellent titles and the Dawning-Place of Thy most resplendent signs.
  But for the troubles that touch me in Thy path, O my God, how else could my heart rejoice in Thy days; and were it not for the blood which is shed for love of Thee, what else could tinge the faces of Thy chosen ones before the eyes of Thy creatures? I swear by Thy might! The ornament that adorneth the countenance of Thy dear ones is the blood which, in their love for Thee, floweth out of their foreheads over their faces.
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  Leave not Thy servants to themselves, O my Lord! Draw them through the influence of Thine utterances unto the Dawning-Place of Thine inspiration, and to the Fountain of Thy Revelation, and to the Treasury of Thy wisdom. Thou art He to Whose strength and power all things have testified, Whose Purpose nothing whatsoever of all that hath been created in Thy heaven and on Thy earth hath been able to frustrate.
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  Glorified be Thy name, O Lord my God! I beseech Thee by Him Who is Thine exalted and supreme Remembrance, Whom Thou hast sent down unto all Thy creatures and invested with Thy name, the All-Glorious, Whose will Thou hast ordained to be Thine own will, Whose self Thou hast decreed to be the revealer of Thine own Self, and His essence the Day-Spring of Thy wisdom, and His heart the treasury of Thine inspiration, and His breast the Dawning-place of Thy most excellent attributes and most exalted titles, and His tongue the fountain-head of the waters of Thy praise and the well-spring of the soft-flowing streams of Thy wisdom, to send down upon us that which will enable us to dispense with all else except Thee, and will cause us to direct our steps towards the sanctuary of Thy pleasure and to aspire after the things Thou didst ordain for us according to Thine irrevocable decree. Empower us, then, O my God, to forsake ourselves and cleave steadfastly to Him Who is the Manifestation of Thy Self, the Most Exalted, the Most High. Supply us also with that which is best for us, and write us down with such of Thy servants as have repudiated the Idol (Mírzá Yahyá), and firmly believed in Thee, and been so established on the throne of certitude that the whisperings of the Evil One have been powerless to hinder them from turning their faces towards Thy name, the All-Merciful.
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  Thou art He, O my God, Who hast summoned all men to turn in the direction of Thy mercy, and called them unto the horizon of Thy grace and bounties. None, however, heeded Thy call, except such as have forsaken all things save Thee, and hastened unto the Day-Spring of Thy beauty, and the Dawning-Place of Thine inspiration and Thy revelation.
  Thou knowest, O my God, that none can be found on the face of the earth to remember Thee except them. Thou seest how the oppressors among Thy creatures have laid hold on them. Some, O my God, have shed their blood in Thy path, others have abandoned their homes and set their faces towards the seat of Thy throne, and were hindered from stepping into the court of Thy great glory, while still others have been cast into prison and are at the mercy of the workers of iniquity.
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  By Thy beauty, O Thou Who art the Lord of all names and the Creator of the heavens! I can smell the fragrance of the words which, in His love for Thee, His lips have uttered, and can feel the glow of the fire that had inflamed His soul in its longing to behold Thy face and in its yearning after the Day-Spring of the light of Thy oneness, and the Dawning-Place of Thy transcendent unity.
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  I know not, O my God, how long will Thy creatures continue to slumber on the bed of forgetfulness and evil desires, and remain far removed from Thee and shut out from Thy presence. Draw them nearer, O my God, unto the scene of Thine effulgent glory, and enrapture their hearts with the sweet savors of Thine inspiration, through which they who adore Thy unity have soared on the wings of desire towards Thee, and they who are devoted to Thee have reached unto Him Who is the Dawning-Place of the Day-Star of Thy creation.
  Cleave asunder, O my Lord, the veils that shut them out from Thee, that they may behold Thee shining above the horizon of Thy oneness and shedding Thy radiance from the Dawning-place of Thy sovereignty. By Thy glory! Were they to discover the sweetness of Thy remembrance and apprehend the excellence of the things that are sent down upon them from the right hand of the throne of Thy majesty, they would cast away all that they possess, and would rush forth into the wilderness of their longing after Thee, that the glance of Thy loving-kindness may be directed towards them and the radiance of the Day-Star of Thy beauty may be shed upon them.
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  Lauded be Thy name, O my God! Thou seest how I have been sorely vexed among Thy servants, and beholdest the things that have befallen me in Thy path. Thou knowest full well that I have not spoken a word but by Thy leave, that my lips have never been opened except at Thy bidding and in accordance with Thy pleasure, that every breath I have breathed hath been animated with Thy praise and Thy remembrance, that I have summoned all men to naught else except that whereunto Thy chosen ones have through all eternity been summoned, and that I have bidden them observe only the things that would draw them nearer unto the Day-Spring of Thy loving-kindness, and the Dawning-Place of Thy favors, and the Horizon of Thy riches, and the Manifestation of Thine inspiration and Thy revelation.
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  I pray Thee, by Thy Most Great Name, to aid all them that have believed on Thee and on Thy signs to be steadfast in Thy love and to set themselves towards the Dawning-Place of the Day-Star of Thy loving-kindness. Inspire them, then, O my God, with what will unloose their tongue to praise Thee, and will draw them nigh unto Thee in the life that now is and the life that is to come.
  Thou truly art the Almighty, the All-Glorious, the Beneficent.
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  Glorified art Thou, O my God! I yield Thee thanks that Thou hast made known unto me Him Who is the Day-Spring of Thy mercy, and the Dawning-Place of Thy grace, and the Repository of Thy Cause. I beseech Thee by Thy Name, through which the faces of them that are nigh unto Thee have turned white, and the hearts of such as are devoted to Thee have winged their flight towards Thee, to grant that I may, at all times and under all conditions, lay hold on Thy cord, and be rid of all attachment to any one except Thee, and may keep mine eyes directed towards the horizon of Thy Revelation, and may carry out what Thou hast prescribed unto me in Thy Tablets.
  Attire, O my Lord, both my inner and outer being with the raiment of Thy favors and Thy loving-kindness. Keep me safe, then, from whatsoever may be abhorrent unto Thee, and graciously assist me and my kindred to obey Thee, and to shun whatsoever may stir up any evil or corrupt desire within me.
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  O God, and the God of all Names, and Maker of the heavens! I entreat Thee by Thy Name through which He Who is the Day-Spring of Thy might and the Dawning-Place of Thy power hath been manifested, through which every solid thing hath been made to flow, and every dead corpse hath been quickened, and every moving spirit confirmed--I entreat Thee to enable me to rid myself of all attachment to any one but Thee, and to serve Thy Cause, and to wish what Thou didst wish through the power of Thy sovereignty, and to perform what is the good pleasure of Thy will.
  I beseech Thee, moreover, O my God, to ordain for me what will make me rich enough to dispense with any one save Thee. Thou seest me, O my God, with my face turned towards Thee, and my hands clinging to the cord of Thy grace. Send down upon me Thy mercy, and write down for me what Thou hast written down for Thy chosen ones. Powerful art Thou to do what pleaseth Thee. No God is there but Thee, the Ever-Forgiving, the All-Bountiful.
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  Thou beholdest, O my Lord, the things which have befallen me in Thy days. I entreat Thee, by Him Who is the Day-Spring of Thy names and the Dawning-Place of Thine attributes, to ordain for me what will enable me to arise to serve Thee and to extol Thy virtues. Thou art, verily, the Almighty, the Most Powerful, Who art wont to answer the prayers of all men!
  And, finally, I beg of Thee by the light of Thy countenance to bless my affairs, and redeem my debts, and satisfy my needs. Thou art He to Whose power and to Whose dominion every tongue hath testified, and Whose majesty and Whose sovereignty every understanding heart hath acknowledged. No God is there but Thee, Who hearest and art ready to answer.
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  These are Thy servants whom the ascendancy of the oppressor hath failed to deter from fixing their eyes on the Tabernacle of Thy majesty, and whom the hosts of tyranny have been powerless to affright and divert their gaze from the Day-Spring of Thy signs and the Dawning-Place of Thy testimonies.
  I swear by Thy glory, O Thou the Lord of all being and the Enlightener of all things visible and invisible! Whoso hath quaffed from the hands of Thy bounteousness the living waters of Thy love will never allow the things pertaining to Thy creatures to keep him back from Thee, neither will he be dismayed at the refusal of all the dwellers of Thy realm to acknowledge Thee. Before all who are in heaven and on earth such a man will cry aloud, and announce unto the people the tumult of the Ocean of Thy bounty and the splendors of the Luminaries of the heaven of Thy bestowals.
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  Wilt Thou keep back from Thee the stranger whom Thou didst call unto his most exalted Home beneath the shadow of the wings of Thy mercy, or cast away the wretched creature that hath hastened to attain the shores of the ocean of Thy wealth? Wilt Thou shut up the door of Thy grace to the face of Thy creatures after having opened it through the power of Thy might and of Thy sovereignty, or close the eyes of Thy people when Thou hast already commanded them to turn unto the Day-Spring of Thy Beauty and the Dawning-Place of the splendors of Thy countenance?
  Nay, and to this Thy glory beareth me witness! Such is not my thought of Thee, nor the thought of those of Thy servants that have near access to Thyself, nor that of the sincere amongst Thy people.
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  Bless them, O my God, and ascribe unto them such glory as hath shone forth above the horizon of Thy will, and hath shed its splendors from the kingdom of Thine utterance. Immerse them, O my Lord, beneath the ocean of Thy mercy, and illumine them with the Dawning light of Thy Revelation. Forgive, then, O my God, their fathers and their mothers, by Thy favor, and Thy bounty, and Thy tender mercies. Send, then, upon them from the right hand of Thy most exalted Paradise the fragrance of the robe of Thine all-glorious Beauty. Potent art Thou to do what pleaseth Thee. Thou, verily, art the Governor, the Ordainer, the All-Bountiful, the Ever-Forgiving, the Most Generous.
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  I entreat Thee, therefore, O my God, by Thy Name through which Thou hast guided Thy lovers to the living waters of Thy grace and Thy favors, and attracted them that long for Thee to the Paradise of Thy nearness and Thy presence, to open the eyes of Thy people that they may recognize in this Revelation the manifestation of Thy transcendent unity, and the Dawning of the lights of Thy countenance and Thy beauty. Cleanse them, then, O my God, from all idle fancies and vain imaginations, that they may inhale the fragrances of sanctity from the robe of Thy Revelation and Thy commandment, that haply they may cease to inflict upon me what will deprive their souls of the fragrances of the manifold tokens of Thy mercy, that are wafted in the days of Him Who is the Manifestation of Thyself, and the Day-Spring of Thy Cause, and that they may not perpetrate what will call down Thy wrath and anger.
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  Thy glory beareth me witness, O my Beloved! My pen is powerless to describe what their hands have wrought against Him Who is the Manifestation of Thy Cause, and the Day-Spring of Thy Revelation, and the Dawning-Place of Thine inspiration. For all this I give praise to Thee. I swear by Thy glory, O my God! My heart yearneth after the things ordained by Thee in the heaven of Thy decree and the kingdom of Thine appointment. For whatsoever befalleth me in Thy path is the beloved of my soul and the goal of my desire. This, verily, is to be ascribed to naught except Thy power and Thy might.
  I am the one, O my God, who, through the love I bear to Thee, hath been able to dispense with all who are in heaven and on earth. Armed with this love, I am afraid of no one, though all the peoples of the world unite to hurt me. Oh, that my blood could, this very moment, be shed on the face of the earth before Thee, and Thou wouldst behold me in the condition in which Thou didst behold such of Thy servants as have drawn nigh unto Thee, and those of Thy righteous creatures as have been chosen by Thee!
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  O Lord of all being and Possessor of all things visible and invisible! Thou dost perceive my tears and the sighs I utter, and hearest my groaning, and my wailing, and the lamentation of my heart. By Thy might! My trespasses have kept me back from drawing nigh unto Thee; and my sins have held me far from the court of Thy holiness. Thy love, O my Lord, hath enriched me, and separation from Thee hath destroyed me, and remoteness from Thee hath consumed me. I entreat Thee by Thy footsteps in this wilderness, and by the words "Here am I. Here am I" which Thy chosen Ones have uttered in this immensity, and by the breaths of Thy Revelation, and the gentle winds of the Dawn of Thy Manifestation, to ordain that I may gaze on Thy beauty and observe whatsoever is in Thy Book.
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  Glorified, immeasurably glorified art Thou, O my Beloved! I swear by Thy glory! I recognize this very moment that Thou hast granted all for which I have supplicated Thee, in this blessed night which, as decreed by Thee, calleth to remembrance Him Who was the Companion of Thy beauty and the Beholder of Thy face, ere I had been mentioned by Thee, or called into being within the court of Thy holiness. I perceive that Thou hast made all things to be the manifestations of Thy behest, and the revelations of Thy handiwork, and the repositories of Thy knowledge, and the treasuries of Thy wisdom. I recognize, moreover, that were any of the revelations of Thy names and Thine attributes to be withheld, though it be the weight of a grain of mustard seed, from whatsoever hath been created by Thy power and begotten by Thy might, the foundations of Thine everlasting handiwork would thereby be made incomplete, and the gems of Thy Divine wisdom would become imperfect. For the letters of negation, no matter how far they may be removed from the holy fragrances of Thy knowledge, and however forgetful they may become of the wondrous splendors of the Dawning light of Thy beauty, which are shed from the heaven of Thy majesty, must needs exist in Thy realm, so that the words which affirm Thee may thereby be exalted.
  Thy might beareth me witness, O my Well-Beloved! The entire creation hath been called into being to exalt Thy triumph and to establish Thine ascendancy, and all the bounds that have been set by Thee are but the signs of Thy sovereignty, and proclaim the power of Thy might. How great, how very great, are the revelations of Thy wondrous power in all things! They are such that the lowliest among Thy creatures hath been made by Thee a manifestation of Thy most august attribute, and the most contemptible token of Thy handiwork hath been chosen as a recipient of Thy most mighty name. Poverty, as decreed by Thee, hath been made the means for the revelation of Thy riches, and abasement a path leading to Thy glory, and sinfulness a cause for the exercise of Thy forgiveness. By them Thou hast demonstrated that to Thee belong Thy most excellent titles, and unto Thee pertain the wonders of Thy most exalted attributes.

r1915 08 01, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
   5) So all the activities or streams of the existence have to be made vast for the Dawns of the Vijnana by the rapid movement of the wideness & purity.
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Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  beauty. But presently the Dawn proclaims the ascent of the sun on the eastern horizon. And where is
  the moon now!
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  56l. Jnana never comes without renunciation of lust and possessions. With the Dawn of renunciation is
  destroyed all ignorance, all Avidya. Many things can be burnt by Means of a lens held in such a manner

Tablets of Baha u llah text, #Tablets of Baha u llah, #Baha u llah, #Baha i
  No sooner had her voice reached that most exalted Spot than We made reply: 'Render thanks unto thy Lord, O Carmel. The fire of thy separation from Me was fast consuming thee, when the ocean of My presence surged before thy face, cheering thine eyes and those of all creation, and filling with delight all things visible and invisible. Rejoice, for God hath in this Day established upon thee His throne, hath made thee the Dawning-place of His signs and the dayspring of the evidences of His Revelation. Well is it with him that circleth around thee, that proclaimeth the revelation of thy glory, and recounteth that which the bounty of the Lord thy God hath showered upon thee. Seize thou the Chalice of Immortality in the name of thy Lord, the All-Glorious, and give thanks unto Him, inasmuch as He, in token of His mercy unto thee, hath turned thy sorrow into gladness, and transmuted thy grief into blissful joy. He, verily, loveth the spot which hath been made the seat of His throne, which His footsteps have trodden, which hath been honored by His presence, from which He raised His call, and upon which He shed His tears. ["No sooner had her voice..."] The Revelation of Bahá'u'lláh, vol. 4 p. 356
  'Call out to Zion, O Carmel, and announce the joyful tidings: He that was hidden from mortal eyes is come! His all-conquering sovereignty is manifest; His all-encompassing splendor is revealed. Beware lest thou hesitate or halt. Hasten forth and circumambulate the City of God that hath descended from heaven, the celestial Kaaba round which have circled in adoration the favored of God, the pure in heart, and the company of the most exalted angels. Oh, how I long to announce unto every spot on the surface of the earth, and to carry to each one of its cities, the glad-tidings of this Revelation--a Revelation to which the heart of Sinai hath been attracted, and in whose name the Burning Bush is calling: 'Unto God, the Lord of Lords, belong the kingdoms of earth and heaven.' Verily this is the Day in which both land and sea rejoice at this announcement, the Day for which have been laid up those things which God, through a bounty beyond the ken of mortal mind or heart, hath destined for revelation. Ere long will God sail His Ark upon thee, and will manifest the people of Bahá who have been mentioned in the Book of Names.' ["Call out to Zion..."] The Revelation of Bahá'u'lláh, vol. 4 p. 357
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  O people of Bahá! Ye are the Dawning-places of the love of God and the daysprings of His loving-kindness. Defile not your tongues with the cursing and reviling of any soul, and guard your eyes against that which is not seemly. Set forth that which ye possess. If it be favorably received, your end is attained; if not, to protest is vain. Leave that soul to himself and turn unto the Lord, the Protector, the Self-Subsisting. Be not the cause of grief, much less of discord and strife. The hope is cherished that ye may obtain true education in the shelter of the tree of His tender mercies and act in accordance with that which God desireth. Ye are all the leaves of one tree and the drops of one ocean. ISHRÁQÁT
  The Kitáb-i-Aqdas, p. 91; The Revelation of Bahá'u'lláh, vol. 4 p. 158
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  Great God! Although His signs have encompassed the world and His proofs and testimonies are shining forth and manifest as the light, yet the ignorant appear heedless, nay rather, rebellious. Would that they had been content with opposition. But at all times they are plotting to cut down the sacred Lote-Tree. Since the Dawn of this Revelation the embodiments of selfishness have, by resorting to cruelty and oppression, striven to extinguish the Light of divine manifestation. But God, having stayed their hands, revealed this Light through His sovereign authority and protected it through the power of His might until earth and heaven were illumined by its radiance and brightness. Praise be unto Him under all conditions. The Revelation of Bahá'u'lláh, vol. 4 p. 168
  Glory be unto Thee, O Lord of the world and Desire of the nations, O Thou Who hast become manifest in the Greatest Name whereby the pearls of wisdom and utterance have appeared from the shells of the great sea of Thy knowledge, and the heavens of divine revelation have been adorned with the light of the appearance of the Sun of Thy countenance.
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  and the first effulgence which hath dawned from the horizon of the Mother Book is that man should know his own self and recognize that which leadeth unto loftiness or lowliness, glory or abasement, wealth or poverty. Having attained the stage of fulfillment and reached his maturity, man standeth in need of wealth, and such wealth as he acquireth through crafts or professions is commendable and praiseworthy in the estimation of men of wisdom, and especially in the eyes of servants who dedicate themselves to the education of the world and to the edification of its peoples. They are, in truth, cup-bearers of the life-giving water of knowledge and guides unto the ideal way. They direct the peoples of the world to the straight path and acquaint them with that which is conducive to human upliftment and exaltation. The straight path is the one which guideth man to the dayspring of perception and to the Dawning-place of true understanding and leadeth him to that which will redound to glory, honor and greatness.
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  The mysteries of Resurrection and the events of the Last Hour are openly manifest, but the people are sunk in heedlessness and have suffered themselves to be wrapt in veils. 'And when the seas shall boil… And when the Scriptures shall be unrolled.' 1 By the righteousness of God! the Dawn hath truly brightened and the light hath shone forth and the night hath receded. Happy are they that comprehend. Happy are they that have attained thereunto. 1. Qur'án 81:6 & 10.
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  O 'Alí-Akbar! Consider how abject is the state of the disbelievers. They all give utterance to the words: 'Verily He is to be praised in His deeds and is to be obeyed in His behest.' Nevertheless if We reveal aught which, even to the extent of a needle's eye, runneth counter to their selfish ways and desires, they will disdainfully reject it. Say, none can ever fathom the manifold exigencies of God's consummate wisdom. In truth, were He to pronounce the earth to be heaven, no one hath the right to question His authority. This is that whereunto the Point of the Bayán hath testified in all that was sent down unto Him with truth at the behest of God, He Who hath caused the Dawn to break.
  The third Tajallí
  --
  Lauded and glorified is He Who hath called the creation into being. He is the sovereign Truth, the Knower of things unseen. The Mother Book is revealed and the Lord of Bounty is established upon the most blessed seat of glory. the Dawn hath broken, yet the people understand not. The signs have been ushered in, while He Who hath revealed them is overwhelmed with manifest sorrow. Indeed I have endured that which hath caused the world of existence to lament.
  Say: O Yahyá (Azal), produce a single verse, if thou dost possess divinely-inspired knowledge. These words were formerly spoken by My Herald Who at this hour proclaimeth: 'Verily, verily, I am the first to adore Him.' Be fair, O My brother. Art thou able to express thyself when brought face to face with the billowing ocean of Mine utterance? Canst thou unloose thy tongue when confronted with the shrill voice of My Pen? Hast thou any power before the revelations of Mine omnipotence? Judge thou fairly, I adjure thee by God, and call to mind when thou didst stand in the presence of this Wronged One and We dictated to thee the verses of God, the Help in Peril, the Self-Subsisting. Beware lest the source of falsehood withhold thee from the manifest Truth. The Revelation of Bahá'u'lláh, vol. 4 p. 220
  --
  Were men to strictly observe that which the Pen of the Most High hath revealed in the Crimson Book, they could then well afford to dispense with the regulations which prevail in the world. Certain exhortations have repeatedly streamed forth from the Pen of the Most High that perchance the manifestations of power and the Dawning-places of might may, sometime, be enabled to enforce them. Indeed, were sincere seekers to be found, every emanation of God's pervasive and irresistible Will would, for the sake of His love, be revealed. But where are to be found earnest seekers and inquiring minds? Whither are gone the equitable and the fair-minded? At present no day passeth without the fire of a fresh tyranny blazing fiercely, or the sword of a new aggression being unsheathed. Gracious God! The great and the noble in Persia glory in acts of such savagery that one is lost in amazement at the tales thereof.
  Day and night this Wronged One yieldeth thanks and praise unto the Lord of men, for it is witnessed that the words of counsel and exhortation We uttered have proved effective and that this people hath evinced such character and conduct as are acceptable in Our sight. This is affirmed by virtue of the event which hath truly cheered the eye of the world, and is none other than the intercession of the friends with the high authorities in favor of their enemies. Indeed one's righteous deeds testify to the truth of one's words. We cherish the hope that men of piety may illumine the world through the radiant light of their conduct, and We entreat the Almighty--glorified and exalted is He--to grant that everyone may in this Day remain steadfast in His love and stand firm in His Cause. He is, in truth, the Protector of those who are wholly devoted to Him and observe His precepts. The Revelation of Bahá'u'lláh, vol. 4 p. 342
  --
  O thou who hast fixed thy gaze upon the Dawning-Place of the Cause of God! Know thou for a certainty that the Will of God is not limited by the standards of the people, and God doth not tread in their ways. Rather is it incumbent upon everyone to firmly adhere to God's straight Path. Were He to pronounce the right to be the left or the south to be the north, He speaketh the truth and there is no doubt of it. Verily He is to be praised in His acts and to be obeyed in His behests. He hath no associate in His judgment nor any helper in His sovereignty. He doeth whatsoever He willeth and ordaineth whatsoever He pleaseth. Know thou moreover that all else besides Him have been created through the potency of a word from His presence, while of themselves they have no motion nor stillness, except at His bidding and by His leave.
  110
  --
  O Lord! The tongue of my tongue and the heart of my heart and the spirit of my spirit and my outward and inmost beings bear witness to Thy unity and Thy oneness, Thy power and Thine omnipotence, Thy grandeur and Thy sovereignty, and attest Thy glory, loftiness and authority. I testify that Thou art God and that there is none other God besides Thee. From everlasting Thou hast been a treasure hidden from the sight and minds of men and shalt continue to remain the same for ever and ever. The powers of earth can never frustrate Thee, nor can the might of the nations alarm Thee. Thou art the One Who hath unlocked the door of knowledge before the faces of Thy servants that they may recognize Him Who is the Day-Star of Thy Revelation, the Dawning-Place of Thy signs, the Heaven of Thy manifestation and the Sun of Thy divine beauty. In Thy holy Books, in Thy Scriptures and Thy Scrolls Thou hast promised all the peoples of the world that Thou Thyself shalt appear and shalt remove the veils of glory from Thy face, even as Thou didst announce in Thy words unto Thy Friend 1 through Whom the Day-Star of Revelation shone brightly above the horizon of Hijáz, and the Dawning light of divine Truth shed its radiance among all men, proclaiming: 'The Day when mankind shall stand before the Lord of the worlds.' 2 And before Muhammad Thou didst impart this glad-tiding unto Him Who conversed with Thee, 3 saying: 'Bring forth thy people from the darkness into the light and remind them of the days of God.' 4 Moreover Thou didst proclaim this truth unto the Spirit 5 and unto Thy Prophets and Thy Messengers, whether of the remote or more recent past. If all that which Thou hast sent down in glorification of this Most Great Remembrance, this Great Announcement, were to stream forth from the wellspring of Thy most august Pen, the inmates of the cities of knowledge and understanding would be dumbfounded, except such as Thou wouldst deliver through the potency of Thy might and wouldst protect as a token of Thy bountiful favor and Thy grace. I bear witness that Thou hast in truth fulfilled Thy pledge and hast made manifest the One Whose advent was foretold by Thy Prophets, Thy chosen ones and by them that serve Thee. He hath come from the heaven of glory and power, bearing the banners of Thy signs and the standards of Thy testimonies. Through the potency of Thine indomitable power and strength, He stood up before the faces of all men and summoned all mankind to the summit of transcendent glory and unto the all-highest Horizon, in such wise that neither the oppression of the ecclesiastics nor the onslaught of the rulers was able to deter Him. He arose with inflexible resolve and, unloosing His tongue, proclaimed in ringing tones: 'He Who is the All-Bountiful is come, riding aloft on the clouds. Advance, O people of the earth, with shining faces and radiant hearts!' 1. Muhammad.
  2. Qur'án 83:6.
  --
  O thou who hast set thy face towards the splendors of My Countenance! Vague fancies have encompassed the dwellers of the earth and debarred them from turning towards the Horizon of Certitude, and its brightness, and its manifestations and its lights. Vain imaginings have withheld them from Him Who is the Self-Subsisting. They speak as prompted by their own caprices, and understand not. Among them are those who have said: 'Have the verses been sent down?' Say 'Yea, by Him Who is the Lord of the heavens!' 'Hath the Hour come?' 'Nay, more; it hath passed, by Him Who is the Revealer of clear tokens! Verily, the Inevitable is come, and He, the True One, hath appeared with proof and testimony. The Plain is disclosed, and mankind is sore vexed and fearful. Earthquakes have broken loose, and the tribes have lamented, for fear of God, the Lord of Strength, the All-Compelling.' Say: 'The stunning trumpet-blast hath been loudly raised, and the Day is God's, the One, the Unconstrained.' And they say: 'Hath the Catastrophe come to pass?' Say: 'Yea, by the Lord of Lords!' 'Is the Resurrection come?' 'Nay, more; He Who is the Self-Subsisting hath appeared with the Kingdom of His signs.' 'Seest thou men laid low?' 'Yea, by my Lord, the Most High, the Most Glorious!' 'Have the tree-stumps been uprooted?' 'Yea, more; the mountains have been scattered in dust; by Him the Lord of attributes!' They say: 'Where is Paradise, and where is Hell?' Say: 'The one is reunion with Me; the other thine own self, O thou who dost associate a partner with God and doubtest.' They say: 'We see not the Balance.' Say: 'Surely, by my Lord, the God of Mercy! None can see it except such as are endued with insight.' They say: 'Have the stars fallen?' Say: 'Yea, when He Who is the Self-Subsisting dwelt in the Land of Mystery. 1 Take heed, ye who are endued with discernment!' All the signs appeared when We drew forth the Hand of Power from the bosom of majesty and might. Verily, the Crier hath cried out, when the promised time came, and they that have recognized the splendors of Sinai have swooned away in the wilderness of hesitation, before the awful majesty of thy Lord, the Lord of creation. The trumpet asketh: 'Hath the Bugle been sounded?' Say: 'Yea, by the King of Revelation! when He mounted the throne of His Name, the All-Merciful.' Darkness hath been chased away by the Dawning light of the mercy of thy Lord, the Source of all light. The breeze of the All-Merciful hath wafted, and the souls have been quickened in the tombs of their bodies. Thus hath the decree been fulfilled by God, the Mighty, the Beneficent. They who reject the truth have said: 'When were the heavens cleft asunder?' Say: 'While ye lay in the graves of waywardness and error.' Among the faithless is he who rubbeth his eyes, and looketh to the right and to the left. Say: 'Blinded art thou. No refuge hast thou to flee to.' And among them is he who saith: 'Have men been gathered together?' Say: 'Yea, by My Lord! whilst thou didst lie in the cradle of idle fancies.' And among them is he who saith: 'Hath the Book been sent down through the power of the true Faith?' Say: 'The true Faith itself is astounded. Fear ye, O ye men of understanding heart!' And among them is he who saith: 'Have I been assembled with others, blind?' Say: 'Yea, by Him that rideth upon the clouds!' Paradise is decked with mystic roses, and hell hath been made to blaze with the fire of the impious. Say: 'The light hath shone forth from the horizon of Revelation, and the whole earth hath been illumined at the coming of Him Who is the Lord of the Day of the Covenant!' The doubters have perished, whilst he that turned, guided by the light of assurance, unto the Dayspring of Certitude hath prospered. Blessed art thou, who hast fixed thy gaze upon Me, for this Tablet which hath been sent down for thee--a Tablet which causeth the souls of men to soar. Commit it to memory, and recite it. By My life! It is a door to the mercy of thy Lord. Well is it with him that reciteth it at eventide and at dawn. We, verily, heard thy praise of this Cause, through which the mountain of knowledge was crushed, and men's feet have slipped. My glory be upon thee and upon whomsoever hath turned unto the Almighty, the All-Bounteous. The Tablet is ended, but the theme is unexhausted. Be patient, for thy Lord is patient. 1. Adrianople. ["Have the verses been sent down?"...] Epistle to the Son of the Wolf, p. 131; The Revelation of Bahá'u'lláh, vol. 4, p. 153
  118
  --
  O people of Bahá! Ye are the Dawning-places of the love of God and the daysprings of His loving-kindness. Defile not your tongues with the cursing and reviling of any soul, and guard your eyes against that which is not seemly. Set forth that which ye possess. If it be favorably received, your end is attained; if not, to protest is vain. Leave that soul to himself and turn unto the Lord, the Protector, the Self-Subsisting. Be not the cause of grief, much less of discord and strife. The hope is cherished that ye may obtain true education in the shelter of the tree of His tender mercies and act in accordance with that which God desireth. Ye are all the leaves of one tree and the drops of one ocean. BISHÁRÁT
  The Revelation of Bahá'u'lláh, vol. 4 p. 158
  --
  The purpose of religion as revealed from the heaven of God's holy Will is to establish unity and concord amongst the peoples of the world; make it not the cause of dissension and strife. The religion of God and His divine law are the most potent instruments and the surest of all means for the Dawning of the light of unity amongst men. The progress of the world, the development of nations, the tranquility of peoples, and the peace of all who dwell on earth are among the principles and ordinances of God. Religion bestoweth upon man the most precious of all gifts, offereth the cup of prosperity, imparteth eternal life, and showereth imperishable benefits upon mankind. It behooveth the chiefs and rulers of the world, and in particular the Trustees of God's House of Justice, to endeavor to the utmost of their power to safeguard its position, promote its interests and exalt its station in the eyes of the world. In like manner it is incumbent upon them to inquire into the conditions of their subjects and to acquaint themselves with the affairs and activities of the diverse communities in their dominions. We call upon the manifestations of the power of God--the sovereigns and rulers on earth--to bestir themselves and do all in their power that haply they may banish discord from this world and illumine it with the light of concord.
  
  --
  Say, O people of the earth! Beware lest any reference to wisdom debar you from its Source or withhold you from the Dawning-Place thereof. Fix your hearts upon your Lord, the Educator, the All-Wise.
  For every land We have prescribed a portion, for every occasion an allotted share, for every pronouncement an appointed time and for every situation an apt remark. Consider Greece. We made it a Seat of Wisdom for a prolonged period. However, when the appointed hour struck, its throne was subverted, its tongue ceased to speak, its light grew dim and its banner was hauled down. Thus do We bestow and withdraw. Verily thy Lord is He Who giveth and divesteth, the Mighty, the Powerful.
  --
  When the discourse reached this stage, the Dawn of divine mysteries appeared and the light of utterance was quenched. May His glory rest upon the people of wisdom as bidden by One Who is the Almighty, the All-Praised.
  Say: Magnified be Thy Name, O Lord my God! I beseech Thee by Thy Name through which the splendor of the light of wisdom shone resplendent when the heavens of divine utterance were set in motion amidst mankind, to graciously aid me by Thy heavenly confirmations and enable me to extol Thy Name amongst Thy servants.
  --
  Magnified be Thy Name, O Lord of all beings and Desire of all created things! I beseech Thee, by the Word which hath caused the Burning Bush to lift up its Voice and the Rock to cry out, whereby the well-favored have hastened to attain the court of Thy presence and the pure in heart the dayspring of the light of Thy countenance, and by the sighing of Thy true lovers in their separation from Thy chosen ones and by the lamentation of them that long to behold Thy face before the Dawning splendor of the light of Thy Revelation, to graciously enable Thy servants to recognize what Thou hast ordained for them by Thy bounty and Thy grace. Prescribe for them then through Thy Pen of Glory that which will direct their steps to the ocean of Thy generosity and will lead them unto the living waters of Thy heavenly reunion.
  O Lord! Look not at the things they have wrought, rather look unto the loftiness of Thy celestial bounty which hath preceded all created things, visible and invisible. O Lord! Illumine their hearts with the effulgent light of Thy knowledge and brighten their eyes with the shining splendor of the day-star of Thy favors.
  --
  Exhort thou the servants of God unto that whereunto We have exhorted thee that they may abstain from whatsoever is forbidden them in the Mother Book. Those who perpetrate deeds that would create turmoil among the people have indeed strayed far from helping God and His Cause and are numbered with the mischief-makers in the Tablet which God hath designated to be the Dawning-place of all Tablets.
  Say: If it be Our pleasure We shall render the Cause victorious through the power of a single word from Our presence. He is in truth the Omnipotent, the All-Compelling. Should it be God's intention, there would appear out of the forests of celestial might the lion of indomitable strength whose roaring is like unto the peals of thunder reverberating in the mountains. However, since Our loving providence surpasseth all things, We have ordained that complete victory should be achieved through speech and utterance, that Our servants throughout the earth may thereby become the recipients of divine good. This is but a token of God's bounty vouchsafed unto them. Verily thy Lord is the All-Sufficing, the Most Exalted.
  --
  He is the Almighty, the All-Knowing, the All-Wise! The winds of hatred have encompassed the Ark of Bathá, 1 by reason of that which the hands of the oppressors have wrought. O Báqir! Thou hast pronounced sentence against them for whom the books of the world have wept, and in whose favor the scriptures of all religions have testified. Thou, who art gone far astray, art indeed wrapt in a thick veil. By God Himself! Thou hast pronounced judgment against them through whom the horizon of faith hath been illumined. Unto this bear witness They Who are the Dawning-Places of Revelation and the Manifestations of the Cause of thy Lord, the Most Merciful, Who have sacrificed Their souls and all that They possessed in His straight Path. The Faith of God hath cried everywhere, by reason of thy tyranny, and yet thou disportest thyself and art of them that exult. There is no hatred in Mine heart for thee nor for anyone. Every man of learning beholdeth thee, and such as are like thee, engulfed in evident folly. Hadst thou realized that which thou hast done, thou wouldst have cast thyself into the fire, or abandoned thine home and fled into the mountains, or wouldst have groaned until thou hadst returned unto the place destined for thee by Him Who is the Lord of strength and of might. O thou who art even as nothing! Rend thou asunder the veils of idle fancies and vain imaginings, that thou mayest behold the Day-Star of knowledge shining from this resplendent Horizon. Thou hast torn in pieces a remnant of the Prophet Himself, and imagined that thou hadst helped the Faith of God. Thus hath thy soul prompted thee, and thou art truly one of the heedless. Thine act hath consumed the hearts of the Concourse on high, and those of such as have circled round the Cause of God, the Lord of the worlds. The soul of the Chaste One 2 melted, by reason of thy cruelty, and the inmates of Paradise wept sore in that blessed Spot. 1. Mecca.
  2. Fátimih, daughter of Muhammad.
  --
  By God! Troubles have failed to unnerve Me, and the repudiation of the divines hath been powerless to weaken Me. I have spoken, and still speak forth before the face of men: 'The door of grace hath been unlocked and He Who is the Dayspring of Justice is come with perspicuous signs and evident testimonies, from God, the Lord of strength and of might!' Present thyself before Me that thou mayest hear the mysteries which were heard by the Son of 'Imrán 1 upon the Sinai of Wisdom. Thus commandeth thee He Who is the Dawning-Place of the Revelation of thy Lord, the God of Mercy, from His great Prison. 1. Moses. Epistle to the Son of the Wolf, p. 85
  The Revelation of Bahá'u'lláh, vol. 1 p. 149; vol. 4 p. 94
  --
  Hath the Sháh been informed, and chosen to close his eyes to thine acts? Or hath he been seized with fear at the howling of a pack of wolves who have cast the Path of God behind their backs and followed in thy way without any clear proof or Book? We have heard that the provinces of Persia have been adorned with the adornment of justice. When We observed closely, however, We found them to be the Dawning-places of tyranny and the daysprings of injustice. We behold justice in the clutches of tyranny. We beseech God to set it free through the power of His might and His sovereignty. He, verily, overshadoweth all that is in the heavens and on earth. To none is given the right to protest against anyone concerning that which hath befallen the Cause of God. It behooveth whosoever hath set his face towards the Most Sublime Horizon to cleave tenaciously unto the cord of patience, and to put his reliance in God, the Help in Peril, the Unconstrained. O ye loved ones of God! Drink your fill from the wellspring of wisdom, and walk ye in the garden of wisdom, and soar ye in the atmosphere of wisdom, and speak forth with wisdom and eloquence. Thus biddeth you your Lord, the Almighty, the All-Knowing.
  O Báqir! Rely not on thy glory, and thy power. Thou art even as the last trace of sunlight upon the mountaintop. Soon will it fade away, as decreed by God, the All-Possessing, the Most High. Thy glory and the glory of such as are like thee have been taken away, and this verily is what hath been ordained by the One with Whom is the Mother Tablet. Where is he to be found who contended with God, and whither is gone he that gainsaid His signs, and turned aside from His sovereignty? Where are they who have slain His chosen ones and spilt the blood of His holy ones? Reflect, that haply thou mayest perceive the breaths of thine acts, O foolish doubter! Because of you the Apostle 1 lamented, and the Chaste One 2 cried out, and the countries were laid waste, and darkness fell upon all regions. O concourse of divines! Because of you the people were abased, and the banner of Islám was hauled down, and its mighty throne subverted. Every time a man of discernment hath sought to hold fast unto that which would exalt Islám, ye raised a clamor, and thereby was he deterred from achieving his purpose, while the land remained fallen in clear ruin. 1. Muhammad.
  --
  The aim of this Wronged One in sustaining woes and tribulations, in revealing the Holy Verses and in demonstrating proofs hath been naught but to quench the flame of hate and enmity, that the horizon of the hearts of men may be illumined with the light of concord and attain real peace and tranquility. From the Dawning-place of the divine Tablet the day-star of this utterance shineth resplendent, and it behooveth everyone to fix his gaze upon it: We exhort you, O peoples of the world, to observe that which will elevate your station. Hold fast to the fear of God and firmly adhere to what is right. Verily I say, the tongue is for mentioning what is good, defile it not with unseemly talk. God hath forgiven what is past. Henceforward everyone should utter that which is meet and seemly, and should refrain from slander, abuse and whatever causeth sadness in men. Lofty is the station of man! Not long ago this exalted Word streamed forth from the treasury of Our Pen of Glory: Great and blessed is this Day--the Day in which all that lay latent in man hath been and will be made manifest. Lofty is the station of man, were he to hold fast to righteousness and truth and to remain firm and steadfast in the Cause. In the eyes of the All-Merciful a true man appeareth even as a firmament; its sun and moon are his sight and hearing, and his shining and resplendent character its stars. His is the loftiest station, and his influence educateth the world of being. The Revelation of Bahá'u'lláh, vol. 4 p. 388
  ["Verily I say, the tongue..."] The Revelation of Bahá'u'lláh, vol. 4 p. 69
  --
  All praise be to Thee, O my God, inasmuch as Thou hast adorned the world with the splendor of the Dawn following the night wherein was born the One Who heralded the Manifestation of Thy transcendent sovereignty, the Dayspring of Thy divine Essence and the Revelation of Thy supreme Lordship. I beseech Thee, O Creator of the heavens and Fashioner of names, to graciously aid those who have sheltered beneath the shadow of Thine abounding mercy and have raised their voices amidst the peoples of the world for the glorification of Thy Name.
  233
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  Say: Glorified art Thou, O my God! I implore Thee by the Dawning-Place of Thy signs and by the Revealer of Thy clear tokens to grant that I may, under all conditions, hold fast the cord of Thy loving providence and cling tenaciously to the hem of Thy generosity. Reckon me then with those whom the changes and chances of the world have failed to deter from serving Thee and from bearing allegiance unto Thee, whom the onslaught of the people hath been powerless to hinder from magnifying Thy Name and celebrating Thy praise. Graciously assist me, O my Lord, to do whatever Thou lovest and desirest. Enable me then to fulfill that which will exalt Thy Name and will set ablaze the fire of Thy love.
  Thou art, in truth, the Forgiving, the Bountiful.
  --
  O Husayn! Thy name hath been mentioned in the Most Great Prison before this Wronged One and We have revealed for thee that with which none of the books of the world can compare. Unto this beareth witness the King of eternity; yet the generality of mankind are numbered among the heedless. From the Dawning-place of testimony We have raised the Call unto all that dwell in the realm of creation. Amongst men there are those who have been carried away by the fragrance of the utterance of their Lord in such manner that they have forsaken everything which pertaineth unto men in their eagerness to attain the court of the presence of God, the Lord of the mighty throne. There are also those who are sore perplexed and wavering. Others have made haste, winged their way to answer the Call of their Lord, the Ancient of Days. Still others have turned aside, rejected the truth and eventually disbelieved in God, the Almighty, the All-Praised. And there are yet others who have pronounced judgment against Him with such cruelty that every wise and discerning soul hath been moved to lament. We have graciously summoned them unto the river that is life indeed, while they have, with manifest injustice, decreed the shedding of My blood. Thus hath the Day-Star of wisdom shone forth from above the horizon of the utterance of thy Lord, the All-Merciful. Shouldst thou attain unto its light, it behooveth thee to magnify the praise of thy Lord and say, I yield Thee thanks, O God of the worlds.
  251

Talks With Sri Aurobindo 1, #unset, #Arthur C Clarke, #Fiction
  It tells us directly of the Dawn-Goddess that she is raising higher and higher
  whatever is manifested and brings out all that has remained latent, unmanifested. Of course, one has to be familiar with the symbols; then the thing becomes quite clear.
  --
  The poem opens with the Dawn. Savitri awakes on the day of destiny,
  the day when Satyavan has to die. The birth of Savitri is a boon of the

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  At the Dawn of the fifteenth century printing was no longer a novelty
  in Europe. Printing from wooden blocks on vellum, silk, and cloth
  --
  hibernation, but awoke with renewed vigour at the Dawn of the
  Scientific Revolution. Tycho, Kepler, Galileo, destroyed the dogma of
  --
  Upanishads, or ancient Egypt and Greece. At the Dawn of Christian
  Europe the dominant influence were the Neoplatonists; foremost
  --
  near and remote, the dying echo of whence it came to us, the Dawning
  sense of whither it is to lead. The significance, the value of the image,
  --
  Before the Dawn of the scientific revolution, medieval man lived hi a
  closed universe with firm boundaries in space and time a few million
  --
  Thus the Dawn of symbol-consciousness is a gradual, cumulative
  222
  --
  since the Dawn of scientific thought, ought to be sufficient to show that
  the progress of science is neither gradual nor continuous. Each basic
  --
  The decisive phase in the historic cycle, the Dawn of the new
  synthesis, appears as the confluence of previously separate branches of
  --
  of Babylon. At the Dawn of Greek science we find him assuming the
  semi-mythical figure of Pythagoras, the only mortal who could hear
  --
  summer morning. Since the Dawn of civilization, bards and story-
  tellers have produced bags of tricks to provide such Ersatz-stiimdL
  --
  a new thought'. In the average, normal child the Dawn of symbol
  consciousness seems to be a gradual, cumulative process. From
  --
  symbol, which at the Dawn of symbol-consciousness was at first no
  more than a label attached to a pre-existing conceptual schema, soon

The Book of Certitude - P1, #The Book of Certitude, #Baha u llah, #Baha i
  Inasmuch as the Christian divines have failed to apprehend the meaning of these words, and did not recognize their object and purpose, and have clung to the literal interpretation of the words of Jesus, they therefore became deprived of the streaming grace of the Muhammadan Revelation and its showering bounties. The ignorant among the Christian community, following the example of the leaders of their faith, were likewise prevented from beholding the beauty of the King of glory, inasmuch as those signs which were to accompany the Dawn of the sun of the Muhammadan Dispensation did not actually come to pass. Thus, ages have passed and centuries rolled away, and that most pure Spirit hath repaired unto the retreats of its ancient sovereignty. Once more hath the eternal Spirit breathed into the mystic trumpet, and caused the dead to speed out of their sepulchres of heedlessness and error unto the realm of guidance and grace. And yet, that expectant community still crieth out: When shall these things be? When shall the promised One, the object of our expectation, be made manifest, that we may arise for the triumph of His Cause, that we may sacrifice our substance for His sake, that we may offer up our lives in His path? In like manner, have such false imaginings caused other communities to stray from the Kawthar of the infinite mercy of Providence, and to be busied with their own idle thoughts. ["Inasmuch as the Christian..."] The Revelation of Bahá'u'lláh vol. 1 p. 166
  27
  --
  And now, O seeker, it behooveth us firmly to cling unto the 'Urvatu'l-Vuthqá, that perchance we may leave behind the darksome night of error, and embrace the Dawning light of divine guidance. Shall we not flee from the face of denial, and seek the sheltering shadow of certitude? Shall we not free ourselves from the horror of satanic gloom, and hasten towards the rising light of the heavenly Beauty? In such wise, we bestow upon you the fruit of the Tree of divine knowledge, that ye may gladly and joyously abide in the Ridván of divine wisdom. [Ridván] The Kitáb-i-Aqdas; Prayers and Meditations, p. 6; Gleanings From The Writings Of Bahá'u'lláh, p. 31; The Revelation of Bahá'u'lláh, vol. 1, 2, 3, 4
  In another sense, by the terms 'sun', 'moon', and 'stars' are meant such laws and teachings as have been established and proclaimed in every Dispensation, such as the laws of prayer and fasting. These have, according to the law of the Qur'án, been regarded, when the beauty of the Prophet Muhammad had passed beyond the veil, as the most fundamental and binding laws of His dispensation. To this testify the texts of the traditions and chronicles, which, on account of their being widely known, need not be referred to here. Nay rather, in every Dispensation the law concerning prayer hath been emphasized and universally enforced. To this testify the recorded traditions ascribed to the lights that have emanated from the Day-star of Truth, the essence of the Prophet Muhammad. ["In another sense..."] The Revelation of Bahá'u'lláh vol. 1 p. 168
  --
  This is the meaning of the sacred verse: "But nay! I swear by the Lord of the Easts and the Wests," 1 inasmuch as the "Suns" referred to have each their own particular rising and setting place. And as the commentators of the Qur'án have failed to grasp the symbolic meaning of these "Suns," they therefore were at pains to interpret the above-quoted verse. Some of them maintained that owing to the fact that the sun each day rises from a different point, the terms "easts" and "wests" have been mentioned in the plural. Others have written that by this verse the four seasons of the year are intended, inasmuch as the Dawning and setting points of the sun vary with the change of the seasons. Such is the depth of their understanding! None the less, they persist in imputing error and folly to those Gems of knowledge, those irreproachable and purest Symbols of wisdom. 1. Qur'án 70:40.
  44

The Book of Certitude - P2, #The Book of Certitude, #Baha u llah, #Baha i
  Twelve hundred and eighty years have passed since the Dawn of the Muhammadan Dispensation, and with every break of day, these blind and ignoble people have recited their Qur'án, and yet have failed to grasp one letter of that Book! Again and again they read those verses which clearly testify to the reality of these holy themes, and bear witness to the truth of the Manifestations of eternal Glory, and still apprehend not their purpose. They have even failed to realize, all this time, that, in every age, the reading of the scriptures and holy books is for no other purpose except to enable the reader to apprehend their meaning and unravel their innermost mysteries. Otherwise reading, without understanding, is of no abiding profit unto man.
  And it came to pass that on a certain day a needy man came to visit this Soul, craving for the ocean of His knowledge. While conversing with him, mention was made concerning the signs of the Day of Judgment, Resurrection, Revival, and Reckoning. He urged Us to explain how, in this wondrous Dispensation, the peoples of the world were brought to a reckoning, when none were made aware of it. Thereupon, We imparted unto him, according to the measure of his capacity and understanding, certain truths of Science and ancient Wisdom. We then asked him saying: "Hast thou not read the Qur'án, and art thou not aware of this blessed verse: 'On that day shall neither man nor spirit be asked of his Sin?' 1 Dost thou not realize that by 'asking' is not meant asking by tongue or speech, even as the verse itself doth indicate and prove? For afterward it is said: 'By their countenance shall the sinners be known, and they shall be seized by their forelocks and their feet.'" 2 1. Qur'án 55:39.
  --
  That seeker should also regard backbiting as grievous error, and keep himself aloof from its dominion, inasmuch as backbiting quencheth the light of the heart, and extinguisheth the life of the soul. He should be content with little, and be freed from all inordinate desire. He should treasure the companionship of those that have renounced the world, and regard avoidance of boastful and worldly people a precious benefit. At the Dawn of every day he should commune with God, and with all his soul persevere in the quest of his Beloved. He should consume every wayward thought with the flame of His loving mention, and, with the swiftness of lightning, pass by all else save Him. He should succour the dispossessed, and never withhold his favour from the destitute. He should show kindness to animals, how much more unto his fellow-man, to him who is endowed with the power of utterance. He should not hesitate to offer up his life for his Beloved, nor allow the censure of the people to turn him away from the Truth. He should not wish for others that which he doth not wish for himself, nor promise that which he doth not fulfil. With all his heart should the seeker avoid fellowship with evil doers, and pray for the remission of their sins. He should forgive the sinful, and never despise his low estate, for none knoweth what his own end shall be. How often hath a sinner, at the hour of death, attained to the essence of faith, and, quaffing the immortal draught, hath taken his flight unto the celestial Concourse. And how often hath a devout believer, at the hour of his soul's ascension, been so changed as to fall into the nethermost fire. Our purpose in revealing these convincing and weighty utterances is to impress upon the seeker that he should regard all else beside God as transient, and count all things save Him, Who is the Object of all adoration, as utter nothingness. ["That seeker should..."] The Revelation of Bahá'u'lláh vol. 1 p. 187
  ["How often hath a sinner..."] The Revelation of Bahá'u'lláh vol. 2 p. 232
  --
  ["The verses which have rained..."] God Passes By, p. 22; the Dawn-Breakers, p. 248 footnote #7
  216
  --
   ["Among them was..."] The Revelation of Bahá'u'lláh vol. 1 p. 191; the Dawn-Breakers, p. 382 footnote #12
  ["But for whom "God..."] God Passes By, p. 7, p. 50
  --
  ["unique and peerless figure...] God Passes By, p. 50; the Dawn-Breakers p. 485 footnote #28
  [Mullá Muhammad 'Alíy-i-Zanjání] God Passes By, p. 44
  [Mullá Yúsúf-i-Ardibílí] the Dawn-Breakers p. 424 #149 (also #13, p. 399, p. 404 footnote #38)
  [Mullá Mihdíy-i-Khú'í] the Dawn-Breakers p. 423 #147 (also #148)
  [Mullá Mihdíy-i-Kandí] the Dawn-Breakers p. 424 #152, 153
  
  --
  ["The whole world,..."] God Passes By, p. 79; the Dawn-Breakers p. 404 footnote #40
  224
  --
  ["Though young and tender of age..."] the Dawn-Breakers, p. xlix
  231
  --
  And among the evidences of the truth of His manifestation were the ascendancy, the transcendent power, and supremacy which He, the Revealer of being and Manifestation of the Adored, hath, unaided and alone, revealed throughout the world. No sooner had that eternal Beauty revealed Himself in Shíráz, in the year sixty, and rent asunder the veil of concealment, than the signs of the ascendancy, the might, the sovereignty, and power, emanating from that Essence of Essences and Sea of Seas, were manifest in every land. So much so, that from every city there appeared the signs, the evidences, the tokens, the testimonies of that divine Luminary. How many were those pure and kindly hearts which faithfully reflected the light of that eternal Sun, and how manifold the emanations of knowledge from that Ocean of divine wisdom which encompassed all beings! In every city, all the divines and dignitaries rose to hinder and repress them, and girded up the loins of malice, of envy, and tyranny for their suppression. How great the number of those holy souls, those essences of justice, who, accused of tyranny, were put to death! And how many embodiments of purity, who showed forth naught but true knowledge and stainless deeds, suffered an agonizing death! Notwithstanding all this, each of these holy beings, up to his last moment, breathed the Name of God, and soared in the realm of submission and resignation. Such was the potency and transmuting influence which He exercised over them, that they ceased to cherish any desire but His will, and wedded their soul to His remembrance. ["…No sooner had..."] the Dawn-Breakers, p. l
  ["And among the evidences..."] The Revelation of Bahá'u'lláh vol. 1 p. 193
  --
  ["It is related..."] the Dawn-Breakers, p. 65 footnote #14
  ["Knowledge is..."] The Revelation of Bahá'u'lláh vol. 1 p. 216
  --
  ["Hadíth-i-Jábir..."] God Passes By, p. 80; the Dawn-Breakers p. 645 footnote #39
  245

The Book of Job, #The Bible, #Anonymous, #Various
  neither let it see the Dawning of the day:
  10 Because it shut not up the doors of my mother's womb,
  --
  and I am full of tossings to and fro unto the Dawning of the day.
  5 My flesh is clothed with worms and clods of dust;

The Book of Joshua, #The Bible, #Anonymous, #Various
  15 And it came to pass on the seventh day, that they rose early about the Dawning of the day, and compassed the city after the same manner seven times: only on that day they compassed the city seven times.
  16 And it came to pass at the seventh time, when the priests blew with the trumpets,

The Circular Ruins, #Labyrinths, #Jorge Luis Borges, #Poetry
  After nine or ten nights he understood with a certain bitterness that he could expect nothing from those pupils who accepted his doctrine passively, but that he could expect something from those who occasionally dared to oppose him. The former group, although worthy of love and affection, could not ascend to the level of individuals; the latter pre-existed to a slightly greater degree. One afternoon (now afternoons were also given over to sleep, now he was only awake for a couple hours at daybreak) he dismissed the vast illusory student body for good and kept only one pupil. He was a taciturn, sallow boy, at times intractable, and whose sharp features resembled of those of his dreamer. The brusque elimination of his fellow students did not disconcert him for long; after a few private lessons, his progress was enough to astound the teacher. Nevertheless, a catastrophe took place. One day, the man emerged from his sleep as if from a viscous desert, looked at the useless afternoon light which he immediately confused with the Dawn, and understood that he had not dreamed. All that night and all day long, the intolerable lucidity of insomnia fell upon him. He tried exploring the forest, to lose his strength; among the hemlock he barely succeeded in experiencing several short snatchs of sleep, veined with fleeting, rudimentary visions that were useless. He tried to assemble the student body but scarcely had he articulated a few brief words of exhortation when it became deformed and was then erased. In his almost perpetual vigil, tears of anger burned his old eyes.
  He understood that modeling the incoherent and vertiginous matter of which dreams are composed was the most difficult task that a man could undertake, even though he should penetrate all the enigmas of a superior and inferior order; much more difficult than weaving a rope out of sand or coining the faceless wind. He swore he would forget the enormous hallucination which had thrown him off at first, and he sought another method of work. Before putting it into execution, he spent a month recovering his strength, which had been squandered by his delirium. He abandoned all premeditation of dreaming and almost immediately succeeded in sleeping a reasonable part of each day. The few times that he had dreams during this period, he paid no attention to them. Before resuming his task, he waited until the moon's disk was perfect. Then, in the afternoon, he purified himself in the waters of the river, worshiped the planetary gods, pronounced the prescribed syllables of a mighty name, and went to sleep. He dreamed almost immediately, with his heart throbbing.

The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
  of the ancient knowledge. Finally, closer to us, at the Dawn of the 13th century, new elements
  of civilization, science, and art, coming around the 8th century from Northern Africa spread
  --
  announces sunrise and the Dawn of light), expresses one of the qualities of secret quicksilver.
  For that reason the rooster, herald of the sun was consecrated to the God Mercury and appears
  --
  splendor. It marks the Dawn of a new era, the exaltation of the radiating power over the
  regenerated earth and the return of the yearly and cyclical orb ([*521-1] Lucabas in

the Eternal Wisdom, #unset, #Arthur C Clarke, #Fiction
  3) The world is an eternal present, and the present is now; what was is no more and who can say whatwill come or whether tomorrow morning the Dawnwill arise. ~ Anamander
  4) This is why I would put to profit the present moment, penetrated with the conviction that now has come the right moment to seek for the Truth. ~ Fo-shu-hing-tsan-king

The Gold Bug, #unset, #Arthur C Clarke, #Fiction
  It became necessary, at last, that I should arouse both master and valet to the expediency of removing the treasure. It was growing late, and it behooved us to make exertion, that we might get every thing housed before daylight. It was difficult to say what should be done; and much time was spent in deliberation --so confused were the ideas of all. We, finally, lightened the box by removing two thirds of its contents, when we were enabled, with some trouble, to raise it from the hole. The articles taken out were deposited among the brambles, and the dog left to guard them, with strict orders from Jupiter neither, upon any pretence, to stir from the spot, nor to open his mouth until our return. We then hurriedly made for home with the chest; reaching the hut in safety, but after excessive toil, at one o'clock in the morning. Worn out as we were, it was not in human nature to do more just then. We rested until two, and had supper; starting for the hills immediately afterwards, armed with three stout sacks, which, by good luck, were upon the premises. A little before four we arrived at the pit, divided the remainder of the booty, as equally as might be, among us, and, leaving the holes unfilled, again set out for the hut, at which, for the second time, we deposited our golden bur thens, just as the first streaks of the Dawn gleamed from over the tree-tops in the East.
  We were now thoroughly broken down; but the intense excitement of the time denied us repose. After an unquiet slumber of some three or four hours' duration, we arose, as if by preconcert, to make examination of our treasure.

The Gospel According to Matthew, #The Bible, #Anonymous, #Various
  1 Now after the sabbath, toward the Dawn of the first day of the week, Mary Magdalene and the other Mary went to see the sepulchre. 2 And behold, there was a great earthquake; for an angel of the Lord descended from heaven and came and rolled back the stone, and sat upon it. 3 His appearance was like lightning, and his raiment white as snow. 4 And for fear of him the guards trembled and became like dead men. 5 But the angel said to the women,
  "Do not be afraid; for I know that you seek Jesus who was crucified. 6 He is not here; for he has risen, as he said. Come, see the place where he lay. 7 Then go quickly and tell his disciples that he has risen from the dead, and behold, he is going before you to Galilee; there you will see him. Lo, I have told you."

The Hidden Words text, #The Hidden Words, #Baha u llah, #Baha i
    Wherefore do ye wear the guise of shepherds, when inwardly ye have become wolves, intent upon My flock? Ye are even as the star, which riseth ere the Dawn, and which, though it seem radiant and luminous, leadeth the wayfarers of My city astray into the paths of perdition.
  Persian #24

The Immortal, #Labyrinths, #Jorge Luis Borges, #Poetry
  Two or three men followed me confusedly; they were of short stature (like the others of that species), and inspired more revulsion than fear. I had to skirt a number of irregular pits that I took to be ancient quarries; misled by the City's enormous size, I had thought it was much nearer. Toward midnight, I set my foot upon the black shadow - bristling with idolatrous shapes upon the yellow sand - of the City's wall. My steps were halted by a kind of sacred horror. So abhorred by mankind are novelty and the desert that I was cheered to note that one of the Troglodytes had accompanied me to the last. I closed my eyes and waited, unsleeping, for the Dawn.
  I have said that the City was builded on a stone plateau. That plateau, with its precipitous sides, was as difficult to scale as the walls. In vain did my weary feet walk round it; the black foundation revealed not the slightest irregularity, and the invariance of the walls proscribed even a single door. The force of the day drove me to seek refuge in a cavern; toward the rear there was a pit, and out of the pit, out of the gloom below, rose a ladder. I descended the ladder and made my way through a chaos of squalid galleries to a vast, indistinct circular chamber. Nine doors opened into that cellar- like place; eight led to a maze that returned, deceitfully, to the same chamber; the ninth led through another maze to a second circular chamber identical to the first. I am not certain how many chambers there were; my misery and anxiety multiplied them. The silence was hostile, and virtually perfect; aside from a subterranean wind whose cause I never discovered, within those deep webs of stone there was no sound; even the thin streams of iron-colored water that trickled through crevices in the stone were noiseless. Horribly, I grew used to that dubious world; it began to seem incredible that anything could exist save nine-doored cellars and long, forking subterranean corridors. I know not how long I wandered under the earth; I do know that from time to time, in a confused dream of home, I conflated the horrendous village of the barbarians and the city of my birth, among the clusters of grapes.

Thus Spoke Zarathustra text, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  face of all that slept. But when the Dawn came Zara-
  23

WORDNET














IN WEBGEN [10000/288]

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https://www.goodreads.com/book/show/841156.The_Dawn_Palace
https://www.goodreads.com/book/show/8952.Killers_of_the_Dawn
https://www.goodreads.com/book/show/9314584-the-dawn-and-the-eve
https://www.goodreads.com/book/show/95621.As_Sure_as_the_Dawn
https://www.goodreads.com/book/show/958945.Seize_The_Dawn
https://www.goodreads.com/book/show/9930536-lord-of-the-dawn-quetzalcoatl
https://www.goodreads.com/book/show/995145.The_Dawning_of_the_Day
https://www.goodreads.com/book/show/9959253-quest-of-the-dawn-man
https://en.wikiquote.org/wiki/The_Chronicles_of_Narnia:_The_Voyage_of_the_Dawn_Treader
https://en.wikiquote.org/wiki/The_Dawn_(book)
https://en.wikiquote.org/wiki/The_Voyage_of_the_Dawn_Treader
Babylon 5 (1994 - 1998) - It was the dawn of the third age of mankind, ten years after the Earth-Minbari War. The Babylon Project was a dream given form. Its goal: to prevent another war by creating a place where humans and aliens could work out their differences peacefully. It's a port of call, home away from home for diplo...
The Chronicles of Narnia (1988 - 1990) - This was BBC adaptation of C.S Lewis classic book series. The mini-series told the story of Peter, Susan, Edmund and Lucy Pevensie episodically and covered the following stories; The Lion, the Witch and the Wardrobe, Prince Caspian, The Voyage of the Dawn Treader and The Silver Chair
History of the World Part I(1981) - From the dawn of man to the distant future, mankind's evolution (or lack thereof) is traced. Often ridiculous but never serious, we learn the truth behind the Roman Emperor, we learn what REALLY happened at the last supper, the circumstances that surrounded the French Revolution, how to test eunuchs...
October Sky(1999) - NASA engineer Homer H. Hickam, Jr.'s autobiography provided the basis for this drama about a teenager coming of age at the dawn of the space race. In 1957, Homer Hickam (Jake Gyllenhaal) is a high school student in Coalwood, West Virginia when the Soviet Union launches Sputnik, the first man-made sa...
Minions(2015) - Evolving from single-celled yellow organisms at the dawn of time, Minions live to serve, but find themselves working for a continual series of unsuccessful masters, from T. Rex to Napoleon. Without a master to grovel for, the Minions fall into a deep depression. But one minion, Kevin, has a plan; ac...
Ironmaster(1983) - A tale that takes place at the dawn of history. The movie tells the story of a tribe that discovers how to fashion weapons out of iron and use them for their own survival. However, the creation of iron also causes the tribe to battle for possession of the new weapons.
The Lonely Guy(1984) - This film is for lonely guys everywhere. From the dawn of time to a thousand years into the future; from Asia to Africa, there will always be one, but this is the story of New Yorker Larry Hubbard who finds himself single after being dumped by his girlfriend. With the help of the equally lonely Warr...
https://myanimelist.net/anime/11077/Hellsing__The_Dawn -- Action, Horror, Seinen, Supernatural, Vampire
https://myanimelist.net/anime/23825/Ys_IV__The_Dawn_of_Ys --
https://myanimelist.net/manga/56435/Shinohayu__the_Dawn_of_Age
https://myanimelist.net/manga/751/Hellsing__The_Dawn
Day of the Falcon (2011) ::: 6.7/10 -- Black Gold (original title) -- Day of the Falcon Poster -- Set in the 1930s Arab states at the dawn of the oil boom, the story centers on a young Arab prince torn between allegiance to his conservative father and modern, liberal father-in-law. Director: Jean-Jacques Annaud Writers:
Red Dawn (1984) ::: 6.4/10 -- PG-13 | 1h 54min | Action, Drama | 10 August 1984 (USA) -- It is the dawn of World War III. In mid-western America, a group of teenagers band together to defend their town, and their country, from invading Soviet forces. Director: John Milius Writers:
https://adultswim.fandom.com/wiki/The_Dawn_Is_Your_Enemy
https://blasphemous.fandom.com/wiki/Hall_of_the_Dawning
https://dcextendeduniverse.fandom.com/wiki/DC_Films_Presents:_The_Dawn_of_the_Justice_League
https://dc.fandom.com/wiki/Army_of_the_Dawn
https://dc.fandom.com/wiki/Young_Justice_(TV_Series)_Episode:_Before_the_Dawn
https://deusex.fandom.com/wiki/Deus_Ex_Universe:_The_Dawning_Darkness
https://dnd4.fandom.com/wiki/Ancient_Lore_of_the_Dawn_War
https://dnd4.fandom.com/wiki/Thunder_of_the_Dawn_War
https://elderscrolls.fandom.com/wiki/Destroying_the_Dawnguard
https://elderscrolls.fandom.com/wiki/Look_to_the_Dawn
https://elderscrolls.fandom.com/wiki/Meridia's_Charm_of_the_Dawn
https://elgoonishshive.fandom.com/wiki/The_Dawn
https://eq2.fandom.com/wiki/Guild:The_Dawn_Alliance
https://fanfiction.fandom.com/wiki/Ancient_Legacy_Of_The_Strongest_Beings_In_Existence_&_The_Entire_Universe-Neon_Genesis_Sailor_Moon_Imperial_Galaxy_Zero_Star_Storm_&_Digimon_Fusion_Kai_Infinity_Masters:_Rising_Of_The_New_Grand_Age_Of_Freedom_&_Peace,_The_Dawn_Of_The_Imperial_Millennium
https://fanfiction.fandom.com/wiki/Bleach:_Return_of_The_True_Soul_King_&_The_Dawn_of_A_New_Age_for_All_Dimensions
https://forgottenrealms.fandom.com/wiki/Forge_of_the_Dawn_Titan
https://forgottenrealms.fandom.com/wiki/Radiance_of_the_dawn
https://forgottenrealms.fandom.com/wiki/Seekers_of_the_Dawn
https://forgottenrealms.fandom.com/wiki/The_Dawn_Warrior
https://hellsing.fandom.com/wiki/Hellsing:_The_Dawn
https://hellsing.fandom.com/wiki/Hellsing:_The_Dawn_(anime)
https://isu.fandom.com/wiki/Ys_IV:_The_Dawn_of_Ys
https://kingdomhearts.fandom.com/wiki/Way_to_the_Dawn
https://memory-alpha.fandom.com/wiki/Raise_the_Dawn
https://memory-beta.fandom.com/wiki/Raise_the_Dawn
https://narnia.fandom.com/wiki/Prince_Caspian_&_The_Voyage_of_the_Dawn_Treader_(BBC)
https://narnia.fandom.com/wiki/The_Voyage_of_the_Dawn_Treader
https://narnia.fandom.com/wiki/The_Voyage_of_the_Dawn_Treader_(film)
https://rwby.fandom.com/wiki/RWBY:_Before_the_Dawn
https://saki.fandom.com/wiki/Shinohayu_the_Dawn_of_Age
https://saki.fandom.com/wiki/Side_Story_of_Saki:_Shinohayu_the_Dawn_of_Age
https://shadowhunters.fandom.com/wiki/Son_of_the_Dawn
https://tardis.fandom.com/wiki/Bernstein_(Herald_of_the_Dawn)
https://tardis.fandom.com/wiki/Chasing_the_Dawn_(short_story)
https://tardis.fandom.com/wiki/Felicity_(Herald_of_the_Dawn)
https://tardis.fandom.com/wiki/Herald_of_the_Dawn_(audio_story)
https://tes-sandbox.fandom.com/wiki/Myths_of_the_Dawn_Era
https://theshatareu.fandom.com/wiki/Silence_of_the_Dawn
https://whitewolf.fandom.com/wiki/Exalted_2:_Relic_of_the_Dawn
https://wowwiki-archive.fandom.com/wiki/Chromatic_Mantle_of_the_Dawn
https://wowwiki-archive.fandom.com/wiki/Insignia_of_the_Dawn
https://wowwiki-archive.fandom.com/wiki/Priestess_of_the_Dawn
https://wowwiki-archive.fandom.com/wiki/Shrine_of_the_Dawn
https://wowwiki-archive.fandom.com/wiki/The_Dawnchaser
https://wowwiki-archive.fandom.com/wiki/Tome_of_the_Dawn
https://youngjustice.fandom.com/wiki/Before_the_Dawn
Big Wars: Kami Utsu Akaki Kouya ni -- -- Magic Bus -- 1 ep -- Novel -- Action Military Sci-Fi Space -- Big Wars: Kami Utsu Akaki Kouya ni Big Wars: Kami Utsu Akaki Kouya ni -- It is the dawn of the 21st century. Mankind has terraformed and colonized Mars. But we are not alone in the universe. An ancient race of alien beings, known only as "The Gods," has been watching mankind's progress ...and waiting. Now, these mysterious aliens have returned to halt mankind's expansion into space ...by force. -- -- Now, the planet named after the God of War will become our final battlefield, as mankind fights a desperate battle with the latest in high-tech, military hardware: hyper-advanced aircraft, orbital fighters, and gigantic, desert battleships brimming with the most advanced weaponry. -- -- But will it be enough? The aliens have awesome, incredibly destructive weapons at their disposal—including "Hell"—an unstoppable stealth carrier. But the alien's primary weapon is insidiously quiet and invisible—a mind control plaque. Incurable. Inevitable. Contagious. Humans are powerless to resist its effects, which transforms even the most loyal soldiers into dangerous subversives. -- -- Our last hope lies with Captain Akuh and the crew of the Battleship Aoba. If his top-secret mission is successful, mankind will deal a decisive blow to the alien armada. But Akuh's girlfriend is showing signs of nymphomania—the first symptom of alien subversion! -- -- (Source: AnimeNfo) -- -- Licensor: -- Central Park Media -- OVA - Sep 25, 1993 -- 2,482 5.45
Devilman: Yochou Sirene-hen -- -- Oh! Production -- 1 ep -- Manga -- Demons Horror Sci-Fi Supernatural -- Devilman: Yochou Sirene-hen Devilman: Yochou Sirene-hen -- Demons exist and their power is beyond what humans can fathom. In fact they are so strong that humans do not stand a chance against them in a fight. -- -- The only thing strong enough to defeat a demon is another demon and it is trough this logic that Ryo Asuka hatches the plan to have his good-hearted friend Akira Fudo possessed by a demon. If a person is of pure of heart then he might be able to control the demon that posses him and thereby acquire power equal to a demon. After raising some hell in a club the plan works and Akira is possessed by the powerful demon known as Amon. -- -- Now Akira is humanities sole champion of justice against the hidden demon menace that has plagued humanity since the dawn of time. -- -- (Source: ANN) -- -- Licensor: -- Discotek Media, Manga Entertainment -- OVA - Feb 25, 1990 -- 16,997 7.03
Devilman: Yochou Sirene-hen -- -- Oh! Production -- 1 ep -- Manga -- Demons Horror Sci-Fi Supernatural -- Devilman: Yochou Sirene-hen Devilman: Yochou Sirene-hen -- Demons exist and their power is beyond what humans can fathom. In fact they are so strong that humans do not stand a chance against them in a fight. -- -- The only thing strong enough to defeat a demon is another demon and it is trough this logic that Ryo Asuka hatches the plan to have his good-hearted friend Akira Fudo possessed by a demon. If a person is of pure of heart then he might be able to control the demon that posses him and thereby acquire power equal to a demon. After raising some hell in a club the plan works and Akira is possessed by the powerful demon known as Amon. -- -- Now Akira is humanities sole champion of justice against the hidden demon menace that has plagued humanity since the dawn of time. -- -- (Source: ANN) -- OVA - Feb 25, 1990 -- 16,997 7.03
Dr. Slump: Arale-chan -- -- Toei Animation -- 243 eps -- Manga -- Sci-Fi Slice of Life Comedy Shounen -- Dr. Slump: Arale-chan Dr. Slump: Arale-chan -- Dr. Slump creates a little android girl, Arale, who is very stong, happy, and totally common senseless. They live in Penguin Village where the strangest things happen (e.g., the dawn is announced by a little pig wearing a basquee). -- -- (Source: ANN) -- 11,638 7.15
Hellsing: The Dawn -- -- Graphinica -- 3 eps -- Manga -- Action Horror Seinen Supernatural Vampire -- Hellsing: The Dawn Hellsing: The Dawn -- During the height of World War II, Nazi Germany seeks to strengthen their soldiers with technology crafted under the influence of vampiric biology. Out of fear of this technology turning the tide of war in the Axis's favor, Sir Arthur Hellsing enlists his butler and soldier Walter C. Dornez and vampire Alucard to put a stop to the German plot, sending the two men into a conflict that will scar them both forever. -- -- -- Licensor: -- Funimation -- Special - Jul 27, 2011 -- 76,452 7.18
Hellsing: The Dawn -- -- Graphinica -- 3 eps -- Manga -- Action Horror Seinen Supernatural Vampire -- Hellsing: The Dawn Hellsing: The Dawn -- During the height of World War II, Nazi Germany seeks to strengthen their soldiers with technology crafted under the influence of vampiric biology. Out of fear of this technology turning the tide of war in the Axis's favor, Sir Arthur Hellsing enlists his butler and soldier Walter C. Dornez and vampire Alucard to put a stop to the German plot, sending the two men into a conflict that will scar them both forever. -- -- Special - Jul 27, 2011 -- 76,452 7.18
Hi no Tori -- -- Tezuka Productions -- 13 eps -- Manga -- Sci-Fi Adventure Historical Supernatural Drama -- Hi no Tori Hi no Tori -- From prehistoric times to the distant future, Hi no Tori portrays how the legendary immortal bird Phoenix acts as a witness and chronicler for the history of mankind's endless struggle in search of power, justice, and freedom. -- -- The Dawn -- Since time immemorial, people have sought out the legendary Phoenix for its blood, which is known to grant eternal life. Hearing about rumored Phoenix sightings in the Land of Fire, Himiko—the cruel queen of Yamatai obsessed with immortality—sends her army to conquer the nation and retrieve the creature. Young Nagi, his elder sister Hinaku, and her foreign husband Guzuri are the only survivors of the slaughter. But while Nagi is taken prisoner by the enemy, elsewhere, Hinaku has a shocking revelation. -- -- The Resurrection -- In a distant future where Earth has become uninhabitable, Leona undergoes surgery on a space station to recover from a deadly accident. However, while also suffering from amnesia, his brain is now half cybernetic and causes him to see people as formless scraps and robots as humans. Falling in love with Chihiro, a discarded robot, they escape together from the space station to prevent Chihiro from being destroyed. Yet as his lost memories gradually return, Leona will have to confront the painful truth about his past. -- -- The Transformation -- Yearning for independence, Sakon no Suke—the only daughter of a tyrant ruler—kills priestess Yao Bikuni, the sole person capable of curing her father's illness. Consequently, she and her faithful servant, Kahei, are unexpectedly confined to the temple grounds of Bikuni's sanctuary. While searching for a way out, Sakon no Suke assumes the priestess's position and uses a miraculous feather to heal all those reaching out for help. -- -- The Sun -- After his faction loses the war, Prince Harima's head is replaced with a wolf's. An old medicine woman who recognizes his bloodline assists him and the wounded General Azumi-no-muraji Saruta in escaping to Wah Land. But their arrival at a small Wah village is met with unexpected trouble as Houben, a powerful Buddhist monk, wants Harima dead. With the aid of the Ku clan wolf gods that protect the village's surroundings, he survives the murder attempt. After tensions settle, Saruta uses his established reputation in Wah to persuade the villagers to welcome Harima into their community. Over a period of time, Harima becomes the village's respected leader under the name Inugami no Sukune. But while the young prince adapts to his new role, he must remain vigilant as new dangers soon arise and threaten his recently acquired tranquility. -- -- The Future -- Life on Earth has gradually ceased to exist, with the survivors taking refuge in underground cities. To avoid human extinction, Doctor Saruta unsuccessfully tries to recreate life in his laboratory. However, the unexpected visit of Masato Yamanobe, his alien girlfriend Tamami, and his colleague Rock Holmes reveals a disturbing crisis: the computers that regulate the subterranean cities have initiated a nuclear war that will eliminate all of mankind. -- -- TV - Mar 21, 2004 -- 7,595 7.10
Kuromukuro -- -- P.A. Works -- 26 eps -- Original -- Action Sci-Fi Mecha -- Kuromukuro Kuromukuro -- During the dawn of the 21st century, the United Nations Kurobe Research Institute was established in Japan to investigate an ancient artifact, which was discovered during the construction of the Kurobe Dam. Scientists from around the world have gathered in the facility to study the object, while their children enjoy their everyday lives attending Mt. Tate International Senior High School. -- -- Yukina Shirahane, a reserved high school girl, is the daughter of the facility's head scientist. While visiting her mother at the facility, Yukina manages to solve part of the artifact's puzzle. To her surprise, what appears before her is Kennosuke Tokisada Ouma, a young samurai from the Sengoku era. -- -- As a threat approaches from outer space, Yukina, along with Kennosuke, finds herself defending Earth against the invading forces. Along the way, she discovers the mystery behind Kennosuke and the reason he is determined to protect her. -- -- 115,000 7.19
Kuromukuro -- -- P.A. Works -- 26 eps -- Original -- Action Sci-Fi Mecha -- Kuromukuro Kuromukuro -- During the dawn of the 21st century, the United Nations Kurobe Research Institute was established in Japan to investigate an ancient artifact, which was discovered during the construction of the Kurobe Dam. Scientists from around the world have gathered in the facility to study the object, while their children enjoy their everyday lives attending Mt. Tate International Senior High School. -- -- Yukina Shirahane, a reserved high school girl, is the daughter of the facility's head scientist. While visiting her mother at the facility, Yukina manages to solve part of the artifact's puzzle. To her surprise, what appears before her is Kennosuke Tokisada Ouma, a young samurai from the Sengoku era. -- -- As a threat approaches from outer space, Yukina, along with Kennosuke, finds herself defending Earth against the invading forces. Along the way, she discovers the mystery behind Kennosuke and the reason he is determined to protect her. -- -- -- Licensor: -- Ponycan USA -- 115,000 7.19
Mahouka Koukou no Rettousei -- -- Madhouse -- 26 eps -- Light novel -- Action Magic Romance School Sci-Fi Supernatural -- Mahouka Koukou no Rettousei Mahouka Koukou no Rettousei -- In the dawn of the 21st century, magic, long thought to be folklore and fairy tales, has become a systematized technology and is taught as a technical skill. In First High School, the institution for magicians, students are segregated into two groups based on their entrance exam scores: "Blooms," those who receive high scores, are assigned to the First Course, while "Weeds" are reserve students assigned to the Second Course. -- -- Mahouka Koukou no Rettousei follows the siblings, Tatsuya and Miyuki Shiba, who are enrolled in First High School. Upon taking the exam, the prodigious Miyuki is placed in the First Course, while Tatsuya is relegated to the Second Course. Though his practical test scores and status as a "Weed" show him to be magically inept, he possesses extraordinary technical knowledge, physical combat capabilities, and unique magic techniques—making Tatsuya the irregular at a magical high school. -- -- -- Licensor: -- Aniplex of America -- 798,705 7.50
Mo Ri Shu Guang -- -- Dawn Animation -- 20 eps -- Novel -- Action Horror Psychological Supernatural Thriller Shounen Ai -- Mo Ri Shu Guang Mo Ri Shu Guang -- In the year of 2013, the tide of zombies outbreak exploded in everyone's homeland, humanity launches a large-scale battle in the endless nights awaiting for the arrival of the dawn. -- -- The end is approaching, is there going to be a way out for them? -- Their faiths were shattered into pieces and buried in ashes in the raging fire. But within the blazing fire, a newborn hope arise once again. -- -- (Source: polarbearadise) -- ONA - May 20, 2018 -- 3,851 6.19
Pachislo Kizoku Gin -- -- Actas -- 23 eps -- - -- Action Game -- Pachislo Kizoku Gin Pachislo Kizoku Gin -- Ginya Otonashi is a college dropout who works part-time for a pachislot publishing company while aspiring to become a novelist. One day, Ginya comes across a secret organization and gets pulled into a competition to become #1 in "Pachi Battle," which is all a part of the Slotseum, a pachislot competition. -- -- (Source: ANN) -- TV - Apr 11, 2001 -- 644 N/A -- -- Ys IV: The Dawn of Ys -- -- - -- 1 ep -- Game -- Action Adventure Fantasy Game -- Ys IV: The Dawn of Ys Ys IV: The Dawn of Ys -- This was an animated promotional video that Falcom commissioned for Ys IV: The Dawn of Ys game for PC Engine, to shop around to various production houses. This was done in hopes of getting it made into a full-scale animated series/movie/etc., but it never panned out. -- -- (Source: You Tube) -- Special - ??? ??, 1993 -- 630 5.78
Saint Seiya: Legend of Sanctuary -- -- Toei Animation -- 1 ep -- Manga -- Sci-Fi Adventure Fantasy Shounen -- Saint Seiya: Legend of Sanctuary Saint Seiya: Legend of Sanctuary -- From the dawn of time, there have been warriors who protected the Goddess Athena. Once forces of evil appear, these warriors, called the Saints will present themselves. -- -- A young woman, Saori Kido, learns about this force known as "Cosmos" and that she is the reincarnation of Athena, protector of love and peace on Earth. However, the Pope of the Sanctuary, who is in the charge of all the Saints, does not take kindly to Saori, and targets her for usurping the identity of Athena. An assassin is sent out to kill her. Fortunately, one of the Bronze Saints, Seiya, manages to protect her. But will Seiya be able to protect Saori through to the end in the gripping saga of Saint Seiya: Legend of Sanctuary? -- Movie - Jun 21, 2014 -- 22,689 6.24
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And Suddenly the Dawn
Before the Dawn
Before the Dawn (band)
Before the Dawn (book)
Before the Dawn Heals Us
Before the Dawn (Kate Bush album)
Before the Dawn (Kate Bush concert residency)
Before the Dawn (Shin album)
Black & White Episode I: The Dawn of Assault
By the Dawn's Early Light (disambiguation)
Encounter in the Dawn
Frontier of the Dawn
Here Comes the Dawn
Hold Back the Dawn
Jo Pil-ho: The Dawning Rage
List of Yona of the Dawn episodes
Necronomicon: The Dawning of Darkness
Night of the Day of the Dawn
Operation Before the Dawn
Prince Caspian/The Voyage of the Dawn Treader (1989 TV serial)
Riders of the Dawn
Riders of the Dawn (1945 film)
Riders of the Dawn (1990 film)
Self-Portrait (Inn of the Dawn Horse)
Sing to the Dawn
Sing to the Dawn (2008 film)
Song of the Dawn
Sound the Alarm (The Dawn album)
Spirit of the Dawn (ship)
The Chronicles of Narnia: The Voyage of the Dawn Treader
The Chronicles of Narnia: The Voyage of the Dawn Treader (video game)
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Warriors of the Dawn
We Break the Dawn
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